Podcast appearances and mentions of kali malone

In onda Fabio Barbieri. Musiche: Paul Brady, Benmont Tench, Bon Iver, Phil Cook, Thelonious Monk, Steven Wilson, Rebekka Karijord, Kali Malone, Arve Henriksen, Trygve Seim, Anders Jormin and Markku Ounaskari, Bennie Maupin.

持续四天、活动遍布荷兰海牙市中心的 Rewire 音乐节结束了，留下的是三分的不舍与七分的饱腹感。每天不停地走路、观演、消化、回味，我也深知能有这样的机会大量咀嚼新鲜的音乐是一件多么奢侈的事情。 在这期节目里，我根据自己的笔记整理了 Rewire 2025 的个人观演亮点，希望在社媒平台全体玩梗的间隙，能尽量以平和的角度分享感受。 节目中插入的都是手机拍摄的现场录音，如果觉得音质较差，不妨听听原版；如果音质较差也觉得好听，那么未来这些音乐人有机会看到的时候一定不要错过呀。 Show Notes: 01:03 和谐组：Alvin Curran，Natural Wonder Beauty Concept 10:21 吓人组：Colin Stetson 13:06 爵士组：Nala Sinephro，Ben LaMar Gay Ensemble，Elliot Galvin 21:19 对照组：Panda Bear，Erika de Casier 27:52 破坏组：Moin，caroline，YHWH Nailgun 37:40 催眠组： Alessandro Cortini，more eaze & claire rousay，石桥英子，Kali Malone 44:58 优雅组：Arooj Aftab 48:00 跳舞组：Two Shell，Djrum，Zoë Mc Pherson 50:20 太极组：Laurie Anderson 《周末变奏》开通豆瓣页面，欢迎标记、点评！ → 选曲/撰稿/配音/制作/包装：方舟 → 主题音乐：Yu Su → 题图版式：六花 → 私信/合作联络： 微博/网易云/小宇宙 @线性方舟 → 《周末变奏》WX听友群敲门群主：aharddaysnight

What happens when music becomes so deeply personal that it reshapes the course of your life? Kali Malone joins me to explore this through the lens of The Sacrificial Code, the album that transformed her from an underground experimentalist into one of contemporary composition's most vital voices.Malone's approach to the organ exists in a liminal space—both ancient and futuristic. She explains how recording on a 16th-century instrument for the album's reissue created radically new interpretations despite the composition remaining unchanged: “The music is strictly composed, but the registration and delivery change its identity so much.” You could read it as a poetic parallel to human evolution—our core essence intact, yet constantly shifting.We dive into the tension between intuition and discipline, a defining force in her work. In an era of relentless digital noise, Malone advocates for silence as a creative act: “Remove all the layers and all the noise, and you'll slowly start to hear what you feel, what you want, what you believe in.” It's a philosophy that resonates far beyond music, speaking to anyone searching for artistic clarity.From Colorado's DIY punk scenes to Stockholm's experimental avant-garde, Malone's journey reveals the role of artistic communities in shaping sound. Her deep collaborations with Caterina Barbieri and Maria W Horn (both previous guests on Lost and Sound) highlight how musical friendships create “secret languages” that transcend time, breaking down artificial boundaries between traditions.And when asked what she'd tell her younger self? Without hesitation: “You're not crazy.” A simple but powerful affirmation for anyone carving their own path—where instinct often feels irrational but, in the end, is the most honest route forward.If you're enjoying Lost and Sound, please do subscribe and leave a rating or review on Apple, Spotify, Amazon, or wherever you listen. It really helps to spread the word and support Lost and Sound.Kali Malone on InstagramThe Sacrificial Code pre-order on BandcampFollow me on Instagram at PaulhanfordLost and Sound is sponsored by Audio-TechnicaMy BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.My book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by Thomas Giddins

it's the All Kinds of Liquids "Spooky November Spectacular" (trademark pending), which means: it's Cronenberg time, baby! we talk about being traumatized by father, debate the definition of "character actor," and Maggie offers a half-hearted defence of Mao Zedong. be afraid. be very afraid. email: allkindsofliquids@gmail.com twitter and instagram: @AllLiquids Maggie's writing and editing: https://ckuw.ca/stylus/Mary's website: https://wlwfilmreviews.com/outro music: "Living Torch II" by Kali Malone

L'Ensemble Contrechamps a récemment présenté sa saison 24-25 riche en création et en recherche musicale, en affirmant son identité à travers un manifeste et une programmation variée. Cette nouvelle saison entend d'abord explorer les nouveaux courants de l'écriture instrumentale, ensuite revisiter l'héritage du XXe siècle et enfin s'engager dans des pratiques exploratoires. Les œuvres de compositeurs contemporains comme Kali Malone, Patricia Bosshard, Stephen O'Malley, Natacha Diels, et autres Arturo Corrales seront mises en lumière. Les centenaires de figures majeures telles que Boulez, Nono et Daphnée Oram seront célébrés. Contrechamps s'investit aussi dans des projets participatifs et inclusifs, notamment avec le premier événement Close-Up et la collaboration continue avec le Chœur en fusion. Les projets pour les familles, des concerts dans divers lieux prestigieux de Genève et des initiatives innovantes comme "Chansons minute" complèteront la saison. Contrechamps maintient également une approche collaborative et pluridisciplinaire, intégrant des formats discographiques et vidéos novateurs et renforçant ses liens avec la Haute école de musique de Genève. La prochaine saison 2024-25 promet une diversité de sons, de styles et d'idées, portée par des instrumentistes virtuoses et une programmation accessible et joyeuse. Nous sommes avec Serge Vuille, Directeur Artistique de l'Ensemble Contrechamp.    

American composer and organist Kali Malone popped by FRANCE 24 to tell us about her new album "All Life Long" and how composing for an organ, a brass ensemble and a choir was a process that enabled her to reconnect with her own voice. We also check out new music videos by John Cale, Soprano and Billie Eilish.

