Podcast appearances and mentions of eric eddings

Tonight we'll learn about personal space from Eric Eddings, our Gimlet friend and host of the show The Nod! Grown ups, you can find The Nod on Spotify. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Brittany Luse is the host of NPR's It's Been a Minute. “One of the things I love about this job is everything is practice. I love it. It's like if a show is great and everyone loves it, you gotta put on another one. You just gotta do it again. And if the show didn't quite do what you'd hoped or set out to do in your mind and in your heart, you gotta do another one. I just love it. You can never feel too good and you can never feel too bad.” Show notes: @bmluse 02:00 "#497: Sam Sanders" (Longform Podcast • Aug 2022) 02:00 "Kale-flavored Cheez-Its" (Sampler • Gimlet • Jun 2016) 03:00 It's Been a Minute (NPR) 04:00 "Brittany goes to 'Couples Therapy;' Plus, why Hollywood might strike" (It's Been a Minute • NPR • Apr 2023) 04:00 "Tina Turner's happy ending" (It's Been a Minute • NPR • May 2023) 05:00 "Relationship Goals" (Sampler • Gimlet • Mar 2016) 12:00 Roald Dahl's Matilda the Musical (Working Title Films • 2022) 24:00 The Nod (Gimlet) 25:00 "Whole Hog" (The Nod • Gimlet • Sep 2017) 27:00 "The Hairstons Part 1: Snakes on a Plantation" (The Nod • Gimlet • Dec 2017) 27:00 "The Hairstons Part 1: Diary of a Mad Black Cousin" (The Nod • Gimlet • Dec 2017) 29:00 "Hair, Laid" (The Nod • Gimlet • May 2018) 29:00 "I Want That Purple Stuff" (The Nod • Gimlet • Aug 2017) 29:00 "Big Freedia's Bounce" (The Nod • Gimlet • Sep 2020) 29:00 "How to Show Up" (The Nod • Gimlet • Jun 2019) 32:00 For Colored Nerds (Eric Eddings and Brittany Luse) 42:00 "Quibi Is Shutting Down Barely Six Months After Going Live" (Benjamin Mullin, Joe Flint, Maureen Farrell • Wall Street Journal • Oct 2020) 44:00 "Why Am I Watching Married At First Sight Instead of Planning My Wedding?" (Harper's Bazaar • May 2021) 46:00 "The Hard-To-Take But Smart Relationship Advice Beyoncé Has Given Us" (Refinery29 • Apr 2016) 49:00 "The Fiction of the Color Line" (Vulture • Jan 2021) 53:00 "Death of Adulthood" (For Colored Nerds • 2014) Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week we're sharing one of our favourite episodes from April 2022. The podcast For Colored Nerds is a pop culture conversation that dives a little deeper. It's hosted by best friends and culture critics Brittany Luse and Eric Eddings. Each week they dive into what's going on in the zeitgeist, and peel back the layers of Black culture that are rarely discussed in mixed company. From Janet Jackson's new documentary, to the Sex in the City reboot, to impostor syndrome, to what everyone is talking about on TikTok — These are just a few of the subjects they've unpacked since rebooting their show back in November 2021. Brittany and Eric join us on this episode to talk about rebooting For Colored Nerds and their journey through the podcast industry. Plus, we'll listen to a few of their favourite podcasts. Featuring: For Colored Nerds, Revisionist History, Celebrity Memoir Book Club, Trapital, Food Heaven For links and more info on all the podcasts on today's show, head to http://cbc.ca/podcastplaylist.

What's poppin' con-gregation? This week, culture critic Eric Eddings joins us to discuss how singer and former Kim Kardashian ex-boyfriend Ray J publicly acknowledged that the Kardashian-Jenner version of the events surrounding the release of their joint sex tape 20 years ago were far from the truth. Plus, find out how a NYC principal kept her job after being convicted of car insurance fraud. Stay Schemin'! Research by Kaelyn Brandt Sources: https://nypost.com/2022/08/20/ex-principal-gets-187k-doe-gig-despite-insurance-fraud-arrest/https://nypost.com/2017/11/11/controversial-principal-could-be-saving-thousands-thanks-to-shady-deal/https://www.cinemablend.com/streaming-news/ray-j-released-details-on-how-much-money-kim-kardashian-initially-made-from-their-sex-tapehttps://www.billboard.com/music/music-news/ray-j-accuses-kris-jenner-lying-about-kim-kardashian-sex-tape-1235137424/https://www.yourtango.com/entertainment/kim-kardashian-sued-for-allegedly-stealing-brandy-ray-j-momhttps://www.thecut.com/2022/09/ray-j-claims-that-kim-kardashian-was-behind-the-sex-tape.htmlhttps://youtu.be/77wnkCqXBGw?t=1029https://en.wikipedia.org/wiki/Dash_(boutique)

Recently, host Brittany Luse has found herself curious about motherhood. As she's thought about the kind of mom she might be, she looked for models in film and TV – and found that there's little room for mothers, and Black moms in particular, to be anything but excellent. From Brittany's previous podcast, For Colored Nerds, a discussion with Eric Eddings about motherhood and misbehaving, and why less than perfect is more than enough. Follow us on Twitter @NPRItsBeenAMin or email us at ibam@npr.org.

It was a bit of a dream to talk with fellow podcaster Brittany Luse from the acclaimed  podcast For Colored Nerds.  She's been in the game nearly as long as we have and we hit her up with some  questions we had like intellectual property challenges as a podcaster, how she and her podcast partner Eric Eddings ended up together as hosts (...it involved something called Trash Thursdays at Howard University), who her ultimate guest would be on their show,  and what is bringing her pleasure right now. Brittany was a joy to speak with and if you're looking for another podcast to add to your list we highly recommend For Colored Nerds wherever you listen to podcasts.  Also, just follow Brittany Luse. She's cool and does cool things. Follow For Colored Nerds on Twitter and IG Follow Brittany Luse on Twitter and IG--Thanks for listening and for your support! We couldn't have reached 600 episodes without your help! --Be well, stay safe, Black Lives Matter, AAPI Lives Matter, and fuck the Supreme Court.--SUPPORT US HERE!Subscribe to our channel on YouTube for behind the scenes footage!Rate and review us wherever you listen to podcasts!Visit our website! www.bitchtalkpodcast.comFollow us on Instagram, Facebook, and Twitter.Listen every other Thursday 9:30 - 10 am on BFF.FMPOWERED BY GO-TO Productions 

Tonight we'll learn about personal space from Eric Eddings, our Gimlet friend and host of the show The Nod! Grown ups, you can find The Nod on Spotify, or wherever you listen. Learn more about your ad choices. Visit podcastchoices.com/adchoices

February 2-8, 2002 This week Ken welcomes longtime friends and co-hosts of the "For Colored Nerds" podcast, Brittany Luse and Eric Eddings. Ken, Brittany and Eric discuss living in L.A. and NYC but still doing a podcast together, being a vibes person, getting married, Bernie Mac, Mac & Cheese, growing up in Memphis and the Detroit area, living in NYC, The Original Kings of Comedy, Larry Wilmore, driving around and looking at Christmas lights, why middle of the road is popular, Ken's Jimmy Fallon hate, Ken's James Corden Hate, sitcoms based on stand up acts, how 9/11 lead to a rise in reality TV and violent shows, Sex in the City, seeing Cynthia Nixon on the subway, 227, African American Actors' Roundtable, Marla Gibbs, Touched by an Angel, My Girl 1 and 2, forgetting Billy Blanks, Everclear vs Everlast, the 2002 New England Patriots Super Bowl, Sabrina, Inside the Actors Studio, Greg Kinear, the Golden Age of Celebrity Sex Tapes, Unsolved Mysteries, Sightings, The Real World New Orleans, SVU, the Steven Segal trilogy, Witchblade, Black female stand up comics in the 80s, Whoopie Goldberg, Tami Roman, Will & Grace, Gilmore Girls, how creepy "My Father the Hero" is, Shelby Woo, which Dawson's Creek cast member we think we are, That 80s Show, Charmed, Just Shoot Me, David Spade, taking the blame, Ernest Dickerson, how Tales from the Crypt Demon Knight is Jada Pinkett's best role, Porn on PBS, loving Buffy The Vampire Slayer, Mortal Kombat, Double Dragon, Space Jam, loving the (Summer) Olympics, knowing nothing about basketball, World Cup, Survivor, never taking credit for Cheers and Jeers, Brenda Strong on The Weakest Link, and Kevin Nealon's Conspiracy Zone on TNN.

Eric Eddings and Brittany Luse, hosts of the For Colored Nerds podcast, take Virginia on a wild ride through the wildly popular Internet subcultures of the Black Manosphere and its almost-counterpart, Femininity Coaching. They get into why Black men and women might feel drawn to these reactionary gender roles, and why it seems like each group is talking past the other.

When you're served a plate with a variety of foods on it, should you put a bit of each on the fork to create one multi-faceted bite? Or alternate between foods? A married couple comes to us for mediation in this dispute. Plus, is it okay to eat eggs that were hard boiled for Easter decorations after they've sat in a basket for a month? Brittany Luse and Eric Eddings, hosts of the podcast For Colored Nerds and real-life best friends, join Dan to take your calls and resolve your food disputes! They also discuss their own food quirks and quarrels, including how to satisfy a craving for a fake TV cake from 30 years ago, trying Cheez-Its for the first time as an adult, and wedding food anxiety.The Sporkful production team includes Dan Pashman, Emma Morgenstern, Andres O'Hara, Johanna Mayer, Tracey Samuelson, and Jared O'Connell.Transcript available at www.sporkful.com.

A few weeks ago, Martine Powers appeared on the Black culture podcast “For Colored Nerds” to discuss her love of period dramas and what does and doesn't work as these shows try to be more inclusive in their casting.To hear the rest of Martine's discussion with Eric Eddings and Brittany Luse, check out “For Colored Nerds” wherever you get your podcasts, and listen to the episode “Black in Time.”

Looking for the best comedy podcasts? Earwolf Presents showcases our talented hosts and our favorite episodes from the Earwolf universe! Let us surprise you!   Here is: For Colored Nerds with Brittany Luse and Eric Eddings. Each week, BFFs and cultural critics Brittany and Eric deconstruct the nerdier side of pop culture. Joined by a rotating cast of artists, thinkers, and innovators, For Colored Nerds peels back the layers of Black culture we rarely discuss in mixed company. This episode we share a special clip of Back Issue, a podcast about pop culture and nostalgia from friends and co-hosts Tracy Clayton and Josh Gwynn.   Find more about our Stitcher friends For Colored Nerds at www.forcolorednerds.fm and find us at @earwolf anywhere you listen to podcasts.   www.earwolf.com See omnystudio.com/listener for privacy information.

In honor of Black Maternal Health Week, the For Colored Nerds crew chats with Gabrielle Horton and Martina Abrahams Ilunga, the hosts of NATAL, a podcast about giving birth while Black. NATAL is in its second season and follows the lives of three Black families in rural America. Stay tuned for a deep dive into reproductive justice, reverse migration, and a special announcement from our very own Eric Eddings.

The podcast For Colored Nerds is a pop culture conversation that dives a little deeper. It's hosted by best friends and culture critics Brittany Luse and Eric Eddings. Each week they dive into what's going on in the zeitgeist, and peel back the layers of Black culture that are rarely discussed in mixed company. Eric and Brittany join us this week to tell us about the reboot of For Colored Nerds, leaving Spotify and their show The Nod, and to share some of their favourite podcasts. Featuring: For Colored Nerds, Revisionist History, Celebrity Memoir Book Club, Trapital, Food Heaven For links and more info on all the podcasts on today's show, head to http://cbc.ca/podcastplaylist.

