Podcasts about pastoral symphony

Episode 145 Chapter 06, Analog and Digital Synthesis Basics, Part 2. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 06, Analog and Digital Synthesis Basics, Part 2 from my book Electronic and Experimental music.   Playlist: Analog Synthesis and Sound Modification   Time Track Time Start Introduction –Thom Holmes 01:32 00:00 1 Richard Maxfield, “Prelude, Pastoral Symphony” (1960). Tape piece combining electronic sounds with the modulated sounds of nature. 04:02 01:36 2 Mireille Kyrou, “Étude I” (1960) from Musique Concrète (1964 Philips). Tape piece of processed acoustic sounds. Realized by the "Groupe de recherches musicales du Service de la recherche de la radiodiffusion-télévision française.” Kyrou is the rare example of a woman composer using the French studio.  5:09 05:09 05:36 3 Hugh Le Caine, “Safari: Eine kleine Klangfarbenmelodie” (1964). Used extensive additive synthesis and texturing by means of the Sonde, an instrument equipped with 200 closely tuned sine tones. 03:09 10:44 4 David Behrman, “Wave Train” (1966). Used analog circuits, internal feedback, audio processing in real time. Recording is from a flexi-disc released by Source: Music of the Avant Garde in 1968. 15:34 13:52 5 Steve Reich, “Come Out” (1966). Tape piece experiment with tape loops and phasing of vocal passages. 12:53 29:22 6 Gordon Mumma, “Horn” (1967). Performance released on flexi-disc for Aspen Magazine No. 1 (1967). Performed at the Once Festival in Ann Arbor, Michigan by Mumma, Robert Ashley, and George Cacioppo. Acoustic sounds modified electronically in real time. 06:22 42:14 7 Pril Smiley, “Eclipse” (1967). “Eclipse” was realized at the Columbia-Princeton Electronic Music Center. Smiley had this to say about the work, “Eighty-five percent of the sounds are electronic in origin; the non-electronic sounds are mainly pre-recorded percussion sounds–but subsequently electronically modified so that they are not always recognizable.” 7:56 07:56 48:46 8 Charlemagne Palestine, “Seven Organism Study” (1968). Used feedback and analog synthesis for this drone work. 07:53 56:36 9 Hugh Davies, “Salad” (1977). From the National Sound Archive of The British Library. The file was produced in Davies' home studio and dates from February 19, 1977. Davies performs on four different egg slicers, two tomato slicers and one cheese slicer. 13:55 13:55 01:04:24 10 David Lee Myers, “Periodicity, track A1” (1988). Analog feedback circuits controlled in real time. 02:36 01:18:16   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

Lose yourself in the idyllic landscapes of Beethoven's Pastoral Symphony. Inspired by the composer's country hikes, the piece summons rippling streams, a raging thunderstorm and plenty of warmth. Mozart's double piano concerto showcases the deft teamwork of Dutch brothers Lucas and Arthur Jussen, who make two pianos “sound for all the world like a single instrument” (Gramophone). Learn more: cso.org/performances/24-25/cso-classical/eschenbach-jussen

Music for Meditation, Pastoral Symphony from "Messiah" (George F. Handel: 1685-1759)

