Podcast appearances and mentions of Glenn Tilbrook

Glenn Tilbrook and Chris Difford of Squeeze join us for a special episode to discuss Trixies, a remarkable concept album centred on a fictional London nightclub and built from songs the pair first wrote as teenagers. During the conversation, Chris and Glenn reflect on the experience of revisiting the work of their younger selves, and how their celebrated songwriting partnership has continued to evolve.

"Trixies" is a fascinating lost treasure, a re-recording of songs written by Chris Difford and Glenn Tilbrook in 1974

Chris Difford and Glenn Tilbrook from Squeeze pop by to tell us about their new album Trixies which is out now."Return of the Vass", "Return of the Vass"... Vassos Alexander is back for one show only to tell us what he's up to at Times Radio. Hosted on Acast. See acast.com/privacy for more information.

Glenn Tilbrook wrote an album with Chris Difford about a futuristic nightclub when they were teenagers and, 52 years later, they've recorded it and are performing it on the upcoming tour. He looks back here at the partnership that once wrote 200 songs in three years, the first gigs he saw, his recent decision to take control of the group and what's changed the way they sound. Among the highlights … … what he learnt from watching Radiohead and Doechii … when you walk into a teashop and Tír na nÓg are playing … T. Rex and screaming girls at the Lewisham Odeon – “comfortable, confident, thrilling” … Terry Reid, Traffic, Bowie and darker memories of Glastonbury 1971 … “that age when Pickettywitch are as engaging as the Rolling Stones” … the song that came to him in a dream … constructing “a knockout set that'll slay any audience” … winning a talent contest at Butlins in Clacton, aged 12 – “a week's free holiday!” … “the breadth and depth of what we can do now outstrips the way we were”. Order the ‘Trixies' album here: https://squeeze.lnk.to/trixies And Squeeze tickets here: https://www.squeezeofficial.com/Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Glenn Tilbrook wrote an album with Chris Difford about a futuristic nightclub when they were teenagers and, 52 years later, they've recorded it and are performing it on the upcoming tour. He looks back here at the partnership that once wrote 200 songs in three years, the first gigs he saw, his recent decision to take control of the group and what's changed the way they sound. Among the highlights … … what he learnt from watching Radiohead and Doechii … when you walk into a teashop and Tír na nÓg are playing … T. Rex and screaming girls at the Lewisham Odeon – “comfortable, confident, thrilling” … Terry Reid, Traffic, Bowie and darker memories of Glastonbury 1971 … “that age when Pickettywitch are as engaging as the Rolling Stones” … the song that came to him in a dream … constructing “a knockout set that'll slay any audience” … winning a talent contest at Butlins in Clacton, aged 12 – “a week's free holiday!” … “the breadth and depth of what we can do now outstrips the way we were”. Order the ‘Trixies' album here: https://squeeze.lnk.to/trixies And Squeeze tickets here: https://www.squeezeofficial.com/Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Glenn Tilbrook wrote an album with Chris Difford about a futuristic nightclub when they were teenagers and, 52 years later, they've recorded it and are performing it on the upcoming tour. He looks back here at the partnership that once wrote 200 songs in three years, the first gigs he saw, his recent decision to take control of the group and what's changed the way they sound. Among the highlights … … what he learnt from watching Radiohead and Doechii … when you walk into a teashop and Tír na nÓg are playing … T. Rex and screaming girls at the Lewisham Odeon – “comfortable, confident, thrilling” … Terry Reid, Traffic, Bowie and darker memories of Glastonbury 1971 … “that age when Pickettywitch are as engaging as the Rolling Stones” … the song that came to him in a dream … constructing “a knockout set that'll slay any audience” … winning a talent contest at Butlins in Clacton, aged 12 – “a week's free holiday!” … “the breadth and depth of what we can do now outstrips the way we were”. Order the ‘Trixies' album here: https://squeeze.lnk.to/trixies And Squeeze tickets here: https://www.squeezeofficial.com/Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Glenn Tilbrook from Squeeze shares the records that rewired him.

Squeeze va a dar su primer concierto en España tras medio siglo de trayectoria. Será en el marco de la primera edición del festival Feroe' 25, que se celebrará los días 14 y 15 de noviembre en el Poble Espanyol de Barcelona. Excusa perfecta para recordar el disco “Argybargy”, el trabajo que cumple 45 años y supuso el punto de inflexión en la trayectoria de la banda capitaneada por la pareja de compositores que forman Glenn Tilbrook y Chris Difford. Y lo hacemos junto a otros álbumes de cosecha británica y añada 1980, discos de power pop, new wave o revival mod que merecen ser recordados.Playlist;SQUEEZE “There at the top” (Argybargy)SQUEEZE “Pulling mussels (from the shell)” (Argybargy)SQUEEZE “Anoher nail in my heart” (Argybargy)THE VAPORS “Turning Japanese” (New clear days)THE VAPORS “News at ten” (New clear days)THE VAPORS “Letter from Hiro” (New clear days)THE JAGS “Desert island discs” (Evening standards)THE JAGS “Back of my hand” (Evening standards)THE JAGS “Evewning standars” (Evening standards)ROCKPILE “Heart” (Seconds of pleasure)ROCKPILE “Teacher teacher” (Seconds of pleasure)THE CHORDS “Maybe tomorrow” (So far away)THE CHORDS “So far away” (So far away)Escuchar audio

New York City singer/songwriter Robert Scheffler joins us this week with an artist Rob somehow slept on all these years - Aimee Mann. Her second full-length, 1995's "I'm With Stupid", is the one that did it for Robert, and her deceptively biting songcraft and the record's dense, layered guitars made a true believer of your humble host. Songs discussed in this episode: Voices Carry ('Til Tuesday cover) - Gang Green; Always, Excuse The Mess, Basher - Robert Scheffler; Up The Junction - Squeeze; Long Shot, Choice In The Matter - Aimee Mann; Animal Nitrate - Suede; Sugarcoated, You Could Make A Killing, Superball, Amateur - Aimee Mann; When The Hangover Strikes, I Think I'm Go Go - Squeeze; All Over Now, Par For The Course, You're With Stupid Now, That's Just What You Are, Frankenstein, Ray, It's Not Safe, *hidden track - Aimee Mann; We're All Waiting - Robert Scheffler

Squeeze's Chris Difford and Glenn Tilbrook are one of rock's greatest songwriting tandems, with Tilbrook crafting indelible melodies around Difford's emotionally detailed lyrics. Here Difford digs into the evolution of his and Tilbrook's partnership. When Difford hands over his lyrics, does he suggest a musical direction to Tilbrook? Did Difford know that “Pulling Mussels (from the Shell)” would be a rocker, “Labelled with Love” a country song, “Slaughtered, Gutted and Heartbroken” an old-timey shuffle? Was he surprised that "Hourglass" became their biggest hit? When they write together now, is there tension over tackling more political topics versus pursuing Difford's brand of personal storytelling? Difford also discusses singing in octaves and taking the occasional lead, the impact of producers such as John Wood and Elvis Costello (and the song he co-wrote with Costello), why so many keyboardists joined and left Squeeze and the reasons the band broke up and regrouped the first time.

