Podcasts about Black Snake Moan

Let's try to save the blues from SINNERS. After reviewing Ry Coogler's latest up against the much more profound BLACK SNAKE MOAN (2006) and more liberated CROSSROADS (1986), I take Glen Rockney and Crypto Psi of Rare Candy on a personal-historical tour of the music that made me the man (and woman) I am today.    For the full 3+hour jukebox fish fry subscribe to the show at patreon.com/filthyarmenian -- you'll also get access to our upcoming live event HIVE this June in LA (14th), Austin (17th), NYC (21st) and London (tbd)   Also mentioned in this episode: Blues People: The Negro Experience in White America and the Music That Developed from It by LeRoi Jones Rock Folk: Portraits from the Rock n' Roll Pantheon by Michael Lydon And a roster of bluesman and women too long to list.

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!Welcome back to Bad Dads Film Review, where this week we tackle one of the more provocative and unexpected Southern dramas of the 2000s: Black Snake Moan. Directed by Craig Brewer (coming off the back of Hustle & Flow), this 2006 film is a steamy, blues-soaked morality tale that's equal parts sweaty melodrama, redemption story, and twisted fairy tale.Set in the heat-hazed Deep South, the film centres around Lazarus (Samuel L. Jackson), a recently heartbroken, God-fearing bluesman trying to make sense of his life after his wife leaves him. One morning he discovers Rae (Christina Ricci), a beaten, half-naked young woman, lying unconscious on the roadside outside his home.Rae, it turns out, is in the grip of a destructive form of hypersexuality, fuelled by childhood trauma and exacerbated by the departure of her boyfriend Ronnie (Justin Timberlake), who's been sent off to the military. Convinced that he's been given a sign from God, Lazarus decides to "cure" Rae of her demons—by chaining her to his radiator and keeping her indoors until she's healed.Yes, you read that right. Samuel L. Jackson gives one of his more underrated performances here, dialling down the swagger and leaning into quiet intensity. Christina Ricci is absolutely fearless—vulnerable, unhinged, and magnetic. Together, their dynamic is unpredictable and uncomfortable, but strangely compelling.Black Snake Moan is not one for a casual Friday night with the kids. It's adult in every sense—narratively, thematically, and visually. But for those looking for a film that gets under the skin, challenges moral assumptions, and leans into some serious swampy weirdness, it's worth the plunge.It's also a rare thing: a redemption story that's not afraid to be messy, ambiguous, and morally murky. You might not love it, but you probably won't forget it.Like the blues songs it honours, Black Snake Moan is raw, aching, and full of contradictions. It's about broken people trying to find healing in a world that doesn't offer easy answers. Misunderstood by some, championed by others, it's a film that howls with pain but hums with strange hope.

Our Score - 5.83/10 (C-)Rotten Tomatoes - 66%IMDB - 6.9/10Chosen By: Matt McNealIn the first episode of our new theme, Matt McNeal chose Black Snake Moan, claiming Samuel L. Jackson should have been Oscar nominated for his performance. Were we convinced? Listen and find out!

On this week's Loudini Rock & Roll Circus we dig deep into the history of distortion and the electric guitar and how is shaped the sound of rock music.     Topics Discussed: What we did this week: Loudini: Twan Moore & the Train, Black Snake Moan, Are meet and greets worth it? Perry & Dave, The VMA's are still a thing, why that's bad, How D2C is poised to destroy streaming, The tools that musician's need to get hired (not what you think), What Rick Beato (and others) don't understand about today's "charts". Why no bands on "the charts". Robert Epstein explains our "Google-fied" world. Mr. Pittsburgh: Selling guitar to the Wolf, What happened to The Donnas?     The History or Distortion: https://www.guitarworld.com/features/the-evolution-of-distortion-how-advances-in-gear-paved-the-way-for-heavy-music   https://thejhsshow.com/articles/what-you-need-to-know-about-overdrive-pedals       The history of distortion is deeply intertwined with the development of the electric guitar, as the two evolved together to shape the sound of modern music. Here's an overview:   ### **Early Days: Accidental Origins (1940s-1950s)** Distortion originally came about as a mistake. In the 1940s and early 1950s, guitarists accidentally discovered that pushing tube amplifiers beyond their normal limits created a gritty, overdriven sound. This was typically caused by damaged speaker cones or malfunctioning amp circuits. Guitarists like Willie Johnson of Howlin' Wolf and bluesmen such as Elmore James and Muddy Waters were among the early users of this overdriven tone, which gave their sound more power and raw emotion.   ### **First Deliberate Use: 1950s-1960s** By the late 1950s, guitarists started to intentionally seek out distorted sounds. Link Wray, known for his 1958 instrumental "Rumble," achieved distortion by poking holes in his amplifier's speaker cone. This gave the song a unique, menacing tone that laid the foundation for rock and roll's aggressive edge.   In 1961, the first commercially available distortion device, the Maestro Fuzz-Tone pedal (FZ-1), was created by Gibson, famously used in The Rolling Stones' 1965 hit "(I Can't Get No) Satisfaction." This marked a pivotal moment in the history of guitar distortion, as fuzz became a sought-after effect in rock music.   ### **The Rise of Fuzz and Overdrive (1960s-1970s)** The 1960s saw distortion evolve further with the fuzz effect. Artists like Jimi Hendrix and Keith Richards popularized fuzz pedals, using them to achieve a thick, saturated tone. Hendrix, especially, made innovative use of distortion in tracks like “Purple Haze,” helping to push the boundaries of what was possible with the electric guitar.   Around the same time, the concept of overdrive became more refined. Instead of extreme fuzz, overdrive pedals like the Ibanez Tube Screamer simulated the natural distortion that tube amps produced when cranked to high volumes. This allowed guitarists to achieve warm, harmonically rich distortion at lower volumes, making it more versatile for different styles of playing.   ### **Heavy Metal and High-Gain Amplifiers (1970s-1980s)** In the 1970s and 1980s, distortion became even heavier as bands like Black Sabbath, Led Zeppelin, and later Metallica pushed the limits of gain. Marshall amplifiers, known for their high-gain tone, became the go-to choice for hard rock and metal bands, allowing for more sustained and aggressive sounds. Guitarists like Tony Iommi (Black Sabbath) and Eddie Van Halen were known for their iconic distorted tones, which relied heavily on both amp overdrive and distortion pedals.   ### **The Modern Era: Digital Distortion (1990s-Present)** In the 1990s, digital technology revolutionized distortion. Digital pedals and multi-effects units began to emulate the classic sounds of tube amps and analog pedals with greater precision. This era also saw the rise of more extreme metal genres that demanded even more distortion and gain, pushing pedal manufacturers to create high-gain stompboxes like the Boss Metal Zone.   Today, digital amplifiers and software (e.g., Line 6 Helix, Kemper Profiling Amp) allow guitarists to access a wide range of distortion tones, from vintage fuzz to modern high-gain sounds, all in one device. Players can easily shape their sound using a combination of analog and digital tools, blending the warmth of traditional   New & Notable: Loudini: The Damn Truth; Love Out Of Luck Mr Pittsburgh: The Warning; Six Feet Deep

