Podcast appearances and mentions of Van Dyk

Aujourd'hui, j'ai le plaisir d'accueillir Sébastien Van Dyk, directeur général de ManpowerGroup Talent Solutions France, pour explorer un sujet clé

Meet Jason Van Dyk, the founder using technology to bring people closer in real life.

Silke van Dyk im Gespräch über alternative Formen des Regierens. Shownotes Silke van Dyk an der Uni Jena: https://www.fsv.uni-jena.de/19800/prof-dr-silke-van-dyk Sonderforschungsbereich „Strukturwandel des Eigentums“: https://sfb294-eigentum.de/de/ van Dyk, S., & Haubner, T. (2021). Community-Kapitalismus. Hamburger Edition. https://www.hamburger-edition.de/buecher-e-books/artikel-detail/community-kapitalismus/?ai%5Baction%5D=detail&ai%5Bcontroller%5D=Catalog&ai%5Bd_name%5D=community-kapitalismus&ai%5Bd_pos%5D= Was ist Gouvernementalität? Future Histories Kurzvideo: https://www.youtube.com/watch?v=KW2TZcVcrx4 Begriffserklärung Gouvernementalität (Thomas Lemke): http://www.thomaslemkeweb.de/publikationen/Gouvernementalit%E4t%20_Kleiner-Sammelband_.pdf Foucault, Michel. (2010) Kritik des Regierens. Berlin: Suhrkamp: https://www.suhrkamp.de/buecher/kritik_des_regierens-michel_foucault_29533.html Blühdorn, I. (2013). Simulative Demokratie: Neue Politik nach der postdemokratischen Wende. Suhrkamp Verlag. https://www.suhrkamp.de/buch/ingolfur-bluehdorn-simulative-demokratie-t-9783518126349 Barcelona en Comú: https://de.wikipedia.org/wiki/Barcelona_en_Com%C3%BA Munizipalismus: https://en.wikipedia.org/wiki/Municipalism Krabbe, J. (2023) Flaute beim Neuen Munizipalismus? Común. https://comun-magazin.org/flaute-beim-neuen-munizipalismus/ Deutsche Wohnen & Co Enteignen (DWE): https://dwenteignen.de/ Das Foundational Economy Collective: https://foundationaleconomy.com/ und deren Buch: Collective, F. E. (2019). Die Ökonomie des Alltagslebens: Für eine neue Infrastrukturpolitik. Suhrkamp. https://www.suhrkamp.de/buch/foundational-economy-collective-die-oekonomie-des-alltagslebens-t-9783518127322 Jäger, A. (2023). Hyperpolitik: Extreme Politisierung ohne politische Folgen. Suhrkamp. https://www.suhrkamp.de/buch/anton-jaeger-hyperpolitik-t-9783518127971 Nicos Poulantzas: https://de.wikipedia.org/wiki/Nicos_Poulantzas Bretthauer et al. (Hrsg.) (2006) Poulantzas lesen. Zur Aktualität marxistischer Staatstheorie. VSA. https://www.vsa-verlag.de/uploads/media/VSA_Poulantzas_Lesen.pdf Haude, R. und Wagner, T. (2019) Herrschaftsfreihe Institutionen. Texte zur Stabilisierung staatsloser, egalitärer Gesellschaften. Verlag Graswurzelrevolution. https://www.graswurzel.net/gwr/produkt/herrschaftsfreie-institutionen/ zum Konzept des „Wunsches erster und zweiter Ordnung“ bei Harry Frankfurt: Schulte, P. (2017) Harry Frankfurts hierarchische Theorie der Willensfreiheit. Philoclopedia. https://www.philoclopedia.de/2017/09/12/harry-frankfurt-%C3%BCber-willensfreiheit/ Ketterer, H. (2019) Bedingungsloses Grundeinkommen als materielle und symbolische Ermöglichungsstruktur von Praktiken für die gesellschaftliche Transformation. In: Dörre, K. et al. (Hrsg.) (2019) Große Transformation? Zur Zukunft moderner Gesellschaften: Sonderband des Berliner Journals für Soziologie. Springer. https://link.springer.com/chapter/10.1007/978-3-658-25947-1_18 Sennett, R. (2008). Verfall und Ende des öffentlichen Lebens: Die Tyrannei der Intimität. Berlin Verlag Taschenbuch. https://books.google.de/books/about/Verfall_und_Ende_des_%C3%B6ffentlichen_Leben.html?id=uol4PQAACAAJ&redir_esc=y zu „balanced Job Complexes“ im Participatory Economy Modell: https://participatoryeconomics.info/institutions/balanced-jobs/ Robert Sapolsky - on 'Naked mole rats'/Nacktmulle (youtube Video): https://www.youtube.com/watch?v=kgd_oAMJlM8 aus seiner Stanford Lecture 'Introduction to Human Behavioral Biology': https://www.youtube.com/watch?v=NNnIGh9g6fA&list=PL848F2368C90DDC3D Thematisch angrenzende Folgen S03E25 – Manuela Zechner zu feministischer Vergesellschaftung und gesellschaftlicher Transformation https://www.futurehistories.today/episoden-blog/s03/e25-manuela-zechner-zu-feministischer-vergesellschaftung-und-gesellschaftlicher-transformation/ S03E22 – Barbara Fried und Alex Wischnewski zu Sorgenden Städten https://www.futurehistories.today/episoden-blog/s03/e22-barbara-fried-und-alex-wischnewski-zu-sorgenden-staedten/ S02E53 - Alex Demirovic zu sozialistischer Gouvernementalität, (Re-)Produktion und Rätedemokratie (Teil 1) https://www.futurehistories.today/episoden-blog/s02/e53-alex-demirovic-zu-sozialistischer-gouvernementalitaet-re-produktion-und-raetedemokratie-teil-1/ S02E52 – Henrike Kohpeiss zu Bürgerlicher Kälte https://www.futurehistories.today/episoden-blog/s02/e52-henrike-kohpeiss-zu-buergerlicher-kaelte/ S02E24 – Gabriel Kuhn zu Anarchistischer Regierungskunst https://www.futurehistories.today/episoden-blog/s02/e24-gabriel-kuhn-zu-anarchistischer-regierungskunst/ S02E13 – Tine Haubner und Silke van Dyk zu Community-Kapitalismus https://www.futurehistories.today/episoden-blog/s02/e13-tine-haubner-und-silke-van-dyk-zu-community-kapitalismus/ S01E17 – Das Heft-Kollektiv zu Stadt, Selbstorganisation & Anarchismus https://www.futurehistories.today/episoden-blog/s01/e17-das-heft-kollektiv-zu-stadt-selbstorganisation-amp-anarchismus/ S01E12 – Daniel Loick zu Anarchismus https://www.futurehistories.today/episoden-blog/s01/e12-daniel-loick-zu-anarchismus/ S01E11 – Frieder Vogelmann zu Alternativen Regierungskünsten https://www.futurehistories.today/episoden-blog/s01/e11-frieder-vogelmann-zu-alternativen-regierungskuensten/ S02E08 - Thomas Biebricher zu neoliberaler Regierungskunst https://www.futurehistories.today/episoden-blog/s02/e08-thomas-biebricher-zu-neoliberaler-regierungskunst/ S02E03 - Ute Tellmann zu Ökonomie als Kultur https://www.futurehistories.today/episoden-blog/s02/e03-ute-tellmann-zu-oekonomie-als-kultur/ S01E25 - Joseph Vogl zur Krise des Regierens https://www.futurehistories.today/episoden-blog/s01/e25-joseph-vogl-zur-krise-des-regierens/   Future Histories Kontakt & Unterstützung Wenn euch Future Histories gefällt, dann erwägt doch bitte eine Unterstützung auf Patreon: https://www.patreon.com/join/FutureHistories   Schreibt mir unter: office@futurehistories.today Diskutiert mit mir auf Twitter (#FutureHistories): https://twitter.com/FutureHpodcast auf Bluesky: https://bsky.app/profile/futurehistories.bsky.social auf Instagram: https://www.instagram.com/futurehpodcast/ auf Mastodon: https://mstdn.social/@FutureHistories   Webseite mit allen Folgen: www.futurehistories.today English webpage: https://futurehistories-international.com Episode Keywords #FutureHistories, #Interview, #SilkeVanDyke, #JanGroos, #MichelFoucault, #Foucault, #Gouvernementalität, #Macht, #Regierungsrationalität, #Subjekt, #Demokratie, #Kollektivität, #Zwang, #Individuum, #Selbstorganisation, #AlternativeRegierungskunst, #AlternativeRegierungskünste, #Anarchismus, #Governance, #Genossenschaften #Community-Kapitalismus, #SozialeKämpfe, #SozialeBewegungen, #BarcelonaEnComu, #Commons, #NeuerMunizipalismus, #Selbstorganisation, #Commoning      

Die Proteas se nuwe hoofafrigter, Jenny van Dyk, sê sy sien uit om uiteindelik haar termyn op dreef te kry. Kaptein Khanyisa Chawane sal Suid-Afrika aanvoer wanneer hulle van môre tot Sondag in Johannesburg teen Malawi te staan kom in ʼn reeks van drie toetse. Die Proteas is tans vyfde op die wêreldranglys en Malawi sewende. Van Dyk sê dis 'n baie belangrike reeks vir hulle:

By Anton Van Dyk's count, there are now up to 15 separate areas where fenestration products have to demonstrate compliance to one regulatory regime or another. Embodied carbon will soon become another, yet both end users and manufacturers have been slow to understand things like Environmental Product Declarations and how they will affect product development. Van Dyk and Layton think the approach to lowering the carbon cost of our buildings has created confusion. They join the podcast to outline their vision for how we should go forward.

By Anton Van Dyk's count, there are now up to 15 separate areas where fenestration products have to demonstrate compliance to one regulatory regime or another. Embodied carbon will soon become another, yet both end users and manufacturers have been slow to understand things like Environmental Product Declarations and how they will affect product development. Van Dyk and Layton think the approach to lowering the carbon cost of our buildings has created confusion. They join the podcast to outline their vision for how we should go forward.

Nick Van Dyk is a real estate investor based out of Brantford, Ontario. He attended school in Hamilton, Ontario for civil engineering and later on started investing in local real estate. As of a few year ago, Nick cross-borders and began looking into the US market for investment opportunities. On this episode, we discuss:  Starting off investing in single family homes, duplexes, and triplexes  Exploring commercial real estate in Texas  Experience with short term rentals in Florida  Investing in the US market as a Canadian You can reach out to Nick by visiting https://www.nickvandyk.ca/ Download a free report: “Multi-Unit Renovation Operations Order - A Guide to Starting a Renovation” __ Subscribe and review today! Youtube Spotify Apple Podcasts Instagram

Musculoskeletal rehabilitation practitioners spend years honing our clinical skills—how much time do we spend thinking about and practicing skills like listening, working in teams, and making decisions? Today, Dr Nicol van Dyk - physiotherapist and Assistant Professor at University College Dublin - is here to make the case for real skills as keys to expert musculoskeletal rehabilitation practice. ------------------------------ RESOURCES To find out more and register for the YAHiR-JOSPT Young athlete's Hip Webinar Series: https://semrc.blogs.latrobe.edu.au/events/yahir/ Essential skills for Physiotherapists led by David Clancy: https://www.us.elsevierhealth.com/essential-skills-for-physiotherapists-9780443111280.html Seth Godin blog on real skills: https://itsyourturnblog.com/lets-stop-calling-them-soft-skills-9cc27ec09ecb and TED talk https://ideas.ted.com/soft-skills-and-real-skills/ Harvard Business Review - In praise of the incomplete leader: https://hbr.org/2007/02/in-praise-of-the-incomplete-leader More on listening as a clinical skill: https://pubmed.ncbi.nlm.nih.gov/30279218/ ------------------------------ NICOL'S TOP BOOK RECOMMENDATIONS How to win friends and influence people (Dale Carnegie): https://www.amazon.com/How-Win-Friends-Influence-People/dp/0671027034 Leaders eat last (Simon Sinek): https://simonsinek.com/books/leaders-eat-last/ Dare to lead (Brene Brown): https://brenebrown.com/book/dare-to-lead/ The 21 Irrefutable Laws of Leadership: Follow Them and People Will Follow You (John C Maxwell): https://www.amazon.com/21-Irrefutable-Laws-Leadership-Anniversary/dp/0785288376 Amazing discussion about vulnerability from Adam Grant with Brene Brown: https://www.youtube.com/watch?v=uXVhDSBiZCI

14/4/2024

This episode of the Sanity Podcast focuses on the harms caused by the misapplication of Cognitive Behavioral Therapy (CBT), particularly towards minoritized populations. Guests Dr. Ilana Seager van Dyk and Dr. Alexandria Miller discuss their research on mental health disparities and the importance of culturally adaptive treatments. They address how misapplied therapeutic interventions can inadvertently harm LGBTQ+ and other minoritized groups by failing to consider the societal and structural factors affecting these individuals. The conversation also covers the significance of inclusive research, culturally responsive practice, and systemic changes within the mental health field to prevent further harm and ensure equity in mental health care. -- mbpractice.com/sanity

Good Morning Angels assisted the Van Dyk Park CPI with R25,000 towards their medical kits and other community service projects.

Robyn Van Dyk - Head of the Research Centre Australian War Memorial The call for volunteers to transcribe letters from the front linesSee omnystudio.com/listener for privacy information.

