Podcasts about Man of La Mancha

This is an Encore Presentation of my March 2024 interview with Eliane Elias, the extraordinary and exquisite Brazilian jazz pianist, singer and composer. She is a multiple Grammy and Latin Grammy winner. She combines Brazilian music, jazz and classical into a remarkable repertoire. Her recordings run the gamut from The Doors to Antonio Carlos Jobim to Chick Corea to Classical to Man Of La Mancha to her original compositions. She has performed with a Who's Who of musicians including Herbie Hancock, Chick Corea and Randy Brecker.My featured song is my cover of Chick Corea's “Sea Journey” from my debut 1994 album Miles Behind. Spotify link. ---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------Connect with Eliane:www.elianeelias.com—----------------------------------------ROBERT'S RECENT SINGLES:“MOON SHOT” is Robert's latest single, reflecting his Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

In this episode, we spotlight the upcoming production of "Man of La Mancha," set to premiere at the High Point Theater on March 23rd, with additional performances on the 25th and 28th. Join us as we sit down with the talented cast members Richard Ollarsaba, who will portray Don Quixote, and Jason Ferrante, taking on the role of Sancho. They share their personal journeys, their connections to the Piedmont Opera, and what makes this production particularly special for them.Richard reflects on his longstanding admiration for the character of Don Quixote, while Jason provides insight into the dynamic relationship between Sancho and Quixote, describing it as a blend of humor and heart. The duo discusses the emotional range of the show, from comedic moments to poignant reflections, and how their characters serve as a bridge for the audience's experience.As they prepare to bring this classic tale to life, Richard and Jason also share their favorite local spots in the Triad, highlighting the vibrant community they look forward to reconnecting with. Don't miss the chance to hear about their passion for the arts and the unique perspectives they bring to this timeless story.TICKETS: https://ci.ovationtix.com/36795/production/1203120The Triad Podcast Network is proudly sponsored by The Ginther Group Real Estate, Ashley McKenzie-Sharpe of Highlands Residential Mortgage, Dewey's Bakery, and Three Magnolias Financial Advisors.

D.C. Anderson is a film/tv and theater actor raised in Elyria, Ohio and based in New York. Film/tv roles include Mariama Diallo's MASTER, Judy Sam Roman's RICH BOY RICH GIRL, Joseph Cedar's NORMAN, Nathan Adloff's MILES, Kevin Arbouet and Judy San Roman's FAIR MARKET VALUE and television's BILLIONS, EXTRAPOLATIONS, THE ENEMY WITHIN, THE BLACKLIST, LADY BLUE and THE MYSTERIES OF LAURA. Theatre credits include Broadway's THE PHANTOM OF THE OPERA and Off Broadways QUEEN OF THE MIST and STORYVILLE. National tours of THE PHANTOM OF THE OPERA, MARTIN GUERRE, THE LIFE AND ADVENTURES OF NICHOLAS NICKLEBY. Regional acting work with the Guthrie, Steppenwolf, Goodspeed, Great Lakes Shakespeare Festival, Ogunquit Playhouse, Florida Studio Theatre, Northlight, Skid Road Theater, Conservatory Theater, Apollo Theater and Wellfleet Harbor Actor's Theater companies, Penobscot. Developmental projects at Rep Theater of St Louis and Asolo Rep. Projects include FOUNTAIN, THE DISAPPEARING MAN, THE ASTONISHING TIMES OF TIMOTHY CRATCHIT and DUST AND SHADOW. His first theatrical performance was as Gideon's young son, Jether, in GIDEON by Paddy Chayefsky at the Black River Playhouse. High school theater followed: 'Sancho' in MAN OF LA MANCHA, 'Tevye' in FIDDLER ON THE ROOF. Then came college at Baldwin Wallace College (now Baldwin Wallace University) : 'John' in THE LION IN WINTER, 'Tom' in THE GLASS MENAGERIE, 'Curly' in OKLAHOMA, 'El Gallo' in THE FANTASTICKS, 'Pavlo' in THE BASIC TRAINING OF PAVLO HUMMEL. Graduate School: 'Frank Strang' in EQUUS, 'Proteus' in TWO GENTLEMEN OF VERONA. D.C. has 13 full length albums of original songs and covers available for listening and purchase on internet music services including FOOL MOON, TIME WAS, YOU WERE THERE, THE BOX UNDER THE BED, ALL IS CALM ALL IS BRIGHT, I AM STILL, BALLAD, OUR STORY, BLUE SUMMER DAY, CLOSE COMPANIONS, COLLECTED, SARASOTA and HOUSE CONCERT (2022). In 2023 he will release I ONCE WAS CLAY. He was also the man behind the very first Broadway Cares/Equity Fights AIDS benefit Christmas recording - 1993's CABARET NOEL. His next benefit recording project was for the National Multiple Sclerosis Society in 2010 - it's called 'IN MY ROOM'. Click for CD info, including tracks, artists' bios, etc. Listen on Spotify, Apple and YouTube

It's time for an ‘Impossible Dream' as we watch the 1972 film adaptation of ‘Man of La Mancha', starring Peter O'Toole, Sophia Lorena and James Coco. Inspired by Miguel de Cervantes and his 17th century novel ‘Don Quixote', we get a play within a play. Whilst awaiting a hearing with the Spanish Inquisition Cervantes and the fellow prisoners perform and we enter the world of their imagination. Buckle up and tune in! 

I am so excited about this episode because it's about one of the most epic themes on Broadway: following your dreams. I mean, who doesn't love a good story where someone belts out a show-stopping number and suddenly everything seems possible? In this episode, we're talking about those iconic Broadway songs that inspire us to reach for the stars, never settle, and go after what we really want in life. You can expect me to geek out about everything from Elphaba's big dreams in Wicked to Pippin searching for his place in the world, and even Don Quixote chasing the impossible in Man of La Mancha. Plus, I've got a few fun facts about Broadway dreams vs. real life that will definitely give you a laugh. So, if you're ready for a boost of inspiration (and maybe a little sing-along), this is the episode for you. Let's chase those dreams together!SONGS MENTIONED...The Wizard and I from WickedCorner of the Sky from PippinJourney to the Past from AnastasiaAstonishing from Little WomenSanta Fe and Watch What Happens from NewsiesI Have a Dream from Mamma MiaA Million Miles Away from AladdinThe Impossible Dream from Man of La ManchaBONUS SONG: Give Up Your Dreams from School of RockA Magic Carpet Ride through Aladdin Episode 23What did you think of this episode? Support the showKeep listening, keep grooving, and let the music in you continue to shine. Thank you, and see you soon!CONTACT TERI:Instagram: https://www.instagram.com/terirosborg/Facebook: https://www.facebook.com/teri.rosborgYouTube: The Music in MeTikTok: https://www.tiktok.com/@terirosborgPodcast Facebook Page: The Music in Me Podcast Facebook pageTHEME SONG BY: Hayley GremardINTRODUCTION BY: Gavin Bruno

Welcome to a new season of Broadway Nation — the podcast that delves deeply into the remarkable history of the Broadway musical, with a special focus on the Immigrant, Jewish, Queer, and Black Artists who invented it. My guest today is Tony Award-winning Broadway star Brian Stokes Mitchell. After a short break, I am excited to be back with a new season that will be jam-packed with fascinating Broadway history, including interviews with an amazing lineup of authors of some brilliant new books that take us back to the earliest days of Broadway and bring us right up to the twenty-first century — from George M. Cohan to how TikTok and the digital age have impacted the Broadway musical. Today, we start things off with a bang with a delightful conversation with Brian Stokes Mitchell, whose career spans over forty years on television, films, recordings, concert appearances, and, most notably for our purposes, ten Broadway shows. He made his Broadway debut in 1988 in a short-lived musical called Mail, and in 1990, he was cast as the lead in David Merrick's revival of the 1926 Gershwin musical Oh, Kay! He next went on to two very high-profile gigs — first replacing Gregory Hines in Jelly's Last Jam and then Anthony Crivello in Kiss Of the Spiderwoman. In 1998, his unforgettable Tony-nominated performance as Coalhouse Walker in Ragtime firmly established him as a true Broadway star, and the following year, jumping from musical drama to musical comedy, he won the Tony Award for his performance in Kiss Me Kate. His performance in August Wilson's play, King Hedley II, in 2001 earned another Tony nomination, and the next year, he took on the title role in Man Of La Mancha. His most recent Broadway appearance was in 2016 in George Woolf's behind-the-scenes look at Shuffle Along, but as you will hear, Brian Stokes Mitchell may be back on Broadway very soon in a new musical that he is very excited about.  In addition, our conversation today ranges from two tear-inducing new video performances that he has recently been involved in creating and performing: a Ted Talk with Leer deBessonet, which you can find at https://www.youtube.com/watch?v=zZNhuRIGQZs and "Hope" with Jason Robert Brown, https://www.youtube.com/watch?v=KJkqV2xwars. Also, his work with The Entertainment Fund and the soon-to-be-released video capture of their reunion concert of Ragtime, as well as a peek inside his process and approach to interpreting a song. Become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members, including our newest member, Alan Teasley. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host, Albert Evans, that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Listen Now to 77 Live from Maui This week we broadcast from Maui with a wonderful selection of friends who clue us in to what’s happening in this Hawaiian paradise.  It’s been a year since the horrible Lahaina fires and recovery has been slow and agonizing to many.  Ed Ellsworth gives us an update on that situation.  To help recover the Aloha spirit of the island, the Maui Arts and Cultural Center in partnership with The Makana Aloha Foundation and County of Maui Office of Economic Development, sponsored a professional production of the famous Broadway play, Man of la Mancha, starring former Broadway actor/singer Richard Cray, and  Hawaii music legend,  Amy Hānaialiʻi Gilliom.  Richard is a big fan of our podcast and we interview him about his epic role of Don Quixote, and the play’s ability to lift the spirits of all who see it.  His partner, Greg Panos, shares with us some of the innovations he sees in the use of virtual and augmented reality and AI music and visuals in enhancing a production’s impact.   Richard Cray and Amy Hānaialiʻi Gilliom Maui maker faire creator Jerry Isdale joins us to share info on Maui arts and tech projects currently underway, his latest works involving dancers, and an update on the formidable looking high tech installations at the top of the local volcano, Haleakalā.  Enjoy! L-R The Futures, Ed Ellsworth, Bobby Wilder, and Richard Cray

