Podcasts about furrows

In this episode: What are the red flags when examining lesions in fingers or toes? Why is it important to examine fingers and toes at the same time? What ethnicities and age groups of patients are at higher risk of skin lesions? When looking at longitudinal melanonychia, what signs indicate patient needs to be referred to a Dermatologist? “Furrows are friendly, ridges are risky” – understand this mnemonic used commonly by Dermatologists Taking a clinical photograph of the lesion is always helpful in monitoring, even for patients, as most of these lesions grow slowly Host: Dr David Lim, GP and Medical Educator Expert: Dr Philip Tong, Dermatologist Total time: 24 mins Register for our fortnightly FREE WEBCASTS Every second Tuesday | 7:00pm-9:00pm AEDT Click here to register for the next oneSee omnystudio.com/listener for privacy information.

This week is hosted by Philippa, Katie, Lauren & QuentinA short midweek round up of The Archers SO FAR focusing on Sunday, Monday & Tuesday episodes up to and including 22/10/24.You can support us on PATREON: https://www.patreon.com/AllAboutTheArchersOr you can BUY US A COFFEE here: buymeacoffee.com/allaboutthearchersYou can buy our MERCH here: https://www.redbubble.com/people/aboutthearchers/shopDo join our FACEBOOK Group: https://www.facebook.com/groups/1127587031446013/ You can also watch this on YOUTUBE: https://www.youtube.com/@AllAboutTheArchers-vv8jz/videosThe ArchersAmbridgeBBCRadio4#Brookfield #TheArchers #AllAboutTheArchers #radio4 #bbcradio #bbcradio4 #ambridge #soapopera #borchester #bridgefarm #podcast Hosted on Acast. See acast.com/privacy for more information.

In this episode we’re looking at Celtic words for furrow, trench, ditch and related things, and words in other languages that come from the same roots. The Proto-Celtic word *ɸrikā means furrow and comes from Proto-Indo-European *pr̥keh₂ (furrow), from *perḱ- (to open, rip up, dig) [source]. Related words in the modern Celtic languages include: eitre […]

