Podcasts about Filipino American History Month

162: A Look Inside Filipino American History Through Filipino PoetryAlso available on YouTube: https://youtu.be/N-qcmYStaO8To celebrate Filipino American History Month 2024, The Filipino American Woman (TFAW) Project explores what intergenerational family therapy looks like through Filipino American poetry. Cohosts Jen and Nani welcome past guest, Caitilin Damacion, back to the stage for a deep dive into her Master's thesis project, For Those I've Saved Names For.For Those I've Saved Names For is a traveling exhibit of Damacion's late father's poetry, who passed away in 2013. Kenneth Damacion was a farm worker from the Philippines who grew up in Fairfield, California during the Civil Rights Era. He graduated from the University of California, Irvine with a Master's degree in poetry, but experienced many barriers and roadblocks in getting his work published. Caitilin, his daughter, obtained her Master's degree from San Francisco State University in 2023. She uses the body of work her father left to illustrate her own thesis project, which covers a broader narrative about the history of Asian American scholar activism.Love our show? Leave us a message and show us your support! Visit https://tfawproject.com/supportMonthly Book Club -- Every 3rd Friday of the month @ Noon (PT) / 3 PM (ET), members of the Tsismis with Jen and Nani Book Club get together to discuss their latest readings. The best part?? No reading is required! Whether you're an avid reader or just want to soak in what our readers have to share, we'd love to have you. First-timers are welcome to attend for FREE! Join us at THENEWFILIPINA.COM to RSVP today.Upcoming FREE Events (Online)5-Day Reflection SeriesOpen Mic NightsVision Board PlanningFor specific dates and times, join our FREE app today at THENEWFILIPINA.COM--NEWSLETTER: Receive the latest stories, updates, and media coverage by subscribing to our FREE newsletter: http://eepurl.com/cO0bifABOUT US: Welcome to The Filipino American Woman (TFAW) Project, a podcast that strengthens Filipino voices one conversation at a time through all things life, culture and personal development. Hosted by Jen Amos and Nani Dominguez-Smith. This show is brought to you by our family at THENEWFILIPINA.COM. Join the conversation today!UPCOMING BOOK: Special thanks to the Bulosan Center for Filipino Studies at UC Davis for the opportunity to present our academic paper, Pinay Podcasters: Building a Self-Sustaining Community Through Storytelling, Collective Healing & Learning, and Collaboration. The initial draft is now available! Read more at http://pinaypodcasters.com/RECOGNITION: In December 2020 and December 2021, we received an Honorable Mention at the Asian American Podcaster's Golden Crane Podcast Awards. August 2020, Jen Amos participated as a speaker on behalf of TFAW Project for PodFest Global, which now holds the GUINNESS WORLD RECORDS™ title for Largest Attendance for a Virtual Podcasting Conference in One Week. May 2020, we were recognized as “Amplifying Asian Women Voices” on Spotify during AAPI Heritage Month.We've also

October is a busy month: We honor Pink October, Hispanic Heritage and Filipino American History Month. In order to give myself a bit of a mental health break, I am going to be sharing some episodes that you might have missed. The post Best of: Suzy Chan on breast cancer, tai chi and music first appeared on Sifu Mimi Chan.

In honor of Filipino-American History Month, Joanna Pineda invites Kenneth Mendez, President & CEO of the Asthma and Allergy Foundation of America, on to the Associations Thrive podcast. Kenny discusses:How his family's struggles with asthma and severe food allergies influenced his career transition into healthcare and his eventual role at AAFA.How climate change has worsened allergy seasons, leading to longer and more intense pollen seasons, causing an increase in allergies and asthma cases.How he uses business skills developed from corporate roles at Disney and Wall Street to run a mission-driven organization.His Filipino heritage and the values his parents instilled in him, such as a focus on education, family, and loyalty. Why Filipino Americans should consider careers in nonprofits. The culture of giving and service in Filipino communities aligns well with the mission-driven work of nonprofits.How Black Americans are disproportionately affected by asthma mortality and emergency room visits. Despite advances in asthma treatments, these disparities have remained unchanged.How AAFA's “Asthma Capitals” research shows that cities in the Northeast and Midwest are particularly affected by poor air quality, making asthma more prevalent.AAFA's HEAL program, which involves partnering with community-based asthma programs to improve asthma outcomes.How AAFA advocates for federal and state-level policies, such as funding for the CDC's National Asthma Control Program, and legislation to improve asthma and allergy care in schools and communities.AAFA's role in getting sesame recognized as a major allergen in the U.S.AAFA's free online community, which offers support, medical advice, and access to a network of individuals managing asthma and allergies.References:AAFA WebsiteGet SupportAsthma Capitals

In honor of Filipino American History Month, the TFAL crew goes to Canada!!!  A couple of weeks ago, we had the wonderful opportunity of visiting our neighbors FAR north, Toronto!!! It’s been a while since we’ve traveled to another city, so we made the most of it! During our short trip, we got to meet...

Unsung hero, forgotten, overlooked – these are common descriptors of Larry Itliong and his significant contributions to the American Farm Labor Revolution. Carmina and Patch join the growing voices seeking to remedy this tragic oversight by honoring Larry in this episode. Learn why, during every Filipino American History Month, we must commemorate our ancestors' contributions to the fabric of this great nation. Finally, learn why it is important to call it Filipino-American HISTORY (and not “Heritage”) Month.    Learn more: Journey for Justice: The Life of Larry Itliong, PBS News Hour: The story of Filipino-American labor organizer Larry Itliong, Filipino American Farmworkers | Asian Americans, Forgotten Hero of Labor Fight; His Son's Lonely Quest, Filipino American National Historical Society, History of Filipino Labor Leader Resides in Shadows, Larry Itliong Day in the Philippines 2024, YouTube: Our Trip to Delano, Larry the Musical – Know History, Know Self, Who Is Larry Itliong, The life and legacy of Filipino American labor rights leader Larry Itliong, Filipinos in the UFW Movement: Agustín Lira & Patricia Wells Solórzano on Larry Itliong, If only he knew: The legacy of labor leader Larry Itlion – The Yappie, San Francisco Chronicle-Life and legacy of Filipino American labor rights leader Larry Itliong, and Little Manila Rising-Donate to our capital campaign! To support FilTrip, go to the Patreon page here and PayPal page here. Visit https://filtrip.buzzsprout.com. Drop a note at thefiltrip@gmail.com. Thanks to FilTrip's sponsor SOLEPACK. Visit thesolepack.com for more details.See https://www.buzzsprout.com/privacy for Privacy Policy.

In this inspiring episode, Dr. Sigrid Barrett, the first Filipino-American Dean at UNLV School of Nursing discusses her background and culture with UNLV nursing alumnus and Ph.D student Joseph Cadiz in celebration of Filipino American History Month. Dean Barrett shares her journey from immigrant to leader, reflecting on her passion for mentorship and representation in nursing. The conversation dives into the importance of diverse leadership, the challenges of stepping into roles of authority, and the vital role mentorship plays in shaping future nurse leaders. Dr. Barrett explores how her Filipino heritage influences her leadership style and commitment to uplifting underrepresented voices in the profession. This episode features: Dr. Sigrid Barrett, Dean of UNLV School of NursingJoseph Cadiz, UNLV alumnus and Ph.D student

For October, Filipino American History Month, the Asian American / Asian Research Institute is excited to uplift the voices of student researchers and activists. During this interactive workshop, attendees will hear from Gabriela Sagun, a Ph.D. Student at Duke University studying Security, Peace, and Conflict, with a focus on conflict-related violence against women in the Philippines. Gabriela will speak on the entanglements of U.S. Empire in the Philippines and Filipino-American nurses. We will then hear from Mariah Iris Ramo, Marissa Halagao and Brix Kozuki from the Filipino Curriculum Project, a youth driven activist project in Hawaii. Their course, "Filipino History Culture," is now approved by the Hawaii Department of Education (HIDOE) and will be taught in schools in Fall 2024. Attendees are encouraged to ask questions and engage with the speakers' works, and will get a chance to look through the student curriculum.

It's Filipino American History Month, so we're learning about how kamayan, the communal style of eating with hands, preserves Filipino culture. Plus, we discuss places in Chicago to sit down to a table covered in banana leaves and delicious Filipino dishes like lechon, longganisa and fish. Reset checks in with local restaurateurs Christine Ledesma, owner and co-founder of Kubo Chicago and Billy Dec, the CEO and founder of Sunda New Asian. For a full archive of Reset interviews, head over to wbez.org/reset.

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Episode 812 (39 mins 50 secs) What is the Disney Wish cruise like? Does Druski deserve an apology from Rubi Rose? Are you prepared to Vote? Have you had Simpler Wines via Trader Joe's? Do you know what Project 2025 is? Albert, Ruthy, and Jiaming talk about all that, plus October is Filipino American History Month. Updates, Notes, and Contact Info can be found at... https://www.whowhatwhereswhy.com/stuffjunk/2024/10/2/812

Freddie Vs. the Family Curse by Tracy Badua October is Filipino American History Month. Find more information here: http://fanhs-national.org/filam/ Read-alikes: Marikit and the Ocean of Stars by Caris Avendano Cruz Adrift by Tanya Guerrero How To Win a Slime War by Mae Respicio

159: Returning for Filipino American History Month - Season 5 TrailerThe Filipino American Woman (TFAW) Project is returning for Filipino American History Month! For Season 5, we're focused on strengthening Filipina voices one conversation at a time through all things life, culture and personal development!Hosted by Jen Amos and Nani Dominguez-Smith. This show is brought to you by our family at THENEWFILIPINA.COM. Join the conversation today!Trailer also available on YouTube: https://youtu.be/K2HkzMTUJi0 ---Love our show? Yes, we do take tips - thank you! Visit https://tfawproject.com/supportMonthly Book Club -- Every 3rd Friday of the month @ Noon (PT) / 3 PM (ET), members of the Tsismis with Jen and Nani Book Club get together to discuss their latest readings. The best part?? No reading is required! Whether you're an avid reader or just want to soak in what our readers have to share, we'd love to have you. First-timers are welcome to attend for FREE! Join us at THENEWFILIPINA.COM to RSVP today.Upcoming FREE Events (Online)5-Day Reflection SeriesOpen Mic NightsVision Board PlanningFor specific dates and times, join our FREE app today at THENEWFILIPINA.COM--NEWSLETTER: Receive the latest stories, updates, and media coverage by subscribing to our FREE newsletter: http://eepurl.com/cO0bifABOUT US: Welcome to The Filipino American Woman (TFAW) Project, a podcast that strengthens Filipino voices one conversation at a time through all things life, culture and personal development. Hosted by Jen Amos and Nani Dominguez-Smith. This show is brought to you by our family at THENEWFILIPINA.COM. Join the conversation today!UPCOMING BOOK: Special thanks to the Bulosan Center for Filipino Studies at UC Davis for the opportunity to present our academic paper, Pinay Podcasters: Building a Self-Sustaining Community Through Storytelling, Collective Healing & Learning, and Collaboration. The initial draft is now available! Read more at http://pinaypodcasters.com/RECOGNITION: In December 2020 and December 2021, we received an Honorable Mention at the Asian American Podcaster's Golden Crane Podcast Awards. August 2020, Jen Amos participated as a speaker on behalf of TFAW Project for PodFest Global, which now holds the GUINNESS WORLD RECORDS™ title for Largest Attendance for a Virtual Podcasting Conference in One Week. May 2020, we were recognized as “Amplifying Asian Women Voices” on Spotify during AAPI Heritage Month.We've also been featured in Realtime Community Oakland, Mochi Magazine, Ossa Collective, SUPERBANDS, Chopsticks Alley, FoundHer by Entrepinayship, Spotify, PodFest Expo, Philippine American Foundation for Charities, When In Manila, You Are Collect;ve, San Diego Union Tribune, NBC 7 San Diego, and much more! Read more at: https://linktr.ee/tfawproject.featured CONNECT WITH US: Instagram @thefilipinoamericanwoman, Facebook @thefilipinoamericanwoman, Twitter...

AirTalk is off this week, so we'll be supplying our podcast listeners with reruns of our Southern California history segments. Today's episode is on the SoCal's Filipino population. If you'd like to suggest a topic for a future SoCal history segment, email it to atcomments@laist.com.  Back in October was Filipino American History Month, and we dedicated an episode of our SoCal history segment to the tremendous contributions that Filipino communities have made here in Southern California. From when Filipino sailors landed in Morro Bay in 1587 to “Little Manila” in downtown LA in the first half of the 20th century to the rapidly gentrifying Historic Filipinotown, California has long felt the impact of the Filipino community. Today on AirTalk, we'll dig into why migrants from the Philippines ended up in Southern California and the histories of the communities they formed. Joining us to discuss is Joy Sales, assistant professor of Asian American Studies at California State University, Los Angeles, Joseph Bernardo, adjunct professor in the Asian and Asian Pacific American Studies Department at Loyola Marymount University and board member for the Filipino Workers Center, and James Zarsadiaz, associate professor of history and director of the Yuchengco Philippine Studies Program at the University of San Francisco. Author of ​​Resisting Change in Suburbia: Asian Immigrants and Frontier Nostalgia in L.A.

Specially decorated cable cars climb the hills of San Francisco throughout the year in honor of different communities and cultures. It's one of the ways the SFMTA celebrates the diversity of its staff and of the city. In this episode of Taken with Transportation, host Melissa Culross rides the cars decorated in honor of Filipino American History Month and Native American Heritage Month and talks with Cable Car Division Manager Fred Butler, SFMTA Board of Directors member Lydia So and various agency staffers about the heritage cable car program.

So this past Halloween, we had a special surprise guest appearance at our Halloween Party. Also, happy belated Filipino American History Month. Many big things going on in our community – including Jaron's new gig. Nako!!! Hosted on Acast. See acast.com/privacy for more information.