Great interview with Amy and Richard aboit the wpmderful show at MACC, Man from La Mancha

Eric Hillenbrand stopped by to give Fred details on the performance of Man Of La Mancha by the Toledo Rep. Show will run until June 16th. Tickets are available online at www.toledorep.org 

Eliane Elias is an extraordinary and exquisite Brazilian jazz pianist, singer and composer. She is a multiple Grammy and Latin Grammy winner. She combines Brazilian music, jazz and classical into a remarkable repertoire. Her recordings run the gamut from The Doors to Antonio Carlos Jobim to Chick Corea to Classical to Man Of La Mancha to her original compositions. She has performed with a Who's Who of musicians including Herbie Hancock, Chick Corea and Randy Brecker.My featured song is my cover of Chick Corea's “Sea Journey” from my debut 1994 album Miles Behind. Spotify link. ---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------“MILES BEHIND”, Robert's first album, was recorded in 1994 but was “lost” for the last 30 years. It's now been released for streaming. Featuring Randy Brecker (Blood Sweat & Tears), Anton Fig (The David Letterman Show), Al Foster (Miles Davis), Tim Ries (The Rolling Stones), Jon Lucien and many more. Called “Hip, Tight and Edgy!” Click here for all links.—--------------------------------------‘THE SINGLES PROJECT” is Robert's new EP, featuring five of his new songs. The songs speak to the ups and downs of life. From the blissful, joyous “Saturday Morning” to the darker commentary of “Like Never Before” and “The Ship”. “This is Robert at his most vulnerable” (Pop Icon Magazine)Reviews: “Amazing!” (Top Buzz Magazine)“Magical…A Sonic Tour De Force!” (IndiePulse Music)“Fabulously Enticing!” (Pop Icon Magazine)“A Home Run!” (Hollywood Digest) Click here for all links.—--------------------------------------“IT'S ALIVE!” is Robert's latest Project Grand Slam album. Featuring 13 of the band's Greatest Hits performed “live” at festivals in Pennsylvania and Serbia.Reviews:"An instant classic!" (Melody Maker)"Amazing record...Another win for the one and only Robert Miller!" (Hollywood Digest)"Close to perfect!" (Pop Icon)"A Masterpiece!" (Big Celebrity Buzz)"Sterling effort!" (Indie Pulse)"Another fusion wonder for Project Grand Slam!" (MobYorkCity)Click here for all links.Click here for song videos—-----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with Eliane:www.elianeelias.com Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Bear with me.

In the early 17th century, an aged veteran of Spain's wars against the Ottoman Empire published a book. It was the story of a poor nobleman who deludes himself that he is a knight errant and sets off on hilarious adventures. Don Quixote is an early 17th century fictional character made famous by the Spanish author, Miguel de Cervantes (1547-1616). The story's influence on North American literature is immeasurable. Check out the YouTube version of this episode at https://youtu.be/bphog1URND0 which has accompanying visuals including maps, charts, timelines, photos, illustrations, and diagrams. Not Just the Tudors podcast available at https://amzn.to/3OelJnj Suzannah Lipscomb books available at https://amzn.to/44M1dQ6  The Man Who Invented Fiction: How Cervantes Ushered in the Modern World by William Egginton available at https://amzn.to/3pSrvkY  What Would Cervantes Do? by William Egginton available at https://amzn.to/3NKWtDG  William Egginton books available at https://amzn.to/3OelFUB  Thanks for the many wonderful comments, messages, ratings and reviews. All of them are regularly posted for your reading pleasure on https://patreon.com/markvinet where you can also get exclusive access to Bonus episodes, Ad-Free content, Extra materials, and an eBook Welcome Gift when joining our growing community on Patreon or Donate on PayPal at https://bit.ly/3cx9OOL and receive an eBook GIFT. Support this series by enjoying a wide-range of useful & FUN Gadgets at https://twitter.com/GadgetzGuy and/or by purchasing any product on Amazon using this FREE entry LINK https://amzn.to/3k8qrGM (Amazon gives us credit at no extra charge to you). It costs you nothing to shop using this FREE store entry link and by doing so encourages & helps us create more quality content. Thanks! Mark Vinet's HISTORICAL JESUS podcast is available at https://parthenonpodcast.com/historical-jesus                                                            Mark's TIMELINE video channel at https://youtube.com/c/TIMELINE_MarkVinet Website: https://markvinet.com/podcast Instagram: https://www.instagram.com/denarynovels Twitter: https://twitter.com/TIMELINEchannel Facebook: https://www.facebook.com/mark.vinet.9 YouTube Podcast Playlist: https://www.bit.ly/34tBizu Podcast: https://parthenonpodcast.com/history-of-north-america TikTok: https://tiktok.com/@historyofnorthamerica Books: https://amzn.to/3k8qrGM Linktree: https://linktr.ee/WadeOrganization                                                              Source: Creator of Don Quixote: Cervantes by Not Just the Tudors podcast with Suzannah Lipscomb & guest William Egginton (History Hit). Audio excerpts reproduced under the Fair Use (Fair Dealings) Legal Doctrine for purposes such as criticism, comment, teaching, education, scholarship, research and news reporting.See omnystudio.com/listener for privacy information.

Anna Woodside / @annawoodside is currently the dance captain for the West End production of Frozen! More on Anna: Theatre: White Christmas and We Will Rock You (Dominion Theatre); Oklahoma! (Chichester Festival Theatre); Man Of La Mancha, Sunset Boulevard, Carousel and The Wizard Of Oz (London Coliseum); Dick Whittington (London Palladium); The Last Tango (Phoenix Theatre); Cats (London Palladium / Wintergarden, Blackpool); Dance ‘Til Dawn (Aldwych Theatre / UK tour); My Fair Lady (Sheffield Crucible); Candide (Osaka / Tokyo); Shall We Dance (Sadler's Wells); Guys And Dolls (Piccadilly Theatre); Never Forget (UK tour); Peter Pan (Birmingham Hippodrome); Saturday Night Fever (Victoria Apollo, UK tour / Germany); Fame! (Edinburgh Playhouse / Larnaca, Cyprus); Starlight Express (Victoria Apollo). Television: The Royal Variety Performance (ITV); Parkinson (ITV); Blue Peter (BBC). Film: Artemis Fowl; The Goodbye Girl. https://builtforthestage.com/ - fill out the form and ask about our next fitness challenge! www.broadwaypodcastnetwork.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Anna Woodside / @annawoodside is currently the dance captain for the West End production of Frozen! More on Anna: Theatre: White Christmas and We Will Rock You (Dominion Theatre); Oklahoma! (Chichester Festival Theatre); Man Of La Mancha, Sunset Boulevard, Carousel and The Wizard Of Oz (London Coliseum); Dick Whittington (London Palladium); The Last Tango (Phoenix Theatre); Cats (London Palladium / Wintergarden, Blackpool); Dance ‘Til Dawn (Aldwych Theatre / UK tour); My Fair Lady (Sheffield Crucible); Candide (Osaka / Tokyo); Shall We Dance (Sadler's Wells); Guys And Dolls (Piccadilly Theatre); Never Forget (UK tour); Peter Pan (Birmingham Hippodrome); Saturday Night Fever (Victoria Apollo, UK tour / Germany); Fame! (Edinburgh Playhouse / Larnaca, Cyprus); Starlight Express (Victoria Apollo). Television: The Royal Variety Performance (ITV); Parkinson (ITV); Blue Peter (BBC). Film: Artemis Fowl; The Goodbye Girl. https://builtforthestage.com/ - fill out the form and ask about our next fitness challenge! www.broadwaypodcastnetwork.com Learn more about your ad choices. Visit megaphone.fm/adchoices

