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It's been just 100 years since silent films were all the rage in Hollywood, followed by talkies, moving color, digital, and now AI. Please join me in welcoming two experts in the film world who join us to talk about the ever-changing world of Hollywood, Valentina Castellani Quinn, president of Quinn Studios Entertainment, and Marvin Williams, founder of Big M Entertainment Pictures, discussing their latest venture on the Sony Pictures Studios lot to combine the best of Hollywood with the latest technologies. Valentina's father-in-law was Anthony Quinn, and she talks about the timing of this venture with Sony, once Columbia Pictures, which produced one of Mr. Quinn's greatest films, Lawrence of Arabia. The film's poster hangs proudly in the halls of Sony to celebrate its 100-year anniversary making motion pictures. Marvin, best known for producing “The Jungle Book,” among other classics, said he plans to combine the past with the future of Hollywood projects by merging AI technology with art. He says much like Netflix, Apple, and Hulu, streaming is where it's at. At least for now. Will they transform older films with AI technology? We be talking about that, too. We'll also discuss some new ventures, including involvement with the Canne Film Festival and a very “passionate” film development that's in the works as well. Please tune into #DeborahKobyltLIVE, the #LittleItalyPodcast and #LittleItalyOfLAPodcast on all video and audio podcast platforms to hear our discussion. I'm your host, #DeborahZaraKobylt, and I thank you for joining us.
We continue to celebrate afro-centric films during Black History with a director focus on John Singleton films; Poetic Justice/Higher Learning/Baby Boy!Poetic Justice is a 1993 American romantic drama film written and directed by John Singleton, and starring Janet Jackson, Tupac Shakur, Regina King, and Joe Torry. It follows a poet (Jackson) mourning the loss of her boyfriend from gun violence. She goes on a road trip from South Los Angeles to Oakland on a mail truck, along with her friend (King) and a postal worker (Shakur), in order to deal with depression.Following the success of his debut film, Boyz n the Hood, Singleton wanted to make a film that would give a voice to young African-American women. Jada Pinkett, Lisa Bonet, Monica Calhoun, and many other popular actresses auditioned for the role of Justice, though Singleton knew from the script's draft that the role was solely intended for Jackson. Filming took place from April 11 to July 4, 1992.Poetic Justice was released in the United States on July 23, 1993. The film received mixed reviews from critics, who criticized the screenplay though praised Jackson and Shakur's performances and chemistry. It reached No. 1 in the box office its opening weekend, grossing $11,728,455. It eventually grossed a total of $27,515,786. Jackson received Academy Award and Golden Globe nominations for Best Original Song for "Again", which also reached number one on the Billboard Hot 100. Janet won 2 MTV Movie awards for her role in the film, including Most Desirable Female. The film has developed a cult following, especially for the chemistry between Jackson and Shakur.Higher Learning is a 1995 American crime drama film written and directed by John Singleton and starring an ensemble cast. The film follows the changing lives of three incoming freshmen at the fictional Columbus University: Malik Williams (Omar Epps), a track star who struggles with academics; Kristen Connor (Kristy Swanson), a shy and naive girl; and Remy (Michael Rapaport), a lonely and confused man seemingly out of place in his new environment.The film also featured Tyra Banks' first performance in a theatrical film. Laurence Fishburne won an NAACP Image Award for "Outstanding Supporting Actor in a Motion Picture"; Ice Cube was also nominated for the award. This was the last film appearance of Dedrick D. Gobert, who was shot dead in 1994 prior to the film's release.The exterior shots and outdoor scenes were shot on the campus of University of California, Los Angeles (UCLA) while the interiors were shot at Sony Pictures Studios.aby Boy is a 2001 American coming-of-age hood drama film directed, written and produced by John Singleton, and starring Tyrese Gibson, Snoop Dogg, Ving Rhames, Omar Gooding, A.J. Johnson and Taraji P. Henson.[5] The film follows Joseph "Jody" Summers (Gibson), a 20-year-old bike mechanic as he lives and learns in his everyday life in the hood of Los Angeles.The film was originally written with rapper-actor Tupac Shakur in mind to play Jody; Shakur had previously worked with Singleton on Poetic Justice. However, following Shakur's murder in 1996, Singleton decided to replace Shakur with R&B artist Tyrese Gibson. Additionally, the role of Rodney was originally written for Ice Cube, who had worked with Singleton on Boyz n the Hood and Higher Learning. The film marked the feature acting debut of Gibson and provided Henson with her first prominent role.Released in the United States on June 27, 2001, the film received predominantly positive reviews from critics and audiences, with many deeming it as Singleton's best film since Boyz n the Hood. The film is also the final feature film written by Singleton as he did not write any of his later feature-length directorial projects before his death in April 2019.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59
Valentina Castellani Quinn, president of Quinn Studios Entertainment, has been living the American dream, arriving from Florence and making a formidable mark in Hollywood as an award-winning producer and filmmaker, with films “One Rock, Three Religions,” “Wonderful Losers,” “Augie,” and others to her credit. She also recently signed a joint deal with Big M Entertainment Pictures and Sony Pictures Studios, but that's been put on temporary hold because Valentina recently lost everything to the devastating fires in Malibu where she lives. And now, she faces the harrowing ordeal of finding a new place while trying to rebuild everything from clothing to work folders. Valentina joins us to talk about not just what it's like to find your home and everything in it gone, but to discuss the long haul of dealing with insurance, price gauging, and more. She also wants answers as to how these fires got so out of control in Malibu, Palisades, Altadena and other parts of Los Angeles, and she talks about what she calls a lack of leadership that led thousands to homes to burn to the ground. We will also talk about the ramifications these horrendous fires could have on the Hollywood industry moving forward. And while many look at Los Angeles as a place of wealth and movie stars, it's really a working class town much like any other, and right now, there's a big struggle and huge hurdles to overcome. Please join me and Valentina on #DeborahKobyltLIVE, the #LittleItalyPodcast and #LittleItalyOfLAPodcast on all video and audio podcast platforms to hear our discussion. I'm your host, #DeborahZaraKobylt, and I thank you for joining us. Please tune into #DeborahKobyltLIVE, the #LittleItalyPodcast and #LittleItalyOfLAPodcast on all video and audio podcast platforms to hear our discussion. I'm your host, #DeborahZaraKobylt, and I thank you for joining us. @valentinaquinnstudios #losangelesfire #palisadesfire #losangeles #malibu
The Lofi Girl YouTube channel has over 14 millions subscribers, and at any given time, tens of thousands of people are listening together. Created by a mysterious French producer named Dimitri, the channel features a 24/7 livestream of an anime girl studying in her room, listening to lofi hip hop. In this episode, we dive into the Lofi Girl lore, chart the explosion of the Lofi Multiverse, and hear from a music therapist about how lofi affects our brains and behavior. This story was adapted from the Endless Thread podcast. RSVP to meet Dallas at the informal audio hangout at All Season in LA, on Thursday, September 26th. Join Dallas at the Sound for Film & TV event at Sony Pictures Studios on Saturday, September 28th. If you know what this week's mystery sound is, tell us at mystery.20k.org. Follow Dallas on Instagram, TikTok and LinkedIn. Watch our video shorts on YouTube, and join the discussion on Facebook. Subscribe to Endless Thread in your favorite podcast player. Find the right doctor, right now at zocdoc.com/20k. Sign up for a one-dollar-per-month trial at shopify.com/20k. Take a free test drive of OCI at oracle.com/20k Episode transcript, music, and credits can be found here: www.20k.org/episodes/lofi-girl Learn more about your ad choices. Visit megaphone.fm/adchoices
10 years ago, in response to the upcoming release of the satirical movie "The Interview," Sony Pictures Studios was hacked by North Korea. North Korea was angry about the film's portrayal of their leader, Kim Jong Un. The hack leaked emails, Social Security numbers, and company data, which revealed racism, misogyny, and general misbehavior within Hollywood. A new podcast from The Ringer dives into the legacy of this story a decade later. Host Brian Raftery joins us to discuss The Hollywood Hack.
