Podcast appearances and mentions of Richard Blade

It's double your O3L pleasure this week with our 4th Annual Cruel World Special! It's that time of year again - on May 17, 2025, the masses will descend upon Brookside at the Rose Bowl in Pasadena, CA, for the 4th installment of what has become a destination, a cultural touchstone for fans of classic alternative, new wave, punk, synth-pop, goth, and dark wave - the Cruel World festival.  Goldenvoice has once again put together a fantastic lineup of legends, younger bands who are carrying the torch, and a couple of surprises thrown in.  This year's lineup includes New Order, Nick Cave & The Bad Seeds, The Go-Go's, Devo, OMD, Death Cult, Garbage, Madness, the first appearance of the original ‘Til Tuesday lineup in 35 years, Midge Ure, Clan of Xymox, Buzzcocks, Stereo MC's, Blancmange, Alison Moyet, and "next generation" acts like Nation of Language and She Wants Revenge. As has become O3L tradition, we celebrate this annual event with an episode where we each pick the five acts that we are, or at least would be, most excited to see at this year's festival.  This year, we've got a special guest Third Lad joining us, a gentleman who can rightfully be called Gen X's DJ - someone who grew up, like us, under the spell of this music and continues to keep it alive to not only our generation, but subsequent generations.  Jake Rudh has hosted Minnesota Public Radio's The Current for 15 years, the weekly Transmission club night in Minneapolis for nearly 25 years, he has been a resident DJ at the famous First Avenue (yes, where a lot of Purple Rain took place) for 15 years, as well as the annual ‘80s music festival '80s in the Sands in Mexico, which is hosted by Richard Blade and many of the classic MTV VJs.  We also have Jake to thank for the amazing content on the Slicing Up Eyeballs Facebook page - album anniversaries, artist birthdays, tour announcements and other news.  Plus, the world can partake in Transmission on Twitch, featuring 5+ hours of classic videos every week.  Jake Rudh Website: ⁠https://transmission-music.com/djs/jake-rudh/⁠ Facebook:⁠ https://www.facebook.com/JakeRudh/⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 184: Concert Report: Richard Blade/ABC/Howard Jones (2025) With support from legendary KROQ/1st Wave DJ Richard Blade, 80's New Wave icons Howard Jones and ABC just finished an incredible string of U.S. live dates, and your intrepid hosts were there for the penultimate show of the tour! Brian and Sarah take you back in time exactly one week as they relive the excitement of the 2/28/25 show at the Keswick Theater in Glenside, PA.  And they are joined by friend of the show Mike Kilczewski, the creative mind behind Philadelphia's 80's band Dorian Gräe and current project Syd Dorian, to tackle such diverse topics as: - Meet & Greet with Howard Jones. - Richard Blade's wonderful opening presentation. - The highlights of ABC and Howard's sets. - Recording in Philly as an independent artist in the 1980s. - The world's most dangerous and traffic-filled road. - Our favorite NFL team and the town with the best name. - Buying records before the show. - Filming music videos at malls. - Update on Howard Jones's next album, "Global Citizen." Go back to the 1980s with Mike and Dorian Gräe here: https://doriangrae.bandcamp.com/album/dorian-gr-e Check out Syd Dorian featuring Mike and William Aronson here: https://syddorian.bandcamp.com/album/pressing-issues Read more at http://www.permanentrecordpodcast.com/ Visit us at https://www.facebook.com/permrecordpodcast You can also find us on Threads: https://www.threads.net/@permanentrecordpodcast Check out some pictures at https://www.instagram.com/permanentrecordpodcast/ Join the ever-growing crowd on BlueSky: https://bsky.app/profile/permrecordpod.bsky.social Leave a voicemail for Brian & Sarah at (724) 490-8324 or https://www.speakpipe.com/PermRecordPod  - we're ready to believe you!

Legendary DJ and TV personality Richard Blade joins Andy Richter to discuss bringing new wave music to the mainstream in the 1980s, his journey from England to Los Angeles, his experiences in film and television, and much more. Do you want to talk to Andy live on SiriusXM's Conan O'Brien Radio? Leave a voicemail at 855-266-2604 or fill out our Google Form at BIT.LY/CALLANDYRICHTER. Listen to "The Andy Richter Call-In Show" every Wednesday at 1pm Pacific on SiriusXM's Conan O'Brien Channel.

Send us a textHello friends, Kari and Joe are back with a tidbit check-in on all those 80s music documentaries you've been waiting for! Then, they get into Volume 1 of Richard Blade's Flashback Favorites, the iconic DJ's compilation series that was intended to be all good songs, no filler. Did he succeed? Do you recognize the songs and bands he chose? Do the words "quick, slow, quick, quick, slow" mean anything to you?Also, it's a special edition of Just a Bit Outside dedicated to the source of the quote himself, the one and only Bob Uecker.All this, plus an attempted kidnapping, an urban legend about John Lennon and a trip to the beach!

Last year we accompanied our Doug Jones Day episode with a review of the cult classic SPOOKIES, featuring an ensemble of characters under siege from an evil sorcerer and his peculiar assortment of supernatural minions. This year we're following a similar pattern, but swapping out the Jay Estate in New York for Castello Di Giove in Italy, a locale that will be familiar to fans of the movies of Charles Band and Empire International Pictures. For our latest episode we're reviewing SPELLCASTER (filmed in 1988, but not released until 1992) from director Rafal Zielinski, featuring Adam Ant, Bunty Baily and KROQ-FM's own Richard Blade. We do start the episode with a bit of sad talk about recent life events for our hosts, but we had a tremendously fun time discussing the movie afterwards and we hope everyone enjoys the episode. If you want to skip over the sad bits, the movie discussion begins around the 13:30 mark. As of this release, the movie is free to stream on both Tubi and the Youtube channel for Full Moon Pictures, and absolutely recommend checking out the movie before listening to this review. And also be sure to see SPOOKIES if you haven't already, as it comes up a LOT in this review and is becoming an oddly integral movie for our pod. If you'd like to follow us on social media, you can visit our Linktree page (linked below) but we've also listed some of our social media handles: Linktree: linktr.ee/scarystuff Official site: scarystuffpodcast.com Twitter: @scarystuffpod Instagram: @scarystuffpodcast Letterboxd: @scarystuffpod Incredibly Niche Merch: teepublic.com/user/scary-stuff-podcast You can find a list of all the previous movies we've reviewed and their corresponding episodes (via the "Read Notes" option) here: letterboxd.com/scarystuffpod/list/all-reviews-scary-stuff-podcast/ And as always, thanks so much for listening!

Enjoy the 9am hour 

In today's show Ally's wife goes to the hospital, we meet the neighbors, find out the most gay thing about you, a woman tracks down her luggage, talk to Richard Blade, play the freeway feud and Jake's week keeps getting better 

An L.A. animal services worker is recovering from a brutal dog attack, and telling her story. New Yorkers got a reprieve from the nation's first congestion pricing plan - could one happen in L.A.? KROQ legend Richard Blade gets his star on the Walk of Fame and recalls how he earned his place in SoCal history. And the Lakers could be close to naming a new head coach. The L.A. Local is sponsored by the LA Car Guy family of dealerships. 