Prepare to journey into the heart of the Hip's 2009 album, "We Are the Same." This week, we're pulling back the curtain on an album that made fans wait an extra year for its release. We're not just talking about the music; we're delving into the nostalgia, the reception, and the adventure of listening to this collection of songs. TracksMorning Moon - Studio versionThe Last Recluse - Montreal 2009The Depression Suite - San Fransciso 2009Frozen in my Tracks - Syracuse 2009TranscriptTrack 1:[0:01] For the first time in over 20 years, hip fans had to wait longer than two years for new material. It was three years after we got World Container that Bob Rock came down from the mountain with the Stone Tablet Masters of what appeared to be a campfire album called We Are TheSame. Although it launched with a cool promo, the hip, performing live at the bathhouse, beamed to cineplex theaters across Canada, and it debuted at number one, I have absolutely no memoryof this album entering the zeitgeist. In fact, I could tell you that only Love Is a First made it to my ears before the Fully and Completely podcast. My first full listen of this album was followed by a visit to the grocery store where I bumped into my co-host Greg, and I remember us casually throwing around terms like milk toast andbeige when describing what we were getting into with this springtime release. What followed though is something amazing and it's something only music can truly do. [1:05] You see, I gave this album its due and by that I mean a good solid listening session. On walks, at my desk, on my patio, the beige started to turn into a kaleidoscope of colors and shapes. The album was making me feel nostalgic for my 1977 El Camino. I could envision loading up the back of this hog with camping gear and taking this record to the cottage for the May long and listening to nothing but. Yes, I had become a fan of We Are The Same. Today it's an album I reach for when I feel wistful and I want to reminisce with my past. I adore Morning Moon and the Depression Suite, but the deeper cuts do it for me too. Will the love that Pete and Tim felt on the Bob Rock produced World Container spill over onto this record, or will their first experience be like mine? We're here now, so we may as well be getting hip to the hip. Track 4:[2:31] Hey it's JD here and welcome back to Getting Hip to the Hip. I'm here every week with my friends Pete and Tim and what we do is we talk about the Tragically Hip one album at a time week over week trying to understand what it's like to hear thisband for the first time again. Pete, Tim, How the fuck are you guys doing? Ola, como estas? Buenas tardes. Bueno, bueno, bueno. Los fanes de Tragically Hip. That's how they would say it here. I'm not culturally appropriating. That's how people talk here in Spain. In Spanish, you mean? Yeah, yeah. And they wouldn't change the name of Tragically Hip. hip, they would just say tragically hip, just like they say. See, see, see. Cloud, cloud, or cloud, or cloud. I don't know where he's went to, but there was a guy on Facebook. He's in the Facebook group. And his name is Luca Tadia, I believe. And he's Italian. And he discovered the hip out of, he's an Italian, he's in a band. He's a singer-songwriter. [3:47] And he was at a really low point. And he discovered the hip. And he, he really feels so strongly about them that he's rewritten, rewritten. [3:59] The lyrics like transcribe, like not transcribe them. What word am I looking for? Translated them, but in many cases he's had to write his own because there's so many turns of phrase he's, he's having to write like his own sort of stuff, but, but to fit in the melodicstructure and then, you know, he, he alters the melodic structure a little bit, but he's released a whole whack and he's coming out with a record and everything, but I haven't seen, I haven'tseen anything about him in a while. So what a fucking surface, Luca, come back to it. I'll point out, I'll send some stuff to the thread later this week, but, um, I'm getting way, uh, way caught up in the weeds here because we're here to talk about a record we're here to talkabout, we are the same, uh, released in 2009, which interesting tidbit. This is the first time that a hip band had had to wait more than two years for a record since the band emerged in 1987. They had to wait three years. So it was 2006, then 2009. Was that the longest three years of hip's lives? Or what was going on during that time? I'm guessing the diehards were losing their minds. Yeah. Are they breaking up? What's going on? Like, Gord was doing solo stuff. Rob Baker was doing Stripper's Union in 2005. So he might have toured Stripper's Union in 2006. [5:22] I don't know, they did their usual stuff, but they, like, to my... [5:28] To my knowledge, they, I mean, the record still opened at number one, um, for the week that it was released, which was consistent with what the hip had been doing. I think they had eight in a row or something like that, but they just weren't part of the zeitgeist, you know, they weren't part of, or maybe it's just, they weren't part of my zeitgeist. That, that might be it. Uh, they, they might've been, but, but I feel like if they were as big as they were in 96 in 2009, then they would have never fell off my radar, sort of. And it wasn't that they fell off my radar. They, I just started listening to other music. I just, you know, I- Were you aware of their whole, their whole bathhouse performance at the end or before the release? Like they played at the bathhouse to, they played a show? I would have lost my, like, I would have lost my mind. So I, yeah, I don't, I don't know. [6:24] It was just out of my reference point. Yeah, so I read that they played at the Bathhouse and it was screened, I guess, at Cineplex Theatres across Canada. It's like, these guys were, you know, celebrating for sure. Do you know what Cineplex Theatres owns? One of the things they own is a branch of places called the Rec Room. And one of the Rec Rooms is in Toronto, where we're going to be hosting our event. And we hope you all make it. Get out of fucking town. Wait, what's this event? What are we doing? [6:59] Come on be on board I hate the pull it out game That's gonna be a fun night. I just can't wait. That's gonna be a real fun. Oh, don't lie Jay Jay D Your pull-out game is great. [7:15] Oh my gosh He's got like 12 pockets on his outfit right now he's pulling shit out of her. Oh man. Yeah, I know, the event's going to be great, tickets are selling through, so get themwhile you can. Hit them quick. Get more information on our Twitter feed or send any of us an email, JD, Pete, Tim at gettinghiptothehip.com you can do all of that and more. So let's get into this Bob Rock produced record. This one's recorded entirely at The Bath House, which is a stark contrast from World Container, which was recorded at a big studio in Vancouver and a relatively large studio in Toronto. This was now The Hip on their own ground. I feel like as a result of that we get a very different sounding record. It's got like the nuances the nooks and crannies that the bathhouse records are sort of becoming famous for but it's still like holy shit is this record produced. Like it is depending on what side of the fence you're on it's either intricate or too busy you know like in terms of some of the arrangements. [8:34] The general, I don't know, gist of it that I was kind of reading about is a little bit of a love-hate. I don't know. I also read that that extra year they're waiting for Bob Rock to returnfrom a carnival cruise. Like a really extended long carnival cruise. Oh, wow. That's boggers. That's my joke right there. Oh, okay. Oh, yeah, I got that, it took me a second. Yeah, me too. Sorry. We'll dial it in, we'll dial it in in post. I'll test my new editing tools on that one. Punch up the laughter. Okay. No, I really, I read a bit about this album. It is very much highly produced. I feel like it's, the all music reviews, three stars. Yeah. Which is lower, you know, by at least half a point than usual. And one term they used about it was a creative bankruptcy. Like, they pulled out all the stops. All of the stops for this album and tapped the tank. So I thought that was a pretty fucking harsh review. That's very harsh. Considering three years, man. Yeah, no, no, don't be sorry. I just, I don't see that it's, it's, yeah. [9:59] I like this. I like this record. I'll tell you guys. I didn't. The first time I heard it, did not. So I was the same. Yeah, yeah. Let's hear about your experience listening to the record. I was kind of the same. I listened to it. Well, I listened to parts of it. I couldn't sit through it all thefirst try. It was like, I don't know, it was like reading a series of books and getting to the next book and it's like, oh my gosh, this book's going to take me forever. That's what it just felt like to me and finally got through it. I'll say finally. [10:32] And wasn't so sure, but you know there were songs, I'll just say that there were songs that grew on me after repeat listens and I and I got to a point where I thought I could see howhip fans either embraced the whole trajectory of the hip and continued to absolutely love this band and I could see how some hip fans were like Like, what the fuck? When are we going to get this Bob Brock guy out of here? Yeah. Because, I mean, I feel like that's still, I don't know, still a thread going through it. So yeah, that was my take. Listened to it kind of everywhere. [11:11] I just, I gave this album some real attempts. But I listened to it also, I think, less than other albums in general. Okay. Pete? You know, I say we get into it cause I got a lot to say about the, you know, the record as we go. And I'll leave my comments to the record as we move on. Okay, well then kick us off here. Let's start right out with Morning Moon. I mean, I thought it was, I thought it was, let's see. It definitely a different tone to begin the record on with the acoustic vibe, the melody was really cool. I was surprised by the strings, but as we'll talk about as we go on here, the strings become a thing. Hey, that's a good way of putting it, Tim. [12:12] There's a really cool country lick with the electric guitar, I like it. Chorus is catchy, heavy harmonies, twangy guitar. I got some, I got some like a little bit of Eagles vibes on this too. Sure. Clearly hear it. My note that I, my note I wrote down was, it's got an AM radio chorus. Yeah. Yeah, totally, totally. But, but. In a good way. Yeah, in a good way. But I wasn't like, I wasn't like, ah, ah, fuck. This is, yeah. I mean, this is not... [12:49] This is not music at work. This does not grab you by the balls and punch you in the face and then throw you down the fucking hill. It doesn't do that. [13:02] Not to say that I want that, but yeah, interesting start. That's all I'll say. Track one. We'll go there. We'll talk about Bob Rock as we keep going. Oh, Bobby, I thought, you know, this is an interesting start as well. It's got this country rock ballad, you know, it's like, are we jumping into a good condition 90s Chevy Suburban driving through Nashville in this one, like heading to the barbecue place? I don't know. But it also felt like, you know, I was listening through and I also thought this is so singable and it's kind of lovely and it's balladish and And it feels a little country. There's slide guitar. There's some, I don't know, cello or something that comes in. There's strings happening. And then I thought, I could rewrite the lyrics of this song and play it for anybody, and they would like it. I could actually turn this into a country music song. Or you could turn it into, dare I say, a Christian rock song. It just felt really mainstream, stream kickoff song to this album. It was like beautiful. Yeah, it's beautiful. And I like dug it, but it felt like programmed, I felt kind of programmed. [14:26] I would never suggest rewriting Gord Downie lyrics. I agree. But the music merited a feeling of, this could be a song played on different types of radio stations. It just, yeah. I wanted, you know, the kickoff on an album for me, it's got to be gripping. And it puts you in the seat. And you put on your seat belt. And you go. And this one was like, OK, what's number two? [14:56] Which, before we get into number two, honey, please, which, from each of you, song would you have used to kick off the record if you were sequencing the record? Is there a song on there that does that, that throws you down the hill, or grabs you by the throat? I know which one I would not, out of all of them, but I'll take it. It's a good question, but to be honest with you, I feel like this record, there are songs on. There's even notes that I'll say when we get into other songs. I feel like there's songs that don't belong in this record. Gotcha. Yeah, it's hard to say. I mean, they kicked it off the way they kicked it off. And I think it's, you know, you can't argue with what's been done. And I can't make their fucking decisions. But yeah. Yeah, I don't know. That's a tough question. It's a good question, but I can't answer it, JD. All right, honey, please. Oof. Here's another one I thought that kind of had this R.E.M. feel. I have East Street Band written down. OK. I also had. The beginning just reminds me of that piano lick at the beginning. Just reminds me of Springsteen. [16:08] It just feels like it's going into a Springsteen song. OK. This one, it somehow made me think of the band Big Country. I think they were, where were they from? Were they Scottish? I don't know. It just, Gord comes in softly, you know, I kind of felt like, oh, I wonder if they do this one live and he's angrier. Like it just, it just, I felt like there was a shift that wasn't in this song. Like it just felt like a great radio song, but at the same time. It was also playing in the ceiling speaker system when I was in Vancouver, BC getting my teeth cleaned. You know, like it just, it was really, it like, it was like I couldn't figure out what it was. It was that, or it was almost a wedding song. Like I couldn't figure out what this song was supposed to be. I just, it just kind of stumped me. It was good and sing along and everything, but it was also like, where are we going? I know, it's hard. This is that song, this might be the album that got kicked in the balls at the show on September 1st. Somebody might just walk up and kick me in the balls. Oh, there are big fans of this record. This might be that album. I'm wearing a cup, dude. [17:33] On Amazon, like, no fucking way. I'm wearing a mouth guard. I'm wearing a wig and I'm going to have like a voice modifier on my throat. I can just set you guys up behind the screen like so nobody can see you. You know, one of those things like silhouette. The old cage. You remember like watching fucking Roadhouse where the band played behind like a fucking like a chain link fence. And that band was? Jeff Healy and the... Fuck, Jeff Healy and the... I can't remember the band. I would have just said Jeff Healy band. Fucking shadow puppets. Here's my shadow puppets, Pete and Tim. Jesus Christ, man. Great fucking man, though. You know, we've been drinking the Kool-Aid and sometimes you get a little gherpie from, you know, too much Kool-Aid. I think that's just kind of... It's funny you say that, Tim, because I'm reading my notes for this song and it's... And honey, please... You've got gherpie written down. No, no, it didn't matter. This is my complete notes on this song. Heavy production. Producer is really mixing the Kool-Aid here. [18:44] Even how the drums are mixed, I mean, I just, I could not, I could not listen to this fucking song enough to even see, like, I just was like, yeah, dentist's office. I'm at, I'm at a fucking Sears or, or I'm at a Hallmark store and I'm just like, what the fuck, man? I just want to get out of here so I can put on fucking Black Sabbath or the, or fucking, or fully and completely in my fucking car. Like I just, Christ, excuse my language, but yeah, it justwas not taken, not taken. The, the, I'll just, there's more, but the, the, you're right about the drum mixing because there were a couple times where I was like, there's nothing wrong with this drummer. Why are we doing what we're doing here? Oh, it was like fucking the right tom went from the right ear to the left ear and then the kicks going back. I'm like, what the fuck are we doing? Why? Like, just give me the fucking drums. I don't need a ping pong set in my ears. It was just too much. I hear you on the E Street Band JD, but yeah, other than that, could not, oh, yeah, that's all I got. That's all I got. you. [20:05] J.D. we need to rerecord the start and you're going to be like, this is where I lost my friendship with Pete Dibb. And they were banned from the roof of the United States. No entry. No entry. [20:22] The first time I sat down and listened to the record was for Fully and Completely, the podcast. By the way, Pete, it's Fully Completely. Fully and Completely was our podcast. Whoa, easy, JD. Okay, now you're cut. Okay, all right. Mr. Details. This is episode... He's gotten our back. This is like, I mean, we got one record after two records. I should know this, you're right. I should know this at this point. I don't know if I can say this. So I listened to it then and I like absolutely, it did nothing for me. It did nothing. Like, I was just like, I don't even, I didn't pick up anything. I can't even say, oh, well, the Parchment Suite I really liked, you know, like, no, it just washed over me. And that really disappointed me and so I gave it like a session listen. Probably two or three weeks later, where I sat down and listened to it two or three times in a row. And that's when I latched onto a few songs. I won't say what they were, but I latched onto a few songs. And then picking it up again for this podcast and listening to it, it's like I'm finding some of these songs feel weirdly nostalgicnow, you know? And Honey Please, I like the tone of of his voice, like, I like what he's doing with his vocals on this song. Yeah. Uh, like he's, he's really playful. Like Jimmy's like, no, not like that. [21:51] Well, I was just in shock because I thought for a second, Gordani was sitting across from me. Oh, I thought you meant Tim was having a fucking seizure. No, it's, it's what I've been doing around the house when I need a refill. It's like, No, this, you know what, I'll tell, I'll tell you something, this, this is a really weird analogy, but like, I'm not a, I'm not one of those guys who's, I mean, I think the last time beforethis time I had been to a strip club when I was like 18 years old, you know, when you're 18, this is the first thing you can do. You go to a strip club. Yeah. Uh, and I had gone to one, one time after I was in a very committed and loving relationship And it was like, I got there and I was like, there's this beautifulwoman and she's talking to me and she smells nice and everything. And she's like, it's not doing, it's not, it's not taking. [22:44] And then like, you know, the night goes on, I have a couple of beers and I'm like, still not working. I don't understand what it is. And, you know, turns out, at least in terms of the strip club, it was because I love the person I was with and I didn't want to be there. I was not happy about where I was at. But that's how I felt listening to this song, is that no matter how much I tried, it did nothing for me whatsoever. Wow. It wasn't because it was your aunt, Shirley? I mean, for art, for art, that is the most harsh criticism you can give, right? I hate to say that. I hate to say that. This song is- No, no, I'm fine. This is what this is, right? This is great. Yeah, yeah, yeah. I like that you're being honest rather than pandering, you know, I'm not going to pander and I'm going to be honest about this. It means the stuff that you have loved is that much more real to me. You know, thank you. Yeah. I mean, when you go back to, I mean, talk to me about fucking trouble with the hen house and I'm Christ. [23:52] Well, and just wait for next, next week. Ooh. Okay. I'm, I'm, you know, I don't want to get to the last recluse. [27:09] Oh, so, you know, fun chorus, lots of oohs, aahs. You know, I like a good ooh-aah section in a song when it works. I don't mind it. It can make it fun. But this song is so loaded. It's like tons of instruments. I don't know if there's an accordion in this song. I don't know. There's keys. There's tons of layers. It's got this ominous start. Um, it's a really bridge. Yeah. Bridge is so ominous. This chanting. Yeah. Yeah. I, which I thought was kind of cool, but, uh, you know, the keys fade out at the end and, and Gord's just, who are you? Who are you? Who are you? And it's, uh, I don't know what the song is, is about or who, or I don't know. It just, it just was like, whew, this, this song's loaded. Did you watch those videos I sent you guys? There's a trilogy from this record and Gord produced the videos and I sent them as a link. I don't think I think I said I was going to watch it because I wasn't in a place with Wi-Fi and thenI never watched it. I think that's my excuse also. [28:23] I don't remember getting it from you. You have to resend it. I'll resend it. I would watch it. Yeah, I want to read my notes verbatim here. Okay, um because yeah, I I really cool opening. I got YouTube vibes, a little Alice in Chains with the acoustic. [28:46] Guitar. The melody is good but it's very Coldplay. I got a lot of Coldplay vibes from this song. Not that I'm a Coldplay fan but unless you've been living under a fucking rock, you know what Coldplay sounds like. [29:00] And not to say that Coldplay's bad. There's a market for them. I like the keyboards but again with like the chanting and everything like I wrote down I do not recognize this band and it's no it's no surprise to me that Bob Rock did not produce the nextrecord because I feel like the whole time this guy Bob Rock whoever he is I don't know how he sounds I don't know where he's from but he's like listen guys nah this is the way it's gottabe I've been in the business for years I did this Metallica group you hear of them you heard of them they're from they're from California I know how to do it. It's just what you got to do to make this record sound good. Okay, I'm a big time record producer here. Like, I mean, the whole band is just like, Gord, what do you think? Do you know how much this haircut costs? Yeah, I put my my my pants on the same way as everybody else. The only difference is I make gold records. Like, I'm like, just like, fuck, dude, I'm the band must have just been sitting sitting there like, okay, all right, we'll do this. [30:08] Hey Gord, we're taking a coffee break right now. Hey Gord, I just ran into fucking Bob Rock coming out of the bathroom and he says we should put some Gregorian chants on thenext song. And he's like, you said, you said what? Okay, I guess we'll try it. Like it just, I don't know. Yeah. I, let's, can we go to Coffee Girl? Because it's not just. Sure. Can we? Can we? I promise, I promise this is gonna get better, but not with this song. Yeah, it is, it is. Not with this song. [30:43] It's a rollercoaster ride. This song. I'm reading I'm reading verbatim here feels like a song used for a scene transition in a romantic comedy when the guy and the girl break up before the final act where they get backtogether. Coffee girl. It's like I'm just picturing like, ah, fuck, he broke up. It's a montage of like her at work alone, pissed off because the guy fucking broke her heart, whatever the And, and, and like the trumpet, it's like, it was cool, but it was just like, what thefucking trumpet? Like, what is, what is going on right now? [31:24] And, and I mean, maybe it's supposed to make you feel like you're in a, like, give you that, that so I made her an expert or so I married an expert vibes. You remember that? Yes. Yeah. Like with a trumpet, like a lowly coffee shop in San Francisco, like, I don't know what the fuck's going on, but I'm just like, okay, this band is takingdirection. This is not, not to say it's not the same guys, but they're just like, they're led astray on some songs with this record, I feel. That's all I'm saying. Interesting thing. Yeah. I'd want this, this song, I got this, like, I agree with you pretty much, but I got creepy vibes from it. Get to the back door, look around, then turn the key, turn on all the lights, take down the chairs and make things neat. One night he'll make you choose. I mean, what? This is... Well, the beginning part is her opening the coffee shop. This song's creepy though. It's, I don't know. There's, there's... So I had that little sentiment about it. And then I was like, I remember when you could walk in Starbucks and you'd hear like like a catchy song. And then they had CDs for sale next to the cash register. I remember those days. And you can like take from, you know, the holiday Starbucks playlist, but it was on CD for sale right there. Right. I wondered, like, yeah. [32:51] You used to have a song you could download too. Yeah, yeah, yeah. I was like, was this a Starbucks song? I don't think it was a single. Tim's all creeped out and JD's like, no. JD's like, no, I've worked at a coffee shop. I've worked at a Starbucks before. You turn the lights, you turn the fucking key, you put the chairs out. Tim, what the fuck is the problem? Yeah, the problem is one night he'll make you choose. What is that? Like there's... You gotta watch the videos. Watch the videos, all right? I don't... Fucking... Okay. All right. Homework. Homework. Now, I agree with you. This song is very milquetoast. Milquetoast. Good work. You know? Yeah. It's fine. But it's enhanced significantly by this video. You enjoy it a little bit more. But... Well, in that essence, do you feel the song was kind of made for video, hand in hand, kind of? Well, I don't know why it wouldn't have been a single then, you know? Yeah, yeah. Okay. Like, back in the day, they were releasing six, seven singles a record to give those record legs. [34:06] Well, it's got, I think, second biggest plays, or third biggest plays for this entire record on Spotify. Definitely a single category as far as listening is concerned. And I said it at the top of the fucking conversation about this tune is that it feels like it's made for a movie, you know? Yeah, yeah. So yeah, I thought of the same. Only played 77 times live. So it's not really a big live song. No, it'd be super rare. Yeah. You guys are such data whores. Such data whores. You started it with your Spotify. I really wasn't with this album until yesterday. I usually do some research along the way in this album. I really just tried to listen to it, and I tried to listen to it. You weren't inspired. And then yesterday, got into some of the data stuff. All right. Let's go to track number five. Let's go. So, the acoustic guitar feels kind of played hard. Like, I don't know if you caught this, Pete, but it felt like. I don't know. I don't think it feels forced, but the strumming of the acoustic guitar in the beginning feels a little bit annoyed or something. I don't know. There's some sentiment in there. [35:33] Drums felt kind of simple, and then everything kind of thickens up, and there's big solos in here. It's over a six-minute song, So it's building us up in song length. I mean, this is a long song for the hip. [35:52] What else did I have in my notes here? Oh, there is, you know... Sorry, I have to read this real quick. You know, the importance of this one is just how it is all about the reference of the residential school system. We actually watched a kind of docudrama film about the residential school system up there and all the government's policies towards First Nations people. And that's some heavy, heavy stuff. Yeah, yeah, yeah. Yeah. It's just the song, let's see, I read the song is a response to this basically a cool you've apologized. Oh no, no, this was a Gord quote, I believe. Cool you've apologized, but nothing has really changed. The damage has been done. People are still suffering as a direct result of the government's policies. You know, that's, it's, it's not an apology song, but it's sort of. This one's just big. It's just a big song. Another one. [37:06] Yeah, before I speak about the song, I'm going to go back to one thing I said in the previous pod. I really wish to God Gorda was alive today, because I feel like the governments of the world, specifically the United States government and the Canadian government are just fucking itspeople in so many ways. Not making this a political thing, but like, Absolutely, I just I feel like that guy is a guy who would speak out and and you know, it's funny because I remember watching like video ofTrudeau when he died and Saying what a great guy he was and him actually tearing up but thinking like god, man I wonder if Gord hadn't died and what he'd be saying about some of theshit going. Yeah, no doubt the war or, you know, anything that happened during COVID, all that shit. I just really, you know, that guy is an important voice for the people in Canada. And I think, I don't know, I say North America, although there's not a lot of Americans that know the hip, but I sure shit do now. So, but getting back to the song, I liked this one. I, Tim, I certainly felt the same vibe. acoustic guitar in the beginning sounds extremely dated so that's where I think you got the vibe. [38:28] There's a lot of chorus and a lot of reverb it's just like way too like is this is this 1991? 92? It sounded like the same guitar tone on the song More Than Words by Xtreme. It just but strumming instead of that Like it just was too much. That being said, again, the strings come in, but there's a lot more of that on this fucking record. Rob Baker kind of saves the day. Solo starts coming in. The hit is great. The chorus is awesome. I love it there's some really cool arpeggios that are done in the second verse that just mix up the the sound of the song and then Rob Baker's solo it I Mean, I don't know dude. I'm willing to think he's probably the biggest fucking Pink Floyd fan in all I thought the same thing! That motherfucker, it's just fucking David Gilmour. I mean, I'm like, is Gilmour playing on this fucking record or is it Rob Baker? I mean, it's not even like, if you heard it, you'd be like, oh yeah, it's David Gilmour playing guitar. Like, no, it's actually Rob Baker, which is cool. I like it. And then Paul Amois doing like a Beatles thing, like with the guitar, like bouncing back and forth. [39:57] But in the end, I felt like this song had literally, I don't wanna miss a thing, Aerosmith, Armageddon vibes. Like it was produced to that level. Like it was good. Cinematic. But it was just, yeah, like, whoa, like, did I see this on the IMAX? I've got to listen to this song in IMAX. Yeah, to really appreciate it. Oh my gosh. I had the Pink Floyd reference, not so much of the guitar playing, but more as the all-encompassing feel of this album and the journeys throughout it, because it felt like it was trying to belike this massive Floyd production. That's one thought I had relating to the Floyd. [40:44] But the song, it made me wonder. This is where I dove into the story a little bit more. I wanted to know who Honey Watson was. Did you find out who Honey Watson is? Anybody? The reference here. So Gord apparently was watching a CBAE, CBC news story about the residential schools and started to write this song about it. And then the news story shifted to some story in Haiti and the news correspondent's name was Connie Watson. And he heard it as Honey Watson. And he thought that was funny, so he incorporated her name, Connie Watson, as Honey Watson into the song. Just thought it was cool and wrote it down. So he's like going through this really heavy topic, like one of. [41:36] Canada's maybe, you know, top three heaviest topics, residential school system. And he's throwing in these funny little, I thought they said, honey, Watson, her name's Connie Watson. I'm going to put this in this fucked up story, you know, it's like, God damn what this guy can do. And Pete, I completely agree with you. We, we, if I could choose, of course, any of us to have Gord still around. Yes. But we also need the band. Like, this is something I kind of want to save to the end, but of the whole, all of our experience, but like, we don't have art in the form of music that isscreaming about issues going on right now and making people angry. We don't have like, I can't name a band right now that has death threats against it from groups of idiots. [42:31] You know, I just don't know, like, there's a lot of- Hang tight, Tim. Our record comes out in December. Yeah, there we go. I was just going to say, there's a lot of, there's a lot, there are many lesser known, but on the rise, you know, kind of post-punk stuff coming out or going on, you know, like there's a lot. I agree with you though, man. There's just like, there's no- There's no mainstream people out there who are really screaming about issues going on around the world and ruffling feathers. [43:07] Like so much. Where's the song War Pigs, dude? Fuck, I've second time I've mentioned Sabbath during this fucking podcast. But like, where's the song War Pigs? Right now. Right now. It's on my hard drive. Back off. Hey, no, but like, I mean, I mean, here we are. [43:27] You know sending Billions of dollars to fund war all around the world and where the fucking dude, you know what? Um, there's a great fucking tiktok or whatever the fuck it is And it's some guy like i've seen it. Don't pretend like you don't tiktok all the time. No, I don't I don't have it But I wish I did um for that purpose, but there's a guy's Sitting in his car. He actually has his own account. Yeah. Look it up at pete. Um, it's all about his hair No, dude, there's a fucking guy sitting in his car and he's just like, you know, you guys in your punk bands and you were young, you were fighting against thesystem. [44:06] But somewhere you got old and you got fucking soft and you joined a party and it dude, he just fucking nails it. This guy fucking nails it. Wow. He fucking nails it. And it's like when I see shit like people like Henry fucking Rollins, like supporting the Democratic Party, which is like, fuck the Republicans, fuck the Democrats, fuck them all. Your job is to be against the system. You fuck. Excuse my language, but it's just like that's yeah, that's how I feel like, like a guy like Gord had. I don't know. The interviews I've seen with him and so much integrity, he wouldn't waffle. He'd tell he'd call a fucking spade a spade when he saw it. And if he smelled bullshit, he'd call it out no matter who it was. I don't know. That's how I feel, man. And yeah, you're right, Tim. We need the band. We need the band. We do. We need the band. Because the music's... Because not everybody watches the news and not everybody watches interviews. You hear music, though, man. You hear fucking War Pigs and you listen to those lyrics and you think, yeah, Smedley Butler was right. If you don't know who Smedley Butler is, listeners, Google him. He's not either. No, he's dead, but he wrote a good book. War is a wreck. Anyhow, too soon yet. He's been dead a while. It's a depression suit. [54:35] I had no idea what I was getting in store for when the song started, right? I mean, I was in the car and the display in my mediocre sound system, M-S-S. Clearly not my sound system. Fucking premium audio shit. My stock sound system. Anyways, on my screen it doesn't show the amount of time the song is. It just shows the amount of time it's been playing. And I just kept looking over. Like, I'm driving across town and I keep looking over. Like, god damn, how long is this song gonna go? The last song was like six minutes plus, right? Is this one a rock opera? Like, what is going on? It has this lovely start, but you really don't know where it's going. [55:26] The lyrics, I just, I was a little bit confused. The first listen, I thought we were really going to end around three and a half minutes, because that's when I was looking over. But we just kept evolving. It shifts gears, it speeds up, it gets more intense. Gord gets more loud. The strings get more loud. It just like, it's really climbing up this mountain. [55:50] And you know, part of the lyrics is, is what if the song does nothing? What is it doing? You know, what if the song does nothing? In one of the reviews of the song, which I later read, some of the hip fans who aren't as much into this album, they, you know, their, their response of what if the song does nothing waslike, yeah, what if it's not doing anything, you know, it's just confusion maybe? I don't know. Some fans were were like, no, I don't want to see how it ends because Gord's lyrics kind of ask for that. There's this, um... Kind of painful guitar solo at like eight minute mark. I mean the strings that loop and have this abrupt stop it's just this song is... It just goes. I've only listened to it three times I will listen to it again but the song to me was just... I just wonder what everybody was trying to do because it just was magnanimous. [56:59] It's giant. All right. Well, I will say I fucking love this. I thought I thought it was fucking magnificent. I think, you know, I finally with all the strings that are on this record was like, OK, I can dig them on this song. You know, I mean, it's a very, this is a very emotional record. It sounds like just lyrically, I don't feel like any of the first five songs really moved me that way. But there's a lot of musical references that he makes in here to like things like perfectfifths. The chorus is fucking amazing. When he starts warming up his voice, when he really starts digging his fucking heels in and he starts repeating, if this song does nothing, with the strings backing him up, I think are superpowerful. [58:03] They move me in this song, especially I listen to this song a lot in the car. I've talked about it once or twice, but, you know, it's a different experience when you listen to a song, when you listen to hip in my car or any music but you know I have a, The soundsystems, you know, it came with premium, but it's it's you know, it's it's a good It's a good audio system in my car. Frothy and quiet. Pete's premium sound system There's When the strings there's a cool syncopated rhythm that happens in the song and then when it when it breaks There's a part, because this is twodifferent songs, it's like 9 minutes and 27 seconds long and when this song breaks and it changes course, there's a part in it that is Alice Cooper's Only Women Bleed. Has anybody heard that song before? Yeah, sure have. It's that, it's fucking that, fucking it's the hook in that song they fucking use. And Gord's vocals are exactly that. [59:16] He smokes and drinks and don't come home at all. That's the lyric in the Alice Cooper tune. But it's fucking, I dig it. And then, you know, I liked Rob Baker's solo. It was very emotional. This is a really emotional tune. And I don't feel like I'm like, ah, this is fucking amazing. I just think it's, it clearly took a ton of work and a ton of work. Yeah. But I do feel like the band starts to come together on this track. You start hearing, okay, this seems more tragically hip than before. [59:58] So anyway, that's what I got for this tune. They played this, they played the song live 86 times. Like I wanted to look that up to see, like did they play it 10 times, six times? Theyplayed it 86 times. That's like not a ton compared to all the shows they played in their entirety, but that's a handful of times at this. Well, considering it's a later album, I mean, obviously they played the earlier ones more. Yeah. So to experience it and to know it and experience it live was probably fucking epic. Yeah, but who knows if it was with the strings too. [1:00:35] Yeah, I don't think they toured with strings for sure. Okay, okay. If you're playing like Royal Albert Hall or something, yeah, you're gonna have fucking strings, but like, youknow, otherwise... That didn't happen for sure, JD. [1:00:48] I don't remember. I don't remember that being... Like, this would have been around the time in their career that that would have been something that you might expect them to do. You know, like, we're going to do a tour with a full orchestra to get different venues on board and, you know, things like that. Bands do that kind of shit. The Cineplex Theater video. Would have been perfect for this record. Yeah, that Sinplex Theater air didn't include all the Strings people or whomever, do you know? Was that just the band? I can't imagine it would have. I'll try to find that. Yeah, if you know, send me an email, jd.gettinghiptothehip.com. That would be really cool. But let's go to the exact feeling. I didn't have a whole lot on this one. I felt like it had the DNA more, a little more so, of a hip song. Like a standout was the wah pedal going on and kind of this faint background guitar playing fade out at the end like I Honestly didn't have a whole lot not many exact feelings of this oneNot that I didn't like it. It just felt like a filler spot to me. I just kept rolling. Okay. I Yeah, okay. There. This song is the one that starts with the Castagnets, so very Spanish. Yeah. They wrote it for me. [1:02:15] I like the rolling melody, like the chord progression, the way they do it is really cool. It just it drops and then it comes back, it drops and it's very circular. The chorus is fucking amazing on this song. And the way it builds to the chorus is like, it definitely has more of a hip vibe. Like I said last time, I feel like they really start to like becomethe hip again. It's like, whoa, who's that other fucking band the first four songs or whatever, you know? And now there's like, okay, we're warmed up now, fellas, sit back and relax and enjoy. So I dug it. But then, you know, it just kind of doesn't know where to go, fades out. Tim doesn't like fade outs. the time I don't. Yeah, sometimes they're okay. Yeah, in this case, I just feel like the song was really cool. They had some cool ideas, and then there was nowhere to really go. They painted themselves into a corner and we're just like, okay, we're just going to stop painting the room. [1:03:18] You know, but yeah, but I got I got stuff to say about the next song. Yeah, go. Let's go. Queen of the Furrows. I love the beginning. I thought it was fucking awesome. This song is fucking Led Zeppelin three. It is Led Zeppelin three. I think Rob Baker's playing the mandolin. I don't know if Gord is. I don't know who's playing the mandolin. Would love to get some get a line on that. If you know anything, Pete at getting it at the hip.com. You like what you see what I did there? That was that was very professional. Did it sound natural? My boys all growed up. [1:03:57] I dug this song. The way the fucking chorus, the way the chorus comes in is like, it's just so different from the song, which is not very Led Zeppelin 3 because it's so heavy. It's fucking rad. And then the solo by Rob Baker, I'm going to read notes for Vadim here, Rob Baker melts dicks off people. He doesn't even melt your face, he melts your dick. I mean, this solo is fucking screams. It's so good. You can just tell he's in the zone and he could hear that he wanted to play that solo and he just wanted to fucking destroy it. And he just did. He delivered, I don't know if he did that in one take or if they mixed different solos together to make that, but it just sounds so good, dude. Goddamn, it's so good. I love it. Good song, good tune. Good tune. I'll pretty much agree with that. You know, it's one, I'm not going to add much to what Pete just put in, but what I did want to know what, you know, what this queen of the furrows is. And, um, it's actually a crown awarded annually to quote an agriculturally-minded young woman of Ontario. [1:05:23] And I'll just show you guys real quick. This is Kieran County Queen of the Furrow 2020 as part of Ontario's Plowman's Association. Can you see? Oh, yeah. What do you think? She's nice, you know, it's so to give everybody You know some insight into that photo. I would say she's dressed like a like you would think she'd be wearing overalls or something likethat, but she's dressed like a beauty queen. She's got a lovely dress on. She's got a sash and a tiara that looks, you know, like, that looks all beautiful and like prom queenie. Not at all what I would have expected the Queen of the Furrows to look like. Which for real... Not at all what I expected the Plowman's Association to be doing. Easy, Tim! Easy! But I didn't know, furrows is the word for the lines, you know. That's right. In the farm from the machines planting seeds or doing whatever you do. I mean, now I know when I'm sitting in the window seat on Alaska Airlines, covering the West Coast as I do. [1:06:37] I thought the guitar solo, it hearkened me back to some GNR. That's all I'll say about that. Certainly. this I guess just lastly the ending had this noisy but kind of quiet background guitar feedback something like there was something something playfulhappening with some guitar noise and the congos like this was one of those interesting enders but but kind of a cool song. Speed River. So, Speed River, I was like, ah, okay, I'm kind of digging this one. This felt a little more like what I was hearkening back to, Liking of the Hip. This was a single. Yep, yep. This has, again, a big guitar solo, which quiets down into keys and some rim shots from drumsticks happening. [1:07:34] This house sounds like a bomb hit it is a fucking cool lyric. I didn't know if that was referencing the feeling of recording and just being in the zone. This is what I was imagining, just being in the zone of the music just feeling so good with yourbandmates. You know, this house feels like a fucking bomb hit it because we are destroying with this music. But this song is kind of cool. a little more, I don't know, a little more fun in an easilysingable way. You know, it has a somewhat fitting, abrupt ender to it. It might have been... At first glance, it was like, this might be my song on the album. I'm not sure. Don't give it away, buddy. I didn't. I left it hanging a little. All right. He said it might. Yeah. Okay. Okay. I stand corrected. Speed River. I'd love to agree with Tim, because I love agreeing with him, but the tonal licks were cool. [1:08:45] Overall, though, not impressed. I feel like this song was written to play live. I mean, literally, they wrote it and were like, yeah, we don't care how this fucking sounds on the record. It's just gonna be a fucking banger to play live. Yeah, I'm sure it was great live. How many times did they play it there, Tim? Let's look. It was probably like a- Oh, I thought you had it pulled up hard. I do. It's just on, I got it right here. It probably was awesome, you know, to play like the fifth song of a show just to keep the crowd going. It was played 11. This was played 11 times. So this song was probably a treat for people who do it. You know, it was probably a fucking treat. Yeah. I guess so. I heard the rim shots and the keyboards, it's just felt so country pop, like, I felt like I felt like I should be at, like, the lake with my, like, pseudo country Republican voting friends, like, 12Bud Lights deep being like, yeah, this is fucking mad, right? Yeah, this is fucking cool. Yeah. Fuck, yeah. [1:10:00] So that was Bobby and. Yeah. You know, I don't know. It's just the vibe I got. I don't know why, but I felt. I felt like if I heard the song live, I'd be like, fuck, yeah. But on the record, it was just. It was like a bad Viagra pill, not that I've ever taken Viagra, but I don't know why. That's why. That's what I thought of. But it's like somebody selling you like a, like a placebo and be like, yeah, this will, this will do it. And you take it and you're like, I didn't do anything. [1:10:35] I think it was 2009 that we went to Mazatlan. That's kind of throwing me back to bad Viagra pills. Okay. I just thought, because you know, songs, you want to say this song to getmy engine going. That's why I did that. Anyway. If you look at the blueprints of this song, though, it should work like it should. It should all be there. Yeah, yeah. It's got an interesting chorus. But you're right, the sum of the pieces don't add up. Now, there are people that will love this song and tell us why you love it. It'd be great to hear. You could love it, but compare it to the shit that they've done. [1:11:19] And we're not in the compare and contrast game. We're not comparing apples and and oranges, groeries and forges. But I mean, dude, like. You're going to put this up against fucking fireworks, go fucking freak off, as Ricky LeFleur would say. Freak, freak right off. I mean, Christ, I mean, not even close. Right. Just I. But you're right, Judy, the sum of it, you know, it has all the components. It's like, Hey, babe, I was going to make this amazing soup for you. I put all the ingredients in, but for some reason it still tastes like shit. Yeah. Yeah. I won't go. Yeah. I won't, I won't go that far, but yeah. [1:12:08] Well, you know, you know where I'm going. Yeah. Well, with it, with this album and where we're at now and with, with all these journeys of these songs, I mean, we've gone fromlike three minute songs to nine minute songs, these, these past two, Queen of the Froze and Speed River, they feel like kind of placed in there to fill it out a little bit. But they also feel to me a little bit like past albums filler songs. So yeah. To me, they were good and they represent. But in this particular album, it's almost like, guys, we had 10 days book to record. We're at day four and you're feeling done. What do you have? They were part of this for two months. What do you have that we could pull in here? Jesus Christ. What about that song, Speed River? I just hope Bob Brock can retire after this. Yeah. What was that? [1:13:02] I just said, I hope Bob Rock retired after this or, or no, no offense to Bob Rock. Cause he produced some great shit, but just like, or found a band that he was more compatible with because it just. Yeah. I feel you. I feel you. I don't feel, and that's, you know, you guys dug the last record and that was him. And, uh, and, and you turned me back onto it by your, by your digging of it. You know, it's, it's just, it's just interesting. It's it sure is. I mean the last record I I it kind of won me over quickly and I believe I said this, you know, I went online to see how I could get it on vinyl and And then the more I listened to it the less Ilooked into Getting it on vinyl. I'm watching literally watching a crow in my backyard right now I'm going to destroy. [1:13:59] An old crow? I have a crow right now, destroying. Hey! Go! I love birds. I'm a birder. And this crow is destroying my cover over my... It's too complicated. I didn't know that crows in Portland speak English. Did you know that, Jamie? I did not know that either. That is a fact. I would have assumed they spoke Croatian. Oh shit. Fuck man. JD takes a sip of his fucking whiskey and says, I'm out bitches, finish the podcast on your own motherfuckers. I printed out the article, I didn't really, but I printed out the article about dads who throw out dad jokes are better dads than dads who do not throw out dad jokes. That may be true, but I'll tell you what, um, uh, camera, wait, what was it? Pigeon camera? Pigeon camera. Yeah. Yeah, it'd be cool if we, they did a crow camera. At least you havealliteration. [1:15:08] I guess crows weren't as smart, but crows are supposed to be really smart. They're fucking smart. And they, they have face recognition skills. They, they remember people. Frozen in my tracks. [1:18:58] You know, I think it's kind of a pleasure. It's a little bit of a gift, or maybe it's a huge gift, when Gord does his, what do we call it, when he speaks over... Spoken word! Yeah, when he does a spoken word fucking poetry, trippy stuff, like this song has it, and we got it, and I'm happy at this point on any hip song to get that. It's got kind of a... That's cool. Yeah, I mean, come on. It's got somewhat of a spooky start. The snare on this one's a bit tuned up, and the bass is like, lack of a better term for thuddier or deeper. It's like the drums felt a little bit different to me. [1:19:43] This, you know, Gord at the one minute mark, he's already screaming in this song. [1:19:48] I thought that, I don't know, with the bridge at like two minutes, this kind of locomotive feeling, I thought this song reminded, it made me wonder if Bob Rock, look, can yousqueeze call him Bobby? Because if he listens to this, I just want him to be Really upset. It's called a 

