Podcasts about Wax Poetics

No matter where you are in your career, you'll benefit from listening to 3Q. 3Q provides a window into the careers of some of the best in the music business. Every episode is an insider's view of the realities of life as a music executive. Topics include issues of empowerment, uncertainty, trust, finances, etc; issues that will impact you both personally and professionally. The executives we interview represent every aspect of the industry including but not limited to A&R, Marketing, Music Supervision, Artist Management, Promotion, and more. About Andre: Andre Torres is the former SVP of Global Catalog Development and Marketing at Warner Music Group where he led one of Warner Recorded Music's global catalog content development and marketing teams. Working closely with frontline labels and artists, he strategized new catalog opportunities in A&R, content development, consumption, and marketing, including digital and physical catalog campaigns. He joined WMG after serving as Head of Catalog, Artist and Label Partnerships at Spotify where he led all North American catalog initiatives. He previously served as Vice President of Urban Catalog at Universal Music Enterprises (UMe), the global catalog division of Universal Music Group (UMG), where he oversaw the strategy and implementation of A&R, sales, branding, and marketing campaigns for hip-hop, rap, and R&B among other genres in urban music.  With a background in media, Torres comes with a wealth of music knowledge and entrepreneurial experience. Torres founded the highly regarded quarterly music magazine Wax Poetics in 2001, featuring an eclectic mix of artists from Public Enemy to Daft Punk. The New York Times Style Magazine named the publication, “The best and most exquisitely laid-out music bimonthly in America.” There he grew the magazine into a global movement of vinyl collectors, DJs, and music enthusiasts interested in tracing hip-hop's DNA back through its roots. This led to an encyclopedic exploration of everything from R&B and jazz, to reggae and Afrobeat. Torres also oversaw the expansion of the brand into foreign-language Japanese editions, book publishing, and a record label. After fifteen years at the helm of Wax Poetics, Torres joined the Brooklyn lyrics website Genius as Executive Editor. In addition to ensuring the editorial quality of the site's crowd-sourced material, he managed a group of editors providing content for the “Behind the Lyrics” collaboration with Spotify. The fast-paced start-up environment provided a window into a highly engaged online community of music fans at the forefront of the shift in music consumption. 

This weeks show is a conversation with Andre Torres, founder of the revered and much collected Wax Poetics magazine. The fine art graduate shares his story from early influences in New York to moving to Florida, then heading back to New York where he worked at MOMA and then the World Trade Center, before leveraging all his experiences to start the magazine.We hear from Andre about his entrepreneurial spirit, and find out about the ups and downs of running your own startup, and also what comes next.There's a lot of great storytelling in this one, so I know you'll enjoy it.Please don't forget to rate, review, like and subscribe.Mentioned in this episode:Reissued classics from Be With RecordsGet 10% off at bewithrecords.com using the code ONCEADJ

Today, we are excited to release the second episode of our series, ‘On the Air', where we delve into the fascinating world of radio. This week, we chat to Kwende Kefentse, the Executive Director of CKCU-FM.Kwende shares his passion for radio and the ways in which it connects and builds community. He also discusses the history of CKCU and shares his thoughts on how radio has changed and evolved over the years.Find Kwende online:InstagramFind CKCU-FM online:WebsiteInstagramGet involved with CKCU by volunteering or donating.About Kwende KefentseKwende Kefentse is the Executive Director of CKCU-FM. His 20+ year career bridges the worlds of creative practice, cultural industries, and civic leadership / city building. In his former job as Cultural Industries Development Officer for the City of Ottawa he led the development of Ottawa's Renewed Action Plan for Arts, Heritage, and Culture (2013-2018) and the Ottawa Music Strategy (2018-2020), among other critical city-wide cultural initiatives. He serves on the Boards of the Ottawa Music Industry Coalition, Ottawa Film Office, and Carleton University Art Gallery and the Washington D.C.-based Music Policy Forum (Emeritus). As DJ Memetic of the TIMEKODE collective his productions have received critical acclaim from international outlets like Vice Thump, Radio Nova, and Wax Poetics. He has been requested as an opening performer for luminaries like Nas and Barack Obama. Kwende has earned a Masters of Research (MRes) from UCL's Bartlett School of Architecture focussed on the spatial dynamics of cultural production in the music industry. ______________Tune in to the latest episodes of the ReFolkUs Podcast, featuring the latest releases from Folk Music Ontario members as well as some of our special guests, now broadcasting on CKCU FM 93.1. Presented by Folk Music OntarioHosted by Rosalyn DennettProduced by Kayla Nezon and Rosalyn DennettMixed by Jordan Moore of The Pod CabinTheme music “Amsterdam” by King CardiacArtwork by Jaymie Karn

It's been three months since I released the limited cassette version of this and so I wanted to share the full version now that the cassettes are mostly sold out (a few still remain - djianhead.bandcamp.com) - hope folks dig it. The full story is on the Bandcamp page but I made this breaks mix to submit to Wax Poetics, who rejected it so I figured I'd put it out myself as a fundraiser for Palestine and abolitionist organizations in the U.S. Over $500 was raised in support! Thanks to everyone who supported then and now. And thanks to the legends whose voices appear on this mix.

Cette semaine, Théophile Haumesser et Pierre-Armand Samama revisitent certains des point breaks les plus marquants, ces moments où les carrières basculent pour le meilleur... ou pour le pire. Parce que la culture basket ne s'arrête pas aux lignes du terrain, retrouvez chaque semaine Pierre-Armand Samama et Théophile Haumesser pour parler de tout ce qui fait vibrer le monde du basket en dehors du parquet. Commandez le Mook REVERSE #139 spécial LOSERS ➡️ https://www.basketsession.com/produit/mook-reverse-13-losers/  Retrouvez-nous sur Instagram : https://www.instagram.com/hoopcult/  Wax Poetics : https://www.waxpoetics.com/  Tonton Gibs sneakers : https://www.youtube.com/watch?v=1QRW2EyNb-s 

Mike Sonksen aka Mike the Poet is a 3rd-generation Southern Californian. Poet, professor, journalist, historian & tour-guide, his book Letters to My City was published by Writ Large Press. For 25 years Mike has given tours through the City of Los Angeles. He earned his Bachelors' Degree at UCLA in 1997. In June 2014, he completed an Interdisciplinary Master of Arts in English and History from the California State University of Los Angeles. Following his graduation Mike has published over 500 essays and poems with publications and websites like Poets & Writers, Metropolis, KCET, Alta, Wax Poetics, PBS, LA Taco, LA Review of Books, LAist, Boom and the Academy of American Poets. His poetry's been featured on Public Radio Stations KCRW, KPCC & KPFK & Spectrum News. Mike is currently the Coordinator of the First Year Experience Program at Woodbury University and he has been awarded by the Los Angeles Press Club. Twitter: @mikethepoetLAInstagram: @mikethepoetLA__________________SGV Master Key Podcast:www.sgvmasterkey.cominfo@sgvmasterkey.com

For Episode 55 of STARK REALITY Host James Dier rolls out the red carpet out to Brooklyn (via the Bay Area) for reporter, editor and author JESSICA LIPSKY.  She covers culture, politics and music, and her work has appeared in the New York Times, the Washington Post, Newsweek, Salon, Billboard, Wax Poetics, LA Weekly, SF Weekly, and the San Francisco Chronicle etc etc etc. Currently she is the senior editor of the Recording Academy's GRAMMY.com. Jessica is the author of the award-winning book It Ain't Retro: Daptone Records & The 21st-Century Soul Revolution, which is mostly the focus of this in-depth interview. Talking about badass folks like Sharon Jones, Charles Bradley, The Frightnrs, the Daptones, Anti-balas, Gabe Roth, Neal Sugarman, and the general evolution of 90s/00s revival funk and soul music, and slowdies (ballads). Reading her book was a real pleasure, she captured a lot of that scene and the personalities involved. She has a Harvey Averne interview/overview coming out in the NY Times soon. Jessica also DJs under the name Terry Dactyl and has done radio at KUSF, KPOO, and a number of seedy establishments on both coasts. To hear Jessica's exclusive Stark Reality playlist, go to EPISODE 56 of STARK REALITY PLAYLISTS for her very funky and soulful All 45's mix of current faves, featuring tracks by Prince Buster, Alton Ellis, Harold Melvin & The Bluenotes, Eddie Floyd, Yvonne Fair, Willie Hutch, Ramones, and much more. Enjoy! For more information about Jessica go to www.jlipsky.com and follow her @interview_boogaloo on Instagram Subscribe to STARK REALITY and STARK REALITY PLAYLISTS on Apple Podcasts, Mixcloud or live & direct on jasoncharles.net Podcast Network Music Chanel's STARK REALITY Series Page  See omnystudio.com/listener for privacy information.

For Episode 56 of STARK REALITY PLAYLISTS with Host James Dier aka $mall Change, reporter, editor and author JESSICA LIPSKY (aka DJ Terry Dactyl) gives us a nice All 45's mix of her current faves, featuring tracks by Prince Buster, Alton Ellis, Harold Melvin & The Bluenotes, Eddie Floyd, Yvonne Fair, Willie Hutch, Ramones, and much more. JESSICA LIPSKY covers culture, politics and music, and her work has appeared in the New York Times, the Washington Post, Newsweek, Salon, Billboard, Wax Poetics, LA Weekly, SF Weekly, and the San Francisco Chronicle etc etc etc. Currently she is the senior editor of the Recording Academy's GRAMMY.com.  She has done radio at KUSF, KPOO, and a number of seedy establishments on both coasts.  Jessica is the author of the award-winning book It Ain't Retro: Daptone Records & The 21st-Century Soul Revolution, available on Amazon or wherever books are sold. Her Harvey Averne interview/overview is coming out in the NY Times soon! For more information about Jessica go to www.jlipsky.com and follow her @interview_boogaloo on Instagram To hear Jessica's in-depth Stark Reality interview with Host James Dier aka DJ $mall Change, go to Episode 55 of STARK REALITY wherever you get your podcasts or live & direct on jasoncharles.net Podcast Network Music Channel's STARK REALITY Series PageSee omnystudio.com/listener for privacy information.

In this episode, I spoke with poet, journalist, and educator Mike Sonksen a.k.a Mike the Poet. In our conversation, we talk about how Mike got into writing, the importance of poetry in self expression and in connecting with place, learning how to feel, how to develop and grow in a craft, and much more.Mike is a 3rd-generation Los Angeles native. He teaches at Woodbury University and serves as the Program Coordinator of the school's First Year Experience Program. He has published over 500 essays and poems with publications like Academy of American Poets, Alta, KCET, Poets & Writers Magazine, PBS, BOOM, Wax Poetics, Southern California Quarterly, LA Weekly, OC Weekly, Lana Turner, Metropolis, The Architect's Newspaper, LA Alternative Press, Los Angeles Review of Books, Angel City Review, LA Taco, LAist, LA Parent and more. One of his KCET essays received an Award from the Los Angeles Press Club. Over the last two decades, Sonksen has delivered more than 2,000 poetry readings across the country in a wide range of venues including bookstores, museums, galleries, secondary schools, and literary festivals. He's been a guest speaker at over 100 universities and high schools and presented his poetry on public radio stations KCRW, KPFK and KPCC and TV stations like Spectrum News. In 2013, the Beyond Baroque Literary Arts Center honored Sonksen for "Distinguished Service to the Los Angeles Poetry Community." Show links:Follow Mike on Instagram @mikethepoetlaFollow Mike on Twitter @mikethepoetlaBe sure to purchase Mike's book Letters To My CityHere is a link to Mike's Linktree, which includes links to his many author pages and latest writings.

Hosted by Mike Styles. We kick off this episode with executive producer, studio engineer, MC, beat maker and J Dilla collaborator, Ta'Raach of Loveturl. We talk about developing his craft in Detroit to more recent years residing on the West Coast and his latest release “During Xhe Time”. We then take a musical journey to Brazil for Carnaval season with renowned music journalist and radio host, Allen ‘The Ambassador' Thayer. Allen plays us some deep Brazilian 7 inch records and gives us some in depth coverage on an array of Musica Brasileira. We also talk about his work as a PR advisor/feature DJ for Jazz is Dead/Jazz Esta Morto concert series, his writing for Wax Poetics mag and his book Tim Maia's Raccional Vols.1&2.More of TaRaach: https://www.youtube.com/@LOVETURL/featuredMais Allen Thayer: https://www.mixcloud.com/theambassador/

Deesha Philyaw and Dawnie Walton welcome writer Michael A. Gonzales for part two of our deep dive into the life and work of Diane Oliver, who published six short stories before her death at age 22. (Part one of our series is here.) Gonzales published an essay about Diane Oliver in The Bitter Southerner earlier this year, and he talks about his work digging into the archives to put a spotlight on Black authors who never got the recognition they deserved. His column for Catapult, The Blacklist, has shared stories about authors including Charlotte Carter, Julian Mayfield, Henry Dumas, and Darius James.  Get the full transcript. About the Author  Harlem native Michael A. Gonzales is a cultural critic/short story scribe who has written for The Hopkins Review, The Paris Review, Longreads, Wax Poetics and Soulhead.com. Gonzales writes true crime articles for Crimereads.com and wrote the series The Blacklist about out-of-print Black authors for Catapult. His fiction has appeared in Under the Thumb: Stories of Police Oppression edited by S.A. Cosby, Killens Review of Arts & Letters, Dead-End Jobs: A Hit Man Anthology edited by Andrew J. Rausch, Black Pulp edited by Gary Phillips and The Root. His latest short story "Really Gone" was published in the Summer 2022 issue of the Oxford American.  Episode Links and Reading List:  “The Short Stories and Too-Short Life of Diane Oliver” (Michael A. Gonzales, The Bitter Southerner, 2022) Ursa Short Fiction, Episode Nine: The Life and Stories of Diane Oliver, Part One “Mint Juleps Not Served Here” (Diane Oliver, Negro Digest, March 1967) The Blacklist essay series on out-of-print books from Black authors (Michael A. Gonzales, Catapult) Sticking It to the Man: Revolution and Counterculture in Pulp and Popular Fiction, 1950 to 1980 (2019) “Beautiful Women, Ugly Scenes: On Novelist Nettie Jones and the Madness of ‘Fish Tales'” (Michael A. Gonzales, Longreads, 2019) More from Deesha Philyaw and Dawnie Walton:  The Secret Lives of Church Ladies, by Deesha Philyaw The Final Revival of Opal & Nev, by Dawnie Walton Support Future Episodes of Ursa Short Fiction Become a Member at ursastory.com/join. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://ursastory.com/join

On this months show we have author, producer, Grammy Award nominee — Jon Kirby. Jon Kirby was the Associate Editor at Wax Poetics (2007-2010) and currently provides A&R, Research and Development for The Numero Group. On the show we go to great lengths to discuss the first discoveries of UTB/Andre Gibson and how their friendship led to an on-going partnership. Plus the beginnings of the ‘Ultra High Frequencies: The Chicago Party', history and experience surrounding Chicago and what it truly means to be working for a great organisation like the Numero Group. To wrap up the show, a tribute mix is included showcasing some of the great music featured on the Numero Group releases where Jon's direction is applied.

This week on ‘The Stack' we talk about the redesign of ‘Hodinkee' magazine, discuss the upcoming ‘Rolling Stone' UK and the relaunch of ‘Wax Poetics'.See omnystudio.com/listener for privacy information.

This week on ‘The Stack' we talk about the redesign of ‘Hodinkee' magazine, discuss the upcoming ‘Rolling Stone' UK and the relaunch of ‘Wax Poetics'.

Dziś w Palmie rozmawiamy i nie przestajemy mówić o kapitalnym występie Kevina Duranta, o wyczekiwaniu na wielkość i oczywiście o potknięciu naszej reprezentacji. Sprawdzamy sytuację w dwóch pozostałych półfinałach, zastrzeżone numery Nets i co wydarzyło się w 993 roku. Artykuł Między Rondem a Palmą (993): Wax Poetics pochodzi z serwisu SzóstyGracz.pl.