This is a special Encore episode of Broadway Nation in celebration of the 63rd Anniversary of the Off-Broadway musical phenomenon, The Fantasticks. That show opened at the Sullivan Street Playhouse in Greenwich Village on May 3, 1960, and went on to play there for an incredible 42 years closing in January of 2002. Then four years later the show reopened at the Snapple Theater Center in Times Square where is ran another 11 years.  As you will hear, even though this show was performed off-Broadway, it had a significant impact and influence on the final decade of the Golden Age of Broadway and well beyond, right up to today.   For example, one thing that has always interested me, is that The Fantasticks ends its first act with a delirious happy ending and the entire cast posed in an iconic tableau. The second act then picks up with that exact same image, but the bloom is now definitely off the rose, or as Tom Jones' lyric puts it, now the “plum is too ripe.” Act two then tells the story of what happens after happily ever after. Sound familiar? Yes, this is remarkably similar to what happens in both Sunday In the Park With George and Into The Woods. So, it seems to me that more than two decades after the premiere of The Fantasticks, Stephen Sondheim and James Lapine were still being strongly influenced by its structure, either consciously or subliminally. This episode was recorded back in September of 2020 so there are a few references that are now out of date.  Original Episode Notes: As the 1950's came to a close, Broadway Musicals were at the very center of American culture. Then in 1960, as if on cue, two immensely popular shows – The Fantasticks, and Bye, Bye Birdie – kick off the decade by foreshadowing several major changes in American culture that will dramatically affect the Broadway Musical, and by the end of the decade, leave its very future in doubt.  The brilliant creators profiled in this episode include Schmidt & Jones, Strouse & Adams, Michael Stewart, Gower Champion, Jerry Herman, and Bock & Harnick. As well as the string of classic musicals that bring the “Golden Age Of Broadway” to its climax — Oliver!; Stop The World I Want To Get Off; The Roar Of The Greasepaint And The Smell Of The Crowd, Man Of La Mancha; Fiddler On The Roof, and what I call the "Big Transgressive Lady" Shows – Hello, Dolly!, Sweet Charity, and Mame. If you enjoy BROADWAY NATION please follow us on Facebook, Twitter and Instagram, and rate and review us on Apple Podcasts! Learn more about your ad choices. Visit megaphone.fm/adchoices

The great songs from the great musicals

MAN OF LA MANCHA may be almost 60 years old, but get ready to hear it in a whole new light. New York's Broadway Bimbo Kiki Ball-Change joins us to discuss the "drag" of Don Quixote, and what the hope of "The Impossible Dream" can symbolize for each new generation, including the current queer one. This is a funny and profound conversation about a musical that can stand the test of time. Follow the amazing Kiki Ball-Change on Twitter, Instagram, and TikTok and be sure to visit her live whenever possible! Remember the best way to support the podcast is to rate it and leave us a nice review! For more great content you can follow us on Instagram, Twitter, and TikTok. We also have PATREON! where for only $1 a month you get exclusive bonus episodes. And if you want to wear your podcast love, visit our TeePublic Store, our profits of which go to Broadway Cares/Equity Fights AIDS. Learn more about your ad choices. Visit megaphone.fm/adchoices

Right off the rip, not even 10 seconds in, Michael poorly impersonates the Dutch.  Embarrassing.  We spend all of 30 seconds writing the latest Hangover sequel, and you won't believe this- it sucks!  Max coaxes Michael into saying Borat (he says it so weird (mission accomplished, baby (George W. Bush)).  The fellas discuss the big bad topics from Winter: Hardee's, Talbots, and of course, improv.  Here is an undeniable truth that can't be debated: Michael HATES paying for other people.  Don't ask him to do it, don't expect him to do it- no one can bite your hand if it isn't the one feeding you (gospel).  Kissing on screen, kissing on stage, the boys are lip locking lads and we can't wait to talk about our mouth foibles."If Jews are minorities, how come all my friends are Jewish?"Horny KevinPatreon: https://www.patreon.com/intheminivanFollow us on instagram: @intheminivanpodFollow us on twitter: @intheminivanFollow us on TikTok: @intheminivanpodcastWe're on YouTube: https://www.youtube.com/channel/UCTxCtwpkBssIljyG6tdJbWQGet in the Discord: https://discord.gg/YWgaD6xFN3Episode Playlist: https://open.spotify.com/playlist/3hSmQKvuuicJaxrN5755HM?si=014c21b0a2274becTHE MASTER PLAYLIST: https://open.spotify.com/playlist/2saxemA3MOXcjIWdwHGwCZ?si=ee3444c085714c46Support the show

After a poor night out following a few too many glasses of Prosecco, hosts Dan and Joshua find themselves stuck in the drunk tank only to be released upon recounting the strange affairs of the Man of La Mancha (but specifically Brian Stokes Mitchell's take, because Goulet slurred his words too much.) Hop on your pantomime horse and embrace delusion as our hosts trudge through the blazing hot Spanish deserts and encounter such giant topics as Dave Malloy's Don Quixote, the three-name Mary conspiracy, and Joshua's whole-out extravaganza. Tune in to next week's episode when we discuss Mother Courage and her Children (no we're not fucking kidding); specifically, the pro-shot of the original production's performance from 1957 (no we're not fucking kidding)! Contact us: unccpodcast@gmail.com Twitter: @unccpodcast Instagram: @unccpodcast

The great songs from the great musicals

The great songs from the great musicals

David Rodgers and Richard Gill joins Michael Hogge in studio! The post Arts Magazine Show: City Theatre of Independence presents ‘Man of La Mancha’ appeared first on KKFI.

Episode Notes Onward to glory we go! In this episode, Sophie and Raymond discuss the 1965 musical Man of La Mancha, based on the novel Don Quixote, by Miguel de Cervantes_._ Is idealism better than realism? Does Don Quixote live in the "real world"? Are we all living in a prison? Does Christ turn prostitutes into princesses? All this and more in our latest episode. New episodes every other Friday. Stay tuned for our next episode where we discuss the 1987 film Babette's Feast. Questions? Comments? E-mail us at unreliablenarratorsstoa@gmail.com, visit our website at unreliablenarratorspodcast.wordpress.com, or say hi on Instagram @unreliablenarratorspodcast. Theme music is "No New Words" by Caleb Klomparens. Check out his music at https://soundcloud.com/kappamuse. Access the Stoa Mars Hill list here: https://stoausa.org/wp-content/uploads/2021/08/Mars-Hill-Topics-2021-2022-1.pdf.

For Video Edition, Please Click and Subscribe Here: https://youtu.be/CgRGGeGImg4 Hosted by Jason Graae, it will feature a cast of MTG performers, and a special appearance by former MTG member Teri Ralston, from the original Broadway casts of COMPANY and A LITTLE NIGHT MUSIC. Playwright and screenwriter Duane Poole has created an original revue script that will showcase material from virtually every Sondheim project, from his Broadway shows to his motion picture songs.  https://elportaltheatre.com/sondheim.html On Broadway, Eileen Barnett played Luisa Contini in Tommy Tune's Tony Award Winning Musical, NINE. She also starred in the national tour of FOOTLOOSE. Her first job in NYC was as a pit singer in COMPANY. She has appeared on many regional theatre stages across the country where she has played roles from FLORENCE FOSTER JENKINS TO Aldonza in MAN OF LA MANCHA. Jason Graae has starred on Broadway in “A Grand Night For Singing”, “Falsettos”, “Stardust”, “Snoopy!”, “Do Black Patent Leather Shoes Really Reflect Up?”. Off- Broadway shows include “Forever Plaid”, “Olympus on My Mind”, “All in the Timing”, “Hello Muddah, Hello Fadduh (Drama Desk Nomination- Best Actor in a Musical)”. Teri Ralston spent her formative years in New York. Her first show here was Jacques Brel… which was followed by the original productions of Company, A Little Night Music (Sondheim) and Baker's Wife (Stephen Swartz). Teri's association with Sondheim has continued over the years, as she has directed and/or performed in more than 12 of his works. 

For Video Edition, Please Click and Subscribe Here: https://youtu.be/SLB1rNqz85g Dear Ricahrd; What a wonderful time! I enjoyed every minute of it and thought you were terrific at asking questions that helped the audience get a well rounded picture of who I am and what I do.  Thanks a million! Big Hugs; Steve (TOQ) Steve Hayes is an actor/comedian and host of the hit YouTube show: “STEVE HAYES: Tired Old Queen at the Movies”. He was a guest host on Turner Classic Movies to celebrate their twentieth Reunion , introducing the sci-fi classic; “Them!” with Robert Osborne. He starred in Fine Line Features “TRICK”, “The Big Gay Musical” and is featured in the upcoming film “Hooked” written & directed by Max Emerson. He has performed his two one- person shows; “TOQ LIVE! and “Steve Hayes: Hollywood Reunion” throughout the country. He appeared at Conn. Rep. Thtr. Nutmeg Series playing Horton in “Seussical: The Musical”, Pseudolus in “A Funny Thing Happened On the Way To The Forum”, Mayor Shinn in “The Music Man”, The Barber in “Man Of La Mancha” starring Terrence Mann, Calliope in “Xanadu” and Twimble/Womper in “How To Succeed…” directed by Vincent J. Cardinal. He was also the Modern Major General in “The Pirates Of Penzance” directed by Terrence Mann. He played Edna in “Hairspray”, ”Polonius in “Hamlet”, Wendall in “The Penguin Tango”, Cogsworth in “Beauty and the Beast”, Larkin in “Six Degrees Of Separation”, Albin/Zaza in “la Cage Aux Folles” and most recently directed John Cariani “Almost, Maine” at The Red House Arts Center, Syracuse.