This Day in Legal History: The Trial of GalileoOn April 12, 1633, a pivotal moment in the annals of legal and scientific history unfolded as Galileo Galilei faced the Roman Catholic Church's formal inquisition on charges of heresy. This trial was not merely a religious condemnation but a significant clash between emerging scientific ideas and established ecclesiastical doctrine. Galileo, by advocating the heliocentric theory that posited the sun at the center of the universe—a view first propagated by Copernicus—directly challenged the Church's geocentric model, which placed Earth and, by extension, humanity, at the cosmos' core.The inquisition's core accusation was that Galileo held "as true the false doctrine taught by some that the sun is the center of the world," in stark contradiction to the theological view that emphasized Earth's central position. This confrontation was not just about celestial mechanics; it was fundamentally about the authority to define truth. The trial, therefore, was as much a legal battle over doctrinal correctness as it was a referendum on intellectual freedom and the role of evidence in shaping belief.Found "vehemently suspect of heresy," Galileo's conviction was a foregone conclusion given the Church's powerful influence over societal norms and scientific discourse at the time. His sentence to life imprisonment was a stark message to the intellectual community about the limits of inquiry. However, perhaps recognizing the harshness of this penalty or the potential for backlash, his punishment was later commuted to house arrest.During his house arrest, Galileo continued his scientific work, demonstrating a resilience and commitment to knowledge that would posthumously vindicate his theories. It wasn't until centuries later, however, that the Church would formally acknowledge the error in its judgment against Galileo. In 1992, Pope John Paul II officially conceded that the Church had erred in condemning Galileo's support for heliocentric theories.This episode serves as a critical reflection point on the interplay between law, power, and knowledge. Galileo's trial underscores the dangers of legal systems enmeshed with doctrinal control and highlights the enduring struggle between innovation and orthodoxy. It remains a poignant example of the need for legal frameworks that protect and promote intellectual freedom, emphasizing that the pursuit of truth should guide both scientific inquiry and legal principles.The $20 billion allocated from the White House to fight climate change through the Greenhouse Gas Reduction Fund aims to enhance the nation's clean financing capabilities while managing financial risks carefully. This fund is intended to catalyze up to $150 billion in private investments for clean energy projects and other initiatives to decarbonize the economy, prioritizing both greenhouse gas reduction and benefits to disadvantaged communities. However, these investments carry inherent risks, which have garnered scrutiny from congressional Republicans, who are vigilant for any signs of failure or financial missteps to politicize the issue.Sophie Purdom from Planeteer Capital notes the low threshold for political controversy, even if only a few investments do not perform as expected. Meanwhile, Beth Bafford of the Climate United Fund, which received the largest grant, emphasizes her organization's long-standing expertise in distinguishing between real and perceived risks and structuring financial transactions accordingly. This approach is aimed at enabling aggressive action towards achieving net zero emissions without jeopardizing financial sustainability.The discussion extends beyond financial returns, highlighting the potential for broader economic benefits, especially in underserved communities. For instance, investments are planned in areas like on-site solar, building decarbonization, and bringing electric vehicles to disadvantaged areas. The Climate United Fund alone plans to deploy significant capital towards these ends, leveraging their extensive experience in financing similar projects.Comparisons are drawn with other federal initiatives like the Paycheck Protection Program, where community development financial institutions played a crucial role with minimal risk of loss, suggesting a blueprint for successful deployment of the climate funds. Despite concerns about fraud which affected previous federal programs, advocates like Jessie Buendia from Dream.org suggest bolstering EPA staffing and education on using blended capital to mitigate risks and maximize the impact of investments.The political landscape remains contentious, with Republicans actively opposing the fund, citing concerns over waste and the influence of foreign supply chains. Yet, there is a call for bipartisan support to foster clean, thriving communities across all states, pointing towards a need for collaborative efforts between the government and the private sector for transformative market changes.Climate Lenders With $20 Billion in Grants Weigh Risk and RewardWinston & Strawn emerged as the top legal biller for the Major League Baseball Players Association (MLBPA), which significantly reduced its legal expenses to $1.7 million in 2023 after finalizing a new collective bargaining agreement. This figure marks a substantial decrease from the $3.7 million spent in the previous year during intense negotiations following a three-month league lockout. The legal fees covered a range of services, with Winston earning approximately $264,000 for salary arbitration work, signaling its longstanding role as a key advisor to the MLBPA.Following Winston in billing were several other prominent firms, including Latham & Watkins and Boston-based Hemenway & Barnes, with respective payments of $176,000 and $147,000. Additional significant contributions came from Weil, Gotshal & Manges and Sidley Austin, highlighting the diverse array of legal expertise enlisted by the MLBPA.The reduction in legal costs coincided with a major expansion of the MLBPA, which saw its membership grow from 1,200 to about 6,000 as minor league players were incorporated. This expansion suggests a broadening of the union's scope and responsibilities, potentially influencing its legal and operational strategies.Internally, the MLBPA faced discontent from some players critical of the union's direction and leadership under Executive Director Tony Clark and Chief Labor Negotiator Bruce Meyer. Clark's compensation nearly doubled over the past year, which, coupled with the union's strategic decisions, has fueled some unrest among members.The legal team at the MLBPA also saw changes, with significant salaries for roles such as the new general counsel and other senior positions, reflecting the union's complex legal and operational environment. Moreover, the MLBPA engaged other legal and advisory services, including risk analysis and lobbying efforts, to support its broadening agenda.Overall, the MLBPA's legal expenditures reflect its strategic navigation through labor negotiations, membership expansion, and internal challenges. The focus on managing both high-profile and routine legal matters underscores the critical role of legal counsel in supporting the union's evolving needs and ambitions in the dynamic landscape of professional sports.Winston, Latham Top Big Law Billers for Fractious Baseball UnionThe influence of U.S. News & World Report's law school rankings appears to be diminishing, evidenced by a significant decrease in web traffic for leaks of the rankings and a widespread boycott by law schools. Mike Spivey, a law school admissions consultant, noted a 50% drop in traffic when he published the top 25 law schools a week ahead of U.S. News' official release. This decline in interest is linked to recent controversies, including data errors in the previous year's rankings and a boycott that started in 2022, with 53 out of 197 American Bar Association-accredited schools refusing to submit data.Despite these challenges, the rankings still generate considerable attention, as noted by Staci Zaretsky from Above the Law, although the level of interest has waned compared to past years. A survey conducted by Kaplan Test Prep revealed mixed sentiments among law school admissions officers regarding the prestige of the rankings, with a majority acknowledging a loss in prestige over recent years.U.S. News has responded by adjusting its ranking methodology to de-emphasize LSAT scores and grades in favor of employment outcomes and bar pass rates. This change reflects broader concerns within the legal academy about the impact of ranking methodologies on financial aid distribution and academic priorities.The discussion around the rankings highlights a shift in priorities among law school applicants, with more emphasis being placed on employment outcomes rather than ranking positions. Spivey's own firm, which conducts rankings analysis, benefits from the ongoing relevance of the rankings, yet he advocates for greater transparency and meaningfulness in how the rankings are formulated and presented. This evolving perspective among stakeholders suggests that while the U.S. News rankings continue to influence applicant decisions to some extent, their dominance and credibility are increasingly being questioned within the legal education community.After setbacks, U.S. News law school rankings show signs of waning influence | ReutersEpic Games has called for significant reforms to Google's Play Store, following a jury's decision that Google had abused its dominant position in the Android app market. In a recent court filing, Epic suggested that the Play Store should allow third-party app stores and limit Google's agreements with device makers that prevent the preloading of alternative stores. These recommendations were part of a proposed injunction submitted to U.S. District Judge James Donato in San Francisco, who oversaw the antitrust trial concluding with a verdict against Google in December.Epic's proposal does not seek monetary damages but aims to alter Google's practices to foster greater competition. Specifically, Epic wants to prohibit Google from restricting how apps inform users about purchasing options outside of the Google Play Store. This move is part of a broader challenge against major tech companies' control over app distribution and transaction processes.While Google has denied any wrongdoing and defended its app store policies, it has been compelled to make concessions in the face of legal pressures. In December, alongside the jury verdict, Google agreed to a $700 million settlement addressing allegations related to its Play Store restrictions. Moreover, Google introduced "choice billing" as an alternative for in-app purchases in the U.S., allowing developers more flexibility.The case against Google could extend for years, especially as Google plans to appeal the December verdict and potentially challenge any reforms mandated by Judge Donato. This legal battle mirrors a similar ongoing dispute between Epic Games and Apple, emphasizing Epic's broader strategy to challenge the app distribution monopolies held by tech giants. The outcomes of these cases could have significant implications for the app development industry and consumer choice in digital marketplaces.Epic Games proposes Google app store reforms after antitrust win | ReutersThis week's closing theme is by Ludwig van Beethoven.Ludwig van Beethoven, born in 1770 in Bonn, Germany, stands as a monumental figure in the history of Western music. His works span the transition from the Classical period to the Romantic era in music and continue to be revered for their depth and innovative qualities. Beethoven was a virtuosic pianist and composer who was known for his profound ability to convey emotion and intellectual depth through his compositions. Despite suffering from progressive hearing loss that eventually led to complete deafness, Beethoven's relentless dedication to music allowed him to compose some of the most celebrated pieces of all time.Among his extensive body of works, Beethoven's symphonies particularly stand out, with each contributing uniquely to the evolution of the genre. His Symphony No. 6 in F Major, Op. 68, known as the "Pastoral Symphony," is an exemplary piece that depicts the composer's love for nature. Unlike many of his other symphonies, which are driven by dramatic heroism, the Pastoral Symphony is filled with warmth and expressions of the joy and peace Beethoven found in the countryside. This symphony is programmatic, meaning it intentionally evokes scenes or nature images, showcasing Beethoven's deep reverence for the natural world.The "Pastoral Symphony" is divided into five movements, each describing a different element of rural life. Of particular note is the first movement, marked "Allegro ma non troppo," which translates to "Lively, but not too much." This movement, titled "Awakening of cheerful feelings on arrival in the countryside," beautifully sets the stage for a symphonic expression of a day in the countryside. It starts with a leisurely pace that suggests the gentle unfolding of a landscape bathed in the rejuvenating light of spring. The melody is simple yet expressive, with flowing lines that mimic the tranquility of nature, perfectly capturing the essence of spring's awakening.In this movement, Beethoven uses a sonata form to explore musical themes that suggest the freshness of the season, the rustling of leaves, and the bubbling of streams. The development section weaves these elements together, creating a rich tapestry of sound that feels both vivid and idyllic. This movement not only sets the tone for the entire symphony but also offers listeners a sonic escape into the peacefulness and renewal that characterizes spring. Through the "Pastoral Symphony," particularly in the allegro of the first movement, Beethoven invites us to share in his reverence for nature and experience the restorative powers of the natural world.Without further ado, Ludwig van Beethoven's Pastoral Symphony, Allegro movement. Get full access to Minimum Competence - Daily Legal News Podcast at www.minimumcomp.com/subscribe