In this episode Ryan and Mustafa review the winners of the awwwards.com website. Awwwards.com, as the name suggests, awards the talent and effort of the best web designers, developers and agencies in the world. The sites we looked are; https://www.waxpoetics.com/ https://www.pola.com/wecaremore/ https://flipaclip.com/

Happy Holidays! Here is a delightful quiz that you can take at your holiday leisure! I've learned several things from this quiz. First, that Christmas can get really dark in some places, and second, Amanda knows more things about things than I do.This episode also features my favorite ode to Christmas, an epic tune that is sure to replace that one Mariah Carey song as the definitive song of the season: "All I Want for Christmas is Christmas This Christmas" by Gainesville greats Travis Atria and Michael ClaytorEnjoy!Our opening music is by Andrew Wilson - Find him at electricsheap.bandcamp.com/music"All I Want for Christmas is Christmas This Christmas" is by Travis Atria and Michael ClaytorTravis is an author, journalist, and musician. His writing has appeared in Rolling Stone, Vanity Fair, The Believer, Wax Poetics and more. His first book was "Traveling Soul", which I very much enjoyed, is a biography of R&B legend Curtis Mayfield, written with Mayfield’s son Todd. His latest book, Better Days Will Come Again, is the true story of jazz great Arthur Briggs. His music has been featured on MTV and GQ.com, and he has performed at Bonnaroo and SXSW. Search for "Morningbell" to find it.Michael has been playing and singing original and cover songs since 2005, and is happy to call Gainesville, FL home. He is a multi-instrumentalist and a clever wordsmith...meaning I think his songs are written gooder than most. Specializing in fingerstyle guitar and bluegrass banjo, this talented performer has recorded several albums with various bands and his tours have taken him all over the US and beyond...maybe even into space, you don't know...Super Familiar with The Wilsons Find us on Facebook at www.facebook.com/wilsonspodcast on instagram at instagram.com/thewilsonspodcaston twitter at https://twitter.com/wilsons_doand on YoutubeContact us! superfamiliarwilsons@gmail.comWe are part of a network of Gainesville Podcasts...check it out and listen to more great content. The ImaGNVille Podcast Network: www.ImaGNVille.com

Since the late '50s Mark Murphy has been a stalwart of the crooner set. A jazz singer with an exquisite style that pushed the edges and split the critics, making him a real musician's musician. A contemporary of the Rat Pack and the rock opera with an affinity for the Beats and be-bop, Murphy defied category–freeform vocalese with a rich timbre that let forth expressive colors that were alluring, audacious, and even shocking. Despite multiple Grammy nods, he was largely relegated to the fringes. Then came the '80s, Gilles Peterson, the Acid Jazz movement, electronica, London, Japan, Scandinavia, Asia, Europe, the 21st Century and beyond, literally. With new musical freedoms Murphy took the vocal arts light years ahead. We welcome back Gilles Peterson, who was instrumental in this phase of the singer's life and career, to share his experiences and shed light on the music that bookended this extraordinary artist's legacy. Featuring collaborations with 4Hero, United Future Organization, the Five Corners Quintet, and more. ABOUT THE MAJOR SCALE: Your attention please to a new program that celebrates and takes a fresh and bold look at the great American art form- JAZZ!!! The Major Scale is the title, the motto and the mission are, Jazz- past, present, future, and everything in between. A lot of focus will be on new and fresh sounds, deep cuts, closer looks at underrated artists, taking a different look at some of the titans of the genre, and getting the two cents worth from a number of surprise guests and sources. The Major Scale can boast amongst it's guests- legends like Herbie Hancock, Tom Scott, and Ahmad Jamal. The up and coming and the underrated-Kamasi Washington, Mia Doi Todd, Michael Blake. Fresh perspectives and commentary from the likes of Rock legend Al Kooper, who weighed in on the gospel. From The New Yorker, Amanda Petrusich expounds on her article about the movement to rename the Williamsburg Bridge in honor of Sonny Rollins. We explore the Soul-Jazz experiments of the Rascals. Grace Kelly from The Late Show with Stephen Colbert talks about her pop-up/flash mob concerts. Plus Thundercat, Henry Mancini, Ghostface Killah, Jaimie Branch, Nels Cline, Badbadnotgood, Cecil Taylor, and more get pick up on the Major Scale radar. Produced in Central Florida, this program seeks to become one of the defining voices of this Native American art form, and everything else that finds itself under it's umbrella. Think about programming and content found on the likes of World Cafe, Philadelphia, PA. Tiny Desk from Washington D.C., and KEXP Live from Seattle, WA. and that's what the Major Scale strives to do. For the curious, and lovers of music who like the details in between. ABOUT KYLE EAGLE (Host): Kyle Eagle has been a contributing writer and producer for the NPR-WBGO, WUCF, WPRK, Wax Poetics, The Orlando Weekly, Artbourne, and The Fiscal Times, as well as several music and film releases- Light in the Attic's documentary "This Is Gary McFarland", and an upcoming film on composer Jack Nietzsche. Recordings- Call Me-Jack Wilson, Live at the Penthouse, Grachan Moncur III, Chico Hamilton, and Andy Bey. ABOUT CHRIS BARANYI (Producer): Chris Baranyi is a sound engineer and music producer. He splits his time between designing AV systems for theme parks and recording music. Chris has worked with many Orlando area musicians with backgrounds in jazz, fusion, hip-hop, funk, new age, and classical. Some of which have been featured on NPR's Echoes. His passion includes jazz, vintage microphones, and hot sauce.

We're stoked to welcome back Jaimie Branch to The Major Scale. Rising talents like her are the lifeblood of new music, the road ahead, and even for shows like ours. She continues carving out her sound of dark hued melodic free jazz with Bird Dogs of Paradise, the follow up to Fly Or Die. Now she takes the mic with a blues shout that has a message and musical urgency that hasn't been heard since the likes of Abbey Lincoln, and Andy Bey. Raise a fist, nod your head. Ever notice how the year 1959 had such an abundance of classics? Not just big hits, but landmark works of art that took American music to the next level. Much has been said about the big five from ‘59: Kind of Blue by Miles Davis, Giant Steps by John Coltrane, Mingus Ah Hum by Charles Mingus, The Shape of Jazz to Come by Ornette Coleman, and Take Five by Dave Brubeck. We're going to survey some of the other amazing releases from this magical year, including Yusef Lateef, Dinah Washington, Chico Hamilton, Bill Evans, Harold Land, Oliver Nelson, Cannonball Adderley, and more. ABOUT THE MAJOR SCALE: Your attention please to a new program that celebrates and takes a fresh and bold look at the great American art form- JAZZ!!! The Major Scale is the title, the motto and the mission are, Jazz- past, present, future, and everything in between. A lot of focus will be on new and fresh sounds, deep cuts, closer looks at underrated artists, taking a different look at some of the titans of the genre, and getting the two cents worth from a number of surprise guests and sources. The Major Scale can boast amongst it's guests- legends like Herbie Hancock, Tom Scott, and Ahmad Jamal. The up and coming and the underrated-Kamasi Washington, Mia Doi Todd, Michael Blake. Fresh perspectives and commentary from the likes of Rock legend Al Kooper, who weighed in on the gospel. From The New Yorker, Amanda Petrusich expounds on her article about the movement to rename the Williamsburg Bridge in honor of Sonny Rollins. We explore the Soul-Jazz experiments of the Rascals. Grace Kelly from The Late Show with Stephen Colbert talks about her pop-up/flash mob concerts. Plus Thundercat, Henry Mancini, Ghostface Killah, Jaimie Branch, Nels Cline, Badbadnotgood, Cecil Taylor, and more get pick up on the Major Scale radar. Produced in Central Florida, this program seeks to become one of the defining voices of this Native American art form, and everything else that finds itself under it's umbrella. Think about programming and content found on the likes of World Cafe, Philadelphia, PA. Tiny Desk from Washington D.C., and KEXP Live from Seattle, WA. and that's what the Major Scale strives to do. For the curious, and lovers of music who like the details in between. ABOUT KYLE EAGLE (Host): Kyle Eagle has been a contributing writer and producer for the NPR-WBGO, WUCF, WPRK, Wax Poetics, The Orlando Weekly, Artbourne, and The Fiscal Times, as well as several music and film releases- Light in the Attic's documentary "This Is Gary McFarland", and an upcoming film on composer Jack Nietzsche. Recordings- Call Me-Jack Wilson, Live at the Penthouse, Grachan Moncur III, Chico Hamilton, and Andy Bey. ABOUT CHRIS BARANYI (Producer): Chris Baranyi is a sound engineer and music producer. He splits his time between designing AV systems for theme parks and recording music. Chris has worked with many Orlando area musicians with backgrounds in jazz, fusion, hip-hop, funk, new age, and classical. Some of which have been featured on NPR's Echoes. His passion includes jazz, vintage microphones, and hot sauce.

Raphael Saadiq is a well schooled soul composer. As much as he's an auteur, he's a curator whose vision is culled from the classics, with ears and eyes focused on the way ahead. In a class of groove savants like Prince, Erykah Badu, and Bilal, Saadiq's stamp on Neo-Soul is bold, brilliant, beautiful, and touching–like his latest, Jimmy Lee. He chimes in with us to discuss the Jimmy Lee we all know and are.   "What is Neo-Soul?" someone asked us recently. That's a show in itself, more like one of those epics with an intermission. For the sake of time we rattled off a few choice cuts from this conscience driven fusion of funk, electronica, jazz, Afro beat and the proverbial kitchen sink. On cue: Freestyle Fellowship, 4Hero, Mos Def, Hiatus Kaiyote, Bilal, J Dilla, Spacek, Viktor Duplaix, plus plus plus.  ABOUT THE MAJOR SCALE: Your attention please to a new program that celebrates and takes a fresh and bold look at the great American art form- JAZZ!!! The Major Scale is the title, the motto and the mission are, Jazz- past, present, future, and everything in between. A lot of focus will be on new and fresh sounds, deep cuts, closer looks at underrated artists, taking a different look at some of the titans of the genre, and getting the two cents worth from a number of surprise guests and sources. The Major Scale can boast amongst it's guests- legends like Herbie Hancock, Tom Scott, and Ahmad Jamal. The up and coming and the underrated-Kamasi Washington, Mia Doi Todd, Michael Blake. Fresh perspectives and commentary from the likes of Rock legend Al Kooper, who weighed in on the gospel. From The New Yorker, Amanda Petrusich expounds on her article about the movement to rename the Williamsburg Bridge in honor of Sonny Rollins. We explore the Soul-Jazz experiments of the Rascals. Grace Kelly from The Late Show with Stephen Colbert talks about her pop-up/flash mob concerts. Plus Thundercat, Henry Mancini, Ghostface Killah, Jaimie Branch, Nels Cline, Badbadnotgood, Cecil Taylor, and more get pick up on the Major Scale radar. Produced in Central Florida, this program seeks to become one of the defining voices of this Native American art form, and everything else that finds itself under it's umbrella. Think about programming and content found on the likes of World Cafe, Philadelphia, PA. Tiny Desk from Washington D.C., and KEXP Live from Seattle, WA. and that's what the Major Scale strives to do. For the curious, and lovers of music who like the details in between. ABOUT KYLE EAGLE (Host): Kyle Eagle has been a contributing writer and producer for the NPR-WBGO, WUCF, WPRK, Wax Poetics, The Orlando Weekly, Artbourne, and The Fiscal Times, as well as several music and film releases- Light in the Attic's documentary "This Is Gary McFarland", and an upcoming film on composer Jack Nietzsche. Recordings- Call Me-Jack Wilson, Live at the Penthouse, Grachan Moncur III, Chico Hamilton, and Andy Bey. ABOUT CHRIS BARANYI (Producer): Chris Baranyi is a sound engineer and music producer. He splits his time between designing AV systems for theme parks and recording music. Chris has worked with many Orlando area musicians with backgrounds in jazz, fusion, hip-hop, funk, new age, and classical. Some of which have been featured on NPR's Echoes. His passion includes jazz, vintage microphones, and hot sauce.

There's a worldwide revolution happening in modern music. Across the pond, the UK has countless talents blazing new trails and Yussef Dayes is a big part of it. First as the drummer in the duo Yussef Kamal, and now for his stellar adventures solo and collaborative: Alfa Mist, Tom Misch, and the legendary Blue Note Records. Dayes brings a fusion of soul, electronica, and funk that's like an ultra modern cinema for the ears.  Keeping with Blighty, the second half continues with the vibe that jazz has left on the multicultural United Kingdom. It started with a Trad Fad in the ‘50s, eventually taking on the elements of it's African, Asian, Caribbean, and youth communities with fearless results–from Afro-Beat to free jazz to Northern Soul and dancehall culture. We wax on with a list of serious contenders: Dizzy Reece, Emma Jean Thackray, Courtney Pine, the elusive Origin, and IG Culture. Plus, we'd be remiss to forget Cliff Townshend's singing saxophone, aka the forebear of The Who's Pete Townshend. ABOUT THE MAJOR SCALE: Your attention please to a new program that celebrates and takes a fresh and bold look at the great American art form- JAZZ!!! The Major Scale is the title, the motto and the mission are, Jazz- past, present, future, and everything in between. A lot of focus will be on new and fresh sounds, deep cuts, closer looks at underrated artists, taking a different look at some of the titans of the genre, and getting the two cents worth from a number of surprise guests and sources. The Major Scale can boast amongst it's guests- legends like Herbie Hancock, Tom Scott, and Ahmad Jamal. The up and coming and the underrated-Kamasi Washington, Mia Doi Todd, Michael Blake. Fresh perspectives and commentary from the likes of Rock legend Al Kooper, who weighed in on the gospel. From The New Yorker, Amanda Petrusich expounds on her article about the movement to rename the Williamsburg Bridge in honor of Sonny Rollins. We explore the Soul-Jazz experiments of the Rascals. Grace Kelly from The Late Show with Stephen Colbert talks about her pop-up/flash mob concerts. Plus Thundercat, Henry Mancini, Ghostface Killah, Jaimie Branch, Nels Cline, Badbadnotgood, Cecil Taylor, and more get pick up on the Major Scale radar. Produced in Central Florida, this program seeks to become one of the defining voices of this Native American art form, and everything else that finds itself under it's umbrella. Think about programming and content found on the likes of World Cafe, Philadelphia, PA. Tiny Desk from Washington D.C., and KEXP Live from Seattle, WA. and that's what the Major Scale strives to do. For the curious, and lovers of music who like the details in between. ABOUT KYLE EAGLE (Host): Kyle Eagle has been a contributing writer and producer for the NPR-WBGO, WUCF, WPRK, Wax Poetics, The Orlando Weekly, Artbourne, and The Fiscal Times, as well as several music and film releases- Light in the Attic's documentary "This Is Gary McFarland", and an upcoming film on composer Jack Nietzsche. Recordings- Call Me-Jack Wilson, Live at the Penthouse, Grachan Moncur III, Chico Hamilton, and Andy Bey. ABOUT CHRIS BARANYI (Producer): Chris Baranyi is a sound engineer and music producer. He splits his time between designing AV systems for theme parks and recording music. Chris has worked with many Orlando area musicians with backgrounds in jazz, fusion, hip-hop, funk, new age, and classical. Some of which have been featured on NPR's Echoes. His passion includes jazz, vintage microphones, and hot sauce.

