Podcast appearances and mentions of nicholas winding refn

Cars, men, masculinity, westerns, scorpions, frogs, wanderers, conservative values, violence, very hot people, and more... it's Nicholas Winding Refn's DRIVE with Roxana Hadadi! Follow us on Twitter and Bluesky and Instagram! Buy a cows shirt on Threadless!

Whit ye sayin'?! (We can't actually write what he says without getting reported).Yeah, that's right, SIT DOWN! Charlie Bronson is here and he's looking to cause some trouble. We're doing something quite majestic this November. A veritable TOM'S -GIVING! We're doing a Tom Hardy double-bill!We're starting with Nicholas Winding Refn's BRONSON, the "true-ish" story of Britain's Most Violent Prisoner. What we have come to discover is that this breaks the ratio from the 90+ films we've covered so far. This is not one to miss!

It's two movies for the price of one today! (Podcast remains free.) In 2014, Paul Schrader directed Nicolas Cage and Anton Yelchin in a thriller about a CIA agent with frontotemporal dementia trying to hunt down an old enemy before his mind goes. The money guys took the film away from him, edited it into a totally anonymous Redbox movie themselves, and released it as "A Paul Schrader Film" anyway. He was contractually prohibited from disparaging the result, but Schrader, along with the cast and producer Nicholas Winding Refn, publicly disowned the released version, and Paul drank himself into a stupor. Several years later, during the editing process on First Reformed, he returned to DYING OF THE LIGHT and made it into something between a director's cut and a fascinating work of video collage art called DARK, which is legally unreleasable but available to view for free. It's so nuts, and it changed the course of his career. We're gonna talk about it! Further Reading: "Warning: ‘Dying of the Light' Is Not a Paul Schrader Movie" by Anne Thompson "Paul Schrader's Secret New Movie: How the Director Resurrected a Wild Nicolas Cage Performance Without Permission" by Eric Kohn Further Viewing: DARK (Schrader, 2017) Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

This week, we watch a masterpiece of style. This slow-burn thriller bleeds cool from all sides, as each actor delivers a perfect performance and the soundtrack blares synths over LA at night. Drive (2011), directed by Nicholas Winding Refn.

Babs Olusanmokun has emerged as a captivating force in the entertainment industry, capturing the attention of distinguished film directors such as Phillip Noyce, Jeymes Samuels, Denis Villeneuve, Nicholas Winding Refn, Guy Richie and others.Since his breakthrough in Hollywood, his trajectory has been nothing short of stellar, marked by a series of standout performances that have fortified an impressive resume. He was recently seen in Jeymes Samuels's Sony/Legendary film “The Book of Clarence” in the scene-stealing role of Asher The Torturer, alongside an incredible cast including David Oyelowo, Benedict Cumberbatch, and Lakeith Stanfield and he reteams with director Guy Ritchie for the upcoming film “Ministry of Ungentlemanly Warfare” opposite Henry Cavill and Eiza Gonzalez (US April 19th) after having previously appeared in Ritchie's 2021 movie “Wrath of Man.”He currently stars in the Emmy Award-nominated “Star Trek: Strange New Worlds” on Paramount+ as Chief Medical Officer Joseph M'Benga that is currently in production on Season 3 in Toronto.Mr. Olusanmokun appeared as Jamis, in Denis Villeneuve's Academy Award-winning film “Dune,” alongside Timothee Chalamet. He will also be seen in the upcoming “Dune” sequel coming out on March 1.   His first stand out role was as Omoro Kinte in the 2016 reboot of the miniseries “Roots” with Forest Whitaker for director Phillip Noyce.   Other credits include: the Amazon Prime, award-winning series “The Widow,” opposite Kate Beckinsale as well as the neo-noir miniseries “Too Old to Die Young,” from famed Danish art house director Nicholas Winding Refn and opposite Miles Teller and Jena Malone, the riveting "Black Museum" episode of the 2017 award-winning anthology series "Black Mirror, "  Amazon's “Sneaky Pete,” Fox's “Gotham,” HBO's “The Night Of” with Riz Ahmed, and Acorn TV's “The Drowning.”  Theater credits include Yale Repertory- In a Year With 13 Moons opposite Bill Camp and Lynn Nottage's Pulitzer winning Ruined.  Mr. Olusanmokun began his acting journey in New York City. He currently resides in London. In addition to his career in film, he is a Brazilian Jiu-jitsu black belt Champion, adding another dimension to his multifaceted persona. 

The guys honor a listener request and watch the Tom Hardy movie Bronson. Does this 2008 Nicholas Winding Refn movie hold up in 2024? Get naked and find out!

What does The Neon Demon and GTA V have in common? Not very much, but it gets brought up regardless! This week Dave and Craig are joined by film critic Kelechi Ehenulo to delve into the 2016 horror thriller- The Neon Demon by Nicholas Winding Refn.Will it make it into The Movie Vault? Is Keanu Reeves well-cast here? And why do we need a periodic table for the Endgame? All this is answered and more in this week's episode! #nicholaswindingrefn #drivemovie #theneondemon #neondemon #ellefanning #horrorfan Hosted on Acast. See acast.com/privacy for more information.