A lot of creators talk about owning their intellectual property and distribution, but co-hosts of the For Colored Nerds podcast — Eric Eddings and Brittany Luse — actually went and made it happen, by any means necessary. The two left the Spotify-owned Gimlet Media network in 2020, leaving behind The Nod show (and its IP) which they had built up since 2017. As “free agents”, the duo made ownership a mandate in its next podcast deal.Stitcher was happy to oblige, bringing the two together in a homecoming of sorts. Before Gimlet, Eric and Brittany began podcasting with Stitcher which included the first iteration of the For Colored Nerds podcast. Now it's back in its second form — still with a heavy dose of discourse about the intersection of pop and Black culture, but now with a dash of personal opinions from the two on ongoing issues as they see it.For Colored Nerds is one example of how the media industry is transforming in real-time. While Eric and Brittany got what they wanted, it wasn't easy. The two joined me on this episode of Trapital to discuss this laborious process that included lawyers and agents — two things most creators aren't privy to. Here's everything we discussed in this episode:[3:07] Why Choose Stitcher Over Other Networks? [5:52] Changing Landscape Of Creator Ownership[9:22] Biggest Barriers To Having A Fair Contract[11:31] Will Future Podcast Networks Embrace Creator Ownership?[18:23] How Does The Podcast Balance What Topics To Discuss On The Show?[22:10] What Makes Podcasting So Special[28:51] The Polarization Of Tyler Perry [37:06] The Perils Of An “Elitist” Mindset[42:28] Relationship With Present-Day Music Compared To Past Favorites[49:23] Knowing Your AudienceThis episode is brought to you by Koji, the best “link in bio” tool. It is trusted by Grammy winners, chart-topping hitmakers, and more. Join 185,000+ creators. Check it out for free: koji.to/trapitalpodcastListen: Apple Podcasts | Spotify | SoundCloud | Stitcher | Overcast | Amazon | Google Podcasts | Pocket Casts | RSSHost: Dan Runcie, @RuncieDan, trapital.coGuests: Brittany Luse, IG: @bmluse | Eric Eddings, Twitter: @eeddings | For Colored Nerds Podcast, IG & Twitter: @ForColoredNerds  Trapital is home for the business of hip-hop. Gain the latest insights from hip-hop's biggest players by reading Trapital's free weekly memo. Advertising Inquiries: https://redcircle.com/brands_____Eric Eddings 00:00What the industry kind of needs to understand is that people now, like, require that flexibility. Because so many creators understand different parts of the trajectory. Everybody's not necessarily trying to be, you know, at the pinnacle of podcasts or like on the front page of, you know, iTunes every single day. There are different levels. Some people are having a podcast, they want it as a significant companion to maybe something else that they're building. And so they understand what place that podcast could fit into their lives and into their brand or ecosystem.Dan Runcie 00:38Hey, welcome to the Trapital podcast. I'm your host and the founder of Trapital, Dan Runcie. This podcast is your place to gain insights from executives in music, media, entertainment, and more, who are taking hip hop culture to the next level.On today's episode, I'm joined by Brittany Luse and Eric Eddings. They're the host of the podcast, For Colored Nerds, which peels back the layers of black culture. I've been following Brittany and Eric's work for a while now, back when they had their podcast on gimlet media, The Nod. And they also had the Quibi Show after that. And they recently relaunched their old podcast, For Colored Nerds. So we talked about that, we talked about the journey and how Brittany and Eric have been so open and transparent about podcast ownership and some of the back and forth challenges that have happened not just with them, but with other podcasters that ultimately what they hope to see in this industry in the future. We also talked a bit more about how they go about thinking of their content, some of the common themes that they'll discuss on the shows, and one of the things that they discuss, which is a topic I've often discussed on Trapital as well is Tyler Perry. If you've read through Apple, you know that I'm more so, talking about Tyler for what he's achieved from a business perspective, which I've always found inspiring and great. But on the content side, it's a little different, because I think many people do have some conflicting opinions about how he's gone about things that he put out, and, but also recognizing that there was an audience that Tyler has unapologetically been willing to serve, and what that means for him as a business leader, and how that obviously has led to his success. So we talked a lot about that. And we also talked more broadly about hip hop as well. Folks like us, who I think grew up in the 90s and 2000s, and may still resonate with so many of the artists from that era, how do we relate to current day hip hop? And is it our place to relate to some of the current artists? So we talk about that, and a whole lot more. Here's my chat with Brittany and Eric. All right, today, we got Brittany and Eric from the For Colored Nerds Podcast. I've been a big fan. I've been following their work for a while, and also their journey. And before we start, I do just want to say thank you to both of you, because I feel like you've been so open about so much in the podcasting space. And I think a lot of people learned a lot from that. So thank you both it's much appreciated.Brittany Luse 03:00Thank you.Eric Eddings 03:01Thank you for having us. Yeah, it's been a wild ride in this industry. But it's been good. Dan Runcie 03:07Definitely. And I know for you that your journey has been well documented, you're back on the podcast that you had started years back with For Colored Nerds. And now you're with Stitcher, and I'd love to start there because I'm sure that you got hit up by a number of different outlets or networks that likely wanted to partner with y'all. What was it about stitcher that made you want to work with them?Eric Eddings 03:31Wow. I mean, I felt like there was a lot I mean. To your point, we did a bit of the tour, I guess you could say, in terms of meeting with tons of distributors, you know, after our Quibi show kind of wound down after, hell, after Quibi. Went down a rabbit...Brittany Luse 03:47It happens on the same day.Eric Eddings 03:50Yeah, exactly. But no, with Stitcher, I think there were a few things that lined up pretty quickly. They were the only ones who who started the conversation, knowing that we were coming in with a desire to own our show, which is funny, because as to your point before, like, we have been very open about like some of the conflicts that we you know, had around pursuing ownership in particular. And so I think like that changed the conversation in a way where we then, actually, could talk more freely and comfortably about what we wanted the show to be, you know, because again, there was not that fear of like, you know, will it be ours? And will we maybe have to make something different, you know, after the fact if we don't own and kind of control that so I think that was like one big piece of it. I'm curious Brittany, like what you would addBrittany Luse 04:37I mean, a big part of it, too, is like the team. I mean, one of the people that we got to you know, talk with coming into Stitcher when we were just sort of in the initial feeling each other out stage is someone who turned out to be the cousin of someone we met a few years ago and like hit it off with, Natalie Well who's amazing, she's literally just made us feel comfortable from like moment one. Also Peter Clowney, who is, Eric knows this, proper title. I feel terrible because I can't remember anyone's proper title. Because Eric works at Stitcher as an executive, and I am but a lowly, what's the word? I paid a vendor, I'm a vendor. And so I'm not always proven everything happens within a company. Peter Clowney, who is like I think the VP of content at Stitcher, he was the very first editor that I ever had, like podcast editor, like the very first edit. And it is like a term in podcasting, where the team will sit and listen, or be sent a version of an episode, and leave comments and share them with each other in order to make the episode better and get to that next draft. The first time I ever did that, was with Peter Clowney and that was 2015. So, you know, I have this full-circle moment when in 2021, he's the person who's really extending the offer for us to come and join Stitcher. That just felt really, right. Brittany Luse 05:52Also, you know, we first launched For Colored nerds with Stitcher, we have an incredible executive producer, Kameel Stanley, who is basically like a legend of public radio in St. Louis and is just a hell of an executive producer. She, I mean, she kept like, the first I think we had her for what, maybe three, four months, when we were first really ramping up, she kept things together, and she kept things moving. Yeah. And she was somebody who we had already, we've been interviewed by before, I think the previous year with regard to rights and ownership and IP and everything like that. She is just a fantastic journalist and just was such an amazing guide. So it was just so amazing to have this experience where we had so many sharp people who we had either met before had a relationship with before or had a meaningful link to coming in. And it just kind of made things feel a lot more familiar. And also to they were just fast. They're just fast. They were like, yeah, they followed up, they were fast. And they were, I don't know, I mean, I think in so many areas of life, like somebody like the person who's just eager to follow up with you and eager to form that connection or cement that relationship. That's usually the person that you want to go with.Dan Runcie 07:02That makes sense. Yeah, I hear the relationship side of it. I also hear the ownership side of it too. And especially with the way things are shifting now, sometimes it's still so shocking that it is still such a charged or controversial thing for whether it's podcasters writers or creators in any type of shape too, what, I mean, you're coming in, you have a base, you have plenty of leverage, like how is this still one of these discussions where they want 100% of the thing, and there's not even a discussion about shared or what that could look like. And I mean, it's not just, you always see this at the highest levels, whether it's I think, was  Michaela Coel, when she was talking about I May Destroy You when she was going back and forth, whether it was Netflix or HBO on wanting a slice, like, this is something that is clearly a challenge and a difficult thing for people at every scale of this game.Eric Eddings 07:54I mean, the industry is shifting, and you know, depending upon what side of the Creator versus like, you know, distributor network, you're on, you maybe view how fast that industry is shifting differently. You know? And it's something that I think the industry has to do a better job at understanding. People are more literate about the trials and tribulations and pitfalls that you can run into trying to create something, and trying to create something that like is distributed to other people, wherever podcasts, movies, music, you know, I'm saying like, we all have the same internet, and like, we've all read the stories and the features. And so people know more of what to ask for. And, you know, the reasons they might have received before about why they, you know, could not or maybe should not deserve, like, you know, the rights to their own content are starting to, you know, finally feel frivolous. And so, you know, I think that thing is changing, I think it is still though a game of leverage, and it's still, you know, depends on what you have in your corner, sadly, to be able to kind of push the issue, you know, with the distributor, with just whoever you're partnering with to be able to get what you want. And yeah, there sadly, is still a lot of.. We got reached out to today about this same, this very same issue. And it's that's something that happens fairly frequently. So there's a lot of work that still has to happen.Dan Runcie 09:15And on that note, is it people reaching out to you asking you for advice to be like, Hey, I know you all want Yes. Any thoughts?Brittany Luse 09:22Yes. I mean, yeah, emails, text messages, phone calls, DMS, I had somebody reach out to me via text on behalf of one of their friends yesterday, wondering about the same thing. And I mean, there's, you know, we try to give as much advice as we can. But at the end of the day, the best advice you can get in those situations definitely comes from like a legal professional. Typically, those are the people that you want to defer to. We are not we are not those. That's why sometimes I podcast people like what would you guys see what I'm like, You know what, I am not in the business of giving legal advice, but my biggest piece of legal advice is to get a lawyer. But yeah, I mean, obviously I share a little bit more people than that. But yeah, I think because we've been so open, sometimes people that we do not even know will reach out to us out of the blue, just to be like, Hey, this is something that I know that you went through, do you have 5, 10, 15, 30 minutes to talk with me and kind of guide me through this process? I mean, I will say the thing that I always say, which is that these contracts should not be so difficult that a regular person could not pick up and read them. I think that there's obviously how do I put it, I mean, a barrier to being able to have a fair contract is having the financial resources and also the institutional knowledge relationships, to be able to get a lawyer like that something that we did not have, I don't think I know when I first started working at Gimlet back in 2015. I didn't have the financial resources to hire a lawyer. Yeah, it wasn't an option, I wouldn't have known how to find an entertainment lawyer. Because before then, I was working as like, I mean, marketing manager was the title, but that didn't line up with what I was doing at my job. So yeah, I wouldn't have had like the relationships, the understanding, I wouldn't have known how to find an entertainment lawyer. And I definitely didn't have the money coming into working there to have that. So I think that like, you know, there is a certain level of like, eat, we're all being finessed a little bit, by the fact that people have to get not feel like they have to, but really, truly have to have agents and lawyers and money upfront, to be able to spend on having somebody basically be their pitbull, and get into the ring and fight for the contract that they deserve.Dan Runcie 11:31Yeah, it's interesting with podcasting, specifically, because I look at the music industry, or even with writing to some extent, I have seen a few more of these hybrid models where it's okay, you can release your music on this platform, we offer a little bit more of a distribution push and a little bit more of a network per se than you would get if you just did it solely on your own. But you could still maintain the ownership, we just get, you know, a set cut or whatever it is. And we've seen this in music, whether it's record labels like Empire that started with a similar type of mindset, or some of the others, even with writing, I've started to see some creative things. But with podcasting, specifically, it may be part of it's just, I haven't seen it myself and what I've seen, but I still haven't quite seen that network that is being ready to be as front and center be like, Hey, we're here, if you want to do an exclusive deal, but you maintain your ownership and we do a licensing deal, we could do that. Or if you want to have a set split, this is what our network is known for. I haven't quite seen that same thing in podcasting. And obviously, I know part of the challenge is the value is the ownership that they have because then they can go get sold to whoever, but I think part of me still waiting to see that, like, is that going to be a standard for one of the next, you know, rising networks.Brittany Luse 12:51We are waiting to see thatEric Eddings 12:56Everybody's watching. Yeah, I mean, look, there are networks. I mean, even Stitcher, I don't say this, you know, to not trying to be like a corporate shill, but like, you know, we engage a bunch of different types of deals. Yeah, I work as a creative executive there. And, you know, so what that means is like, there are some things that we, you know, own outright, there are some things that stitcher owns outright, there are some things that you know, they license, you know, and just rip the ads, there are some things that you know, are hybrid, I think what you don't want, even that, for its worth is actually can be rare to have all those different types of like deals. But I think in general, what the industry kind of needs to understand is that people now, like, require that flexibility, because, you know, so many creators understand different parts of the trajectory, you know, everybody's not necessarily trying to be, you know, at the pinnacle of, you know, podcasts or like, on the front page of, you know, iTunes every single day, there are different levels, some people are having the podcast, they want it as a significant companion to maybe something else that they're building. And so they understand what place that podcast could fit into their life and into their, you know, brand or ecosystem. And the company that is willing to like, be most flexible to that is going to get that person you know, like, because they're creating that comfort, they're creating that like space to say like, I want to work with you so much of entertainment, what people haven't realized behind the scenes, it's not necessarily I want to work with you, it kind of wants to work for them, you know, and to that degree, like, you know, your contract reflects that. And I'm so excited by the shift that I see kind of happening in all entertainment-related industries. We're seeing a lot more, hell, sports, you know, we just see a lot more creator or athlete lead, you know, like deals but things were basically the power in the leverage is becoming more equal, slowly. Brittany Luse 14:54I think the thing that's tricky for me is the deals that are fair and reasonable exist, and I'll say that we received a pretty good one from Stitcher. I mean, like from jump, when we received the contract, it was like, all fit on one page, double triple space. It was mostly plain English. I understood it when I read it. And we felt good about it. And it felt like it was befitting of like, how much air can I put into the show? And who really owns it? And I will say like, it was really nice to get that deal now, but my hope is like, you know, people are like, when will we get there? What do you think 'there' is there for me quote, unquote, there for me is when me and Eric back in 2014, we first started the show would have been handed a deal like the one we got last year in 2021. And so like a or even back in 2017, when we first launched The Nod, me and Eric at that point was been given new contracts. Because then that very clearly showed that was really the DNA it was based off For Colored Nerds, come on a show about Black culture hosted by me and Eric, now we based it off of something else. Are you kidding me? That's what it was. I think that that to me is like when the equity has really gotten there, and it is going to take time, I wish that it didn't take the time it is going to take time. Brittany Luse 14:54But even I will say this though, there are people usually like white, a lot of times male. And I was gonna say like, usually they have a large following. But sometimes it's like, I don't even know if that's what's going into the business decision that's being made when somebody you know, offers, like some white guy who has a podcast a bunch of money to be able to, like make that thing forever gives that person a really good deal, or some sort of like exclusive, you know, whatever. There are people who have been getting fair deals all this time. I just would like to see sort of like the bar for that either be lower to just like I say lower, I mean, just like allowing more people in right now the bar is basically like, are you why are you guy? Are you famous? Or like, yes. Do you want to share my microphone, I would like to see sort of rather, I would like to see that avenue broadened. And that's what I mean, when we're there, like Success for me is just like not having to have relationships years in the game, or be like a white guy with a podcast to be able to get access to the type of deal that we have now.Dan Runcie 17:19Yeah. And I think that framing makes complete sense. Right? When you first started this and had the idea, you should have had this in place. And then further when you're signing a deal with Gimlet or even you know, with Quibi, or whoever. There's enough, not just you know, layman's terms, but there's also just enough commonality that those things can happen. And I think that also makes me think a bit about the show itself. And maybe just some of the slight differences between The Nod and For Colored Nerds, The Nod, at least my impression is always a bit more like, hey, here is the latest thing that is happening right now in black culture. And here's our take on it. Well, let's discuss it, I think For Colored Nerds has that as well. But I think you also mix in some evergreen topics that have always come in which I think I always enjoy hearing. And I'm curious, from your perspective, how has the process been about determining the topics of that balance, because I'm sure there are the evergreen topics that you may want to hit. There are also timely things that likely you may want to dive into. But then you also, you know, have things that you're just personally interested in compared to what you may know, the audience would really want to hear or what you know what drives engagement. So yeah, how was that, balancing that piece of the event for you?Eric Eddings 18:39You don't know how timely that question is. Because we are always kind of managing our relationship with it. It is a balance. And it's a conversation that is kind of always happening. I think, to start where you did in terms of the comparison, I think how we thought about The Nod is more so we were trying to reflect what we saw. And I think For Colored Nerds is more definitively how we think if that makes any sense. I didn't and I know Brittany, you might disagree, but Yes, just now. Yeah. But when we're thinking about that conversation, basically how we think and how to reflect that to our audience, you know, we are looking at things that like could or either maybe a lot of things start evergreen and become more topical, if that makes any sense. Because also that's kind of how I think our conversations often work we're just kind of talking about things that we've noticed or things that we've seen and they start to kind of build momentum towards like something that could be like on the show and like with it, for example, we consume dating reality shows at an unhealthy clip, we are committed to that genre. And you know, we're always kind of talking about like what we saw how we feel about you know, any given show or episode and it's starting to kind of come to the point, I have this idea that feels like a connects kind of like what I think about all those things, and then bringing like what or, you know, I actually had This idea I was thinking this. And so we start to build that for the episode. And then as we get closer to, you know, having the conversation, we start to realize like, Okay, well, what are the things happening right now that relate to this larger conversation? How can we incorporate that and you know, that changes things as well? So we're always shuffling Jesus, always shuffling our calendar, because that process changes, you know, you might the Evergreen thing might need more time to become a little topical, the topical thing, you know, feel too much like a flash in the pan need to be more evergreen. So, you know, shout out to our producer Alexis, for, you know, really like just kind of rolling with how much of the changes we, you know, sometimes need to make to the schedule. But if we're in conversation with our audience, we want to make sure that we're reacting to that in as healthy a way as possible.Brittany Luse 20:49Yeah. I mean, yeah, it's tricky. Just because like, on one hand, I don't know podcasting is so interesting in that it is one of the few truly long-form digital media. So you know what I mean? Like, other than maybe, like, reading long-form journalism, which I think we've learned over time, not everybody does. That's part of the reason why we've gotten to the place that we are in society right now. Podcasts are digital, and so on some level, they can feel kind of ephemeral, but they live on the internet for so long, in like a well-indexed, centralized place. And they're long. People will listen to two hours. I mean, people I mean, me, I will listen to two hours, that type of just BS, like nothing, like people just talking about old gossip. Like, I have no problem that, for me is something that I totally enjoy. And there's so many, the success of so many shows out there is really just people wanting to listen to someone talk sometimes regardless of whether it's evergreen or of the moment. And so it's tricky, because like we do find ourselves straddling that line a lot of the time, sometimes, I think we managed to like really kind of, like get it really right and hit something at that moment where it just feels really fresh, you know, and really, like well thought out, even though it's coming out like right, as the moment that sounds like something is kind of cresting out there in the zeitgeist. But I mean, that still is kind of like at odds with how we think about engaging some of the topics that we do on our show, you know, we try to be thoughtful, we try to be careful in making sure that we're expressing ourselves in a way that's clear in a way that's not going to be harmful to others, in a way that's going to be entertaining. And that does take time. So sometimes, you know, sometimes we'll be chasing our tails a little bit. Trying to get stuff out the door. Yeah, but I don't know, it's like, we try to have even some of our most topical episodes still have that sustenance to them, that will get somebody to want it, you know, come back and listen to it for a second, third, fifth time, or even discover it three, four months down the line, even our most topical of the moment episodes, have that extra something to them, that keeps people you know, feeling engaged long after the moment of that episode has passed. Dan Runcie 23:06For me the episode that you all did that. I think it's that exact point, Brittany, is the Girlboss in the City episode. I feel like when I heard that, I wanted to listen, because I was like, Wait, is this what I think should be by the terrible? Okay, well elicited a demo, I heard I was like, Okay, I see the trend. That makes sense. Okay. Like, and then, you know, just hearing, you know, your take, and I know, you know, just some of the other examples, I'm like, Yes, like, that makes 100% sense. And I think what makes it resonate, not just is it the trend itself, but it also I think, as a listener for me makes me think about, okay, what are some other trends that are like that, because I think so many of the things that we may think may be celebratory, especially in this past six years, where I think we've seen a great influx of more black media and more black representation, especially whether it's with your Netflix or with your streaming services. That said, there are still plenty of, you know, opportunities and holes and tropes and things to push back on. So I've been thinking about that piece ever since you all put that up.Eric Eddings 24:09Thankfully, like, it was one of the things, most of our episodes, also when we're making them, I don't know if Brittany feels this way, but I often feel a bit kind of crazy, because we'll have an idea. It's not like we don't really deal and hot takes that's kind of why Brittany was like, you know, we take our time we try to make sure we're, you know, fair, we do our research. And so, you know, sometimes when we come upon a thing where we're like, Okay, now this is the take, and we see this trend, we feel like we can