In this episode, we dive into the extraordinary life of Nelisia van Dyk, a passionate dog lover and agility enthusiast from East London, South Africa. Living on a farm with her husband, son, 15 Border Collies, and 3 Papillions, Nelisia's life is a true testament to her love for animals.Growing up surrounded by farm animals, Nelisia always had a natural connection with dogs. Her journey with agility began with her deep admiration for the athletic abilities of dogs and their remarkable intuition in reading human behaviors. She shares how agility training and the OneMind Dogs community transformed her understanding of dogs, emphasizing the importance of seeing things from a dog's perspective.Nelisa has competed successfully in dog agility, won a silver medal at the IFCS World Champs, and qualified for the FCI World Championships. Despite facing health challenges, her resilience and positive spirit shine through in her stories.Listen as Nelisia shares her exciting story, including her visit to Finland! Visit OneMind Dogs and learn more about the dog's perspective!Do you have a new dog at home? Or do you want to start it all over?Start the OneMind Dogs puppy training program today and get the OneMind Dogs team's support. To get the podcast newsletter, sign up here!

What does it take to become a legendary netball player? What's the journey like, and how does finding a new identity in a foreign land shape your life and an illustrious sporting career spanning over 20 years? Join me this episode for a kōrero with iconic netballer and Silver Fern, Irene Van Dyk. We hear about her experience as an immigrant athlete in New Zealand, her experience with the media, and the decisions she made around motherhood. Irene opens up about the conversation she had with Dame Noeline Taurua in the lead up to her retirement. She also has a message for all the parents of kids playing netball - tune in to hear it. Of course, we check in on how perimenopause is treating Irene and we get to hear Irene's famed laugh almost the entire conversation because oh, how we laughed!  P.S. Can't get enough? Dame Noeline Taurua was a guest on Season 03 of Grey Areas - have a listen to her episode too! Song credit: Korimako, Performed by Aro, Written by Emily Looker and Charles Looker and published by Songbroker.See omnystudio.com/listener for privacy information.

Nicol featured on episode #388 of the Pacey Performance Podcast. This #bitesize episode takes a great clip from that episode where he discussed - The value of screening athletes to understand injury risk What screens they perform at Irish Rugby The value these screens have on injury rates Check out the full episode with Nicol here - https://www.sportsmith.co/listen/what-injury-prevention-strategies-work/ This episode is supported by RockDaisy, the only FREE AMS on the market. AMS Lite features reporting capabilities, questionnaires and forms, alerts and communication, data sharing, data visualisation and calendar views.

The pilot episode of Quiet Please, "Nothing Behind the Door", introduced a little house on Mount Wilson with nothing inside it. It also introduced the astronomer Van Dyk, who works at the Mount Wilson observatory and knows far more than he says about the house. The later episode "The Other Side of the Stars" resumes the story with the discovery of a strange, unearthly music at the bottom of an old well with the ancient skeleton of a Spanish solider. When Esau and Dorothy explore the well, a presence within it "absorbs" Dorothy into a little gray-green blob that sings the strange music... which turns out to be a message welcoming the invasion fleet from Alpha Centauri, due to land imminently. Here we are, more than 70 years later. It doesn't look like we've been invaded. Appearances, however, can be deceptive. What if the invasion actually did take place on that day in 1949? The man who speaks to you this week is Esau from "The Other Side of the Stars" -- still alive in 2021 for reasons that will soon become clear -- and he has a warning for you. Learn more about your ad choices. Visit megaphone.fm/adchoices

Do you need a shareholders agreement in your business? We talk all things shareholders agreements with Deon van Dyk from Edge Legal. Deon also discusses caveats you might not know you have entered into with your suppliers! And if you stick around to the very end you might hear the debut of the Two Drunk Accountants Christmas Carol. 

Partners: HVMN – You can find Ketone-IQ at https://hvmn.com/changeagents to save 30% on your first subscription. Jere Van Dyk is a Pulitzer-nominated journalist and U.S. Army Veteran. While working as a correspondent for The New York Times, he was embedded with the Mujahideen during their fight with the Soviet Union. He returned to Afghanistan after 9/11 as a CBS News reporter, and in 2006 he became the only journalist to go up into the mountains near the Pakistan border to the site where U.S. Army Ranger, Pat Tillman, was killed. His professional journey took a turn in 2008 — he was traveling through the Tribal Areas of Pakistan, in its borderlands with Afghanistan, and was held captive for 45 days. The incident is recounted in his critically acclaimed book, "Captive: My Time as a Prisoner of the Taliban" https://www.amazon.com/Captive-Jere-Van-Dyk/dp/080508827X/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=&sr= Years later, while researching links among the Haqqani Network, ISIS, the Taliban, al-Qaeda, and the Council on Foreign Relations, he returned to the area to find who was responsible for his kidnapping. This trip inspired his book, "The Trade: My Journey into the Labyrinth of Political Kidnapping." https://www.amazon.com/Trade-Journey-Labyrinth-Political-Kidnapping/dp/1610394313 Subscribe to the podcast: https://podcasts.apple.com/us/podcast/change-agents-with-andy-stumpf/id1677415740 Without Borders: The Haqqani Network and the Road to Kabul https://www.amazon.com/Without-Borders-Haqqani-Network-Kabul/dp/1680538659 Change Agents is an IRONCLAD original. Partners: HVMN – You can find Ketone-IQ at https://hvmn.com/changeagents to save 30% on your first subscription. Shop IRONCLAD Apparel: https://shop.thisisironclad.com/ Change Agents is an IRONCLAD original. Visit https://www.thisisironclad.com to learn more. Be sure to subscribe to @thisisironclad on YouTube and major social platforms. Follow us on Social - Instagram: https://www.instagram.com/thisisironclad Twitter: https://www.twitter.com/ThisIsIRONCLAD#changeagents #Andystumpf #ironclad

Journalist Jere Van Dyk talks with Marcia Franklin about the 45 days he spent as a captive of the Taliban in Afghanistan in 2008. An experienced international reporter who had traveled to Afghanistan many times since the 1970s, Van Dyk was captured trying to find some of his original Mujahideen contacts from the 1980s. His account of his experience and eventual release is detailed in his book, Captive: My Time as a Prisoner of the Taliban. Franklin and Van Dyk talk about the conditions of his captivity, his views on the differences between the Taliban and Al-Qaeda, his thoughts on our military presence in Afghanistan, and what has drawn him to that country for so many years, despite the danger. Originally aired: 04/28/2011

Welcome to the Royal Riot, the podcast dedicated to all things Utah Royals. In this episode, we discuss what we've been doing since we last met. We talk about Real Salt Lake, if you can believe it. We talk World Cup. We also welcome special guest Meg Van Dyk, Senior Comunications Manager for the Real Salt Lake family of teams. Meg spills some royal tea on us with a special announcement! Join us as we talk exciting developments and all things Utah Royals on this edition of the Royal Riot.