Matty Ice & TrollTollTrav dive into the latest entry into Fans 4 Life covering the second chapter of Quintin Dorsey's own Knights of Abyss. Quintin's mission is to serve the masses of black manga and anime fans neglected in the mainstream entertainment industry and provide a new pathway to getting original IP's adapted into anime. With DB4L and Quintin's goals, ideals, and vision so closely aligned, there was no question when it came time to pick the next focus of this segment powered by fandom, and guided by excellence! Check out their discussion now! You can learn more about the project and help fund the anime adaptation of Knights of Abyss here And read this series for yourself on Webtoon: Click here  Check out our Linktree and other podcasts: https://linktr.ee/db4l  Subscribe on Apple Podcasts: https://podcasts.apple.com/us/podcast/dragon-ball-4-life/id1645000686  Subscribe on Spotify: https://open.spotify.com/show/0WTmVFsC3z7sdl0UEZiP2X  Subscribe on Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9hbmNob3IuZm0vcy84MGY3MDEwNC9wb2RjYXN0L3Jzcw  Follow us on Instagram: https://www.instagram.com/db4l_pod/  Follow us on Twitter: https://twitter.com/DB4L_POD  --- Support this podcast: https://podcasters.spotify.com/pod/show/db4lpod/support

Si è arrivati al weekend con belle dosi di psichedelia rock e blues perché Alternitalia, nella sua prima parte, ha preparato un bel percorso acido che ha introdotto all’intervista e al live set di Black Snake Moan che ha presentato dal vivo il nuovo disco “Lost in time”. Inoltre non sono mancate proposte poi più

Black Snake Moan è un apprezzato artista di Tarquinia che ha trasformato il suo progetto in un duo e che propone un ammaliante ed acido psichedelico blues, una proposta che si mantiene ad alti livelli anche nel nuovo disco “Lost in time”, edito da Area Pirata. La formazione ha presentato anche con live set all’interno

Grammy-winning blues musician Cedric Burnside chats with Trey Elling, ahead of his May 9th-11th tour stops in Houston, Austin, and San Antonio. Topics include: His new album, HILL COUNTRY LOVE (0:00) Evolving as a musician (3:21) His granddad, RL Burnside (7:53) His meek childhood (11:18) Making it through the hard times (13:33) Juke joints (16:34) Describing hill country blues (18:44) Playing in Austin (20:26) Winning a Grammy (23:18) His cameo in BLACK SNAKE MOAN (26:25) Kitchen skills (28:06) Parenting challenges in 2024 (29:30) An ode to the blues (34:16)

Amy Vincent, ASC did not originally set out to become a cinematographer. While studying veterinary medicine at UC Santa Cruz, she got a work study job hanging lights for the theater department. She fell in love with the creative art of lighting, and soon transitioned to the theater arts department. Amy found her natural affinity for math and science matched the skill set needed for technical theater production. She began making short films at UCSC, moving to Los Angeles after college to pursue a career in film. Amy's first job was as an assistant editor, but she really wanted to work in the camera department. So she began working her way up from camera intern to camera assistant, working with notable DPs such as Bill Pope on Clueless and Robert Richardson on Natural Born Killers. A few years into her career as a camera assistant, Amy decided to go to grad school at AFI. She shot many student short films for free before meeting writer and director Kasi Lemmons. Amy could tell from page one that the script for Eve's Bayou was something personal and special. They made the short film together, then over the course of three years, Lemmons raised enough money and interest to turn Eve's Bayou into a feature. It was Amy's first movie as a cinematographer and it became her first big breakout. One of Amy's frequent collaborators was director Craig Brewer. She was given a copy of his first film on VHS, then the two met to discuss making 2005's Hustle & Flow. “I think the beauty of where my collaboration with Craig and the process of making the movie was what the movie was about. The two folded over on each other. I mean, it's the idea of making music or making a movie by whatever means necessary. And there was something that became so apparent in the process. For example, we tried on a whole bunch of different formats, like, what are we going to shoot? At one point we were going to shoot Mini DV, because that's what Craig knew and then we settled into Super 16.” She and Brewer went on to work together on Black Snake Moan and the 2011 Footloose remake. Throughout her career, Amy has enjoyed collaborating with directors on smaller movies. Her most recent project, A Nice Indian Boy, had a very low budget and it had to be shot quickly before the actors strike. “It is so cool to have a really funny rom com that's gay and Indian. It would have been great to have more time and more money to make that movie, but I love all of the things that came together to make this simple little movie. It's really important to me to be able to make a movie that means something to a slightly different community.” Amy recently received the ASC Presidents Award, which recognizes her long career as a cinematographer and a mentor to new cinematographers. She's also an artist in residence at Loyola Marymount University, where she teaches film classes and mentors students making short films. You can see Amy's recent work on the show Parish with Giancarlo Esposito on AMC+. A Nice Indian Boy premiered at the SXSW Film Festival to critical acclaim, and is seeking distribution. Find Amy Vincent: https://www.amyvincentasc.com/ Instagram: @amyvvincent Sponsored by Hot Rod Cameras www.hotrodcameras.com The Cinematography Podcast website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