define it and then there's that moment actually right after in between having recorded or talk through the episode that we're going to record and it coming out where I feel crazy because now I'm like, I see it everywhere. And it doesn't it's like you know, like almost like they live where you have the sunglasses all you see like people as aliens. It's kind of like that. And so, you know, with that episode it was really exciting to kind of make those types of connections. Because like that genre I have been consuming not as a genre, I have been just like catching pieces of it. And it wasn't until like being in conversation with Britney, that I'm realizing, Wait, this is a genre. And you know, when you're thinking about that, that means something might change in terms of how you consume it. And so like, you know, a lot of the surprise I had or like, I was, you know, Brittany was explaining this thing or how she feels about her genre before it's worth, as you hear me, I'm coming to it, you know, I'm saying like, I am embracing it to kind of formulate my own ideas. And I think, yeah, I think the audience appreciates being able to hear kind of both sides of that, like the person who has, like, you know, who feels like they, they know, their I know my shit, I have figured it out, I see it, and then that person's like, Well, wait, actually, oh, shit. Like, you know, like that tug of war, I think can be really, really fun. It happens in so many different ways. Like, you know, back and forth, which is, you know, part of what's so fun about show.Brittany Luse 26:00Yeah, I'm really glad that you respond to that episode, because, like, sometimes, we'll be putting stuff out and it's like, okay, I know this is interesting to me. Like, you know, like, Oh, get out here on a limb talking about you know, all these white women and Sex in the City on this For Colored Nerds show you know, I'm like, how are people going to respond? We did an episode more recently about me looking at like moms throughout pop culture and how my favorite mom on TV right now is Pamela Adlon on better things, a white woman. And I'm like, I tweeted before the episode came out, I was like, Look, by these episodes, gonna be bought one of my favorite white women, but I need y'all to trust me. And it came out on March 1, and someone tried to catch me they were like, don't do this during Black History Month. And I was like, it's gonna be March 1. But yeah, I mean, sometimes it's a little, it's a little stressful to think about, you know, like, we have so many conversations, me and Eric, and also us with Alexis William, our producer, like we have so many conversations as a team. Just like pinging things back and forth, we have a group chat, where we send articles, messy stuff from the internet, Twitter, beef. I'd like to talk about this thing. It said, when we have episodes like that, it sometimes feels like we're like letting people into like, I don't know, it's like opening up your medicine cabinet, or you're like utility closet for somebody, it's like I'm going to show you something might be a little weird, but we'll see how you respond. So it's really nice to hear from you. Like, as somebody who is like both has their finger on the pulse of what's happening, sort of like immediate entertainment. But also you don't strike me as much of a Girlboss. But it's nice to know that you felt the episode as well.Eric Eddings 27:39The other thing you spoke to the moment a bit, and I think is important to kind of come back to that, like the kind of the moment that we're in. You know, I think a part also, while we were so excited to return to the show, you know, like for us, I was actually weird. I was talking about this with a friend yesterday like I start I'm watching this, I'm watching the changes in media, people come in into the space making stuff that like, to be frank, I've always kind of dreamed of seeing or listening to. And the thing that I'm so happy about is that you know, I don't know how to shut off the brain, the part of my brain is trying to understand where it's headed, and figure out how I feel about it. And so, you know, it's so awesome to kind of have that space where we can do that. And I think even one of the things we realized is that looking kind of back at, you know, both The Nod and For Colored Nerds, we were doing a version of kind of that same thing. We've often talked about it feeling a bit like a time capsule. And so you know, I'm happy that you came to this came to Girlboss in this moment, because I'm also so curious about where it goes and like then we can you know, even selfishly, I can look back and kind of be like, listen to that, like, Oh, it's so interesting that that's where we were considering, like wherever we end up because look at the news house, it's kind of like we have no idea. The world is crazy.Dan Runcie 28:51Oh, yeah, I think the time capsule piece is a great way to play it. Because yeah, as you put it, we are in this era where so much is changing right now with Black Media, and who knows what we may be talking about in 2025, right? Maybe there's a different type of trope, maybe things are better. And there's, you know, less, you know, of a need to dig into tropes. But I think there's one thing that I do think about that will probably always be a bit of a time capsule itself. Maybe not just for you all, but in general of like how we look at it, and maybe I guess I'd call it the perception of Tyler Perry. Books out and as a business person, and I think we could probably do consider I know he's been a common theme on your shows. And going back and listening to someone else can probably reflect maybe where and I don't want to say their culture because people have such a wide opinion of Tyler Perry even within the black community. Oh, yes. But it's interesting because I think that you all could probably relate to maybe how I think about him and what he's built because on one hand, it is so impressive to see this person that literally built what he was able to create and given the circumstances and As a black business leader, it is inspiring to see that. On the other hand, as people like me that often live on Twitter to log every few days, there's slip time that clip that's like, no Tyler Perry Studios has to be shut down. Because it's some clip of someone wiling out and doing something ridiculous that would never be seen on any other type of broadcast. And you're like, what? But that's part of the basic this. And I mean, I could go on for days about it. But yeah, where are you both right now with Tyler Perry? Brittany Luse 30:32My feelings swing like a pendulum about how I feel about Tyler Perry. Like, on one hand, I mean, I'll say this, like, I think the older I get, and the more his legacy like continues on, I really enjoy the camp of Tyler Perry, Tyler Perry. Like almost has no, not almost Tyler Perry has absolutely no shame. Tyler Perry is one of the most shameless performers I've ever seen in my entire life. He leaves it all on the floor, he holds literally looking back, like, I don't even think he has an unexplored idea. In his mind. I think he literally has an idea. I can take action on each of them. And I think that we've seen them meet as possible. So like, I don't know, there's something about like, him just not giving a shit that I really connect to. And he just like leaning in and doing whatever he can to entertain people, maybe second himself first, I think I love that. It's amazing. When Tyler Perry also shows up in somebody else's movie, his acting… like I had never seen Gone Girl until like two years ago. And I watched it and I found myself saying this is just like a white Tyler Perry movie. And then he was in the regular person. Like, Star Wars. I think the Star Wars played a regular person. Yeah, like, I think that is so funny. And I kind of Oh, yeah, yeah. It's funny the level like, I think he kind of knows he's ridiculous. And I like that. I also like, you know, he said a bunch of things about like, how his content is like, it's very accessible in every sense of the word. And also, like he like, does make family entertainment, which like, when you think about like, when we get together, black folks get together to watch movies or play games or have you know, Christmas dinner or whatever, wherever we're going to turn on after that, you kind of do want that multi-generational entertainment that's got a little something for everybody, maybe slightly risky, with a Christian message. It serves a purpose. And he's put so many black actors and not writers. But what I would say something that I found out is that like crew people, like basically like if you're on Tyler Perry crew, if your editor, you're a gaffer, whatever, for what I understand, you're making good money, like he'll pay you in Atlanta, what you would get paid in New York or LA.So it's weird. It's like I have such complex feelings, because obviously, like, he doesn't employ writers at all, which is pretty clear. Even if you didn't know that for a fact, I think it's pretty evident from the work he does employ writers at all. I mean, there's so much to be said about his content and what some people might think of as like it being harmful or holding black people back or engaging stereotypes, especially stereotypes about black women. I mean, all of that stuff is true. But I do find Tyler Perry interesting as somebody who like has built an honest business what I mean, when I say honest business is like, he knows exactly what people want from him. And he gives it to people consistently. He knew somehow that like if people would watch me playing Medea completely made up character, that people would watch grainy bootleg DVDs and be playing Medea and gospel stage place with their families, they absolutely would buy a 15 $20 movie ticket, they absolutely would go to see me in person, like on tour. And they absolutely would tune in if I was on Oprah. And that was a pretty smart way to build a brand. If you look back at it. That's what I mean, when I say that Tyler Perry has an honest business. He provides exactly what he has always promised, and there is something compelling about that. That's where I am today.Eric Eddings 34:18It's almost like I can't quit him completely. If that makes any sense. Like, you know, to Brittany's point, there's so much he's accomplished so much. And it's so fascinating how he uses that those accomplishments to facilitate by where there's growth, his own growth, the growth company where growth is in the medium, whatever, and it's just so hard to pin down his reasons, you know, saying in terms for any one thing, but you can't help but be fascinated by it like yeah, it's one of those people like I respect what he's accomplished so much and you know, they're even don't get twisted. Another big piece of this is that I try to have very complex thoughts about what I want the world to be. And I try to educate myself, I try to really, you know, say, like, do the work of understanding who I want to be in the world, but also try not to be above at all, if that makes any sense. And I think like with Tyler Perry, sometimes people can, like, turn their nose, like the folks who enjoy his content, because of all the things that come along with it. But also, like, we can't lose the fact that like, people are being moved by this in some way. And I try not to be above I try to meet them where they're at, would I challenge him to maybe make a few changes? Absolutely. If I had the opportunity, you know, do I think that like, you know, maybe even those people were in his audience deserve a tiny bit better? Absolutely. But guess what they're happy. And you know, like that, it gives me the thing that I can connect with that, you know, that cousin who I only see at the family reunion or, you know, I'm saying like on will help more recently, the family Zune call or whatever we're doing, you know, nowadays, like, it gives me that thing that I know, I can connect with him about, you know, and I send my thoughts about everything else related to the movie to the group test, you know. So yeah, you got to respect it, even though you also maybe have to critique it.Dan Runcie 36:06100%. I mean, look at how he's got about just being unapologetic. I think back to that clip that he had with Kenya Barris, where Kenya Barris said something to the effect, you know, I'm always making shows that I'm trying to seek white people's approval or rotten tomatoes or whatever. Tyler Perry's, like, I don't give a fuck about Rotten Tomatoes, or any of this stuff. Like I'm making it for the people I make it for right. And then you see Tyler Perry, like two years later getting honored by the Oscars institution that he totally does not care what they have to say like, and this is how he's built himself. And there is something amazing with that, right. And, Eric, I do like the point that you brought up regarding how it can be easy for people, especially within, you know, black folks to turn their nose up or look down on the people that clearly enjoy this content. And in some ways, it also makes me think of no different than how in, you know, the most recent election in the primaries, people were turning their nose up at some of the black voters in the south and who they supported as the, you know, Democratic candidate and it's like, no, like, you can't just, you know, play this elitistness of how people look at their content. And I think there is, you know, to your point as well, Brittany a beauty and who else can relate. I mean, I've talked to my mom about Tyler Perry, and you know, she's a big woman in her 60s, and you know, she'll watch beat the browns, and she's no problem with it. And I think, you know, it's great that she does that, right. And I think, you know, just being able to have that kind of comment places like okay, yes. Why does this exist? I'm still gonna laugh when somebody takes a clip of it and posts it on Twitter and be like, What the hell was this? But, no. Brittany Luse 37:47But no, I mean, to this day, sometimes me my turn off the dinner scene, like the dinner reveal scene from Why did I get married? I mean, you can just turn that on anytime a day. And you'll be laughing for 50 minutes straight. I'm sorry, that was a good movie. When I first started dating my fiance I think maybe five weeks into us dating five weeks, and I got the flu. And he took care of me, which is like a, you know, thing that definitely set him apart. But the thing is, like, the first thing that he did was turn on why didn't get married? He was like, Oh, you're sick a bit. Let me turn on this tell I could have put you in a better place. And he was absolutely right. There's something about this stuff. It's just, it's comforting.Eric Eddings 38:31It works. It definitely worksDan Runcie 38:32it definitely does. Alright, well, before we let you go. I wanted to talk a bit about hip hop. Of course, this is an area that I do cover with the podcast and it's just an interesting thing for me because both have my personal interest of someone that like anyone that music I grew up listening to in high school and college definitely will always have a special place for me, but I'm covering now and looking at a lot of people whose music I may not necessarily seek out but I'm still you know, I'm following to make sure that I can, you know, not just be as subjective as I can. But obviously, you know, it's hard not to do that. But I guess it's people that are also in the media space. And you know, also you know, I guess I'll include both hip hop and R&B together, it'd be good to hear you know, what's your relationship like with current music made by current artists compared to the music that also may have been popular when you were in high school or college? What is that relationship like for you?Eric Eddings 39:30It's funny. We've been talking about this a little bit just as a group as a show team, this exact point, at least for me, you know, it's a really kind of interesting moment because like, I was somebody you know, back in the like, blog era Hip Hop time, you know, I was like, I caught every night right post you know, I'm saying like, I was literally because I google readers, I would make sure to click everyone listens to like first 30 seconds of the mixtape or whatever to see if I liked it, and then you know, kind of come back to listen more later, I got time for it now, you know, like, there's just too much going on. And so, you know, I found myself at the place where I have learned that like a lot of people get like once they kind of hit their mid-30s actually start apparently retreating to the things that made them most comfortable. So I feel myself doing that, but also, to your point, like I feel conflicted about it, because I'm like, Oh, shit, I'm not trying to tap out, I'm not trying to, like push myself back from the table, you know, I'm still here. And so, you know, I do try to catch some of the kind of newer artists who are kind of coming out and watch, again, for the trends of what I see. And so you're, I'll still try to listen a little bit online Fridays when stuff comes out. Like I'm trying to, like hear a little bit, but not all the time, like, there have been folks who have kind of risen above and often it's the first kind of connected to the people to the artists who I kind of evangelize from a little bit before. So like, Baby Keem, for example, I've been like a huge fan of like, you know, some of his like tracks that come out on the album, he obviously you know, his Kendrick's cousin, you know, but just like that kind of folks who are kind of in the orbit of others that No, I can feel most confident about in terms of whether the sound is going to be kind of what I'm looking for. Because also hip hop is really changing. And like, you know, it's changing around me in a way that I don't always connect with, but I respect that power and the fact that like, you know, it's a living breathing thing, it's gonna become something else. And so, you know, I'm trying to understand a little bit of the trajectory of kind of where they're going to be able to just understand how my relationship to it is changing. So yeah, it's a complicated time. I'm not like, I think I told Brittany this at this moment, listen to more r&b than I have ever in my life.Dan Runcie 41:41Are we talking about modern like R&B artists or like R&B back in the day,Eric Eddings 41:45All of it, I'm talking about, you know, like, everything from the help that rerelease, hotels to, you know, Jazmine Sullivan, to you know, going back, and I have literally I call it like, oh, people cookout music, their playlist has been good, that placement, plenty of work for me, you know, so it really runs the range. And some of that comes from just like the volatility of the world right now, you know, but I don't want to say that, like, I don't know, I think Hip Hop reflects more than what we can consume. And so what I have been seeing recently has sometimes stressed me out, you know, and so I found myself leaning on other genres, but I do still have hope that they're gonna swing back, and there's probably gonna be somebody else Hill, everybody's talking about Kendrick coming back this year. So maybe, you know, he can inspire some folks, we'll see. Because, sorry, I rambledBrittany Luse 42:28As far as music. So I really like music that I can sing along to and kind of what Eric was saying. Like, I like to say things that like, especially like I like listening to, at this point in my life, rap and hip hop, that makes me feel aspirational. And I feel like female rappers right now are the only people who are rapping about things that actually you'd want to do. They're like, oh, I want you know, they're basically like, I want to have sex with a really hot guy. I want to make a lot of money. I want to buy expensive things. And I want to go on a trip. I'm like, wow, yeah. I mean, I identify with that until like, they say, a really poetic way. And they put a great beat. I'm like, This is what I'm talking about this. I understand. They're always just like, I'm so flying. So cute. I'm so beautiful. I'm gonna have it? To me, this never goes out of style. I think that sometimes when I hear some of the young, these young men, everything is like Xanny, Xanny, Xanny. And my thought is like, I know, I'm getting really getting older because I'm just like, Oh, my God, they are stressing me out. Like, are you drinking water? Are you taking breaks? Do you have a trip, buddy? Like, you should not be taking all these empty bars by yourself and being in a club, and I tell anybody is not safe. But also like, some, like, I want to listen to things that are gonna like make me feel good or ease my stress. And I think to Eric's point, right now, I don't feel like listening to a lot of younger male artists at this point eases my stress. That's not to say that I don't think there are quite a few people that I hear that I'm like, oh, man, that sounds really good. That sounds interesting. But I also don't follow music as much as I used to when I was younger, I was kind of into like, some of like the block hip hop. I used to follow a blind eye for the kids. And I was always downloading all the stuff and listening to it. And it was fun. But like, I didn't have like the type of bills I have. Now. I have more energy. I'm tired now. And so I think even sometimes deciding to try something new feels like it can take energy out of me when I'm like I can just go straight to something that I know that I'm really going to enjoy. So because I love music that I can sing along to. I have always been a pretty strong r&b listener. My parents are really an r&b I've actually found myself enjoying present r&b and real like real good singers like a Jazmine Sullivan Ari Lennox, JoJo, like people who really can think I do like to listen to music. I love pop. But you know, speaking specifically, to slightly close up. I've been listening to a lot of older r&b stuff that like I will hear on like a 70s mix or something like that. And it'll like take me back to being in a car of my parents on a Saturday night coming home from one of their friend's parties, hearing like a quiet storm set on the radio, and I'm like, Oh my gosh, I haven't heard the song in 25 years. Like, I've been listening to a lot of that stuff. And I don't know, it just puts me in a good state. And I feel like some of it really just speaks to my emotions, maybe that I'm experiencing as in like, as I'm getting deeper into adulthood as I'm like a real adult now at 34 when I wasn't really 27, 24, 22. I think that there's like a, I don't know, like something about where the melody hits. The lyrical complexity is just I don't know, I understand basically, now are my parents were like 35, 40. And listening to Angela Bofill. Late at night, driving workplaces. So I mean, but what I will say is that my opinion on what music is popping right now, I'm actually I don't care that much about my opinion, even if I don't listen to everything. I really want to know what young people are responding to. Because I think what they think of their music is a lot more important than what I think of their music. Like, it's fine to me that like, I don't connect with it, because it's not meant I'm not meant to connect with it. Like my time of wearing you know, as the kids say, like the Olivia Pope business casual in the club, I had a stat investment for over 21. I worked for a party at Rutgers in 2007. Those days are behind me, thankfully. But yeah, I think I don't know. That's what part is more like tick tock tick tock, like playlists, or even just like seeing what's hot on the charts. Keeps me up with like, artists that young people are super into. And also even sometimes on TikTok, there'll be people who are way younger than me, like 1015 years younger, who like to make Top Five artists I'm listening to right now. And I get to hear snippets of their music. Like, I'm just interested in what they think about their music, because like, honestly, what they think about their music and how it speaks to them. That says a lot more to me about their, like, where culture is headed, and what they're into that like me listening to something and being like, What the hell is this? You know, I'm Auntie now and it's fine.Dan Runcie 47:09Yeah, that's the exact point there. I think that I, like, in my view, group chats, people will do this thing. Every year, someone will post the annual XXL freshman class, and then they're like, Hey, do y'all even know when you these names in here? And I'm like, bro, you're 39 with you. They're not meant for you. Like, yeah, this literally isn't meant for you. And so I think about that piece, right? And maybe even more. So now. It's like, I think that some of these artists the same way that media general is just becoming more niche, they know, their audience, they're leaning into it even more. So that may be some of the forced mass marketing that they would have been pushed to do, you know, 20, 30 years ago before.Eric Eddings 47:49To your point, they're smarter, you know, saying you don't need to, and also how people think about what a hugely successful career in music is different and slightly now, you know, like, there is not actually the same scale as there used to be or if that scale exists is only for a much smaller amount of folks. So like, I think people are coming into the game. Now, the game sound like I'm trying to be cool, but like, people are coming into hip hop now trying to, you know, like, sustain themselves and have a long career as opposed to always being, you know, trying to necessarily be like the person at like, the top the charts. And I think that actually is really great. I think because again, the sustaining is a part that is really interesting, because we've seen so many of our, you know, favorite rappers or musicians period just kind of like burn themselves out or get burned by the industry. And then they, you know, disappear after a few albums. So yeah, you know, like the like, I'm still shocked futures is produced it, you know, he's had a long career, but like, I think there are a lot of.Brittany Luse 48:48vVery true.Eric Eddings 48:51But yeah, there's so many others. I'm like, I want them to be able to have the longevity in this space, especially a lot of the female rappers out here now, I am excited to see them. So in control of the business as well, because of how, like, you know, they're smarter about what that's going to protect for them later on. Man is like getting her shit together. She learned about the run me off the paint. Like, I know what the contract the paper is supposed toEric Eddings 49:18The sauce was good. It was good.Brittany Luse 49:19It was it was great. Yeah.Dan Runcie 49:23Oh, man, we could talk about, you know, hip hop all day. But I know we've run out of time. But before we let you go, I feel like that last point you made was probably a good note to just tie things up, right? People are getting smarter about knowing their audiences leaning into it. And I think that speaks a lot to what you both have been able to build over the years with For Colored Nerds with The Nod and then you know, back with for color nerds. Again, I think that having an audience that has been with you this long, just speaks to the work that you've done in all of the that goes into it. So thank you again for coming on. And I mean, both as a listener and as a fellow podcaster, it's been great to watch both of your charity. Thank you. It was great.Eric Eddings 50:05last night. Yeah, seriously,Brittany Luse 50:07You do great work/ You made this infographic like a flowchart about ESA raised businesses and how they Yeah, like how each one feeds the other. Like talking about why she still has the Patreon how she's thinking about radio and this was probably like three or four years ago or something like that. It was like instant follow. So it's cool to be here with youDan Runcie 50:31Thank you. That means a lot. Really appreciate it, really appreciate it. If you enjoyed this podcast, go ahead and share it with a friend. Copy the link text it to a friend posted in your group chat posted in your Slack groups. Wherever you and your people talk, spread the word. That's how Trapital continues to grow and continues to reach the right people. And while you're at it, if you use Apple Podcasts, go ahead rate the podcast give it a high rating, and leave a review. Tell people why you like the podcast that helps more people discover the show. Thank you in advance. Talk to you next week.Advertising Inquiries: https://redcircle.com/brands