World famous new wave radio DJ Richard Blade joins us this week to share endless stories from his iconic career full of huge name drops. From Michael Jackson private events to being fed by Barbara Streisand to hitch hiking with Richard Branson… Richard Blade shared it all this week. He also opens up about his mistakes in life and how his dog saved him during one of the lowest points of his life. Hope you dig it. Thank you to our sponsors: ❤️ Betterhelp: https://betterhelp.com/inside

Twitter may not have legs, but Meta finally does; blown Foxconn promises; SEC charges Impact Theory for NFTs; Worldcoin already dying; Cat, I Farted Enterprise for Business; AI regulations summit; META in court in Ireland over disinformation claims in Myanmar; Amazon CEO not cool with remote work anymore; there's a Copyright Claims Board?; Full Self Driving right through a red light, Elon Mode; Wheel of Time; Justified; AMC moving shows to Max; podcasting away loneliness; Levar gets Trivial Pursuit TV show; Apple kills CSAM photo scanning; iOS & iPadOS 17; Richard Blade; Derren Brown; some interesting feedback.Sponsors:Hover - Go to Hover now and grab your very own domain or a few of them at hover.com/gog and get 10% off your first purchase.1Password - Get a great deal on the only password manager recommended by Grumpy Old Geeks! gog.show/1passwordPrivate Internet Access - Go to GOG.Show/vpn and sign up today. For a limited time only, you can get OUR favorite VPN for as little as $2.03 a month.Show notes at: https://gog.show/616/FOLLOW UP'Bring Back Twitter!' Elon Gets Booed at Video Game TournamentMeta's avatars finally grow some legsExclusive: Meta's Canada news ban fails to dent Facebook usageFoxconn's promise to invest $10 billion in Wisconsin is now a distant memoryIN THE NEWSSEC Charges LA-Based Media and Entertainment Co. Impact Theory for Unregistered Offering of NFTsTom Bilyeu's statementSEC settles first NFT enforcement case, fines LA media company $6MJust a Month After Launch, Sam Altman's Worldcoin Is Already DyingOpenAI Launches ChatGPT Enterprise For BusinessesTech Chiefs to Gather in Washington Next Month on A.I. RegulationsMyanmar genocide refugees take Meta to Irish court over disinformation claimsAmazon CEO reportedly told remote employees: ‘It's probably not going to work out'Copyright Claims Board Awards Photographer $3K After Defendant No ShowsCopyright Claims BoardElon Musk's FSD v12 demo includes a near miss at a red light and doxxing Mark ZuckerbergTesla Ordered to Turn Over Data on Its Safety-Disabling 'Elon Mode' Autopilot FeatureTwitter Removes Its 'No Political Ads' Policy Ahead of the 2024 ElectionMEDIA CANDYEverything to Remember About Wheel of Time Ahead of Season 2Justified: City PrimevalInterview With the Vampire and Fear the Walking Dead Will Pop Up on MaxAMC Reaches a Deal With SAG-AFTRA to Resume ProductionThe nonstop podcast listeners are on to somethingLeVar Burton Close on Deal with CW for Trivial Pursuit Hosting JobAPPS & DOODADSApple's Decision to Kill Its CSAM Photo-Scanning Tool Sparks Fresh ControversyAT THE LIBRARYWorld In My Eyes by Richard BladeNOTES FROM A FELLOW TRAVELLER by Derren BrownCLOSING SHOUT-OUTSBob Barker, Iconic 'The Price Is Right' Host, Dead at 99See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In today's show we try to make Klein cry, we hear from the father of Ally's child, have an epic bet with Mugs, see if Johnny knows anything about movies, crown the gayest dog, talk to KROQ legend Richard Blade and Ally agrees to shave her head for charity 

CLIP- we talk to the KROQ legend

This hour we crown the gayest dog in Amercia, talk to KROQ legend Richard Blade and do some news

Congratulations are in order for Richard Blade. Los Angeles Councilwoman Monica Rodriguez will introduce a resolution declaring June 9, 2023, “RICHARD BLADE DAY," with the award presented on JUNE 6th for the best-selling author, world-renowned on-air personality and radio show host.  It turns out Richard Blade may just be an "Imposter". Los Angelenos know him as the voice that introduced a generation to 80s music bands like Depeche Mode, Duran Duran, Pet Shop Boys, INXS, and The Cure. In fact, you can still hear him seven days a week on SiriusXM's 1st Wave channel. However, the truth is that Richard Blade is ALSO a writer...and a good one at that. His latest book is Imposters, based on the true story of Mike Evans and John "JT" Thomas". Mike was one half of the morning show at KROQ in the early 80s. It was Mike that sat Richard down and told him this incredible story that Richard felt compelled to share with the world. It was a real treat to have Richard enter our virtual studios and we discovered so much more than we expected of his own unique story. As Richard might say, "It's gonna be great!" Check out the audible version of Richard Blade's memoir "World In My Eyes" with a free month subscription courtesy of your friends at What Difference Does It Make. Learn more about your ad choices. Visit megaphone.fm/adchoices

We talk Sluggo's appearance in law textbooks, the Noodles early rock playlist, Mr. Weatherly's return to KROQ, Galco's sodas, Christian Hand, April Fools Day plans, Richard Blade and the Flashback Lunch, and Dinner with Allie??? --- Send in a voice message: https://podcasters.spotify.com/pod/show/quitters-never-give-up/message

We talk Sluggo's appearance in law textbooks, the Noodles early rock playlist, Mr. Weatherly's return to KROQ, Galco's sodas, Christian Hand, April Fools Day plans, Richard Blade and the Flashback Lunch, and Dinner with Allie??? --- Send in a voice message: https://podcasters.spotify.com/pod/show/quitters-never-give-up/message

In this episode, David Harris, Holly Hazelwood and Eric Mellor are joined by special guest, Richard Blade, to discuss the good, the bad and the ugly of streaming television. Support the show

On this historic episode, Derek sits down with the legendary Radio DJ, Richard Blade.  We discuss everything from how he got started in the radio business, his time at KROQ, hanging with Depeche Mode, a brief history of British Radio and the Pirates who provided Rock and Roll to a musically starved United Kingdom and of course, his incredibly successful program on SiriusXM 1st Wave, plus so much more.Website: https://www.richardblade.com/Facebook: https://www.facebook.com/richardbladepage/Twitter: https://twitter.com/richardbladeInstagram: https://www.instagram.com/richardblade/

Richard Blade joins Hammer, Brandi and Adam. He brought KROQ to the number 1 radio station in Los Angeles, even though he had a British accent that everyone told him wouldn't work in this town. He now has a star in the walk of fame. They talk about some of his favorite music and some of his experience playing music.

ichard Blade joins Hammer, Brandi and Adam. He brought KROQ to the number 1 radio station in Los Angeles, even though he had a British accent that everyone told him wouldn't work in this town. He now has a star in the walk of fame. They talk about some of his favorite music and some of his experience playing music.

The great DJ Richard Blade joins us to discuss a couple of his recent books. A couple years ago he released his entertaining memoir World In My Eyes which details his rise to fame as one of the most recognizable DJs in the world. He also recently released another book, The Unlocked Interviews which are conversations he had during lockdown with some of music's greatest personalities. We discuss both of these as well as many behind the scenes stories from his long career. Enjoy!  

As we get ready for Season 4's launch, take a journey back to some of our earliest episodes during O3L Flashback Week!  We head to our super special Season 2 premiere, where we welcomed one of the most recognizable and legendary voices in alternative music, SiriusXM, radio and TV personality, author, screenwriter, game show contestant (and did we mention legend?) RICHARD BLADE.  The stories are incredible - if you missed this one the first time around, you definitely want to check this out, and then our bonus episode available at: https://www.podbean.com/ew/pb-p78d4-f6b519.