It isn't easy to shed a boyband or girl group image.  Over the years, plenty of artists have tried and failed to hit the heights of superstardom that they have seen in a group setting. In many ways; the bigger the group, the more of an uphill battle it is to prove to fans that a solo career is a serious, worthwhile endeavor.   Without re-litigating the entire NSYNC-to-solo-star trajectory of Justin Timberlake, it is important to look back at what was one of the more seamless breakout transitions to solo stardom in pop history, and where Justin Timberlake stood in the pop world in the years leading to SexyBack. In 2002, NSYNC finished up their heralded Celebrity Tour that was praised by critics as a more ‘accessible and down-to-earth' show.  As if specifically crafted to give all of the boys in the group a glow-up, the tour included medleys of the Beatles and the Temptations, and focused on downtempo songs with more musicality to them. The pop hits were still there of course, but the message was certainly that NSYNC had grown up. The tour was short; just under two months long - and they even canceled BOTH Canadian dates in Toronto and Montreal in the run-up, (thanks for that boys) and by April 28th - just in time for fans to say “It's gonna be MAY” - it was all over.  Justin was just getting started though, and began working on his debut album Justified almost immediately. Working with 2000s hitmakers like The Neptunes, Scott Storch, and Timbaland, JT was ready to embrace the R&B sound that NSYNC had been toying with near the end of their run, but never fully committed to. Although Jackson-Inspired Singles “Like I Love You”, “Senorita” and “Rock Your Body” didn't have as much success as the album's most iconic song “Cry Me A River” they certainly were not flops - and Justified went triple platinum in America, double platinum in Canada, and SIX times platinum in the UK. By 2004, Justified was nominated for multiple GRAMMY awards, and beat out Christina Aguilera, George Harrison, Annie Lennonx and Michael McDonald for best pop vocal album.  All of this is to say what is blatantly obvious - Yes, Justin Timberlake was a star, all by himself. Moving on from music as a whole in the years that followed, Justin Timberlake spent the majority of 2004-2006 getting his feet wet in Hollywood, with roles in such films as Edison, Alpha Dog, Black Snake Moan, and Southland Tales. While not exactly undeniable successes, the films did help Justin continue to shed any last remnants of boyband smell on him, and allowed him to reinvent himself as a true polymath - Justin wasn't just a run of the mill every day *singer* - he was a full-fledged *artist*, a tastemaker, and he was ready to bring us into the future - and with him; he was bringing Sexy… back. This is the true story of Justin Timberlake's 2006 return hit 'Sexyback' Also Contains audio from: Pharrell On How Prince & Michael Jackson Both Turned Down His Music. Peep What Songs! Johnny Harris dissects 'Nipplegate'

On the 362nd episode of Piecing It Together, Joe Black joins me to talk about Road House! Doug Liman and Jake Gyllenhaal's reimagining of the Patrick Swayze cult classic is a hoot and we had a lot to get into. Puzzle pieces include Black Snake Moan, 92 In The Shade, South Paw and Orgazmo.As always, SPOILER ALERT for Road House and the movies we discuss!Written by Anthony Bagarozzi and othersDirected by Doug LimanStarring Jake Gyllenhaal, Conor McGregor, Billy Magnussen, Daniela Melchior, Jessica WilliamsAmazonhttps://www.amazon.com/Road-House-Jake-Gyllenhaal/dp/B0CH5YQPZQJoe Black is a filmmaker. Check out his work at https://www.bluemeanspregnantfilms.com/My sixth album, MORE CONTENT is available NOW on iTunes, Bandcamp and all other digital music stores! Make sure to check it out!My latest music is the 24 for 2024 series in which I'm releasing a new single on the 1st and 3rd Fridays of every month in 2024. 24 new songs total. Follow along on the Spotify Playlist at https://open.spotify.com/playlist/4PDKoUQ1CoFpiogLu2Sz4D?si=3cb1df0dd0384968My latest music video “Burn" which you can watch at https://www.youtube.com/watch?v=UxKAWFm0gAoThe song at the end of the episode is "Unstoppable" an upcoming track from my 24 for 2024 series.Make sure to “Like” Piecing It Together on Facebook at http://www.facebook.com/PiecingPodAnd “Follow” us on Twitter @PiecingPodAnd Join the Conversation in our Facebook Group, Piecing It Together – A Movie Discussion Group.And check out https://www.piecingpod.com for more about our show!And if you want to SUPPORT THE SHOW, you can now sign up for our Patreon at https://www.patreon.com/bydavidrosenYou can also support the show by checking out our Vouch store where we're selling a bunch of great products at https://vouch.store/piecingittogetherShare the episode, comment and give us feedback! And of course, SUBSCRIBE!And of course, don't forget to leave us a 5 star review on Goodpods, Apple Podcasts, Spotify, or Podchaser!And most important of all… Keep going to the theater to see new movies!

Jason Teasley and Mark Radulich review movies currently on streaming services and in theaters: Hustle and Flow/Black Snake Moan/Dolemite is My Name Review! First up is Hustle and Flow (2005). Then we move on to Black Snake Moan (2006). Finally we review Dolemite is My Name (2019).Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsoFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76

Justin Timberlake is an American singer, songwriter, actor, and producer who first rose to fame as one of the lead singers for the legendary pop group *NSYNC before establishing himself as a top-tier solo artist and versatile entertainer. With his smooth vocals, slick dance moves, and dynamic stage presence, Timberlake has become one of pop music's most prolific artists and entertainers over the past two decades. Early Life and *NSYNC Justin Randall Timberlake was born in Memphis, Tennessee on January 31, 1981 to Lynn and Randall Timberlake. He was raised as a Baptist and performed often as a child, showcasing his singing talents at local talent shows and in his church choir. When Timberlake was 11, he made an appearance on the talent competition Star Search, performing country music songs. In 1993, Timberlake was recruited to join the new pop group *NSYNC along with members JC Chasez, Chris Kirkpatrick, Joey Fatone, and Lance Bass. The group shot to stardom in the late 1990s during the boy band craze, selling over 56 million records worldwide thanks largely to Timberlake's vocals and stage presence. As the group's popularity skyrocketed, Timberlake's fame expanded beyond music thanks to appearances on shows like Nickelodeon and work as a model. Solo Career – Justified In 2002, Timberlake shocked the music world by announcing he was leaving *NSYNC to pursue a solo music career. Skepticism quickly turned to praise when Timberlake released his debut solo album Justified in November 2002. Fueled by hit singles like “Cry Me a River” and “Rock Your Body,” Justified sold over 7 million copies while showcasing Timberlake's talents as a songwriter, producer, and arranger. At the Grammys, Timberlake was nominated for Album of the Year and cemented his status as pop music's newest superstar. Continued Music Success in the 2000s On the heels of Justified, Timberlake continued achieving massive success across music, film and business in the 2000s decade. His 2006 album FutureSex/LoveSounds debuted at #1 on the Billboard charts and contained hit singles like “SexyBack”, “My Love”, and “What Goes Around...Comes Around.” For his dynamic live performances during the FutureSex/LoveSounds tour, Timberlake won two Emmy Awards for Outstanding Music Direction and Technical Direction. Expanding into movies, Timberlake received praise for supporting roles in films like Alpha Dog, Black Snake Moan, and The Social Network. He also began several business ventures, launching clothing lines, co-owning restaurants, golf courses, and eventually investing in a handful of tech startups. After a musical hiatus from 2007-2012, Timberlake came back in vintage form with The 20/20 Experience (2013) and The 20/20 Experience – 2 of 2 (2013). Together, they became the best-selling albums of the year and contain hit singles like “Suit & Tie” and “Mirrors.” On the back of the 20/20 albums and Experience tour, Timberlake fully re-established himself as an unparalleled force in pop music and live performing. Continued Acting, Super Bowl, Man of the Woods Embracing acting roles with equal passion as his music, Timberlake showcased both his comedic and dramatic talents in films ranging from Friends with Benefits (2011), Trouble with Curve (2012), Inside Llewyn Davis (2013) and Runner Runner (2013). In early 2018, Timberlake headlined the Super Bowl LII halftime show, marking his triumphant return to the stage of pop music's biggest spectacle 14 years after his controversial performance alongside Janet Jackson. The show featured Timberlake flawlessly singing and dancing through his classic catalog of hits both old and new. With the most-watched musical performance of all-time, the Super Bowl show affirmed Timberlake's status as an immortal pop icon. Later in 2018, Timberlake released his fifth studio album Man on the Woods which debuted at #1 on the Billboard charts. Though met with mixed reviews, the album nonetheless contained the hit single “Say Something” and incorporated country and roots influences. The accompanying Man of the Woods tour marked Timberlake's fifth world tour as he continued showcasing unique musical artistry and exceptional live performance abilities to audiences worldwide. Acting Successes and Super Bowl Return Throughout the late 2010s and early 2020s, Timberlake expanded his acting catalog by starring in films ranging from light-hearted comedies like Trolls (2016), to lead dramatic roles in Palmer (2021). His vocal performances in multiple Trolls movie soundtracks generated smash hits like “CAN'T STOP THE FEELING!” that firmly merged Timberlake's musical talents with his blossoming acting abilities. In early 2022, Timberlake again seized the global spotlight when he co-headlined the Super Bowl LVI halftime show alongside Mary J. Blige, Dr. Dre, Snoop Dogg, Eminem and Kendrick Lamar. The hip-hop and R&B-centric performance marked Timberlake's third Super Bowl appearance, solidifying his unique status as a halftime show mainstay performer. Legacy With over 88 million records sold worldwide, an arm-length list of awards, dozens of smash singles, and universal acclaim for electric live performances, Justin Timberlake has firmly established himself as pop royalty over his multi-decade career. By seamlessly crossing over between music and film for two decades, Timberlake has become one of entertainment's most decorated and versatile stars. His influence across pop, R&B, hip-hop, and acting is nearly unmatched by any male entertainer of his generation. From leading the pop explosion of 1990s boy bands to dominating the charts as a renowned solo artist, Justin Timberlake has consistently reinvented himself at the cutting edge of entertainment for twenty-plus years. With his smooth voice, slick moves, unmatched stage charisma and diverse talents ranging from singing to acting, Timberlake delivers a level of popstar power matched only by luminaries like Michael Jackson and Prince. Though still actively recording music and starring in films at just 42 years old, Timberlake's vast career ensures enduring fame as one of history's preeminent entertainers. Thanks for listening to Quiet Pleas. Remember to like and share wherever you get your podcasts.