Ready to decode the legacy of The Tragically Hip and the enduring impact they've had on Canadian music and culture? Promise us your ears and we'll share an exciting exploration of the band's influence, creativity, and unique place in the hearts of their fans. Today, we're joined by the Emcee of Longslice Presents: Getting Hip to the Hip - An Evening for the Downie Wenjack Fund, Delhi stand-up, Pete Van Dyk. Today he plays the host on his podcast, "Live from the Dutch Hall." And he's invited jD, Pete, & Tim along for the ride. Together we reflect on our personal connections to The Hip, discuss the band's Canadian roots, and consider why their sound may not have resonated as widely beyond Canada's borders.Make sure to get your tickets for Longslice Presents: Getting Hip to the Hip - An Evening for the Downie Wenjack Fund today: https://bit.ly/GHTTHTicketsTranscript0:00:10 - Speaker 2Long Slice Brewery presents Getting Hip to the Hip. 0:00:27 - Speaker 3Hey, it's JD here and I am sans Pete and Tim at the moment, but they'll be joining us in just a few minutes. I am here to set up what is a new series within Getting Hip to the Hip. It's called Getting to Know Your MC And there will be a second installment of this called Getting to Know Your Band, And basically these episodes are designed to allow you to get inside of Long Slice Presents Getting Hip to the Hip an evening for the Downy Wend Jack Fund before that event even occurs. That way, when you buy your tickets and you can buy them at GettingHipToTheHipcom and clicking on the ticket button From there it's easy peasy you just have to show up at the event. So there's that. I would say that Pete van Dijk is a great stand-up comedian and he will be emceeing us. He's also a podcaster, hosting a show called Live from the Dutch Hall, And just recently he had Pete and Tim and myself on as guests And he graciously gave us a copy of the tape. He had it flown in live from Delhi and I'm going to put it up on our feed. It's going to be well. It's going to come up to you in just a second, So why don't I stop Blither Blathering and we'll get to Live from the Dutch Hall with Pete van Dijk and our friends Pete and Tim, as we discuss the podcast on Live from the Dutch Hall. 0:02:41 - Speaker 4Hey, hey, hey, hey. Welcome everybody to the Dutch Hall. We're coming to you live from the Pool Shed in Pine Grove, ontario, for episode 445, believe it or not. 445 times we have done this stupid thing, and this time we have roped two people from different parts of the planet and one person who was from here but had to come back here on a long journey today. That's right, and I'm very happy to have them in. All first timers, all Dutch Hall virgins, and they're here to promote a podcast, which is a really interesting concept, especially for a guy like me from Southern Ontario. The hip is really was really a band that was pivotal, pivotal, pivotal Is that right? That's right. Pivotal to a kid like me. It came up at the right time. They were like hitting it the same time that I was getting in to be in the most awesomeest part of my life, you know, and these guys, two of these fellas have no such experience at all. One of these fellas would have a very similar one, and the idea of the podcast is to let these two guys understand what us two guys feel about this band. And so I entered with these myself. Yet, jamie, yeah, you haven't really now. Oh well, i'll start off by introducing myself. I am the host of the show. In two time You're supposed to say two time, two time. There you go. President's Club Award winner, pete Van Dyke No applause, no applause. And our guest today, the one that's come from Waterford, ontario. He's a. He's a Waterford native, that's right, norfolk County boy. But he's moved to the big city and he's made a life for himself. First time here in the Dutch Hall, ladies and gentlemen, say hello to Jamie, do everybody, jamie do. 0:04:40 - Speaker 3It is great to be back. Great to be back to Norfolk. I mean great to be back in Ontario's garden. Oh yes, Thank you. 0:04:49 - Speaker 4Shout out to us and our guests And you're going to have to help me, jamie, on the last names here, let's try, i will. From San Diego, california, is Tim Lion, lion, everybody, i'll take it Yeah. 0:05:07 - Speaker 5Happy to be here. Thanks for having me. 0:05:10 - Speaker 4Thank you, Tim, And coming from Malaga, Spain. 0:05:14 - Speaker 3Malaga, spain. This is Pete from Spain. He doesn't have a last name. Yes, of course he does Marchica, pete, marchica, everybody. 0:05:22 - Speaker 4Pete Marchica. 0:05:26 - Speaker 1My middle name is is is from Spain. What's your middle? 0:05:29 - Speaker 4name From Spain. Oh, i'm joking, i'm your. You know, actually I have a. I have a nephew and his middle name, his name is this is seriously, his name is Adrian adventure Pitaski And, like it's just so, he could go around his parents name on that So he could tell people my, my adventure is my middle name, right? Wow, i love it. That's my nephew, that's real, that's my nephew, like that's that is cool. Like you want to get named. It's like your parents just made you James Bond, yeah Right. Like it is major, coolest. No, this kid's got to live up to that middle name. He's got to live life, yeah Right, yeah, hopefully he's not trepidatious of everything, yeah. 0:06:10 - Speaker 3What if he's just like an accountant, You know? 0:06:14 - Speaker 4it'll probably be cooking the books. Yeah Yeah, the name like adventure. You know that's a, that's just a gift, that's a gift from your parents, so uh, I think it's a little bit of a, a little bit of a, a little bit of a. It's a gift, that's a gift from your parents. So, uh, i want, I hope so, yeah, yeah, i hope so, or curse, or curse. Um, i wanted to say the band we're talking about is tragically hip. That's right. The band, uh, that, uh, if you the credit tragic lips, from Kingston, ontario, and for some reason the tragically hip have been a band that have uh made it in Canada. They were enormous in Canada, but as much as we tried to explain them to the rest of the band, we tried to explain them to the rest of the world, the rest of the world just didn't get them. 0:06:57 - Speaker 3No, Would you agree with that, Jamie? I would agree with that. And uh, these two are the avatars for the rest of the world. 0:07:03 - Speaker 4Yeah, And now is there a. Is there a band, uh, either in the United States or in Spain, that you would say would be like a band that is beloved in your country, but the rest of the world doesn't get it, You know. 0:07:21 - Speaker 1Tim, you want to take that one for the US Oh tough one, Yeah that is a tough one for US actually. 0:07:26 - Speaker 5Yeah, yeah, i have no idea, because I feel like if you break, i'm going to have to do some homework. 0:07:31 - Speaker 3I feel like if you break in the US, part of that breaking in the US is breaking internationally. 0:07:37 - Speaker 4Yeah, like the rest of the world will like what you guys like. Yeah, there's not much that you guys like, unless there's some guy like you know, like what's the name of that fella? He's, like you know, proud to be an American, or like the, or like one of those country guys who were really like patriotic and over the top. That might be a little bit. That's the country singer. 0:08:00 - Speaker 3What's his? 0:08:00 - Speaker 4name. That might be too much for like people outside the States. 0:08:04 - Speaker 1Yeah, that's true. No, I know what you're saying. 0:08:07 - Speaker 4You know what's the guy's name The big? Yeah, i know who you mean. See, that's me. We're from Canada. We don't know the guy's name? Danim Vast. Yeah, we got tons of them. You know how? about Spain? 0:08:22 - Speaker 1You know there's a band here called Los Planetes, which translates to the planets, if you will, and you know they're extremely popular. I mean they've got like there's a couple of the members have spinoff bands. I mean you can't you can't go to any corner of this country and not know somebody who knows Los Planetes. So they're like sort of as an indie rock band, sort of like I guess you'd say the hip did. But but yeah, dude, outside of if you mentioned Los Planetes outside of Spain, nobody knows what they're talking about. 0:08:54 - Speaker 3Yeah, i've never heard of them, yeah. 0:08:56 - Speaker 4I know that the tragically hip themselves were friends with the band the real statics out of England because they had the same issue as them. They were huge in England but the rest of the world Real statics are from the town. No, not real statics, stereophonics They say those bands were on. Oh, it was about to correct. Yes, i apologize. The real stacks actually open for the hip, yeah, but the stereophonics, and so they'd always, if they came out with an album, the hip would give an album to the stereophonics, stereophonics would give an album to the hips when they came out with a new one, because they had this mutual like kind of like, you know, like sister cities and stuff like that. 0:09:36 - Speaker 3It was like the same thing, but like sister bands, you know, i feel like the last time stereophonics played in Toronto it was post score dying and they played a hip song. Yeah, that would make a huge sense And I didn't. But I didn't know that there was that connection. 0:09:47 - Speaker 4I just thought they were just doing a tribute to oh no, they were big fans of it, like big fans of each other, and they both had the same thing. They could never break in the States and they were like huge in their own countries And even in Canada the stereophonics didn't really make too much of a splash. I just remember that having a stay song. Yeah, i like that band actually. Yeah. 0:10:07 - Speaker 5I can only think of bands from the U S that have done well outside the U S. You know like bigger tours outside the U S, but there are a ton. 0:10:16 - Speaker 1There are a ton of like Canadian bands that like have had broken through to me, for Christ's sake. You got Neil Young, you've got the Lannis, you've got Brian Adams, right, nickelback, you know. 0:10:29 - Speaker 5Nickelback. Yeah, that one band Rush. is that what they're called? 0:10:33 - Speaker 1Yeah, yeah, i mean one of the greatest bands of all time. It's a real crowd splitter rush. 0:10:41 - Speaker 3I agree Because. I've never I was never a Rush guy. 0:10:43 - Speaker 4If you don't, if you like Rush, you really like Rush Big time. I think it's like Bruce Springsteen. You know, bruce Springsteen, the guys that like Bruce, they love Bruce, Like they really like Oh my gosh. 0:10:54 - Speaker 5Yeah, we have a good friend who follows Bruce and I just Yeah, they're like, they're you and Target on that. God bless Michelle. 0:11:02 - Speaker 4Yeah, and my cousin's husband is like that, he's traveled all around to see Bruce, eh, and he knows him Like it. Just it means so much to him. Man, i envy that about him, but I just don't get it. Yeah, it just doesn't. 0:11:18 - Speaker 3I like Springsteen, but I'm not. I wouldn't do a follow along, or Yeah. 0:11:23 - Speaker 4You're in camp too, like either you love him or you're like oh, he's the boss, you know he's good. 0:11:29 - Speaker 5Yeah, i like a couple, you know I like it enough It's fine, there's lots of bands I would go see perform live if I got a free ticket. 0:11:38 - Speaker 1Right, yeah, i got free tickets to see Springsteen. That's the only reason I saw him. But back in the day I think we told this on the pod or I may have mentioned it on the pod when we did some, when we recorded, but back in the day, when I started playing in bands, like 25 years ago, you were, if you were a Rush fan, you were closeted. Like and I'm not even like joking Like in the US like if you liked Rush and you had Rush records, you were closeted. You didn't talk about it. I remember I was playing in a band with a guy named Jason Hirsch and he was our bass player and we played in a band for like seven or eight months and then one day it went over his house and it was like I found a bunch of porno mags in his corner. Like he's like, yeah, dude, i like Rush, and like the same was for Zappa, and I was like, dude, it's cool man, this is a safe space. 0:12:30 - Speaker 4I have a huge kit set up in the closet. I drummed a new apparel. That's funny man, but it was kind of that. There was like you just didn't know if you're, because they split the room, you either love it, like people hated Rush, or they loved Rush. You know, even in Canada, even in Canada, they're hardcore. I don't get it, you know. I think some It might be musicians though too, because like Rush, right, because they're technically Yeah, i mean because you just. 0:13:01 - Speaker 1The work of like the musicianship is like the fact that Geddy Lee can play His multi-instrumentalist on stage and singing is fucking stupid, yeah, like you know It's like Radiohead too. 0:13:16 - Speaker 4Right Like Radiohead, like Yeah, if the musicians get them more than the non-musicians, would you say that's true. 0:13:26 - Speaker 5I don't think so. I think Rush had a special kind of nerd dump. You know, like, if you ever knew, like a group of kids that played D&D, yeah, yeah, yeah. Like you know, like I don't know, rush has their own collective. Like, i have lots of friends who are radiohead fans and many of whom are not. 0:13:44 - Speaker 1We now ostracized the Rush crowd from Pete's podcast and now ostracized the D&D. 0:13:55 - Speaker 4I don't know. 0:13:57 - Speaker 5I saw D&D. friends, we're all good with each other. 0:14:01 - Speaker 4I've never played before. Have you done that Never? 0:14:05 - Speaker 5I won't touch a 12-side. I tried, like, when it became a thing, i tried with some kids in my neighborhood and I sat down with them and I was like are we going to drink some wine? Or you know, and that was the seventh grade Like it just felt like we were supposed to be naked or I don't know. It was just weird. Yeah, like It was really weird. I was like how far can we take role play right now? 0:14:26 - Speaker 4Yeah, you were an advanced. 0:14:27 - Speaker 5There's too much of a tease for me. 0:14:29 - Speaker 4No, i was like you were saying Dungeons Dragons makes a seemed a little like they was going to get a role. Did people wear costumes for that stuff? 0:14:37 - Speaker 5Well, no, i just felt like it was this level of intellectualism, you know, like that wasn't it being experiencing games and rush was kind of the same way, and maybe, you know, maybe the hip was too smart for the US, maybe it might be. 0:14:51 - Speaker 4It might be like there's, but I don't know how smart it was. It was like there's a. It's an interesting thing because I've only because of this podcast started. You know he's kind of reflect on you know I was a hip like, i am a hip fan and it, but I don't know if I'm associating it is just because they were around through a good part of my life. You know what I mean. Yeah, like I was young and having a good time and every show I went to or I could see them a lot, you know. So they were at a lot of like festivals and concerts that I would get a chance to go to. 0:15:25 - Speaker 3They were always on the bar, like whatever bar you go to, they were playing hip, you know yeah. 0:15:30 - Speaker 1They were like the LA. They were like Canada's version of X. If you live in LA, right, sure They were. They were still playing Cause like yeah, right, i know, but actually you could like go to any club on a given night in the 80s and 90s and that band was playing, and they're still playing. 0:15:51 - Speaker 4Yeah, they're still playing, and then I never seen a. The other thing that I think was was interesting about the hip, when you'd see them live, is like I've seen a lot of bands that would jam, you know, like they would like jam out a song, so it didn't sound like a radio version of it, like, but the hips the only one I can really say that vocalist was doing it too Like where the vocalist was jamming vocals, you know, and so you'd go to see them at a show and he'd be like gibberishing up there, you know, while they were like jamming something else out in the middle of a song, and then you'd go see the next tour and it would actually be a song that was on that album, you know, and like, do you remember seeing that too? Absolutely, yeah, i was called it breadcrumbs, right, like it was like little breadcrumbs and you're like that's going to be something like. I remember nautical disaster before it was nautical disaster, right, and then like, so, like I thought that was kind of cool, cause you kind of I don't remember another band that kind of let you in on the what's to come, you know, like, and and and let you watch the creative process, like the writing process, on stage, you know as obvious. 0:17:05 - Speaker 5Maybe the, maybe the doors, yeah, yeah, that's what's good. Jim Morrison did a fair amount of that, but there's not many. I mean, that was like lead singers riffing Yeah, there's not. Not many people are able to do that at all, is this? 0:17:19 - Speaker 4douchey. It really like it has the potential to go a little bit yourself in grandizing. You know, like, where it's like. Look at me, i'm an intellectual and you know even Jim Morrison and then Gord Downey. They both kind of you know they're like I'm not gonna do that. Their critics could accuse them of that, of being a little bit like you know in their own head or like too impressed by themselves. But I didn't get that impression from either of them but because I liked them. 0:17:47 - Speaker 3Yeah, me too. 0:17:48 - Speaker 4But and I like watching the creativity of it, you know, But doors is a perfect example, because that would be, I would say, the closest which I never got. to see them, So yeah. 0:18:00 - Speaker 1Pete, did you have you? because I don't know how much you dug into the pod, but we you know, one of the things that Tim and I struggle with is that you know, when we did the, when we did the pod, we recorded everything, because everything's recorded up into this point. Pretty much We're just kind of trickling the pods out leading up to the finale. But like a lot of folks, like you know, we had a week to digest the record and then it was week over week over week over week And, like so many people, like dude had fucking a year or two years to like and it had their whole lives to get to know this band. I think it's, you know, i'm not gonna we'll smoke up my own ass, but maybe I'll hold a little Tim's ass. But we, you know, i think it's, you know, i think it's, you know it's a little bit of a Tim's ass, but we, you know, i'm. I think it's pretty impressive because at this point, now that we're kind of all done, i fucking love this band. I mean, i've gone back and listened to the records we weren't super keen on and they're just dude, they're. I don't know what American rock fans were fucking thinking back in the day when this band was like pinky. 0:19:14 - Speaker 5Is that why? Yeah, i really think that a big part of why they didn't quote make it in the US, which they did to a degree, they just weren't selling out stadiums. But I think a big part of it had to do must have had to have been because of ill attempted marketing. Like, like, when bands go on tour, there are people behind the scenes that are doing promotions in every city. They're hanging posters, they're giving away tickets, they're talking about on the radio all of these things. You know everybody in LA who does this for a living And I talked to him briefly about it and he said marketing probably was marketing, i and can't. And I'm like, oh, you know, and the labels, when the hip was on with labels who weren't promoting them in the US, like, oh, they're gonna play in these six epicenter cities, we're gonna sell out them, sell out them more, maybe if all the Canadians show up, sure, that was, that was what happened. But man, if they were promoted more in a real way, like other bands on their US labels which I can't remember right now, i think they would have totally hit it. When they were on in my house the other day I said to my wife if this was playing in 1992, i would have been totally into it, cause we were talking about bands we were into in 1992. And some of them, like right now, i might have thought they were pretty good back then, but some of them right now I absolutely do not listen to. But if I would have, heard the hip in 1992, I would definitely be going back to albums right now, I believe. 0:20:48 - Speaker 4Yeah, it's interesting, that's really all. but with both what you guys said, it's really interesting cause I it's not what I expected, like number one, you've just let my audience know you've been, you've been through the entire catalog of the hip, which, when you said it takes you time to process a tragically hip album, i mean I remember like in real time, when these things came out and we would like line up at sunrise at midnight to get the new road apples or whatever you know. And but each album like road apples compared up to here and day for night compared to road apples, or like, or fully, completely, you know they were. they were as soon as you put in the new album you were like, ah, like this is, this isn't as good as the last stuff, and then you'd listen to it like a hundred times and then it would become your favorite album. you know, like totally. And I find Jack White like I'm a huge Jack White fan and it's the same thing with his stuff, cause he's pushing himself and he's growing, you know, and then it kind of takes you a bit to get your head around what he's trying to do And then after a while you start digging it, you know. That's a good example And I think that's. That's the kind of like I. You never liked the hip album when you first got it. You always liked it a couple of weeks later. You know, Like Is it. 0:22:15 - Speaker 5Sorry, is that true? Is that true for you, jamie? Were there any albums you just were like just had on repeat, psyched, go, go, go, go listen to it a hundred times a week. 0:22:26 - Speaker 3I was in love with like from the moment I heard it Like. So There you go, but and fully, completely too Trouble at the hen house. The first time I heard it I was like I'm not sure about this, but you're right, it was, it was, it was different, they were, they were, you're right, They, they were growing and I was stuck behind. Yeah, yeah, now that's like my favorite record. 0:22:46 - Speaker 4Yeah, yeah. 0:22:48 - Speaker 3Like like hands down. 0:22:50 - Speaker 4Yeah, and then, like I, yeah, cause yeah up to here was the only one I would say that I was like I'm in, this is everything's great. And then the only thing is that a lot of songs kind of sounded similar maybe, but but but then everything I was comparing everything up to here And then, and that's just. And then I just wasn't like like you said, i just wasn't developing like the. That's why it takes me a bit just to catch up, cause I'm slow, i'm just. You know, you're just a consumer, you're being fed, fed shit, you only know what you know And then get something new and takes you a bit. 0:23:28 - Speaker 1But you also never know how long it's going to take. I had a. I had a record I won't need to mention cause it's just not even important, but the record from a band that I really liked And when they're it took seven years. Seven years. It came out in 2007 and it wasn't until 2014 when I picked it up again And I literally thought this was the shittiest record I had ever heard. And I picked it up again and it turns out being my favorite record And it was like like it takes time, but for for what, tim and I? the gauntlet that fucking JD's put us through the last seven months, like how many? 0:24:05 - Speaker 3albums There's 14, 14 hours, 14 or 15. Yeah wow. 0:24:11 - Speaker 4And then, uh, yeah, that's crazy, man, that's crazy. So the what was I thinking? Oh, you're to um, you know, david Bowie's black star, that album, last album, yeah, yeah, same thing. I was like you know, i wanted Ziggy Stardust and I got black star. I was upset. And then, uh, you listen to it and you're like this is the greatest thing he's ever done. This is man. That album is incredible. Oh, yeah, and uh, yeah. And then the more you know the fact that he, uh, he doesn't, he, he leaves on an open note Like he doesn't, uh, he doesn't end on the top, on the home note, the number one, the one he doesn't end on, the one you know that's a and he knows he's going to die. 0:24:53 - Speaker 1You know, that's crazy, That album it's funny because I remember when I bought that album right when it came out, right after he died, because he died a couple of days before my birthday, because he died a few days after his birthday, which is January 8th Mine's a 16th and I bought it and I just didn't. I wanted to get it, i couldn't. And then a friend, when I moved back to Spain, explained to me that it was a lot of the songs are built on flamenco chords, spanish flamenco chords, and I was like get the fuck out of here. And then I we listened to it together and explained it to me And I was like, because a drummer of our band? and I was like, oh, that makes sense. And then the whole record made sense to me. 0:25:33 - Speaker 4It took years, isn't that great. That's a beautiful thing about music, our art in general. You know like, no matter what kind of the art, the comedy is the same way you can work your whole life. You're never going to know all the risks and all about it You're never going to. It's just so infinite in the amount. So like, that's what I like about it, about it, you know, like you can, you're never going to feel like you've got all the answers you know, when you find art, when you find art like that, that's timeless, that's, that's, that's the best stuff I think you know. 0:26:04 - Speaker 5Yeah, that's right. Yeah, something you can put on, i mean, just at any point in time. It's just that's, that's. Those are the keepers. Yeah, i don't know if we'll feel the same way. Pete, have you gone back to any any? Bob Rock produced albums. 0:26:18 - Speaker 1You know it's funny. I haven't yet, tim, but I really am looking forward to it because I think it's going to happen. I think eventually all end up like sending a letter Is Bob Rock still alive? 0:26:28 - Speaker 5Yes, oh, my gosh Yeah. 0:26:30 - Speaker 1Okay, then I'll send him like an apology letter and like be like Bob, i'm sorry, cause there are people that love. 0:26:36 - Speaker 3We are the same now And when it came out it was pretty universally derided. And there are people that absolutely adore that record now And I'm I'm one of them. Like, like, i really did not like that record the first time I heard it. Like I remember meeting Greg in the grocery store We were doing fully and completely at the time And I was like, so I did some pre listening and uh, wow, every song sounds the same. It's all droney, it's you know. And now I think, like depression suite is amazing. I love morning moon, um, queen of the Furrows is like weird and out there. But I but I dig it, but it's not, it's not. It still doesn't feel quite like a hip record because there's no Lang Lawn and St Clair backup vocals. You know it's, it's, it's just different. 0:27:24 - Speaker 4Yeah, do you hear that? Uh, i think it was at the Gino's or something. Uh, after CORE Downey died, uh, muse filled in and they did um, it's a, she did a cut. No, it's not, it's not. I said the wrong name FIEST, fiest. Yeah, fiest did, uh, did the vocals and it was for it's. Uh, it's a good life if you don't weaken. Yeah, it's a good life if you don't weaken and uh and. But like when the background vocals kicked in and then it was like, then you're like Oh, this is the hip. Yeah, cause before it was just a cover, you know. And then, as soon as you heard St Clair's backing, it was like Oh man, this is, this is cool, you know, yeah, yeah. 0:28:07 - Speaker 5Um, yeah, i was. I was asking Pete, because this morning when Amy was making coffee, I was like coffee girl. It just happened. So, bob, bob is coming in. Hey, knock on the door. 0:28:23 - Speaker 4Hey, i was hoping, uh, we, so this has been. This is really cool. If you guys, uh, who are listening to this show, if you want to check out this podcast and see how these two people were converted to the ways of the tragically hip um, uh, how can they find the show, jamie? 0:28:39 - Speaker 3go to getting hip to the hipcom and, uh, you can go anywhere that you find your podcasts you'll get getting hip to the hip And it is. 0:28:49 - Speaker 4It's going to all uh, culminate with a grand finale live show in Toronto on September 1st. Yes, sir, and people can get tickets for the show Same place. 0:29:00 - Speaker 3Getting hip to the hipcom and, uh, click on tickets and, uh, you know, uh, we'll get a great host for that evening. 0:29:08 - Speaker 4Well, thank you. Yeah, i'll be hosted by myself and uh, we have uh the finale of the podcast and you have uh entertaining the audience of uh. was it 50 mission cap or? 50 mission 50 mission, which is a hip cover band. They'll be playing, and where is it? 0:29:25 - Speaker 3It's at the rec room in Toronto on Bremner, right across from the sky dome. 0:29:29 - Speaker 4Oh sweet, it's going to be super fun. So please check us out And, uh, we will be running a uh draw here at the Dutch hall for a listener to get a free uh free ticket to the event. How about? 0:29:40 - Speaker 1a pair A pair. 0:29:41 - Speaker 4You can bring a friend. Thank you, that's nice, yeah, and I can even give you a ride if you want, if you're local. So we got all those things working for us, and there'll be details on that at the end of the show, but I don't want to keep these guys any longer doing business. Um does. 0:29:59 - Speaker 1This is the sky down where the blue jays play. Yeah, Oh fuck, that'd be cool. They're playing a game that they're not, they're out of town. 0:30:08 - Speaker 3Are we taking a game? for sure, yeah, Hey, pete. 0:30:12 - Speaker 1Pete, i've been wanting to tell you a joke, man Come tell you a joke, yeah, please do, just to turn After he's done. 0:30:20 - Speaker 5Then, pete, you play guitar to Pete and see if you guys can trade. 0:30:25 - Speaker 4Yeah, you have to do that. Okay, I'll trade your talents. I know two chords. 0:30:30 - Speaker 1So so you know Creedence, right. You know Creed's Clearwater, right. Yeah, yeah, ccr yeah. Yeah, so do you know what the difference between John Fogarty and Marvin Gaye is? 0:30:43 - Speaker 4No, I don't. 0:30:45 - Speaker 1So Marvin Gaye heard it through the grapevine, but John Fogarty played it through the grapevine. Yeah right, Tim, just snickered at that one. It's one of my all-time favorites Whoa man, don't tell that at the finale. Pete, let it sit there. 0:31:09 - Speaker 4Only if I'm really stuck I'm going to pull that one out of the toolbox. You're not going to speak to people like this. No, guys, i want to thank you for spending this time with me and getting to, for taking the time to get to know me and my audience. I really am excited about the podcast And I think it's going to be interesting. Yeah, i hope so. You guys got you guys did kind of shit on them a little bit right. Oh, yeah, they hold back. Yeah, but I think it is interesting to know that even some of the opinions that you held not so long ago may have already changed by the time the finale is going to be For sure. Yeah, Totally have. Yeah, yeah, that's cool, man, and I think that's kind of a testament to why I think they're worthy enough to still be concentrating on. You know is because this shit can happen. This stuff can really happen where people can be turned on to something new and it's new to them. So who cares if Gord's dead? you know, like these guys, never. You know, if you never heard it, like my daughter's. A perfect example Her and the bass player in her band. The bass player in her band said did you hear. Remember when the hip came out with those new tracks? Yeah, and they were all like 90s era sounding. 0:32:27 - Speaker 3They were like road apples. 0:32:28 - Speaker 4Yeah, yeah, they were great, you know, and my daughter's friend brought that to me and they're like, have you heard this? And then they started getting into it and it was brand new to them. Oh, that's hilarious, and so like to watch my kids get into it. What I was into is really a kick. So like, and then like, i think that this is a great example of it. And one time I went fishing in BC and the guy was Australian. That was like running our tour And I asked him about the question what in your country is the band that you guys would love and nobody else gets? Do they say midnight oil? He did say midnight oil And I go well, we all know midnight oil. You know, like beds are burning. And he goes like fuck that song. You know, like you guys don't know midnight oil. If you think it's beds are burning, look into their back catalog when they're a punk band, you know. And then, and it was way different, really Way different, and nothing like anything that made them popular, but it's so, it's. maybe there's bands like this everywhere. You know you can. I never knew about like all all that old good soul music because it never played on any radios that I got to listen to. You know, like I just found out about Al Green like five years ago, like that breaks my heart. You know where was Al Green my whole life? But so there is a lot of good stuff out there And I think this podcast kind of shines a light on that. So I think it was going to be, while we're checking out, so getting hip to the hit, check it out. Everybody And Tim, thank you very much for, for, for the, for doing this for me. 0:34:03 - Speaker 5Yeah, thanks, pete. 0:34:04 - Speaker 1Thanks Pete. Thanks JD, Good to see you guys? 0:34:07 - Speaker 4Good to see you guys. Yeah, and we will see you on September 1st Sounds great. See you September 1st, can't wait. All right, take care, guys. Okay, this show would be nothing without our sponsors at CleanFlow. If you'd like to support them, go to cleanflowcom That's K L, e, e, n, f L O dot com and check out all the great products. Lube up your life with clean flow. And if you'd like to support our show, go to patreoncom. slash dutch hall And you can join our queen, jen Husko, and being a part of dutch hall royalty. And if you're a business that's looking at any sponsorship opportunities, you can also look on Patreon and look at options there. And every time someone on our show gets a little tight ass about what we're putting out on social media, i will put that on Patreon. There was one just recently that Kevin made me not agree not to put out, so I put that on Patreon. And we also have the one that Charter's obviously banned us from putting out. It's on Patreon, so all the band materials on there. So it is well worth the money. There'll be content And you'll also get invited to special events, like my 50th birthday show that's going to be happening in October. This will happen if you are joining our Patreon, or if you even are too cheap to do that. You can go and give us $5 a year. Just E-transfer that to the dutchhallgmailcom and you will become a shareholder of our program, and shareholders get the same rights as the Patreon supporters do. So that's a way you can help us out as well. And lastly, oh, it goes to Port. Johnny's show at the Lazy Flamingo and Hus Village and Hamilton every Monday starts around 8.39 ish around there. Go to see Johnny at the Lazy Flamingo and I will be headlining there tomorrow. And that is it. That is all of our sponsors. I think you can give us some feedback at the dutchhall gmocom or we are at the tall on Instagram. That is it for sponsors, jamie. That is it for sponsors. I promise that's everything. And, of course, you got to keep getting hip to the hip. What You got to keep the lights on. I keep the lights on exactly getting hip to the hip and the go get some tickets to the grand finale, the rec room in Toronto on September 1st. Jamie, thanks again for coming in. Thank you very much. It's been really nice And, as I said, you, i've been watching you promote this thing, i've been watching you put it together and the way that you have curated it, the way that you've cared for it and the way that you've, like, put thoughtful effort into every step of it. It shows through This is being done at a high level, and I'm really proud of the effort you put in. So keep it up, and I'm going to continue to support everything you do, cause I'm real happy to know a guy like you. So thanks for coming in, buddy. 0:37:18 - Speaker 3Thanks for having me. It's great to be here. Finally, yeah, finally We worked it out. 0:37:22 - Speaker 4Yeah. So everyone that's been our show 445 tele friend shared around, be nice to each other And until next week we will see you and T see you next Thursday. 