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Host Miko Lee is joined by Guest Host Aisa Villarosa for another episode focused on Filipinx American History Month. This episode is focused on artist, activist, I Hotel survivor and rebel rouser Jeanette Lazam. We also hear a poem from Emily Lawsin and music from Bay Area's Power Struggle. Learn more about and support collective resistance to militarization and genocide in Palestine: https://www.instagram.com/ucethnicstudiescouncil/  https://docs.google.com/forms/d/e/1FAIpQLSe7SomsNyhrKIuR-FzwTKjPC5bM1lCi3i6GsXJLRXJvKK7JrA/viewform Jeanette Lazams life and artwork: https://convergencemag.com/articles/coming-home-jeanette-lazam-returns-to-the-i-hotel/ https://www.instagram.com/lazamjg/ Emily Lawsin Power Struggle https://www.powerstrugglemusic.com/ https://beatrockmusic.com/collections/power–struggle. No More Moments of Silence Show Transcript 11.2.23 [00:00:00] Aisa Villarosa: In this episode, we're providing a content warning. Our guest, Jeanette Lazum, discusses personal instances of racist threats, police violence, and utilizes a racial epithet. [00:00:47] Miko Lee: Good evening and welcome to Apex Express. This is Miko Lee and I am so thrilled to have a guest co host this night, the amazing and talented Aisa Villarosa. Aisa can you please introduce yourselves to our audience? Say who you are, where you come from, and a little bit about yourself. [00:01:09] Aisa Villarosa: Thank you so much, Miko, and it's a joy to be with you and the Apex Express family. My name is Aisa, my pronouns are she, her, and I'm a Michigan born gay Filipino artist, activist, attorney with roots in ethnic studies organizing and teaching Filipino studies, in the wonderful Pa'aralang Pilipino of Southfield, Michigan. If you ever find yourself at the intersection of Eight Mile and Greenfield near Detroit, stop on by. And the genesis of our talk today started with a conversation around Filipino American History Month, right? [00:01:54] Miko Lee: That's right. And that's what we're going to be talking about tonight. so Tonight Aisa and I are going to be talking about Filipino American History Month. We know that it's the month of October, so Filipino history, that's something that's deep and should be all year round, just like all of our histories should be something that we study. Tell us a little bit about who we're going to be speaking to tonight. [00:02:17] Aisa Villarosa: We have the honor of speaking with Jeanette Lazam, who is a many decades long living legacy, an artist, an activist. Jeanette has worked in spaces like the capital of California, but has also faced down state violence. Both at the hands of the U. S. government through the very violent eviction of elders, primarily Filipino and Chinese elders, at the International Hotel or the iHotel in San Francisco, what was then Manila Town and Jeanette also is a survivor of political violence at the hands of the Ferdinand Marcos regime in the Philippines and is a champion of Nonviolent people power and that is only just the tip of the iceberg. Jeanette is also a prolific artist . She is the only surviving Filipino Manang to return to the iHotel After being a young person who stood and locked arms with the seniors to fight the eviction decades and decades ago, and she'll be sharing some of her story with us. [00:03:34] Miko Lee: I love this. We get to hear firsthand from experiences of people who were engaged in a fight for equality and still continue to do so. I love elders just taking the reins and keeping on fighting out there. Because we're talking about issues that are deep and complicated, including Marcos' dictatorship in the Philippines, and what went down at the iHotel in San Francisco, we'll have some links in the show notes so that folks can delve deeper and find out more. But Aisa can you back us up a little bit? And for folks that might not know, give us a little quickie about the iHotel. I know we talk about it in the interview, but for folks that don't know, give a little bit of background about the importance of the iHotel within Asian American movement spaces. Why do people need to know about this? [00:04:23] Aisa Villarosa: Such a great question and a grounding question Miko. The iHotel is both a physical site, it is in San Francisco, and it is also in many ways A symbol of the struggle for collective liberation, for housing rights, for justice in the city of San Francisco and beyond. And that is why often in many ethnic studies courses, in many Asian American and Pacific Islander courses, students learn about the iHotel. But as Jeanette will share with us, there is really no text that can describe the violence of an eviction, 3 a. m. in the morning on August 4th, 1977, when Armed police officers on horses essentially rounded up the peacefully protesting tenants and supporters of the International Hotel. And This was part of a larger movement, a violent movement across the country that was under the guise of urban renewal, but was really about the continued criminalization of Black and brown and Indigenous and AAPI people. And Jeanette was a survivor of that. It is a story that is painful and yet one that we must not forget and that our generations must learn from in order to continue the fight for social justice. [00:05:55] Miko Lee: Thanks, Aisa, for the little Asian American history lesson. We appreciate it. Folks should find out more if this is the first you're hearing about this. It is a seminal moment. I also think one of the things we didn't actually talk to Jeanette about is how Intersectional, the folks that were protesting at the iHotel were. That there were Black Panthers there, that there are folks from the disability movement. , that's one of those things that really gets hidden under the rug is the different people that were engaged in that fight. [00:06:23] Aisa Villarosa: Absolutely, Miko. The fight for the survival of the International Hotel was intersectional. It really is a demonstration of what healthy movement building can be. It is never easy. It's often complicated. And yet, They answered the urgency of the moment and they did so together. [00:06:46] Miko Lee: There were thousands of people that were involved in that movement. There were hundreds that were there. And tonight you get to hear from one person's story, a little bit about the iHotel, and mostly just from an amazing activist, artist, and social justice champion. So we get to listen to the brilliant interview with Jeanette. [00:07:08] Aisa Villarosa: It's so meaningful to hear from Jeanette and as someone who is living currently in San Francisco's Chinatown is someone who is revered enough to be on murals in Chinatown and yet popular culture and history often forget that Manila Town and Chinatown Coexist, that these are two powerhouse cultures, identities, people who, in some ways, as Jeanette shared, were forced together due to redlining, due to discriminatory housing practices, and yet the activists in Chinatown today are trying to preserve the stories of elders like Jeanette and also telling new stories through art and through activism and protest. [00:08:00] Miko Lee: Aisa, please introduce me to your mentor, the amazing Jeanette. [00:08:05] Aisa Villarosa: Thanks, Miko. We are so honored to have with us today Jeanette Gandianko Lazam. Jeanette, hi, how are you doing today? [00:08:14] Jeanette Lazam: I think I'm doing okay, yeah. I like the warmth, so I'm glad we have sunny days here in San Francisco that are not windy nor cold. [00:08:26] Aisa Villarosa: Are you cuddled up with Samantha? And for the audience Samantha is Jeanette's adorable cat. [00:08:33] Jeanette Lazam: Samantha is cuddled up by herself. Oh, [00:08:37] Aisa Villarosa: that's all right. She can support us from afar. [00:08:39] Jeanette Lazam: Yes, she most definitely will. [00:08:43] Aisa Villarosa: And you know, in these, heavy times, sometimes okay is okay. So we are, we're so happy to have you with us. I'm happy to be here. Thank you. Um, Miko, do you want to kick us off? [00:08:57] Miko Lee: So we are here talking about Filipino History Month and the significance of that. Can you tell us what the significance of the History Month is to you, Jeanette? [00:09:08] Jeanette Lazam: I think it's a time where, you know, for many Filipino and Filipino American organizations, they come to the fore. And what I mean by that is they come and expose the culture, the languages, not just one language, but the languages and the food, the this, the that. And it really comes to the surface. And you can see how much pride people have, I was talking with somebody the other day about the colonization of the Philippines. And when you look at the history of the Philippines, you have to take it for what it is. You can't take something out just because you don't like it. So many people have decided that the colonization of the Philippines shouldn't be… demonstrated during Filipino American History Month. I disagree. And so do a lot of other people. You have to tell that history because that's over 300 years of history right there in terms of the Filipino community. In a nutshell, culture, language, food, dance, They all come to the fore during this particular month, Filipino American History Month, and I'm really happy about that. That's what it means to me. [00:10:46] Aisa Villarosa: Thank you so much, Jeannette. What you're naming is so important that to be Filipino American is to take stock of the good, the bad, the joyful, the challenging. And you mentioned colonization. So much of what colonization forced upon us was almost an incomplete. identity, right? That we had to ignore the pain, pretend it's not there. Or there's the concept of hiyap, right? Which is shame. And, And you know, this really more than me and Miko, but for the listeners, can you share In terms of Filipino history, and because we are currently seeing a second Marcos regime, you've lived through some of the toughest attacks on civil rights, both here in the United States and in the Philippines. Can you just share a couple stories for the listeners about that time? [00:11:53] Jeanette Lazam: We're talking, Bongbong Marcos, who is now the president of the Philippines, his father, Ferdinand Marcos was the president of the Philippines for 20 some odd years. He declared martial law in 1971 and it stayed for 20 years in the Philippines. I don't think I've ever experienced direct fascism, up in your face and very personal. Civil liberties that people had. We're totally stripped the press in the Philippines was shut down and only one press was allowed to function which was the mouthpiece for Marcos. You could not congregate on corners of more than three people, you would get arrested. Many got arrested because they were journalists, because they were activists, because they were civil libertarians. Thank Anyone and anything that posed a threat to the Marcos regime was either arrested, deported, or killed. And I was there during the imposition of martial law and it was really scary. I have never experienced that kind of fear in my lifetime. In the United States, I was traveling with a group of friends. When I was about, I don't know, maybe nine, 10 years old, we stopped in Macon County, Georgia, and it was the 1960s, late 50s, 1960s, and we were very thirsty, so we all jumped out of the car, and I did not notice there were two water fountains, and I went to the first one, and it turned out to be a white people's water fountain. And um, about a few seconds later, as I was leaning down and drinking from it, I felt a very cold piece of steel against my neck. And I thought, it's not a knife, so it's got to be a gun. And sure enough, it was. And I'm nine or ten years old, and this sheriff is standing over me with this gun pressed against my neck and said to me, you're not allowed to drink at a white person's water fountain. And he said, if I could kill you right now. There'd be one less, and this is exactly what he said to me, one less nigga. And no one would mind. That point on, from that point on, I knew where the color line was. I'm not black, but I'm not white. And I wasn't allowed to drink at a white person's water fountain. scared the living daylights out of me. And I backed up from that water fountain. All of us backed up and we got into the car and we left that example of the incredible racism in the United States. just steered into my brain. I was just like, totally taken. I was so scared. I'm a kid. I'm nine years old, 10 years old. I'm a kid. And to have a gun pointed straight directly onto your, neck ain't no laughing matter. [00:15:50] Miko Lee: That sounds so scary. I'm sorry that you had to go through that. I'm wondering there's such a vivid memory that you have from being a child. I'm wondering at what point was a turning point for you in becoming an activist. [00:16:04] Jeanette Lazam: Oh, was that right then and there I was a kid from New York, so I knew that there were stratas and class levels and where people of color fell in, but it never came that home to me. I was finally able to take the whole question of low income or working class people of color, and racism. It all intersected on that one day. And I thought to myself, no we can't go on this way. And it was that moment I decided I have to do something about the situation. Because I am not going to allow people to do this without a fight. Yeah, it was that day. And it continued all the way when I lived in the Philippines. And martial law was declared. I fought it there and I fought it when I came back to the United States. [00:17:09] Miko Lee: Is there a difference in being an activist in the Philippines versus being an activist in the United States? [00:17:15] Jeanette Lazam: Yes. First of all, in the Philippines, you're dealing with an island nation. And so with an island nation, there are all these islands that you have to You know, deal with dialect, with culture, with this, with that , it's a very difficult process undertaking to do to bring out democratic notions when people have been so oppressed and repressed for over 300 years because the Americans come in after, the Spaniards. So we. We never as a nation never really experienced our own homegrown democracy, and it's very hard to deal with that over here in the United States. It's much different. You're not dealing with an island you're dealing with, yes, many states, but they're all contiguous and there has been a history of revolutionary. Fervor and revolutionary sentiment throughout the history of the United States, and it exposes itself in the labor movement, the gay and lesbian, bisexual, transgender, queer movement, women's movement. It gets manifested in those movements. In the Philippines, very difficult to do. So the concentration for revolutionary organizations happens within the larger cities in the Philippines. And the, New People's Army is more in the rural areas outside of the major cities. you can't compare it. It's like apples and oranges. You can't do it. You have to look at the concrete conditions where people at and work from there. You can't go into a situation and wish that it could be this way. It takes hard work and long days, [00:19:41] Aisa Villarosa: so many long days and Jeanette always appreciate your nuance and the ethos of humility that you are challenging organizers and activists to have right that we in whatever space we're in cannot come in with assumptions. And yet. At the same time as you were sharing, one could see similarities between the oppression in the Philippines. In the States, and that oppression is around, how is your home stolen? How is your home and your sense of safety ripped from you? And you just talked to us about your experience as a nine year old, not being safe enough to go to the drinking fountain you wanted, right? And I know that at this moment, you're talking to us from the Senior Center, the iHotel can you share? about what the iHotel means to you, knowing that you've had possibly more history with the iHotel than maybe anyone alive at this moment. [00:20:55] Jeanette Lazam: The iHotel has to be situated Within the context of a Manila town. Generally, anytime you get a Chinatown, there's some sort of other town that kind of is adjacent to it. And you have it in Stockton, you have it in Sacramento, you have it in Seattle, you have it in Portland, you have it here, you have it in Los Angeles. Manila Towns are very is the hub or was the hub of the Filipino community starting from the 1920s on up. And so the International Hotel, as part of Manila Town, plays a very significant role in how Manila Towns functioned, what they offered. What they did and why they were established. It's not just because of the proximity to Chinatown, the Chinatowns and Manila towns of the United States get set up mainly because of racism. We are not allowed to move or to buy outside of those established boundaries. And who established those boundaries, the local governments, the state governments. Which were predominantly white people. It's like the history of Oregon. Oregon was a state that was supposed to be set up for white people only. And many people don't know that. But the iHotel is a very significant place. Historically significant, it welcomes in the first Manong generation. Now these are the people who came before me. The Manong generation, mainly elderly men. Some of them are married and their wives and their children are in the Philippines and some of them are single. And they come to the International Hotel and stay, and then they go away. Merchant Marines it's the first generation, the Manong generation, that started this all. It's the Larry Itliongs and the Philip Veracruz and Joe Dionysus, that all started the activism of the Manong generation. And it's important for people to understand who and what. And where this Manong generation stood for and where they went in terms of labor and how they stood up, how they stood up against the brutal, the incredibly brutal oppression of the contractors and the large agribusiness of California, Oregon, and Washington, and then the Alaskan canneries. To understand that history is so important because that's where we begin in many ways. We begin with that history of understanding the plight. Of the Manong generation who lived in Manila town and who lived and sometimes died at the International Hotel. My father was one of those guys. And when I found that out, I was even more curious, more thirsty to want to know what did they go through and how in the world they withstood the onslaught. Of worker oppression and racism and still kept on going I look at myself and, that's my inspiration. That's what's kept me going for the last 60 somewhat odd years is looking at that initial generation, the Manong generation, and what they brought to our community. [00:25:34] Aisa Villarosa: And Jeanette, I love you because you keep it real, and I know we've talked about the Manongs both as what you're describing as revolutionary in so many ways, right? These are labor activists and fathers, and yet they were also human. And flawed. And so I've appreciated the stories you've talked about where Manila Town, at that time, as you describe it, before the violence and the eviction surrounding the iHotel, it was bustling. It was loud. It sounded noisy. When you talk about it, I picture people like my dad who were walking around and Zoot suits, because Filipino men at the time, I've read, were trying to go to tailors and were outfitting themselves in the best suits they could just to really stand up to some of the hostility and the racism they were encountering. [00:26:38] Jeanette Lazam: That is so very true. it put everybody else to shame. They were so sharp with their double breasted, sometimes zoot suits, polished shoes. Fedora hats. They were genuine and incredibly good looking. And I've seen, I have pictures of my father he's standing on this little bridge in Central Park with his friends, with his army buddies, and they were all dressed up. And you'd think they were going to a fancy dancy, whatever place. No, they had swag. That's the only thing I could say. [00:27:19] Miko Lee: I love that, and I could picture it perfectly, and I like the way that you describe all these people strutting around, and the way you describe it is so visual, and I was saying to you when we first got on how honored I am that I have a piece of your art that's hanging in my house, from the amazing Aisa and Lauren, and I'm just wondering if you could talk to us a little bit about it about your artistic practice. What inspires you and how do you combine your work as an activist with your work as an artist? [00:27:51] Jeanette Lazam: I had always wanted to draw, but I never really did because my sister, my oldest sister she was a graphic designer. And so I was always like in her shadow. Years passed, so I'm sitting there doodling, and and in twenty, sixteen or seventeen, I moved to Taos, New Mexico. And my bedroom window faces Taos Mountain. Taos Mountain is a vortex, and you can feel the incredible energy. That vibrates from that mountain and I would get this every morning and it was telling me draw. This is your time to draw So I did. So I started drawing the Pueblo. And I started drawing scenes in and around Taos. And Taos is a very artistic community to begin with. So that also provided a lot of inspiration. And as the years went by, I started to draw more and more outside of Taos. When I finally moved I started doing owls. I suddenly realized that there's a whole level of animals and insects and so forth that are on the endangered list. So I started drawing bees and bumblebees and all sorts of bees. Then I started doing the American bison or the buffalo, how all of these creatures Were on the endangered list or practically at that point where they didn't exist anymore. And I knew that I had to do something about that in terms of my art. And so I stayed with that for several years. And then I turned myself to culture. I started looking at the Inca, the Maya and the Aztec and how rich and often bloody, but rich. history they had in building civilizations that somehow disappear from the face of this earth. And I started looking at their colors, their color schemes were incredible. So I did that for a while and I wanted people to get exposed to that. However, In between that, I found myself getting wrapped around Philippine mythology, and when I went to look at our gods, our deities so forth and so on, our supernatural forces, I found very little. There weren't pictures so if there was something written, there were no pictures. And so I finally found a book that gave me some sense of what they looked like. And I have to say, fi Philippine mythology, whomever interacted with it, had an incredible creative mind. We had the most blood thirsty, , mythological creatures that I could think of. Anywhere from the Aswang, which everyone knows about, to this creature called the Pugot, P U G O T, which is mainly from the Ilocos region. And it's a huge mouth with a body from the mouth that walks on its legs and hands and feeds on children. And when I found, I was like, Oh yeah. I was absolutely mortified. But you know, that's what Philippine mythology is. We do have the supreme bakala, who is the supreme god, and all the other deities, his daughters and his sons. But there are also these horrendous and wicked mythological creatures. And the reason why I was trying to bring it out was, I firmly believe, and I found this out, In my research and drawing that you cannot. Cannot understand the history of the Filipino people unless you take into account their mythology and their religions, whether you disagree with it or not. That's part of the history of our people. And that part is incredibly rich. So I learned a lot from it. [00:33:02] Aisa Villarosa: It is rich, and it is a mythology that has been threatened by colonization, when you mentioned that it was difficult to find writings that is all by design due to colonial oppression and the myth that Filipinos We're always Catholic or always followed Spanish culture and religion is completely false, right? So I always appreciated your deep diving, not only into Filipino mythology and culture, but connecting those dots, especially to other indigenous cultures. Jeanette, for our listeners, can you briefly share for folks who aren't familiar with the Aswang, and because even for me, I remember watching the Filipino channels as a kid, and they're usually depicted as cheesy vampires, but we'd love to hear your [00:34:10] Jeanette Lazam: your take on them. They are. They are. They are vampires. They are usually women. They have the body up to the stomach of a woman and the rest is a fish tail and then they have bat wings and they fly around at night and your parents tell you about them because they want you to go to sleep and it's scary enough. They are very, very scary. [00:34:46] Aisa Villarosa: Yeah, that's effective. It also reminds me of, there's a wonderful older book by Dr. Clarissa Estes called Women Who Run With the Wolves, and it unpacks mythology and also often, it was a culture's way of depicting women's power and I have to say, as someone who identifies as gay, so much of your art has spoken to me, particularly because there is real homophobia in Filipino culture. Part of that's due to colonization and religion, but your art really centers deities who go beyond a sexual binary. I suppose somewhat similar to two spirit indigenous depictions, and that's really special. [00:35:39] Jeanette Lazam: I'm hoping to do more research on the movement of gay, lesbian, bisexual, transgender, queer Filipinos here in the United States. As well as in the Philippines, and try to be able to capture that in art. So I think that's my next real challenge. [00:36:04] Aisa Villarosa: I would love to see that. [00:36:06] Miko Lee: You are tuned into apex express, a 94.1 KPFA and 89.3 KPF. Be in Berkeley and online@kpfa.org Next up, take a listen to Live It Up. By Bay Area's Power Struggle. [00:36:21] Aisa Villarosa: You were listening to Live It Up by the artist Power Struggle. Jeanette, in terms of thinking about the future, talk to us more about that. Talk to us about your hopes and dreams. [00:40:01] Jeanette Lazam: My hope is that, in particular to the Filipino community here in the United States I hope that they will be open and above board take whatever knowledge my generation can give that generation, that they appropriate the genera that, they appropriate the knowledge and the history that my generation is releasing. It's important for several reasons. One, it makes our, history of Filipino people alive, very alive in the faces of the ones that are coming up after that generation. It also provides the continuity in our history. If there's a break in continuity, it's very hard to kind of climb back because what happens then is that people die. And if my generation dies, and it will, it's important that your generation and the generation after yours appropriates whatever we're giving, you don't have to like it. You don't have to love it. You just have to take it and then sort it out for yourself and then transfer it to the next generation. So there's a level of continuity. That's my hope and in the broader, population. I want people to understand what it took to build the United States, what it took the level of sacrifice that the working class of this country had to make in order for this country to be built. California's agribusiness. Would not be where it's at today if not for the Filipinos, if not for the Mexicans, and a few other Asians like Japanese. That's also true for Hawaii. Who built this country? Who built this country? And people have to answer that question with fervor and knowledge. [00:42:38] Aisa Villarosa: And with honesty. [00:42:39] Jeanette Lazam: Yes, total honesty. [00:42:44] Aisa Villarosa: Jeanette, you end… Each of your emails with, when I dream, I dream of freedom. And what you're saying to us is that in order for us to realize this freedom, we must do so collectively. [00:42:59] Jeanette Lazam: Yep. And that's no easy task. Because at every twist and turn of the struggle for true democracy in the United States, true social justice, You're going to be making allies and you're going to be leaving other allies behind because you no longer agree with some of the things they do, but it's not to mean that they're enemies. And you're going to be meeting new people, and you're going to get involved with their lives and their struggles. And get to know them. So it's every step of the way for the larger struggle at mind is a very intense and deep personal struggle. Do you choose to say you're gay or lesbian or bisexual, transgender or queer? Do you choose to say that openly and above board to let people know? That this is who I am that happened to me when they had the first time they had district elections in San Francisco, I was at a open forum and somebody asked so how is this going to affect at that time the Castro and everybody knew this person was talking about how is the district elections going to affect the Castro. I didn't see anybody raising their hands and I just said as a lesbian, it will affect me greatly because we finally will have some level of and form of representation on the board of supervisors. Sometimes it's a split second decision. Sometimes it's something that's well thought out. And that's also true when you're walking where you're working with people. Sometimes it has to be. A split second decision, and other times, it's longer. When I say I dream, I dream for freedom. I dream for freedom for all people. Freedom from the shackles of sexism, racism, homophobia. That's what I dream of. A true, functioning, honest democracy. Where social justice is not a movement, it is, it simply is. [00:45:46] Aisa Villarosa: It simply is. Gosh, that brings to mind the image of an ocean and that saying that the ocean is so many tiny drops. And what you're challenging us to do is, in those moments where there is a sometimes split second decision, that we choose bravery. And we choose truthfulness in those moments. Jeanette, thank you so much for talking with us today. We've pictured Filipino deities. We've jumped from the Castro to the Philippines. And I am always in awe of your imagination and your artistry and your advocacy. Thank you. [00:46:33] Miko Lee: Thank you so much for sharing with us, Jeanette. It was an honor to spend a little bit of time just learning from you, hearing about your artistry, your activism, and your vision for the world. We really appreciate you. [00:46:47] Jeanette Lazam: Oh, I appreciate people like you because it's through you that we have a voice and that's important. That's important. One of the first tasks is always going to be On some type of journalism and media, and we have to protect that we have to protect the progressive and revolutionary sources of media. [00:47:15] Miko Lee: Thank you for sharing your wisdom with us. [00:47:18] Jeanette Lazam: Thank you. [00:47:20] Miko Lee: I really loved talking with your mentor, Jeanette. Tell me what's your walk away. What did you hear her saying? [00:47:27] Aisa Villarosa: It was such a rich conversation and. One of the many things I adore about Jeanette is she is a world builder in that she encourages anyone who is in her space to exercise their imagination. And as someone who's been a bit of a veteran of the nonprofit industrial complex for, almost three decades now, it is shocking how frequently our imaginations are shunned, how we are often sent to work in siloed areas. The solution to so many of our heartaches is intersectional, is creativity. So my big takeaway is hearing Jeanette talk about the trajectory of her life and how it essentially led her to really lean into becoming an artist. She has shared that she became an artist rather later in life. It's a great example that You're never too old or too young to start anything, to lean into your true self, and so many of Jeanette's art pieces are odes to her identity as a social justice leader. How about you, Miko? What's your takeaway? [00:48:42] Miko Lee: She's just a delight. She's funny. She's smart. She has so much wisdom. I really love interviewing OGs because it's just constant pearls of wisdom. So I appreciate that. But I have another question for you, which is how did she come to be your mentor? When did you first meet? [00:49:00] Aisa Villarosa: I first interviewed Jeanette during the Earlier parts of the COVID 19 pandemic, at the time, and this is a bit of my personal story, I was struggling with coming out to my family as a gay Filipino, and Jeanette shared with me her identity as someone who is LGBTQ, and it was such a moment of connection, even if we have many decades between us. The story she shares of being an artist, of being a Filipino, a gay person, a civil rights defender. It's just a reminder that we don't have to be only one thing. We are so much more alive if we can lean into our multiple identities, and Jeanette is a living example of that. [00:49:56] Miko Lee: Oh, thanks for that. That is so right. We are all multifaceted. We are all these kaleidoscopes of change given where we are in life and the experiences we have. And it's a delight to talk with your mentor and somebody I've heard about from a long time. So thanks so much for celebrating Filipino History Month by really talking with somebody that you admire so much and I can see why. [00:50:23] Aisa Villarosa: Last week for our part one of Filipino American History Month, we talked with Pinay scholar, poet, activist, and historian, Emily Lawson, about her poem, No More Moments of Silence. It is Ate Em's chronicling of the power, complexity, heartache, and love. Behind Filipino American identity, held together by centuries of struggle against colonial oppression and white supremacy, our Makibaka heritage, one shared by Black, Indigenous, and people of color grappling with settler colonialism and government extraction. Now, to close out Filipino American History Month, I'm honored to share with you an excerpt from No More Moments of Silence, taken from a 2011 Michigan State University performance by Emily Lawson. No more moments of silence in memory of Joseph Aletto and Chongberry Zhang by Emily Lawson. With respect and apologies to Emmanuel Ortiz and Doria Roberts and thanks to Reverend Edwin Rowe who taught us to pray out loud with our eyes open at Vincent Chin's grave. This is a scream, not a shout out, at all of those right wing Christian conservatives and wannabe left wing liberals. Who start all of their speeches with a moment of silence. Crossing themselves, genuflecting, lighting boat of candles and incense for every single damn lost soul on this earth, but their own. This is not an old Simon and Garfunkel song. This is a fighting song for you flag waving, war on terrorism, 9 11 memorial addicts. Clean out your ears and your skeleton closets, because I cannot take any more moments of silence. You hear me? I cannot take any more moments of silence. For silence is what buried one million of my ancestors in a hundred American wars. Silence is what drove the stakes through the backs of my people, whipped with chains of cane fires as low paid migrant workers burned out of their bunkhouses as they slept and white collar neighbors watched in silence. See, I cannot take any more moments of silence. Silence for silence is what robbed our Filipino people of our multiple tongues as the noose of colonialism wiped out 7, 000 islands of surnames and languages. Leaving us with a bastardized Hollywood identity of John Wayne Dust Bowl movies with Panoi Indios playing Indians in silence. I cannot waste any moments of silence because they add up to decades and years like the 10 plus that kept my cousin estranged from her brothers and sisters who refused to acknowledge how they all inherited. The brunt of the beatings brought on by their father, in the bedroom of their mother, even ten years after their deaths. The wounds still lie wide open in silence. I cannot waste any more moments, for our concept of time has been warped by the violence that pervades our homes and hearts. Like the self righteous, now terminated governor, who stood at the cold stone podium, singing the heroic praises of the North Valley Jewish Community Center's staff. While signing a historic anti gun bill into law, looking down and right over the entire family of Joseph Aleto, who had also been shot nine times by a white supremacist a month earlier while he delivered mail. And the bold faced governor, in his corporate suit and tie, looked right past the family and only into the TV news cameras. As Joseph's mother, Lillian, hung her head in silence in the front row, ashamed that the governor couldn't even offer his condolences, didn't even mention her son's name, Joseph Aletto, what more, his death or existence. Her surviving children's fury helped her stand up, and that is why she is not silent. That is why they are not silent. That is why we cannot be silent anymore. For silence is what allowed the Warren cops to storm in a Hmong American family's home, barge down the steps to their Michigan basement, shoot 18 year old Chong Berizhong 41 times, killing him with 27 bullets at close range, and say the force was… Justified? Silence is what prevents our Hmong teenagers from telling their story. Afraid that they will be the next casualty of police brutality. Afraid that they will be deported for being unpatriotic. Sent to a landlocked country they have never seen. Even though they obey all laws, pay taxes, go to poor schools, and work three jobs no other Americans dare want. See, we cannot waste any more moments of silence. And this ain't about just taking back the night, I'm talking about taking back the day to day, because I am done with the silence. Our feet can no longer be bound. Our eyes cannot be taped. Yell your prayers as poems. Scream the names of the dead out loud. For I cannot take any more moments of silence because silence has already taken too much from me. Emily Lawson. September 11th, 2003. Revised September 17th, 2007. Detroit, Michigan. Amidst protest for an immediate ceasefire and end to occupation in Gaza, may all who continue to resist against colonization and militarization root in Atta Emily's call, now and always, no more moments of silence. Visit our Apex Express website to learn more. [00:57:06] Miko Lee: Thank you so much for joining us. Please check out our website, kpfa.org backslash program, backslash apex express to find out more about the show tonight and to find out how you can take direct action. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world. Your voices are important. [00:57:30] Miko Lee: Apex express is produced by me. Miko Lee. Along with Paige Chung, Jalena Keane-Lee, Preeti Mangala Shekar, Anuj Vaida. Kiki Rivera, Swati Rayasam, Nate Tan, Hieu Nguyen and Cheryl Truong tonight's show is produced by me Miko thank you so much to the team at kpfa for their support have a great night. The post APEX Express – 11.2.23- No More Moments of Silence: Filipinx Identity & Critical Resistance appeared first on KPFA.

