Podcasts about Eric Gill

El Artesano, Pablo Ortiz de Zárate propone un experimento: hablar del arte antes que del artista. Nos presenta la obra del escultor y tipógrafo británico Eric Gill, figura influyente y desconocida a la vez. Su historia personal está marcada por abusos sexuales a sus hijas, lo que plantea un debate profundo: ¿podemos separar la obra del autor?

Bob Pop abre línea con los oyentes para resolver sus dudas y problemas. En la 'Dupla' fichamos a Ibai Gómez, técnico que ha devuelto a un pionero de La Liga, el Arenas de Getxo, a una categoría digna de su historia. El Artesano nos cuenta la curiosa vida del artista Eric Gill. Y en 'Mitos 2.0' nos preguntamos si después de la muerte lo peor que te puede pasar es hacer una mudanza. 

On Nick Ferrari at Breakfast, Sir Kier Starmer has unveiled plans to get bobbies back on the beat. Nick talks to Home Secretary Yvette Cooper and Chief Constable of Greater Manchester Police Stephen Watson. Hamas have launched a challenge against the Home Office to remove it from a list of banned terror groups. The BBC has reinstalled a sculpture by paedophile Eric Gill with a new protective screen. All of this and more on Nick Ferrari - The Whole Show podcast.

Navigating disruptive behavior in youth ministry is no easy task. From getting kids to pay attention during sermons to addressing behavior that might require asking a student to step away temporarily, these situations can feel overwhelming. But they're also an opportunity to lead with grace, truth, and a focus on restoration. In this episode of Stacking Chairs, hosts Josh Paulhamus and Kyle Gray are joined by guest Eric Gill to discuss real-life scenarios and practical strategies for managing disruptive behavior in youth group and camp settings. They share personal stories, proven techniques like the “three-strike rule,” and insights into balancing discipline with ministry values. Whether you're a veteran youth leader or just starting out, this episode is packed with wisdom to help you lead effectively without losing trust. Key Talking Points: • How to get kids to pay attention during sermons

Jared Kugel is the CEO and Founder of Tire Agent, an innovative e-commerce platform revolutionizing how consumers purchase and install tires across the US. Tire Agent has been recognized as one of the fastest-growing companies, ranking #936 on the Inc. 5000 list, with Jared himself being a 2024 finalist in the New York area's Ernst & Young Entrepreneur of the Year. An expert in automotive, e-commerce, and fintech, Jared is dedicated to providing exceptional customer service and fostering strong partnerships within the tire and automotive industry. In this episode… The automotive industry is known for its tight-knit community and loyal professionals who often spend their entire careers in the field. How did one entrepreneur leverage this industry culture to build a successful e-commerce tire business from scratch? According to Jared Kugel, Tire Agent started with a simple LinkedIn message and evolved through multiple iterations before finding its footing as an online tire retailer. Jared faced numerous challenges, including financial hardships and countless rejections from investors, but persevered through sheer determination and the support of industry connections. His journey highlights the importance of adaptability, resilience, and building solid relationships within the automotive sector. On this episode of Gain Traction, Mike Edge welcomes Jared to discuss his entrepreneurial journey in the tire industry. They discuss Jared's background, the inception of Tire Agent, early challenges in fundraising and business development, and the company's growth into a successful e-commerce platform. Jared also shares personal anecdotes that illustrate the dedication required to launch a startup in the competitive automotive market. Here's a glimpse of what you'll learn:  [01:54] Jared Kugel's first job and early challenges [02:56] Managing 15 kids versus managing 100 adults: Jared's perspective [03:35] The journey from family tire business to founding Tire Agent [07:39] Jared's LinkedIn message that led to a $750,000 investment [11:17] How Tire Agent pivoted multiple times before finding success [17:32] Crazy customer service stories [21:25] The comprehensive structure of Tire Agent's customer service [23:24] How Tire Agent partners with dealers for mutual growth Resources mentioned in this episode:  Jared Kugel on LinkedIn  Tire Agent  Eric Gill on LinkedIn Gills Point S Tire & Auto Service  Mike Edge on LinkedIn Tread Partners Quotable Moments: "I was answering the calls on holidays, weekends, and the middle of the night. I did not celebrate a holiday or birthday; I was all in." "If it no longer is fun or you don't enjoy it anymore, you shouldn't be doing it — because this is something you'll do half your day." "You can never be happy if you never experience sadness — you appreciate the highs that much more." "We want to create a foundation of friendship and family when you're building a business because that's what helps grow." "Without customers, there is no business; if you take care of your customers, they will take care of you." Action Steps: Personalize customer interactions: This builds a deeper connection with customers and ensures they feel valued. Invest in comprehensive staff training. This will ensure that staff is knowledgeable and prepared to offer the best customer service, reduce errors, and enhance customer satisfaction. Implement a dedicated post-sale support team: Creating specialized teams for post-sale support, such as warranty handling and package tracking, ensures that customers have a seamless experience even after the purchase.  Leverage multi-channel customer acquisition: By partnering with platforms like Tire Agent, dealers can gain additional customers without extra marketing expenditure, thus diversifying their customer acquisition channels. Regularly review and update customer service protocols:  Adapting to changing market conditions ensures the business stays responsive to customer needs. Sponsor for this episode... This episode is brought to you by Tread Partners.  At Tread Partners, we provide digital marketing for multi-location tire dealers and auto repair shops.  By using our strategy, branding, and marketing services, we help shops sell more tires and put more cars in bays. We've helped companies like Action Gator Tire, Colony Tire and Service, and Ulmer's Auto Care Center bring extreme growth in paid leads, ROI, and searches.  So, what are you waiting for? Visit www.treadpartners.com or email info@treadpartners.com to learn more.

Eric Gill is the President and CEO of Gills Point S Tire & Auto Service. A seasoned entrepreneur, Eric masterminded the expansion of Gills Point S Tire & Auto Service from a solitary tire store to 71 locations across 24 years. His background includes a marketing and accounting degree, state tax return filing for Weyerhaeuser's corporate department and an impactful tenure as a manager for Target stores. At a young age, Eric pivoted to the tire industry through a merger that set the stage for his current success. In this episode… The tire and auto industry constantly evolves, with businesses needing to adapt and grow to remain competitive. How do some companies manage to expand from a single location to a large chain in this dynamic environment? According to Eric Gill of Gills Point S Tire & Auto Service, the secret to his business's growth lies in focusing on people and seizing opportunities. He emphasizes the importance of recognizing and nurturing talent from within, which allows for organic expansion by promoting capable individuals to managerial positions. Additionally, strategic partnerships and acquisitions, such as purchasing stores from retiring owners, have expanded the business while maintaining a strong team culture. This approach has enabled Eric to grow his business from a single store to a network of 71 locations over 24 years. On this episode of Gain Traction, Mike Edge welcomes Eric to discuss his journey from managing a single tire store to overseeing a network of 71 locations. The conversation touches on Eric's initial steps in the industry and his strategic approach to growth. They also explore the importance of company culture, mentorship, and the challenges of managing a rapidly expanding business. Eric shares how collaboration and shared values have been instrumental in his success in the tire industry. Here's a glimpse of what you'll learn:  [00:03] Eric Gill details his transition from filing tax returns to steering a multi-location tire business [02:32] How Eric's early family ties to the tire industry influenced his career [03:03] The valuable management and retail skills Eric honed working at Target [05:12] Eric's strategic approach to business growth and acquisition [10:43] The importance of creating opportunities for employees within an expanding organization [16:47] How Point S Tire's co-op model benefits independent tire dealers [23:34] The unconventional path to corporate growth and the down-to-earth moments that keep the tire business real Resources mentioned in this episode: Eric Gill on LinkedIn Gills Point S Tire & Auto Service Craig Bruneel on LinkedIn Phil Wick  Les Schwab  Nick Fox on LinkedIn  Northwest Retreaders Weyerhaeuser Nokian Tyres Mike Edge on LinkedIn Tread Partners Quotable Moments: “If you look back at the end of the day, week, or year, it's amazing how much stuff we do right.” “The door is always open, but I want everyone to find their own path.” “Enjoy all of it — enjoy that journey and create fun memories for everyone that's around you.” “Our focus is just making it fun and enjoying what we're doing.” “Once you take that leap of faith, the next steps aren't so scary.” Action Steps: Seek out seasoned professionals who can serve as mentors to learn from their wisdom and experience: This exposes you to invaluable insights and shortcuts which can help you avoid common pitfalls and achieve your goals more efficiently. Embrace a people-first approach to business, investing in relationships with both employees and customers: Strong relationships build loyalty and create a collaborative environment that can drive sustainable growth. Cultivate adaptability and a willingness to step outside your comfort zone, just as Eric transitioned from the corporate retail world to the tire industry: Being open to change can present unexpected opportunities that spark significant development in your career or business. Leverage your experience from other industries, applying those principles to build a successful model in a new field: Eric's retail expertise from Target enabled him to create an effective business and growth strategy for his tire stores. Identify and focus on your strengths while delegating tasks that are outside your expertise: Recognizing your strong suits and trusting others with tasks they are skilled at can improve your business efficiency and performance.