In Part 2 of our deep dive into Apple's iconic sound design, the Apple Design Team unpacks the iPhone's trio of default ringtones, the evolution of their alarm sounds, the UX sounds of the AirPods Pro, and much more. Along the way, legendary beatmaker Flying Lotus breaks down his collaboration with Apple, and the Design Team reveals how they use haptics as a standalone “instrument.” Featuring Billy Sorrentino, Hugo Verweij and Flying Lotus. Sign up for Twenty Thousand Hertz+ to get our entire catalog ad-free. If you know what this week's mystery sound is, tell us at mystery.20k.org. Follow Dallas on Instagram, TikTok and LinkedIn. Watch our video shorts on YouTube, and join the discussion on Facebook. Get a free Netsuite KPI Checklist at netsuite.com/20k. This episode is brought to you by BetterHelp. Get 10% off your first month at betterhelp.com/20k. Subscribe to What It's Like to Be at whatitsliketobe.com RSVP to meet Dallas at the informal audio hangout at All Season in LA, on Thursday, September 26th. Join Dallas at the Sound for Film & TV event at Sony Pictures Studios on Saturday, September 28th. Episode transcript, music, and credits can be found here: www.20k.org/episodes/the-sound-of-apple-2 Learn more about your ad choices. Visit megaphone.fm/adchoices
Creo is delighted to announce the shortlist for the Sony Future Filmmaker Awards 2024. The shortlist of 30 filmmakers across six categories are awarded the unique experience of attending a week of special events at the Sony Pictures Studios lot in Los Angeles, including a workshop program providing unparalleled access behind-the-scenes of the industry and culminating in the Awards ceremony on May 30, 2024 where the six category winners, chosen by a selection of expert judges, are announced. Established by Creo and sponsored by Sony, the sophomore edition of the major annual awards program for short films provides a gateway for the development of exceptional cinematic talent and sets out to elevate voices with an original perspective on storytelling. This year's shortlist was chosen from over 8,400 films by more than 5,000 filmmakers across 148 countries and territories submitted across six categories: Fiction, Non-Fiction, Environment, Animation, Student, and Future Format. The shortlisted stories range from a poignant documentary about two Holocaust survivors miraculously reunited after 80 years, a filmmaker's search for the last remaining gibbon in Kuala Lumpur, a homeless ballet dancer undertaking a life-changing audition, a spontaneous romance between two strangers thrown together by grounded flights, and much more. Representing a truly global perspective on filmmaking, the shortlist includes films from Australia, Brazil, Canada, Czech Republic, Egypt, Estonia, Germany, Ghana, Hong Kong, India, Malaysia, Mexico, Nigeria, South Africa, Thailand, the United Kingdom, Uruguay, and the United States. Working from a longlist of commended submissions, the 30 shortlisted filmmakers were chosen by Emmy-award winning cinematographer Robert Primes ASCand celebrated Australian filmmaker Unjoo Moon. At the second stage of the judging process, judges Michael Barker and Tom Bernard, Co-Founders and Co-Presidents of Sony Pictures Classics (Call Me By Your Name, The Father, Whiplash); Rob Hardy ASC, BSC, BAFTA award-winning cinematographer (Mission: Impossible - Fallout, Ex-Machina, Civil War) ; Kate Reid BSC, acclaimed British cinematographer (Game of Thrones, Great Expectations, Silo) will choose this year's category winners, awarding creative excellence and original approaches to narrative. Both stages of the judging process are chaired by award-winning director Justin Chadwick (Mandela: Long Walk to Freedom, The Other Boleyn Girl, Tulip Fever). The 30 shortlisted filmmakers will be flown to Los Angeles to attend a comprehensive four-day workshop program at the Sony Pictures Studios lot in Culver City from May 28 - 31, 2024, culminating in a black-tie Awards ceremony on May 30, 2024. Held at the Cary Grant Theater and hosted by Entertainment Tonight's Denny Directo, during the ceremony the six category winners will be announced, receiving a range of cash prizes and equipment. This immersive experience provides filmmakers with a one-of-a-kind opportunity to connect with fellow filmmakers and leaders in the field of cinema, and to gain exclusive access behind-the-scenes of the industry, with workshops led by Sony Pictures executives, and covering a range of topics from keynotes by major cinematographers, screenings and Q&A sessions, to insights into working with talent agencies and using cutting-edge technologies, to film scoring and music rights. Justin Chadwick, award-winning theater, television and film director and Chair of the Jury, says: "The level of submission and the international scope of new voices shortlisted for the Awards is thrilling. Across the 30 chosen filmmakers the perspectives told are manifold and captivating, charged with a passion and authenticity. I am delighted to once again lead this selection of filmmaking; a vision of storytelling and cinematic ingenuity and an aperture into the filmmakers who shall make up the future of our industry." Scott Gray, Founder and CEO, Creo, says: "With a staggering 8,400 films ...