Rod and Karen are joined by Brittany Luse and Eric Eddings of the For Colored Nerds Podcast to discuss our love for their show, that time Rod forgot to email them back (awkward), how Brittany and Eric met, starting their podcast, dealing with criticism as Black creatives, the dynamics of creating The Nod, working with a team, creating a show on Quibi before Quibi shut down, going through their podcast negotiations in public and what they're working on now. This was a fun conversation that was long in the making. We hope you enjoy it as much as we did. Our Anchor Referral Link Twitter: @rodimusprime @SayDatAgain @TBGWT @bmluse @EEddings Instagram: @TheBlackGuyWhoTips Email: theblackguywhotips@gmail.com Blog: www.theblackguywhotips.com Teepublic Store Amazon Wishlist Crowdcast Voice Mail: 704-557-0186

“For Colored Nerds” hosts Eric Eddings and Brittany Luse discuss some weird and wonderful things from the week. Book Riot's Liberty Hardy shares some of the best books coming out in the early months of 2022. Her list includes… “Yinka, Where Is Your Huzband?” by Lizzie Damilola Blackburn (1/18) “Memphis by Tara M. Stringfellow” (4/5) “Sea of Tranquility” by Emily St. John Mandel (4/5) “Unlikely Animals” by Annie Hartnett (4/12) “Nettle & Bone” by T. Kingfisher (4/26) And WHAT IS TIME?! We ask Chad Orzel, physicist and author of the new book “A Brief History of Timekeeping.”