Issue 37 of the monthly magazine podcast for the discerning film nerd, and this week it's the Features, our regular discussions to enrich your film watching and help you escape the confines of the algorithm. Our Classics and Recommended feature is Drive, Nicholas Winding Refn's tribute to the characters of the 70s and styles of the 80s. Our Hidden Gem is the underrated and underseen Vietnam War film Casualties of War. In The One that Got Away we discuss how John Carpenter almost made the definitive western but in the end Tombstone was directed by someone else. Our Remake Hatewatch compares 2019's Midway to, you guessed it, 1976's Midway. And as a bonus we look at how a remake of Waterworld might actually be a good idea. Last week we dropped Double Reel monthly with news, reviews and a look at our annual film projects of David Cronenberg and Nic Cage classics. Next week we'll bring you the final part of the issue, the Big Conversation.

Blankers! Last episode we discussed James Sallis's hardboiled, neo-noir classic Drive. This time we interrogate Nicholas Winding Refn's 2011 film adaptation starring Ryan Gosling. In what ways is the film better than the novel and vice versa? Hit play to find out! Get in touch with the show: pointblanknoir@gmail.com Facebook Group #crimefiction #refn #gosling #jamessallis #drive #noir #neonoir

Neste regresso pós Carnaval da Sala Azul, falamos de muita coisa, mas acabamos por não dizer nada. O do Shyamalan leva o nosso selo de aprovação, a Susana não consegue sintetizar o enredo de "Drive" enquanto acusamos Nicholas Winding Refn de ser uma fraude e encaramos um urso cocaínado de frente. Enviem-nos uma mensagem de voz ou escrevam para SalaAzulPodcast@gmail.com. Enviem-nos as vossas sugestões, opiniões ou se só quiserem dizer "Olá". Os vossos clips de voz e emails poderão fazer parte do próximo episódio. A Sala Azul é um podcast português de Cinema e TV, feito em Portugal. Tema "Free Time" interpretado por Mela Collective sob licença CC BY-SA 4.0. https://www.melacollective.com https://melagroup.bandcamp.com/

The bois discuss Copenhagen Cowboy, Skinamarink, Pusher trilogy, Fear X, Burnt, The Town, and more!Join our Patreon for bonus episodes, Discord access, and more: https://www.patreon.com/therearetoomanymoviesMerch: https://www.toomanymovies.com/shopInstagram:https://www.instagram.com/therearetoomanymovies/TikTok:https://www.tiktok.com/@therearetoomanymoviesListen on Spotify:https://open.spotify.com/show/7lwOlPvIGdlmr6XjnLIAkG?si=4e3d882515824466Subscribe on iTunes:https://podcasts.apple.com/us/podcast/there-are-too-many-movies/id1455789421Twitch:https://www.twitch.tv/therearetoomanymoviesTwitter:http://www.twitter.com/tatmmpod00:00 - Cold Open01:34 - Intro04:32 - Burnt06:25 - Love Charlie08:37 - The Chronicles of Narnia: The Lion, The Witch, and The Wardrobe10:09 - Identity Theft11:59 - The Devil Wears Prada13:17 - Airheads14:45 - The Hateful Eight17:59 - Pusher Trilogy20:01 - Gambler23:13 - Fear X28:20 - The Mummy29:37 - The Town32:23 - The Pale Blue Eye33:59 - Army of Darkness36:46 - Skinamarink43:16 - All The President's Men47:21 - Touch of Crude49:03 - Copenhagen Cowboy01:19:10 - Wrong People01:22:30 - Copenhagen Cowboy (cont)01:30:14 - Is It Cinema?01:32:10 - DMT (Dumb Movie Title)01:33:40 - Actor Game01:35:22 - Outro

I found some time to drop another episode and catch up w/ all you great peeps out there !_! So I'm excited about a new show from one of my fav directors Nicholas Winding Refn called "Copenhagen Cowboy" coming to Netflix in December. With that in mind I decided to finally finish his last series "Too Old To Die Young" on Amazon. Well not for everyone (obviously my taste are eclectic) it's a really great series that covers a lot. I also go over some of his earlier films and a few other movies in that style of surrealism and visual art (watch this clip on the film "Drive" to see what I mean https://youtu.be/wsI8UES59TM , also follow my old internet pal's earlier work here https://youtube.com/c/everyframeapainting ) Then I end it w/ a lil preview of the next episode (hopefully out by Halloween)

This week we begin Classy Month with Nicholas Winding Refn's 2011 masterpiece Drive! Welcome Gary's buddy and uber fan Marcello as we talk about everything happening in this world today and Tara Reid ! We eventually talk about this amazing flick and Ryan Gossling and Oscar Isaac sitting on our faces!Drive is avalible for rental everywhere !Follow us on Instagram:@Gaspatchojones@Homewreckingwhore@The_Miseducation_of_DandG_PodCheck Out Our WebsiteIf you love the show check out our Teepublic shop!Right Here Yo!

The boys dive into the contentious filmography of The Insane Dane himself, Nicholas Winding Refn! From his surprise smash hit debut, to his triumphant return to the series, to the masterpiece of the third entry. These movies are true Eurotrash Masterpieces! Pusher (1996) Pusher II (2004) Pusher 3 (2005)

Jay Hunter (AMERICAN AUTO) is back to discuss Kenneth Anger's cult classic LUCIFER RISING (1972), a short film inspired by the teachings of Aleister Crowley. Lucifer Rising heavily influenced many filmmakers, from Lucas to Scorcese to Nicholas Winding Refn.