Twenty-four years after its formation, the Nationalist Congress Party (NCP) split on July 2 over the question of succession. In 2022, the Shiv Sena went through a similar churn. This malady is not unique to Maharashtra; many regional parties in India, such as the Samajwadi Party (SP), have gone through this. Others, such as the Biju Janata Dal (BJD), seem poised to go undergo this churn.  Are regional parties facing a succession problem? Here we discuss the question.   Guests: Sugata Srinivasaraju, senior journalist and author of Furrows in a Field — The Unexplored Life of H.D. Deve Gowda; Neelanjan Sircar, Senior Fellow at the Centre for Policy Research Host: Sobhana K. Nair

Ready to decode the legacy of The Tragically Hip and the enduring impact they've had on Canadian music and culture? Promise us your ears and we'll share an exciting exploration of the band's influence, creativity, and unique place in the hearts of their fans. Today, we're joined by the Emcee of Longslice Presents: Getting Hip to the Hip - An Evening for the Downie Wenjack Fund, Delhi stand-up, Pete Van Dyk. Today he plays the host on his podcast, "Live from the Dutch Hall." And he's invited jD, Pete, & Tim along for the ride. Together we reflect on our personal connections to The Hip, discuss the band's Canadian roots, and consider why their sound may not have resonated as widely beyond Canada's borders.Make sure to get your tickets for Longslice Presents: Getting Hip to the Hip - An Evening for the Downie Wenjack Fund today: https://bit.ly/GHTTHTicketsTranscript0:00:10 - Speaker 2Long Slice Brewery presents Getting Hip to the Hip. 0:00:27 - Speaker 3Hey, it's JD here and I am sans Pete and Tim at the moment, but they'll be joining us in just a few minutes. I am here to set up what is a new series within Getting Hip to the Hip. It's called Getting to Know Your MC And there will be a second installment of this called Getting to Know Your Band, And basically these episodes are designed to allow you to get inside of Long Slice Presents Getting Hip to the Hip an evening for the Downy Wend Jack Fund before that event even occurs. That way, when you buy your tickets and you can buy them at GettingHipToTheHipcom and clicking on the ticket button From there it's easy peasy you just have to show up at the event. So there's that. I would say that Pete van Dijk is a great stand-up comedian and he will be emceeing us. He's also a podcaster, hosting a show called Live from the Dutch Hall, And just recently he had Pete and Tim and myself on as guests And he graciously gave us a copy of the tape. He had it flown in live from Delhi and I'm going to put it up on our feed. It's going to be well. It's going to come up to you in just a second, So why don't I stop Blither Blathering and we'll get to Live from the Dutch Hall with Pete van Dijk and our friends Pete and Tim, as we discuss the podcast on Live from the Dutch Hall. 0:02:41 - Speaker 4Hey, hey, hey, hey. Welcome everybody to the Dutch Hall. We're coming to you live from the Pool Shed in Pine Grove, ontario, for episode 445, believe it or not. 445 times we have done this stupid thing, and this time we have roped two people from different parts of the planet and one person who was from here but had to come back here on a long journey today. That's right, and I'm very happy to have them in. All first timers, all Dutch Hall virgins, and they're here to promote a podcast, which is a really interesting concept, especially for a guy like me from Southern Ontario. The hip is really was really a band that was pivotal, pivotal, pivotal Is that right? That's right. Pivotal to a kid like me. It came up at the right time. They were like hitting it the same time that I was getting in to be in the most awesomeest part of my life, you know, and these guys, two of these fellas have no such experience at all. One of these fellas would have a very similar one, and the idea of the podcast is to let these two guys understand what us two guys feel about this band. And so I entered with these myself. Yet, jamie, yeah, you haven't really now. Oh well, i'll start off by introducing myself. I am the host of the show. In two time You're supposed to say two time, two time. There you go. President's Club Award winner, pete Van Dyke No applause, no applause. And our guest today, the one that's come from Waterford, ontario. He's a. He's a Waterford native, that's right, norfolk County boy. But he's moved to the big city and he's made a life for himself. First time here in the Dutch Hall, ladies and gentlemen, say hello to Jamie, do everybody, jamie do. 0:04:40 - Speaker 3It is great to be back. Great to be back to Norfolk. I mean great to be back in Ontario's garden. Oh yes, Thank you. 0:04:49 - Speaker 4Shout out to us and our guests And you're going to have to help me, jamie, on the last names here, let's try, i will. From San Diego, california, is Tim Lion, lion, everybody, i'll take it Yeah. 0:05:07 - Speaker 5Happy to be here. Thanks for having me. 0:05:10 - Speaker 4Thank you, Tim, And coming from Malaga, Spain. 0:05:14 - Speaker 3Malaga, spain. This is Pete from Spain. He doesn't have a last name. Yes, of course he does Marchica, pete, marchica, everybody. 0:05:22 - Speaker 4Pete Marchica. 0:05:26 - Speaker 1My middle name is is is from Spain. What's your middle? 0:05:29 - Speaker 4name From Spain. Oh, i'm joking, i'm your. You know, actually I have a. I have a nephew and his middle name, his name is this is seriously, his name is Adrian adventure Pitaski And, like it's just so, he could go around his parents name on that So he could tell people my, my adventure is my middle name, right? Wow, i love it. That's my nephew, that's real, that's my nephew, like that's that is cool. Like you want to get named. It's like your parents just made you James Bond, yeah Right. Like it is major, coolest. No, this kid's got to live up to that middle name. He's got to live life, yeah Right, yeah, hopefully he's not trepidatious of everything, yeah. 0:06:10 - Speaker 3What if he's just like an accountant, You know? 0:06:14 - Speaker 4it'll probably be cooking the books. Yeah Yeah, the name like adventure. You know that's a, that's just a gift, that's a gift from your parents, so uh, I think it's a little bit of a, a little bit of a, a little bit of a. It's a gift, that's a gift from your parents. So, uh, i want, I hope so, yeah, yeah, i hope so, or curse, or curse. Um, i wanted to say the band we're talking about is tragically hip. That's right. The band, uh, that, uh, if you the credit tragic lips, from Kingston, ontario, and for some reason the tragically hip have been a band that have uh made it in Canada. They were enormous in Canada, but as much as we tried to explain them to the rest of the band, we tried to explain them to the rest of the world, the rest of the world just didn't get them. 0:06:57 - Speaker 3No, Would you agree with that, Jamie? I would agree with that. And uh, these two are the avatars for the rest of the world. 0:07:03 - Speaker 4Yeah, And now is there a. Is there a band, uh, either in the United States or in Spain, that you would say would be like a band that is beloved in your country, but the rest of the world doesn't get it, You know. 0:07:21 - Speaker 1Tim, you want to take that one for the US Oh tough one, Yeah that is a tough one for US actually. 0:07:26 - Speaker 5Yeah, yeah, i have no idea, because I feel like if you break, i'm going to have to do some homework. 0:07:31 - Speaker 3I feel like if you break in the US, part of that breaking in the US is breaking internationally. 0:07:37 - Speaker 4Yeah, like the rest of the world will like what you guys like. Yeah, there's not much that you guys like, unless there's some guy like you know, like what's the name of that fella? He's, like you know, proud to be an American, or like the, or like one of those country guys who were really like patriotic and over the top. That might be a little bit. That's the country singer. 0:08:00 - Speaker 3What's his? 0:08:00 - Speaker 4name. That might be too much for like people outside the States. 0:08:04 - Speaker 1Yeah, that's true. No, I know what you're saying. 0:08:07 - Speaker 4You know what's the guy's name The big? Yeah, i know who you mean. See, that's me. We're from Canada. We don't know the guy's name? Danim Vast. Yeah, we got tons of them. You know how? about Spain? 0:08:22 - Speaker 1You know there's a band here called Los Planetes, which translates to the planets, if you will, and you know they're extremely popular. I mean they've got like there's a couple of the members have spinoff bands. I mean you can't you can't go to any corner of this country and not know somebody who knows Los Planetes. So they're like sort of as an indie rock band, sort of like I guess you'd say the hip did. But but yeah, dude, outside of if you mentioned Los Planetes outside of Spain, nobody knows what they're talking about. 0:08:54 - Speaker 3Yeah, i've never heard of them, yeah. 0:08:56 - Speaker 4I know that the tragically hip themselves were friends with the band the real statics out of England because they had the same issue as them. They were huge in England but the rest of the world Real statics are from the town. No, not real statics, stereophonics They say those bands were on. Oh, it was about to correct. Yes, i apologize. The real stacks actually open for the hip, yeah, but the stereophonics, and so they'd always, if they came out with an album, the hip would give an album to the stereophonics, stereophonics would give an album to the hips when they came out with a new one, because they had this mutual like kind of like, you know, like sister cities and stuff like that. 0:09:36 - Speaker 3It was like the same thing, but like sister bands, you know, i feel like the last time stereophonics played in Toronto it was post score dying and they played a hip song. Yeah, that would make a huge sense And I didn't. But I didn't know that there was that connection. 0:09:47 - Speaker 4I just thought they were just doing a tribute to oh no, they were big fans of it, like big fans of each other, and they both had the same thing. They could never break in the States and they were like huge in their own countries And even in Canada the stereophonics didn't really make too much of a splash. I just remember that having a stay song. Yeah, i like that band actually. Yeah. 0:10:07 - Speaker 5I can only think of bands from the U S that have done well outside the U S. You know like bigger tours outside the U S, but there are a ton. 0:10:16 - Speaker 1There are a ton of like Canadian bands that like have had broken through to me, for Christ's sake. You got Neil Young, you've got the Lannis, you've got Brian Adams, right, nickelback, you know. 0:10:29 - Speaker 5Nickelback. Yeah, that one band Rush. is that what they're called? 0:10:33 - Speaker 1Yeah, yeah, i mean one of the greatest bands of all time. It's a real crowd splitter rush. 0:10:41 - Speaker 3I agree Because. I've never I was never a Rush guy. 0:10:43 - Speaker 4If you don't, if you like Rush, you really like Rush Big time. I think it's like Bruce Springsteen. You know, bruce Springsteen, the guys that like Bruce, they love Bruce, Like they really like Oh my gosh. 0:10:54 - Speaker 5Yeah, we have a good friend who follows Bruce and I just Yeah, they're like, they're you and Target on that. God bless Michelle. 0:11:02 - Speaker 4Yeah, and my cousin's husband is like that, he's traveled all around to see Bruce, eh, and he knows him Like it. Just it means so much to him. Man, i envy that about him, but I just don't get it. Yeah, it just doesn't. 0:11:18 - Speaker 3I like Springsteen, but I'm not. I wouldn't do a follow along, or Yeah. 0:11:23 - Speaker 4You're in camp too, like either you love him or you're like oh, he's the boss, you know he's good. 0:11:29 - Speaker 5Yeah, i like a couple, you know I like it enough It's fine, there's lots of bands I would go see perform live if I got a free ticket. 0:11:38 - Speaker 1Right, yeah, i got free tickets to see Springsteen. That's the only reason I saw him. But back in the day I think we told this on the pod or I may have mentioned it on the pod when we did some, when we recorded, but back in the day, when I started playing in bands, like 25 years ago, you were, if you were a Rush fan, you were closeted. Like and I'm not even like joking Like in the US like if you liked Rush and you had Rush records, you were closeted. You didn't talk about it. I remember I was playing in a band with a guy named Jason Hirsch and he was our bass player and we played in a band for like seven or eight months and then one day it went over his house and it was like I found a bunch of porno mags in his corner. Like he's like, yeah, dude, i like Rush, and like the same was for Zappa, and I was like, dude, it's cool man, this is a safe space. 0:12:30 - Speaker 4I have a huge kit set up in the closet. I drummed a new apparel. That's funny man, but it was kind of that. There was like you just didn't know if you're, because they split the room, you either love it, like people hated Rush, or they loved Rush. You know, even in Canada, even in Canada, they're hardcore. I don't get it, you know. I think some It might be musicians though too, because like Rush, right, because they're technically Yeah, i mean because you just. 0:13:01 - Speaker 1The work of like the musicianship is like the fact that Geddy Lee can play His multi-instrumentalist on stage and singing is fucking stupid, yeah, like you know It's like Radiohead too. 0:13:16 - Speaker 4Right Like Radiohead, like Yeah, if the musicians get them more than the non-musicians, would you say that's true. 0:13:26 - Speaker 5I don't think so. I think Rush had a special kind of nerd dump. You know, like, if you ever knew, like a group of kids that played D&D, yeah, yeah, yeah. Like you know, like I don't know, rush has their own collective. Like, i have lots of friends who are radiohead fans and many of whom are not. 0:13:44 - Speaker 1We now ostracized the Rush crowd from Pete's podcast and now ostracized the D&D. 0:13:55 - Speaker 4I don't know. 0:13:57 - Speaker 5I saw D&D. friends, we're all good with each other. 0:14:01 - Speaker 4I've never played before. Have you done that Never? 0:14:05 - Speaker 5I won't touch a 12-side. I tried, like, when it became a thing, i tried with some kids in my neighborhood and I sat down with them and I was like are we going to drink some wine? Or you know, and that was the seventh grade Like it just felt like we were supposed to be naked or I don't know. It was just weird. Yeah, like It was really weird. I was like how far can we take role play right now? 0:14:26 - Speaker 4Yeah, you were an advanced. 0:14:27 - Speaker 5There's too much of a tease for me. 0:14:29 - Speaker 4No, i was like you were saying Dungeons Dragons makes a seemed a little like they was going to get a role. Did people wear costumes for that stuff? 0:14:37 - Speaker 5Well, no, i just felt like it was this level of intellectualism, you know, like that wasn't it being experiencing games and rush was kind of the same way, and maybe, you know, maybe the hip was too smart for the US, maybe it might be. 0:14:51 - Speaker 4It might be like there's, but I don't know how smart it was. It was like there's a. It's an interesting thing because I've only because of this podcast started. You know he's kind of reflect on you know I was a hip like, i am a hip fan and it, but I don't know if I'm associating it is just because they were around through a good part of my life. You know what I mean. Yeah, like I was young and having a good time and every show I went to or I could see them a lot, you know. So they were at a lot of like festivals and concerts that I would get a chance to go to. 0:15:25 - Speaker 3They were always on the bar, like whatever bar you go to, they were playing hip, you know yeah. 0:15:30 - Speaker 1They were like the LA. They were like Canada's version of X. If you live in LA, right, sure They were. They were still playing Cause like yeah, right, i know, but actually you could like go to any club on a given night in the 80s and 90s and that band was playing, and they're still playing. 0:15:51 - Speaker 4Yeah, they're still playing, and then I never seen a. The other thing that I think was was interesting about the hip, when you'd see them live, is like I've seen a lot of bands that would jam, you know, like they would like jam out a song, so it didn't sound like a radio version of it, like, but the hips the only one I can really say that vocalist was doing it too Like where the vocalist was jamming vocals, you know, and so you'd go to see them at a show and he'd be like gibberishing up there, you know, while they were like jamming something else out in the middle of a song, and then you'd go see the next tour and it would actually be a song that was on that album, you know, and like, do you remember seeing that too? Absolutely, yeah, i was called it breadcrumbs, right, like it was like little breadcrumbs and you're like that's going to be something like. I remember nautical disaster before it was nautical disaster, right, and then like, so, like I thought that was kind of cool, cause you kind of I don't remember another band that kind of let you in on the what's to come, you know, like, and and and let you watch the creative process, like the writing process, on stage, you know as obvious. 0:17:05 - Speaker 5Maybe the, maybe the doors, yeah, yeah, that's what's good. Jim Morrison did a fair amount of that, but there's not many. I mean, that was like lead singers riffing Yeah, there's not. Not many people are able to do that at all, is this? 0:17:19 - Speaker 4douchey. It really like it has the potential to go a little bit yourself in grandizing. You know, like, where it's like. Look at me, i'm an intellectual and you know even Jim Morrison and then Gord Downey. They both kind of you know they're like I'm not gonna do that. Their critics could accuse them of that, of being a little bit like you know in their own head or like too impressed by themselves. But I didn't get that impression from either of them but because I liked them. 0:17:47 - Speaker 3Yeah, me too. 0:17:48 - Speaker 4But and I like watching the creativity of it, you know, But doors is a perfect example, because that would be, I would say, the closest which I never got. to see them, So yeah. 0:18:00 - Speaker 1Pete, did you have you? because I don't know how much you dug into the pod, but we you know, one of the things that Tim and I struggle with is that you know, when we did the, when we did the pod, we recorded everything, because everything's recorded up into this point. Pretty much We're just kind of trickling the pods out leading up to the finale. But like a lot of folks, like you know, we had a week to digest the record and then it was week over week over week over week And, like so many people, like dude had fucking a year or two years to like and it had their whole lives to get to know this band. I think it's, you know, i'm not gonna we'll smoke up my own ass, but maybe I'll hold a little Tim's ass. But we, you know, i think it's, you know, i think it's, you know it's a little bit of a Tim's ass, but we, you know, i'm. I think it's pretty impressive because at this point, now that we're kind of all done, i fucking love this band. I mean, i've gone back and listened to the records we weren't super keen on and they're just dude, they're. I don't know what American rock fans were fucking thinking back in the day when this band was like pinky. 0:19:14 - Speaker 5Is that why? Yeah, i really think that a big part of why they didn't quote make it in the US, which they did to a degree, they just weren't selling out stadiums. But I think a big part of it had to do must have had to have been because of ill attempted marketing. Like, like, when bands go on tour, there are people behind the scenes that are doing promotions in every city. They're hanging posters, they're giving away tickets, they're talking about on the radio all of these things. You know everybody in LA who does this for a living And I talked to him briefly about it and he said marketing probably was marketing, i and can't. And I'm like, oh, you know, and the labels, when the hip was on with labels who weren't promoting them in the US, like, oh, they're gonna play in these six epicenter cities, we're gonna sell out them, sell out them more, maybe if all the Canadians show up, sure, that was, that was what happened. But man, if they were promoted more in a real way, like other bands on their US labels which I can't remember right now, i think they would have totally hit it. When they were on in my house the other day I said to my wife if this was playing in 1992, i would have been totally into it, cause we were talking about bands we were into in 1992. And some of them, like right now, i might have thought they were pretty good back then, but some of them right now I absolutely do not listen to. But if I would have, heard the hip in 1992, I would definitely be going back to albums right now, I believe. 0:20:48 - Speaker 4Yeah, it's interesting, that's really all. but with both what you guys said, it's really interesting cause I it's not what I expected, like number one, you've just let my audience know you've been, you've been through the entire catalog of the hip, which, when you said it takes you time to process a tragically hip album, i mean I remember like in real time, when these things came out and we would like line up at sunrise at midnight to get the new road apples or whatever you know. And but each album like road apples compared up to here and day for night compared to road apples, or like, or fully, completely, you know they were. they were as soon as you put in the new album you were like, ah, like this is, this isn't as good as the last stuff, and then you'd listen to it like a hundred times and then it would become your favorite album. you know, like totally. And I find Jack White like I'm a huge Jack White fan and it's the same thing with his stuff, cause he's pushing himself and he's growing, you know, and then it kind of takes you a bit to get your head around what he's trying to do And then after a while you start digging it, you know. That's a good example And I think that's. That's the kind of like I. You never liked the hip album when you first got it. You always liked it a couple of weeks later. You know, Like Is it. 0:22:15 - Speaker 5Sorry, is that true? Is that true for you, jamie? Were there any albums you just were like just had on repeat, psyched, go, go, go, go listen to it a hundred times a week. 0:22:26 - Speaker 3I was in love with like from the moment I heard it Like. So There you go, but and fully, completely too Trouble at the hen house. The first time I heard it I was like I'm not sure about this, but you're right, it was, it was, it was different, they were, they were, you're right, They, they were growing and I was stuck behind. Yeah, yeah, now that's like my favorite record. 0:22:46 - Speaker 4Yeah, yeah. 0:22:48 - Speaker 3Like like hands down. 0:22:50 - Speaker 4Yeah, and then, like I, yeah, cause yeah up to here was the only one I would say that I was like I'm in, this is everything's great. And then the only thing is that a lot of songs kind of sounded similar maybe, but but but then everything I was comparing everything up to here And then, and that's just. And then I just wasn't like like you said, i just wasn't developing like the. That's why it takes me a bit just to catch up, cause I'm slow, i'm just. You know, you're just a consumer, you're being fed, fed shit, you only know what you know And then get something new and takes you a bit. 0:23:28 - Speaker 1But you also never know how long it's going to take. I had a. I had a record I won't need to mention cause it's just not even important, but the record from a band that I really liked And when they're it took seven years. Seven years. It came out in 2007 and it wasn't until 2014 when I picked it up again And I literally thought this was the shittiest record I had ever heard. And I picked it up again and it turns out being my favorite record And it was like like it takes time, but for for what, tim and I? the gauntlet that fucking JD's put us through the last seven months, like how many? 0:24:05 - Speaker 3albums There's 14, 14 hours, 14 or 15. Yeah wow. 0:24:11 - Speaker 4And then, uh, yeah, that's crazy, man, that's crazy. So the what was I thinking? Oh, you're to um, you know, david Bowie's black star, that album, last album, yeah, yeah, same thing. I was like you know, i wanted Ziggy Stardust and I got black star. I was upset. And then, uh, you listen to it and you're like this is the greatest thing he's ever done. This is man. That album is incredible. Oh, yeah, and uh, yeah. And then the more you know the fact that he, uh, he doesn't, he, he leaves on an open note Like he doesn't, uh, he doesn't end on the top, on the home note, the number one, the one he doesn't end on, the one you know that's a and he knows he's going to die. 0:24:53 - Speaker 1You know, that's crazy, That album it's funny because I remember when I bought that album right when it came out, right after he died, because he died a couple of days before my birthday, because he died a few days after his birthday, which is January 8th Mine's a 16th and I bought it and I just didn't. I wanted to get it, i couldn't. And then a friend, when I moved back to Spain, explained to me that it was a lot of the songs are built on flamenco chords, spanish flamenco chords, and I was like get the fuck out of here. And then I we listened to it together and explained it to me And I was like, because a drummer of our band? and I was like, oh, that makes sense. And then the whole record made sense to me. 0:25:33 - Speaker 4It took years, isn't that great. That's a beautiful thing about music, our art in general. You know like, no matter what kind of the art, the comedy is the same way you can work your whole life. You're never going to know all the risks and all about it You're never going to. It's just so infinite in the amount. So like, that's what I like about it, about it, you know, like you can, you're never going to feel like you've got all the answers you know, when you find art, when you find art like that, that's timeless, that's, that's, that's the best stuff I think you know. 0:26:04 - Speaker 5Yeah, that's right. Yeah, something you can put on, i mean, just at any point in time. It's just that's, that's. Those are the keepers. Yeah, i don't know if we'll feel the same way. Pete, have you gone back to any any? Bob Rock produced albums. 0:26:18 - Speaker 1You know it's funny. I haven't yet, tim, but I really am looking forward to it because I think it's going to happen. I think eventually all end up like sending a letter Is Bob Rock still alive? 0:26:28 - Speaker 5Yes, oh, my gosh Yeah. 0:26:30 - Speaker 1Okay, then I'll send him like an apology letter and like be like Bob, i'm sorry, cause there are people that love. 0:26:36 - Speaker 3We are the same now And when it came out it was pretty universally derided. And there are people that absolutely adore that record now And I'm I'm one of them. Like, like, i really did not like that record the first time I heard it. Like I remember meeting Greg in the grocery store We were doing fully and completely at the time And I was like, so I did some pre listening and uh, wow, every song sounds the same. It's all droney, it's you know. And now I think, like depression suite is amazing. I love morning moon, um, queen of the Furrows is like weird and out there. But I but I dig it, but it's not, it's not. It still doesn't feel quite like a hip record because there's no Lang Lawn and St Clair backup vocals. You know it's, it's, it's just different. 0:27:24 - Speaker 4Yeah, do you hear that? Uh, i think it was at the Gino's or something. Uh, after CORE Downey died, uh, muse filled in and they did um, it's a, she did a cut. No, it's not, it's not. I said the wrong name FIEST, fiest. Yeah, fiest did, uh, did the vocals and it was for it's. Uh, it's a good life if you don't weaken. Yeah, it's a good life if you don't weaken and uh and. But like when the background vocals kicked in and then it was like, then you're like Oh, this is the hip. Yeah, cause before it was just a cover, you know. And then, as soon as you heard St Clair's backing, it was like Oh man, this is, this is cool, you know, yeah, yeah. 0:28:07 - Speaker 5Um, yeah, i was. I was asking Pete, because this morning when Amy was making coffee, I was like coffee girl. It just happened. So, bob, bob is coming in. Hey, knock on the door. 0:28:23 - Speaker 4Hey, i was hoping, uh, we, so this has been. This is really cool. If you guys, uh, who are listening to this show, if you want to check out this podcast and see how these two people were converted to the ways of the tragically hip um, uh, how can they find the show, jamie? 0:28:39 - Speaker 3go to getting hip to the hipcom and, uh, you can go anywhere that you find your podcasts you'll get getting hip to the hip And it is. 0:28:49 - Speaker 4It's going to all uh, culminate with a grand finale live show in Toronto on September 1st. Yes, sir, and people can get tickets for the show Same place. 0:29:00 - Speaker 3Getting hip to the hipcom and, uh, click on tickets and, uh, you know, uh, we'll get a great host for that evening. 0:29:08 - Speaker 4Well, thank you. Yeah, i'll be hosted by myself and uh, we have uh the finale of the podcast and you have uh entertaining the audience of uh. was it 50 mission cap or? 50 mission 50 mission, which is a hip cover band. They'll be playing, and where is it? 0:29:25 - Speaker 3It's at the rec room in Toronto on Bremner, right across from the sky dome. 0:29:29 - Speaker 4Oh sweet, it's going to be super fun. So please check us out And, uh, we will be running a uh draw here at the Dutch hall for a listener to get a free uh free ticket to the event. How about? 0:29:40 - Speaker 1a pair A pair. 0:29:41 - Speaker 4You can bring a friend. Thank you, that's nice, yeah, and I can even give you a ride if you want, if you're local. So we got all those things working for us, and there'll be details on that at the end of the show, but I don't want to keep these guys any longer doing business. Um does. 0:29:59 - Speaker 1This is the sky down where the blue jays play. Yeah, Oh fuck, that'd be cool. They're playing a game that they're not, they're out of town. 0:30:08 - Speaker 3Are we taking a game? for sure, yeah, Hey, pete. 0:30:12 - Speaker 1Pete, i've been wanting to tell you a joke, man Come tell you a joke, yeah, please do, just to turn After he's done. 0:30:20 - Speaker 5Then, pete, you play guitar to Pete and see if you guys can trade. 0:30:25 - Speaker 4Yeah, you have to do that. Okay, I'll trade your talents. I know two chords. 0:30:30 - Speaker 1So so you know Creedence, right. You know Creed's Clearwater, right. Yeah, yeah, ccr yeah. Yeah, so do you know what the difference between John Fogarty and Marvin Gaye is? 0:30:43 - Speaker 4No, I don't. 0:30:45 - Speaker 1So Marvin Gaye heard it through the grapevine, but John Fogarty played it through the grapevine. Yeah right, Tim, just snickered at that one. It's one of my all-time favorites Whoa man, don't tell that at the finale. Pete, let it sit there. 0:31:09 - Speaker 4Only if I'm really stuck I'm going to pull that one out of the toolbox. You're not going to speak to people like this. No, guys, i want to thank you for spending this time with me and getting to, for taking the time to get to know me and my audience. I really am excited about the podcast And I think it's going to be interesting. Yeah, i hope so. You guys got you guys did kind of shit on them a little bit right. Oh, yeah, they hold back. Yeah, but I think it is interesting to know that even some of the opinions that you held not so long ago may have already changed by the time the finale is going to be For sure. Yeah, Totally have. Yeah, yeah, that's cool, man, and I think that's kind of a testament to why I think they're worthy enough to still be concentrating on. You know is because this shit can happen. This stuff can really happen where people can be turned on to something new and it's new to them. So who cares if Gord's dead? you know, like these guys, never. You know, if you never heard it, like my daughter's. A perfect example Her and the bass player in her band. The bass player in her band said did you hear. Remember when the hip came out with those new tracks? Yeah, and they were all like 90s era sounding. 0:32:27 - Speaker 3They were like road apples. 0:32:28 - Speaker 4Yeah, yeah, they were great, you know, and my daughter's friend brought that to me and they're like, have you heard this? And then they started getting into it and it was brand new to them. Oh, that's hilarious, and so like to watch my kids get into it. What I was into is really a kick. So like, and then like, i think that this is a great example of it. And one time I went fishing in BC and the guy was Australian. That was like running our tour And I asked him about the question what in your country is the band that you guys would love and nobody else gets? Do they say midnight oil? He did say midnight oil And I go well, we all know midnight oil. You know, like beds are burning. And he goes like fuck that song. You know, like you guys don't know midnight oil. If you think it's beds are burning, look into their back catalog when they're a punk band, you know. And then, and it was way different, really Way different, and nothing like anything that made them popular, but it's so, it's. maybe there's bands like this everywhere. You know you can. I never knew about like all all that old good soul music because it never played on any radios that I got to listen to. You know, like I just found out about Al Green like five years ago, like that breaks my heart. You know where was Al Green my whole life? But so there is a lot of good stuff out there And I think this podcast kind of shines a light on that. So I think it was going to be, while we're checking out, so getting hip to the hit, check it out. Everybody And Tim, thank you very much for, for, for the, for doing this for me. 0:34:03 - Speaker 5Yeah, thanks, pete. 0:34:04 - Speaker 1Thanks Pete. Thanks JD, Good to see you guys? 0:34:07 - Speaker 4Good to see you guys. Yeah, and we will see you on September 1st Sounds great. See you September 1st, can't wait. All right, take care, guys. Okay, this show would be nothing without our sponsors at CleanFlow. If you'd like to support them, go to cleanflowcom That's K L, e, e, n, f L O dot com and check out all the great products. Lube up your life with clean flow. And if you'd like to support our show, go to patreoncom. slash dutch hall And you can join our queen, jen Husko, and being a part of dutch hall royalty. And if you're a business that's looking at any sponsorship opportunities, you can also look on Patreon and look at options there. And every time someone on our show gets a little tight ass about what we're putting out on social media, i will put that on Patreon. There was one just recently that Kevin made me not agree not to put out, so I put that on Patreon. And we also have the one that Charter's obviously banned us from putting out. It's on Patreon, so all the band materials on there. So it is well worth the money. There'll be content And you'll also get invited to special events, like my 50th birthday show that's going to be happening in October. This will happen if you are joining our Patreon, or if you even are too cheap to do that. You can go and give us $5 a year. Just E-transfer that to the dutchhallgmailcom and you will become a shareholder of our program, and shareholders get the same rights as the Patreon supporters do. So that's a way you can help us out as well. And lastly, oh, it goes to Port. Johnny's show at the Lazy Flamingo and Hus Village and Hamilton every Monday starts around 8.39 ish around there. Go to see Johnny at the Lazy Flamingo and I will be headlining there tomorrow. And that is it. That is all of our sponsors. I think you can give us some feedback at the dutchhall gmocom or we are at the tall on Instagram. That is it for sponsors, jamie. That is it for sponsors. I promise that's everything. And, of course, you got to keep getting hip to the hip. What You got to keep the lights on. I keep the lights on exactly getting hip to the hip and the go get some tickets to the grand finale, the rec room in Toronto on September 1st. Jamie, thanks again for coming in. Thank you very much. It's been really nice And, as I said, you, i've been watching you promote this thing, i've been watching you put it together and the way that you have curated it, the way that you've cared for it and the way that you've, like, put thoughtful effort into every step of it. It shows through This is being done at a high level, and I'm really proud of the effort you put in. So keep it up, and I'm going to continue to support everything you do, cause I'm real happy to know a guy like you. So thanks for coming in, buddy. 0:37:18 - Speaker 3Thanks for having me. It's great to be here. Finally, yeah, finally We worked it out. 0:37:22 - Speaker 4Yeah. So everyone that's been our show 445 tele friend shared around, be nice to each other And until next week we will see you and T see you next Thursday. 