In this episode of Awake All Hours, we review a cluster of albums exploring the fringes of electronic and experimental music; more boundary pushing footwork from Jlin on 'Akoma', truly essential listening in the form of Moor Mother's staggering experimental opus 'The Great Bailout', sprawling choral, pipe organ and brass meditations from Kali Malone on 'All Life Long' and black metal/hard dance hybrids on Violent Magic Orchestra's 'DEATH RAVE'. We finish with a focus on our favourite new curiosities and club-leaning picks in What's In My Bandcamp Basket, featuring releases from Klahrk, Valentina Magaletti, Daniel[i] and more!SUPPORT THE ARTISTS: https://www.buymusic.club/list/awakeallhours-ep-083-jlin-moor-mother-kali-malone-violent-magic-orchestraSUPPORT AWAKE ALL HOURS: www.patreon.com/awakeallhoursTICKETS FOR 4TH BIRTHDAY AT AVALON CAFE : https://ra.co/events/1847480

Caterina Barbieri, Kali Malone, Moritz Von Oswald and Robert Aiki Aubrey Lowe discuss the role limitations play in the creative process, and whether they can be a source for creativity, if working with limitations helps sharpen one's aesthetics and define one's unique artistic voice, and whether human imagination needs limits to become limitless.Caterina Barbieri is a composer and modular synth artist whose sound draws from electronic, experimental and dance music. Her work is informed by an education in classical guitar and electro-acoustic composition at the Conservatory of Bologna, as well as the Royal College of Music in Stockholm and its famed centre for sound art, Elektronmusikstudion. She has spent a decade since her debut release, Vertical, breaking the rigid structures of electronic music and exploring how sound can induce both metaphysical and psycho-physical responses. Her most recent project, Myuthafoo, further investigates her interest in time, space, memory and emotion, and the links between them.Kali Malone is a composer and organist based in Stockholm. Her compositions are rich with harmonic texture through synthetic and acoustic instrumentation. In 2016 she co-founded the record label and concert series XKatedral, together with Maria W Horn, in Stockholm. Over the last few years she has released the critically acclaimed albums The Sacrificial Code, Living Torch, and Does Spring Hide Its Joy featuring Stephen O'Malley & Lucy Railton.Moritz Von Oswald is a dub techno pioneer producer and percussionist hailing from Berlin. He is the co-founder of production duo and record label Basic Channel. Prior to becoming one of the leading figures in electronic music in the 1990s, he played in one of the last incarnations of Palais Schaumburg. In a career spanning more than 30 years, he has worked with many legendary artists including Juan Atkins, Thomas Fehlmann, Carl Craig and Tony Allen. Robert Aiki Aubrey Lowe is a Brooklyn-based artist, curator, composer and multi-instrumentalist. In 1997, he joined the band 90 Day Men before releasing solo projects under the moniker Lichens from 2004. He has collaborated on projects or provided sound in a featured artist capacity for such films as End of Summer, Sicario, Arrival, Last and First Men with Johann Johannsson and It Comes at Night with Brian McOmber. More recently, Robert has scored Il colpo del cane for Fulvio Risuleo, Candyman for Nia DaCosta, The Color of Care for Yance Ford and Master for Mariama Diallo.

Christopher und Melanie über die 17 besten Releases des Monats. Die Dänin Astrid Sonne klopft das Konzept des Zweifelns auf sein musikalisches Potenzial ab und serviert abseitigen sowie spektakulär unspektakulären Songwriter-Pop. Warm Exit spielen aus dem Hinterhalt wüsten Post-Punk und überholen dabei ihr Vorbild Idles, während die Belgier von The Germans (!) das nächste Exorzistenritual in deiner Nachbarschaft mit folkig-weirder New-Age-Pop-Musik begleiten. Findet ihr mal ein Genre dafür. Ein Art-Rock-Geheimtipp ist das französische Duo Petit Bureau und die ausgebuddelten Late-90s Soul- RnB- und House-Tracks der Britin Bovel versetzen uns in ein längst vergangenes Jahrzehnt. Plus 17 neue Songs von Bingo Fury, Dickie Landry, Kali Malone, Dizzee Rascal, Savage 21, Idles uvm. für die Spotify-Playlist Links, Songs und Setlist siehe Shownotes

Nesta edição, Cleber Facchi (@cleberfacchi), Renan Guerra (@_renanguerra) e Nik Silva (@niksilva) conversam sobre o apagamento de obras nas plataformas de streaming e a importância de mídias físicas como CDs e discos de vinil. Apoie nosso podcast: https://bit.ly/3ohnUckPlaylist Seleção VFSM: https://bit.ly/3ETG7oE Não Paro De Ouvir ➜ D'Angelo http://tinyurl.com/4s3vevav➜ Hiatus Kaiyote http://tinyurl.com/sv9v5pft➜ Arthur Melo http://tinyurl.com/2m2dr5bd➜ So Totally http://tinyurl.com/bp8ppbr4➜ Beth Gibbons http://tinyurl.com/3xrna2hu➜ NoPorn http://tinyurl.com/4zt2xekx➜ Erika de Casier http://tinyurl.com/2s3c49np➜ Kacey Musgraves http://tinyurl.com/yher6kmv➜ Iron & Wine http://tinyurl.com/mwj4dntp➜ Burial http://tinyurl.com/4mamu5vs➜ Helado Negro http://tinyurl.com/bdd7ccwc➜ Ducks Ltd. http://tinyurl.com/mre9d959➜ Brittany Howard http://tinyurl.com/bd2p9rcj➜ Kali Malone http://tinyurl.com/yc8mz7sd➜ Lencinho http://tinyurl.com/5nbfsezh ➜BADBADNOTGOOD http://tinyurl.com/y23uajh6➜ Mount Kimbie http://tinyurl.com/2yr6s6z4➜ Amen Dunes http://tinyurl.com/275rt25d Você Precisa Ouvir Isso ➜ Meu Amigo Robô (Cinema)➜ Quarto Aberto, de Tobias Carvalho➜ Armazém do Campo https://armazemdocampo.shop/ ➜ a.s.o. http://tinyurl.com/nyjcbp32➜ Acopia http://tinyurl.com/f3upbdbh Contato: ⁠sobremusicavamosfalar@gmail.com⁠

Ann Powers and Sheldon Pearce listen to the new albums out on Feb. 9 — including Brittany Howard's What Now — and find themselves wondering about the cultural value of virtuosity in 2024.Featured albums:1. Brittany Howard, What Now2. Joel Ross, nublues3. Boldy James & Nicholas Craven, Penalty of Leadership (released Jan. 12)4. Kali Malone, All Life Long5. Sonic Youth, Walls Have Ears6. Usher, Coming HomeOther notable albums out Feb. 9:• Helado Negro, PHASOR• Chelsea Wolfe, She Reaches Out To She Reaches Out To She• Madi Diaz, Weird Faith• Declan McKenna, What Happened To The Beach?• Little Simz, Drop 7 EP• Shygirl, Club Shy EP• Kelela, RAVE:N, The Remixes • Mk.gee, Two Star & The Dream Police• Ducks Ltd., Harm's Way• David Nance & Mowed Sound, David Nance & Mowed Sound• Split System, Vol. 2• The Telescopes, Growing Eyes Become String

Will, Anurag and Jason count down Anurag and Jason's favorite albums of 2023.