This episode looks at the 1984 debut novel by Bret Easton Ellis, and its 1987 film adaptation. ----more---- Hello, and welcome to The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today. On this episode, we're going to talk about 80s author Bret Easton Ellis and his 1985 novel Less Than Zero, the literal polar opposite of last week's subjects, Jay McInerney and his 1984 novel Bright Lights, Big City. As I mentioned last week, McInerney was twenty-nine when he published Bright Lights, Big City. What I forgot to mention was that he was born and raised in Hartford, Connecticut, halfway between Boston and New York City, and he would a part of that elite East Coast community that befits the upper class child of a corporate executive. Bret Easton Ellis was born and raised in Los Angeles. His father was a property developer, and his parents would divorce when he was 18. He would attend high school at The Buckley School, a college prep school in nearby Sherman Oaks, whose other famous alumni include a who's who of modern pop culture history, including Paul Thomas Anderson, Tucker Carlson, Laura Dern, Paris Hilton, Kim Kardashian, Alyssa Milano, Matthew Perry, and Nicole Richie. So they both grew up fairly well off. And they both would attend tony colleges in New England.  Ellis would attend Bennington College in Vermont, a private liberal arts college whose alumni include fellow writers Jonathan Lethem and Donna Tartt, who would both graduate from Bennington the same year as Ellis, 1986. While still attending The Buckley School, the then sixteen year old Ellis would start writing the book he would call Less Than Zero, after the Elvis Costello song. The story would follow a protagonist not unlike Bret Easton Ellis and his adventures through a high school not unlike Buckley. Unlike the final product, Ellis's first draft of Less Than Zero wore its heart on its sleeve, and was written in the third person.  Ellis would do a couple of rewrites of the novel during his final years at Buckley and his first years at Bennington, until his creative writing professor, true crime novelist Joe McGinness, suggested to the young writer that he revert his story back to the first person, which Ellis was at first hesitant to do. But once he did start to rewrite the story as a traditional novel, everything seemed to click. Ellis would have his book finished by the end of the year, and McGinniss was so impressed with the final product that he would submit it to his own agent to send out to publishers. Bret Easton Ellis was only a second year student at the time. And because timing is everything in life, Less Than Zero was being submitted to publishers just as Bright Lights, Big City was tearing up the best seller charts, and the publisher Simon and Schuster would purchase the rights to the book for $5,000. When the book was published in June 1985, Ellis just finished his third year at Bennington.  He was only twenty-one years and three months old. Oh… also… before the book was published, the film producer Marvin Worth, whose credits included Bob Fosse's 1974 doc-drama about Lenny Bruce starring Dustin Hoffman, 1979's musical drama The Rose, Bette Midler's breakthrough film as an actress, and the 1983 Dudley Moore comedy Unfaithfully Yours, would purchase the rights to make the novel into a movie, for $7,500. The film would be produced at Twentieth Century-Fox, under the supervision of the studio's then vice president of production, Scott Rudin. The book would become a success upon its release, with young readers gravitating towards Clay and his aimless, meandering tour of the rich and decadent young adults in Los Angeles circa Christmas 1984, bouncing through parties and conversations and sex and drugs and shopping malls. One of those readers who became obsessed with the book was a then-seventeen year old Los Angeles native who had just returned to the city after three years of high school in Northern California. Me. I read Less Than Zero easily three times that summer, enraptured not only with Ellis's minimalist prose but with Clay specifically. Although I was neither bisexual nor a user of drugs, Clay was the closest thing I had ever seen to myself in a book before. I had kept in touch with my school friends from junior high while I lived in Santa Cruz, and I found myself to have drifted far away from them during my time away from them. And then when I went back to Santa Cruz shortly after Christmas in 1985, I had a similar feeling of isolation from a number of my friends there, not six months after leaving high school. I also loved how Ellis threw in a number of then-current Los Angeles-specific references, including two mentions of KROQ DJ Richard Blade, who was the coolest guy in radio on the planet. And thanks to Sirius XM and its First Wave channel, I can still listen to Richard Blade almost daily, but now from wherever I might be in the world. But I digress. My bond with Less Than Zero only deepened the next time I read it in early 1986. One of the things I used to do as a young would-be screenwriter living in Los Angeles was to try and write adaptation of novels when I wasn't going to school, going to movies, or working as a file clerk at a law firm. But one book I couldn't adapt for the life of me was Less Than Zero. Sure, there was a story there, but its episodic nature made it difficult to create a coherent storyline. Fox felt the same way, so they would hire Michael Cristofer, a Pulitzer Prize-winning playwright, to do the first draft of the script. Cristofer had just finished writing the adaptation of John Updike's The Witches of Eastwick that Mad Max director George Miller was about to direct, and he would do a literal adaptation of Ellis's book, with all the drugs and sex and violence, except for a slight rehabilitation of the lead character's sexuality. Although it was still the 1980s, with one part of the nation dramatically shifting its perspective on many types of sexuality, it was still Ronald Reagan's 1980s America, and maybe it wasn't a good idea to have the lead character be openly bisexual in a major studio motion picture. Cristofer would complete his first draft of the script in just one month, and producer Marvin Worth really loved it. Problem was, the Fox executives hated it. In a November 18th, 1987, New York Times article about the adaptation, Worth would tell writer Allen Harmetz that he thought Cristofer's script was highly commercial, because “it had something gripping to say about the dilemma of a generation to whom nothing matters.” Which, as someone who had just turned twenty years old eight days after the movie's release and four days before this article came out, I absolutely disagree with. My generation cared about a great many things. We cared about human rights. We cared about ending apartheid. We cared about ending AIDS and what was happening politically and economically. Yeah, we also cared about puffy jean jackets and neon colored clothes and other non-sensical things to take our minds off all the other junk we were dealing with, but it would be typical of a forty something screenwriter and a fiftysomething producer to thing we didn't give a damn about anything. But again, I digress. Worth and the studio would agree on one thing. It wasn't really a drug film, but about young people being destroyed by the privilege of having everything you ever wanted available to you. But the studio would want the movie version of the book to be a bit more sanitized for mainstream consumption. Goodbye, Marvin Worth. Hello, Jon Avnet. In 1986, Jon Avnet was mostly a producer of low-budget films for television, with titles like Between Two Women and Calendar Girl Murders, but he had struck gold in 1983 with a lower-budgeted studio movie with a first-time director and a little known lead actor. That movie was Risky Business, and it made that little known lead actor, Tom Cruise, a bona-fide star. Avnet, wanting to make the move out of television and onto the big screen, would hire Harley Peyton, a former script reader for former Columbia Pictures and MGM/UA head David Begelman, who you might remember from several of our previous episodes, and six-time Oscar nominated producer/screenwriter Ernest Lehman. Peyton would spend weeks in Avnet's office, pouring over every page of the book, deciding what to keep, what to toss, and what to change. Two of the first things to go were the screening of a “snuff” film on the beach, and a scene where a twelve year old girl is tied to a bedpost and raped by one of the main characters. Julian would still hustle himself out to men for money to buy drugs, but Clay would a committed heterosexual. Casting on the film would see many of Hollywood's leading younger male actors looked at for Clay, including a twenty-three year old recent transplant from Oklahoma looking not only for his first leading role, but his first speaking role on screen. Brad Pitt. The producers would instead go with twenty-four year old Andrew McCarthy, an amiable-enough actor who had already made a name for himself with such films as St. Elmo's Fire and Pretty in Pink, and who would have another hit film in Mannequin between being cast as Clay and the start of production. For Blair, they would cast Jami Gertz, who had spent years on the cusp of stardom, between her co-starring role as Muffy Tepperman on the iconic 1982 CBS series Square Pegs, to movies such as Quicksilver and Crossroads that were expected to be bigger than they ended up being. The ace up her sleeve was the upcoming vampire horror/comedy film The Lost Boys, which Warner Brothers was so certain was going to be a huge hit, they would actually move it away from its original Spring 1987 release date to a prime mid-July release. The third point in the triangle, Julian, would see Robert Downey Jr. get cast. Today, it's hard to understand just how not famous Downey was at the time. He had been featured in movies like Weird Science and Tuff Turf, and spent a year as a Not Ready For Prime Time Player on what most people agree was the single worst season of Saturday Night Live, but his star was starting to rise.  What the producers did not know, and Downey did not elaborate on, was that, like Julian, Downey was falling down a spiral of drug use, which would make his performance more method-like than anyone could have guessed. The Red Hot Chili Peppers, who were hot in the Los Angeles music scene but were still a couple years from the release of their breakout album, 1989's Mothers Milk, were cast to play a band in one of the party scenes, and additional cast members would include James Spader and Lisanne Falk, who would become semi-famous two years later as one of the Heathers. Impressed with a 1984 British historical drama called Another Country featuring Colin Firth, Cary Elwes and Rupert Everett, Avnet would hire that film's 35 year old director, Marek Kanievska, to make his American directing debut. But Kanievska would be in for a major culture shock when he learned just how different the American studio system was to the British production system. Shooting on the film was set to begin in Los Angeles on May 6th, 1987, and the film was already scheduled to open in theatres barely six months later. One major element that would help keep the movie moving along was cinematographer Ed Lachman. Lachman had been working as a cinematographer for nearly 15 years, and had shot movies like Jonathan Demme's Last Embrace, Susan Sideman's Desperately Seeking Susan, and David Byrne's True Stories.  Lachman knew how to keep things on track for lower budgeted movies, and at only $8m, Less Than Zero was the second lowest budgeted film for Twentieth Century-Fox for the entire year. Not that having a lower budget was going to stop Kanievska and Lachman from trying make the best film they could. They would stage the film in the garish neon lighting the 80s would be best known for, with cool flairs like lighting a poolside discussion between Clay and Julian where the ripples of the water and the underwater lights create an effect on the characters' faces that highlight Julian's literal drowning in his problems. There's also one very awesome shot where Clay's convertible, parked in the middle of a street with its top down, as we see Clay and Blair making out while scores of motorcycles loudly pass by them on either side. And there's a Steadicam shot during the party scene featuring the Chili Peppers which is supposed to be out of this world, but it's likely we'll never see it. Once the film was finished shooting and Kanievska turned in his assembly cut, the studio was not happy with the film. It was edgier than they wanted, and they had a problem with the party scene with the Peppers. Specifically, that the band was jumping around on screen, extremely sweaty, without their shirts on. It also didn't help that Larry Gordon, the President of Fox who had approved the purchase of the book, had been let go before production on the film began, and his replacement, Alan Horn, who did give the final go-ahead on the film, had also been summarily dismissed. His replacement, Leonard Goldberg, really hated the material, thought it was distasteful, but Barry Diller, the chairman of the studio, was still a supporter of the project. During all this infighting, the director, Kanievska, had been released from the film.  Before any test screenings. Test screenings had really become a part of the studio modus operandi in the 1980s, and Fox would often hold their test screenings on the Fox Studio Lot in Century City. There are several screenings rooms on the Fox lot, from the 53 seat William Fox Theatre, to the 476 seat Darryl Zanuck Theatre. Most of the Less Than Zero test screenings would be held in the 120 seat Little Theatre, so that audience reactions would be easier to gauge, and should they want to keep some of the audience over for a post-screening Q&A, it would be easier to recruit eight or ten audience members. That first test screening did not go over well. Even though the screening room was filled with young people between the ages of 15 and 24, and many of them were recruited from nearby malls like the Century City Mall and the Beverly Center based off a stated liking of Andrew McCarthy, they really didn't like Jami Hertz's character, and they really hated Robert Downey Jr's. Several of the harder scenes of drug use with their characters would be toned down, either through judicious editing, or new scenes were shot, such as when Blair is seen dumping her cocaine into a bathroom sink, which was filmed without a director by the cinematographer, Ed Lachman. They'd also shoot a flashback scene to the trio's high school graduation, meant to show them in happier times. The film would be completed three weeks before its November 6th release date, and Fox would book the film into 871 theatres., going up against no less than seven other new movies, including a Shelley Long comedy, Hello Again, the fourth entry in the Death Wish series, yet another Jon Cryer high school movie, Hiding Out, a weird Patrick Swayze sci-fi movie called Steel Dawn, a relatively tame fantasy romance film from Alan Rudolph called Made in Heaven, and a movie called Ruskies which starred a very young Joaquin Phoenix when he was still known as Leaf Phoenix, while also contending with movies like Fatal Attraction, Baby Boom and Dirty Dancing, which were all still doing very well two to four months in theatres. The reviews for the film were mostly bad. If there was any saving grace critically, it would be the praise heaped upon Downey for his raw performance as a drug addict, but of course, no one knew he actually was a drug addict at that time. The film would open in fourth place with $3.01m in ticket sales, less than half of what Fatal Attraction grossed that weekend, in its eighth week of release. And the following weeks' drops would be swift and merciless. Down 36% in its second week, another 41% in its third, and had one of the worst drops in its fourth week, the four day Thanksgiving holiday weekend, when many movies were up in ticket sales. By early December, the film was mostly playing in dollar houses, and by the first of the year, Fox had already stopped tracking it, with slightly less than $12.4m in tickets sold. As of the writing of this episode, at the end of November 2022, you cannot find Less Than Zero streaming anywhere, although if you do want to see it online, it's not that hard to find. But it has been available for streaming in the past on sites like Amazon Prime and The Roku Channel, so hopefully it will find its way back to streaming in the future. Or you can find a copy of the 21 year old DVD on Amazon. Thank you for listening. We'll talk again real soon, when our final episode of 2022, Episode 96, on Michael Jackson's Thriller, is released. Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about Less Than Zero the movie and the novel, and its author, Bret Easton Ellis. The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment. Thank you again. Good night.