W/C 16th June 2025I have been trying to work out if I have ever seen the video for this song before, and having mulled it for longer than I possibly should, I have reached the conclusion that I probably haven't.Nothing particularly surprising in that conclusion I suppose, and whilst it's very much of its time (quirky and instantly forgettable) it also made me realise that I had no real clue what Squeeze actually looked like.Yes I know that it's Glenn Tilbrook and Chris Difford, yes I remember that Jools Holland was there in the early days and that he had been replaced by Paul Carrack. But as to the look of that band, not a clue. So I was surprised to see a bouncy, punky outfit with swagger and Jools chomping away on a cigar. It's great when things like that happen...Stay safe.Cool for Cats - SqueezeTherapy For Me (or TFM as I now refer to it) is a bit of an audio curiosity. It started out as a mechanism for me to clear my head, with the hope that by saying stuff out loud it would act as a little bit of self-help. It's remains loose in style, fluid in terms of content and raw - it's a one take, press record and see what happens, affair.If you want to keep in touch with TFM and the other stuff I do then please follow me on Facebook, Insta, Twitter or Patreon. Thanks for getting this far.

Passing the thermometer of conversation over the rock and roll news to see where the mercury rises, which this week includes … … the new Barbra Streisand duets album. Duets are ‘playlets', small intense dramas that depend on human interaction, but so many are recorded separately (including, tragically, Ain't No Mountain High Enough by Marvin Gaye and Tammi Terrell). … but … duets you HAVE to hear! eg Cash & Carter, Otis Redding & Carla Thomas, Ray Charles & Betty Carter, Siouxsie & Morrissey, Nick Cave & Kylie, Peter Gabriel & Kate Bush. … the extraordinary story of the rebirth and Indian Summer of Mississippi John Hurt after 40 years of invisibility.   … blues lyrics that now seem unimaginable. … Frank Zappa as a drug dealer? Miles Davis as a pimp? Cyndi Lauper as a trophy wife? Real or made-up Miami Vice rock star cameos.  … great opening lines – “We got married in a fever …!” … how you always learn something you never knew about someone from their obituary - like Mike Peters' involvement in the highest altitude concert ever performed (on Everest with Glenn Tilbrook and Slim Jim Phantom). … where people listen to the Word In Your Ear “poddy” – eg in the bath, in court, at wedding receptions, by the Allman Brothers' graveside. Plus birthday guest John Montagna on rock stars who should be in a TV series.Help us to keep the conversation going by joining our Patreon community: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Passing the thermometer of conversation over the rock and roll news to see where the mercury rises, which this week includes … … the new Barbra Streisand duets album. Duets are ‘playlets', small intense dramas that depend on human interaction, but so many are recorded separately (including, tragically, Ain't No Mountain High Enough by Marvin Gaye and Tammi Terrell). … but … duets you HAVE to hear! eg Cash & Carter, Otis Redding & Carla Thomas, Ray Charles & Betty Carter, Siouxsie & Morrissey, Nick Cave & Kylie, Peter Gabriel & Kate Bush. … the extraordinary story of the rebirth and Indian Summer of Mississippi John Hurt after 40 years of invisibility.   … blues lyrics that now seem unimaginable. … Frank Zappa as a drug dealer? Miles Davis as a pimp? Cyndi Lauper as a trophy wife? Real or made-up Miami Vice rock star cameos.  … great opening lines – “We got married in a fever …!” … how you always learn something you never knew about someone from their obituary - like Mike Peters' involvement in the highest altitude concert ever performed (on Everest with Glenn Tilbrook and Slim Jim Phantom). … where people listen to the Word In Your Ear “poddy” – eg in the bath, in court, at wedding receptions, by the Allman Brothers' graveside. Plus birthday guest John Montagna on rock stars who should be in a TV series.Help us to keep the conversation going by joining our Patreon community: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Passing the thermometer of conversation over the rock and roll news to see where the mercury rises, which this week includes … … the new Barbra Streisand duets album. Duets are ‘playlets', small intense dramas that depend on human interaction, but so many are recorded separately (including, tragically, Ain't No Mountain High Enough by Marvin Gaye and Tammi Terrell). … but … duets you HAVE to hear! eg Cash & Carter, Otis Redding & Carla Thomas, Ray Charles & Betty Carter, Siouxsie & Morrissey, Nick Cave & Kylie, Peter Gabriel & Kate Bush. … the extraordinary story of the rebirth and Indian Summer of Mississippi John Hurt after 40 years of invisibility.   … blues lyrics that now seem unimaginable. … Frank Zappa as a drug dealer? Miles Davis as a pimp? Cyndi Lauper as a trophy wife? Real or made-up Miami Vice rock star cameos.  … great opening lines – “We got married in a fever …!” … how you always learn something you never knew about someone from their obituary - like Mike Peters' involvement in the highest altitude concert ever performed (on Everest with Glenn Tilbrook and Slim Jim Phantom). … where people listen to the Word In Your Ear “poddy” – eg in the bath, in court, at wedding receptions, by the Allman Brothers' graveside. Plus birthday guest John Montagna on rock stars who should be in a TV series.Help us to keep the conversation going by joining our Patreon community: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

