Podcasts about bnl

Am Kader vun enger Konferenz mam Wolfgang Dahmen an der BNL waren e Freidegmoien d'Siebenbürger Sachsen Thema an der Emissioun "Invité vun der Redaktioun".

Le prime pagine dei principali quotidiani nazionali commentate in rassegna stampa da Davide Giacalone. La pace impossibile in Ucraina, le elezioni in Romania, bambini in ginocchio in moschea. Calcio. Il punto sul campionato di calcio di serie A con Paolo Pacchioni. Tennis. l'attesa per gli internazionali BNL d'Italia con il commento di Massimo Caputi. Formula 1. Questo weekend si correva a Miami. Il punto con Carlo Vanzini, di Sky Sport Formula 1. Don Antonio Mazzi, fondatore della comunità Exodus, regala ogni giorno un pensiero, un suggerimento, una frase agli ascoltatori di RTL 102.5. Torniamo a occuparci del conclave. Mai come adesso ci sono importanti interessi geopolitici sottesi a questa elezione. Il punto con Federico Castiglioni, ricercatore dell'Istituto Affari Internazionali. Energie rinnovabili. Legna e pellet appartengono al settore delle rinnovabili. Ne abbiamo parlato questa mattina con Chiara e Marco Palazzetti, di Palazzetti, azienda che opera proprio nel settore del riscaldamento domestico a biomasse. L'attualità, commentata dal direttore del giornale Libero, Daniele Capezzone. All'interno di Non Stop News, con Enrico Galletti, Massimo Lo Nigro e Giusi Legrenzi.

Sujeten: Eclat am Wäissen Haus, Tram fiert op de Findel, 5 Joer Corona, Service vun de Poubellen zu Diddeleng, Bibel an der BNL, Vëlo, Theater.

Sujeten: Eclat am Wäissen Haus, Tram fiert op de Findel, 5 Joer Corona, Service vun de Poubellen zu Diddeleng, Bibel an der BNL, Vëlo, Theater.

What will be the impact of Trump's latest tariff threats?  You better get your enriched uranium TODAY!

„Verboten, beschlagnahmt, geraubt“ heescht d'Sammelband mat 15 Bäiträg iwwert d'NS-Bibliothéikspolitik a -praxis an Europa. Den Direkter vun der Nationalbibliothéik, de Claude Conter a de Bibliothecaire Jean-Marie Reding, och Mataarbechter an der BnL hu selwer sech mat der Situatioun vun de Bibliothéiken ze Lëtzebuerg wärend der Nazi-Besatzung auserneegesat a mat eege Bäiträg ze dësem Sammelband bäigedroen Déi zwee si bei eis am Studio fir iwwer hier Fuerschungsaarbecht ze schwätzen.

Kids and their comments about hair! And did you know that David hates BNL?! Well, he does!

Sailor Noob is the podcast where a Sailor Moon superfan and a total noob go episode by episode through the original Sailor Moon series!Things get cultured this week as Michiru and Three Lights are headlining an international concert! Will they upstage the evil stalking them before they're conducted to an early grave?In this episode, we discuss the Nippon Budokan the famous acts that have played there. We also talk about chicken braking, invalidating zoomers, tube top diplomacy, Minakopropisms, Macaroni and Coco Mishell, joint concerts, the Seihive, Devil Went Down to Juban, Seichiru, sapphic tension blindness, shaky bread, scrimmage handshakes, ruining the karate vibes, beating the Beatles, BNL on indica, and adult sexuality!"I Love 'I Love the '90s'"!We're on iTunes and your listening platform of choice! Please subscribe and give us a rating and a review! Arigato gozaimasu!https://podcasts.apple.com/us/podcast/sailor-noob/id1486204787Answer this week's show question on Spotify!Listen to our new podcast, Mona Lisa Overpod!https://www.spreaker.com/podcast/mona-lisa-overpod--6195851Become a patron of the show and get access to our live-action PGSM, Animedification, Utena, Ghibli, and Evangelion podcasts!http://www.patreon.com/sailornoobPut Sailor Noob merch on your body!http://justenoughtrope.threadless.comSailor Noob is a part of the Just Enough Trope podcast network. Check out our other shows about your favorite pop culture topics and join our Discord!http://www.twitter.com/noob_sailorhttp://www.justenoughtrope.comhttp://www.instagram.com/noob_sailorhttps://discord.gg/49bzqdpBpxBuy us a coffee on Ko-Fi!https://ko-fi.com/justenoughtrope

This episode I'm trying something a bit different and speaking with a Canadian artist who was influenced by the Canadian music of the '90s. My friend Andre kindly agreed to be the first of such a series, so he chats about his latest record, his love of OLP, Alanis, BNL, how they influenced the music he makes and his vocal style. If you're not familiar with his band, they take the best of '80s hair metal, '90s alt rock and '00s emo and make it their own thing. So, please give it a listen and if you want more '90s CanRock content, find us on Twitter, Facebook, Instagram, YouTube and follow our official playlist on Spotify and Apple! Also, if you want to support the podcast, visit https://www.patreon.com/ravedrool, subscribe/follow the podcast wherever you're listening to this and give us a positive rating and review! https://www.twitter.com/RaveDrool/https://www.facebook.com/RaveDrool  https://www.instagram.com/RaveDrool/https://www.youtube.com/channel/UCbtw_jN4pSaz1pystngg0_w/featured https://open.spotify.com/playlist/6qsfgN0vkbyJ9FShN9rLie?si=2b92d8aeb2984bb8https://music.apple.com/ca/playlist/rave-drool-a-chronicle-of-90s-canrock/pl.u-8aAVXpehxELMaW Support the Show.