Lorin Latarro is a director and choreographer, who also has fourteen Broadway credits to her name as a performer, including Twyla Tharp's Movin' Out, Fosse, Swing!, Kiss Me Kate, A Chorus Line, Spamalot and Man Of La Mancha. She choreographed Broadway's Mrs. Doubtfire, Waitress, Les Liasons Dangereuse, Waiting For Godot with Sir Ian McKellen and Sir Patrick Stuart, Merrily We Roll Along for Roundabout, La Traviata at The Met Opera, and was the Associate Choreographer for The Curious Incident of the Dog in the Night-Time and American Idiot. Her choreography has also been seen at The Public Theater, The Kennedy Center, Brooklyn Academy of Music, City Center Encores!, and the Old Globe. Lorin is a Drama Desk, Lucille Lortel, and Chita Rivera Award nominee, and recently directed Candace Bushnell's one woman show, Is There Still Sex In The City, which became a NYTimes Critic's Pick.  Lorin dives right into a conversation about her love for neuroscience and how it relates to the body (specifically dance), her obsession with the idea of how a collective experience (like watching live theatre) changes your brainwaves, and why she almost left the entertainment industry to create her own business. She opens up about why choreographing and directing suit her more than performing, and talks about her road to becoming a successful choreographer. Lorin also speaks about working on her newest Broadway show, Mrs. Doubtfire - how and why she integrated many different styles of dance, and how she carried out her vision.  In this episode, we talk about:  Deciding she was going to be a dancer at 4 years old  Being married to a brain surgeon  Studying dance at Julliard  Her upcoming projects: Almost Famous, and The Outsiders Founding ArtAmmmo.org - Artists Against Gun Violence Connect with Lorin Twitter: @lorinlatarro IG: @latarro https://mrsdoubtfirebroadway.com/ Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Do you have moments in your journey as artist where you doubted your abilities? Do you have monsters living in your head? Don't let them define who you are! This week, Tits And Teeth stars, Jennifer Thiessen and Kyla Musselman reminds us that the negative talk or thought process in our heads are separate from who we really are. Identifying and understanding where these ideas are coming from are key elements in preventing ourselves from becoming our worst enemies. Does being part of the ensemble instead of playing the main role magnify the doubts in your mind?  You shouldn't, you are valuable whatever role you play. Jennifer reiterates that every single role on stage is important and the story wouldn't be the same without the world which is often created by the ensemble members. Keep doing what you love to do and living your best life In this episode: The roadblocks that the Tits And Teeth stars had to overcome in their creative journey as artists. How therapy and positive affirmation helped Jen and Kyla in overcoming the negative noise in their head. Importance of trusting yourself and your abilities when making decisions instead of focusing on the consequences. Your artistic journey should be the highlight of your career rather than your current role or job. A little about Jennifer and Kyla: Jennifer Thiessen: (she/her) was born and raised in Sydney, Australia, where she graduated from a prestigious Musical Theatre program, and began performing overseas. She met her Canadian hubby and they decided to move to New York City! Jennifer is thrilled to be returning to Toronto this spring to Dance Captain the upcoming Canadian production of Harry Potter and The Cursed Child (Mirvish). Some of her favourite credits include Masters of Illusions (CW Network), The Drowsy Chaperone, Rock of Ages, Thoroughly Modern Millie, Man Of La Mancha, The Little Mermaid, West Side Story, (Drayton Entertainment), Guys and Dolls (Merry-Go-Round Playhouse), West Side Story (Rainbow Stage), Disney's Newsies (Assistant Choreo/Director, Forestburgh Playhouse), Toronto Pan AM Games Opening Ceremonies (Cirque Du Soleil, Assistant Choreographer) and Saturday Night Fever (North American Tour), where she toured with her mate, Kyla, and dreamed of making a podcast! Based in Toronto and New York City, Tits and Teeth Podcast serves listeners interested in theatre and the performing arts.  Kyla Musselman:  (she/her) grew up in Stratford, Ontario and now hails from the east end of Toronto with her new husband and pup. After graduating from Sheridan College, Kyla began her professional career at the Charlottetown Festival where she spent 3 wonderful seasons and was the recipient of a Maud Whitmore Scholarship. Kyla has since had the privilege of performing across North America. Some of her favourite theatre credits include; Mary Poppins, The Addams Family, Shrek the Musical (Neptune Theatre), Saturday Night Fever (North American Tour), Jersey Boys, Legally Blonde, I Love You…Now Change (Stage West Calgary), Mamma Mia!, All Shook Up (Globe Theatre), Newsies (Drayton Entertainment), Crazy For You, Mary Poppins (Capitol Theatre) and Shout! The Mod Musical (Magnus Theatre). She can also be seen in Season 15 of Murdoch Mysteries (CBC/UKTV) and in the film 1Up (Lionsgate/Buzzfeed). Follow Jen and Kyla! Tits and Teeth Podcast Website: https://www.titsandteethpodcast.com/ Instagram: @titsandteethpodcast Facebook: @titsandteethpodcast

This week, Spence and Zach combed the intranette in search of movies that got green lit, many of which nearly went in to production, but ultimately never got made. They cast a wide net, then ultimately hone in a discuss a handful of properties that have meaning to them. Thanks for joining us!

This week Mackenzie and Autumn are tilting at windmills with their friend and actress Janet Martin. As they charge head on at these whirling devils they discuss the idealistic musical Man of La Mancha! Hear this trio break down the iconic songs like Impossible Dream and Man of La Mancha (I, Don Quixote). Find out why Mackenzie thinks this musical is better than last seasons idealistic musical Camelot and learn Janet's secret in how she managed to perform this very challenging score when she played Aldonza. All this plus a continual striving to reach that unreachable star in this Fridays all new episode on the podcast! Don't forget to leave us a review and share your thoughts on this episode on our social media pages. Follow the links below to reach our pages. Facebook Instagram Twitter Plus check out Janet's company Shaggy Pup Productions at www.shaggypup.ca, or on Facebook at the page Menopause the Musical Canada. You can purchase merchandise for Menopause the Musical, including the soundtrack, at MenopauseTheMusical.com!

Next week, it's time to head to La Mancha with Autumn, Mackenzie and their friend and actress Janet Martin as they discuss the musical about one chivalrous man, sore and covered with scars Man of La Mancha! Tune in and hear the continuation of the debate about idealism vs realism that started last season in the Camelot episode. Janet also gives book review the novel that inspired the musical and hear her breakdown this difficult score as she has played the role of Aldonza! Plus find out which legendary stage actor this groups wants to see take on the leading role of Don Quixote. All this plus a little gossip, a little chat, a little idle talk of this and that next Friday on the podcast! Don't forget to leave us a review and share your thoughts on this episode on our social media pages. Follow the links below to reach our pages. Facebook Instagram Twitter Plus check out Janet's company Shaggy Pup Productions at www.shaggypup.ca, or on Facebook at the page Menopause the Musical Canada. You can purchase merchandise for Menopause the Musical, including the soundtrack, at MenopauseTheMusical.com!

When you have a dream to right the world's wrongs, to find and save your dream - you pull yourself out of bed and do it... even if you have to fight a few windmills to do so. In this episode, John talks about the 1956 hit "Man of La Mancha" - touching on the beloved trope of the "show within a show", how the dense writing of Cervantes can translate to the popular medium of the Broadway musical, and the role of the audience in imagining the story. And the Spanish Inquisition - which no one ever expects. Music by Mitch Leigh Book by Dale Wasserman Lyrics by Joe Darion Intro and outro music ("BeBop 25") provided under Creative Commons Attribution 4.0 International License by Jason Shaw on Audionautix.com Have a question for John or John? Want to leave feedback or tell us how wrong we are? Email us at musicalminutespodcast@gmail.com For more info on our hosts - please visit https://norine62.wixsite.com/musicalminutes

Might Joe Biden be a new character in the JFK/Camelot meta-narrative? Or is the national story Man of la Mancha? Join Paul Levinson, Carol Arcus and Neil Anderson in this episode of Mediacy as they explore the new twists in the American national saga.

Sigh…. welcome to Tuesday. Here’s what’s going on. Mando Season 2, episode 1 spoilers at 1:11:00. Connery, RIP Sean Connery Bautista is on the hunt Sequel Brave Old World Lisa Turtle returns! (Saved by the Bell trailer) No Activity season 4 will be animated Fox cancels 2 shows no one was watching Tom Swift New […]

This is part one in a series of former Hispanic guests coming back to share their stories in their own words. The second part - la segunda parte - comes out tomorrow and will be en espanol. My original idea was to bring back all Hispanic guests for a single Spanish episode. And I ignorantly assumed they would all want to share stories in that language. But Matt Zambrano and Dan Domingues expressed their hesitation at speaking fluently off the cuff about their experiences. While they speak the language, Spanish is not their first language. In the past year there’s been another clear example of this from one of the Democratic Presidential candidates, Julián Castro. He's talked about his own relationship with the Spanish language.  Matt Zambrano was the very first guest on the podcast and he and i did MAN OF LA MANCHA together in Orlando. Dan Domingues is a NY actor who took part in my Spotlight episode on Only Make Believe, a nonprofit that brings interactive theater into children’s hospitals and cafe facilities. They both share insights about the work they do as well as very personal feelings about their own ethnicity and heritage.  In this episode as well as the Spanish one, there are no back and forth questions from me. In fact, I’ve done very little editing to these recordings, just cleaning up sound quality as much as possible and structuring these episodes together. But in general, I’m simply stepping back to let previous guests tell their own story, and say what THEY want to say.  whyillnevermakeit.com donate.winmipodcast.com  Your donation will go directly into the podcast, helping to grow the WINMI community and allowing me to do so with greater ease and effectiveness. I wouldn't be here without listeners like you, so your donations are greatly appreciated. All donors will be recognized in a future episode for their generosity. ----------Music in this episode: "In Paler Skies" and "Lost Shoe" by Blue Dot Sessions and "Smooth Actor" by Podington Bear are licensed under a Attribution-NonCommercial License.