October is both Filipino American History Month and LGBT(QIA) History Month. On today's episode of MESEARCH, we're getting to know Ron Blakely, a queer, non-binary, Southern California-based singer, actor, and recording artist of Black and Filipino heritage. Ron gets vulnerable and shares how growing up queer and Brown/Black as well as processing the grief of losing both parents affects his artistry as a singer and songwriter. Trigger Warning: This episode contains discussion of grief, loss, and the death of loved ones. Connect with Ron: Instagram: https://www.instagram.com/ronblakely TikTok: https://www.tiktok.com/@_ronblakely Website: ⁠⁠https://www.ronblakely.com/ Stay connected with us at ⁠⁠⁠https://www.mesearchpodcast.com/⁠⁠⁠ and via social media (@mesearchpodcast): X: ⁠⁠⁠https://twitter.com/MeSearchPodcast  ⁠⁠⁠ Instagram: ⁠⁠⁠https://instagram.com/MeSearchPodcast  ⁠⁠⁠ Facebook: ⁠⁠⁠https://www.facebook.com/mesearchpodcast  --- Send in a voice message: https://podcasters.spotify.com/pod/show/mesearchpodcast/message

157: "Education is only good if you feel liberated because of it." Filipino American History Month Special with Jen, Nani, and Stacey - Part 2 of 2Happy Filipino American History Month (FAHM)! Jen, Nani, and Stacey return for part 2 of their FAHM special to discuss the importance of mindfulness and meditation when discussing heavy topics related to Filipino American history. Stacey shares the story of Clemencia López, an early Filipina feminist leader, and how bringing these historical figures to light can help process complex emotions. The group continues to discuss ongoing issues in Philippine politics, which includes a message from their podcast editor, Dennis. In closing, Stacey leads the group in a guided mindfulness exercise.This conversation is also available on YouTube: https://youtu.be/JLW8u13CC6kMonthly Events - Subject to change. Confirm dates at THENEWFILIPINA.COMJen & Nani Unfiltered Instagram Live Show - Every 1st Friday of the month @ 12 PM (PST) / 1 PM (MST) / 2 PM (CST) / 3 PM (EST) via http://thenewfilipina.com/Tsismis with Jen and Nani Book Club - Every 3rd Friday of the month @ 12 PM (PST) / 1 PM (MST) / 2 PM (CST) / 3 PM (EST). First-time members can join today at https://bit.ly/tnf-book-clubRead our latest newsletter, published Wednesday, October 4th, 2023: https://mailchi.mp/9e77ed902b52/tfaw-project--WANT MORE FROM OUR SHOW? Join our *NEW* online community that offers daily conversation, book club sessions, and the Tsismis with Jen and Nani Private Podcast at http://thenewfilipina.com/WHEN WILL TFAW PROJECT RETURN??? Receive the latest stories, updates (including when Season 5 will air), and media coverage by subscribing to our FREE newsletter: http://eepurl.com/cO0bifABOUT US: Welcome to the Filipino American Woman Project - A Podcast Show that shares stories and life lessons told by American women of Filipino descent. For Season 4, Jen and Nani pivot the show to focus on their journey as podcasters, content creators, and entrepreneurs -- with a focus on advocating for Filipino American women storytellers and authors. UPCOMING BOOK: Special thanks to the Bulosan Center for Filipino Studies at UC Davis for the opportunity to present our academic paper, Pinay Podcasters: Building a Self-Sustaining Community Through Storytelling, Collective Healing & Learning, and Collaboration. The initial draft is now available! Read more at http://pinaypodcasters.com/RECOGNITION: In December 2020 and December 2021, we received an Honorable Mention at the Asian American Podcaster's Golden Crane Podcast Awards. August 2020, Jen Amos participated as a speaker on behalf of TFAW Project for PodFest Global, which now holds the GUINNESS WORLD RECORDS™ title for Largest Attendance for a Virtual Podcasting Conference in One Week. May 2020, we were recognized as “Amplifying Asian Women Voices” on Spotify during AAPI Heritage Month.We've also been featured in Realtime Community Oakland, Mochi Magazine, Ossa Collective, SUPERBANDS, Chopsticks Alley, FoundHer by Entrepinayship, Spotify, PodFest Expo, Philippine American Foundation for Charities, When In Manila, You Are Collect;ve, San Diego Union Tribune, NBC 7 San...

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In honor of Filipino American History Month our guests are two professors from the University of Alaska Anchorage: Drs. EJR David and Gabriel Garcia. This past session House Bill 23 sponsored by Representative Genevieve Mina passed the Alaska legislature unanimously and was signed into law by Governor Dunleavy. This bill makes October officially Filipino American History Month. So today we will be talking about Filipinos in Alaska; our guests are both PhDs, both born in the Philippines, and both immigrated to Alaska as children. Dr. Gabriel Garcia is a professor of Public Health at the University of Alaska Anchorage and is the coordinator of UAA's Master of Public Health Program. His research highlighted health disparities in Filipino fish processing plant workers in Dutch Harbor. We will also be discussing his current research about the potential resiliency that can be gained from ethnic studies programs.  Dr. E.J. R. David is a professor of psychology at the University of Alaska Anchorage. His primary duties are with the PhD program in clinical community psychology with a rural, cultural, and indigenous emphasis. He has published four books. The first three are academic works about internalized oppression and the colonial mentality.  His fourth is a memoir titled, We Have Not Stopped Trembling Yet: Letters to my Filipino Athabaskan Family.Rep. Genevieve Mina is the second Filipino woman elected to the Alaska House of Representatives. She represents East Anchorage (Airport Heights, Mountain View, and Russian Jack neighborhoods). 