Welcome to Discovering Downie. I'll be your host, jD as we listen in on the experiences and analysis from three huge fans of The Hip who have a blind spot for Gord's solo works. Meet Craig, Justin, and Kirk as they part in this epic 11-part podcast.We kick the show off by starting at the start with Coke Machine Glow part 1.Transcript:Track 2:[1:26] Welcome, music lovers. Long Slice Brewery presents Discovering Downy.Track 3:[1:34] Hey, it's JD here, and I'm joined by my pals Craig, Justin, and Kirk from Chino. While our love for the hip unites us, Gord's solo ventures remain uncharted territory for our trio.Track 3:[1:47] Hence, I've gathered this team of enthusiasts to delve into the musical repertoire of the enigmatic frontman of the tragically hip, the late gourd downey so come along with us on this exploration as we navigate through his albums one by one in chronological order embarking on our quest of discovering downey we've assembled quite the motley crew here to talk uh to talk about gourd's oeuvre and we're excited to do that we're going to do this all summer long so buckle up fellas how are you doing not too bad living the a dream amazing excited excited to go on this jaunt with you you gents for sure yeah it should be pretty fun i agree i agree completely i i am i am from a hip starved uh area of the world which you know i guess most of the u.s unfortunately was hip starved for a long time but specifically down here uh in the la market i got to see some amazing shows in really small places but like to, to like find a hip album in a record store or, you know, like anything that comes close to hip preference for me, I just like, I get all giddy. So when we, you know, we connected to talk with other hip fans, um, was pretty exciting, but then just to learn more about Gord, um, yeah, this is, this is going to be quite the adventure, my friends, quite the adventure.Track 3:[3:17] Yeah, I think so. What do you think, Craig?Track 3:[3:20] Yeah, I've been sitting in this room, my office slash music room, with a couple of unopened Gord CDs that I have collected over the years and just looking for the right moment, I guess. And along came that moment, and thanks to you, JD, to make this happen and to bring me on board. Ah, but I am but one hand on the rudder. The other three hands you see belong to Kirk, Justin, and Craig. Egg so there's that justin tell us about your experience with the hip so uh the u.s is hip starved for the most part but uh growing up in vermont we are just quebec junior and uh we get a lot of uh tv and radio stations uh down here in the greater burlington area so i i grew up with hip on the radio and um i didn't really know anything about him but in high school i discovered phantom power on my own.Track 3:[4:19] And, uh, that was it. I've been hopelessly blissfully lost ever since. And, um, my dad was kind of a hip fan, but you know, I think he was from like the old, you know, the, the hip crowd that they were trying to get rid of in the nineties, you know? And, uh, and so when I, when I came along, it was music at work and, you know, kind of the newer stuff that, that the old man probably wouldn't have liked too much, but, um, yeah, it's been a lot of fun. I got to see three hip shows and I was at the show in Ottawa two nights before the finale, uh, which was really amazing. Um, I got to see him in a basketball gym in Burlington and I got to see him in a bar in Albany, New York. And, uh, I feel like I got the, a pretty good sample size. Uh, I love them. I love them. Yeah. How about you, Craig? You have a unique role in this trio as well with your Tragically Hip experience. Share some of that with us.Track 3:[5:19] Um, yeah, I've, I've been a big hip fan way back going to probably grade eight when I, when I first heard, I think New Orleans on the radio and, uh, you know, I liked it and I, um, I didn't buy the album right away. I was into heavier stuff at the time. I was a big GNR fan and I was kind of a metal guy. And, uh, then I heard 38 years old and funnily enough, I thought it was, um, uh, Tracy Chapman at first, when I first heard the voice, the vibrato and, you know, it's just on faintly in the background. And then I kind of turned it up and this is a good tune. And then, you know, they, they announced it was the hip. And so I went out and got the CD. I think I maybe ordered on Columbia house through my, uh, through my parents or, you know, five CDs for, for a penny or whatever. And, uh, 12 here in the U S yeah.Track 3:[6:09] And yeah, I've been a huge hip fan ever since. And, and, um, yeah, I've been to, I think maybe 15, 16 concerts and, um, yeah, about a year ago, year and a half ago, I started playing in a hip tribute and it's just been a blast to sharing the music with, you know, the fans who don't get to see them anymore. And, you know, I wish I could, I wish they were still around and I could quit my job as a hip tribute guitar player, but unfortunately they're not playing anymore. I wonder if there's a Tracy Chapman angle, I wonder if we can get Luke Combs to cover some hip stuff and get them on the mainstream radio. you. It's a great idea. It's actually not. I don't think I want to hear that. No, but definitely giving them the credit they deserve. And man, Craig, like I seriously got goosebumps when you'd mentioned Tracy Chapman, like, you know, if you guys saw the Grammys, you know, that was performed and Tracy just sounded amazing. And, uh, I hadn't thought of it from that perspective. And, and yeah, I think you hit that spot on that. I haven't looked it up, But I'm guessing if you look up the release date of Fast Car and up to here, I'm going to guess they're within a year. Yeah, that's probably very true.Track 3:[7:27] So let's start at the start here with Coke Machine Glow. Kirk, any nuggets that you gleaned from production notes, anything like that, that you gathered on your fact-finding mission? Yeah, absolutely. Um, you know, I, I actually did because I'm a musician as well and, and, and do appreciate, uh, what goes into making an album. Um, uh, there, there was some pretty good information out there and, you know, especially knowing the hips catalog and, you know, they've had, they've had some different experiences from different producers and engineers and, and different recording experiences. And, um, so, you know, of course you're going, well, I'm going to get a lot of that. And, and then boom, you get hit right upside the head with, you know, But in the research that I did, I mean, they basically just, you know, had a couple, I think they had a kick mic and an overhead mic and just kind of a room mic. They played everything acoustic because they wanted to hear Gord's vocals.Track 3:[8:30] They were in, I believe, in the studio that is no longer there. It was like a loft in Toronto that was owned by a couple of musicians that were a part of, you know, the band that was there and part of the recording team. Um and obviously getting all their you know getting all their schedules together and and you know various musicians from from various different bands within the area and uh and they just wanted this to be uh just kind of that raw essence right that it you know for us as hit fans at least for me like that's where i fell in love is like whether you listen to the music or see them live, like the energy that comes out of every song is, is palpable on so many different levels. And, and, you know, I think those that, that have had the experience to enjoy their music and especially live, like there's such an energy to it and whether it's, uh.Track 3:[9:29] You know, whether it's one of their upbeat, you know, just rocking tunes or, or, you know, a simple acoustic there, they really know how to capture the emotion. And this album, Coke Machine Glow, I mean, yeah, wow. I mean, it was, again, it just felt like maybe one mic in the room and they just were circled around each other and they went for it. And one of the other notes that I heard that I thought was pretty surprising is they got a lot out of what was actually recorded and it sounded a lot bigger than what took place. I can get that. You could get a small little eight-inch speaker and, uh, put a mic on it and it could sound like you've got, you know, four Marshall, you know, full stacks grinding in front of you. So, you know, there's definitely some magic that can happen in the studio, but, um, uh, yeah, I, I think, uh, you know, I do a lot of stuff in theater and we always talk about how the set or the lights or the sound can become a character. And I think for me, the production elements of Coke Machine Glow became a part of the album.Track 3:[10:37] It had to be done that way, in my opinion, to be able to capture the energy that it did. Yeah it's very sparse sounding production wise like obviously there's songs and we'll get into them really rich and really lush and uh you know have a lot going on but predominantly this record like you said is pretty sparse craig i wonder what you learned um in your research about the album proper.Track 3:[11:09] Well, I went into this with a different approach where I purposely didn't look at any info for the first couple of weeks. And then I actually planned on recording this without having looked it up, but I decided I couldn't not. And the reason I had to look at the liner notes is because I was hearing all these voices that I recognized from Canadian bands. And what I was really thinking about was um what was can con and and the uh you know all the if you don't know the the story of can con basically it's the canadian content rules that um you know radio stations in canada have to play a certain amount of you know canadian written produced um music and the variety of musicians playing on this album we've got you know sky diggers we've got eric's trip we've got the hip We've got Dinner Is Ruined, who wasn't a band I had heard of out West, but looked them up today and quite interesting. And just this all-star cast of musicians from all these really cool indie bands. And that's what really struck me. Yeah, I couldn't put it better. An all-star group. And I should have mentioned, I guess, The Odds, of course, with Stephen Drake. He was so heavily involved with engineering and playing bass on it. And, and, uh, that was the voice that actually I was referencing. And I'll talk about that on the track when it comes up. Oh, cool. Okay.Track 3:[12:36] Justin, I'm wondering for you what the title means to you. What does it evoke? Um, I kind of, my brain goes to the golden rim motor in right. And late at night in a hotel, just kind of looking out the window and there's that freaking coke machine that's probably buzzing and nothing's cold in it and there's that glow lighting up a couple of cars outside the hotel room um it seems like a pretty good time to write an album or a book of poetry yeah just in my my mind went the same place yeah the lofty pines motel the the golden rim motor in.Track 3:[13:19] Yeah. There's a couple other hotels mentioned on this record as well. There's the Phoenix. Um, I'm trying to think, is there another one? Hmm. There's a poem, uh, in the book, Minneapolis hotel room. Oh, wow. Yeah. So definitely a road record, huh? Yeah, for sure. Yeah. And the other thing I think that, um, I didn't know going into this, that it was so closely connected to the phantom power album with a lot of songs that now with the re-release of phantom power we're we're seeing alternate versions of you know mystery and some of these other songs which is really really neat to discover at the same time yeah i agree with that i i delved pretty deeply into the the poetry book and it was amazing how many references to hip songs especially of that era um but even dating back to the early nineties with some live shows and how long this material had incubated. I bought, I don't know which album, but it came with a recording of a concert in 94. And there are several references that made their way into the poetry or into the lyrics of some of the songs.Track 3:[14:31] It's not on the music album, but it's in the, I think it's the first poem in the book was was bumblebee what is now bumblebee as the bonus track from phantom power right um the usa today bit was in this concert in 94 and it took you know years for that to come out and and there are other references from that show that are that are in coke machine globe of the album and the book it's it's really interesting how long it took for all this stuff to, surface. You have to imagine though, that as, as a writer, you know, you're going to go into recording an album and, and, you know, Gord being primary, you know, after a time writer, you can end up with some stuff that just doesn't make it. And, you know, it's hard to let go of stuff. You know, if you've, if you've done any type of creation, I don't care if it's video creation or writing or poetry or songs or whatever, like it's hard to just let that stuff go. Cause it's, It's whether you're telling a story about yourself or something you experienced or, you know, you want to get it out there, especially if you're a creative person. So I imagine Gord had, you know, and you read all the time and you hear on the interviews and he carries around a notebook and is basically writing every day.Track 3:[15:47] So uh but it is it is amazing and especially being a hip fan to see you know i noticed that as well when i was listening to some of the bonus stuff like hey wait that's a hit song why is that on here yeah you know and then you got to go back and you got to find the album that it's on because i was like justin i i wasn't introduced until the hip you know until i think 2000 uh with a canadian friend that i worked with and then i actually took a trip up to vancouver and it was like there's hip everywhere and i was like this is what's this all about how come i don't know about these you know this this band so yeah you know that i i really kind of came into play during that time and and beyond so of course i love the stuff that that came before it but for me there's something about being a part of what gets released when you're you know i'm i'm buying the albums or cds as they're coming out and then i'm seeing the tour so you know of course that heavy content with with, with those particular albums. So yeah, I have to imagine a lot of that, uh, came back in, into this particular one. And I mean, how long was the band together before this came out? 12 years, something. Almost, almost 15 or 20, maybe.Track 3:[16:57] Yeah, well, yeah, from the very beginning, but since the recording stuff started, so, you know. 87, the first one came out in 87. Yeah. This, to me, it felt like a release valve for everything that Gord couldn't or wouldn't put on Hips. It wasn't polished, you know what I mean?Track 3:[17:18] And he had all, I mean, there's a hundred pages of poetry and all these songs that are, you know, objectively strange.Track 3:[17:27] Um, and I, I think it just stuff that he knew wouldn't fly on a hip album that he had carried with him for years. And like I said, that show in 94 that he was work workshopping this stuff and it didn't make the cut with the band. So let's use it up now. Now, I'm very curious, as we get into the songs, to hear what you guys are thinking about some of these songs in their objective strangeness, as you put it, Justin. Or, you know, are some of them hip-adjacent? Are there any on here that you think, you know, the band could have put together? Obviously, other than the last track, which they did, and we can compare and contrast that when we get there. But are we ready to go into this record track by track? Let's do it. All right, we start with Star Painters. Who wants to kick this one off?Track 3:[18:29] Well, I'll take it. Yeah, Star Painters to me was like a palate cleanser. This was like Gord saying, this is not a hip album. And right off the bat, it's, it's a little strange. Uh, you got the accordion and, um, you know, the almost like a spoken word type thing. And yeah, it's just very obviously not the hip. So the first line, um, is, uh, ended up in music at work with freak turbulence. The myth is neither here nor there. So there are definitely, you know, there's some continuity there. And I think those two albums came out the same year. Didn't they? 2000. Coke Machine Glow was 2001 Okay well But Very close Very close They were likely recorded Right around the same time Yeah Yeah.Track 3:[19:19] There are themes that do persist for sure. But yes, this is not a hip song to be clear. I agree. And Craig, yeah, I think you hit it right on the head. You know, Gord was like, hey, come along for the ride, but this is going to be something different.Track 3:[19:40] And I really appreciate it. I mean, and I've heard that this song actually turned people away, right? Right. Like they didn't want to give it any more of a listen because of it. And, you know, I can say, yeah, I can say that, you know, for me again, I'm hip starved. So I'm actually really surprised at myself that I didn't dive in at the time and that that it really took this project to, you know, get me to start paying attention. Attention and at first it was difficult you know obviously this song but the entire album was like you're like you wanted a little more hip but then you had to understand you know what he needed to get out this song honestly for me is is one of my favorites off of the album and i'll tell you why it's the line the star painters are taking over now the scaffolding is in place your anesthesiologist tonight is washing up and on her way like i heard that and i just stopped and smoking your joint.Track 3:[20:50] Packing it up yeah getting the next one it it it it's it's it's gordon it's it's it's the, this is this song this album is not going to be for the faint of heart and uh and you know strap in like you said buckle up so i i had never heard anything by the dinner is ruined but you know trying to dive into to see what these guys are about the avant-garde and very strange ambient sounds and there's uh accordion and all kinds of weird stuff and that's very much dinner is ruined i i did listen to them um during this process and with that in mind on On the rest of the album, they feel pretty restrained compared to what they would normally have written or put out. But I think on this first one, they're just kind of like, to hell with this. We're going to do what we're doing. Yeah, sequencing is so important. You know, when you make a record, there's no accident that this song is first, like Greg said. You know, that sort of palate cleanser, introducing what the concept of this record is going to be. And you're right like if you came here expecting fully completely part two you know you're barking up the wrong fucking tree so there's that yeah vancouver divorce.Track 3:[26:08] Yeah, definitely a departure from the first track from Star Painters, right? This is a, I mean, almost written for radio hit. It's so easy to listen to and it's so addicting. The thing that really struck me, and it took me a couple of listens to hear it, but the bass is just one note over and over like a heartbeat, just a rhythm. And it's just the same note for 20, 25 seconds. And then, you know, it, it moves on from there, but, um, it was really, it was lovely. Um, but I, uh, one of the things that, that started to strike me and I don't know if it was Vancouver divorce or, or something else, but I think there's two schools of thought about this album. And again, this is a common theme with Gord Downie is it's either a little bit about Adolf Hitler or it's really a lot a bit about Adolf Hitler.Track 3:[27:13] There are so many ties to World War II throughout this album and the book and everything that Gord kind of does. Um, and I, I, I tried not to think about that going into all this, but it does, it does kind of get there, um, pretty quickly. I think, I don't know. I don't know if Vancouver has anything to do with the song or it's just, it fits well, you know, like the way that he explained writing Bob Cajun, it just, it rhymes. Right that's the town we're using you know i know in one of the live clips i saw before this song he said something about you know if if this couple can't make it in in paradise which in this case paradise is vancouver um debatable debatable maybe but um he um yeah then then i guess they can't make it anywhere yeah and i i didn't get any world war ii from it but i i didn't dive into lyrics quite as heavily i'm more of a music guy the lyrics are the last thing i digest when i listen to music so it takes me multiple listens um i don't typically read lyrics i like them to sort of hit me you know over the years um yeah did you guys get the uh the hortons reference.Track 3:[28:27] That one made me chuckle so the thing that i that i picked up on the hortons thing is he says sitting here at the hortons so you know this is important nobody sits at a tim hortons well they used to it used to be it used to be like a bar yeah oh yeah and it had lots of tables and chairs Yeah. And that's, that's far different from our experience with, with any Hortons chain down here. Yeah. Well, the thing that I think is interesting is that syllabically he could have said Tim Hortons, but instead he says the Hortons. The Hortons. I wonder if that's like to avoid the.Track 3:[28:57] Commercialism of saying Tim Hortons or like, it's just an interesting choice when it's the same number of syllables. Yeah. And I also think just, um, a lot of times Gord will choose a word that is almost unrhymable on purpose. And I think this is one of those cases Hortons. So it must be important and important. Yeah. It's, it's just, I love that. I love that. How about you, Kirk?Track 3:[29:21] What do you think? From a music standpoint? Cause like Craig, I, I, I do, do i i enjoy both and and and i'll end up reading lyrics as i go and and in this particular thing it was hard not to read uh a lyrics just to understand the connection as you're listening but this is one of those songs as well when when you think about it here you know how they recorded like holy crap how did they get that big of a sound out of what you you know at least in the the research that i did was very minimalist type of recording you know this kind of a squarish box and and and not really acoustically treated and you know in in you know you know in in the heart of toronto and all kinds of other stuff going on like i heard as well like they were being evicted and so they only had a certain time schedule to be able to get this recorded and then you hear the story about how like they're having a party downstairs and they're throwing couches around and gourd shows up and in his cowboy hat and goes uh hey would you guys mind you know being quiet for a little bit i'm i've tried to record i just can't imagine you're in that room and gourd down he walks in and says hey i'm recording tracks upstairs i think he was with kevin hearn from uh.Track 3:[30:36] You know uh bare naked ladies and and and uh and then they go back up and they record but just the fullness of this, this album. Um, and to me, I, you know, that's the thing I wanted to mention. Uh, uh, I believe it was this tune when you hear the keys, I don't know that Kevin got a credit on it, but I know he recorded a couple of tunes here. And so for me, I'm actually a pretty big BNL fan and I've seen them 20 times, something like that. But Kevin Hearns keys was very kind of prevalent. Um, and even if it wasn't him, you could, you could definitely hear the influence of it. So the powerfulness of this song is, is, is palpable for sure. Yeah. Yeah, looking it up, I think it was, sorry, it was, yeah, Jose Contreras played the organ on this tune. So he's the leader of By Divine Right, which is another very cool Canadian band that I remember listening to. I had their first album. But yeah, Kevin Hearn is definitely all over this album. Them yeah i gotta say as well from a lyrics perspective my money there's a phrase in this song that belongs on the podium along with you know it could have been the willow nelson could have been the wine you know taking advice from a prost or taking a compliment from a prostitute the line which by the way i play that song every night for my daughter at bedtime and my wife still Still haven't caught on yet.Track 3:[32:00] That's a good line. What the hell is this? You said it's art. Just fucking mirror it. Mirror. Yeah. Like you hang up your hat when you write a line like that. You just, you're done for the day. Put your briefcase together and you walk out the door, punch out, you know, that's a fucking great lyric. So I think, I think if, if I may, the, the person being divorced is an artist in this story. Right. right? And there are many references to art. There's the line, when the stampede's an optical course, when ancient train has hit old transient horse. And ancient train and old transient horse were capitalized. And I said, what the hell is that? So I deep dove that. And it is in reference to horse and train, which is a Canadian painting, which is based on a poem written by a South African anti-apartheid poet with the line and against a regiment. I oppose a brain and a dark horse against an armored train, which is just spectacular imagery.Track 3:[33:03] But again, tying in the art theme to the first line is such classic Gord Downie writing. Jesus Christ. Yeah. You've just blown my mind. Blown my mind. Like for real. This is track two. So get me. Yeah. Yeah. And I have to say too, the noise guitar at the end by I'm assuming Dale Morningstar is just amazing. I have a thing for loud, screechy feedback guitars. It just puts me in this state of zen for some reason. Like if you know the song Drown by Smashing Pumpkins, there's like four minutes of feedback at the end. And to me, that is so relaxing.Track 3:[33:45] I have that same thing written down, Craig. I have excellent screeching guitar going into and continuing through the third verse and out. One of the other things I have written down, though, I just want to share with you guys quickly. This is just sort of funny. When he says he's sitting at the Tim Hortons, or he's sitting at the Hortons, I know that's not true because on two occasions, I was walking down the Danforth and saw him sitting in the front bench of Timothy's Coffee, coffee, which is like a, like a Starbucks adjacent brand that doesn't exist anymore, but it used to. And it was minutes from his house. I didn't know where his house was, nor did I stalk him, but I knew it was in the area, like minutes away. And he would just sit there and he was sitting there with a, with a fucking notebook the one time and another time he was on a Mac book. But to me, it was, you know, one of those cool moments that I was like, I live in the same neighborhood. It's Gord Downie. This is so cool.Track 3:[34:41] Man, I wish that the Tim Hortons here in the States had a place to sit because mostly you just find them at a rest stop on the highway or you go in and you order a donut and you leave kind of establishment. No Hortons down here in California. I have to travel. Thankfully, I get to travel a lot for work. And if I see a Hortons, it's like, it's immediate picture and text to my family because we did a road trip and, you know, we went through Detroit and we went through Niagara and went through Toronto. And so my family fell in love with Tim Hortons. So is there a sponsor, right? JD? Oh yeah. The big sponsor. I'm eating Timbits right now.Track 3:[35:22] Mmm. Delicious Timbits. Thanks Tim Hortons. Um next up is uh sf song and to me this is like observational songwriting 101 to me i can just picture him under the covers of his hotel room with a pillow over his head trying to drown out the sound of this chambermaid tap tap tapping and knock knock knocking on the door it sounds as though and then him walking through the lobby and out into the front area of the phoenix hotel and he just describes everything he sees now i'm sure there's more to it than that but to me that's just beautiful.Track 3:[36:03] Yeah. Yeah. For me, one of my first shows was actually in San Francisco at the Fillmore West. And, um, you know, there's been some, you know, or so I've, so I've researched, there's been some pretty classic, uh, um, shows that have happened there. And, you know, I, I had a pretty, pretty amazing experience as well. I was with, with the Canadian friend that had, um, you know, introduced me to them and, and, uh, uh, but you, when I heard that song at first, I just immediately thought, you know, I'm like, hmm, I wonder if he was writing the song when he was there, when I saw him in 2000. And, uh, you know, whether he is or not, that's what I'm going to go, go to, go to bed with and stick to. I also noticed and really appreciated, um, uh, the breathing in the beginning of the song. Um, and then the reference towards the end, uh, about it, uh, uh, I miss my lung, Bob.Track 3:[37:04] That we talked about and, and, and, and then remembering the ads, remembering the ads that were going around at the time on the sides of buses and on, um, on, on billboards and, uh, you know, growing up in, in, in Southern California and, and, uh, seeing smoking ads. And then all of a sudden smoking ads start going away. And then you see the ad of, I miss my lung, Bob, or Bob, I miss my lung. I like to paraphrase. Yeah. I, uh, that's one of the lyrics I had to look up. I had no clue that was an actual thing. So that was pretty neat to, to come across those posters. I remember them from when I was a kid, of course, I'm East Coast, so it's not like they were around here, but I do remember seeing it on the news or something like that, the campaign.Track 3:[37:52] The other thing that struck me was Chambermaid and the references to Chambermaid, which are a continuation of Phantom Power, right? With vapor trails and escape as a hand. Right. Right. I also picked up on the click, click, click. You mentioned J.D. Off the top and those sounds. And he later on experimented with those types of things like drip, drip, drip and We Want to Be It and the chick, chick, chick of the matches in Seven Matches.Track 3:[38:24] Oh, wow. Yeah, it's just a little thing I picked up on. And also, I have a note here about just the low register, like just him singing in that beautiful low voice. And he, on this album, covers so many different subtleties in the way he uses his voice. Like a song like Coming Up Canada Geese, all of a sudden he's just a totally different singer, singing very um yeah almost like an indie indie rock singer yeah totally get that um you know also i think there's many examples of him singing in alter egos on on this record really expanding his repertoire you know as it were right like we start to hear him singing like this on the post phantom power records uh on occasion and um it's not startling because we're sort of used to it should we move on to trick rider only if you want me to cry right like this okay so this song says it's it's dedicated to c it's i believe it's his daughter I don't know. On the album that comes along with the new release, his daughter, I'm blanking on the name, starts with a C, reads this poem.Track 3:[39:53] So I'm guessing she was the girl on the horse.Track 3:[39:56] So I can't remember the name, Claire maybe or Chloe or I forget. Makes complete sense.Track 3:[40:04] I don't know this, so I'll ask it. How many kids does Gord have and are they spread out in age quite a bit? I don't know the second part of the question, but I know he's got four. There's Lou and Willow, who both played on his former partner's record, played keyboard and drums, respectively. And then there's Willow, who is an artist, like painter and jewelry artist, and she's very talented. She did the away as mind cover as well I did know that I think I think I asked that question because at the end you know of Gordon's life he did that interview with Peter Mansbridge, and talked about his son and got very emotional and his son was young he referenced his age and said he was quite young and this was 2016 or 17 whenever the interview was, and which would have been 15 years after this album came out.Track 3:[41:03] So, that's where my head went with how many, how old, just trying to put the puzzle pieces together. I was going to make mention when I was doing a little bit of research, there was a, uh, uh, you know, a fan video, uh, when, when I guess they toured this album and I believe they were actually in, uh, it might've been in Vancouver when they're playing it, but he was, you know, having an exchange with, with someone in the audience about, you know, uh, your nightlights on going to bed. And uh i think the fan might have been thinking that the song was about something else and and he referenced that right back to her very quickly in kind of a snide mark saying i don't think it means what you think it means about going to bed and and uh that stuck out to me it was you know one that he had no problems interacting with the fan and and kind of correcting them on on their interpretation uh of the song but it the song is is is beautiful and in so many different ways and you know all of us being fathers and and and having you know those experiences and and then obviously having the emotional tie-in with with gordon and what he's done with the band you know in the tragically hip and and and then with his solo stuff and and uh it it's it's gorgeous it's beautiful whatever adjective you can come up with that that uh you know brings that feeling to you.Track 3:[42:31] As a father in those moments when you're just you can't even can't even process i did this i had a hand in this and this human is is going to grow out into the world and And I'm a better human because of it. And to be able to, you know, put that, um, you know, in lyrics and in a song, uh, again, just adds to the, uh, adds to the amazement, uh, that that gentleman was able to give us.Track 3:[43:04] Yeah. And the vocal performance by both Gord and, uh, Julie Dwaran is, is so full that they have such control of their voices. Pitch perfect, emotional, just such a song. Her soft awe in the background puts this song over the top. It wouldn't be the song without her contribution to it. That's no disrespect to Gord, but the song isn't the same without Julie Dwaran. And I thought that my favorite father-daughter song was Thrown Off Glass from In Violet Light, But this one, my daughter is the one jumping off shit. She is trick riding 24 hours a day and I'm like, oh my God, kill me. Yeah. So I looked it up. It is Claire Downey who reads the poem on the new edition. So I'm guessing that's who C could be. Got to be.Track 3:[44:05] The song is way too personal for it not to be. is is julie did i understand that she's she did some stuff with the hip as well yeah, yeah she sang um in some live shows with them and i think was part of some tribute stuff at the end too i may be wrong um i know i know kate fenner was um on one tour as a backup music Music at work. But I feel like, I'm pretty sure I've read, yeah, that Julie was on, doing some backups on one of the albums. I could be wrong. Yeah, I remember that too. I feel like, maybe now for Plan A, possibly. That sounds right. I know, although I know... Oh, yeah. Oh, that's her name. Yeah.Track 3:[44:52] Also from Kingston. There's another woman who does now for planning the title track. Yeah, Sarah Harmer. She's the vocal on... Anyways, that's a different album, different band. Different podcast. Different podcast, yeah. Oh, and I have to... Last thing about Trick Rider for me is that slide guitar that just doesn't quite hit the note. I just love it. It's kind of that quarter tone or something. It reminds me of, if you know the Faith No More cover of Easy, right before the solo when Mike Patton goes up to the, ew, and almost like purposely is in between notes. I just think it's so neat. I was going to say both vocally and musically with a variety of instruments throughout several songs, obviously this one as well, is there's just that, it's not quite there, but it's also, it adds again to that character of the song. I heard something or read something about one of the musicians, I believe the guitar player that, that was part of this, like he hit a note and he, he would just beat the shit out of it until it became the note that was right for the song, whether it started off right or not, he, it, it was going to become that.Track 3:[46:03] And, and I love that thought or that prospect, right? We get so, we get so caught up in, Oh, everything's got to be perfect. I got to tune my guitar up exactly right. I've got to have the mic place perfectly. And I've got to have, you know this tonality and and sometimes it's just good to just just let it go and let that emotion come through more so than you know the technical note of itself yeah yeah there's no such thing as a wrong note if it's you know played with with with confidence and intention and yeah yeah so next we go to a song that i think could totally be a hip jam to me this song he's singing It's the first song on the record where he's singing in a tone in a register that we recognize.Track 3:[49:09] So Craig, you said it, um, this is punk rock and Gord loved punk rock, right? Yeah. Yeah. Um, but it's old guy punk rock. Like it's, it's, this is guys who are not punk rockers anymore trying to, to do punk or at least the story, right.Track 3:[49:26] Um, within the song. And, and I'm not saying that about the musicians that played the song. I'm saying that about the story Gord tells here that, you know, they're, they're, they're buying weed from each other in a cornfield, right? In the dark you know um like i can picture my old man and his uncles or and his brothers my uncles just you know hiding from the cops at age 50 55 years old just feeling like be cool man shut up uh i love this song yeah great song i i gotta say i'll take the bullet guys here's my first criticism even though as much as i love um how they recorded it my goodness gracious i needed the drummer to use some sticks and not brushes like i needed to feel that those drums coming through in this song and and to make it punk rock like it was like they they you know hey let's find the jazz drummer to do the punk song um and not that it didn't serve it well and it's a in fact probably what i would have liked was that drum track with the brushes and another drum track on.Track 3:[50:35] Top of it with sticks and then also maybe adding the mics to get more of the tonality of the drums but again now that's just the music guy and me going i wanted to hear that i needed to hear that snap i needed to hear that crack i needed to hear the pop right sorry gonna use a uh a breakfast cereal reference but um i i i i wanted that for this song still love it it's It's funny because it opens on snare hits. Right.Track 3:[51:08] Yeah. But if I'm not mistaken and I'll, I'll completely eat my words, I believe they use brushes throughout Craig. Do you, did you go that deep or what did you think? I didn't, but I know for me, I definitely noticed that it, it, it felt like it should be heavier but i think that's part of what gave the song character was those heavy guitars that almost sounded like they were played at a low volume in a room jamming and i i thought it just gave it a unique character and and i have to say though my favorite part is actually at the end when when all of a sudden i actually picked up a guitar today just to see what was going on with this and and they go up from you know they're playing and you know you're one four five e e b and a and then um they go right up they just go up to that f and i know the first time i heard it it's just just so striking it just sounds so out of place and then after you've heard the song a couple times just so perfect such a such a great dissonance and.Track 3:[52:05] Really really um almost like a two you know 2000s indie rock feel almost like an arcade fire kind of three years before arcade fire was doing it kind of thing so wow it felt like a one take demo to me and they said fuck it it's good like run it i like that we'll do it live yeah me too do it we'll do it keep it but kirk yeah i think um it would be really interesting to see what the hip would have done with with that song like a fully polished yeah you know but but i felt the same about the next song chandler um you're listening to it again today in fact and again was like man with some different instrumentation you know change changing the tempo a bit on this is this is absolutely the uh potentially a hip song uh for me you know uh and uh yeah hard hard not to uh go into you know as he speaks about letting the opening the window inviting the vampires in and if i'm not mistaken this this song did pretty well was it a single.Track 3:[53:15] I don't think any of the solo stuff did particularly well. It was sort of under the radar, especially after this record came out. This record was highly anticipated, but I think early on the word got out that it wasn't hip, and so there were a lot of hip people that jumped up. A lot of people stayed on board, don't get me wrong. but um there was a good cohort that sort of veered away and it's interesting that the sum of the parts you know um the hip are it just goes to show you how magical they are as a as a fivesome because you take one component away you know and it's just not the same like gort sinclair's solo record is dynamite so are you know paul's three records they're really really good but they're not the hip yeah you know so i'm just and i think this is where i got it from i'm just you know looking looking up on spotify and if you go to gordonie this song has the most downloads of all the solo stuff oh okay so that that makes a lot of sense yeah i know there's a there's definitely a video for this yeah yeah but i i don't recall ever hearing.Track 3:[54:31] This song anything from this album on the radio i i had i did hear some later songs um but definitely not that you know that i heard so this is where hitler comes in big time um the.Track 3:[54:47] Hitler had a very odd sleeping pattern. He stayed up very late and would go to bed at like 6, 6.30 in the morning and then get up at noon and just spend his whole day working out maps and plans and this is where the advancement is and all this stuff. And there are so many, if you read between the lines references about the night of a thousand missteps, the loss that made him dogged, or it could have been the doggedness that caused the loss in the first place.Track 3:[55:18] And Chancellor, I mean, that was Hitler's position, you know? Wow. Marching armies in the night, smiling strangers riding by on bikes. That would be, you know, when the allies come into Paris or something, you know? Children's smoking, which there was a huge anti-smoking campaign in Germany during World War II, sloganeers. And he mentions in one of the first lines, invite the vampire in, open the windows before we go to bed to get the coldest air in the room, which is just before the sun comes up. And then at the end, talking about a few things that vampires don't like, all the things referenced between the vampire references are Hitler-ish things. So I don't know it that's that's where my head went and then um before you are wow i know that but but damn it i'm following gordon's path you know and he like i said he references justin you're taking us into dark places my friend and the word chancellor for me it was like hmm and then i started to kind of read into it and i was like yikes and by the way guys spoiler alert this won't be the last time i talk about hitler during this thing not that i love him let's put that out there but there are There are some real references to the war throughout this album. Yeah, that's really interesting.Track 3:[56:41] My mind went a completely different direction. I was thinking like a chancellor of a university. And again, I didn't read the lyrics. I didn't dig that deeply in. But it was funny because my daughter really likes this song. We kept playing in the car and I was explaining what a chancellor of a university was. And she said, oh, I thought it was like Chancellor Palpatine. Wow. and it turns out she was she was the right one yeah i guess she was she was closer than i was yeah wow look at that cross my read is so completely vastly different again my read is like bittersweet and romantic uh the chorus yeah i couldn't be a chancellor without you on my mind if i wasn't if i wasn't obsessed with you or thinking about you all the time time. Um, you know, who knows what I could have become. And on the, and in the video, isn't he riding around? He's on the swan boats. It's just, it does not make me. Swans. Yeah. Yeah. He does not make me, uh, feel like, like, uh, like he's referenced, referencing world war two, but that's fascinating. I can't wait to hear it again now.Track 3:[57:49] But at the end of that video, if you watch the full video at the very end, he's, it's revealed that he is the guy working the dock at the, at the swan boats and he takes off his coat and underneath it is a uniform that says guy. And he's the one taking the coins or the tokens or whatever for the people to ride the swan boats. So it's kind of like, uh.Track 3:[58:13] You know, when Hitler was a struggling artist before he became this global force and kind of took control, you know, he was romanticizing the idea of, of being chancellor of Germany. Wow yeah wow and i don't know wow reference to it or yes it's dark man because and again think of think of uh the song scared every hip show you go to everybody's everybody's slow dancing that's not a slow dance it's like we talked about in the other podcast it's like yeah that's the hips trick right or it's gorge yeah yeah 38 years old same thing long running same thing fiddler's green you know and and on and on and on these slow slow songs are are yeah miserable yeah and i have to say good yeah yeah yeah yeah and and the the vocal phrasing that the gourd uses on this just that, laid back where he just sort of hesitates on certain words i just just love it he's so unique that way. I think that's what separates him as a singer, is that phrasing.Track 3:[59:22] Oh, yeah. This is a really hard album to sing. And you guys are musicians and you play guitar and other instruments. I've always been a singer. And I cannot keep up with Gord on this album. I just can't. Like the chorus of this song, like, I'm discovering uses for you. But the way he throws uses for you together, it's like, it's almost like one overlaps the other. And it's like, that's impossible. And then on the more quaint side, I love that he rhymes pajamas by mispronouncing in a gourd-like way windows to rhyme with pajamas, right? Instead of windows. Oh, so great. By the way, that uses line, again, going back to Hitler's underlings, you know, doing experiments on twins and stuff like that. Like, this is, I think this is a dark one. I'm going to listen to it again tonight. And I can't wait to hear it. No.Track 3:[1:00:19] I hope I'm wrong. I think you're right. No, we know he likes the Second World War.Track 3:[1:00:26] And, you know, we've heard references to, you know, Nazis moving works of art or Russians moving works of art, you know, to stave off the Nazi army. And really quick, sorry, really quick shout out for the piano player. I'm guessing it was um hern but but man that piano is is really nice improvised piano solo yeah yeah it's a very sweet sounding song yeah bait and switch man yeah he got us the never ending present i was listening and and if you're a you know canadian of my age you knew right away who was singing backup so that was Stephen Drake because my mind went right to Wendy under the stars and um and you know right back to my you know my first car and being you know 16 years old and listening to the radio and and hearing the odds for the first time and and yeah just an unmistakable voice the harmonies are very distinct you know distinctly the odds and distinctly The one thing that I picked up was he mentioned his shoes were polished, which as we learned in the longtime running doc that he polished his shoes before every show.Track 3:[1:01:46] So I think he's talking about himself and it's kind of an introspective – I mean, he says I in every song, but I think this one might actually be about himself personally.Track 3:[1:02:00] I picture him standing on Broadview Avenue waiting for the streetcar. He says bus, but in my head it's a streetcar. And all the rest of the lyrics are the stuff that happens until the bus crashes the hill. Him dropping money inside the little money grabber on a bus. There's talk of that um but what i really what i really love about this song is how ahead of his time he is because this is like living in the present like being in the moment is so important and i've learned like through my mental wellness journey like how important it is to live in the moment and the idea that the moment can be never ending if you come about it with the right frame in my mind is so refreshing to hear. Amen. And of course they named the, um, uh, Michael Barclay wrote the book with using the title of the song.Track 3:[1:03:05] Sorry, I'm going to take a little detour off of this that I just have to bring up being, being the, uh, for the South American and someone that, uh, uh, you know, again, was always starving for hip. I've loved in this journey, discovering other Canadian bands. You guys were mentioning the odds. And, you know, I did the research a little bit on the dinner's ruined. And of course, you know, of the real statics from, you know, grace too. And we're all richer for having heard them. And, um, uh, I'm, I'm very excited, you know, during this to be able to take a dive into that music that I never got. Right. Cause I like Justin, you were lucky because you get a lot of that music, uh, in the Northeast.Track 3:[1:03:49] Um, no, no, no, we only get the hip and rush. Rush. There's no Canadian music except for the hip and Rush. I will say that. And Alanis, of course. but to do as a you know as a musician and and and being a big fan of many canadian bands you know rush is up there for me bare naked ladies is up there for me um obviously the tragic the hip is up there for me um but these other bands uh blue rodeo that has i think a little bit of a a um you know it did well here in the states um of course alanis and some of the others you know i want to I know more about the, uh, the ones that didn't get, uh, similar, similar stories to the tragically happened. And I'm really excited about taking that journey as well. And I love that, you know, that's one of the things that I've heard about in different, uh, uh, reading and, and interviews is Gord was such a proponent of getting, I mean, music out there, but, but specifically, obviously Canadian music and, and giving, you know, these, these not as well-known bands an opportunity.Track 3:[1:04:56] So, um, sorry, I just needed to take that little side journey there and, and, and share that with you guys. I'm with you. I'm with you a hundred percent. Just going off what you were saying, yeah, apparently Gord would actually stand side stage and watch a lot of these bands. Like he would just stay there for the whole set. And all these bands, you know, Eric's Trip and The Odds, they were all change of heart. They all played with the hip.Track 3:[1:05:23] And for me, it's been fun because I've been doing the same thing. I was listening to The Odds last night and I couldn't believe how many hit songs they had. You know they're a band i enjoyed but never really really got into i think i've seen them live a couple times but man they had their pop song they were yeah that's exactly it they were they're you know pop writing you know machines but yeah i'm excited i'm excited about the journey for sure and and especially getting connected with you guys and having the experience you know know, uh, um, uh, being from Canada and, and, and really experiencing that not only on the radio, but, but live as well, that, uh, that's going to be a great journey. Cause isn't it great when you go to see, you know, you go to see one of your favorite bands and the opener shows up, you never heard of them. And, and all of a sudden they become, you know, one of your favorites and you're, you're falling around and, you know, and then it's always hard if they do make it, you're kind of like, man, that was my band, but I liked it when they were small, you know, I want them to be big, but not that big. I, that's, I mean, I mentioned it with, with the hip, you know, like all my experiences and I got to see them, I don't know, seven, seven, eight times, something like that.Track 3:[1:06:36] Like the biggest venue I saw them in was, was probably 1200 people. And, um, you know, the Troubadour, I got to see them in and, and, and up in San Francisco, the Fillmore's, you know, it's, it's over a thousand, uh, might be closer to actually, I'm not sure. I'll have to look that up. But the thing that I loved about it is, you know, I'm a hockey guy. And I think I mentioned the story to, to you, JD, like we're close to the ducks and the Kings and, and most hockey teams are, you know, 50 plus percent, if not close to 70% Canadians. And so I'd go to a show, I'd be in Hollywood and I'd look over and be like, Oh, Hey, look, there's Luke Robitaille or, you know, Oh, there's Chris Pronger. There's, you know, Scott Niedermeyer, you know, I'm hanging it out and oh oh hey paul korea how's it going you like the hip too you know and um what an experience and then canadian actors as well i got to meet dan akroyd at at the house of blues hollywood and he introduced the hip on stage and then you know he's rat so uh you know for me it's so weird um when you talk of this band they were a club band to me you know i i've seen what they've done and where they've played. And so anyway, I I'm, I'm taking us off the, the album, but just wanted to share that with, with you gents. No, that's cool.Track 3:[1:08:04] So now we take a hard, right. And, um, we get the track, the soundscape, uh, nothing but heartache in your social life.Track 3:[1:11:14] Did you say a hard right or a hard Reich? Because again, the Hitler.Track 3:[1:11:20] I'm serious. So again, this goes back to the poetry and there's a poem called Toiletten in the book and it is about Hitler's, I'm not even inferring this, this is about Hitler's podium at Zeppelin Field in Nuremberg and it now has signs pointing tourists to the toilet. Um, and the, uh, similarities between that poem and this song or spoken word, whatever, um, it's a hundred percent about that. And Gord even stumbles on a lyric that they, that they leave in the song, um, when the podium sprouting weeds and he stumbles on rendered ridiculous by the time. So the podium is this massive concrete structure that when you see film of Hitler speaking to 150,000, 200,000 Germans during wartime, that's where this is. But it's still there, and it's sprouting weeds, and the podium and its purpose have been rendered ridiculous by the times. When are you thinking of disappearing? I mean, when are you falling off the map when the unknown that you're fearing is in the clearing? That's totally about surrendering in the war and the allied forces moving across the field to wipe out the Nazis.Track 3:[1:12:46] When you're getting king-size satisfaction in the turnstiles of the night from all the shaky pill transactions, if that's not Jewish prisoners going to a concentration camp running down the train tracks in the middle of the night. I don't know what it is. It's, again, a very dark thing, and I think it leads to Hitler's suicide. That's when are you thinking of disappearing? Yeah.Track 3:[1:13:16] And it is interesting to note that the asterisk that comes with the title in the lyrics, it says Dale Morningstar provided echoing screams at the end of the song. It doesn't just say backing vocals or call and answer. It's echoing screams. I was wondering who was calling back and forth with them. They kind of sound like, even though the topic sounds quite serious, they're having some fun with it. At the end kind of yelling back and forth with each other and um and also of note um adam agoyan the filmmaker plays plays uh the classical guitar on this track and and one other track and so he's uh i think i read that that maybe this song was sort of based off some some things he brought in, came into the studio one day and they they sort of riffed off what he was doing and put this sort of spoken word. I also got, I don't know if you guys got this, but I almost got like an M&M vibe, like just like attitude wise. And of course I believe this would have been before M&M anyways, but, but just that, that sort of attitude and way he was rattling off these lines.Track 3:[1:14:29] Yeah, I get it. Absolutely. So the other me, you know, I was trying to get my, my head out of World War II with this, and it was easy to see in 2024 that Gord predicted the future of social media, right? This is before Facebook and MySpace and all this stuff, but this is 100% in line with everybody's mental health problems stemming from not having enough likes on their posts, right? This could absolutely be interpreted 20 plus years later in that way, if you were to look at it from that angle. Yeah, I...Track 3:[1:15:13] Obviously still like absorbing everything in the referencing that you're speaking of, uh, Hitler and world war two and, and how, you know, JD and Craig were like, didn't necessarily get that right away. I, I definitely, you know, heard the references. I, I knew of the references from some of the hip tunes. Um and uh and then just seeing this whole journey that he's taking with just coming out there with a solo album in the first place and then you hear about how um and again it's it's you know i don't know the exact i haven't spoken with the other members but some of the solo stuff really caused a bit of a rift within the band and then if you start thinking about the product of the hip you You know, this is where a big portion of their fan base starts turning away.Track 3:[1:16:04] And I wonder if that tension came through in some of the music. For me and you, Justin, we discovered them during this time. And like most bands, you don't become close to them. And, you know, I'll take a few exceptions. You know, Led Zeppelin. I wasn't there when the albums came out. But the band meant a lot to me later in life. But nothing like, I'll give an example of other bands, Rush and Barenaked Ladies. I went to those shows when those albums came out, same thing with The Hip, as it relates to 2000 and beyond. And so my reference point is there. Um, and then Gord goes off and decides to, to do this solo work. And, um, and not only does he does the solo work, but he starts taking that poetry side in the book that comes out along with it. He starts throwing in spoken word and we could spend a lot of time with the discussion about poetry versus spoken word versus lyrics versus, um, uh, you know, the, the, the written prose and, and, and where it all comes together and the different attitudes towards it. Um, but I, I'm, I'm honestly kind of shaking inside just thinking about the, the ability that, that Gord has to take a historical perspective.Track 3:[1:17:23] Area and put it into a spoken word and or song. But then in the same breath, depending on how you come at it, you get something completely different. If you don't know those references specifically, you're going to find something from a meaningful standpoint. So sorry. I mean, you really got me goosebumps in there, Justin. Well, I think that if I had never read lyrics from the hip, I would never have approached it from this angle.Track 3:[1:17:51] But it's kind of hard to not look at some of that stuff. He did an interview in the early 90s with some TV, whatever, and they said, what are your songs about? And he said, all of our songs are about war. And I remember seeing that on YouTube about 10 or a dozen years ago and thinking, oh, okay. Now, whether he was speaking Speaking of literal war or a relationship or conflict within the band or whatever, family, something, but there's a struggle or something that needs to be resolved in each one of these songs. And so I've, for better or worse, looked at a lot of hip stuff from that point forward, whatever year it was, as is Gord talking about literal war here. And that's just where I picked up on. Was he a history-type major? Did he have family that maybe participated in the war? There is a short poem in the book that is about his grandfather serving in World War II.Track 3:[1:18:56] Yeah, I could see that. Both my grandparents served in World War II, and I was a history major, and so I can see where that tie comes from.Track 3:[1:19:08] I hope we can move past the war stuff soon. Thanks justin yeah anything else from you craig well yeah i know i have nothing to add other than i love the little bait like bass kind of jazz odyssey thing that steven drake goes off on at the end if you if you notice the last like five seconds he just does this little improvised producer as well noodle it's pretty right bass player yes yes yeah engineering okay engineer anyways yeah Yeah, engineer. Well, that's what we got for you for this first episode. We're going to take a break and recuperate and recalibrate and take some electrolytes and we'll be back. 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Welcome to Discovering Downie. I'll be your host, jD as we listen in on the experiences and analysis from three huge fans of The Hip who have a blind spot for Gord's solo works. Meet Craig, Justin, and Kirk as they part in this epic 11-part podcast.We kick the show off by starting at the start with Coke Machine Glow part 1.Transcript:Track 2:[1:26] Welcome, music lovers. Long Slice Brewery presents Discovering Downy.Track 3:[1:34] Hey, it's JD here, and I'm joined by my pals Craig, Justin, and Kirk from Chino. While our love for the hip unites us, Gord's solo ventures remain uncharted territory for our trio.Track 3:[1:47] Hence, I've gathered this team of enthusiasts to delve into the musical repertoire of the enigmatic frontman of the tragically hip, the late gourd downey so come along with us on this exploration as we navigate through his albums one by one in chronological order embarking on our quest of discovering downey we've assembled quite the motley crew here to talk uh to talk about gourd's oeuvre and we're excited to do that we're going to do this all summer long so buckle up fellas how are you doing not too bad living the a dream amazing excited excited to go on this jaunt with you you gents for sure yeah it should be pretty fun i agree i agree completely i i am i am from a hip starved uh area of the world which you know i guess most of the u.s unfortunately was hip starved for a long time but specifically down here uh in the la market i got to see some amazing shows in really small places but like to, to like find a hip album in a record store or, you know, like anything that comes close to hip preference for me, I just like, I get all giddy. So when we, you know, we connected to talk with other hip fans, um, was pretty exciting, but then just to learn more about Gord, um, yeah, this is, this is going to be quite the adventure, my friends, quite the adventure.Track 3:[3:17] Yeah, I think so. What do you think, Craig?Track 3:[3:20] Yeah, I've been sitting in this room, my office slash music room, with a couple of unopened Gord CDs that I have collected over the years and just looking for the right moment, I guess. And along came that moment, and thanks to you, JD, to make this happen and to bring me on board. Ah, but I am but one hand on the rudder. The other three hands you see belong to Kirk, Justin, and Craig. Egg so there's that justin tell us about your experience with the hip so uh the u.s is hip starved for the most part but uh growing up in vermont we are just quebec junior and uh we get a lot of uh tv and radio stations uh down here in the greater burlington area so i i grew up with hip on the radio and um i didn't really know anything about him but in high school i discovered phantom power on my own.Track 3:[4:19] And, uh, that was it. I've been hopelessly blissfully lost ever since. And, um, my dad was kind of a hip fan, but you know, I think he was from like the old, you know, the, the hip crowd that they were trying to get rid of in the nineties, you know? And, uh, and so when I, when I came along, it was music at work and, you know, kind of the newer stuff that, that the old man probably wouldn't have liked too much, but, um, yeah, it's been a lot of fun. I got to see three hip shows and I was at the show in Ottawa two nights before the finale, uh, which was really amazing. Um, I got to see him in a basketball gym in Burlington and I got to see him in a bar in Albany, New York. And, uh, I feel like I got the, a pretty good sample size. Uh, I love them. I love them. Yeah. How about you, Craig? You have a unique role in this trio as well with your Tragically Hip experience. Share some of that with us.Track 3:[5:19] Um, yeah, I've, I've been a big hip fan way back going to probably grade eight when I, when I first heard, I think New Orleans on the radio and, uh, you know, I liked it and I, um, I didn't buy the album right away. I was into heavier stuff at the time. I was a big GNR fan and I was kind of a metal guy. And, uh, then I heard 38 years old and funnily enough, I thought it was, um, uh, Tracy Chapman at first, when I first heard the voice, the vibrato and, you know, it's just on faintly in the background. And then I kind of turned it up and this is a good tune. And then, you know, they, they announced it was the hip. And so I went out and got the CD. I think I maybe ordered on Columbia house through my, uh, through my parents or, you know, five CDs for, for a penny or whatever. And, uh, 12 here in the U S yeah.Track 3:[6:09] And yeah, I've been a huge hip fan ever since. And, and, um, yeah, I've been to, I think maybe 15, 16 concerts and, um, yeah, about a year ago, year and a half ago, I started playing in a hip tribute and it's just been a blast to sharing the music with, you know, the fans who don't get to see them anymore. And, you know, I wish I could, I wish they were still around and I could quit my job as a hip tribute guitar player, but unfortunately they're not playing anymore. I wonder if there's a Tracy Chapman angle, I wonder if we can get Luke Combs to cover some hip stuff and get them on the mainstream radio. you. It's a great idea. It's actually not. I don't think I want to hear that. No, but definitely giving them the credit they deserve. And man, Craig, like I seriously got goosebumps when you'd mentioned Tracy Chapman, like, you know, if you guys saw the Grammys, you know, that was performed and Tracy just sounded amazing. And, uh, I hadn't thought of it from that perspective. And, and yeah, I think you hit that spot on that. I haven't looked it up, But I'm guessing if you look up the release date of Fast Car and up to here, I'm going to guess they're within a year. Yeah, that's probably very true.Track 3:[7:27] So let's start at the start here with Coke Machine Glow. Kirk, any nuggets that you gleaned from production notes, anything like that, that you gathered on your fact-finding mission? Yeah, absolutely. Um, you know, I, I actually did because I'm a musician as well and, and, and do appreciate, uh, what goes into making an album. Um, uh, there, there was some pretty good information out there and, you know, especially knowing the hips catalog and, you know, they've had, they've had some different experiences from different producers and engineers and, and different recording experiences. And, um, so, you know, of course you're going, well, I'm going to get a lot of that. And, and then boom, you get hit right upside the head with, you know, But in the research that I did, I mean, they basically just, you know, had a couple, I think they had a kick mic and an overhead mic and just kind of a room mic. They played everything acoustic because they wanted to hear Gord's vocals.Track 3:[8:30] They were in, I believe, in the studio that is no longer there. It was like a loft in Toronto that was owned by a couple of musicians that were a part of, you know, the band that was there and part of the recording team. Um and obviously getting all their you know getting all their schedules together and and you know various musicians from from various different bands within the area and uh and they just wanted this to be uh just kind of that raw essence right that it you know for us as hit fans at least for me like that's where i fell in love is like whether you listen to the music or see them live, like the energy that comes out of every song is, is palpable on so many different levels. And, and, you know, I think those that, that have had the experience to enjoy their music and especially live, like there's such an energy to it and whether it's, uh.Track 3:[9:29] You know, whether it's one of their upbeat, you know, just rocking tunes or, or, you know, a simple acoustic there, they really know how to capture the emotion. And this album, Coke Machine Glow, I mean, yeah, wow. I mean, it was, again, it just felt like maybe one mic in the room and they just were circled around each other and they went for it. And one of the other notes that I heard that I thought was pretty surprising is they got a lot out of what was actually recorded and it sounded a lot bigger than what took place. I can get that. You could get a small little eight-inch speaker and, uh, put a mic on it and it could sound like you've got, you know, four Marshall, you know, full stacks grinding in front of you. So, you know, there's definitely some magic that can happen in the studio, but, um, uh, yeah, I, I think, uh, you know, I do a lot of stuff in theater and we always talk about how the set or the lights or the sound can become a character. And I think for me, the production elements of Coke Machine Glow became a part of the album.Track 3:[10:37] It had to be done that way, in my opinion, to be able to capture the energy that it did. Yeah it's very sparse sounding production wise like obviously there's songs and we'll get into them really rich and really lush and uh you know have a lot going on but predominantly this record like you said is pretty sparse craig i wonder what you learned um in your research about the album proper.Track 3:[11:09] Well, I went into this with a different approach where I purposely didn't look at any info for the first couple of weeks. And then I actually planned on recording this without having looked it up, but I decided I couldn't not. And the reason I had to look at the liner notes is because I was hearing all these voices that I recognized from Canadian bands. And what I was really thinking about was um what was can con and and the uh you know all the if you don't know the the story of can con basically it's the canadian content rules that um you know radio stations in canada have to play a certain amount of you know canadian written produced um music and the variety of musicians playing on this album we've got you know sky diggers we've got eric's trip we've got the hip We've got Dinner Is Ruined, who wasn't a band I had heard of out West, but looked them up today and quite interesting. And just this all-star cast of musicians from all these really cool indie bands. And that's what really struck me. Yeah, I couldn't put it better. An all-star group. And I should have mentioned, I guess, The Odds, of course, with Stephen Drake. He was so heavily involved with engineering and playing bass on it. And, and, uh, that was the voice that actually I was referencing. And I'll talk about that on the track when it comes up. Oh, cool. Okay.Track 3:[12:36] Justin, I'm wondering for you what the title means to you. What does it evoke? Um, I kind of, my brain goes to the golden rim motor in right. And late at night in a hotel, just kind of looking out the window and there's that freaking coke machine that's probably buzzing and nothing's cold in it and there's that glow lighting up a couple of cars outside the hotel room um it seems like a pretty good time to write an album or a book of poetry yeah just in my my mind went the same place yeah the lofty pines motel the the golden rim motor in.Track 3:[13:19] Yeah. There's a couple other hotels mentioned on this record as well. There's the Phoenix. Um, I'm trying to think, is there another one? Hmm. There's a poem, uh, in the book, Minneapolis hotel room. Oh, wow. Yeah. So definitely a road record, huh? Yeah, for sure. Yeah. And the other thing I think that, um, I didn't know going into this, that it was so closely connected to the phantom power album with a lot of songs that now with the re-release of phantom power we're we're seeing alternate versions of you know mystery and some of these other songs which is really really neat to discover at the same time yeah i agree with that i i delved pretty deeply into the the poetry book and it was amazing how many references to hip songs especially of that era um but even dating back to the early nineties with some live shows and how long this material had incubated. I bought, I don't know which album, but it came with a recording of a concert in 94. And there are several references that made their way into the poetry or into the lyrics of some of the songs.Track 3:[14:31] It's not on the music album, but it's in the, I think it's the first poem in the book was was bumblebee what is now bumblebee as the bonus track from phantom power right um the usa today bit was in this concert in 94 and it took you know years for that to come out and and there are other references from that show that are that are in coke machine globe of the album and the book it's it's really interesting how long it took for all this stuff to, surface. You have to imagine though, that as, as a writer, you know, you're going to go into recording an album and, and, you know, Gord being primary, you know, after a time writer, you can end up with some stuff that just doesn't make it. And, you know, it's hard to let go of stuff. You know, if you've, if you've done any type of creation, I don't care if it's video creation or writing or poetry or songs or whatever, like it's hard to just let that stuff go. Cause it's, It's whether you're telling a story about yourself or something you experienced or, you know, you want to get it out there, especially if you're a creative person. So I imagine Gord had, you know, and you read all the time and you hear on the interviews and he carries around a notebook and is basically writing every day.Track 3:[15:47] So uh but it is it is amazing and especially being a hip fan to see you know i noticed that as well when i was listening to some of the bonus stuff like hey wait that's a hit song why is that on here yeah you know and then you got to go back and you got to find the album that it's on because i was like justin i i wasn't introduced until the hip you know until i think 2000 uh with a canadian friend that i worked with and then i actually took a trip up to vancouver and it was like there's hip everywhere and i was like this is what's this all about how come i don't know about these you know this this band so yeah you know that i i really kind of came into play during that time and and beyond so of course i love the stuff that that came before it but for me there's something about being a part of what gets released when you're you know i'm i'm buying the albums or cds as they're coming out and then i'm seeing the tour so you know of course that heavy content with with, with those particular albums. So yeah, I have to imagine a lot of that, uh, came back in, into this particular one. And I mean, how long was the band together before this came out? 12 years, something. Almost, almost 15 or 20, maybe.Track 3:[16:57] Yeah, well, yeah, from the very beginning, but since the recording stuff started, so, you know. 87, the first one came out in 87. Yeah. This, to me, it felt like a release valve for everything that Gord couldn't or wouldn't put on Hips. It wasn't polished, you know what I mean?Track 3:[17:18] And he had all, I mean, there's a hundred pages of poetry and all these songs that are, you know, objectively strange.Track 3:[17:27] Um, and I, I think it just stuff that he knew wouldn't fly on a hip album that he had carried with him for years. And like I said, that show in 94 that he was work workshopping this stuff and it didn't make the cut with the band. So let's use it up now. Now, I'm very curious, as we get into the songs, to hear what you guys are thinking about some of these songs in their objective strangeness, as you put it, Justin. Or, you know, are some of them hip-adjacent? Are there any on here that you think, you know, the band could have put together? Obviously, other than the last track, which they did, and we can compare and contrast that when we get there. But are we ready to go into this record track by track? Let's do it. All right, we start with Star Painters. Who wants to kick this one off?Track 3:[18:29] Well, I'll take it. Yeah, Star Painters to me was like a palate cleanser. This was like Gord saying, this is not a hip album. And right off the bat, it's, it's a little strange. Uh, you got the accordion and, um, you know, the almost like a spoken word type thing. And yeah, it's just very obviously not the hip. So the first line, um, is, uh, ended up in music at work with freak turbulence. The myth is neither here nor there. So there are definitely, you know, there's some continuity there. And I think those two albums came out the same year. Didn't they? 2000. Coke Machine Glow was 2001 Okay well But Very close Very close They were likely recorded Right around the same time Yeah Yeah.Track 3:[19:19] There are themes that do persist for sure. But yes, this is not a hip song to be clear. I agree. And Craig, yeah, I think you hit it right on the head. You know, Gord was like, hey, come along for the ride, but this is going to be something different.Track 3:[19:40] And I really appreciate it. I mean, and I've heard that this song actually turned people away, right? Right. Like they didn't want to give it any more of a listen because of it. And, you know, I can say, yeah, I can say that, you know, for me again, I'm hip starved. So I'm actually really surprised at myself that I didn't dive in at the time and that that it really took this project to, you know, get me to start paying attention. Attention and at first it was difficult you know obviously this song but the entire album was like you're like you wanted a little more hip but then you had to understand you know what he needed to get out this song honestly for me is is one of my favorites off of the album and i'll tell you why it's the line the star painters are taking over now the scaffolding is in place your anesthesiologist tonight is washing up and on her way like i heard that and i just stopped and smoking your joint.Track 3:[20:50] Packing it up yeah getting the next one it it it it's it's it's gordon it's it's it's the, this is this song this album is not going to be for the faint of heart and uh and you know strap in like you said buckle up so i i had never heard anything by the dinner is ruined but you know trying to dive into to see what these guys are about the avant-garde and very strange ambient sounds and there's uh accordion and all kinds of weird stuff and that's very much dinner is ruined i i did listen to them um during this process and with that in mind on On the rest of the album, they feel pretty restrained compared to what they would normally have written or put out. But I think on this first one, they're just kind of like, to hell with this. We're going to do what we're doing. Yeah, sequencing is so important. You know, when you make a record, there's no accident that this song is first, like Greg said. You know, that sort of palate cleanser, introducing what the concept of this record is going to be. And you're right like if you came here expecting fully completely part two you know you're barking up the wrong fucking tree so there's that yeah vancouver divorce.Track 3:[26:08] Yeah, definitely a departure from the first track from Star Painters, right? This is a, I mean, almost written for radio hit. It's so easy to listen to and it's so addicting. The thing that really struck me, and it took me a couple of listens to hear it, but the bass is just one note over and over like a heartbeat, just a rhythm. And it's just the same note for 20, 25 seconds. And then, you know, it, it moves on from there, but, um, it was really, it was lovely. Um, but I, uh, one of the things that, that started to strike me and I don't know if it was Vancouver divorce or, or something else, but I think there's two schools of thought about this album. And again, this is a common theme with Gord Downie is it's either a little bit about Adolf Hitler or it's really a lot a bit about Adolf Hitler.Track 3:[27:13] There are so many ties to World War II throughout this album and the book and everything that Gord kind of does. Um, and I, I, I tried not to think about that going into all this, but it does, it does kind of get there, um, pretty quickly. I think, I don't know. I don't know if Vancouver has anything to do with the song or it's just, it fits well, you know, like the way that he explained writing Bob Cajun, it just, it rhymes. Right that's the town we're using you know i know in one of the live clips i saw before this song he said something about you know if if this couple can't make it in in paradise which in this case paradise is vancouver um debatable debatable maybe but um he um yeah then then i guess they can't make it anywhere yeah and i i didn't get any world war ii from it but i i didn't dive into lyrics quite as heavily i'm more of a music guy the lyrics are the last thing i digest when i listen to music so it takes me multiple listens um i don't typically read lyrics i like them to sort of hit me you know over the years um yeah did you guys get the uh the hortons reference.Track 3:[28:27] That one made me chuckle so the thing that i that i picked up on the hortons thing is he says sitting here at the hortons so you know this is important nobody sits at a tim hortons well they used to it used to be it used to be like a bar yeah oh yeah and it had lots of tables and chairs Yeah. And that's, that's far different from our experience with, with any Hortons chain down here. Yeah. Well, the thing that I think is interesting is that syllabically he could have said Tim Hortons, but instead he says the Hortons. The Hortons. I wonder if that's like to avoid the.Track 3:[28:57] Commercialism of saying Tim Hortons or like, it's just an interesting choice when it's the same number of syllables. Yeah. And I also think just, um, a lot of times Gord will choose a word that is almost unrhymable on purpose. And I think this is one of those cases Hortons. So it must be important and important. Yeah. It's, it's just, I love that. I love that. How about you, Kirk?Track 3:[29:21] What do you think? From a music standpoint? Cause like Craig, I, I, I do, do i i enjoy both and and and i'll end up reading lyrics as i go and and in this particular thing it was hard not to read uh a lyrics just to understand the connection as you're listening but this is one of those songs as well when when you think about it here you know how they recorded like holy crap how did they get that big of a sound out of what you you know at least in the the research that i did was very minimalist type of recording you know this kind of a squarish box and and and not really acoustically treated and you know in in you know you know in in the heart of toronto and all kinds of other stuff going on like i heard as well like they were being evicted and so they only had a certain time schedule to be able to get this recorded and then you hear the story about how like they're having a party downstairs and they're throwing couches around and gourd shows up and in his cowboy hat and goes uh hey would you guys mind you know being quiet for a little bit i'm i've tried to record i just can't imagine you're in that room and gourd down he walks in and says hey i'm recording tracks upstairs i think he was with kevin hearn from uh.Track 3:[30:36] You know uh bare naked ladies and and and uh and then they go back up and they record but just the fullness of this, this album. Um, and to me, I, you know, that's the thing I wanted to mention. Uh, uh, I believe it was this tune when you hear the keys, I don't know that Kevin got a credit on it, but I know he recorded a couple of tunes here. And so for me, I'm actually a pretty big BNL fan and I've seen them 20 times, something like that. But Kevin Hearns keys was very kind of prevalent. Um, and even if it wasn't him, you could, you could definitely hear the influence of it. So the powerfulness of this song is, is, is palpable for sure. Yeah. Yeah, looking it up, I think it was, sorry, it was, yeah, Jose Contreras played the organ on this tune. So he's the leader of By Divine Right, which is another very cool Canadian band that I remember listening to. I had their first album. But yeah, Kevin Hearn is definitely all over this album. Them yeah i gotta say as well from a lyrics perspective my money there's a phrase in this song that belongs on the podium along with you know it could have been the willow nelson could have been the wine you know taking advice from a prost or taking a compliment from a prostitute the line which by the way i play that song every night for my daughter at bedtime and my wife still Still haven't caught on yet.Track 3:[32:00] That's a good line. What the hell is this? You said it's art. Just fucking mirror it. Mirror. Yeah. Like you hang up your hat when you write a line like that. You just, you're done for the day. Put your briefcase together and you walk out the door, punch out, you know, that's a fucking great lyric. So I think, I think if, if I may, the, the person being divorced is an artist in this story. Right. right? And there are many references to art. There's the line, when the stampede's an optical course, when ancient train has hit old transient horse. And ancient train and old transient horse were capitalized. And I said, what the hell is that? So I deep dove that. And it is in reference to horse and train, which is a Canadian painting, which is based on a poem written by a South African anti-apartheid poet with the line and against a regiment. I oppose a brain and a dark horse against an armored train, which is just spectacular imagery.Track 3:[33:03] But again, tying in the art theme to the first line is such classic Gord Downie writing. Jesus Christ. Yeah. You've just blown my mind. Blown my mind. Like for real. This is track two. So get me. Yeah. Yeah. And I have to say too, the noise guitar at the end by I'm assuming Dale Morningstar is just amazing. I have a thing for loud, screechy feedback guitars. It just puts me in this state of zen for some reason. Like if you know the song Drown by Smashing Pumpkins, there's like four minutes of feedback at the end. And to me, that is so relaxing.Track 3:[33:45] I have that same thing written down, Craig. I have excellent screeching guitar going into and continuing through the third verse and out. One of the other things I have written down, though, I just want to share with you guys quickly. This is just sort of funny. When he says he's sitting at the Tim Hortons, or he's sitting at the Hortons, I know that's not true because on two occasions, I was walking down the Danforth and saw him sitting in the front bench of Timothy's Coffee, coffee, which is like a, like a Starbucks adjacent brand that doesn't exist anymore, but it used to. And it was minutes from his house. I didn't know where his house was, nor did I stalk him, but I knew it was in the area, like minutes away. And he would just sit there and he was sitting there with a, with a fucking notebook the one time and another time he was on a Mac book. But to me, it was, you know, one of those cool moments that I was like, I live in the same neighborhood. It's Gord Downie. This is so cool.Track 3:[34:41] Man, I wish that the Tim Hortons here in the States had a place to sit because mostly you just find them at a rest stop on the highway or you go in and you order a donut and you leave kind of establishment. No Hortons down here in California. I have to travel. Thankfully, I get to travel a lot for work. And if I see a Hortons, it's like, it's immediate picture and text to my family because we did a road trip and, you know, we went through Detroit and we went through Niagara and went through Toronto. And so my family fell in love with Tim Hortons. So is there a sponsor, right? JD? Oh yeah. The big sponsor. I'm eating Timbits right now.Track 3:[35:22] Mmm. Delicious Timbits. Thanks Tim Hortons. Um next up is uh sf song and to me this is like observational songwriting 101 to me i can just picture him under the covers of his hotel room with a pillow over his head trying to drown out the sound of this chambermaid tap tap tapping and knock knock knocking on the door it sounds as though and then him walking through the lobby and out into the front area of the phoenix hotel and he just describes everything he sees now i'm sure there's more to it than that but to me that's just beautiful.Track 3:[36:03] Yeah. Yeah. For me, one of my first shows was actually in San Francisco at the Fillmore West. And, um, you know, there's been some, you know, or so I've, so I've researched, there's been some pretty classic, uh, um, shows that have happened there. And, you know, I, I had a pretty, pretty amazing experience as well. I was with, with the Canadian friend that had, um, you know, introduced me to them and, and, uh, uh, but you, when I heard that song at first, I just immediately thought, you know, I'm like, hmm, I wonder if he was writing the song when he was there, when I saw him in 2000. And, uh, you know, whether he is or not, that's what I'm going to go, go to, go to bed with and stick to. I also noticed and really appreciated, um, uh, the breathing in the beginning of the song. Um, and then the reference towards the end, uh, about it, uh, uh, I miss my lung, Bob.Track 3:[37:04] That we talked about and, and, and, and then remembering the ads, remembering the ads that were going around at the time on the sides of buses and on, um, on, on billboards and, uh, you know, growing up in, in, in Southern California and, and, uh, seeing smoking ads. And then all of a sudden smoking ads start going away. And then you see the ad of, I miss my lung, Bob, or Bob, I miss my lung. I like to paraphrase. Yeah. I, uh, that's one of the lyrics I had to look up. I had no clue that was an actual thing. So that was pretty neat to, to come across those posters. I remember them from when I was a kid, of course, I'm East Coast, so it's not like they were around here, but I do remember seeing it on the news or something like that, the campaign.Track 3:[37:52] The other thing that struck me was Chambermaid and the references to Chambermaid, which are a continuation of Phantom Power, right? With vapor trails and escape as a hand. Right. Right. I also picked up on the click, click, click. You mentioned J.D. Off the top and those sounds. And he later on experimented with those types of things like drip, drip, drip and We Want to Be It and the chick, chick, chick of the matches in Seven Matches.Track 3:[38:24] Oh, wow. Yeah, it's just a little thing I picked up on. And also, I have a note here about just the low register, like just him singing in that beautiful low voice. And he, on this album, covers so many different subtleties in the way he uses his voice. Like a song like Coming Up Canada Geese, all of a sudden he's just a totally different singer, singing very um yeah almost like an indie indie rock singer yeah totally get that um you know also i think there's many examples of him singing in alter egos on on this record really expanding his repertoire you