This episode looks at the 1984 debut novel by Bret Easton Ellis, and its 1987 film adaptation. ----more---- Hello, and welcome to The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today. On this episode, we're going to talk about 80s author Bret Easton Ellis and his 1985 novel Less Than Zero, the literal polar opposite of last week's subjects, Jay McInerney and his 1984 novel Bright Lights, Big City. As I mentioned last week, McInerney was twenty-nine when he published Bright Lights, Big City. What I forgot to mention was that he was born and raised in Hartford, Connecticut, halfway between Boston and New York City, and he would a part of that elite East Coast community that befits the upper class child of a corporate executive. Bret Easton Ellis was born and raised in Los Angeles. His father was a property developer, and his parents would divorce when he was 18. He would attend high school at The Buckley School, a college prep school in nearby Sherman Oaks, whose other famous alumni include a who's who of modern pop culture history, including Paul Thomas Anderson, Tucker Carlson, Laura Dern, Paris Hilton, Kim Kardashian, Alyssa Milano, Matthew Perry, and Nicole Richie. So they both grew up fairly well off. And they both would attend tony colleges in New England.  Ellis would attend Bennington College in Vermont, a private liberal arts college whose alumni include fellow writers Jonathan Lethem and Donna Tartt, who would both graduate from Bennington the same year as Ellis, 1986. While still attending The Buckley School, the then sixteen year old Ellis would start writing the book he would call Less Than Zero, after the Elvis Costello song. The story would follow a protagonist not unlike Bret Easton Ellis and his adventures through a high school not unlike Buckley. Unlike the final product, Ellis's first draft of Less Than Zero wore its heart on its sleeve, and was written in the third person.  Ellis would do a couple of rewrites of the novel during his final years at Buckley and his first years at Bennington, until his creative writing professor, true crime novelist Joe McGinness, suggested to the young writer that he revert his story back to the first person, which Ellis was at first hesitant to do. But once he did start to rewrite the story as a traditional novel, everything seemed to click. Ellis would have his book finished by the end of the year, and McGinniss was so impressed with the final product that he would submit it to his own agent to send out to publishers. Bret Easton Ellis was only a second year student at the time. And because timing is everything in life, Less Than Zero was being submitted to publishers just as Bright Lights, Big City was tearing up the best seller charts, and the publisher Simon and Schuster would purchase the rights to the book for $5,000. When the book was published in June 1985, Ellis just finished his third year at Bennington.  He was only twenty-one years and three months old. Oh… also… before the book was published, the film producer Marvin Worth, whose credits included Bob Fosse's 1974 doc-drama about Lenny Bruce starring Dustin Hoffman, 1979's musical drama The Rose, Bette Midler's breakthrough film as an actress, and the 1983 Dudley Moore comedy Unfaithfully Yours, would purchase the rights to make the novel into a movie, for $7,500. The film would be produced at Twentieth Century-Fox, under the supervision of the studio's then vice president of production, Scott Rudin. The book would become a success upon its release, with young readers gravitating towards Clay and his aimless, meandering tour of the rich and decadent young adults in Los Angeles circa Christmas 1984, bouncing through parties and conversations and sex and drugs and shopping malls. One of those readers who became obsessed with the book was a then-seventeen year old Los Angeles native who had just returned to the city after three years of high school in Northern California. Me. I read Less Than Zero easily three times that summer, enraptured not only with Ellis's minimalist prose but with Clay specifically. Although I was neither bisexual nor a user of drugs, Clay was the closest thing I had ever seen to myself in a book before. I had kept in touch with my school friends from junior high while I lived in Santa Cruz, and I found myself to have drifted far away from them during my time away from them. And then when I went back to Santa Cruz shortly after Christmas in 1985, I had a similar feeling of isolation from a number of my friends there, not six months after leaving high school. I also loved how Ellis threw in a number of then-current Los Angeles-specific references, including two mentions of KROQ DJ Richard Blade, who was the coolest guy in radio on the planet. And thanks to Sirius XM and its First Wave channel, I can still listen to Richard Blade almost daily, but now from wherever I might be in the world. But I digress. My bond with Less Than Zero only deepened the next time I read it in early 1986. One of the things I used to do as a young would-be screenwriter living in Los Angeles was to try and write adaptation of novels when I wasn't going to school, going to movies, or working as a file clerk at a law firm. But one book I couldn't adapt for the life of me was Less Than Zero. Sure, there was a story there, but its episodic nature made it difficult to create a coherent storyline. Fox felt the same way, so they would hire Michael Cristofer, a Pulitzer Prize-winning playwright, to do the first draft of the script. Cristofer had just finished writing the adaptation of John Updike's The Witches of Eastwick that Mad Max director George Miller was about to direct, and he would do a literal adaptation of Ellis's book, with all the drugs and sex and violence, except for a slight rehabilitation of the lead character's sexuality. Although it was still the 1980s, with one part of the nation dramatically shifting its perspective on many types of sexuality, it was still Ronald Reagan's 1980s America, and maybe it wasn't a good idea to have the lead character be openly bisexual in a major studio motion picture. Cristofer would complete his first draft of the script in just one month, and producer Marvin Worth really loved it. Problem was, the Fox executives hated it. In a November 18th, 1987, New York Times article about the adaptation, Worth would tell writer Allen Harmetz that he thought Cristofer's script was highly commercial, because “it had something gripping to say about the dilemma of a generation to whom nothing matters.” Which, as someone who had just turned twenty years old eight days after the movie's release and four days before this article came out, I absolutely disagree with. My generation cared about a great many things. We cared about human rights. We cared about ending apartheid. We cared about ending AIDS and what was happening politically and economically. Yeah, we also cared about puffy jean jackets and neon colored clothes and other non-sensical things to take our minds off all the other junk we were dealing with, but it would be typical of a forty something screenwriter and a fiftysomething producer to thing we didn't give a damn about anything. But again, I digress. Worth and the studio would agree on one thing. It wasn't really a drug film, but about young people being destroyed by the privilege of having everything you ever wanted available to you. But the studio would want the movie version of the book to be a bit more sanitized for mainstream consumption. Goodbye, Marvin Worth. Hello, Jon Avnet. In 1986, Jon Avnet was mostly a producer of low-budget films for television, with titles like Between Two Women and Calendar Girl Murders, but he had struck gold in 1983 with a lower-budgeted studio movie with a first-time director and a little known lead actor. That movie was Risky Business, and it made that little known lead actor, Tom Cruise, a bona-fide star. Avnet, wanting to make the move out of television and onto the big screen, would hire Harley Peyton, a former script reader for former Columbia Pictures and MGM/UA head David Begelman, who you might remember from several of our previous episodes, and six-time Oscar nominated producer/screenwriter Ernest Lehman. Peyton would spend weeks in Avnet's office, pouring over every page of the book, deciding what to keep, what to toss, and what to change. Two of the first things to go were the screening of a “snuff” film on the beach, and a scene where a twelve year old girl is tied to a bedpost and raped by