This week we delve deep into the patriachy, retail and setting up in Los Angeles with Nicholas Winding Refn's stylish thriller The Neon Demon. Enjoy :) Like and review us where your podcast lives... help us grow our horror community and spread the word! Request a film on Buy me a coffee at: wnshorrorpod Subscribe to gain access to our bonus content! Facebook:Wonderful and Strange Twitter: @wnshorrorpod Email:wonderfulandstrange@hotmail.com

Welcome to an all-new Films for the Void, Episode 30! In this episode, Eric and Landon press the pedal to the floor to talk about Nicholas Winding Refn's 2011 film Drive! Along with reviews of the latest from Sega's pointy-headed mascot, another collaboration between Shawn Levy and Ryan Reynolds, and, quite possibly, the best movie of 2022 - all on this week's episode of Films for the Void!00:00:00 Introduction00:04:48 The Adam Project00:08:27 Sonic the Hedgehog 200:14:18 Everything Everywhere All at Once00:25:00 Drive01:05:03 Landon's Recommendation for Next EpisodeFollow us on Twitter: @films_void.Landon: @igotdefeverman (Twitter), @duhfever (Instagram), @landondefever (Letterboxd).Eric: @ericwiththehair (Twitter, Letterboxd), @ericwiththebeard (Instagram)

Robert Eggers, Regisseur von "The Witch" und "Der Leuchtturm" hatte mit Wikingern erst nichts am Hut. Dann wollte er den größten Wikingerfilm aller Zeiten machen. Und was sollen wir sagen: Gegen "The Northman" können "Wikings" auf Netflix, "Walhalla Rising" von Nicholas Winding Refn und Bully Herbigs "Wickie und die starken Männer" echt einpacken. Wir sprechen mit dem Regisseur Robert Eggers und dem Schauspieler Alexander Skarsgård über den Film. Außerdem im Interview: Sandra Bullock und Daniel Radcliff über die Schatzsuchkomödie "The Lost City". Mehr zum Thema im Artikel auf deutschlandfunknova.de. **********Den Artikel zum Stück findet ihr hier.**********Mehr zum Thema bei Deutschlandfunk Nova:Frida Gustavsson in "Vikings: Valhalla": "Wikinger-Frauen hatten teilweise mehr Rechte als Frauen heute haben""Return to Hogwarts": Besprechung, Kritik, InhaltVon "Venom" bis "Cry Macho": Die großen Namen sind im Kino**********Oder folgt uns auf Instagram.

Mit Marco von Fernsehsessel – der Podcast tauche ich ins Neonlicht getränkte Bangkok von Nicholas Winding Refn ein. Es geht natürlich um Neonlicht und Gewalt, um langsames Erzählen und minimalistisches Schauspiel. Wir sprechen über Ödipus, Freud, Hände, Misogynie und Rassismus. Am Ende haben wir sogar Visionen. Style is Substance. Wollt ihr mich unterstützen? Wishlephant-Wunschliste: https://wishlephant.com/wishlists/c69bf1a2-1999-4945-805f-edf70dd68a54 Amazon-Wunschliste: https://www.amazon.de/hz/wishlist/ls/5VI17X8WA9CU?ref_=wl_share Gebt mir einen Kaffee aus: https://www.buymeacoffee.com/spaetfilm

This week Jeremy interviews Chris Ryan from The Ringer, who co-hosts the podcasts The Watch and The Rewatchables,  On this episode the two talk Oscar nominations, The Velvet Underground, reunion sets and legacy acts, growing up in Philadelphia, how he found music criticism, having a film critic as a father, regional hip hop, Def Leppard ballads, Who opens for U2?, the first time being published in a zine, his first review, writing for SPIN, working at record stores, finding sports fans amongst music writers, getting hired at Grantland and meeting Bill Simmons, his first Podcast (The Watch), Nicholas Winding Refn, The genesis of The Rewatchables, Chris gets punk cred for his first basement shows and his short lived band, and so much more! For a bonus episode where Chris answers questions submitted by subscribers and so much more - SUBSCRIBE TO THE PATREON Follow the show on INSTAGRAM and TWITTER

I pulled away from a hellacious binge of "Malcom In The Middle" to record episode two. Today's episode is on Nicholas Winding Refn's "Drive". In this episode, I throw out a few fan theories, discuss authentic car chases and crashes in cinema, my love for synth scores, and how I feel this film is one of the best crime films of all time. I enjoyed revisiting this one, I hope you do too.