The victory at Vimy Ridge, France, remains Canada's most storied attack of the First World War. Beginning on April 9, 1917, all four Canadian divisions advanced side-by-side for the first time in a single attack. But the victory came at a cost: During four days of fighting, Canada suffered more than ten thousand casualties. Today, war letters offer a window on that long-ago time. Here, in their own words, are the stories of the soldiers who fought, and the loved ones back home who cherished them.Music credits: Stories Behind the History theme music: "The Red River Jig" performed by Alex Kusturok, licensed from the artist. Opening Theme: “The Planets, Op. 32; Jupiter,” by Gustav Holst, 1914–1916 William Bell: “Keep the Home Fires Burning,” by Ivor Novello, lyrics by Lena Guilbert Ford, 1914 B.R. Empey: “Symphony No. 3; A Pastoral Symphony,” by Ralph Vaughan Williams, 1922 Maurice Bracewell: “The Planets, Op. 32; Saturn,” by Gustav Holst, 1914–1916 George Broome / Violet Moyer: “Symphony No. 9 in E minor, Op. 95; From the New World,” by Antonín Dvořák, 1893 Sydney Winterbottom: “Good Luck to the Boys of the Allies,” by Morris Manley, 1915 Sydney Winterbottom: “Scotland the Brave” – Traditional, Early twentieth century Frank J. Whiting: “Variations on an Original Theme, Op. 36; Var. IX – Nimrod,” by Edward Elgar, 1898–1899 Frank J. Whiting: “The Last Post” – Military, seventeenth century End Credits: “The Lark Ascending,” by Ralph Vaughan Williams, 1914 (Revised 1920)

In this episode, Michael and Craig continue their discussion of Fantasia moving on to the "Pastoral Symphony" and "Dance of the Hours" sequences.Links:Michael's Disneyland History SegmentsImportant DIS links and more information!Connecting with Walt on TwitterBooks/Magazines:Walt Disney's Fantasia by John CulhaneThe Walt Disney Film Archives: The Animated Movies 1921-1968, Edited by Daniel KothenschulteWalt Disney's Fantasia by Deems TaylorThe original Fantasia film programWebsites/Articles:The Making of Fantasia: Disney's Masterpiece, Houston SymphonyThe Disney Wiki: FantasiaWalt Disney's Fantasia: JustDisney.com“The Sorcerer's Apprentice”: The Genesis of “Fantasia” by Jay Gabler for Your ClassicalFifteen Fascinating Facts about Fantasia, D23.com“Fantasia”: Walt Disney's Pioneering Classic by Jamie AtkinsThe Untold Truth of Disney's Fantasia by Sarah BudderyLost “Fantasia”: The Disappearance of Sunflower by Jim KorkisArtists Recall the Making of a Classic : ‘Fantasia': Walt Disney's ground-breaking combination of animation and classical music has been restored for re-release on its 50th birthday by Michael Szymanski for the Los Angeles Times Hosted on Acast. See acast.com/privacy for more information.

Good News: Great news about dam removals along the Klamath River in California! Link HERE. The Good Word: A splendid quote about the joys of wintertime! Good To Know: A startling fact about underwater volcanoes… Good News: Incredible earbuds designed to aid the disabled, HERE! Wonderful World: Spend some time virtually visiting the gorgeous island […]

Hey there, my wise friends and welcome back to another episode of Collective Wisdom. This week I had planned to feature a fantastic guest. But sometimes, even the best-laid plans go awry. Now, the old me would see this as a disaster, a failure even. But today, I see an opportunity here, a chance to turn a challenge into a win.   Today's episode is not a story of failure but one of resilience, adaptation, and hope. Instead of interviewing a guest, we are going to explore how perceived setbacks can be transformative opportunities.   If you've been following Collective Wisdom, you know how much I believe in the power of Acts of Simple Kindness, or ASKs. Today, let's perform an ASK towards ourselves by reframing a setback as a setup for a comeback.   Forever Projects Website   Wisdom: Inside every regret, there's a simple lesson teaching us how to do things differently in future   Music: Beethoven's 6th Symphony. “The Pastoral Symphony

We'll talk about Beethoven's great "Pastoral" Symphony, No. 6 in F Major, Op. 68.  