As the 1950’s came to a close, Broadway Musicals were at the very center of American culture. Then in 1960, as if on cue, two immensely popular shows – The Fantasticks, and Bye, Bye Birdie – kick off the decade by foreshadowing several major changes in American culture that will dramatically affect the Broadway Musical, and by the end of the decade, leave its very future in doubt.  The brilliant creators profiled in this episode include Schmidt & Jones, Strouse & Adams, Michael Stewart, Gower Champion, Jerry Herman, and Bock & Harnick. As well as the string of classic musicals that bring the “Golden Age Of Broadway” to its climax – Oliver!; Stop The World I Want To Get Off; The Roar Of The Greasepaint And The Smell Of The Crowd, Man Of La Mancha; Fiddler On The Roof, and what I call the "Big Transgressive Lady" Shows – Hello, Dolly!, Sweet Charity, and Mame. If you enjoy BROADWAY NATION please follow us on Facebook, Twitter and Instagram, and rate and review us on Apple Podcasts! Learn more about your ad choices. Visit megaphone.fm/adchoices

In this inaugural episode, Elizabeth makes a wish and the musical theatre demigod appears. Together, they tackle their first of many musical deep dives: Man of La Mancha.  CW: an instance of sexual assault in the musical is discussed.

See omnystudio.com/policies/listener for privacy information.

Lorin Latarro (lorinlatarro.com) is currently choreographing Broadway’s MRS. DOUBTFIRE, ALMOST FAMOUS, The Public’s THE VISITOR and Broadway bound THE OUTSIDERS. Lorin also choreographed Broadway and London’s WAITRESS, LES LIAISONS DANGEREUSEwith Janet McTeer and Liev Schreiber, and WAITING FOR GODOT with Ian McKellen and Patrick Stewart. Lorin is the Associate Choreographer of THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME and AMERICAN IDIOT. Her additional choreography includes LA TRAVIATA at The Met Opera with Sara Mearns dancing 2020 season, Almost Famous and Huey Lewis’s Heart of Rock And Roll (Old Globe), Merrily We Roll Along (Roundabout), Chess (The Kennedy Center), Lin-Manuel Miranda’s 21 Chump Street for “This American Life” (Brooklyn Academy of Music), The Public Theater’s Twelfth Night and The Odyssey (Delacorte Theater), Queen of the Night which garnered a Drama Desk Award (Diamond Horseshoe), Assassins, Fanny, and God Bless You, Mr. Rosewater (City Center Encores!), Between the Lines (Kansas City Repertory Theatre), Superhero (Second Stage), Beaches (Drury Lane Theatre), and A Christmas Carol (McCarter Theatre Center). Lorin performed in fourteen Broadway shows including Twyla Tharp’s Movin’ Out, Fosse, Swing!, Kiss Me Kate, A Chorus Line, and Man Of La Mancha. Lorin danced for Robert Wilson, Martha Graham, and Momix. Lorin has also worked with Pina Bausch, Jiri Kylian, Pete Townsend, Green Day, Sara Bareilles, Melissa Etheridge, Cameron Crowe, and Charlize Theron. Ms. Latarro holds a BFA from The Juilliard School where she is also an adjunct professor. She is a Drama Desk, Lortel, and Chita Rivera nominee. Lorin has traveled to India and Africa multiple times to work with The Gates Foundation in family health and planning. Lorin is the founder of ArtAmmmo.org Artists Against Gun Violence as seen in the NY Times, PBS, Rachel Maddow, BBC.

Lorin Latarro (lorinlatarro.com) is currently choreographing Broadway’s MRS. DOUBTFIRE, ALMOST FAMOUS, The Public’s THE VISITOR and Broadway bound THE OUTSIDERS. Lorin also choreographed Broadway and London’s WAITRESS, LES LIAISONS DANGEREUSEwith Janet McTeer and Liev Schreiber, and WAITING FOR GODOT with Ian McKellen and Patrick Stewart. Lorin is the Associate Choreographer of THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME and AMERICAN IDIOT. Her additional choreography includes LA TRAVIATA at The Met Opera with Sara Mearns dancing 2020 season, Almost Famous and Huey Lewis’s Heart of Rock And Roll (Old Globe), Merrily We Roll Along (Roundabout), Chess (The Kennedy Center), Lin-Manuel Miranda’s 21 Chump Street for “This American Life” (Brooklyn Academy of Music), The Public Theater’s Twelfth Night and The Odyssey (Delacorte Theater), Queen of the Night which garnered a Drama Desk Award (Diamond Horseshoe), Assassins, Fanny, and God Bless You, Mr. Rosewater (City Center Encores!), Between the Lines (Kansas City Repertory Theatre), Superhero (Second Stage), Beaches (Drury Lane Theatre), and A Christmas Carol (McCarter Theatre Center). Lorin performed in fourteen Broadway shows including Twyla Tharp’s Movin’ Out, Fosse, Swing!, Kiss Me Kate, A Chorus Line, and Man Of La Mancha. Lorin danced for Robert Wilson, Martha Graham, and Momix. Lorin has also worked with Pina Bausch, Jiri Kylian, Pete Townsend, Green Day, Sara Bareilles, Melissa Etheridge, Cameron Crowe, and Charlize Theron. Ms. Latarro holds a BFA from The Juilliard School where she is also an adjunct professor. She is a Drama Desk, Lortel, and Chita Rivera nominee. Lorin has traveled to India and Africa multiple times to work with The Gates Foundation in family health and planning. Lorin is the founder of ArtAmmmo.org Artists Against Gun Violence as seen in the NY Times, PBS, Rachel Maddow, BBC.

2 de uno está de aniversario, su primero, y nada mejor para celebrarlo que esta joya en el piano de Eliane Elias; excelentes arreglos de 9 temas del famosísimo musical 'Man of La Mancha' por solicitud del autor de la música original, Mitch Leigh, y acompañada de dos secciones rítmicas distintas conformadas por grandes del género.Magistrales interpretaciones con todo el ritmo brasileño y con una interesante historia desde la grabación hasta el lanzamiento del disco en este 1er año de 2 de uno.

Jerry Sipp of Justice Theatre Project joins us for this final installment of our Interviews from the Front series! He and Jerome Davis discuss the ways JTP has been impacted by this moment, as well as tips for self-improvement during this time of isolation! Join them soon for some exciting opportunities to connect online, including a play about the life of Robert Louis Stevenson, and reconnect with them in the Fall for their Season of The Possible Dream, including ALL THE WAY and MAN OF LA MANCHA!

What’s up dirty cones Where does the idea of Pararescue come from? What The Man of La Mancha has taught me And what Don Quixote means to me Hooyah

Tras algunas deliberaciones con mis colaboradores sobre los musicales que debíamos tratar en estos podcast y aunque mi primitiva idea fue hablar de aquellos que no se hubieran visto en España comercialmente, consciente de que muchos musicales aunque se hayan estrenado en nuestro país, habrá mucha gente que no los conozca, aleatoriamente intercalaré alguno que por su importancia, a pesar de haberse estrenado en España, fue hace mucho tiempo y no es fácil recuperarlo para el aficionado. El primer musical que me vino a la mente al cambiar de idea fue "EL HOMBRE DE LA MANCHA" que a pesar de haberse estrenado en distintas producciones ya hace mucho tiempo y la última y más interesante producción que podíamos haber tenido de este musical se frustró y nos quedamos sin ella como contamos en el podcast. En este caso encontrarás que aunque están todas las canciones del musical y siguen el desarrollo de la trama como solemos hacer, te vas a encontrar con diferentes repartos según la canción, con el fin de que te lleves una opinión más global del musical y así escucharás a varios Quijotes y distintas Dulcineas con intérpretes que van de Brian Stokes Mitchell, Mandi Patinkin o José Sacristán a Paloma San Basilio, Nati Mistral, Eva Diago o Mary Elizabeth Mastrantonio. Espero lo disfrutes porque es un gran musical. 00h 00'00" I, Don Quixote 00h 01'40" Presentación 00h 03'20" Cabecera 00h 04'30" Inicio 00h 04'52" Overture 00h 10'27" Man of La Mancha (I, Don Quijote) 00h 17'02" Todos son igual (It's all the same) 00h 20'11" Dulcinea 00h 23'15" Lo hago todo por él (I'm only thinking of him) 00h 29'54" I really like him 00h 32'48" ¿Qué puede ver en mi? (What does he want of me?) 00h 36'15" Ruiseñor, ruiseñor (Little bird, little bird) 00h 39'03" Sin amor, sin amor (Little bird, little bird) 00h 43'35" Golden Helmet of Mambrino 00h 46'22" La canción del barbero - Dorado yelmo de Mambrino 00h 52'44" A cada cual su Dulcinea (To each his Dulcinea) 00h 55'57" El sueño imposible (The impossible dream) 01h 02'00" Caballero de la triste figura (Knight of the woeful countenance) 01h 05'29" Aldonza 01h 10'08" Un comadreo 01h 12'33" Dulcinea (Reprise) 01h 16'12" The impossible dream (Reprise) 01h 17'42" I, Don Quixote (Reprise) 01h 21'02" Finale 01h 23'22" Anécdotas y curiosidades 01h 27'43" The impossible dream 01h 33'12" Man of La Mancha