Brittany thinks we're all Ediths Show watched: Downton Abbey, S1, Ep6 Support this podcast on Patreon! www.patreon.com/cringewatchers Special guest: Brittany Luse https://twitter.com/bmluse Binging/Cringing: Leila is binging the second season of Nora from Queens Lori is binging the latest season of Queer Eye NYT profile of Brittany and her podcast cohost Eric Eddings on the relaunch of 'For Colored Nerds' https://www.nytimes.com/2021/11/17/arts/brittany-luse-eric-eddings-for-colored-nerds-podcast.html Ad: Shoreline Wild Salmon https://www.shorelinewildsalmon.com/ Credits: Our editor is Karen Y. Chan www.karenychan.com Judith Walker created our logo and cover art Dallas DL Engram created our theme song @dadollars Our ad music is by Sidhartha Corses www.siddharthamusic.bandcamp.com/

A group of elite colleges and universities this week found themselves at the center of a lawsuit alleging that they conspired to limit financial aid to admitted students. Sam talks to Washington Post higher education reporter Danielle Douglas-Gabriel about the lawsuit and what it means for students and families across the country. Plus, Eric Eddings and Brittany Luse join Sam to talk about the era of Black abundance in media and their revamped podcast, For Colored Nerds. You can follow us on Twitter @NPRItsBeenAMin and email us at samsanders@npr.org.

Should you eat fast food on vacation, or should every meal be at a special local place? Is soup bar food? Does ice belong in milk? Brittany Luse and Eric Eddings join Dan to answer your questions — and to settle some long-standing food disputes of their own. Brittany and Eric co-host the podcast For Colored Nerds, a show about Black culture. They're also old friends, which means they argue about everything -- from how Eric eats wings to the merits of soup. So they're well-qualified to help when an eighth-grader calls in about a dispute in his class, and when two best friends differ in their approach to vacation eating. //Get 500+ more great Sporkful episodes from our catalog and lots of other Stitcher goodness when you sign up for Stitcher Premium: www.StitcherPremium.com/Sporkful (promo code: SPORKFUL).Transcript available at www.sporkful.com.

Alex Babin, CEO at Zero, says that the beautiful part about automating processes is to make the machines work the way the lawyers work so that you get a Return on Invest starting the very first day. For many of us, Alex brings up what we might think as the Holy Grail of implementing change in a law firm, and that is to allow the attorneys to continue working the same way and have the technology do the administrative tasks in the background. With little to no interaction from the attorneys. He says that the best product is the product that doesn't have to be implemented. The best software is no software so that you don't have to teach them how to use it. Babin's product Zero for email compliance, along with the new mobile time capture Apollo is designed to reduce the time spent on these non-billable, administrative tasks for lawyers. Information Inspirations Brittany Luce and Eric Eddings have returned to their podcasting roots after finally leaving The Nod and the mess at Gimlet Media, and their video version of The Nod after the collapse of Quibi. After seven years, they resurrected their original podcast, For Colored Nerds (FCN) on Stitcher/SiriusXM where they discuss Black culture from their own nerdy perspective. Brittany and Eric are great and vulnerable storytellers and their return to FCN, as more mature adults, is a great place to tell and listen to their stories. Sometimes hardcoding tech gets better results than what you might find with AI, machine learning, or neural networks. BRAIN was developed in the 1980s and is still around today using the idea of "weaving" to identify objects like pastries. The accuracy of this established technology is very good and shows that not all shiny new things are better than the tried and established processes. The New Yorker has a great article on the use of BRAIN. Contact Us Twitter: @gebauerm or @glambert. Voicemail: 713-487-7270 Email: geekinreviewpodcast@gmail.com. Music: As always, the great music you hear on the podcast is from Jerry David DeCicca. Transcripts are available on 3 Geeks and a Law Blog.

This episode is two things good for you for the price of one from some of my favorite longtime podcasters. Brittany Luse and Eric Eddings started For Colored Nerds, which morphed into The Nod, and now they're bringing back For Colored Nerds, and I can't wait for it. But today, we're talking about what they do when they're not working: the pleasures of wandering aimlessly and  coloring outside the lines.    Indulgence Brittany recommends eating by yourself. Eric recommends A Million Little Things.   Guests - Brittany Luse is an award-winning journalist, on-air host, cultural critic, producer, and editor. She most recently co-hosted and executive produced The Nod with Brittany and Eric, a daily streaming show. Before that, Brittany hosted and produced The Nod and Sampler podcasts at Gimlet Media, and the independent podcast For Colored Nerds. Follow her @bmluse on Twitter and Instagram.  - Eric Eddings is the Director of Lifestyle Podcasting at Stitcher and co-host of the For Colored Nerds podcast. He most recently co-hosted and executive produced The Nod with Brittany and Eric, a daily streaming show about Black culture on the Quibi platform. Previously, Eric hosted and produced the podcasts The Nod for Gimlet Media and The Decade Wrapped for Spotify. Follow him @eedings on Twitter and Instagram.    Sponsor - BetterHelp, a secure online therapy service. Get 10% off your first month at betterhelp.com/thisisgood   Find Us Online - Twitter: @ThisIsGoodPod - Instagram: @ThisIsGoodPod - Merch: thisisgoodpod.com/merch - Patreon: thisisgoodpod.com/patreon - Nichole: @tnwhiskeywoman - Multitude: @MultitudeShows - Email: thisisgoodpod@gmail.com   Production - Producer: Eric Silver - Editor: Brandon Grugle - Executive Producers: Amanda McLoughlin and Nichole Perkins - Theme Music: Donwill - Artwork: Jessica E. Boyd   About The Show Nichole Perkins wants people to stop feeling bad about feeling good, and This Is Good For You lets you know you are never alone in what you like. Every episode, Nichole explores something that people love—whether it's needlepoint, watching bad movies with friends, or cowgirl exercise classes—and asks experts and devotees why it makes them happy. She ends each show with an Indulgence: a recommendation listeners can enjoy with no remorse. There's no such thing as a guilty pleasure when you learn to love it freely! To find out what's good for you, listen to new episodes every other Friday.

 Andrew talks with Eric Eddings and Brittany Luse about the reboot of their podcast For Colored Nerds, homemade spicy salad dressing, and the movie The French Dispatch.  Later, they answer listener questions about Asian Lives Matter and deplatforming on Facebook. Leave a voicemail with your questions at 323-389-RACE and subscribe to Tawny and Andrew's bonus podcasts at suboptimalpods.com And check out our new merch at suboptimalpods.com/merch! See omnystudio.com/listener for privacy information.

It's game night, so get your "Draw 4" cards ready 'cause it's about to go down! Josh and Tracy invite the very special and highly competitive hosts of the For Colored Nerds podcast, Brittany Luse and Eric Eddings, to share their favorite game night memories, some game night horror stories, and play an original game Tracy invented called Aight Bet! Will they still be friends afterward? Gotta listen to find out! Then, Josh and Tracy talk to someone who makes games for a living, Teddy Philips, creator and developer of the mobile apps For the Culture and For La Cultura, who explains why game night is so vital to American Black culture, and why there's a need for more games for us by us. Learn more about your ad choices. Visit podcastchoices.com/adchoices

*This week we recorded a supersize episode on Black meme culture for the London Podcast Festival this past Sunday (9/5/21). To get access to the full show, you have until September 12th to watch it. The stream will be available to everyone who purchases a ticket. Just visit FANTIPODCAST.com for the link.*In the meantime, please enjoy this abbreviated version featuring Shar Jossell who joins us to talk about Lil' Nas X's pregnancy pics and make predictions about what's in store for our favorite characters in the final season of Insecure. Plus, the one and only Brittany Luse (co-host of For Colored Nerds podcast with Eric Eddings) weighs in on meme culture, and in particular Black meme culture--the good, the bad and the painful.The live show featured lots of surprise guests, including producer extraordinaire Jordan Kauwling, a song association game hosted by Cor.ece, the first face-to-face listener feedback segments, an AMA, and dope graphics.Go ahead and @ usEmail: FANTI@maximumfun.org @FANTIpodcast@Jarrett Hill@rayzon (Tre'Vell) @FANTIpodcast@TreVellAnderson@JarrettHill@Swish (Producer Laura Swisher)FANTI is produced and distributed by MaximumFun.orgLaura Swisher is the senior producer.