Jetzt auf steadyhq.com/track17 unterstützen und Bonus-Folgen erhalten Oder über Paypal: track17podcast@gmx.net Die 180-Grad-Wandlung vom HipHop zum experimentellen Flöten-New-Age erklärt Rapper André 3000 im Titel des ersten Tracks auf seinem ersten Soloalbum „New Blue Sun“: „I Swear, I Really Wanted To Make A 'Rap' Album But This Is Literally The Way The Wind Blew Me This Time“. Das englische Label @ourmodernlove ist bekannt für eine etwas andere Art der elektronischen Musik. Gerade ist dort „Corner Dancer“ erschienen, das radikal-minimalistische zweite Album der britischen Cellistin und Komponistin Lucy Railton. Auf ihrem Debütalbum „Exit Simulation“ lässt Niecy Blues aus North Carolina Ahnungen von Gospel, R'n'B und Dreampop aus nebeligen Ambientflächen aufsteigen. Passenderweise veröffentlicht auf @krankyltd Zwischen Dark Ambient und alptraumhaften Pop bewegt sich das zweite Album von Flora Yin Wong aus London. Was „Cold Reading“ mit der „Teufelsritter-Sonate“ aus dem 18. Jahrhundert zu tun hat, klären wir im Podcast. In der nicht unbedingt alltäglichen Besetzung Baritonsaxofon und Schlagzeug hat das Duo O. seine Debüt-EP „Slice“ eingespielt. Der rastlose Ritt durch die Genres ist natürlich bei @speedy_wundererschienen. Plus 17 neue Songs von Moritz von Oswald, Danny Brown, Culk, Otik, Ciel, Kali Malone uvm. für die Spotify-Playlist Track17 - Playlist zum Podcast [Setlist] - [00:00:00] Intro + Steady - [00:01:55] Zuletzt gehört: Die komplette Stereolab-Discografie + Stuart Bogie - [00:08:59] **Andre 3000 // New Blue Sun (Epic Records)** - [00:19:10] Playlist Part 1: Ciel, Otik, Moritz von Oswald, Golden Diskó Ship - [00:24:08] **Lucy Railton // Corner Dancer (Modern Love)** - [00:30:40] **Niecy Blues // Exit Simulation (Kranky)** - [00:37:28] Playlist Part 2: Culk, Danny Brown, Piero Umiliani, Thy Slaughter - [00:42:00] **Flora Yin Wong // Cold Reading (Modern Love)** - [00:48:41] **O. // Slice EP (Speedy Wunderground)** - [00:55:32] Playlist Part 3: Lenxi, Holger Hiller, Marta De Pascalis, Kali Malone - Jetzt auf Spotify abonnieren. Neue Songs auf der Playlist: - Andre 3000 - Ants To You, Gods To Who? - Ciel - Breath - Otik - Epiphania - Moritz von Oswald – Volta (Version) - Golden Diskó Ship – Well Oiled Machine - Lucy Railton – Not A Word From Me - Niecy Blues - Violently Rooted - Culk - 2000 - Danny Brown - Tantor - Piero Umiliani – Raptus – Flauto, Vibrafono, Organo E Basso - Thy Slaughter – Reign - Flora Yin-Wong – All My Dreams Are Nightmares - O. - Slice - Holger Hiller – Ein Hoch auf das Bügeln - Marta De Pascalis – Glider - Kali Malone – All Life Long (For Organ)

The last ‘new' podcast before we head into our end of 2023 review shows showcases more exceptional sounds from across the world. From field recordings of Afro-Ecuadorian culture to Persian footwork, House bangers to sounds of the Sahara and Japanese folk, there's a lot to enjoy on this week's selection. You can listen to the first six tracks for free. To listen to the full episode, get a huge back catalogue of music, and access to our live shows and Discord group, please join our Patreon: patreon.com/independentmusicpodcast. The podcast only survives with Patron support TracklistingBounaly – Tamala (Sahel Sounds, USA)Alicia Mina, Maria Orovio, Ru Dei, Tai y Dalia – ¡Ay Carajo! (Akuphone, France)UKAEA – Le Stessa Croce (The state51 Conspiracy, UK)Aziz Konkrite – Mokido (Shouka, France)DJ Haram – Handplay (Hyperdub, UK)NTsKi – Milk White Steed (EM Records, Japan / Orange Milk, USA)The Body & Dis Fig – Holy Lance (Thrill Jockey, USA)Egil Kalman – Subtines (iDEAL Recordings, Sweden)Kali Malone – All Life Long (for organ) (Ideologic Organ, France)Phillipi – Hacido (DEEWEE, Belgium) This week's episode is sponsored by the state51 Conspiracy, an independent music house. Go to state51.com to find out more about everything they do: state51 Factory sessions and events; hand-made Atelier products; a diverse roster of Label releases; Greedbag stores, pop-up and fanzine, and the Collective of distribution partner labels and artists Produced and edited by Nick McCorriston

The swedish musician Isak Hedtjärn does many things. Mainly he plays clarinett, saxophone and flute in a long range of different bands and projects - Grismask, Svenska Folkjazzkvartetten, Fire! Orchestra, Viagra Boys, Kali Malone, to name a few. But he's also a sort of jazz influencer. His Instagram @jazzisak has over 100 000 followers. And his feed is just full of videos where the sound has been replaced with jazz. In this portrait, Isak talks about his journey with the clarinett and goes deep into some of the music and memories that have shaped him as a person and a musician. "Hemma hos Jazz-Isak" is made by swedish music journalist and radio producer Mattias Wallenius for The Lake Radio. It was mixed by Daniel Säfström. The programme is in swedish.

Σε αυτό το Podcast o Σταύρος Γασπαράτος μας βάζει στο πνεύμα του Subset Festival και συνομιλεί με τους Νίκο Ιωακείμ (ΤΕΤΤΤΙΞ), Γιώργο Μιζήθρα (TRIGGER HAPPY) και Κώστα Τζήκο (Ergon Ensemble). Την πολύ ενδιαφέρουσα αυτή συζήτηση συντονίζει η Μαρία Παναγιωτοπούλου, Διευθύντρια Προβολής και Επικοινωνίας του Φεστιβάλ Αθηνών Επιδαύρου.Subset Festival: Το Φεστιβάλ Αθηνών Επιδαύρου στο Ωδείο ΑθηνώνΑντλώντας τον τίτλο του από έναν μαθηματικό όρο (υποσύνολο ⊆), ο Σταύρος Γασπαράτος επιμελείται το συναρπαστικό Φεστιβάλ νέας μουσικής που διοργανώνει το Φεστιβάλ Αθηνών Επιδαύρου σε συμπαραγωγή με το Ωδείο Αθηνών ενσωματώνοντας μεγάλη ποικιλία καλλιτεχνικών έργων.Από τις 21 έως τις 25 Ιουνίου, οι χώροι του Ωδείου φιλοξενούν εναλλάξ μουσικά σχήματα, ηχητικές και οπτικές εγκαταστάσεις και περφόρμανς, σε μια πολυπρισματική μουσική πλατφόρμα. Καλλιτέχνες από όλο τον κόσμο, καταξιωμένοι και ανερχόμενοι, Έλληνες (Ergon Ensemble, MMMΔ & Alem, Saber Rider, Aroent) και ξένοι (Robert Henke, Kali Malone, Hekla, Sébastien Roux, Vinyl –terror & –horror, Electric Indigo), κάποιοι από τους οποίους έρχονται για πρώτη φορά στην Ελλάδα, παρουσιάζουν το έργο τους στην Αθήνα και συνομιλούν μεταξύ τους, αποκαλύπτοντας ένα πληθωρικό μουσικό τοπίο.Τι περιλαμβάνει το Subset FestivalTo Subset περιλαμβάνει δύο αναθέσεις σε σύγχρονα ελληνικά σύνολα, τους ΤΕΤΤΤΙΞ και τους Trigger Happy, οι οποίοι δημιουργούν δύο νέα έργα-εγκαταστάσεις στη Νέα Σκηνή του Ωδείου Αθηνών ειδικά για το Φεστιβάλ Αθηνών Επιδαύρου. Συμμετέχουν ακόμα καταξιωμένα σχήματα και καλλιτέχνες σύγχρονης μουσικής, Έλληνες (Ergon Ensemble, MMMΔ & Alem, Saber Rider, Aroent) και ξένοι (Robert Henke, Kali Malone, Hekla, Sébastien Roux, Vinyl –terror & –horror, Electric Indigo), κάποιοι από τους οποίους έρχονται για πρώτη φορά στην Ελλάδα.