0:38:01 - Speaker 3Thanks for listening to getting hip to the hip. Please subscribe share rate and subscribe podcast, some such. Support this podcast at — https://redcircle.com/fully-and-completely/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Ready to decode the legacy of The Tragically Hip and the enduring impact they've had on Canadian music and culture? Promise us your ears and we'll share an exciting exploration of the band's influence, creativity, and unique place in the hearts of their fans. Today, we're joined by the Emcee of Longslice Presents: Getting Hip to the Hip - An Evening for the Downie Wenjack Fund, Delhi stand-up, Pete Van Dyk. Today he plays the host on his podcast, "Live from the Dutch Hall." And he's invited jD, Pete, & Tim along for the ride. Together we reflect on our personal connections to The Hip, discuss the band's Canadian roots, and consider why their sound may not have resonated as widely beyond Canada's borders.Make sure to get your tickets for Longslice Presents: Getting Hip to the Hip - An Evening for the Downie Wenjack Fund today: https://bit.ly/GHTTHTicketsTranscript0:00:10 - Speaker 2Long Slice Brewery presents Getting Hip to the Hip. 0:00:27 - Speaker 3Hey, it's JD here and I am sans Pete and Tim at the moment, but they'll be joining us in just a few minutes. I am here to set up what is a new series within Getting Hip to the Hip. It's called Getting to Know Your MC And there will be a second installment of this called Getting to Know Your Band, And basically these episodes are designed to allow you to get inside of Long Slice Presents Getting Hip to the Hip an evening for the Downy Wend Jack Fund before that event even occurs. That way, when you buy your tickets and you can buy them at GettingHipToTheHipcom and clicking on the ticket button From there it's easy peasy you just have to show up at the event. So there's that. I would say that Pete van Dijk is a great stand-up comedian and he will be emceeing us. He's also a podcaster, hosting a show called Live from the Dutch Hall, And just recently he had Pete and Tim and myself on as guests And he graciously gave us a copy of the tape. He had it flown in live from Delhi and I'm going to put it up on our feed. It's going to be well. It's going to come up to you in just a second, So why don't I stop Blither Blathering and we'll get to Live from the Dutch Hall with Pete van Dijk and our friends Pete and Tim, as we discuss the podcast on Live from the Dutch Hall. 0:02:41 - Speaker 4Hey, hey, hey, hey. Welcome everybody to the Dutch Hall. We're coming to you live from the Pool Shed in Pine Grove, ontario, for episode 445, believe it or not. 445 times we have done this stupid thing, and this time we have roped two people from different parts of the planet and one person who was from here but had to come back here on a long journey today. That's right, and I'm very happy to have them in. All first timers, all Dutch Hall virgins, and they're here to promote a podcast, which is a really interesting concept, especially for a guy like me from Southern Ontario. The hip is really was really a band that was pivotal, pivotal, pivotal Is that right? That's right. Pivotal to a kid like me. It came up at the right time. They were like hitting it the same time that I was getting in to be in the most awesomeest part of my life, you know, and these guys, two of these fellas have no such experience at all. One of these fellas would have a very similar one, and the idea of the podcast is to let these two guys understand what us two guys feel about this band. And so I entered with these myself. Yet, jamie, yeah, you haven't really now. Oh well, i'll start off by introducing myself. I am the host of the show. In two time You're supposed to say two time, two time. There you go. President's Club Award winner, pete Van Dyke No applause, no applause. And our guest today, the one that's come from Waterford, ontario. He's a. He's a Waterford native, that's right, norfolk County boy. But he's moved to the big city and he's made a life for himself. First time here in the Dutch Hall, ladies and gentlemen, say hello to Jamie, do everybody, jamie do. 0:04:40 - Speaker 3It is great to be back. Great to be back to Norfolk. I mean great to be back in Ontario's garden. Oh yes, Thank you. 0:04:49 - Speaker 4Shout out to us and our guests And you're going to have to help me, jamie, on the last names here, let's try, i will. From San Diego, california, is Tim Lion, lion, everybody, i'll take it Yeah. 0:05:07 - Speaker 5Happy to be here. Thanks for having me. 0:05:10 - Speaker 4Thank you, Tim, And coming from Malaga, Spain. 0:05:14 - Speaker 3Malaga, spain. This is Pete from Spain. He doesn't have a last name. Yes, of course he does Marchica, pete, marchica, everybody. 0:05:22 - Speaker 4Pete Marchica. 0:05:26 - Speaker 1My middle name is is is from Spain. What's your middle? 0:05:29 - Speaker 4name From Spain. Oh, i'm joking, i'm your. You know, actually I have a. I have a nephew and his middle name, his name is this is seriously, his name is Adrian adventure Pitaski And, like it's just so, he could go around his parents name on that So he could tell people my, my adventure is my middle name, right? Wow, i love it. That's my nephew, that's real, that's my nephew, like that's that is cool. Like you want to get named. It's like your parents just made you James Bond, yeah Right. Like it is major, coolest. No, this kid's got to live up to that middle name. He's got to live life, yeah Right, yeah, hopefully he's not trepidatious of everything, yeah. 0:06:10 - Speaker 3What if he's just like an accountant, You know? 0:06:14 - Speaker 4it'll probably be cooking the books. Yeah Yeah, the name like adventure. You know that's a, that's just a gift, that's a gift from your parents, so uh, I think it's a little bit of a, a little bit of a, a little bit of a. It's a gift, that's a gift from your parents. So, uh, i want, I hope so, yeah, yeah, i hope so, or curse, or curse. Um, i wanted to say the band we're talking about is tragically hip. That's right. The band, uh, that, uh, if you the credit tragic lips, from Kingston, ontario, and for some reason the tragically hip have been a band that have uh made it in Canada. They were enormous in Canada, but as much as we tried to explain them to the rest of the band, we tried to explain them to the rest of the world, the rest of the world just didn't get them. 0:06:57 - Speaker 3No, Would you agree with that, Jamie? I would agree with that. And uh, these two are the avatars for the rest of the world. 0:07:03 - Speaker 4Yeah, And now is there a. Is there a band, uh, either in the United States or in Spain, that you would say would be like a band that is beloved in your country, but the rest of the world doesn't get it, You know. 0:07:21 - Speaker 1Tim, you want to take that one for the US Oh tough one, Yeah that is a tough one for US actually. 0:07:26 - Speaker 5Yeah, yeah, i have no idea, because I feel like if you break, i'm going to have to do some homework. 0:07:31 - Speaker 3I feel like if you break in the US, part of that breaking in the US is breaking internationally. 0:07:37 - Speaker 4Yeah, like the rest of the world will like what you guys like. Yeah, there's not much that you guys like, unless there's some guy like you know, like what's the name of that fella? He's, like you know, proud to be an American, or like the, or like one of those country guys who were really like patriotic and over the top. That might be a little bit. That's the country singer. 0:08:00 - Speaker 3What's his? 0:08:00 - Speaker 4name. That might be too much for like people outside the States. 0:08:04 - Speaker 1Yeah, that's true. No, I know what you're saying. 0:08:07 - Speaker 4You know what's the guy's name The big? Yeah, i know who you mean. See, that's me. We're from Canada. We don't know the guy's name? Danim Vast. Yeah, we got tons of them. You know how? about Spain? 0:08:22 - Speaker 1You know there's a band here called Los Planetes, which translates to the planets, if you will, and you know they're extremely popular. I mean they've got like there's a couple of the members have spinoff bands. I mean you can't you can't go to any corner of this country and not know somebody who knows Los Planetes. So they're like sort of as an indie rock band, sort of like I guess you'd say the hip did. But but yeah, dude, outside of if you mentioned Los Planetes outside of Spain, nobody knows what they're talking about. 0:08:54 - Speaker 3Yeah, i've never heard of them, yeah. 0:08:56 - Speaker 4I know that the tragically hip themselves were friends with the band the real statics out of England because they had the same issue as them. They were huge in England but the rest of the world Real statics are from the town. No, not real statics, stereophonics They say those bands were on. Oh, it was about to correct. Yes, i apologize. The real stacks actually open for the hip, yeah, but the stereophonics, and so they'd always, if they came out with an album, the hip would give an album to the stereophonics, stereophonics would give an album to the hips when they came out with a new one, because they had this mutual like kind of like, you know, like sister cities and stuff like that. 0:09:36 - Speaker 3It was like the same thing, but like sister bands, you know, i feel like the last time stereophonics played in Toronto it was post score dying and they played a hip song. Yeah, that would make a huge sense And I didn't. But I didn't know that there was that connection. 0:09:47 - Speaker 4I just thought they were just doing a tribute to oh no, they were big fans of it, like big fans of each other, and they both had the same thing. They could never break in the States and they were like huge in their own countries And even in Canada the stereophonics didn't really make too much of a splash. I just remember that having a stay song. Yeah, i like that band actually. Yeah. 0:10:07 - Speaker 5I can only think of bands from the U S that have done well outside the U S. You know like bigger tours outside the U S, but there are a ton. 0:10:16 - Speaker 1There are a ton of like Canadian bands that like have had broken through to me, for Christ's sake. You got Neil Young, you've got the Lannis, you've got Brian Adams, right, nickelback, you know. 0:10:29 - Speaker 5Nickelback. Yeah, that one band Rush. is that what they're called? 0:10:33 - Speaker 1Yeah, yeah, i mean one of the greatest bands of all time. It's a real crowd splitter rush. 0:10:41 - Speaker 3I agree Because. I've never I was never a Rush guy. 0:10:43 - Speaker 4If you don't, if you like Rush, you really like Rush Big time. I think it's like Bruce Springsteen. You know, bruce Springsteen, the guys that like Bruce, they love Bruce, Like they really like Oh my gosh. 0:10:54 - Speaker 5Yeah, we have a good friend who follows Bruce and I just Yeah, they're like, they're you and Target on that. God bless Michelle. 0:11:02 - Speaker 4Yeah, and my cousin's husband is like that, he's traveled all around to see Bruce, eh, and he knows him Like it. Just it means so much to him. Man, i envy that about him, but I just don't get it. Yeah, it just doesn't. 0:11:18 - Speaker 3I like Springsteen, but I'm not. I wouldn't do a follow along, or Yeah. 0:11:23 - Speaker 4You're in camp too, like either you love him or you're like oh, he's the boss, you know he's good. 0:11:29 - Speaker 5Yeah, i like a couple, you know I like it enough It's fine, there's lots of bands I would go see perform live if I got a free ticket. 0:11:38 - Speaker 1Right, yeah, i got free tickets to see Springsteen. That's the only reason I saw him. But back in the day I think we told this on the pod or I may have mentioned it on the pod when we did some, when we recorded, but back in the day, when I started playing in bands, like 25 years ago, you were, if you were a Rush fan, you were closeted. Like and I'm not even like joking Like in the US like if you liked Rush and you had Rush records, you were closeted. You didn't talk about it. I remember I was playing in a band with a guy named Jason Hirsch and he was our bass player and we played in a band for like seven or eight months and then one day it went over his house and it was like I found a bunch of porno mags in his corner. Like he's like, yeah, dude, i like Rush, and like the same was for Zappa, and I was like, dude, it's cool man, this is a safe space. 0:12:30 - Speaker 4I have a huge kit set up in the closet. I drummed a new apparel. That's funny man, but it was kind of that. There was like you just didn't know if you're, because they split the room, you either love it, like people hated Rush, or they loved Rush. You know, even in Canada, even in Canada, they're hardcore. I don't get it, you know. I think some It might be musicians though too, because like Rush, right, because they're technically Yeah, i mean because you just. 0:13:01 - Speaker 1The work of like the musicianship is like the fact that Geddy Lee can play His multi-instrumentalist on stage and singing is fucking stupid, yeah, like you know It's like Radiohead too. 0:13:16 - Speaker 4Right Like Radiohead, like Yeah, if the musicians get them more than the non-musicians, would you say that's true. 0:13:26 - Speaker 5I don't think so. I think Rush had a special kind of nerd dump. You know, like, if you ever knew, like a group of kids that played D&D, yeah, yeah, yeah. Like you know, like I don't know, rush has their own collective. Like, i have lots of friends who are radiohead fans and many of whom are not. 0:13:44 - Speaker 1We now ostracized the Rush crowd from Pete's podcast and now ostracized the D&D. 0:13:55 - Speaker 4I don't know. 0:13:57 - Speaker 5I saw D&D. friends, we're all good with each other. 0:14:01 - Speaker 4I've never played before. Have you done that Never? 0:14:05 - Speaker 5I won't touch a 12-side. I tried, like, when it became a thing, i tried with some kids in my neighborhood and I sat down with them and I was like are we going to drink some wine? Or you know, and that was the seventh grade Like it just felt like we were supposed to be naked or I don't know. It was just weird. Yeah, like It was really weird. I was like how far can we take role play right now? 0:14:26 - Speaker 4Yeah, you were an advanced. 0:14:27 - Speaker 5There's too much of a tease for me. 0:14:29 - Speaker 4No, i was like you were saying Dungeons Dragons makes a seemed a little like they was going to get a role. Did people wear costumes for that stuff? 0:14:37 - Speaker 5Well, no, i just felt like it was this level of intellectualism, you know, like that wasn't it being experiencing games and rush was kind of the same way, and maybe, you know, maybe the hip was too smart for the US, maybe it might be. 0:14:51 - Speaker 4It might be like there's, but I don't know how smart it was. It was like there's a. It's an interesting thing because I've only because of this podcast started. You know he's kind of reflect on you know I was a hip like, i am a hip fan and it, but I don't know if I'm associating it is just because they were around through a good part of my life. You know what I mean. Yeah, like I was young and having a good time and every show I went to or I could see them a lot, you know. So they were at a lot of like festivals and concerts that I would get a chance to go to. 0:15:25 - Speaker 3They were always on the bar, like whatever bar you go to, they were playing hip, you know yeah. 0:15:30 - Speaker 1They were like the LA. They were like Canada's version of X. If you live in LA, right, sure They were. They were still playing Cause like yeah, right, i know, but actually you could like go to any club on a given night in the 80s and 90s and that band was playing, and they're still playing. 0:15:51 - Speaker 4Yeah, they're still playing, and then I never seen a. The other thing that I think was was interesting about the hip, when you'd see them live, is like I've seen a lot of bands that would jam, you know, like they would like jam out a song, so it didn't sound like a radio version of it, like, but the hips the only one I can really say that vocalist was doing it too Like where the vocalist was jamming vocals, you know, and so you'd go to see them at a show and he'd be like gibberishing up there, you know, while they were like jamming something else out in the middle of a song, and then you'd go see the next tour and it would actually be a song that was on that album, you know, and like, do you remember seeing that too? Absolutely, yeah, i was called it breadcrumbs, right, like it was like little breadcrumbs and you're like that's going to be something like. I remember nautical disaster before it was nautical disaster, right, and then like, so, like I thought that was kind of cool, cause you kind of I don't remember another band that kind of let you in on the what's to come, you know, like, and and and let you watch the creative process, like the writing process, on stage, you know as obvious. 0:17:05 - Speaker 5Maybe the, maybe the doors, yeah, yeah, that's what's good. Jim Morrison did a fair amount of that, but there's not many. I mean, that was like lead singers riffing Yeah, there's not. Not many people are able to do that at all, is this? 0:17:19 - Speaker 4douchey. It really like it has the potential to go a little bit yourself in grandizing. You know, like, where it's like. Look at me, i'm an intellectual and you know even Jim Morrison and then Gord Downey. They both kind of you know they're like I'm not gonna do that. Their critics could accuse them of that, of being a little bit like you know in their own head or like too impressed by themselves. But I didn't get that impression from either of them but because I liked them. 0:17:47 - Speaker 3Yeah, me too. 0:17:48 - Speaker 4But and I like watching the creativity of it, you know, But doors is a perfect example, because that would be, I would say, the closest which I never got. to see them, So yeah. 0:18:00 - Speaker 1Pete, did you have you? because I don't know how much you dug into the pod, but we you know, one of the things that Tim and I struggle with is that you know, when we did the, when we did the pod, we recorded everything, because everything's recorded up into this point. Pretty much We're just kind of trickling the pods out leading up to the finale. But like a lot of folks, like you know, we had a week to digest the record and then it was week over week over week over week And, like so many people, like dude had fucking a year or two years to like and it had their whole lives to get to know this band. I think it's, you know, i'm not gonna we'll smoke up my own ass, but maybe I'll hold a little Tim's ass. But we, you know, i think it's, you know, i think it's, you know it's a little bit of a Tim's ass, but we, you know, i'm. I think it's pretty impressive because at this point, now that we're kind of all done, i fucking love this band. I mean, i've gone back and listened to the records we weren't super keen on and they're just dude, they're. I don't know what American rock fans were fucking thinking back in the day when this band was like pinky. 0:19:14 - Speaker 5Is that why? Yeah, i really think that a big part of why they didn't quote make it in the US, which they did to a degree, they just weren't selling out stadiums. But I think a big part of it had to do must have had to have been because of ill attempted marketing. Like, like, when bands go on tour, there are people behind the scenes that are doing promotions in every city. They're hanging posters, they're giving away tickets, they're talking about on the radio all of these things. You know everybody in LA who does this for a living And I talked to him briefly about it and he said marketing probably was marketing, i and can't. And I'm like, oh, you know, and the labels, when the hip was on with labels who weren't promoting them in the US, like, oh, they're gonna play in these six epicenter cities, we're gonna sell out them, sell out them more, maybe if all the Canadians show up, sure, that was, that was what happened. But man, if they were promoted more in a real way, like other bands on their US labels which I can't remember right now, i think they would have totally hit it. When they were on in my house the other day I said to my wife if this was playing in 1992, i would have been totally into it, cause we were talking about bands we were into in 1992. And some of them, like right now, i might have thought they were pretty good back then, but some of them right now I absolutely do not listen to. But if I would have, heard the hip in 1992, I would definitely be going back to albums right now, I believe. 0:20:48 - Speaker 4Yeah, it's interesting, that's really all. but with both what you guys said, it's really interesting cause I it's not what I expected, like number one, you've just let my audience know you've been, you've been through the entire catalog of the hip, which, when you said it takes you time to process a tragically hip album, i mean I remember like in real time, when these things came out and we would like line up at sunrise at midnight to get the new road apples or whatever you know. And but each album like road apples compared up to here and day for night compared to road apples, or like, or fully, completely, you know they were. they were as soon as you put in the new album you were like, ah, like this is, this isn't as good as the last stuff, and then you'd listen to it like a hundred times and then it would become your favorite album. you know, like totally. And I find Jack White like I'm a huge Jack White fan and it's the same thing with his stuff, cause he's pushing himself and he's growing, you know, and then it kind of takes you a bit to get your head around what he's trying to do And then after a while you start digging it, you know. That's a good example And I think that's. That's the kind of like I. You never liked the hip album when you first got it. You always liked it a couple of weeks later. You know, Like Is it. 0:22:15 - Speaker 5Sorry, is that true? Is that true for you, jamie? Were there any albums you just were like just had on repeat, psyched, go, go, go, go listen to it a hundred times a week. 0:22:26 - Speaker 3I was in love with like from the moment I heard it Like. So There you go, but and fully, completely too Trouble at the hen house. The first time I heard it I was like I'm not sure about this, but you're right, it was, it was, it was different, they were, they were, you're right, They, they were growing and I was stuck behind. Yeah, yeah, now that's like my favorite record. 0:22:46 - Speaker 4Yeah, yeah. 0:22:48 - Speaker 3Like like hands down. 0:22:50 - Speaker 4Yeah, and then, like I, yeah, cause yeah up to here was the only one I would say that I was like I'm in, this is everything's great. And then the only thing is that a lot of songs kind of sounded similar maybe, but but but then everything I was comparing everything up to here And then, and that's just. And then I just wasn't like like you said, i just wasn't developing like the. That's why it takes me a bit just to catch up, cause I'm slow, i'm just. You know, you're just a consumer, you're being fed, fed shit, you only know what you know And then get something new and takes you a bit. 0:23:28 - Speaker 1But you also never know how long it's going to take. I had a. I had a record I won't need to mention cause it's just not even important, but the record from a band that I really liked And when they're it took seven years. Seven years. It came out in 2007 and it wasn't until 2014 when I picked it up again And I literally thought this was the shittiest record I had ever heard. And I picked it up again and it turns out being my favorite record And it was like like it takes time, but for for what, tim and I? the gauntlet that fucking JD's put us through the last seven months, like how many? 0:24:05 - Speaker 3albums There's 14, 14 hours, 14 or 15. Yeah wow. 0:24:11 - Speaker 4And then, uh, yeah, that's crazy, man, that's crazy. So the what was I thinking? Oh, you're to um, you know, david Bowie's black star, that album, last album, yeah, yeah, same thing. I was like you know, i wanted Ziggy Stardust and I got black star. I was upset. And then, uh, you listen to it and you're like this is the greatest thing he's ever done. This is man. That album is incredible. Oh, yeah, and uh, yeah. And then the more you know the fact that he, uh, he doesn't, he, he leaves on an open note Like he doesn't, uh, he doesn't end on the top, on the home note, the number one, the one he doesn't end on, the one you know that's a and he knows he's going to die. 0:24:53 - Speaker 1You know, that's crazy, That album it's funny because I remember when I bought that album right when it came out, right after he died, because he died a couple of days before my birthday, because he died a few days after his birthday, which is January 8th Mine's a 16th and I bought it and I just didn't. I wanted to get it, i couldn't. And then a friend, when I moved back to Spain, explained to me that it was a lot of the songs are built on flamenco chords, spanish flamenco chords, and I was like get the fuck out of here. And then I we listened to it together and explained it to me And I was like, because a drummer of our band? and I was like, oh, that makes sense. And then the whole record made sense to me. 0:25:33 - Speaker 4It took years, isn't that great. That's a beautiful thing about music, our art in general. You know like, no matter what kind of the art, the comedy is the same way you can work your whole life. You're never going to know all the risks and all about it You're never going to. It's just so infinite in the amount. So like, that's what I like about it, about it, you know, like you can, you're never going to feel like you've got all the answers you know, when you find art, when you find art like that, that's timeless, that's, that's, that's the best stuff I think you know. 0:26:04 - Speaker 5Yeah, that's right. Yeah, something you can put on, i mean, just at any point in time. It's just that's, that's. Those are the keepers. Yeah, i don't know if we'll feel the same way. Pete, have you gone back to any any? Bob Rock produced albums. 0:26:18 - Speaker 1You know it's funny. I haven't yet, tim, but I really am looking forward to it because I think it's going to happen. I think eventually all end up like sending a letter Is Bob Rock still alive? 0:26:28 - Speaker 5Yes, oh, my gosh Yeah. 0:26:30 - Speaker 1Okay, then I'll send him like an apology letter and like be like Bob, i'm sorry, cause there are people that love. 0:26:36 - Speaker 3We are the same now And when it came out it was pretty universally derided. And there are people that absolutely adore that record now And I'm I'm one of them. Like, like, i really did not like that record the first time I heard it. Like I remember meeting Greg in the grocery store We were doing fully and completely at the time And I was like, so I did some pre listening and uh, wow, every song sounds the same. It's all droney, it's you know. And now I think, like depression suite is amazing. I love morning moon, um, queen of the Furrows is like weird and out there. But I but I dig it, but it's not, it's not. It still doesn't feel quite like a hip record because there's no Lang Lawn and St Clair backup vocals. You know it's, it's, it's just different. 0:27:24 - Speaker 4Yeah, do you hear that? Uh, i think it was at the Gino's or something. Uh, after CORE Downey died, uh, muse filled in and they did um, it's a, she did a cut. No, it's not, it's not. I said the wrong name FIEST, fiest. Yeah, fiest did, uh, did the vocals and it was for it's. Uh, it's a good life if you don't weaken. Yeah, it's a good life if you don't weaken and uh and. But like when the background vocals kicked in and then it was like, then you're like Oh, this is the hip. Yeah, cause before it was just a cover, you know. And then, as soon as you heard St Clair's backing, it was like Oh man, this is, this is cool, you know, yeah, yeah. 0:28:07 - Speaker 5Um, yeah, i was. I was asking Pete, because this morning when Amy was making coffee, I was like coffee girl. It just happened. So, bob, bob is coming in. Hey, knock on the door. 0:28:23 - Speaker 4Hey, i was hoping, uh, we, so this has been. This is really cool. If you guys, uh, who are listening to this show, if you want to check out this podcast and see how these two people were converted to the ways of the tragically hip um, uh, how can they find the show, jamie? 0:28:39 - Speaker 3go to getting hip to the hipcom and, uh, you can go anywhere that you find your podcasts you'll get getting hip to the hip And it is. 0:28:49 - Speaker 4It's going to all uh, culminate with a grand finale live show in Toronto on September 1st. Yes, sir, and people can get tickets for the show Same place. 0:29:00 - Speaker 3Getting hip to the hipcom and, uh, click on tickets and, uh, you know, uh, we'll get a great host for that evening. 0:29:08 - Speaker 4Well, thank you. Yeah, i'll be hosted by myself and uh, we have uh the finale of the podcast and you have uh entertaining the audience of uh. was it 50 mission cap or? 50 mission 50 mission, which is a hip cover band. They'll be playing, and where is it? 0:29:25 - Speaker 3It's at the rec room in Toronto on Bremner, right across from the sky dome. 0:29:29 - Speaker 4Oh sweet, it's going to be super fun. So please check us out And, uh, we will be running a uh draw here at the Dutch hall for a listener to get a free uh free ticket to the event. How about? 0:29:40 - Speaker 1a pair A pair. 0:29:41 - Speaker 4You can bring a friend. Thank you, that's nice, yeah, and I can even give you a ride if you want, if you're local. So we got all those things working for us, and there'll be details on that at the end of the show, but I don't want to keep these guys any longer doing business. Um does. 0:29:59 - Speaker 1This is the sky down where the blue jays play. Yeah, Oh fuck, that'd be cool. They're playing a game that they're not, they're out of town. 0:30:08 - Speaker 3Are we taking a game? for sure, yeah, Hey, pete. 0:30:12 - Speaker 1Pete, i've been wanting to tell you a joke, man Come tell you a joke, yeah, please do, just to turn After he's done. 0:30:20 - Speaker 5Then, pete, you play guitar to Pete and see if you guys can trade. 0:30:25 - Speaker 4Yeah, you have to do that. Okay, I'll trade your talents. I know two chords. 0:30:30 - Speaker 1So so you know Creedence, right. You know Creed's Clearwater, right. Yeah, yeah, ccr yeah. Yeah, so do you know what the difference between John Fogarty and Marvin Gaye is? 0:30:43 - Speaker 4No, I don't. 0:30:45 - Speaker 1So Marvin Gaye heard it through the grapevine, but John Fogarty played it through the grapevine. Yeah right, Tim, just snickered at that one. It's one of my all-time favorites Whoa man, don't tell that at the finale. Pete, let it sit there. 0:31:09 - Speaker 4Only if I'm really stuck I'm going to pull that one out of the toolbox. You're not going to speak to people like this. No, guys, i want to thank you for spending this time with me and getting to, for taking the time to get to know me and my audience. I really am excited about the podcast And I think it's going to be interesting. Yeah, i hope so. You guys got you guys did kind of shit on them a little bit right. Oh, yeah, they hold back. Yeah, but I think it is interesting to know that even some of the opinions that you held not so long ago may have already changed by the time the finale is going to be For sure. Yeah, Totally have. Yeah, yeah, that's cool, man, and I think that's kind of a testament to why I think they're worthy enough to still be concentrating on. You know is because this shit can happen. This stuff can really happen where people can be turned on to something new and it's new to them. So who cares if Gord's dead? you know, like these guys, never. You know, if you never heard it, like my daughter's. A perfect example Her and the bass player in her band. The bass player in her band said did you hear. Remember when the hip came out with those new tracks? Yeah, and they were all like 90s era sounding. 0:32:27 - Speaker 3They were like road apples. 0:32:28 - Speaker 4Yeah, yeah, they were great, you know, and my daughter's friend brought that to me and they're like, have you heard this? And then they started getting into it and it was brand new to them. Oh, that's hilarious, and so like to watch my kids get into it. What I was into is really a kick. So like, and then like, i think that this is a great example of it. And one time I went fishing in BC and the guy was Australian. That was like running our tour And I asked him about the question what in your country is the band that you guys would love and nobody else gets? Do they say midnight oil? He did say midnight oil And I go well, we all know midnight oil. You know, like beds are burning. And he goes like fuck that song. You know, like you guys don't know midnight oil. If you think it's beds are burning, look into their back catalog when they're a punk band, you know. And then, and it was way different, really Way different, and nothing like anything that made them popular, but it's so, it's. maybe there's bands like this everywhere. You know you can. I never knew about like all all that old good soul music because it never played on any radios that I got to listen to. You know, like I just found out about Al Green like five years ago, like that breaks my heart. You know where was Al Green my whole life? But so there is a lot of good stuff out there And I think this podcast kind of shines a light on that. So I think it was going to be, while we're checking out, so getting hip to the hit, check it out. Everybody And Tim, thank you very much for, for, for the, for doing this for me. 0:34:03 - Speaker 5Yeah, thanks, pete. 0:34:04 - Speaker 1Thanks Pete. Thanks JD, Good to see you guys? 0:34:07 - Speaker 4Good to see you guys. Yeah, and we will see you on September 1st Sounds great. See you September 1st, can't wait. All right, take care, guys. Okay, this show would be nothing without our sponsors at CleanFlow. If you'd like to support them, go to cleanflowcom That's K L, e, e, n, f L O dot com and check out all the great products. Lube up your life with clean flow. And if you'd like to support our show, go to patreoncom. slash dutch hall And you can join our queen, jen Husko, and being a part of dutch hall royalty. And if you're a business that's looking at any sponsorship opportunities, you can also look on Patreon and look at options there. And every time someone on our show gets a little tight ass about what we're putting out on social media, i will put that on Patreon. There was one just recently that Kevin made me not agree not to put out, so I put that on Patreon. And we also have the one that Charter's obviously banned us from putting out. It's on Patreon, so all the band materials on there. So it is well worth the money. There'll be content And you'll also get invited to special events, like my 50th birthday show that's going to be happening in October. This will happen if you are joining our Patreon, or if you even are too cheap to do that. You can go and give us $5 a year. Just E-transfer that to the dutchhallgmailcom and you will become a shareholder of our program, and shareholders get the same rights as the Patreon supporters do. So that's a way you can help us out as well. And lastly, oh, it goes to Port. Johnny's show at the Lazy Flamingo and Hus Village and Hamilton every Monday starts around 8.39 ish around there. Go to see Johnny at the Lazy Flamingo and I will be headlining there tomorrow. And that is it. That is all of our sponsors. I think you can give us some feedback at the dutchhall gmocom or we are at the tall on Instagram. That is it for sponsors, jamie. That is it for sponsors. I promise that's everything. And, of course, you got to keep getting hip to the hip. What You got to keep the lights on. I keep the lights on exactly getting hip to the hip and the go get some tickets to the grand finale, the rec room in Toronto on September 1st. Jamie, thanks again for coming in. Thank you very much. It's been really nice And, as I said, you, i've been watching you promote this thing, i've been watching you put it together and the way that you have curated it, the way that you've cared for it and the way that you've, like, put thoughtful effort into every step of it. It shows through This is being done at a high level, and I'm really proud of the effort you put in. So keep it up, and I'm going to continue to support everything you do, cause I'm real happy to know a guy like you. So thanks for coming in, buddy. 0:37:18 - Speaker 3Thanks for having me. It's great to be here. Finally, yeah, finally We worked it out. 0:37:22 - Speaker 4Yeah. So everyone that's been our show 445 tele friend shared around, be nice to each other And until next week we will see you and T see you next Thursday. 0:38:01 - Speaker 3Thanks for listening to getting hip to the hip. Please subscribe share rate and subscribe podcast, some such. Support this podcast at — https://redcircle.com/gettinghiptothehip/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Nicol van Dyk is a physiotherapist and clinical researcher currently occupying the role of Injury Surveillance and Medical Research Officer with the Irish Rugby Football Union in Dublin, Ireland. In 2018 Nicol completed his PhD in Health Sciences at Ghent University, Belgium titled “Risk factors for hamstring injuries in professional football players.” During this time Nicol was a physiotherapist at the Aspetar Orthopaedic and Sports Medicine Hospital. In this episode we are joined by Nicol van Dyk. We discuss injury prediction and screening tests, individual risk factors for athletes at risk of injury, the importance of clinical reasoning and individualized approaches as well as why it rains so much in the Netherlands.... This was a great episode to record and we hope you enjoy it.   Content 00:00:00 Introduction 00:01:00 Screening tests and injury prediction 00:05:10 Importance of screening tests in injury prevention and building athlete trust 00:13:14 Importance of Previous Injuries 00:17:47 Role of Technology and Social Support in Rehab 00:21:35 The Significance of Sleep in Injury Prevention 00:26:41 Understanding individual athlete risk factors 00:30:10 Importance of clinical reasoning and individualized treatment 00:38:08 Using mixed methods approach for injury prediction 00:41:09 Injury prediction vs risk estimation 00:44:32 Focus on performance and robustness 00:46:24 Importance of communication and empathy in physiotherapy   Bonus Material To view and download the bonus content such as transcripts of this episode become a Physiotutors Member. All episodes and bonus content can be found here   Follow our Podcast on: Spotify | Apple Podcasts  