We like to think of Daryl Hall as a kindred spirit, his home-recorded Live At Daryl's House series with its magnificent roster of guests now racking up 90 episodes. He's about to tour in May and talks to us here from his house in the Bahamas – straw hat, roosters crowing! – looking back at the first gigs he ever saw and played and other delights such as …  … travelling with his mother's Broadway dance band when he was three. … seeing the Temptations, Smokey Robinson, Patti LaBelle and the Bluetones in the Uptown Theater, Philadelphia, in the early ‘60s. … Three Men In A Boat: a barge trip through London with Dave Stewart and Bob Dylan. … “My teenage rule: I will only wear dark green or black and needlepoint shoes. I had balls in those days!” … why Hall & Oates is “in the past” - “He initiated the split and neither of us want to resolve it”. … songs he always plays - Sara Smile, I Can't Go for That (No Can Do) – and why you'll never hear She's Gone again. … making his first records on a four-track in Virtue Studios, Philadelphia, and recording with MFSB. “I still like to keep it lean and mean.” … playing session piano with the Delfonics and making a single with Chubby Checker. … his first cheque for songwriting - $15. … “I brought rock and roll to my High School!” … the success of Live At Daryl's House and the episodes with Todd Rundgren, Smokey Robinson and Glenn Tilbrook.   … his sideline in restoring 18th Century houses. Live From Daryl's House here: https://livefromdarylshouse.com/ Daryl Hall tour dates and tickets here: https://hallandoates.com/tour/ Buy/stream the ‘D' album here: https://ingrv.es/DarylHallDFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

We like to think of Daryl Hall as a kindred spirit, his home-recorded Live At Daryl's House series with its magnificent roster of guests now racking up 90 episodes. He's about to tour in May and talks to us here from his house in the Bahamas – straw hat, roosters crowing! – looking back at the first gigs he ever saw and played and other delights such as …  … travelling with his mother's Broadway dance band when he was three. … seeing the Temptations, Smokey Robinson, Patti LaBelle and the Bluetones in the Uptown Theater, Philadelphia, in the early ‘60s. … Three Men In A Boat: a barge trip through London with Dave Stewart and Bob Dylan. … “My teenage rule: I will only wear dark green or black and needlepoint shoes. I had balls in those days!” … why Hall & Oates is “in the past” - “He initiated the split and neither of us want to resolve it”. … songs he always plays - Sara Smile, I Can't Go for That (No Can Do) – and why you'll never hear She's Gone again. … making his first records on a four-track in Virtue Studios, Philadelphia, and recording with MFSB. “I still like to keep it lean and mean.” … playing session piano with the Delfonics and making a single with Chubby Checker. … his first cheque for songwriting - $15. … “I brought rock and roll to my High School!” … the success of Live At Daryl's House and the episodes with Todd Rundgren, Smokey Robinson and Glenn Tilbrook.   … his sideline in restoring 18th Century houses. Live From Daryl's House here: https://livefromdarylshouse.com/ Daryl Hall tour dates and tickets here: https://hallandoates.com/tour/ Buy/stream the ‘D' album here: https://ingrv.es/DarylHallDFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

We like to think of Daryl Hall as a kindred spirit, his home-recorded Live At Daryl's House series with its magnificent roster of guests now racking up 90 episodes. He's about to tour in May and talks to us here from his house in the Bahamas – straw hat, roosters crowing! – looking back at the first gigs he ever saw and played and other delights such as …  … travelling with his mother's Broadway dance band when he was three. … seeing the Temptations, Smokey Robinson, Patti LaBelle and the Bluetones in the Uptown Theater, Philadelphia, in the early ‘60s. … Three Men In A Boat: a barge trip through London with Dave Stewart and Bob Dylan. … “My teenage rule: I will only wear dark green or black and needlepoint shoes. I had balls in those days!” … why Hall & Oates is “in the past” - “He initiated the split and neither of us want to resolve it”. … songs he always plays - Sara Smile, I Can't Go for That (No Can Do) – and why you'll never hear She's Gone again. … making his first records on a four-track in Virtue Studios, Philadelphia, and recording with MFSB. “I still like to keep it lean and mean.” … playing session piano with the Delfonics and making a single with Chubby Checker. … his first cheque for songwriting - $15. … “I brought rock and roll to my High School!” … the success of Live At Daryl's House and the episodes with Todd Rundgren, Smokey Robinson and Glenn Tilbrook.   … his sideline in restoring 18th Century houses. Live From Daryl's House here: https://livefromdarylshouse.com/ Daryl Hall tour dates and tickets here: https://hallandoates.com/tour/ Buy/stream the ‘D' album here: https://ingrv.es/DarylHallDFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

After many years of invisibility, Peter Perrett of the Only Ones is out, about and on tour again and talks to us here about the first gigs he ever saw and played, which involves … … what time he goes to bed. … “he writes better lyrics than Elvis Costello and is prettier than Billy Idol”: why Nick Kent's review was an insult. … seeing the Small Faces in 1966, the Floyd with Syd at Middle Earth, Dylan at the Isle of Wight, Fairport Convention, Geno Washington, Lou Reed in 1972 (“a hero”), Sex Pistols in 1975. … the Ally Pally Love-In in 1967 with Pink Floyd, the Animals, Julie Driscoll and Arthur Brown (“doing Alice Cooper five years before Alice Cooper”). … supporting Global Village Trucking Company at the Marquee in 1975 with Glenn Tilbrook and Jools Holland. … memories of Vivienne Westwood, the Bromley Contingent and leopardskin vinyl trousers. … the first gig he ever played, doing the Velvet Underground's What Goes On with a four-string guitar at a college dance. … the tangled tale of Another Girl Another Planet. … “I never thought I'd retire at 28 and come back as a septuagenarian'.   … the role reversal of being produced by your own son. … and how the Snow Station Vadsø festival in Norway – with Peter Buck, Lenny Kaye, Fritz Catlin and Mark Bedford – gave him the courage to go back on tour. Peter Perrett tour dates here:https://www.ticketmaster.co.uk/peter-perrett-tickets/artist/5238432 Order his new album The Cleansing here:https://www.amazon.co.uk/Cleansing-Peter-Perrett/dp/B0DB8VMBDLFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