Neils Bohr returns with a new plan for world peace, Oppenheimer's enemies close in from all sides as the Cold War warms up, and shadowy figures from the world of high finance work to expand the American nuclear weapons program.Original music for this series by https://mountainstandardtime.substack.com/Additional music by Alarm Will Sound, Marisa Anderson, Kali Malone, Zoe Keating, Julie Kent, Ben Von Wildenhaus, Brocker Way, William Basinski, Nine Inch Nails, Mulatu Astatke, Richard D. James, Jon Hopkins, and Nils Frahm. Final song by King Dude. For bonus episodes and a custom series patch, become a patron at: patreon.com/historiumSupport the showwww.patreon.com/historium

Se brosser les dents chaque matin après le petit-déjeuner, poser un bon vinyle sur la platine tous les soirs en rentrant du travail, s'enduire les cheveux d'huile d'argan en sortant de la piscine en partant systématiquement des racines, s'habiller en blanc pour un mariage, en noir pour un enterrement, toujours chanter la même berceuse à son enfant pour qu'ielle s'endorme, retrouver ses amis toujours dans le même bar, appeler sa mémé tous les dimanches soirs, ne jamais manquer d'écouter La Potion le samedi à 12h ni même d'ouvrir ses fenêtres les nuits de pleine lune… Nos vies sont faites d'une collection de rituels. Gestes ou rendez-vous, collectifs ou intimes, sacrés, magiques ou profanes, les rituels nous relient, ils nous rassurent et cadrent nos existences, ou tout du moins certaines de nos pratiques. Jusqu'au 7 mai, c'est le thème qu'explore l'exposition Au-delà, Rituels pour un monde nouveau à la Fondation Lafayette Anticipations à Paris et c'est là que nous entraîne aujourd'hui La Potion. Peinture, sculpture, mode, musique et vidéo… L'exposition réunit une trentaine d'œuvres, ultra-contemporaines pour certaines, âgées de près de 3000 ans pour d'autres, et des artistes de toutes générations, d'Ana Mendieta à Hildegarde Von Bingen en passant par Kali Malone, Jeanne Vicerial, Bianca Bondi, Eva Hesse ou encore Romeo Castellucci. Un parcours conçu comme un voyage initiatique qui invite à la métamorphose, dont on ressort, c'est vrai, un peu transformé. Serpent, corbeau, poussière ou chaos, c'est selon. L'art peut-il (ré)enchanter le monde ? L'art est-il un rituel comme les autres ? Réponses avec la commissaire Agnes Gryczkowska, l'artiste Jeanne Vicerial et Rebecca Lamarche-Vadel, parmi les œuvres de la compositrice Kali Malone, la plasticienne sud-africaine Bianca Bondi, la guérisseuse-musicienne médiévale Hildegarde Von Bingen ou l'artiste afro-américain Matthew Angelo Harrison. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

On the eve of the Second World War, physicists learn of the possibility of splitting the atom. Two rival nuclear programs emerge and the race to the atomic bomb begins... Original music for this series by https://mountainstandardtime.substack.com/Additional music by Kali Malone, Benoît Pioulard, Zoe Keating, Nine Inch Nails, Choral Arts Northwest, and The Louvin Brothers.For the rest of the series and a limited edition Historium patch made specifically for this episode: patreon.com/historiumSupport the showwww.patreon.com/historium

Kontemplative Slowmotion-Musik findet immer mehr Aufmerksamkeit – nicht nur in Playlists von Neo-Klassik-Fans, sondern auch auf Indie-Pop-Blogs. Sounds!-Redaktor Claudio Landolt bringt uns seine aktuellen Favoriten näher und wir üben uns im Deep Listening.

It's our yearly tradition here at Queen Venerator as we're counting down our Top 100 Albums of 2022. To say that this was a good year in music would be a massive understatement. This was one of the best years in music in recent memory. A lot of great albums didn't make the cut, which is kind of insane considering there are 100 albums listed here. And what a 100 they are. Dance bangers from across Africa, ambient bedroom projects, a ton of hip-hop, wild free jazz, midi-infused pipe organs, fiery hardcore punk, modular synths for days, ear-shattering electronics, the smoothest desert blues, a guy rummaging around in a box for an hour, and so much more. Enjoy! Website: www.queenvenerator.com Instagram: https://www.instagram.com/queenvenerator/ Twitter: https://twitter.com/queenvenerator Facebook: https://www.facebook.com/queenvenerator/ Artists Discussed: 700 Bliss, Afrorack, Ani Klang, Bad Bunny, Battle Trance, Beyonce, Bill Orcutt, Billy Woods x Messiah Musik, Binker and Moses, Bitchin Bajas, Bjork, Black Flower, Blind Eye, Bob Vylan, Burning Plastic Blues Band, Caterina Barbieri, Cheb Terro Vs DJ Die Soon, Cheba Wahida, Claire Rousay, Compro Oro, Condor Gruppe, Crime of Passing, Croatian Amor, Danger Mouse and Black Thought, Dawn Richard and Spencer Zahn, Deathsdynamicshroud.wmv, Denzel Curry, DJ Travella, Earthlogoff, Ensemble Nist-Nah, Etran de L'Air, Flower-Corsano Duo, Freak Genes, Gwenno, Hi Tech, Horse Lords, Hudson Glover, Imarhan, Immanuel Wilkins, Jenny Hval, Jupiter Jax, Kali Malone, Kendrick Lamar, Konjur Collective, La Milagrosa, La Roche, Lady Aicha & Pisko Crane's Original Fulu Miziki of Kinshasa, Latto, Laura Cannell, Little Simz, Lucrecia Dalt, Macross 82-99, Makaya McCraven, Marina Herlop, Matmos, Maxime Denuc, Moor Mother, Municipal Waste, Natural Dice, New Mexican Stargazers, Nik Colk Void, Novatron, Omertà, Open Mike Eagle, Oren Ambarchi, Osees, Otoboke Beaver, Patrick Shiroishi, Persher, Petrol Girls, Phelimuncasi, Point No Point, Problems, Pulse Emitter, Pusha T, Rachika Nayar, Ribbon Stage, Robin Foster, Rosalia, Sarah Davachi, Sarahsson, Silica Gel, Sote, Strugglin', Sudan Archives, Superchunk, Tanya Tagaq, Torrello, V/A - Doom Mix Vol. VI, V/A - Future Nuggets: Sounds of the Unheard from Romania Vol. 4, V/A – Music from Saharan WhatsApp, Varsovia, Viagra Boys, Weston Olencki, Weyes Blood, Whatever The Weather, Wormrot, Worst Spills, Zola Jesus