Enjoy this excerpt from La Jolla Symphony and Chorus' recent presentation of Powerful Nature. Ruben Valenzuela, founder and artistic director of the Bach Collegium, San Diego, guest conducts Beethoven's Symphony No. 6, also known as the Pastoral Symphony, so named by the composer himself. This work travels through a series of feelings that evoke scenes to celebrate the beauties of nature. It became popular to many when it was featured in Walt Disney's 1940 film, “Fantasia” – remember the mythical creatures cavorting in an ancient Greek world? Whatever images this piece conjures for you, you're sure to appreciate this inspiring performance. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 38413]

Enjoy this excerpt from La Jolla Symphony and Chorus' recent presentation of Powerful Nature. Ruben Valenzuela, founder and artistic director of the Bach Collegium, San Diego, guest conducts Beethoven's Symphony No. 6, also known as the Pastoral Symphony, so named by the composer himself. This work travels through a series of feelings that evoke scenes to celebrate the beauties of nature. It became popular to many when it was featured in Walt Disney's 1940 film, “Fantasia” – remember the mythical creatures cavorting in an ancient Greek world? Whatever images this piece conjures for you, you're sure to appreciate this inspiring performance. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 38413]

Enjoy this excerpt from La Jolla Symphony and Chorus' recent presentation of Powerful Nature. Ruben Valenzuela, founder and artistic director of the Bach Collegium, San Diego, guest conducts Beethoven's Symphony No. 6, also known as the Pastoral Symphony, so named by the composer himself. This work travels through a series of feelings that evoke scenes to celebrate the beauties of nature. It became popular to many when it was featured in Walt Disney's 1940 film, “Fantasia” – remember the mythical creatures cavorting in an ancient Greek world? Whatever images this piece conjures for you, you're sure to appreciate this inspiring performance. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 38413]

Yannick Nézet-Séguin and the Chamber Orchestra of Europe present Beethoven's nine symphonies in what is the very first recorded cycle to be based on the recently concluded New Complete Edition of the composer's works. “I'm interested in how Beethoven's music can surprise us today,” says Maestro Nézet-Séguin. “Our interpretation should make the audience feel as if they were hearing this music for the first time. That is my goal.”Symphony No. 4 in B flat major, op. 6013. 1. Adagio – Allegro vivace [11:36]14. 2. Adagio [9:23]15. 3. Allegro molto e vivace [5:46]16. 4. Allegro ma non troppo [6:48]Symphony No. 5 in C minor, op. 6717. 1. Allegro con brio [7:00]18. 2. Andante con moto [9:22]19. 3. Allegro – attacca [5:23]20. 4. Allegro [10:53]Symphony No. 6 in F major “Pastoral Symphony, or Recollections of Country Life. More an Expression of Feeling Than Painting”, op. 621. 1. Angenehme, heitere Empfindungen, welche bei der Ankunft auf dem Lande im Menschen erwachen. Allegro ma non troppo / Pleasant, Cheerful Feelings Awakened in a Person on Arriving in the Country [11:53]22. 2. Szene am Bach. Andante molto moto / Scene by the Brook [12:23]23. 3. Lustiges Zusammensein der Landleute. Allegro – attacca / Merry Gathering of Country Folk [5:05]24. 4. Donner, Sturm. Allegro – attacca / Thunderstorm [3:42]25. 5. Hirtengesang. Wohltätige, mit Dank an die Gottheit verbundene Gefühle nach dem Sturm. Allegretto / Shepherd's song. Happy and Thankful Feelings to the Deity after the Storm [9:09]Purchase the music (without talk) at:Beethoven: The Symphonies (classicalsavings.com)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Katy Solomon from Morahana Arts and Media.

Riccardo Muti leads a world premiere by Jessie Montgomery, the CSO's new Mead Composer-in-Residence. Raised on New York's Lower East Side, Montgomery writes music that is “turbulent, wildly colorful and exploding with life” (The Washington Post). CSO Principal Bass Alexander Hanna is the soloist in Bottesini's bravura concerto before the program ends on a joyous note with Beethoven's homage to nature, the Pastoral Symphony. Ticket holders are invited to a free preconcert conversation featuring Max Raimi in Orchestra Hall 75 minutes before the performance. The conversation will last approximately 30 minutes. No additional tickets required. On April 28 the CSO Latino Alliance hosts Noche Alegre a special preconcert networking event. Tickets required. Learn more at CSO Latino Alliance. Postconcert on Tuesday, May 3, all ticketholders are invited to this free postconcert discussion: Composer Connection: A Conversation with Renée Baker and Jessie Montgomery Hosted by the CSO African American Network Tuesday, May 3 Join Chicago composer, conductor and frequent African American Network guest Renée Baker and CSO Mead-Composer-in-Residence Jessie Montgomery for a special postconcert chat hosted by the AAN. Both known for their contributions to the modern landscape of classical music, Baker and Montgomery come together to share their unique perspectives as female composers of color. Learn more: cso.org/performances/21-22/cso-classical/muti-conducts-montgomery-beethoven-pastoral

Come and celebrate the beauties of the earth through music! You don't need any extra props for today's episode, just press play and enjoy! Musical Selections included in today's episode: Go In and Out the Window: Children's music standard, written by Lew Pollack (1895-1946) Beethoven's Pastoral Symphony, 1st movement: Symphony No. 6 in F major, Op. 68. I. Allegro ma non troppo I Love the Mountains: (Hawaiian folk song), with additional lyrics (“I Love the Oceans”) by Kathryn Lieppman Grab our FREE “5 Under 5” musical play series to receive some of our favorite musical activities delivered right to your inbox at www.clapforclassics.com/5under5 To watch an Earth Day themed mini music class with Ms. Elizabeth, that includes one of the songs we learn today go to https://www.clapforclassics.com/blog/earth-day-mini-music-class Don't forget to call in and leave Forte a message or a joke! We'd love to feature your little one on the podcast! Here is that link: www.speakpipe.com/clapforclassics Special thanks to Classical.com for licensing the classical music to us that we share on this podcast.