After many years of invisibility, Peter Perrett of the Only Ones is out, about and on tour again and talks to us here about the first gigs he ever saw and played, which involves … … what time he goes to bed. … “he writes better lyrics than Elvis Costello and is prettier than Billy Idol”: why Nick Kent's review was an insult. … seeing the Small Faces in 1966, the Floyd with Syd at Middle Earth, Dylan at the Isle of Wight, Fairport Convention, Geno Washington, Lou Reed in 1972 (“a hero”), Sex Pistols in 1975. … the Ally Pally Love-In in 1967 with Pink Floyd, the Animals, Julie Driscoll and Arthur Brown (“doing Alice Cooper five years before Alice Cooper”). … supporting Global Village Trucking Company at the Marquee in 1975 with Glenn Tilbrook and Jools Holland. … memories of Vivienne Westwood, the Bromley Contingent and leopardskin vinyl trousers. … the first gig he ever played, doing the Velvet Underground's What Goes On with a four-string guitar at a college dance. … the tangled tale of Another Girl Another Planet. … “I never thought I'd retire at 28 and come back as a septuagenarian'.   … the role reversal of being produced by your own son. … and how the Snow Station Vadsø festival in Norway – with Peter Buck, Lenny Kaye, Fritz Catlin and Mark Bedford – gave him the courage to go back on tour. Peter Perrett tour dates here:https://www.ticketmaster.co.uk/peter-perrett-tickets/artist/5238432 Order his new album The Cleansing here:https://www.amazon.co.uk/Cleansing-Peter-Perrett/dp/B0DB8VMBDLFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

After many years of invisibility, Peter Perrett of the Only Ones is out, about and on tour again and talks to us here about the first gigs he ever saw and played, which involves … … what time he goes to bed. … “he writes better lyrics than Elvis Costello and is prettier than Billy Idol”: why Nick Kent's review was an insult. … seeing the Small Faces in 1966, the Floyd with Syd at Middle Earth, Dylan at the Isle of Wight, Fairport Convention, Geno Washington, Lou Reed in 1972 (“a hero”), Sex Pistols in 1975. … the Ally Pally Love-In in 1967 with Pink Floyd, the Animals, Julie Driscoll and Arthur Brown (“doing Alice Cooper five years before Alice Cooper”). … supporting Global Village Trucking Company at the Marquee in 1975 with Glenn Tilbrook and Jools Holland. … memories of Vivienne Westwood, the Bromley Contingent and leopardskin vinyl trousers. … the first gig he ever played, doing the Velvet Underground's What Goes On with a four-string guitar at a college dance. … the tangled tale of Another Girl Another Planet. … “I never thought I'd retire at 28 and come back as a septuagenarian'.   … the role reversal of being produced by your own son. … and how the Snow Station Vadsø festival in Norway – with Peter Buck, Lenny Kaye, Fritz Catlin and Mark Bedford – gave him the courage to go back on tour. Peter Perrett tour dates here:https://www.ticketmaster.co.uk/peter-perrett-tickets/artist/5238432 Order his new album The Cleansing here:https://www.amazon.co.uk/Cleansing-Peter-Perrett/dp/B0DB8VMBDLFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Elvis Costello, født Declan MacManus, og ikke at forveksle med Elvis Presley, fylder 70 her i august. I den anledning går Klaus Lynggaard og Henrik Queitsch tilbage til 80'erne og genbesøger manden der var med til at redefinere poprock- og new wave-genren. Værter: Klaus Lynggaard og Henrik QueitschKlip: Mads LevorsenPlaylisten:”Less Than Zero” (1977)”Alison” (1977)”I'm Not Angry” (1977)“Watching the Detectives” (1977)“(I Don't Want to Go to) Chelsea” (1978)"You Belong to Me” (1978)“Radio, Radio” (1978)“Oliver's Army” (1979)“My Funny Valentine” (1979)“Accidents Will Happen” (1979)“New Amsterdam” (1980)“King Horse” (1980)“From a Whisper to a Scream” feat. Glenn Tilbrook (1981)“New Lace Sleeves” (1981)“You Little Fool” (1982)“Almost Blue” (1982)“Everyday I Write the Book” (1983)The Imposter: “Pills & Soap” (1983)“The Only Flame in Town” feat. Daryl Hall (1984)The Costello Show featuring the Attractions and Confederates: “Indoor Fireworks” (1986)The Costello Show featuring the Attractions and Confederates: “Brillant Mistake” (1986)“I Want You” (1986)

NEW EPISODE UP! What's your most loved and least favorite song on Squeeze's Sweets From A Stranger album?! Dan picked another non-obvious record by a band we all love for this episode. Whole lotta praise heaped on the masters of UK song styling and we get a surprise text guest ranking from our high school friend Dan Evans before fading back into hiatusland. Listen at WeWillRankYouPod.com, Apple, Spotify and your favorite black coffeehouse.  Follow us and weigh in with your favorites on Facebook, Instagram & Threads and Twitter @wewillrankyoupod . John Bentley, Black Coffee in Bed, Blur, Paul Carrack, Elvis Costello, Chris Difford, The Elephant Ride, Fountains of Wayne, Hall & Oates, His House Her Home, Robyn Hitchcock, Jools Holland, I Can't Hold On, I've Returned, Joe Jackson, Jellyfish, jigsaw, Gilson Lavis, Muppets, new wave, Onto the Dance Floor, Out of Touch, Points of View, the Proclaimers, Frank Sinatra, Don Snow, Squeeze, Stranger Than the Stranger on the Shore, Supergrass, Sweets From A Stranger, Glenn Tilbrook, Tongue Like a Knife, The Very First Dance, we are not new wave, When the Hangover Strikes, XTC, Paul Young, 1982.          US: http://www.WeWillRankYouPod.com wewillrankyoupod@gmail.comhttp://www.facebook.com/WeWillRankYouPodhttp://www.instagram.com/WeWillRankYouPodhttps://www.threads.net/@WeWillRankYouPodhttp://www.twitter.com/WeWillRankYouPo http://www.YourOlderBrother.com(Sam's music page) http://www.YerDoinGreat.com (Adam's music page)https://open.spotify.com/user/dancecarbuzz (Dan's playlists)

Ahead of their 50th anniversary tour, Squeeze members Chris Difford and Glenn Tilbrook chat to Colin Murray about their intense tour schedule, how they've improved their craft with time, their unlikely influences, the re-defining of ‘hit' tracks, and what they think of Brit Pop. The pair also get into their most surreal moments and biggest mistakes of the last 50 years, and their favourite acts to support on tour, including Bon Jovi, REM and U2, plus performing with Dave Grohl and Elton John.