one of the main characters. Julian would still hustle himself out to men for money to buy drugs, but Clay would a committed heterosexual. Casting on the film would see many of Hollywood's leading younger male actors looked at for Clay, including a twenty-three year old recent transplant from Oklahoma looking not only for his first leading role, but his first speaking role on screen. Brad Pitt. The producers would instead go with twenty-four year old Andrew McCarthy, an amiable-enough actor who had already made a name for himself with such films as St. Elmo's Fire and Pretty in Pink, and who would have another hit film in Mannequin between being cast as Clay and the start of production. For Blair, they would cast Jami Gertz, who had spent years on the cusp of stardom, between her co-starring role as Muffy Tepperman on the iconic 1982 CBS series Square Pegs, to movies such as Quicksilver and Crossroads that were expected to be bigger than they ended up being. The ace up her sleeve was the upcoming vampire horror/comedy film The Lost Boys, which Warner Brothers was so certain was going to be a huge hit, they would actually move it away from its original Spring 1987 release date to a prime mid-July release. The third point in the triangle, Julian, would see Robert Downey Jr. get cast. Today, it's hard to understand just how not famous Downey was at the time. He had been featured in movies like Weird Science and Tuff Turf, and spent a year as a Not Ready For Prime Time Player on what most people agree was the single worst season of Saturday Night Live, but his star was starting to rise.  What the producers did not know, and Downey did not elaborate on, was that, like Julian, Downey was falling down a spiral of drug use, which would make his performance more method-like than anyone could have guessed. The Red Hot Chili Peppers, who were hot in the Los Angeles music scene but were still a couple years from the release of their breakout album, 1989's Mothers Milk, were cast to play a band in one of the party scenes, and additional cast members would include James Spader and Lisanne Falk, who would become semi-famous two years later as one of the Heathers. Impressed with a 1984 British historical drama called Another Country featuring Colin Firth, Cary Elwes and Rupert Everett, Avnet would hire that film's 35 year old director, Marek Kanievska, to make his American directing debut. But Kanievska would be in for a major culture shock when he learned just how different the American studio system was to the British production system. Shooting on the film was set to begin in Los Angeles on May 6th, 1987, and the film was already scheduled to open in theatres barely six months later. One major element that would help keep the movie moving along was cinematographer Ed Lachman. Lachman had been working as a cinematographer for nearly 15 years, and had shot movies like Jonathan Demme's Last Embrace, Susan Sideman's Desperately Seeking Susan, and David Byrne's True Stories.  Lachman knew how to keep things on track for lower budgeted movies, and at only $8m, Less Than Zero was the second lowest budgeted film for Twentieth Century-Fox for the entire year. Not that having a lower budget was going to stop Kanievska and Lachman from trying make the best film they could. They would stage the film in the garish neon lighting the 80s would be best known for, with cool flairs like lighting a poolside discussion between Clay and Julian where the ripples of the water and the underwater lights create an effect on the characters' faces that highlight Julian's literal drowning in his problems. There's also one very awesome shot where Clay's convertible, parked in the middle of a street with its top down, as we see Clay and Blair making out while scores of motorcycles loudly pass by them on either side. And there's a Steadicam shot during the party scene featuring the Chili Peppers which is supposed to be out of this world, but it's likely we'll never see it. Once the film was finished shooting and Kanievska turned in his assembly cut, the studio was not happy with the film. It was edgier than they wanted, and they had a problem with the party scene with the Peppers. Specifically, that the band was jumping around on screen, extremely sweaty, without their shirts on. It also didn't help that Larry Gordon, the President of Fox who had approved the purchase of the book, had been let go before production on the film began, and his replacement, Alan Horn, who did give the final go-ahead on the film, had also been summarily dismissed. His replacement, Leonard Goldberg, really hated the material, thought it was distasteful, but Barry Diller, the chairman of the studio, was still a supporter of the project. During all this infighting, the director, Kanievska, had been released from the film.  Before any test screenings. Test screenings had really become a part of the studio modus operandi in the 1980s, and Fox would often hold their test screenings on the Fox Studio Lot in Century City. There are several screenings rooms on the Fox lot, from the 53 seat William Fox Theatre, to the 476 seat Darryl Zanuck Theatre. Most of the Less Than Zero test screenings would be held in the 120 seat Little Theatre, so that audience reactions would be easier to gauge, and should they want to keep some of the audience over for a post-screening Q&A, it would be easier to recruit eight or ten audience members. That first test screening did not go over well. Even though the screening room was filled with young people between the ages of 15 and 24, and many of them were recruited from nearby malls like the Century City Mall and the Beverly Center based off a stated liking of Andrew McCarthy, they really didn't like Jami Hertz's character, and they really hated Robert Downey Jr's. Several of the harder scenes of drug use with their characters would be toned down, either through judicious editing, or new scenes were shot, such as when Blair is seen dumping her cocaine into a bathroom sink, which was filmed without a director by the cinematographer, Ed Lachman. They'd also shoot a flashback scene to the trio's high school graduation, meant to show them in happier times. The film would be completed three weeks before its November 6th release date, and Fox would book the film into 871 theatres., going up against no less than seven other new movies, including a Shelley Long comedy, Hello Again, the fourth entry in the Death Wish series, yet another Jon Cryer high school movie, Hiding Out, a weird Patrick Swayze sci-fi movie called Steel Dawn, a relatively tame fantasy romance film from Alan Rudolph called Made in Heaven, and a movie called Ruskies which starred a very young Joaquin Phoenix when he was still known as Leaf Phoenix, while also contending with movies like Fatal Attraction, Baby Boom and Dirty Dancing, which were all still doing very well two to four months in theatres. The reviews for the film were mostly bad. If there was any saving grace critically, it would be the praise heaped upon Downey for his raw performance as a drug addict, but of course, no one knew he actually was a drug addict at that time. The film would open in fourth place with $3.01m in ticket sales, less than half of what Fatal Attraction grossed that weekend, in its eighth week of release. And the following weeks' drops would be swift and merciless. Down 36% in its second week, another 41% in its third, and had one of the worst drops in its fourth week, the four day Thanksgiving holiday weekend, when many movies were up in ticket sales. By early December, the film was mostly playing in dollar houses, and by the first of the year, Fox had already stopped tracking it, with slightly less than $12.4m in tickets sold. As of the writing of this episode, at the end of November 2022, you cannot find Less Than Zero streaming anywhere, although if you do want to see it online, it's not that hard to find. But it has been available for streaming in the past on sites like Amazon Prime and The Roku Channel, so hopefully it will find its way back to streaming in the future. Or you can find a copy of the 21 year old DVD on Amazon. Thank you for listening. We'll talk again real soon, when our final episode of 2022, Episode 96, on Michael Jackson's Thriller, is released. Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about Less Than Zero the movie and the novel, and its author, Bret Easton Ellis. The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment. Thank you again. Good night.