WARNING: We drop the F-Bomb a LOT in this episode! Samuel L. Jackson is an American producer and highly prolific actor, having appeared in over 100 films, including Die Hard with a Vengeance, the Unbreakable Trilogy, Shaft, Black Snake Moan, Snakes on a Plane, and the Star Wars prequel trilogy, as well as more than a dozen of the Marvel Cinematic Universe films. Links on our Profile Page and at www.linktr.ee/hulkboy. Visit & interact on Instagram (www.instagram.com/favefivefromfans), Twitter (www.twitter.com/Fave5FromFans), Facebook (www.facebook.com/FaveFiveFromFans), & our website (www.FaveFiveFromFans.com). Also, check out Plastic Microphone Studios Twitter for more fun!  #FaveFiveFromFans #FFFF #podcast #podcasts #podcasting #jackson #samuel #samuelljackson #nickfury #zeuscarver #diehard #starwars #macewindu #explicit #marvels #mcu #secretinvasion #johnshaft #elijahprice #frozone #afrosamurai #lazarus #snakesonaplane #blacksnakemoan #xxx #deepbluesea #ordellrobbie #mitchhenessey #pulpfiction #juleswinnfield --- Send in a voice message: https://podcasters.spotify.com/pod/show/fave-five-from-fans/message Support this podcast: https://podcasters.spotify.com/pod/show/fave-five-from-fans/support

On this episode of Blues In The Basement we are joined by special guest Craig Brewer as we take a deep dive into Blues' impact in film and TV and discuss the feature film, Black Snake Moan.

Watch as we discuss Samuel L Jackson using a chain to tie up Christina Ricci in barely any cloths for most of this movie and why. Is this movie any good, is there some sort of deep message here and find out the best way to eat a taco while driving in our review of Black Snake Moan! Check us out on our website here at: www.thedecisionreel.com Our Socials: Facebook: www.facebook.com/thedecisionreel Instagram: www.instagram.com/thedecisionreel Twitter: www.twitter.com/thedecisionreel Check out our Merch here: https://the-decision-reel-merch-store.creator-spring.com

Dr. Laura Robinson is an absolute pop culture and theological genius. I've been trying to get her on the podcast for a LONG TIME and we finally made it happen. (We recorded this episode in April, so things have changed since then.) Hopefully we'll get a chance to deep dive a movie soon. In this episode, we journey through a number of movies, books and TV shows (House of the Dragon, Redeeming Love, Black Snake Moan and more) and how these stories tell us about God and ourselves. Laura's brain moves a million miles an hour and we both get super excited, so we move quickly through a number of subjects with tons of references and analogies. Buckle up! Follow her on Twitter: https://twitter.com/LauraRbnsn Subscribe to her Substack, where she's posting great stuff including a deep dive on Operation Underground Railroad: https://laurarbnsn.substack.com/ Continue this conversation on our Substack (⁠⁠⁠⁠https://beyondsunday.substack.com/⁠⁠⁠⁠) and our Facebook Group (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/groups/betterontheinside⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Please rate and leave a 5-star review on the Podcast app of your choice! --- Send in a voice message: https://podcasters.spotify.com/pod/show/betterontheinside/message Support this podcast: https://podcasters.spotify.com/pod/show/betterontheinside/support

Songs include: Black Is the Color Of My True Love's Hair, Black Bottom Stomp, That Old Black Magic, Black and Blue, Black Snake Moan, Black Coffee, Black Eyes and Black and Tan Fantasy. Performers include: Louis Armstrong, Sarah Vaughn, Glenn Miller, Blind Lemon Jefferson, Jo Stafford, Nat King Cole and Spike Jones.  