The multi-faceted and multi-talented Paul Carrack is synonymous with musical craftsmanship. Author and music journalist Eoghan Lyng taps into the appeal of Carrack and why his style and collaboration are coveted by artists as diverse as Eric Clapton, Roger Waters, Roxy Music, and The Eagles. We also discuss Carrack's work with Mike + The Mechanics, his multiple (!) tenure with Squeeze, and how his trademark vocals and keyboard work on “Tempted” gave the band one of its most popular and recognizable hits. Lyng also chats about his interviews with Carrack and Glenn Tilbrook, both conducted for the online site Penny Black:Glenn TilbrookPaul CarrackGeorge Harrison in the 70s: Decades

And now for something completely different… friend of the podcast Dan Rivkin waxes philosophically (and with great humor) on the myriad touchpoints that are reflected by Glenn and his hair. While not altogether serious, it's a fascinating visual: whether as a teenager, in his 20s with Squeeze, as a solo artist roaming the world and into the 21st century, his altogether unique style and deportment when it concerns personal presentation - and this includes his fellow bandmates! - is one subject that Dan and myself felt needed at least, a podcast-length deep-dive discussion.Squeeze "Cool For Cats", Live at The Depot, Salt Lake City, 10/7/2016[At the 1:55 mark]

Emma Freud and Arthur Smith are joined by Jon Ronson, Jayde Adams, Tom Allen and Rakie Ayola for an eclectic mix of conversation, music and comedy. With music from Glenn Tilbrook & Beautiful Landing and Rae Morris.

f you are a fan of Squeeze, you know how hard it is to resist their catchy tunes and witty lyrics. But even more importantly - as we've learned - is how their music can give meaning to touch points throughout your life.Gary McKechnie is one of those people. And fortunate to have met Glenn Tilbrook in a hotel lobby in Daytona Beach, Florida. And also arranged Chris Difford's “Songs In The Key Of Sea.” A rather eclectic summary for this man and for his ability to speak to the ones who ‘get it.'Gary is also a speaker, award-winning author and motojournalist. And when he offered up the chance to join me in conversation about one of his favorite bands (and songwriters), how could I say no?More importantly, Gary is passionate, articulate and with his storytelling prowess, a person who can get to the deep heart of this particular subject at hand.I invite you in for that proverbial ‘Black Coffee' as you come aboard for an enlightening ride.http://www.garymckechnie.com/

Long before the Twilight books and movies made vampires cool, the motion picture The Lost Boys was a hit.  This dark comedy/action drama centers around Michael and Sam Emerson and their experiences with a biker gang who are secretly vampires living in the California beach town of Santa Carla.  When Michael is drawn into the influence of the vampires, he must make a choice between becoming a vampire himself or fighting the conversion by killing the head vampire.  The name comes from the Peter Pan stories, because much like the lost boys in that tale, vampires never grow up.  The cast included Kiefer Sutherland, Jason Patric, Corey Haim, and Corey Feldman, and was a box office hit.The film also created a hit with The Lost Boys:  Original Motion Picture Soundtrack.  Featuring a number of notable rock stars and groups including INXS, Foreigner's Lou Gramm, Echo & the Bunnymen, and The Who's Roger Daltrey, it spawned multiple singles.  The soundtrack contains both original songs and covers, all either alluding to events in the movie or to what could be considered “vampire culture” - lostness, staying up at night, and similar characteristics.  The film is credited for changing the perception of vampires to a more youthful and appealing monster.  Subsequent adaptations of the vampire genre which would be inspired by the film include movies as diverse as “Buffy the Vampire Slayer” and the mockumentary film “What We Do in the Shadows.”John Lynch was up all night “staking his claim” on this podcast feature. Cry Little Sister by Gerard McMannSinger-songwriter Gerard McMahon wrote this anthem under the pseudonym Gerard McMann.  It would be considered the theme for the movie, and was specifically written for the film.  McMann was thinking of a Gotham-like image in which you have to turn to faith in order to escape the doom in the night.Lost in the Shadows by Lou GrammGramm steps out from the shadows of his group Foreigner for this solo effort.  The video for this song would feature clips from the film.  Fuzzy guitar distortion and harmonica drive this deep cut, and was also written specifically for the movie.  Don't Let the Sun Go Down On Me by Roger DaltreyThe Elton John hit is covered by Who front man Daltrey, and the allusion to vampires is pretty clear to see.  The film ends with morning breaking and the sun coming up, and Daltrey is singing this song as the credits roll.I Still Believe by Tim CappelloThe Call's song is covered by saxophonist Cappello, who also makes a cameo where he is playing the song on the boardwalk.  The lyrics are about the 40 days of fasting that Jesus undertook at the start of His ministry, and the reference to belief plays into the theme of faith versus giving into darkness that runs through this film. ENTERTAINMENT TRACK:Once Upon a Time...Storybook Love by Mark Knopfler (from the motion picture “The Princess Bride”) It would be inconceivable for us to pass up this theme from the Rob Reiner movie which was in the theaters in the fall of 1987.  STAFF PICKS:One Slip by Pink Floyd After the departure of Roger Waters, Pink Floyd released the album "A Momentary Lapse of Reason" with only David Gilmour and Nick Mason listed as members.  Bruce brings us this staff pick which was co-written by Gilmour and Phil Manzanera of Roxy Music.  It is about unintended consequences of impulsive action, in this case an unintended pregnancy. Hourglass by SqueezeRob features the debut single from Squeeze's seventh album, “Babylon and On.”  The fast-paced chorus is distinctive and catchy.  Songwriters Chris Dilford and Glenn Tilbrook typically wrote the lyrics and music respectively in separate sessions (much like Bernie Taupin and Elton John), but collaborated in the same room on this song.  The memorable video is full of surrealism and optical illusions.Luka by Suzanne Vega Wayne takes an uncharacteristically softer and slower pick with singer-songwriter Suzanne Vega's song about child abuse.  The song was actually written prior to Vega's first album but didn't make its studio debut until her second album, “Solitude Standing."” The name comes from a boy who played in front of Vega's building and stood apart from the other children.  Bad by Michael JacksonLynch brings us the title track to Michael Jackson's massively successful follow-up album to “Thriller.”  Jackson wrote this song in an attempt to change his persona to a tough guy.  The video was directed by Martin Scorsese, and Prince auditioned for the video.  He departed as soon as he read the line, "your butt is mine," and Wesley Snipes would take the role.   NOVELTY TRACK:Wipeout by the Fat Boys featuring The Beach BoysWe finish off with this unlikely pairing of beatbox rappers of the 80's and beach music founders of the 60's. 