It's the 8am PODCAST!

Episode 96 is based on the popular tale, 'The Bronze Axe' where Richard Blade is transported to a magical world and runs into fleeing Taleen. Please have a listen! You're sure you are a spy and not a cannibal? Follow us on frickin' instagram: https://www.instagram.com/l00kmanoscript/ Additional sound effects from https://www.zapsplat.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/look-ma-no-script/support

Our guest this week is our first DJ radio personality. He has been dominating the airwaves sincethe early 80's, getting his first gig on KROQ broadcasting reviews of his self-published“inexpensive restaurant guild books” he wrote. From there he became KROQ's local surfreporter with our very Own HB Legend “Rockin Fig” (R.I.P) and Co-host on the morning showwith Richard Blade. He quickly became one the stations most popular figures when he created“Loveline”…. A Sunday night dating and relationship segment. The success of Lovelinecatapulted him to Celebrity Status as the show became syndicated and televised on MTV.Throughout his amazing career, he is the only on-air talent in Los Angeles history, to work at allthree major music giants, KROQ, Power 106, and KIIS. We welcome the one and only Jim “ThePoor Man” Trenton.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Just in time for Christmas we bring you the GOAT himself! Our show's mascot and personal lord and savior Kevin Ryder chats with us about the Quitters quote that started it all, Richard Blade, La Bamba, some good and not so good KROQ memories, interns, and the late great Charles the Security Guard. Note: this episode was recorded on September 7 (why so soon?!) Donate to Friends and Helpers Follow kevdogg on twitter --- Send in a voice message: https://anchor.fm/quitters-never-give-up/message

Just in time for Christmas we bring you the GOAT himself! Our show's mascot and personal lord and savior Kevin Ryder chats with us about the Quitters quote that started it all, Richard Blade, La Bamba, some good and not so good KROQ memories, interns, and the late great Charles the Security Guard. Note: this episode was recorded on September 7 (why so soon?!) Donate to Friends and Helpers Follow kevdogg on twitter --- Send in a voice message: https://anchor.fm/quitters-never-give-up/message

Top Story of the Day on COVID hitting the NFL hard, the latest on the Rams and a look at the big AFC West showdown between the Chargers and Chiefs. Flip Top Story of the Day. Great Sportstalk involving a Go Go's concert and Richard Blade

World Famous DJ Richard Blade joins us for this episode. Richard started in radio in England followed by Bakersfield, Long Beach (CA), and finally KROQ in Los Angeles. He was one of the top rated jocks during his career. Richard has a new book titled: "The Lockdown Interviews" featuring interviews with some of the hottest band from the 80s including members of Duran Duran, Sparks, Spandau Ballet, The English Beat, The Alarm, Dramarama and more. The interviews were recorded from Richard's SiriusXM Radio show during the pandemic. The book was just released in November of 2021 and is available in paperback and Kindle version at Amazon.

Steve Cooper talks with radio, television, and film personality Richard Blade. Richard was a disk jockey at KROQ in Los Angeles from 1982 to 2000 and since 2004 he has had his own nationwide daily show on Sirius Satellite radio and can be heard every afternoon from 12pm - 6pm (PST) on SiriusXM 33, 1st Wave. In 2017 he wrote his autobiography World In My Eyes which became a nationwide best seller. Since then, he has written three more books, all novels, which have each topped Amazon's sales charts - SPQR, Birthright and Imposters. In addition to writing and radio, he also DJs and MCs high-end celebrity parties, concerts and events.

"Vacation, had to get away."  Brett and Uncle Gregg did some summer traveling this past week, but we're not going to leave you empty handed!  Instead, we've cooked up a very special episode, culling some of our favorite stories and moments with our past guests.  Join us on a trip down memory lane featuring hilarious, revealing clips from Linda Hopper (Magnapop/Oh-OK), Andy Strickland (The Loft/Caretaker Race), Robert Vickers (Go-Betweens), Love Tractor, Vanessa Briscoe Hay (Pylon), Hugo Burnham (Gang Of Four), Sean Dowdell (Grey Daze, Tattooed Millionaire), and Richard Blade. See you next week for E70 - Top 5 Beatlesque Songs!

We sure enjoyed our Summer Solstice at a balmy 43 degrees. Richard Blade is officially becoming a Super Star…. Congratulations!!! We're trying to find out is Chris Cuomo has been humbled from getting Roasted. As of June 22nd 2021, we are officially set-free according to our favorite Governor. Will there be fireworks for your July 4th celebration? Sake or warm Sake, you decide. Facebook is now launching podcast hosting, is it time for us to change formats? NOT Even a 9-year-old girl seems to understand what CRT and BLM means.  This weeks Deep Dive has The Preacher Man getting political with some Rage Against the Machine “Freedom”. Scooter decided to flash-back to the 70's with some Clockwork Orange “a story of the dubious redemption of a teenage delinquent by condition-reflex therapy” -Stanley Kubrick. The Top11 this week is “Things you should NEVER say to a homeowner or a co-worker”. Juneteenth is now an official holiday so here's a little history.

It turns out Richard Blade may just be an "Imposter". Los Angelenos know him as the voice that introduced a generation to bands like Depeche Mode, Duran Duran, Pet Shop Boys, INXS, and The Cure. In fact, you can still hear him seven days a week on SiriusXM's 1st Wave channel. However, the truth is that Richard Blade is ALSO a writer...and a good one at that. His latest book is Imposters, based on the true story of Mike Evans and John "JT" Thomas". Mike was one half of the morning show at KROQ in the early 80s. It was Mike that sat Richard down and told him this incredible story that Richard felt compelled to share with the world. It was a real treat to have Richard enter our virtual studios and we discovered so much more than we expected of his own unique story. As Richard might say, "It's gonna be great!"Check out the audible version of Richard Blade's memoir "World In My Eyes" with a free month subscription courtesy of your friends at What Difference Does It Make. https://www.audibletrial.com/wddimpodcastGet three free months of Amazon Music courtesy of What Difference Does It Make https://www.getamazonmusic.com/wddimpodcastWe are a proud member of Pantheon Podcasts

It turns out Richard Blade may just be an "Imposter". Los Angelenos know him as the voice that introduced a generation to bands like Depeche Mode, Duran Duran, Pet Shop Boys, INXS, and The Cure. In fact, you can still hear him seven days a week on SiriusXM's 1st Wave channel. However, the truth is that Richard Blade is ALSO a writer...and a good one at that. His latest book is Imposters, based on the true story of Mike Evans and John "JT" Thomas". Mike was one half of the morning show at KROQ in the early 80s. It was Mike that sat Richard down and told him this incredible story that Richard felt compelled to share with the world. It was a real treat to have Richard enter our virtual studios and we discovered so much more than we expected of his own unique story. As Richard might say, "It's gonna be great!" Check out the audible version of Richard Blade's memoir "World In My Eyes" with a free month subscription courtesy of your friends at What Difference Does It Make. https://www.audibletrial.com/wddimpodcast Get three free months of Amazon Music courtesy of What Difference Does It Make https://www.getamazonmusic.com/wddimpodcast We are a proud member of Pantheon Podcasts