Mokuhanga becomes a part of those who open themselves to its possibilities. It draws you in as an art form, with its seeming simplicity, and guides you on a profound journey of exploration. One of the strengths of mokuhanga as a practice is its ability to harmonize with other artistic and academic endeavors, enriching one's life in many ways.   On this episode of The Unfinished Print, I speak with William Mathie, a teacher and relief printmaker based in Pennsylvania. We discuss Bill's discovery of mokuhanga in the 1980s and how his academic and artistic journey in printmaking evolved, leading him to rediscover mokuhanga later in life. Bill and I delve into his personal mokuhanga teachers, his work on the Pennsylvania Print Symposium in 2006, his printmaking philosophies, his time at the First International Mokuhanga Conference in Awaji and Kyoto, and we also explore his own mokuhanga work, materials, making tools and how he views mokuhanga through an academic lens.   William Mathie - website, Instagram   Guarding The Cheese    The golden age of mokuhanga is generally considered to be during the Edo period (1603-1898), when the art of color woodcut flourished in Japan. Although woodblock printing in Japan has its origins around 700 CE, color woodblock printing began in 1743.   Rudy Pozzati (1925-2021) - was an American Professor Emeritus, painter, and printmaker who traveled extensively through grants early in life. Later, he served as a professor at Indiana University Bloomington from 1956 to 1991. Indiana University is a public research university in Bloomington, Indiana. He worked in various styles of printmaking and studied mokuhanga in Japan in the 1980s.   Man-eating Mares of King Diomedes (2009) one colour lithograph, 24 3/4" x 33 3/4"   The Adachi Institute of Woodblock Prints - is a print studio located in Tōkyō. Established in 1994 in order to promote and preserve the colour woodblock print of Japan. More information, in English and in Japanese.    Kenji Takenaka - is a mokuhanga printmaker based in Kyoto. He is a fifth generation printmaker, who has demonstrated mokuhanga technique throughout the world. He established the Takenaka Woodblock Printing Company (Takesazado) to help teach and promote mokuhanga. More information can be found, here.    Chikurin 10.6" x 15.3"   The Japan Foundation - established in October 1972 as a government-affiliated corporation and relaunched in 2003 as an independent administrative institution under the Ministry of Foreign Affairs, promotes international cultural exchange through a variety of programs. With its global network, including offices in Japan and 22 overseas locations, the Foundation focuses on Arts and Cultural Exchange, Japanese-Language Education Overseas, and Japanese Studies and Intellectual Exchange. It is funded by a government endowment, annual subsidies, investment revenue, and private donations.   Tuula Moilanen  - is a Finnish mokuhanga printmaker and painter based in Finland. She lived and studied in Kyōto from 1989 to 2012, where she learned her printmaking at Kyōto Seika University and from printmaker Akira Kurosaki (1937–2019). Her work can be found here. Her interview with The Unfinished Print can be found here. Blooming Sky 2, (2017) 10.2" x 14.2"   Yukō Harada - is a mokuhanga printmaker based in Kyoto, and works at Kenji Takenaka's Takesazado and is considered a sixth generation printmaker. An interview with Ms. Harada can be found at amirisu, here.   Rainy Season Stripes 7" x 5"   Evan Summer -  He is a printmaker and Professor Emeritus based in Kutztown, Pennsylvania. He has an extensive CV of artist-in-residence programs and has focused his print work on etching. More information can be found on his website, and on Instagram.    Landscape With Sloped Horizon (State 1)  lithograph printed by Tim Sheelsey at Corridor Press (2003) 36" x 30"   registration - there are several registration methods in mokuhanga. The traditional method is called the kentō registration, where you carve two notches, straight another an "L." There is also a "floating kentō," which is where the notches are cut in a piece of "L" shaped wood and not on the wood where you are cutting your image, hence "floating." Lastly, there are removable "pins," such as ones made by Ternes Burton.    intaglio printing - is a printing method, also called etching, using metal plates such as zinc, and copper, creating “recessed” areas which are printed with ink on the surface of these "recesses.” More info, here. The MET has info, here.     Andy Farkas - is a mokuhanga printmaker, author, mentor, and documentarian based in Pennsylvania. Andy's interview with The Unfinished Print can be found, here.    Watching Over 16" x 10"    serigraphy - is another word for the art of silk screen printing. Silk screen printing can be in on various materials, silk, canvas, paper.    lithography: A printing process where images are transferred onto a surface using a flat plate or stone.   Edinboro University in Pennsylvania - a part of PennWest Edinboro, is a public university located in Edinboro, Pennsylvania. Established in 1857 as Edinboro Academy and has a rich history of providing higher education. Before becoming part of the Pennsylvania Western University system in 2022, Edinboro University was known for its strong programs in education, art, and nursing. The university offers a wide range of undergraduate and graduate programs, with a commitment to academic excellence and community engagement.   John Lysak - is a master printmaker and artist. He is associated, like William Mathie, with Egress Press, a fine art publishing and research component of the Printmaking Area of Edinboro University of Pennsylvania's Art Department. More information can be found here   Palix River Marshlands (2022) acrylic on board 11" x 17"   wood engraving  - is a printmaking technique where an artist carves an image with burins and engravers, into the surface of a block of wood. The block is then printed using pigments and pressed into paper. Wood engraving uses the end grain of a hardwood block, typically boxwood. This allows for much finer detail and more intricate lines. Thomas Bewick (1753–1828), and Eric Gill (1882–1940) are some popular wood engravers.    The Great Wave off Kanagawa - is a woodblock print designed by Katsushika Hokusai in 1831. It is very famous.      Miami University at Ohio - is a public research university in Oxford, Ohio.    International Mokuhanga Conference, 2011 - was the first international conference on mokuhanga, held in two locations in Japan: Kyoto and the Awaji Islands, which are located near Shikoku.   Keizo Sato -  is a second generation mokuhanga printmaker based in Kyoto. Mr. Sato created the Sato Woodblock Print Center to teach mokuhanga. It is associated with Kyoto Seika University. An interview with Mr. Sato conducted by Fine Art JPN can be found, here.    Hiroshi Fujisawa - is a master carver and has been carving mokuhanga for over fifty years. He demonstrated at the first International Mokuhanga Conference in 2011. A lovely blog post about an interaction with Hiroshi Fujisawa can be found, here on printmaker Annie Bissett's blog. Annie's interview with The Unfinished Print can be found, here.    Karen Kunc - is an American printmaker and Professor Emeritus at the University of Nebraska Lincoln and is based in Nebraska. Karen Kunc works in various artistic and printmaking styles but has worked in mokuhanga for many years. More information can be found on her website, here.    A Cluster (2023) 15" x 11"   Young Woman Blowing a Popen - is a mokuhanga print designed by Kitagawa Utamaro (?-1806). Utamaro was one of the first famous woodblock print designers in the Edo Period of Japan made famous by his bijin prints of beautiful women. The print was first printed in 1792/93. It is from the series Ten Classes of Women's Physiognomy.     Energy Policy, 2005 - George W. Bush's energy policy prioritized expanding domestic fossil fuel production, including controversial drilling in protected areas like the Arctic National Wildlife Refuge, and offered substantial subsidies to the oil and gas industry while neglecting renewable energy development. Critics argue that this approach increased greenhouse gas emissions, exacerbated climate change, and harmed public health due to higher pollution levels. Additionally, by failing to diversify energy sources and invest in sustainable alternatives, the policy left the U.S. vulnerable to energy security risks and has delayed the transition to a cleaner energy economy.   Punch Magazine - Punch magazine, founded in 1841 in London, was a British weekly publication known for its satirical humor and cartoons. Punch played a significant role in shaping British satire and social commentary during the 19th and early 20th centuries. It became famous for its witty and often biting critiques of politics, society, and culture, influencing public opinion. Despite its early success and influence, the magazine eventually declined in readership and ceased publication in 2002.   Echizen - is a region in Fukui Prefecture, Japan, known for its long history of papermaking. The area is home to many paper artisans. One notable figure is Iwano Ichibei. He is a Living National Treasure in papermaking and the ninth generation of his family still making paper today. More information can be found here.in English, and here in Japanese.    Morgan Conservatory of Papermaking - established in 2008, the Morgan Conservatory of Papermaking is a nonprofit organization based in Cleveland, Ohio, dedicated to preserving papermaking techniques from around the world. It also serves as a working studio and gallery. More information can be found here.    The Morgan Library & Museum - based New York City, originally the private library of financier J.P. Morgan, it was established in 1906 and became a public institution in 1924. It houses an extensive collection of rare books, manuscripts, drawings, and prints, including works by literary and musical greats like Charles Dickens and Mozart. The museum also hosts rotating exhibitions and serves as a cultural hub, renowned for its architectural beauty and significant contributions to literature, history, and the arts. More information can be found, here.    © Popular Wheat Productions opening and closing credit - live music at The Seabird jazz bar in Aoyama, Tōkyō, Japan. logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***        