Mercredi 7 juin , François Sorel a reçu Frédéric Simottel, journaliste BFM Business ; Arnaud Fourmentin, directeur exécutif chez Jenopte ; Sophie Heller, directrice innovation et expérience client Retail de BNP Paribas ; Xavier Perret, directeur de l'entité Azure chez Microsoft France ; Sylvain Pierson, chargé de la stratégie, de l'innovation et la RSE au sein de KRYS GROUP ; Sabrina Quagliozzi, correspondante à New York pour BFM Business ; Sébastien Van Dyk, directeur général de Talent Solutions - ManpowerGroup ; Benoit Baume, cofondateur et président Fisheye ; Salomé Chatriot, artiste ; Max Herrmann, cofondateur et président de Nopli ainsi que Sofiane Fertah, cofondateur et Président de Mockapp Studio, dans l'émission Tech & Co sur BFM Business. Retrouvez l'émission du lundi au jeudi et réécoutez la en podcast.

Today we have a repeat guest, Kristina, that has published her children's book "What Color Do You Feel?". She tells us what inspired her to create the book, gives us a few insights into our feelings and even reads a little bit for us from the book. We chat about her chickens and other creations to come as well. We end with a little preview of some upcoming guests and some sprinkles too. Thanks for listening, ya'll! To purchase Kristina's book: Barnes and Noble: https://www.barnesandnoble.com/w/what-color-do-you-feel-kristina-van-dyk/1143285728 Walmart: https://www.walmart.com/ip/What-Color-Do-You-Feel-Hardcover-9781664280748/3096338593?from=searchResults Amazon: https://www.amazon.com/What-Color-Do-You-Feel/dp/166428074X?source=ps-sl-shoppingads-lpcontext&ref_=fplfs&psc=1&smid=ATVPDKIKX0DER