Tras algunas deliberaciones con mis colaboradores sobre los musicales que debíamos tratar en estos podcast y aunque mi primitiva idea fue hablar de aquellos que no se hubieran visto en España comercialmente, consciente de que muchos musicales aunque se hayan estrenado en nuestro país, habrá mucha gente que no los conozca, aleatoriamente intercalaré alguno que por su importancia, a pesar de haberse estrenado en España, fue hace mucho tiempo y no es fácil recuperarlo para el aficionado. El primer musical que me vino a la mente al cambiar de idea fue "EL HOMBRE DE LA MANCHA" que a pesar de haberse estrenado en distintas producciones ya hace mucho tiempo y la última y más interesante producción que podíamos haber tenido de este musical se frustró y nos quedamos sin ella como contamos en el podcast. En este caso encontrarás que aunque están todas las canciones del musical y siguen el desarrollo de la trama como solemos hacer, te vas a encontrar con diferentes repartos según la canción, con el fin de que te lleves una opinión más global del musical y así escucharás a varios Quijotes y distintas Dulcineas con intérpretes que van de Brian Stokes Mitchell, Mandi Patinkin o José Sacristán a Paloma San Basilio, Nati Mistral, Eva Diago o Mary Elizabeth Mastrantonio. Espero lo disfrutes porque es un gran musical. 00h 00'00" I, Don Quixote 00h 01'40" Presentación 00h 03'20" Cabecera 00h 04'30" Inicio 00h 04'52" Overture 00h 10'27" Man of La Mancha (I, Don Quijote) 00h 17'02" Todos son igual (It's all the same) 00h 20'11" Dulcinea 00h 23'15" Lo hago todo por él (I'm only thinking of him) 00h 29'54" I really like him 00h 32'48" ¿Qué puede ver en mi? (What does he want of me?) 00h 36'15" Ruiseñor, ruiseñor (Little bird, little bird) 00h 39'03" Sin amor, sin amor (Little bird, little bird) 00h 43'35" Golden Helmet of Mambrino 00h 46'22" La canción del barbero - Dorado yelmo de Mambrino 00h 52'44" A cada cual su Dulcinea (To each his Dulcinea) 00h 55'57" El sueño imposible (The impossible dream) 01h 02'00" Caballero de la triste figura (Knight of the woeful countenance) 01h 05'29" Aldonza 01h 10'08" Un comadreo 01h 12'33" Dulcinea (Reprise) 01h 16'12" The impossible dream (Reprise) 01h 17'42" I, Don Quixote (Reprise) 01h 21'02" Finale 01h 23'22" Anécdotas y curiosidades 01h 27'43" The impossible dream 01h 33'12" Man of La Mancha

Deborah Sharn speaks with actress, Amanda Robles, who plays Aldonza in the musical "Man of La Mancha" at Stages St.Louis through Oct. 6th. 

Gospel on Broadway: Man of La Mancha Rev. Emily Hotho Luke 17:20-21; Matthew 20:1-16

Deborah Sharn talks with Executive Producer Jack Lane about the Stages St. Louis season which includes BOY FROM OZ, GREASE, and MAN OF LA MANCHA.

The Man of La Mancha Pre Performance Talk, recorded live at the London Coliseum The speakers are: Prof. Millie Taylor, Professor of Musical Theatre at Winchester University and Prof. Jonathan Thacker, King Alfonso XIII Professor of Spanish Studies at the University of Oxford. Recorded live on 4 April 2019. Find out more about ENO's pre-performance talks on our website: www.eno.org/talks

Episode 35 is another super special “family edition”, which can only mean one thing; another trip to The Chichester Festival Theatre, this time to see Tim Firths aptly named musical This Is My Family. We also have reviews of Man of La Mancha staring Kelsey Grammar and Danielle De Niese, and A German Life staring the legendary Dame Maggie Smith. Opening/Closing Music: Little Lily Swing by Tri-Tachyonis: licensed under a CC Attribution License

This is our quest: to celebrate one of the most moving and optimistic scores of the Broadway stage. Original cast members, plus Jacques Brel, Placido Domingo, Johnny Mathis, and more.

In which the Musical Man spreads a little gossip about a little bird that wears a golden helmet. Donate today via Patreon: patreon.com/musicalmanpod / Twitter: @musicalmanpod / Podbean: musicalmanpod.podbean.com / Email: musicalmanpod@gmail.com

Melbourne born soprano Maureen Howard was beloved by audiences and critics alike. At twelve years of age, she was a regular voice on the weekly 3DB Radio programme Swallows Juniorsand she later won the Vocal Section of television’s Swallow’s Parade. Though she studied singing from an early age, she wanted to be a hairdresser and, it was serendipitous that one of her ‘clients’ was associated with the two major theatre entrepreneurs J.C. Williamson and Garnet H. Carroll Management. A simple conversation during a hairdressing appointment gained Maureen a stage audition for J.C.Williamson at Her Majesty’s Theatre in Melbourne . They had just opened their production of My Fair Lady. The following week, the same ‘client’ arranged an audition for Garnet H. Carroll at the Princess Theatre in Melbourne and she was immediately offered a contract for Chorus - and later ‘stand-by’ for Marian the Librarian - in The Music Man. As would occur many times during her early career, Maureen went on in the star’s role. In April of 1961, she was cast in Lock Up Your Daughters with an additional song especially written for her character by the conductor Dobbs Franks. In August that year, she performed in Loesser’s Most Happy Fella with Inia Te Wiata and Ronal Jackson. Later that year, Garnett H. Carroll Management cast her as June Bronhill’s ‘stand-by’ in The Sound of Music and, again, Maureen was frequently seen in the role of Maria. In 1962, Maureen Howard won First Prize in the celebrated Sun Aria and left her contract for The Sound of Music. She was a frequent face and voice on television especially on the popular Sunny Side Up in 1963.After study, a year in Italy and then London – with the noted teacher Vera Rózsa - her operatic career started with Puccini’s Tosca in 1967 – starting her career at the top – with the Elizabethan Trust Opera. The production opened at the Perth Festival on February 11th and featured Reginald Byers and the Hungarian baritone Alexander Major as Cavaradossi and Scarpia along with the twenty-seven years old Maureen Howard. Her operatic debut was a success, with one critic writing “She may not be as imperious as some Toscas, but she certainly is more vocally secure than many … A powerful voice which is always beautifully controlled, and dominated the stage.”The same year, she performed Zerlina in Don Giovanni with a stellar cast featuring Neil Warren-Smith, Marcella Reale, Rosemary Gordon, Robert Gard, Ronald Maconaghie and John Germain. It was a controversial production directed by the young Jim Sharman. A production of Die Fledermaus as Rosalinda (and June Bronhill as the maid, Adele) was a hit with audiences. Next came performances of Venus in Tannhäuser, Tebaldo in Don Carlo, Liù in Turandot, Micaela in Carmen and the cover of Minnie in the Australian premiere of Puccini’s La fanciulla del West. Her career reached a new high with her assumption of Cio Cio San in Madama Butterfly in 1969 with a new production mounted especially for her talents. As a company member, she was also cast as Felice in Wolf-Ferrari’s School for Fathers, Josephine in HMS Pinafore, Elsie Maynard in Yeoman of the Guard along with Giulietta in a concert version of The Tales of Hoffmann.Along with Cio Cio San in Madama Butterfly, the roles of Nedda in Pagliacci and Musetta in La bohème fitted Maureen Howard to a tee. To many audiences, her performances in all three roles have never been surpassed by an Australian born performer. She created Musetta in the famous La bohème production by Tom Lingwood in 1971. “Maureen Howard’s Musetta stole the show … she has the wonderful ability for stance, stage presence and poise of hand which just fix one’s eyes upon her.” During the following season, she performed her first Mimi in the same production. Her debut as Nedda came in 1972 and she was usually cast alongside the Canio of Donald Smith – who also seemed ‘born for the role’. Sparks flew on stage when they ignited each other’s performances. “Maureen Howard was attractively wayward, singing powerfully in the final scene, yet making something tender of the ballatella.”From 1976, Maureen Howard appeared in various operatic and music theatre productions. Man of La Mancha and La belle Hélène were prominent during this time. Other operetta roles ensued – Kathy in The Student Prince, Eurydice in Orpheus in the Underworld, Violet Gray in The Belle of New York, Angèle in The Count of Luxembourg (with Robert Gard as her René), Ottilie Giesecke in White Horse Inn, Marianne in New Moon (with John Larsen as her leading man), Yum Yum in The Mikado and Phyllis in Iolanthe. She returned to Opera Australia for the role of the Foreign Woman in Menotti’s The Consul in 1986 after a decade hiatus from that company.A decade later, she appeared as a guest at the Robert Allman Farewell Gala at the Sydney Opera House singing the Pagliacci duet with her long-time colleague. This led to her being contracted Lady Macbeth in Verdi’s opera and the Witch in Hansel and Gretel. Her stage farewell came in 1998 in Sondheim’s Follies when she performed Heidi Schiller – singing “One More Kiss” to perfection. The career of Maureen Howard was as varied as the roles and styles she played. She was a Star of each medium (radio, television and stage) and was adored by a myriad of fans.