know as it were right like we start to hear him singing like this on the post phantom power records uh on occasion and um it's not startling because we're sort of used to it should we move on to trick rider only if you want me to cry right like this okay so this song says it's it's dedicated to c it's i believe it's his daughter I don't know. On the album that comes along with the new release, his daughter, I'm blanking on the name, starts with a C, reads this poem.Track 3:[39:53] So I'm guessing she was the girl on the horse.Track 3:[39:56] So I can't remember the name, Claire maybe or Chloe or I forget. Makes complete sense.Track 3:[40:04] I don't know this, so I'll ask it. How many kids does Gord have and are they spread out in age quite a bit? I don't know the second part of the question, but I know he's got four. There's Lou and Willow, who both played on his former partner's record, played keyboard and drums, respectively. And then there's Willow, who is an artist, like painter and jewelry artist, and she's very talented. She did the away as mind cover as well I did know that I think I think I asked that question because at the end you know of Gordon's life he did that interview with Peter Mansbridge, and talked about his son and got very emotional and his son was young he referenced his age and said he was quite young and this was 2016 or 17 whenever the interview was, and which would have been 15 years after this album came out.Track 3:[41:03] So, that's where my head went with how many, how old, just trying to put the puzzle pieces together. I was going to make mention when I was doing a little bit of research, there was a, uh, uh, you know, a fan video, uh, when, when I guess they toured this album and I believe they were actually in, uh, it might've been in Vancouver when they're playing it, but he was, you know, having an exchange with, with someone in the audience about, you know, uh, your nightlights on going to bed. And uh i think the fan might have been thinking that the song was about something else and and he referenced that right back to her very quickly in kind of a snide mark saying i don't think it means what you think it means about going to bed and and uh that stuck out to me it was you know one that he had no problems interacting with the fan and and kind of correcting them on on their interpretation uh of the song but it the song is is is beautiful and in so many different ways and you know all of us being fathers and and and having you know those experiences and and then obviously having the emotional tie-in with with gordon and what he's done with the band you know in the tragically hip and and and then with his solo stuff and and uh it it's it's gorgeous it's beautiful whatever adjective you can come up with that that uh you know brings that feeling to you.Track 3:[42:31] As a father in those moments when you're just you can't even can't even process i did this i had a hand in this and this human is is going to grow out into the world and And I'm a better human because of it. And to be able to, you know, put that, um, you know, in lyrics and in a song, uh, again, just adds to the, uh, adds to the amazement, uh, that that gentleman was able to give us.Track 3:[43:04] Yeah. And the vocal performance by both Gord and, uh, Julie Dwaran is, is so full that they have such control of their voices. Pitch perfect, emotional, just such a song. Her soft awe in the background puts this song over the top. It wouldn't be the song without her contribution to it. That's no disrespect to Gord, but the song isn't the same without Julie Dwaran. And I thought that my favorite father-daughter song was Thrown Off Glass from In Violet Light, But this one, my daughter is the one jumping off shit. She is trick riding 24 hours a day and I'm like, oh my God, kill me. Yeah. So I looked it up. It is Claire Downey who reads the poem on the new edition. So I'm guessing that's who C could be. Got to be.Track 3:[44:05] The song is way too personal for it not to be. is is julie did i understand that she's she did some stuff with the hip as well yeah, yeah she sang um in some live shows with them and i think was part of some tribute stuff at the end too i may be wrong um i know i know kate fenner was um on one tour as a backup music Music at work. But I feel like, I'm pretty sure I've read, yeah, that Julie was on, doing some backups on one of the albums. I could be wrong. Yeah, I remember that too. I feel like, maybe now for Plan A, possibly. That sounds right. I know, although I know... Oh, yeah. Oh, that's her name. Yeah.Track 3:[44:52] Also from Kingston. There's another woman who does now for planning the title track. Yeah, Sarah Harmer. She's the vocal on... Anyways, that's a different album, different band. Different podcast. Different podcast, yeah. Oh, and I have to... Last thing about Trick Rider for me is that slide guitar that just doesn't quite hit the note. I just love it. It's kind of that quarter tone or something. It reminds me of, if you know the Faith No More cover of Easy, right before the solo when Mike Patton goes up to the, ew, and almost like purposely is in between notes. I just think it's so neat. I was going to say both vocally and musically with a variety of instruments throughout several songs, obviously this one as well, is there's just that, it's not quite there, but it's also, it adds again to that character of the song. I heard something or read something about one of the musicians, I believe the guitar player that, that was part of this, like he hit a note and he, he would just beat the shit out of it until it became the note that was right for the song, whether it started off right or not, he, it, it was going to become that.Track 3:[46:03] And, and I love that thought or that prospect, right? We get so, we get so caught up in, Oh, everything's got to be perfect. I got to tune my guitar up exactly right. I've got to have the mic place perfectly. And I've got to have, you know this tonality and and sometimes it's just good to just just let it go and let that emotion come through more so than you know the technical note of itself yeah yeah there's no such thing as a wrong note if it's you know played with with with confidence and intention and yeah yeah so next we go to a song that i think could totally be a hip jam to me this song he's singing It's the first song on the record where he's singing in a tone in a register that we recognize.Track 3:[49:09] So Craig, you said it, um, this is punk rock and Gord loved punk rock, right? Yeah. Yeah. Um, but it's old guy punk rock. Like it's, it's, this is guys who are not punk rockers anymore trying to, to do punk or at least the story, right.Track 3:[49:26] Um, within the song. And, and I'm not saying that about the musicians that played the song. I'm saying that about the story Gord tells here that, you know, they're, they're, they're buying weed from each other in a cornfield, right? In the dark you know um like i can picture my old man and his uncles or and his brothers my uncles just you know hiding from the cops at age 50 55 years old just feeling like be cool man shut up uh i love this song yeah great song i i gotta say i'll take the bullet guys here's my first criticism even though as much as i love um how they recorded it my goodness gracious i needed the drummer to use some sticks and not brushes like i needed to feel that those drums coming through in this song and and to make it punk rock like it was like they they you know hey let's find the jazz drummer to do the punk song um and not that it didn't serve it well and it's a in fact probably what i would have liked was that drum track with the brushes and another drum track on.Track 3:[50:35] Top of it with sticks and then also maybe adding the mics to get more of the tonality of the drums but again now that's just the music guy and me going i wanted to hear that i needed to hear that snap i needed to hear that crack i needed to hear the pop right sorry gonna use a uh a breakfast cereal reference but um i i i i wanted that for this song still love it it's It's funny because it opens on snare hits. Right.Track 3:[51:08] Yeah. But if I'm not mistaken and I'll, I'll completely eat my words, I believe they use brushes throughout Craig. Do you, did you go that deep or what did you think? I didn't, but I know for me, I definitely noticed that it, it, it felt like it should be heavier but i think that's part of what gave the song character was those heavy guitars that almost sounded like they were played at a low volume in a room jamming and i i thought it just gave it a unique character and and i have to say though my favorite part is actually at the end when when all of a sudden i actually picked up a guitar today just to see what was going on with this and and they go up from you know they're playing and you know you're one four five e e b and a and then um they go right up they just go up to that f and i know the first time i heard it it's just just so striking it just sounds so out of place and then after you've heard the song a couple times just so perfect such a such a great dissonance and.Track 3:[52:05] Really really um almost like a two you know 2000s indie rock feel almost like an arcade fire kind of three years before arcade fire was doing it kind of thing so wow it felt like a one take demo to me and they said fuck it it's good like run it i like that we'll do it live yeah me too do it we'll do it keep it but kirk yeah i think um it would be really interesting to see what the hip would have done with with that song like a fully polished yeah you know but but i felt the same about the next song chandler um you're listening to it again today in fact and again was like man with some different instrumentation you know change changing the tempo a bit on this is this is absolutely the uh potentially a hip song uh for me you know uh and uh yeah hard hard not to uh go into you know as he speaks about letting the opening the window inviting the vampires in and if i'm not mistaken this this song did pretty well was it a single.Track 3:[53:15] I don't think any of the solo stuff did particularly well. It was sort of under the radar, especially after this record came out. This record was highly anticipated, but I think early on the word got out that it wasn't hip, and so there were a lot of hip people that jumped up. A lot of people stayed on board, don't get me wrong. but um there was a good cohort that sort of veered away and it's interesting that the sum of the parts you know um the hip are it just goes to show you how magical they are as a as a fivesome because you take one component away you know and it's just not the same like gort sinclair's solo record is dynamite so are you know paul's three records they're really really good but they're not the hip yeah you know so i'm just and i think this is where i got it from i'm just you know looking looking up on spotify and if you go to gordonie this song has the most downloads of all the solo stuff oh okay so that that makes a lot of sense yeah i know there's a there's definitely a video for this yeah yeah but i i don't recall ever hearing.Track 3:[54:31] This song anything from this album on the radio i i had i did hear some later songs um but definitely not that you know that i heard so this is where hitler comes in big time um the.Track 3:[54:47] Hitler had a very odd sleeping pattern. He stayed up very late and would go to bed at like 6, 6.30 in the morning and then get up at noon and just spend his whole day working out maps and plans and this is where the advancement is and all this stuff. And there are so many, if you read between the lines references about the night of a thousand missteps, the loss that made him dogged, or it could have been the doggedness that caused the loss in the first place.Track 3:[55:18] And Chancellor, I mean, that was Hitler's position, you know? Wow. Marching armies in the night, smiling strangers riding by on bikes. That would be, you know, when the allies come into Paris or something, you know? Children's smoking, which there was a huge anti-smoking campaign in Germany during World War II, sloganeers. And he mentions in one of the first lines, invite the vampire in, open the windows before we go to bed to get the coldest air in the room, which is just before the sun comes up. And then at the end, talking about a few things that vampires don't like, all the things referenced between the vampire references are Hitler-ish things. So I don't know it that's that's where my head went and then um before you are wow i know that but but damn it i'm following gordon's path you know and he like i said he references justin you're taking us into dark places my friend and the word chancellor for me it was like hmm and then i started to kind of read into it and i was like yikes and by the way guys spoiler alert this won't be the last time i talk about hitler during this thing not that i love him let's put that out there but there are There are some real references to the war throughout this album. Yeah, that's really interesting.Track 3:[56:41] My mind went a completely different direction. I was thinking like a chancellor of a university. And again, I didn't read the lyrics. I didn't dig that deeply in. But it was funny because my daughter really likes this song. We kept playing in the car and I was explaining what a chancellor of a university was. And she said, oh, I thought it was like Chancellor Palpatine. Wow. and it turns out she was she was the right one yeah i guess she was she was closer than i was yeah wow look at that cross my read is so completely vastly different again my read is like bittersweet and romantic uh the chorus yeah i couldn't be a chancellor without you on my mind if i wasn't if i wasn't obsessed with you or thinking about you all the time time. Um, you know, who knows what I could have become. And on the, and in the video, isn't he riding around? He's on the swan boats. It's just, it does not make me. Swans. Yeah. Yeah. He does not make me, uh, feel like, like, uh, like he's referenced, referencing world war two, but that's fascinating. I can't wait to hear it again now.Track 3:[57:49] But at the end of that video, if you watch the full video at the very end, he's, it's revealed that he is the guy working the dock at the, at the swan boats and he takes off his coat and underneath it is a uniform that says guy. And he's the one taking the coins or the tokens or whatever for the people to ride the swan boats. So it's kind of like, uh.Track 3:[58:13] You know, when Hitler was a struggling artist before he became this global force and kind of took control, you know, he was romanticizing the idea of, of being chancellor of Germany. Wow yeah wow and i don't know wow reference to it or yes it's dark man because and again think of think of uh the song scared every hip show you go to everybody's everybody's slow dancing that's not a slow dance it's like we talked about in the other podcast it's like yeah that's the hips trick right or it's gorge yeah yeah 38 years old same thing long running same thing fiddler's green you know and and on and on and on these slow slow songs are are yeah miserable yeah and i have to say good yeah yeah yeah yeah and and the the vocal phrasing that the gourd uses on this just that, laid back where he just sort of hesitates on certain words i just just love it he's so unique that way. I think that's what separates him as a singer, is that phrasing.Track 3:[59:22] Oh, yeah. This is a really hard album to sing. And you guys are musicians and you play guitar and other instruments. I've always been a singer. And I cannot keep up with Gord on this album. I just can't. Like the chorus of this song, like, I'm discovering uses for you. But the way he throws uses for you together, it's like, it's almost like one overlaps the other. And it's like, that's impossible. And then on the more quaint side, I love that he rhymes pajamas by mispronouncing in a gourd-like way windows to rhyme with pajamas, right? Instead of windows. Oh, so great. By the way, that uses line, again, going back to Hitler's underlings, you know, doing experiments on twins and stuff like that. Like, this is, I think this is a dark one. I'm going to listen to it again tonight. And I can't wait to hear it. No.Track 3:[1:00:19] I hope I'm wrong. I think you're right. No, we know he likes the Second World War.Track 3:[1:00:26] And, you know, we've heard references to, you know, Nazis moving works of art or Russians moving works of art, you know, to stave off the Nazi army. And really quick, sorry, really quick shout out for the piano player. I'm guessing it was um hern but but man that piano is is really nice improvised piano solo yeah yeah it's a very sweet sounding song yeah bait and switch man yeah he got us the never ending present i was listening and and if you're a you know canadian of my age you knew right away who was singing backup so that was Stephen Drake because my mind went right to Wendy under the stars and um and you know right back to my you know my first car and being you know 16 years old and listening to the radio and and hearing the odds for the first time and and yeah just an unmistakable voice the harmonies are very distinct you know distinctly the odds and distinctly The one thing that I picked up was he mentioned his shoes were polished, which as we learned in the longtime running doc that he polished his shoes before every show.Track 3:[1:01:46] So I think he's talking about himself and it's kind of an introspective – I mean, he says I in every song, but I think this one might actually be about himself personally.Track 3:[1:02:00] I picture him standing on Broadview Avenue waiting for the streetcar. He says bus, but in my head it's a streetcar. And all the rest of the lyrics are the stuff that happens until the bus crashes the hill. Him dropping money inside the little money grabber on a bus. There's talk of that um but what i really what i really love about this song is how ahead of his time he is because this is like living in the present like being in the moment is so important and i've learned like through my mental wellness journey like how important it is to live in the moment and the idea that the moment can be never ending if you come about it with the right frame in my mind is so refreshing to hear. Amen. And of course they named the, um, uh, Michael Barclay wrote the book with using the title of the song.Track 3:[1:03:05] Sorry, I'm going to take a little detour off of this that I just have to bring up being, being the, uh, for the South American and someone that, uh, uh, you know, again, was always starving for hip. I've loved in this journey, discovering other Canadian bands. You guys were mentioning the odds. And, you know, I did the research a little bit on the dinner's ruined. And of course, you know, of the real statics from, you know, grace too. And we're all richer for having heard them. And, um, uh, I'm, I'm very excited, you know, during this to be able to take a dive into that music that I never got. Right. Cause I like Justin, you were lucky because you get a lot of that music, uh, in the Northeast.Track 3:[1:03:49] Um, no, no, no, we only get the hip and rush. Rush. There's no Canadian music except for the hip and Rush. I will say that. And Alanis, of course. but to do as a you know as a musician and and and being a big fan of many canadian bands you know rush is up there for me bare naked ladies is up there for me um obviously the tragic the hip is up there for me um but these other bands uh blue rodeo that has i think a little bit of a a um you know it did well here in the states um of course alanis and some of the others you know i want to I know more about the, uh, the ones that didn't get, uh, similar, similar stories to the tragically happened. And I'm really excited about taking that journey as well. And I love that, you know, that's one of the things that I've heard about in different, uh, uh, reading and, and interviews is Gord was such a proponent of getting, I mean, music out there, but, but specifically, obviously Canadian music and, and giving, you know, these, these not as well-known bands an opportunity.Track 3:[1:04:56] So, um, sorry, I just needed to take that little side journey there and, and, and share that with you guys. I'm with you. I'm with you a hundred percent. Just going off what you were saying, yeah, apparently Gord would actually stand side stage and watch a lot of these bands. Like he would just stay there for the whole set. And all these bands, you know, Eric's Trip and The Odds, they were all change of heart. They all played with the hip.Track 3:[1:05:23] And for me, it's been fun because I've been doing the same thing. I was listening to The Odds last night and I couldn't believe how many hit songs they had. You know they're a band i enjoyed but never really really got into i think i've seen them live a couple times but man they had their pop song they were yeah that's exactly it they were they're you know pop writing you know machines but yeah i'm excited i'm excited about the journey for sure and and especially getting connected with you guys and having the experience you know know, uh, um, uh, being from Canada and, and, and really experiencing that not only on the radio, but, but live as well, that, uh, that's going to be a great journey. Cause isn't it great when you go to see, you know, you go to see one of your favorite bands and the opener shows up, you never heard of them. And, and all of a sudden they become, you know, one of your favorites and you're, you're falling around and, you know, and then it's always hard if they do make it, you're kind of like, man, that was my band, but I liked it when they were small, you know, I want them to be big, but not that big. I, that's, I mean, I mentioned it with, with the hip, you know, like all my experiences and I got to see them, I don't know, seven, seven, eight times, something like that.Track 3:[1:06:36] Like the biggest venue I saw them in was, was probably 1200 people. And, um, you know, the Troubadour, I got to see them in and, and, and up in San Francisco, the Fillmore's, you know, it's, it's over a thousand, uh, might be closer to actually, I'm not sure. I'll have to look that up. But the thing that I loved about it is, you know, I'm a hockey guy. And I think I mentioned the story to, to you, JD, like we're close to the ducks and the Kings and, and most hockey teams are, you know, 50 plus percent, if not close to 70% Canadians. And so I'd go to a show, I'd be in Hollywood and I'd look over and be like, Oh, Hey, look, there's Luke Robitaille or, you know, Oh, there's Chris Pronger. There's, you know, Scott Niedermeyer, you know, I'm hanging it out and oh oh hey paul korea how's it going you like the hip too you know and um what an experience and then canadian actors as well i got to meet dan akroyd at at the house of blues hollywood and he introduced the hip on stage and then you know he's rat so uh you know for me it's so weird um when you talk of this band they were a club band to me you know i i've seen what they've done and where they've played. And so anyway, I I'm, I'm taking us off the, the album, but just wanted to share that with, with you gents. No, that's cool.Track 3:[1:08:04] So now we take a hard, right. And, um, we get the track, the soundscape, uh, nothing but heartache in your social life.Track 3:[1:11:14] Did you say a hard right or a hard Reich? Because again, the Hitler.Track 3:[1:11:20] I'm serious. So again, this goes back to the poetry and there's a poem called Toiletten in the book and it is about Hitler's, I'm not even inferring this, this is about Hitler's podium at Zeppelin Field in Nuremberg and it now has signs pointing tourists to the toilet. Um, and the, uh, similarities between that poem and this song or spoken word, whatever, um, it's a hundred percent about that. And Gord even stumbles on a lyric that they, that they leave in the song, um, when the podium sprouting weeds and he stumbles on rendered ridiculous by the time. So the podium is this massive concrete structure that when you see film of Hitler speaking to 150,000, 200,000 Germans during wartime, that's where this is. But it's still there, and it's sprouting weeds, and the podium and its purpose have been rendered ridiculous by the times. When are you thinking of disappearing? I mean, when are you falling off the map when the unknown that you're fearing is in the clearing? That's totally about surrendering in the war and the allied forces moving across the field to wipe out the Nazis.Track 3:[1:12:46] When you're getting king-size satisfaction in the turnstiles of the night from all the shaky pill transactions, if that's not Jewish prisoners going to a concentration camp running down the train tracks in the middle of the night. I don't know what it is. It's, again, a very dark thing, and I think it leads to Hitler's suicide. That's when are you thinking of disappearing? Yeah.Track 3:[1:13:16] And it is interesting to note that the asterisk that comes with the title in the lyrics, it says Dale Morningstar provided echoing screams at the end of the song. It doesn't just say backing vocals or call and answer. It's echoing screams. I was wondering who was calling back and forth with them. They kind of sound like, even though the topic sounds quite serious, they're having some fun with it. At the end kind of yelling back and forth with each other and um and also of note um adam agoyan the filmmaker plays plays uh the classical guitar on this track and and one other track and so he's uh i think i read that that maybe this song was sort of based off some some things he brought in, came into the studio one day and they they sort of riffed off what he was doing and put this sort of spoken word. I also got, I don't know if you guys got this, but I almost got like an M&M vibe, like just like attitude wise. And of course I believe this would have been before M&M anyways, but, but just that, that sort of attitude and way he was rattling off these lines.Track 3:[1:14:29] Yeah, I get it. Absolutely. So the other me, you know, I was trying to get my, my head out of World War II with this, and it was easy to see in 2024 that Gord predicted the future of social media, right? This is before Facebook and MySpace and all this stuff, but this is 100% in line with everybody's mental health problems stemming from not having enough likes on their posts, right? This could absolutely be interpreted 20 plus years later in that way, if you were to look at it from that angle. Yeah, I...Track 3:[1:15:13] Obviously still like absorbing everything in the referencing that you're speaking of, uh, Hitler and world war two and, and how, you know, JD and Craig were like, didn't necessarily get that right away. I, I definitely, you know, heard the references. I, I knew of the references from some of the hip tunes. Um and uh and then just seeing this whole journey that he's taking with just coming out there with a solo album in the first place and then you hear about how um and again it's it's you know i don't know the exact i haven't spoken with the other members but some of the solo stuff really caused a bit of a rift within the band and then if you start thinking about the product of the hip you You know, this is where a big portion of their fan base starts turning away.Track 3:[1:16:04] And I wonder if that tension came through in some of the music. For me and you, Justin, we discovered them during this time. And like most bands, you don't become close to them. And, you know, I'll take a few exceptions. You know, Led Zeppelin. I wasn't there when the albums came out. But the band meant a lot to me later in life. But nothing like, I'll give an example of other bands, Rush and Barenaked Ladies. I went to those shows when those albums came out, same thing with The Hip, as it relates to 2000 and beyond. And so my reference point is there. Um, and then Gord goes off and decides to, to do this solo work. And, um, and not only does he does the solo work, but he starts taking that poetry side in the book that comes out along with it. He starts throwing in spoken word and we could spend a lot of time with the discussion about poetry versus spoken word versus lyrics versus, um, uh, you know, the, the, the written prose and, and, and where it all comes together and the different attitudes towards it. Um, but I, I'm, I'm honestly kind of shaking inside just thinking about the, the ability that, that Gord has to take a historical perspective.Track 3:[1:17:23] Area and put it into a spoken word and or song. But then in the same breath, depending on how you come at it, you get something completely different. If you don't know those references specifically, you're going to find something from a meaningful standpoint. So sorry. I mean, you really got me goosebumps in there, Justin. Well, I think that if I had never read lyrics from the hip, I would never have approached it from this angle.Track 3:[1:17:51] But it's kind of hard to not look at some of that stuff. He did an interview in the early 90s with some TV, whatever, and they said, what are your songs about? And he said, all of our songs are about war. And I remember seeing that on YouTube about 10 or a dozen years ago and thinking, oh, okay. Now, whether he was speaking Speaking of literal war or a relationship or conflict within the band or whatever, family, something, but there's a struggle or something that needs to be resolved in each one of these songs. And so I've, for better or worse, looked at a lot of hip stuff from that point forward, whatever year it was, as is Gord talking about literal war here. And that's just where I picked up on. Was he a history-type major? Did he have family that maybe participated in the war? There is a short poem in the book that is about his grandfather serving in World War II.Track 3:[1:18:56] Yeah, I could see that. Both my grandparents served in World War II, and I was a history major, and so I can see where that tie comes from.Track 3:[1:19:08] I hope we can move past the war stuff soon. Thanks justin yeah anything else from you craig well yeah i know i have nothing to add other than i love the little bait like bass kind of jazz odyssey thing that steven drake goes off on at the end if you if you notice the last like five seconds he just does this little improvised producer as well noodle it's pretty right bass player yes yes yeah engineering okay engineer anyways yeah Yeah, engineer. Well, that's what we got for you for this first episode. We're going to take a break and recuperate and recalibrate and take some electrolytes and we'll be back. 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Welcome to Discovering Downie. I'll be your host, jD as we listen in on the experiences and analysis from three huge fans of The Hip who have a blind spot for Gord's solo works. Meet Craig, Justin, and Kirk as they part in this epic 11-part podcast.We kick the show off by starting at the start with Coke Machine Glow part 1.Transcript:Track 2:[1:26] Welcome, music lovers. Long Slice Brewery presents Discovering Downy.Track 3:[1:34] Hey, it's JD here, and I'm joined by my pals Craig, Justin, and Kirk from Chino. While our love for the hip unites us, Gord's solo ventures remain uncharted territory for our trio.Track 3:[1:47] Hence, I've gathered this team of enthusiasts to delve into the musical repertoire of the enigmatic frontman of the tragically hip, the late gourd downey so come along with us on this exploration as we navigate through his albums one by one in chronological order embarking on our quest of discovering downey we've assembled quite the motley crew here to talk uh to talk about gourd's oeuvre and we're excited to do that we're going to do this all summer long so buckle up fellas how are you doing not too bad living the a dream amazing excited excited to go on this jaunt with you you gents for sure yeah it should be pretty fun i agree i agree completely i i am i am from a hip starved uh area of the world which you know i guess most of the u.s unfortunately was hip starved for a long time but specifically down here uh in the la market i got to see some amazing shows in really small places but like to, to like find a hip album in a record store or, you know, like anything that comes close to hip preference for me, I just like, I get all giddy. So when we, you know, we connected to talk with other hip fans, um, was pretty exciting, but then just to learn more about Gord, um, yeah, this is, this is going to be quite the adventure, my friends, quite the adventure.Track 3:[3:17] Yeah, I think so. What do you think, Craig?Track 3:[3:20] Yeah, I've been sitting in this room, my office slash music room, with a couple of unopened Gord CDs that I have collected over the years and just looking for the right moment, I guess. And along came that moment, and thanks to you, JD, to make this happen and to bring me on board. Ah, but I am but one hand on the rudder. The other three hands you see belong to Kirk, Justin, and Craig. Egg so there's that justin tell us about your experience with the hip so uh the u.s is hip starved for the most part but uh growing up in vermont we are just quebec junior and uh we get a lot of uh tv and radio stations uh down here in the greater burlington area so i i grew up with hip on the radio and um i didn't really know anything about him but in high school i discovered phantom power on my own.Track 3:[4:19] And, uh, that was it. I've been hopelessly blissfully lost ever since. And, um, my dad was kind of a hip fan, but you know, I think he was from like the old, you know, the, the hip crowd that they were trying to get rid of in the nineties, you know? And, uh, and so when I, when I came along, it was music at work and, you know, kind of the newer stuff that, that the old man probably wouldn't have liked too much, but, um, yeah, it's been a lot of fun. I got to see three hip shows and I was at the show in Ottawa two nights before the finale, uh, which was really amazing. Um, I got to see him in a basketball gym in Burlington and I got to see him in a bar in Albany, New York. And, uh, I feel like I got the, a pretty good sample size. Uh, I love them. I love them. Yeah. How about you, Craig? You have a unique role in this trio as well with your Tragically Hip experience. Share some of that with us.Track 3:[5:19] Um, yeah, I've, I've been a big hip fan way back going to probably grade eight when I, when I first heard, I think New Orleans on the radio and, uh, you know, I liked it and I, um, I didn't buy the album right away. I was into heavier stuff at the time. I was a big GNR fan and I was kind of a metal guy. And, uh, then I heard 38 years old and funnily enough, I thought it was, um, uh, Tracy Chapman at first, when I first heard the voice, the vibrato and, you know, it's just on faintly in the background. And then I kind of turned it up and this is a good tune. And then, you know, they, they announced it was the hip. And so I went out and got the CD. I think I maybe ordered on Columbia house through my, uh, through my parents or, you know, five CDs for, for a penny or whatever. And, uh, 12 here in the U S yeah.Track 3:[6:09] And yeah, I've been a huge hip fan ever since. And, and, um, yeah, I've been to, I think maybe 15, 16 concerts and, um, yeah, about a year ago, year and a half ago, I started playing in a hip tribute and it's just been a blast to sharing the music with, you know, the fans who don't get to see them anymore. And, you know, I wish I could, I wish they were still around and I could quit my job as a hip tribute guitar player, but unfortunately they're not playing anymore. I wonder if there's a Tracy Chapman angle, I wonder if we can get Luke Combs to cover some hip stuff and get them on the mainstream radio. you. It's a great idea. It's actually not. I don't think I want to hear that. No, but definitely giving them the credit they deserve. And man, Craig, like I seriously got goosebumps when you'd mentioned Tracy Chapman, like, you know, if you guys saw the Grammys, you know, that was performed and Tracy just sounded amazing. And, uh, I hadn't thought of it from that perspective. And, and yeah, I think you hit that spot on that. I haven't looked it up, But I'm guessing if you look up the release date of Fast Car and up to here, I'm going to guess they're within a year. Yeah, that's probably very true.Track 3:[7:27] So let's start at the start here with Coke Machine Glow. Kirk, any nuggets that you gleaned from production notes, anything like that, that you gathered on your fact-finding mission? Yeah, absolutely. Um, you know, I, I actually did because I'm a musician as well and, and, and do appreciate, uh, what goes into making an album. Um, uh, there, there was some pretty good information out there and, you know, especially knowing the hips catalog and, you know, they've had, they've had some different experiences from different producers and engineers and, and different recording experiences. And, um, so, you know, of course you're going, well, I'm going to get a lot of that. And, and then boom, you get hit right upside the head with, you know, But in the research that I did, I mean, they basically just, you know, had a couple, I think they had a kick mic and an overhead mic and just kind of a room mic. They played everything acoustic because they wanted to hear Gord's vocals.Track 3:[8:30] They were in, I believe, in the studio that is no longer there. It was like a loft in Toronto that was owned by a couple of musicians that were a part of, you know, the band that was there and part of the recording team. Um and obviously getting all their you know getting all their schedules together and and you know various musicians from from various different bands within the area and uh and they just wanted this to be uh just kind of that raw essence right that it you know for us as hit fans at least for me like that's where i fell in love is like whether you listen to the music or see them live, like the energy that comes out of every song is, is palpable on so many different levels. And, and, you know, I think those that, that have had the experience to enjoy their music and especially live, like there's such an energy to it and whether it's, uh.Track 3:[9:29] You know, whether it's one of their upbeat, you know, just rocking tunes or, or, you know, a simple acoustic there, they really know how to capture the emotion. And this album, Coke Machine Glow, I mean, yeah, wow. I mean, it was, again, it just felt like maybe one mic in the room and they just were circled around each other and they went for it. And one of the other notes that I heard that I thought was pretty surprising is they got a lot out of what was actually recorded and it sounded a lot bigger than what took place. I can get that. You could get a small little eight-inch speaker and, uh, put a mic on it and it could sound like you've got, you know, four Marshall, you know, full stacks grinding in front of you. So, you know, there's definitely some magic that can happen in the studio, but, um, uh, yeah, I, I think, uh, you know, I do a lot of stuff in theater and we always talk about how the set or the lights or the sound can become a character. And I think for me, the production elements of Coke Machine Glow became a part of the album.Track 3:[10:37] It had to be done that way, in my opinion, to be able to capture the energy that it did. Yeah it's very sparse sounding production wise like obviously there's songs and we'll get into them really rich and really lush and uh you know have a lot going on but predominantly this record like you said is pretty sparse craig i wonder what you learned um in your research about the album proper.Track 3:[11:09] Well, I went into this with a different approach where I purposely didn't look at any info for the first couple of weeks. And then I actually planned on recording this without having looked it up, but I decided I couldn't not. And the reason I had to look at the liner notes is because I was hearing all these voices that I recognized from Canadian bands. And what I was really thinking about was um what was can con and and the uh you know all the if you don't know the the story of can con basically it's the canadian content rules that um you know radio stations in canada have to play a certain amount of you know canadian written produced um music and the variety of musicians playing on this album we've got you know sky diggers we've got eric's trip we've got the hip We've got Dinner Is Ruined, who wasn't a band I had heard of out West, but looked them up today and quite interesting. And just this all-star cast of musicians from all these really cool indie bands. And that's what really struck me. Yeah, I couldn't put it better. An all-star group. And I should have mentioned, I guess, The Odds, of course, with Stephen Drake. He was so heavily involved with engineering and playing bass on it. And, and, uh, that was the voice that actually I was referencing. And I'll talk about that on the track when it comes up. Oh, cool. Okay.Track 3:[12:36] Justin, I'm wondering for you what the title means to you. What does it evoke? Um, I kind of, my brain goes to the golden rim motor in right. And late at night in a hotel, just kind of looking out the window and there's that freaking coke machine that's probably buzzing and nothing's cold in it and there's that glow lighting up a couple of cars outside the hotel room um it seems like a pretty good time to write an album or a book of poetry yeah just in my my mind went the same place yeah the lofty pines motel the the golden rim motor in.Track 3:[13:19] Yeah. There's a couple other hotels mentioned on this record as well. There's the Phoenix. Um, I'm trying to think, is there another one? Hmm. There's a poem, uh, in the book, Minneapolis hotel room. Oh, wow. Yeah. So definitely a road record, huh? Yeah, for sure. Yeah. And the other thing I think that, um, I didn't know going into this, that it was so closely connected to the phantom power album with a lot of songs that now with the re-release of phantom power we're we're seeing alternate versions of you know mystery and some of these other songs which is really really neat to discover at the same time yeah i agree with that i i delved pretty deeply into the the poetry book and it was amazing how many references to hip songs especially of that era um but even dating back to the early nineties with some live shows and how long this material had incubated. I bought, I don't know which album, but it came with a recording of a concert in 94. And there are several references that made their way into the poetry or into the lyrics of some of the songs.Track 3:[14:31] It's not on the music album, but it's in the, I think it's the first poem in the book was was bumblebee what is now bumblebee as the bonus track from phantom power right um the usa today bit was in this concert in 94 and it took you know years for that to come out and and there are other references from that show that are that are in coke machine globe of the album and the book it's it's really interesting how long it took for all this stuff to, surface. You have to imagine though, that as, as a writer, you know, you're going to go into recording an album and, and, you know, Gord being primary, you know, after a time writer, you can end up with some stuff that just doesn't make it. And, you know, it's hard to let go of stuff. You know, if you've, if you've done any type of creation, I don't care if it's video creation or writing or poetry or songs or whatever, like it's hard to just let that stuff go. Cause it's, It's whether you're telling a story about yourself or something you experienced or, you know, you want to get it out there, especially if you're a creative person. So I imagine Gord had, you know, and you read all the time and you hear on the interviews and he carries around a notebook and is basically writing every day.Track 3:[15:47] So uh but it is it is amazing and especially being a hip fan to see you know i noticed that as well when i was listening to some of the bonus stuff like hey wait that's a hit song why is that on here yeah you know and then you got to go back and you got to find the album that it's on because i was like justin i i wasn't introduced until the hip you know until i think 2000 uh with a canadian friend that i worked with and then i actually took a trip up to vancouver and it was like there's hip everywhere and i was like this is what's this all about how come i don't know about these you know this this band so yeah you know that i i really kind of came into play during that time and and beyond so of course i love the stuff that that came before it but for me there's something about being a part of what gets released when you're you know i'm i'm buying the albums or cds as they're coming out and then i'm seeing the tour so you know of course that heavy content with with, with those particular albums. So yeah, I have to imagine a lot of that, uh, came back in, into this particular one. And I mean, how long was the band together before this came out? 12 years, something. Almost, almost 15 or 20, maybe.Track 3:[16:57] Yeah, well, yeah, from the very beginning, but since the recording stuff started, so, you know. 87, the first one came out in 87. Yeah. This, to me, it felt like a release valve for everything that Gord couldn't or wouldn't put on Hips. It wasn't polished, you know what I mean?Track 3:[17:18] And he had all, I mean, there's a hundred pages of poetry and all these songs that are, you know, objectively strange.Track 3:[17:27] Um, and I, I think it just stuff that he knew wouldn't fly on a hip album that he had carried with him for years. And like I said, that show in 94 that he was work workshopping this stuff and it didn't make the cut with the band. So let's use it up now. Now, I'm very curious, as we get into the songs, to hear what you guys are thinking about some of these songs in their objective strangeness, as you put it, Justin. Or, you know, are some of them hip-adjacent? Are there any on here that you think, you know, the band could have put together? Obviously, other than the last track, which they did, and we can compare and contrast that when we get there. But are we ready to go into this record track by track? Let's do it. All right, we start with Star Painters. Who wants to kick this one off?Track 3:[18:29] Well, I'll take it. Yeah, Star Painters to me was like a palate cleanser. This was like Gord saying, this is not a hip album. And right off the bat, it's, it's a little strange. Uh, you got the accordion and, um, you know, the almost like a spoken word type thing. And yeah, it's just very obviously not the hip. So the first line, um, is, uh, ended up in music at work with freak turbulence. The myth is neither here nor there. So there are definitely, you know, there's some continuity there. And I think those two albums came out the same year. Didn't they? 2000. Coke Machine Glow was 2001 Okay well But Very close Very close They were likely recorded Right around the same time Yeah Yeah.Track 3:[19:19] There are themes that do persist for sure. But yes, this is not a hip song to be clear. I agree. And Craig, yeah, I think you hit it right on the head. You know, Gord was like, hey, come along for the ride, but this is going to be something different.Track 3:[19:40] And I really appreciate it. I mean, and I've heard that this song actually turned people away, right? Right. Like they didn't want to give it any more of a listen because of it. And, you know, I can say, yeah, I can say that, you know, for me again, I'm hip starved. So I'm actually really surprised at myself that I didn't dive in at the time and that that it really took this project to, you know, get me to start paying attention. Attention and at first it was difficult you know obviously this song but the entire album was like you're like you wanted a little more hip but then you had to understand you know what he needed to get out this song honestly for me is is one of my favorites off of the album and i'll tell you why it's the line the star painters are taking over now the scaffolding is in place your anesthesiologist tonight is washing up and on her way like i heard that and i just stopped and smoking your joint.Track 3:[20:50] Packing it up yeah getting the next one it it it it's it's it's gordon it's it's it's the, this is this song this album is not going to be for the faint of heart and uh and you know strap in like you said buckle up so i i had never heard anything by the dinner is ruined but you know trying to dive into to see what these guys are about the avant-garde and very strange ambient sounds and there's uh accordion and all kinds of weird stuff and that's very much dinner is ruined i i did listen to them um during this process and with that in mind on On the rest of the album, they feel pretty restrained compared to what they would normally have written or put out. But I think on this first one, they're just kind of like, to hell with this. We're going to do what we're doing. Yeah, sequencing is so important. You know, when you make a record, there's no accident that this song is first, like Greg said. You know, that sort of palate cleanser, introducing what the concept of this record is going to be. And you're right like if you came here expecting fully completely part two you know you're barking up the wrong fucking tree so there's that yeah vancouver divorce.Track 3:[26:08] Yeah, definitely a departure from the first track from Star Painters, right? This is a, I mean, almost written for radio hit. It's so easy to listen to and it's so addicting. The thing that really struck me, and it took me a couple of listens to hear it, but the bass is just one note over and over like a heartbeat, just a rhythm. And it's just the same note for 20, 25 seconds. And then, you know, it, it moves on from there, but, um, it was really, it was lovely. Um, but I, uh, one of the things that, that started to strike me and I don't know if it was Vancouver divorce or, or something else, but I think there's two schools of thought about this album. And again, this is a common theme with Gord Downie is it's either a little bit about Adolf Hitler or it's really a lot a bit about Adolf Hitler.Track 3:[27:13] There are so many ties to World War II throughout this album and the book and everything that Gord kind of does. Um, and I, I, I tried not to think about that going into all this, but it does, it does kind of get there, um, pretty quickly. I think, I don't know. I don't know if Vancouver has anything to do with the song or it's just, it fits well, you know, like the way that he explained writing Bob Cajun, it just, it rhymes. Right that's the town we're using you know i know in one of the live clips i saw before this song he said something about you know if if this couple can't make it in in paradise which in this case paradise is vancouver um debatable debatable maybe but um he um yeah then then i guess they can't make it anywhere yeah and i i didn't get any world war ii from it but i i didn't dive into lyrics quite as heavily i'm more of a music guy the lyrics are the last thing i digest when i listen to music so it takes me multiple listens um i don't typically read lyrics i like them to sort of hit me you know over the years um yeah did you guys get the uh the hortons reference.Track 3:[28:27] That one made me chuckle so the thing that i that i picked up on the hortons thing is he says sitting here at the hortons so you know this is important nobody sits at a tim hortons well they used to it used to be it used to be like a bar yeah oh yeah and it had lots of tables and chairs Yeah. And that's, that's far different from our experience with, with any Hortons chain down here. Yeah. Well, the thing that I think is interesting is that syllabically he could have said Tim Hortons, but instead he says the Hortons. The Hortons. I wonder if that's like to avoid the.Track 3:[28:57] Commercialism of saying Tim Hortons or like, it's just an interesting choice when it's the same number of syllables. Yeah. And I also think just, um, a lot of times Gord will choose a word that is almost unrhymable on purpose. And I think this is one of those cases Hortons. So it must be important and important. Yeah. It's, it's just, I love that. I love that. How about you, Kirk?Track 3:[29:21] What do you think? From a music standpoint? Cause like Craig, I, I, I do, do i i enjoy both and and and i'll end up reading lyrics as i go and and in this particular thing it was hard not to read uh a lyrics just to understand the connection as you're listening but this is one of those songs as well when when you think about it here you know how they recorded like holy crap how did they get that big of a sound out of what you you know at least in the the research that i did was very minimalist type of recording you know this kind of a squarish box and and and not really acoustically treated and you know in in you know you know in in the heart of toronto and all kinds of other stuff going on like i heard as well like they were being evicted and so they only had a certain time schedule to be able to get this recorded and then you hear the story about how like they're having a party downstairs and they're throwing couches around and gourd shows up and in his cowboy hat and goes uh hey would you guys mind you know being quiet for a little bit i'm i've tried to record i just can't imagine you're in that room and gourd down he walks in and says hey i'm recording tracks upstairs i think he was with kevin hearn from uh.Track 3:[30:36] You know uh bare naked ladies and and and uh and then they go back up and they record but just the fullness of this, this album. Um, and to me, I, you know, that's the thing I wanted to mention. Uh, uh, I believe it was this tune when you hear the keys, I don't know that Kevin got a credit on it, but I know he recorded a couple of tunes here. And so for me, I'm actually a pretty big BNL fan and I've seen them 20 times, something like that. But Kevin Hearns keys was very kind of prevalent. Um, and even if it wasn't him, you could, you could definitely hear the influence of it. So the powerfulness of this song is, is, is palpable for sure. Yeah. Yeah, looking it up, I think it was, sorry, it was, yeah, Jose Contreras played the organ on this tune. So he's the leader of By Divine Right, which is another very cool Canadian band that I remember listening to. I had their first album. But yeah, Kevin Hearn is definitely all over this album. Them yeah i gotta say as well from a lyrics perspective my money there's a phrase in this song that belongs on the podium along with you know it could have been the willow nelson could have been the wine you know taking advice from a prost or taking a compliment from a prostitute the line which by the way i play that song every night for my daughter at bedtime and my wife still Still haven't caught on yet.Track 3:[32:00] That's a good line. What the hell is this? You said it's art. Just fucking mirror it. Mirror. Yeah. Like you hang up your hat when you write a line like that. You just, you're done for the day. Put your briefcase together and you walk out the door, punch out, you know, that's a fucking great lyric. So I think, I think if, if I may, the, the person being divorced is an artist in this story. Right. right? And there are many references to art. There's the line, when the stampede's an optical course, when ancient train has hit old transient horse. And ancient train and old transient horse were capitalized. And I said, what the hell is that? So I deep dove that. And it is in reference to horse and train, which is a Canadian painting, which is based on a poem written by a South African anti-apartheid poet with the line and against a regiment. I oppose a brain and a dark horse against an armored train, which is just spectacular imagery.Track 3:[33:03] But again, tying in the art theme to the first line is such classic Gord Downie writing. Jesus Christ. Yeah. You've just blown my mind. Blown my mind. Like for real. This is track two. So get me. Yeah. Yeah. And I have to say too, the noise guitar at the end by I'm assuming Dale Morningstar is just amazing. I have a thing for loud, screechy feedback guitars. It just puts me in this state of zen for some reason. Like if you know the song Drown by Smashing Pumpkins, there's like four minutes of feedback at the end. And to me, that is so relaxing.Track 3:[33:45] I have that same thing written down, Craig. I have excellent screeching guitar going into and continuing through the third verse and out. One of the other things I have written down, though, I just want to share with you guys quickly. This is just sort of funny. When he says he's sitting at the Tim Hortons, or he's sitting at the Hortons, I know that's not true because on two occasions, I was walking down the Danforth and saw him sitting in the front bench of Timothy's Coffee, coffee, which is like a, like a Starbucks adjacent brand that doesn't exist anymore, but it used to. And it was minutes from his house. I didn't know where his house was, nor did I stalk him, but I knew it was in the area, like minutes away. And he would just sit there and he was sitting there with a, with a fucking notebook the one time and another time he was on a Mac book. But to me, it was, you know, one of those cool moments that I was like, I live in the same neighborhood. It's Gord Downie. This is so cool.Track 3:[34:41] Man, I wish that the Tim Hortons here in the States had a place to sit because mostly you just find them at a rest stop on the highway or you go in and you order a donut and you leave kind of establishment. No Hortons down here in California. I have to travel. Thankfully, I get to travel a lot for work. And if I see a Hortons, it's like, it's immediate picture and text to my family because we did a road trip and, you know, we went through Detroit and we went through Niagara and went through Toronto. And so my family fell in love with Tim Hortons. So is there a sponsor, right? JD? Oh yeah. The big sponsor. I'm eating Timbits right now.Track 3:[35:22] Mmm. Delicious Timbits. Thanks Tim Hortons. Um next up is uh sf song and to me this is like observational songwriting 101 to me i can just picture him under the covers of his hotel room with a pillow over his head trying to drown out the sound of this chambermaid tap tap tapping and knock knock knocking on the door it sounds as though and then him walking through the lobby and out into the front area of the phoenix hotel and he just describes everything he sees now i'm sure there's more to it than that but to me that's just beautiful.Track 3:[36:03] Yeah. Yeah. For me, one of my first shows was actually in San Francisco at the Fillmore West. And, um, you know, there's been some, you know, or so I've, so I've researched, there's been some pretty classic, uh, um, shows that have happened there. And, you know, I, I had a pretty, pretty amazing experience as well. I was with, with the Canadian friend that had, um, you know, introduced me to them and, and, uh, uh, but you, when I heard that song at first, I just immediately thought, you know, I'm like, hmm, I wonder if he was writing the song when he was there, when I saw him in 2000. And, uh, you know, whether he is or not, that's what I'm going to go, go to, go to bed with and stick to. I also noticed and really appreciated, um, uh, the breathing in the beginning of the song. Um, and then the reference towards the end, uh, about it, uh, uh, I miss my lung, Bob.Track 3:[37:04] That we talked about and, and, and, and then remembering the ads, remembering the ads that were going around at the time on the sides of buses and on, um, on, on billboards and, uh, you know, growing up in, in, in Southern California and, and, uh, seeing smoking ads. And then all of a sudden smoking ads start going away. And then you see the ad of, I miss my lung, Bob, or Bob, I miss my lung. I like to paraphrase. Yeah. I, uh, that's one of the lyrics I had to look up. I had no clue that was an actual thing. So that was pretty neat to, to come across those posters. I remember them from when I was a kid, of course, I'm East Coast, so it's not like they were around here, but I do remember seeing it on the news or something like that, the campaign.Track 3:[37:52] The other thing that struck me was Chambermaid and the references to Chambermaid, which are a continuation of Phantom Power, right? With vapor trails and escape as a hand. Right. Right. I also picked up on the click, click, click. You mentioned J.D. Off the top and those sounds. And he later on experimented with those types of things like drip, drip, drip and We Want to Be It and the chick, chick, chick of the matches in Seven Matches.Track 3:[38:24] Oh, wow. Yeah, it's just a little thing I picked up on. And also, I have a note here about just the low register, like just him singing in that beautiful low voice. And he, on this album, covers so many different subtleties in the way he uses his voice. Like a song like Coming Up Canada Geese, all of a sudden he's just a totally different singer, singing very um yeah almost like an indie indie rock singer yeah totally get that um you know also i think there's many examples of him singing in alter egos on on this record really expanding his repertoire you know as it were right like we start to hear him singing like this on the post phantom power records uh on occasion and um it's not startling because we're sort of used to it should we move on to trick rider only if you want me to cry right like this okay so this song says it's it's dedicated to c it's i believe it's his daughter I don't know. On the album that comes along with the new release, his daughter, I'm blanking on the name, starts with a C, reads this poem.Track 3:[39:53] So I'm guessing she was the girl on the horse.Track 3:[39:56] So I can't remember the name, Claire maybe or Chloe or I forget. Makes complete sense.Track 3:[40:04] I don't know this, so I'll ask it. How many kids does Gord have and are they spread out in age quite a bit? I don't know the second part of the question, but I know he's got four. There's Lou and Willow, who both played on his former partner's record, played keyboard and drums, respectively. And then there's Willow, who is an artist, like painter and jewelry artist, and she's very talented. She did the away as mind cover as well I did know that I think I think I asked that question because at the end you know of Gordon's life he did that interview with Peter Mansbridge, and talked about his son and got very emotional and his son was young he referenced his age and said he was quite young and this was 2016 or 17 whenever the interview was, and which would have been 15 years after this album came out.Track 3:[41:03] So, that's where my head went with how many, how old, just trying to put the puzzle pieces together. I was going to make mention when I was doing a little bit of research, there was a, uh, uh, you know, a fan video, uh, when, when I guess they toured this album and I believe they were actually in, uh, it might've been in Vancouver when they're playing it, but he was, you know, having an exchange with, with someone in the audience about, you know, uh, your nightlights on going to bed. And uh i think the fan might have been thinking that the song was about something else and and he referenced that right back to her very quickly in kind of a snide mark saying i don't think it means what you think it means about going to bed and and uh that stuck out to me it was you know one that he had no problems interacting with the fan and and kind of correcting them on on their interpretation uh of the song but it the song is is is beautiful and in so many different ways and you know all of us being fathers and and and having you know those experiences and and then obviously having the emotional tie-in with with gordon and what he's done with the band you know in the tragically hip and and and then with his solo stuff and and uh it it's it's gorgeous it's beautiful whatever adjective you can come up with that that uh you know brings that feeling to you.Track 3:[42:31] As a father in those moments when you're just you can't even can't even process i did this i had a hand in this and this human is is going to grow out into the world and And I'm a better human because of it. And to be able to, you know, put that, um, you know, in lyrics and in a song, uh, again, just adds to the, uh, adds to the amazement, uh, that that gentleman was able to give us.Track 3:[43:04] Yeah. And the vocal performance by both Gord and, uh, Julie Dwaran is, is so full that they have such control of their voices. Pitch perfect, emotional, just such a song. Her soft awe in the background puts this song over the top. It wouldn't be the song without her contribution to it. That's no disrespect to Gord, but the song isn't the same without Julie Dwaran. And I thought that my favorite father-daughter song was Thrown Off Glass from In Violet Light, But this one, my daughter is the one jumping off shit. She is trick riding 24 hours a day and I'm like, oh my God, kill me. Yeah. So I looked it up. It is Claire Downey who reads the poem on the new edition. So I'm guessing that's who C could be. Got to be.Track 3:[44:05] The song is way too personal for it not to be. is is julie did i understand that she's she did some stuff with the hip as well yeah, yeah she sang um in some live shows with them and i think was part of some tribute stuff at the end too i may be wrong um i know i know kate fenner was um on one tour as a backup music Music at work. But I feel like, I'm pretty sure I've read, yeah, that Julie was on, doing some backups on one of the albums. I could be wrong. Yeah, I remember that too. I feel like, maybe now for Plan A, possibly. That sounds right. I know, although I know... Oh, yeah. Oh, that's her name. Yeah.Track 3:[44:52] Also from Kingston. There's another woman who does now for planning the title track. Yeah, Sarah Harmer. She's the vocal on... Anyways, that's a different album, different band. Different podcast. Different podcast, yeah. Oh, and I have to... Last thing about Trick Rider for me is that slide guitar that just doesn't quite hit the note. I just love it. It's kind of that quarter tone or something. It reminds me of, if you know the Faith No More cover of Easy, right before the solo when Mike Patton goes up to the, ew, and almost like purposely is in between notes. I just think it's so neat. I was going to say both vocally and musically with a variety of instruments throughout several songs, obviously this one as well, is there's just that, it's not quite there, but it's also, it adds again to that character of the song. I heard something or read something about one of the musicians, I believe the guitar player that, that was part of this, like he hit a note and he, he would just beat the shit out of it until it became the note that was right for the song, whether it started off right or not, he, it, it was going to become that.Track 3:[46:03] And, and I love that thought or that prospect, right? We get so, we get so caught up in, Oh, everything's got to be perfect. I got to tune my guitar up exactly right. I've got to have the mic place perfectly. And I've got to have, you know this tonality and and sometimes it's just good to just just let it go and let that emotion come through more so than you know the technical note of itself yeah yeah there's no such thing as a wrong note if it's you know played with with with confidence and intention and yeah yeah so next we go to a song that i think could totally be a hip jam to me this song he's singing It's the first song on the record where he's singing in a tone in a register that we recognize.Track 3:[49:09] So Craig, you said it, um, this is punk rock and Gord loved punk rock, right? Yeah. Yeah. Um, but it's old guy punk rock. Like it's, it's, this is guys who are not punk rockers anymore trying to, to do punk or at least the story, right.Track 3:[49:26] Um, within the song. And, and I'm not saying that about the musicians that played the song. I'm saying that about the story Gord tells here that, you know, they're, they're, they're buying weed from each other in a cornfield, right? In the dark you know um like i can picture my old man and his uncles or and his brothers my uncles just you know hiding from the cops at age 50 55 years old just feeling like be cool man shut up uh i love this song yeah great song i i gotta say i'll take the bullet guys here's my first criticism even though as much as i love um how they recorded it my goodness gracious i needed the drummer to use some sticks and not brushes like i needed to feel that those drums coming through in this song and and to make it punk rock like it was like they they you know hey let's find the jazz drummer to do the punk song um and not that it didn't serve it well and it's a in fact probably what i would have liked was that drum track with the brushes and another drum track on.Track 3:[50:35] Top of it with sticks and then also maybe adding the mics to get more of the tonality of the drums but again now that's just the music guy and me going i wanted to hear that i needed to hear that snap i needed to hear that crack i needed to hear the pop right sorry gonna use a uh a breakfast cereal reference but um i i i i wanted that for this song still love it it's It's funny because it opens on snare hits. Right.Track 3:[51:08] Yeah. But if I'm not mistaken and I'll, I'll completely eat my words, I believe they use brushes throughout Craig. Do you, did you go that deep or what did you think? I didn't, but I know for me, I definitely noticed that it, it, it felt like it should be heavier but i think that's part of what gave the song character was those heavy guitars that almost sounded like they were played at a low volume in a room jamming and i i thought it just gave it a unique character and and i have to say though my favorite part is actually at the end when when all of a sudden i actually picked up a guitar today just to see what was going on with this and and they go up from you know they're playing and you know you're one four five e e b and a and then um they go right up they just go up to that f and i know the first time i heard it it's just just so striking it just sounds so out of place and then after you've heard the song a couple times just so perfect such a such a great dissonance and.Track 3:[52:05] Really really um almost like a two you know 2000s indie rock feel almost like an arcade fire kind of three years before arcade fire was doing it kind of thing so wow it felt like a one take demo to me and they said fuck it it's good like run it i like that we'll do it live yeah me too do it we'll do it keep it but kirk yeah i think um it would be really interesting to see what the hip would have done with with that song like a fully polished yeah you know but but i felt the same about the next song chandler um you're listening to it again today in fact and again was like man with some different instrumentation you know change changing the tempo a bit on this is this is absolutely the uh potentially a hip song uh for me you know uh and uh yeah hard hard not to uh go into you know as he speaks about letting the opening the window inviting the vampires in and if i'm not mistaken this this song did pretty well was it a single.Track 3:[53:15] I don't think any of the solo stuff did particularly well. It was sort of under the radar, especially after this record came out. This record was highly anticipated, but I think early on the word got out that it wasn't hip, and so there were a lot of hip people that jumped up. A lot of people stayed on board, don't get me wrong. but um there was a good cohort that sort of veered away and it's interesting that the sum of the parts you know um the hip are it just goes to show you how magical they are as a as a fivesome because you take one component away you know and it's just not the same like gort sinclair's solo record is dynamite so are you know paul's three records they're really really good but they're not the hip yeah you know so i'm just and i think this is where i got it from i'm just you know looking looking up on spotify and if you go to gordonie this song has the most downloads of all the solo stuff oh okay so that that makes a lot of sense yeah i know there's a there's definitely a video for this yeah yeah but i i don't recall ever hearing.Track 3:[54:31] This song anything from this album on the radio i i had i did hear some later songs um but definitely not that you know that i heard so this is where hitler comes in big time um the.Track 3:[54:47] Hitler had a very odd sleeping pattern. He stayed up very late and would go to bed at like 6, 6.30 in the morning and then get up at noon and just spend his whole day working out maps and plans and this is where the advancement is and all this stuff. And there are so many, if you read between the lines references about the night of a thousand missteps, the loss that made him dogged, or it could have been the doggedness that caused the loss in the first place.Track 3:[55:18] And Chancellor, I mean, that was Hitler's position, you know? Wow. Marching armies in the night, smiling strangers riding by on bikes. That would be, you know, when the allies come into Paris or something, you know? Children's smoking, which there was a huge anti-smoking campaign in Germany during World War II, sloganeers. And he mentions in one of the first lines, invite the vampire in, open the windows before we go to bed to get the coldest air in the room, which is just before the sun comes up. And then at the end, talking about a few things that vampires don't like, all the things referenced between the vampire references are Hitler-ish things. So I don't know it that's that's where my head went and then um before you are wow i know that but but damn it i'm following gordon's path you know and he like i said he references justin you're taking us into dark places my friend and the word chancellor for me it was like hmm and then i started to kind of read into it and i was like yikes and by the way guys spoiler alert this won't be the last time i talk about hitler during this thing not that i love him let's put that out there but there are There are some real references to the war throughout this album. Yeah, that's really interesting.Track 3:[56:41] My mind went a completely different direction. I was thinking like a chancellor of a university. And again, I didn't read the lyrics. I didn't dig that deeply in. But it was funny because my daughter really likes this song. We kept playing in the car and I was explaining what a chancellor of a university was. And she said, oh, I thought it was like Chancellor Palpatine. Wow. and it turns out she was she was the right one yeah i guess she was she was closer than i was yeah wow look at that cross my read is so completely vastly different again my read is like bittersweet and romantic uh the chorus yeah i couldn't be a chancellor without you on my mind if i wasn't if i wasn't obsessed with you or thinking about you all the time time. Um, you know, who knows what I could have become. And on the, and in the video, isn't he riding around? He's on the swan boats. It's just, it does not make me. Swans. Yeah. Yeah. He does not make me, uh, feel like, like, uh, like he's referenced, referencing world war two, but that's fascinating. I can't wait to hear it again now.Track 3:[57:49] But at the end of that video, if you watch the full video at the very end, he's, it's revealed that he is the guy working the dock at the, at the swan boats and he takes off his coat and underneath it is a uniform that says guy. And he's the one taking the coins or the tokens or whatever for the people to ride the swan boats. So it's kind of like, uh.Track 3:[58:13] You know, when Hitler was a struggling artist before he became this global force and kind of took control, you know, he was romanticizing the idea of, of being chancellor of Germany. Wow yeah wow and i don't know wow reference to it or yes it's dark man because and again think of think of uh the song scared every hip show you go to everybody's everybody's slow dancing that's not a slow dance it's like we talked about in the other podcast it's like yeah that's the hips trick right or it's gorge yeah yeah 38 years old same thing long running same thing fiddler's green you know and and on and on and on these slow slow songs are are yeah miserable yeah and i have to say good yeah yeah yeah yeah and and the the vocal phrasing that the gourd uses on this just that, laid back where he just sort of hesitates on certain words i just just love it he's so unique that way. I think that's what separates him as a singer, is that phrasing.Track 3:[59:22] Oh, yeah. This is a really hard album to sing. And you guys are musicians and you play guitar and other instruments. I've always been a singer. And I cannot keep up with Gord on this album. I just can't. Like the chorus of this song, like, I'm discovering uses for you. But the way he throws uses for you together, it's like, it's almost like one overlaps the other. And it's like, that's impossible. And then on the more quaint side, I love that he rhymes pajamas by mispronouncing in a gourd-like way windows to rhyme with pajamas, right? Instead of windows. Oh, so great. By the way, that uses line, again, going back to Hitler's underlings, you know, doing experiments on twins and stuff like that. Like, this is, I think this is a dark one. I'm going to listen to it again tonight. And I can't wait to hear it. No.Track 3:[1:00:19] I hope I'm wrong. I think you're right. No, we know he likes the Second World War.Track 3:[1:00:26] And, you know, we've heard references to, you know, Nazis moving works of art or Russians moving works of art, you know, to stave off the Nazi army. And really quick, sorry, really quick shout out for the piano player. I'm guessing it was um hern but but man that piano is is really nice improvised piano solo yeah yeah it's a very sweet sounding song yeah bait and switch man yeah he got us the never ending present i was listening and and if you're a you know canadian of my age you knew right away who was singing backup so that was Stephen Drake because my mind went right to Wendy under the stars and um and you know right back to my you know my first car and being you know 16 years old and listening to the radio and and hearing the odds for the first time and and yeah just an unmistakable voice the harmonies are very distinct you know distinctly the odds and distinctly The one thing that I picked up was he mentioned his shoes were polished, which as we learned in the longtime running doc that he polished his shoes before every show.Track 3:[1:01:46] So I think he's talking about himself and it's kind of an introspective – I mean, he says I in every song, but I think this one might actually be about himself personally.Track 3:[1:02:00] I picture him standing on Broadview Avenue waiting for the streetcar. He says bus, but in my head it's a streetcar. And all the rest of the lyrics are the stuff that happens until the bus crashes the hill. Him dropping money inside the little money grabber on a bus. There's talk of that um but what i really what i really love about this song is how ahead of his time he is because this is like living in the present like being in the moment is so important and i've learned like through my mental wellness journey like how important it is to live in the moment and the idea that the moment can be never ending if you come about it with the right frame in my mind is so refreshing to hear. Amen. And of course they named the, um, uh, Michael Barclay wrote the book with using the title of the song.Track 3:[1:03:05] Sorry, I'm going to take a little detour off of this that I just have to bring up being, being the, uh, for the South American and someone that, uh, uh, you know, again, was always starving for hip. I've loved in this journey, discovering other Canadian bands. You guys were mentioning the odds. And, you know, I did the research a little bit on the dinner's ruined. And of course, you know, of the real statics from, you know, grace too. And we're all richer for having heard them. And, um, uh, I'm, I'm very excited, you know, during this to be able to take a dive into that music that I never got. Right. Cause I like Justin, you were lucky because you get a lot of that music, uh, in the Northeast.Track 3:[1:03:49] Um, no, no, no, we only get the hip and rush. Rush. There's no Canadian music except for the hip and Rush. I will say that. And Alanis, of course. but to do as a you know as a musician and and and being a big fan of many canadian bands you know rush is up there for me bare naked ladies is up there for me um obviously the tragic the hip is up there for me um but these other bands uh blue rodeo that has i think a little bit of a a um you know it did well here in the states um of course alanis and some of the others you know i want to I know more about the, uh, the ones that didn't get, uh, similar, similar stories to the tragically happened. And I'm really excited about taking that journey as well. And I love that, you know, that's one of the things that I've heard about in different, uh, uh, reading and, and interviews is Gord was such a proponent of getting, I mean, music out there, but, but specifically, obviously Canadian music and, and giving, you know, these, these not as well-known bands an opportunity.Track 3:[1:04:56] So, um, sorry, I just needed to take that little side journey there and, and, and share that with you guys. I'm with you. I'm with you a hundred percent. Just going off what you were saying, yeah, apparently Gord would actually stand side stage and watch a lot of these bands. Like he would just stay there for the whole set. And all these bands, you know, Eric's Trip and The Odds, they were all change of heart. They all played with the hip.Track 3:[1:05:23] And for me, it's been fun because I've been doing the same thing. I was listening to The Odds last night and I couldn't believe how many hit songs they had. You know they're a band i enjoyed but never really really got into i think i've seen them live a couple times but man they had their pop song they were yeah that's exactly it they were they're you know pop writing you know machines but yeah i'm excited i'm excited about the journey for sure and and especially getting connected with you guys and having the experience you know know, uh, um, uh, being from Canada and, and, and really experiencing that not only on the radio, but, but live as well, that, uh, that's going to be a great journey. Cause isn't it great when you go to see, you know, you go to see one of your favorite bands and the opener shows up, you never heard of them. And, and all of a sudden they become, you know, one of your favorites and you're, you're falling around and, you know, and then it's always hard if they do make it, you're kind of like, man, that was my band, but I liked it when they were small, you know, I want them to be big, but not that big. I, that's, I mean, I mentioned it with, with the hip, you know, like all my experiences and I got to see them, I don't know, seven, seven, eight times, something like that.Track 3:[1:06:36] Like the biggest venue I saw them in was, was probably 1200 people. And, um, you know, the Troubadour, I got to see them in and, and, and up in San Francisco, the Fillmore's, you know, it's, it's over a thousand, uh, might be closer to actually, I'm not sure. I'll have to look that up. But the thing that I loved about it is, you know, I'm a hockey guy. And I think I mentioned the story to, to you, JD, like we're close to the ducks and the Kings and, and most hockey teams are, you know, 50 plus percent, if not close to 70% Canadians. And so I'd go to a show, I'd be in Hollywood and I'd look over and be like, Oh, Hey, look, there's Luke Robitaille or, you know, Oh, there's Chris Pronger. There's, you know, Scott Niedermeyer, you know, I'm hanging it out and oh oh hey paul korea how's it going you like the hip too you know and um what an experience and then canadian actors as well i got to meet dan akroyd at at the house of blues hollywood and he introduced the hip on stage and then you know he's rat so uh you know for me it's so weird um when you talk of this band they were a club band to me you know i i've seen what they've done and where they've played. And so anyway, I I'm, I'm taking us off the, the album, but just wanted to share that with, with you gents. No, that's cool.Track 3:[1:08:04] So now we take a hard, right. And, um, we get the track, the soundscape, uh, nothing but heartache in your social life.Track 3:[1:11:14] Did you say a hard right or a hard Reich? Because again, the Hitler.Track 3:[1:11:20] I'm serious. So again, this goes back to the poetry and there's a poem called Toiletten in the book and it is about Hitler's, I'm not even inferring this, this is about Hitler's podium at Zeppelin Field in Nuremberg and it now has signs pointing tourists to the toilet. Um, and the, uh, similarities between that poem and this song or spoken word, whatever, um, it's a hundred percent about that. And Gord even stumbles on a lyric that they, that they leave in the song, um, when the podium sprouting weeds and he stumbles on rendered ridiculous by the time. So the podium is this massive concrete structure that when you see film of Hitler speaking to 150,000, 200,000 Germans during wartime, that's where this is. But it's still there, and it's sprouting weeds, and the podium and its purpose have been rendered ridiculous by the times. When are you thinking of disappearing? I mean, when are you falling off the map when the unknown that you're fearing is in the clearing? That's totally about surrendering in the war and the allied forces moving across the field to wipe out the Nazis.Track 3:[1:12:46] When you're getting king-size satisfaction in the turnstiles of the night from all the shaky pill transactions, if that's not Jewish prisoners going to a concentration camp running down the train tracks in the middle of the night. I don't know what it is. It's, again, a very dark thing, and I think it leads to Hitler's suicide. That's when are you thinking of disappearing? Yeah.Track 3:[1:13:16] And it is interesting to note that the asterisk that comes with the title in the lyrics, it says Dale Morningstar provided echoing screams at the end of the song. It doesn't just say backing vocals or call and answer. It's echoing screams. I was wondering who was calling back and forth with them. They kind of sound like, even though the topic sounds quite serious, they're having some fun with it. At the end kind of yelling back and forth with each other and um and also of note um adam agoyan the filmmaker plays plays uh the classical guitar on this track and and one other track and so he's uh i think i read that that maybe this song was sort of based off some some things he brought in, came into the studio one day and they they sort of riffed off what he was doing and put this sort of spoken word. I also got, I don't know if you guys got this, but I almost got like an M&M vibe, like just like attitude wise. And of course I believe this would have been before M&M anyways, but, but just that, that sort of attitude and way he was rattling off these lines.Track 3:[1:14:29] Yeah, I get it. Absolutely. So the other me, you know, I was trying to get my, my head out of World War II with this, and it was easy to see in 2024 that Gord predicted the future of social media, right? This is before Facebook and MySpace and all this stuff, but this is 100% in line with everybody's mental health problems stemming from not having enough likes on their posts, right? This could absolutely be interpreted 20 plus years later in that way, if you were to look at it from that angle. Yeah, I...Track 3:[1:15:13] Obviously still like absorbing everything in the referencing that you're speaking of, uh, Hitler and world war two and, and how, you know, JD and Craig were like, didn't necessarily get that right away. I, I definitely, you know, heard the references. I, I knew of the references from some of the hip tunes. Um and uh and then just seeing this whole journey that he's taking with just coming out there with a solo album in the first place and then you hear about how um and again it's it's you know i don't know the exact i haven't spoken with the other members but some of the solo stuff really caused a bit of a rift within the band and then if you start thinking about the product of the hip you You know, this is where a big portion of their fan base starts turning away.Track 3:[1:16:04] And I wonder if that tension came through in some of the music. For me and you, Justin, we discovered them during this time. And like most bands, you don't become close to them. And, you know, I'll take a few exceptions. You know, Led Zeppelin. I wasn't there when the albums came out. But the band meant a lot to me later in life. But nothing like, I'll give an example of other bands, Rush and Barenaked Ladies. I went to those shows when those albums came out, same thing with The Hip, as it relates to 2000 and beyond. And so my reference point is there. Um, and then Gord goes off and decides to, to do this solo work. And, um, and not only does he does the solo work, but he starts taking that poetry side in the book that comes out along with it. He starts throwing in spoken word and we could spend a lot of time with the discussion about poetry versus spoken word versus lyrics versus, um, uh, you know, the, the, the written prose and, and, and where it all comes together and the different attitudes towards it. Um, but I, I'm, I'm honestly kind of shaking inside just thinking about the, the ability that, that Gord has to take a historical perspective.Track 3:[1:17:23] Area and put it into a spoken word and or song. But then in the same breath, depending on how you come at it, you get something completely different. If you don't know those references specifically, you're going to find something from a meaningful standpoint. So sorry. I mean, you really got me goosebumps in there, Justin. Well, I think that if I had never read lyrics from the hip, I would never have approached it from this angle.Track 3:[1:17:51] But it's kind of hard to not look at some of that stuff. He did an interview in the early 90s with some TV, whatever, and they said, what are your songs about? And he said, all of our songs are about war. And I remember seeing that on YouTube about 10 or a dozen years ago and thinking, oh, okay. Now, whether he was speaking Speaking of literal war or a relationship or conflict within the band or whatever, family, something, but there's a struggle or something that needs to be resolved in each one of these songs. And so I've, for better or worse, looked at a lot of hip stuff from that point forward, whatever year it was, as is Gord talking about literal war here. And that's just where I picked up on. Was he a history-type major? Did he have family that maybe participated in the war? There is a short poem in the book that is about his grandfather serving in World War II.Track 3:[1:18:56] Yeah, I could see that. Both my grandparents served in World War II, and I was a history major, and so I can see where that tie comes from.Track 3:[1:19:08] I hope we can move past the war stuff soon. Thanks justin yeah anything else from you craig well yeah i know i have nothing to add other than i love the little bait like bass kind of jazz odyssey thing that steven drake goes off on at the end if you if you notice the last like five seconds he just does this little improvised producer as well noodle it's pretty right bass player yes yes yeah engineering okay engineer anyways yeah Yeah, engineer. Well, that's what we got for you for this first episode. We're going to take a break and recuperate and recalibrate and take some electrolytes and we'll be back. Now, pick up your shit.