Today (April 17, 2024) Sony introduced its new 2024 line of BRAVIA 4K TVs, Soundbars and Theater speakers. Take a deep dive into the product launch with eCoustics Founder, Brian Mitchell and Editor at Large, Chris Boylan who got a hands-on tour of all the new products last month at Sony Pictures Studios in Los Angeles.Sony says, "Cinema is Coming Home" but is that true or just marketing hype? Join us and find out.Thank you to the sponsor of this episode, Q Acoustics! https://www.qacoustics.com Learn more:https://www.ecoustics.com/products/sony-bravia-tvs-soundbars-2024/Pricing:BRAVIA 9 Mini LED TVs:85″ $5,499.9975″ $3,999.9965″ $3,299.99BRAVIA 8 OLED TVs77″ $3,899.9965″ $2,799.9955″ $1,999.99BRAVIA 7 Mini LED TVs85″ $3,499.9975″ $2,799.9965″ $2,299.9955″ $1,899.99BRAVIA 3 LED/LCD TVs85″ $1,799.9975″ $1,299.9965″ $999.9955″ $849.9950″ $699.9943″ $599.99Soundbars & Speakers:BRAVIA Theater Quad – $2,499.99BRAVIA Theater Bar 9 – $1,399.99BRAVIA Theater Bar 8 – $999.99BRAVIA Theater U – $299.99On the panel:Brian Mitchell, eCoustics Founder & CEOChris Boylan, eCoustics Editor at LargeCredits:Original intro music by The Arc of All.Voice Over Provided by Todd Harrell of SSP Unlimited.Production by Mitch Anderson, Black Circle Studios.Keep up-to-date with all the latest Hi-Fi, Music, Home Theater, and Headphone news by visiting:https://www.ecoustics.com#sony #bravia #4ktv #hometheater #homevideo #hometheater #soundbar #theaterbar #televisions #ecoustics #productlaunch #bringingthecinemahome #oledtv #miniledtv #braviatheater
Welcome to the Instant Trivia podcast episode 893, where we ask the best trivia on the Internet. Round 1. Category: hollywoodspeak 1: The popular films of this genre can be known as "oaters" or "horse operas". westerns. 2: Also known as a "tenpercenter", a good one of these can open doors in Tinseltown. agent. 3: Erica Kane could tell you it's the dramatic form known as a "sudser" in Hollywood. soap opera. 4: In the lingo of Variety, a "diskery" is a company that produces these. records. 5: This TV network is "The Eye Web". CBS. Round 2. Category: east on the map 1: This nation was once a province known as East Pakistan and before that, East Bengal. Bangladesh. 2: East Cape is the easternmost mainland point on this island, the world's second largest. New Guinea. 3: Walter Ulbricht had his fingers in this country's strudel for over 20 years. East Germany. 4: This city with a 2-word name grew around Michigan State University. East Lansing. 5: As a geopolitical term it was coined in 1902 by U.S. Naval Officer Alfred Mahan to describe an Asian-African area. the Middle East. Round 3. Category: art for art's sake! 1: Dentist Byron McKeeby of Cedar Rapids, Iowa was immortalized in this 1930 painting along with the artist's sister. American Gothic. 2: In David's 1801 painting "Napoleon at the Great St. Bernard Pass", the general is crossing this mountain range. the Alps. 3: The crushing foot used in this TV show's opening is from Bronzino's 1545 painting, "An Allegory with Venus and Cupid". Monty Python's Flying Circus. 4: Titian portrayed Ariadne and this god of wine falling in love at first sight. Dionysus (or Bacchus). 5: Title of the 15th century work depicting the Virgin Mary and the angel Gabriel thought to be da Vinci's first completed work. The Annunciation. Round 4. Category: jeopardy! 101 1: From beautiful downtown Culver City, it's the name of the studios where "Jeopardy!" is taped. Sony Pictures Studios. 2: He was the host of the first version of "Jeopardy!" in the '60s. Art Fleming. 3: Of $183,000, $283,000 or $383,000, it's closest to the highest amount you can win in one regular game. $283,000. 4: Including Final Jeopardy!, it's the total number of possible questions in one game. 61. 5: Frequent viewers know my hometown of Sudbury is in this Canadian province. Ontario. Round 5. Category: montreal expose 1: The Basilique Notre-Dame has one of the largest ones of these in North America; it weighs 12 tons. bell. 2: A bagpiper at Ogilvy's Department Store plays to announce this hour. noon. 3: Since 1984 over 37 million people have seen performances by this circus headquartered in Montreal. Cirque du Soleil. 4: Each summer Montreal hosts a Juste Pour Rire Festival, called "Just for" these in English. Laughs. 5: A street in Mount Royal Park is named for this great American landscape artist who designed NYC's Central Park. (Frederick Law) Olmsted. Thanks for listening! Come back tomorrow for more exciting trivia! Special thanks to https://blog.feedspot.com/trivia_podcasts/
En marge des Rendez-vous littéraires rue Cambon, le podcast « les Rencontres » met en lumière l'acte de naissance d'une écrivaine dans une série imaginée par CHANEL et Charlotte Casiraghi, ambassadrice et porte-parole de la Maison.Écoutez la journaliste Lauren Bastide en conversation avec Salomé Kiner, autrice d'un premier roman, « Grande couronne », paru chez Christian Bourgois en 2021. Ensemble, elles échangent à propos de son désir d'écrire sur l'adolescence et de restituer cette expérience physique et sensitive par le langage. Elles évoquent également comment son travail de journaliste a aiguisé sa plume et son regard sur le monde.Salomé Kiner, Grande Couronne, © Christian Bourgois éditeur, 2021.© Christian Bourgois éditeur© Prix du Livre Inter, France Inter© Quotidien Le temps.Hugo Lindenberg, Un jour ce sera vide, © Christian Bourgois éditeur, 2020.Tupelo Hassman, La fille, traduction de Laurence Kiéfé © Christian Bourgois éditeur, 2014. Maurice Blanchot, L'espace littéraire, © Éditions Gallimard, 1955. © Kangol © DANAO. © BN, marque deposee par United Biscuits France. Kevin Williamson, Dawson's Creek, © Sony Pictures Studios, 1998. Joss Whedon, Buffy contre les vampires, © 20th Century Fox, 1997. Anne Frank, Le journal d'Anne Frank, édité dans sa version originale par Mirjam Pressler, traduction par Philippe Noble et Isabelle Rosselin © Calmann-Lévy, 1992, 2001, 2017, 2019.© Miss France.James Cameron, Titanic, © 20th Century Fox, 1997.Jean Anouilh, La Sauvage, © La Table Ronde, 1958, 2008.
Since 2010, there have been at least three dozen significant autistic characters in feature films and four dozen autistic characters in literary fiction. And, of course, we've also seen more autistics on series television. “The Good Doctor,” “Atypical,” and Amazon's new series “As We See It” are just three quick examples of series with autistic lead characters. Today we will be discussing the new feature film Tyson's Run with writer-director Kim Bass and the film's star, Major Dodson. Tyson's Run follows fifteen-year-old autistic Tyson Hollerman as he attends public school for the first time. While helping his father, the school's head football coach, clean up during the team's practice, Tyson befriends champion marathon runner Aklilu. Tyson becomes determined to run his first marathon in hopes of winning his father's approval. Tyson's Run will open in theatres on March 11, 2022. Tyson's Run website: https://tysonsrun.com Major Dodson - Tyson Hollerman MAJOR DODSON is best known for his role of Sam Anderson on AMC's International smash hit series “The Walking Dead.” Other projects include LEFT BEHIND, “American Horror Story,” and “Revolution.” Dodson is currently featured in the inspirational drama TYSON'S RUN in theaters Spring 2022. Dodson currently resides in Los Angeles, Calif. Kim Bass - Writer & Director Bass is an Emmy-nominated screenplay and teleplay writer best known for his work on “In Living Color,” “Sister, Sister” and the Nickelodeon sitcom “Kenan & Kel.” During his over twenty-five year career, Bass has worked as a writer for almost all of the major Hollywood studios and television networks as well as many prominent and independent film and television production companies including: Warner Brothers Studios; Twentieth Century Fox Studios; Disney Studios; Sony Pictures Studios and others. Currently, Bass is in post-production on his latest film, HeadShop, and pre-production on a faith-based Christmas film, Mother Johnson's Miracle Christmas, scheduled to begin principal photography in the spring of 2022.