Your favorite Inebriated Oracles are joined this week by incandescent comedian, Ariel Leaty. Ariel is Gordon's other half on the Culture Vulture comedy show. The crew comes to terms with not being the target of anything cool anymore, does a deep dive into Black Snake Moan, and Gordon is introduced to the magical concept of french fries and ice cream. And of course, as always, there are terrible accents that probably shouldn't see the light of day. Follow Ariel on the [Fraudsters Podcast](https://podcasts.apple.com/us/podcast/fraudsters/id1607966211), her on Twitter (yes, TWITTER) account, [@arielleaty](https://twitter.com/arielleaty). You can also follow the Oracles on Twitter: [Cerrome](https://twitter.com/cerromerussell) [Gordon](https://twitter.com/bakerbone) [Melanie](https://twitter.com/thegates0fmel) And of course, don't forget to support us on [Patreon](http://patreon.com/badadviceshow)! --- Support this podcast: https://podcasters.spotify.com/pod/show/badadviceshow/support

This Friday & Saturday, Aug. 11-12, 2023, The Arkansas Cinema Society is hosting Memphis filmmaker Craig Brewer to screen his Oscar-winning film HUSTLE & FLOW and his feature debut THE POOR & HUNGRY. Brewer will also give a workshop on writing and directing.Films by Arkansas filmmakers will screen as well, all at the Arkansas Museum of Fine Arts, Aug. 11 - 13.Craig Brewer was kind enough to join me on the podcast for an interview about his films, his obsession with music, and his love of the South.LinksInfo and tickets: ArkansasCinemaSociety.orgConnect with Arthouse Garage Support us on Patreon Arthouse Garage shop Instagram Facebook Twitter Letterboxd Email us at Andrew@ArthouseGarage.com Subscribe to the email newsletter: arthousegarage.com/subscribe Try Opopop popcorn! Get 10% off your first order Theme music by Apauling Productions

TJ, Emily, and Dan watch the Christina Ricci and Sam Jackson (and JT) starring movie, Black Snake Moan. Hosted on Acast. See acast.com/privacy for more information.

"Everything is in a cycle, and the cycle is dictated by the audience's needs and wants, the studio's needs and wants in terms of the financial bottom line, right? Those two very evolving organisms are always trying to sync into the right gear. So, I don't worry anymore because it always comes back around. You're in this long enough, you just go, all right, this is a cycle, it'll come back around."  Stephanie Allain Stephanie Allain of Homegrown Pictures, is a prolific film and television producer dedicated to creating content by and about women and people of color with authentic stories, depictions, and representation. She began her career in the mid-80s as a reader at the elite talent agency, CAA, a job that required reading scripts and books submitted to the agency and providing coverage of the material, often the first barrier for further consideration and development.  In her next position at Columbia Pictures, as one of only two African-American readers,  a young USC student found his way to her under the guise of interest in a job. Instead that student, John Singleton, pitched her Boyz in the Hood and the rest, as they say, is history. Stephanie worked with John Singleton on five movies: Boyz N the Hood (1991), Poetic Justice (1993), Higher Learning (1995), Hustle & Flow (2005) and Black Snake Moan (2006). She also produced Something New, Peeples, Beyond The Lights, Dear White People, French Dirty, Burning Sands, Juanita and Really Love. Her work has been nominated for numerous awards with wins from the Academy of Motion Pictures Arts and Sciences, Film Independent Spirit Awards, NAACP and others. A few of her projects currently in production include her first documentary Untitled Billy Preston, and a limited series for HBO, Sula by Toni Morrison. Amid a brilliant career, Stephanie became the first black woman to co-produce the Academy Awards (2020) and made history again by becoming the first woman of color to be named as President of the Producer's Guild of America (2022). Please join me, your host, Brad Johnson, on Corner Table Talk with this inspiring woman and Hollywood powerhouse. * * * Instagram: Corner Table Talk  and Post and Beam Hospitality LinkedIn: Brad Johnson E.Mail:  brad@postandbeamhospitality.com For more information on host Brad Johnson or to join our mailing list, please visit: https://postandbeamhospitality.com/ Theme Music: Bryce Vine Corner Table™ is a trademark of Post & Beam Hospitality LLCSee omnystudio.com/listener for privacy information.

This week we watched the Wachowski Sister's “Speed Racer” and discussed movie monkeys, horrible child actors, the cultural fall of Segways, J.J. Abrams being mediocre, Speedy Hot Takes, Christina Ricci in Black Snake Moan, billionaire text messages, pancake supremacy, and more! Leave a 5 star rating and a review/movie suggestion on iTunes and we'll shout you out on the show and “review” your movie of choice! Cover art by Sixofspades1 on Twitch Follow us on Twitter: @meandmydadwatch @drew2conclusion

In this episode, Bill & Amanda discuss a hypothetical scenario where one of them gets infected with a fungus that turns them evil and dangerous to be around. The conversation quickly turns to the question of what the other person would do in this situation, and they debate whether they would kill the infected person or not.But it gets even wilder, folks. They start talking about this movie called Black Snake Moan, where a man ties a woman to a radiator, and hot that could be a possible solution until a cure is found. That's some MacGyver-level thinking right there.The conversation then shifts to DoorDash and how they don't seem to care about their customers' orders and the quality of the food they deliver.Overall, this episode is a lighthearted and humorous conversation that touches on various topics, from hypothetical scenarios to the pitfalls of food delivery services. Don't miss this entertaining episode of Let's Give It A Go Podcast!Listen to the full episode for more......Apple - https://podcasts.apple.com/us/podcast/lets-give-it-a-go/id1565176077?i=1000603127075Spotify - https://open.spotify.com/episode/37GEdmEZqnwVbxctlddZ7G?si=vIShaupvRzq_YtrVCv1D9AFollow us on all socials @LetsgiveitagopodcastGeneral Disclaimer:“The Let's Give It A Go Podcast” makes no warranties of any kind regarding, but not limited to, the accuracy, completeness, timeliness or reliability of this podcast's content.This podcast has been produced and is available for entertainment purposes only.  By accessing this Podcast, you acknowledge that the Let's Give It A Go Podcast makes no warranty, guarantee, or representation as to the accuracy or sufficiency of the information featured in this Podcast. The information, opinions, and recommendations presented in this Podcast are for general information only and any reliance on the information provided in this Podcast is done at your own risk. This Podcast should not be considered professional advice. Unless specifically stated otherwise, the Let's Give It A Go Podcast does not endorse, approve, recommend, or certify any information, product, process, service, or organization presented or mentioned in this Podcast, and information from this Podcast should not be referenced in any way to imply such approval or endorsement. The third party materials or content of any third party site referenced in this Podcast do not necessarily reflect the opinions, standards or policies of the Let's Give It A Go Podcast. The Let's Give It A Go Podcast assumes no responsibility or liability for the accuracy or completeness of the content contained in third party materials or on third party sites referenced in this Podcast or the compliance with applicable laws of such materials and/or links referenced herein. The opinions and statements of the individuals featured in this podcast should, in no way, be taken as advice or an indication of future results. This podcast is for entertainment purposes only.