Do you think a development executive turned screenplay writer might have some good advice? Then this episode is for you. Leslie sits down with Garrick Dion  from LA-based management/production company 5X and the conversation is FIRE!!! More about Garrick:Having started his career as an intern for THE MATRIX producer Joel Silver, Garrick Dion has over 25 years of experience in the Film & Television industry.  After a decade of working as a studio development exec for WB, New Regency and Artisan/Lionsgate, he migrated to “the other side of the desk”, as a screenwriter and consultant on various projects for WB (including the Nicholas Sparks adaptation A WALK TO REMEMBER), Mandalay, Endgame and the SyFy Channel, before ultimately returning to development and production, albeit this time in the world of “high net worth”, financier-backed independents.  Over seven years as SVP of Development for Bold Films, he helped produce such successful features as Dan Gilroy's NIGHTCRAWLER, Nicholas Winding Refn's DRIVE and Damien Chazelle's Sundance- and Academy Award-winning WHIPLASH, while at Vancouver-based BRON Studios he was the company's first LA hire and worked on a vast slate including the Jason Reitman films TULLY and THE FRONT RUNNER and Josh Trank's CAPONE, as well as started and oversaw in-house genre label The Realm, for which he produced the sci-fi feature PROSPECT (based on the SXSW award-winning short) and the darkly comic thriller VILLAINS, both released through Gunpowder + Sky.  Currently, he is partnered with Scott Einbinder (HITMAN'S BODYGUARD) and Seth Nagel (LAID TO REST) in LA-based management/production company 5X.  Obsessed since childhood with storytelling, and film in particular, he is a graduate of Ithaca College and originally from Cape Cod, MA.

Driver is a skilled Hollywood stuntman who moonlights as a getaway driver for criminals. Though he projects an icy exterior, lately he's been warming up to a pretty neighbor named Irene and her young son, Benicio. When Irene's husband gets out of jail, he enlists Driver's help in a million-dollar heist. The job goes horribly wrong, and Driver must risk his life to protect Irene and Benicio from the vengeful masterminds behind the robbery.

The Ghost of Dune: Jodorowsky's Unmade Masterpiece On this week's episode of WatchThis W/RickRamos, Ibrahim & I continue our look at Frank Herbert's Classic Sci-Fi Novel, Dune. There's no shortage of angles to come at this movie from. Last week we looked at Denis Villeneuve's new film playing in theaters and HBOMax right now. This week Mr. Chavez & I touch on David Lynch's failed early-80's effort with producer Dino De Laurentis. A disastrous production and final product that Lynch has disowned and has great difficulty discussing, for the longest time Dune seemed unfilmable. But the meat of today's episode lays with Frank Pavich's 2013 documentary, Jodorowsky's Dune - a documentary on the making of the most famous un-filmed project in Cinema History. Featuring interviews with directors Richard Stanley and Nicholas Winding Refn, special effects, production and artistic designers, and producers including: H.R. Giger, Michel Seydoux, Chris Foss, and Jean Giraud. This is a fascinating documentary on one of the greatest disappointments in Cinema. A Must-See for all fans of Cinema. Take a listen and enjoy.  Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com. Many Thanks. 

Welcome to 'Don't You Want Me?' - a podcast series taking a lighthearted look at the most relatable, intriguing and dysfunctional relationships in film.  In this episode, we're talking about the haunting 2011 drama Drive, directed by Nicholas Winding Refn. With a screenplay by Hossein Amini and based on the novel by James Sallis, this won Refn the Best Director award at the 2011 Cannes Film Festival and saw Ryan Gosling take on his first lead role in an action film. Tonight we'll be trying to be neighbourly to The Driver, played by Ryan Gosling and Irene, played by Carey Mulligan. Is this the deluxe version of a relationship or is it just about standard? Follow Don't You Want Me on Twitter @DYWMpodcast, Instagram @dywmpodcast and Facebook @DYWMpodcast  Recorded in August 2021. Edited by Rich Nelson Additional material written by Catrin Lowe  Theme music by Paul Abbott (on Twitter @Pablovich) Design by NOAKE (on Instagram @n_o_a_k_e) Rich can be found on Twitter @fantana275 Cat can be found on Twitter @KittyCostanza -------------------------------------------------------------------------------------------------- For regular updates on future episodes of the podcast, guest appearances and events, subscribe to our monthly newsletter here https://www.getrevue.co/profile/dywmpodcast 

Film scores don't often chart, but when they do, it's for good reason. In 2011, that happened to the piercing, airy, enigmatic score for Nicholas Winding Refn's neo-noir Drive, starring Ryan Gosling as a nameless Hollywood stunt driver turned getaway driver. It was a minimalist throwback to the car-based crime films of the '70s and '80s, fueled by Refn's own arthouse aesthetic and Gosling's stoic performance. But even more than Gosling's scorpion jacket, it's the music of Drive that endures in the pop culture consciousness a decade on. When the score came out, it reached #4 on the iTunes charts and reached the Billboard 200. Much of that is due to the classic synthwave tracks by Kavinsky feat. Lovefoxxx ("Nightcall") and College feat. Electric Youth ("A Real Hero"), to be sure, but it's also down to Cliff Martinez's moody, atmospheric scoring. Martinez, a Grammy-nominated composer (and former member of the Red Hot Chili Peppers) who's worked most notably on the scores of Steven Soderbergh, pulled out some of his eeriest, most interesting work for Drive. Analog synths dance with a mysterious instrument called the Cristal Baschet to help sell the '80s-tinged mood. For the film's tenth anniversary (and on the eve of the soundtrack's rerelease on vinyl courtesy of Lakeshore Records), I sat down with Martinez to talk about his early days as a composer, how it feels to have a film score actually make the charts, and what exactly a Cristal Baschet is anyway. (Also, listen for a very surprising cameo from an out-of-breath Nicholas Winding Refn. I kid you not.) You can pick up the Drive Original Motion Picture Soundtrack 10th Anniversary Edition vinyl courtesy of Lakeshore Records. 