Paleontologist Henry Gee humorously explains to us why the anus was the key to large animals evolving, how the large size of our “dangly bits” is unique to our species, and what exactly has been the significance to humans about bipedalism. Our colorful discussion with Henry hilariously highlights many of the mysteries surrounding our life on earth. "The anus was the key to all intelligent life, which is why one tends to have one's best ideas while sitting on the loo." ~ Henry Gee Henry describes himself as a “recovering paleontologist”, but he is also an author, and a musician. His day job is the senior editor of the scientific journal Nature.  Having written numerous books, including The Accidental Species, The Science of Middle-Earth, Jacob's Ladder and In Search of Deep Time, Henry protested to his publisher that he wouldn't write another [expletive] book. But Henry wrote another [expletive] book and we're so glad he did! A (Very) Short History of Life On Earth is a fun and informative review of the delicate balance that has allowed life to survive and flourish on the planet.  Topics  (5:49) Welcome and speed round questions. (10:21) Why was the development of the anus the key to all intelligent life? (13:01) Why are there no dinosaur sized animals anymore? (18:32) The story of why Henry wrote A (Very) Short History of Life on Earth. (23:55) Why bipedalism is such a mystery and a marvel. (31:57) Humans are uniquely good at endurance running. (35:07) Why do men have large penises and women have large breasts? (39:10) The musical significance of cave painting locations. (42:03) Bach was a rule breaker! (47:05) What work and music Henry is working on next. (51:24) Grooving session with Kurt and Tim reviewing what we learnt from Henry.   © 2022 Behavioral Grooves   Links Henry's book, “A (Very) Short History of Life on Earth: 4.6 Billion Years in 12 Pithy Chapters”: https://amzn.to/3I8HH4W  Henry Gee on Twitter: @EndOfThePier  Neil Gaiman: https://www.neilgaiman.com/  Dan Lieberman: https://scholar.harvard.edu/dlieberman/home    Musical Links  Beethoven's Pastoral Symphony:  https://www.youtube.com/watch?v=fRg0K5rgXog&ab_channel=CollinsClassics  Juilliard String Quartet performs Bach, Art of Fugue: https://www.youtube.com/watch?v=8ILd81jY1v4  BB King “Beautician Blues”: https://www.youtube.com/watch?v=UFA4UHl4upE  Robert Johnson “Crossroads”: https://www.youtube.com/watch?v=Yd60nI4sa9A  G & T “Ice and a Slice”: https://open.spotify.com/album/5o4CQ6SJJ2hnGFvoCSMrsm 

Ludwig van Beethoven (baptised 17 December 1770 – 26 March 1827) was a German composer and pianist. ABBADO Vienna P O - Pastoral Symphony No 6 Op 68 - BEETHOVEN

Synopsis It was on today's date in 1922 that the 49-year-old English composer Ralph Vaughan Williams conducted the American premiere of his Third, or “Pastoral” Symphony at the Litchfield County music festival in Norfolk, Connecticut. It was his first trip to the U.S. and he reacted to American landscapes and customs with both wonderment and amusement. He found the Woolworth building in New York more impressive than Niagara Falls, writing to his friend Gustav Holst that “I've come to the conclusion that the Works of Man terrify me more than the Works of God.”  He was also bemused by America's summertime fondness for chicken salad, which he called “beyond powers of expression.” As for the premiere American performance of his “Pastoral” Symphony, he reported it had been “excellent.” Vaughan Williams would return to the United States twice more before his death in 1958. By that time his music had become very popular in American. George Szell in Cleveland, Rafael Kubelik in Chicago, and Dimtri Mitropoulos in New York were all in heated competition to secure rights to the American premiere of his Seventh Symphony, for example. Spoiler alert: Kubelik and the Chicago Symphony won out. Music Played in Today's Program Ralph Vaughan Williams (1872 - 1958) — Symphony No. 3 "Pastoral" (Bournemouth Symphony Orchestra; Kees Bakels, cond.) Naxos 8.550733

Synopsis It was on today's date in 1922 that the 49-year-old English composer Ralph Vaughan Williams conducted the American premiere of his Third, or “Pastoral” Symphony at the Litchfield County music festival in Norfolk, Connecticut. It was his first trip to the U.S. and he reacted to American landscapes and customs with both wonderment and amusement. He found the Woolworth building in New York more impressive than Niagara Falls, writing to his friend Gustav Holst that “I've come to the conclusion that the Works of Man terrify me more than the Works of God.”  He was also bemused by America's summertime fondness for chicken salad, which he called “beyond powers of expression.” As for the premiere American performance of his “Pastoral” Symphony, he reported it had been “excellent.” Vaughan Williams would return to the United States twice more before his death in 1958. By that time his music had become very popular in American. George Szell in Cleveland, Rafael Kubelik in Chicago, and Dimtri Mitropoulos in New York were all in heated competition to secure rights to the American premiere of his Seventh Symphony, for example. Spoiler alert: Kubelik and the Chicago Symphony won out. Music Played in Today's Program Ralph Vaughan Williams (1872 - 1958) — Symphony No. 3 "Pastoral" (Bournemouth Symphony Orchestra; Kees Bakels, cond.) Naxos 8.550733

Storms have also been portrayed in many works of music. Examples of storm music include Vivaldi's Four Seasons violin concerto RV 315 (Summer) (third movement: Presto), Beethoven's Pastoral Symphony (the fourth movement), a scene in Act II of Rossini's opera The Barber of Seville, the third act of Giuseppe Verdi's Rigoletto, and the fifth (Cloudburst) movement of Ferde Grofé's Grand Canyon Suite. #ourtownlive.net #herbw79

German-born Australia-based conductor Johannes Fritzsch and the Sydney Symphony Orchestra bring Beethoven’s Pastoral Symphony to the stage at the Sydney Town Hall on Wednesday, Friday and Saturday. - Die meisten Feiern zu Beethovens 250. Geburtstag fielen wegen der COVID Beschränkungen im vergangenen Jahr ins Wasser. In dieser Woche bietet aber das Sydney Symphony Orchestra unter der Leitung von Johannes Fritzsch eine willkommene Gelegenheit, etwas von dem versäumten Musikgenuss nachzuholen. Mittwoch Abend, Freitag und Samstag erklingen Beethovens 6. Symphonie – die Pastorale – zusammen mit der Ouvertüre zu ‘Egmont‘ in der Sydney Town Hall. Dirigent Johannes Fritzsch sagt, er freut sich auf ein Konzert mit Publikum.