Merry Christmas & Happy Holidays you Draft Housers! We've made it! Our last episode of the year and we're going out with a bang (literally...Christina Ricci). We close out the year with Ricci's most provocative film ever, the 2006 seedy film Black Snake Moan starring Ricci, Samuel L. Jackson, Justin Timberlake, and more! Tune in for our discussion on violence against women (spoilers...we hate it), David Banner (!!!), Ricci's tits (they're fake...), and so much more! IMDB synopsis..."A God-fearing bluesman takes to a wild young woman who, as a victim of childhood sexual abuse, looks everywhere for love, never quite finding it." It's also DRAFT NIGHT...and...we recap our top 5 best and worst films of the year! Bet you can't guess what Jeff's worst film is (he's wrong, btw). Huge shout out to the reggae hip-hop alternative band Through The Roots for allowing us to use their song "Hot Damn" on the podcast this month! You can find their music wherever you get yours! Web Spotify Instagram YouTube Twitter Follow the podcast on Twitter @moviedrafthouse Jeff - @PodcastsbyJeff Mark - @iheardyouliked Make sure you're hanging out with Jeff on his other podcasts: Spielberg Chronologically 10 Week Pro Wrestling Crash Course

TTO-141 Stoned Ape Theory, Goth Girl Suspension, Wednesday Rant, Mermaid Fish Half Fertilize Eggs, Road Rage Cities, WNBA Player Trade Teams, Meth Monks, Russian Agent Merchant of Death, Neuralink Spy Bluetooth Mind Controlled Killer, Only Womens Sports Shebar, Mean Girls on Mute, Orgasmo Mandatory Military Service, Russian Draft, Robot with Guns, Robocop Remake, Omaha Armoured Vehicle Gun Range, Exoskeleton Meth Bunny, Kraft Mac Cheese Getting Sued, Willow Sucks Lucasfilm Disney, Sloth Sid Scrat Ice Age, Black Snake Moan, Johnny Boy, Xmas Mushroom Origins, 

Why you let them men's treat you like that?Visit fivesixkings.com . Your one stop shop for all things Five Six Kings Podcast. Please subscribe to the “Five Six Kings” podcast wherever you listen to podcasts, download the episodes, leave a rating, and write a review! Follow us on Instagram @fivesixkings

Enter at your own risk, Black Snake Moan is not for the faint of faith.

I think we can all agree that personal responsibility is paramount in becoming a functional adult.  Weather the need to control irresponsible self-destructive behavior, or wrangling a croc-snake hybrid that is an abomination to creation.  Justin returns and I think I succeeded in picking a movie he had never seen that he wound up liking way more than he expected to.  So grab your chains and snap in your hook hand, it's time for another slippery when wet episode of It's Just 2 Movies!Contact the show via email at:   itsjust2movies@gmail.comFacebook, Tiktok, Twitter, Instagram, Letterboxd and the like  @itsjust2moviesNeed to buy some stuff on Amazon?  Visit our Amazon affiliate link to do your shopping and it helps the show financially!  Wow!  Amazing!*As Amazon associates we earn from qualifying purchases*http://www.amazon.com/dp/B01M7SPZUA/ref=nosim?tag=itsjust2mov04-20Want to support the show more directly and chuck in a buck?http://www.buymeacoffee.com/itsjust2moviesDon't use Spotify, Apple Podcasts, or any of those other platforms?  The show is always free on our website.   :)http://www.itsjust2movies.com***SPECIAL THANKS TO THESE FOLKS WHO CONTRIBUTE TO THIS DUMB SHOW*** Lamplighter Productions for our artwork.     @lamplighter_productions_il Brad Sexton for our tunes.  Check out SUNDS at:   http://sunds.bandcamp.com/  Godsized & Growing for musical guest appearances.     @godsized_growingMad thanks to Dave, @wheep3d our video editor.  Find our YouTube listed below. https://www.youtube.com/channel/UC_G0gNvKXIsQtnTf1gkZEGw 

Spoilers Alerts. Edmond talks about the 2016 movie based on a video game, The Angry Birds Movie. This podcast is not for kids. In the Gaming Beat - Sonic Origins. In the Movie Beat - The Exception, Alligator, The Working Girls, and Black Snake Moan. If you like FF7 videos, please check out: https://youtu.be/tZRdJMpTXHI If you like Drums and Video Games, please check out: https://youtu.be/yYmYoTaAI9M Thank you for listening. Say hi to your pets for me.

Today we got to speak to Aaron , Daniel and Toki from Never Sober located in Riverside , Cali . We get into how they met and the influences that created Never Sober , also the up coming shows and the recording of the single (Black Snake Moans). Hosted by : Dee Rotten ....................................................................................................... .................................................... Guests : Never Sober 1. Black Snake Moan (54:04) ......................................................................... ....................................................... Guest Web Pages: ...................................................................................................................................................................................... https://www.instagram.com/neversober_band/ https://www.facebook.com/neversoberband/ OZ Video web page : .............................................................................................. ....................................................... www.eventmedia-pro.com From The Dungeon Web Pages: ............................................................................................................................................................................................. https://www.instagram.com/fromthedungeonpodcast/ https://www.facebook.com/fromthedungeonpodcast/ https://www.youtube.com/channel/UCO3ys2ePJ3zi9yUFV97ScKw?view_as=subscriber https://soundcloud.com/fromthedungeonpodcast https://twitter.com/FTDPodcast https://www.podparadise.com/Podcast/1348901177 https://www.stitcher.com/podcast/from-the-dungeon-podcast (T-Shirt March) ............................................................................................................................................................................................... https://tonethreads.com/fromthedungeonpodcast/merch all music is owned by the artist. and played with the artist consent. recorded by Oz edited by Dee Rotten.

Iconic actress Christina Ricci (THE ADDAMS FAMILY, BLACK SNAKE MOAN, PAN AM, THE LIZZIE BORDEN CHRONICLES) talks female murderers, ghost rape, a monkey who almost ripped her boob off, and her dad running a cult. They also ambush Chrissy Teigen and John Legend on facetime. Christina's new Showtime series YELLOWJACKETS premieres November 14th.

The guys talk local elections, podcast MacGuffin's, and Coercive Cinema featuring Black Snake Moan and Absentia! YouTube - www.youtube.com/channel/UCuEgNqvW…JPRHxHrA/featured Facebook - www.facebook.com/foryourdistraction Twitter - twitter.com/podcastFYD feeds.feedburner.com/foryourdistraction For Your Distraction is a member of the Electronic Media Collective! To listen to us and more great shows head to electronicmediacollective.com/distraction/

Join the awesome foursome of Heather, Jennifer, Kat, and Kaylia for the Shadow and Bone Season 1 Finale where we talk about the wrapping up (mostly) of the storylines in this YA fantasy as well as such thrilling topics as... Nuts! Leslie Knope! Our collective desire for gore and destruction! The fun of renaming bad guys after Pokemon! And the danger of judging something by its trailer (Black Snake Moan, anyone?). Thank you for listening! Enjoy! Show Website for show notes, sources, links, and more: www.kmmamedia.com/pagesandpopcornpodcast Summer Watch 2021 Information: www.kmmamedia.com/pagesandpopcornpodcast/summer-watch-2021-shadow-and-bone/ Pages and Popcorn Podcast on Facebook: www.facebook.com/pagesandpopcornpodcast KMMA Media on Instagram: www.instagram.com/kmma_media Support us on Patreon: www.patreon.com/pagesandpopcornpodcast Email us at pagesandpopcornpodcast@gmail.com

The conclusion of ONE TRASHY SUMMER! In rural Tennessee, a former bluesman takes it upon himself to bring peace to a young woman who is tortured by past abuse and unable to control her sexual urges. However, his methods may be questionable at best. Written and directed by Craig Brewer. Starring Christina Ricci, Samuel L. Jackson and Justin Timberlake. FOLLOW US ON LETTERBOXD - Zach1983 & MattCrosby Thank you so much for listening! Please follow the show on Twitter: @GreatestPod Subscribe on Apple Podcasts / Podbean No Recommendations this week!