Tonight we'll learn about personal space from Eric Eddings, our Gimlet friend and host of the show The Nod! Grown ups, you can find The Nod on Spotify. Learn more about your ad choices. Visit podcastchoices.com/adchoices

It’s the last week of a month full of listener letters! Babs and Favs crack open their emails once again and answer your questions about pronouns, Mexican anime, staged celebrity death conspiracies and much, much more. Bon Appétit!  As always, send your questions to AskLWLpod@gmail.com and we may read them on a future episode. #podsincolor #supportbrownpodcasts #supportlatinxpodcasts  #lwlpod #latinx Show Notes: Texas Emergency Resources - PLEASE DONATE (https://docs.google.com/document/d/1l_lsw37t_Vqg5nspK7T1FFwqgWyNrYCVlIrY0Kt93NM/edit?usp=sharing) Meow Wolf  (https://meowwolf.com/visit/las-vegas) Live in America (https://www.live-in-america.com/community/las-vegas/) Eric Eddings tweets about Reply All  (https://www.nytimes.com/2021/02/18/business/media/pj-vogt-reply-all.html) Onyx Equinox (https://www.crunchyroll.com/onyx-equinox) Estamos Bien at El Museo del Barrio (https://www.elmuseo.org/la-trienal/) Tea with Queen and J. - The Gender Episode (https://soundcloud.com/tea-with-queen-and-j/281-the-gender-episode)   Thank you to all of our supporters on Patreon (https://www.patreon.com/latinoswholunch) and Paypal (http://www.latinoswholunch.com/donate) Buy the ABCs of Latinidad Coloring book (https://thewritersblock.org/?q=h.tviewer&qsb=keyword&qse=ZzjQjUtIw2ckZaqLBU_Zqg&using_sb=status)

We can't seem to stop talking about the value of workers unions on our meme podcast. This week, we dig into the role of Twitter in the Reply All/Gimlet/Bon Appetit drama that's unfolding. Also, Amanda tells the story about how recently, she accidentally became a dog's press secretary. She also shares how not-so-recently, she participated in a Lincoln-Douglass debate about the Cullen family at Borders. Plus, apparently dads are on Clubhouse? Who knew!    Show Notes Gimlet thread from Eric Eddings: https://twitter.com/eeddings/status/1361789128006897668 Levi Fetterman's dog breed announcement: https://twitter.com/asilbwrites/status/1359176839827234823 Dogs as campaign surrogates: https://www.nytimes.com/2020/01/28/us/politics/democratic-candidates-dogs-bloomberg.html Dick cake: https://twitter.com/isabeljkim/status/1360439095902818307 Amanda's dad is on Clubhouse: https://twitter.com/KenSilberling/status/1363520694584287234 Ashton vs. Anderson: https://www.cnet.com/news/ashton-outmaneuvers-cnn-to-1-million-on-twitter/ Blaseball returns (and we'll have an episode about it in a few weeks): blaseball.com   Find Us Online  Twitter: https://twitter.com/wowiftruepod Instagram: https://www.instagram.com/wowiftrue Facebook: https://www.facebook.com/wowiftrue Patreon: https://www.patreon.com/wowiftrue Website: https://wowiftrue.com/Email: wowiftruepod@gmail.com   About Us  Wow If True was created by Isabel J. Kim and Amanda Silberling. Our music is by Sam Rizer, our cover art is by Isabel J. Kim, and our web design/audio editing is by Amanda Silberling. We like memes.   

Brittany Luse and Eric Eddings creators of popular podcast The Nod Talk Turning their podcast into Television Gold with Quibi. Brittany and Eric from the knod. I'm sure listeners will recognize the nod. You guys have been doing this for a long time. And yes, you have right and that's one of the things you talk about a lot on your podcast is how long you guys have been friends. And I love that about you all. I love your rapport and I want to start there. I know you have shared the story before, but let's just start with how you all built your relationship prior to the podcast. Yeah, I mean, honestly, it's just, you know, kind of regular degular friends, you know, we, we met, we met, at Howard University, what feels like forever ago, but it's actually probably about 15 years ago at this point, and, and yeah, we just met at a party and kind of and kind of, you know, fell in as friends do--first within a circle of friends. And then you have that big transition, where, you know, you graduate from college, and everybody's kind of like, you know, moving to different places. And I think that's actually probably when Britney and I got closer like we were close in college, but definitely after graduation, like when we really started our relationship because we were just trying to figure it out. You know, it's like, do I take this job? This doesn't feel right and like life is a little crazy. No, but I think we were lucky to be able to have each other and our circle of friends was also really tight. So we just just stayed in touch and then as life continued to happen, I think it brought us kind of close together Brittany at one point move to New York. a while, to stay stay with me for a little bit and yeah, six months on the futon. Yeah, yeah. [laughs] Yeah. But yeah, I mean, it each point I think we kind of turn to each other. And so you know, I will say like, it was a different...... it was definitely a different journey when we started when we kind of decided how to decided to work together creatively. But you know, we had like, known each other for so long at that point. It was strictly not like that knew of a process because we knew the person it was just we didn't know the work that we had to do. Yeah, we didn't know the work that we had to do and we were figuring the work out along the way. It was like podcasting is very much a thing. I don't know if you've experienced this RaVal, but like, podcasting is a thing. I think for the most part where you are learning as you're going, you're like, I'm gonna do it, and you're like, I'm just gonna talk, we're gonna record it, we'll put it out, I'm just gonna do it. Everyone's gonna love it and it will be amazing. And that is not how it is. is not how it is. But I do think that the process of like learning to do something creative together, learning to be accountable to another person, in a creative endeavor, and also learning the work side of each other, I think was also definitely it has been eye opening experience. We've definitely grown closer and continue to grow as friends in those ways as well. I love that I love that you're friends and that you can work together. And I think that's something that's so important. Essentially, you guys are producing partners at this point, right? Because you've transitioned from the podcast producing that to now producing a television show. So I would love to get your thoughts on how you ... How do you choose the right producing partner? So many times we see people go into business, we've seen major directors and producers, of these companies have great success then split up and kind of it become a nasty sort of thing. How do you make sure that you're selecting a friend that you can actually work with? Or how do you isolate those characteristics? .... --- Support this podcast: https://anchor.fm/godismyagent/support

When Black podcast hosts get together, you know it’s a love fest. This week’s guests Brittany Luse (@bmluse) and Eric Eddings (@ejeddings) hosts of the wildly popular podcast, “The Nod” talk about everything from their new Quibi show to what they hope to tell their children about the year 2020!Use #YesGirlPodcast to join the party!Yes Girl Hosts: Cori Murray (@corimurray) + Charli Penn (@charlipenn)Executive Producer: Tiffany Ashitey (@misstiffsays)Producers: Ashley J. Hobbs (@ashleylatruly) + Shantel Holder (@shadesofshan_)Bookings: Cori Murray + Charli Penn + Tiffany AshiteyAudio: Josh Gwynn (@regardingjosh) + Anthony Frasier (@anthonyfrasier)Music: Gold Standard Creative (@gscdotnyc)Designer: Imani Nuñez (@profoundly_imani)Social: Miranda Johnson (@randa_writes)

Tonight we’ll learn about personal space from Eric Eddings, our Gimlet friend and host of the show The Nod! Grown ups, you can find The Nod on Spotify, or wherever you listen.

Hey everyone. I have a brief update to share about the show and some thoughts in light of the recent events. But before I do, I want to say loudly and clearly that Black Lives Matter. As an Asian-American, I think about the way anti-Blackness is embedded throughout Asian culture and society. I think about how this anti-Black sentiment showed itself when Asian-American communities rallied around NYPD officer Peter Liang for murdering Akai Gurley. I think about the affirmative action lawsuit against Harvard that Asians supported as being driven by the same anti-Black sentiment. And of course, there was the Hmong-American police officer standing by as George Floyd was murdered. If there is one thing that has driven me to create this podcast, it is the belief that true freedom cannot come at the expense of Black lives. I think silence in anti-Black violence will not give Asian any true place in a racist white supremacist world. The lacking of self-awareness and propagating anti-Black and anti-Brown rhetoric just so certain Asian can get ahead will not lead to a better place. My heart goes out to everyone protesting on the streets and doing the hard work to elevate Black voices and not black squares.Regarding this show, I did not release an episode last week. When I sat down to write the intro, no words came out. My podcast and voice seemed trite. I took it as a sign to not release my episode if I had to force words out when they were not ready. I also felt the voices that needed to be heard were Black voices. I then thought about this in relation to remaining silent and don’t have a clear answer. When I set out to make this podcast, I wanted to be able to confront my privilege as a Chinese-American cis male who went to college to study art and is able to travel to residencies while moving through the art world. I wanted to keep talking about race because I don’t believe one simply becomes “woke.” Talking about race is a lifelong commitment that never ends. I am forever learning and figuring out where these conversations fit within the larger picture.In lieu of a real episode, I posted on my website a list of resources for anyone interested. There is a lot out there and many of these materials are waiting to be used. Feel free to share and continue the discussion about how white supremacy and racism continues to pervade every aspect of our lives.So that’s the update. Again, thank you to everyone who has been supportive of this show as I couldn’t have gotten here without all the guests and listeners. I’ll resume my episodes starting next week. Until then, stay safe, stay healthy, and good bye for now.Image credit: @jerrygogosianhttps://www.instagram.com/jerrygogosian/Donations to Organizations:Black-Owned Bookstores (Publishers Weekly)Black Lives MatterBlack Lives Matter Los Angelesblacklivesmatters.carrd.coI Run With MaudJustice for Breonna TaylorJustice for George FloydMinnesota Freedom FundNational Association for the Advancement of Colored People (NAACP)American Civil Liberties Union (ACLU)Bukit Bail FundReclaim the Block: fund our broader movementReadings and other resources:ANTI-RACISM RESOURCESWhat Is an Anti-Racist Reading List For?Critical Reading Google Drive FolderModernity + ColonialityThe Case for Reparations by Ta-Nehisi Coates20+ Allyship Actions for Asians to Show Up for the Black Community Right NowExtended Learning:Justice in June Google DocOver the course of the month, you will have spent 5 hours intentionally learning how to be an active ally of the black community. (That’s less than the amount of time it takes to watch all of Tiger King ~ 5.5 hours.) Remember, the black community lives the reality of the information you will learn- they have a lifetime of fearing for their well being versus 5 hours of you being uncomfortable. All the action items listed in the calendar have linked information below the weekly schedule (see sections Watch, Read, Listen, and Act).The Consious KidZinn Education ProjectThe Zinn Education Project promotes and supports the teaching of people’s history in middle and high school classrooms across the country. Based on the lens of history highlighted in Howard Zinn’s best-selling book A People’s History of the United States, the website offers free, downloadable lessons and articles organized by theme, time period, and reading level.UCLA African American Studies Summer CoursesOpen Yale Courses for African American Studies (FREE)Podcasts:The NodBrittany Luse and Eric Eddings gleefully explore all the beautiful, complicated dimensions of Black life.1619 from The New York TimesFour hundred years ago, in August 1619, a ship carrying more than 20 enslaved Africans arrived in the English colony of Virginia. No aspect of the country that would be formed here has been untouched by the 250 years of slavery that followed. “1619,” a New York Times audio series hosted by Nikole Hannah-Jones, examines the long shadow of that fateful moment.Podcasts in ColorA directory of podcastsTea with Queen and JQueen and J. are two funny womanist race nerds from the Bronx talking liberation, politcs and pop culture over tea.MEDIA INDIGENA: Indigenous current affairsA weekly roundtable about Indigenous issues and events in Canada and Beyond.Yo, Is This Racist?Andrew Ti, Tawny Newsome, and their guests answer questions from fan-submitted voicemails and emails about whether something is, in fact, racist.About Race with Remi Eddo-LodgeFrom the author behind the bestselling "Why I'm No Longer Talking To White People About Race" comes a podcast that takes conversations a step further.Cultura ConsiousJoin Paula Santos, a podcast addict and lover of everything arts and culture, in conversation with other museum and cultural workers, educators, artists, activists, and leaders about how we work with our communities and the public at large. She is particularly interested in how the work we do in museums, non-profits or other cultural organizations intersects and is informed by larger questions of race and inequity in society.There Goes the NeighborhoodA podcast about how and why gentrification happens.Follow Seeing Color:Seeing Color WebsiteSubscribe on Apple PodcastsFacebookTwitterInstagram

We believe great podcasts do so much more than just entertain, distract, or even inform. They do more than help us. They change us. As showrunners, our listeners will invest hours into our podcasts, and we have the opportunity to say something matters, to make a difference, and to shift the culture -- however broad or narrow a culture we are exploring and improving.To do this, however, we can't pander. We can't merely hand out whatever it is the audience is already asking for, whatever it is they want. Instead, we have to get comfortable delivering what they NEED. But to deliver what they need -- in the moment, or across a whole episode or show -- we first need to strike a delicate balance. To deliver what they NEED, it has to come inside something they WANT.Few shows do this as well as The Nod, from Gimlet Media. Today, in our quarantine-approved "Clipped" series, we look at a tiny moment and technique where host Eric Eddings delivers on this nuanced, difficult idea.INSIDE THE EPISODE:All episodes of The Nod can be found here: https://gimletmedia.com/shows/the-nodClips played in this episode can be found on the episode of the show called "Why We're Watching Watchmen," found at https://gimletmedia.com/shows/the-nod/o2hwen/why-were-watching-watchmenFollow The Nod on Twitter at https://twitter.com/thenodshow or cohosts Eric Eddings and Brittany Luse at https://twitter.com/eeddings and https://twitter.com/bmluseFollow 3 Clips host and Marketing Showrunners founder Jay Acunzo on Twitter at https://twitter.com/jayacunzo or Instagram at http://instagram.com/jacunzoTHANKS TO OUR SPONSOR:Casted, an all-in-one platform for marketers who make podcasts to manage, market, and measure their shows. Visit http://casted.us3 CLIPS IS A PODCAST FROM MARKETING SHOWRUNNERS.We teach makers and marketers how to find and share their voices and make a difference through the shows they create. Subscribe to join thousands of creative professionals at http://marketingshowrunners.com/subscribe -- we send 1 email every Friday focused on exploring one question: What does it take to make someone's favorite podcast?THIS WEEK'S RECOMMENDED READ:Podcasting During the Pandemic: Listenership Is Fine, But One Change Reminds Us of a Looming Issue https://www.marketingshowrunners.com/blog/podcasting-during-the-pandemic-edison-research-audience-listening-behavior/

The Cultural Frontline explores how America's artists and cultural voices are responding to the death of George Floyd and the protests that have followed. Telling the stories of black life that don't get told anywhere else. That's the mission of The Nod a hugely popular American podcast presented by Brittany Luse and Eric Eddings. Tina Daheley speaks to Brittany and Eric about the death of George Floyd and confronting the pain felt by black Americans. It's not just in the United States where the Black Lives Matter movement has been staging protests. In Toronto, Canada the artist and activist Ravyn Wingz shares their experience on taking a stand against white supremacy and using performance as a means of expression and escapism. What is like to be a photojournalist caught on the front line of protest? The Washington Post's Deputy Director of Photography Robert Miller and staff photojournalist Marvin Joseph talk about the framing of the global protest movement, Black Lives Matter and the power of images to tell stories of black lives in America. When Michelle Obama first posted about the tragic death of George Floyd, she chose to post her tribute alongside a portrait of George by LA-based artist Nikkolas Smith. The post and painting have since gone viral with over one million likes on Instagram. We speak to Nikkolas about his work and why he paints portraits of victims of police brutality. Presented by Tina Daheley Produced by Mugabi Turya, Lucy Wai, Jack Thomason, Lucy Collingwood and Shoku Amirani (Photo: Protests following the death of George Floyd. Credit: Salwan Georges/Washington Post)

Andrew and Tawny talk about binging prestige TV and connecting with old friends before talking to Brittany Luse and Eric Eddings from Quibi’s The Nod! They talk about a racist English teacher, texting your friends to tell them you’re eating their ethnicities signature dish, and more! Stay safe out there and call in if you have a racism question: 323-389-RACE.