In this episode we're taking a slow news day to indulge in cutting loose and playing the role of the radio DJ, freeform style. Spinning some tunes, weaving a mood, paying tribute to a few who have left us and, if we're lucky, turning listeners on to something new. On cue we have Karl Denson doing the Beastie Boys. Jack Bruce as a muse for the Artifacts. Hats off to Doris Day and Ramon Morris. The Left/West Coast past and present. Nu-skool duo Binker and Moses chime in with a good word. Nora Dean and Zara McFarlane take us from Kingston to London with a masterful musical makeover.  Plus, the Bad Plus, Art Blakey, Young-Holt and more. Headphones on! ABOUT THE MAJOR SCALE: Your attention please to a new program that celebrates and takes a fresh and bold look at the great American art form- JAZZ!!! The Major Scale is the title, the motto and the mission are, Jazz- past, present, future, and everything in between. A lot of focus will be on new and fresh sounds, deep cuts, closer looks at underrated artists, taking a different look at some of the titans of the genre, and getting the two cents worth from a number of surprise guests and sources. The Major Scale can boast amongst it's guests- legends like Herbie Hancock, Tom Scott, and Ahmad Jamal. The up and coming and the underrated-Kamasi Washington, Mia Doi Todd, Michael Blake. Fresh perspectives and commentary from the likes of Rock legend Al Kooper, who weighed in on the gospel. From The New Yorker, Amanda Petrusich expounds on her article about the movement to rename the Williamsburg Bridge in honor of Sonny Rollins. We explore the Soul-Jazz experiments of the Rascals. Grace Kelly from The Late Show with Stephen Colbert talks about her pop-up/flash mob concerts. Plus Thundercat, Henry Mancini, Ghostface Killah, Jaimie Branch, Nels Cline, Badbadnotgood, Cecil Taylor, and more get pick up on the Major Scale radar. Produced in Central Florida, this program seeks to become one of the defining voices of this Native American art form, and everything else that finds itself under it's umbrella. Think about programming and content found on the likes of World Cafe, Philadelphia, PA. Tiny Desk from Washington D.C., and KEXP Live from Seattle, WA. and that's what the Major Scale strives to do. For the curious, and lovers of music who like the details in between. ABOUT KYLE EAGLE (Host): Kyle Eagle has been a contributing writer and producer for the NPR-WBGO, WUCF, WPRK, Wax Poetics, The Orlando Weekly, Artbourne, and The Fiscal Times, as well as several music and film releases- Light in the Attic's documentary "This Is Gary McFarland", and an upcoming film on composer Jack Nietzsche. Recordings- Call Me-Jack Wilson, Live at the Penthouse, Grachan Moncur III, Chico Hamilton, and Andy Bey. ABOUT CHRIS BARANYI (Producer): Chris Baranyi is a sound engineer and music producer. He splits his time between designing AV systems for theme parks and recording music. Chris has worked with many Orlando area musicians with backgrounds in jazz, fusion, hip-hop, funk, new age, and classical. Some of which have been featured on NPR's Echoes. His passion includes jazz, vintage microphones, and hot sauce.

We've always dug Kyle Eastwood's soulful bop style, but his latest album Cinematic has the bassist veering towards some literal cinematic moodiness. In a departure from their norm, Eastwood and company deliver a marvelous set of soundtrack classics that transmute some well-tread tunes into fresh gold. Whether it's the classic themes from Bullitt, Taxi Driver, and Skyfall, or even the iconic "Windmills of My Mind" and "Gran Torino,” Eastwood performs them all with unique aplomb. The result is powerful and haunting, sometimes even tear-jerkingly moving. Slight spoiler, don't snicker, even the Pink Panther theme gets saddled for a new wild ride.  Keeping with the theme of movie music, we round out the show by delving into some of the genre's best and brightest on celluloid and solo: Lalo Schifren, J.J. Johnson, Michel Legrand, and Henry Mancini. Truly music that bends the imagination this mix will delight with well known tunes, some deep dives, and a few ear-pricking samples. ABOUT THE MAJOR SCALE: Your attention please to a new program that celebrates and takes a fresh and bold look at the great American art form- JAZZ!!! The Major Scale is the title, the motto and the mission are, Jazz- past, present, future, and everything in between. A lot of focus will be on new and fresh sounds, deep cuts, closer looks at underrated artists, taking a different look at some of the titans of the genre, and getting the two cents worth from a number of surprise guests and sources. The Major Scale can boast amongst it's guests- legends like Herbie Hancock, Tom Scott, and Ahmad Jamal. The up and coming and the underrated-Kamasi Washington, Mia Doi Todd, Michael Blake. Fresh perspectives and commentary from the likes of Rock legend Al Kooper, who weighed in on the gospel. From The New Yorker, Amanda Petrusich expounds on her article about the movement to rename the Williamsburg Bridge in honor of Sonny Rollins. We explore the Soul-Jazz experiments of the Rascals. Grace Kelly from The Late Show with Stephen Colbert talks about her pop-up/flash mob concerts. Plus Thundercat, Henry Mancini, Ghostface Killah, Jaimie Branch, Nels Cline, Badbadnotgood, Cecil Taylor, and more get pick up on the Major Scale radar. Produced in Central Florida, this program seeks to become one of the defining voices of this Native American art form, and everything else that finds itself under it's umbrella. Think about programming and content found on the likes of World Cafe, Philadelphia, PA. Tiny Desk from Washington D.C., and KEXP Live from Seattle, WA. and that's what the Major Scale strives to do. For the curious, and lovers of music who like the details in between. ABOUT KYLE EAGLE (Host): Kyle Eagle has been a contributing writer and producer for the NPR-WBGO, WUCF, WPRK, Wax Poetics, The Orlando Weekly, Artbourne, and The Fiscal Times, as well as several music and film releases- Light in the Attic's documentary "This Is Gary McFarland", and an upcoming film on composer Jack Nietzsche. Recordings- Call Me-Jack Wilson, Live at the Penthouse, Grachan Moncur III, Chico Hamilton, and Andy Bey. ABOUT CHRIS BARANYI (Producer): Chris Baranyi is a sound engineer and music producer. He splits his time between designing AV systems for theme parks and recording music. Chris has worked with many Orlando area musicians with backgrounds in jazz, fusion, hip-hop, funk, new age, and classical. Some of which have been featured on NPR's Echoes. His passion includes jazz, vintage microphones, and hot sauce.

In this episode of the Major Scale we have Nobody… no, it's not a scheduling snafu, it's Elvin Estela, an artist who goes by the moniker of Nobody. For over 20 years he's been fighting the good fight by composing amazing music that ranges from the outer reaches of psychedelic infused hip hop to rare groove suites of the highest order. We've been dying to talk to him since The Major Scale started and on this episode he joins us to wax poetic on music, influences, ‘90s college radio, and other things all too familiar. Michael Blake returns with something old that is new again–the re-release of Slow Poke At Home. Originally recorded in 1998 during a landmark year in the saxophonist's career, today the original release fetches a fairly hefty price. Like all of Blake's work, Slow Poke is a curious collection of originals and imaginative covers by Duke Ellington, Neil Young, and Eddie Harris. It's a sonic crossroads of bluesy slide guitar and a jazzy rhythm section that, at times, is gruff and rootsy as well as ethereal.  Curious indeed. ABOUT THE MAJOR SCALE: Your attention please to a new program that celebrates and takes a fresh and bold look at the great American art form- JAZZ!!! The Major Scale is the title, the motto and the mission are, Jazz- past, present, future, and everything in between. A lot of focus will be on new and fresh sounds, deep cuts, closer looks at underrated artists, taking a different look at some of the titans of the genre, and getting the two cents worth from a number of surprise guests and sources. The Major Scale can boast amongst it's guests- legends like Herbie Hancock, Tom Scott, and Ahmad Jamal. The up and coming and the underrated-Kamasi Washington, Mia Doi Todd, Michael Blake. Fresh perspectives and commentary from the likes of Rock legend Al Kooper, who weighed in on the gospel. From The New Yorker, Amanda Petrusich expounds on her article about the movement to rename the Williamsburg Bridge in honor of Sonny Rollins. We explore the Soul-Jazz experiments of the Rascals. Grace Kelly from The Late Show with Stephen Colbert talks about her pop-up/flash mob concerts. Plus Thundercat, Henry Mancini, Ghostface Killah, Jaimie Branch, Nels Cline, Badbadnotgood, Cecil Taylor, and more get pick up on the Major Scale radar. Produced in Central Florida, this program seeks to become one of the defining voices of this Native American art form, and everything else that finds itself under it's umbrella. Think about programming and content found on the likes of World Cafe, Philadelphia, PA. Tiny Desk from Washington D.C., and KEXP Live from Seattle, WA. and that's what the Major Scale strives to do. For the curious, and lovers of music who like the details in between. ABOUT KYLE EAGLE (Host): Kyle Eagle has been a contributing writer and producer for the NPR-WBGO, WUCF, WPRK, Wax Poetics, The Orlando Weekly, Artbourne, and The Fiscal Times, as well as several music and film releases- Light in the Attic's documentary "This Is Gary McFarland", and an upcoming film on composer Jack Nietzsche. Recordings- Call Me-Jack Wilson, Live at the Penthouse, Grachan Moncur III, Chico Hamilton, and Andy Bey. ABOUT CHRIS BARANYI (Producer): Chris Baranyi is a sound engineer and music producer. He splits his time between designing AV systems for theme parks and recording music. Chris has worked with many Orlando area musicians with backgrounds in jazz, fusion, hip-hop, funk, new age, and classical. Some of which have been featured on NPR's Echoes. His passion includes jazz, vintage microphones, and hot sauce.

Guitarist Rez Abbasi makes the kind of music that draws from all corners of the world. From the far reaches of the East to his home on the West Coast in LA, Abbasi weaves together beautiful musical scenes with each recording he releases. His recent album, A Throw of Dice, proves all the above and then some. He was commissioned to score a nearly century old German silent film based on an episode from the Mahābhārata, one of two epic Sanskrit tales of India from the 8th century (See what we mean about Abbasi drawing from all corners?) We got him on hand to give us the finer details on the project and sample some of this sweet music that defies categorization. This brought to mind the later work of Charles Lloyd and Gabor Szabo. Both artists drew their distinctive sounds from the world at large, especially when they were members of Chico Hamilton's group, known for their international flavor during the fertile late ‘60s and early ‘70s. Both artists branched out into World music, as well as spirituality, Rock, Soul, and Psychedelia with the likes of some of the decades' finest; they worked with the Beach Boys, Bobby Womack, Jim Keltner, Bob James, members of Traffic, Parliament, the Byrds, the Headhunters, Quicksilver Messenger Service, and more. Through these collaborations Lloyd and Szabo helped to create a sonic hybrid that too defies categorization.  Earthy, ethereal, and a stone groove. As we often say, this is music for curious eardrums. ABOUT THE MAJOR SCALE: Your attention please to a new program that celebrates and takes a fresh and bold look at the great American art form- JAZZ!!! The Major Scale is the title, the motto and the mission are, Jazz- past, present, future, and everything in between. A lot of focus will be on new and fresh sounds, deep cuts, closer looks at underrated artists, taking a different look at some of the titans of the genre, and getting the two cents worth from a number of surprise guests and sources. The Major Scale can boast amongst it's guests- legends like Herbie Hancock, Tom Scott, and Ahmad Jamal. The up and coming and the underrated-Kamasi Washington, Mia Doi Todd, Michael Blake. Fresh perspectives and commentary from the likes of Rock legend Al Kooper, who weighed in on the gospel. From The New Yorker, Amanda Petrusich expounds on her article about the movement to rename the Williamsburg Bridge in honor of Sonny Rollins. We explore the Soul-Jazz experiments of the Rascals. Grace Kelly from The Late Show with Stephen Colbert talks about her pop-up/flash mob concerts. Plus Thundercat, Henry Mancini, Ghostface Killah, Jaimie Branch, Nels Cline, Badbadnotgood, Cecil Taylor, and more get pick up on the Major Scale radar. Produced in Central Florida, this program seeks to become one of the defining voices of this Native American art form, and everything else that finds itself under it's umbrella. Think about programming and content found on the likes of World Cafe, Philadelphia, PA. Tiny Desk from Washington D.C., and KEXP Live from Seattle, WA. and that's what the Major Scale strives to do. For the curious, and lovers of music who like the details in between. ABOUT KYLE EAGLE (Host): Kyle Eagle has been a contributing writer and producer for the NPR-WBGO, WUCF, WPRK, Wax Poetics, The Orlando Weekly, Artbourne, and The Fiscal Times, as well as several music and film releases- Light in the Attic's documentary "This Is Gary McFarland", and an upcoming film on composer Jack Nietzsche. Recordings- Call Me-Jack Wilson, Live at the Penthouse, Grachan Moncur III, Chico Hamilton, and Andy Bey. ABOUT CHRIS BARANYI (Producer): Chris Baranyi is a sound engineer and music producer. He splits his time between designing AV systems for theme parks and recording music. Chris has worked with many Orlando area musicians with backgrounds in jazz, fusion, hip-hop, funk, new age, and classical. Some of which have been featured on NPR's Echoes. His passion includes jazz, vintage microphones, and hot sauce.

No doubt the biggest thrill about producing The Major Scale is in interacting with living legends and heroes of the music world, which we've been blessed to do on a number of occasions. This episode we proudly welcome Abdullah Ibrahim, the man, the maestro, an artist with no need for an introduction. For decades he's dazzled music lovers and critics alike, from his native South Africa to the world at large. He's prolific with a gift for inventive composition. His unique way with the piano leaves the soul in warm delight and the eardrums in awe. We talk with him about The Balance, Jedi knights, love, and other matters of the spiritual heart. Jazz is America's native art form, but its heartland is in Africa. Abdullah Ibrahim reinforced this fact in our chat and it got us thinking about the cycle of influence that the two continents have had on one another. We came up with a playlist that hails from Cape Town, South Africa to Accra, Ghana, the Sahara regions of Mali and Mauritania to the Congo. The music grooves marvelously with a bluesy grit that reminds us that it all began in Africa. Featuring Hugh Masekela, Noura Mint Seymali, Osibisa, the Rail Band, Chris MacGregor, and more! ABOUT THE MAJOR SCALE: Your attention please to a new program that celebrates and takes a fresh and bold look at the great American art form- JAZZ!!! The Major Scale is the title, the motto and the mission are, Jazz- past, present, future, and everything in between. A lot of focus will be on new and fresh sounds, deep cuts, closer looks at underrated artists, taking a different look at some of the titans of the genre, and getting the two cents worth from a number of surprise guests and sources. The Major Scale can boast amongst it's guests- legends like Herbie Hancock, Tom Scott, and Ahmad Jamal. The up and coming and the underrated-Kamasi Washington, Mia Doi Todd, Michael Blake. Fresh perspectives and commentary from the likes of Rock legend Al Kooper, who weighed in on the gospel. From The New Yorker, Amanda Petrusich expounds on her article about the movement to rename the Williamsburg Bridge in honor of Sonny Rollins. We explore the Soul-Jazz experiments of the Rascals. Grace Kelly from The Late Show with Stephen Colbert talks about her pop-up/flash mob concerts. Plus Thundercat, Henry Mancini, Ghostface Killah, Jaimie Branch, Nels Cline, Badbadnotgood, Cecil Taylor, and more get pick up on the Major Scale radar. Produced in Central Florida, this program seeks to become one of the defining voices of this Native American art form, and everything else that finds itself under it's umbrella. Think about programming and content found on the likes of World Cafe, Philadelphia, PA. Tiny Desk from Washington D.C., and KEXP Live from Seattle, WA. and that's what the Major Scale strives to do. For the curious, and lovers of music who like the details in between. ABOUT KYLE EAGLE (Host): Kyle Eagle has been a contributing writer and producer for the NPR-WBGO, WUCF, WPRK, Wax Poetics, The Orlando Weekly, Artbourne, and The Fiscal Times, as well as several music and film releases- Light in the Attic's documentary "This Is Gary McFarland", and an upcoming film on composer Jack Nietzsche. Recordings- Call Me-Jack Wilson, Live at the Penthouse, Grachan Moncur III, Chico Hamilton, and Andy Bey. ABOUT CHRIS BARANYI (Producer): Chris Baranyi is a sound engineer and music producer. He splits his time between designing AV systems for theme parks and recording music. Chris has worked with many Orlando area musicians with backgrounds in jazz, fusion, hip-hop, funk, new age, and classical. Some of which have been featured on NPR's Echoes. His passion includes jazz, vintage microphones, and hot sauce.