SUMMARYThis month, ShortCuts presents another ShortCuts Live! Producer Katherine McLeod talks with Annie Murray about the EMI Music Canada Archives at the University of Calgary, and their way into these archives begins with a cassette tape. And not just any cassette tape. Listen to find out which tape and why this tape unfurls a story of recording not only in relation to what's on the tape but also to archival collections of Canadian music. Audio objects are sonic objects in the sounds they hold, the stories they tell – both on their own as materials and in our affective attachments to them – and this episode of ShortCuts dives into all of this, and more. Annie and Katherine's conversation about archives is full of whimsy, suspense, and even the sounds of a power ballad – yes, archival research can sound like this.EPISODE NOTESA fresh take on sounds from the past, ShortCuts is a monthly feature on The SpokenWeb Podcast feed and an extension of the ShortCuts blog posts on SPOKENWEBLOG. Stay tuned for monthly episodes of ShortCuts on alternate fortnights (that's every second week) following the monthly SpokenWeb podcast episode. If you are a SpokenWeb RA with an archival clip to feature on ShortCuts, do write to us at spokenwebpodcast@gmail.com with your pitch.Host and Series Producer: Katherine McLeodSupervising Producer: Kate MoffattAudio Engineer / Sound Designer: Miranda EastwoodTranscription: Zoe Mix RESOURCESEMI Music Canada fonds, https://asc.ucalgary.ca/emi-music-canada-fonds/Van Dyk, Leah and Murray Annie. “Audio Time Travel: An Interview with Annie Murray.” SPOKENWEBLOG, 15 December, 2022, https://spokenweb.ca/audio-time-travel-an-interview-with-annie-murray/