Tonight we’ll learn about personal space from Eric Eddings, our Gimlet friend and host of the show The Nod! Grown ups, you can find The Nod on Spotify, or wherever you listen.

Actor Erika Alexander came of age at a moment when there were lots of Black TV shows airing in primetime. She got her break in the early ‘90s with a role on the Cosby Show, and found fame as fast-talking lawyer Maxine Shaw in the hit sitcom Living Single. But then the number of Black sitcoms airing on the major networks dwindled, and so did roles for Black actors. In this conversation with The Nod’s Eric Eddings, Erika talks about navigating Hollywood after that Black entertainment boom went bust.

Actor Erika Alexander came of age at a moment when there were lots of Black TV shows airing in primetime. She got her break in the early ‘90s with a role on the Cosby Show, and found fame as fast-talking lawyer Maxine Shaw in the hit sitcom Living Single. But then the number of Black sitcoms airing on the major networks dwindled, and so did roles for Black actors. In this conversation with The Nod’s Eric Eddings, Erika talks about navigating Hollywood after that Black entertainment boom went bust.

The story of Storme DeLarverie, a true American hero. — Storme DeLarverie’s obituary in The New York Times. — The Nod is hosted by Brittany Luse and Eric Eddings. It's produced by Kate Parkinson-Morgan and James T. Green. Sarah Abdurrahman is their senior producer. This story was edited by Annie-Rose Strasser, Alex Blumberg and Jorge Just. Additional editing help from Sarah Geis and Jordan Barnes. Fact checking by Nicole Pasulka. Engineering from Cedric Wilson and Matthew Boll. Music in this episode by Calid B, Bobby Lord, Haley Shaw, The Five Du-Tones and The Morrie Morrison Orchestra. Nancy theme by Alexander Overington. Support our work. Become a Nancy member today at Nancypodcast.org/donate.

Voters during the 2018 midterms favored the expansion of Medicaid, but it’s being met with some pushback by conservative legislators. What can Utah’s Medicaid episode teach us about how health care fights may roll out over the coming year? Guests: Representative Joel Briscoe (UT - District 25). Rachana Pradhan, health care reporter for Politico. Eric Eddings, Co-host of The Nod. Tell us what you think by leaving a review on Apple Podcasts or sending an email to whatnext@slate.com. Follow us on Instagram for updates on the show. Podcast production by Mary Wilson, Jayson De Leon, and Anna Martin. Learn more about your ad choices. Visit megaphone.fm/adchoices

Pop Culture Happy Hour is in its ninth year, so Linda decided to write a quiz about the ninth seasons of television shows. Stephen and Glen faced off against one of our favorite podcast teams, Brittany Luse and Eric Eddings of The Nod. This episode was recorded live at the Bell House in Brooklyn.

Voters during the 2018 midterms favored the expansion of Medicaid, but it’s being met with some pushback by conservative legislators. What can Utah’s Medicaid episode teach us about how health care fights may roll out over the coming years? Guests: Utah 25th District Rep. Joel Briscoe. Rachana Pradhan, health care reporter for Politico. Eric Eddings, co-host of The Nod. Tell us what you think by leaving a review on Apple Podcasts or sending an email to whatnext@slate.com. Follow us on Instagram for updates on the show. Podcast production by Mary Wilson, Jayson De Leon, and Anna Martin Learn more about your ad choices. Visit megaphone.fm/adchoices

It's our first live recording of The Upgrade, performed in front of an audience at the Bell House in Brooklyn, NY. Joining us are comedians Chris Gethard and Akilah Hughes, as well as Brittany Luse and Eric Eddings of Gimlet Media's “The Nod.” We talk about how you can't succeed without failure, and how to move past even the most embarrassing of screw-ups. Plus: we play a few rounds of Never Have I Ever (Upgrade-style) and a new game we're calling “Lifehacker Saves Your Life.” See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week we're here to introduce you to The Nod by Gimlet Media and hosted by Brittany Luse and Eric Eddings. The Nod is a beautifully crafted podcast that explores the complicated and beautiful aspects of Black life. Each episode Brittany and Eric tell the stories of black life that don't get told anywhere else. From stories of their own life and others all through history. I love this show because they don't sugar coat anything and are honest about every subject they cover. If you enjoy this episode please take a moment to follow The Nod on social media and subscribe to them wherever you're listening to Podcast Junkie.  The NodTwitterFacebookWebsite Podcast JunkieTwitterFacebookInstagram

The Hate U Give finds teenager Starr Carter caught between two worlds — her mostly black neighborhood and a white prep school. When her friend Khalil is killed by a police officer, she's forced to reconcile these two very different parts of her identity. We're joined by Brittany Luse and Eric Eddings, hosts of The Nod podcast.

Today’s special guest is Eric Eddings co-host of Gimlet’s The Nod. The Nod is a podcast that releases every Monday and explores the beautiful yet complicated dimensions of black life in America. Eric was also a co-producer of Mogul a biographical podcast on the life of music executive Chris Lighty which was narrated by the late great podcast legend, Reggie Osse.In this interview we’re going to learn more about Eric, the launch of his first podcast For Colored Nerds, and chat about the latest dope show he created, The Nod.FOLLOW ERIC: TWITTER AND INSTAGRAMLISTEN TO 'THE NOD': APPLE, SPOTIFY and STITCHER.FOLLOW OPP: INSTAGRAM and TWITTERBe sure to check out Corey's other show 'Silent Giants' on APPLE, SPOTIFY and STITCHER.Follow on Corey Cambridge on INSTAGRAM & TWITTER.CreditsMixed by Mark ByrdMusic by Richie Quake See acast.com/privacy for privacy and opt-out information.

This week we're revisiting the Netflix Original documentary film, Amanda Knox. Eric Eddings, co-host of Gimlet's The Nod, chats with Amanda Knox director Brian McGinn about the making of the documentary. If you haven't yet seen this film, or aren't familiar with the Amanda Knox story, here's a brief recap. In 2007, Amanda Knox was studying abroad in Italy when she was arrested for the murder of her roommate, Meredith Kercher. She spent almost four years in an Italian prison, while she became a household name across the world. This documentary takes a deeper look into the murder and convictions, the international obsession with the case, and the eventual acquittals, by talking to the people who were directly impacted by it all. 

Why it’s useful to know your purpose, the challenge of taking notes while listening to a podcast, and Brittany Luse and Eric Eddings of “The Nod” podcast talk about working with a close friend. Get in touch: @gretchenrubin; @elizabethcraft; podcast@gretchenrubin; happiercast.com/173; 774-277-9336. Learn more about your ad choices. Visit megaphone.fm/adchoices

The crew feels all warm and fuzzy. The Habitat is a production of Gimlet Media. It’s produced by Lynn Levy, Peter Bresnan, and Megan Tan. Our editors are Alex Blumberg, Jorge Just, Caitlin Kenney, and Blythe Terrell. Additional reporting in this episode by Eric Eddings. Music, sound design, and mixing by Haley Shaw. Music supervision by Matthew Boll. Doo-wop vocals by Nico Osborne and Sean Zuni Green. Our credits music in this episode is performed by Cyprien Verseux, and written by David Bowie. Our fact checker is Michelle Harris. Thanks to Eric Mennel for all his help. And a very special thanks to the HI-SEAS crew: Andrzej, Christiane, Cyprien, Carmel, Shey, and Tristan. To find a list of our sponsors and show-related promo codes, go to gimlet.media/OurAdvertisers.

The crew gets pissed. The Habitat is a production of Gimlet Media. It’s produced by Lynn Levy, Peter Bresnan, and Megan Tan. Our editors are Alex Blumberg, Jorge Just, Caitlin Kenney, and Blythe Terrell. Additional reporting in this episode by Eric Eddings. Music, sound design, and mixing by Haley Shaw. Additional music by Alexander Overington. Music supervision by Matthew Boll. Our credits music in this episode is performed by Alba and the Mighty Lions, and written by David Bowie. Our fact checker is Michelle Harris. Thanks to Eric Mennel for all his help. And a very special thanks to the HI-SEAS crew: Andrzej, Christiane, Cyprien, Carmel, Shey, and Tristan. To find a list of our sponsors and show-related promo codes, go to gimlet.media/OurAdvertisers.

The crew comes back to Earth. The Habitat is a production of Gimlet Media. It’s produced by Lynn Levy, Peter Bresnan, and Megan Tan. Our editors are Alex Blumberg, Jorge Just, Caitlin Kenney, and Blythe Terrell. Additional reporting in this episode by Eric Eddings. Music, sound design, and mixing by Haley Shaw. With help from Bobby Lord. Music supervision by Matthew Boll. Our credits music in this episode is performed by The Weather Station, and written by David Bowie. Our fact checker is Michelle Harris. Thanks to The University of Hawaii at Manoa, thanks to Tristan’s family, Carmel’s family and Lynn's family. Thanks to Dave Ruder. And a very special thanks to the HI-SEAS crew: Andrzej, Christiane, Cyprien, Carmel, Shey, and Tristan. You can listen to the official soundtrack for The Habitat on Bandcamp (www.thehabitat.bandcamp.com) or Soundcloud (www.soundcloud.com/gimletmedia/sets/the-habitat-soundtrack). To find a list of our sponsors and show-related promo codes, go to gimlet.media/OurAdvertisers.

The hosts of Gimlet's "The Nod," Brittany Luse and Eric Eddings, join us to discuss an important parenting topic: when to introduce your children to seltzer. Also, Brittany makes up a seltzer cake recipe and we taste two mineral waters from Spain: Mondariz and Sant Aniol.

Andrew Ti is back, but this time, instead of taking over someone’s Tinder, he’s the one in the hot seat! Jane and Andrew’s friend Kara Brown (Jezebel, Grown-ish) also joins for the intervention. Then, Marques is recently single in New York, and he’s joined by his friends Brittany Luse and Eric Eddings (from Gimlet Media’s The Nod), who are convinced they can find the right lucky lady out there for their friend.  Spark something new with DTR—the official Tinder podcast, produced in partnership with Gimlet Creative.

The panel checks in with the ABC sitcom Black-ish, then share what's making them happy this week. Guests: Brittany Luse and Eric Eddings, co-hosts of The Nod.

The panel checks in with the ABC sitcom Black-ish, then share what's making them happy this week. Guests: Brittany Luse and Eric Eddings, co-hosts of The Nod.

Choosing a preschool can feel high-stakes, especially when you add culture to the mix. We talk to co-host of The Nod, Eric Eddings, and his wife Carla, as they decide whether to send their two-year-old to an Afrocentric school. To join the conversation, go to longestshortesttime.com! Sign up for our newsletter. Follow us on Facebook, Twitter and Instagram. This episode is brought to you by Icon Undies (code: LONGEST), Spice Islands, Color and Texture.

Hosts and producers of The Nod, Eric Eddings and Britanny Luse (formerly of For Coloured Nerds) are on the panel this week along with a special guest host, Sajae Elder, for an all-black power hour. They chat about Harvery Weinstein, Eminem's cypher and how much cheese is too much cheese.   

Gimlet Media has a new podcast all about the beautiful and complicated dimensions of Black life. It's called The Nod, and it's hosted by best friends (and Blackness' biggest fans) Eric Eddings and Brittany Luse. In this episode, Eric tells Brittany all about his love for Polo Ralph Lauren—and the story of one group of boosters in Brooklyn who took their own love for Polo to another level.

This week, Brittany Luse and Eric Eddings of the Gimlet podcast, The Nod, join us for a spirited PewPewPew session. Brittany comes clean about her longtime use of transitions lenses, Eric explains whether or not casseroles are "good for the blacks," and we all celebrate the literary genius that is Zane. Follow Brittany Luse at @bmluse and Eric Eddings at @eeddings. And check out their wonderful podcast, The Nod. Follow us: @heavenrants and @brokeymcpovertyEmail us: anotherround@buzzfeed.comSubscribe to our newsletter: buzzfeed.com/anotherround/newsletterCheck out our merch! Get a tote bag with our faces on it! shop.buzzfeed.comAnd come to our live show in Los Angeles at the Theatre at Ace Hotel on October 3rd at 7:30pm. Get your tix here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Lisa Chow and Alex Blumberg sit down together to talk about the future of StartUp. And, we introduce you to Gimlet Media's newest podcast The Nod. Co-hosted by Brittany Luse and Eric Eddings, The Nod celebrates and explores the multitudes of Black culture and Black life. For more information, visit gimletmedia.com/thenod.