Dublin-born artist Sean Scully is known worldwide for his abstract paintings of blocks and stripes of bold colour. You can see his work in the Tate, the Guggenheim, and the National Gallery of Ireland, among many other prestigious collections. He was brought up in what he describes as “abject poverty” and his paintings now fetch more than a million pounds; he and his wife and son fly back and forth between two homes, one south of Munich and one in New York. In conversation with Michael Berkeley, Sean looks back at his post-war childhood. His Irish father was a deserter and the family was on the run, often living with travellers. Once they moved to London, his mother earned a living as a vaudeville singer; she had an act with the transvestite performer next door. Sean worked as a builder’s labourer but discovered art through going to church with his Catholic grandmother. The stained-glass windows made an unforgettable impression. He went to night school, determined to be an artist, but was rejected by eleven art schools. He discusses the toughness needed to become an artist, especially in “brutal” New York. He admits that his restlessness now – constantly moving around the world, and buying up property – is a legacy from his traveller childhood. And he reveals the power music has over him when he’s painting. Music choices include Brahms’ Cello Sonata No 1' Schubert’s String Quintet; Kodály’s Sonata for Unaccompanied Cello; Beethoven’s "Pastoral" Symphony; and Bartok’s First String Quartet. Produced by Elizabeth Burke A Loftus Media production for BBC Radio 3

Season 2, Episode 6 - Walt's Nine Old Men, Part 3 Walt's Nine Old Men, Part 3 Hey everyone, I'm Mike, and she's Sophie, and We're on the Road with Mickey! This is Season 2, Episode 6 for February 8, 2021, and our feature topic today is Walt's Nine Old Men, Part 3! This week, we're joined again by friend of the show Brenda from Pixie Vacations, and this is final week in looking at Walt's Nine Old Men! Grab a drink, relax, and join us as we talk about all the things that we came up with! Here's our rundown of what we talked about: Cheddar from the Big CheeseMike: Exciting news! The Liberty Square Riverboat and Tom Sawyer Island re-opened early! They opened last Friday, February 5th! Sophie: Over at Disney+, the streaming network received Golden Globe nominations for Hamilton, The Mandalorian, and Soul!Brenda: In refurbishment news, the Mad Tea Party and Swiss Family Treehouse are closing for short refurbishments. Mad Tea Party will be closed from February 22nd - March 4th, and Swiss Family Treehouse will be closed from March 12th - 25th.Mike: Over at Universal, Volcano Bay Water Park is reopening on February 27th!Brenda: Disney has released new Key to the World card designs! A set of six, they feature Mickey, Minnie, Goofy, Pluto, Donald, and Daisy!Connect with us! Here’s how: Facebook: https://www.facebook.com/groups/OnTheRoadwithMickeyYouTube: On the Road with MickeyInstagram: On the Road with MickeyEmail: info@ontheroadwithmickey.comPhone Voicemail: 919-799-8390Feature Topic: Walt's Nine Old Men, Part 3Mike’s Selection: Eric LarsonBorn September 3, 1905, was from Utah.Third of the Nine old Men, started on June 1, 1933, the same day as Woolie Reitherman.Started as an assistant animator on The Tortoise and the Hare and Two-Gun Mickey.Other achievements:Animation Director and designed Figaro the cat for Pinocchio, and he also animated the horses and centaurs for the “Pastoral Symphony” sequence in Fantasia.Assisted Marc Davis in creating Cinderella and animated Caterpillar for the 1951 Alice in Wonderland.Perhaps his most famous sequence though is the flight to Neverland in the 1953 movie Peter Pan.Snow White and the Seven DwarfsBambiSo Dear to My HeartMary PoppinsBedknobs and BroomsticksLast character animation work was as a consultant for the 1986 movie The Great Mouse Detective.In my opinion, though, the greatest legacy for Eric Larson’s career as a member of the Nine Old Men was that, after Walt passed away in 1966, Eric Larson (along with Walt Stanchfield) was placed in charge of finding and training new talent. Some of those names that came through his program are household names:Brad Bird (Directed The Incredibles, Incredibles 2, Ratatouille, Tomorrowland)Don Bluth (The Rescuers, Pete’s Dragon)Tim Burton (The Nightmare before Christmas)Ron Clements (The Little Mermaid, Aladdin, The Princess and the Frog)Andreas Deja (Beauty and the Beast, Aladdin, The Lion King)Glen Keane (Beauty and the Beast, Aladdin, Tangled)John Lasseter (Toy Story Franchise, Cars Franchise, Pixar)It is because of that training program that he earned the nickname “The Beloved Mentor”Eric Larson retired in February, 1986 after 52 years with Disney -- making him the last of the Nine Old Men to retire. Sadly, he passed away just two years later."No one was more concerned with passing on the Disney legacy than Eric." -animator Andreas DejaBrenda’s Selection: John LounsberyBorn:  March 9, 1911      Birthplace:  Cincinnati, OH (but raised in Colorado and loved the outdoors)Died: February 13, 1976  (at the age of 64)College:  The Art Institute of Denver AND Art Center School of Design in Los Angeles.One of his instructors was very impressed with him and he sent him to interview with Walt Disney.As the 8th hire of Walt’s Nine Old Men he was hired by the Walt Disney Company on July 2, 1935 beginning as an assistant animator on Snow White and the Seven Dwarfs. Working under Norm Ferguson he quickly became a star animator.

The Symphony No. 6 in F major, Op. 68, also known as the Pastoral Symphony, is a symphony composed by Ludwig van Beethoven and completed in 1808. One of Beethoven's few works containing explicitly programmatic content, the symphony was first performed in the Theater an der Wien on 22 December 1808 in a four-hour concert. CMD German Opera Company of Berlin, Orchestra ​Sylvia Wagner, conductor Purchase the music (without talk) for only $2.99 at: http://www.classicalsavings.com/store/p520/Beethoven%3A_Symphony_No._6_in_F_Major%2C_Op_68_%22Pastoral%22.html Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Please consider supporting our show, thank you! http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com

This week, Alex goes through Fantasia’s production history, the distinctions between American and European animation styles, the sound design woes that plagued the film’s release, and Fantasia’s critical reception. Harrison enters full stan mode, but Alex has questions about why this, of all the Disney films, hits Harrison so hard. Our hosts also dig into the objectionable depictions of race in the Pastoral Symphony and Nutcracker Suite sequences. A lot of this is Harrison just gushing about how good this movie is on all fronts, and how inseparable it is from his feelings on Kingdom Hearts. Alex, however, is less enthusiastic and really concerned about whoever is running the fish animation department over at Disney. Follow the show on Twitter @DreamDeeperPod, Alex  on twitter @alex_isaak and instagram @alexisaak_, and Harrison on Twitter @Play_Champion. You can also email the show at dreamalittledeeperpod@gmail.com Find more episodes on Patreon right now: Patreon.com/TalkFilmSociety.