Mokuhanga is an art form of the physical. It is the use of our hands which carve, brush, and print, ultimately creating the final product. Through the physical act of making, mokuhanga carvers and printmakers explore themselves through their work, while at the same time producing a philosophy on how they see their own mokuhanga and the mokuhanga community at large. On this episode of The Unfinished Print, I speak with printmaker Andy Farkas. Andy is an American mokuhanga printmaker, mentor, and teacher who has explored in great detail what it means to create, the philosophies and sacrifices it takes to try and understand the simple question of “why?” Why create, why make, and why pursue a passion with an unknown conclusion? I speak with Andy about his mokuhanga, his materials, and how he approaches his prints. We discuss how Andy explores mokuhanga as an intellectual pursuit through the expressions of documentary, instruction, and writing. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Andy Farkas - website, Instagram registration - there are several registration methods in mokuhanga. The traditional method is called the kentō registration, where you carve two notches, straight another an "L." There is also a "floating kentō," which is where the notches are cut in a piece of "L" shaped wood and not on the wood where you are cutting your image, hence "floating." Lastly, there are removable "pins," such as ones made by Ternes Burton.  lithography: A printing process where images are transferred onto a surface using a flat plate or stone. A video regarding lithography from The British Museum can be found, here.   Edinboro University in Pennsylvania - a part of PennWest Edinboro, is a public university located in Edinboro, Pennsylvania. Established in 1857 as Edinboro Academy and has a rich history of providing higher education. Before becoming part of the Pennsylvania Western University system in 2022, Edinboro University was known for its strong programs in education, art, and nursing. The university offers a wide range of undergraduate and graduate programs, with a commitment to academic excellence and community engagement.   William Mathie - is a printmaker and the Director of Egress Press & Research based at Edinboro University in Pennsylvania. He works in mokuhanga and intaglio printmaking.     Hear No Evil (16.5" x 12")   kentō - is the registration system used by printmakers in order to line up the colour woodblocks with your key block, or outline block, carved first.   letterpress - is a type of relief printing using a printing press. It was popular during the Industrial Revolution and the modernization of the West. By the mid-twentieth century, letterpress began to be regarded more as an art form, with artists using the medium for books, stationery, and greeting cards.   John Lysak - is a master printmaker and artist. He is associated with Egress Press, a fine art publishing and research component of the Printmaking Area of Edinboro University of Pennsylvania's Art Department. More information can be found here     Sunflowers In Bright Light - acrylic on board 14" x 18"   Tuula Moilanen  - is a Finnish mokuhanga printmaker and painter based in Finland. She lived and studied in Kyōto from 1989 to 2012, where she learned her printmaking at Kyōto Seika University and from printmaker Akira Kurosaki (1937–2019). Her work can be found here. Her interview with The Unfinished Print can be found here.     Urban Holiday (2016) 14.37" x 11.81"   wood engraving  - is a printmaking technique where an artist carves an image with burins and engravers, into the surface of a block of wood. The block is then printed using pigments and pressed into paper. Wood engraving uses the end grain of a hardwood block, typically boxwood. This allows for much finer detail and more intricate lines. Thomas Bewick (1753–1828), and Eric Gill (1882–1940) are some popular wood engravers.      Eric Gill, On The Tiles (1921)    representational art -  is a form of art that attempts to depict subjects as they appear in the real world. It includes anything that portrays objects, figures, or scenes in a recognizable manner. Representational art focuses on representing objects or scenes from reality, such as landscapes, and still lives.  figurative art - is an art form which represents form or shapes in either representational or non representational forms.  serif - is a typographic style of font with a small line or stroke regularly attached to the end of a larger stroke.  gouache: is a water-based paint known for its opaque and vibrant colours. Made from pigment, water, and gum arabic as a binder, it offers artists versatility in creating both translucent washes and opaque layers. Gouache can be reactivated with water and comes in a range of colors, making it a popular choice for various painting techniques. gum arabic - is a sap from two types of Acacia tree. In art it is used as a binder for pigments which creates viscosity (depending on how much or little is applied to your pigments) for your watercolours and oils. Rachel Levitas has a fine description on how she uses gum arabic in her work, here.  Sinopia Pigments - is a pigment company based in San Francisco and started by Alex Warren in 1995. The company sells natural powdered pigments and milk paints. More info can be found here.  Earth Pigments -  is a pigment company based in Hinesburg, Vermont. They sell natural powdered pigments and milk paints. More info can be found here.  Bound To It (11" x 16") © Popular Wheat Productions opening and closing credit - Time After Time by Joshua Constantine from the album Soul Project Vol.II (2024)  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                                        

Phil, Laura and special guest Janet Laurence explore a local work by a controversial artist Eric Gill, a terrible man with a wonderful talent, and debate whether you can separate the art from the artist...Support the show

Born and raised in Midwest City, OK to Eddie and Wanda Gill. Rev. Dr. Eric Gill received a bachelor's degree in business management from the University of Central Oklahoma. He has obtained two master's degrees: a master's degree in the Science of Management from Southern Nazarene University, and Eric graduated, with honors, from the Samuel DeWitt Proctor School of Theology at Virginia Union University with a Master of Divinity Degree where he was also certified in Church Administration. On May 13, 2017, Eric received his Doctor of Ministry Degree from the Samuel DeWitt Proctor School of Theology at Virginia Union University, his research focused on: Deconstructing Eurocentric Pedagogies in Middle-Class Black Youth. Additionally, Dr. Eric Gill is certified in Diversity, Equity and Inclusion Management from Cornell University. A lover of community and basketball, Dr Gill, is also the Assistant Boys Basketball Coach at the historic Booker T. Washington High School, in Tulsa, OK. Dr. Gill is a licensed and ordained Baptist Minister. In addition, Rev. Dr. Eric Gill has taught and lectured across the country. Dr. Eric J. Gill is a member of the Oklahoma City Council of Church's IMPACT Committee, a part of the Leadership Tulsa 64 cohort, the Faith Coalition for the Commutation of Julius Jones; and he is the proud Chaplain of the Alpha Tau Lambda Chapter of Alpha Phi Alpha Fraternity, Incorporated Dr. Gill has been married to the beautiful, Kendra L. Gill. The two of them have an energetic five-year-old boy, Emyr Jason Gill. And on July 7, 2021, they were blessed with a beautiful baby girl, Emani Jade. Eric's goal is to serve & love God's people. --- Support this podcast: https://podcasters.spotify.com/pod/show/marquess-dennis/support