Was war die beste Musik aus den "Genres" Pop/Art Pop, Gitarre, Ambient/IDM, House/Techno, unserem Klassiker ~Andere Musik~? Der letzte Podcast des Jahres ist wieder der große Jahresrückblick bei Track17, in dem wir das Beste, was die Musik uns dieses Jahr gegeben hat für euch noch einmal hervorheben und jeweils das Album das Album des Jahres jeder Kategorie wählen. Und: Was war das eigentlich für ein Musikjahr? Wo geht's hin und wie wirkt sich die Konzert-Krise auf die Live-Musik und die Künstler*innen aus? Wir haben außerdem die Top 50 Alben des Jahres gewählt und darüber jede Menge geschrieben, dazu gibt's die jährlichen Best-Of-Playlists. Schreibt uns eure Platten/Songs des Jahres an info@track17podcast.de oder an @track17podcast auf Instagram/Twitter. Wir danken außerdem allen Gäst*innen, die 2022 bei uns waren und den Podcast dadurch bereichert haben. Wir sind außerordentlich dankbar eure Zeit und Expertise. Und natürlich den Hörer*innen, die uns seit mittlerweile fünf Jahre begleiten. Danke! Im Blog: Alle Listen des Jahres: https://track17podcast.de/category/2022 [Alle Reviews 2022](https://track17podcast.de/category/podcast/review-podcast) [Alle Features 2022](https://track17podcast.de/category/podcast/features) [Setlist] - [00:00:00] Intro - [00:02:19] Das Jahr für Track17: 28 Folgen – Was waren unsere Feature-Highlights? - [00:07:02] Musikjahr 2022 - Warum uns Genres verlassen & das Comeback des Indiesleaze - [00:15:54] Personality Test (2005) für Albert: „Wie tickst du in Sachen Musikhören?“ - [00:27:27] Ambient/IDM: Brainwaltzera, Hinako Omori Maya Shenfeld etc. + unsere Platten des Jahres: Smoke Point – s/t und Whatever The Weather – s/t - [00:38:26] House/Bass/Techno: map.ache, Shinichi Atobe, Steffi, Kelly Lee Owens etc. + unsere Platte des Jahres: Born Under A Rhyming Planet - Diagonals - [00:49:43] Thema: Listen und Konsens – Wieso sind alle identisch? Wie ernst müssen wir das nehmen? - [01:07:38] Thema: Livekrise 2022: Gecancelte Shows, abgesagte Festivals + das „neue“ Publikum - [01:21:20] Pop/Art Pop: Mabe Fratti, Molly Nilsson, Jockstrap etc. + unsere Platten des Jahres: Lucrecia Dalt – Ay! und Carla dal Forno – Come Around - [01:28:48] ~Andere Musik~/Jazz: Anteloper, Salamanda, The Zenmenn, Kali Malone + unsere Platten des Jahres: Shoko Igarashi – Simple Sentences und Shabaka – Afrikan Culture - [01:35:37] Gitarren: black midi, deathcrash, Palm, Maxine Funke etc, + unsere Platte des Jahres: Black Country, New Road – Ants From Up There - [01:43:17] Reissues: Alva Noto, Yasuaki Shimizu, Broadcast, David Sylvian etc. + unsere Platten des Jahres – Farben +Textstar und VA – Artificial Intelligence - [01:50:30] Danke an alle Gäst*innen. Danke an alle Zuhörer*innen. Danke an alle Musiker*innen – Bis nächstes Jahr! Playlist: https://open.spotify.com/playlist/7AtwymJUY4fJxsIlWedMGB?si=146965f538164e48 Linktree: https://linktr.ee/track17 Track17 auf Instagram: https://www.instagram.com/track17podcast/?hl=de Track17 auf Twitter: https://twitter.com/Track17Podcast Track17 auf Facebook: https://www.facebook.com/Track17Podcast Kristopher auf Instagram: https://www.instagram.com/kristopher.gif/ Kristopher auf Twitter: https://twitter.com/kristopher_gif Albert auf Instagram: https://www.instagram.com/thethealbert Albert auf Twitter: https://twitter.com/thethealbert Feedback und Wünsche an: info(at)track17podcast.de

Composer Kali Malone transforms the spartan musical language of minimalism through unusual tunings and reframing sacred sounds like pipe organ and choir. In this episode, she discusses how My Bloody Valentine, Hindustani classical music, and Josquin des Prez shaped her art. Essential Tremors is produced by Matt Byars and Lee Gardner and distributed by Your Public Studios.See omnystudio.com/listener for privacy information.

Tonight's edition features new music by Sunda Arc, Arovane + Taylor Deupree, Neil Cowley, and some longform beauty from Kali Malone, Erik Truffaz + Murcof and…

"L'Album qui sauvera le Monde V1 : Le Jardin Perdu"… Ce sont 12 morceaux, tantôt chansons, tantôt constructions sonores, incluant des sons, des bruits et du "Field Recording" Le premier fil rouge de l'album, c'est le Walkman à cassettes enregistreur acheté par Antoine chez Emmaüs, "le meilleur magasin de hi-fi du monde". Sur des cassettes recyclées, mille fois enregistrées-effacées-réenregistrées, Antoine a passé des mois à tout capturer, les gens, le temps, les choses… et le bruit du moteur ! Une seule note de musique Le second fil rouge de l'album, c'est un ocarina fabriqué spécialement pour l'occasion, un gros ocarina – pour descendre dans les graves – qui a malheureusement explosé à la cuisson (1200 degrés, tout de même !). Heureusement, Antoine en avait enregistré une note avant son passage au four et c'est sur cette note unique qu'il a fait tout l'album. L'ocarina colore tout "L'Album qui sauvera le Monde V1 : le Jardin Perdu" et ses notes mélancoliques et mouillées évoquent une longue promenade dans des collines brumeuses et humides, en automne, pourquoi pas du côté de Sare, dans les Pyrénées Atlantiques, là où vit et travaille Antoine Bellanger. Vous trouverez plus d'infos sur le site d'Antoine, et notamment un accès vers son Bandcamp, où vous retrouverez toutes ses oeuvres. Enfin, les amateurs d'expérimentations à l'orgue pourront aller visiter le site de Kali Malone, organiste américaine qu'évoque Antoine : ils y découvriront une musique de “drones”, longues plages monoton agitées de microvariations, tout à fait étrange ! Je vous retrouve le 27 novembre à 19 h sur Radio Campus Paris. Cette émission a été produite par François Bordonneau.