0:38:01 - Speaker 3Thanks for listening to getting hip to the hip. Please subscribe share rate and subscribe podcast, some such. Support this podcast at — https://redcircle.com/fully-and-completely/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Ready to decode the legacy of The Tragically Hip and the enduring impact they've had on Canadian music and culture? Promise us your ears and we'll share an exciting exploration of the band's influence, creativity, and unique place in the hearts of their fans. Today, we're joined by the Emcee of Longslice Presents: Getting Hip to the Hip - An Evening for the Downie Wenjack Fund, Delhi stand-up, Pete Van Dyk. Today he plays the host on his podcast, "Live from the Dutch Hall." And he's invited jD, Pete, & Tim along for the ride. Together we reflect on our personal connections to The Hip, discuss the band's Canadian roots, and consider why their sound may not have resonated as widely beyond Canada's borders.Make sure to get your tickets for Longslice Presents: Getting Hip to the Hip - An Evening for the Downie Wenjack Fund today: https://bit.ly/GHTTHTicketsTranscript0:00:10 - Speaker 2Long Slice Brewery presents Getting Hip to the Hip. 0:00:27 - Speaker 3Hey, it's JD here and I am sans Pete and Tim at the moment, but they'll be joining us in just a few minutes. I am here to set up what is a new series within Getting Hip to the Hip. It's called Getting to Know Your MC And there will be a second installment of this called Getting to Know Your Band, And basically these episodes are designed to allow you to get inside of Long Slice Presents Getting Hip to the Hip an evening for the Downy Wend Jack Fund before that event even occurs. That way, when you buy your tickets and you can buy them at GettingHipToTheHipcom and clicking on the ticket button From there it's easy peasy you just have to show up at the event. So there's that. I would say that Pete van Dijk is a great stand-up comedian and he will be emceeing us. He's also a podcaster, hosting a show called Live from the Dutch Hall, And just recently he had Pete and Tim and myself on as guests And he graciously gave us a copy of the tape. He had it flown in live from Delhi and I'm going to put it up on our feed. It's going to be well. It's going to come up to you in just a second, So why don't I stop Blither Blathering and we'll get to Live from the Dutch Hall with Pete van Dijk and our friends Pete and Tim, as we discuss the podcast on Live from the Dutch Hall. 0:02:41 - Speaker 4Hey, hey, hey, hey. Welcome everybody to the Dutch Hall. We're coming to you live from the Pool Shed in Pine Grove, ontario, for episode 445, believe it or not. 445 times we have done this stupid thing, and this time we have roped two people from different parts of the planet and one person who was from here but had to come back here on a long journey today. That's right, and I'm very happy to have them in. All first timers, all Dutch Hall virgins, and they're here to promote a podcast, which is a really interesting concept, especially for a guy like me from Southern Ontario. The hip is really was really a band that was pivotal, pivotal, pivotal Is that right? That's right. Pivotal to a kid like me. It came up at the right time. They were like hitting it the same time that I was getting in to be in the most awesomeest part of my life, you know, and these guys, two of these fellas have no such experience at all. One of these fellas would have a very similar one, and the idea of the podcast is to let these two guys understand what us two guys feel about this band. And so I entered with these myself. Yet, jamie, yeah, you haven't really now. Oh well, i'll start off by introducing myself. I am the host of the show. In two time You're supposed to say two time, two time. There you go. President's Club Award winner, pete Van Dyke No applause, no applause. And our guest today, the one that's come from Waterford, ontario. He's a. He's a Waterford native, that's right, norfolk County boy. But he's moved to the big city and he's made a life for himself. First time here in the Dutch Hall, ladies and gentlemen, say hello to Jamie, do everybody, jamie do. 0:04:40 - Speaker 3It is great to be back. Great to be back to Norfolk. I mean great to be back in Ontario's garden. Oh yes, Thank you. 0:04:49 - Speaker 4Shout out to us and our guests And you're going to have to help me, jamie, on the last names here, let's try, i will. From San Diego, california, is Tim Lion, lion, everybody, i'll take it Yeah. 0:05:07 - Speaker 5Happy to be here. Thanks for having me. 0:05:10 - Speaker 4Thank you, Tim, And coming from Malaga, Spain. 0:05:14 - Speaker 3Malaga, spain. This is Pete from Spain. He doesn't have a last name. Yes, of course he does Marchica, pete, marchica, everybody. 0:05:22 - Speaker 4Pete Marchica. 0:05:26 - Speaker 1My middle name is is is from Spain. What's your middle? 0:05:29 - Speaker 4name From Spain. Oh, i'm joking, i'm your. You know, actually I have a. I have a nephew and his middle name, his name is this is seriously, his name is Adrian adventure Pitaski And, like it's just so, he could go around his parents name on that So he could tell people my, my adventure is my middle name, right? Wow, i love it. That's my nephew, that's real, that's my nephew, like that's that is cool. Like you want to get named. It's like your parents just made you James Bond, yeah Right. Like it is major, coolest. No, this kid's got to live up to that middle name. He's got to live life, yeah Right, yeah, hopefully he's not trepidatious of everything, yeah. 0:06:10 - Speaker 3What if he's just like an accountant, You know? 0:06:14 - Speaker 4it'll probably be cooking the books. Yeah Yeah, the name like adventure. You know that's a, that's just a gift, that's a gift from your parents, so uh, I think it's a little bit of a, a little bit of a, a little bit of a. It's a gift, that's a gift from your parents. So, uh, i want, I hope so, yeah, yeah, i hope so, or curse, or curse. Um, i wanted to say the band we're talking about is tragically hip. That's right. The band, uh, that, uh, if you the credit tragic lips, from Kingston, ontario, and for some reason the tragically hip have been a band that have uh made it in Canada. They were enormous in Canada, but as much as we tried to explain them to the rest of the band, we tried to explain them to the rest of the world, the rest of the world just didn't get them. 0:06:57 - Speaker 3No, Would you agree with that, Jamie? I would agree with that. And uh, these two are the avatars for the rest of the world. 0:07:03 - Speaker 4Yeah, And now is there a. Is there a band, uh, either in the United States or in Spain, that you would say would be like a band that is beloved in your country, but the rest of the world doesn't get it, You know. 0:07:21 - Speaker 1Tim, you want to take that one for the US Oh tough one, Yeah that is a tough one for US actually. 0:07:26 - Speaker 5Yeah, yeah, i have no idea, because I feel like if you break, i'm going to have to do some homework. 0:07:31 - Speaker 3I feel like if you break in the US, part of that breaking in the US is breaking internationally. 0:07:37 - Speaker 4Yeah, like the rest of the world will like what you guys like. Yeah, there's not much that you guys like, unless there's some guy like you know, like what's the name of that fella? He's, like you know, proud to be an American, or like the, or like one of those country guys who were really like patriotic and over the top. That might be a little bit. That's the country singer. 0:08:00 - Speaker 3What's his? 0:08:00 - Speaker 4name. That might be too much for like people outside the States. 0:08:04 - Speaker 1Yeah, that's true. No, I know what you're saying. 0:08:07 - Speaker 4You know what's the guy's name The big? Yeah, i know who you mean. See, that's me. We're from Canada. We don't know the guy's name? Danim Vast. Yeah, we got tons of them. You know how? about Spain? 0:08:22 - Speaker 1You know there's a band here called Los Planetes, which translates to the planets, if you will, and you know they're extremely popular. I mean they've got like there's a couple of the members have spinoff bands. I mean you can't you can't go to any corner of this country and not know somebody who knows Los Planetes. So they're like sort of as an indie rock band, sort of like I guess you'd say the hip did. But but yeah, dude, outside of if you mentioned Los Planetes outside of Spain, nobody knows what they're talking about. 0:08:54 - Speaker 3Yeah, i've never heard of them, yeah. 0:08:56 - Speaker 4I know that the tragically hip themselves were friends with the band the real statics out of England because they had the same issue as them. They were huge in England but the rest of the world Real statics are from the town. No, not real statics, stereophonics They say those bands were on. Oh, it was about to correct. Yes, i apologize. The real stacks actually open for the hip, yeah, but the stereophonics, and so they'd always, if they came out with an album, the hip would give an album to the stereophonics, stereophonics would give an album to the hips when they came out with a new one, because they had this mutual like kind of like, you know, like sister cities and stuff like that. 0:09:36 - Speaker 3It was like the same thing, but like sister bands, you know, i feel like the last time stereophonics played in Toronto it was post score dying and they played a hip song. Yeah, that would make a huge sense And I didn't. But I didn't know that there was that connection. 0:09:47 - Speaker 4I just thought they were just doing a tribute to oh no, they were big fans of it, like big fans of each other, and they both had the same thing. They could never break in the States and they were like huge in their own countries And even in Canada the stereophonics didn't really make too much of a splash. I just remember that having a stay song. Yeah, i like that band actually. Yeah. 0:10:07 - Speaker 5I can only think of bands from the U S that have done well outside the U S. You know like bigger tours outside the U S, but there are a ton. 0:10:16 - Speaker 1There are a ton of like Canadian bands that like have had broken through to me, for Christ's sake. You got Neil Young, you've got the Lannis, you've got Brian Adams, right, nickelback, you know. 0:10:29 - Speaker 5Nickelback. Yeah, that one band Rush. is that what they're called? 0:10:33 - Speaker 1Yeah, yeah, i mean one of the greatest bands of all time. It's a real crowd splitter rush. 0:10:41 - Speaker 3I agree Because. I've never I was never a Rush guy. 0:10:43 - Speaker 4If you don't, if you like Rush, you really like Rush Big time. I think it's like Bruce Springsteen. You know, bruce Springsteen, the guys that like Bruce, they love Bruce, Like they really like Oh my gosh. 0:10:54 - Speaker 5Yeah, we have a good friend who follows Bruce and I just Yeah, they're like, they're you and Target on that. God bless Michelle. 0:11:02 - Speaker 4Yeah, and my cousin's husband is like that, he's traveled all around to see Bruce, eh, and he knows him Like it. Just it means so much to him. Man, i envy that about him, but I just don't get it. Yeah, it just doesn't. 0:11:18 - Speaker 3I like Springsteen, but I'm not. I wouldn't do a follow along, or Yeah. 0:11:23 - Speaker 4You're in camp too, like either you love him or you're like oh, he's the boss, you know he's good. 0:11:29 - Speaker 5Yeah, i like a couple, you know I like it enough It's fine, there's lots of bands I would go see perform live if I got a free ticket. 0:11:38 - Speaker 1Right, yeah, i got free tickets to see Springsteen. That's the only reason I saw him. But back in the day I think we told this on the pod or I may have mentioned it on the pod when we did some, when we recorded, but back in the day, when I started playing in bands, like 25 years ago, you were, if you were a Rush fan, you were closeted. Like and I'm not even like joking Like in the US like if you liked Rush and you had Rush records, you were closeted. You didn't talk about it. I remember I was playing in a band with a guy named Jason Hirsch and he was our bass player and we played in a band for like seven or eight months and then one day it went over his house and it was like I found a bunch of porno mags in his corner. Like he's like, yeah, dude, i like Rush, and like the same was for Zappa, and I was like, dude, it's cool man, this is a safe space. 0:12:30 - Speaker 4I have a huge kit set up in the closet. I drummed a new apparel. That's funny man, but it was kind of that. There was like you just didn't know if you're, because they split the room, you either love it, like people hated Rush, or they loved Rush. You know, even in Canada, even in Canada, they're hardcore. I don't get it, you know. I think some It might be musicians though too, because like Rush, right, because they're technically Yeah, i mean because you just. 0:13:01 - Speaker 1The work of like the musicianship is like the fact that Geddy Lee can play His multi-instrumentalist on stage and singing is fucking stupid, yeah, like you know It's like Radiohead too. 0:13:16 - Speaker 4Right Like Radiohead, like Yeah, if the musicians get them more than the non-musicians, would you say that's true. 0:13:26 - Speaker 5I don't think so. I think Rush had a special kind of nerd dump. You know, like, if you ever knew, like a group of kids that played D&D, yeah, yeah, yeah. Like you know, like I don't know, rush has their own collective. Like, i have lots of friends who are radiohead fans and many of whom are not. 0:13:44 - Speaker 1We now ostracized the Rush crowd from Pete's podcast and now ostracized the D&D. 0:13:55 - Speaker 4I don't know. 0:13:57 - Speaker 5I saw D&D. friends, we're all good with each other. 0:14:01 - Speaker 4I've never played before. Have you done that Never? 0:14:05 - Speaker 5I won't touch a 12-side. I tried, like, when it became a thing, i tried with some kids in my neighborhood and I sat down with them and I was like are we going to drink some wine? Or you know, and that was the seventh grade Like it just felt like we were supposed to be naked or I don't know. It was just weird. Yeah, like It was really weird. I was like how far can we take role play right now? 0:14:26 - Speaker 4Yeah, you were an advanced. 0:14:27 - Speaker 5There's too much of a tease for me. 0:14:29 - Speaker 4No, i was like you were saying Dungeons Dragons makes a seemed a little like they was going to get a role. Did people wear costumes for that stuff? 0:14:37 - Speaker 5Well, no, i just felt like it was this level of intellectualism, you know, like that wasn't it being experiencing games and rush was kind of the same way, and maybe, you know, maybe the hip was too smart for the US, maybe it might be. 0:14:51 - Speaker 4It might be like there's, but I don't know how smart it was. It was like there's a. It's an interesting thing because I've only because of this podcast started. You know he's kind of reflect on you know I was a hip like, i am a hip fan and it, but I don't know if I'm associating it is just because they were around through a good part of my life. You know what I mean. Yeah, like I was young and having a good time and every show I went to or I could see them a lot, you know. So they were at a lot of like festivals and concerts that I would get a chance to go to. 0:15:25 - Speaker 3They were always on the bar, like whatever bar you go to, they were playing hip, you know yeah. 0:15:30 - Speaker 1They were like the LA. They were like Canada's version of X. If you live in LA, right, sure They were. They were still playing Cause like yeah, right, i know, but actually you could like go to any club on a given night in the 80s and 90s and that band was playing, and they're still playing. 0:15:51 - Speaker 4Yeah, they're still playing, and then I never seen a. The other thing that I think was was interesting about the hip, when you'd see them live, is like I've seen a lot of bands that would jam, you know, like they would like jam out a song, so it didn't sound like a radio version of it, like, but the hips the only one I can really say that vocalist was doing it too Like where the vocalist was jamming vocals, you know, and so you'd go to see them at a show and he'd be like gibberishing up there, you know, while they were like jamming something else out in the middle of a song, and then you'd go see the next tour and it would actually be a song that was on that album, you know, and like, do you remember seeing that too? Absolutely, yeah, i was called it breadcrumbs, right, like it was like little breadcrumbs and you're like that's going to be something like. I remember nautical disaster before it was nautical disaster, right, and then like, so, like I thought that was kind of cool, cause you kind of I don't remember another band that kind of let you in on the what's to come, you know, like, and and and let you watch the creative process, like the writing process, on stage, you know as obvious. 0:17:05 - Speaker 5Maybe the, maybe the doors, yeah, yeah, that's what's good. Jim Morrison did a fair amount of that, but there's not many. I mean, that was like lead singers riffing Yeah, there's not. Not many people are able to do that at all, is this? 0:17:19 - Speaker 4douchey. It really like it has the potential to go a little bit yourself in grandizing. You know, like, where it's like. Look at me, i'm an intellectual and you know even Jim Morrison and then Gord Downey. They both kind of you know they're like I'm not gonna do that. Their critics could accuse them of that, of being a little bit like you know in their own head or like too impressed by themselves. But I didn't get that impression from either of them but because I liked them. 0:17:47 - Speaker 3Yeah, me too. 0:17:48 - Speaker 4But and I like watching the creativity of it, you know, But doors is a perfect example, because that would be, I would say, the closest which I never got. to see them, So yeah. 0:18:00 - Speaker 1Pete, did you have you? because I don't know how much you dug into the pod, but we you know, one of the things that Tim and I struggle with is that you know, when we did the, when we did the pod, we recorded everything, because everything's recorded up into this point. Pretty much We're just kind of trickling the pods out leading up to the finale. But like a lot of folks, like you know, we had a week to digest the record and then it was week over week over week over week And, like so many people, like dude had fucking a year or two years to like and it had their whole lives to get to know this band. I think it's, you know, i'm not gonna we'll smoke up my own ass, but maybe I'll hold a little Tim's ass. But we, you know, i think it's, you know, i think it's, you know it's a little bit of a Tim's ass, but we, you know, i'm. I think it's pretty impressive because at this point, now that we're kind of all done, i fucking love this band. I mean, i've gone back and listened to the records we weren't super keen on and they're just dude, they're. I don't know what American rock fans were fucking thinking back in the day when this band was like pinky. 0:19:14 - Speaker 5Is that why? Yeah, i really think that a big part of why they didn't quote make it in the US, which they did to a degree, they just weren't selling out stadiums. But I think a big part of it had to do must have had to have been because of ill attempted marketing. Like, like, when bands go on tour, there are people behind the scenes that are doing promotions in every city. They're hanging posters, they're giving away tickets, they're talking about on the radio all of these things. You know everybody in LA who does this for a living And I talked to him briefly about it and he said marketing probably was marketing, i and can't. And I'm like, oh, you know, and the labels, when the hip was on with labels who weren't promoting them in the US, like, oh, they're gonna play in these six epicenter cities, we're gonna sell out them, sell out them more, maybe if all the Canadians show up, sure, that was, that was what happened. But man, if they were promoted more in a real way, like other bands on their US labels which I can't remember right now, i think they would have totally hit it. When they were on in my house the other day I said to my wife if this was playing in 1992, i would have been totally into it, cause we were talking about bands we were into in 1992. And some of them, like right now, i might have thought they were pretty good back then, but some of them right now I absolutely do not listen to. But if I would have, heard the hip in 1992, I would definitely be going back to albums right now, I believe. 0:20:48 - Speaker 4Yeah, it's interesting, that's really all. but with both what you guys said, it's really interesting cause I it's not what I expected, like number one, you've just let my audience know you've been, you've been through the entire catalog of the hip, which, when you said it takes you time to process a tragically hip album, i mean I remember like in real time, when these things came out and we would like line up at sunrise at midnight to get the new road apples or whatever you know. And but each album like road apples compared up to here and day for night compared to road apples, or like, or fully, completely, you know they were. they were as soon as you put in the new album you were like, ah, like this is, this isn't as good as the last stuff, and then you'd listen to it like a hundred times and then it would become your favorite album. you know, like totally. And I find Jack White like I'm a huge Jack White fan and it's the same thing with his stuff, cause he's pushing himself and he's growing, you know, and then it kind of takes you a bit to get your head around what he's trying to do And then after a while you start digging it, you know. That's a good example And I think that's. That's the kind of like I. You never liked the hip album when you first got it. You always liked it a couple of weeks later. You know, Like Is it. 0:22:15 - Speaker 5Sorry, is that true? Is that true for you, jamie? Were there any albums you just were like just had on repeat, psyched, go, go, go, go listen to it a hundred times a week. 0:22:26 - Speaker 3I was in love with like from the moment I heard it Like. So There you go, but and fully, completely too Trouble at the hen house. The first time I heard it I was like I'm not sure about this, but you're right, it was, it was, it was different, they were, they were, you're right, They, they were growing and I was stuck behind. Yeah, yeah, now that's like my favorite record. 0:22:46 - Speaker 4Yeah, yeah. 0:22:48 - Speaker 3Like like hands down. 0:22:50 - Speaker 4Yeah, and then, like I, yeah, cause yeah up to here was the only one I would say that I was like I'm in, this is everything's great. And then the only thing is that a lot of songs kind of sounded similar maybe, but but but then everything I was comparing everything up to here And then, and that's just. And then I just wasn't like like you said, i just wasn't developing like the. That's why it takes me a bit just to catch up, cause I'm slow, i'm just. You know, you're just a consumer, you're being fed, fed shit, you only know what you know And then get something new and takes you a bit. 0:23:28 - Speaker 1But you also never know how long it's going to take. I had a. I had a record I won't need to mention cause it's just not even important, but the record from a band that I really liked And when they're it took seven years. Seven years. It came out in 2007 and it wasn't until 2014 when I picked it up again And I literally thought this was the shittiest record I had ever heard. And I picked it up again and it turns out being my favorite record And it was like like it takes time, but for for what, tim and I? the gauntlet that fucking JD's put us through the last seven months, like how many? 0:24:05 - Speaker 3albums There's 14, 14 hours, 14 or 15. Yeah wow. 0:24:11 - Speaker 4And then, uh, yeah, that's crazy, man, that's crazy. So the what was I thinking? Oh, you're to um, you know, david Bowie's black star, that album, last album, yeah, yeah, same thing. I was like you know, i wanted Ziggy Stardust and I got black star. I was upset. And then, uh, you listen to it and you're like this is the greatest thing he's ever done. This is man. That album is incredible. Oh, yeah, and uh, yeah. And then the more you know the fact that he, uh, he doesn't, he, he leaves on an open note Like he doesn't, uh, he doesn't end on the top, on the home note, the number one, the one he doesn't end on, the one you know that's a and he knows he's going to die. 0:24:53 - Speaker 1You know, that's crazy, That album it's funny because I remember when I bought that album right when it came out, right after he died, because he died a couple of days before my birthday, because he died a few days after his birthday, which is January 8th Mine's a 16th and I bought it and I just didn't. I wanted to get it, i couldn't. And then a friend, when I moved back to Spain, explained to me that it was a lot of the songs are built on flamenco chords, spanish flamenco chords, and I was like get the fuck out of here. And then I we listened to it together and explained it to me And I was like, because a drummer of our band? and I was like, oh, that makes sense. And then the whole record made sense to me. 0:25:33 - Speaker 4It took years, isn't that great. That's a beautiful thing about music, our art in general. You know like, no matter what kind of the art, the comedy is the same way you can work your whole life. You're never going to know all the risks and all about it You're never going to. It's just so infinite in the amount. So like, that's what I like about it, about it, you know, like you can, you're never going to feel like you've got all the answers you know, when you find art, when you find art like that, that's timeless, that's, that's, that's the best stuff I think you know. 0:26:04 - Speaker 5Yeah, that's right. Yeah, something you can put on, i mean, just at any point in time. It's just that's, that's. Those are the keepers. Yeah, i don't know if we'll feel the same way. Pete, have you gone back to any any? Bob Rock produced albums. 0:26:18 - Speaker 1You know it's funny. I haven't yet, tim, but I really am looking forward to it because I think it's going to happen. I think eventually all end up like sending a letter Is Bob Rock still alive? 0:26:28 - Speaker 5Yes, oh, my gosh Yeah. 0:26:30 - Speaker 1Okay, then I'll send him like an apology letter and like be like Bob, i'm sorry, cause there are people that love. 0:26:36 - Speaker 3We are the same now And when it came out it was pretty universally derided. And there are people that absolutely adore that record now And I'm I'm one of them. Like, like, i really did not like that record the first time I heard it. Like I remember meeting Greg in the grocery store We were doing fully and completely at the time And I was like, so I did some pre listening and uh, wow, every song sounds the same. It's all droney, it's you know. And now I think, like depression suite is amazing. I love morning moon, um, queen of the Furrows is like weird and out there. But I but I dig it, but it's not, it's not. It still doesn't feel quite like a hip record because there's no Lang Lawn and St Clair backup vocals. You know it's, it's, it's just different. 0:27:24 - Speaker 4Yeah, do you hear that? Uh, i think it was at the Gino's or something. Uh, after CORE Downey died, uh, muse filled in and they did um, it's a, she did a cut. No, it's not, it's not. I said the wrong name FIEST, fiest. Yeah, fiest did, uh, did the vocals and it was for it's. Uh, it's a good life if you don't weaken. Yeah, it's a good life if you don't weaken and uh and. But like when the background vocals kicked in and then it was like, then you're like Oh, this is the hip. Yeah, cause before it was just a cover, you know. And then, as soon as you heard St Clair's backing, it was like Oh man, this is, this is cool, you know, yeah, yeah. 0:28:07 - Speaker 5Um, yeah, i was. I was asking Pete, because this morning when Amy was making coffee, I was like coffee girl. It just happened. So, bob, bob is coming in. Hey, knock on the door. 0:28:23 - Speaker 4Hey, i was hoping, uh, we, so this has been. This is really cool. If you guys, uh, who are listening to this show, if you want to check out this podcast and see how these two people were converted to the ways of the tragically hip um, uh, how can they find the show, jamie? 0:28:39 - Speaker 3go to getting hip to the hipcom and, uh, you can go anywhere that you find your podcasts you'll get getting hip to the hip And it is. 0:28:49 - Speaker 4It's going to all uh, culminate with a grand finale live show in Toronto on September 1st. Yes, sir, and people can get tickets for the show Same place. 0:29:00 - Speaker 3Getting hip to the hipcom and, uh, click on tickets and, uh, you know, uh, we'll get a great host for that evening. 0:29:08 - Speaker 4Well, thank you. Yeah, i'll be hosted by myself and uh, we have uh the finale of the podcast and you have uh entertaining the audience of uh. was it 50 mission cap or? 50 mission 50 mission, which is a hip cover band. They'll be playing, and where is it? 0:29:25 - Speaker 3It's at the rec room in Toronto on Bremner, right across from the sky dome. 0:29:29 - Speaker 4Oh sweet, it's going to be super fun. So please check us out And, uh, we will be running a uh draw here at the Dutch hall for a listener to get a free uh free ticket to the event. How about? 0:29:40 - Speaker 1a pair A pair. 0:29:41 - Speaker 4You can bring a friend. Thank you, that's nice, yeah, and I can even give you a ride if you want, if you're local. So we got all those things working for us, and there'll be details on that at the end of the show, but I don't want to keep these guys any longer doing business. Um does. 0:29:59 - Speaker 1This is the sky down where the blue jays play. Yeah, Oh fuck, that'd be cool. They're playing a game that they're not, they're out of town. 0:30:08 - Speaker 3Are we taking a game? for sure, yeah, Hey, pete. 0:30:12 - Speaker 1Pete, i've been wanting to tell you a joke, man Come tell you a joke, yeah, please do, just to turn After he's done. 0:30:20 - Speaker 5Then, pete, you play guitar to Pete and see if you guys can trade. 0:30:25 - Speaker 4Yeah, you have to do that. Okay, I'll trade your talents. I know two chords. 0:30:30 - Speaker 1So so you know Creedence, right. You know Creed's Clearwater, right. Yeah, yeah, ccr yeah. Yeah, so do you know what the difference between John Fogarty and Marvin Gaye is? 0:30:43 - Speaker 4No, I don't. 0:30:45 - Speaker 1So Marvin Gaye heard it through the grapevine, but John Fogarty played it through the grapevine. Yeah right, Tim, just snickered at that one. It's one of my all-time favorites Whoa man, don't tell that at the finale. Pete, let it sit there. 0:31:09 - Speaker 4Only if I'm really stuck I'm going to pull that one out of the toolbox. You're not going to speak to people like this. No, guys, i want to thank you for spending this time with me and getting to, for taking the time to get to know me and my audience. I really am excited about the podcast And I think it's going to be interesting. Yeah, i hope so. You guys got you guys did kind of shit on them a little bit right. Oh, yeah, they hold back. Yeah, but I think it is interesting to know that even some of the opinions that you held not so long ago may have already changed by the time the finale is going to be For sure. Yeah, Totally have. Yeah, yeah, that's cool, man, and I think that's kind of a testament to why I think they're worthy enough to still be concentrating on. You know is because this shit can happen. This stuff can really happen where people can be turned on to something new and it's new to them. So who cares if Gord's dead? you know, like these guys, never. You know, if you never heard it, like my daughter's. A perfect example Her and the bass player in her band. The bass player in her band said did you hear. Remember when the hip came out with those new tracks? Yeah, and they were all like 90s era sounding. 0:32:27 - Speaker 3They were like road apples. 0:32:28 - Speaker 4Yeah, yeah, they were great, you know, and my daughter's friend brought that to me and they're like, have you heard this? And then they started getting into it and it was brand new to them. Oh, that's hilarious, and so like to watch my kids get into it. What I was into is really a kick. So like, and then like, i think that this is a great example of it. And one time I went fishing in BC and the guy was Australian. That was like running our tour And I asked him about the question what in your country is the band that you guys would love and nobody else gets? Do they say midnight oil? He did say midnight oil And I go well, we all know midnight oil. You know, like beds are burning. And he goes like fuck that song. You know, like you guys don't know midnight oil. If you think it's beds are burning, look into their back catalog when they're a punk band, you know. And then, and it was way different, really Way different, and nothing like anything that made them popular, but it's so, it's. maybe there's bands like this everywhere. You know you can. I never knew about like all all that old good soul music because it never played on any radios that I got to listen to. You know, like I just found out about Al Green like five years ago, like that breaks my heart. You know where was Al Green my whole life? But so there is a lot of good stuff out there And I think this podcast kind of shines a light on that. So I think it was going to be, while we're checking out, so getting hip to the hit, check it out. Everybody And Tim, thank you very much for, for, for the, for doing this for me. 0:34:03 - Speaker 5Yeah, thanks, pete. 0:34:04 - Speaker 1Thanks Pete. Thanks JD, Good to see you guys? 0:34:07 - Speaker 4Good to see you guys. Yeah, and we will see you on September 1st Sounds great. See you September 1st, can't wait. All right, take care, guys. Okay, this show would be nothing without our sponsors at CleanFlow. If you'd like to support them, go to cleanflowcom That's K L, e, e, n, f L O dot com and check out all the great products. Lube up your life with clean flow. And if you'd like to support our show, go to patreoncom. slash dutch hall And you can join our queen, jen Husko, and being a part of dutch hall royalty. And if you're a business that's looking at any sponsorship opportunities, you can also look on Patreon and look at options there. And every time someone on our show gets a little tight ass about what we're putting out on social media, i will put that on Patreon. There was one just recently that Kevin made me not agree not to put out, so I put that on Patreon. And we also have the one that Charter's obviously banned us from putting out. It's on Patreon, so all the band materials on there. So it is well worth the money. There'll be content And you'll also get invited to special events, like my 50th birthday show that's going to be happening in October. This will happen if you are joining our Patreon, or if you even are too cheap to do that. You can go and give us $5 a year. Just E-transfer that to the dutchhallgmailcom and you will become a shareholder of our program, and shareholders get the same rights as the Patreon supporters do. So that's a way you can help us out as well. And lastly, oh, it goes to Port. Johnny's show at the Lazy Flamingo and Hus Village and Hamilton every Monday starts around 8.39 ish around there. Go to see Johnny at the Lazy Flamingo and I will be headlining there tomorrow. And that is it. That is all of our sponsors. I think you can give us some feedback at the dutchhall gmocom or we are at the tall on Instagram. That is it for sponsors, jamie. That is it for sponsors. I promise that's everything. And, of course, you got to keep getting hip to the hip. What You got to keep the lights on. I keep the lights on exactly getting hip to the hip and the go get some tickets to the grand finale, the rec room in Toronto on September 1st. Jamie, thanks again for coming in. Thank you very much. It's been really nice And, as I said, you, i've been watching you promote this thing, i've been watching you put it together and the way that you have curated it, the way that you've cared for it and the way that you've, like, put thoughtful effort into every step of it. It shows through This is being done at a high level, and I'm really proud of the effort you put in. So keep it up, and I'm going to continue to support everything you do, cause I'm real happy to know a guy like you. So thanks for coming in, buddy. 0:37:18 - Speaker 3Thanks for having me. It's great to be here. Finally, yeah, finally We worked it out. 0:37:22 - Speaker 4Yeah. So everyone that's been our show 445 tele friend shared around, be nice to each other And until next week we will see you and T see you next Thursday. 0:38:01 - Speaker 3Thanks for listening to getting hip to the hip. Please subscribe share rate and subscribe podcast, some such. Support this podcast at — https://redcircle.com/gettinghiptothehip/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Most of us think Himesh Reshammiya's popularity was fuelled by his baseball cap, signature nasal twang and proficiency with mixing qawwali and modern beats. But some say the actual cause… is ghosts. Why did multiple villages in Gujarat ban his song ‘Jhalak Dikhla ja'? Did they really believe it caused listeners to become possessed by spirits?One strange story. One disturbed place. Many unsolved questions. This is Spooks, a new miniseries in the world of ‘Rumors'. Just like Rumors, Bound helps brands and storytellers create high-quality, knowledgeable, and stellar podcasts with our end-to-end podcast and video production services. Reach out to our producer, Aishwarya Javalgekar, at aishwarya@boundindia.com to get started on your podcasting journey or analyze if a podcast is right for you.‘Rumors' shines a light on the darkest corners of India, where fact and fiction combine into magical and haunting stories. Brought to you by Bound, a company that helps you grow through stories. Follow us @boundindia on all social platforms. Written and voiced by Chandrima Das, a best-selling author, storyteller and an avid collector of dark tales. Follow her @hackiechan on all social media platforms. Produced by Aishwarya JavalgekarSound design by Aditya AryaArtwork by Artisto Designz Disclaimer: This show is for entertainment purposes only and is not intended to outrage, insult, defame, or hurt any religion or religious sentiments, beliefs, feelings of any person, entity, class or community and does not encourage or propagate any superstition, black magic and/ or witchcraft. While every effort has been made in research, we do not make any representation or warranties with respect to the accuracy, applicability or completeness of the content.