For the first time on No Script, Jackson and Jacob are discussing a script they have actually acted in together - Dale Wasserman's "Man of La Mancha." Loosely based on the famous story of Don Quixote, "Man of La Mancha" follows the mad knight in his quest to vanquish evil and sway the heart of his beloved Dulcinea. Join us as J&J discuss Quixote's infectious spirit, his comic sidekick, and the plight of Aldonza.  ------------------------------ Please consider supporting us on Patreon. For as low as $1/month, you can help to ensure the No Script Podcast can continue.  https://www.patreon.com/noscriptpodcast   We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:  Email: noscriptpodcast@gmail.com Facebook: https://www.facebook.com/No-Script-The-Podcast-1675491925872541/ Instagram: https://www.instagram.com/noscriptpodcast/ Twitter: https://twitter.com/noscriptpodcast/   ------------------------------ Our theme song is “Blessed” by Purple Planet Music. Credit as follows: Music: http://www.purple-planet.com ------------------------------ Logo Design: Jacob Mann Christiansen Logo Text: Paralines designed by Lewis Latham of http://lewislatham.co/ ------------------------------ Thanks so much for listening! We’ll see you next week. ------------------------------

On Today's Show Chad Cashman and I share an interview that I did with Lorna Torres the director of Man of La Mancha the Fall 2018 show for Master Arts Theater! Listen and come to the show!

On Today's Show Chad Cashman and I share an interview that I did with Lorna Torres the director of Man of La Mancha the Fall 2018 show for Master Arts Theater! Listen and come to the show!

Another episode!  This one we talk about: Don Quixote  Poop Fan Gifts  Thanks for listening! Go buy our march from www.handsomescoundrels.com Find us on facebook Find us on instagram @handsomescoundrelsal Find us on twitter @scoundrelsal Rate, review, and subscribe to this podcast wherever you listen! Thanks for everything!

An Olivier Award winner for her West End debut as Inez in ZORRO THE MUSICAL, Lesli made her Broadway debut originating the role of Mrs. Wormwood in MATILDA THE MUSICAL. After over 1000 performances, she bid farewell to the Broadway company of Matilda and crossed the street to The Helen Hayes to star as the diva Mona Kent in the Broadway premiere of Randy Skinner's DAMES AT SEA. In September 2016, Lesli returned to the role she originated to close out the Broadway run of MATILDA. Lesli currently recurs on three television dramas: Homeland (Showtime), Instinct (CBS), and Seven Seconds (Netflix). This past fall she starred opposite Topher Grace, Taye Diggs & JC Chasez in the feature film "Opening Night" which can be seen on Netflix following its theatrical release. Born and raised in California, Lesli trained at UCLA and was soon after chosen to star in MGM's television series "Fame LA" directed by Kenny Ortega. She has gone on to star and recur on numerous television shows and pilots including "Donny!", "The Good Wife", "Major Crimes", "The Suite Life On Deck", "Charmed", "NYPD Blue", and "On The Lot", produced by Steven Spielberg. Film credits include the movie musical 'Opening Night' opposite Topher Grace & Taye Diggs, 'Lucky Stiff' with Jason Alexander, Joel Schumacher's 'The Number 23', and the Sam Raimi produced 'Boogeyman 2'. Lesli's voice can also be heard on several animated films and shows including Disney's 'Cinderella 3' and Nickelodeon's "Sponge Bob Squarepants". Regional stage credits include Adelaide in GUYS & DOLLS (Bucks County Playhouse), Signora Psyche Zinobia in A SCYTHE OF TIME (NYMF; Outstanding Performance in a Leading Role), Esmeralda in HUNCHBACK OF NOTRE DAME (Sacramento Music Circus), Lilli / Kate in KISS ME KATE (Reprise; Ovation Award - Best Actress), THE GRONHOLM METHOD (The Falcon ; Ovation nom. - Best Ensemble), Aldonza in MAN OF LA MANCHA opposite Davis Gaines (MTW; Ovation nom. & LADCC nom - Best Actress), Julie in SHOWBOAT (Goodspeed Opera), Audrey in LITTLE SHOP OF HORRORS (La Mirada), Lady of the Lake in SPAMALOT opposite Gary Beach (Sacramento Music Circus), Ilona in SHE LOVES ME (CLOSBC), the West Coast Premiere of Michael John LaChiusa's SEE WHAT I WANNA SEE (Blank Theatre), Rated RSO (Boston Court), and Gloria in DAMN YANKEES(Reprise; dir. Jason Alexander). Lesli is a published author with two books currently available on iTune and Amazon: NECK PUNCH and CARRY ON: Advice from the "Queen", a series of 'inspirational' messages inspired from her Twitter feed (@QueenLesli). (debuted at #1 on the Humor charts) and BLU!, about a unique lobster who teaches us that we are all special. She is the creator/star of 'Looks Not Books' and 'Ship Happens' the popular backstage vlogs commissioned by Broadway.com which can also be seen on YouTube. Lesli's critically acclaimed solo shows RULE YOUR KINGDOM, ALL HAIL THE QUEEN​, BROAD continue to play to crowds across the country.

KPFA theater critic Richard Wolinsky reviews the musical “Man of La Mancha” at Custom Made Theatre in San Francisco through February 17, 2018. The post Review: Man of La Mancha, at Custom Made Theatre appeared first on KPFA.

This week Julie, Miranda, and Zane will chat with Matthew Butler about which of life's truths can be gleaned from Man of La Mancha!- FURTHER READING -Wiki - Musical, Film, Teleplay, Don Quixote, Miguel de CervantesIMDbiTunesStage AgentMatthews BlogPlaylist for the Bearded Crab

A snippet from Patrick's conversation with Charlene V. Smith about the London cast album of MAN OF LA MANCHA about what does historical accuracy actually mean? Also HAMILTON. Also is GRAVITY a feminist film? Also HAMILTON. Also what is identity? Also HAMILTON. And RENT.   Twitter.com/OriginalCastPod Facebook.com/OriginalCastPod OriginalCastPod@gmail.com  

Titular roles don’t come more challenging than those of Miguel de Cervantes, the Man of La Mancha and John Merrick, better known as The Elephant Man, so why not increase the challenge by casting the roles with performers whose fortés are outside of standard theatre? Cinnabar Theater Director Elly Lichenstein has Daniel Cilli, primarily an opera singer, in the dual role of Cervantes and Don Quixote, while Michael Tabib of Curtain Call Theatre has cast stand-up comedian James Rowan as Merrick. Both gentlemen do honor to their characters. La Mancha is set in the bowels of a 16th century Spanish prison, where Cervantes awaits his fate at the hands of the Spanish Inquisition. Stripped of his belongings by the other prisoners, Cervantes pleads for the return of his manuscript of Don Quixote and demands a trial. His defense will be a reenactment of his story of honor and love. He will play the title role with his also-imprisoned manservant (Michael Van Why) as Sancho Panza. Other prisoners are drafted into roles as the tale is told. And sung, because it is a musical after all. Under musical director Mary Chun, Cilli’s magnificent baritone is the perfect match for the Mitch Leigh & Joe Dario score culminating with a show-stopping version of “The Impossible Dream.” He sets the standard for musical performance in this show, and is met by Daniela Innocenti-Beem as his Dulcinea with the heart-breaking “Aldonza”. Nice vocal work is also done by Kevin Gino as the Padre. A necessary lighter tone is brought to this often-dark production courtesy of Van Why with “I Really Like Him” and Mary Gannon Graham as the Housekeeper in “I’m Only Thinking of Him”. Other quality performers round out the ensemble. Befitting a show with a budget, there’s a dank and detailed dungeon set by Wayne Hovey and appropriately grimy costumes by Abra Berman. Chun continues her award-winning work at Cinnabar with a six-piece orchestra that fills the auditorium with the Tony-winning score. Lichenstein wasn’t tilting at windmills when deciding to bring this production to the North Bay. A quest to Petaluma to catch this production will bring ample reward. On the opposite side of the budget spectrum lies Monte Rio’s Curtain Call Theatre. Housed in the Russian River Hall, they’ve impressed me in the past with what they’re able to do with minimal resources. Their current production of The Elephant Man utilizes projections more so than set pieces to evoke a sense of time and place and, because of the playwright’s desire to not recreate the physical deformities that afflicted the title character, allows the audience to get past that potential distraction by displaying photographs taken of John Merrick and his condition. That leaves it to James Rowan to give the audience the inner character. Best known for hosting and performing comedy at local taprooms, he’s begun dipping his toes in local theatre. There’s ample evidence that comedians make good actors (and, conversely, that actors do a lousy job playing comedians) and Rowan’s name can be added to that list. He gives a very human performance as Merrick that recalls John Hurt’s brilliant work in the same-titled film. For those unfamiliar with the story, it’s the fact-based tale of John Merrick, the doctor who rescued him from his “freak show” existence, his life as a resident of London Hospital and his transformation into an A-list member of British society. The cast consists of Curtain Call regulars and Tabib guides them in doing good work, but it all comes down to Rowan’s believability as the title character. His commitment to Merrick - his physicality and his manner of speech - is admirable. More importantly, he brings Merrick’s humanity to the forefront, particularly in several very touching scenes with Segal/Kendall. The Elephant Man is an excellent example of how, while technical elements often play an important part in a production’s success, a strong central performance is what really makes a show.