Chapter 7 - Episode 7: Rav'nys and Flapwing receive a mysterious message from Marco while preparing for the Guildmaster's gala. WE'RE BACK! Thank you for your patience and understanding during our hiatus. We're glad to be back! Cast & Crew: Nick Uroseva - Host/Dungeon Master/Executive Producer Fiona - Rav'nys Saker - Flapwing Rockhopper Tanner Bivens - Marco Astorio Tom Goldthwait - Original Music/Producer/Creative Consultant Follow us on Twitter, Facebook, and Instagram! And leave us a review on iTunes if you want to be extra super cool. Fables Around the Table: GLORY is here! River City, Virginia, 1928. Four acquaintances find themselves reunited just in time to get thrown into a not-so-silent night. Join Kaitlyn, Maeve, Josh, and Deka as storyteller Adam Seats runs the Old Gods of Appalachia RPG. And listen to all 7 episodes of Fables Around the Table: CONTINUUM, playing Mothership now! Join us as Nick GMs a frightening tale of science fiction horror for Tanner, Kaitlyn Camp, Adam Seats, Rodger Page (MisterRodger), and Andi (BamCRASHkapow). Follow @TableFablesPod on Twitter and @TableFablesPodcast on Facebook and Instagram! If you have been enjoying our show or our other podcasts, please consider supporting us on Patreon! Get all the details here. Join the Project Derailed community Discord to hang out and chat with us! We and the rest of the Derailed fam and friends are hanging out there, discussing TTRPGS, sharing dice pictures, and generally just enjoying the company of fellow nerds. Join in on the fun at ProjectDerailed.com/Discord. It's All Been Done: A Barenaked Ladies Podcast now lives here at Project Derailed! Listen to Saker and Evan as they discuss each song in the BNL discography with a variety of guests and "only a tiny bit of ironic detachment." Listen now wherever you get podcasts! Follow @BeenDonePod on Twitter! Theme song and other original music by Tom Goldthwait with additional music by Purple-Planet.com.