Today we have Meg Van Dyk, she is the Sr. Communication Manager for Real Salt Lake, who Charlotte FC takes on today in Utah. We talk with Meg about her role with the club as well as their academy, the NWSL Utah Royals, her pathway, how the club is playing on the pitch as well what lies ahead for them and her career. @MegVanDyk1 --- Send in a voice message: https://podcasters.spotify.com/pod/show/charlotte-fc/message

On April 21st, 2014, wheelchair athlete Ernst van Dyk clinched a record-breaking 10th win at the Boston Marathon - a bittersweet achievement coming just a year after terrorists bombed the 2013 race. But before Ernst dominated Boston, he spent over a decade training and competing before achieving marathon and Paralympic success. Ernst has been telling Wayne Wright about how he achieved his Boston dream. This programme is a Made in Manchester Production for the BBC World Service. (Photo: Ernst van Dyk about to cross the finishing line at the 2014 Boston Marathon. Credit: Getty)

Nicholas Georgakopoulos speaks with Nick van Dyk of Redemption. "I am the storm" released through AFM records, March 2023. Podcast: The ProgRock Digital Podcast www.progrockdigital.com progrockdigital@gmail.com Host: Nicholas Georgakopoulos Guest: Nick van Dyk Band: Redemption Album: I am the storm Label: AFM Records    

In 2012 Irene helped lead her New Zealand team Waikato Bay of Plenty Magic to victory, beating the Melbourne Vixens in the ANZ Championships. She later went on to play for New Zealand's national team, the Silver Ferns. Originally from South Africa, she initially faced a hostile media who didn't accept her as a New Zealand player, but with her success she eventually became a national treasure. She is the most-capped netballer of all time. Irene has been speaking to Alex Collins. (Photo: Irene Van Dyk playing in the All Star Celeb Slam in Novermber 2020 Credit: Getty)

We close out the South Africa Winemaker series today in the company of Angelo Van Dyk of Yo El Rey Wines (00:00:08) Episode intro (00:01:10) Angelo Van Dyk Origin Story Yo El Rey Wines since 2018 Brand and Philosophy Grape Geography Virtual Tour and Growers Introduction London Market Overview Future Exporter Contacts If you know someone who would enjoy this episode please share the direct link: www.interpretingwine.com/508 If you really enjoyed it please leave the episode an iTunes review on the same link. Thanks!

This week Nick and I get into a conversations about managing his short term rentals as well as his newest adventured in developing self storage facilities Nick Van Dyke

Garritt van Dyk talks about national identity, food, and cooking in this conversation about Commerce, Food, and Identity in Seventeenth-Century England and France: Across the Channel (Amsterdam University Press, 2022) "Tell me what you eat, and I'll tell you who you are" was the challenge issued by French gastronomist Jean Brillat-Savarin. Champagne is declared a unique emblem of French sophistication and luxury, linked to the myth of its invention by Dom Pérignon. Across the Channel, a cup of sweet tea is recognized as a quintessentially English icon, simultaneously conjuring images of empire, civility, and relentless rain that demands the sustenance and comfort that only tea can provide. How did these tastes develop in the seventeenth century? Commerce, Food, and Identity in Seventeenth-Century England and France: Across the Channel offers a compelling historical narrative of the relationship between food, national identity, and political economy in the early modern period. These mutually influential relationships are revealed through comparative and transnational analyses of effervescent wine, spices and cookbooks, the development of coffeehouses and cafés, and the 'national sweet tooth' in England and France. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Garritt van Dyk talks about national identity, food, and cooking in this conversation about Commerce, Food, and Identity in Seventeenth-Century England and France: Across the Channel (Amsterdam University Press, 2022) "Tell me what you eat, and I'll tell you who you are" was the challenge issued by French gastronomist Jean Brillat-Savarin. Champagne is declared a unique emblem of French sophistication and luxury, linked to the myth of its invention by Dom Pérignon. Across the Channel, a cup of sweet tea is recognized as a quintessentially English icon, simultaneously conjuring images of empire, civility, and relentless rain that demands the sustenance and comfort that only tea can provide. How did these tastes develop in the seventeenth century? Commerce, Food, and Identity in Seventeenth-Century England and France: Across the Channel offers a compelling historical narrative of the relationship between food, national identity, and political economy in the early modern period. These mutually influential relationships are revealed through comparative and transnational analyses of effervescent wine, spices and cookbooks, the development of coffeehouses and cafés, and the 'national sweet tooth' in England and France. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Garritt van Dyk talks about national identity, food, and cooking in this conversation about Commerce, Food, and Identity in Seventeenth-Century England and France: Across the Channel (Amsterdam University Press, 2022) "Tell me what you eat, and I'll tell you who you are" was the challenge issued by French gastronomist Jean Brillat-Savarin. Champagne is declared a unique emblem of French sophistication and luxury, linked to the myth of its invention by Dom Pérignon. Across the Channel, a cup of sweet tea is recognized as a quintessentially English icon, simultaneously conjuring images of empire, civility, and relentless rain that demands the sustenance and comfort that only tea can provide. How did these tastes develop in the seventeenth century? Commerce, Food, and Identity in Seventeenth-Century England and France: Across the Channel offers a compelling historical narrative of the relationship between food, national identity, and political economy in the early modern period. These mutually influential relationships are revealed through comparative and transnational analyses of effervescent wine, spices and cookbooks, the development of coffeehouses and cafés, and the 'national sweet tooth' in England and France. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/food