View the trailer here.Movie Description:When fifteen-year-old Tyson attends public school for the first time, his life is changed forever. While helping his father clean up after the football team, Tyson befriends champion marathon runner Aklilu. Never letting his autism hold him back, Tyson becomes determined to run his first marathon in hopes of winning his father's approval. With the help of an unlikely friend and his parents, Tyson learns that with faith in yourself and the courage to take the first step, anything is possible.Guest Bios:Bass is an Emmy®-nominated screenplay and teleplay writer best known for his work on “In Living Color,” “Sister, Sister” and the Nickelodeon sitcom “Kenan & Kel.” During his over twenty-five year career, Bass has worked as a writer for almost all of the major Hollywood studios and television networks as well as many prominent and independent film and television production companies including: Warner Brothers Studios; Twentieth Century Fox Studios; Disney Studios; Sony Pictures Studios and others. Currently, Bass is in post-production on his latest film, HeadShop, and pre-production on a faith-based Christmas film, Mother Johnson's Miracle Christmas, scheduled to begin principal photography in the spring of 2022. In addition, Bass' film, Tyson's Run is scheduled to open theatrically, nationwide on March 4th.Major Dodson is best known for his role of Sam Anderson on AMC's International smash hit series “The Walking Dead.” Other projects include LEFT BEHIND, “American Horror Story,” and “Revolution.” Dodson is currently featured in the inspirational drama TYSON'S RUN in theaters Spring 2022. Dodson currently resides in Los Angeles, Calif.Film Website: https://www.tysonsrun.com/Facebook: https://www.facebook.com/TysonsRunMovie https://www.facebook.com/OfficialMajorDodsonInstagram: https://www.instagram.com/tysonsrunmovie/https://www.instagram.com/major_dodson/Twitter: https://twitter.com/tysonsrun https://twitter.com/Major_Dodson
Nationsbest Football presents The Brotherhood Podcast hosted by Nationsbest Football's Podcast King Shane Larson. Listen to Shane as he interviews the Nationsbest Athletes and Sports VIP's. Shane will ask each Nationsbest Brotherhood Podcast guest the same question: "What Does Brotherhood Mean To You?"Episode #2 - Leigh Steinberg- CEO/Chairman of the Board - Steinberg Sports and EntertainmentListen to the Nationsbest Football Brotherhood Podcast Host Shane Larson interview Leigh about the latest activities in his life, the Super Bowl in Los Angeles, and Name , Image and Likeness opportunities for college athletes. Leigh also discusses his upcoming Leigh Steinberg Super Bowl Party at the Sony Pictures Studios. It will be the 35th Leigh Steinberg Super Party where Leigh has brought together leaders in athletics, business, politics, tech, entertainment & the non-profit world for his annual Super Bowl Celebration this year (The 25th Anniversary of the Film "Jerry Maguire)The Super Bowl is being held right in Leigh's backyard & with 2000 guests expected- the gathering is sure to be one for the ages! Of course, our host Shane Larson asks Leigh Steinberg "What Does "Brotherhood Mean To Leigh Steinberg" - You do not want to miss Leigh's reply! ABOUTLeigh Steinberg Leigh Steinberg, premier sports agent, entrepreneur, best-selling author, and Chairman of Leigh Steinberg Sports and Entertainment Holdings, is best known for his work building athletes into stand-alone brands. He is often credited as the real-life inspiration for the Oscar-winning film Jerry Maguire. Leigh has represented many of the most successful athletes and coaches in football, basketball, baseball, hockey, boxing, and golf, including the number one overall pick in the NFL draft for an unprecedented eight times in conjunction with 64 total first round picks. With an unrivaled history of record-setting contracts, Leigh has secured over $4 billion for his 300+ pro athlete clients and directed more than $800 million to various charities around the world. Over the course of his career, Leigh has been featured on numerous national television programs, including 60 Minutes, Larry King Live, The Today Show, Lifestyles of the Rich and Famous, and many more. He has been profiled in a host of magazines, including Business Week, Sports Illustrated, ESPN the Magazine, People, Forbes, Playboy, GQ, and FHM. Leigh has been rated the #6 Most Powerful Person in the NFL according to “Football Digest” and the #16 Most Powerful Person in Sports according to “Sporting News.” He currently resides in Newport Beach, CA and has three children. Website -http://www.steinbergsports.com
We're back it is Friday at the 35 acres and a microphone podcast farm I'm Aaron Goodwin, you are already here if you are within the sound of my voice. If you would do me a solid and share with a friend or post on a wall or tweet about this podcast that pays tribute to the true school of hip hop. Old school.. Real throwbacks. Not the 90's. I've said before the years we research are from 1980ish to 1989. And new jack swing's start signaled the movements end as radio play for the format rhythm chr or rhymthmic had been born. It was a Latino hispanic based format that eventually turned to a more afro-centric type feel as teddy Riley/ guy.. jodeci, and so many more... started taking the lead I qualify myself as a radio historian. Being in rhythm radio at the beginning and a fan of it, prior to. I live in a very agricultural area of central California and have retired from radio and now do parties and weddings asa mobile dj. This podcast is a labor of love for the fans and it helps me cope with all the crazy in the world and the actual action of producing voice and the types of things I did at radio I can do through this lil project. season 2 after a one year hiatus. 10 thousand downloads world wide weekly and it is neat being here in a America. Northern California.. and seeing the messages from our socials or the adds at the Facebook page and the foreign folks around the world. Names in other languages. How the culture invaded the far away china as American culture spawned there in the 80's and how asians rule the breakdance world in my opinion its all very cool and that drives me to the work to make this thing happen. All for Love is the third studio album by American R&B quintet New Edition, released by MCA Records on November 8, 1985. The album was certified platinum by the Recording Industry Association of America (RIAA). Also, this would be the final studio album to feature original group member Bobby Brown, who would shortly depart for a solo career until he would later return for their 1996 comeback album with the group, Home Again. By Spring 1985, New Edition was one of the biggest pop acts in the world after the success of their self-titled second album released the year before. However, the group was now in mortgage to MCA Records, as a result of having borrowed money from the label to disentangle themselves from a stifling production deal they mistakenly signed during the recording of their previous album. As a result, All for Love would become the first in a cluster of albums the group would be forced to record during this period to work off its debt. And While most of the members were comfortable with the group's direction, Bobby Brown was becoming increasingly discontent and unappreciative with its bubblegum pop image. Brown was also agitated at having not been more prominently featured as a lead vocalist on the album. Vincent Brantley, the album's main producer, had originally sought to give Brown more solo spots. However, MCA balked at this idea — insisting that Ralph Tresvant continue to be used on principal vocals. During a national tour in Oakland, California to promote the album, Brown often cut in on Tresvant's leads, performing more raunchily onstage, compared to his band mates. Also, Brown angered the group's management by disrespectfully throwing his mike in the air and being ungrateful when not getting his way onstage. Growing tension between Brown and his band mates eventually reached a standoff, which contributed to his being terminated from the group in December 1985. Following Brown's departure, New Edition would continue to promote All for Love as a quartet. Lets get to the singles which are some of the strongest the new edition ever did. The neat thing about rhythm in these days is you didn't know the name and artist but you sure knew the songs by sound. Made everyone an a&r person back then. Because you knew what you were hearing was genius and Ralph tresvant might very well be the best ever and beyond Michael Jackson as far as some were concerned back then as the best voice in r and b. And when you go back and listen. You can totally see the reason for the comparison and why Mca made the decision to keep him as lead once they secured them for the mortgage albums as the band thought. Without knowing the drama, I think in my mind these were some of the best bubble gummy bad ass tunes that were coming out tracks like "Count Me Out", "Count Me Out" was released as a single in September 1985 on the MCA . Much like the group's earliest single, "Cool It Now", again, lead singer Ralph Tresvant is warned by his friends (co-members Bobby Brown, Ronnie DeVoe, Ricky Bell and Michael Bivins) to not fall for a girl after he told them to "count him out" of any activities that they had planned to do much to his friends' dismay. The song's music video was notable for Brown's absence as he had broken from the group around the time of the video. Only Tresvant, DeVoe, Bell, and Bivins were in the video and parts of the song that originally belonged to Brown were lipsynced by Bell. Brown's vocals remain on the song. Despite a modest showing at number fifty-one