The Major Scale welcomes back one of our favorite contemporary talents: the incomparable Grace Kelly! A musical maverick who delights and entices with performances that range from flash mob parody, appearing on The Late Show with Stephan Colbert, or doing a live set for us at the Melrose Center in the Downtown Orlando Public Library. Kelly and company go full throttle with some soulful originals and dazzling interpretations of "Is You Is, or Is You Ain't My Baby" to "You Are My Sunshine.” Talking with Grace while we were setting up the session yielded some great conversation, this lady has serious roots with some of the legends she's mentored with– from Lee Konitz, Phil Woods, Bob Dorough, Dave Brubeck, and Clark Terry! The Major Scale has a lot of love for Mr. Terry, so we decided to pair her segment with some of his tremendous, yet undersung, gems. Turns out it's a natural fit, with their like-minded styles, sense of bravado and, best of all, humor. We'll hear Terry give a nod to the Civil Rights movement, an ear to the East and all things tinged Latin, that old time religion, and a shake or two of some funky boogaloo. This episode makes some serious joyful noises. ABOUT THE MAJOR SCALE: Your attention please to a new program that celebrates and takes a fresh and bold look at the great American art form- JAZZ!!! The Major Scale is the title, the motto and the mission are, Jazz- past, present, future, and everything in between. A lot of focus will be on new and fresh sounds, deep cuts, closer looks at underrated artists, taking a different look at some of the titans of the genre, and getting the two cents worth from a number of surprise guests and sources. The Major Scale can boast amongst it's guests- legends like Herbie Hancock, Tom Scott, and Ahmad Jamal. The up and coming and the underrated-Kamasi Washington, Mia Doi Todd, Michael Blake. Fresh perspectives and commentary from the likes of Rock legend Al Kooper, who weighed in on the gospel. From The New Yorker, Amanda Petrusich expounds on her article about the movement to rename the Williamsburg Bridge in honor of Sonny Rollins. We explore the Soul-Jazz experiments of the Rascals. Grace Kelly from The Late Show with Stephen Colbert talks about her pop-up/flash mob concerts. Plus Thundercat, Henry Mancini, Ghostface Killah, Jaimie Branch, Nels Cline, Badbadnotgood, Cecil Taylor, and more get pick up on the Major Scale radar. Produced in Central Florida, this program seeks to become one of the defining voices of this Native American art form, and everything else that finds itself under it's umbrella. Think about programming and content found on the likes of World Cafe, Philadelphia, PA. Tiny Desk from Washington D.C., and KEXP Live from Seattle, WA. and that's what the Major Scale strives to do. For the curious, and lovers of music who like the details in between. ABOUT KYLE EAGLE (Host): Kyle Eagle has been a contributing writer and producer for the NPR-WBGO, WUCF, WPRK, Wax Poetics, The Orlando Weekly, Artbourne, and The Fiscal Times, as well as several music and film releases- Light in the Attic's documentary "This Is Gary McFarland", and an upcoming film on composer Jack Nietzsche. Recordings- Call Me-Jack Wilson, Live at the Penthouse, Grachan Moncur III, Chico Hamilton, and Andy Bey. ABOUT CHRIS BARANYI (Producer): Chris Baranyi is a sound engineer and music producer. He splits his time between designing AV systems for theme parks and recording music. Chris has worked with many Orlando area musicians with backgrounds in jazz, fusion, hip-hop, funk, new age, and classical. Some of which have been featured on NPR's Echoes. His passion includes jazz, vintage microphones, and hot sauce.

The Bad Plus lent us some time to talk about their latest excursion with their most recent addition, the brilliant pianist Orrin Evans. The latest album is titled Activate Infinity and has proven to be yet another creative boon for this prolific band. The music matches the moniker, redefining the concept of the piano trio yet again and working together beautifully. From the opening salvo to the final note, these melodies have anthemic passion and hypnotic charm that will sweep you away, be it the slower tempos or the ones on the upswing. One could say this outing could be the soundtrack to an older, wiser, and well adjusted Charlie Brown and the Peanuts Gang cartoon.  The Bad Plus continue to deliver the goods with originality and an off beat infectiousness that has the urgency of rock-n-roll. Which isn't easy when you're following in the footsteps of giants like Ramsey Lewis, Vince Guaraldi and Allen Toussaint, not to mention contemporaries like Noah Haidu and Cat Toren. Since we're talking about tickling the ivories, the next half of the show will dive into the piano trio game. We're spinning some Ramsey, rockin' a little Toussaint, hearing some Haidu, and more. ABOUT THE MAJOR SCALE: Your attention please to a new program that celebrates and takes a fresh and bold look at the great American art form- JAZZ!!! The Major Scale is the title, the motto and the mission are, Jazz- past, present, future, and everything in between. A lot of focus will be on new and fresh sounds, deep cuts, closer looks at underrated artists, taking a different look at some of the titans of the genre, and getting the two cents worth from a number of surprise guests and sources. The Major Scale can boast amongst it's guests- legends like Herbie Hancock, Tom Scott, and Ahmad Jamal. The up and coming and the underrated-Kamasi Washington, Mia Doi Todd, Michael Blake. Fresh perspectives and commentary from the likes of Rock legend Al Kooper, who weighed in on the gospel. From The New Yorker, Amanda Petrusich expounds on her article about the movement to rename the Williamsburg Bridge in honor of Sonny Rollins. We explore the Soul-Jazz experiments of the Rascals. Grace Kelly from The Late Show with Stephen Colbert talks about her pop-up/flash mob concerts. Plus Thundercat, Henry Mancini, Ghostface Killah, Jaimie Branch, Nels Cline, Badbadnotgood, Cecil Taylor, and more get pick up on the Major Scale radar. Produced in Central Florida, this program seeks to become one of the defining voices of this Native American art form, and everything else that finds itself under it's umbrella. Think about programming and content found on the likes of World Cafe, Philadelphia, PA. Tiny Desk from Washington D.C., and KEXP Live from Seattle, WA. and that's what the Major Scale strives to do. For the curious, and lovers of music who like the details in between. ABOUT KYLE EAGLE (Host): Kyle Eagle has been a contributing writer and producer for the NPR-WBGO, WUCF, WPRK, Wax Poetics, The Orlando Weekly, Artbourne, and The Fiscal Times, as well as several music and film releases- Light in the Attic's documentary "This Is Gary McFarland", and an upcoming film on composer Jack Nietzsche. Recordings- Call Me-Jack Wilson, Live at the Penthouse, Grachan Moncur III, Chico Hamilton, and Andy Bey. ABOUT CHRIS BARANYI (Producer): Chris Baranyi is a sound engineer and music producer. He splits his time between designing AV systems for theme parks and recording music. Chris has worked with many Orlando area musicians with backgrounds in jazz, fusion, hip-hop, funk, new age, and classical. Some of which have been featured on NPR's Echoes. His passion includes jazz, vintage microphones, and hot sauce.

The wee hours have brought the creative inspiration for eons and this episode takes that setting to heart.  First up is the aptly named Midnight Hour, a dynamic duo of Ali Shaheed Muhammed (A Tribe Called Quest) and Adrian Younge (Black Dynamite), together you will recognize them as the creators behind the breathtaking Luke Cage soundtrack. They also helm this amazing collective that has released two live recordings of dark, spacey grooves with a brow-raising list of collaborators–from neo-soul auteur Raphael Saadiq to Stereolab's Laetia Sadier–with more work on the horizon.  The second segment is a real honor, as we're joined by the incomparable David Liebman. Alumni of the electric Miles Davis period, and one of the early foot soldiers of jazz-rock, Liebman is both an innovator and a band leader in his own right. He hits us to the core with Earth, the final installment of a series based on the elements with a heady groove and deep future music vibe. There's no other way to describe it than “pure dope.” ABOUT THE MAJOR SCALE: Your attention please to a new program that celebrates and takes a fresh and bold look at the great American art form- JAZZ!!! The Major Scale is the title, the motto and the mission are, Jazz- past, present, future, and everything in between. A lot of focus will be on new and fresh sounds, deep cuts, closer looks at underrated artists, taking a different look at some of the titans of the genre, and getting the two cents worth from a number of surprise guests and sources. The Major Scale can boast amongst it's guests- legends like Herbie Hancock, Tom Scott, and Ahmad Jamal. The up and coming and the underrated-Kamasi Washington, Mia Doi Todd, Michael Blake. Fresh perspectives and commentary from the likes of Rock legend Al Kooper, who weighed in on the gospel. From The New Yorker, Amanda Petrusich expounds on her article about the movement to rename the Williamsburg Bridge in honor of Sonny Rollins. We explore the Soul-Jazz experiments of the Rascals. Grace Kelly from The Late Show with Stephen Colbert talks about her pop-up/flash mob concerts. Plus Thundercat, Henry Mancini, Ghostface Killah, Jaimie Branch, Nels Cline, Badbadnotgood, Cecil Taylor, and more get pick up on the Major Scale radar. Produced in Central Florida, this program seeks to become one of the defining voices of this Native American art form, and everything else that finds itself under it's umbrella. Think about programming and content found on the likes of World Cafe, Philadelphia, PA. Tiny Desk from Washington D.C., and KEXP Live from Seattle, WA. and that's what the Major Scale strives to do. For the curious, and lovers of music who like the details in between. ABOUT KYLE EAGLE (Host): Kyle Eagle has been a contributing writer and producer for the NPR-WBGO, WUCF, WPRK, Wax Poetics, The Orlando Weekly, Artbourne, and The Fiscal Times, as well as several music and film releases- Light in the Attic's documentary "This Is Gary McFarland", and an upcoming film on composer Jack Nietzsche. Recordings- Call Me-Jack Wilson, Live at the Penthouse, Grachan Moncur III, Chico Hamilton, and Andy Bey. ABOUT CHRIS BARANYI (Producer): Chris Baranyi is a sound engineer and music producer. He splits his time between designing AV systems for theme parks and recording music. Chris has worked with many Orlando area musicians with backgrounds in jazz, fusion, hip-hop, funk, new age, and classical. Some of which have been featured on NPR's Echoes. His passion includes jazz, vintage microphones, and hot sauce.

Pel is a decorated military veteran turned entrepreneur and creative director focusing on art, fashion, and graphic design. Raised in Queens, New York, he received a degree in Computer Science. While serving as a United States Navy F-14 Avionics Tech, Pel worked on radar, navigation, and communication for fighter jets. After turning his career to his passion in art and fashion in 1997, Pel held various strategic director positions for apparel firms along with serving as a consultant as a logo designer for New York City Public Schools. In 2008, Pel founded PELNYC, a firm focused on bolstering the artist community and providing art and services to the art and fashion industries. Later, he founded 'Idea Pharmacy,' boutique apparel and graphics consulting firm. Today Pel consults and directs an outstanding team through his established companies providing art, design, fashion, and brand development expertise and support. His roster of clients' brands including Uniqlo, 10 Deep, Joseph Abboud, Azzuré, Sean John, Rocawear, Universal Music Group, RP55, Wax Poetics, Mighty Healthy, Entree, Reebok, Fila, Diamond Supply, Talkspace, Sony, Umbro, Starter, Jordan, Nike, and Kappa. He is also a subject in Netflix documentary Underdogs. The artistic visionary is frequently sought-after for his fine art and satirical cartoons. He has participated in Miami's 'Art Basel' and contributed a full-page monthly satirical cartoon in PENTHOUSE magazine based on his daily Instagram cartoons. His unique outlook is the common thread to his tightly knitted narrative. Whether through the use of a pen, marker, or paint, he has mastered the ability to have in-depth conversations with the viewer. In his own words, Pel describes his work as being "An ambidextrous painter that uses the news and pop culture as my brushes, and the world as paint… through which I have a conversation with the canvas of your mind." - In 2014, Hamilton Perkins founded Hamilton Perkins Collection, an independent brand, designing and producing unique and award winning bags and accessories from recycled materials. Hamilton Perkins Collection exists to create timeless limited edition bags made from recycled plastic water bottles, pineapple leaf fiber, and billboard vinyl. The result is that no two bags are ever the same. Our first design, the Earth Bag Premium, was created so that our customers would not only carry a bag that was stylish but carry a bag they could be proud of. We surveyed more than 1,000 consumers to obtain their thoughts and feedback for each component of the Earth Bag Premium, which soon became one of our most popular designs. Perkins was the winner of the Virginia Velocity Tour hosted by the Governor of Virginia, and the recipient of a HUD Community Development Block Grant. The non-profit B Lab honored Hamilton Perkins Collection as a "Best for the World Overall" B Corporation in 2017. Hamilton Perkins Collection has been featured in Forbes, Fast Company, Money Magazine, and The Washington Post. The brand is currently offered in nearly 100 leading department stores and specialty stores in the United States, Canada, and Europe.

It's birds of feather in this episode–Gary Peacock joins us to talk about a live date from 1999 featuring his long-time colleagues, the late great Paul Bley and Paul Motian. But first is Brandee Younger, one of the bright lights in today's music vanguard, and the hippest harpist since Dorothy Ashby and Alice Coltrane.  From leader, to side gigs, and mix tape compilations, it's an endless list that proves how in demand Younger is. She's paid her dues with the likes of Clark Terry, Jackie McLean, and Quincy Jones, and cut her teeth with John Legend, Makaya McCraven, and Postmodern Jukebox. Her Soul Awakening is a wake up call to anyone craving something from the celestial crossroads–its somewhere in-between hip-hop in the classical world, but with the backdrop of jazz. Taking cue from Ornette Coleman's "When The Blues Leave," Gary Peacock, Paul Bley, and Paul Motian's live date has finally seen the light of day 20 years later. As to be expected from this legendary trio of players, the music is brilliant with incisive swing that the three improvised with charm. Not to mention a subtlety that proves telepathy is possible–at least among musicians. ABOUT THE MAJOR SCALE: Your attention please to a new program that celebrates and takes a fresh and bold look at the great American art form- JAZZ!!! The Major Scale is the title, the motto and the mission are, Jazz- past, present, future, and everything in between. A lot of focus will be on new and fresh sounds, deep cuts, closer looks at underrated artists, taking a different look at some of the titans of the genre, and getting the two cents worth from a number of surprise guests and sources. The Major Scale can boast amongst it's guests- legends like Herbie Hancock, Tom Scott, and Ahmad Jamal. The up and coming and the underrated-Kamasi Washington, Mia Doi Todd, Michael Blake. Fresh perspectives and commentary from the likes of Rock legend Al Kooper, who weighed in on the gospel. From The New Yorker, Amanda Petrusich expounds on her article about the movement to rename the Williamsburg Bridge in honor of Sonny Rollins. We explore the Soul-Jazz experiments of the Rascals. Grace Kelly from The Late Show with Stephen Colbert talks about her pop-up/flash mob concerts. Plus Thundercat, Henry Mancini, Ghostface Killah, Jaimie Branch, Nels Cline, Badbadnotgood, Cecil Taylor, and more get pick up on the Major Scale radar. Produced in Central Florida, this program seeks to become one of the defining voices of this Native American art form, and everything else that finds itself under it's umbrella. Think about programming and content found on the likes of World Cafe, Philadelphia, PA. Tiny Desk from Washington D.C., and KEXP Live from Seattle, WA. and that's what the Major Scale strives to do. For the curious, and lovers of music who like the details in between. ABOUT KYLE EAGLE (Host): Kyle Eagle has been a contributing writer and producer for the NPR-WBGO, WUCF, WPRK, Wax Poetics, The Orlando Weekly, Artbourne, and The Fiscal Times, as well as several music and film releases- Light in the Attic's documentary "This Is Gary McFarland", and an upcoming film on composer Jack Nietzsche. Recordings- Call Me-Jack Wilson, Live at the Penthouse, Grachan Moncur III, Chico Hamilton, and Andy Bey. ABOUT CHRIS BARANYI (Producer): Chris Baranyi is a sound engineer and music producer. He splits his time between designing AV systems for theme parks and recording music. Chris has worked with many Orlando area musicians with backgrounds in jazz, fusion, hip-hop, funk, new age, and classical. Some of which have been featured on NPR's Echoes. His passion includes jazz, vintage microphones, and hot sauce.