PUBLIC VERSION. Filmmaker Craig Brewer (COMING 2 AMERICA, HUSTLE & FLOW, BLACK SNAKE MOAN, FOOTLOOSE 2011, DOLEMITE IS MY NAME) joins Adam, Joe, and Arwen IN STUDIO to discuss his career journey. In this fascinating conversation Craig discusses everything from John Singleton mentoring him… to the many lessons he's learned from directing both feature films and episodic television… to which of his many incredible films he truly feels is his best (you may be surprised!)… to how he added a “sale making” surprise to a very big pitch at a very big studio… to his experiences telling stories about black culture as a white filmmaker… to what really needs to change in Hollywood if our industry is truly going to offer more opportunities to under-represented voices. Dr. Arwen provides “Hollywood Therapy” for a filmmaker facing “the crossroads of coincidence” and the boys offer Craig a free copy of A SERBIAN FILM for his 13 year old daughter in this terrific episode that's one of THE MOVIE CRYPT's best!

This week, Metal and Lex talk about fireworks and Black Snake Moan for way too long. Also, the most recent events in the Smash Community. Song: Professor Lex – Late on Saturday YouTube Playlist Spotify Podcast Link Google Podcast Link iTunes Podcast Link Follow Professor Lex on Twitter  Follow MetalMusicMan on Twitter Buy me a […]

Ron and Clive discuss Baltimore eccentrics vs NYC hipsters, Al Pacino as Arthur Scargill and a hot chick chained to a radiator. All in this bumper edition of the Magic Morning Wood. We appeal to both heads. MMW theme by Mike Powell Musical break 1: Woo Hoo by The Rock-A-Teens Musical break 2: Hollywood Lies by Wizards of Twiddly Musical outro: Black Snake Moan by Blind Lemon Jefferson

A Lacanian scholar explains masochism to me as we discuss hurting yourself along with Craig Brewer's BLACK SNAKE MOAN. My bisexual ex-boyfriend, putting yourself in harm's way, jouissance, abuse, race, politics and being a loose woman. Follow Blaise on Twitter: twitter.com/urgurlblaise And I'm So Popular: twitter.com/imsopopularpod impopular.me (S2.E11)

Link to Black Snake Moan: https://amzn.to/3vblflu Today I have friends on this episode we discuss shooting our shot, teaching sex, ugly niggas having potential, the movie black snake moan, and Megan the stallion. Enjoy! --- Support this podcast: https://podcasters.spotify.com/pod/show/dirtypeaches/support

We're sure you've all said or heard, “Don't judge a book by it's cover”. That can logically be extended on occasion to “Don't judge a film by its poster art”.Welcome to episode 83 of See Hear Podcast.Tim is finally rejoining the show after having been absent since October 2020. We welcomed him back with his choice of a round-table film discussion. No interviews....just the “terrible trio”. He picked a film by director Craig Brewer, whose earlier film Hustle and Flow is part of See Hear lore (don't try looking the episode up, it ain't there).If you look at the poster art you will get the impression you're about to watch a sleazy tribute to early 70s grindhouse cinema. The truth is a little more complex than that. We advise you not to rage against the perception of what it is, but to absorb what it REALLY is...let us be your guides. Samuel L Jackson plays an ex-blues guitarist whose life is broken. He discovers a battered Christina Ricci outside his farm – she's also someone whose life is broken. Sam's character tries to heal her though chains, religion and the blues.The film has its detractors, but we believe it's more from THAT poster than the content. Tune in as we talk about anxiety, Christina Ricci's knack for acting in films where she's kidnapped, and dancing as catharsis.There's also a Welcome Back Kotter reference because....we had to.If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, please tell your friends to tune in anyway.See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com The list of new shows is always increasing.Send us feedback via email at seehearpodcast@gmail.comJoin the Facebook group at http://facebook.com/groups/seehearpodcastCheck out the Instagram page at www.instagram.com/seehearpodcast/?hl=enYou can download the show by searching for See Hear podcast on iTunes, Spotify or Stitcher…..or whatever podcast app you favour.

We're sure you've all said or heard, “Don't judge a book by it's cover”. That can logically be extended on occasion to “Don't judge a film by its poster art”.Welcome to episode 83 of See Hear Podcast.Tim is finally rejoining the show after having been absent since October 2020. We welcomed him back with his choice of a round-table film discussion. No interviews....just the “terrible trio”. He picked a film by director Craig Brewer, whose earlier film Hustle and Flow is part of See Hear lore (don't try looking the episode up, it ain't there).If you look at the poster art you will get the impression you're about to watch a sleazy tribute to early 70s grindhouse cinema. The truth is a little more complex than that. We advise you not to rage against the perception of what it is, but to absorb what it REALLY is...let us be your guides. Samuel L Jackson plays an ex-blues guitarist whose life is broken. He discovers a battered Christina Ricci outside his farm – she's also someone whose life is broken. Sam's character tries to heal her though chains, religion and the blues. The film has its detractors, but we believe it's more from THAT poster than the content. Tune in as we talk about anxiety, Christina Ricci's knack for acting in films where she's kidnapped, and dancing as catharsis.There's also a Welcome Back Kotter reference because....we had to.If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, please tell your friends to tune in anyway.See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com The list of new shows is always increasing.Send us feedback via email at seehearpodcast@gmail.comJoin the Facebook group at http://facebook.com/groups/seehearpodcastCheck out the Instagram page at www.instagram.com/seehearpodcast/?hl=enYou can download the show by searching for See Hear podcast on iTunes, Spotify or Stitcher…..or whatever podcast app you favour.