We open The Big Wakeup Call Vault(tm) and turn back the clock to 2019  to feature interviews from three legendary British singer/songwriters from the 80s new wave!From August 8, 2019: Glenn Tilbrook of Squeeze joined the show on August 8, 2019 to talk about "The Squeeze Songbook 2019" tour.From October 21, 2019: Mick Hucknall called in for a chat about Simply Red's then-new album "Blue Eyed Soul."From June 11, 2019: Howard Jones visited to promote his then-new album "Transform."

Few journalists have been able to go deep when it comes to the back history of the songwriting partnership and longevity of Chris Difford and Glenn Tilbrook. In this episode, I spoke to Jim Drury, author of the 2004 book 'Squeeze: Song By Song.' In candid interviews with Chris & Glenn, Jim was able to get to the heart of their process, both as friends and partners in the realm of a collaborative, descriptive, and music-based biography. At that time, Squeeze was not in place functioning as a band. However, when presented with the prospect of delving into a rich and diverse project (even with an extremely tight deadline), Jim has supplied the Squeeze community with an insightful look into their songs, enriched through the unique dynamic lens known as Difford & Tilbrook. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Sign up to our newsletter and never miss a release! | Visit our website I was unbelievably lucky to have the chance to talk to Chris Difford of Squeeze. Chris formed Squeeze in 1974 by putting an advert in a shop window and Glenn Tilbrook was the only person to answer the ad. The partnership of Chris and Glenn was a collaboration with Chris writing the lyrics and Glenn writing the music. They had multiple chart-topping singles and albums and their ‘Singles' album went platinum. Listen to the podcast to hear how the band went from the pubs of Deptford to Madison Square Garden. Chris talks with great honesty about the highs and lows, the ins and outs and the joys and trials of that journey. He also talks about his song-writing retreats, mentoring, his autobiography and his “I Never Thought It Would Happen” podcast. Cool for Cats!! Related Links and reading Chris Difford's Website Listen to Squeeze Listen to Chris's own podcast: ‘I Never Thought It Would Happen'

I'm back on my own this week and I kept it pretty simple. I give a life update, then talk about The Sandman, Glenn Tilbrook, and an awesome beer I had last week. Check it out! Remember to check out the companion blog at http://emptychecking.blogspot.com for photos and more. And you can e-mail me your thoughts at db@derekbrink.com. Time Index: 0:00 - Intro 6:07 - It's been a weird week... 7-ish Minutes (I didn't write it down) - I start talking about a home renovation project... 13:22 - The Thing in the Wall 18:43 - Born in this Town 19:13 - The Sandman 31:34 - Being There 32:04 - Glenn Tilbrook and Squeeze 36:31 - Heavy Riff Velvet Underbrown 38:29 - Back to talking about Glenn Tilbrook 48:14 - Diner 48:44 - Outro/Coming Attractions

WTOP Entertainment Reporter Jason Fraley chats with Squeeze co-founder Glenn Tilbrook, who performs live at City Winery in Washington D.C. on Thursday night. They discuss his songwriting collaborations with Chris Difford to pen hits like "Tempted" and "Pulling Mussels (From the Shell)." (Theme Music: Scott Buckley's "Clarion")

Ahead of the first show of his U.S. tour kicking off at the Ridgefield Playhouse, Allan Lamberti chats with Glenn Tilbrook of Squeeze about what goes into an impromptu setlist, where "Black Coffee In Bed" came from, a never heard Squeeze song he'll debut on this tour, and the incredible fact his voice still sounds exactly the same! Image Courtesy Of Glenn Tilbrook

Give us about ten minutes a day, and we will give you all the local news, local sports, local weather, and local events you can handle.   SPONSORS: Many thanks to our sponsors... Solar Energy Services because solar should be in your future! The Kristi Neidhardt Team. If you are looking to buy or sell your home, give Kristi a call at 888-860-7369!  And- Alpha Engineering Today... Another pedestrian was killed on local roads. States Attorney will not prosecute the officer involved in a shooting after Attorney General releases his report.  Another ugly game for Navy Football as they are still trying to find their groove. Five local businesses have teamed up to raise funds for local schools with K&B True Value Hardware's Cash For Schools program. And, pod news and a flash contest to see Glenn Tilbrook of Squeeze at Rams Head On Stage! Ann Alsina from CovingtonAlsina is here with your Monday Money Report! And as usual, George from DCMDVA Weather is here with your local weather forecast! Please download their APP so you can keep on top of the local weather scene! The Eye On Annapolis Daily News Brief is produced every Monday through Friday at 6:00 am and available wherever you get your podcasts and also on our social media platforms--All Annapolis and Eye On Annapolis (FB) and @eyeonannapolis (TW) NOTE: For hearing impaired subscribers, a full transcript is available on Eye On Annapolis  

It all started with a help-wanted ad for a guitarist in London back in the early 70s, and on September 27th, Glenn Tilbrook, co-founder of Squeeze, will be coming to Annapolis for a single show at Rams Head On Stage! We hopped on a What's App call with Glenn to talk about his show, the two new upcoming Squeeze albums, his US tour, and his passion for helping those that are food insecure!  Join us for a fun conversation and even get his thoughts on the passing of Queen Elizabeth II. Have a listen! And then go buy some tickets (a few remain)! LINKS: Glenn Tilbrook (Website) Glenn Tilbrook (Facebook) Glenn Tilbrook (Twitter) Glenn Tilbrook (Instagram) Glenn Tilbrook (YouTube) Glenn Tilbrook (TICKETS)

For co-founder and lead vocalist Glenn Tilbrook’s 65th birthday, covers of (and by) one of my favorite bands: Squeeze! (66 minutes) The post Coverville 1413: The Squeeze Cover Story III appeared first on Coverville | The Cover Music Podcast.

For co-founder and lead vocalist Glenn Tilbrook’s 65th birthday, covers of (and by) one of my favorite bands: Squeeze! (66 minutes) The post Coverville 1413: The Squeeze Cover Story III appeared first on Coverville | The Cover Music Podcast.