Joy Williams' third novel, Breaking and Entering, is the story of lovers who break into strangers' homes and live their lives for a time before moving on. First published in 1988, it is a book impossible to describe, a work of singular vision and sensibilty that is as infectious in its weird effect as it is unforgettable for the quality of its prose. In this episode, the novelist, spiritual thinker, and acclaimed podcaster Conner Habib joins JF and Phil to explore how the novel's enchantments rest on the uniqueness of Williams' style, which is to say, her bold embrace of ways of seeing that are hers alone. Williams is an artist who refuses to work from within some predetermined philosophical or political idiom. As Habib tells your hosts, she goes her own way, and even the gods must follow. Discover Against Everyone with Conner Habib on Patreon (https://www.patreon.com/ConnerHabib) Support Weird Studies on Patreon (https://www.patreon.com/weirdstudies): Buy the soundtrack (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1) Find us on Discord (https://discord.com/invite/Jw22CHfGwp) Get your Weird Studies merchandise (https://www.redbubble.com/people/Weird-Studies/shop?asc=u) (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop (https://bookshop.org/shop/weirdstudies) Photo by Wolfgang Moroder via Wikimedia Commons (https://commons.wikimedia.org/wiki/File:Florida_Pelican_fliing_on_Bradenton_Beach.jpg) REFERENCES Conner Habib, "Joy Williams: The Best Fiction Writer Alive" (https://connerhabib.com/2015/12/31/on-joy-williams-or-the-best-fiction-writer-alive/) Joy Williams, [Breaking and Entering](https://www.goodreads.com/book/show/834582.BreakingandEntering) Joy Williams, The Quick and the Dead (https://bookshop.org/a/18799/9780375727641) The Paris Review, Interview with Joy Williams (https://www.theparisreview.org/interviews/6303/the-art-of-fiction-no-223-joy-williams) Heraclitus, Fragments (https://bookshop.org/a/18799/9780142437650) Joy Williams, “Breakfast” in Taking Care (https://bookshop.org/a/18799/9780394729121) Bret Easton Ellis, American Psycho (https://bookshop.org/a/18799/9780679735779) The Phantom Stranger (https://en.wikipedia.org/wiki/Phantom_Stranger), DC Comics character James Joyce, Ulysses (https://bookshop.org/a/18799/9780679722762) Eugene Ionesco, Rhinoceros (https://bookshop.org/a/18799/9780573614743) Deleuze and Guatarri, What is Philosophy? (https://bookshop.org/a/18799/9780231079891) Quentin Meillassoux (https://en.wikipedia.org/wiki/Quentin_Meillassoux), French philosopher David Mamet, On Directing Film (https://bookshop.org/a/18799/9780140127225) David Mamet, True and False (https://bookshop.org/a/18799/9780679772644) Nicholas Winding Refn (dir.), The Neon Demon (https://www.imdb.com/title/tt1974419/) Joy Williams, “Congress” (https://bookshop.org/a/18799/9781400095520) Joy Williams, “Hawk” (https://granta.com/hawk/) Stephen Sexton, If All the World and Love Were Young (https://www.goodreads.com/en/book/show/41081318-if-all-the-world-and-love-were-young) Scott Burnham, Mozart's Grace (https://bookshop.org/a/18799/9780691168067) Special Guest: Conner Habib.

Nicholas Winding Refn's "Drive" is a nightmarish fairytale starring Ryan Gosling as Driver. Driver is a mysterious Hollywood stuntman and mechanic, who moonlights as a getaway driver. Driver finds himself in trouble when he helps out his neighbor, forcing him to reveal his true self.   

For episode 136, Matt picked a triple bill of DEMON films. Night of the Demon (1957) is referenced in the Richard O'Brien song, Science Fiction, Double Feature from The Rocky Horror Picture Show. It's directed by Jacques Tourneur and stars Dana Andrews, Peggy Cummins, Niall MacGinnis and Athene Seyler. Demon Seed (1977) is based on the novel by Dean Koontz. Directed by Donald Cammell and stars Julie Christie, Fritz Weaver, Gerritt Graham and Robert Vaughn. The Neon Demon (2016) is directed by Nicholas Winding Refn. It stars Elle Fanning, Karl Glusman, Jena Malone, Abbey Lee, Bella Heathcote, Christina Hendricks, Keanu Reeves and Alessandro Nivola.  Please review us over on Apple Podcasts. Got comments or suggestions for new episodes? Email: sddpod@gmail.com. Seek us out via Twitter and Instagram @ sddfilmpodcast Support our Patreon for $3 a month and get access to our exclusive show, Sudden Double Deep Cuts where we talk about our favourite movie soundtracks, scores and theme songs. We also have t-shirts available via our TeePublic store!