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. APEX Express celebrates Filipino American History Month. Host Miko Lee is joined by guest Aisa Villarosa. They learn about the origin story of Filipino American History Month with Dr. Emily Lawsin and talk about the critical importance of ethnic studies with Dr. Dylan Rodriguez. We also get to hear music from Power Struggle's Aspirations album. More information from and about our guests Emily Lawsin Filipino American National Historical Society Dylan Rodriguez and his writing:  https://www.beyond-prisons.com/home/dylan-rodriguez-part-i-abolition-is-our-obligation https://millennialsarekillingcapitalism.libsyn.com/white-reconstruction-dylan-rodriguez-on-domestic-war-the-logics-of-genocide-and-abolition https://www.blackagendareport.com/cops-colleges-and-counterinsurgency-interview-dylan-rodriguez Musician Power Struggle and their collection: https://beatrockmusic.com/collections/power-struggle APEX Express Episodes featuring subjects discussed in this episode: 11.8.18 – Dawn Mabalon is in the Heart – entire show dedicates to Dawn 11.18.21 – We Are the Leaders – Labor features Gayle Romasanta on Larry Itliong book co-written by Dawn Mabalon   Show Transcript Filipino American History Month 10.26.23 [00:00:00] Miko Lee: Good evening and welcome to Apex Express. This is Miko Lee and I am so thrilled to have a guest co host this night, the amazing and talented Aisa Villarosa. Aisa can you please introduce yourselves to our audience? Say who you are, where you come from, and a little bit about yourself. [00:00:44] Aisa Villarosa: Thank you so much, Miko, and it's a joy to be with you and the Apex Express family. My name is Aisa, my pronouns are she, her, and I'm a Michigan born gay Filipino artist, activist, attorney with roots in ethnic studies organizing and teaching Filipino studies, in the wonderful Pa'aralang Pilipino of Southfield, Michigan. If you ever find yourself at the intersection of Eight Mile and Greenfield near Detroit, stop on by. [00:01:19] Miko Lee: Aisa, talk to me about this episode and what we're featuring in honor of the final week of Filipino American History Month. [00:01:28] Aisa Villarosa: I'd be honored to, Miko. We'll be doing a deep dive into Filipino American History Month today, including its origins and how the month acknowledges the first Filipinos who reached the shores of Morro Bay, California in 1587. We're going to be talking about what this month means in the context of today, how Filipinos are honoring the ongoing struggles for civil rights, for human rights, and we'll be talking to some personal heroes of mine. We'll also be talking about ethnic studies, which shares with new generations, these events and stories of Filipino Americans. [00:02:12] Miko Lee: Aisa, talk to me about ethnic studies. What is the background that we need to know? It's been a big part of our Asian American movement struggle with the fight for ethnic studies. give our audience a definition about what ethnic studies is and why is it important right now. [00:02:29] Aisa Villarosa: That's a great question, Miko. And I really love the definition of ethnic studies offered by the Coalition of Liberated Ethnic Studies. And they have said that this is essentially the knowledge, narratives, experiences, and wellness of Black, indigenous and people of color and their communities so that liberation of all peoples and relations are realized. And when we really break that down, this is the study of collective liberation. Part of why ethnic studies is so important is that this is really a root key to unlocking systemic change against hate. If it's taught in an intersectional approach, it really is a preventative tactic against racism. It's also rooted in storytelling. It's rooted in multi generational learning. And the best thing, in my opinion, with ethnic studies is we see the community as a living classroom. [00:03:32] Miko Lee: And , I know Ethnic Studies is part of your background. You came up as a student of Ethnic Studies. I came up in Women's Studies and Theater Studies not Ethnic Studies, but I took so many Ethnic Studies classes at San Francisco State that really profoundly shaped how I work and live as an activist and artist. Can you talk about how being a Filipino Studies student impacted you in your present day? [00:03:57] Aisa Villarosa: Absolutely. And oh, Miko, I feel like we would just be nerding out together in a theater or activism class. So thanks for sharing. Quite simply, I wouldn't be who I am without Ethnic Studies and the incredible folks behind this movement, including some voices that we'll be hearing from soon. It is encouraging that even in California, for example, ethnic studies was mandated in high schools in 2021. We are seeing a lot of progress across the nation with more and more school districts, more and more classrooms incorporating ethnic and Asian American, Pacific Islander, Native Hawaiian studies. And yet we also know that passing a law to teach ethnic studies is but one step and this isn't very well known, but ethnic studies is actually under attack. It's under attack from attempts to censor and limit the history and teaching, especially around colonization and militarization experienced by communities. And why this is really problematic is this sort of censorship can keep communities from finding one another, from finding that common ground, from seeing each other in their full humanity. [00:05:18] Miko Lee: Aisa there's so much going on in our world right now with what's happening in Palestine and Israel. And what does this have to do with the work of ethnic studies? [00:05:29] Aisa Villarosa: It has everything to do with ethnic studies, and right now we're seeing some targeting of students and activists speaking out for nonviolence, for a ceasefire, and an end to military occupation in Palestine, in Hawaii, across the world. And these activists and young folks are being targeted really, As Palestinian identity and people endure tremendous loss and mass displacement, why this matters is ethnic studies is living history and ethnic studies challenges us to take stock of moments where we can either be silent, or we can take action, including first steps to understand the history and the narratives behind these conflicts to really unpack the global impacts of colonization. It doesn't matter whether one is Filipino or Asian American or Black or Latinx or Indigenous or from any one of the countless communities living under the impacts of systemic violence and oppression. [00:06:36] Miko Lee: Thank you for sharing. I feel like we could do a whole series on why ethnic studies is so critical and important. But look forward to hearing from two people that are professors, educators, and activists and tell me who we're going to be talking with first. [00:06:51] Aisa Villarosa: We'll be talking first to Ate Emily Lawsin, a poet and an activist. She'll be sharing more about the establishment of Filipino American History Month. And then we'll be talking with activist and scholar Dylan Rodriguez, about Filipino American history in the context of today's struggles against white supremacy, military exploitation, and government violence. [00:07:16] Miko Lee: So let's take a listen to our interviews. [00:07:18] Aisa Villarosa: We are here tonight with one of my dearest mentors, heroes, big sister, a. k. a. Ate, Ate Emily Lawson. Emily, you have, over the course of your career, taught and made a difference in thousands of people's lives, including mine. For folks who are just getting to know you, can you share a little bit about your work and perhaps, you working on right now? [00:07:49] Emily Lawsin: My name is Emily Lawsin and I'm a second generation Filipino American, or pinay, as we say. I was born and raised in “she-attle” Washington and I'm the National President Emerita of the Filipino American National Historical Society or FANHS. I was on the board of trustees for 30 years no longer on the board, but still do supportive work for the organization. It's a completely volunteer run organization founded by Dorothy Ligo Cordova, Dr. Dorothy Ligo Cordova in 1982, I used to teach Asian Pacific Islander American studies and women's studies at different universities across the country in California and other states I was really blessed to be able to teach some of the first Filipino American history courses on different campuses and really utilize our FANHS curriculum in doing that. Now I work for four Culture which is King County's Cultural Development Authority, and I'm the Historic Preservation program manager there. I'm also a spoken word performance poet and oral historian [00:08:59] Aisa Villarosa: and for folks who have not had the privilege of watching Emily perform. You are a powerhouse. And a confession, I have inspirational post it notes around my laptop and I have one post it that says no more moments of silence. It's from a performance you gave, gosh, it was maybe sometime in 2008, [00:09:22] Emily Lawsin: yeah, that's awesome. Oh, thank you. [00:09:25] Aisa Villarosa: Yes. It's come full circle because I have remained a supporter of ethnic studies and part of why I am talking with you today is because October is Filipino American History Month and even breaking down every single word. In that phrase, there was a battle and a journey to even get the national recognition that y'all were able to get especially through your advocacy. So if you could tell the listeners maybe a bit about that journey and even for folks who are newer to the month, what is the difference between, say, heritage and history? [00:10:08] Emily Lawsin: Oh, that's awesome question. Thank you. Yeah, Filipino American History Month was really started by my Uncle Fred Cordova, Dr. Fred Cordova, who was the founding president of the Filipino American National Historical Society, or FANHS. He came up with the idea in 1991 and really wanted to recognize October as Philippine American History Month because the first documented landing of the first Filipinos in what is now known as the continental United States, specifically Morro Bay, California, happened on October 18th 1587. When Lizones Indios or Filipinos who were a crew and a slave slaves really on Spanish galleon ships were sent ashore off the coast of Morro Bay as like a landing party to scout out the area. If you actually look at a Instagram reel that our current FANHS President, Dr. Kevin Nadal made he tells you the history of, why October 18th, 1587 is important and it's not necessarily to celebrate that landing because people did die. But it's to commemorate and to remember that history and that memory where a Chumash Indupinos. Indigenous Filipinos Indupinos is what they call themselves too. They actually were instrumental in creating that moral based site as a historic marker for FANHS. That date is significant for Filipinos because of that first landing. And Then in the 1760s the first communities and families were created in the Bayou of Louisiana. Where these same crew folks or Filipinos jumped ship from those Spanish galleon and were called Manila Men by Marina Espina, who wrote the book Filipinos in Louisiana. Those families that jumped ship, created seven different villages in the bayous of Louisiana and intermarried with the local Creole communities there. Those families are now in their eighth and ninth generations. We wanted to recognize that history as being really the first Asian Americans in what is now known as the continental United States. Uncle Fred wrote the resolution for the FANHS Board of Trustees and they passed it in 1991 with the first observance nationally in 1992. Our FANHS chapters around the country started commemorating Philippine American History Month activities in October. It just grew from there. Institutions, schools, a lot of universities picked them up libraries city governments, county governments, state governments started picking up the resolution to honor our Filipino American history. We say Filipino American history, not heritage because we are a historical society, number one. But Number two, to recognize the history and the contributions of Filipinos to these United States of America. Not necessarily just Lumpia and dances and food. We are more than Ube. That's right. And there's nothing wrong with that. We're more than that, because Filipino American history is American history as well. And so then in the 2000s as our membership was growing And as our conferences were being more and more attended, a lot of our members in Washington, D. C. wanted to advocate and took up the charge from Uncle Fred, right? Uncle Fred asked them, hey, let's try to get this through Congress. And it went. For a few years and didn't necessarily pass as, as a history month until 2009. So 2009 we had representatives present the bill. We mobilized a lot of our members to call their Congress. People and it went through and then subsequent bills happened in 2011 and other years to officially recognize October as Philippine market history month. Barack Obama was the first White House celebration of Filipino American History Month. That meant a really big deal for us in FANHS that it was being recognized nationwide. President Biden and Vice President Kamala Harris also issued proclamations resolutions this year. It's grown as our communities have grown, as our historical society has grown and it has expanded throughout the country and even in the curriculums. So we're really proud of that. [00:15:09] Aisa Villarosa: the success would not be possible, but for intergenerational solidarity, right? Almost being hand in hand with generations past and present and food, food is totally political Ate Em. So, so yes, calling, the great Dawn Maboulon, into the space, many Americans, are taught, unfortunately, by sort of the dominant structures that food is not political, but it's absolutely political, right? And I appreciate you sharing with the listeners the history behind the history, right? That this is both an accounting of the triumphs, the heartache, the fact that Many Filipinos use the term barkata, and when we look at the genesis of the word barkata, that term, which is almost like a friend that is really family, there's a spiritual bond there that was born of Spanish enslavement and colonization. So important that we ground the conversation in this. [00:16:09] Emily Lawsin: Yeah, and I thank you for bringing up my My Kumadre, the late Dr. Dawn Bohulano Mabalon. For the listeners who don't know, we consider her the queen and really was the foremost Filipino American historian of our generation. She passed away in 2018. Dawn was a incredibly gifted scholar was a very good friend of mine. Dawn was also a food historian, a labor historian a women's historian but she was also an activist she was a film producer she was a hip hop head she was a baker. the most incredible ube cupcakes you'd ever have. She was multi talented . Every day I think about how blessed we are to have known her, have her research still with us. I think, carries a lot of us who are close to her forward in the work that we do, but it also is continuing to teach younger generations now. You mentioned the intergenerational nature. That's totally what FANHS is. Dawn and I both came into FANHS as students. I came in as a high school student volunteering in Seattle and Dawn came in to our Los Angeles chapter. She was one of the founding student members of our Los Angeles chapter and then became a trustee and national scholar and was author of several books primarily her book on Little Manila in Stockton. Little Manila is in the heart. Since her death, I think a lot more young folks have mobilized and learned about her great activism to save Little Manila is not only in Stockton, but in other cities and towns all over the country to document Filipino American history through recordings, through music, through art. She's just inspired a whole, new generation because of the great work that she did. She wrote the landmark children's book on Larry Itliong one of the founders of the United Farm Workers Union. It was really the first illustrated children's book on Filipino American history. Gail Romasanta, our friend from Stockton was her co author and really wanted to thank Gail for Carrying forward Dawn's vision and publishing that children's book and her comadre, Dr. Allison Tintanco Cobales from San Francisco State University and Pinay Pinoy Educational Partnerships, created an incredible accompanying curriculum guide. Which a lot of us use at all different levels. The book is supposed to be for like middle school age students, but I assigned it for my college and university students. Because it was such a pathbreaking book. It's so informative and the accompanying curriculum guide really helps teachers and students, even families, engage with the material more and gives you discussion prompts and ideas as well. It is really an example of a researched children's book and grassroots effort to spread that knowledge around. After Dawn died we told Gail the publisher and co author, we're still going to do the book tour. I had promised Dawn that we would do that. I think it was like 20 cities across the country. It was amazing. It's really a testament to the intergenerational nature, the grassroots nature of FANHS. We run totally volunteer up until probably next year. Wow. Next year we'll probably hire our first staff person in 43 years. Because Auntie Dorothy Ligel Cordova has done it as a volunteer executive director. Oh my gosh. [00:20:16] Aisa Villarosa: Just a labor of love and also it's so important to build out the infrastructure so that that is good news. [00:20:23] Emily Lawsin: Totally labor of love. So if y'all are looking for a really worthy donation place, then that is it. Totally tax deductible. [00:20:32] Aisa Villarosa: And our listeners. can check out. We'll have some links related to this episode where folks can support you Ate Em as well as FAHNS. And as you were sharing, I kept thinking, some folks say art is our memory of love. But teaching is also an act of love. As you do as Ate Dawn Allison, so many have done are doing it is an act of love. And yet, Because of the violence of our systems we have book bans, we have attacks on ethnic studies still in 2023. How do you keep yourself nourished? [00:21:12] Emily Lawsin: Oh, such a good question. We had a penialism. Peniaism is a term that Dr. Allison Tintiaco Cabal has created, wow, 30 years ago now, or maybe less, maybe 25, I'm dating ourselves. She says peniaism equals love and pain and growth. That is so true. I believe in writing as my kind of outlet. Write for two reasons, love and revenge. Because what other reason would you write, right? So that's like a therapy outlet. To keep myself nourished, I'm really blessed to have a very loving partner and a very loving family. They nourish me. every day, literally feed me when I'm working late. But also with their love and their kindness and their brilliance. My two daughters are incredibly gifted and brilliant and just really blessed to have them. But also I think when I look at our community. Our Filipino American community specifically and how it's grown and changed through the years. Auntie Dorothy, when I was in college, was my professor and she used to say that our Filipino American community is built on many different layers. We have so many different generations that have immigrated over the years. And so every generation builds upon the other, the next generation. It's all these different layers. And I think that really helped me conceive of What it means to be in community with such a diverse Filipino American population. That education that knowledge has nourished me more than really anything else, because then I could. Always fall back to those teachings that Uncle Fred and Auntie Dorothy gave me. I was very blessed to have grown up on the Filipino Youth Activities Drill Team in Seattle that Uncle Fred and Auntie Dorothy co founded with other families, Filipino American families, as a way to keep Pinoy kids off the streets, right? It taught us our history and our pride, and gave me confidence in being Filipino, right? Being brown, being different. So that has constantly nourished me. My parents and their memory has nourished me because basically the work that we do, whether it's paid or not whether it's art, whether it's performance, whether it's history, writing, activism, or working for the man, making the dollar, whatever. To me, that's all fueled by the ancestors, and they literally plowed these fields before us, right? My uncles were farm workers. They were migrant farm workers. My mother was one of the first Filipino American women to work in the Alaskan cannery as an alaskera. You hear a lot about the Alaskeros or maybe you don't, I don't know. But she was one of the women and that is really. important to me. It's important for my children and others to, to know that history. If I remind myself that we're really doing the work of the ancestors then it's all worth it. It's all really worth it. [00:25:07] Aisa Villarosa: They say we don't know who all our ancestors are, but they know who we are. What you shared is also similar to Kapua, right? This concept that our identities are shared. So thank you for giving us your time and also just sharing what keeps you running on love in each moment. [00:25:32] Emily Lawsin: Absolutely. I just wanted to add a big thank you to you. I'm going to play the interviewer because I am the oral historian. I want listeners to know the good work that you've done. Since you were a student, a mentor activist yourself, an attorney working with youth and now working in the anti Asian violence movement, it's really important. In Philippine American History Month, it's not just about celebration. It is about commemorating the memories of those who've been killed. The memories of those who've passed I know you know about Joseph Aleto the Filipino American postal worker who was killed by a white supremacist on his work route a mile from my house. I was teaching at California State University, Northridge then, and the students said something incredible when they were organizing around that case. They said he was not in the wrong place at the wrong time, because people say that, right? When those kind of what they call random acts of violence happen, it wasn't random at all. He chose to kill Joseph Aletto because he looked like a person of color. He worked for the federal government. So the student at Cal State Northridge said, no, he wasn't in the wrong place at the wrong time. He was at his place, at his time, doing his job, just doing his job. The killer, the white supremacist, was the wrong person, at the wrong time. Joseph Aletto did not deserve to be killed like that. After he was killed, his memory was immediately ignored. And it wasn't until his family, his mother, Lillian, his brother, Ishmael, and his sister in law, Dina, stood up and said, “We will not have this happen to another family. We will not be ignored. ” they started a movement Join Our Struggle, Educate to Prevent Hate. And still love equality and tolerance and others, which is an acronym for his, the letters in his name. I totally supported that and love the Alato family for their activism to this day. So I want to thank you. For educating others in the work that you do now, you want to tell that because that's part of Philippine American history. [00:28:17] Aisa Villarosa: Thank you. And especially given our hard and painful moments right now thinking of. The pain felt by both Students and teachers of ethnic studies to many miles away the pain felt by Palestinians, right? There is a challenge and a duty that we have to both see the humanity in ourselves, but also bridge the shared struggles to humanize