The fiftieth anniversary of Helvetica, the most famous of all sans serif typefaces, was celebrated with an excitement unusual in the staid world of typography and culminated in the release of the first movie ever made starring a typeface. Yet Helvetica's fifty-year milestone pales in comparison with the two thousandth anniversary in 2014 of Trajan's Column and its famous inscription--the preeminent illustration of the classical Roman capital letter. For, despite the modern ascendance of the sans serif, serif typefaces, most notably Times Roman, still dominate printed matter and retain a strong presence in screen-based communication. The Eternal Letter is a lavishly illustrated examination of the enduring influence of, and many variations on, the classical Roman capital letter. The Eternal Letter offers a series of essays by some of the most highly regarded practitioners in the fields of typography, lettering, and stone carving. They discuss the subtleties of the classical Roman capital letter itself, different iterations of it over the years, and the work of famous typographers and craftsmen. The essays cover such topics as efforts to calculate a geometric formulation of the Trajan letters; the recalculation of their proportions by early typefounders; the development and astonishing popularity of Adobe Trajan; type and letter designs by Father Edward M. Catich, Frederic W. Goudy, Eric Gill, Jan van Krimpen, Hermann Zapf, Matthew Carter, and others; the influence of Trajan in Russia; and three generations of lettercarvers at the John Stevens Shop in Newport, Rhode Island. Essays about modern typefaces--including Matinia, Senatus, and Penumbra--are contributed by the designers of these typefaces. Paul Shaw, an award-winning graphic designer, typographer, and calligrapher in New York City, teaches at Parsons School of Design and the School of Visual Arts. The designer or codesigner of eighteen typefaces, he is the coauthor of Blackletter: Type and National Identity and the author of Helvetica and the New York City Subway System (MIT Press). He writes about letter design in the blog Blue Pencil. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The fiftieth anniversary of Helvetica, the most famous of all sans serif typefaces, was celebrated with an excitement unusual in the staid world of typography and culminated in the release of the first movie ever made starring a typeface. Yet Helvetica's fifty-year milestone pales in comparison with the two thousandth anniversary in 2014 of Trajan's Column and its famous inscription--the preeminent illustration of the classical Roman capital letter. For, despite the modern ascendance of the sans serif, serif typefaces, most notably Times Roman, still dominate printed matter and retain a strong presence in screen-based communication. The Eternal Letter is a lavishly illustrated examination of the enduring influence of, and many variations on, the classical Roman capital letter. The Eternal Letter offers a series of essays by some of the most highly regarded practitioners in the fields of typography, lettering, and stone carving. They discuss the subtleties of the classical Roman capital letter itself, different iterations of it over the years, and the work of famous typographers and craftsmen. The essays cover such topics as efforts to calculate a geometric formulation of the Trajan letters; the recalculation of their proportions by early typefounders; the development and astonishing popularity of Adobe Trajan; type and letter designs by Father Edward M. Catich, Frederic W. Goudy, Eric Gill, Jan van Krimpen, Hermann Zapf, Matthew Carter, and others; the influence of Trajan in Russia; and three generations of lettercarvers at the John Stevens Shop in Newport, Rhode Island. Essays about modern typefaces--including Matinia, Senatus, and Penumbra--are contributed by the designers of these typefaces. Paul Shaw, an award-winning graphic designer, typographer, and calligrapher in New York City, teaches at Parsons School of Design and the School of Visual Arts. The designer or codesigner of eighteen typefaces, he is the coauthor of Blackletter: Type and National Identity and the author of Helvetica and the New York City Subway System (MIT Press). He writes about letter design in the blog Blue Pencil. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The fiftieth anniversary of Helvetica, the most famous of all sans serif typefaces, was celebrated with an excitement unusual in the staid world of typography and culminated in the release of the first movie ever made starring a typeface. Yet Helvetica's fifty-year milestone pales in comparison with the two thousandth anniversary in 2014 of Trajan's Column and its famous inscription--the preeminent illustration of the classical Roman capital letter. For, despite the modern ascendance of the sans serif, serif typefaces, most notably Times Roman, still dominate printed matter and retain a strong presence in screen-based communication. The Eternal Letter is a lavishly illustrated examination of the enduring influence of, and many variations on, the classical Roman capital letter. The Eternal Letter offers a series of essays by some of the most highly regarded practitioners in the fields of typography, lettering, and stone carving. They discuss the subtleties of the classical Roman capital letter itself, different iterations of it over the years, and the work of famous typographers and craftsmen. The essays cover such topics as efforts to calculate a geometric formulation of the Trajan letters; the recalculation of their proportions by early typefounders; the development and astonishing popularity of Adobe Trajan; type and letter designs by Father Edward M. Catich, Frederic W. Goudy, Eric Gill, Jan van Krimpen, Hermann Zapf, Matthew Carter, and others; the influence of Trajan in Russia; and three generations of lettercarvers at the John Stevens Shop in Newport, Rhode Island. Essays about modern typefaces--including Matinia, Senatus, and Penumbra--are contributed by the designers of these typefaces. Paul Shaw, an award-winning graphic designer, typographer, and calligrapher in New York City, teaches at Parsons School of Design and the School of Visual Arts. The designer or codesigner of eighteen typefaces, he is the coauthor of Blackletter: Type and National Identity and the author of Helvetica and the New York City Subway System (MIT Press). He writes about letter design in the blog Blue Pencil. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

The fiftieth anniversary of Helvetica, the most famous of all sans serif typefaces, was celebrated with an excitement unusual in the staid world of typography and culminated in the release of the first movie ever made starring a typeface. Yet Helvetica's fifty-year milestone pales in comparison with the two thousandth anniversary in 2014 of Trajan's Column and its famous inscription--the preeminent illustration of the classical Roman capital letter. For, despite the modern ascendance of the sans serif, serif typefaces, most notably Times Roman, still dominate printed matter and retain a strong presence in screen-based communication. The Eternal Letter is a lavishly illustrated examination of the enduring influence of, and many variations on, the classical Roman capital letter. The Eternal Letter offers a series of essays by some of the most highly regarded practitioners in the fields of typography, lettering, and stone carving. They discuss the subtleties of the classical Roman capital letter itself, different iterations of it over the years, and the work of famous typographers and craftsmen. The essays cover such topics as efforts to calculate a geometric formulation of the Trajan letters; the recalculation of their proportions by early typefounders; the development and astonishing popularity of Adobe Trajan; type and letter designs by Father Edward M. Catich, Frederic W. Goudy, Eric Gill, Jan van Krimpen, Hermann Zapf, Matthew Carter, and others; the influence of Trajan in Russia; and three generations of lettercarvers at the John Stevens Shop in Newport, Rhode Island. Essays about modern typefaces--including Matinia, Senatus, and Penumbra--are contributed by the designers of these typefaces. Paul Shaw, an award-winning graphic designer, typographer, and calligrapher in New York City, teaches at Parsons School of Design and the School of Visual Arts. The designer or codesigner of eighteen typefaces, he is the coauthor of Blackletter: Type and National Identity and the author of Helvetica and the New York City Subway System (MIT Press). He writes about letter design in the blog Blue Pencil. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/language

The fiftieth anniversary of Helvetica, the most famous of all sans serif typefaces, was celebrated with an excitement unusual in the staid world of typography and culminated in the release of the first movie ever made starring a typeface. Yet Helvetica's fifty-year milestone pales in comparison with the two thousandth anniversary in 2014 of Trajan's Column and its famous inscription--the preeminent illustration of the classical Roman capital letter. For, despite the modern ascendance of the sans serif, serif typefaces, most notably Times Roman, still dominate printed matter and retain a strong presence in screen-based communication. The Eternal Letter is a lavishly illustrated examination of the enduring influence of, and many variations on, the classical Roman capital letter. The Eternal Letter offers a series of essays by some of the most highly regarded practitioners in the fields of typography, lettering, and stone carving. They discuss the subtleties of the classical Roman capital letter itself, different iterations of it over the years, and the work of famous typographers and craftsmen. The essays cover such topics as efforts to calculate a geometric formulation of the Trajan letters; the recalculation of their proportions by early typefounders; the development and astonishing popularity of Adobe Trajan; type and letter designs by Father Edward M. Catich, Frederic W. Goudy, Eric Gill, Jan van Krimpen, Hermann Zapf, Matthew Carter, and others; the influence of Trajan in Russia; and three generations of lettercarvers at the John Stevens Shop in Newport, Rhode Island. Essays about modern typefaces--including Matinia, Senatus, and Penumbra--are contributed by the designers of these typefaces. Paul Shaw, an award-winning graphic designer, typographer, and calligrapher in New York City, teaches at Parsons School of Design and the School of Visual Arts. The designer or codesigner of eighteen typefaces, he is the coauthor of Blackletter: Type and National Identity and the author of Helvetica and the New York City Subway System (MIT Press). He writes about letter design in the blog Blue Pencil. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies

Brother Andre Marie Follow Brother Andre on GAB and Twitter - @Brother_Andre Host of ReConquest aired only on the Crusade Channel. The British set up the House of Samud because of Saudi oil. We filled in that void after WWII. We have been the bad guys across the middle East. What is happening right now in Britain?  They are basically being colonized by the Muslims. You wouldn't recognize the place any longer. CIA and the United States - David Wemhoff If they have developed a relationship now, the PGA and LIV, they have been folded under the corporation of America at this point. Unnatural lust is spiritually deadly and to love such a person is to will him to confess his sins and to get out of that life and to be brought into or restored into sanctifying grace. Sacrilege and Blasphemy -  Artist Eric Gill - he kept going to confession but kept going back to his sinful ways.  The difference b/w Fr James Martin and Eric Gill is Gill never said this was a good, he called it a sin and evil. He died in union w/ the Catholic faith.  The people that organized this lied. Pride Mass - Feast of Corpus Christi (Presider Fr Doug Boud, w/ Deacons Herb Riley & Keith Kondrich One of the symptoms of a male sodomite is vindictiveness, pettiness, and mendacity. What they do is a lie, what they do is essentially a lie and contrary to nature and what God created us for.  It is appropriate they are branded as liars. Hatred is a very powerful word, you probably don't hate them you just dislike them. What does hate really mean? You have to give distinctions in order to properly understand. Calling it all hate when you oppose an agenda that wants to mutilate children -  Psalm 138 - Have I not hated your enemies Oh Lord. Two things his nature and his guilt. Nature from God has a capacity for happiness. Luke 12:36 -  Christian Love and Charity - hating what is evil and loving what is good. Love of concupiscence - I love you b/c you make me feel good but drop you when you stop making me feel good. Fr James Martin sees everything through the LGBTQ lens. The White Fathers - wore white habits and worked in Africa - the king of Buganda had cultivated a taste for a vice that wasn't popular in Africa and he learned it from Europeans.  Some of the boys he held court w/ were very young boys.  When the young men refused, he killed them in a horrible manner. HEADLINE: Saint Charles Lwanga and Companions (1886-1887) by The Slaves of the Immaculate Heart of Mary  These were twenty-two young men and boys, from thirteen to thirty years in age, who were martyred for the Catholic Faith in Uganda in Africa after undergoing cruel torments. Four had not yet received the sacrament of Baptism but these were baptized by Charles Lwanga after they were arrested. They were the first martyrs among the African negroes. They were canonized in 1964. These martyrs were victims of a sodomite pagan king, concerning which readers are invited to consider Father George Rutler's brief piece, “Ours has become a neo-pagan culture, and that can be even worse than a simple pagan culture.” How do we know about Heaven?