on the pop singles chart, the song reached number two on the Billboard R&B singles chart. And here again as we talk about rhythm radio and the eighties the overt racism by mgrs and ads at radio opted to not buy in in markets like where I live a predominantly at the time white area. Older white male owners. Simply like the vote in California where you see the big cities they had radioes there and in those big cities new edition got played due to demographics This is the second week of the new edition feature on my podcast the old school rewind last week's is posted and maybe in your downloads go check it out. We're parlaying and displaying.. the type of term you'd have heard back then. Car culture lowrider, The language has changed And the new edition are going through times in their life where they are old for sophomoric bubblegum tracks, but due to them each taking equal loans to buy out themselves from the prior deal they were in debt. And for me and my listening these are the magical songs and the music was progressing as it should The next single up from all for love is a little bit of love is all it takes. A favorite of mine and as I wiki'd to find some information on this single. There I nothing out there. Which to me is perplexing. Save that for another podcast. Let your ears do the listening and you'll feel the feel of new edition more than many of their tracks.. play a little bit of love is all it takes This is the second episode where one wasn't enough to feature the stellar work of the new edition. We're up to and maybe because I was a sophomoric kid going through the high school years I'm more clued into the broken heart girls being true to your girl. Alll of the things you'd expect from a ballad that is what NE was so good at doing Play "With You All the Way". Toward the year's end, Christmas All Over The World, a holiday EP, was released as well as an oldies album of tunes from the '50s sung by the group with an '80s production style. Earth Angel feat lil Anthony By 1987, New Edition was a group in transition. The band members were aging out of their teens into their twenties, and sought for their image and sound to reflect their coming of age. In addition to employing the famed production team of Jimmy Jam & Terry Lewis to help steer the music in a new direction, they also recruited Washington, D.C.-based baritone/tenor Johnny Gill—who, in 1984, had scored a hit with R&B singer Stacy Lattisaw on "Perfect Combination". The New Edition members had actually known Gill since they released their hit "Candy Girl" in 1983 and Gill released his R&B Top 30 hit "Super Love" that same year. They had joked that they would let him in the group if he could improve his dancing skills. Prompting Gill’s entrance into the group was when lead singer Ralph Tresvant considered recording a solo album. To circumvent New Edition being left without a lead singer, Michael Bivins suggested bringing in 20-year-old Gill to replace him. Gill accepted the invitation, joining the group in the spring of 1987. Tresvant, however, wasn’t ready to leave— resulting in New Edition, inadvertently, becoming a quintet again as they began production on their fifth album, Heart Break.[5] While most of Heart Break features principal vocals by Tresvant, with occasional solos by Ricky Bell, Gill’s voice is significantly displayed as the secondary lead throughout the album. Gill took the lead on the track “Boys to Men”- a song in which the singer initially resisted and resented recording, feeling it was too juvenile. "Boys To Men" became one of the album's most popular numbers, despite it never being officially released as a single.[6] Another standout album track was “Competition,” a song written by Tresvant that addresses the disappointment felt over the departure of Bobby Brown two years earlier. One song in particular, "Where It All Started", was a thinly veiled jab at New Kids on the Block. The group was discovered by their former producer Maurice Starr as a direct response to New Edition severing ties with him on less than amicable terms.[7] In an ironic twist, Jam & Lewis- the writers and producers behind the song- would also work with New Kids on the Block's lead singer Jordan Knight on his 1999 self-titled debut a little over a decade later. The two groups would later team up for a duet on the latter's 2008 reunion album The Block. "If It Isn't Love" from 1988 and the first single from Heart Break. The song became the biggest hit from that album, getting into the top ten of the US Billboard Hot 100, peaking at number seven, and reached the second position on the Hot Black Singles chart. Its chart performance and well-received music video garnered the quintet their first nomination for Best R&B Performance by a "Duo or Group with Vocals" at the 31st Grammy Awards in February 1989. The song and video is also notable for being the introduction of fellow R&B singer Johnny Gill as a new member of the R&B quintet. Many have called this particular album the most seminal New Edition album. Four fans from Philadelphia in particular were inspired by one of the songs on the album. "Boys to Men", the song that Johnny Gill hated recording, ended up becoming the name of the group who changed their name to Boyz II Men. The group would end up being managed and mentored by Michael Bivins. Boyz II Men names New Edition as one of their most influential bands. The album also saw a successful concert tour for the group as well. Through 1988 and 1989, New Edition toured all over the world with opening acts, ex-New Edition member Bobby Brown (who had also found big time success with his breakthrough album, Don't Be Cruel) and Al B. Sure!.[5] Interesting note the R&B group Jagged Edge named their sophomore album J.E. Heartbreak as a tribute to Heart Break The new edition album. Here's the first single Play if it isn't love We're up to the second single Written and produced by Jimmy Jam & Terry Lewis with Ralph Tresvant, Johnny Gill and Ricky Bell on lead vocals, this mid-tempo song is about a man being fancied by a woman who he thinks is not his type, and is trying to gently let her down. His friends, meanwhile, can’t understand his lack of interest in said female, who they believe is a catch. No matter all the success Though the song was a sizable hit on urban radio, peaking at #3 on the R&B charts in the fall of 1988— unlike its predecessor, “If It Isn’t Love,” it failed to make the same impression on Billboard’s Hot 100 singles chart—where it peaked at #95. The radio still hasn't changed but has made mark-ed progress at this time in 1988.. The music video for “You’re Not My Kind of Girl” is set to a concert performance of the song (which was led in by the music video for “If It Isn’t Love.”) The concert was held at Sony Pictures Studios in Culver City, California. New Edition held a radio contest for tickets to the taping, which were won by LA resident, Viveca McGuire. Play. You're Not My Kind of Girl" this is the second of two episodes of new edition being highlighted here on the podcast for the true school. The old school rewind. new edition is on and the album heart break is up I'm Aaron Goodwin. If you like what you hear or think you know someone who would appreciate the show. Share and subscribe for me. Add and subscribe at Apple Podcasts iTunes. Or wherever you get your podcasts I-heart. Stitcher audio is also posted to youtube search old school rewind podcast copy tweet insta. Snapchat spread the word and thank you again for your ear time.. One of new editions best songs "Can You Stand the Rain" was released on December 13, 1988 by MCA Records as the third single from their fifth studio album, Heart Break. It was Written and produced by Jimmy Jam and Terry Lewis with Johnny Gill, Ralph Tresvant and Ricky Bell on lead vocals and Michael Bivins with a spoken piece, "Can You Stand the Rain" is about a relationship presently going well, but the man is asking the woman if he can count on her to remain by his side, in case things should ever become stormy. Despite "Can You Stand The Rain" failing to reach the Hot 100 top forty, peaking instead at number 44, it became New Edition's fourth single to top Billboard's R&B singles chart. when you watch the video, much like the stuff from the solo career of Ralph sings great. He cannot dance. He looks like he dances to fast lol aww just clownin right now "Can You Stand the Rain" was sampled by New Edition themselves covered by Boyz II Men for their 1997 album, Evolution. In 2001, freestyle singers Safire & Cynthia turned the song into a freestyle/club jam, In 2003, the song was also covered by Guy Sebastian, the first winner of Australian Idol, Was on making the band In 2008, gospel group The Murrills covered the song with alternative lyrics for their album, "Can You Stand the Rain" was sampled by Big Sean for his single "My Last" featuring Chris Brown. Netflix series featured during the Lip-synching scene in the 2013 holiday film, The Best Man Holiday Even featured in the season 15 of the The Voice performed by contestants from team Adam Play Can you stand the rain Final track and closer for this weeks show. "N.E. Heart Break" fifth and final single from their sixth studio album Heart Break (1988). "N.E. Heart Break" peaked at number 13 on the Billboard R&B singles chart. The music video for the song depicts the group members riding mopeds after finishing their Heart Break tour. The music video featured cameos from Malcolm Jamal Warner (who also directed the video), Heavy D & The Boyz (The group's labelmate), Shanice Wilson, The Boys, Robert Townsend, and Brooke Payne, who also appeared in the "If It Isn't Love" video. The version of the song featured in the video is the single version, rather than the one featured on the studio album.