"L'Album qui sauvera le Monde V1 : Le Jardin Perdu"… Ce sont 12 morceaux, tantôt chansons, tantôt constructions sonores, incluant des sons, des bruits et du "Field Recording" Le premier fil rouge de l'album, c'est le Walkman à cassettes enregistreur acheté par Antoine chez Emmaüs, "le meilleur magasin de hi-fi du monde". Sur des cassettes recyclées, mille fois enregistrées-effacées-réenregistrées, Antoine a passé des mois à tout capturer, les gens, le temps, les choses… et le bruit du moteur ! Une seule note de musique Le second fil rouge de l'album, c'est un ocarina fabriqué spécialement pour l'occasion, un gros ocarina – pour descendre dans les graves – qui a malheureusement explosé à la cuisson (1200 degrés, tout de même !). Heureusement, Antoine en avait enregistré une note avant son passage au four et c'est sur cette note unique qu'il a fait tout l'album. L'ocarina colore tout "L'Album qui sauvera le Monde V1 : le Jardin Perdu" et ses notes mélancoliques et mouillées évoquent une longue promenade dans des collines brumeuses et humides, en automne, pourquoi pas du côté de Sare, dans les Pyrénées Atlantiques, là où vit et travaille Antoine Bellanger. Vous trouverez plus d'infos sur le site d'Antoine, et notamment un accès vers son Bandcamp, où vous retrouverez toutes ses oeuvres.   Enfin, les amateurs d'expérimentations à l'orgue pourront aller visiter le site de Kali Malone, organiste américaine qu'évoque Antoine : ils y découvriront une musique de “drones”, longues plages monoton agitées de microvariations, tout à fait étrange ! Je vous retrouve le 27 novembre à 19 h sur Radio Campus Paris. Cette émission a été produite par François Bordonneau.

The guests that Jake intended for the last episode finally make an appearance, and derail the recording process.Music recommendations are “The Sacrificial Code” and “Living Torch” by Kali Malone.Wake & Jake (Bonus Content)https://www.patreon.com/wakeandjakepodWake & Jakehttps://www.auxchicago.com/wake-jakehttps://www.instagram.com/wakeandjakepod/https://twitter.com/WakeandJakePodJake Fisherhttps://www.instagram.com/kennyg.g.allin/https://deathbotrecords.bandcamp.com/Music Composed by Jake FisherLogo by Baitul Javid

Aktuální snímek Elvis je nestřídmou vizuální hostinou, jak jsme od australského režiséra Baze Luhrmanna zvyklí. Posádka Soundsystému se ale na nový film o rock´n´rollové legendě rozhodla podívat prizmatem poválečných dějin rockové hudby. Co znamenal elvisovský mýtus v sedmdesátých letech a proč se o něm vůbec v roce 2022 ještě točí filmy? V diskuzním podcastu dojde také na výlet do chladných vln skandinávského droneu, jehož představitelky Maria W Horn, Caterina Barbieri nebo Kali Malone vystupují na nových albech z komfortní zóny.

O episódio desta semana conta com The Pastels, Kali Malone, Koji Endo, BZDET, Spacemen 3, entre outros.   Com Gonçalo Formiga & Zé Maldito dos Cave Story

En este programa comentamos varios excelentes discos, nuevos y clásicos, metaleros y declaramos nuestra eterna admiración hacia Kali Malone. Suenan: LCD Soundsystem: 45:33 (Pt. 2) beabadobee: 10:36 black midi: Welcome To Hell White Ward: Surfaces and Depths Metallica: Disposable Heroes Scarcity: II Caterina Barbieri: Knot of Spirit (Synth Version) Kali Malone: Spectacle of Ritual Kali Malone: Living Torch I Gospel: MVDM: The Magical Volumes Vol.1: The Magick Volume of Dark Madder or the Magic Volume of Dark Matter

The next mixtape comes from musician and composer Remo Seeland, who is behind the Swiss experimental label Hallow Ground. He's presenting a selection of the label's music, partly in response to the label's recent publication, their first ever "concept-compilation" Epiphanies (Hallow Ground, 2022) released earlier in March this year. Founded by Remo Seeland, Hallow Ground was created in 2013 and has been instrumental in launching the careers of artists such as Kali Malone and FUJI||||||||||TA as well as recently releasing albums by Lawrence English, Norman Westberg, Maria W Horn and Siavash Amini, as many of Seeland's composition as well. More than a record label, Hallow ground is a platform for Music and Art that leads to ‘Visions', also acting as We act as publishers, hosts and performers. For the label's first ever compilation, the artists were commissioned to pursue a non-rational creative process in approaching the phenomenon of epiphany through sound. The results, whether long-form, short vignettes, profane and concrete sounds or spiritual and abstract pieces, perfectly encapsulate what Hallow Ground as a label has stood for since its inception in the year 2013: challenging not only conventional notions of what music is supposed to sound like but also the listeners' perception through the power of sound. The mix Seeland has prepared for us reflects on the sound of some of the main artists behind the label, and a joyous and sinuous journey into experimental introspection. Tracklist: 1) Lawrence English - Outside The City of God (Augustine wept) 04:02 2) Miki Yui - Listening (oneness) 10:03 3) Maria W Horn - Oinones Death pt. I 05:36 4) Siavash Amini - Spuming Silver 05:53 5) Kali Malone - Empty The Belief 10:01 6) Marja Ahti - Symbiogenesis 07:22 7) Remo Seeland - Pulse Points Green 05:33 8) Steve Fors - Unsound Structures 06:26 9) FUJI||||||||||TA - sukima 07:03

L'Orchestre de la Suisse Romande propose deux concerts, les 16 et 17 février au Victoria Hall, dirigés par Jonathan Nott valorisant la sublime sonorité de la flûte jouée par Emmanuel Pahud, avant de partir en tournée pour cinq concerts en Espagne.   Au Château de Prangins à partir du 18 février, Ovide dans le Jura – L'étonnante histoire d'un papier peint Concert Saint Valentin, avec Les solistes de la Menuhin Academy  le 14 février avec RENAUD CAPUÇON Au pavillon ADC,  Cindy Van Acker occupe le Pavillon pendant 3 semaines :  – samedi 19 février de 19h à 00h30 : l'intégrale des Shadowpieces – samedi 26 février de 19h à 23 h : 6/6 Projection de l'intégrale des films d'Orsola Valenti – samedi 5 mars de 19h à 22h : musique et mouvement mené par Stephen O'Malley, Kali Malone, Eklekto, Cindy Van Acker et les interprètes   