A marzo 2024, i prezzi alla produzione dell'industria diminuiscono dello 0,2% su base mensile e del 9,6% su base annua (marzo 2023 - marzo 2024, era -10,8% a febbraio). Lo rende noto l'Istat. Sul mercato interno, i prezzi calano dello 0,4% rispetto a febbraio e del 12,7% su base annua (da -14,2% del mese precedente). Al netto del comparto energetico, i prezzi crescono in misura modesta (+0,1%) e registrano una flessione tendenziale stazionaria al -2,2%. Sul mercato estero i prezzi restano invariati su base mensile (+0,1% area euro, -0,2% area non euro) e flettono dell'1,2% su base annua (-2,0% area euro, -0,5% area non euro). Nel primo trimestre 2024, rispetto al precedente, i prezzi alla produzione dell'industria diminuiscono del 3,4% (-4,8% mercato interno, -0,3% mercato estero). "A marzo - per Istat - i prezzi alla produzione dell'industria mostrano un nuovo calo congiunturale, più contenuto rispetto ai mesi precedenti, e dovuto principalmente al ribasso sul mercato interno dei prezzi di fornitura di energia elettrica". È il commento dell'Istat ai dati sui prezzi alla produzione dell'industria e delle costruzioni a marzo 2024. Sempre per Istat nel mese di aprile l'indice dei prezzi al consumo per l'intera collettività (Nic), al lordo dei tabacchi, aumenta dello 0,2% su base mensile e dello 0,9% su base annua (da +1,2% di marzo). Intanto Ocse conferma una crescita italiana al di sotto delle stime del governo (+1%): le prospettive economiche dell'Ocse pubblicate ieri a Parigi il Pil dell'Italia dovrebbe crescere dello 0,7% nel 2024 e dell'1,2% nel 2025. L'attività, sottolinea l'Ocse, ''resta debole''. "L'elevata inflazione nel corso degli ultimi due anni ha eroso i redditi reali, le condizioni finanziarie rimangono restrittive e la maggior parte degli aiuti eccezionali legati alla pandemia da Covid-19 e alle crisi energetiche sono stati soppressi",prosegue l'organismo parigino, sottolineando che tutto ciò "pesa sui consumi e gli investimenti privati. Il previsto rilancio della crescita dei salari reali e l'aumento dell'investimento pubblico legato ai fondi provenienti dal piano Next Generation EU (NGEU) compenseranno solo parzialmente queste difficoltà", avverte l'Ocse. Ne parliamo con Fedele De Novellis, partner di Ref Ricerche.Torna la campagna Telethon per per sostenere la ricerca scientifica sulle malattie genetiche rare Torna la campagna Io per Lei di Telethon dedicata alle mamme, da sempre al centro della missione della Fondazione nata trent anni fa dall appello di un gruppo di mamme dell Unione Italiana Lotta alla Distrofia Muscolare (UILDM). Organizzata in prossimità della Festa della Mamma, la campagna Io per lei è un invito a sostenere la grande catena di solidarietà verso le mamme dei bambini con una malattia genetica rara scegliendo, con i Cuori di biscotto che quest anno celebrano 10 anni, di compiere un gesto d amore per sostenere la ricerca scientifica di Fondazione Telethon. In tutta Italia, il 4 e 5 maggio sarà possibile trovare oltre 2.000 punti di raccolta dove i volontari di Fondazione Telethon e UILDM - Unione Italiana Lotta alla Distrofia Muscolare, di AVIS - Volontari Italiani Sangue, Anffas - Associazione Nazionale Famiglie di Persone con Disabilità Intellettiva e/o Relazionale, UNPLI - Unione Nazionale delle Pro Loco d Italia, Azione Cattolica, e presso le edicole di SI.NA.GI aderenti, distribuiranno i Cuori di biscotto a fronte di una donazione minima di 15 euro. Si rinnova anche l appuntamento con la settimana di sensibilizzazione di Fondazione Telethon sulle reti Rai dal 29 aprile al 5 maggio 2024, con il supporto di Rai per la Sostenibilità-ESG, per continuare a sostenere il lavoro dei ricercatori e dare risposte concrete in termini di cure e terapie a chi affronta le difficoltà di una malattia genetica rara. La campagna Io per lei ha il sostegno di BNL BNP Paribas, partner storico al fianco di Fondazione Telethon con oltre 336 milioni di euro raccolti in 33 anni a sostegno della ricerca scientifica: anche quest anno sarà possibile per i clienti BNL donare attraverso i 1.397 sportelli ATM e 585 agenzie su tutto il territorio, e sull APP BNL in modo semplice e sicuro. Anche quest anno DHL è vettore ufficiale della campagna di piazza. In ogni scatola in latta, inserita in una shopper coordinata, ci sono 3 vaschette confezionate separatamente che contengono 6 biscotti per un totale di 18 biscotti e un peso complessivo di 300g. Ogni vaschetta è confezionata singolarmente per mantenere il profumo e la fragranza dei biscotti appena sfornati. All interno del pack è presente una cartolina, con un colorato segnalibro da staccare e conservare, che racconta una storia: inquadrando il QR code, sarà possibile scoprire una sorpresa speciale. Ne parliamo con Alessandro Betti, direttore Raccolta Fondi della Fondazione Telethon.Gli scenari alla luce della sentenza del Consiglio di Stato sulle concessioni ai balneariUn'altra sentenza del Consiglio di stato il 30 aprile, l'ennesima, sconfessa la linea del governo Meloni sui balneari. Valutando un ricorso del proprietario di uno stabilimento di Rapallo, i giudici amministrativi hanno confermato che la scadenza delle concessioni demaniali per le spiagge è quella del 31 dicembre dello scorso anno, obbligando così i comuni a disapplicare eventuali proroghe. Il Consiglio di stato si richiama alle sentenze della Corte di giustizia Ue per "dare immediatamente corso alla procedura di gara per assegnare la concessione in un contesto realmente concorrenziale". La sentenza si sofferma su un altro punto cruciale, quando afferma che "la risorsa è sicuramente scarsa". Questo, infatti, è l'argomento che il governo Meloni sta tentando di usare, insieme alle associazioni dei balneari, per aggirare la direttiva Bolkestein: la risorsa spiaggia non è scarsa e quindi non c'è bisogno di fare gare competitive per l'assegnazione, come previsto dalla direttiva. Palazzo Chigi ha fatto una sorta di mappatura, secondo la quale solo un terzo di aree demaniali è in concessione mentre due terzi non lo sono, con l'obiettivo di dimostrare che non c'è scarsità. Ma la mappatura include di tutto: scogliere, dirupi, aree inaccessibili e zone scarsamente turistiche che non hanno appunto un valore economico. Il monitoraggio dovrebbe essere fatto su base più granulare, comune per comune, considerando anche i vincoli a lasciare le spiagge libere. Insomma, su questo fronte la linea del governo è già sconfitta davanti ai tribunali nazionali ed europei. Il problema, però, oltre all'assenza di concorrenza nel settore, è che in questo caso la mancata liberalizzazione costerà una procedura d'infrazione nei confronti dell'Italia che porterà a multe salate a carico della collettività. Intanto oggi il vicepremier e leader di Forza Italia Antonio Tajani: "Il governo sta lavorando per cercare una soluzione in dialogo con l'Unione Europea. Non voglio commentare, lo hanno fatto molti parlamentari italiani, le decisioni del Consiglio di Stato, però bisogna trovare una soluzione, sia pure nel rispetto delle normative comunitarie, che non penalizzi migliaia di imprese che hanno già investito e che hanno dei mutui". Approfondiamo il tema con Alessandro Galimberti, Il Sole 24 Ore.