Welcome to our 2nd installment of Digital Folklore Unplugged. These unplugged episodes are all about stripping away the fancy production elements so that we can give you access to raw (or slightly edited) interviews with folklore experts. Today's guest is Dr. Diane Rodgers. Diane is a senior lecturer in Media at Sheffield Hallam University where she specializes in Alternative Media and Storytelling in film and television. Her research interests relate to the communication of folklore and contemporary legend in the media including: folk horror; folklore on screen; the supernatural, ‘spooky' television programming aimed at children, and other darkly fascinating topics. Diane's PhD research was on folk horror and hauntology in 'wyrd' 1970s British Film and Television. She's also co-founder of the Centre for Contemporary Legend research group. And if you are one of our wonderful Patreon supporters, you get access to these interviews a few days early before their general release.  Also mentioned in this episode was the International Society for Contemporary Legend Research (ISCLR). Ok, let's get unplugged… Guest: Dr. Diane A. Rodgers (Twitter) (Website) Relevant Books (Amazon Associate Links) Folk Horror: New Global Pathways, edited by Dawn Keetley & Ruth Heholt The Friends in the Furrows (anthology of folk horror) Dark Folklore, by Mark Norman Hauntology: Ghosts of Futures Past, by Merlin Coverley Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures, by Mark Fisher