On this episode of Analog Smile, Sherry speaks with David Poe. His highly-anticipated new album Everyone's Got A Camera arrives September 23rd, 2022 on ECR Music Group. Its powerful third single, “Analog” is out now. More sonically adventurous than his previous album, Poe's latest begins and ends with straightforward songs for a world in reckoning. This third single follows on a wave of critical and commercial success for the artist. Rolling Stone writes, “David Poe gives the singer-songwriter genre a much-needed jolt.” Poe has toured the world with Bob Dylan, Joan Baez, Tori Amos, The Jayhawks, and Glenn Tilbrook of Squeeze. A composer fellow of the Sundance Institute, his work features in numerous film, TV, dance and theater projects, official selections of the Sundance Film Festival, and commercials for humanitarian projects like the Malala Fund and the You Mean The World Foundation. His songs have been performed by a wide array of artists, including Curtis Stigers, Oh Land, Ana Moura, C.C. White, Thomas Dybdahl and the cast of ABC's Nashville, and recorded by producers including T-Bone Burnett, Larry Klein, Buddy Miller, and Dave Sitek. He has also produced recordings for other artists, including Regina Spektor and Kraig Jarret Johnson. Shadowland, a collaboration with contemporary dance company Pilobolus, toured for a decade and was performed on five continents, for Her Majesty Queen Elizabeth II, and was released as a feature film. In an era of pop music that tends to either turn away from big concerns or focus on small ones, David Poe's Everyone's Got A Camera feels both new and old, as surprising as it is inevitable: a musical treatise for an age in flux that is as daring as it is profound. From 1960s-tinged rock & roll to quasi-trap, with nods to the jazz-inflected folk and acoustic music for which he is best known, Poe's new songs take on the handoff between this century and the last, surveillance culture and the ongoing battle between fact and opinion with a plain-spoken philosopher's wit. Transplanted from the American Midwest to New York City, David Poe served as the sound engineer at CBGB's 313 Gallery before signing with Sony/Epic. He currently lives in Los Angeles. Sherry and David chat about his new single “Analog”, his forthcoming album ‘Everyone's Got A Camera', and much more! Check out davidpoe.com for more information.

Squeeze enjoyed huge success in the UK from the end of the 70's and in North America from the 80s onwards. The songwriting team of Glenn Tilbrook and today's guest Chris Difford were labelled as heirs to Lennon and McCartney in the early days and have collaborated for decades on so many big hit singles and albums. They also played a set on the first ever MTV Unplugged too! Chris Difford joins me in a quick chat to talk about their early beginnings, their hits, and his time with Elvis Costello and Elton John among other things. Chris will be performing at the Cornbury Festival which is on between the 8th and 10th of July. For more information visit www.cornburyfestival.com

Introducing the Band:Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) are joined by guest Scott Immergut. Scott is the CEO of Ricochet.com and the Ricochet Audio Network. He is the long-time producer of the Ricochet Podcast and the GLoP Culture podcast with Jonah Goldberg, Rob Long, and John Podhoretz. He's also the Executive Producer of The Hoover Institution's Uncommon Knowledge with Peter Robinson andGood Fellows, with Niall Ferguson, H. R. McMaster, and John Cochrane. Scott's Music Pick: SqueezeThey might do it down on Camber Sands and at Waikiki, but in the mainland U.S., Squeeze was mostly a rumor for much of the band's career. Highest charting album? #32. Just two Top 40 singles. Squeeze, unfortunately, was destined to join the long list of very British bands that never quite crossed over to the States.If you know Squeeze at all, it might be because of the placement of “Tempted” on the soundtrack for Reality Bites. Or, perhaps a roommate at college had the Singles 45's and Under collection on CD, as most roommates seemed to in the 1990s. But there's a heck of a lot more to the story.This is, of course, where Political Beats steps in to solve the problem. Because the truth is you won't find music any better than what Squeeze produced, particularly at their peak from 1978-1982. The highly literate lyrics of Chris Difford, filled with sharp storytelling and British allusions, paired perfectly with the beautiful, melodic, and sometimes quite complicated music written by Glenn Tilbrook. Tilbrook's soulful tenor took most of the leads (except, famously, on perhaps the band's best-known song, “Tempted”) while Difford's deep croaking voice contributed backing vocals.The duo were called the heirs to the Lennon/McCartney songwriting throne, though the comparison never really fit and actually harmed the band's output, as we discuss on the show. But they were something special, producing some of the finest pop songs of the era, like “Another Nail In My Heart,” “Pulling Mussels,” “Up the Junction,” and “Is It Love”.The band broke up in 1982, making way for a pretty awful Tilbrook/Difford duo album that was a naked reach for the charts. Squeeze reunited in 1985, fell apart in 1999, got back together in 2007 and remain a recording and touring entity to this day. Pick up almost any album from their collection and you're going to hear at least a handful of well-crafted, melodic, memorable tunes.If nothing else, you'll learn about a whole bunch of British slang, like “argybargy,” “up the junction,” “that's not cricket,” and “slap and tickle.” But we're pretty sure you're going to love this music, as well. It's not just an East Side Story, it's one everyone can enjoy on Political Beats.