Wylie Stateman, a legendary sound designer and post-production media entrepreneur, delivered the Keynote Address at the sixth annual Mix Presents Sound for Film & Television, held Saturday, September 28, at Sony Pictures Studios in Culver City, Calif. Wylie has supervised more than 150 sound projects, and his work has been recognized in the industry with over 40 nominations spanning every decade of his 40-year career. His industry recognitions include 8 Oscar nominations, 6 BAFTA nominations, 2 Emmy nominations, and 30-plus MPSE Golden Reel nominations. In 1994 he received, with Lon Bender and Kim Waugh, an Academy Scientific and Technical Award for an innovation that contributed to the advancement of digital audio post-production workflows. Wylie has worked extensively with every major studio in Hollywood, along with some of the most prolific writer/directors in the motion picture and television industries. His creative sound work has included multiple collaborations with Oliver Stone, John Hughes, Quentin Tarantino, Wolfgang Petersen, Cameron Crowe, Scott Frank and Rob Marshall, among others. Just a few of the many films Wylie has worked on include: Tron, Footloose, Ferris Bueller’s Day Off, Stand By Me, Born on the Fourth of July, The Doors, Jerry Maguire, JFK, Natural Born Killers, Kill Bill Vols. 1 and 2, Shrek, Inglourious Basterds, Snowden, Deepwater Horizon and this year’s Once Upon a Time in Hollywood. Wylie was a co-founder of the post production sound services company Soundelux, where he served in a senior executive management capacity involved in overall operations. He also served as Chairman for the Soundelux Entertainment Group, a holding company that oversaw 11 entities, including The Hollywood Edge (sound effects libraries), Modern Music (music editorial for feature films and television), DMG (computer game design), and Mind’s Eye/Jabberwocky (books on tape), as well as Soundelux Systems and Showorks (both focused on location-based entertainment and show control). A few years ago, Wylie established 247SND, centered around a Dolby Atmos design studio, in Topanga. His most recent work, Once Upon a Time In Hollywood, is Wylie’s seventh collaboration with Quentin Tarantino. During this project, he and his team applied a rapid prototyping process, an approach that they have been refining over the past five years. By continually incorporating new and refined sound design, dialog and music elements directly into the Avid track, Wylie and his crew enable the editor and director to take sound contributions into consideration throughout the editorial assembly process. Always in service to the director’s needs and vision, the process makes it easier to approve sonic elements in progressive stages, rather than forcing all of the decisions into the final weeks of post. Wylie sees the rapid prototyping of sound as part of a bigger transition in sound editorial, where there are no longer predefined boundaries between the crafts. New technologies are turning upside-down the traditional sound editing and final mixing processes in content creation. In addition, artists working with the latest audio technologies around the world are publishing an enormous quantity of high-quality, multichannel recordings, which is changing how designers source materials to create new works. Post-production sound now offers global collaborative possibilities, greater mobility, and many opportunities to improve efficiency. Recently, Wylie has been pursuing new entrepreneurial endeavors toward these ends. It is an exciting time to work in the sound space.
Jim’s write up in the Li Herald abridged: Jim Loughran walked down a dim hallway, flanked with video monitors depicting simulated sharks swimming in crystal blue waters, at Sony Pictures Studios in Culver City, Calif. As he made his way a little further, crew members told him where to stand. Loughran then hit his mark and faced the real sharks — self-made entrepreneurs who double as filthy-rich investors and reality television stars. The Island Park resident, 57, who turned his backyard into a synthetic ice rink, has morphed the design into a full-fledged business, and entered ‘the Tank’ earlier this year to pitch his company to the investor sharks. Loughran spent years in the construction business as a project manager, and always carried a passion for hockey. He taught his son, Brian, now 22, to skate at a young age, and coached him in his youth, but as he tried to create a place for him to practice outdoors in the winter, mild temperatures often spoiled the fun. “Every year, I would build a little ice rink in the backyard,” Loughran said. “I would flood it, and then I would pray for cold weather. If I was lucky, maybe I’d get three weeks out of it.” Loughran’s company, Home Ice Supplies, focuses on bringing synthetic ice, made of polymer plastics, to families at an affordable price. The company offers different sized panels that interlock together to ensure a tight, nearly seamless connection that simulates skating on real ice. With the once-in-a-lifetime opportunity came pressure, and Loughran began meticulously preparing for the pitch by watching many episodes in the months leading up to it. He said he learned from previous entrepreneurs the dos and don’ts when eye-to-eye with the investors. “It’s like a huge infomercial,” Loughran said. “You’re really putting yourself out there, but if you don’t do it right, it could be a bad-fomercial. You try to present yourself and the product the best you can.” “There’s a lot that can be done; there’s room for growth, and definitely there’s the interest because people love to skate,” Loughran said. “There are some exciting things that I have now and I have some really exciting things planned for the future. It’s going to be something that no one’s ever seen before.” Jim's Website: https://www.polyglidesyntheticice.com/ Show Sponsor: https://elisemargolin.zenfolio.com Show Sponsor: https://agiledragonconsulting.com/ Support the show! Patreon: https://www.patreon.com/brutallyhonestpodcast Website: https://www.brutallyhonestpodcast.com/ Instagram & Facebook @brutallyhonestpodcast Produced by: https://www.baronmediagroup.com/
The new streaming networks are demanding immersive audio as a deliverable, and it’s now expected that Hollywood releases will include a Dolby Atmos, DTS or Auro 3D version. To be a part of the present and future of sound for picture an audio post facility will need to convert to an immersive workflow. It’s not as expensive as one might think, and the return on investment can be significant. Our expert panel discusses the cost/benefits of outfitting a facility, the new distribution paradigms and the return on an investment in future-proofing a facility. Mix Magazine presented the fifth annual Sound for Film and TV event, an all-day exhibition and conference spotlighting the technologies and techniques behind sound for picture, from production to playback. The boom in television and streaming services, along with the emergence of Virtual Reality, has led to a technology/workflow change in how content is produced. The techniques and tools are merging, and studios and producers have adapted their methods. We bring film, television and virtual reality all together on the legendary Sony Pictures Studios lot in Culver City, California on October 13th, 2018.