Brother Andre Marie Follow Brother Andre on GAB and Twitter - @Brother_Andre Host of ReConquest aired only on the Crusade Channel. The British set up the House of Samud because of Saudi oil. We filled in that void after WWII. We have been the bad guys across the middle East. What is happening right now in Britain?  They are basically being colonized by the Muslims. You wouldn't recognize the place any longer. CIA and the United States - David Wemhoff If they have developed a relationship now, the PGA and LIV, they have been folded under the corporation of America at this point. Unnatural lust is spiritually deadly and to love such a person is to will him to confess his sins and to get out of that life and to be brought into or restored into sanctifying grace. Sacrilege and Blasphemy -  Artist Eric Gill - he kept going to confession but kept going back to his sinful ways.  The difference b/w Fr James Martin and Eric Gill is Gill never said this was a good, he called it a sin and evil. He died in union w/ the Catholic faith.  The people that organized this lied. Pride Mass - Feast of Corpus Christi (Presider Fr Doug Boud, w/ Deacons Herb Riley & Keith Kondrich One of the symptoms of a male sodomite is vindictiveness, pettiness, and mendacity. What they do is a lie, what they do is essentially a lie and contrary to nature and what God created us for.  It is appropriate they are branded as liars. Hatred is a very powerful word, you probably don't hate them you just dislike them. What does hate really mean? You have to give distinctions in order to properly understand. Calling it all hate when you oppose an agenda that wants to mutilate children -  Psalm 138 - Have I not hated your enemies Oh Lord. Two things his nature and his guilt. Nature from God has a capacity for happiness. Luke 12:36 -  Christian Love and Charity - hating what is evil and loving what is good. Love of concupiscence - I love you b/c you make me feel good but drop you when you stop making me feel good. Fr James Martin sees everything through the LGBTQ lens. The White Fathers - wore white habits and worked in Africa - the king of Buganda had cultivated a taste for a vice that wasn't popular in Africa and he learned it from Europeans.  Some of the boys he held court w/ were very young boys.  When the young men refused, he killed them in a horrible manner. HEADLINE: Saint Charles Lwanga and Companions (1886-1887) by The Slaves of the Immaculate Heart of Mary  These were twenty-two young men and boys, from thirteen to thirty years in age, who were martyred for the Catholic Faith in Uganda in Africa after undergoing cruel torments. Four had not yet received the sacrament of Baptism but these were baptized by Charles Lwanga after they were arrested. They were the first martyrs among the African negroes. They were canonized in 1964. These martyrs were victims of a sodomite pagan king, concerning which readers are invited to consider Father George Rutler's brief piece, “Ours has become a neo-pagan culture, and that can be even worse than a simple pagan culture.” How do we know about Heaven?

Howard Jacobson deplores the recent vandalising of Eric Gill's sculpture at BBC Broadcasting House as a failure to understand the meaning of art. 'Art, we go on protesting, is not the artist, but some will always believe that whatever is fashioned by evil hands must itself be evil,' he writes. 'If art and the artist were not distinct, the word art itself would have no meaning. For it denotes manufacture and artifice... not simple equation or reflection.' Producer: Sheila Cook Sound Engineer: Peter Bosher Editor: Richard Fenton-Smith Production Co-ordinator: Helena Warwick-Cross

Students are denouncing Concordia University's choice to use Gill Sans as its font after it was revealed that the font's creator had a questionable past. Should the university change its font because of that? Montrealers weighed in on CJAD 800's Montreal Now with Aaron Rand and Natasha Hall.

Why We Make Music, Part 4: Peter and Susannah have a long, polyphonic conversation with Rowan Williams about his new collection of plays, Shakeshafte and Other Plays; about a Christianity that can accommodate the whole of the world; about the poet David Jones, the artist Eric Gill, and the destructiveness of aesthetic fundamentalism. Then they turn to a discussion of the war, and of the role of art in a time of war. The archbishop closes in a prayer for peace and justice. Peter and Susannah then speak with their colleague Maureen Swinger about her piece “Doing Bach Badly,” about the history of the Saint Matthew Passion and of its role in the liturgical life of the Bruderhof. They reflect on the way that singing can put you in a position to experience grace, and Maureen recalls a very specific experience of singing as conversion from her teenage years. Read the transcript. Learn more about your ad choices. Visit megaphone.fm/adchoices

Then what angelic vision is this? It's Sasha Dugdale sharing poetry from her award-garlanded Carcanet collection Joy  including an excerpt from the title poem in the voice of William Blake's wife Catherine. And in her latest work Deformations Sasha tackles, among other things, the conflicted legacy of Eric Gill. Plus Robin pines for more work by Sam Willetts, reflecting on his collection New Light for the Old Dark while Peter manages a complete U-turn about Mary Oliver and we dip back into Twitter for another thorny issue.

Writers Okechukwu Nzelu and Stephanie Merritt join Tom Sutcliffe to review Hanya Yanagihara's novel To Paradise, eagerly awaited by fans of her Booker-shortlisted A Little Life. Over three distinct time settings it tells a vast story about the United States, Hawaii, love and responsibility, taking in climate change and pandemics along the way. And we'll be looking ahead to a few of the book titles our critics are looking forward to this year. Tracey MacLeod, one-time restaurant reviewer and critic on Masterchef, joins us to review Boiling Point, the one-take, fast-paced film set in a professional kitchen, starring Stephen Graham Following the attack on the sculpture of Prospero and Ariel outside BBC Broadcasting House, art historian Dr Chris Stephens, Director of the Holburne Museum, gives us an insight into Eric Gill and the problem of bad people making good art. Manjeet Mann joins us to discuss her Costa Children's Award winning novel The Crossing. Written in verse, it tells the story of Natalie and Sammy, two teenagers from opposite worlds, who are both overcoming their own grief.

Additional COVID Restrictions Makes it Worse for them. The host for this show is Jay Fidell. The guest is Eric Gill. Eric Gill of Local 5 helps us understand the plight of the hotel workers. Since Labor Day, Local 5 and community members sent hundreds of emails and made dozens of phone calls to Sen. Ron Kouchi, Rep. Scott Saiki, and Gov. David Ige to redirect funding to extend unemployment. Workers called to demand the needed safety nets for unemployed workers as the state battles its highest number of active COVID cases and hospitalizations since the pandemic. The ThinkTech YouTube Playlist for this show is https://www.youtube.com/playlist?list=PLQpkwcNJny6mAjbhHpq-LyAm9pcuN3zJ

The Conversation spoke with the head of the union UNITE HERE Local 5 Eric Gill about getting state hospitality workers back to work, HPR's Savannah Harriman-Pote about what inter-island travel looks like now that restrictions have been relaxed, and Hawai'i's USPS Safety Manager Richard Anderson about preventing dogs from biting mail carriers.

In this "Cutaway" episode, Jeffrey Overstreet continues to "unpack" (to borrow a word popular with pastors) the package of books he received from Eighth Day Books for attention during these months of "sheltering at home." Here, he takes a deep dive into Alan Jacobs' Breaking Bread With the Dead, and also considers Eric Gill's Beauty Will Look After Itself and Michael Dirda's Bound to Please. This is part two of a two-part reflection on readings for a time of pandemic isolation.

On the seventh episode of DreamRadically Podcast Miles is joined by Dr. Rev. Eric Gill and Tevin McDaniel to talk about Black men's role in movements towards liberation. They talk about Black men moving to uplift and make space for Black women, queer and transgender people on our path towards freedom. ------- Learn more about the work of FLM at our website: foundationforliberatingminds.org and on all social media platforms @foundation4lm ------- Thanks to Jacque Braun of The Third Space Norman for production of this podcast.