In this episode, we take a spin on Nina Simone and some of the choice covers she made. She sang the songs of many composers, but today we're going to zero in on her interpretations of pop, rock, and soul tunes. Songs that are associated with the likes of the Byrds, Frank Sinatra, Ike and Tina Turner, Bob Dylan, the Beatles and more. As always, the high priestess of soul delves deep and renders something new and all her own with spellbinding results. ABOUT THE MAJOR SCALE: Your attention please to a new program that celebrates and takes a fresh and bold look at the great American art form- JAZZ!!! The Major Scale is the title, the motto and the mission are, Jazz- past, present, future, and everything in between. A lot of focus will be on new and fresh sounds, deep cuts, closer looks at underrated artists, taking a different look at some of the titans of the genre, and getting the two cents worth from a number of surprise guests and sources. The Major Scale can boast amongst it's guests- legends like Herbie Hancock, Tom Scott, and Ahmad Jamal. The up and coming and the underrated-Kamasi Washington, Mia Doi Todd, Michael Blake. Fresh perspectives and commentary from the likes of Rock legend Al Kooper, who weighed in on the gospel. From The New Yorker, Amanda Petrusich expounds on her article about the movement to rename the Williamsburg Bridge in honor of Sonny Rollins. We explore the Soul-Jazz experiments of the Rascals. Grace Kelly from The Late Show with Stephen Colbert talks about her pop-up/flash mob concerts. Plus Thundercat, Henry Mancini, Ghostface Killah, Jaimie Branch, Nels Cline, Badbadnotgood, Cecil Taylor, and more get pick up on the Major Scale radar. Produced in Central Florida, this program seeks to become one of the defining voices of this Native American art form, and everything else that finds itself under it's umbrella. Think about programming and content found on the likes of World Cafe, Philadelphia, PA. Tiny Desk from Washington D.C., and KEXP Live from Seattle, WA. and that's what the Major Scale strives to do. For the curious, and lovers of music who like the details in between. ABOUT KYLE EAGLE (Host): Kyle Eagle has been a contributing writer and producer for the NPR-WBGO, WUCF, WPRK, Wax Poetics, The Orlando Weekly, Artbourne, and The Fiscal Times, as well as several music and film releases- Light in the Attic's documentary "This Is Gary McFarland", and an upcoming film on composer Jack Nietzsche. Recordings- Call Me-Jack Wilson, Live at the Penthouse, Grachan Moncur III, Chico Hamilton, and Andy Bey. ABOUT CHRIS BARANYI (Producer): Chris Baranyi is a sound engineer and music producer. He splits his time between designing AV systems for theme parks and recording music. Chris has worked with many Orlando area musicians with backgrounds in jazz, fusion, hip-hop, funk, new age, and classical. Some of which have been featured on NPR's Echoes. His passion includes jazz, vintage microphones, and hot sauce.

Kwende Kefentse, both DJ Memetic and Music Lead for the City of Ottawa, and our host dig into the urban terrain, urban fabric, and politics of the city and music.  He speaks deeply about urban terrain, urban fabric, and music, with the lens of "urban morphology" from his architecture studies in London and work with the city.  He talks about topics as wide-ranging as the origins of hip hop in the South Bronx, trends in music cities where industry and community connect, distribution of music assets in neighborhoods, the music industry as intermediator, city metabolisms for music, missing dynamic models, and the role of media in a city.  He brings the conversation back to his work with TIMEKODE, one of Canada’s most established independent dance parties, and the documentary in progress about its community impact.  Guest: Kwende Kefentse, Cultural Industries Development Officer and Music Lead, City of Ottawa; DJ Memetic; Host and Creative Director, TIMEKODE Kwende Kefentse is the Cultural Industries Development Officer and Music Lead for the City of Ottawa. His work at the intersection of culture, space, public policy and the economy has been featured in outlets like CityLab, Spacing Magazine and Monocle Radio to name a few. Prior to completing a Masters of Research from UCL’s Bartlett School of Architecture in Space Syntax Architecture and Cities (2017 - 2018), focussed on the spatial configuration of music industry value chains, Kwende played a leading role developing the council-approved Renewed Action Plan for Arts, Heritage, and Culture (2013 - 2018). Following from that, he led the development of the Ottawa Music Industry Coalition - a not-for-profit organization focussed on industry development, and the Ottawa Music Strategy (2018 - 2020) - a council-approved strategy for investing in, and developing the music industry. He now works on day-to-day implementation of the strategy while developing other cultural industry initiatives. Kwende serves on the boards of the Carleton University Art Gallery and FACTOR (Diversity and Inclusion observer) respectively. He is also the locally and internationally renowned producer and performer DJ Memetic, and the host + creative director of TIMEKODE, one of Canada’s most established independent dance parties. Over nearly 15 years of monthly events TIMEKODE has become a beacon of progressive pluralism in Ottawa. His solo + TIMEKODE original productions and remixes have received critical acclaim from international outlets like Vice Thump, Radio Nov and Wax Poetics. Links Mentioned: LinkedIn Twitter @kwendeismemetic City of Ottawa Ottawa Music Industry Coalition Space Syntax: Architecture and Cities @ UCL's Bartlett School of Architecture TIMEKODE: http://timekode.com / http://timekode.tv Richard Florida - Rise of the Creative Class  (on  Amazon) Creative Index Music Policy Forum website and Facebook Santa Fe Institute Urban Morphology NOW Institute Full transcripts can be found at innovatingmusic.org

Music without borders is the name of the game for Jon Lampley. When not showing the trumpet and tuba some love with the Stay Human Band on the Late Show with Stephen Colbert, or touring with O.A.R., he's leading the Huntertones–making a multi-culti noise from the Emerald Isles to Zimbabwe and back to the Buckeye State. This is also another link in the chain in The Major Scale's look into the talent-rich late night talk show scene, along with the previously covered Grace Kelly, Doc Severinsen, and Allison Miller.   The band Answers solves the question to getting things done independently and D.I.Y. Whether leading a 60-person guitar orchestra in a great moment of communal music making, or blurring the lines of prog-rock, jazz, classical, and whatever else this band of music makers can envision. Adventure, passion, and free spirit abound. Listen as we dive into Answers. ABOUT THE MAJOR SCALE: Your attention please to a new program that celebrates and takes a fresh and bold look at the great American art form- JAZZ!!! The Major Scale is the title, the motto and the mission are, Jazz- past, present, future, and everything in between. A lot of focus will be on new and fresh sounds, deep cuts, closer looks at underrated artists, taking a different look at some of the titans of the genre, and getting the two cents worth from a number of surprise guests and sources. The Major Scale can boast amongst it's guests- legends like Herbie Hancock, Tom Scott, and Ahmad Jamal. The up and coming and the underrated-Kamasi Washington, Mia Doi Todd, Michael Blake. Fresh perspectives and commentary from the likes of Rock legend Al Kooper, who weighed in on the gospel. From The New Yorker, Amanda Petrusich expounds on her article about the movement to rename the Williamsburg Bridge in honor of Sonny Rollins. We explore the Soul-Jazz experiments of the Rascals. Grace Kelly from The Late Show with Stephen Colbert talks about her pop-up/flash mob concerts. Plus Thundercat, Henry Mancini, Ghostface Killah, Jaimie Branch, Nels Cline, Badbadnotgood, Cecil Taylor, and more get pick up on the Major Scale radar. Produced in Central Florida, this program seeks to become one of the defining voices of this Native American art form, and everything else that finds itself under it's umbrella. Think about programming and content found on the likes of World Cafe, Philadelphia, PA. Tiny Desk from Washington D.C., and KEXP Live from Seattle, WA. and that's what the Major Scale strives to do. For the curious, and lovers of music who like the details in between. ABOUT KYLE EAGLE (Host): Kyle Eagle has been a contributing writer and producer for the NPR-WBGO, WUCF, WPRK, Wax Poetics, The Orlando Weekly, Artbourne, and The Fiscal Times, as well as several music and film releases- Light in the Attic's documentary "This Is Gary McFarland", and an upcoming film on composer Jack Nietzsche. Recordings- Call Me-Jack Wilson, Live at the Penthouse, Grachan Moncur III, Chico Hamilton, and Andy Bey. ABOUT CHRIS BARANYI (Producer): Chris Baranyi is a sound engineer and music producer. He splits his time between designing AV systems for theme parks and recording music. Chris has worked with many Orlando area musicians with backgrounds in jazz, fusion, hip-hop, funk, new age, and classical. Some of which have been featured on NPR's Echoes. His passion includes jazz, vintage microphones, and hot sauce.

The word "mother" gets used a lot in this episode of The Major Scale, and we don't just mean it in the maternal way. When we heard Dwight Trible's stunning take on the Beatles psychedelic anthem "Tomorrow Never Knows," the song wasn't even half over before we were reaching out for an interview request. His Mothership album blows wigs back as we've come to expect from an artist who's as legendary as his colleagues; ranging from Pharaoh Sanders and Charles Lloyd, to J Dilla and Kamasi Washington, and whom we'll hear play on the segment.   Is this for real, the great Amina Claudine Myers is on our little show?!? Holy mackerel this is a sweet gig. Even sweeter, Hillary Donnell returns to host the back and forth with one of the true titans of American music. They cover Myers's career, the Winter Jazz Fest, Bessie Smith, and more. If the music doesn't awe and charm you (how could it not?), then the conversation certainly will. ABOUT THE MAJOR SCALE: Your attention please to a new program that celebrates and takes a fresh and bold look at the great American art form- JAZZ!!! The Major Scale is the title, the motto and the mission are, Jazz- past, present, future, and everything in between. A lot of focus will be on new and fresh sounds, deep cuts, closer looks at underrated artists, taking a different look at some of the titans of the genre, and getting the two cents worth from a number of surprise guests and sources. The Major Scale can boast amongst it's guests- legends like Herbie Hancock, Tom Scott, and Ahmad Jamal. The up and coming and the underrated-Kamasi Washington, Mia Doi Todd, Michael Blake. Fresh perspectives and commentary from the likes of Rock legend Al Kooper, who weighed in on the gospel. From The New Yorker, Amanda Petrusich expounds on her article about the movement to rename the Williamsburg Bridge in honor of Sonny Rollins. We explore the Soul-Jazz experiments of the Rascals. Grace Kelly from The Late Show with Stephen Colbert talks about her pop-up/flash mob concerts. Plus Thundercat, Henry Mancini, Ghostface Killah, Jaimie Branch, Nels Cline, Badbadnotgood, Cecil Taylor, and more get pick up on the Major Scale radar. Produced in Central Florida, this program seeks to become one of the defining voices of this Native American art form, and everything else that finds itself under it's umbrella. Think about programming and content found on the likes of World Cafe, Philadelphia, PA. Tiny Desk from Washington D.C., and KEXP Live from Seattle, WA. and that's what the Major Scale strives to do. For the curious, and lovers of music who like the details in between. ABOUT KYLE EAGLE (Host): Kyle Eagle has been a contributing writer and producer for the NPR-WBGO, WUCF, WPRK, Wax Poetics, The Orlando Weekly, Artbourne, and The Fiscal Times, as well as several music and film releases- Light in the Attic's documentary "This Is Gary McFarland", and an upcoming film on composer Jack Nietzsche. Recordings- Call Me-Jack Wilson, Live at the Penthouse, Grachan Moncur III, Chico Hamilton, and Andy Bey. ABOUT CHRIS BARANYI (Producer): Chris Baranyi is a sound engineer and music producer. He splits his time between designing AV systems for theme parks and recording music. Chris has worked with many Orlando area musicians with backgrounds in jazz, fusion, hip-hop, funk, new age, and classical. Some of which have been featured on NPR's Echoes. His passion includes jazz, vintage microphones, and hot sauce.

Keyboardist and multi-instrumentalist, Jamie Saft is exactly the type of musician we love to talk about here on the Major Scale. He's prolific, and leaves no musical territory unexplored–from rock to punk, and the experimental to all that Jazz. His work with Bernard Purdie, John Zorn, Bad Brains, the Beastie Boys, and Bill Laswell, to name a few, have put Saft into the Musician's Musician club–a very good place to be. His latest efforts have found him in good company with fellow heavyweights Steve Swallow and Bobby Previte, not to mention the incomparable punk icon Iggy Pop on the mic, all of which you'll hear.   Ron Carter you've heard countless times and if you haven't we don't know where you've been. He's a legend–his bass playing provides the pulse and groove of countless classics and infinite samples for hip hop and electronica. He's been name checked and enlisted by everyone from A Tribe Called Quest to Gil Scott-Heron and Miles Davis. He's a leader and an artist with over 2000 sessions under his belt and he continues to this day. He joined us to talk abut one of his recent recordings, The Brown Beatnik Tomes with Def Poetry's Danny Simmons. Curious eardrums will be delighted. ABOUT THE MAJOR SCALE: Your attention please to a new program that celebrates and takes a fresh and bold look at the great American art form- JAZZ!!! The Major Scale is the title, the motto and the mission are, Jazz- past, present, future, and everything in between. A lot of focus will be on new and fresh sounds, deep cuts, closer looks at underrated artists, taking a different look at some of the titans of the genre, and getting the two cents worth from a number of surprise guests and sources. The Major Scale can boast amongst it's guests- legends like Herbie Hancock, Tom Scott, and Ahmad Jamal. The up and coming and the underrated-Kamasi Washington, Mia Doi Todd, Michael Blake. Fresh perspectives and commentary from the likes of Rock legend Al Kooper, who weighed in on the gospel. From The New Yorker, Amanda Petrusich expounds on her article about the movement to rename the Williamsburg Bridge in honor of Sonny Rollins. We explore the Soul-Jazz experiments of the Rascals. Grace Kelly from The Late Show with Stephen Colbert talks about her pop-up/flash mob concerts. Plus Thundercat, Henry Mancini, Ghostface Killah, Jaimie Branch, Nels Cline, Badbadnotgood, Cecil Taylor, and more get pick up on the Major Scale radar. Produced in Central Florida, this program seeks to become one of the defining voices of this Native American art form, and everything else that finds itself under it's umbrella. Think about programming and content found on the likes of World Cafe, Philadelphia, PA. Tiny Desk from Washington D.C., and KEXP Live from Seattle, WA. and that's what the Major Scale strives to do. For the curious, and lovers of music who like the details in between. ABOUT KYLE EAGLE (Host): Kyle Eagle has been a contributing writer and producer for the NPR-WBGO, WUCF, WPRK, Wax Poetics, The Orlando Weekly, Artbourne, and The Fiscal Times, as well as several music and film releases- Light in the Attic's documentary "This Is Gary McFarland", and an upcoming film on composer Jack Nietzsche. Recordings- Call Me-Jack Wilson, Live at the Penthouse, Grachan Moncur III, Chico Hamilton, and Andy Bey. ABOUT CHRIS BARANYI (Producer): Chris Baranyi is a sound engineer and music producer. He splits his time between designing AV systems for theme parks and recording music. Chris has worked with many Orlando area musicians with backgrounds in jazz, fusion, hip-hop, funk, new age, and classical. Some of which have been featured on NPR's Echoes. His passion includes jazz, vintage microphones, and hot sauce.