A panel of experts discuss the return of the 3D ambisonic recording method and it’s implications for cinema. Mix Magazine presented the fifth annual Sound for Film and TV event, an all-day exhibition and conference spotlighting the technologies and techniques behind sound for picture, from production to playback. The boom in television and streaming services, along with the emergence of Virtual Reality, has led to a technology/workflow change in how content is produced. The techniques and tools are merging, and studios and producers have adapted their methods. We bring film, television and virtual reality all together on the legendary Sony Pictures Studios lot in Culver City, California on October 13th, 2018.
Sound Editing For Animation Panel Featuring: Paul Ottoson, Sound Designer Geoffrey Rubay, Sound Engineer Erik Aadahl, Sound Editor Eileen Horta, Sound Supervisor Dave Fluhr, Sound Designer Moderated by Carolyn Giardina, Hollywood Reporter Mix Magazine presented the fifth annual Sound for Film and TV event, an all-day exhibition and conference spotlighting the technologies and techniques behind sound for picture, from production to playback. The boom in television and streaming services, along with the emergence of Virtual Reality, has led to a technology/workflow change in how content is produced. The techniques and tools are merging, and studios and producers have adapted their methods. We bring film, television and virtual reality all together on the legendary Sony Pictures Studios lot in Culver City, California on October 13th, 2018.
Mixing Dialog: The Audio Pipeline Panel Featuring: Karol Urban, CAS Gary Bourgeois, Rerecording Mixer, CAS Mathew Waters, Rerecording Mixer, CAS Phil Palmer, Production Mixer, CAS Andrew DeCristofaro, Sound Supervisor, CAS Mix Magazine presented the fifth annual Sound for Film and TV event, an all-day exhibition and conference spotlighting the technologies and techniques behind sound for picture, from production to playback. The boom in television and streaming services, along with the emergence of Virtual Reality, has led to a technology/workflow change in how content is produced. The techniques and tools are merging, and studios and producers have adapted their methods. We bring film, television and virtual reality all together on the legendary Sony Pictures Studios lot in Culver City, California on October 13th, 2018.
Mix Magazine presented the fifth annual Sound for Film and TV event, an all-day exhibition and conference spotlighting the technologies and techniques behind sound for picture, from production to playback. The boom in television and streaming services, along with the emergence of Virtual Reality, has led to a technology/workflow change in how content is produced. The techniques and tools are merging, and studios and producers have adapted their methods. We bring film, television and virtual reality all together on the legendary Sony Pictures Studios lot in Culver City, California on October 13th, 2018.
Mix Magazine presents the fourth annual Sound for Film and TV event, an all-day exhibition and conference spotlighting the technologies and techniques behind sound for picture, from production to playback. This event took place on September 16th, 2017 at Sony Pictures Studios. Music and sound design play a central role in the marketing of movies and TV shows: they set the tone, drive the story, and engage the audience in ways that are unique to the advertising genre. The audio we hear in advertising is often specifically made for it, and is not typically sourced from the corresponding production or soundtrack. Our panel, comprised of professionals at the top of their fields, will discuss the unique creative and logistical demands encountered in this important industry niche. Panelists: Jez Colin, President, Hi-Finesse Music & Sound Josh Feelstra, Composer, music producer, sound designer Joseph Bauer, Composer, music producer, sound designer Sohrab Nafici, Executive Director, Music/Legal. Warner Bros. Pictures Heather Kreamer, Director of Music for Create Advertising Ozzie Sutherland, AVID Pro Audio Solutions Specialist
Mix Magazine presents the fourth annual Sound for Film and TV event, an all-day exhibition and conference spotlighting the technologies and techniques behind sound for picture, from production to playback. This event took place on September 16th, 2017 at Sony Pictures Studios. Tim Kimmel, Supervising Sound Editor Brett Voss, Foley Editor/Foley Mixer Dylan Tuomy-Wilhoit, Foley Artist Paula Fairfield, Sound Designer Moderator: Ozzie Sutherland AVID Pro Audio Solutions Specialist
Mix Magazine presents the fourth annual Sound for Film and TV event, an all-day exhibition and conference spotlighting the technologies and techniques behind sound for picture, from production to playback. This event took place on September 16th, 2017 at Sony Pictures Studios. William Files, Re–recording Mixer, Supervising Sound Editor, Sound Designer PK Hooker, Ape Effects Editor Dave Grimaldi, Additional Sound Designer, Sound Effects Editor Doug Murray, Supervising Sound Editor, Sound Designer, Ape Voice Premixer Moderator: Ozzie Sutherland AVID Pro Audio Solutions Specialist
Mix Magazine presents the fourth annual Sound for Film and TV event, an all-day exhibition and conference spotlighting the technologies and techniques behind sound for picture, from production to playback. This event took place on September 16th, 2017 at Sony Pictures Studios. Moderator: Steven Saltzman Composer Mark Isham and Music Engineer Jason LaRocca
Mix Magazine presents the fourth annual Sound for Film and TV event, an all-day exhibition and conference spotlighting the technologies and techniques behind sound for picture, from production to playback. This event took place on September 16th, 2017 at Sony Pictures Studios. Immersive sound experiences are breaking traditional barriers and reaching consumers in more ways than ever before, and with platforms such as Dolby Atmos, DTS:X and Auro3D, content creators are engaging their audiences with the help of superior audio. But how does it all come together, on time and under budget? Learn how content creators are expanding and streamlining their workflows to meet the demands of multiple content delivery formats. Moderator: Jonathan Deans, CTO, Westlake Pro Bill Johnston, VP of Engineering, Formosa Group Brian Riordan, Re-recording Mixer and President, Levels Audio Kurt Howell, National Manager for Focusrite Marti Humphrey, Re-recording Mixer and President of The Dub Stage Jeremy Davis, Re-recording mix Technician, Sony Dan Sperry, Senior Manager, Content Services Group at Dolby Laboratories
Mix Magazine presents the fourth annual Sound for Film and TV event, an all-day exhibition and conference spotlighting the technologies and techniques behind sound for picture, from production to playback. This event took place on September 16th, 2017 at Sony Pictures Studios. From Mic to Mix MIX Panel Series - Mixing Hear from production and post production experts in Feature Films and TV as they discuss their specific crafts in production, editing, and re-recording. Learn what each wants from the other, and why. Moderator: Karol Urban, Re-recording Mixer CAS Panelists: Steve Tibbo, CAS; Ed Moskowitz, CAS; Scott Millan, CAS; Jesse Ehredt, Sound Editorial Assistant and Recordist; Steve Rivkin, ACE; Teri E. Dorman
Mix Magazine presents the fourth annual Sound for Film and TV event, an all-day exhibition and conference spotlighting the technologies and techniques behind sound for picture, from production to playback. This event took place on September 16th, 2017 at Sony Pictures Studios. Tom Holkenborg, aka Junkie XL, is a Grammy-nominated and multi-platinum producer, musician, and composer whose versatility puts him on the cutting edge of contemporary music, as well at the vanguard of exciting new film composers. His film scoring credits include Mad Max Fury Road, Deadpool, Black Mass, Divergent, Brimstone, and the forthcoming Justice League and Dark Tower.