Squeeze came out of the mid-70's New Wave scene in the UK, but would cross genres into Rockabilly, R&B, and Psychedelia by the early 80's.  In 1982 they released Singles - 45's and Under as a compilation album of their biggest hits.  Squeeze was led by two singer songwriters, Chris Dilford (rhythm guitar and vocals) and Glenn Tilbrook (keyboards, lead guitar, vocals) who composed most of their material.  At the time of the release of this “greatest hits” album, the band had broken up, leaving only Dilford and Tilbrook as a duet.  The pair would normally work with Dilford writing the lyrics and Tilbrook writing and singing the music.  Squeeze was inspired by the Kinks, the Beatles, David Bowie, and Elvis Costello (who co-produced their breakthrough album, East Side Stories).  They started when Dilford stole money from his mom's pocketbook to place an ad for a guitarist "for his band," which didn't exist.  Tilbrook was the only one who responded, and the rest, as they say, was history.The group wove stories with their songs, usually lighthearted, with a healthy sense of humor.  While Wayne and Bruce are away, friends of the show Todd Hendricks and Bill Cook join Rob and Brian for this album feature. TemptedThe first commercial breakthrough comes from their fourth studio album, “East Side Story.” It is unusual because it features Paul Carrack on lead vocals rather than Glenn Tilbrook or Chris Dilford.  The sound was inspired by The Temptations, and the lyrics were inspired from Dilford's experiences in touring North America.Up the JunctionThis deeper cut was originally released in 1979 on their second album "Cool for Cats."  Glenn Tilbrook takes on his normal role as lead singer.  This is a little bit of working class humor about a man living with a woman who becomes pregnant.  The song is unusual in that it doesn't have a chorus, but tells the story in a "stream of consciousness" style.Pulling Mussels (from the Shell)Originally released on their third studio album, Argybargy, this track is an audio snapshot of a British budget holiday camp by the sea.  It did not hit the US charts, but got airplay on College radio stations.  "Pulling Mussels" is British slang for sex.  There are lots of humorous lyrics in this story.Black Coffee in BedThe first single from the fifth Squeeze album, "Sweets from a Stranger," and was a hit on the US Mainstream Chart - the only song to chart from that album.  Elvis Costello and Paul Young sing backing vocals on this track about a lost love. ENTERTAINMENT TRACK:Main Theme from the television series "St. Elsewhere”This hospital-centered show debuted in October 1982.  The stories centered around a Catholic hospital named Saint Eligius.  Howie Mandel would get his big break as a member of this cast. STAFF PICKS:Jack & Diane by John CougarBrian brings us a famous “little ditty” about high school romance by John Cougar before he took on his real last name.  Though some thought it was autobiographical, John Mellencamp has said that it is a story about what he observed in small town America.  Mellencamp didn't like the song at first and didn't want to release it, but was fortunately convinced to do so by others.Abracadabra by the Steve Miller BandBill Cook (aka “Lil‘ Wayne”) features a hit from Miller's 12th studio album.  Though we're not convinced that this is Miller's best work (and the video is horrible), the “breathy synthesizer” and pop sensibilities gave it significant airplay on both pop and rock stations. The lyrics were inspired by Diana Ross.Somebody's Baby by Jackson BrowneSpecial guest Todd Hendricks' staff pick was the last Jackson Browne song to chart.  It didn't appear on any Browne album until years later on a "Greatest Hits" album.  It was released on the soundtrack from "Fast Times at Ridgemont High."  Browne was originally known as a songwriter before he rolled out his solo work.When the War Is Over by Cold ChiselRob's closes out the staff picks with a track recommended by Mark Whyte, a friend of the show from Australia.  Cold Chisel is a very popular band in Australia, but is not well known in the United States. This is off their 1982 album, "Circus Animals" and features multiple singers taking turns on lead vocals. INSTRUMENTAL TRACK:Spunky by Bob JamesThis week's podcast closes out with a jazz instrumental from James' 1982 album "Hands Down."

Noel catches up with Glenn Tilbrook, who is the lead singer and guitarist of the band, Squeeze. Glenn and Chris Difford, are one of the greatest songwriting team in music history. Glenn talks about the formation of Squeeze and why their record company waited so long to give them a push. We discuss some of their most popular songs and the song that Glenn can't stand.

Welcome to the first of many conversations about Squeeze. In this debut episode, I'm joined by 'rockumentary' filmmaker Amy Pickard. Back in 2001, she put pedal to the metal and hit the highways and byways of America, traveling in an RV with Glenn Tilbrook in one of his many (but certainly not last) solo tours. What followed was a journey not entirely expected and as we discover, this film chronicled not only Glenn's performances but his interaction with fans, his recollections of his days with Squeeze and where he stood in life back in that time. Pickard captured all this and more and in this talk, she also reveals how she started in the music business and her continuing adventures with Squeeze. Stream the film at the Coda Collection via Amazon Prime Video: https://codacollection.co/films/glenn-tilbrook-one-for-the-road See where Amy is today: https://goodtogopeace.org/

Squeeze's powerhouse drummer Simon Hanson gives the lowdown on life in the industry, how joining Death in Vegas propelled him into the big time, and the way that personal tragedy at the age of 19 made him feel immortal. He also tells Jim Drury about his joy at working with Squeeze songwriting icons Glenn Tilbrook & Chris Difford. (Photo copyright - Clare Davis)

Chris Difford is half of one of British pop's most enduring - and endearing - songwriting double acts. Along with Glenn Tilbrook, Chris has formed the backbone of Squeeze for almost a half a century. He wrote the lyrics for classic hits like Cool for Cats, Up The Junction, and Tempted and continues to perform and record in Squeeze. He tells Jim Drury about his 43 years in the music business. CONTACT twitter.com/jimdruryE9

Squeeze's Glenn Tilbrook joined us today and talked about the origin of East Side Story, the reasons for the band splitting up, and whether the stories in their songs were based in reality. Check him out! See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Lij Shaw is an award winning, chart breaking music and podcast producer, recording engineer, musician, and owner of a Grammy awarded recording studio, The Toy Box Studio in East Nashville TN. He has produced and recorded many records awarded praise in Rolling Stone, and Spin Magazine for work with artists such as The Spinto Band, Deer Tick, The Living Things, Jill Sobule, and Glenn Tilbrook, Rosco Gordon, and Twiggs. His musical productions have been used in television and film soundtracks, including the Cingular Razor commercial for the 2005 Superbowl. He discusses his career as a producer in Nashville, the Hay Bale Studio at Bonnaroo, and the risks of owning a home studio in Nashville. http://recordingstudiorockstars.com/ http://www.savehomestudios.com/

Glenn Tilbrook from Squeeze inherits They Can't Take That Away From Me by Sarah Vaughan and passes on Que Sera Sera by Sly and the Family Stone.

Sian Williams and Richard Coles with crime writer Val McDermid and ex-offender Junior Smart who is helping gangsters escape a life of crime, Tony Lynn investigates the mystery of the Saltburn yarnbomber, broadcaster Jeremy Vine talks about his early career on Drainpipe Radio, TV presenter Ulrika Jonsson reveals her Secret Life, John McCarthy continues his exploration of Utrecht and Squeeze's Glenn Tilbrook shares his Inheritance Tracks.Producer: Dixi Stewartv.