Bobby Rush started playing with Delta blues guitarists Boyd Gilmore and Elmore James in Arkansas during the early '50s before migrating to Chicago. Bobby's “Sock Boo Ga Loo” on the tiny Starville label was picked up by Chess Records in 1967, propelling the singer into the big leagues of R&B. BOBBY RUSH BIO In 1971, Bobby broke through on the national charts with the lowdown funk grinder “Chicken Heads” for Galaxy Records. “That was the first big record I ever had,” notes Rush. The song has since been featured in the film Black Snake Moan, HBO's Ballers, and more. Calvin Carter, the producer of “Chicken Heads,” put out Rush's '72 followup “Gotta Be Funky” on his own On Top logo and then sold Bobby's contract to Stan Lewis' Jewel Records in Shreveport, La. Lewis issued several Rush singles before Bobby made the major label leap in 1974 with “Get Out of Here” for Warner Bros. The sparkling album Rush Hour for Kenny Gamble and Leon Huff 's Philadelphia International empire should have made Bobby a huge star in 1979 but didn't receive its proper praise until the 2000s, when Rolling Stone recognized it as one of the best blues albums of the '70s. An encore LP was summarily shelved, and before long Rush moved back south to Jackson, Mississippi, where his legion of fans eagerly embraced him. The lascivious “Sue” didn't chart for him in 1983 on the LaJam imprint, but it blasted out of countless ghetto jukeboxes and sold over a million records. His reputation for spectacular live performances growing exponentially as he did a minimum of 200 shows a year. His mainstream recognition campaign commenced when he earned his first Grammy nomination for his 2000 album Hoochie Man, followed by an appearance in the Martin Scorsese-produced 2003 PBS docu-series The Blues with his own segment in the episode The Road to Memphis. To date Bobby has earned 12 Blues Music Awards and 48 nominations, including the prestigious B.B. King Entertainer of the Year Award and Album of the Year. Rush co-starred in the 2014 documentary Take Me to the River alongside Terrence Howard, Snoop Dogg, and Mavis Staples. That same year, Bobby joined Dan Aykroyd on The Tonight Show With Jimmy Fallon to perform two songs, marking his first late-night television appearance. In 2019 the feature film Dolemite Is My Name about Rudy Ray Moore making cult classic film Dolemite, was released in select theaters and on Netflix, starring Eddie Murphy, Wesley Snipes, Keegan-Michael Key and with a cameo by Bobby Rush. BOBBY RUSH BIO --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Episode Notes Karen Vogelsang, ARISE2Read Executive Director joins me to talk about an ongoing effort to encourage our children to read all across Memphis. Dorcas Griffin, Dir. Division of Community Services will tell us how you can apply for the Covid Emergency Rent and utility program. Also the acclaimed director of such projects as Hustle & Flow, Black Snake Moan, Footloose and Coming 2 America, Craig Brewer joins me to talk about his career, his latest project with Eddie Murphy and what's next. That and more on Real Talk Memphis, Monday, 6-7 pm on WYXR, 91.7 FM, Tunein, WYXR.org, Real Talk Memphis or wherever you get your podcasts! Now go out and tell somebody!

The Ebonistas are taking the month of love in a new direction with the ladies of The Pretty Crazi Podcast! Let's just say, things get...graphic!Platforms: Apple Podcasts; Audible; Spotify; Google Podcasts; iHeartRadio, Pandora, StitcherSources at: Ebonistas.comSources: Mayo Clinic; Emerald Coast; NBC; PsychCentral; Black Snake Moan; B2k; Marilyn Monroe; Karrine Steffans; Lamar Odom; Charlie Sheen; Lori Harvey; Michael B. Jordan

The Ebonistas are taking the month of love in a new direction with the ladies of The Pretty Crazi Podcast! Let's just say, things get...graphic!Episode Release: Sunday, February 7, 2021Platforms: Apple Podcasts; Audible; Spotify; Google Podcasts; iHeartRadio, Pandora, StitcherSources at: Ebonistas.comSources: Mayo Clinic; Emerald Coast; NBC; PsychCentral; Black Snake Moan; B2k; Marilyn Monroe; Karrine Steffans; Lamar Odom; Charlie Sheen; Lori Harvey; Michael B. Jordan

Scott Bomar is a Memphis based musician, Emmy Award-winning Film/TV composer and producer, songwriter and engineer of multiple Grammy winning and nominated recordings. Projects include the films Hustle & Flow, Black Snake Moan, Mississippi Grind and Soul Men. Bomar produced and engineered Cyndi Lauper's Grammy nominated album, Memphis Blues, at his Electraphonic Recording Studio and co-wrote the song, “The House Always Wins” on William Bell's 2016 Grammy winning album, This is Where I Live. His most recent film project is for the Netflix film MY NAME IS DOLEMITE.Based on the real-life story of Rudy Ray Moore, MY NAME IS DOLEMITE, stars Eddie Murphy and was premiered at the Toronoto Film Festival in September of 2019. The film centers on Filmmaker Rudy Ray Moore, best known for portraying the character of Dolemite in both his stand-up routine and a series of blaxploitation films, starting with the film "Dolemite" in 1975. The film was released on Netflix on October 25, 2019 and has received critical praise for Eddie Murphy's performance, including a Golden Globe nomination for Best Actor and Best Motion Picture - Comedy or Musical.In this episode, Scott Bomar discusses his research into and how he paid homage to the blaxsploitation genre of the 1970s. Bomar details his inspiration from composers such as Quincy Jones and Lalo Schifrin and the performances of many instrumentalists who played on such famous films such as Shaft, Chuck Turner and Superfly. While revealing some of the musical connection to previous work he did for HUSTLE & FLOW, Scott Bomar shares how an encounter at the recording studio with another huge, musical influence, Isaac Hayes played out.ANNOTATED TRACKS / SEGMENTS02:21 - Put Your Weight on It03:58 - I'm Gonna Kill Dolemite05:51 - Sell It07:46 - Scene 308:42 - Promote It10:47 - The Phone Call11:50 - New House Record13:42 - ArrivedSOUNDTRACKThe original score for My Name is Dolemite was released by Milan Records on October 4, 2019, on digital and can be purchased at Amazon.com, iTunes, or streaming on Spotify and Apple Music MORE ABOUT THE COMPOSERYou can hear more music by Scott Bomar at his official site: https://www.electraphonicrecording.com/ or you can follow him on Twitter @electraphonic. ABOUT THE ANNOTATORThis podcast is produced by Christopher Coleman (@ccoleman) and you can Find more episodes at THEANNOTATOR.NET or you can subscribe via iTunes, Stitcher Radio or wherever you find quality podcasts.SUBSCRIBEiTunesSpotifyStitcher RadioRadioPublicGoogle PodcastsRSS Feed

Kevin talks about Sean Avery being waived today, Meghan's Mini Cooper fight story, more turtle and tortoise tales, rewatching Avatar, Kevin likes True Grit, and Craig Brewer in-studio to talk Hustle and Flow, Black Snake Moan, and the remake of Footloose.