Garritt van Dyk talks about national identity, food, and cooking in this conversation about Commerce, Food, and Identity in Seventeenth-Century England and France: Across the Channel (Amsterdam University Press, 2022) "Tell me what you eat, and I'll tell you who you are" was the challenge issued by French gastronomist Jean Brillat-Savarin. Champagne is declared a unique emblem of French sophistication and luxury, linked to the myth of its invention by Dom Pérignon. Across the Channel, a cup of sweet tea is recognized as a quintessentially English icon, simultaneously conjuring images of empire, civility, and relentless rain that demands the sustenance and comfort that only tea can provide. How did these tastes develop in the seventeenth century? Commerce, Food, and Identity in Seventeenth-Century England and France: Across the Channel offers a compelling historical narrative of the relationship between food, national identity, and political economy in the early modern period. These mutually influential relationships are revealed through comparative and transnational analyses of effervescent wine, spices and cookbooks, the development of coffeehouses and cafés, and the 'national sweet tooth' in England and France. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices

Garritt van Dyk talks about national identity, food, and cooking in this conversation about Commerce, Food, and Identity in Seventeenth-Century England and France: Across the Channel (Amsterdam University Press, 2022) "Tell me what you eat, and I'll tell you who you are" was the challenge issued by French gastronomist Jean Brillat-Savarin. Champagne is declared a unique emblem of French sophistication and luxury, linked to the myth of its invention by Dom Pérignon. Across the Channel, a cup of sweet tea is recognized as a quintessentially English icon, simultaneously conjuring images of empire, civility, and relentless rain that demands the sustenance and comfort that only tea can provide. How did these tastes develop in the seventeenth century? Commerce, Food, and Identity in Seventeenth-Century England and France: Across the Channel offers a compelling historical narrative of the relationship between food, national identity, and political economy in the early modern period. These mutually influential relationships are revealed through comparative and transnational analyses of effervescent wine, spices and cookbooks, the development of coffeehouses and cafés, and the 'national sweet tooth' in England and France. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Garritt van Dyk talks about national identity, food, and cooking in this conversation about Commerce, Food, and Identity in Seventeenth-Century England and France: Across the Channel (Amsterdam University Press, 2022) "Tell me what you eat, and I'll tell you who you are" was the challenge issued by French gastronomist Jean Brillat-Savarin. Champagne is declared a unique emblem of French sophistication and luxury, linked to the myth of its invention by Dom Pérignon. Across the Channel, a cup of sweet tea is recognized as a quintessentially English icon, simultaneously conjuring images of empire, civility, and relentless rain that demands the sustenance and comfort that only tea can provide. How did these tastes develop in the seventeenth century? Commerce, Food, and Identity in Seventeenth-Century England and France: Across the Channel offers a compelling historical narrative of the relationship between food, national identity, and political economy in the early modern period. These mutually influential relationships are revealed through comparative and transnational analyses of effervescent wine, spices and cookbooks, the development of coffeehouses and cafés, and the 'national sweet tooth' in England and France. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

In E202, Nick Van Dyk returns to the show to discuss his US storage facility development, how coaching has changed the game for him and how his Cape Coral AirBnBs are performing. Nick is a high-achieving real estate investor who's not afraid to make moves and 'break stuff' in the process. Nick and Andrew also announced on this episode their partnership to deliver the Investing in the US Mastermind for Canadians which will be happening on March 4th, 2023. Link below. You won't want to miss this episode! Disclaimer: This episode, as with every episode of this podcast, should NOT be considered as advise. Investment advise is NEVER given on this show. Always consult a competent investment advisor before making an investment decision. Join our Mastermind @ https://www.investingintheus.com/ Sponsors: Control and Compound Financial https://www.controlandcompound.com/andrewhines Jacob Campagnaro Realtor : http://www.andrew-hines.com/jacob GTA West REI Meetup: https://www.facebook.com/groups/gtawestrei REI Hot Seat: https://www.youtube.com/channel/UC_PNT8rykU0hJIBirAXAUHQ Listen on Apple Podcast, Spotify, Google, Stitcher and more @ https://linktr.ee/theandrewhines Connect with Nick Van Dyk at instagram: https://www.instagram.com/nvdproperties/ Connect with Andrew Hines oninstagram: https://www.instagram.com/theandrewhines facebook: https://www.facebook.com/theandrewhines Andrew Hines Audio · E202 US Real Estate Investing, Development and Education with Nick Van Dyk

Today, someone who is known for being the best netball goal shooter of all time - Irene Van Dyk Suzanne's been covering netball for around 36 years and is currently the editor of Newsroom's LockerRoom. She talks to Jesse.

War's das? Soll alles so bleiben wie es ist oder will ich mich beruflich doch noch mal verändern? Sei es mit einem Wiedereinstieg, einem Aufstocken der Stunden oder einem Jobwechsel? In der heutigen Folge spricht Julia mit der Systemischen Business Coachin Natalie van Dyk, in deren Praxis viele mittelalte Frauen sich coachen lassen, die sich genau diese Fragen stellen. Natalie van Dyk weiß deshalb: Das ist noch einmal ein Moment, in dem wir Frauen die Chance haben uns zu fragen was WIR wirklich wollen - sei es eine berufliche Tätigkeit, die uns mehr Macht, Geld oder Sinnhaftigkeit ermöglicht oder am besten alles zusammen. Aber auch ein Moment, in dem wir spüren, dass uns alte Glaubenssätze, Unsicherheiten und fehlende Qualifikationen im Wege stehen. Viele Frauen tun sich zudem schwer damit, alte Rollen, zum Beispiel als Mütter oder pflegende Töchter, zu verlassen und Zeit für die eigene Karriere in der Familie oder Partnerschaft zu erstreiten. Wie all das gelingen kann, welche Fragen wir uns stellen können, welche Methoden wir auch zu Hause ausprobieren können und wo wir Hilfe finden, das erfahrt ihr hier."Um sich beruflich neu aufzustellen, brauchen wir Kraft und Zeit und die größte Herausforderung für viele Frauen ist es, sich diese Zeit zu nehmen und zu erstreiten.".................................................Tipps & Links zur Folge:Hier geht's zur Website von Natalie van DykHier geht's zum Brigitte Academy SummitHier geht's zu den Brigitte Academy Sessions..................................................Ihr habt Anregungen, wollt uns Eure Geschichte erzählen oder selbst bei uns zu Gast im Podcast sein? Dann schreibt uns beiden persönlich, worüber Ihr gern mehr wissen würdet, was Euch bewegt, rührt, entsetzt und Freude macht an podcast@brigitte.de. Wir freuen uns auf Euch! Und bewertet und abonniert unseren Podcast gerne auch auf Spotify, iTunes, Amazon Music oder Audio Now. Noch mehr spannende Beiträge findet Ihr zudem auf Brigitte.de sowie dem Instagram- oder Facebook-Account von BRIGITTE –schaut vorbei! Unsere allgemeinen Datenschutzrichtlinien findet Ihr unter https://datenschutz.ad-alliance.de/podcast.htmlUnsere allgemeinen Datenschutzrichtlinien finden Sie unter https://art19.com/privacy. Die Datenschutzrichtlinien für Kalifornien sind unter https://art19.com/privacy#do-not-sell-my-info abrufbar.

In E186, Nick Van Dyk discussed how he quit his job at 29 years old and moved into his career as a full time real estate investor. Nick is an aggressive investor and he knows his stuff. He's been investing recently in Cape Coral Florida, where Andrew invests, and also investing in Edmonton AB. Nick's noteworthy quote from this episode was "you'll never know unless you try". We obviously all want certainty but it's an unreasonable expectation. Nick's an inspiring investor and entrepreneur to follow. Disclaimer: This episode, as with every episode of this podcast, should NOT be considered as advise. Investment advise is NEVER given on this show. Always consult a competent investment advisor before making an investment decision. Listen on Apple Podcast, Spotify, Google, Stitcher and more @ https://linktr.ee/theandrewhines Connect with Nick Van Dyk on instagram: https://www.instagram.com/nvdproperties/ Connect with Andrew Hines on instagram: https://www.instagram.com/theandrewhines Andrew Hines Audio · E186 Retiring by 30 and Real Estate Investing Internationally with Nick Van Dyk Music Info, Artist: JPB, Song: High, NCS Release: Feb 1 2015, No Copyright Copyright Free

How do you make the most of the information available to you about sports injuries while you focus on building a strong trust relationship with the athlete? Dr Nicol van Dyk—medical research lead with the Irish Rugby Football Union—brings his trademark innovative thinking and practical advice to JOSPT Insights. We draw on Nicol's extensive experience in sports medicine research and practice to walk step-by-step through simple solutions to diagnosing and managing hamstring injuries. ------------------------ RESOURCES ------------------------ 2016 Bern Consensus on return to sport: https://pubmed.ncbi.nlm.nih.gov/27226389/ Early versus delayed rehabilitation after acute muscle injury: https://pubmed.ncbi.nlm.nih.gov/28953439/ Rehabilitation after acute hamstring injury: https://www.jospt.org/doi/10.2519/jospt.2020.8895. Clinical Practice Guideline Hamstring Injury in Athletes: https://www.jospt.org/doi/10.2519/jospt.2020.8895. Biology of muscle tissue healing: https://skeletalmusclejournal.biomedcentral.com/articles/10.1186/s13395-017-0142-x. Steven Covey's 7 Habits of Highly Effective People: https://www.goodreads.com/book/show/36072.The_7_Habits_of_Highly_Effective_People.

On this episode of the Inside Look, we hear from RSL Communications Manager Meg Van Dyk. Meg tells us about her time in the NWSL, working with the Monarchs and Academy, and the future of Real Salt Lake. Meg is a pillar of the RSL organization, having originally joined the Utah Royals staff in 2019. She went on to work with RSL, the Monarchs, and RSL Academy. Meg brings a unique perspective on the team, NWSL, and culture at Real Salt Lake. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Join us as we talk to Kristina about life in LA with lots of glam, fashion, styling and celebrities to life in Greenville where she is newly married and enjoying life as a children's book author/illustrator, artist, garden enthusiast and recent mother of chickens. Also, will we be able to pronounce the word "professional stylist" by the end of this episode? Tune in to find out.

Jordan Raynor sits down with Laura and Jason van Dyk, Founders of God's fingerprints, to talk about why they felt called to grow slower than they could, the great example of how the gospel compels them to “take pains to do what is right” (see 2 Corinthians 8:21), and the problem with our limited view of what constitutes “evangelism.”Links Mentioned:School of Visual ArtsSchool of Visual Arts on LinkedInRedeeming Your Time: 7 Biblical Principles for Being Purposeful, Present, and Wildly ProductiveEvery Good Endeavor: Connecting Your Work to God's WorkThe Ruthless Elimination of Hurry: How to Stay Emotionally Healthy and Spiritually Alive in the Chaos of the Modern WorldMaster of One: Find and Focus on the Work You Were Created to DoCalled to Create: A Biblical Invitation to Create, Innovate, and RiskJason van DykJason van Dyk on LinkedInLaura van Dyk on LinkedInLaura van Dyk on PinterestGod's fingerprintsGod's fingerprints on InstagramGod's fingerprints on LinkedIn

When it comes to insect pests, most of us feel quite strongly about them. Wireworms are no different; they are an insect we love to hate. To talk about all things wireworms, we go to our experts, and this time, we have three! Join in for the fun and informative session on all things wireworms... Read More

This week's guest on the Pacey Performance Podcast is Nicol van Dyk, injury surveillance and medical research officer with the Irish Rugby Football Union. Having been at the IRFU since 2019, Nicol is here to talk about injury screening, injury prevention and specifically the Nordic hamstring exercise. With Rob, he discusses why first-hand coaching experience is highly beneficial when undertaking academic research, and his own personal four-step injury screening protocol. As part of this discussion, Nicol explains when interventions need to take place, the risk factors involved with injury screening, and how to identify athletes at a higher or lower risk of injury. There's also some insight into Nicol's overall philosophy for injury prevention. In-keeping with recent trending topics within the industry, there's also some discussion into Nordics, the risks involved with them, and the athletes that the Nordic hamstring exercise isn't necessarily effective for. There's also some signposting into where we can find out more about Nicol's research, and what he's going to be doing next. For all this and much more, hit the play button now. This week's topics: Nicol's four-step Injury screening protocol with the IRFU Interventions and identifying risk factors Identifying athletes at high or lower risk of injury What triggers an intervention for rugby union players during testing What triggers an intervention for other sports Nicol's overall philosophy for injury prevention The questions surrounding the phrase ‘injury prevention' Nicol's opinion on Nordics, and whether there's a risk involved Athletes that Nordics are not effective for

If you aren't offering this ancillary inspection as a home inspector - you should be. Harold Van Dyk helps us see why this booming service is the "secret sauce" of the home inspection industry. Learn more by listening in!

Welcome back to the Speakeasy Law, a podcast with Carmen Dellutri and Casey Byrus of the Dellutri Law Group. In this series we welcome Tim Hart of Van Dyk Mortgage in Fort Myers. This is the first in a five part conversation recorded in The Standard, at Page Field. Don't forget, the best way to support the show is to rate & subscribe anywhere you listen to podcasts.