Donald Macleod follows Ludwig van Beethoven through the years 1807-1809. This week, Donald Macleod explores Ludwig van Beethoven’s life through the years of 1807-1809. This was a period which ended with the traumatic second occupation of Vienna by Napoleon’s forces, and a time when Beethoven himself was feeling increasingly restless in the city after his plans to gain financial stability were thwarted. Composer of the Week is returning to the story of Beethoven’s life and music throughout 2020. Part of Radio 3’s Beethoven Unleashed season marking the 250th anniversary of Beethoven’s birth. Music Featured: Coriolan Overture, Op 62 Mass in C major, Op 86 (Credo & Agnus Dei) Piano Sonata No. 23 in F minor, Op 57 “Appassionata” (III. Allegro ma non troppo – Presto) Lob auf de Dicken, WoO 100 Quartet in E minor, Op 59 No 2 “Rasumovsky” (IV. Presto) Elegischer Gesang, Op 118 Symphony No 6 in F major, Op 68 “Pastoral Symphony” (1st and 2nd movements) Piano trio in D major, Op 70 No 1 “Ghost” (2nd movement) Six Goethe Songs, Op 75 No 6 (Der Zufriedene) 3 Songs, Op 83 No 3 (Mit einem gemalten Band) Mass in C major, Op 86 (Gloria) Piano Transcription of Violin Concerto, Op 61a (III. Rondo) Cello Sonata No 3 in A major, Op 69 (1st movement) Symphony No 5 in C minor, Op 67 (1st movement) In questa tomba oscura, WoO 133 3 Songs, Op 83 No (Wonne der Wehmut) Choral Fantasy, Op 80 Piano Concerto No 4 in G major, Op 58 (3rd movement) Piano Sonata No 24 in F sharp major, Op 78 “à Thérèse” Lied aus der ferne, WoO 137 March for Military Music, WoO 18 Piano Sonata No 26 in E flat major, Op 81a “Les adieux” (1st movement) Incidental Music to Egmont, Op 84 (1. Die Trommel geruhet; 2. Entr’acte I - Andante; 7. Clärchen’s Death; 9. Symphony of Victory) Piano Concerto No 5 in E flat major, Op 73 "Emperor” (1st movement) Sehnsucht, WoO 134 Presented by Donald Macleod Produced by Sam Philips for BBC Wales For full tracklistings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Beethoven Unleashed: Restless Spirit https://www.bbc.co.uk/programmes/m000ktd9 And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Welcome to It's A Wonderful Podcast!! The podcast feed has been developing and the main show has a slightly new format!! Morgan will be here every Friday with Jeannine alternating episodes with the returning Nolan Dean!! It's Nolan's first episode back this week and he has picked a Disney movie; but certainly not your typical Disney movie. One of the most intriguing, satisfying and ambitious experiments in mainstream movie history, this week they are talking FANTASIA (1940)!! From Toccata & Fuge in D Minor and The Sorcerer's Apprentice to Night on Bald Mountain and The Rite of Spring, Fantasia beautifully blends animation to classical music!! Morgan gets very excited about the Chernabog, Nolan likens the movie to an extravagent meal and they both agree that the Pastoral Symphony sequence is the weakest thing here!!  Remember to join "Our Wonderful People" by leaving a five star rating and review!! IT'S A WONDERFUL PODCAST SHIRTS:  https://www.teepublic.com/user/g9design Sub to the feed and download now on Anchor, Apple Podcasts, Spotify,  Stitcher & more and be sure to rate, review and SHARE AROUND!! Keep up with us on Twitter: Podcast: https://twitter.com/ItsAWonderful1  Morgan: https://twitter.com/Th3PurpleDon Nolan: https://twitter.com/nolandean27 Keep being wonderful!! --- Send in a voice message: https://anchor.fm/itsawonderfulpodcast/message Support this podcast: https://anchor.fm/itsawonderfulpodcast/support

In an episode first aired on November 30, 2009: DJ Andrew Sandoval spins 45s by The Shakers; The Knack; The Kitchen Cinq; The Now; Proctor Amusement Co.; Hial B. King; Pastoral Symphony; Cast Of Thousands; John Damascus; The Saturday Morning Cartoon Show; Joey Cooper; Special Delivery; The Central Nervous System; The Guild Light Gauge; and Art Nouveaux. In part two, Sandoval turns the Sunshine album spotlight onto two Australian sixties albums filled with great songs by Ronnie Burns (1966's Ronnie ) and Johnny Young (1967's Surprises). Both feature a copious amount of wonderful tunes penned by the Bee Gees.

The comedian Jo Brand tells Michael Berkeley about the important role classical music plays in her life. Jo Brand has enjoyed a pretty unusual career path - from psychiatric nurse to The Great British Bake Off. On the way she’s taken in radical stand-up comedy – under the moniker The Sea Monster – invented a new genre of Bafta-winning sitcom drawing on the black humour of nurses and social workers, and has made numerous appearances on panel shows from QI and Have I Got New For You to Question Time. Jo talks movingly about the music in her childhood – learning the piano and violin, bell ringing in her local church and listening to music with her father, who suffered from depression. She chooses Mendelssohn’s Violin Concerto in his memory. Music runs through Jo’s family, and her teenage daughters are keen singers. We hear Carmina Burana, which one of them has performed, as well as part of Beethoven’s Pastoral Symphony, which reminds her of her rural childhood with her two brothers. And she tells Michael that coping with drunk hecklers in rough comedy clubs was as nothing compared to the paralysing fear she felt when she had to perform Bach’s Toccata on the organ of the Royal Albert Hall for a television programme: ‘There were 8,000 people there. It was absolutely terrifying. I’d never actually realized what that expression "your blood running cold" really meant, but two minutes before I walked up and sat down at the organ, my hands were completely freezing and I thought they wouldn’t work.’ Producer: Jane Greenwood A Loftus production for BBC Radio 3

Hey, friends! It's time for another episode of Mousterpiece Cinema in which Josh and Scott go back and revisit a title that was already discussed on the podcast. This time, they're going back to a movie that Josh talked about in 2012, the 1940 animated classic Fantasia. They're joined on the new show by Charles Bramesco of Vulture, The Guardian, and the New York Times, to talk all things Fantasia, from the film's ambition to its animation style, Deems Taylor, and yes, the problematic elements of the "Pastoral Symphony" sequence. Has Josh's take on the film changed in 6 years? Is he once again the most critical of the film? Does it even matter to be critical of a film as remarkably daring as this one? Find out now!