The bros check to see if their hands are as dirty as Bernie Rose's in this episode about the 2011 film, Drive. Directed by Nicholas Winding Refn and Written by Hossein Amini. Follow us on Instagram @thefilmbrospodcast or email us at thefilmbrospodcast@gmail.com  

The Unconventional Biopic Triple Feature! Tonight, Charles and returning guest Aaron Woodworth string up the ugly sheet at the back of the drive-in and look at three highfalutin unconventional entries in the biopic genre. First, we venture into the bowels of the British prison system as we search for the most dangerous prisoner in the Queen's custody with Nicholas Winding Refn's Bronson! THEN! We lose our minds and let go of the idea of truth and lies as we see a dark world through the eyes of a bizarre genius in Michael Almereyda's Tesla! AND THEN! We drown in the imagination of one of the world's greatest authors as he tries to solve a mystery ripped from his own pages in Steven Soderbergh's Kafka! So put on your cleanest black turtleneck and dust off your college beret and join us for a special episode of The Arthouse Drive-In Picture Show! ___________________________________________ Have a movie request? A compliment about our delicious snack bar treats, our (mostly) friendly staff and our spotless restrooms? Don't bother filling out a comment card. (Lucy throws those away.) Connect with us via: Twitter: https://twitter.com/AllNightDriveIn Instagram: @allnightdrivein Facebook: https://www.facebook.com/TheAllNightDriveInPictureShow/  E-mail: Allnightdriveinpictureshow@gmail.com Join us every month for another double feature under the stars by subscribing, reviewing, and rating the show on Apple Podcasts, Stitcher, or your favorite podcatcher, or check out The All-Night Drive-In Picture Show YouTube page!  We appreciate your patronage and please hang up your speaker, and drive safely!   

The cousins discuss Drive, the movie. Featuring fun facts, scene breakdowns, and exploring director Nicholas Winding Refn's style!

Title: Drive [Wikipedia] [IMDb] Director: Nicolas Winding Refn Producers: Marc Platt, Adam Siegel, Gigi Pritzker, Michel Litvak, John Palermo Writer: Hossein Amini (screenplay), James Sallis (original novel) Stars: Ryan Gosling, Carey Mulligan, Bryan Cranston, Christina Hendricks, Ron Perlman, Oscar Isaac, Albert Brooks Release date: September 16, 2011 (US) PROMO: Too Many Captains (@ItsaFilmPodcast) SHOWNOTES: We're back, Collateral Cinephiles! Today, we sit down to discuss one of Nicholas Winding Refn's most accessible and cinematically astute films, the Ryan Gosling-led arthouse noir sendup, Drive. We explore the thematic use of color; the poignant performances of Gosling and co-star Christina Hendricks; the caustic, yet slightly Kubrickian direction Refn imbues in his movie; and the cars that make up the backbone of this film. Did Refn's directorial style rub us the wrong way, like so many other movie fans claim? Listen now, and come on a drive with us through the city at night! Collateral Cinema is on Spotify, Apple Podcasts, Google Podcasts, Chill Lover Radio, iHeartRadio, Podbean, and wherever else you get your podcasts. Also, find us on Twitter, Instagram, Facebook, Podchaser, and find us on Patreon! (Collateral Cinema is a Collateral Media Podcast. Intro song is a license-free beat. All music and movie clips are owned by their respective creators and are used for educational purposes only. Please don't sue us; we're poor!)

In this 28th episode of Worst Scene, living gods Richard Something and George Sukara discuss two movies that have the word "Drive" in their titles: Drive, Nicholas Winding Refn's 2011 film about Ryan Gosling being a beautiful badass vs Drive Angry, a 2011 film starring Nicholas Cage as a man who never really seems all that angry when he's driving.

https://www.instagram.com/mihoko_on_insta/ As an English-Japanese interpreter, As an English-Japanese interpreter, Mihoko Imai has for the past 12 years specialized in film and entertainment, servicing content distributors, film festivals, photographers, filmmakers, actors, and producers. She has interpreted for press events and interviews with people of note including: FILMMAKERS including Martin Scorsese, Oliver Stone, Christopher Nolan, Ang Lee, Ken Loach, J.J. Abrams, Zack Snyder, John Cameron Mitchell, Nicholas Winding Refn, Michael Moore, Walter Hill, John Carpenter, David Ayer, Renny Harlin, Eli Roth; ACTORS including Keanu Reeves, Nicolas Cage, Angelina Jolie, Ben Affleck, Samuel L. Jackson, Mads Mikkelsen, Jesse Eisenberg, Morgan Freeman, Oscar Isaac, Philip Seymour Hoffman, Benicio Del Toro, Adrien Brody, Bryan Cranston, Norman Reedus, Andy Serkis, William H. Macy, Amy Adams, Diane Kruger, Michelle Williams, Cynthia Nixon, Hugh Bonneville, Ian Mckellan, Milla Jovovich, Lily Collins, Uzo Aduba, Chloe Moretz, and Ken Watanabe. Prior to starting her career as an interpreter, Mihoko had 10 years of corporate experience in the film industry working for film distributors including 4 years at Warner Bros. has for the past 12 years specialized in film and entertainment, servicing content distributors, film festivals, photographers, filmmakers, actors, and producers. She has interpreted for press events and interviews with people of note including: FILMMAKERS including Martin Scorsese, Oliver Stone, Christopher Nolan, Ang Lee, Ken Loach, J.J. Abrams, Zack Snyder, John Cameron Mitchell, Nicholas Winding Refn, Michael Moore, Walter Hill, John Carpenter, David Ayer, Renny Harlin, Eli Roth; ACTORS including Keanu Reeves, Nicolas Cage, Angelina Jolie, Ben Affleck, Samuel L. Jackson, Mads Mikkelsen, Jesse Eisenberg, Morgan Freeman, Oscar Isaac, Philip Seymour Hoffman, Benicio Del Toro, Adrien Brody, Bryan Cranston, Norman Reedus, Andy Serkis, William H. Macy, Amy Adams, Diane Kruger, Michelle Williams, Cynthia Nixon, Hugh Bonneville, Ian Mckellan, Milla Jovovich, Lily Collins, Uzo Aduba, Chloe Moretz, and Ken Watanabe. Prior to starting her career as an interpreter, Mihoko had 10 years of corporate experience in the film industry working for film distributors including 4 years at Warner Bros. https://twitter.com/mihoko_imai If you enjoyed our conversation with Markus, follow his reviews here: https://moviesmarkus.com/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/bravemaker/support