In this episode, we chat with Eric Gill, CEO of Gills Point S Tire and Auto Repair. Eric and his team were deemed essential from the start but had to make some quick decisions around safety and ensuring customers' needs were not impacted. Eric did an incredible job of empowering his managers to make the best decisions based on what their local markets were dictating. Eric also quickly ensured metrics and targets were adjusted to fit the new normal and keep his team motivated and focused. I really enjoyed Eric's perspectives and hope you do as well.

Tyler Gross is an award winning illustrator and graphic artist based in St. Louis.GrossIllustration.com@drslime11:00 - How we met13:00 - Kevin loves Tyler’s voice18:45 - Sports announcer commentary20:30 - Kaepernick & National Anthem-24:00 - Introduction to illustration27:00 - College31:00 - Realizing he wasn’t good at drawing35:30 - Transferring to Illustration from Drawing38:00 - Community Colleges vs. University40:00 - Kevin’s college career46:00 - Sweating the small stuff50:00 - Tyler’s eastern European teachers54:00 - Creativity vs. technical know-how58:45 - Developing a personal style59:15 - Interning at Departika1:02:30 - Paid vs. Unpaid Internships1:05:30 - First paid gig1:12:00 - Influences1:16:45 - Looking for work-1:19:45 - Moving to Denver1:23:00 - Examples of effortless style but still working hard- Mac Demarco- Geoff McFetridge - Spike Jonze1:25:00 - RFT Cover1:25:35 - “That just comes from experimenting… that Riverfront Times cover you’re talking about was kind of a battle, really. And in a lot of those battles you spend so much of your time trying to get it right, trying to get it right it takes this kind of breaking point where you leave all that behind and try something new, and something kinda clicked with that.”  QUOTE1:28:00 - Typographers 1:29:15 - Eric Gill having sex with his dog1:33:15 - Bruce Mau - Lifestyle1:38:00 - Dan Cassaro1:40:30 - Process vs. Style1:47:00 - Trader Joes’ chalkboard artists-1:54:00 - Thoughts on Denver1:56:00 - Starting to smoke weed young2:01:00 - Moving to San Diego2:06:00 - Kevin flying to San Diego for one night for Josh Boston’s Lord of the Rings themed birthday2:10:00 - Skateboarding in SoCal2:12:30 - Meeting Wes Kremer2:15:00 - Moving back to St. Louis2:20:00 - About Anti-2:23:00 - Working on projects you’re geeked about2:24:00 - Foxing2:28:00 - Skateboarding culture in STL2:33:30 - Important podcast for young artists2:40:15 - Outro  

Por Pedro ArillaEn este episodio 2 de la segunda temporada el tema es: ERIC GILL, su vida, obra y pecados.Para escuchar este episodio haz click en el reproductor que encabeza este post. También está disponible en otras plataformas como:iVooxSpotifyYouTubeApple PodcastsGoogle PodcastsPocket CastsTuneInTambién puedes escucharlo en otras aplicaciones como Overcast, Downcast, etcétera. Solo tienes que pinchar en el enlace que aparece en «Listen in podcast app», situado en la parte inferior derecha al lado del reproductor que ves al comienzo de este email. Una vez que lo hayas hecho automáticamente te aparecerán los nuevos episodios en esa aplicación sin necesidad de volver a ejecutar los pasos en el futuro.O de manera manual: simplemente añade el feed RSS a tu aplicación favorita.Si tienes alguna duda, dímelo y te ayudaré.Libros comentados durante el episodio:Eric Gill de Fiona MacCarthyUn ensayo sobre tipografía de Eric GillApoya el proyecto:Cursos Domestika: http://bit.ly/domestika-donserifaMicrodonación: buymeacoffee.com/donserifaComprar fuente: Mestre de Pedro ArillaSígueme:Don Serifa: web, twitter, instagram, facebookPedro Arilla: web, twitter, instagramSuscríbete a la web de Don Serifa para recibir en tu correo los nuevos episodios del podcast, artículos, boletines con enlaces y libros comentados.Nos leemos/escuchamos pronto. ¡Salud y letras! 👋 Get full access to Don Serifa at donserifa.substack.com/subscribe

Esta Semana en "PARA GENTE GRANDE": De lo clandestino a la moda actual, conozcamos la nueva tendencia del cuckolding, ¿llegó para quedarse? En un día en el erotismo Balthus y Eric Gill, ¿su obra está por encima de sus vidas personales?, ¡yo así lo creo!. Y en Recomendaciones de la semana hablemos de un clásico ochentero "La buena" con Florence Guérin, "El Clic" de Milo Manara y "Parejas" de John Updike.

A revival of Tony Kushner's epic play about the US AIDS epidemic Angels In America is being staged at London's National Theatre. It's nearly 8 hours long (in two parts); is it still pertinent and is it worth sitting through? Jez Butterworth's Jerusalem was an enormous theatrical success and his latest The Ferryman has just opened at London's Royal Court Theatre. Set during The Troubles in Northern Ireland it deals with one family's unavoidable and unwilling involvement The family at the heart of Japanese film Harmonium seem to have a functioning but unemotional stability. And then a stranger comes into their lives and slowly things change. For the better or for the worse? Laurent Binet's new novel The Seventh Function of Language is about the death (or was it an assassination?!) of Roland Barthes - the death of the author of "The Death Of The Author" Eric Gill was one of the finest sculptors of the 20th Century. And also a paedophile. A new exhibition in his home village of Ditchling, tries to see if it's possible to appreciate his art as entirely separate from his biography Tom Sutcliffe's guests are Damian Barr, Maria Delgado and Gillian Slovo. The producer is Oliver Jones.

Eric Gill，以其同名的字体作品著称于世。然而，只有综合其才华造诣、生活方式及信仰理念的多面性和矛盾性，才能更为完整地塑造 Gill 其人在历史中的形象。 本期再邀身居伦敦的 Rex，为我们讲述一位不止于 Gill Sans 的 Eric Gill。 第八轮抽奖活动开启，截至 3 月 27 日零时前。本期奖品为两册《Typography 字誌：Issue 02》（日语杂志 Typography 繁体中文版，由台湾设计师叶忠宜统筹及设计），内附叶忠宜签名。 参考链接 Karl Gerstner，瑞士设计师、字体排印师、作家和艺术家，于 2017 年 1 月 1 日逝世 Gerstner-Programm，以 Karl Gerstner 命名的字体；后由 Lineto 复刻为数码版 Karl Gerstner: Review of 5×10 Years of Graphic Design Shi Yuan 在 2007 年撰文介绍 Karl Gerstner 及其著作，刊于 Type is Beautiful；Eye 杂志第 43 期亦有书评可供参考 桑山弥三郎，日本字体设计师，于 2017 年 1 月 10 日逝世 MyFonts 发布 2016 年最畅销榜（The Bestselling） 「字道 2017」系列巡展启动 Eric Gill，1882 年生于英国布莱顿（Brighton），雕塑家、石刻师及字体设计师，字体代表作有 Perpetua、Gill Sans、Joanna 等 MacDonald “Max” Gill，Eric Gill 的弟弟，平面设计师、地图绘制师、建筑师 W. D. Caröe，英国教堂建筑师；Eric Gill 曾跟随其学艺 Johnston & Johnston，《字谈字畅》第 30 期 Westminster Cathedral（威斯敏斯特主教座堂），英国最大的天主教堂 Fiona MacCarthy 于 2006 年在《卫报》（The Guardian）发表文章 “Written in stone”，评论了 Eric Gill 的私人生活及艺术成就；文章封面图片为 Gill 在 BBC 大楼外的浮雕作品 Prospero and Ariel Rex 在 2011 年撰文介绍 Eric Gill 字体之外的作品，刊于 Type is Beautiful Perpetua，Eric Gill 受 Stanley Morison 委托设计的衬线体，Monotype 出品；与其搭配的 italic 体名为 Felicity；字体名 Perpetua 与 Felicity，典出基督教受难记 Passion of St. Perpetua, St. Felicitas, and their Companions An Essay on Typography（第一版由 Gill 亲自设计，正文字体选用当时新完成的 Joanna；后亦有多种复刻版） Eric Gill（该传记披露了 Gill 争议性的私人生活） Rex 在 2007 年翻译了 Ben Archer 关于 Gill Sans 的批评，载于 Type is Beautiful Italic type、oblique type 和 roman type Keep Calm and Carry On Penguin Composition Rules（企鹅排版规则） Gill Sans，Eric Gill 受 Stanley Morison 委托设计的无衬线体，Monotype 出品；最初名为 Monotype Sans-Serif Gill Sans Nova，基于 Gill Sans 复刻的数码字体家族，包含 43 款不同字重及样式；George Ryan 设计，Monotype 出品 Joanna，Eric Gill 设计的另一款知名衬线体，以其女儿命名；字形设计受 Robert Granjon 作品的启发 Joanna Nova，基于 Joanna 复刻的数码字体家族，包含 18 款不同字重及样式；Ben Jones 设计，Monotype 出品 Joanna Sans Nova，Terrance Weinzierl 主创的无衬线字体家族，包含 16 款不同字重及样式，Monotype 出品；字形设计受 Eric Gill 作品启发，亦被 Monotype 纳入 Eric Gill Series Rex 在 2014 年撰文介绍 Max Gill 生平，载于 Type is Beautiful 《字谈字畅》第七轮抽奖结果 嘉宾 Rex Chen：Type is Beautiful 建立者、主编 主播 Eric：字体排印研究者，译者，Type is Beautiful 编辑 蒸鱼：设计师，Type is Beautiful 编辑 欢迎与我们交流或反馈，来信请致 podcast@thetype.com。如果你喜爱本期节目，也欢迎用 PayPal 或支付宝向我们捐赠，账户与联络信箱一致：podcast@thetype.com。