It turns out Richard Blade may just be an "Imposter". Los Angelenos know him as the voice that introduced a generation to 80s music bands like Depeche Mode, Duran Duran, Pet Shop Boys, INXS, and The Cure. In fact, you can still hear him seven days a week on SiriusXM's 1st Wave channel. However, the truth is that Richard Blade is ALSO a writer...and a good one at that. His latest book is Imposters, based on the true story of Mike Evans and John "JT" Thomas". Mike was one half of the morning show at KROQ in the early 80s. It was Mike that sat Richard down and told him this incredible story that Richard felt compelled to share with the world. It was a real treat to have Richard enter our virtual studios and we discovered so much more than we expected of his own unique story. As Richard might say, "It's gonna be great!"Check out the audible version of Richard Blade's memoir "World In My Eyes" with a free month subscription courtesy of your friends at What Difference Does It Make. https://www.audibletrial.com/wddimpodcastGet three free months of Amazon Music courtesy of What Difference Does It Make https://www.getamazonmusic.com/wddimpodcastWe are a proud member of Pantheon Podcasts

It turns out Richard Blade may just be an "Imposter". Los Angelenos know him as the voice that introduced a generation to bands like Depeche Mode, Duran Duran, Pet Shop Boys, INXS, and The Cure. In fact, you can still hear him seven days a week on SiriusXM's 1st Wave channel. However, the truth is that Richard Blade is ALSO a writer...and a good one at that. His latest book is Imposters, based on the true story of Mike Evans and John "JT" Thomas". Mike was one half of the morning show at KROQ in the early 80s. It was Mike that sat Richard down and told him this incredible story that Richard felt compelled to share with the world. It was a real treat to have Richard enter our virtual studios and we discovered so much more than we expected of his own unique story. As Richard might say, "It's gonna be great!" Check out the audible version of Richard Blade's memoir "World In My Eyes" with a free month subscription courtesy of your friends at What Difference Does It Make. https://www.audibletrial.com/wddimpodcast Get three free months of Amazon Music courtesy of What Difference Does It Make https://www.getamazonmusic.com/wddimpodcast We are a proud member of Pantheon Podcasts

The ‘80s was the decade of bad clothes and even worse hair. But oh! What a great time for some very cool music. Punk. New wave. Alt rock. We'll hear a selection of the best of it from artists including The Go-Gos, XTC, Howard Jones, The English Beat, Talking Heads, The Motels and many others. It's a mix you'll hear only on the latest episode of KMB. Eat your heart out, Richard Blade!

NCAA tournaments are the latest victims of suggested cancelations. Ed Stetzer says ORU is thriving….. Why did the Wicked Pickle come out of your Truck…. The new definition of PUTRID!!! Dana Carvey does a better Pres. Joe Biden than Joe Biden. Kamala Harris to hold discussion with Bill Clinton on 'empowering women and girls,' Thank God somebody brought some George Dickel so we could revisit the show shot. We review the Cancellation of Dr. Suess with a little help from Jesse Watters. Scooters Deep Dive this week is thanks to Richard Blade and Terri Nunn from Berlin reviewing their new album "No Strings Attached" Preacher Man brings us some Journey for his deep dive.

OK, we promised that Season 2 of O3L would be bigger and better...so what better way to kick it off than with a living legend? SiriusXM, radio and TV personality, author, screenwriter, game show contestant (and did we mention legend?) RICHARD BLADE is our very special guest.For this episode, we each (including Richard) picked our Top 5 songs from Richard Blade's classic six volume "Flashback Favorites" CD series. And the stories...oh, the incredible stories.  Make sure you don't miss the amazing bonus episode with our extended conversation!

You won't want to miss our extended conversation with the legendary Richard Blade!  Richard was very generous with his time and shared so many amazing, revealing stories, from how he got his name to encounters with Michael Jackson, Barbara Streisand and Sean Connery.  

Paperback Warrior Episode 70 features an overview of the Richard Blade series of sexy sword-and-planet adventures. Also: Phoenix Force! Howard Hunt! Clark Howard! Gor! Lyle Kenyon Engel! And more! Listen on your favorite podcast app or at paperbackwarrior.com or download directly here: https://bit.ly/2UncmEW (Music by Bensound)

Growing up, I can't remember not having a radio in one form or another. The first one I remember was a big walnut console with a turn table and a television that we had in our house in either San Dimas or Azusa — that part's a little fuzzy but it had to be the early 70s. I also remember a little Panasonic clock radio my mom had on her night stand — and this was probably when I was in third or fourth grade — and the main reason I remember it is because it had those little black and white flippy numbers. I got my first stereo in junior high — I don't remember which year — but I do remember that the first record I ever got was Robin Williams Reality… What a Concept.As I got older and started listening to the radio more often, I started to recognize the DJs in addition to the music. The first one I remember was probably Wolfman Jack because he was just such a character. Because we were in LA, there were a ton of DJs to listen to — Rick Dees on KIIS FM, Richard Blade and Rodney Bingenheimer on KROQ, Mark and Brian on KLOS, and of course The Dr. Demento Show, which think was on KMET. Howard Stern was in there too, but honestly I was never really a huge fan. I like him much better now, especially because he's a really terrific interviewer. Oh, and there was also Joe Frank on KCRW but, honestly, we could spend hours on him, so I think I'll save that one. Feel free to ask me about it if you're curious.Subscribe: Apple Podcasts | Spotify | Stitcher | Overcast | Google Podcasts | RSSMusic in this episode:"Noite de Novembro" by Himalayha (CC BY-NC-SA 4.0)"After the Border" by InSpectr (CC BY-NC-SA 4.0)"Imagery Intelligence" by Metre (CC BY-NC-ND 4.0) WANT TO SUPPORT THE WORK I'M DOING?Subscribe & Review: Apple Podcasts | Spotify | Stitcher | Overcast | Google PodcastsTell Your Friends & Share Episodes Online: You can even share a favorite show clip using the terrific Recast feature. I've made a video showing you how: Create Custom Audiograms with Recast by Simplecast - YouTubeBuy a copy of my book: Photography by the Letter

Growing up, I can't remember not having a radio in one form or another. The first one I remember was a big walnut console with a turn table and a television that we had in our house in either San Dimas or Azusa — that part's a little fuzzy but it had to be the early 70s. I also remember a little Panasonic clock radio my mom had on her night stand — and this was probably when I was in third or fourth grade — and the main reason I remember it is because it had those little black and white flippy numbers. I got my first stereo in junior high — I don't remember which year — but I do remember that the first record I ever got was Robin Williams Reality… What a Concept.As I got older and started listening to the radio more often, I started to recognize the DJs in addition to the music. The first one I remember was probably Wolfman Jack because he was just such a character. Because we were in LA, there were a ton of DJs to listen to — Rick Dees on KIIS FM, Richard Blade and Rodney Bingenheimer on KROQ, Mark and Brian on KLOS, and of course The Dr. Demento Show, which think was on KMET. Howard Stern was in there too, but honestly I was never really a huge fan. I like him much better now, especially because he's a really terrific interviewer. Oh, and there was also Joe Frank on KCRW but, honestly, we could spend hours on him, so I think I'll save that one. Feel free to ask me about it if you're curious.Subscribe: Apple Podcasts | Spotify | Stitcher | Overcast | Google Podcasts | RSSMusic in this episode:"Noite de Novembro" by Himalayha (CC BY-NC-SA 4.0)"After the Border" by InSpectr (CC BY-NC-SA 4.0)"Imagery Intelligence" by Metre (CC BY-NC-ND 4.0) WANT TO SUPPORT THE WORK I'M DOING?Subscribe & Review: Apple Podcasts | Spotify | Stitcher | Overcast | Google PodcastsTell Your Friends & Share Episodes Online: You can even share a favorite show clip using the terrific Recast feature. I've made a video showing you how: Create Custom Audiograms with Recast by Simplecast - YouTubeBuy a copy of my book: Photography by the LetterSupport the show (https://jefferysaddoris.com/#donate)