Imagine a world without music. No jazz, soul, punk, funk or gospel, no rock, no roll, no hip, no hop. You can't do it can you, and not only because your brain has been reduced to little more than a paperweight by endlessly scrolling the internet on your phone but also because it's impossible. People have music literally embedded in them; the human heart is by design an organ which is supposed to tirelessly and constantly beat in rhythm just for you to survive. Given the seemingly culturally universal ubiquity that exists around music it's not surprising that we love movies about music and musicians. But which ones did we choose to chat about for this weeks Top 5? It's a tense week as Bad Dad Peter Andre makes his first nominations and none of us were prepared for him to pick Danish auteur Nicholas Winding Refn's 2016 horror about beauty, The Neon Demon. The film polarised critics upon release, will it have the same effect on the Dads?We round up this weeks show with a nostalgia filled look back at 1982's The Mysterious Cities of Gold. For those that are old enough, the mere mention of that title is sufficient to lodge the theme tune in your brain like the bullet that will presumably lodge itself in the back of Meghan Markle's cranium once Kate finally gives the order to have her assassinated. But does this show have anything to offer beyond the theme tune? Stay tuned to find out. We love to hear from our listeners! By which I mean we tolerate it. Try us on twitter @dads_film, on Facebook Bad Dads Film Review or on our website baddadsfilm.com.Until next time, we remain...Bad Dads

Hop in and getaway with Tim and Guy as they celebrate the ten year anniversary of Nicholas Winding Refn's, "Drive."  Tim: Tim's YouTube Channel!   | Twitter | Instagram | Facebook | Anything Goes Podcast  Guy: Twitter | Instagram Please Rewind Social Links: Twitter | Facebook Instagram Find our show here and please give us a review!  Apple Podcasts: iTunes | Stitcher Radio: Sticher  | Our Website: Real Fans

My movie "Bearkittens" is now on Amazon Prime! www.amazon.com/Bearkittens-Lisa-…1584276899&sr=8-1 It's a black comedy with an almost entirely female cast about a group of misfits doing social services in a haunted forest. And, boy, was it a journey making this! Listen to me babble about that in English for the next 10 episodes because, let's face it, you have nothing better to do anyway.

In this episode of Chick Flicks, McKenzie and Bridget cover Promising Young Woman and Drive, two films that ask, "Can neon lights, great soundtracks, and handsome stars save a movie?" Promising Young Woman (2020) stars Carey Mulligan and is written and directed by Emerald Fennell. Drive (2011) stars Ryan Gosling at peak-dreaminess, Carey Mulligan, and a divisive silk Scorpion jacket. It was directed by Nicholas Winding Refn. Chick Flicks is a film review podcast hosted by McKenzie Chapman and Bridget Hovell. You can follow Chick Flicks on instagram and twitter @chickflickspod and email us at chickflickspodcast@gmail. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Patrick bildet sich ja gerne weiter. Und für dieses Anliegen ist sein stets wertgeschätzter Gast Udo Fischer eine sichere Bank. Auch diesmal hat er einen Titel dabei, über den der Lohmi trotz seiner Liebe zum Slasherfilm noch nie gestolpert ist. Überraschenderweise bereitet ihm der Kleinstadthorror Sex oder stirb (Cherry Falls, 2000) mehr Kopfzerbrechen als gedacht. Der olle Lohmi versucht aber, mit Udos Hilfe die Reize des Films hinter der spießigen Fassade zu ergründen. Als Belohnung für die Spurensuche winkt Nicholas Winding Refns audiovisuelles Festbankett The Neon Demon (2016), das mit grandios in Szene gesetzten Scheußlichkeiten und ätzender Konsumkritik für alle Entbehrungen des bisherigen Gesprächs entschädigt.

Love him or hate him Nicholas Winding Refn has one of the most unique and stunning visual styles of any active filmmaker. In this 2011 film, Drive, we are riding shotgun as a stunt driver slides deeper and deeper into a life that he soon won't be able to turn back from. Enter Irene. With just a look from her, everything changes for him. Is there a future where they can be together? This film explores the power of expression & human interaction outside of spoken words. Actions do speak louder after all. Grab a snack, buckle up & prepare to watch one of the most gorgeous films that has ever been created! Follow us on Instagram: @thecinevibes Episode Marks: What We Watched Last Week (01:37) Let's Take A Drive (07:44) Nicholas Winding Refn's Style (09:08) Newton Thomas Sigel (10:51) Getting This Movie Off the Ground (11:47) A Visual Spectacle (13:13) Minimal Dialogue Heightens the Emotional Tension (14:20) Music That Enhances the Story (24:18) Story Overview (26:02) A Different Kind of Action (29:52) Patient Pacing (32:03) The Elevator Scene (34:14) An Empathetic Antagonist (38:26) Depth of Characters (43:39) Closing Remarks & Rating (44:59) Music: Intro/Outro - Forgiveness by Patrick Patrikios

This week Jim and his guest, Bill Muir, tackle the filmography of Danish provocateur, Nicholas Winding Refn. It's all about the #byNWR in this laugh-filled romp through the dark and violent world of Refn, including an extended discussion about the merits of Amazon Prime's, Too Old to Die Young.