This episode is a nod to the crate diggers. Phil Ranelin may be considered underground, but he's an artist of large stature in the world of rare grooves. Sought after by collectors, and for use of samples and remixes, Ranelin's music is now widely accepted which nearly eluded him since he began back in the '60s. His Collected Works 2003- 2019 from Wide Hive Records prove what a treasure he is. You don't even have to take our word for it, Motown, Stevie Wonder, Freddie Hubbard, the Red Hot Chili Peppers, and John McEntire of Tortoise have been hip to the notion all along. Ranelin's music is all his own, leaning towards an Afro-centric soul vibe with a dissonant cry of freedom, future, and self-expression. Along for the ride is fellow jazz titan Pharoah Sanders, and young lion Kamasi Washington. We got Mr. Ranelin on the line to share his thoughts and feelings about this proper retrospective. Crate digging is generally a pastime involving vinyl records, but it could be applied to books and rare artifacts–something Josh Frank does all at once. First an author (notably of the post-modern biography In Heaven Everything Is Fine and co-author with Frank Black of the Pixies in The Good Inn), and now a pop culture explorer, Frank unearthed, "directed," and scored the long lost film project between surrealist artist Salvador Dali and the Marx Brothers. Need a minute to ponder that? Wait 'til you hear the title: Giraffes On Horseback Salad. Frank has done the impossible by adapting this once long-lost curio as a fully formed, eye-popping graphic novel. In keeping with Dali's wishes, he also produced a soundtrack in the vein of Cole Porter with the help of Pepe Deluxe and Quin Arbeitman. It's a score that's all things old Hollywood, absurd, delightful and as zany as anything the Marx Brothers did during their time on earth, and now in the hereafter. Or is it? Josh Frank helps makes heads or tail of it all. ABOUT THE MAJOR SCALE: Your attention please to a new program that celebrates and takes a fresh and bold look at the great American art form- JAZZ!!! The Major Scale is the title, the motto and the mission are, Jazz- past, present, future, and everything in between. A lot of focus will be on new and fresh sounds, deep cuts, closer looks at underrated artists, taking a different look at some of the titans of the genre, and getting the two cents worth from a number of surprise guests and sources. The Major Scale can boast amongst it's guests- legends like Herbie Hancock, Tom Scott, and Ahmad Jamal. The up and coming and the underrated-Kamasi Washington, Mia Doi Todd, Michael Blake. Fresh perspectives and commentary from the likes of Rock legend Al Kooper, who weighed in on the gospel. From The New Yorker, Amanda Petrusich expounds on her article about the movement to rename the Williamsburg Bridge in honor of Sonny Rollins. We explore the Soul-Jazz experiments of the Rascals. Grace Kelly from The Late Show with Stephen Colbert talks about her pop-up/flash mob concerts. Plus Thundercat, Henry Mancini, Ghostface Killah, Jaimie Branch, Nels Cline, Badbadnotgood, Cecil Taylor, and more get pick up on the Major Scale radar. Produced in Central Florida, this program seeks to become one of the defining voices of this Native American art form, and everything else that finds itself under it's umbrella. Think about programming and content found on the likes of World Cafe, Philadelphia, PA. Tiny Desk from Washington D.C., and KEXP Live from Seattle, WA. and that's what the Major Scale strives to do. For the curious, and lovers of music who like the details in between. ABOUT KYLE EAGLE (Host): Kyle Eagle has been a contributing writer and producer for the NPR-WBGO, WUCF, WPRK, Wax Poetics, The Orlando Weekly, Artbourne, and The Fiscal Times, as well as several music and film releases- Light in the Attic's documentary "This Is Gary McFarland", and an upcoming film on composer Jack Nietzsche. Recordings- Call Me-Jack Wilson, Live at the Penthouse, Grachan Moncur III, Chico Hamilton, and Andy Bey. ABOUT CHRIS BARANYI (Producer): Chris Baranyi is a sound engineer and music producer. He splits his time between designing AV systems for theme parks and recording music. Chris has worked with many Orlando area musicians with backgrounds in jazz, fusion, hip-hop, funk, new age, and classical. Some of which have been featured on NPR's Echoes. His passion includes jazz, vintage microphones, and hot sauce.

Snarky Puppy have been delivering the goods for some time. From picking up Grammys to creating the Ground Up Festival, kudos to their futuristic fusion that takes all things soulful, funky and jazzy and turns it on its ear. Like the bands from Miles Davis' electric-era, this group has a hundred flowers blooming in their talent pool. The band boasts members who have taken part in the music of Prince, Erykah Badu, Justin Timberlake, David Crosby, and Ghost-Note. Known as "The Fam" to friends and fans alike, guitarist Bob Lanzetti gets anything but snarky with us as we discuss the music and more. Speaking of flowers blooming, our next guest needs no introduction as he made his name in the late night talk show game. The Major Scale has been covering the cream of this crop since we started, and we're proud and humbled to present an icon. Easily the godfather to today's Jon Batiste and The Roots, without further delay: HEEEEEEEEEEEERE's DOC!!!!!! "Doc" Severinsen that is, the legendary band leader from The Tonight Show. While Johnny Carson may have been the king of late night, Doc is the king of the music. Night after night he presided over some of the greatest musicians in the world, with trumpet in hand and outrageously bespoke threads on his frame. The NBC peacock logo paled in the light of Doc and a band that included a who's who of greats like Clarke Terry, Shelly Manne, Snooky Young and more. Severinsen joins The Major Scale to shed light on recently discovered recordings from his workshops with Texas high school bands. Recorded in the 1970s, the music is masterful, with epic and cinematic turns, with a backstory that touches the heart. It's perhaps his greatest artistic achievement to date. ABOUT THE MAJOR SCALE: Your attention please to a new program that celebrates and takes a fresh and bold look at the great American art form- JAZZ!!! The Major Scale is the title, the motto and the mission are, Jazz- past, present, future, and everything in between. A lot of focus will be on new and fresh sounds, deep cuts, closer looks at underrated artists, taking a different look at some of the titans of the genre, and getting the two cents worth from a number of surprise guests and sources. The Major Scale can boast amongst it's guests- legends like Herbie Hancock, Tom Scott, and Ahmad Jamal. The up and coming and the underrated-Kamasi Washington, Mia Doi Todd, Michael Blake. Fresh perspectives and commentary from the likes of Rock legend Al Kooper, who weighed in on the gospel. From The New Yorker, Amanda Petrusich expounds on her article about the movement to rename the Williamsburg Bridge in honor of Sonny Rollins. We explore the Soul-Jazz experiments of the Rascals. Grace Kelly from The Late Show with Stephen Colbert talks about her pop-up/flash mob concerts. Plus Thundercat, Henry Mancini, Ghostface Killah, Jaimie Branch, Nels Cline, Badbadnotgood, Cecil Taylor, and more get pick up on the Major Scale radar. Produced in Central Florida, this program seeks to become one of the defining voices of this Native American art form, and everything else that finds itself under it's umbrella. Think about programming and content found on the likes of World Cafe, Philadelphia, PA. Tiny Desk from Washington D.C., and KEXP Live from Seattle, WA. and that's what the Major Scale strives to do. For the curious, and lovers of music who like the details in between. ABOUT KYLE EAGLE (Host): Kyle Eagle has been a contributing writer and producer for the NPR-WBGO, WUCF, WPRK, Wax Poetics, The Orlando Weekly, Artbourne, and The Fiscal Times, as well as several music and film releases- Light in the Attic's documentary "This Is Gary McFarland", and an upcoming film on composer Jack Nietzsche. Recordings- Call Me-Jack Wilson, Live at the Penthouse, Grachan Moncur III, Chico Hamilton, and Andy Bey. ABOUT CHRIS BARANYI (Producer): Chris Baranyi is a sound engineer and music producer. He splits his time between designing AV systems for theme parks and recording music. Chris has worked with many Orlando area musicians with backgrounds in jazz, fusion, hip-hop, funk, new age, and classical. Some of which have been featured on NPR's Echoes. His passion includes jazz, vintage microphones, and hot sauce.

Some artists, despite their immense talent and originality, never catch on with the public at large. Pianist Jack Wilson was one such individual – a favorite among The Major Scale team for his finesse on the keys, paired with his knack for compelling composition. In this episode we evangelize his work and mark the occasion of a posthumous release, Call Me: Live At the Penthouse, newly released from Light In The Attic Records. We're not alone in our praise of the man. Ahmad Jamal and Barry Harris speak very highly of him, along with Wilson's bandmates Roy Ayers and Von Barlow, producer Michael Cuscuna, and Vanity Fair editor and author David Friend – all of whom join us to share their accolades for Jack Wilson. Rounding it out is Kristian St. Clair, a filmmaker and the producer of Wilson's posthumous Call Me. ABOUT THE MAJOR SCALE: Your attention please to a new program that celebrates and takes a fresh and bold look at the great American art form- JAZZ!!! The Major Scale is the title, the motto and the mission are, Jazz- past, present, future, and everything in between. A lot of focus will be on new and fresh sounds, deep cuts, closer looks at underrated artists, taking a different look at some of the titans of the genre, and getting the two cents worth from a number of surprise guests and sources. The Major Scale can boast amongst it's guests- legends like Herbie Hancock, Tom Scott, and Ahmad Jamal. The up and coming and the underrated-Kamasi Washington, Mia Doi Todd, Michael Blake. Fresh perspectives and commentary from the likes of Rock legend Al Kooper, who weighed in on the gospel. From The New Yorker, Amanda Petrusich expounds on her article about the movement to rename the Williamsburg Bridge in honor of Sonny Rollins. We explore the Soul-Jazz experiments of the Rascals. Grace Kelly from The Late Show with Stephen Colbert talks about her pop-up/flash mob concerts. Plus Thundercat, Henry Mancini, Ghostface Killah, Jaimie Branch, Nels Cline, Badbadnotgood, Cecil Taylor, and more get pick up on the Major Scale radar. Produced in Central Florida, this program seeks to become one of the defining voices of this Native American art form, and everything else that finds itself under it's umbrella. Think about programming and content found on the likes of World Cafe, Philadelphia, PA. Tiny Desk from Washington D.C., and KEXP Live from Seattle, WA. and that's what the Major Scale strives to do. For the curious, and lovers of music who like the details in between. ABOUT KYLE EAGLE (Host): Kyle Eagle has been a contributing writer and producer for the NPR-WBGO, WUCF, WPRK, Wax Poetics, The Orlando Weekly, Artbourne, and The Fiscal Times, as well as several music and film releases- Light in the Attic's documentary "This Is Gary McFarland", and an upcoming film on composer Jack Nietzsche. Recordings- Call Me-Jack Wilson, Live at the Penthouse, Grachan Moncur III, Chico Hamilton, and Andy Bey. ABOUT CHRIS BARANYI (Producer): Chris Baranyi is a sound engineer and music producer. He splits his time between designing AV systems for theme parks and recording music. Chris has worked with many Orlando area musicians with backgrounds in jazz, fusion, hip-hop, funk, new age, and classical. Some of which have been featured on NPR's Echoes. His passion includes jazz, vintage microphones, and hot sauce.

The concept is the composition in this episode. We start with Craig Harris paying tribute the greatest of all time, Muhammed Ali. His album Brown Butterfly is a brilliant and dizzying song cycle inspired by the champ. Harris joins The Major Scale to give us some play-by-play commentary behind his modern masterpiece.   Canadian musician Elizabeth Shepherd creates another gem in already sparkling career. With her latest album, Montreal, she takes inspiration from the people, places, and events that have shaped the city. The results are a musical ode with a journalistic tone. Definitely for curious eardrums. ABOUT THE MAJOR SCALE: Your attention please to a new program that celebrates and takes a fresh and bold look at the great American art form- JAZZ!!! The Major Scale is the title, the motto and the mission are, Jazz- past, present, future, and everything in between. A lot of focus will be on new and fresh sounds, deep cuts, closer looks at underrated artists, taking a different look at some of the titans of the genre, and getting the two cents worth from a number of surprise guests and sources. The Major Scale can boast amongst it's guests- legends like Herbie Hancock, Tom Scott, and Ahmad Jamal. The up and coming and the underrated-Kamasi Washington, Mia Doi Todd, Michael Blake. Fresh perspectives and commentary from the likes of Rock legend Al Kooper, who weighed in on the gospel. From The New Yorker, Amanda Petrusich expounds on her article about the movement to rename the Williamsburg Bridge in honor of Sonny Rollins. We explore the Soul-Jazz experiments of the Rascals. Grace Kelly from The Late Show with Stephen Colbert talks about her pop-up/flash mob concerts. Plus Thundercat, Henry Mancini, Ghostface Killah, Jaimie Branch, Nels Cline, Badbadnotgood, Cecil Taylor, and more get pick up on the Major Scale radar. Produced in Central Florida, this program seeks to become one of the defining voices of this Native American art form, and everything else that finds itself under it's umbrella. Think about programming and content found on the likes of World Cafe, Philadelphia, PA. Tiny Desk from Washington D.C., and KEXP Live from Seattle, WA. and that's what the Major Scale strives to do. For the curious, and lovers of music who like the details in between. ABOUT KYLE EAGLE (Host): Kyle Eagle has been a contributing writer and producer for the NPR-WBGO, WUCF, WPRK, Wax Poetics, The Orlando Weekly, Artbourne, and The Fiscal Times, as well as several music and film releases- Light in the Attic's documentary "This Is Gary McFarland", and an upcoming film on composer Jack Nietzsche. Recordings- Call Me-Jack Wilson, Live at the Penthouse, Grachan Moncur III, Chico Hamilton, and Andy Bey. ABOUT CHRIS BARANYI (Producer): Chris Baranyi is a sound engineer and music producer. He splits his time between designing AV systems for theme parks and recording music. Chris has worked with many Orlando area musicians with backgrounds in jazz, fusion, hip-hop, funk, new age, and classical. Some of which have been featured on NPR's Echoes. His passion includes jazz, vintage microphones, and hot sauce.

A large chunk of the work that goes into producing The Major Scale is research – lots of it. The majority of our time is spent reading, seeking new channels, and taking leads from faithful hardworking artist management and PR. This episode is a nod to these tireless efforts. The always anticipated Winter Jazz Festival is coming, and while reading about past years' events we came across an op-ed in Jazz Right Now titled "A Feminist Urge Is Driving the Shape of Jazz to Come," written by Hillary Donnell. The piece was so impressive and eye opening, looking at both the social roots of the music and towards the future that lay ahead, that we decided to book her for an interview on it. You might recognize Donnell, music journalist and DJ, from previous episodes of The Major Scale, and hopefully again in future broadcasts. In this episode, we discuss her op-ed in detail. She also picked out all the music to go along with it: from Geri Allen, Emma Jean Thackray, David Murray, Alice Coltrane, Nubya Garcia, Yazz Ahmed, and many more. Donnell knows her stuff, so don't sleep on this one! ABOUT THE MAJOR SCALE: Your attention please to a new program that celebrates and takes a fresh and bold look at the great American art form- JAZZ!!! The Major Scale is the title, the motto and the mission are, Jazz- past, present, future, and everything in between. A lot of focus will be on new and fresh sounds, deep cuts, closer looks at underrated artists, taking a different look at some of the titans of the genre, and getting the two cents worth from a number of surprise guests and sources. The Major Scale can boast amongst it's guests- legends like Herbie Hancock, Tom Scott, and Ahmad Jamal. The up and coming and the underrated-Kamasi Washington, Mia Doi Todd, Michael Blake. Fresh perspectives and commentary from the likes of Rock legend Al Kooper, who weighed in on the gospel. From The New Yorker, Amanda Petrusich expounds on her article about the movement to rename the Williamsburg Bridge in honor of Sonny Rollins. We explore the Soul-Jazz experiments of the Rascals. Grace Kelly from The Late Show with Stephen Colbert talks about her pop-up/flash mob concerts. Plus Thundercat, Henry Mancini, Ghostface Killah, Jaimie Branch, Nels Cline, Badbadnotgood, Cecil Taylor, and more get pick up on the Major Scale radar. Produced in Central Florida, this program seeks to become one of the defining voices of this Native American art form, and everything else that finds itself under it's umbrella. Think about programming and content found on the likes of World Cafe, Philadelphia, PA. Tiny Desk from Washington D.C., and KEXP Live from Seattle, WA. and that's what the Major Scale strives to do. For the curious, and lovers of music who like the details in between. ABOUT KYLE EAGLE (Host): Kyle Eagle has been a contributing writer and producer for the NPR-WBGO, WUCF, WPRK, Wax Poetics, The Orlando Weekly, Artbourne, and The Fiscal Times, as well as several music and film releases- Light in the Attic's documentary "This Is Gary McFarland", and an upcoming film on composer Jack Nietzsche. Recordings- Call Me-Jack Wilson, Live at the Penthouse, Grachan Moncur III, Chico Hamilton, and Andy Bey. ABOUT CHRIS BARANYI (Producer): Chris Baranyi is a sound engineer and music producer. He splits his time between designing AV systems for theme parks and recording music. Chris has worked with many Orlando area musicians with backgrounds in jazz, fusion, hip-hop, funk, new age, and classical. Some of which have been featured on NPR's Echoes. His passion includes jazz, vintage microphones, and hot sauce.