Growing up, I can't remember not having a radio in one form or another. The first one I remember was a big walnut console with a turn table and a television that we had in our house in either San Dimas or Azusa — that part's a little fuzzy but it had to be the early 70s. I also remember a little Panasonic clock radio my mom had on her night stand — and this was probably when I was in third or fourth grade — and the main reason I remember it is because it had those little black and white flippy numbers. I got my first stereo in junior high — I don't remember which year — but I do remember that the first record I ever got was Robin Williams Reality… What a Concept.As I got older and started listening to the radio more often, I started to recognize the DJs in addition to the music. The first one I remember was probably Wolfman Jack because he was just such a character. Because we were in LA, there were a ton of DJs to listen to — Rick Dees on KIIS FM, Richard Blade and Rodney Bingenheimer on KROQ, Mark and Brian on KLOS, and of course The Dr. Demento Show, which think was on KMET. Howard Stern was in there too, but honestly I was never really a huge fan. I like him much better now, especially because he's a really terrific interviewer. Oh, and there was also Joe Frank on KCRW but, honestly, we could spend hours on him, so I think I'll save that one. Feel free to ask me about it if you're curious.Subscribe: Apple Podcasts | Spotify | Stitcher | Overcast | Google Podcasts | RSSMusic in this episode:"Noite de Novembro" by Himalayha (CC BY-NC-SA 4.0)"After the Border" by InSpectr (CC BY-NC-SA 4.0)"Imagery Intelligence" by Metre (CC BY-NC-ND 4.0) WANT TO SUPPORT THE WORK I'M DOING?Subscribe & Review: Apple Podcasts | Spotify | Stitcher | Overcast | Google PodcastsTell Your Friends & Share Episodes Online: You can even share a favorite show clip using the terrific Recast feature. I've made a video showing you how: Create Custom Audiograms with Recast by Simplecast - YouTubeBuy a copy of my book: Photography by the Letter

Jack Hues, frontman of the band Wang Chung joins Kristen on BEN Around Philly, all the way from Canterbury, England to talk about the great 80’s show happening on Saturday (6/13) and streaming for FREE at 2PM EST and 7PM EST on the Abducted by the 80’s Facebook page. The show is called Back to the Basement and it’s a benefit show to help raise money for Direct Relief’s COVID-19 relief program. Wang Chung will be featured, as well as a number of other at-home performances from A Flock of Seagulls, Naked Eyes, Cutting Crew, Nelson, Nu Shooz, Animotion, Information Society, When in Rome, The Vapors and more, plus special appearances by Tiffany, Richard Blade and Downtown Julie Brown.  Jack talks with Kristen about the show, his time spent under quarantine during this pandemic, his grandson, the postponement of touring for his new solo album Primitif, and the new Coronavirus-era version of Wang Chung’s ‘Everybody Have Fun Tonight’. The band redid the song as ‘Everybody Stay SAFE Tonight’ featuring Valerie Day of Nu Shooz. Be sure to check out the video for the new version of the song as it premieres on Saturday as a part of the Back to the Basement show. If you miss the show this weekend, it will be made available on YouTube at a later date, but please donate if you’re able. There are also t-shirts available with proceeds being donated to Direct Relief. Have a great weekend, and don’t forget to stay safe, have fun, and Wang Chung!

Open. What's Happening. People Are Dumb. The Dope Grandma. Papa John Interview. Should I Have Said Something? What's Happening. Richard Blade. RJ Bell. Kids Should Eat All The Rolls. What's Happening.

Knowing this much is true with Richard Blade.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In the final of our 3 part interview with Freddy Snakeskin. We talk about more about the air talent including Richard Blade and Swedish Egil and the beginning of the end for the ROQ of the 80s format. Freddy discusses his flip to MARS FM and once again landing back at KROQ HD2 ROQ of the 80s Follow us at https://www.wddimpodcast.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/wddim/message

Kevin Parks in the Wrong Lot. Bean Makes Us Guess. You Did Bad Stuff as a Kid. Half Speed Kevin and Bean. Who’s the Dick: British Woman wants Tea Bargain. Nick Hexum. Stupid Things you did when you were Drunk. Allie's Twitter Beef with Baby Driver. Richard Blade. Great News. Tom Morello's Bionic Hand and Cheating on College Entrance Exams. Great Names. Revisiting the Adrock Interview. 

Richard Blade (KROQ, SiriusXM) comes in the Monkey Cage to talk about how Dick Shepherd, from a quaint coastal town in England, became the radio/TV/film personality we know today. We talk musical influences, European adventures, and his favorite movies all time (and get ready for a pretty in-depth dissertation on the 1964 epic "Zulu" and the Battle of Rorke's Drift. Richard's book "World In My Eyes" is available now on Amazon and everywhere books are sold. Get more info at richardblade.com, follow him on Twitter @richardblade 1a

Richard Blade (KROQ, SiriusXM) comes in the Monkey Cage to talk about how Dick Shepherd, from a quaint coastal town in England, became the radio/TV/film personality we know today. We talk musical influences, European adventures, and his favorite movies all time (and get ready for a pretty in-depth dissertation on the 1964 epic "Zulu" and the Battle of Rorke's Drift. Richard's book "World In My Eyes" is available now on Amazon and everywhere books are sold. Get more info at richardblade.com, follow him on Twitter @richardblade 1a

Check out our Easter / April Fool’s Day show. It features interviews with Spacehog’s, Royston Langdon, we talk new music with him; also on the show, Jed the Fish! We talk about producing music and Jed features a debut song. There’s also a special visit from Richard Blade as we talk Like Totally 80’s Festival and Prom Night […]

DJ and Radio legend Richard Blade joins Dr. Drew this week to tell Drew about the journey it took for him to write his new book 'World In My Eyes' and they guys touch on a ton of crazy stories from Richard's career.

Richard Blade, the voice of Sirius XM First Wave and KROQ pioneer, joins Spearsy for a chat about his career, his friendship with Depeche Mode, his upcoming biography and his appearance at '80s In the Sand.  Also included in this week's show: The saddest letter yet from "Wearybear" on love mistakes, return of Mystery TV Theme Song and an amazing deal from our new sponsor Away.

MAN IN THE CAMO JACKET is the story of iconic musician Mike Peters of the Welsh rock band The Alarm. The film traces his rise to fame, battles with cancer, and inspiring climb back as he enlists some of the world's top musicians to help save the lives of cancer patients around the globe. Ultimately though, the life he saves may be his own. Filmed over the course of eight years, the film documents Mike's journeys to the summits of the world's tallest mountains and to the depths of his regular chemotherapy treatments and features one-of-a-kind performances from legendary rock musicians. MAN IN THE CAMO JACKET won Best Music Documentary at the 2017 Arizona International Film Festival and the Audience Award for Best Music at the 2017 Newport Beach Film Festival. Mike Peters was honored with the Humanitarian Award at the 2017 American Documentary Film Festival. MAN IN THE CAMO JACKET features Mike Peters of The Alarm, Slim Jim Phantom of Stray Cats, Duff McKagan of Guns N’ Roses, Billy Bragg, Glenn Tilbrook of Squeeze, Billy Corgan of The Smashing Pumpkins, Richard Blade, Martha Quinn. Director Russ Kendall joins us to talk about his rousing, life-affirming new film. For news and updates go to: maninthecamojacket.com

Richard Blade chats it up with the Twins. Love & a .38rock a track and give away tickets. Jonesie's Stupid State of the week. Of course, Chill Lounge

THE PRISONERS! Bands Re-united! The Prisoner! A night stick to the head! Halloween Time! And yo: 8 dollar-an-hour employees hate life and want you to know it!!! Legend DAVE WAKELING (The English Beat, General Public) stops in to talk music, politics, drunkenness, and some great stories regarding Pete Townshend, David Gilmore, Johnny Marr, Eddie Vedder, Green Peace, Richard Blade and 'Bands Reunited!' Producer Lota Hadley (Upcoming World War 2 flick Little Iron Men) stops in on her way to Warner Bros. Studios for a very sharp conversation. Ethan fights the system and talks rock star justice! Erik tries to make the world of comedy a better place!