HOUR 4 - Tyler talks about ho much he loves Boston, and BNL playing Greg's event The crew and listeners urge Greg to see a doctor for his ear Let's go Bruins!

Canadian chart-topping darlings BNL once said "If I had a million dollars I'd buy you a house." Unfortunately with inflation being the way it is a million dollars can hardly get you a downpayment anymore. No my friend, what you need to get anywhere in this world is wealth. INFINITE WEALTH. And Ichiban is bringing it in his latest adventure. Come join Kat, Nadia, Eric, and special guest Jesse Vitelli as they discuss the equal parts madness and heart of Like a Dragon: Infinite Wealth as the onslaught of massive 2024 RPGs begins. Also in this Episode: Games starring adults of drinking age Palmer getting hit by a truck More layoffs! Palword... Tekken 8 Timestamps: 00:00 - Intro 04:48 - Main Topic - Developer Quest: RGG 54:32 - Random Encounters 1:20:32 - The Tavern 1:40:20 - Nadia's Nostalgia Nook Music Used in this Episode: Do Your Best! - [Breath of Fire III] A Curious Tale - [Secret of Mana] ATLANTICA - [7th Dragon III VFD] Learn more about your ad choices. Visit megaphone.fm/adchoices

We are simply having a wonderful episode as we are joined by Trevor Cox to discuss this BNL cover “Wonderful Christmastime”. Wonderful Christmastime by Paul McCartney BNL Kylie Minogue Diana Ross Demi Lovato Eli Young Band Straight No Chaser Mac Demarco Tarja Turueun

From 'The Daily Ticket' (subscribe here): Despite being 9-3 and possessing the second best record in the entire NFL, the Detroit Lions are worrying some of their fans. Over the last 6 games, Detroit hasn't been as dominant as the 6 before. Then some bad news came…DT Alim McNeill has been put on Injured Reserve and will miss at least the next 4 games. The Lions are in prime position to win their first division title in 30 years, however the Packers are lurking. Will Detroit do what they've done in the past and allow the division to slip through their fingers or are they truly the Brand New Lions and will not succumb to the adversity? Jeff Riger asks SOL or BNL on the latest episode of The Daily Ticket. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

12:29 AM and no BNL podcast yet? Ohohohohohoho JUST WAIT my boy! JUST WAIT! ALSO IN THIS EPISODE: Best Melt competition! Lab-grown PS3s?! Evan gets a W-Pass. BONUS SEGMENT: I listened and forgot! Nobody care! Does anybody read this section? Get yourself some IABD shirts! Wear a logo on your chest!: https://www.teepublic.com/user/itsallbeendonepodcast Catch us on the 'net!: Facebook: https://www.facebook.com/profile.php?id=1593559714014720 Twitter: @beendonepod Discord: http://www.projectderailed.com/discord Thanks to Project Derailed for hosting us!

Well, I am wishing that you enjoy this week's episode about the deep dive BNL cover “Wishing Well” Wishing Well Live Wishing Well – Live • Sananda Maitreya (spotify.com) Wishing Well  BNL cover Sign Your Name What Happened to Terence Trent D'Arby Terence's second album Billy Don't Fall • Sananda Maitreya (spotify.com)

            In what can only be described as a hell of a coincidence, this week we feature a series  of clips with Daryl Hall & John Oates.  These are particularly interesting in light of the news of Daryl suing John, and even asking for a restraining order against his old friend and bandmate.  First up is both guys from 1981, around the time of the “Voices” album. Then about a year later in '82, it's Daryl Hall talking to us about the H20 album.             And then for our podcast listeners there's some bonus content – it's Tom's 2018 interview with John Oates. In which John talks about how he and Daryl bonded over their love of music.  John also tells the story behind the hit “Maneater” in which he explains that the maneater isn't about a woman, it's about a city.             After Hall & Oates, we'll chat with Steven Page, formerly of Barenaked Ladies and now a member of the very quirky new Canadian supergroup the Trans-Canada Highwaymen.  Their new album is a bit surprising on a number of levels.  We'll talk about that plus some of Steven's favourite memories of his time with Barenaked Ladies (including his reunion with BNL at the Juno Awards).             Then, we have a hidden gem from the FLW archives – so hidden that we didn't even know it existed until we discovered a few days ago!  It's a 2007 interview with the wonderful Brandi Carlile.  It's great to capture a moment in time from when an artist is first starting out.  Brandi is so candid and refreshing in this early-career chat.             Plus, Christopher and Tom argue about the greatest debut albums ever.  Tom is impressed by Christopher's choices, while Christopher is mortified by Tom's! Famous Lost Words, hosted by Christopher Ward and Tom Jokic, is heard in more than 100 countries worldwide and on radio stations across Canada, including Newstalk 1010 Toronto, CJAD 800 Montreal, 580 CFRA Ottawa, AM 800 CKLW Windsor, 610 CKTB St Catharines, CFAX Victoria, AM1150 Kelowna and 91x in Belleville.  It is in the Top 20% of worldwide podcasts based on the number of listeners in the first week.

After a long, definitely fully planned hiatus, we're back! We're going off the beaten path a little bit to check out “a light in the woods”, and then taking a little detour to talk about the new BNL album In Flight. GET IN TOUCH! coldplayareus@gmail.com Facebook.com/ColdplayAreUs Twitter.com/Jdwaldy Instagram.com/Jdwaldy This Weeks “Cellar Door Secrets”: JD: White Trash Revelry by Adeem the Artist Nick: Javelin by Sufjan Stevens

We don't have a guest this week, but we did have someone join in to the discussion halfway through the episode. Who could it be? Listen in as we discuss “Who Can It Be Now?”, BNL's “cover” of the Men At Work song from their live album in 2015 from their Red Rocks album.

We are taking a week away from talking about songs to interview someone who is steeped in BNL lore.  Anyone that knows BNL knows the role that this man has played in their success.  And we had an amazing time talking with Michael.  He is a wealth of stories and information and we hope you enjoy the interview as muchRead More

This week I speak with Sarah Hoare from the London Born Wine Company in Vineland, and from The BNL, drummer, Tyler Stewart, we find out how TV producer Chuck Lorre tracked down The Barenaked Ladies and convinced them to write and record the biggest TV theme song in history for The Big Bang Theory.

We have a rare treat for you this week. We were able to talk with music video legend Phillip Harder. He directed 6 BNL videos and 2 Kevin Hearn videos. And he has some great stories to tell.

Greetings bluntskulls! On this episode we celebrate the 30th anniversary of Coneheads! Wayne's World proved there was a market for SNL comedies in the 90s, so naturally here's a movie based on the Coneheads, space aliens from the planet Remulak just trying to fit in among regular humans. It's basically an excuse for Dan Aykroyd to be a big weirdo for 90 minutes. And the soundtrack is equally weird. We've got a handful of really great, classic tracks (including an inexplicable hit single from the Red Hot Chili Peppers), a couple of really great cover songs, as well as one of the worst cover songs we have ever covered on this show. And, of course, Dan Aykroyd has to have a song too. A land of contrasts, this album! SHOW NOTES FOR THIS EPISODE: Coneheads is available to stream here Stereogum's Tom Breihan on BNL's "One Week" Slash talking about his "Magic Carpet Ride" cover R.E.M.'s "Winged Mammal Theme INTRO/OUTRO: "Dance Rocket" by Jesse Spillane MUSIC VIDEOS: "Soul to Squeeze" by Red Hot Chili Peppers "Tainted Love" by Soft Cell "Conehead Love" by Beldar and Prymaat Have a soundtrack you'd like us to cover?  Follow us on Twitter @OSTParty and let us know! Or email us at OSTPartyPod@gmail.com  And join our Discord channel and come chat with us!

Happy anniversary to the Special Ladies' special night at the BNL concert. Stef and Cec reminsice about it, plus go in HARD on And Just Like That Season Two. Plus they talk about other big shows they can't quite get into and a million little other Tiny Beautiful Things.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5780561/advertisement

Nick Heyward's North of a Miracle is our featured album on this episode and it was a big thrill to welcome Steven Page, who shares what the album means to him. We also dig into a lot of other topics including some music nerd stuff like the cutout bin! Steven tells us what it meant to get the opportunity to open some shows for the Who last fall + we dig into some surprising Barenaked Ladies topics when it comes to his songwriting in that period.Steven has been on an absolute tear creatively and released his latest solo album, Excelsior, which is available wherever you get your music. He also has fostered an incredible fan community through his website/Patreon and the ongoing Live From Home series, which he began during the pandemic and LFH recently celebrated its 105th episode.Across more than 100 episodes, Steven has done a lot of really cool themed shows, including performing full albums from his BNL and solo catalog with a bevy of stories to go along with the music. More than that, he invited the LFH audience into his creative process for the Excelsior album, playing the songs live as he was in the midst of honing them. We discuss with Steven what that part of making this current album was like.Find information on Live From Home, the latest album and all of Steven's current activities at his website. We hope you enjoy this conversation as much as we did!

The boys were back in town! Ev and Saker are here, doing a little song and dance for you, doing their damnedest to make sure you get the hot goss about BNL's LSOE '23. Was it good? Was it bad? Spoilers: it was fine! ALSO IN THIS EPISODE: EET'S ME, HEDPHAINE JAICK Lots of discussion of ties around heads! Ev misses my very funny byzantium joke. BONUS SEGMENT: THERE AIN'T ONE Get yourself some IABD shirts! Wear a logo on your chest!: https://www.teepublic.com/user/itsallbeendonepodcast Catch us on the 'net!: Facebook: https://www.facebook.com/profile.php?id=1593559714014720 Twitter: @beendonepod Discord: http://www.projectderailed.com/discord Thanks to Project Derailed for hosting us!

Barenaked Ladies keys/guitarist Kevin Hearn sits down with Brett Newski (NEWSKI) live at the BMO Harris Pavilion on the Summerfest Grounds in Milwaukee.  More on Kevin: https://www.instagram.com/kevinhearnmusic/ Support the pod: https://www.patreon.com/Newski NEWSKI TOUR: 6/16 - APPLETON, WI - Fox River House 6/17 - SHEBOYGAN, WI - Three Sheeps 6/23 - CEDAR RAPIDS, IA - Newbo City Market 6/24 - BROOKFIELD, IL - Music on Grand 6/30 - BARABOO, WI - Tumbled Rock Brewing 7/1 - MADISON, WI - Terrace at Memorial Union 7/14 - MILWAUKEE, WI - Fiserv Forum Deer District  7/15 - GRAND RAPIDS, MI - Founders 7/16 - THREE OAKS, MI - Acorn Theatre  8/18 - VIROQUA, WI - Fortney Hotel Street Party 8/31 - NORMAL, IL - Make Music Normal 9/15 - GREEN BAY, WI - Badger State Brewing 9/21 - SPRING GREEN, WI - Shitty Barn

Don't worry.  That is the name of tonight's song.  I didn't fall asleep at the wheel.  And I won't.  But we have “Bubbawheat” from Lyrical Innuendo Podcast joining us to discuss the multiple meanings of this song. Maroon version Demo Steven solo BNL without Steven Steven doing Ted X Talk in Toronto

Chapter 7 - Episode 6: Marco and Hana are whisked away to somewhere else where they meet some strange individuals and learn some shocking revelations. Tanner's Doctoral Research GoFundMe. Help our good buddy travel for his doctoral research so he can get his PhD! Cast & Crew: Nick Uroseva - Host/Dungeon Master/Executive Producer Garrett Kimmel - Captain Visko Tanner Bivens - Marco Astorio Tom Goldthwait - Original Music/Producer/Creative Consultant Follow us on Twitter, Facebook, and Instagram! And leave us a review on iTunes if you want to be extra super cool. Fables Around the Table: CONTINUUM, playing Mothership, arrives May 24! Join us as Nick GMs a frightening tale of science fiction horror for Tanner, Kaitlyn Camp, Adam Seats, Rodger Page (MisterRodger), and Andi (BamCRASHkapow). Follow @TableFablesPod on Twitter and @TableFablesPodcast on Facebook and Instagram! The newest addition to the Derailed podcast family is Into the Scoobyverse! Join our very own Fiona LF Kelly and Rodger Page as they discuss everything Scooby-Doo! Catch new episodes the 1st and 3rd Thursday of the month and follow the show on Twitter and Facebook! Join Tom, Mike, and Nick as they discuss the interconnected world's of author Brandon Sanderson's Cosmere in Cosmere & Coffee. Catch new episodes the 2nd and 4th Monday of every month wherever you get podcasts. Follow the show on Twitter, Facebook, and Instagram. If you have been enjoying our show or our other podcasts Cape Chronicles, Fables Around the Table, and more consider becoming a patron to get some cool perks and help us cover website and podcast hosting costs. Get access to patron exclusive Discord channels, extended content, a whole new podcast, and more all now on a single $5 subscription tier. Get all the details here. We have merch! Several different Tales of the Voidfarer shirt designs are now available in the Project Derailed Redbubble shop! Go to bit.ly/DerailedShop and snag yourself one! New Tales of the Voidfarer design by Chelsea Riexinger available now! Join the Project Derailed community Discord to hang out and chat with us! We and the rest of the Derailed fam and friends are hanging out there, discussing TTRPGS, sharing dice pictures, and generally just enjoying the company of fellow nerds. Join in on the fun at ProjectDerailed.com/Discord. Cape Chronicles: A Masks: A New Generations podcast SEASON TWO starts October 5th! Join GM Cliff B and a cast of familiar voices including Chelsea Reixinger, Fiona L.F. Kelly, Rodger Page, and Nick Uroseva on a super hero tale set 15 years after the events of Fables Around the Table: Super! New episodes will land the 1st and 3rd Wednesday of each month starting March 2nd! Follow @CapeChronicles on Twitter. Fables Around the Table: Greetings from Hell, playing Kids on Bikes, is here! Join us as Fiona GMs a spooky tale for Cliff, Em, Kaitlyn, Rodger, and Annie as they investigate strange goings on in 1985 Hell, Michigan. Follow @TableFablesPod on Twitter and @TableFablesPodcast on Facebook and Instagram! It's All Been Done: A Barenaked Ladies Podcast now lives here at Project Derailed! Listen to Saker and Evan as they discuss each song in the BNL discography with a variety of guests and "only a tiny bit of ironic detachment." Listen now wherever you get podcasts! Follow @BeenDonePod on Twitter! Theme song and other original music by Tom Goldthwait with additional music by Purple-Planet.com.

NEWSKI sits down with the guys from Records Revisted Podcast to go thru one of his favorite albums "Stunt" by Barenaked Ladies. A funny and in depth look at 90's geek rock.  More on NEWSKI: https://newskimusic.com/ NEWSKI on TOUR: 4/26 - NYC - Bowery Electric (early 6pm) 4/27 - DEWEY BEACH, DL - Fort Ishu House Show 4/28 - WASHINGTON DC - Pearl St Warehouse 4/30 - RICHMOND, VA - Hardywood Brewing (early 3pm) 5/3 - ORLANDO, FL - Will's Pub 5/4 - ST AUGUSTINE - Sarbez 5/5 - WEST DESTIN, FL - Rock by the Sea Fest 5/6 - WEST DESTIN, FL - Rock by the Sea Fest 5/7 - COLUMBUS, MS - Sunstroke House Music (early 6p)   5/20 - HAVANA, IL - Havana Songwriters Fest (solo) 5/23 - SEATTLE, WA - Fun House 5/24 - BEND, OR - Old St Francis School 5/25 - PORTLAND, OR - The White Eagle 5/26 - PORT ANGELES, WA - JFFA Festival  6/2- MARSHFIELD, WI - Hub City Days 6/9 - BERWYN (Chicago), IL - Fitzgeralds Outdoors 6/10 - MILWAUKEE, WI - Polish Fest  6/16 - APPLETON, WI - Fox River House 6/17 - SHEBOYGAN, WI - Three Sheeps 6/23 - CEDAR RAPIDS, IA - Newbo City Market 6/30 - BARABOO, WI - Tumbled Rock Brewing 7/1 - MADISON, WI - Terrace at Memorial Union 7/15 - GRAND RAPIDS, MI - Founders 7/16 - THREE OAKS, MI - Acorn Theatre  8/18 - VIROQUA, WI - Fortney Hotel Street Party 8/31 - NORMAL, IL - Make Music Normal 9/15 - GREEN BAY, WI - Badger State Brewing 9/21 - SPRING GREEN, WI - Shitty Barn   More on FRIEND ROCK:We are nothing without our friends.   “Most of my friends I started with in music have since retired, which makes me feel like the world has turned and left me here. Collaborating with fellow “musician lifers” on this album made me feel less lonely and insane,” explains Newski. “It's been neat to become pals with musical heroes from childhood.”   Some of the connections on Friend Rock were made during NEWSKI's podcast “Dirt from the Road”, where guest musicians would have a laugh about their worst moments on the road.  Social science research shows community and friendship are consistent common denominators in the happiest countries in the world. Belonging to the right tribe is a catalyst to health and longevity. Friend Rock is an ode to the power of community.  A good friend is hard to find. So when you find those rare gems, you gotta keep them in your life.     *The term “Friend Rock” was originally documented in a Sufjan Stevens interview when he was asked what music he was listening to…his friends bands.       