On May 13, the Congress Party notched a major election win—a decisive single-party majority in the southern state of Karnataka—earning the highest vote share of any party in the state since 1989. For the Congress, which is starved of election victories, this result could not have come at a better time as the country gears up for national elections early next year. The incumbent Bharatiya Janata Party (BJP) put in a disappointing performance, one that is likely to prompt some soul-searching as the party regroups for another round of regional polls this fall.To unpack what happened in Karnataka and what it means—for the state and for India—Milan is joined on the podcast this week by author and journalist Sugata Srinivasaraju. Sugata is one of the most respected political journalists in Karnataka and the author of several books, including Furrows in a Field: The Unexplored Life of HD Deve Gowda.The two discuss the contours of an expensive and animated election campaign, the keys to the Congress Party's success, the impact of Rahul Gandhi's Bharat Jodo Yatra, and why the “Modi magic” did not turn the tide for the BJP. Plus, the two discuss what this round of polls tells us about next year's general elections.Episode notes:“Religious Polarization in Karnataka (with Sugata Srinivasaraju),” Grand Tamasha, April 13, 2022.[VIDEO] Sugata Srinivasaraju, “Karnataka Results 2023: Decoding the failure of JD-S as the kingmaker,” Times of India, May 14, 2023.Dhrubo Jyoti, “Cong conquers Karnataka with 136 seats,” Hindustan Times, May 14, 2023.Shoaib Daniyal, “Modi and Hindutva: Why did BJP's two big guns fail to fire in Karnataka?” The India Fix (newsletter), May 14, 2023.

12-year old Cassandra is unable to save her young brother from a tragic accident and his body is never found. This event rends the family apart and the grown Cassandra sees her missing brother everywhere in the faces of strangers. “The Furrows” by Namwali Serpell is a noel as elegy dealing with memories and grief.

Humility, of all the Eight Virtues, is the most difficult to really understand. Subscribe on Zencastr | Subscribe on iTunes | Subscribe on Google Play | Subscribe on Spotify | Subscribe on TuneIn | Subscribe on Stitcher Podcast Topic The virtue of Humility, in Ultima lore and in real life, is one of the more difficult virtues to describe. In fact, it is often easier to analyze by looking at what it is not, rather than at what it is. Saint Josemaria Escriva, in life a Catholic priest, was a philosopher who mused quite a lot on the concept of Humility, and in one of his “Furrows” (writings), he put forth a list of signs of a lack of humility. The seventeen points on this list will form the basis of this Byte-Sized Virtue season; if all goes well, we'll handle one a week, but if need be we'll consider multiple signs in a single episode. This week offers a look at the sixth and seventh signs (we'll come back to the fifth later): “Not being aware that all the gifts and qualities you have are on loan,” and “not acknowledging that you are unworthy of all honour or esteem, even the ground you are treading on or the things you own.” Support Spam Spam Spam Humbug Patreon | Like Ultima on Facebook | Follow the Ultima Codex on Twitter Join the Ultima Community UDIC.org | Ultima Dragons on Facebook | Follow the Ultima Dragons on Twitter | The Weyrmount | Ultima Dragons on Discord Send Feedback Send Us an Email | Leave a Voice Message | Join Us on Discord Music New Magincia and New Magincia End, from the Ultima 9 Soundtrack by George Oldziey --- Send in a voice message: https://podcasters.spotify.com/pod/show/ssshpodcast/message

Humility, of all the Eight Virtues, is the most difficult to really understand.Subscribe on Zencastr | Subscribe on iTunes | Subscribe on Google Play | Subscribe on Spotify | Subscribe on TuneIn | Subscribe on StitcherPodcast TopicThe virtue of Humility, in Ultima lore and in real life, is one of the more difficult virtues to describe. In fact, it is often easier to analyze by looking at what it is not, rather than at what it is.Saint Josemaria Escriva, in life a Catholic priest, was a philosopher who mused quite a lot on the concept of Humility, and in one of his “Furrows” (writings), he put forth a list of signs of a lack of humility. The seventeen points on this list will form the basis of this Byte-Sized Virtue season; if all goes well, we'll handle one a week, but if need be we'll consider multiple signs in a single episode.This week offers a look at the sixth and seventh signs (we'll come back to the fifth later): “Not being aware that all the gifts and qualities you have are on loan,” and “not acknowledging that you are unworthy of all honour or esteem, even the ground you are treading on or the things you own.”Support Spam Spam Spam HumbugPatreon | Like Ultima on Facebook | Follow the Ultima Codex on TwitterJoin the Ultima CommunityUDIC.org | Ultima Dragons on Facebook | Follow the Ultima Dragons on Twitter | The Weyrmount | Ultima Dragons on DiscordSend FeedbackSend Us an Email | Leave a Voice Message | Join Us on DiscordMusicNew Magincia and New Magincia End, from the *Ultima 9 *Soundtrack by George Oldziey

Humility, of all the Eight Virtues, is the most difficult to really understand.Subscribe on Zencastr | Subscribe on iTunes | Subscribe on Google Play | Subscribe on Spotify | Subscribe on TuneIn | Subscribe on StitcherPodcast TopicThe virtue of Humility, in Ultima lore and in real life, is one of the more difficult virtues to describe. In fact, it is often easier to analyze by looking at what it is not, rather than at what it is.Saint Josemaria Escriva, in life a Catholic priest, was a philosopher who mused quite a lot on the concept of Humility, and in one of his “Furrows” (writings), he put forth a list of signs of a lack of humility. The seventeen points on this list will form the basis of this Byte-Sized Virtue season; if all goes well, we'll handle one a week, but if need be we'll consider multiple signs in a single episode.This week offers a brief - very brief - look at the fourth sign: “Giving your opinion without being asked for it, when charity does not demand you to do so.”Support Spam Spam Spam HumbugPatreon | Like Ultima on Facebook | Follow the Ultima Codex on TwitterJoin the Ultima CommunityUDIC.org | Ultima Dragons on Facebook | Follow the Ultima Dragons on Twitter | The Weyrmount | Ultima Dragons on DiscordSend FeedbackSend Us an Email | Leave a Voice Message | Join Us on DiscordMusicNew Magincia and New Magincia End, from the *Ultima 9 *Soundtrack by George Oldziey

Humility, of all the Eight Virtues, is the most difficult to really understand. Subscribe on Zencastr | Subscribe on iTunes | Subscribe on Google Play | Subscribe on Spotify | Subscribe on TuneIn | Subscribe on Stitcher Podcast Topic The virtue of Humility, in Ultima lore and in real life, is one of the more difficult virtues to describe. In fact, it is often easier to analyze by looking at what it is not, rather than at what it is. Saint Josemaria Escriva, in life a Catholic priest, was a philosopher who mused quite a lot on the concept of Humility, and in one of his “Furrows” (writings), he put forth a list of signs of a lack of humility. The seventeen points on this list will form the basis of this Byte-Sized Virtue season; if all goes well, we'll handle one a week, but if need be we'll consider multiple signs in a single episode. This week offers a brief - very brief - look at the fourth sign: “Giving your opinion without being asked for it, when charity does not demand you to do so.” Support Spam Spam Spam Humbug Patreon | Like Ultima on Facebook | Follow the Ultima Codex on Twitter Join the Ultima Community UDIC.org | Ultima Dragons on Facebook | Follow the Ultima Dragons on Twitter | The Weyrmount | Ultima Dragons on Discord Send Feedback Send Us an Email | Leave a Voice Message | Join Us on Discord Music New Magincia and New Magincia End, from the Ultima 9 Soundtrack by George Oldziey --- Send in a voice message: https://podcasters.spotify.com/pod/show/ssshpodcast/message

Humility, of all the Eight Virtues, is the most difficult to really understand. Subscribe on Zencastr | Subscribe on iTunes | Subscribe on Google Play | Subscribe on Spotify | Subscribe on TuneIn | Subscribe on Stitcher Podcast Topic The virtue of Humility, in Ultima lore and in real life, is one of the more difficult virtues to describe. In fact, it is often easier to analyze by looking at what it is not, rather than at what it is. Saint Josemaria Escriva, in life a Catholic priest, was a philosopher who mused quite a lot on the concept of Humility, and in one of his “Furrows” (writings), he put forth a list of signs of a lack of humility. The seventeen points on this list will form the basis of this Byte-Sized Virtue season; if all goes well, we'll handle one a week, but if need be we'll consider multiple signs in a single episode. For this week, only two more of the signs are under discussion: “Always wanting to get your own way,” and “[a]rguing when you are not right or — when you are — insisting stubbornly or with bad manners.” Support Spam Spam Spam Humbug Patreon | Like Ultima on Facebook | Follow the Ultima Codex on Twitter Join the Ultima Community UDIC.org | Ultima Dragons on Facebook | Follow the Ultima Dragons on Twitter | The Weyrmount | Ultima Dragons on Discord Send Feedback Send Us an Email | Leave a Voice Message | Join Us on Discord Music New Magincia and New Magincia End, from the *Ultima 9 *Soundtrack by George Oldziey --- Send in a voice message: https://podcasters.spotify.com/pod/show/ssshpodcast/message

Life in the Furrows-a day spent turning the sod. On a hardy Winter's day join us for a day meeting competitors from around the country as they compete in a ploughing competition on the Tipperary/Offaly border. We meet male and female competitors aswell as some of the vountary organisers that run the whole thing and find out a bit more about this hobby which for some is bordering on being an obsession. As I found out over the course of the day, competition ploughing is an art in itself and requires great skill and precision. From vintage machinery enthusiasts to horse drawn participants, we chat to an array of people and find out just what they love about these competitions and what drives them to keep competing every year. Email: nbclancy@hotmail.com Facebook page: OUT THE GAP PODCAST Insta: @outthegappodcast Twitter: @OuttheGapPodca1

Humility, of all the Eight Virtues, is the most difficult to really understand.Subscribe on Zencastr | Subscribe on iTunes | Subscribe on Google Play | Subscribe on Spotify | Subscribe on TuneIn | Subscribe on StitcherPodcast TopicThe virtue of Humility, in Ultima lore and in real life, is one of the more difficult virtues to describe. In fact, it is often easier to analyze by looking at what it is not, rather than at what it is.Saint Josemaria Escriva, in life a Catholic priest, was a philosopher who mused quite a lot on the concept of Humility, and in one of his “Furrows” (writings), he put forth a list of signs of a lack of humility. The seventeen points on this list will form the basis of this Byte-Sized Virtue season; if all goes well, we'll handle one a week, but if need be we'll consider multiple signs in a single episode.For this week, only two more of the signs are under discussion: “Always wanting to get your own way,” and “[a]rguing when you are not right or — when you are — insisting stubbornly or with bad manners.”Support Spam Spam Spam HumbugPatreon | Like Ultima on Facebook | Follow the Ultima Codex on TwitterJoin the Ultima CommunityUDIC.org | Ultima Dragons on Facebook | Follow the Ultima Dragons on Twitter | The Weyrmount | Ultima Dragons on DiscordSend FeedbackSend Us an Email | Leave a Voice Message | Join Us on DiscordMusicNew Magincia and New Magincia End, from the *Ultima 9 *Soundtrack by George Oldziey

The spiders attempt to fit together the refracting, self-contradictory plot and reconcile the competing thematic strands of Namwali Serpell's enigmatic The Furrows, which might or might not be a compelling meditation on grief and loss.

Humility, of all the Eight Virtues, is the most difficult to really understand. Subscribe on Zencastr | Subscribe on iTunes | Subscribe on Google Play | Subscribe on Spotify | Subscribe on TuneIn | Subscribe on Stitcher Podcast Topic The virtue of Humility, in Ultima lore and in real life, is one of the more difficult virtues to describe. In fact, it is often easier to analyze by looking at what it is not, rather than at what it is. Saint Josemaria Escriva, in life a Catholic priest, was a philosopher who mused quite a lot on the concept of Humility, and in one of his “Furrows” (writings), he put forth a list of signs of a lack of humility. The seventeen points on this list will form the basis of this Byte-Sized Virtue season; if all goes well, we'll handle one a week, but if need be we'll consider multiple signs in a single episode. For this week, only the first sign is under discussion: “Thinking that what you do or say is better than what others do or say.” Support Spam Spam Spam Humbug Patreon | Like Ultima on Facebook | Follow the Ultima Codex on Twitter Join the Ultima Community UDIC.org | Ultima Dragons on Facebook | Follow the Ultima Dragons on Twitter | The Weyrmount | Ultima Dragons on Discord Send Feedback Send Us an Email | Leave a Voice Message | Join Us on Discord Music New Magincia and New Magincia End, from the *Ultima 9 *Soundtrack by George Oldziey --- Send in a voice message: https://podcasters.spotify.com/pod/show/ssshpodcast/message

Humility, of all the Eight Virtues, is the most difficult to really understand.Subscribe on Zencastr | Subscribe on iTunes | Subscribe on Google Play | Subscribe on Spotify | Subscribe on TuneIn | Subscribe on StitcherPodcast TopicThe virtue of Humility, in Ultima lore and in real life, is one of the more difficult virtues to describe. In fact, it is often easier to analyze by looking at what it is not, rather than at what it is.Saint Josemaria Escriva, in life a Catholic priest, was a philosopher who mused quite a lot on the concept of Humility, and in one of his “Furrows” (writings), he put forth a list of signs of a lack of humility. The seventeen points on this list will form the basis of this Byte-Sized Virtue season; if all goes well, we'll handle one a week, but if need be we'll consider multiple signs in a single episode.For this week, only the first sign is under discussion: “Thinking that what you do or say is better than what others do or say.”Support Spam Spam Spam HumbugPatreon | Like Ultima on Facebook | Follow the Ultima Codex on TwitterJoin the Ultima CommunityUDIC.org | Ultima Dragons on Facebook | Follow the Ultima Dragons on Twitter | The Weyrmount | Ultima Dragons on DiscordSend FeedbackSend Us an Email | Leave a Voice Message | Join Us on DiscordMusicNew Magincia and New Magincia End, from the *Ultima 9 *Soundtrack by George Oldziey

In this episode, Audra and Sadie wrap up their discussion on The Furrows by Namwali Surpell. --- Send in a voice message: https://anchor.fm/litandlibation/message

In this episode, Audra and Sadie discuss Part 1 of The Furrows by Namwali Surpell. --- Send in a voice message: https://anchor.fm/litandlibation/message

Three narrators voice a compelling audiobook on grief and identity by Namwali Serpell. Host Jo Reed and AudioFile's Kendra Winchester discuss a story of a family and their great loss. When Cassandra was twelve and her younger brother Wayne was seven, Wayne was lost, and his body was never recovered. She spends years missing him—and then a man claiming to be him appears. Kristen Ariza performs Cassandra with an ethereal quality, emphasizing the dreamlike storyline that will keep listeners uncertain about what is the truth. Narrator Dion Graham performs from an adult Wayne's perspective, while Ryan Vincent Anderson performs from a third character's perspective. The narrators work together to keep listeners on their toes and wondering, what happened to Wayne? Read the full review of the audiobook on AudioFile's website. Published by Random House Audio. Find more audiobook recommendations at audiofilemagazine.com Support for AudioFile's Behind the Mic comes from Simon & Schuster Audio. Listen to THE MAZE by Nelson DeMille, read by Scott Brick today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Eric Newman and Kate Wolf speak with the novelist and critic Darryl Pinckney about his new memoir, Come Back in September: A Literary Education on West Sixty-Seventh Street, Manhattan. The book recounts Pinckney's relationship with a legend of American letters: the singular stylist Elizabeth Hardwick. Hardwick was Pinckney's professor in a creative writing class at Barnard in the early 1970s, and they quickly became close friends. She invited him into her home, into her writing process, and into a world of New York literary culture and gossip, which Pinckney doles out here in generous cupfuls. It was through Hardwick that Pinckney met Barbara Epstein, an editor and co-founder of the New York Review of Books, where he began his writing career. His memoir documents a critical time in both his own life and in Hardwick's, including the dissolution of her marriage to the poet Robert Lowell, and the composition of her masterful novel, Sleepless Nights. Also, Namwali Serpell, author of The Furrows, returns to recommend "Old Boys Old Girls" a short story by Edward P. Jones from his collection All Aunt Hagar's Children.

Eric Newman and Kate Wolf speak with the novelist and critic Darryl Pinckney about his new memoir, Come Back in September: A Literary Education on West Sixty-Seventh Street, Manhattan. The book recounts Pinckney's relationship with a legend of American letters: the singular stylist Elizabeth Hardwick. Hardwick was Pinckney's professor in a creative writing class at Barnard in the early 1970s, and they quickly became close friends. She invited him into her home, into her writing process, and into a world of New York literary culture and gossip, which Pinckney doles out here in generous cupfuls. It was through Hardwick that Pinckney met Barbara Epstein, an editor and co-founder of the New York Review of Books, where he began his writing career. His memoir documents a critical time in both his own life and in Hardwick's, including the dissolution of her marriage to the poet Robert Lowell, and the composition of her masterful novel, Sleepless Nights. Also, Namwali Serpell, author of The Furrows, returns to recommend "Old Boys Old Girls" a short story by Edward P. Jones from his collection All Aunt Hagar's Children.

As broadcast October 25, 2022 with plenty of extra 80's feels whether now or then.  Tonight we open noting the hip-hop classic Krush Groove opening in theaters on this date in 1985.  Based on the life of Def Jam co-founder Russell Simmons, the film not only gave street culture and hip-hop mainstream appeal, but became a cultural phenomenon just like the music itself later on.  Turning to the new stuff tonight, it must be noted our usual partner in crime Kat Bass is not in studio to enjoy the music with us as she's out with COVID (but nothing to really worry about, she's totally fine symptoms-wise), but we had a lot of new tunes to get through, especially from Korean indie artists.  Great tunes from Anna of the North, Hotel Decor, Black Hibiscus, Furrows, and Phantom Handshakes were highlights in a very quality couple of hours.  #feelthegravityTracklist (st:rt)Part I (00:00)Kurtis Blow – If I Ruled The WorldNEIL FRANCES & dreamcastmoe – She's Just The Type of GirlBlack Hibiscus – BasquiatYaris Paris – ReplayVOICE ACTOR – Battling DustRiver Westin – Cinema Part II (32:57)Anna of the North - I Do You qman (9.10000) - Impulse Peach Tree Rascals - C'est la Vie Lee ChanHyuk - PANORAMA Hotel Decor - Red Car Syndrome FIG - Cooking For One Bibio x Oliver St. Louis - SOLPart III (65:35)Damon's Year - Gestalt (Mondegreen  ver.) Lee go do – mole (my room) Holly Blair -  See This Through Phantom Handshakes - Passport (How Far I Will Be)  Andrew Goldring – Tell Me It's EasyFurrows – Never HerePart IV (95:38)wave to earth - dried flower Luli Lee - Show Me Your Love ( Band Ver.) Lipticism - Transform Indie Anthony - dumb and shy Scotch Mist - Breathe Underwater DREAMERS - Who You Are Gabrille Shonk – How We Used To Be 

Namwali Serpell's 2019 novel The Old Drift was hailed by Salman Rushdie as "a dazzling debut." It won the Arthur C. Clarke Award for science fiction and was named a notable book of the year by the New York Times Book Review. Her time-bending new work, The Furrows, tells the story of one family's struggle with love and loss in the wake of a tragic accident. The novel is dedicated to Serpell's late sister, Chisha, who died from a drug overdose when Serpell was just 18.

On this special LARB Book Club episode of the Radio Hour, Boris Dralyuk and Medaya Ocher are joined by Namwali Serpell, to speak about her new novel, The Furrows. One of the most daring and protean literary voices working today, Serpell is a Zambian-born novelist and essayist, and a professor of English at Harvard University. Her debut novel, The Old Drift, a genre-bending saga tracing the legacies of three families, appeared in 2019 and won the Anisfield-Wolf Book Award, the Arthur C. Clarke Award for science fiction, and the Los Angeles Times's Art Seidenbaum Award for First Fiction. Her equally unclassifiable — a compliment, that — work of nonfiction, Stranger Faces, appeared the following year, as part of Transit Books' series of Undelivered Lectures, and was a finalist for a National Book Critics Circle Award. Serpell is also the recipient of a 2020 Windham-Campbell Literature Prize, the 2015 Caine Prize for African Writing, and a 2011 Rona Jaffe Foundation Writers' Award. Like The Old Drift, The Furrows defies narrative conventions and readerly expectations, but it does so with a narrower aim in view, homing in on the after-affects — which are, truth be told, manifold — of a particular, though uncertain, trauma, an event that fractures the protagonist's life and sense of self at the age of 12. Blamed for the death of her younger brother, Cassandra is haunted by the presence of his absence — or is it simply his presence? — for the rest of her days. What Serpell's novel tells us is what Cassandra promises to tell us: not what happened, but how it felt. Also, Kathern Scanlan, author of Kick the Latch returns to recommend Charles Reznikoff's Testimony: The United States 1885-1915: Recitative.