Om det er Sinatra, Satie eller Schubert, så findes der en tone, de alle kan ramme, der synger lige derind i sjælen, hvor det altid gør en lille smule ondt. I aften spiller vi en håndfuld blå skumringssange fra bl.a. de tre, men også Jonny Greenwood, Suntones, Christine Ott, Underworld, Fauré, Kali Malone, Rune T. Kidde, Carl Nielsen og mange flere. Vært: Lasse Aagaard. www.dr.dk/p2

Luís Rocha, nascido em Matosinhos em 1995. Vive e trabalha em Lisboa. Concluiu o curso de Pintura da Faculdade de Belas Artes de Lisboa em 2017 tendo participado como bolseiro no programa Erasmus UL, MKE Faculdade de Belas Artes da Hungria em 2017.Tem participado em diversas exposições colectivas em diferentes espaços dos quais se destacam: Muszi, Hugria, 2017, Pavilhão 31 em Lisboa, 2017, Galeria Monumental, em Lisboa 2017; XX Bienal de Cerveira, VN de Cerveira, 2018. Apresenta a sua primeira exposição individual na Appleton – Box em Janeiro de 2022. Participou no XVI e XVII Prémio de Pintura e Escultura de Sintra D. Fernando II, Sintra, 2018 e 2021, com Menção Honrosa neste último. Fez algumas residências com destaque para: Residência Luzlinar em 2018, Residência Vila Nova da Barquinha em 2018 e Residência de Criação Appleton em 2021. Links:https://cm-sintra.pt/atualidade/cultura/atribuidos-premios-de-pintura-e-escultura-de-sintra-d-fernando-iihttps://m.facebook.com/associacaoluzlinar/photos/resid%C3%AAncia-de-desenho-serra-em/2063030367348589/https://appleton.pt/incubator/Música escolhida:Kali Malone, Sacrificial Code Ihttps://open.spotify.com/playlist/3fAGREEujsF8XJIk49pOBVEpisódio gravado a 12.01.2022 http://www.appleton.pt Mecenas Appleton:HCI / Colecção Maria e Armando Cabral Financiamento:República Portuguesa - Cultura / DGArtes Apoio:Câmara Municipal de Lisboa

Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Hollow Tree by Arthur Russell on Another Thought (Point Music) 3′08″ Leaving Dreaming by Ellen Arkbro on Sounds while waiting (self-released) 11′38″ "Pipe Inversions" by Kali Malone on The Harmonic Series II (Important Records) 26′54″ Nouvelle Mode Des Modalités: For Well-Tuned Fender and Sine Wave Drone by Catherine Christer Hennix on Selected Early Keyboard Works (Empty Editions) 44′45″ Agalma I by Drew McDowall and Maralie Armstrong-Rial on Agalma (Dais Records) 51′38″ Statues Crumble, Heroes Fall by Tashi Dorji on Stateless (Drag City) Check out the full archives on the website.

INTERVIEW + TRACKLIST > https://inverted-audio.com/mix/relaxer/ Following the release of 'Concealer' LP on @planetmurecords, @relaxerelaxer steps up to deliver the 355th edition of the IA MIX Series, culminating in an hour of rugged and experimental electronics, spanning music from Rrose, Theo Parrish, Ricardo Villalobos, Loraine James, Kali Malone, plus unreleased cuts from Relaxer.

Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Act II: Scene I: Death of a Woman by Elodie Lauten on The Death of Don Juan: An Opera in Two Acts (Unseen Worlds) 3′48″ Piece for Tape Recorder by Vladimir Ussachevsky on Pioneers of Electronic Music (New World Records) 9′20″ Gurbet by Özdemir Erdogan on Ölü Gözüyle İzlenimler (Hap Plak) 12′36″ Perla Luna by Claudio Rocchi on La Norma Del Cielo (Volo Magico N. 2) (Sony Music) 20′05″ Riding the Storm by Laurie Spiegel on Unseen Worlds (Unseen Worlds) 25′41″ Sky with Four Moons by Oliver Coates on John Luther Adams: Canticles of the Sky/ Three High Places (RVNG Intl.) 30′50″ Controlled Burn by Stacy Fahrion, Maddie Ashman, Daisy Press (self-released) 37′40″ Witness by Lyra Pramuk on Fountain (Bedroom Community) 46′45″ Cast of Mind by Kali Malone on Cast of Mind (Hallow Ground) Check out the full archives on the website.

Tonight's edition features new/recent music from Steven R. Smith, Photay, Kali Malone, Jefre Cantu-Ledesma + Ilyas Ahmed, Caterina Barbieri, Daniel Herskedal, and plenty of other blissful sounds to put your day to rest. Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Plateau of Cathedrals by Steven R. Smith on In The Spires (Cold Moon Records)

Kali Malone is an American composer and organist based out of Stockholm, Sweden. Join us as Kali speaks with host Blake Hargreaves about her practice as a composer and musician interested in minimalist structure and different tuning systems. Plus, visit https://www.youtube.com/watch?v=RO0Sbp8igjY to watch a video of Kali performing some of her latest compositions live at Festival Variations with Macadam Ensemble and Stephen O'Malley.

Nieuwe kerkmuziek met schijnbaar oude middelen: het orgel, het carillon en koorzang. Het festival ReWire presenteert in de Stevenskerk in Nijmegen op 30 november een dag met workshops en concerten rond de muziek van de Nederlandse componist Martijn Comes, van wie onder meer het werk 'Time' voor tape en elektronica te horen is; van minimalist Kali Malone, zij zal nieuwe stukken spelen op het monumentale 18e eeuwse orgel in de Stevenskerk; en door het drone-koor NYX, zes zangeressen die de verwachtingen van een traditioneel vrouwenkoor compleet op z'n kop zetten met ambient soundscapes. Het evenement wordt gepresenteerd door ReWire Festival en RE:VIVE, een initiatief van het Nederlands Instituut voor Beeld en Geluid, en maakt deel uit van het Kerk & Kunst initiatief van de Rijksdienst voor het Cultureel Erfgoed. Met Peter Breiner and His Orchestra mixen Beatles en barok; Giovanni Paolo Colonna; dronekoor NYX; Martijn Comes; Kali Malone; Erik Enocksson; Diamanda La Berge Dramm; en George De Decker.