when we can because the stakes are too high. So thank you for reminding us of that. It was so beautiful to talk with you today. I hope listeners check out the links on our page and can learn more about Atta Emily Lawson's work and the work of FAHNS. [00:29:12] Emily Lawsin: Thank you, Aisa. I appreciate you. Mahal to everybody and Salama. Thank you. [00:29:20] Miko Lee: Aisa, I'm so glad that you're also sharing some music with us tonight. Can you tell us about the musician we're going to be hearing from? [00:29:28] Aisa Villarosa: Absolutely. I'm honored to introduce my friend and colleague, Mario, a. k. a. Power Struggle, who has been a behemoth in the Bay Area and global music and activism scene for many years. Power Struggle tells the story of The Filipino community, both in the Philippines, as well as connecting the dots to social justice and economic justice in the Bay Area and beyond. [00:30:00] Miko Lee: Coming up next is Cultural Worker featuring Equipto by Power Struggle. Welcome back. You are tuned into apex express, a 94.1 KPFA and 89.3 KPF. Be in Berkeley and online@kpfa.org [00:34:45] Aisa Villarosa: You were listening to Cultural Worker featuring Equipto by the Bay Area's own Power Struggle. I am here tonight talking to the incredible Dylan Rodriguez. Dylan, it is a pleasure to have you on the show with us. [00:35:01] Dylan Rodriguez: I've never been introduced that way. Thank you. Thank you for doing that. I decline. I decline all of the superlatives, humbled. I'm very humbled to the conversation. I'm grateful for the invitation. [00:35:12] Aisa Villarosa: Let me, I'll try that again. Here is Rabble Rouser Scholar extraordinaire Dylan Rodriguez. [00:35:18] Dylan Rodriguez: Yeah, troublemaking, troublemaking's good. Yeah, I'm down for that. [00:35:22] Aisa Villarosa: Dylan, I have to say most folks tuning in are based on the west coast, but you are gracing us with your presence from the east coast. So thank you. Thank you for being on late with us tonight. Can you tell the audience a little bit about yourself? Maybe starting with what do you do? [00:35:41] Dylan Rodriguez: I'm a professor at the University of California, the Riverside campus. This is now my 23rd year there. Despite multiple efforts, they have not been able to get rid of me yet. And I'm very proud to say that my primary vocation extends significantly beyond my day job. I think perhaps the most important part of What I would say I do biographically is that my life work is adjoined to various forms of collaborative attempts at radical political activity, speculative and experimental forms of organizing and community. I've been engaged in abolitionist Forms of practice and teaching and scholarship and organizing since the mid to late 90s. I'm interested in collaborating with people who are down with Black liberation anti colonialism opposition to anti Black racist colonial state. I've been involved so many different organizations and movements that I lose track, but I think that's, in a nutshell, what I'm about. [00:36:39] Aisa Villarosa: So you're in Your 23rd year the Michael Jordan year, and thank you for sharing with us. It sounds like you are a world builder Grace Lee Boggs often says that how can we build the future if we're not visioning it and working toward it. So thank you for everything you've been doing and In terms of in the classroom, can you talk a little bit about what you teach? [00:37:04] Dylan Rodriguez: I teach a variety of different classes that center the archives, the thoughts, the writing, the poetry, the art of radical revolutionary liberationists and anti colonial organizers, thinkers, and scholars. For example, this right now, for example, right now I'm teaching a graduate class in anti Blackness and racial colonial state violence. And we're reading a variety of people. I'm interested in, in the whole spectrum. of thought and praxis that is attacking the racist and anti Black and colonial state. I teach another class on the prison industrial complex and that's a class I've been teaching for more than 20 years and I teach it from in a in an unapologetically experimental abolitionist position. So I'm interested in stoking and supporting whatever forms of collective and collaborative activity are possible to at bare minimum to undermine The premises of this carceral regime that we all live under and I teach a bunch of other things too, but I think the overall trajectory that I'm interested in is some combination of radical autonomy revolutionary trajectory and also just. As I get older, I become less patient. So I'll say that I feel like a lot of the way I teach all the content what I teach now, whether it's in a classroom or somewhere else is increasingly militantly accelerationist I think that there is a place and a necessity for accelerating, militant opposition and confrontation with this unsustainable, genocidal, civilizational project that we all differently inhabit. I feel like it's an obligation to teach and work within an identification of that context. [00:38:47] Aisa Villarosa: What I heard you say is. You're less patient and it sounds like it's because we are running out of time. [00:38:53] Dylan Rodriguez: Yeah, we are living. I think we're outta time. I think we're outta time. I'm unprecedented times. Yes, we're out of time and mean as we have this conversation and as I've been saying to anybody that listen to me, these these last several days. We're in a moment of an actual unfolding genocide, and I'm not sure, I'm not sure that those who identify themselves as the left, particularly the North American and U. S. left, have an adequate sense of urgency and honesty about what it means to be in this historical moment. [00:39:26] Aisa Villarosa: I'd love for you to break this down. I wonder if at this moment, there are folks listening who are completely in agreement. There might be some other folks who perhaps are not sure what to think. And some of that, a lot of that is the impacts of colonization itself, right? We are trained to think small culturally, put your head down. You mentioned you teach anti Blackness and as someone who grew up in racially segregated Michigan with a Black and white and Filipino family, people used to joke that we were the United Nations of families. And yet we did not have the words to talk about anti Blackness. We did not. Unpack it in any sort of meaningful way. And we didn't consider what it meant for our Black family members. So for folks listening who are perhaps new to unpacking anti Blackness, unpacking the genocide in Palestine. Can you connect the dots a little bit? [00:40:33] Dylan Rodriguez: I can do so in a provisional way. I have no definitive answers for anybody who hears this broadcast or reads this transcript. So let me just start with that. I don't present myself as having answers really at all. What I have are urgent, ambitious and militant attempts. But let me just say that's where I'm coming from. I believe in experimentation. I believe in collective, collaborative. militant work that, first of all, identifies the very things you just did. So I want to just, first of all, reflect back to you how important, how courageous it is to just use the terms, right? To use the terms, to center the terms of anti Blackness, to focus on anti Blackness is so principled and it is also principled it is a principle and it is principled to focus on anti Blackness as a specific way in which to experience and confront and deal with the civilizational project that is so completely foundationally violent. To name what is happening right now in Palestine by way of the United States and its militarization support of the state of Israel as genocide. That takes some courage on the part of whoever says it, and I think it's a courage that is emboldened when it's a collective courage. So what I'll say about it as a provisional response as a partial response to what you said is that. I think everything that we do in relation to these dynamics to these forms of violence that are so foundational to the way in which the present historical tense is formed around us, meaning genocide of Palestinians displacement genocide apartheid against Palestinians, and this foundational modern structure of anti Blackness that naming those things, and then identifying how it is that it is not an option to develop it. It's principled, political, ideological, spiritual collective relationship, you have to figure out what your relationship is to those dynamics. You have no choice. What I have no patience for are those who would treat these things genocide in Palestine, the global logic of anti Blackness, as if it's somehow optional. As if it's somehow as if it's somehow elective that it's a volunteeristic kind of alternative to deal. You have no choice. You have to figure out, articulate, and hopefully you're doing this in collaboration with other people. You've got to figure out what your position is. And once you do that, things tend to map themselves out because you get pulled in and invited into projects and collective work that actually tends to be really emboldening and beautiful. So I'll say that like wherever you are, whether it's northern Southern California, whether it's I happen to be right now on the East Coast in the state of New Hampshire I live in Southern California. I think identifying those things is the first and most important courageous collective step. [00:43:18] Aisa Villarosa: And turning a little bit to ethnic studies, which we heard previously from Atta Emily Lawson about the power of ethnic studies and if done right, if taught in a liberatory way, it gives us the answers. It helps us bridge gaps that oppression wrought on us, and some would say that's dangerous. Can you share what you have experienced as An instructor as a scholar of ethnic studies in your long career, [00:43:54] Dylan Rodriguez: So first of all, shout out to Dr. Emily Lawson, one of my Thank you. youngest old friends. All respect and all empowerment to everything that she says. So I just I do my best to amplify whatever it is that she's done and said. So I come out of ethnic studies. I got my Ph. D. In ethnic studies. I'm one of the people who was humbled to be part of, I think, the new kind of the most recent revision and reification the newest chapter of ethnic studies, which people call critical ethnic studies. So I've been in, in the ethnic studies project for essentially my whole adult life. I'm now 49 plus years old, so it's been for, it's been a while that I've been involved. So ethnic studies, As far as what it does in the world, I'm going to go the opposite direction that some of my colleagues do, and I don't mean this to contradict them, this to compliment them. I think ethnic studies is productively endangering. I think it is constructively violent. I think ethnic studies is beautifully displacing. That's been my experience with it, and what I mean by those things is this. I'm convinced that if one approaches ethnic studies as something more than just an academic curriculum, if one approaches it as a way to reshape how you interpret the world around you, how you understand history, how you understand your relationship, both to history and to other people, that it should shake you to your foundations. It really should. And the reason I say that is because, for the most part, the ways in which people, especially in North America, are ideologically trained in whatever school systems they experience from the time they enter a language is to assimilate, to accept and to concede to the United States nation building project, which is empire, right? It's a continuation of anti Black chattel. It's all of these things, which we started this conversation with. It's all those things. So what ethnic studies does is it should shake you to your foundations by way of exposing exactly what it is that you have been. In some ways, literally bred into loyalty to so so when it shakes with your foundations, that's an endangering feeling. I've had it so many times in the classroom where I can sense it. I can. And sometimes students, the students who are the most, I think audacious will articulate it that way, right? And they will, they'll sometimes hold it against the teacher, right? Whether it's me or somebody else. And I'll say I feel like I'm being attacked, right? And you know what? I used to be defensive about that, but you know what? In probably the last 15 to 20 years, I tell them, you know what that's how you should feel. Because what's happening right now is that you're experiencing an archive and a history and a way of seeing the world that is it's forcing you to question Essentially some of the most important assumptions that have shaped your way of identifying who you are on this planet and in the United States and in relation to the United States and the violence of the United States. You've never thought about the United States as a violent genocidal anti Black nation building project. Now that we're naming that. Yeah, you know you're feeling a kind of violence through that and ideological violence you feel displaced by that you feel endangered by that. That's all right. That's all right because I'm here with you. You know I'm here with you and we're all in this. At the same time, and the point is to figure out what's going to be the right some people will just disavow it and they'll do their best to fabricate their own return to the point from which they started. And then a lot of other people will never be able to go back to that same place that is the beauty of what I understand to be the best of ethnic studies is it displaces people from this default loyalty to the United States nation building project it disrupts the kind of default Americanism. That seems to shape the horizon of people's political, cultural, ideological ambitions, and it says that there's got to be something on the other side of this that is liberatory, that's a different way of being in the world. That's the best of ethnic studies. And so I do my best to work within that lineage, within that tradition, within that ambition. [00:48:02] Aisa Villarosa: I am thinking about. Adrienne Marie Brown and folks who say subscribe to the Nap ministry, et cetera. And as we progress generationally, we, in some cases, get a more nuanced vocabulary for times to pause, times to recharge you know, COVID 19 name your thing. Is there room in this struggle knowing that essentially we're out of time, right? The timer is going off. Can we rest? And how can we find rest in each other? [00:48:46] Dylan Rodriguez: That's such a hard one. I'll be completely vulnerable with the people that are listening, reading, and experiencing my comments right now. I would be a hypocrite to say That I fully ascribe to any regime that is committed to self care, right? I'd be lying. I'd be lying. I feel like I'm mostly committed to trying to engage with whatever forms of possibility radical possibility are available at my best to the point of getting close to exhaustion and then stopping and taking a rest and just asking people to give me a break and people are very just so let me back up the people who I tend to collaborate with nowadays are incredibly generous. They look out for each other. They give me more of a break than I probably need or deserve. All right, so but I'll say at the very same time with what is. obsessing me is this kind of humble notion that I want to maximize whatever contribution I can make to advancing some form of a liberation and abolitionist and anti colonial and Black liberation project before I walk off the mortal coil. That's it. That's my contribution. I feel honored to be part of that. I don't expect to necessarily see the liberation, the revolution, the decolonization in my lifetime, it's not about that. It's not that narcissistic. I got over that many years ago. So I'll say that with all humility with all vulnerability to people here, and I don't prescribe it. I'm not saying anybody should be like me. To the contrary. I think the lesson that I've learned from a variety of comrades who are much more mature than I am in terms of understanding the limitations of doing work this way and people have exemplified. A version of collective self care that attacks the kind of neoliberal individualized notion of self care that frankly really gets under my skin. They have taught me what my friends at the what [Big Tree & Martine] and I'll send you the link so people can check them out. They're the co founders of Ujima Medics in Chicago. I quote them all the time on this. But they have talked to me more than once about the notion. Of collective and deep responsibility. So I think I would use the term of deep responsibility, rather than self care I would use the term deep responsibility as a way to understand what it means to be in community with people who will make sure that you take the time that you take the space to recharge and pause that people who will recognize your vulnerability and your exhaustion. And make sure that you're able to rest to the point where you will remain a warrior that's effective in this ongoing struggle. And warrior when I say warrior I mean that all different kind of ways, right? There's all different kind of warriors. So I think what Martine and Amika talk about is deep responsibility is the one I would really emphasize because I think it's a notion of collectivity and it means that we're actually looking out for each other. And what it means is that we are pushing each other to care. For ourselves and others are caring for us, maybe in a way. That is wiser than we are capable, than what we are capable of doing for ourselves. And I know, and again, with all humility and vulnerability, I feel like that's what I need from people around me is to be around people who believe in that form of deeper collective responsibility. I'm probably not capable of it, right? That makes me, I know that makes me a bad abolitionist, everybody, but but others have taught me that's my limitation. So I feel like that's where I'm at. [00:52:10] Aisa Villarosa: You're winning the. Award for most honest guest star on this show, Dylan. [00:52:17] Dylan Rodriguez: I have no choice. I have no choice. [00:52:20] Aisa Villarosa: How can people support [00:52:21] Dylan Rodriguez: you? Oh man I don't need support. I don't need support from people. I don't. I don't. I don't I feel like there's so many, there's so many collective organizations and What I'd rather do is if you wanna get in touch with me, I'm happy to do that. People hit me up. I'm on social media, like I'm on Instagram and Twitter. Just look me up. Dylan Rodriguez 73 on Instagram. Dylan at Dylan Rodriguez. On Twitter. I guess it's called X Now. I don't know, I'm gonna jump off those platforms at some point, but for now I'm still on 'em. Email. You can email me at Dylan Rodriguez, collaborate@gmail.com. So that's a cool way to get in touch. So I feel like I'm Profoundly privileged position. Again I get to participate in all different forms of collective work. I have plenty of support. So I don't want people supporting me. What I want people to do is figure out what kinds of collaborative collective collaborative and collective project around them that are seeking autonomy. That's what I want people to do. That's what I want you to support. I want you to support autonomous projects. For liberation revolutionary struggle. And if it if there's decolonization there as well autonomous projects that are not dependent on the state that are not dependent on the Democratic Party that are not dependent on nonprofit organizations, non governmental organizations that don't Rely on public policy reforms. If there are communities organizations around that are seeking to create autonomous forms of power. That's what I want people to support. I think that's what needs to be modeled. That is what is on the other side of this collapsing civilization. Are these forms of autonomy, the sooner that we can begin to participate and experiment and autonomous forms of community that creates autonomous forms of things like justice, freedom, security. You know what I mean? It's secure. Health security, food security, education security, recreation security, the security of joy, collective love, all that stuff. The sooner that we can figure out different models to do that there may be an other side to the collapse of the civilization, which could very well happen in the coming days. I think depending where you are right now, it might be happening now. So that's what I would ask people to do, would be to support something like that. And if not, instigate and create it. [00:54:28] Aisa Villarosa: So appreciate that. And earlier… Off the recording, you and I were talking about something doesn't need to last forever to be successful. There is a molting that is happening now, a shedding, if you will. And so for listeners who are beginning their journey, you've made them feel just a little bit less lonely. So thank you for being on the show with us tonight, Dylan. Do you want to close with any final words for the audience? [00:55:01] Dylan Rodriguez: Yeah first of all, thank you for inviting me. I hope we can do this again sometime soon. This is a beautiful few minutes I shared. I do not take for granted that people are listening to this and taking it to heart. So I think the closing words I would offer to anybody who is interested in being engaged with the historical record to which we are speaking. I would just ask you if you're not already involved in some form of collective creative work. Whether it's something you would call a social movement, whether it's formal organization or whether it's something else. I will just ask that everybody here that's listening to this, if you're not already involved in something that's collective that is collaborative and ideally that is radically experimental and willing to look beyond. The horizons that have been presented to you as the farthest possibility. I want people to speculate and to figure out what is beyond the horizons that have been presented to them as the limit. What is beyond that? And I'm talking to artists. I'm talking to poets, scholars, activists, organizers, whoever is here, people who are incarcerated, everybody who's here, like there are so many different traditions that we can attach ourselves to all those traditions are collaborative and collective. So please just be part of a collective. Be part of a collective and for whatever it's worth reach out to somebody who can help you facilitate joining a collective. That's why I left you on my contact information, because for whatever it's worth, if I can play a small role in that, I'm down to do it. You probably don't need me. You probably got somebody else in your life that can help you do that. But do something that is collective, collaborative, experimental. That's my that's what I would leave with people. Yeah, that's the last words I would leave with people. [00:56:38] Aisa Villarosa: Borders are meant to be broken. So thank you, Dylan, for expanding folks vision tonight. Thank you for inviting me. [00:56:47] Miko Lee: Thank you so much for joining us. Please check out our website, kpfa.org backslash program, backslash apex express to find out more about the show tonight and to find out how you can take direct action. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world. Your voices are important. [00:57:11] Miko Lee: Apex express is produced by me. Miko Lee. Along with Paige Chung, Jalena Keane-Lee, Preeti Mangala Shekar, Anuj Vaida. Kiki Rivera, Swati Rayasam, Nate Tan, Hieu Nguyen and Cheryl Truong tonight's show is produced by me Miko thank you so much to the team at kpfa for their support have a great Night The post APEX Express – 10.26.23 – Filipino American History Month appeared first on KPFA.