On this special LARB Book Club episode of the Radio Hour, Boris Dralyuk and Medaya Ocher are joined by Namwali Serpell, to speak about her new novel, The Furrows. One of the most daring and protean literary voices working today, Serpell is a Zambian-born novelist and essayist, and a professor of English at Harvard University. Her debut novel, The Old Drift, a genre-bending saga tracing the legacies of three families, appeared in 2019 and won the Anisfield-Wolf Book Award, the Arthur C. Clarke Award for science fiction, and the Los Angeles Times's Art Seidenbaum Award for First Fiction. Her equally unclassifiable — a compliment, that — work of nonfiction, Stranger Faces, appeared the following year, as part of Transit Books' series of Undelivered Lectures, and was a finalist for a National Book Critics Circle Award. Serpell is also the recipient of a 2020 Windham-Campbell Literature Prize, the 2015 Caine Prize for African Writing, and a 2011 Rona Jaffe Foundation Writers' Award. Like The Old Drift, The Furrows defies narrative conventions and readerly expectations, but it does so with a narrower aim in view, homing in on the after-affects — which are, truth be told, manifold — of a particular, though uncertain, trauma, an event that fractures the protagonist's life and sense of self at the age of 12. Blamed for the death of her younger brother, Cassandra is haunted by the presence of his absence — or is it simply his presence? — for the rest of her days. What Serpell's novel tells us is what Cassandra promises to tell us: not what happened, but how it felt. Also, Kathern Scanlan, author of Kick the Latch returns to recommend Charles Reznikoff's Testimony: The United States 1885-1915: Recitative.

We're joined by the fantastic Coy Hall to discuss his writing, historical magic, medicinal cannibalism, and whether or not all characters need an animal sidekick. We also get a peek at his book Grimoire of the Four Imposters and talk about his latest novel The Hangman Feeds the Jackal. Coy Hall lives in West Virginia with his wife, Olivia, and they share a home with a clumsy Great Pyrenees named Duncan. Coy splits time as an author of mysteries and horror and as a professor of history. The two pursuits fit together well. As a historian, he teaches courses about medieval and early modern Europe. History has influenced his writing, with many of his stories set in the distant past--sometimes the real past, sometimes an imagined one, but most often a mix of the two. His short stories have appeared in a variety of magazines and anthologies like The Fiends in the Furrows (2018). He's published in a wide range of genres, including western, science-fiction, adventure, crime, fantasy, horror, and mystery. His first collection, Grimoire of the Four Impostors, releases in 2021 from Nosetouch Press. His first novel, The Hangman Feeds the Jackal: A Gothic Western, was released in June 2022 from Nosetouch Press. Other influences include authors Philip K. Dick, Raymond Chandler, Fritz Leiber, M.R. James, Chester Himes, David Goodis, and Shirley Jackson. Radio drama series like Inner Sanctum Mysteries and CBS Radio Mystery Theater, and films such as Nosferatu (1922) and The Black Cat (1934), have also shaped his storytelling. You can find him on his website and on Twitter. Want to submit your writing or be a guest editor? Email darkwaterspodcast@gmail.com Intro/Outro music: www.bensound.com Disclaimer: Any and all opinions expressed are the opinions of the participants and not of the organizations or institutions with which they are affiliated. --- Support this podcast: https://anchor.fm/darkwaters/support

In this episode, we hear two interviews with author Namwali Serpell. Her two novels look at some variation on what it means to be part of a mixed-race family. First, NPR's Scott Simon talks to Serpell about her 2019 debut The Old Drift in which the author considers how immigrants that came to Zambia gave the country a new identity through unity and love. Then, Serpell and NPR's Juana Summers discuss her second novel The Furrows, which looks at grief – and how it doesn't necessarily get easier with time.

Liz and Emily's vampire obsession is rekindled in this week's Dracula retelling "A Dowry of Blood" by S.T. Gibson. This tale is full of everything you need for a good spooky season read; gothic, dramatic writing, classic horror vibes, and murder. It's the perfect choice to get you in the Halloween mood! Check us out on: Instagram @smutandswearwordspod TikTok @smutandswearwordspod Got a spicy book we need to read? Email us at smutandswearwordspod@gmail.com Want to read the book? You can buy it here on Amazon. Other popular books by S.T. Gibson include The Fiends in the Furrows and Robbergirl.

As broadcast October 7, 2022 with more hearts than anyone can handle.  Tonight we welcome Christopher Leopold aka Human Barbie aka veronicavon to the show to talk about his upcoming Human Barbie EP out Wednesday called no worries.  We got a sneaky spin of an unreleased tune to start part 4 for a very nice world premiere, and also got a chance to talk to the artist about the tunes that both inspire him and make him (kinda...not really) rage with jealousy.  Another great EP to drop this week from Poor Man Records, and it's Bandcamp Friday so go & support your favorites (Human Barbie & PM Records pages linked here)!#feelthegravityTracklist (st:rt)Part I (00:00)Radiohead – All I NeedBroken Baby – Cloud CoverageYoung Winona – LA WasteTummyache – Emotional HousekeepingGardens & Villa – Underneath the MoonGwenno – Kan Me Part II (31:36)Human Barbie – purple and redHuman Barbie – waitSWANES – My AnxietiesBulgarian Cartrader – Camden Free Public LibraryEl Michels Affair feat Piya Malik – Cham ChamHovvdy – True LoveLAUREL – Scream Drive Faster Part III (65:16)Human Barbie – no worriesHoly Hive – Brooklyn Ferryveronicavon – Could've TriedRiver Tiber – HypnotizedBoy Scouts – That's Life HoneyGOON – Fruiting Body Part IV (1:41:06)Human Barbie – emptyMia Joy – Ye Old ManBulgarian Cartrader – MavrudPoint Lobo – Falling in a Siloveronicavon – Next LifeFurrows – Wasteland - Edit 

Namwali Serpell was born in Lusaka, Zambia, and lives in New York. Her debut novel, The Old Drift was named one of the 100 Notable Books of 2019 by the New York Times Book Review and one of Time magazine's 100 Must-Read Books of the Year. She is currently a professor of English at Harvard. Her new novel is called The Furrows. Recommended Reading: Born In Blackness by Howard French Asymmetry by Lisa Halliday Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of Marginalia, an author identifies the inspiration behind her genre-blending novel.

Today I want to give a very simple message, for some of you it will be so simple it will slip right past you. My message this morning is on what Jesus Christ did on the cross for you, in your place, and the treatment meant for you that He intercepted and took upon Himself. And in doing so, I intend to give Him more glory than perhaps your religious creeds, denomination and/or traditions have prepared you to receive. How much glory will I give Jesus Christ? All of it. You can split hairs, squabble, debate and argue about 'the trinity' until the rhetorical cows come home, but please count me out of that dreary and soul-deadening discussion. I am going to lift up the name of Jesus Christ so high that it just might make you sick to your 'Greek and Hebrew scholar's 'stomach. When I read my King James Bible, I see Jesus as KING OF KINGS, I see Jesus as LORD OF LORDS, I see Jesus as the One who took my punishment in my place, and I can never repay Him for that. But what I can do is give Him the glory He rightly deserves for what He did for me on the cross. When I read my King James Bible, and I'm just being honest, I do not see "3 equal entities" in the Godhead so much as I see in One of those entities all the fullness of all the Godhead dwelling in one person. I'm putting all my chips on Jesus Christ alone, and letting it ride. Are you in?

He grew up breathing Kannada literature -- and he also embraced the globalised world. Sugata Srinivasaraju joins Amit Varma in episode 277 of The Seen and the Unseen to discuss this confluence of the old and the new, the near and the far, his society and the world.  Also check out: 1. Sugata Srinivasaraju in Outlook, ToI/Mumbai Mirror, New Indian Express, The Wire, Mint, Twitter and his own website. 2. Furrows in a Field -- Sugata Srinivasaraju. 3. Pickles from Home: The Worlds of a Bilingual -- Sugata Srinivasaraju. 4. Keeping Faith with the Mother Tongue -- Sugata Srinivasaraju. 5. Sugata Srinivasaraju on his father, Chi Srinivasaraju: 1, 2, 3. 6. Maharashtra Politics Unscrambled -- Episode 151 of The Seen and the Unseen (w Sujata Anandan). 7. Dodda Alada Mara (Big Banyan Tree). 8. GP Rajarathnam, AR Krishnashastry, P Lankesh and KS Nissar Ahmed on Wikipedia. 9. The Tell Me Why series of encyclopedias -- Arkady Leokum. 10. Stendhal, Honoré de Balzac, Victor Hugo and Charles Baudelaire on Amazon. 11. Rayaru Bandaru Mavana Manege -- The KS Narasimhaswamy poem Sugata translated. 12. Phoenix and Four Other Mime Plays -- Chi Srinivasaraju (translated by Sugata Srinivasaraju, who tweeted about it here.). 13. Ahobala Shankara, V Seetharamaiah, Roland Barthes, Michel Foucault, Jacques Derrida, KV Narayana, Noam Chomsky, DR Nagaraj, Jorge Luis Borges and Tejaswini Niranjana. 14. Lawrence Weschler on how Akumal Ramachander discovered Harold Shapinsky. 15. AK Ramanujan and Gopalakrishna Adiga. 16. The Penguin Book of Socialist Verse -- Edited by Alan Bold. 17. Gandhi as Mahatma: Gorakhpur District, Eastern UP, 1921-22 -- Shahid Amin. 18. Kraurya -- Girish Kasaravalli. 19. Deconstructing Derrida -- Sugata Srinivasaraju. 20. Yaava Mohana Murali -- Gopalakrishna Adiga's poem turned into a song. 21. Ram Guha Reflects on His Life -- Episode 266 of The Seen and the Unseen. 22. Understanding Gandhi. Part 1: Mohandas — Episode 104 of The Seen and the Unseen (w Ram Guha). 23. Understanding Gandhi. Part 2: Mahatma — Episode 105 of The Seen and the Unseen (w Ram Guha). 24. Modern South India: A History from the 17th Century to our Times -- Rajmohan Gandhi. 25. Ki Ram Nagaraja at Book Brahma. 26. A Map of Misreading -- Harold Bloom. 27. The Singer of Tales -- Albert Lord and David Elmer. 28. ಪಂಪ ಭಾರತ ದೀಪಿಕೆ: Pampa Bharatha Deepike -- DL Narasimhachar. 29. The Open Eyes: A Journey Through Karnakata -- Dom Moraes. 30. Dom Moraes on DR Bendre's love for numbers. 31. DR Bendre, Kuvempu, Shamba Joshi, MM Kalburgi, Shivaram Karanth, VK Gokak and Chandrashekhar Patil. 32. Da Baa Kulkarni, Sriranga, Nabaneeta Dev Sen, Bhisham Sahni, Kartar Singh Duggal and HY Sharada Prasad. 33. His Will Was His God -- Sugata Srinivasaraju on HY Sharada Prasad. 34. Jeremy Seabrook on Amazon. 35. Aakar Patel Is Full of Hope -- Episode 270 of The Seen and the Unseen. 36. The Rise and Fall of the Bilingual Intellectual — Ramachandra Guha. 37. The Life and Times of Mrinal Pande -- Episode 263 of The Seen and the Unseen. 38. Sara Rai Inhales Literature -- Episode 255 of The Seen and the Unseen. 39. The Art of Translation -- Episode 168 of The Seen and the Unseen (w Arunava Sinha). 40. Negotiating Two Worlds, Bilingualism As A Cultural Idea -- Sugata Srinivasaraju delivers the HY Sharada Prasad Memorial Lecture. 41. Karunaalu Baa Belake -- A Kannada version of 'Lead, Kindly Light'. 42. Liberal impulses of our regional languages -- Sugata Srinivasaraju. 43. Why Resisting Hindi is No Longer Enough -- Sugata Srinivasaraju. 44, The Indianness of Indian Food -- Episode 95 of The Seen and the Unseen (w Vikram Doctor). 45. Steven Van Zandt: Springsteen, the death of rock and Van Morrison on Covid — Richard Purden. 46. Roam Research and Zettelkasten. 47. Sixteen Stormy Days — Tripurdaman Singh. 48. The First Assault on Our Constitution — Episode 194 of The Seen and the Unseen (w Tripurdaman Singh). 49. Nehru's Debates -- Episode 262 of The Seen and the Unseen (w Tripurdaman Singh and Adeel Hussain). 50. Speaking of Siva -- Ak Ramanujan's translations of the Vacanas. 51. Not Waving but Drowning -- Stevie Smith. 52. Pictures on a Page -- Harold Evans. 53. Notes From Another India -- Jeremy Seabrook. 54. Good Times, Bad Times -- Harold Evans. 55. John Pilger on Amazon. 56. Sugata Srinivasaraju's pieces in Outlook in 2005 on the Infosys land scam: 1, 2. 57. ‘Bellary Is Mine' -- Sugata Srinivasaraju. 58. Deca Log: 1995-2005. A history in ten-and-a-half chapters, through the eyes of Outlook -- Sugata Srinivasaraju. 59. The Sanjay Story: From Anand Bhavan To Amethi -- Vinod Mehta. 60. Lucknow Boy: A Memoir -- Vinod Mehta. 61. Remembering Mr. Shawn's New Yorker -- Ved Mehta. 62. Off the Record: Untold Stories from a Reporter's Diary -- Ajith Pillai. 63. A Town Offers Its Shoulder -- Sugata Srinivasaraju. 64. Superforecasting: The Art and Science of Prediction -- Philip Tetlock and Dan Gardner. 65. Dhanya Rajendran Fights the Gaze -- Episode 267 of The Seen and the Unseen. 66. The Story of an Income Tax Search — Dhanya Rajendran on Instagram. 67. George Plimpton, 76; 'Paper Lion' author, longtime literary editor, amateur athlete -- David Mehegan. 68. Does The Paris Review Get a Second Act? -- Charles McGrath on literary magazines as "showcases of idealism." 69. My Father's Suitcase -- Orhan Pamuk's Nobel Prize lecture. 70. Gandhi's Assassin: The Making of Nathuram Godse and His Idea of India -- Dhirendra K Jha. 71. Harmony in the Boudoir -- Mark Strand. 72. Of Human Bondage -- W Somerset Maugham. 73. Man's Worldly Goods -- Leo Huberman. 74. Autobiography -- Bertrand Russell. 75. Graham Greene, Joseph Conrad, Gabriel Garcia Marquez, Jorge Luis Borges, Honoré de Balzac, Gustave Flaubert, Victor Hugo, Charles Dickens and George Orwell on Amazon. 76. Madame Bovary -- Gustave Flaubert. 77. Reflections on Gandhi -- George Orwell. 78. The Tyranny of Merit -- Michael Sandel. 79. Home in the World: A Memoir -- Amartya Sen. 80. Living to Tell the Tale -- Gabriel Garcia Marquez. 81. Ayodhya - The Dark Night and Ascetic Games by Dhirendra Jha. 82. Team of Rivals -- Doris Kearns Goodwin. 83. My Last Sigh -- Luis Bunuel. 84. Interview with History -- Oriana Fallaci. 85. Ryszard Kapuscinski on Amazon. 86. Journalism as Literature -- Salman Rushdie on Ryszard Kapuscinski. 87. Mallikarjun Mansur, Bhimsen Joshi and Kumar Gandharva on Spotify. 88. Vachanas sung by Mallikarjun Mansur and Basavaraja Rajguru. 89. Outlander, Knightfall and Money Heist on Netflix. 90. Sugata Srinivasaraju's Twitter thread on the songs of DR Bendre. This episode is sponsored by The Desi Crime Podcast. You'll find them on all podcast apps. Check out Amit's online course, The Art of Clear Writing. And subscribe to The India Uncut Newsletter. It's free! The illustration for this episode is by Nishant Jain aka Sneaky Artist. Check out his work on Twitter, Instagram and Substack.

Over the past two months, the southern Indian state of Karnataka has been the site of significant religious tensions as the Bharatiya Janata Party (BJP) government—and Hindu nationalist organizations associated with it—have advanced policies and issued statements that many believe have explicitly targeted Muslims in the state. From a ban on hijabs in school to calls for boycotting Muslim businesses, we are seeing sharpening religious divisions in the state that is home to India's biggest technology hub, Bangalore.To make sense of the latest developments in the state, Milan is joined on the show this week by Sugata Srinivasaraju, a respected political journalist and author who has been covering political developments in Karnataka for decades. Sugata is the author of several books, including Furrows in a Field: The Unexplored Life of H.D. Deve Gowda.Sugata and Milan discuss the BJP's rise to prominence in Karnataka—its lone southern stronghold—and the spate of recent controversial developments, from the ban on hijabs in school to calls for boycotting establishments serving halal food. Plus, the two discuss the upcoming 2023 assembly elections, the BJP's dilemma, and the fractures within the political opposition. Sugata Srinivasaraju, “Balancing Opinion And Diverting Attention,” New Indian Express, April 7, 2022.Soutik Biswas, “Bangalore: How polarisation is dividing India's Silicon Valley,” BBC, April 7, 2022.Pooja Prasanna, “Karnataka's Hindutva hate politics: Blame it on a weak CM and an edgy Opposition,” The News Minute, April 6, 2022.

"She dreamed of fields wild and lush, but like every dream, love wasn't enough..."Today's episode was written by Julie Reeser (https://persephoneknits.com/)Support the show (https://www.patreon.com/rerule)

VIN AND SORI GEAR www.teespring.com/stores/the-village-market PAYPAL vinandsorimerch@gmail.com Patreon https://www.patreon.com/Vinandsori MAIL US SOMETHING AT Vin and Sori P.O. Box 7024 Lewiston, Maine 04243 EMAIL US vinandsori@gmail.com MIDDLE AMERICA WITH VIN AND SORI https://www.youtube.com/channel/UCojH...The VillageXchange https://www.amazon.com/s?me=A837LP212... https://www.facebook.com/vinand.sori.9 Vin and Sori P.O. Box 7024 Lewiston, Maine 04243 EMAIL US vinandsori@gmail.com MIDDLE AMERICA WITH VIN AND SORI https://www.youtube.com/channel/UCojH...The VillageXchange https://www.amazon.com/s?me=A837LP212... https://www.facebook.com/vinand.sori.9c --- Support this podcast: https://anchor.fm/conversations-with-vin-and-sori/support

VIN AND SORI GEAR www.teespring.com/stores/the-village-market PAYPAL vinandsorimerch@gmail.com Patreon https://www.patreon.com/Vinandsori MAIL US SOMETHING AT Vin and Sori P.O. Box 7024 Lewiston, Maine 04243 EMAIL US vinandsori@gmail.com MIDDLE AMERICA WITH VIN AND SORI https://www.youtube.com/channel/UCojH...The VillageXchange https://www.amazon.com/s?me=A837LP212... https://www.facebook.com/vinand.sori.9 Vin and Sori P.O. Box 7024 Lewiston, Maine 04243 EMAIL US vinandsori@gmail.com MIDDLE AMERICA WITH VIN AND SORI https://www.youtube.com/channel/UCojH...The VillageXchange https://www.amazon.com/s?me=A837LP212... https://www.facebook.com/vinand.sori.9c --- Support this podcast: https://anchor.fm/conversations-with-vin-and-sori/support

This episode is brought to you by the Ladies of the Fright Patreon! When we hit our goal of 30 patrons, we'll begin paying authors $25 for short story reprints! We've got tons of exclusive content for patrons at every tier. Head on over to patreon.com/ladiesofthefright and join our community today! Show Notes For our eighth tropisode, we're talking FORESTS with debut author Katherine Silva. Katherine Silva is a Maine author of dark fiction, a connoisseur of coffee, and victim of cat shenanigans. She is a two-time Maine Literary Award finalist for speculative fiction and a member of the Horror Writers of Maine, The Horror Writers Association, and New England Horror Writers Association. Katherine is also a founder of Strange Wilds Press, Dark Taiga Creative Writing Consultations, and The Kat at Night Blog. Her latest book, The Wild Dark, is now available wherever books are sold. AND as you all know, Lisa Quigley is a horror author and pagan witch. She holds an MFA in Creative Writing from the University of California, Riverside's low-residency MFA program in Palm Desert. Her work has appeared in such places as Unnerving Magazine, Journal of Alta California, and Automata Review. She is the co-host of the award-winning horror fiction podcast Ladies of the Fright. Hell's Bells (2020) and Camp Neverland (2021) from Unnerving are her novellas. The Forest is her debut novel. Lisa lives in New Jersey with one handsome devil and two wild monsters. Find her at www.lisaquigley.net. Forest Group Reads The Forest by Lisa Quigley The Wild Dark by Katherine Silva Forest Book and Film Mentions The Wizard of Oz (film and book) The Forest by Lisa Quigley The Wild Dark by Katherine Silva The Ritual by Adam Neville The Night Will Find Us by Matthew Leions Pines by Blake Crouch The Blair Witch Project  The Fiends and the Furrows folk horror anthology Annihilation by Jeff Vandermeer Strange Grace by Tessa Gratton The Neverending Story The Girl Who Loved Tom Gordon by Stephen King Women Who Run with the Wolves by Clarissa Pinkola Estes The Bear in the Nightingale by Katherine Arden The Changeling by Victor LaValle Find Katherine: Website