Published in 2012, Zadie Smith's postcode-named novel NW was seen as a lyrical love letter to north-west London. This contemporary tale of the entwined lives of four Londoners has now been adapted for television. Critic Gaylene Gould reviews.Roger Bowdler of Historic England reveals its mission to get 2,500 war memorials listed by November 2018. He announces 50, and another nine by the controversial sculptor Eric Gill, and discusses what a war memorial can reveal about its location and the people it's dedicated to. Norman Ackroyd is widely considered one of Britain's great landscape artists. As a young man in the 1960s he rejected the lure of pop art and devoted his energy to capturing the coastline of Britain in black and white etchings. As his work goes on show in Norman Ackroyd: Just Be A Poet, he invites us to his studio to see how he works.For its 90th birthday, Rambert is performing Haydn's The Creation with 100 dancers, musicians and singers. Artistic director Mark Baldwin discusses this new work as well as the state of contemporary dance in the UK.Presenter John Wilson Producer Jerome Weatherald.

In this episode, we join painter Roza Horowitz in her studio at UCL Slade School of Fine Art. In a wide-ranging conversation we explore the artistic process, the dangers of censorship, art as therapy and political correctness. Pete starts off asking how Roza handles criticism of her work, and if she can keep a professional distance between herself and what she creates. As Pete has said before, it’s important in the arts to “meet where the work is,” so the artist doesn’t feel personally attacked when his or her work is critiqued. Roza describes an early theme as “People Who Hurt Me” and how the heavy use of paint, impasto, helped her exorcise personal demons and get them onto the canvas. But now, as a more mature artist, she no longer paints people she knows, so the work is less personal. Discussing the greats – Picasso and Matisse – Horowitz has praise for how they were able “to get to the essence with the minimal. It looks easy, but it is very difficult.” Matisse’s exquisite line drawings come to mind; his ability to convey character with three squiggly lines. Paul asks whether Roza wants her work to be arresting or, instead, accessible, something people hang in their living rooms. No artist wants to be considered anodyne, she explains, but at the same time it serves no purpose if you “stand above the audience” and are understood by only a few. Perhaps the contradiction of the avant garde is that they lead the way, but must bring folks with them, as well, or risk becoming irrelevant. In Hollywood we often see this, with big actors doing one film for commercial reasons, the next one a passion piece that makes no money. Moving onto the craft of painting, we discuss one of Roza’s favourites, Goya. His ability to convey character is exceptional, she explains, and points to his use of the grotesque to reveal a subject’s true intention. The grotesque is often achieved by slight exaggeration of a physical attribute, such as an elongated smile, or individuated teeth. Such painting reminds Paul of the Joker from the Batman series, at turns familiar and menacing. Pete then brings up what is perhaps a key discipline in any art form: knowing when to stop. To put the brush or the pen down takes confidence, when fiddling is so tempting. But that is the bane of the inexperienced artist who overdraws or overwrites (or overcooks) and thereby ruins the meal. “Better to stop early than go too far,” cautions Roza. We discuss some technical methods which Roza is currently using, such as projection and painting alla prima (all at once) before moving on to our final topic: political correctness in art. Shakespeare used the court jester to reveal his true feelings about Queen Elizabeth, thereby saving his head. Likewise, Roza uses humour to reveal commentary in her work that would be unpalatable if served head-on. Peter follows up by asking if we can ever separate an artist’s character from their work, citing Richard Wagner and Eric Gill. Wagner’s anti-semitic beliefs have been well chronicled, and Gill was a renown and decorated British artist whose diary posthumously revealed extreme sexual predilections, including incest and bestiality. Can we ever enjoy works by such men or women without a tinge of disappointment? The three of us discuss.

¡Bienvenidos al cuarto episodio de Typo! Un podcast sobre tipografías. En esta nueva entrega, Angie Juanto (@Juananotdead) y Tobías Traglia (@Tobatraglia) hablan sobre Eric Gill, un reconocido tipógrafo, escultor, y violador de perros. Sí, leíste bien. Obviamente por eso hablamos de él hoy. Descubrí todo lo que se esconde detrás de la tipografía más odiada en TYPO! Un podcast sobre tipografías. Typo! es un podcast de FANDOM. Descubrinos: @EsFandom_ Fandom. Somos Fans.

This summary was conceived in Auckland! Whilst this podcast may be about The Archers our hosts never feel constrained so with Lucy powered by Gusto this week the following get name checks or more: Kim Kardashian, Kanye West, Amy Winehouse, Eric Gill whose alleged sexual proclivities do not alter his ability to design a typeface. Lucy then went Baskerville Gothic. As ever callers impress with the range & clarity of their knowledge & I can now report on farming in New Zealand having had a chance to look at farms in both islands. Millie Belle avoids the subject of rain in Australia. Everyone please listen to the podcast for your own sanity, if only to prove that others listen to The Archers. Kosmo On this week’s episode we have calls from Not Contrary who’s a font of wisdom Kat Brown who’s dreaming about Titchynob New York Nigel who thinks the writers need more confidence and Vicky Cole who thinks that Helen’s obstetrician is Toby See acast.com/privacy for privacy and opt-out information.

Shanghai Type，一个关于上海活字近现代世情的口述纪实及文献整理项目。本期节目，与我们隔空对话的是 Shanghai Type 的发起人厉致谦和主要执行人龚奇骏。 你可能会听到民国以来散落在沪上关于字体文化、活字工艺及印刷资本主义的细微线索，你可能会听到一九六六年后中国文化波澜下容易被忽视的几个侧面，你可能还会听到收音筒从当下上海滩某片拆迁废墟里拾入的气流声。 参考链接 雪朱里，グラフィック社編集部．もじ部（文字部）．東京：グラフィック社，2015． FontShop 评选的「Best Fonts of 2015」，大曲都市（Toshi Omagari）设计的 Marco 家族入选其中 索尼的企业字体 SST 获 iF 设计奖，该项目由索尼创意中心首席艺术指导福原宽重和蒙纳字体设计总监小林章协同负责 英国《独立报》（The Independent）将于 2016 年 4 月起终止发行纸质版 钱争予在 2013 年 11 月报道过《独立报》的全面改版，其定制的字体家族 Indy 由 A2-TYPE 设计 英国艺术家 Louis-Jack Horton-Stephens 制作的短片 Gill & Gill 获日本文化厅第 19 届媒体艺术节新人奖；该作品以诗化的叙述，对作为石刻家的 Eric Gill 和作为攀岩家的 John Gill 之间的关联性进行探索 厉致谦．西文字体的故事．上海：同济大学出版社，2013 年． 拉斯·缪勒，维克托·马尔塞．李德庚（译）．字体传奇：影响世界的 Helvetica．重庆：重庆大学出版社，2013 年． 1968 年字模一厂向上海出版局递交了活字产品相关的犯罪报告： 档案图一 档案图二 相关人物 陈其瑞，原上海印研所字体设计师，Shanghai Type 项目顾问 徐学成，原上海印研所字体设计师，上海人民出版社的美术编辑 金伟民，原上海印研所字体设计师 陈永海，原上海印研所字体设计师，师从余秉楠 陈初伏，原上海印研所字体设计师 沈建新，原上海字模一厂铸字工人，后承包字模一厂一铸字车间，迁至青浦郊区，独立，并更名为上海建红字模印刷材料有限公司 乔雨亭，1915 年创办华丰印刷铸字所，文革期间改为国营上海字模一厂 乔进安，乔雨亭之子，长期担任字模一厂厂长及上海印刷研究所顾问 乔进昌，乔雨亭之子、乔进安三弟，水利工程师 郑孝同，汉文正楷印书局创始人郑午昌之子，书画家 相关单位 上海印刷器材制造厂，位于上海市宝山区逸仙路；2002 年纳入上海印刷新技术集团有限公司旗下 上海字模一厂，前身为华丰印刷铸字所；建国后合并 25 家小厂，改制并更名为「公私合营华丰铸字字模厂」；文革期间改制并更名为「上海字模一厂」；2002 年纳入上海印刷新技术集团有限公司旗下 上海建红字模印刷材料有限公司（建红铸字厂），字模一厂血脉的延续；2002 年由沈建新创立，名字来源于沈建新及名义合伙人红光 上海虹印置业有限公司，字模一厂旗下房地产公司 上海铸字制版同业工会，建国前由上海多家铸字铜模与照相制版企业组成的行业工会 上海字模二厂，前身为公私合营华文铸字铜模厂；后搬迁至湖北丹江，改名为文字六〇五厂 北京新华字模厂，前身为北京新华印刷厂分厂；建于 1952 年，次年更名为北京新华印刷二厂；1955 年更名为北京新华字模制造所，1960 年与北京市印刷材料厂合并成立北京新华字模厂；现已不复存在 上海字模一厂许昌路门市部，字模一厂到建红字模厂过度时期；建红字模厂开在字模一厂老厂房边上的门市部，用于转接字模一厂的业务 嘉宾 厉致谦：以设计为原点的多领域的研究和实践者，然并卵；Shanghai Type 项目发起人，小院集创始人，Type is Beautiful 撰稿人 龚奇骏：铸字工人，平面设计师，字体研究者，Shanghai Type 项目执行人 Shanghai Type（上海活字），一个关注上海印刷字体设计与生产的项目，聚焦十九世纪末至今、在上海或与上海有关的印刷字体，挖掘其背后的社会、历史和人文故事。纪录片《上海活字》可在 YouTube 或优酷观看。 Shanghai Type 由厉致谦发起，龚奇骏执行，陈其瑞顾问；上海新闻出版博物馆支持，Type is Beautiful 网络合作。联络信箱 shanghaitype@gmail.com。 主播 Eric：字体排印研究者，译者，Type is Beautiful 编辑 蒸鱼：设计师，Type is Beautiful 编辑 欢迎与我们交流或反馈，来信请致 podcast@thetype.com。如果你喜爱本期节目，也欢迎用 PayPal 或支付宝向我们捐赠，账户与联络信箱一致：podcast@thetype.com。