Jimmy went to New York Comic Con (NYCC) last week and got about 12 interviews and 1 press room. Producer Joe even got an interview in! In this episode, you'll hear from one of Jimmy's fellow Filipinos on this here Filipino American History Month. Arielle Jovellanos returns to the podcast to talk about her recent hit book GIRL TAKING OVER: A LOIS LANE STORY, her new self-published comic JUST A SPELL, musical theater, favorite characters and more. Also, get a hold of us! Thanks for listening!

Jimmy went to New York Comic Con (NYCC) last week and got about 12 interviews and 1 press room. Producer Joe even got an interview in! In this episode, you'll hear from some of Jimmy's fellow Filipinos on this here Filipino American History Month. First, Jimmy follows up with his Kwento Comics interviews from SDCC and chats with Meriden Angeles about the new Kickstarter, new publisher and Meriden's acting career. He also talked to Rev Valdez about his adorable children's book BUNSO MEETS A MUMU, Filipino myths and fave foods. Thanks to both! Also, get a hold of us! Thanks for listening!

In this episode we look at Filipino Identity in light of Filipino American History Month.  Our guests Dr. Susan Protacio, MD along with Angela Albay-Yenney and myself join in conversation of our similar and at times different experiences of being a Filipino American in the United States.  Remember to like, subscribe, and recommend to a friend. This Connected Podcast is a personal Lay Apostolate whose mission is to connect generations and situations about faith, life and whatever comes along the way - to not necessarily agree but be listened to.  The statements shared on this podcast are the opinions of the host and the guests.For question or comments, contact us at catholic.dad50@gmail.com.  If you would like to help our podcast, you can become a patron on our Patreon page, or you may make a donation on our paypal or venmo @CatholicDotDad.Support the show - http://www.patreon.com/ThisConnectedFOLLOW on Instagram:@catholic.dadTheme Song by - The Parousia BandREMEMBER:Live a life of holiness,B Blessed & B3rdBook your stay at the cabin, Running Springs, CAInstagram: @thecabin2021Support the showYour blessing of support is needed and appreciated: https://www.patreon.com/ThisConnected

Your host, Aya Shlachter, talks with Krystl Fabella — Founder of Filipina on the Rise. In celebration of Filipino-American History Month, Aya and fellow Filipina Krystl discuss relatable topics about being a Filipina creative — from being an overachiever to discussing the conventional career paths of Filipinos and how they managed to pursue a creative career despite the prevalent stereotypes associated with Filipino families predominantly working in the medical field. Krystl also shares her journey of connecting with her Filipina identity, transitioning from a successful tech job to pursuing a creative career. She talks about what inspired her to start Filipina on the Rise, aiming to promote the true essence of being a Filipina through real success stories, and how she gives back to the community through this initiative. She also goes into detail about Filipina on the Rise and how she built an audience of thousands of followers on social media, using these platforms to create a community of like-minded Filipino women around the world. Tune in to this episode to know more and celebrate the achievements of Filipino-Americans in various ways. Don't miss this special episode!   ABOUT THE GUEST: Krystl Fabella is the founder of Filipina on the Rise, a media company and #1 podcast spotlighting impactful Filipino women around the world, with over 50,000+ listeners. She has been listed in the NYC Journal's "Top 30 Women to Watch Out for in 2022." Immigrating to the U.S. at the age of 7, Krystl grew up noticing the lack of women that looked like her in media and various industries. In 2019, while working in San Francisco tech, a google search for "inspiring Filipino women" resulting in objectifying pages lit a fire to start a podcast and promote "Filipina Excellence." Since then, FOTR has amassed a following of tens of thousands around the world and produces everything from nationwide popup events, shows interviewing award-winning names, and even launched the first successful Filipino-American NFT collection. Krystl has spoken at national conferences, Disney, Deloitte and even spearheaded statewide policy for women's rights. It is her passion to advocate for those of underrepresented backgrounds and help others feel seen, represented, and encouraged to "Stay Rising." Find out more about Krystl at www.filipinaontherise.com.   BE PART OF THE PODCAST: Do you have a question in mind? Send me your questions and I'll answer them on a podcast episode! If you'd like to be a guest on Architect My Life, click HERE.