12 14 2017 - Pifa ("pastoral symphony") by Snowmass Chapel

The first of a series of podcasts featuring music from the Sydney Symphony Orchestra's SSO at Carriageworks series.

The first of a series of podcasts featuring music from the Sydney Symphony Orchestra's SSO at Carriageworks series.

Orchestra concert with cartoons. Eight segments combined into one movie. Toccata and Fugue - could be a good 90’s screen saver. Nutcracker Suite - too relaxing! The Sorcerer’s Apprentice - the most recognizable from this movie. Even the characters fall asleep during this movie! Mickey Mouse brutally murders a broomstick. The Rite of Spring - weird science history lesson. Intermission - jazzy intermission. Game - trivia time! The Pastoral Symphony - cool mythology segment. Dance of the Hours - lots of animals doing ballet. These animals remind us of Spelling Jungle, the best computer game ever! Night on Bald Mountain / Ave Maria - weird choice to end the movie. Fantasmic - one of the best shows at Disney World! We were both in band. Characters, morals, and grades. Next episode - The Reluctant Dragon

We all know the Pastoral Symphony of Beethoven, Mendelssohn's Hebrides Overture inspired by Fingal's Cave, and the music by Vaughan Williams inspired by the English countryside. But in the modern era, the urban environment is inspiring many composers to capture its sounds in music. Hosted by Seth Boustead Produced by Jesse McQuarters David Sampson: Chicago Moves, IV, Lake Shore Drive (excerpt) Gaudete Brass Bernard Hoffer: Road Rage Neoteric David DeVasto: II. Sudden and VI. London, 1665 fr. Winter Seven DeVasto, p.; Scott Uddenberg, vocals Chiayu: Urban Sketches Members of the Curtis Institute Joseph Kokkyar: Brady Street fr. Streets and Bridges Jeri-Mae Astolfi, p. Patricia Morehead: Cityscape Czech Philarharmonic Orchestra/Robert Ian Winstin Derek Bermel: Mulatash Stomp Christopher Taylor, p.; Derek Bermel, cl.; Heleen Hulst, v. Michael Torke: South Beach, Midnight fr. Miami Grands Miami Piano Circle Diane Jones: Street Song Trio Casals John Adams: The City and Its Double fr. City Noir (excerpt) St. Louis Symphony/Robertson

From the magical world of the Tallis Fantasia to the elusive and haunting Pastoral Symphony, this new recording from the Hallé and Sir Mark Elder gets to the heart of Vaughan Williams’s music. In this podcast Oliver Condy and Rebecca Franks discuss the pieces and play clips from the disc. See acast.com/privacy for privacy and opt-out information.

Beethoven's Pastoral Symphony is one of the great works of programmatic music in the orchestral repertoire. Christopher examines the thoughtful insights of musicologist Owen Jander in a study of the second movement, Scene by the Brook.

Sue Lawley's castaway this week is the writer Margaret Atwood. Born just after the outbreak of the Second World War, Margaret Atwood spent much of her childhood in the Canadian outback where her father's work involved studying insects. She grew up mostly without television, cinema, mains electricity or even a proper road to civilisation. For company she had only her parents and her brother, with whom she wrote "serials, mainly about space travel".It wasn't until her teens that the urge to write struck seriously, an event she describes as "a large, invisible thumb descended from the sky and pressed down on the top of my head. A poem formed." After University, a spell in England and a period teaching early morning classes to engineering students she had her first novel, The Edible Woman, published. Since then she has written nine more novels, four of which were Booker nominated with The Blind Assassin finally winning in 2000. Three of those novels have been made into films: Surfacing, The Handmaid's Tale and The Blind Assassin. She has also published some dozen books of poetry, five collections of short stories, four books for children and assorted non-fiction titles. Her latest novel, Oryx and Crake, set in a genetically engineered, post-apocalyptic landscape is published on May 5th this year.[Taken from the original programme material for this archive edition of Desert Island Discs]Favourite track: Shepherd's Hymn from Pastoral Symphony by Ludwig van Beethoven Book: Stories from 1001 Arabian Nights - traditional Luxury: A huge vat of Culpepers Rose Geranium bath salts

Sue Lawley's castaway this week is the writer Margaret Atwood. Born just after the outbreak of the Second World War, Margaret Atwood spent much of her childhood in the Canadian outback where her father's work involved studying insects. She grew up mostly without television, cinema, mains electricity or even a proper road to civilisation. For company she had only her parents and her brother, with whom she wrote "serials, mainly about space travel". It wasn't until her teens that the urge to write struck seriously, an event she describes as "a large, invisible thumb descended from the sky and pressed down on the top of my head. A poem formed." After University, a spell in England and a period teaching early morning classes to engineering students she had her first novel, The Edible Woman, published. Since then she has written nine more novels, four of which were Booker nominated with The Blind Assassin finally winning in 2000. Three of those novels have been made into films: Surfacing, The Handmaid's Tale and The Blind Assassin. She has also published some dozen books of poetry, five collections of short stories, four books for children and assorted non-fiction titles. Her latest novel, Oryx and Crake, set in a genetically engineered, post-apocalyptic landscape is published on May 5th this year. [Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: Shepherd's Hymn from Pastoral Symphony by Ludwig van Beethoven Book: Stories from 1001 Arabian Nights - traditional Luxury: A huge vat of Culpepers Rose Geranium bath salts