This week, Aya and Kevin go in on perhaps the pinnacle of 2010s Bro Cinema, Nicholas Winding Refn's DRIVE. It's a knock-down, drag-out fight, and no punches are spared on this hollowed out pastiche film that hasn't managed to age particularly gracefully.Aya Lehman: https://twitter.com/ayalhmnKevin Cookman: https://twitter.com/KevinCookmanA Merry-Go-Round Magazine Podcast: https://merrygoroundmagazine.com/Support Merry-Go-Round Magazine!: https://www.patreon.com/mgrm   

This episode is #gold for anyone looking to up their screenwriting game! Taylor starts by drawing upon our tendency as young filmmakers to think more about what WE think is interesting and forget about the importance of theory. Mads goes on the highlight the difference between a character’s want vs. need, the prior being their external desire and latter being an internal desire. They follow with a discussion of the three act structure; set up, confrontation and the resolution. Mads and Taylor apply these story elements to Robert Zemeckis’ Castaway (2000), The Matrix (Lachowski, 1999) and Joker (Phillips, 2019), before calling attention to the parts in a film where these structural point usually occur. They continue by calling attention to Aaron Sorkin’s screenwriting masterclass and his key techniques that make a good story; making the stakes as high as possible, impossible probabilities vs. possible improbabilities and creating an element of confusion.Mads and Taylor also underline the importance of building trust with your audience and the benefit of adopting a viewer’s perspective in the writing process. They close with a discussion of their first feature film together, Boris & Johan, and the ways in which it veered from this stronger, theory-based form of story structure.Oh and for those of you interested, we’re going to be revamping our Patreon page very soon, so keep an eye out for that!Support the show (https://www.patreon.com/burningboat)

Listen to us on Apple Podcast or Stitcher!Send us a message!Music by Mike. Check out his Soundcloud.The boys are back! Matt and Gabe are joined by Under the Wheels co-founder Austin where they discuss such topics as what they've been watching lately, authors who go on to direct motion pictures, Nicholas Winding Refn, The Snyder Cut, the perplexing reception of Star Wars Rogue One, the studio problem in regards to cheap reboots, a whole lot of Star Wars talk, Christopher Nolan, the self-created problem of Hollywood Studios and the culture behind them, the majesty of Nicholas Cage, the film stylings of one Guillermo Del Toro, the directing style of Mel Gibson, the dialectic of journalism on the internet, and why the current philosophy of drafting a quarterback in the NFL makes no sense.Discussed in this episode:Invisible Man (2020)Maximum OverdriveVFW (2019)Too Old to Die Young"Miles Teller is kind of a Dick"Justice League The Snyder CutThe Clone WarsColor out of SpaceNicholas Cage Performance Essay on YoutubeCrimson PeakChronosNight of the HunterApocalyptoThe LoftThe Lodge

This week we talk about the weather, Darren playing games, Lee not changing a tap, and getting bored with a galaxy far far away, the Amazon movie The Vast of Night and we get a rather random bit of feedback... Then its on to this weeks film is it art or is it arse? Ultraviolence or ultra pretension? Clockwork orange or wind up lemon? We review Nicholas Winding Refn's Bronson... 

Pretty much a dream team for me, given Drive ended up my film of the entire decade, so a reunion of Nicholas Winding Refn and Ryan Gosling, both of whom I'm fans of away, was pure catnip. A hugely stylized, neon lit, ultra violent, existential art film? I didn't stand a chance. It must SURELY have firmly established itself as a cult classic by now? The critics hated it but I loved it.

We wrap up Nicolas Winding Refn's PUSHER Trilogy. It's our least favourite one but it's the most interesting to talk about. Each week we take the best and worst films from a filmmaker or franchise and discuss why one worked and one didn't. And we use freakin maths to determine the best and worst, so no arguing. Unless you think science is wrong???...yeah thought so. Time codes for skipping! 0:48 Intro! 04:02 Plot Description 08:01 General Thoughts and Discussion 35:16 Best and Worst IMDB Review 43:36 Fart rating! 44:27 Next episode Recommendation Any Questions Email us at Moviebuttspod@gmail.com This is a Murphy House Production: https://www.facebook.com/MURPHYHOUSEPRODUCTIONS/ (https://www.facebook.com/MURPHYHOUSEPRODUCTIONS/) MovieButts: https://www.facebook.com/MovieButts/ (https://www.facebook.com/MovieButts/) Follow us on Twitter: https://twitter.com/moviebutts (https://twitter.com/moviebutts) Our Website: https://movie-butts.captivate.fm/ (https://movie-butts.captivate.fm/) IMDB Links for the films we watched: https://www.imdb.com/title/tt0425379/ (https://www.imdb.com/title/tt0425379/)

Mark discusses the campaign to ban Nicholas Winding Refn's 'The Neon Demon'.

Director Nicolas Winding Refn talks with host Elvis Mitchell about his new film, Drive, starring Ryan Gosling.