We love doing the Major Scale because it's a great opportunity to work with brilliant artists of today and tomorrow, as well as the some of our heroes from the past. In this episode we get both: Sarathy Korwar and Steve Kuhn. There's a renaissance happening in jazz worldwide, and drummer Sarathy Korwar is one of the leading voices in the UK. Within a year he's offered us two brilliant releases in My East Is Your West and More Arriving. The first, as the title suggests, is an Eastern take on a selection of overlooked Western tunes by the likes of Joe Henderson, Dollar Brand/Abdullah Ibrahim, Don Cherry, plus more. The second will make you stop in your tracks – a song cycle of nu-skool jazz plugged through the outlet of dance electronica and a collection of poets, griots, and MCs from India's growing music scene. The result is a joyful and socially aware noise. Steve Kuhn has been a leading voice since he arrived on the scene in early 1960s. Whether in his own prolific output or his numerous collaborations as an accompanist for the likes of Coltrane, Getz, and Oliver Nelson, it's no argument that Kuhn is one of the greats. Blessed with a gift for the melodic and an adventurous command of the piano, you can't help but picture his fingers dance in delight across the keyboard when listening to one of his compositions. As to be expected, his latest album, To And From The Heart, is stunning in effect and sadly may be his last!! Kuhn put some time aside to talk about it with us. ABOUT THE MAJOR SCALE: Your attention please to a new program that celebrates and takes a fresh and bold look at the great American art form- JAZZ!!! The Major Scale is the title, the motto and the mission are, Jazz- past, present, future, and everything in between. A lot of focus will be on new and fresh sounds, deep cuts, closer looks at underrated artists, taking a different look at some of the titans of the genre, and getting the two cents worth from a number of surprise guests and sources. The Major Scale can boast amongst it's guests- legends like Herbie Hancock, Tom Scott, and Ahmad Jamal. The up and coming and the underrated-Kamasi Washington, Mia Doi Todd, Michael Blake. Fresh perspectives and commentary from the likes of Rock legend Al Kooper, who weighed in on the gospel. From The New Yorker, Amanda Petrusich expounds on her article about the movement to rename the Williamsburg Bridge in honor of Sonny Rollins. We explore the Soul-Jazz experiments of the Rascals. Grace Kelly from The Late Show with Stephen Colbert talks about her pop-up/flash mob concerts. Plus Thundercat, Henry Mancini, Ghostface Killah, Jaimie Branch, Nels Cline, Badbadnotgood, Cecil Taylor, and more get pick up on the Major Scale radar. Produced in Central Florida, this program seeks to become one of the defining voices of this Native American art form, and everything else that finds itself under it's umbrella. Think about programming and content found on the likes of World Cafe, Philadelphia, PA. Tiny Desk from Washington D.C., and KEXP Live from Seattle, WA. and that's what the Major Scale strives to do. For the curious, and lovers of music who like the details in between. ABOUT KYLE EAGLE (Host): Kyle Eagle has been a contributing writer and producer for the NPR-WBGO, WUCF, WPRK, Wax Poetics, The Orlando Weekly, Artbourne, and The Fiscal Times, as well as several music and film releases- Light in the Attic's documentary "This Is Gary McFarland", and an upcoming film on composer Jack Nietzsche. Recordings- Call Me-Jack Wilson, Live at the Penthouse, Grachan Moncur III, Chico Hamilton, and Andy Bey. ABOUT CHRIS BARANYI (Producer): Chris Baranyi is a sound engineer and music producer. He splits his time between designing AV systems for theme parks and recording music. Chris has worked with many Orlando area musicians with backgrounds in jazz, fusion, hip-hop, funk, new age, and classical. Some of which have been featured on NPR's Echoes. His passion includes jazz, vintage microphones, and hot sauce.

The Major Scale is proud to present a three-part special for Cornell Fine Arts Museum's exhibit African American Art in the 20th Century, on loan from the Smithsonian American Art Museum. It's a bounty of bold and brilliant masterworks that showcases paintings and sculptures from 32 African American artists. In our special series, we delve into the stories that tie together the exhibit's themes, including jazz and civil rights, as well as the music with the show's curator, Virginia Mecklenburg. Part 3: Among the many amazing artists in the exhibit is Purvis Young, a native to Florida. We thought it apt since the exhibit since both Cornell Fine Arts Museum and the Major Scale are based in Central Florida that we take the time to explore some of the regional roots. Young, the term "Outsider Art", and the legendary Highwaymen are on the table for conversation as well as some of the Sunshine State's - Slim Galliard, Fats Navarro, Charles Tolliver, Gigi Gryce, Pee-Wee Ellis, Archie Shepp, and more. This special series is a must for curious eardrums. ABOUT THE MAJOR SCALE: Your attention please to a new program that celebrates and takes a fresh and bold look at the great American art form- JAZZ!!! The Major Scale is the title, the motto and the mission are, Jazz- past, present, future, and everything in between. A lot of focus will be on new and fresh sounds, deep cuts, closer looks at underrated artists, taking a different look at some of the titans of the genre, and getting the two cents worth from a number of surprise guests and sources. The Major Scale can boast amongst it's guests- legends like Herbie Hancock, Tom Scott, and Ahmad Jamal. The up and coming and the underrated-Kamasi Washington, Mia Doi Todd, Michael Blake. Fresh perspectives and commentary from the likes of Rock legend Al Kooper, who weighed in on the gospel. From The New Yorker, Amanda Petrusich expounds on her article about the movement to rename the Williamsburg Bridge in honor of Sonny Rollins. We explore the Soul-Jazz experiments of the Rascals. Grace Kelly from The Late Show with Stephen Colbert talks about her pop-up/flash mob concerts. Plus Thundercat, Henry Mancini, Ghostface Killah, Jaimie Branch, Nels Cline, Badbadnotgood, Cecil Taylor, and more get pick up on the Major Scale radar. Produced in Central Florida, this program seeks to become one of the defining voices of this Native American art form, and everything else that finds itself under it's umbrella. Think about programming and content found on the likes of World Cafe, Philadelphia, PA. Tiny Desk from Washington D.C., and KEXP Live from Seattle, WA. and that's what the Major Scale strives to do. For the curious, and lovers of music who like the details in between. ABOUT KYLE EAGLE (Host): Kyle Eagle has been a contributing writer and producer for the NPR-WBGO, WUCF, WPRK, Wax Poetics, The Orlando Weekly, Artbourne, and The Fiscal Times, as well as several music and film releases- Light in the Attic's documentary "This Is Gary McFarland", and an upcoming film on composer Jack Nietzsche. Recordings- Call Me-Jack Wilson, Live at the Penthouse, Grachan Moncur III, Chico Hamilton, and Andy Bey. ABOUT CHRIS BARANYI (Producer): Chris Baranyi is a sound engineer and music producer. He splits his time between designing AV systems for theme parks and recording music. Chris has worked with many Orlando area musicians with backgrounds in jazz, fusion, hip-hop, funk, new age, and classical. Some of which have been featured on NPR's Echoes. His passion includes jazz, vintage microphones, and hot sauce.

The Major Scale is proud to present a three-part special for Cornell Fine Arts Museum's exhibit African American Art in the 20th Century, on loan from the Smithsonian American Art Museum. It's a bounty of bold and brilliant masterworks that showcases paintings and sculptures from 32 African American artists. In our special series, we delve into the stories that tie together the exhibit's themes, including jazz and civil rights, as well as the music with the show's curator, Virginia Mecklenburg. Part 2: In the post WW II era the pace of the Civil Rights Movement picks up at a rapid pace. African-American life is flux, the demand for change and equality is everywhere. There is tragedy concurrent with hope as leaders and legislation move forward. The music moves right along with it. The art's come into their own, uncompromising talents like Bo Diddley, Miles Davis, Charles Mingus, John Coltrane, Ornette Colman, Amiri Baraka, and countless others begin to make their voices heard, and we'll hear them in this episode. ABOUT THE MAJOR SCALE: Your attention please to a new program that celebrates and takes a fresh and bold look at the great American art form- JAZZ!!! The Major Scale is the title, the motto and the mission are, Jazz- past, present, future, and everything in between. A lot of focus will be on new and fresh sounds, deep cuts, closer looks at underrated artists, taking a different look at some of the titans of the genre, and getting the two cents worth from a number of surprise guests and sources. The Major Scale can boast amongst it's guests- legends like Herbie Hancock, Tom Scott, and Ahmad Jamal. The up and coming and the underrated-Kamasi Washington, Mia Doi Todd, Michael Blake. Fresh perspectives and commentary from the likes of Rock legend Al Kooper, who weighed in on the gospel. From The New Yorker, Amanda Petrusich expounds on her article about the movement to rename the Williamsburg Bridge in honor of Sonny Rollins. We explore the Soul-Jazz experiments of the Rascals. Grace Kelly from The Late Show with Stephen Colbert talks about her pop-up/flash mob concerts. Plus Thundercat, Henry Mancini, Ghostface Killah, Jaimie Branch, Nels Cline, Badbadnotgood, Cecil Taylor, and more get pick up on the Major Scale radar. Produced in Central Florida, this program seeks to become one of the defining voices of this Native American art form, and everything else that finds itself under it's umbrella. Think about programming and content found on the likes of World Cafe, Philadelphia, PA. Tiny Desk from Washington D.C., and KEXP Live from Seattle, WA. and that's what the Major Scale strives to do. For the curious, and lovers of music who like the details in between. ABOUT KYLE EAGLE (Host): Kyle Eagle has been a contributing writer and producer for the NPR-WBGO, WUCF, WPRK, Wax Poetics, The Orlando Weekly, Artbourne, and The Fiscal Times, as well as several music and film releases- Light in the Attic's documentary "This Is Gary McFarland", and an upcoming film on composer Jack Nietzsche. Recordings- Call Me-Jack Wilson, Live at the Penthouse, Grachan Moncur III, Chico Hamilton, and Andy Bey. ABOUT CHRIS BARANYI (Producer): Chris Baranyi is a sound engineer and music producer. He splits his time between designing AV systems for theme parks and recording music. Chris has worked with many Orlando area musicians with backgrounds in jazz, fusion, hip-hop, funk, new age, and classical. Some of which have been featured on NPR's Echoes. His passion includes jazz, vintage microphones, and hot sauce.

The Major Scale is proud to present a three-part special for Cornell Fine Arts Museum's exhibit African American Art in the 20th Century, on loan from the Smithsonian American Art Museum. It's a bounty of bold and brilliant masterworks that showcases paintings and sculptures from 32 African American artists. In our special series, we delve into the stories that tie together the exhibit's themes, including jazz and civil rights, as well as the music with the show's curator, Virginia Mecklenburg. Part 1: The early days of the 20th century were a harsh reality for African Americans, but change was underfoot and it could be found in the art and music of the day. We'll go from the crossroads of the early blues, to the avenues of the Harlem Renaissance, right down to the starting line of bebop. We spin Bessie Smith, Duke Ellington, Thelonious Monk, Bird and Diz and more. ABOUT THE MAJOR SCALE: Your attention please to a new program that celebrates and takes a fresh and bold look at the great American art form- JAZZ!!! The Major Scale is the title, the motto and the mission are, Jazz- past, present, future, and everything in between. A lot of focus will be on new and fresh sounds, deep cuts, closer looks at underrated artists, taking a different look at some of the titans of the genre, and getting the two cents worth from a number of surprise guests and sources. The Major Scale can boast amongst it's guests- legends like Herbie Hancock, Tom Scott, and Ahmad Jamal. The up and coming and the underrated-Kamasi Washington, Mia Doi Todd, Michael Blake. Fresh perspectives and commentary from the likes of Rock legend Al Kooper, who weighed in on the gospel. From The New Yorker, Amanda Petrusich expounds on her article about the movement to rename the Williamsburg Bridge in honor of Sonny Rollins. We explore the Soul-Jazz experiments of the Rascals. Grace Kelly from The Late Show with Stephen Colbert talks about her pop-up/flash mob concerts. Plus Thundercat, Henry Mancini, Ghostface Killah, Jaimie Branch, Nels Cline, Badbadnotgood, Cecil Taylor, and more get pick up on the Major Scale radar. Produced in Central Florida, this program seeks to become one of the defining voices of this Native American art form, and everything else that finds itself under it's umbrella. Think about programming and content found on the likes of World Cafe, Philadelphia, PA. Tiny Desk from Washington D.C., and KEXP Live from Seattle, WA. and that's what the Major Scale strives to do. For the curious, and lovers of music who like the details in between. ABOUT KYLE EAGLE (Host): Kyle Eagle has been a contributing writer and producer for the NPR-WBGO, WUCF, WPRK, Wax Poetics, The Orlando Weekly, Artbourne, and The Fiscal Times, as well as several music and film releases- Light in the Attic's documentary "This Is Gary McFarland", and an upcoming film on composer Jack Nietzsche. Recordings- Call Me-Jack Wilson, Live at the Penthouse, Grachan Moncur III, Chico Hamilton, and Andy Bey. ABOUT CHRIS BARANYI (Producer): Chris Baranyi is a sound engineer and music producer. He splits his time between designing AV systems for theme parks and recording music. Chris has worked with many Orlando area musicians with backgrounds in jazz, fusion, hip-hop, funk, new age, and classical. Some of which have been featured on NPR's Echoes. His passion includes jazz, vintage microphones, and hot sauce.

The Mattson 2 and Emma-Jean Thackray (with Hillary Donnell) Keeping the fresh and bold at the forefront, and our hats off to the legends, The Mattson 2 have been making waves with their dreamy guitar and drum-based music for awhile. Rather than try and describe their sound, just looking at their frequent collaborators speaks volumes; Ray Barbee, Money Mark, Toro Y Moi, and Tommy Guerrero to name a few. With the brothers Mattson's latest take on one of music's most sacred cows, they may have topped themselves (as well as rattled a few cages). That's right, they've gone for John Coltrane and, wait for it... his masterwork A Love Supreme! The Mattson 2 really give it a piece of their creative minds, building a lush adventure and done with loving respect, in a way Coltrane would have given thumbs up to.   One of the most compelling composers working today takes cues not only from the jazz masters, but from the dancefloor and the English tradition of Collier brass bands. That artists name is Emma Jean Thackray. She's one of the shining stars of the jazz-not-jazz renaissance that's currently happening. She'll make you don your thinking cap, get you out of your seat and onto your feet! Major Scale contributor Hillary Donnell returns with a friendly chat she and Thackray had recently.  ABOUT THE MAJOR SCALE: Your attention please to a new program that celebrates and takes a fresh and bold look at the great American art form- JAZZ!!! The Major Scale is the title, the motto and the mission are, Jazz- past, present, future, and everything in between. A lot of focus will be on new and fresh sounds, deep cuts, closer looks at underrated artists, taking a different look at some of the titans of the genre, and getting the two cents worth from a number of surprise guests and sources. The Major Scale can boast amongst it's guests- legends like Herbie Hancock, Tom Scott, and Ahmad Jamal. The up and coming and the underrated-Kamasi Washington, Mia Doi Todd, Michael Blake. Fresh perspectives and commentary from the likes of Rock legend Al Kooper, who weighed in on the gospel. From The New Yorker, Amanda Petrusich expounds on her article about the movement to rename the Williamsburg Bridge in honor of Sonny Rollins. We explore the Soul-Jazz experiments of the Rascals. Grace Kelly from The Late Show with Stephen Colbert talks about her pop-up/flash mob concerts. Plus Thundercat, Henry Mancini, Ghostface Killah, Jaimie Branch, Nels Cline, Badbadnotgood, Cecil Taylor, and more get pick up on the Major Scale radar. Produced in Central Florida, this program seeks to become one of the defining voices of this Native American art form, and everything else that finds itself under it's umbrella. Think about programming and content found on the likes of World Cafe, Philadelphia, PA. Tiny Desk from Washington D.C., and KEXP Live from Seattle, WA. and that's what the Major Scale strives to do. For the curious, and lovers of music who like the details in between. ABOUT KYLE EAGLE (Host): Kyle Eagle has been a contributing writer and producer for the NPR-WBGO, WUCF, WPRK, Wax Poetics, The Orlando Weekly, Artbourne, and The Fiscal Times, as well as several music and film releases- Light in the Attic's documentary "This Is Gary McFarland", and an upcoming film on composer Jack Nietzsche. Recordings- Call Me-Jack Wilson, Live at the Penthouse, Grachan Moncur III, Chico Hamilton, and Andy Bey. ABOUT CHRIS BARANYI (Producer): Chris Baranyi is a sound engineer and music producer. He splits his time between designing AV systems for theme parks and recording music. Chris has worked with many Orlando area musicians with backgrounds in jazz, fusion, hip-hop, funk, new age, and classical. Some of which have been featured on NPR's Echoes. His passion includes jazz, vintage microphones, and hot  

Welcome music fans to a new show joining Pantheon - The House List!The House List is a casual, long-form conversational show by music industry veteran Peter Agoston. Agoston got his start on terrestrial radio in 1994 and from there set off on a long journey that continues to this day. Years spent contributing print writing and photography for the likes of Rolling Stone, The Village Voice, The Source, Miami New Times, Wax Poetics and more. He also spearheaded an influential boutique record label and video magazine. In this episode Peter chats with Olivia Gatwood, who is a world renown touring poet, she just published her second novel of essays and poems titled 'Life Of The Party' on Random House. Our host Peter Agoston sat with Olivia in Los Angeles recently to talk about her childhood - growing up in Albuquerque as well as Trinidad and Tobago. She's a skillful writer whose work traverses deeply into personal reflection. On 'Life of the Party' she uses the modern fixation of so-called "true crime" as a devise to examine how and why it is, what it is. Pretty fascinating stuff. Share this podcast if you may know someone that would be into Olivia's work. Don't forget to subscribe where ever you listen to podcasts and drop us a line at thehouselistpodcast@gmail.com - She also has a fantastic weekly podcast entitled Say More worth lending an ear to.  This podcast is part of Pantheon.