Ben and Wayne were joined by Brett Newski of the band...Newski...for our first ever Barenaked Ladies episode and to talk about BNL's album "Stunt."  Fun episode that covers a ton of ground about the 90s, some of Stephen Page's finest moments, Ferris Bueller advice, Nada Surf, Scott Terry, don't look at advance ticket sales, Candlebox, the leather cheerio, powelines, why does America like big pillows, Ben's crappy internet, and are we sick of "One Week?"  I think our scores for the song tell the story.  Check out Newski here:https://newskimusic.com/Check out BNL here:https://www.barenakedladies.com/Check out other episodes at RecordsRevisitedPodcast.com, Apple Podcasts, Stitcher, Castbox, iHeartMedia, Google Podcasts and Spotify. Additional content is found at: Facebook.com/recordsrevisitedpodcast or twitter @podcastrecords or IG at instagram.com/recordsrevisitedpodcast/ or join our Patreon at patreon.com/RecordsRevisitedPodcast

Chapter 7 - Episode 5: Marco and Flapwing are confronted by a dangerous foe. Rav'nys recruits Ezerath for a task, and Marco takes Hana to visit the Seekers. Tanner's Doctoral Research GoFundMe. Help our good buddy travel for his doctoral research so he can get his PhD! Cast & Crew: Nick Uroseva - Host/Dungeon Master/Executive Producer Fiona L.F. Kelly - Rav'nys Tanner Bivens - Marco Astorio Saker - Flapwing Rockhopper/Luckbeak Humboldt Tom Goldthwait - Original Music/Producer/Creative Consultant Follow us on Twitter, Facebook, and Instagram! And leave us a review on iTunes if you want to be extra super cool. The newest addition to the Derailed podcast family is Into the Scoobyverse! Join our very own Fiona LF Kelly and Rodger Page as they discuss everything Scooby-Doo! Catch new episodes the 1st and 3rd Thursday of the month and follow the show on Twitter and Facebook! Join Tom, Mike, and Nick as they discuss the interconnected world's of author Brandon Sanderson's Cosmere in Cosmere & Coffee. Catch new episodes the 2nd and 4th Monday of every month wherever you get podcasts. Follow the show on Twitter, Facebook, and Instagram. If you have been enjoying our show or our other podcasts Cape Chronicles, Fables Around the Table, and more consider becoming a patron to get some cool perks and help us cover website and podcast hosting costs. Get access to patron exclusive Discord channels, extended content, a whole new podcast, and more all now on a single $5 subscription tier. Get all the details here. We have merch! Several different Tales of the Voidfarer shirt designs are now available in the Project Derailed Redbubble shop! Go to bit.ly/DerailedShop and snag yourself one! New Tales of the Voidfarer design by Chelsea Riexinger available now! Join the Project Derailed community Discord to hang out and chat with us! We and the rest of the Derailed fam and friends are hanging out there, discussing TTRPGS, sharing dice pictures, and generally just enjoying the company of fellow nerds. Join in on the fun at ProjectDerailed.com/Discord. Cape Chronicles: A Masks: A New Generations podcast SEASON TWO starts October 5th! Join GM Cliff B and a cast of familiar voices including Chelsea Reixinger, Fiona L.F. Kelly, Rodger Page, and Nick Uroseva on a super hero tale set 15 years after the events of Fables Around the Table: Super! New episodes will land the 1st and 3rd Wednesday of each month starting March 2nd! Follow @CapeChronicles on Twitter. Fables Around the Table: Greetings from Hell, playing Kids on Bikes, is here! Join us as Fiona GMs a spooky tale for Cliff, Em, Kaitlyn, Rodger, and Annie as they investigate strange goings on in 1985 Hell, Michigan. Follow @TableFablesPod on Twitter and @TableFablesPodcast on Facebook and Instagram! It's All Been Done: A Barenaked Ladies Podcast now lives here at Project Derailed! Listen to Saker and Evan as they discuss each song in the BNL discography with a variety of guests and "only a tiny bit of ironic detachment." Listen now wherever you get podcasts! Follow @BeenDonePod on Twitter! Theme song and other original music by Tom Goldthwait with additional music by Purple-Planet.com.

Chapter 7 - Episode 4: Rav'nys is determined to slay a foe, but things may not be as they seem. Tanner's Doctoral Research GoFundMe. Help our good buddy travel for his doctoral research so he can get his PhD! Cast & Crew: Nick Uroseva - Host/Dungeon Master/Executive Producer Fiona L.F. Kelly - Rav'nys Tanner Bivens - Marco Astorio Saker - Flapwing Rockhopper/Luckbeak Humboldt Tom Goldthwait - Original Music/Producer/Creative Consultant Follow us on Twitter, Facebook, and Instagram! And leave us a review on iTunes if you want to be extra super cool. The newest addition to the Derailed podcast family is Into the Scoobyverse! Join our very own Fiona LF Kelly and Rodger Page as they discuss everything Scooby-Doo! Catch new episodes the 1st and 3rd Thursday of the month and follow the show on Twitter and Facebook! Join Tom, Mike, and Nick as they discuss the interconnected world's of author Brandon Sanderson's Cosmere in Cosmere & Coffee. Catch new episodes the 2nd and 4th Monday of every month wherever you get podcasts. Follow the show on Twitter, Facebook, and Instagram. If you have been enjoying our show or our other podcasts Cape Chronicles, Fables Around the Table, and more consider becoming a patron to get some cool perks and help us cover website and podcast hosting costs. Get access to patron exclusive Discord channels, extended content, a whole new podcast, and more all now on a single $5 subscription tier. Get all the details here. We have merch! Several different Tales of the Voidfarer shirt designs are now available in the Project Derailed Redbubble shop! Go to bit.ly/DerailedShop and snag yourself one! New Tales of the Voidfarer design by Chelsea Riexinger available now! Join the Project Derailed community Discord to hang out and chat with us! We and the rest of the Derailed fam and friends are hanging out there, discussing TTRPGS, sharing dice pictures, and generally just enjoying the company of fellow nerds. Join in on the fun at ProjectDerailed.com/Discord. Cape Chronicles: A Masks: A New Generations podcast SEASON TWO starts October 5th! Join GM Cliff B and a cast of familiar voices including Chelsea Reixinger, Fiona L.F. Kelly, Rodger Page, and Nick Uroseva on a super hero tale set 15 years after the events of Fables Around the Table: Super! New episodes will land the 1st and 3rd Wednesday of each month starting March 2nd! Follow @CapeChronicles on Twitter. Fables Around the Table: Greetings from Hell, playing Kids on Bikes, is here! Join us as Fiona GMs a spooky tale for Cliff, Em, Kaitlyn, Rodger, and Annie as they investigate strange goings on in 1985 Hell, Michigan. Follow @TableFablesPod on Twitter and @TableFablesPodcast on Facebook and Instagram! It's All Been Done: A Barenaked Ladies Podcast now lives here at Project Derailed! Listen to Saker and Evan as they discuss each song in the BNL discography with a variety of guests and "only a tiny bit of ironic detachment." Listen now wherever you get podcasts! Follow @BeenDonePod on Twitter! Theme song and other original music by Tom Goldthwait with additional music by Purple-Planet.com.

It's been considerably longer than "One Week", but Peter and Dre finally take on BNL's most popular release, 'Stunt' in their triumphant return to the podcasting world. You can hear the album on your favorite streaming platform, or here: https://music.youtube.com/playlist?list=OLAK5uy_md9QGXzzaXe58THNqQUckRyjyGSqbGw44&feature=share --- Send in a voice message: https://podcasters.spotify.com/pod/show/diggin-peter/message

Chapter 7 - Episode 3: Marco, Flapwing, & Rav'nys split up to tackle their respective To-Do Lists while on shore leave on N'Dir. Anchorage...but not without some surprises. Tanner's Doctoral Research GoFundMe. Help our good buddy travel for his doctoral research so he can get his PhD! Cast & Crew: Nick Uroseva - Host/Dungeon Master/Executive Producer Fiona L.F. Kelly - Rav'nys Tanner Bivens - Marco Astorio Saker - Flapwing Rockhopper/Luckbeak Humboldt Tom Goldthwait - Original Music/Producer/Creative Consultant Follow us on Twitter, Facebook, and Instagram! And leave us a review on iTunes if you want to be extra super cool. The newest addition to the Derailed podcast family is Into the Scoobyverse! Join our very own Fiona LF Kelly and Rodger Page as they discuss everything Scooby-Doo! Catch new episodes the 1st and 3rd Thursday of the month and follow the show on Twitter and Facebook! Join Tom, Mike, and Nick as they discuss the interconnected world's of author Brandon Sanderson's Cosmere in Cosmere & Coffee. Catch new episodes the 2nd and 4th Monday of every month wherever you get podcasts. Follow the show on Twitter, Facebook, and Instagram. If you have been enjoying our show or our other podcasts Cape Chronicles, Fables Around the Table, and more consider becoming a patron to get some cool perks and help us cover website and podcast hosting costs. Get access to patron exclusive Discord channels, extended content, a whole new podcast, and more all now on a single $5 subscription tier. Get all the details here. We have merch! Several different Tales of the Voidfarer shirt designs are now available in the Project Derailed Redbubble shop! Go to bit.ly/DerailedShop and snag yourself one! New Tales of the Voidfarer design by Chelsea Riexinger available now! Join the Project Derailed community Discord to hang out and chat with us! We and the rest of the Derailed fam and friends are hanging out there, discussing TTRPGS, sharing dice pictures, and generally just enjoying the company of fellow nerds. Join in on the fun at ProjectDerailed.com/Discord. Cape Chronicles: A Masks: A New Generations podcast SEASON TWO starts October 5th! Join GM Cliff B and a cast of familiar voices including Chelsea Reixinger, Fiona L.F. Kelly, Rodger Page, and Nick Uroseva on a super hero tale set 15 years after the events of Fables Around the Table: Super! New episodes will land the 1st and 3rd Wednesday of each month starting March 2nd! Follow @CapeChronicles on Twitter. Fables Around the Table: Greetings from Hell, playing Kids on Bikes, is here! Join us as Fiona GMs a spooky tale for Cliff, Em, Kaitlyn, Rodger, and Annie as they investigate strange goings on in 1985 Hell, Michigan. Follow @TableFablesPod on Twitter and @TableFablesPodcast on Facebook and Instagram! It's All Been Done: A Barenaked Ladies Podcast now lives here at Project Derailed! Listen to Saker and Evan as they discuss each song in the BNL discography with a variety of guests and "only a tiny bit of ironic detachment." Listen now wherever you get podcasts! Follow @BeenDonePod on Twitter! Theme song and other original music by Tom Goldthwait with additional music by Purple-Planet.com.

It's me! It's me and my buddy Evan, and we're finishing the BNL album Snacktime, and it ain't nothin' but a good time, friends. ALSO IN THIS EPISODE: Don't bother, the email doesn't work. Give him the ol' Rusty V. Another Sonic F commercial? Two years later?? BONUS SEGMENT: IN THE DRINK, IN THE DRINK, IF I HAD $1000000, PIECE OF CAKE, and I LOVE YOU! Get yourself some IABD shirts! Wear a logo on your chest!: https://www.teepublic.com/user/itsallbeendonepodcast Catch us on the 'net!: Facebook: https://www.facebook.com/profile.php?id=1593559714014720 Twitter: @beendonepod Discord: http://www.projectderailed.com/discord Thanks to Project Derailed for hosting us!

This week's guest doesn't wear a straw hat or an old dirty hankie, but I'll bet he looks pretty dapper when he is singing those ska-based BNL covers.  Thanks, Andrew for coming on and talking about “Straw Hat and Old Dirty Hank”, which is one of the songs that is on the ska/punk cover album that he compiled. The WhatRead More

Chapter 7 - Episode 2: Flapwing reunites with his family, and his ongoing case of mistaken identity might come a major perk that could help Marco, Rav'nys, and the crew of the Voidfarer in a future endeavour. Tanner's Doctoral Research GoFundMe. Help our good buddy travel for his doctoral research so he can get his PhD! Cast: Nick Uroseva - Host/Dungeon Master Fiona L.F. Kelly - Rav'nys Tanner Bivens - Marco Astorio Saker - Flapwing Rockhopper/Luckbeak Humboldt Tom Goldthwait - Original Music/Creative Consultant Follow us on Twitter, Facebook, and Instagram! And leave us a review on iTunes if you want to be extra super cool. Cosmere & Coffee is the newest addition to the Project Derailed podcast family. Join Tom, Mike, and Nick as they discuss the interconnected world's of author Brandon Sanderson's Cosmere. The first two episodes discussing the finale of Mistborn Era 2, The Lost Metal, are out now and check out the next episode discussing the newly released Tress of the Emerald Sea. And catch new episodes the 2nd and 4th Monday of every month wherever you get podcasts. Follow the show on Twitter, Facebook, and Instagram. If you have been enjoying our show or our other podcasts Cape Chronicles, Fables Around the Table, and more consider becoming a patron to get some cool perks and help us cover website and podcast hosting costs. Get access to patron exclusive Discord channels, extended content, a whole new podcast, and more all now on a single $5 subscription tier. Get all the details here. We have merch! Several different Tales of the Voidfarer shirt designs are now available in the Project Derailed Redbubble shop! Go to bit.ly/DerailedShop and snag yourself one! New Tales of the Voidfarer design by Chelsea Riexinger available now! Join the Project Derailed community Discord to hang out and chat with us! We and the rest of the Derailed fam and friends are hanging out there, discussing TTRPGS, sharing dice pictures, and generally just enjoying the company of fellow nerds. Join in on the fun at ProjectDerailed.com/Discord. Cape Chronicles: A Masks: A New Generations podcast SEASON TWO starts October 5th! Join GM Cliff B and a cast of familiar voices including Chelsea Reixinger, Fiona L.F. Kelly, Rodger Page, and Nick Uroseva on a super hero tale set 15 years after the events of Fables Around the Table: Super! New episodes will land the 1st and 3rd Wednesday of each month starting March 2nd! Follow @CapeChronicles on Twitter. Fables Around the Table: Greetings from Hell, playing Kids on Bikes, is here! Join us as Fiona GMs a spooky tale for Cliff, Em, Kaitlyn, Rodger, and Annie as they investigate strange goings on in 1985 Hell, Michigan. Follow @TableFablesPod on Twitter and @TableFablesPodcast on Facebook and Instagram! It's All Been Done: A Barenaked Ladies Podcast now lives here at Project Derailed! Listen to Saker and Evan as they discuss each song in the BNL discography with a variety of guests and "only a tiny bit of ironic detachment." Listen now wherever you get podcasts! Follow @BeenDonePod on Twitter! Theme song and other original music by Tom Goldthwait with additional music by Purple-Planet.com.

Chapter 7 - Episode 1: The Voidfarer returns to port on N'DIr Anchorage and Flapwing, Marco, and Rav'nys disembark for shore leave but are quickly met with a shocking surprise. Tanner's Doctoral Research GoFundMe. Help our good buddy travel for his doctoral research so he can get his PhD! Cast: Nick Uroseva - Host/Dungeon Master Fiona L.F. Kelly - Rav'nys Tanner Bivens - Marco Astorio Saker - Flapwing Rockhopper/Luckbeak Humboldt Tom Goldthwait - Original Music/Creative Consultant Follow us on Twitter, Facebook, and Instagram! And leave us a review on iTunes if you want to be extra super cool. Cosmere & Coffee is the newest addition to the Project Derailed podcast family. Join Tom, Mike, and Nick as they discuss the interconnected world's of author Brandon Sanderson's Cosmere. The first two episodes discussing the finale of Mistborn Era 2, The Lost Metal, are out now and check out the next episode discussing the newly released Tress of the Emerald Sea. And catch new episodes the 2nd and 4th Monday of every month wherever you get podcasts. Follow the show on Twitter, Facebook, and Instagram. If you have been enjoying our show or our other podcasts Cape Chronicles, Fables Around the Table, and more consider becoming a patron to get some cool perks and help us cover website and podcast hosting costs. Get access to patron exclusive Discord channels, extended content, a whole new podcast, and more all now on a single $5 subscription tier. Get all the details here. We have merch! Several different Tales of the Voidfarer shirt designs are now available in the Project Derailed Redbubble shop! Go to bit.ly/DerailedShop and snag yourself one! New Tales of the Voidfarer design by Chelsea Riexinger available now! Join the Project Derailed community Discord to hang out and chat with us! We and the rest of the Derailed fam and friends are hanging out there, discussing TTRPGS, sharing dice pictures, and generally just enjoying the company of fellow nerds. Join in on the fun at ProjectDerailed.com/Discord. Cape Chronicles: A Masks: A New Generations podcast SEASON TWO starts October 5th! Join GM Cliff B and a cast of familiar voices including Chelsea Reixinger, Fiona L.F. Kelly, Rodger Page, and Nick Uroseva on a super hero tale set 15 years after the events of Fables Around the Table: Super! New episodes will land the 1st and 3rd Wednesday of each month starting March 2nd! Follow @CapeChronicles on Twitter. Fables Around the Table: B.R.A.S.S., playing Rebels of the Outlaw Wastes by Nerdy Pup Games (Kickstarter coming soon!), kicks off with Episode 1 on October 12th! Listen to Episode 0 now. Follow @TableFablesPod on Twitter and @TableFablesPodcast on Facebook and Instagram! It's All Been Done: A Barenaked Ladies Podcast now lives here at Project Derailed! Listen to Saker and Evan as they discuss each song in the BNL discography with a variety of guests and "only a tiny bit of ironic detachment." Listen now wherever you get podcasts! Follow @BeenDonePod on Twitter! Theme song and other original music by Tom Goldthwait with additional music by Purple-Planet.com.

Interlude: Squedigo - We pick mere moments after Squeddy the tortle teleported away from Lyceum Acanus with his new crew. He encounters the N'Dir Anchorage Seekers and learn his previous arrangement may not have been what it seemed. Cast: Nick Uroseva - Host/Dungeon Master Cliff B - Squedigo Tom Goldthwait - Original Music/Creative Consultant Follow us on Twitter, Facebook, and Instagram! And leave us a review on iTunes if you want to be extra super cool. We are launching a new show! Introducing Cosmere & Coffee! Join Nick, Tom, and Mike as they engage in casual discussion of the interconnected worlds of author Brandon Sanderson. The premiere episode launches on Monday, December 12th with discussion of the newly released finale of Mistborn Era 2: "The Lost Metal." And catch new episodes the 2nd and 4th Monday of every month wherever you get podcasts. Follow the show on Twitter, Facebook, and Instagram. If you have been enjoying our show or our other podcasts Cape Chronicles, Fables Around the Table, and more consider becoming a patron to get some cool perks and help us cover website and podcast hosting costs. Get access to patron exclusive Discord channels, extended content, a whole new podcast, and more all now on a single $5 subscription tier. Get all the details here. We have merch! Several different Tales of the Voidfarer shirt designs are now available in the Project Derailed Redbubble shop! Go to bit.ly/DerailedShop and snag yourself one! New Tales of the Voidfarer design by Chelsea Riexinger available now! Join the Project Derailed community Discord to hang out and chat with us! We and the rest of the Derailed fam and friends are hanging out there, discussing TTRPGS, sharing dice pictures, and generally just enjoying the company of fellow nerds. Join in on the fun at ProjectDerailed.com/Discord. Cape Chronicles: A Masks: A New Generations podcast SEASON TWO starts October 5th! Join GM Cliff B and a cast of familiar voices including Chelsea Reixinger, Fiona L.F. Kelly, Rodger Page, and Nick Uroseva on a super hero tale set 15 years after the events of Fables Around the Table: Super! New episodes will land the 1st and 3rd Wednesday of each month starting March 2nd! Follow @CapeChronicles on Twitter. Fables Around the Table: B.R.A.S.S., playing Rebels of the Outlaw Wastes by Nerdy Pup Games (Kickstarter coming soon!), kicks off with Episode 1 on October 12th! Listen to Episode 0 now. Follow @TableFablesPod on Twitter and @TableFablesPodcast on Facebook and Instagram! It's All Been Done: A Barenaked Ladies Podcast now lives here at Project Derailed! Listen to Saker and Evan as they discuss each song in the BNL discography with a variety of guests and "only a tiny bit of ironic detachment." Listen now wherever you get podcasts! Follow @BeenDonePod on Twitter! Theme song and other original music by Tom Goldthwait with additional music by Purple-Planet.com.