156: "You're Filipina first." Filipino American History Month Special with Jen, Nani, and Stacey - Part 1 of 2Happy Filipino American History Month! Jen, Nani, and special guest Dr. Stacey Anne Baterina Salinas return for a two-part special for Filipino American History Month (FAHM)! Together, they discuss FAHM's 2023 theme, according to the Filipino American National Historical Society (FANHS), which recognizes 125 years of Philippine-American history since 1898. They also share general updates on their personal and professional lives, the importance of making Filipino American history more accessible, current events in the Philippines, and tease at Season 5 of TFAW Project.This episode is also available on YouTube: https://youtu.be/Ip5Z6ETYSr0Monthly Events - Subject to change. Confirm dates at THENEWFILIPINA.COMJen & Nani Unfiltered Instagram Live Show - Every 1st Friday of the month @ 12 PM (PST) / 1 PM (MST) / 2 PM (CST) / 3 PM (EST) via http://thenewfilipina.com/Tsismis with Jen and Nani Book Club - Every 3rd Friday of the month @ 12 PM (PST) / 1 PM (MST) / 2 PM (CST) / 3 PM (EST). First-time members can join today at https://bit.ly/tnf-book-clubRead our latest newsletter, published Wednesday, October 4th, 2023: https://mailchi.mp/9e77ed902b52/tfaw-project--WANT MORE FROM OUR SHOW? Join our *NEW* online community that offers daily conversation, book club sessions, and the Tsismis with Jen and Nani Private Podcast at http://thenewfilipina.com/WHEN WILL TFAW PROJECT RETURN??? Receive the latest stories, updates (including when Season 5 will air), and media coverage by subscribing to our FREE newsletter: http://eepurl.com/cO0bifABOUT US: Welcome to the Filipino American Woman Project - A Podcast Show that shares stories and life lessons told by American women of Filipino descent. For Season 4, Jen and Nani pivot the show to focus on their journey as podcasters, content creators, and entrepreneurs -- with a focus on advocating for Filipino American women storytellers and authors. UPCOMING BOOK: Special thanks to the Bulosan Center for Filipino Studies at UC Davis for the opportunity to present our academic paper, Pinay Podcasters: Building a Self-Sustaining Community Through Storytelling, Collective Healing & Learning, and Collaboration. The initial draft is now available! Read more at http://pinaypodcasters.com/RECOGNITION: In December 2020 and December 2021, we received an Honorable Mention at the Asian American Podcaster's Golden Crane Podcast Awards. August 2020, Jen Amos participated as a speaker on behalf of TFAW Project for PodFest Global, which now holds the GUINNESS WORLD RECORDS™ title for Largest Attendance for a Virtual Podcasting Conference in One Week. May 2020, we were recognized as “Amplifying Asian Women Voices” on Spotify during AAPI Heritage Month.We've also been featured in Realtime Community Oakland, Mochi Magazine, Ossa Collective, SUPERBANDS, Chopsticks Alley, FoundHer by Entrepinayship, Spotify, PodFest Expo, Philippine American Foundation for Charities, When In Manila, You Are Collect;ve, San Diego Union Tribune, NBC 7 San Diego, and much more! Read more at:

As we celebrate Filipino American History Month this October, we talk to the first Filipina-African Miss Filipina International title holder Matea Mahal Smith. In this episode, she shares what it was like growing up in a Filipino family in the United States and how much she loves coming home to the Philippines to eat her favorite Filipino food.

To celebrate the launch of Season 4 and Halloween in one fell swoop, we're joined by paranormal historian and expert Sapphire Sandalo. You might recognize her as a co-host on the Travel Channel TV shows like ‘Ghost Town Terror' or ‘Paranormal Caught On Camera.' She also has her own award-winning spooky podcast, 'Stories With Sapphire.' Additionally, October is Filipino American History Month, and as a Filipino-American, Sapphire shares her thoughts on the cultural pressures of being childfree as an Asian American.You can find Sapphire on TikTok and Instagram. Become a monthly subscriber to help support the show Wanna connect with us on social media? You can find us on Instagram and TikTok at @dinkypod. If you have a question or comment, email us at dinky@dinkypod.comThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5953015/advertisement

October marks Filipino-American History Month, and I can't think of a better way to honor the legacy of Filipinos in the United States and the Philippines than by welcoming my friend Elizabeth Ann Besa-Quirino in this episode. Betty Ann is an award-winning journalist, food writer, correspondent, cookbook author, artist, and the voice behind the food site The Quirino Kitchen, where she shares Filipino home cooking. She is a multi-award winner of the_ Plaridel Writing Awards_ for excellence in journalism, given by the Philippine-American Press Club, and is the recipient of a Doreen Gamboa Fernandez Food Writing Award for her essay, “A Hundred Mangoes in A Bottle.” She was named one of the Filipina Women's Network's 100 Most Influential Women of the World. In this episode, we discuss her recently published memoir, Every Ounce of Courage, where she chronicles an untold story of one of the unsung heroes of World War II — her mother, Lulu Reyes, during a frightening period of Filipino - and worldwide - history.  Learn more about Elizabeth Ann at https://thequirinokitchen.com Follow Elizabeth Ann on Instagram: @bettyannquirino Podcast Show Notes: https://kitchenconfidante.com/every-ounce-of-courage-with-elizabeth-ann-besa-quirino

Carmina & Patch commemorate Filipino-American History Month by recapping the season and celebrating Fil-Am creative achievements. Topping the episode is a shoutout to the rom-com Asian Persuasion, which won the Audience Award at the Soho International Film Festival. They invite listeners to PH Time Is Now virtually or in-person on Oct. 28 to meet Fil-Am trailblazers. Finally, hear about Patch's Broadway debut and listen to their in-depth review of Here Lies Love! Asian Persuasion will be released in the Philippines on Nov. 29, 2023. Track @asianpersuasionfilm on Instagram for festival and theater drops.Register here for PH Time Is Now by Oct. 15 to join Pinoy trailblazers virtually or in person at the Harvard Club of New York on Oct. 28.Visit Here Lies Love's official website for show details and ticketing information. The complete Voltes V Blu Ray disc collection can be found here. To support FilTrip, go to the Patreon page here and PayPal page here.Visit https://filtrip.buzzsprout.com. Drop a note at thefiltrip@gmail.com.See https://www.buzzsprout.com/privacy for Privacy Policy. 

We were interviewed by Crunchbase to celebrate both Filipino American History Month and Hispanic Heritage Month. Hope y'all enjoy this interview!

It's Filipino American History Month and we're back! Season 4 of MeSearch returns with your hosts, Dustin Domingo and Krystle Tugadi. In this episode we reflect on the past three seasons, who we are today, and what we hope to learn, relearn, and/or unlearn in this new season. Stay connected with us at ⁠⁠⁠⁠⁠mesearchpodcast.com⁠⁠⁠ and via social media (@mesearchpodcast): Twitter: ⁠⁠⁠⁠⁠https://twitter.com/MeSearchPodcast  ⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠https://instagram.com/MeSearchPodcast  ⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠https://www.facebook.com/mesearchpodcast ⁠ --- Send in a voice message: https://podcasters.spotify.com/pod/show/mesearchpodcast/message

The puck drops on the NHL season and we're ready for the rollercoaster ride! Fleury and Oshie welcome Bedard and Fantilli to the league NHL Teams previews Sharks chemistry out of preseason and prospect observations Playoffs projections Will the NHL add another expansion team? Bettman on raising the salary cap and specialty initiative nights Representation vs Cultural Appropriation October is Filipino American History Month! Disney Launchpad's The Roof WNBA is coming to the Bay Area! Follow/subscribe to ⁠⁠⁠Over The Glass⁠⁠⁠ Check out ⁠⁠⁠Hockey of Tomorrow⁠⁠⁠ ⁠⁠⁠Track: Make It Happen Music

Filipinos have been living in the Windy City since at least the early 1900s. From the first wave of men coming from the Philippines to the U.S. to forming a community in Chicago to the second wave of Filipino women arriving, there's a rich history of Filipinos in the Windy City. Reset celebrates Filipino American History Month by talking about the history of Filipinos in the city and learning about an upcoming exhibit featuring the archived photos of the community from the mid 1900s with Ruben Salazar and Ashley Dequilla of the Filipino American Historical Society of Chicago. Check out more conversations like this at wbez.org/reset.

October is Filipino American History Month. It's a time to reflect on the experiences of people that came before, connect with others in the community and build a stronger sense of identity being Filipino American. Starting October 6, an exhibition called “More Than Lumpia” will be held at the Catacombs Gallery at the Epiphany Center for the Arts until November 17. It aims to challenge stereotypes and narratives about Filipino Americans and shed light on the work of Filipino artists who are often underrepresented in the art space. We spoke with Cesar Conde, an artist and curator of the exhibition, to learn more about it and discussed with artists Abby Mendoza and Jimmy Bulosan about exploring their identity through art. For more conversations like this, check out our entire catalog of interviews at wbez.org/reset.

Help keep Filipina on the Rise going! Support our Crowdfund coming up on Oct. 11 (get updates here) YOU'RE INVITED to our Virtual Crowdfund Launch Party on Wednesday Oct. 11, with all day free fun activities on IG live.We have back on, Gabes Torres, regarding her latest post that has us a bit more awakened"This Filipino-American History Month,can we stop romanticizingthe decolonization process?I've seen ‘decolonization' done in such uncritical ways: idealizing pre-colonial cultures and present governmental structures, to the point of overlooking the issues that existed before colonization (hyper-masculinity, social disunity and hierarchy, etc.) and after (f*scism, class struggle, hyper-militarism, etc.).Pre-colonial period was nota utopia, untouched by tyranny.Another potential issue is found in diasporic Filipinos' choice to reconnect with their roots by visiting the homeland.This is not a problem per se, but diasporic folks must know how they implicate themselves in the horrors of the tourism industry and climate catastrophes in the colonized nation state.Most people would rather focus on the fact that the Philippines is a paradise than assess how an international visit will maintain labor and land exploitation.After living in the States for 10 years,I have ideas on what it's like to navigatein-between spaces, holding discussions on de/colonization and the increasing tension between diasporic and homeland folks.And honestly, I've seen the issues andthe point from both sides..I've seen the prideful rigidity, lack of curiosity, and gatekeeping by most homeland folks I've also seen most of diasporic folks' sugarcoated and sanitized versions of Philippine colonial history, as well as the IG posts/reels that showcase their Philippine island vacations spots, while the other side of town will likely havepoor neighborhoods, where most hospitality workers (who serve them) live."

Learn more at TheCityLife.org --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support

Nico Blitz and Jackie Ramirez do a live podcast at Spotify Space Studios in Los Angeles. Smack in the middle of Hispanic Heritage Month and the beginning of Filipino American History Month, the two talk about the birth of these events and beg the question if they are Filipino/Mexican enough for their cultures.

155: "I see that you're trying to show up, and I want to remind you that we don't have to do this today. We can shift gears." Wrapping up Season 4 with Jen and NaniThis episode is also available on YouTube: https://youtu.be/gh8JOBVBQ1UAnd that's a wrap for season 4 of TFAW Project! Jen and Nani close out by previewing what season 5 may look like via video, reflecting back to when season 4 started at the beginning of Filipino American History Month 2022, how they'll be getting their ‘house in order' in the off-season, and most of all, how to stay in touch!For daily conversations with fellow podcast listeners, monthly book clubs, and/or another podcast to listen to in the off-season, join Jen and Nani on THENEWFILIPINA.COM Big changes are coming for our email subscribers! Sign up for the insider scoop for FREE at http://eepurl.com/cO0bifMonthly Events - Subject to change. Confirm dates at THENEWFILIPINA.COMJen & Nani Unfiltered Instagram Live Show - Every 1st Friday of the month @ 12 PM (PST) / 1 PM (MST) / 2 PM (CST) / 3 PM (EST) via Instagram Live @thefilipinoamericanwomanLet's talk ASSERTIVENESS with Dr. Abby - Every 2nd Tuesday of the month @ 12 PM (PST) / 1 PM (MST) / 2 PM (CST) / 3 PM (EST) via Instagram Live @thefilipinoamericanwomanTsismis with Jen and Nani Book Club - Every 3rd Friday of the month @ 12 PM (PST) / 1 PM (MST) / 2 PM (CST) / 3 PM (EST). First-Time Members can join today at https://bit.ly/tnf-book-clubRead our latest newsletter, published Friday, March 24th, 2023: https://mailchi.mp/09b58ced15ec/tfawproject--LOVE OUR SHOW? Show your support and get exclusive access to the "Tsismis with Jen & Nani" podcast by visiting http://www.buyusboba.com/FREE ONLINE COMMUNITY: Join us on Discord https://discord.gg/2hSaHK9CpsNEWSLETTER: Receive the latest stories and life lessons from our community by subscribing to our newsletter: http://eepurl.com/cO0bifABOUT US: Welcome to the Filipino American Woman Project - A Podcast Show that shares stories and life lessons told by individuals living (or have lived) in America, that are of Filipino descent and identify as female or non-binary. UPCOMING BOOK: Special thanks to the Bulosan Center for Filipino Studies at UC Davis for the opportunity to present our academic paper, Pinay Podcasters: Building a Self-Sustaining Community Through Storytelling, Collective Healing & Learning, and Collaboration. The initial draft is now available! Read more at http://pinaypodcasters.com/RECOGNITION: In December 2020 and December 2021, we received an Honorable Mention at the Asian American Podcaster's Golden Crane Podcast Awards. August 2020, Jen Amos participated as a speaker on behalf of TFAW Project for PodFest Global, which now holds the GUINNESS WORLD RECORDS™ title for...

144: "I got you. We are a team. Together we rise." Going Live on Instagram with Jen and NaniLast Friday, Jen and Nani surprise their Instagram followers by going Live! They explain why they want to revitalize their Instagram community, reflect on their third year of celebrating Filipino American History Month, invite listeners to join their free 5-Day Reflection Series, hint at focus group for an upcoming coaching program, and much more.This conversation is also available on YouTube: https://youtu.be/QcGFhEq50-4Watch the unedited video recording of this episode on Instagram Live https://www.instagram.com/tv/CkRZRPHpG-o/Read our latest newsletter, published Friday, November 4, 2022: https://mailchi.mp/651e8dfcb855/tfawproject--LOVE OUR SHOW? Show your support at http://www.buyusboba.com/ Supporting us with a minimum of one cup of boba gets you access to our monthly book club. A monthly or annual support gets you access to our monthly book club and exclusive access to our private podcast: Tsismis with Jen & Nani! FREE ONLINE COMMUNITY: Chat with Jen and Nani, along with your fellow podcast listeners on Discord https://discord.gg/2hSaHK9CpsNEWSLETTER: Receive the latest stories, updates and media coverage by subscribing to our newsletter: http://eepurl.com/cO0bifABOUT US: Welcome to the Filipino American Woman Project - A Podcast Show that shares stories and life lessons told by individuals living (or have lived) in America, that are of Filipino descent and are cisgender female. For Season 4, Jen and Nani pivot the show to focus on their journey as podcasters, content creators, and entrepreneurs -- with a focus on advocating for Filipino American women storytellers and authors.UPCOMING BOOK: Special thanks to the Bulosan Center for Filipino Studies at UC Davis for the opportunity to present our academic paper, Pinay Podcasters: Building a Self-Sustaining Community Through Storytelling, Collective Healing & Learning, and Collaboration. The initial draft is now available! Read more at http://pinaypodcasters.com/RECOGNITION: In December 2020 and December 2021, we received an Honorable Mention at the Asian American Podcaster's Golden Crane Podcast Awards. August 2020, Jen Amos participated as a speaker on behalf of TFAW Project for PodFest Global, which now holds the GUINNESS WORLD RECORDS™ title for Largest Attendance for a Virtual Podcasting Conference in One Week. May 2020, we were recognized as “Amplifying Asian Women Voices” on Spotify during AAPI Heritage Month.We've also been featured in Realtime Community Oakland, Mochi Magazine, Ossa Collective, SUPERBANDS, Chopsticks Alley, FoundHer by Entrepinayship, Spotify, PodFest Expo, Philippine American Foundation for Charities, When In Manila, You Are Collect;ve, San Diego Union Tribune, NBC 7 San Diego, and much more! Read more at: https://linktr.ee/tfawproject.featured CONTACT US: Find us on social media: Instagram @thefilipinoamericanwoman, Facebook @thefilipinoamericanwoman, Twitter @thefilamwoman, YouTube

In honor of Filipino American History Month, i had my former Asian American Studies Professor / Kuya - Allan Aquino on the podcast. Allan drops knowledge on the history of Filipino Americans, our experience in the States, why so many Filipinos are nurses, Filipino spaghetti & more! This conversation is but a preview of what was taught to me. Thank you Kuya Allan, without your encouragement along with other professors, i would not be pursuing my path in music & podcasting. Salamat!