Despite some initial recording confusion, Patrick and Charlene manage to get into some stuff. They talk women in the arts, dramatic structure, subtext, agency, and occasionally even mention MAN OF LA MANCHA. Featured recordings: MAN OF LA MANCHA - The Complete Musical Play (1968) Twitter.com/OriginalCastPodFacebook.com/OriginalCastPodEmail: OriginalCastPod@gmail.com

Ep. 16 – Renowned Director Paul Curran discusses Utah Opera's production of Man of La Mancha. (Released 1/18/17)

Sermon by Dr. Bob Long From the series St. Luke's on Broadway

Nick is artistic director of Field Trip Theatre in Washington, DC and casting director for Imagination Stage in Bethesda, MD and is here to talk about the Brian Stokes Mitchell revival recording of MAN OF LA MANCHA. Topics include Connecticut, Mario Lopez, stunt casting, and the fact that the Padre is great character that doesn't get enough respect. Featured recording: MAN OF LA MANCHA - The New Broadway Cast Recording (2003)   Twitter.com/OriginalCastPod Facebook.com/OriginalCastPod Email: OriginalCastPod@gmail.com  

www.theorangecurtainrev.com Man of La Mancha is the story of Miguel de Cervantes, aging, and an utter failure as playwright, poet and tax collector, who has been thrown into a dungeon of a prison in Seville to await trial by the Spanish Inquisition. There, he is dragged before a kangaroo court of his fellow prisoners. Based on The Adventures of Don Quixote by Miguel de Cervantes y Saavedra, Man of La Mancha is a comic tragedy of mankind's struggle to better both himself and the world.

The latest Prosecast takes you inside the Shakespeare Theatre Company’s production of Man of La Mancha.  The discussion explores the musical’s history, the difficulties of adapting Don Quixote and setting a play inside a prison.  Featuring actor Nehal Joshi.    Recorded at the Shakespeare Theatre Company by: Hannah Hessel Ratner, Audience Enrichment Manager Drew Lichtenberg, […]

The silent workings of my mind are of little interest to anyone but me, yet occasionally I feel the need to chronicle some small discovery; to write it down so that it might continue to exist after I have been forgotten. Once a year I write a Monday Morning Memo that is more for me than it is for you and this is that one. If you quit reading now, I'll understand. In Cervantes' book of 1605, Don Quixote never meets Dulcinea. She exists only in his mind. Psychologist Carl Jung would call her Quixote's “anima,” the imaginary woman that represents the innermost heart of a man. But in Man of La Mancha, the 1966 Broadway play by Dale Wasserman, Dulcinea is an actual woman, a reluctant prostitute in whom Don Quixote sees only purity, beauty and grace. That play won 5 Tony Awards and ran for 2,328 performances. In 1972, it was made into a major motion picture starring Peter O'Toole as Don Quixote and Sophia Loren as Dulcinea. Dale Wasserman got the credit, but the character relationships and narrative arc of Man of La Mancha belong entirely to John Steinbeck.Follow my trail of breadcrumbs and I will tell you what I know. 1952: The prologue to East of Eden tells us that Steinbeck was familiar with Cervantes and Don Quixote. In it, he speaks to his editor and close friend, Pat Covici: Miguel Cervantes invented the modern novel and with his Don Quixote set a mark high and bright. In his prologue, he said best what writers feel—the gladness and the terror.“Idling reader,” Cervantes wrote, “you may believe me when I tell you that I should have liked this book, which is the child of my brain, to be the fairest, the sprightliest and the cleverest that could be imagined, but I have not been able to contravene the law of nature which would have it that like begets like—”And so it is with me, Pat……Cervantes ends his prologue with a lovely line. I want to use it, Pat, and then I will be done. He says to the reader: “May God give you health—and may He be not unmindful of me, as well.”John Steinbeck1953: Ernie Martin, the Broadway producer of Guys and Dolls, asks Steinbeck to write a sequel to Cannery Row so that it might be made into a play. I have in my possession the Christmas gift John Steinbeck sent Ernie Martin later that year, just as Steinbeck was beginning to write Sweet Thursday. It's a copy of the 1949 edition of The Ingenious Gentleman Don Quixote de la Mancha. Inscribed on the front endpaper of that book is a note written and signed by John Steinbeck. Dear Ernie -:This is required preparation for Project X.John Steinbeck,Xmas 19531954: John Steinbeck publishes Sweet Thursday, a love story between “Doc” of Cannery Row and Suzy, a reluctant prostitute from the Bear Flag Hotel. Steinbeck's note to Ernie Martin makes it clear that Suzy is Dulcinea. 1955: Sweet Thursday becomes a Broadway play called Pipe Dream with a musical score by Rodgers and Hammerstein. The play receives the largest advance ticket sales in Broadway history to that point, $1.2 million, and is nominated for 9 Tony Awards. I think it would be safe to say that Dale Wasserman, a lifelong playwright, would have been very much aware of Pipe Dream in 1955. 1957: John Steinbeck writes 114 pages of Don Kehan—The Marshall of Manchon, but he abandons the novel on December 27 of that year. The unfinished book is a delightful retelling of the story of Don Quixote as a gentleman farmer in southern California in 1957. Dulcinea, once again, is presented as a reluctant prostitute. But now she's called “Sugar Mae.” This is the second time in 4 years that Steinbeck has envisioned a prostitute Dulcinea. 1959: I, Don Quixote, a non-musical teleplay by Dale Wasserman, airs only once, as the DuPont Show of the Month on CBS Television. In 1965, when Steinbeck's health...

(1) OTHER DESERT CITIES, by Jon Robin Baitz, at the Repertory Theatre of St. Louis, (2) GEE'S BEND, by Elyzabeth Gregory Wilder, at Mustard Seed Theatre, (3) LOVERS, by Brian Friel, at the West End Players Guild, (4) THE LITTLE DOG LAUGHED, by Douglas Carter Beane, at Stray Dog Theatre, (5) FALSTAFF, by Giuseppe Verdi & Arrigo Boito, at Winter Opera St. Louis, (6) TALES OF THE LOST FORMICANS, by Constance Congdon, at Meramec Community College, (7) MAN OF LA MANCHA, by Dale Wasserman, Joe Darion & MitchLeigh, at the Peabody Opera House, and (8) THE ANDREW BROTHERS MUSICAL, by Roger Bean, at Harvest Theatre.

The "Man of La Mancha" Richard Kiley recreated his Tony Award-winning title role in the Broadway revival 12 years later, followed by a national tour.

The "Man of La Mancha" Richard Kiley recreated his Tony Award-winning title role in the Broadway revival 12 years later, followed by a national tour.

This podcast, hosted by Diana Gilman Maurer, features a talk about Man of La Mancha being presented by Maurer Productions OnStage at the Kelsey Theatre in West Windsor NJ. Our guests include the Director John Maurer, Musical Director Israel “Buzz” Herman, and Actors Daniel Petrovich who plays Don Quixote, Sam Rosalsky who plays Sancho Panza and Meera Mohan who plays Aldonza.

With his debut solo CD now on sale, Brian Stokes Mitchell ranges over his career, from his first performances with a youth theatre in San Diego to seven years on television's "Trapper John M.D." to David Merrick's production of "Oh, Kay" to his rapid succession of leading roles in "Ragtime", "Kiss Me Kate" and "Man Of La Mancha". Original air date - July 14, 2006.

With his debut solo CD now on sale, Brian Stokes Mitchell ranges over his career, from his first performances with a youth theatre in San Diego to seven years on television's "Trapper John M.D." to David Merrick's production of "Oh, Kay" to his rapid succession of leading roles in "Ragtime", "Kiss Me Kate" and "Man Of La Mancha". Original air date - July 14, 2006.

With his debut solo CD now on sale, Brian Stokes Mitchell ranges over his career, from his first performances with a youth theatre in San Diego to seven years on television's "Trapper John M.D." to David Merrick's production of "Oh, Kay" to his rapid succession of leading roles in "Ragtime", "Kiss Me Kate" and "Man Of La Mancha". Original air date - July 14, 2006.