Pat is back to present a brand new show from Gimlet Media called The Nod. Hosted by best friends Brittany Luse and Eric Eddings (who reported the Undone episode The Deacons) The Nod gleefully explores all the beautiful, complicated dimensions of Black life. This episode will especially appeal to fans of Undone as Brittany and Eric look back at one night in 1973 that transformed the fashion world. This is the story of The Battle of Versailles—where one Black designer and his ten Black models brought legitimacy to American fashion, forever changing the game.

In this episode: cold hard cash. Chris Lighty makes a pile of it, and changes the game forever, when he does the biggest deal of his career—getting 50 Cent a piece of Vitamin Water. But soon, instead of swimming in dough...Chris is drowning.  CREDITS: Mogul is hosted by Reggie Ossé. This episode was produced by Eric Eddings and Meg Driscoll, with help from Isabella Kulkarni, Peter Bresnan, and Jonathan Mena. Our senior producer is Matthew Nelson. Our editors are Lynn Levy, Caitlin Kenney and Chris Morrow. Fact checking by Michelle Harris. Sound design and mixing by Haley Shaw. Music direction by Matthew Boll. This episode was scored by Nana Kwabena, with additional music by Prince Paul, Don Newkirk, and Haley Shaw. 

It's finally here! Listen to the first episode of The Nod, Brittany's new show from Gimlet Media co-hosted with her best friend Eric Eddings. And when you are done listening, you can find out more about the show and subscribe here.

Lighty is at the top of his game. He’s got the fancy Manhattan office, the high-end designer clothes, and a roster of famous clients calling him 24/7. It all looks perfect. But in this episode, we discover something awful going on behind the scenes.  WARNING: This episode includes a description of domestic violence. If you or someone you know is involved in an abusive situation, the National Domestic Violence Hotline is available to help. Get more information at www.thehotline.org or by calling 1-800-799-SAFE.  CREDITS: Mogul is hosted by Reggie Ossé. This episode was produced by Eric Eddings and Meg Driscoll, with help from Isabella Kulkarni, Peter Bresnan, and Jonathan Mena. Our senior producer is Matthew Nelson. Our editors are Lynn Levy, Caitlin Kenney and Chris Morrow. Fact checking by Michelle Harris. Sound design and mixing by Haley Shaw. Music direction by Matthew Boll. This episode was scored by Nana Kwabena, with additional music by Prince Paul, Don Newkirk, and Haley Shaw. Special thanks to Cameka Crawford, Jina Moore and Bruce Shapiro.

Fat Joe is one hell of a storyteller. And in this special episode, he drops two great ones. First, the story of how Fat Joe the drug dealer became Fat Joe the rapper. Then, a story he almost never tells— because, as he says, “That's the realest story. I don't tell those stories, because then you'd think I lied. But it's a fact.”  CREDITS: Mogul is hosted by Reggie Ossé. This episode was produced by Eric Eddings and Meg Driscoll, with help from Isabella Kulkarni, Jonathan Mena, and Peter Bresnan. Our senior producer is Matthew Nelson. Our editors are Lynn Levy, Caitlin Kenney and Chris Morrow. Sound design and mixing by Haley Shaw. This episode was scored by Nana Kwabena with additional music by Haley Shaw. Special thanks to Victoria Barner, Caitlin DiLena. OUR SPONSOR: Bud Light

Chris Lighty meets Warren G. It’s a story of East Coast beats, West Coast grooves, steak dinners and wild parties. Plus, a stand-off with one of hip-hop’s most infamous figures. CREDITS: Mogul is hosted by Reggie Ossé. This episode was produced by Eric Eddings and Meg Driscoll, with help from Isabella Kulkarni, Peter Bresnan, and Jonathan Mena. Our senior producer is Matthew Nelson. Our editors are Lynn Levy, Caitlin Kenney and Chris Morrow. Fact checking by Michelle Harris. Sound design and mixing by Haley Shaw. Music direction by Matthew Boll. This episode was scored by Prince Paul & Don Newkirk, with additional music by Open Mike Eagle, Haley Shaw, Matthew Boll, and Nana Kwabena. Special thanks to Victoria Barner and Caitlin DiLena.  SPONSORS: Sonos | Bud Light

A sneak peak of Brittany's new show from Gimlet Media, hosted with her best friend Eric Eddings. Premieres July 17th!

Chris is headed for the big time. Meeting Russell Simmons, landing a job at Def Jam, getting into Queen Latifah’s birthday party—the future looks bright. But before he can get there, he’ll have to prove himself by squeezing eight dudes into a Chevy Corsica that smells like White Castle and farts.  CREDITS: Mogul is hosted by Reggie Ossé. This episode was produced by Eric Eddings and Meg Driscoll, with help from Isabella Kulkarni, Peter Bresnan, and Jonathan Mena. Our senior producer is Matthew Nelson. Our editors are Lynn Levy, Caitlin Kenney and Chris Morrow. Sound design and mixing by Haley Shaw. Music direction by Matthew Boll. This episode was scored by Prince Paul & Don Newkirk, with additional music by Open Mike Eagle, Haley Shaw, and Bobby Lord. Special thanks to Victoria Barner, Caitlin DiLena, and Tuma Basa. 

A new podcast about Black culture from Gimlet Media, hosted by Blackness' biggest fans, Brittany Luse and Eric Eddings. Premieres July 17th.

Let’s start at the end—at a funeral. All the brightest stars in the hip-hop universe are gathered to mourn the death of Chris Lighty. He was their friend, their brother, their late-night confidant, the man who discovered them, or saved their careers, or made them millionaires. He was a hip-hop legend. But to understand how we got here, we have to go back to the beginning—back to a time before hip-hop even had a name.  CREDITS: Mogul is hosted by Reggie Ossé. This episode was produced by Eric Eddings and Meg Driscoll, with help from Isabella Kulkarni, Peter Bresnan, and Jonathan Mena. Our senior producer is Matthew Nelson. Our editors are Lynn Levy, Caitlin Kenney and Chris Morrow. Sound design and mixing by Haley Shaw. Music direction by Matthew Boll. This episode was scored by Prince Paul & Newkirk, with additional music by Open Mike Eagle, Haley Shaw, and Bobby Lord. Special thanks to Victoria Barner, Caitlin DiLena, and Tuma Basa. Check out more Gimlet podcasts at gimletmedia.com SPONSORS: Sonos

Brittany Luse is the co-host and co-producer of the For Colored Nerds podcast with Eric Eddings and a host and producer at Gimlet Media, a podcast network. Brittany and I exchange survival tips for this ridiculous world we live in, talk about how we are consuming media after the election, and skincare regimes because duh. +1 SEGMENT: - Snapchat lurking skills and following Black women who have really intense lifestyle brands. Announcements! - #AIATLA is back to weekly episodes - An ask from Darian: Rate #AIATLA on iTunes - Always know that you can reach out to me/talk to me/ say hello/send me compliments or critiques to dsh@theseam.co Footnotes: http://theseam.co/brittany-luse-gimlet-media/ Follow Brittany on IG + Twitter at @bmluse

This is a story about a forgotten part of civil-rights history that is still very much alive. In 1965, a group of black men in Louisiana called the Deacons for Defense and Justice took up arms against the Klan. Now a daughter of the Deacons wants to start a museum in their honor, but not everyone in town wants their story told. Go to GimletMedia.com/FallSeason to subscribe to Undone and Gimlet’s other new podcasts. Credits Undone is hosted by Pat Walters. This episode was reported and produced by Eric Eddings, along with Julia DeWitt and Emanuele Berry. Our senior producer is Larissa Anderson. We are edited by Alan Burdick and Caitlin Kenney. Isabella Kulkarni is our intern. The show is mixed and scored by Bobby Lord. Additional music by Nate Sandberg of Plied Sound. Our fact-checker is Michelle Harris. Special thanks to Maude Eddings and Ward Colin. Undone was conceived in collaboration with our friends at Retro Report, the documentary film series that connects iconic news events of the past to today. You can find them here. Selected References http://content.wisconsinhistory.org/cdm/singleitem/collection/p15932coll2/id/53842/rec/12 https://searchworks.stanford.edu/view/4085340 https://roberthicksfoundation.squarespace.com/ === Original video: https://soundcloud.com/undoneshow/the-deacons

This is a story about a forgotten part of civil-rights history that is still very much alive. In 1965, a group of black men in Louisiana called the Deacons for Defense and Justice took up arms against the Klan. Now a daughter of the Deacons wants to start a museum in their honor, but not everyone in town wants their story told. Go to GimletMedia.com/FallSeason to subscribe to Undone and Gimlet’s other new podcasts. Credits Undone is hosted by Pat Walters. This episode was reported and produced by Eric Eddings, along with Julia DeWitt and Emanuele Berry. Our senior producer is Larissa Anderson. We are edited by Alan Burdick and Caitlin Kenney. Isabella Kulkarni is our intern. The show is mixed and scored by Bobby Lord. Additional music by Nate Sandberg of Plied Sound. Our fact-checker is Michelle Harris. Special thanks to Maude Eddings and Ward Colin. Undone was conceived in collaboration with our friends at Retro Report, the documentary film series that connects iconic news events of the past to today. You can find them here. Selected References http://content.wisconsinhistory.org/cdm/singleitem/collection/p15932coll2/id/53842/rec/12 https://searchworks.stanford.edu/view/4085340 https://roberthicksfoundation.squarespace.com/ Our Sponsors Blue Apron - Get your first three Blue Apron meals delivered for free by going to blueapron.com/undone Autotrader – To start searching for your new car go to autotrader.com/undone

**Warning, this episode contains adult language.** Episode #12 features clips from the following episodes (please go to our website www.gimletmedia.com/show/sampler for links to all episodes): The Eater Upsell, Episode 17: Alton Brown Is The Food World's Philosopher King The Sporkful: Other People’s Food Pt. 1: White Chef, Mexican Food The Sporkful: Other People's Food Pt. 2: What's 'Poor People's Food?' The Facts: This episode was produced by Rose Reid, Sarah Abdurrahman and Brittany Luse, with help from Kate Parkinson-Morgan. It was edited by Annie-Rose Strasser. Special thanks to Austin Mitchell and Eric Eddings. Our theme music was made by Micah Vellian and our ad music was made by Mark Phillips. Additional music in the show was made by Bobby Lord. The show was mixed by Matthew Boll. Our Sponsors: Stamps.com (Click the microphone on the homepage and use promo code "Sampler") Squarespace.com (Use promo code "Sampler" for 10% off first purchase) Sonos.com/Sampler

Brittany Luse and Eric Eddings, hosts of the For Colored Nerds podcast, join Linda Holmes for a chat about the Real Housewives of Potomac.

From BCB... http://bestofbcb.org/wu-210-sustainable-food-systems-dec-11/ Join Jill Bamburg, President and Co-Founder of Pinchot University (formerly Bainbridge Graduate Institute) and BCB host Christina Hulet as they discuss this month's Building a Sustainable Economy lecture at the Bainbridge Public Library. Recently consumer awareness, market shifts, and weather conditions have encouraged corporations to approach the food supply chain with more long-term and inclusive strategies. Here to speak on these strategies will be guest speakers Eric Eddings, President and CEO at Oregon Ice Cream, and Sarah Beaubien, Director of Sustainability and Corporate Stewardship at Tillamook County Creamery Association. The two will be discussing sustainability practices in the food industry, including organic markets, fair trade, clean technology initiatives and more. The BASE Lecture Series is developed in partnership with several local organizations, including the Bainbridge Island Chamber of Commerce, Sustainable Bainbridge, Yes Magazine, Kitsap Regional Library and the Bainbridge Public Library. This is a free event but seating is limited; please register at http://pinchot.edu/connect/events/december-base-building-sustainable-food-systems/ or to learn more, visit www.pinchot.edu. Credits: BCB host: Christina Hulet; audio tech and editor: Chris Walker; BCB social media publishers: Diane and Chris Walker.

From BCB... http://bestofbcb.org/wu-204-december-at-the-library/ The library has some exciting possibilities on offer during the month of December! On exhibit this month, new works by BAC staff artists Susan Wiersema and Lynnette Sandbloom. On  December 5 from 3-4pm, Join Angie Narus, author of Walking Washington's Gardens, for a virtual stroll through some of our state's finest horticultural treasures. On Friday, December 11 from 5:30 pm to 7, The Building a Sustainable Economy series will focus on food and agriculture with presentations from Eric Eddings, president and CEO of Oregon Ice Cream, and Sarah Beaubien, VP of Sustainability at Farmer Brothers. On Saturday, December 12 from 2-3:30 pm, Pam Perry from Grand Asian Journeys will discuss her relief work in Nepal after the April 25 earthquake. On Monday, December 14 from 7-9 pm, learn to prepare Resumes That Get Noticed, and on Tuesday, December 15 from 7-8:30pm, bring your favorite prose or poetry to share in a Fields End Open Mic night. And finally, don't miss Island Theatre's annual Christmas play, to be performed Saturday and Sunday, December 19th and 20th, at 7:30 pm. It's all happening at the Bainbridge Public Library: for more information about these and other programs, be sure to visit www.bainbridgepubliclibrary.org. Credits: BCB host and audio editor: Joanna Pyle; BCB social media publishers: Chris and Diane Walker.