Mishlei 21:4 - Furrows of the Wicked (Part 2)רוּם עֵינַיִם וּרְחַב לֵב נִר רְשָׁעִים חַטָּאת:This morning (11/9/21) we continued our analysis of yesterday's pasuk, beginning with a review of yesterday's idea. We then attempted to support that approach with two meforshim (Radak and Rabbeinu Yonah), only to realize that they were saying something different. We then found a support (Ri Nachmias) for another reading of the pasuk we tried yesterday which ended up leading to a nice idea. We ended with two other readings of the pasuk: one which took it in a completely different direction, (Ralbag) and another which was a hybrid of previous ideas (Malbim).----------מקורות:משלי כא:דרד"ק - משלי כא:דרבינו יונה - משלי כא:דר"י נחמיאש - משלי כא:דרמב"ם: משנה תורה, ספר נזקים, הלכות גזילה ואבידה א:ט-י רלב"ג - משלי כא:דמלבי"ם - משלי כא:ד----------This week's Torah content has been sponsored anonymously. May Hashem send a refuah shleimah to Margalit Esther bat Ettel and Noam Binyamin Refael ben Dina Nili.----------If you have questions, comments, or feedback, I would love to hear from you! Please feel free to contact me at rabbischneeweiss at gmail.----------If you've gained from what you've learned here, please consider contributing to my Patreon at www.patreon.com/rabbischneeweiss. Alternatively, if you would like to make a direct contribution to the "Rabbi Schneeweiss Torah Content Fund," my Venmo is @Matt-Schneeweiss, and my Zelle and PayPal are mattschneeweiss at gmail.com. Even a small contribution goes a long way to covering the costs of my podcasts, and will provide me with the financial freedom to produce even more Torah content for you.If you would like to sponsor a day's or a week's worth of content, or if you are interested in enlisting my services as a teacher or tutor, you can reach me at rabbischneeweiss at gmail.com. Thank you to my listeners for listening, thank you to my readers for reading, and thank you to my supporters for supporting my efforts to make Torah ideas available and accessible to everyone.----------YouTube Channel: https://www.youtube.com/user/rabbischneeweissBlog: https://kolhaseridim.blogspot.com/Twitter: https://twitter.com/rmschneeweiss"The Mishlei Podcast": https://mishlei.buzzsprout.com"The Stoic Jew" Podcast: https://thestoicjew.buzzsprout.com"Rambam Bekius" Podcast: https://rambambekius.buzzsprout.com"Machshavah Lab" Podcast: https://machshavahlab.buzzsprout.com"The Tefilah Podcast": https://tefilah.buzzsprout.comGuide to the Torah Content of Rabbi Matt Schneeweiss: https://kolhaseridim.blogspot.com/2021/04/links-to-torah-content-of-rabbi-matt.html

Mishlei 21:4 - Furrows of the Wicked (Part 1)רוּם עֵינַיִם וּרְחַב לֵב נִר רְשָׁעִים חַטָּאת:This morning (11/8/21) we started a pasuk which was doubly difficult to read, due to its idiomatic terminology and its ambiguous syntax. We struggled to work out viable approaches for most of the shiur and finally hit upon a good one in the last couple of minutes. Tomorrow we'll consult the meforshim.----------מקורות:משלי כא:דתרגום רס"ג - משלי כא:דמצודת ציון/דוד - משלי כא:ד----------This week's Torah content has been sponsored anonymously. May Hashem send a refuah shleimah to Margalit Esther bat Ettel and Noam Binyamin Refael ben Dina Nili.----------If you have questions, comments, or feedback, I would love to hear from you! Please feel free to contact me at rabbischneeweiss at gmail.----------If you've gained from what you've learned here, please consider contributing to my Patreon at www.patreon.com/rabbischneeweiss. Alternatively, if you would like to make a direct contribution to the "Rabbi Schneeweiss Torah Content Fund," my Venmo is @Matt-Schneeweiss, and my Zelle and PayPal are mattschneeweiss at gmail.com. Even a small contribution goes a long way to covering the costs of my podcasts, and will provide me with the financial freedom to produce even more Torah content for you.If you would like to sponsor a day's or a week's worth of content, or if you are interested in enlisting my services as a teacher or tutor, you can reach me at rabbischneeweiss at gmail.com. Thank you to my listeners for listening, thank you to my readers for reading, and thank you to my supporters for supporting my efforts to make Torah ideas available and accessible to everyone.----------YouTube Channel: https://www.youtube.com/user/rabbischneeweissBlog: https://kolhaseridim.blogspot.com/Twitter: https://twitter.com/rmschneeweiss"The Mishlei Podcast": https://mishlei.buzzsprout.com"The Stoic Jew" Podcast: https://thestoicjew.buzzsprout.com"Rambam Bekius" Podcast: https://rambambekius.buzzsprout.com"Machshavah Lab" Podcast: https://machshavahlab.buzzsprout.com"The Tefilah Podcast": https://tefilah.buzzsprout.comGuide to the Torah Content of Rabbi Matt Schneeweiss: https://kolhaseridim.blogspot.com/2021/04/links-to-torah-content-of-rabbi-matt.html

As broadcast October 19, 2021 with more big suits than you can fit 1,000 podcast elves in.  Tonight marks an important anniversary, as it was on this date in 1984 that Talking Heads' live concert movie directed by Jonathan Demme "Stop Making Sense" opened in theaters.  Called "The greatest concert film of all time" by Rolling Stone, it still definitely more than passes muster.  After that, Prince Paolo & Danno taste test all the worthy indie truffles found in the audio forest this week, with great albums from Furrows & sir Was out this past week, along with a bevvy of quality cuts from other great up-and-coming artists.#feelthegravityTracklisting:Part I (00:00)Talking Heads – Psycho Killer (Live)Ancient Cat Society – City BreathesFurrows – Mirrors Melt – Hours Sir Was – I Don't Think We Should WaitSir Was – Spend A LifetimePart II (35:26)Mr. Twin Sister – BallarinoTinlicker Feat Nathan Nicholson - Be Here And NowMandolynne - SCREAMNico De Andrea - Woman (Fka Mash Afro Glitch) [feat Mopao Mumu]Lura & Ruggiero - Leaving My LifeJaws of You - Money Part III (64:45)Eades – RenoSunflower Bean - Baby Dont CryLola in Slacks - Luna MothHumble Braggers - So AliveMiss Leading - Self HelpHiatus Kaiyote - Canopic Jar Part IV (98:27)Nora Lilith – WakeDream Dream - Chill VibesCousin Kula - Now That You're GoneSprints - Modern JobSemi Trucks - Motorbike Riding StarFruit Bats - Rips Me Up

As broadcast October 5, 2021 with a sensible amount of extra music for you circumspect podcast travelers.  We welcome Prince Paolo back to the studio for the first time in "almost a month" after a couple of weeks of holidays and then a quarantine bit last week, but nothing can stop the inanity and audio insanity that is our Under The Radar indie weekly.  We start remembering this date in 1975 when the original members of Bob Marley & The Wailers played together for the final time at a festival put together by Stevie Wonder.  After that it's all the fresh truffles from the past week as Prince Paolo hauls it in & we spin!#feelthegravityTracklisting:Part I (00:00)Bob Marley & The Wailers – Rastaman Chantadaolisa – alittleSleepy Soul – Tandem Micra – After DarkNature TV – Summer NightsFurrows - WastelandPart II (30:15)Jamie Lane - SanctuaryUffie – coolTelevision Blonde – DaisyPeakes - Day and AgeIshi - Pros & ConsRIVER - Dance in the DarknessPart III (57:52)Morning Silk – Don't Try Hard EnoughTARA - Light AgainI Know I Know – FickleIlton - THE GAMERyan Egan - WeeknightsNoSo - SuburbiaPart IV (88:15)Silo Hill - No I Don't Quite Know What You MeanCatherine Moan – WastedTall Black Guy & Ozay Moore (feat Kumbaya) - ViberiteHollis - Let Me Notmauv – ManualAnnie Bass - Crazy

In this edition of "Beyond the Furrows", our series covering farmworkers on the Central Coast, we'll introduce you to Maria. She's been on an 18 year quest for US citizenship. “Dangerous Air” is a collaborative investigation, and answers the question: How much wildfire smoke have we been breathing and what are the health risks? You'll learn about new legislation requiring grocery stores and food distributors to donate unused edible food instead of wasting it. Author Dorothea Deley talks about her book “Saying Good-bye to Your Dear Dog”. And finally, Father Ian learns to pick and prepare fresh pomegranates in Playing With Food.

Az Aether második adásában a folk-horror filmek szentségtelen szentháromságának egyik ikonikus, mai napig méltán népszerű és örök életű darabjáról beszélgettünk, az 1973-as The Wicker Manről. Szó esik a fim keletkezéséről, a forgatás körülményeiről, külön kitérünk a zenei világra, kivesézzük a szereplőket, és megvitatjuk a finálét is. Azonban, még így is nagyon sok mindenről nem esett szó, amit szerettünk volna kitárgyalni, ezért a The Wicker Man két részes adás lesz. Mivel a filmről nagyon sokat információt lehet fellelni, illetve maga az alkotás olyan, hogy nagyon sokat lehet róla beszélgetni, vitatkozni, ezért ebben az adásban nem esik szó a folytatásokról sem, mint például a 2006-os Nicholas Cage féle remake, vagy az HBO Harmadik napon sorozata. Októberben érkezik a második felvonás. Figyelem! Spoileres beszélgetés, amelyben szó esik a film egyes részleteiről és a végkifejletről is. Ha még nem láttad a filmet, akkor előbb nézd meg, és utána hallgasd meg a podcastet. A shownote-ban találsz hozzá linkeket. // Shownote: TWM online - Archive.org: bit.ly/2WHgG6W TWM online - Amazon Prime: amzn.to/3a0m3Bf IMDb: imdb.to/3BdI6Ag Rotten Tomatoes: bit.ly/3iv6KoA Soundtrack: spoti.fi/3B7Mktd Iron Maiden - The Wicker Man (Live in 2012): bit.ly/3Danppr TWM (regény): bit.ly/2YcnA4n Wickerman Festival: bit.ly/3a1916m Wicker Man (hullámvasút): bit.ly/3BaSo3Y // Fanni ezt olvassa: Active Korean 1: bit.ly/3mpYKGu // Dani ezt olvassa: Allan Brown: Inside The Wicker Man: How Not to Make a Cult Classic: bit.ly/3uEFn0r Benjamin Franks: The Quest for the Wicker Man: bit.ly/3owhtmO Jeffrey K. Johnson: Super-History: Comic Book Superheroes and American Society, 1938 to the Present: bit.ly/3a4xYxK John Ostrander: Suicide Squad: Trial By Fire: bit.ly/3ixumZY // Zoli ezt olvassa: Fiends in the Furrows (antológia): amzn.to/3iuLqja Mammoth Book of Folk Horror: amzn.to/2YmT3Bo Weird Women: amzn.to/3mDJ42T // A Nagymester ezt olvassa: Sejtelmes történetek (antológia): bit.ly/2ZKS1zk Alan Moore: Providence: bit.ly/2YbWpXq

On this week's episode of “Beyond the Furrows”, KCBX's Francisco Martinez introduces you to a farmworker who has spent much of her life giving back- to her kids, and to her community. In our new feature “Agenda Breakdown” Kim Bisheff explains the process used when a city's mayor steps down. Also, from student reporters at UC Santa Barbara, you'll learn about ways to coexist with the wildlife which is increasingly showing up in urban areas. In the “Nonprofit Story”, Jill Bolster-White of Transitions Mental Health Association talks about helping others with mental health struggles. And finally, on “Working Lunch” you'll meet Walt Lafky, co-founder of the successful Cal Poly student start-up Harvestly.

In our series “Beyond the Furrows”, KCBX's Francisco Martinez introduces us to a local farmworker who came to the U.S. from Oaxaca Mexico; her dream is to return to her home country someday. In “Playing With Food”, Father Ian explores the homestead of former SLO city council member Aaron Gomez to learn about Off the Grid cooking. In “Working Lunch”, you'll meet local photographer and activist Ranoda Campbell, who specializes in LGBTQ and BIPOC weddings. Finally, the emerging wildfire litigation industry in California has become big business for attorneys in recent years.

As broadcast September 7, 2021 with plenty of extra craze for your podcast rage.  Tonight we marked the 25th anniversary of the horrible shooting in Las Vegas that would eventually take Tupac Shakur's life.  There's really not much you can say about the man aside from him being a singular cultural figure, an icon amongst icons, and a man who stayed true to his ethic right until the bitter end.  Still hard to take all these years later.  Following that, it's Tuesday and that means Danno & especially Prince Paolo are on the indie warpath with their favorite new jawns & audio succulents from the past week, and there were some serious bits of music from the likes of Work Wife, Teenage Priest, Yakul, and sir Was to bump in the process, amongst many other very worthy contenders.#feelthegravityTracklisting:Part I (00:00)Linda Clifford – Never Gonna StopSir Was – I Need A MinuteAGGE – No Pressure (Little Dragon remix)Runrummer – NightcallerJordan Rakei – UnguardedNRVS LVRS – Far Away (Alton Allen remix)Part II (32:21)Yakul - Wrong WayLYRAS – ParadiseJamie Steck - Roll The DiceFauness - DragonflyChillhum – highspeedFurrows - Grey CitiesPart III (62:16)Mating Ritual - Covered In LoveIzzie Walsh – JimmyTeenage Priest – AnymoreMaida Rose – WithinJerro - Lost For Words feat PanamaT Evann - Falling By The WaysidePart IV (90:44)Warbly Jets – TMIDirty Nice - Giving UpJessicka - I Hear You CallingSister Lucy - DreamWork Wife - Plastic WindowsBay Ledges – Changing 

Beyond the Furrows is a 12 part series on local farmworkers; we explore pesticide regulations, and the education efforts surrounding them. Poet and former principal of San Luis Obispo High School, Will Jones, talks about his new book. You'll get a transportation update from Peter Rodgers of slocog. And finally, a visit to Fairview Gardens, an Urban Farm in Goleta.

O'Donnells Crisps... I'm sure like me you love crisps?..Can you imagine my excitement when I got to go to Seskin Farm, just outside Clonmel in Kilsheelan to the home of O'Donnells Crisps. I met up with Kate O'Donnell and we chatted everything.....Crisps!!!! from flavours, to taste testers(yes they have them) to their new "Furrows" you just have to try them, delicious! Just a quick warning, it might be worth having some O'Donnells crisps to hand before you listen to the interview. Also on this episode, Rosemary Chawke from Travel Counsellors Clonmel on going on holiday and what to expect now, Gerard Sweetman from Tipperary Clonmel Community Pride on this years Clonmel Pride Festival, the winner of the Nadur Wellness Centre Fifty Euro Voucher is announced, Motowitch comes to Fethard, live music and lots more.

Beyond the Furrows is KCBX's 12 part series on farmworkers on the Central Coast, and in this week's episode Francisco Martinez reports on the efforts to vaccinate farmworkers as the Delta variant spreads. Literacy for Life in San Luis Obispo is a non-profit organization that partners with libraries throughout the county to teach adult learners English language skills. Ballots are being sent out to all registered voters in California for the recall election of Governor Gavin Newsom, and we'll hear from Santa Barbara County Clerk Recorder Joseph Holland. We'll get an update on the Edna Valley wine industry from June McIver. Finally, explore fresh figs with Fr Ian on Playing With Food.

On Issues & Ideas, we take a look at the labor rights of farm workers in "Beyond the Furrows", KCBX's 12 part series. Car Week in Monterey is this week, and 85 thousand visitors are expected, adding 67 million dollars to the local economy. Dr. Allen Radner, the chief medical officer at Salinas Valley Memorial Healthcare System, talks about the continued threat of the Delta Variant in Monterey County. You'll hear from local earthquake experts about the probability of “The Big One”, and it's potential damage to the Central Coast. On this week's Nonprofit Story, you'll hear from Amy Lewis of ECHO, about their 20 years of helping unhoused individuals. And finally, you'll hear from SLO County's 1st District Supervisor John Peschong on redistricting.

In the 4th part of our 12 episode series on farmworkers called Beyond the Furrows, KCBXs Francisco Martinez explores Guadalupe. Local business SLOCAL Roots is proposing a cannabis cultivation project in Paso Robles, although neighbors of the site have concerns. The King City art center Sol Treasures is putting on a summer camp this year with a theme of “samurais of peace” for the children. A passion for dance pays off as a King City dancer is accepted to Kirov Academy in Washington DC. Wild beavers play a critical role in the fight against climate change by creating wetlands that combat drought and wildfire, but they aren't protected from being trapped and killed in California. KCBX contributor Tom Wilmer has a conversation with Colonel Lisa Lamb, the new Garrison Commander at Fort Hunter Liggett. Finally, we get an update on the Port San Luis Harbor District.

As part of the KCBX Arts Beat, we're taking a look at how three local music organizations survived the pandemic: Festival Mozaic, the SLO Symphony, and Infinite Music. In our 3rd episode of KCBX's 12 part series 'Beyond the Furrows" reporter Francisco Martinez explores how labor trafficking affects farmworkers and what's being done locally. The Land Conservancy of SLO County is starting to assess usage potential for the Santa Rita Ranch along Highway 46. You'll hear from Around Downtown's Bettina Swigger as she speaks with Erica Crawford of the Morro Bay Chamber of Commerce. Finally, we'll join Fr. Ian Dellinger as he explores sheep milk ice cream on Playing With Food.

As part of the KCBX Arts Beat, we're taking a look at how three local music organizations survived the pandemic: Festival Mozaic, the SLO Symphony, and Infinite Music. In our 3rd episode of KCBX's 12 part series 'Beyond the Furrows" reporter Francisco Martinez explores how labor trafficking affects farmworkers and what's being done locally. The Land Conservancy of SLO County is starting to assess usage potential for the Santa Rita Ranch along Highway 46. You'll hear from Around Downtown's Bettina Swigger as she speaks with Erica Crawford of the Morro Bay Chamber of Commerce. Finally, we'll join Fr. Ian Dellinger as he explores sheep milk ice cream on Playing With Food.

On this episode of Issues & Ideas, hear the second part of "Beyond the Furrows", our 12 part series on farmworkers in Santa Barbara County. Also, learn more about the health risks of smoke from wildfires and get some advice on how we can prepare for this wildfire season. And, during the pandemic lockdown, restaurants had to scramble to adopt digital technology in order to keep their businesses open. We'll visit with the Makela family at their Santa Barbara County olive ranch. And finally, RISE and Stand Strong, two local nonprofits providing services for sexual and intimate partner violence, have merged to create the Lumina Alliance.

On this episode of Issues & Ideas, hear the second part of "Beyond the Furrows", our 12 part series on farmworkers in Santa Barbara County. Also, learn more about the health risks of smoke from wildfires and get some advice on how we can prepare for this wildfire season. And, during the pandemic lockdown, restaurants had to scramble to adopt digital technology in order to keep their businesses open. We'll visit with the Makela family at their Santa Barbara County olive ranch. And finally, RISE and Stand Strong, two local nonprofits providing services for sexual and intimate partner violence, have merged to create the Lumina Alliance.

Carol Inglis is leading a glamorous life and has come far from her days at an English boarding school. Yet she feels that something essential is missing: true love from her husband...Uitgegeven door SAGA EgmontSpreker(s): Katherine Moran

One in four of us is considering buying an electric car, according to the energy regulator Ofgem. So, what are the finances of going electric? They often cost more to buy but the claim is that they can be cheaper to run. Adam Shaw and guests discuss the cost of buying, insuring, charging an electric vehicle and the tax breaks you get if you buy or lease an electric car through a business? Adam is joined by Ginny Buckley, founder of electrifying.com, an electric car advice site & Hayley Jay, business specialist sales, from the car dealership Furrows. And we hear from listeners about their views on electric vehicles. Producer Smita Patel Editor Alex Lewis

The Faultline Podcast is an audio companion to Rethink Technology Research's Faultline service, a weekly news service that examines the video market – focused on Pay TV, OTT, SVoD, and the technology that supports them. Occasionally, our Rethink TV research wing stops by, to talk about upcoming forecasts and macroeconomic trends we're seeing. Hosted by Alex Davies, Tommy Flanagan, and Rafi Cohen, The Faultline Podcast hits the most important points from the last week's news. If you're in the business world and deal with video content, Faultline is a service you'll want to pay attention to. Find out more at: https://rethinkresearch.biz/product/faultline/ We're on Twitter too: https://twitter.com/_Faultline_ And LinkedIn: https://www.linkedin.com/showcase/faultline/

Fur flies in the Furrows! As the Saviors of the Living lead a desperate charge into a city besieged by Devil wolves and the undead hordes of Auren Vrood, they quickly find themselves trapped in Feldgrau, cut off from retreat and reinforcements. With the only direction to go being forward, a showdown commences between our heroes and two people from the past who are here to take the future. Who will take dominion over the wolves of the Shudderwood? Find out now!   Website: www.hideouslaughterpodcast.com Discord: https://discord.gg/ruG6hxB  Email: thehideouslaughterpodcast@gmail.com  Twitter/Snapchat: @laughterhideous Facebook/Instagram: @hideouslaughterpod Reddit: www.reddit.com/r/HideousLaughter/  Patreon: www.patreon.com/hideouslaughter  Background Music: www.syrinscape.com  Theme Song By Kevin McLeod

It's about taking the focus off yourself and what you can do in your God time (like praying and Bible reading) and letting Him move how He wants to. Jesus said, “Come to me, all you who labour and are heavy laden, and I will give you rest.” (Matthew 11:28, NIV). When we spend time with Him, we find a place of rest.

It has been said that we live in a post-truth era. Foundational truth is absolutely necessary for spiritual maturity and the production of good fruit.

Dino and Michele discuss the world of social media rage and introduce a segment called Huuuh?Rants giving the listening public an opportunity to vent their film pet peeves. The movie… Continue reading "Huuuh?Podcast Episode 20: GREAT NEWS, T. FURROWS! (31 Days, Day 24)"

Dino and Michele discuss the world of social media rage and introduce a segment called Huuuh?Rants giving the listening public an opportunity to vent their film pet peeves. The movie… Continue reading "Huuuh?Podcast Episode 20: GREAT NEWS, T. FURROWS! (31 Days, Day 24)"

Dino and Michele discuss the world of social media rage and introduce a segment called Huuuh?Rants giving the listening public an opportunity to vent their film pet peeves. The movie… Continue reading "Huuuh?Podcast Episode 20: GREAT NEWS, T. FURROWS! (31 Days, Day 24)"