Welcome music fans to a new show joining Pantheon - The House List! The House List is a casual, long-form conversational show by music industry veteran Peter Agoston. Agoston got his start on terrestrial radio in 1994 and from there set off on a long journey that continues to this day. Years spent contributing print writing and photography for the likes of Rolling Stone, The Village Voice, The Source, Miami New Times, Wax Poetics and more. He also spearheaded an influential boutique record label and video magazine. In this episode Peter chats with Olivia Gatwood, who is a world renown touring poet, she just published her second novel of essays and poems titled 'Life Of The Party' on Random House. Our host Peter Agoston sat with Olivia in Los Angeles recently to talk about her childhood - growing up in Albuquerque as well as Trinidad and Tobago. She's a skillful writer whose work traverses deeply into personal reflection. On 'Life of the Party' she uses the modern fixation of so-called "true crime" as a devise to examine how and why it is, what it is. Pretty fascinating stuff. Share this podcast if you may know someone that would be into Olivia's work. Don't forget to subscribe where ever you listen to podcasts and drop us a line at thehouselistpodcast@gmail.com - She also has a fantastic weekly podcast entitled Say More worth lending an ear to.  This podcast is part of Pantheon.

The Album: João Gilberto João Gilberto (1973) Before the summer got away from us, we wanted to record one more episode for the season and we invited a guest to pick the perfect LP for the end of the summer. We were not disappointed... João Gilberto was as integral to Brazil’s bossa nova movement as Ray Charles was to soul or Run DMC was to hip-hop; it’s impossible to imagine its sound and style without his touch. By 1973, Gilberto was largely living outside of Brazil and on a stint in the U.S, he rolled through New Jersey with just a single accompanying musician, percussionist Sonny Carr. Together, they crafted what’s considered a minimalist masterpiece of the genre, Gilberto’s equivalent to the Beatles’ White Album. Parts of it sound like a dream, others like a lullaby, but at the heart, it’s the soothing voice of Gilberto and his nimble guitar playing that anchors all of it. Our guest Allen Thayer, aka The Ambassador, is no stranger to Brazilian music. Though he hails from the Pacific Northwest, he’s long been fascinated with south Atlantic sounds. Author of last year’s 33.3 book on Tim Maia's Racional Vol. 1 & 2, Thayer also hosts the weekly “Brazilian Beat” radio show on KMHD and you can find him spinning Brazilian grooves (amongst other tasty treats) in and around Portland on the regular when he’s not penning articles for Wax Poetics. More on Allen Thayer Interview with KMHD Thayer on Bossa(Wax Poetics) Facebook | Instagram More on João Gilberto Album Review (Worlds of Wanwood) Musical Pairings: João Gilberto (Turntable Kitchen) New York Times' Obituary for Gilberto Show Tracklisting (all songs from João Gilberto unless indicated otherwise): É Preciso Perdoar Eu Quero Um Samba João Gilberto: Chega Se Saudade Chet Baker: My Funny Valentine Izaura Elis Regina and Tom Jobim: Águas De Março Águas De Março Undiú Gilberto Gil: Esotérico (Acustico) - Ao Vivo Glucklich: To Be Earth, Wind & Fire: Brazillian Rhyme The Rolling Stones: Dance (pt 1) Undiú Valsa (Como São Lindos Os Youguis) (Bebel)) Na Baixa Do Sapateiro É Preciso Perdoar Águas De Março Eu Vim Da Bahia Falsa Baiana Valsa (Como São Lindos Os Youguis) (Bebel) Eu Quero Um Samba Águas De Março The Third Wave: Waves Lament Caetano Veloso & Gal Costa: Avarandado Sessa: Dez Total (Filhos de Gandhy) If you're not already subscribed to Heat Rocks in Apple Podcasts, do it here!

"It's for the people who love dusty record shops..." David Holt is one half of the joint venture that is bringing cult music magazine Wax Poetics back to record and magazine shops across Europe this summer. Created by its original editorial team, the magazine, which was launched in 2001 but switched to print on demand in 2018, will return to the format that was so beloved of music enthusiasts, and the relaunch begins with a collector's edition that combines archive material from the vaults with fresh pieces on London's thriving jazz scene and 90s acid jazz. In this conversation David speaks about his original interest in the magazine, and why he thinks the time is right for its return to the newsstand. This is the last episode of the Stack Magazine podcast for a little while, but we'll be back in September with a new season of conversations with independent magazine makers.

The Battle of Algiers, a 1966 film that poetically captures Algerian resistance to French colonial occupation, is widely considered one of the greatest films of all time, having influenced leftist and anti-colonial struggles from the Palestine Liberation Organization, to the Black Panther Party and the Irish Republican Army amongst others. But the film is more relevant and urgent than ever in the current “War on Terror” – having been screened by the Pentagon in 2003 and taught in Army war colleges as a blueprint for U.S. counterinsurgency doctrine. This talk will examine the film as a “ghost archive” of competing narratives, a battleground over the meaning and memory of decolonization and Western power, and a site for challenging the current imperial consensus. As the “War on Terror” expands and the threat of the Muslim looms, the films’ afterlives reveal it to be more than an artifact of the past but rather a prophetic testament to the present and a cautionary tale of an imperial future, as perpetual war has been declared on permanent unrest. Co-Sponsored by Global Studies & Languages’ French Program. =About Sohail Daulatzai= Sohail Daulatzai’s is the founder of Razor Step, an L.A. based media lab. His work includes scholarship, essay, short film/video/installation and the curatorial. He is the author and co/editor of several books, including of Fifty Years of “The Battle of Algiers”: Past as Prologue; Black Star, Crescent Moon: The Muslim International and Black Freedom beyond America; With Stones in Our Hands: Writings on Muslims, Racism and Empire; Return of the Mecca: The Art of Islam and Hip-Hop; and Born to Use Mics: Reading Nas’s Illmatic. He is the curator of the celebrated exhibit Return of the Mecca: The Art of Islam and Hip-Hop and Histories Absolved: Revolutionary Cuban Poster Art and the Muslim International. His video/installation work includes short film essay pieces with Yasiin Bey, a ciné-geography with Zack de la Rocha, as well as an installation piece entitled cas·bah /ˈkazˌbä/noun, 1. A place of confinement for the natives, yet reclaimed. He wrote liner notes for the Sony Legacy Recordings Release of the 20th Anniversary Deluxe Box Set of Rage Against the Machine’s self titled debut album, the liner notes for the DVD release of Freestyle: The Art of Rhyme, the centerpiece in the museum catalog Movement: Hip-Hop in L.A., 1980’s – Now, as well as an essay in iconic photographer Jamel Shabazz’s retrospective Pieces of a Man. His other writings have appeared in Artbound, The Nation, Counterpunch, Al Jazeera, Souls, and Wax Poetics, amongst others. He teaches in Film and Media Studies, African American Studies, and Global Middle East Studies at the University of California, Irvine. More of his work can be found at openedveins.com.

We check in on the state of hip-hop journalism. Of course DBRP co-host David Ma is one of the world’s premier music journalists, filing stories often for Wax Poetics, The Guardian, Okayplayer and many other fine publications. We discuss the work of his peers, including past guests Jeff Weiss, Paul Thompson, and Shawn Setaro. As important as it is to listen to the music, it’s hard to truly understand the culture without the work of these great writers and journalists.

In this episode we're featuring Thundercat and Erik Deutsch! SONG CREDITS FOR THIS EPISODE: THEME: Jazz Phantom by Chomsk' (from the album "Different Beats" on Magnetic Records). FIRST HALF: Uh Uh and A Fan's Mail (Tron Song Suite III) by Thundercat (from the album "Drunk" on Brainfeeder). Lone Wolf and Cub, Inferno, The Turn Down, Show You The Way, Friend Zone, and Day and Night by Thundercat (from the album "The Beyond/Where The Giants Roam" on Brainfeeder). Curly Martin by Terrace Martin with Robert Glaspar and Thundercat (from the album "Velvet Portraits" on Rope a Dope Records). SECOND HALF: Firefly and Incandescence by Erik Deutsch (from the album "Creatures" on Immersive Records). Prayer for Zimawanga by Erik Deutsch (from the album "Fingerpoint" on Sterling Circle Records). Crown Vic by Erik Deutsch (from Live at Relix.com). ABOUT THE MAJOR SCALE: Your attention please to a new program that celebrates and takes a fresh and bold look at the great American art form- JAZZ!!! The Major Scale is the title, the motto and the mission are, Jazz- past, present, future, and everything in between. A lot of focus will be on new and fresh sounds, deep cuts, closer looks at underrated artists, taking a different look at some of the titans of the genre, and getting the two cents worth from a number of surprise guests and sources. The Major Scale can boast amongst it's guests- legends like Herbie Hancock, Tom Scott, and Ahmad Jamal. The up and coming and the underrated-Kamasi Washington, Mia Doi Todd, Michael Blake. Fresh perspectives and commentary from the likes of Rock legend Al Kooper, who weighed in on the gospel. From The New Yorker, Amanda Petrusich expounds on her article about the movement to rename the Williamsburg Bridge in honor of Sonny Rollins. We explore the Soul-Jazz experiments of the Rascals. Grace Kelly from The Late Show with Stephen Colbert talks about her pop-up/flash mob concerts. Plus Thundercat, Henry Mancini, Ghostface Killah, Jaimie Branch, Nels Cline, Badbadnotgood, Cecil Taylor, and more get pick up on the Major Scale radar. Produced in Central Florida, this program seeks to become one of the defining voices of this Native American art form, and everything else that finds itself under it's umbrella. Think about programming and content found on the likes of World Cafe, Philadelphia, PA. Tiny Desk from Washington D.C., and KEXP Live from Seattle, WA. and that's what the Major Scale strives to do. For the curious, and lovers of music who like the details in between. ABOUT KYLE EAGLE (Host): Kyle Eagle has been a contributing writer and producer for the NPR-WBGO, WUCF, WPRK, Wax Poetics, The Orlando Weekly, Artbourne, and The Fiscal Times, as well as several music and film releases- Light in the Attic's documentary "This Is Gary McFarland", and an upcoming film on composer Jack Nietzsche. Recordings- Call Me-Jack Wilson, Live at the Penthouse, Grachan Moncur III, Chico Hamilton, and Andy Bey. ABOUT CHRIS BARANYI (Producer): Chris Baranyi is a sound engineer and music producer. He splits his time between designing AV systems for theme parks and recording music. Chris has worked with many Orlando area musicians with backgrounds in jazz, fusion, hip-hop, funk, new age, and classical. Some of which have been featured on NPR's Echoes. His passion includes jazz, vintage microphones, and hot sauces.

In this episode we're featuring Kaia Kater and a nod to the Brothers Adderley. First up, the new roots and blues of Kaia Kater. She's Canadian born, yet embodies all the musical treasures the Americas have to offer. From bluegrass, folk, and jazz, to MC's like Rakim and Kendrick Lamar, it all comes together in this burgeoning artist's style of songwriting. Along with Ms. Kater, music columnist Bao Le-Huu (This Little Underground/The Orlando Weekly) joins in the conversation.  Speaking of taking in all the sounds of America (and the world at large in this case), we pay tribute to the brothers Adderley: Cannonball and Nat. With a body of work that left no stone unturned, these two did it all with a sense of musical adventure and accessibility with a bit of show-biz gleen. All types of great music passed through the brothers' horns, ranging in themes to folklore, Broadway, afrobeat, astrology, religion, and psychedelia. Along the way the left a trail of bonafide classics - Work Song, Mercy, Mercy, Mercy, and Sack O' Woe - not to mention a who's who of talents they helped to foster, from Joe Zawinul, Charles Lloyd, George Duke, Yusef Lateef, and more. SONG CREDITS FOR THIS EPISODE: THEME: Jazz Phantom by Chomsk' (from the album "Different Beats" on Magnetic Records). FIRST HALF: St. Elizabeth and Nine Pin by Kaia Kater (from the album "Nine Pin" on Mavens Music). Live recording from Orlando Philharmonic Performance with Eric Jacobson Little Pink and Harlem's Little Black Bird by Kaia Kater (from the album "Nine Pin" on Mavens music). SECOND HALF: Poundin' by Cannonball and Nat Adderley (from the album "Big Man" on Fantasy Records). Work Song by Cannonball and Nat Adderley (from the album "Live Session" on Capitol Records). Never Will I Marry by Cannonball and Nat Adderley with Nancy Wilson (from the album "Live Session" on Capitol Records). I'd Rather Be Drinking Muddy Water by Cannonball and Nat Adderley with Lou Rawls (from the album "Live Session" on Capitol Records). So What by Miles Davis (from the album "Kind of Blue" on Columbia Records). Mercy, Mercy, Mercy by Cannonball and Nat Adderley (from the album "Mercy Mercy Mercy" on Capitol Records). Tensity by Cannonball and Nat Adderley (from the album "Quintent and Orchestra" on Capitol Records). Fiddler on the Roof, Boy With the Sad Eyes, and Walk Tall by Cannonball and Nat Adderley (from the album "Fidderelty on the Roof" on Capitol Records). ABOUT THE MAJOR SCALE: Your attention please to a new program that celebrates and takes a fresh and bold look at the great American art form- JAZZ!!! The Major Scale is the title, the motto and the mission are, Jazz- past, present, future, and everything in between. A lot of focus will be on new and fresh sounds, deep cuts, closer looks at underrated artists, taking a different look at some of the titans of the genre, and getting the two cents worth from a number of surprise guests and sources. The Major Scale can boast amongst it's guests- legends like Herbie Hancock, Tom Scott, and Ahmad Jamal. The up and coming and the underrated-Kamasi Washington, Mia Doi Todd, Michael Blake. Fresh perspectives and commentary from the likes of Rock legend Al Kooper, who weighed in on the gospel. From The New Yorker, Amanda Petrusich expounds on her article about the movement to rename the Williamsburg Bridge in honor of Sonny Rollins. We explore the Soul-Jazz experiments of the Rascals. Grace Kelly from The Late Show with Stephen Colbert talks about her pop-up/flash mob concerts. Plus Thundercat, Henry Mancini, Ghostface Killah, Jaimie Branch, Nels Cline, Badbadnotgood, Cecil Taylor, and more get pick up on the Major Scale radar. Produced in Central Florida, this program seeks to become one of the defining voices of this Native American art form, and everything else that finds itself under it's umbrella. Think about programming and content found on the likes of World Cafe, Philadelphia, PA. Tiny Desk from Washington D.C., and KEXP Live from Seattle, WA. and that's what the Major Scale strives to do. For the curious, and lovers of music who like the details in between. ABOUT KYLE EAGLE (Host): Kyle Eagle has been a contributing writer and producer for the NPR-WBGO, WUCF, WPRK, Wax Poetics, The Orlando Weekly, Artbourne, and The Fiscal Times, as well as several music and film releases- Light in the Attic's documentary "This Is Gary McFarland", and an upcoming film on composer Jack Nietzsche. Recordings- Call Me-Jack Wilson, Live at the Penthouse, Grachan Moncur III, Chico Hamilton, and Andy Bey. ABOUT CHRIS BARANYI (Producer): Chris Baranyi is a sound engineer and music producer. He splits his time between designing AV systems for theme parks and recording music. Chris has worked with many Orlando area musicians with backgrounds in jazz, fusion, hip-hop, funk, new age, and classical. Some of which have been featured on NPR's Echoes. His passion includes jazz, vintage microphones, and hot sauces.