Note: This conversation is also available on YouTube https://youtu.be/_uf33cSUOq0 (https://youtu.be/_uf33cSUOq0) 143: "We are not just excavating our past, but we are actively writing our future." Wrapping up Filipino American History Month with Jen and Nani And that's a wrap for Filipino American History Month! Jen and Nani share some fun facts about Filipino American National Historical Society (FANHS), Stacey Salinas' upcoming California Museum Exhibit "California Is In The Heart," and ways to continue engaging with TFAW Project. Finally, they have a candid check in with one another about their journey as business partners thus far. Remember to private message us on Instagram https://www.instagram.com/thefilipinoamericanwoman/ (@thefilipinoamericanwoman) to inquire about the 5-Day Reflection Series. To join the waiting list for our mastermind focus group, contact Jen and Nani at jen@tfawproject.com and nani@tfawproject.com Resources Learn about the history of Filipino American History Month http://fanhs-national.org/filam/about/ (http://fanhs-national.org/filam/about/) “California Is in the Heart,” presented in partnership with the Bulosan Center for Filipino Studies and with support from the Filipino American National Historical Society Museum, underlines the critical role Filipino Americans have played in our state's history. This exhibit will be available October 29, 2022 - April 9, 2023 https://www.californiamuseum.org/california-heart (https://www.californiamuseum.org/california-heart) Learn about the non-profit, The Price of Freedom Foundation, that's working with Jen's family and other Gold Star families in writing the biographies of our fallen heroes https://priceoffreedomfoundation.org/ (https://priceoffreedomfoundation.org/) Read the Asian American History and the Filipino American Woman Project academic paper written by Stacey Salinas back in November 30th, 2017 https://tr.ee/JJqARFEG-M (https://tr.ee/JJqARFEG-M) Read our latest newsletter, published Tuesday, Oct. 25, 2022: https://mailchi.mp/45004c877c68/tfawproject (https://mailchi.mp/45004c877c68/tfawproject) -- LOVE OUR SHOW? Show your support at http://www.buyusboba.com/ (http://www.buyusboba.com/) Supporting us with a minimum of one cup of boba gets you access to our monthly book club. A monthly or annual support gets you access to our monthly book club and exclusive access to our private podcast: Tsismis with Jen & Nani! FREE ONLINE COMMUNITY: Chat with Jen and Nani, along with your fellow podcast listeners on Discord https://discord.gg/2hSaHK9Cps (https://discord.gg/2hSaHK9Cps) NEWSLETTER: Receive the latest stories, updates and media coverage by subscribing to our newsletter: http://eepurl.com/cO0bif (http://eepurl.com/cO0bif) ABOUT US: Welcome to the Filipino American Woman Project - A Podcast Show that shares stories and life lessons told by individuals living (or have lived) in America, that are of Filipino descent and are cisgender female. For Season 4, Jen and Nani pivot the show to focus on their journey as podcasters, content creators, and entrepreneurs -- with a focus on advocating for Filipino American women storytellers and authors. UPCOMING BOOK: Special thanks to the Bulosan Center for Filipino Studies at UC Davis for the opportunity to present our academic paper, Pinay Podcasters: Building a Self-Sustaining Community Through Storytelling, Collective Healing & Learning, and Collaboration. The initial draft is now available! Read more at http://pinaypodcasters.com/ (http://pinaypodcasters.com/) RECOGNITION: In December 2020 and December 2021, we received an Honorable Mention at the Asian American Podcaster's Golden Crane Podcast Awards. August 2020, Jen Amos participated as a speaker on behalf of TFAW Project for PodFest Global, which now holds the GUINNESS WORLD RECORDS™ title for Largest Attendance for a Virtual Podcasting Conference in One Week. May 2020, we were recognized as “Amplifying Asian Women Voices” on

Mabuhay, Listeners! October is Filipino American History Month, and we're excited to celebrate with a special Filipino food episode! Our Chef-Creator Lia Ballentine shares her Filipino culture with us and dives into her culinary heritage with stories about her favorite family dishes, traditional ingredients, and how Filipino food is becoming mainstream in America (even though Filipinos have been in this country since the 1580s!). Plus we find out which celebrities are secretly Filipino (Bruno Mars! Darren Criss! A quarter of the Black Eyed Peas!) Then in the Deep Dish, our Foodlospher Anna Van Valin unveils another hidden figure in the food and science world: Maria Ylagan Orosa! Maria was a food scientist and war hero who revolutionized the way Filipinos eat, created some of the most beloved Filipino foods and ingredients, and also saved thousands of people from starvation during World War II. Are you ready to take a bite into this delicious episode? "Kain na!" "Let's eat!" Explore more from the show: Listen to White House Executive Chef Cristeta Comerford talk about her days as a "Salad Bar Girl."  Watch Chefs Amy Besa and Romy Dorotan talk about the rise of Filipino food in America.   Get your groove on with this Black Eyed Peas hit in Tagalog, "Bebot."Connect with us!*Want to support our women and BIPOC-created independent podcast? Buy us a coffee!* For more great content about the stories & foods we talk about on the show (plus a peek BTS) follow us at @FoodDayPod on Instagram, Twitter & Facebook or check out our webpage.* Join our mailing list for extra content and to keep up with all the exciting things we have planned for this season.*Get yourself a delicious Yumday snack box

We're joined by Michael Higham today to help celebrate Filipino American History Month! Today we gush about Marvel Snap, Gotham Knights, and Bakalar shares his God of War Ragnarok impressions. Grubb also guides us through today's video game news and we geThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5928697/advertisement

We're joined by Michael Higham today to help celebrate Filipino American History Month! Today we gush about Marvel Snap, Gotham Knights, and Bakalar shares his God of War Ragnarok impressions. Grubb also guides us through today's video game news and we ge

Note: This conversation is also available on YouTube https://youtu.be/yVgayJBOuZQ (https://youtu.be/yVgayJBOuZQ) 142: "I do a lot because I'm excited to still be alive." Recognizing Breast Cancer Awareness Month with Jaymee WINS Author, producer, and talent-in-progress, Jaymee WINS returns from Ep. 007 (three years ago!) to discuss Filipino American History Month and, for the first time on TFAW Project, Breast Cancer Awareness Month. Jaymee shares when she was first diagnosed with metastatic breast cancer on October 15, 2016, how she rechannels her personal journey into her books and upcoming documentary, her most recent (and almost fatal) trip to the Philippines, how she continues to appreciate the simple joys in life, what cancer survivors really need, and much more. Resources Connect with Jaymee at https://www.instagram.com/jaymee_wins/ (https://www.instagram.com/jaymee_wins/) To learn more about Jaymee's books, visit https://jaymeewins.com/books/ (https://jaymeewins.com/books/) To learn more about Jaymee's upcoming documentary, visit https://www.beautifulscars.info/ (https://www.beautifulscars.info/) Listen to Jaymee's first interview with us, Ep. 007 https://tfawproject.com/episode/007 (https://tfawproject.com/episode/007) Read our latest newsletter, published Tuesday, October 18, 2022: https://mailchi.mp/2b0de345dac5/tfawproject-9053670 (https://mailchi.mp/2b0de345dac5/tfawproject-9053670) -- LOVE OUR SHOW? Show your support at http://www.buyusboba.com/ (http://www.buyusboba.com/) Supporting us with a minimum of one cup of boba gets you access to our monthly book club. A monthly or annual support gets you access to our monthly book club and exclusive access to our private podcast: Tsismis with Jen & Nani! FREE ONLINE COMMUNITY: Chat with Jen and Nani, along with your fellow podcast listeners on Discord https://discord.gg/2hSaHK9Cps (https://discord.gg/2hSaHK9Cps) NEWSLETTER: Receive the latest stories, updates and media coverage by subscribing to our newsletter: http://eepurl.com/cO0bif (http://eepurl.com/cO0bif) ABOUT US: Welcome to the Filipino American Woman Project - A Podcast Show that shares stories and life lessons told by individuals living (or have lived) in America, that are of Filipino descent and are cisgender female. For Season 4, Jen and Nani pivot the show to focus on their journey as podcasters, content creators, and entrepreneurs -- with a focus on advocating for Filipino American women storytellers and authors. UPCOMING BOOK: Special thanks to the Bulosan Center for Filipino Studies at UC Davis for the opportunity to present our academic paper, Pinay Podcasters: Building a Self-Sustaining Community Through Storytelling, Collective Healing & Learning, and Collaboration. The initial draft is now available! Read more at http://pinaypodcasters.com/ (http://pinaypodcasters.com/) RECOGNITION: In December 2020 and December 2021, we received an Honorable Mention at the Asian American Podcaster's Golden Crane Podcast Awards. August 2020, Jen Amos participated as a speaker on behalf of TFAW Project for PodFest Global, which now holds the GUINNESS WORLD RECORDS™ title for Largest Attendance for a Virtual Podcasting Conference in One Week. May 2020, we were recognized as “Amplifying Asian Women Voices” on Spotify during AAPI Heritage Month. We've also been featured in Realtime Community Oakland, Mochi Magazine, Ossa Collective, SUPERBANDS, Chopsticks Alley, FoundHer by Entrepinayship, Spotify, PodFest Expo, Philippine American Foundation for Charities, When In Manila, You Are Collect;ve, San Diego Union Tribune, NBC 7 San Diego, and much more! Read more at: https://linktr.ee/tfawproject.featured (https://linktr.ee/tfawproject.featured) CONTACT US: Find us on social media: Instagram @thefilipinoamericanwoman, Facebook @thefilipinoamericanwoman, Twitter @thefilamwoman, YouTube https://www.youtube.com/channel/UC-IzWjkLCof3Pf7TW8ExyXw...

October is a busy month: We honor Pink October, Hispanic Heritage and Filipino American History Month. In order to give myself a bit of a mental health break, I am going to be sharing some episodes that you might have missed. The post 306. Best of: Suzy Chan on breast cancer, tai chi and music first appeared on Sifu Mimi Chan.

Welcome to Season 2, Episode 48! This is an #ICYMI (In Case You Missed It) Encore Episode. Originally airing as Episode 5, this has been one of our favorite episodes we ever researched, recorded, and published. We talk about the first Asians in America... Spoilers, it's not the Chinese. Since it's Filipino American History Month, it seems like another good reason to post this again. In the secondary segment, we talk about the first really famous Asian American performers, Chang and Eng, the Siamese Twins. For the next 6-8 weeks, we will be posting other great #ICYMI Encore Episodes! If you'd like to find previous episodes and resources, please visit https://asianamericanhistory101.libsyn.com or our social media links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com. Segments 00:27 Welcome and Catch-up 03:46 The First Asians in America 12:28 The First Asian American Performers Chang and Eng

This conversation is also available on YouTube: https://youtu.be/MW_y6bJsGUU (https://youtu.be/MW_y6bJsGUU) 140: "You can have all your ducks in a row. But if people don't latch on to your idea, then you wasted all that time trying to perfect it." 5-Day Reflection Series with Jen and Nani Jen and Nani are back for a weekly show of The Filipino American Woman (TFAW) Project in celebration of Filipino American History Month! They share with listeners how they are evolving the show, how they are reinvigorating their Instagram community, ways to engage with them this month, and much more. Re-engage with us on Instagram now at https://www.instagram.com/thefilipinoamericanwoman/ (https://www.instagram.com/thefilipinoamericanwoman/) Read our latest newsletter, published Friday, October 7, 2022: https://mailchi.mp/5c902c7d8899/tfawproject (https://mailchi.mp/5c902c7d8899/tfawproject) -- LOVE OUR SHOW? Show your support at http://www.buyusboba.com/ (http://www.buyusboba.com/) Supporting us with a minimum of one cup of boba gets you access to our monthly book club. A monthly or annual support gets you access to our monthly book club and exclusive access to our private podcast: Tsismis with Jen & Nani! FREE ONLINE COMMUNITY: Chat with Jen and Nani, along with your fellow podcast listeners on Discord https://discord.gg/2hSaHK9Cps (https://discord.gg/2hSaHK9Cps) NEWSLETTER: Receive the latest stories, updates and media coverage by subscribing to our newsletter: http://eepurl.com/cO0bif (http://eepurl.com/cO0bif) ABOUT US: Welcome to the Filipino American Woman Project - A Podcast Show that shares stories and life lessons told by individuals living (or have lived) in America, that are of Filipino descent and are cisgender female. For Season 4, Jen and Nani pivot the show to focus on their journey as podcasters, content creators, and entrepreneurs -- with a focus on advocating for Filipino American women storytellers and authors. UPCOMING BOOK: Special thanks to the Bulosan Center for Filipino Studies at UC Davis for the opportunity to present our academic paper, Pinay Podcasters: Building a Self-Sustaining Community Through Storytelling, Collective Healing & Learning, and Collaboration. The initial draft is now available! Read more at http://pinaypodcasters.com/ (http://pinaypodcasters.com/) RECOGNITION: In December 2020 and December 2021, we received an Honorable Mention at the Asian American Podcaster's Golden Crane Podcast Awards. August 2020, Jen Amos participated as a speaker on behalf of TFAW Project for PodFest Global, which now holds the GUINNESS WORLD RECORDS™ title for Largest Attendance for a Virtual Podcasting Conference in One Week. May 2020, we were recognized as “Amplifying Asian Women Voices” on Spotify during AAPI Heritage Month. We've also been featured in Realtime Community Oakland, Mochi Magazine, Ossa Collective, SUPERBANDS, Chopsticks Alley, FoundHer by Entrepinayship, Spotify, PodFest Expo, Philippine American Foundation for Charities, When In Manila, You Are Collect;ve, San Diego Union Tribune, NBC 7 San Diego, and much more! Read more at: https://linktr.ee/tfawproject.featured (https://linktr.ee/tfawproject.featured) CONTACT US: Find us on social media: Instagram @thefilipinoamericanwoman, Facebook @thefilipinoamericanwoman, Twitter @thefilamwoman, YouTube https://www.youtube.com/channel/UC-IzWjkLCof3Pf7TW8ExyXw (https://www.youtube.com/channel/UC-IzWjkLCof3Pf7TW8ExyXw) Learn more about our co-hosts Jen at https://linktr.ee/thejenamos (https://linktr.ee/thejenamos) and Nani at https://notesbynani.com/ (https://notesbynani.com/) Have something to share? Email Jen at jen@tfawproject.com or Nani at nani@tfawproject.com or leave us a voice or text message at 415-484-TFAW(8329)