  I can't tell you how excited I am for this mix. Well, actually I'm telling you right now so that first line was bullshit. Suffice it to say I love this mix. It comes from our good friends at Lost Tribe Sound, an amazing record label that is having a hell of a year. Of course, last year was pretty darn good as well.   Ryan Keane, the man behind Lost Tribe Sound, has put together a mix that is interesting and varied. It's cohesive without sounding all the same. This is a wonderful collection of tunes.    Here's what Ryan has to say about this mix:   Rarely do I get the chance to work on creating mixes of music, but I'm definitely more inspired to do so when I can ground the mix in a solid theme or concept.  When I was given the chance to create one for the highly-esteemed Low Light Mixes, I figured, it better be decent.   ‘The Western Divide,' my latest mix, is a grab bag of emotions, sort of manic, nostalgic, playful, with the ever-present tinge of dread and uncertainty that really mirrors how I've been feeling about life and society as a whole lately.  I partly wanted to see how bizarre the music I mixed together could get while still remaining palatable. Honing in on some pieces of music that come across as somewhat otherworldly spaghetti western sounding, I set about juxtaposing them with odd forms of jazz, electronic, hymn-like horn and organ pieces. It may have a bit of that Ennio Morricone score to some dystopian future General Hospital sort of vibe to it.     I've been infatuated as of late with unique uses of horns in experimental music, it seems that most of the time horns can easily be a pitfall in many styles of music. Either from overstaying their welcome, riding too long on what I like to call the “Dad Chords,” where it just gets cheesy, or simply becoming too noodly and irritating that the song would be better off without them. So hopefully I've combined some enjoyable uses of horns into the mix that avoid these situations, but who knows, I'm quite possibly out of touch.   In full disclosure, I run the label Lost Tribe Sound, so a few of the selections in the mix are from recent or upcoming albums on the label.  The opening piece is from a brilliant electro-acoustic Danish trio, Skyphone, which we've have the honor of putting out two albums for this August.  Kali Malone follows with her perfect use of a church organ as the ultimate drone machine. Next, a very odd find from a Spotify suggestion of all places, Jeremy Krinsley and Greg Heffernan's only album together, ‘Material Culture 9.19.15' is some left-field electronica, filled with loads of charming moments.      Next, Hampshire & Foat kick in, their ‘Saint Lawrence' album from this year is an instrumental masterpiece for those into dim-lit jazz fueled folk. Sailcloth up next, also blew my mind, primarily an experimental upright bassist, the featured selection works more off of a droning horn and subdued bass notes than some of the other more pronounced tunes on the EP, ‘Close Keeping.'  Then, Danny Scott Lane who's recent album on Shimmering Moods is about as perfectly refined an example as one could hope for from an experimental drone/classical album. Hoera is a mixed bag of tricks as well, bizarre combos of electronics, jazz, ambient and folk somehow fold into a very satisfying whole, definitely recommend all three of their albums. Drombeg, another tasty discovery, thanks to the Thesis label, an intense focus of melody and progression make this breed of classical well worth checking out.   Working in his way slowly into the tail end of Drombeg is a new piece from Ben McElroy, a highly emotive and creative songwriter, his whole catalog is sublime.  Mute Forest, a long-time favorite, lent me an exclusive song from his upcoming album for this mix, introducing “The Riven Sun.”  Followed that with a rising master of primitive guitar experimentalism, Seabuckthorn, from his new album, “It Can Ashen” is a droning genius.  Next up, Spheruleus with his title track from his brand new and highly engaging electro-acoustic album for my label Lost Tribe Sound. Zakè follows with some seriously delicious droning classical string and tape experiments from this year courtesy of Past Inside The Present. Kinbrae's album, ‘Landforms' from earlier this year totally destroys me, and is a great example of how to use those horns properly.  After that, Federico Mosconi delivers beautiful finger-picked guitar, bathed in the most melancholic waves of static and synths one could ask for!    MALK comes next with ‘Re-treat' and delivers one of the most offbeat, original albums Lost Tribe Sound has ever produced, just give in to it. The penultimate piece comes from Offthesky, who's had a hugely impressive year with two new albums that I'd consider among the best of the year. “Future Fire” provides another gorgeous example of how horns can work so beautifully in ambient music.  Finally, the mix closes with one of my favorite artists of all time, Geir Sundstøl. Geir's newest genre-bending album on Hubro, is beyond genius.  I've got give a special thanks to Hubro, who've finally uploaded their entire catalog to Bandcamp, making it far easier to enjoy, definitely go explore the music they put out.   Hope you enjoy these tunes. Thanks for listening and having a read.   Thanks, Ryan!     T R A C K L I S T : 00:00    Skyphone - Les Clouds(Marsh Drones) 04:00    Kali Malone - Sacrificial Code(The Sacrificial Code) 06:56    Jeremy Krinsley / Greg Heffernan - Material Culture 9.19.15, Pt. 1(Material Culture 9.19.15) 08:00    Hampshire & Foat - The Undercliff(Saint Lawrence) 13:04    Sailcloth - Year Long Storm(Close Keeping) 15:04    Danny Scott Lane - Four(How To Empty A Cup) 18:08    HOERA. - Jin(Jaunu) 21:20    Drombeg - The White Raven(Thesis Drive 2/3) 27:52    Ben McElroy - They Told Us Not To Wonder(They Told Us Not To Wonder) 29:50    Mute Forest - The Riven Sun(Riders Storm) 33:20    Seabuckthorn - It Can Ashen(Crossing) 37:20    Spheruleus - Light Through Open Blinds(Light Through Open Blinds) 39:44    Zakè - 000425978 OTS1[pure violet](Orchestral Tape Studies) 42:24    Kinbrae - Meander(Landforms) 48:04    Federico Mosconi - Melody Not Melody(Light Not Light) 51:20    MALK - Re-Treat(WMAIDIT) 54:08    Offthesky - Future Fire(Illuminate) 57:36    Geir Sundstøl - Waterloo(Brødløs) 62:28    end    

Stockholm-based composer Ellen Arkbro is known for her work as a minimalistic explorer of experimental and ambient territories. Here she has made a mix featuring Japanese and Scandinavian music for acoustic string instruments, rhythmic electronic music, and two works for organ composed by her colleagues and dear friends Isak Edberg and Kali Malone. In her own words: "This is music that inspires me, music that brings clarity to mind. Arranged in this particular order, this collection of music reveals some of the ways in which seemingly distinct kinds of music are ultimately non-different. “ Tracklist: Isak Edberg - Lamé [Composed for the Dübenorgan in Stockholm in 2010] Yoshi Wada - Off The Wall I [Off The Wall, FMP 1985] Gabor Lazar - Crisis of Representation #4 [Crisis Of Representation, Shelter Press 2017] Kim Myhr - Sleep Nothing, Eat Nothing [All Your Limbs Singing, Sofa 2014] Mark Fell - Multistability 3 [Multistability, Raster-Noton 2010] Henry Flynt - Celestial Power [You Are My Everlovin / Celestial Power, Edition Hundertmark 1986] Kim Myhr - Harbor me [All Your Limbs Singing, Sofa 2014] Mamoru Fujieda - The Third Collection, Pattern IX [Patterns of Plant, Tzadik 1997] David Stackenäs - Morioka [Bricks, Clean Feed 2017] Kali Malone - Glory Canon III [Organ Dirges 2016-2017]