承接上期，我台驻东京记者 Eric 为您发回 Type& 2015 相关的前线报道。 本期将介绍来自黎巴嫩、印度和日本的多位文字研究及字体设计专家，漫谈拉丁字母、阿拉伯字母、天城文和日文等文字在混合运用中所遇到的问题。 另附喜讯一则：《字谈字畅》获选 Apple iTunes 中国区「2015 年度精选」播客，再次感谢听众们的喜爱和支持。 参考链接 Adobe InDesign CC 2015.1 改进了 OpenType 替代字形调用以及 glyph 搜索界面 Morisawa Type Design Competition 2016（森泽字体设计竞赛）启动，征稿时间为 2016 年 5 月 1 日至 7 月 31 日，参赛细则将于 2016 年 1 月下旬公布 汉仪第二届「字体之星」字体设计大赛，2016 年 2 月 28 日截稿 方正第八届「方正奖」字体设计大赛，征稿时间为 2015 年 12 月 21 日至 2016 年 2 月 23 日 文鼎字库出品的「书苑宋」，获 2015 年「金点设计奖」年度最佳设计奖 Monotype 重新复刻了 Eric Gill 的一系列字体，包括 Gill Sans Nova、Joanna Nova 和 Joanna Sans Nova Rex Chen 曾翻译关于 Gill Sans 的评论，并撰文介绍 Eric Gill 生平 Joy Chen 曾撰文介绍 Gill 的老师 Edward Johnston Tobias Frere-Jones 复出，并发布新字体 Mallory Design Observer 旗下播客 Design Matter 近期访谈 Tobias Frere-Jones Matthew Carter 新作 Roster 字体家族在 Font Bureau 发售，基于Sports ​Illustrated 杂志定制字体 Wrigley 修订并扩展 「刘刻宁」 Adobe CJK Type 博客曾发布「关于字间距」的系列文章：〈字间距在字库中的设置〉和〈InDesign 的字间距调整功能〉 「大日本タイポ組合」在 Ginza Graphic Gallery（GGG，银座平面设计画廊）举办展览「字字字」 「以文字为了文字的文字网站」type.center，大日本タイポ組合开办 Type& 2015 Nadine Chahine 博士，黎巴嫩字体设计师，Monotype 阿拉伯语及文字易认性专家，于 Monotype 英国总部任字体设计总监 Type& 2015「書体視認性」（字体的易认性）讲座笔记，内含三篇学术论文的下载地址 《字体故事：西文字体的美丽传奇》 阿拉伯字母 维吾尔语，书写系统亦使用阿拉伯字母 天城体字母 / 天城文（Devanagari） 藏文 Vaibhav Singh，印度独立字体设计师、字体排印师 SST 字体项目，由 Sony 公司主持开发 意大利体（italic type） 鳥海修，字体设计师，现任字游工房总裁，日本京都精华大学设计学部客座教师 藤田重信，字体设计师，现任 Fontworks 字体开发部部长 小林章，字体设计师，现于 Monotype 德国总部任字体设计总监 红兰中楷体 主播 Eric：字体排印研究者，译者，Type is Beautiful 编辑 蒸鱼：设计师，Type is Beautiful 编辑 欢迎与我们交流或反馈，来信请致 podcast@thetype.com。如果你喜爱本期节目，也欢迎用 PayPal 或支付宝向我们捐赠，账户与联络信箱一致：podcast@thetype.com。

Lecture 101 (7 October 1982)

Br Michael Curran is a De La Salle brother.  The Institute was founded in France in the 17th century by St John Baptiste de la Salle, princially for the education of boys from poor backgrounds.  Br Michael looks at the … Continue reading →

Stepping back in time, BBC News correspondents present a personal perspective on principal cities of the major European powers that fought the First World War. In this Essay, Emma Jane Kirby considers the capital of the largest contemporary modern maritime empire: London.To today's listeners some of Londoners' concerns a century ago will seem extraordinarily familiar. Complaints about the Tube were as frequent and heartfelt then as they are today. To try and divert travellers from their misery, Macdonald Gill - the brother of sculptor and designer Eric Gill - was commissioned to produce a "Wonderground" map. It was intended to amuse them as they waited for their trains which were infrequent, often dirty and overcrowded.The map's whimsical illustrations - together with Cockney asides put in the mouths of some of the invented characters - captured the city's above-ground, pre-war character. It evoked the zeitgeist which George Bernard Shaw simultaneously reflected on stage in "Pygmalion" - and led to a subsequent commission to design a theatreland map during the First World War.Emma Jane Kirby considers the idea of Britain which London was presenting to both the wider world and Britons themselves, and she assesses how far these attitudes still resonate today.Producer Simon Coates.

- Vilken krock, tänker Per Torberger. Han sitter i soffan och ser på TV när han får syn på Rädda Barnens reklam. Deras logotyp är skriven i typsnittet Gill Sans. För de flesta är Gill Sans bara ett typsnitt i mängden. Men vad Rädda Barnen inte känner till är att mannen bakom typsnittet, Eric Gill, erkänt sexuella relationer med sina egna barn. Ett ytterst olyckligt val av typsnitt för en organisation som Rädda Barnen. Samma dag tvingas de gå ut med ett pressmeddelande om att de byter ut sitt typsnitt. Hör om moralpaniken som bröt ut hösten 2009 och om konstnären måste förknippas med sitt verk. Medverkande: Per Torberger, Stefan Hattenbach, Stefania Malmsten, Malin Thiel. Producent: Simon Moser. Typo görs av produktionsbolaget FILT för Sveriges Radio P1.

Born in Brighton, Eric Gill later moved to Ditchling where he headed up a community of artists. A religious man, who lead a very bohemian life, definitely kept tongues wagging. A sculptor and famous for the Gill Sans typeface still used today.

In the period under consideration a fair number of the artists considered have been Roman Catholics, but at one time there was a particular symbiosis between two of them, Eric Gill and David Jones, who will be discussed along with others who shared their faith.This lecture is part of...

  The Golden Cockerel Press is one of most important, productive English private presses in the history of fine printing. In 2002 Oak Knoll Press and the British Library co-published the first extensive study of the Golden Cockerel. Written by Roderick Cave, the book is based on interviews and the Press' widely-scattered archives.  Responsible in large part for a revival in wood-engraving, Golden Cockerel Press books published between 1920-1960 contain the work of  brilliant practitioners such as Robert Gibbings (who owned the Press throughout much of the 20s), Eric Gill, David Jones, Agnes Miller Parker, Eric Ravilious, and John Buckland-Wright.  The Press' literary achievement was also significant; it published original manuscripts by writers such as H.E. Bates, A.E. Coppard and T.E. Lawrence. I met with Roderick Cave at the British Library to discuss the works and history of The Golden Cockerel Press.