This is an essential episode because Social Emotional Learning is not just for students with special education needs - everyone needs social-emotional learning skills! Social-Emotional Learning, also called SEL, is an integral part of education and human development. It helps students and adults develop healthy identities, manage emotions, and feel empathy for others. SEL gives students the skills they need to build supportive relationships. Students learn the skills, attitudes, and knowledge surrounding social-emotional learning to make responsible decisions. By establishing trusting and collaborative relationships, rigorous and meaningful curriculum and instruction, and ongoing evaluation, SEL helps schools, families, and communities achieve educational equity and excellence. Through SEL, we can help address various forms of inequality and empower young people and adults to create thriving schools. It's helpful to start with a clear definition of Social-Emotional Learning (SEL). A school-wide SEL program equips students of all ages with skills to achieve their own unique goals. It includes understanding and managing their emotions, nurturing positive relationships, making informed decisions, and feeling empathy. Learning SEL is critical to students' success, both in and out of the classroom. Dr. Judy Grossman joins me today to discuss what social-emotional learning is, why it is important, and why it is for all students! Dr. Grossman is the Associate Director of the Center for the Developing Child and Family at the Ackerman Institute for the Family. She is also an Adjunct Professor at NYU. Previous academic appointments include Yale School of Medicine and SUNY – Downstate Medical Center. Dr. Grossman has conducted special education policy research for the NYS and NYC Departments of Education and school districts in Fairfield County. She lectures nationally and internationally on the topics of family resilience, mental health consultation, and special education family-centered services. Dr. Grossman is an occupational therapist, public health educator and consultant, and she maintains a private practice in couples and family therapy, specializing in neurodiverse children. She is also a member of the Smart Kids with LD Board of Directors. TRANSCRIPT (not proofread) SUMMARY KEYWORDS child, parents, social emotional learning, children, feelings, piece, school, understand, kids, feel, terms, iep, regulate, grossman, special ed, episode, people, academic, learning, behavior SPEAKERS Judy Grossman, PhD, MSW, Dana Jonson Dana Jonson 00:09 Okay, welcome back to Special Ed on Special Ed, thank you so much for tuning in today. I'm very excited for today's episode, because we have Dr. Judy Grossman, who is the Associate Director of the Center for the Developing Child and Family at the Ackerman interests Institute for the family. I got it all out that time. And we're gonna talk about social emotional learning. So stay tuned, I'm going to run my disclaimer before we say a word. And then we'll jump right into it. The information in this podcast is provided for general informational and entertainment purposes only, and may not reflect the current law in your jurisdiction at the time you're listening. Nothing in this episode creates an attorney client relationship. Nor is it legal advice, do not act or refrain from acting on the basis of any information included and accessible through this episode without seeking appropriate legal or other professional advice on particular facts and circumstances at issue from a lawyer or service provider licensed in your state country or other appropriate licensing jurisdiction. Great, Dr. Grossman, thank you so much for joining me today, I was able to get out your very long title. But I would love it if you would give us a little background on you and why you are the one that I need to have teach me about social emotional learning. Judy Grossman, PhD, MSW 01:19 Okay, first of all, thanks for having me thrilled to be talking to the parents that are listening or whomever actually started my career as an OT. And then went into academia and did some policy research in special ed and became a family therapist. I mean, like I've had many, many different experiences, my area of focus has always been family resilience, even before we we use that term. You know, years ago, we only talked about risks and deficits. But you know, there's been a change a long time coming, and looking at strengths and resilience. And I started a project for family therapists to work, specifically with families with neurodiverse children. And that's because all my experience has taught me that there are layers to the work. So you may be a very competent family therapist, or a maybe an excellent educator and special ed. But you need the whole package. So if you're doing clinical work, that's more than the area of mental health, you have to understand the IEP and the different diagnoses. And on top of interested in family resilience, very, most of my work deals with the parents, because parents are so significant. And situations can be so stressful. And they often search for skills or strategies to help them manage their child's behavior, or even keep themselves regulated when they're getting upset. So social emotional learning, and I'd say it's a term that's been around since the 90s. There's a consortium, researchers, policymakers, educators, clinicians, everybody that's interested in evidence based practice, in terms of social emotional learning. And after the pandemic, or I shouldn't say that we are still in the pandemic, actually, right. We're not sure how it's over yet. I'm actually getting up at COVID. Right now myself. So we are, Dana Jonson 03:45 I think we're over the initial shock of the pandemic, maybe that's what we're thrilled with the initial shock. Judy Grossman, PhD, MSW 03:51 That's the one thing we've learned a couple of things. One is children are struggling with anxiety and depression. And for some even PTSD, this has been very challenging and continues to be very challenging for students. Second thing we learn, which I know, the past 40 plus 50, long time is that parents are so important in supporting their child's total development, but particularly the social emotional development because you're the model. You're the coach. A lot of it has to do with your own development of social emotional skills. And I think that the pandemic has raised awareness that it's so important for schools to partner with parents. Dana Jonson 04:47 Yeah. And I think that's, I mean, that's how I sort of came to it was I had an older child who was neurodiverse, who was not able to identify her own emotions and feelings. And so as a family, we sort of had to learn to talk in this way of explaining ourselves and explaining our emotions and our feelings as they were happening in sort of a way to help educate her. And what I learned was I have three of my five children are have a traumatic background, and they're adopted. And and so but what I learned through this process was, it was significantly benefiting my bio, no typical child. And I mean, I don't know that anyone in my house is neuro neurotypical, but whatever you get, the idea is that these pieces, these pieces that I was putting into place for a specific reason for a specific disability for a specific need, actually applied to everybody in the house. And that's how I started to sort of identify that and now that as you say, the pandemic brought much more awareness to the forefront. And, and I agree with you, I think it's critical that we, as parents understand our role in that. Because when you tell a child you need to be doing this, but you're not doing it yourself. That's always my favorite when parents like Well, I'm definitely getting them into therapy. And I'll say, Well, do you have a therapist, and parents will say, Well, no, I don't need one. Judy Grossman, PhD, MSW 06:21 So you've made a couple of really good points, then that one is, this is universal. Every child and adult will have better live success, if they have good social emotional awareness. They understand can live with our own feelings, they can begin to identify feelings and others and develop empathy. They have good relationships, and most importantly, particularly with neurodiverse children that the child can regulate. So emotional regulation, meaning, you know, that don't have these uncontrollable outbursts, but they can find ways to self soothe, and cope. And another piece of that is CO regulation. So children who aren't able to do that, the parent has to sort of be their prefrontal cortex and help them regulate. So there are a lot of different dimensions to social emotional learning. But the way that the state of the art so to speak is that there are many curriculum, and many of them are endorsed by Castle, which is this consortium for collaborative social, emotional educational learning, and their school wide. So you know, a school might be interested in paying more attention to social emotional learning, and we can talk about what the research says, and more and more schools are adopting different curriculums. So it's helpful for parents to know, you know, what is your curriculum, and social emotional learning? Dana Jonson 08:05 The why would that be important for a parent to understand the specific curriculum? Is it that the language is different depending on the curriculum? Or how does that fit into what's going on at home? Okay, Judy Grossman, PhD, MSW 08:17 so it actually is less about which one, but knowing that they have one. Okay. I think that what goes on at home should complement the language that they're using in school. So there's not a disconnect, in many, many ways to do this. I mean, I often do, training people to do groups with parents and their children to learn these skills. And the earlier the better. I mean, you can, you know, start social emotional learning, with infants. Yeah. In terms of how you help them. And your narrative, your storytelling always includes failing words. So in terms of the steps in social emotional learning, the the, I would say the first step is just labeling feelings, yours, their husbands or partners, the other children in the family, and, you know, take advantage of 24/7 teachable moments. Oh, wow, we see those people there. They're having an argument. They, they look like they're so angry at each other. Are you watching a movie, when he's still kind because he keeps trying to help his friends, so forth and so on. So this is something that can be done, woven into family life. If you have a child and has difficulty labeling feelings, you become curious. And let's say you're watching your child doing homework and they're having a hard time. You can say I'm wondering if you're frustrated. I mean, you're looking frustrated to me, then how are you feeling? So you don't tell the child, how he or she is feeling. But you probe who has a question. And eventually children will be able, there'll be more in touch and be able to name how they feel. And once you have a name, there's a terminal name entertainment, that helps you feel more in control. You know, if they just have this amorphous, let's say you feel anxious, but you don't really know that that's anxiety. Right? You're uncomfortable, you might have bodily signals, and you don't know what they mean. And you might say, every night, my tummy hurts, my tummy hurts. And well, that might be the signal for that child that that means that you're worried that you're just Dana Jonson 10:54 yeah, there's there's that goal responses that it's not, I think that's an important piece, too, is to understand, especially for kids in school, when you see a child, when I see a child who visits the nurse a lot. My first thought is okay, that's anxiety. That's, you know, they're fearful of something, they're worried about something they're escaping from something like that, to me is the first sign right? That that they've removed Judy Grossman, PhD, MSW 11:20 themselves, actually, they, they may want to avoid something, or escape, or they may just be overstimulated. And they don't understand that. They just know they need a break. So that's really the first step. I mean, until someone has some self awareness. And when I work with parents, I always encourage a lot of self reflection, because there's a term meta emotion. how people feel about feelings. Yeah, so so people are not comfortable with angry feelings that are not express them. Some people have a lot of trouble handling when their child seems sad. Feelings are feeling, Dana Jonson 12:08 I think that's our natural response, right? Our child is that I want you to feel better. So I'm just going to immediately try to make you feel better. And Kelly, you you feel better. And that's not a big deal. It's not upsetting. Don't worry about it. But what I'm saying is your feelings don't matter. And that's where you'll have to parent right, that's Judy Grossman, PhD, MSW 12:23 dismissive, which is unethical. Because either say, your feelings don't matter, or this feeling is like a feeling that we want to talk about or notice. Dana Jonson 12:35 And I find for parents, sometimes it's hard to see when it wasn't our intent to harm a child, it's really hard to acknowledge that what we did, because they think in the back of our mind that So the worst thing we could do is harm a child. That's that's like our natural reaction is to not do that. That concept is so overwhelming, that our first response is to be like, no, no, I didn't mean that. So it didn't happen well, Judy Grossman, PhD, MSW 13:01 right? That's right. But the other piece to it is harming a child is a strong word, no parent ever gets it all right all the time. So sometimes it's about the repair. So you know, if you're learning some of these skills yourself about our how to label your carrier feeling and help your child label how he or she was feeling, it's, the parent becomes more skillful. And if you recognize that you did something that retrospectively feel you didn't handle, well, you can be transparent. And say, you know, I was just thinking about what happened this morning. And I'm really sorry, because you are looking so sad, and I didn't really give you a chance to tell me more about it. Would you like to do that? And the time, I'd say yes or no, yeah, the thing is, a very important piece of social emotional learning is this self regulation. And some parents are not well regulated. And it my work, and my work includes research and clinical, academic teaching and so forth. I always start with helping the parent regulate, because if the parent gets triggered by the child's behavior, and then they get upset, and they sort of get aroused and Rabat, that's only gonna create this child's dysregulation, essentially. So no matter what the first step is for the parent, to stay calm. And I think it's very helpful for parents to be explicit about it. Like let's say, you know, you ask your child 10 times to do something, they didn't do it and you're getting annoyed and you know, you're just sort of going up the scale. You can say, you know, yeah, I'm going up the scale or I use the monitors, killing thermometers, but whatever we want to talk about. And I don't want to start yelling, you know, that's not going to help us. So I'm gonna take a minute because I know it helps me, if I take a few deep breaths. So you are you're modeling for the child that you are working on controlling your reactions. So rather than being reactive, you want to be responsive. But you're modeling that. And, you know, you have to have a strategy. One, one part is noticing when you get aroused, or the parent, being able to monitor and knowing what's the point of no return, so to speak, and at some point, forget it. They can't really talk about it in a logical way. But then you have to know what to do. And so, you know, I usually have family activities, where everybody talks about the different ways they control themselves, or calm themselves down, or cope with stress. That's a very, very important piece Dana Jonson 16:13 is a parent understanding themselves and being able to control and regulate? Yeah, and it's, it's, it's, I find almost impossible for me to identify myself, I have to be able to rely on, we have this thing, and I'm very, like, I'm loud. My hands are always going I'm all over the place. And my husband's like, super chill. And so my yelling and his yelling are two different things. I remember he wants raised his voice once, and the kids don't yell at Mommy. And he his response was she yells at me. And they said, Yeah, but that's how she talks. And it was funny for me to be like, Oh, they so differentiate between us, like how I am compared to myself, not how I am compared to him. And I just thought that was fascinating to me that they had picked up on that little bit that they they were aware, they didn't think I was yelling all the time, you know, because there has been my personality. And I just, to me, that was showing me how in tune. Judy Grossman, PhD, MSW 17:19 The kids are. Exactly. Kids are incredibly attuned to the parents, emotional state. And like even toddlers, you could see a toddler, if he sees the mom looking sad, go over, and you know, sort of comfort the parent. Now, they don't even really understand what they're doing. But it's, it's in the air. It's an exquisite skill that children have. And, you know, parents might try to mask it, which is hard. I mean, I'm working with a very depressed mom right now. You know, she's doing her best to function normally. But I can't imagine her children don't pick something up. Dana Jonson 18:11 Yeah. And I hear that a lot too, with parents when they either they have something major to tell their kids, whether it's a divorce, or separation or move or what have you. And they've been waiting to tell them for some reason. And I always ask them, like, did they know? Like, did they know where they have set? And, you know, a lot of the time it's like, oh, they had a sentence, or they were relieved that whatever was was said, because they knew something was coming. You know, like, they're just, I think we as adults like to pretend that we're tricking them, but we're really not. You know, we've we've trained them to tell us what we want to hear. Judy Grossman, PhD, MSW 18:46 Yeah. And, you know, we we want to protect them. Yes. That's just an instinct. Can always, you know, that doesn't mean that you can help them deal with, I often say anxiety is catching. You know, it might be situation where were you just a word about it? And say, you know, yeah, you know, you recognize that, you know, this is normal behavior for mommy, which is different than normal behavior for daddy. And that's fine. People are different. You know, the thing about social emotional, oh, join us. Good question. I'm sorry, I Dana Jonson 19:36 was I was muted. I was just saying I think it's important for them to be able to distinguish between personality and emotion and feeling and my oldest is neurodiverse as nonverbal learning disabilities so so it's very difficult for her to identify any of those social cues that we take for granted. You know, but so to be able to distinguish between them That's your personality, you're fiery, and you're loud versus someone who's fiery and loud as me, or mad or angry or right. however you define it, it's much more complicated than we think. And we still take it for granted. I'm curious, how do you approach families, because sometimes I run into this where families say, they just need to suck it up. They just need to get through, they need to get a tougher skin. And I've been that parent, where I said, Oh, my God, my kids are snowflakes, what is happening, but at the same time, I think about the pain that I experienced, not being able to share my emotions with somebody or not being able to identify them myself. So I'm coming from that perspective. But how do you reach a parent who maybe doesn't see that the benefit necessarily they know their kid needs it, but they're not internalizing it? Judy Grossman, PhD, MSW 20:58 Well, that goes back to the research of what we're learning. So social emotional learning, which is the title that have sole users this consortium, it could be called Emotional intelligence, or emotional literacy. It's also referred to as non cognitive skills, and in our schools are all about academics, and cognitive development, language development, and achievement, which all plays into it, right. But if a child is not regulated, the child is distracted. If a child is in a stress response, if a child is feeling anxious, they're not taking in the information. They're not absorbing, and integrating what the teacher is saying. So there have been over 20 years of research, I mean, way more short term and long term studies, showing that there is a relationship between better social emotional skills and academic performance. There is relationship between social emotional skills, and relationships, and self awareness, and behavior, in school and at home. So I consider it What should I say, I never said this before the word just came into my mind, like a nest, ah, this is social emotional learning. And then you build all the academic cognitive skills. But if you're not pressing, right now, you're not really learning optimally. Dana Jonson 22:51 Yes. And I, we actually experienced that as well, one of one of my children, who, between evaluations, their IQ went up, and I'm using air quotes that you can't see right now went up 16 points. And at her age, that's not your IQ doesn't make that kind of lead BNL in that short period of time, and she had gone from an environment that was not safe to her in her mind, and had to spend not just to enter into a safer environment, she had to spend a great deal of time in that safer environment, before she became available for learning. And that's how we looked at it because I was like, there's not suddenly this, what was I, what I was thrilled about her educational environment at the time is that it was meeting those safety needs. And that was my only priority for her at the time. And the academics came, you know, like, everything went up when we only focused on making sure she felt safe. And that was our only priority. That's when she did well academically. Judy Grossman, PhD, MSW 24:03 Well, you're you're exactly right. And, you know, safety is. What could I say? Without that? Yeah, any of this is not going to develop. So you know, children that experience a lot of trauma. Number one need safety and trust in relationships. Another thing about you know, trauma and how it relates to this. I think we underestimate the amount of trauma people have in life. I mean, there's a lot of studies about this now from trauma informed cares, like the name of the game. It's a cat two days, it's the buzz phrase, right? But let's just say your child has ADHD, there's a separate from trauma, the extra energy that they need to pay attention to stay seated to, especially if they're have the hyperactive pace to modulate their body It is exhausting. And so even that takes away from Dana Jonson 25:05 learning. Right. And I think people forget that when kids are exhausted, they don't roll over and go to sleep, they tend to have a fit, you know, they tend to keep going in their exhausted state. They're not aware enough to rest. And I think we forget Judy Grossman, PhD, MSW 25:23 that. Yeah. And also, we see it in the transition from school to home. Because, you know, the teacher will say, here's a behavior problem, and we've been doing fine, and he has some friends, you know, and then the child comes home and opens the door, and he has a temper tantrum and totally escalates. And the parents thing that's going on? I mean, is this different kids? In my family child that's in school, very common number that I hear that all the time? Dana Jonson 25:56 How do you help schools bridge that gap? How do your parents and schools how do you, you know, I have that happen a lot. Obviously, with my clients, I have my clients or children with disabilities, and a lot of the time they are holding it together to the best of their ability from morning to dismissal, and then they get home. And there's nothing left. There's, you know, emotional control, there's no making the child happy. There's no nothing like they've just been pushed over the edge. But the school is seeing a great kid that's being social and talking to friends and doing their work. And I'm in the parents are seeing a kid that's about to blow, how do we help bridge that gap? Judy Grossman, PhD, MSW 26:41 Well, a couple of ideas. One is, because this is so common. One knows what you can do at home. So to be articular Babbitt and then have maybe a transition ritual with the child, because you're anticipating, and you make that obvious and you know, the ritual might be what's the most common thing you can do with the child at that moment? Is it to give them something to eat? Or is it to have them do some kind of physical, aerobic kind of activity, whatever it is, but make it over and think about, this is just what the parent can do think about creating a coming home ritual. As a therapist, when I work with families, everything is a suggestion, because we never really know what's going to work. A lot of it's trial and error. But for some families that works in terms of the school. And I've been doing this work a long time, I mean, training related service providers, because I'm also rotate training related service providers and training, special educators and changing psychologist and you know, people from different domains in this area with different perspectives. Yeah. And the, there are so many more opportunities for parents to get information that could help them. I always say, don't pass the OT what she's doing to help the child regulate in the classroom, because maybe she has some ideas for you. I mean, there's not enough transparency and communication between well, some parents and some schools do this very well. I mean, you know, I did some studies in Fairfield County, and there are some school districts, some districts, but there's some communities that do it very well. I was still my work was in New York City, and Dana Jonson 28:53 different animal in New York City. Judy Grossman, PhD, MSW 28:56 And so, sometimes there's absolutely no communication and cancer or our have a right to information. And they would benefit a great deal because they want other ideas. Are there strategies? Is there something that's working in school because there's a behavior plan seemed to work in schools, that's something we should try it at home? Dana Jonson 29:23 Right. And from a, you know, from a specialist attorney perspective, I would also look at that as you know, parent training from a school perspective. Another thing that I often recommend for parents is evaluations. And if they think that they are seeing a completely different child than their school district, and they're not able to bridge that gap, that either bringing in the private therapists that they're working with to give their input or collaborating with the school to get an outside evaluation, maybe somebody who isn't in school because of people in school aren't seeing But the parents are staying and the parents aren't seeing what school is seeing the maybe we need somebody completely separate, to come in and tell us where all these pieces connect. And I find that to sometimes be the hardest thing. And once we can make that connection, and everyone can see how all those pieces work together and how home is impacting school and vice versa, then we can start putting pieces into place. How would you advise parents or teachers who think you know, we have a gap, we need to bridge bridge this gap? Where can we get the information we need? Who should they be going to for that assessment or Judy Grossman, PhD, MSW 30:40 instruction? Well, you're talking about quite a few different things. So that's probably, so let's see if I can answer it in a way that's helpful. Schools are mandated to every child has an IEP to decide on placement and services to enhance their academic performance. That's as a threatened. I'm suggesting academic performances is not as narrow a lane, as they say, I did special ed policy research for a decade. And, you know, there's such variability in terms of a school district partnering and believing in strength base, partnering with parents in understanding what the parents concerns are, what their priorities are, as opposed to, you know, let's look at the IEP and look at the various specifics skill. Now, sorry, think about all the trial, right. So parents have a right to request a meeting, if a child has an IEP, parents have a right to have the child evaluated, if they feel there's a problem. Usually it comes from the school, suggesting to the parent, however, I know, parents instinct, lets them know something's not quite right. And so they need the validation. They may feel for years. I just think there's something that he he's not getting. And then grade three, you still can't read. He's very frustrated. And he has a lot outburst in the parent knew, right and we are diagnosing earlier and earlier or diagnosing. I mean now, where it is approved to diagnose children as young as four with ADHD, which was not the case before, but I know into a preschool and look in the classroom and identify two to three children that are neuro diverse. And yeah, I'm a preventionist. I mean, my doctorates and a couple of Cal, but I'm all about prevention. And if a child has a neurobiological disability, you really can do prevention work in terms of his emotional life, and not feeling I'm not good enough. I'm a bad boy. You know, I hear those things from children all the time, and they're devastating for parents. Dana Jonson 33:30 Yeah. But I think we don't realize too, that by calling a child a good boy, indicates to the other children, then they are bad. Like, I think they're little pieces of language that we we've become very careless with our language, I think. And I think that is part of our social emotional problem. Because when you're careless with your language, you're sending messages that maybe you didn't intend to send. And, and I think it's in my lifetime, that we've actually as a society started to acknowledge that kids have feelings. You know, I know, when I was little that was at the forefront of the conversation, you know, and even my mom talks about when she was pregnant, there was only one patient. Yeah, it was the mom. Right. So it started right from there. So, you know, I think that we are definitely coming into a new understanding even though these ideas and concepts and knowledge have been around forever. I think as a society, we have not been taking it seriously. Judy Grossman, PhD, MSW 34:31 Well, I think you're absolutely right. The power of language. Good, bad, you know, really, you want to describe behavior, you know, Oh, you did you finish that assignment very well. And you know, that was great because you're being a good student or whatever. You you talk about the behavior. I had an experience in 1971, which gives A little bit of indication of how long I've been in the parenting field. And we were doing a prevention program in Spanish Harlem with little kids. And everything was about the children know that colors, they know, shapes, and it was all conquer cognitive and language. And I have worked in mental health. And so this was a research project that really funded until I started saying to the parents, what do you like about your child? I'm telling you, they struggled with answers. So this piece of recognizing someone's emotional life and how much that impacts performance and relationships. I mean, even I do a lot of work and Headstart programs, and 1965, the purpose of Headstart was to help children develop social competence. It was an academic readiness. Because if you think about right, you know, what do you need to be a successful adult? Well, you may not need algebra, as much as getting along with your co workers are having a decent round. Dana Jonson 36:18 Yes. And I had that conversation, an IEP meeting the other day for a kid who's super smart. And I thought, yeah, he is. But he also can't make eye contact. If he doesn't like how you look, he will tell you like, there are things that are not acceptable in society that this child does. And regardless of the cognitive abilities, they won't be successful. And that is what we're looking at when you talk about education being much more global than academics. And it is, and that's something that I remind IP teams of all the time, you know, for a middle school, we're talking about a middle schooler, and this kid does not have any friends, that is not typical. And that is going to be more important to that student than anything else. So if we're not taking seriously what kids take seriously, then we're not acknowledging their feelings, their thoughts, what's going on in their lives. And I mean, they're human too, right? They this is their brains are developing to what they're going to be as adults, now's the best time for them to learn how to do all that stuff. I just don't believe that kids have to be in pain to learn what makes it hard to learn. Yes, I think we have that, right. Like if somebody if a kid is enjoying their class, there's this question like, are they actually learning anything? They seem like they're having too much fun? You know, we have to think that's sort of a weird thing. Well, thank you, I so appreciate all of this information. I think it's so important for families and schools to understand that this this social emotional learning piece, and you did touch on it, but it's also a little different than emotional IQ, or those pieces like how will you know yourself. It's more about social emotional learning, it builds, these things can be learned skill develop, to Judy Grossman, PhD, MSW 38:11 be modeled back to be practiced. I think the good takeaway for whoever's listening to this is becoming more comfortable with emotional coaching. And that's a term comes from John Gottman, which really means no matter what's going on, you connect emotionally with the child first. So you say, you know, I say you're really angry because you're raising your voice, and I get it, because your sister keeps taking your toys. So you're validating how the child feels, no matter how they feel a feeling is the feeling needs to be respected. So before you say, but don't hit your sister. First, say, you know, label of feeling validated. If you don't really understand if you can't make the connection say, but what what's going on? Tell me what I don't understand why you're so frustrated. And then you can give the couldn't give guidance, you can make a demand, you can make a request. It just means that the child feels understood, and they will listen to you. And this goes for all relationships. Dana Jonson 39:36 It takes them off the defensive. Yeah, Judy Grossman, PhD, MSW 39:39 I mean, everybody wants to feel understood. And Oh, Mommy gets it. Yes. And, you know, mommy's that. I should. I can't hit her. Okay. That doesn't mean it's not going to hit her. It means that he has to substitute right a different action for demonstrating has Question for just sister. Dana Jonson 40:02 I love that the way you phrase that it's it's about finding a different way to express it. Right? You're identifying. I see you feel that way I get it. That's valid. But doing that when you feel that way is not how we do it. When you feel that way, you've got to do something different. Let's figure out what that something different is. And yeah, so it's looking at what's, what's the outcome? I've said that to you before I do want the child to feel bad about themselves? Or do you want to change the behavior, which is the goal? And thinking of it that way? Because I think sometimes we feel like that's character building as an adult, right. Going through those tough things and toughing it out. But, you know, wouldn't it be better to have the tools to get through it rather than have it out? I'm not too proud to use, though. Judy Grossman, PhD, MSW 41:01 It's complex, but it is Dana Jonson 41:03 it is. So So Dr. Grossman, tell me if somebody is listening to this, and they're saying, Oh, my gosh, you speak my truth. You're the only person who gets me and I need to talk to Dr. Grossman, how are they going to find you, and reach out to you and find your world, Judy Grossman, PhD, MSW 41:18 I am only practicing on Zoom. Now. Since the pandemic, I gave up my office in the city and I had to have an office here. I'm taking select cases, because I also teach and so forth and so on. But I can be reached at Judy.Grossman928@gmail.com Dana Jonson 41:43 Great. And I will have that information in the show notes along with the other other links to some things that we've discussed during this episode. And I can't thank you enough it really this is such an important a hot topic. And I came across it because I was I attended a presentation that you gave and and I think that was well attended as well. I really think that social emotional learning is on the swing. Thank God in our community in our on our society. So thank you so much for all the work you do, and for sharing this information with parents. Judy Grossman, PhD, MSW 42:16 Oh, my pleasure. My pleasure. I'm happy to do it. Dana Jonson 42:20 Thank you so much for joining me today. Please don't forget to follow this podcast so you don't miss any new episodes and leave a review and you have a chance. If there's anything you want to hear about or comment on. Please go to my Facebook page special ed on special ed and find me there. I'll see you next time here on special ed on special ed. Have a fabulous day. The views expressed in this episode are those of the speaker's at the time of the recording and do not necessarily reflect the official policy or position of any other agency, organization, employer or company or even that individual today.

Reminder! We are taking a break, but fret not! We will be back with the next chapter of our adventure on January 3rd. We will be dropping a few Interludes a little closer to December with glimpses into the lives of other characters around Kraatspace. Keep an eye out for announcements on when those will be closer to then. In the mean time, we encourage you to check out all the awesome shows from Project Derailed like Cape Chronicles, Fables Around the Table, and It's All Been Done: A Barenaked Ladies Podcast! Cast: Nick Uroseva - Host/Dungeon Master Tanner Bivens - Marco Astorio Fiona L.F. Kelly - Rav'nys Saker - Flapwing/Luckbeak Tom Goldthwait - Original Music/Creative Consultant Follow us on Twitter, Facebook, and Instagram! And leave us a review on iTunes if you want to be extra super cool. If you have been enjoying our show or our other podcasts Cape Chronicles, Fables Around the Table, and more consider becoming a patron to get some cool perks and help us cover website and podcast hosting costs. Get access to patron exclusive Discord channels, extended content, a whole new podcast, and more all now on a single $5 subscription tier. Get all the details here. We have merch! Several different Tales of the Voidfarer shirt designs are now available in the Project Derailed Redbubble shop! Go to bit.ly/DerailedShop and snag yourself one! New Tales of the Voidfarer design by Chelsea Riexinger available now! Join the Project Derailed community Discord to hang out and chat with us! We and the rest of the Derailed fam and friends are hanging out there, discussing TTRPGS, sharing dice pictures, and generally just enjoying the company of fellow nerds. Join in on the fun at ProjectDerailed.com/Discord. Cape Chronicles: A Masks: A New Generations podcast SEASON TWO starts October 5th! Join GM Cliff B and a cast of familiar voices including Chelsea Reixinger, Fiona L.F. Kelly, Rodger Page, and Nick Uroseva on a super hero tale set 15 years after the events of Fables Around the Table: Super! New episodes will land the 1st and 3rd Wednesday of each month starting March 2nd! Follow @CapeChronicles on Twitter. Fables Around the Table: B.R.A.S.S., playing Rebels of the Outlaw Wastes by Nerdy Pup Games (Kickstarter coming soon!), kicks off with Episode 1 on October 12th! Listen to Episode 0 now. Follow @TableFablesPod on Twitter and @TableFablesPodcast on Facebook and Instagram! It's All Been Done: A Barenaked Ladies Podcast now lives here at Project Derailed! Listen to Saker and Evan as they discuss each song in the BNL discography with a variety of guests and "only a tiny bit of ironic detachment." Listen now wherever you get podcasts! Follow @BeenDonePod on Twitter! Theme song and other original music by Tom Goldthwait with additional music by Purple-Planet.com.

Uncharted 6 - The Cast discusses Chapter 6 and answers YOUR questions! Cast: Nick Uroseva - Host/Dungeon Master Tanner Bivens - Marco Astorio Fiona L.F. Kelly - Rav'nys Saker - Flapwing/Luckbeak Tom Goldthwait - Original Music/Creative Consultant Follow us on Twitter, Facebook, and Instagram! And leave us a review on iTunes if you want to be extra super cool. If you have been enjoying our show or our other podcasts Cape Chronicles, Fables Around the Table, and more consider becoming a patron to get some cool perks and help us cover website and podcast hosting costs. Get access to patron exclusive Discord channels, extended content, a whole new podcast, and more all now on a single $5 subscription tier. Get all the details here. We have merch! Several different Tales of the Voidfarer shirt designs are now available in the Project Derailed Redbubble shop! Go to bit.ly/DerailedShop and snag yourself one! New Tales of the Voidfarer design by Chelsea Riexinger available now! Join the Project Derailed community Discord to hang out and chat with us! We and the rest of the Derailed fam and friends are hanging out there, discussing TTRPGS, sharing dice pictures, and generally just enjoying the company of fellow nerds. Join in on the fun at ProjectDerailed.com/Discord. Cape Chronicles: A Masks: A New Generations podcast SEASON TWO starts October 5th! Join GM Cliff B and a cast of familiar voices including Chelsea Reixinger, Fiona L.F. Kelly, Rodger Page, and Nick Uroseva on a super hero tale set 15 years after the events of Fables Around the Table: Super! New episodes will land the 1st and 3rd Wednesday of each month starting March 2nd! Follow @CapeChronicles on Twitter. Fables Around the Table: B.R.A.S.S., playing Rebels of the Outlaw Wastes by Nerdy Pup Games (Kickstarter coming soon!), kicks off with Episode 1 on October 12th! Listen to Episode 0 now. Follow @TableFablesPod on Twitter and @TableFablesPodcast on Facebook and Instagram! It's All Been Done: A Barenaked Ladies Podcast now lives here at Project Derailed! Listen to Saker and Evan as they discuss each song in the BNL discography with a variety of guests and "only a tiny bit of ironic detachment." Listen now wherever you get podcasts! Follow @BeenDonePod on Twitter! Theme song and other original music by Tom Goldthwait.

Join Andrew and Brandon as they travel back to October 1998, but first they argue about if the Mariners will make it past the Astros in the playoffs. After the break Brandon has to try and remember the differences between Antz and A Bug's Life for Andrew. Brandon then has to try and remember the plot of Charmed and its reboot for Andrew. Finally Brandon reads the lyrics to the Barenaked Ladies' hit, One Week.Check out this week's Spotify Playlist:https://open.spotify.com/playlist/0EkCTgZk3OWpooUtyySP5C?si=ccd72fa1b35d47bd Like the show? Leave us a 5 star review and subscribe!Send us a tweet at @Namely90s Discuss the show on Instagram @Namely90s  Find us online at Namely90s.comConsider joining our Patreon at Patreon.com/Namely90sFollow Brandon on Twitter at @bschwittyFollow Andrew on Twitter at @NamelyAndrewOutro:Pixelland by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/4222-pixellandLicense: http://creativecommons.org/licenses/by/4.0/

Chapter 6 - Episode 18: Armed with knowledge and tools from their mission to the icy surface of Adylfos, Marco, Rav'nys, and Flapwing seek to finally answer longstanding questions about the nature of Kraatspace. Cast: Nick Uroseva - Host/Dungeon Master Tanner Bivens - Marco Astorio Fiona L.F. Kelly - Rav'nys Saker - Flapwing/Luckbeak Tom Goldthwait - Original Music/Creative Consultant We will be returning to Con on the Cob October 6-9th in Richfield, OH (greater Cleveland area). It is our favorite quirky little gaming convention and always a good time. We will be hosting a free party Saturday night, the Cape Chronicles themed "Super Hero MASKuerade" with music by Cliff and Saker's nerdcore band 2d6! Check out more information about Con on the Cob at cononthecob.com! Follow us on Twitter, Facebook, and Instagram! And leave us a review on iTunes if you want to be extra super cool. If you have been enjoying our show or our other podcasts Cape Chronicles, Fables Around the Table, and more consider becoming a patron to get some cool perks and help us cover website and podcast hosting costs. Get access to patron exclusive Discord channels, extended content, a whole new podcast, and more all now on a single $5 subscription tier. Get all the details here. We have merch! Several different Tales of the Voidfarer shirt designs are now available in the Project Derailed Redbubble shop! Go to bit.ly/DerailedShop and snag yourself one! New Tales of the Voidfarer design by Chelsea Riexinger available now! Join the Project Derailed community Discord to hang out and chat with us! We and the rest of the Derailed fam and friends are hanging out there, discussing TTRPGS, sharing dice pictures, and generally just enjoying the company of fellow nerds. Join in on the fun at ProjectDerailed.com/Discord. Cape Chronicles: A Masks: A New Generations podcast SEASON TWO starts October 5th! Join GM Cliff B and a cast of familiar voices including Chelsea Reixinger, Fiona L.F. Kelly, Rodger Page, and Nick Uroseva on a super hero tale set 15 years after the events of Fables Around the Table: Super! New episodes will land the 1st and 3rd Wednesday of each month starting March 2nd! Follow @CapeChronicles on Twitter. Fables Around the Table: B.R.A.S.S., playing Rebels of the Outlaw Wastes by Nerdy Pup Games (Kickstarter coming soon!), kicks off with Episode 1 on October 12th! Listen to Episode 0 now. Follow @TableFablesPod on Twitter and @TableFablesPodcast on Facebook and Instagram! It's All Been Done: A Barenaked Ladies Podcast now lives here at Project Derailed! Listen to Saker and Evan as they discuss each song in the BNL discography with a variety of guests and "only a tiny bit of ironic detachment." Listen now wherever you get podcasts! Follow @BeenDonePod on Twitter! Theme song and other original music by Tom Goldthwait with additional music by Purple-Planet.com.

Chapter 6 - Episode 17: Rav'nys, Marco, Flapwing, Squeddy, and allies confront Q'zath and attempt to stop him from using the frost giant longship and a found spelljamming helm to escape the planet. Cast: Nick Uroseva - Host/Dungeon Master Tanner Bivens - Marco Astorio Fiona L.F. Kelly - Rav'nys Saker - Flapwing/Luckbeak Cliff B - Squedigo Tom Goldthwait - Original Music/Creative Consultant Special thanks to Cliff for guesting on the episode! Check out his nerdcore project with Saker, 2d6, and listen to Cape Chronicles! We will be returning to Con on the Cob October 6-9th in Richfield, OH (greater Cleveland area). It is our favorite quirky little gaming convention and always a good time. We will be hosting a free party Saturday night, the Cape Chronicles themed "Super Hero MASKuerade" with music by Cliff and Saker's nerdcore band 2d6! Check out more information about Con on the Cob at cononthecob.com! Follow us on Twitter, Facebook, and Instagram! And leave us a review on iTunes if you want to be extra super cool. If you have been enjoying our show or our other podcasts Cape Chronicles, Fables Around the Table, and more consider becoming a patron to get some cool perks and help us cover website and podcast hosting costs. Get access to patron exclusive Discord channels, extended content, a whole new podcast, and more all now on a single $5 subscription tier. Get all the details here. We have merch! Several different Tales of the Voidfarer shirt designs are now available in the Project Derailed Redbubble shop! Go to bit.ly/DerailedShop and snag yourself one! New Tales of the Voidfarer design by Chelsea Riexinger available now! Join the Project Derailed community Discord to hang out and chat with us! We and the rest of the Derailed fam and friends are hanging out there, discussing TTRPGS, sharing dice pictures, and generally just enjoying the company of fellow nerds. Join in on the fun at ProjectDerailed.com/Discord. We are happy to announce It's All Been Done: A Barenaked Ladies Podcast has a new home with us here at Project Derailed! Listen to Saker and Evan as they discuss each song in the BNL discography with a variety of guests and "only a tiny bit of ironic detachment." Listen now wherever you get podcasts! Follow @BeenDonePod on Twitter! Cape Chronicles: A Masks: A New Generations podcast SEASON TWO starts October 5th! Join GM Cliff B and a cast of familiar voices including Chelsea Reixinger, Fiona L.F. Kelly, Rodger Page, and Nick Uroseva on a super hero tale set 15 years after the events of Fables Around the Table: Super! New episodes will land the 1st and 3rd Wednesday of each month starting March 2nd! Follow @CapeChronicles on Twitter. Fables Around the Table:SHE, playing MÖRK BORG, is the current season of this TTRPG Anthology podcast! Follow @TableFablesPod on Twitter and @TableFablesPodcast on Facebook and Instagram! Theme song and other original music by Tom Goldthwait with additional music by Purple-Planet.com.