Mix Magazine presents the fourth annual Sound for Film and TV event, an all-day exhibition and conference spotlighting the technologies and techniques behind sound for picture, from production to playback. This event took place on September 16th, 2017 at Sony Pictures Studios. One Soundtrack, Multiple Formats: Preparing Immersive Audio for Any-Sized Screen There are big budgets and small budgets, big productions and small productions—but no matter the size or scale of the project, the audio team has to create high-quality sound for multiple delivery formats, immersive and stereo. As the demands increase, so do the challenges facing post-production sound artists. This panel will outline how sound supervisors approach different type budgets and different type formats, from 5.1 stems to immersive tracks for Theatrical, Television, and home theater and streaming delivery. The key is that workflows and decision-making need to be flexible and innovative. Moderator: Mark Mangini Panelists: Andrew De Cristofaro, Tony Lamberti, Jay Jennings, David Rowe, Juliann Slater
Coffee Break Radio Hosted by Clayton, Rob, And Tyler Our Breaks, Recorded For Yours. Today on break Clayton, Rob and Tyler discuss marriage, marriage advice, their proposals, and lovey dovey stuff in general. As always you can send all your comments and suggestions to: Coffeebreakradiopodcast@gmail.com You can find us on SoundCloud at: https://m.soundcloud.com/coffeebreakradio And you can follow us on Twitter at: @CBRPodcast And you can find us on Facebook at: https://www.facebook.com/Coffee-Break-Radio-718570554945042/ ----------------------------------------------------- Notes: An American sitcom that aired for 11 seasons. It featured a dysfunctional family living in a fictional Chicago suburb. The show, notable for being the first prime-time television series to air on Fox, ran from April 5, 1987, to June 9, 1997. It was created by Michael G. Moye and Ron Leavitt. The show was known for handling nonstandard topics for the time period, which garnered the then-fledgling Fox network a standing alongside the Big Three television networks. The series' 262-episode run makes it the longest-lasting live-action sitcom on the Fox network. Its theme song is "Love and Marriage" by Sammy Cahn and Jimmy Van Heusen, performed by Frank Sinatra from the 1955 television production Our Town. The first season of the series was videotaped at ABC Television Center in Hollywood. From season 2 to season 8, the show was taped at Sunset Gower Studios in Hollywood, and the remaining three seasons were taped at Sony Pictures Studios in Culver City. The series was produced by Embassy Communications during its first season and the remaining seasons by ELP Communications under the studio Columbia Pictures Television. In 2008, the show placed #94 on Entertainment Weekly's "New TV Classics" list.[1] The show follows the lives of Al Bundy, a once glorious high school football player turned hard-luck women's shoe salesman; his obnoxious wife, Peggy; their attractive, promiscuous, and clueless daughter, Kelly; and their girl-crazy, wisecracking son, Bud. Their neighbors are the upwardly-mobile Steve Rhoades and his feminist wife Marcy, who later gets remarried to Jefferson D'Arcy, a white-collar criminal who becomes her "trophy husband" and Al's sidekick. Most storylines involve Al's schemes being foiled by his own cartoonish dim wit and bad luck. All credit to that beautiful wikipedia on Married with children!
Did you know 4 out of 5 car seats are not installed properly? That's a staggering statistic considering how many kids are being carted around every day in this country. I had the chance to learn all about car seat safety and home safety this week at the 5th Annual Red CARpet Safety event. It was held at The Commissary at Sony Pictures Studios where a ton of celebrities came out, including yours truly, with their little ones to learn more about proper car seat installation. Jenni Pulos, Ali Landry and Brooke Burke-Charvet at the 5th Annual Red CARpet Safety event The event was co-founded by Ali Landry and Saraah Samandi to help raise awareness of car seat safety issues in a fun, informative way. I finally got to take Chris with me and Chan to an event which made it even more special. We stormed the rainbow carpet in typical Brooker style: real awkwardly! Once inside we were treated to car seat safety demonstrations from brands like Diono, Orbit Baby, UPPAbaby, and Nuna. There were also lots of areas for the kids to play, paint and explore which made it easy to convince Chan to go. We've been wondering for a long time when to upgrade our car seat and whether or not it's properly installed. Now that I've talked to the experts, I believe that it is. But I still plan to follow-up with our local CHP office for a free car seat check up. Did you know they do that? You do now! I had the pleasure of interviewing beautiful mom of 4 Brooke Burke-Charvet and CEO of ModernMom.com about her support of the organization. She was so kind to take the time to talk to me about her involvement with this event, and her experiences as a mom in Hollywood. Brooke Burke-Charvet on how motherhood changed her career She says that Ali is one of her best friends and feels like car seat safety is an important issue for parents. So she left her kid's soccer game early, knowing she needed to lend her support. I loved her honesty about talking with her kids when she has to work or miss school events. There's a perception that Hollywood moms are able to balance both parts of their lives equally, but Brooke says that's not always the case and very often something gets sacrificed. She also told me what it was like for her when she first became a mom and had an incredibly demanding job on a travel show. Remember Wild On? I remember seeing Brooke travel around the world on so many fun adventures so I was curious to know how it all changed when she became a mom. You'll love what she shares about how her perspective changed from her first child to her fourth on work and travel in entertainment. After soaking up all the info I could about car seat safety, meeting some great companies and learning more about their products, we were ready to call it a wrap on the day. Which apparently we did just in time because Chan fell asleep within minutes of driving away, tucked securely in her car seat of course. If you'd like more information on securing your car seat, you can contact your local CHP office, or visit the National Highway Transportation Safety Administration website at www.nhtsa.gov.
This week we are featuring the 2016 Mix Magazine Presents Sound for Film event hosted at Sony Pictures Studios in Culver City. This event focused on a theme of “The Merging of Art, Technique and Tools”. In this weeks episode we are featuring re-recording mixer Gary Bourgeois, who delivered the keynote speech to open the special film sound event. Gary's list of credits ranges from the music documentaries early in his career, to Pretty in Pink, Back to School, Ghostbusters II, Benny and Joon, Dolores Claiborne and a host of major film credits through the 1980s, 1990s, 200s and on to the present day. He has mixed a variety of television productions, from series to made-for TV movies. Stay tuned for additional exclusive panel discussions that we will be featuring on the podcast from this years Mix Magazine Presents Sound for Film event. You can hear more conversations with sound designers, composers and directors on the SoundWorks Collection podcast on iTunes and streaming online at www.SoundWorkscollection.com
This week we are featuring the 2015 Mix Magazine Presents Sound for Film event hosted at Sony Pictures Studios in Culver City. This event focused on a theme of “The Art of Sound Design: Music, Dialog and Effects in an Immersive World.” The topic of this third roundtable discussion is on dialog recording which included tips and techniques from production through the edit and on to the final mix, with an emphasis on how they all strive to keep the production track and work with post to form the basis of any sound design. This panel was moderated by Jeff Wexler and featured Lee Orloff, Teri Dorman, Gary Bourgeois, Marla McGuire and Stephen Tibbo
This week we are featuring the 2015 Mix Magazine Presents Sound for Film event hosted at Sony Pictures Studios in Culver City. This event focused on a theme of “The Art of Sound Design: Music, Dialog and Effects in an Immersive World.” The topic of this second roundtable discussion is on sound effects including workflow and innovative storytelling for working in Immersive Sound. This panel was moderator by David Bondelevitch and featured Mandell Winter, Scott M. Gershin,Gregory Hedgepath, Richard King and Will Files. This podcast is brought to you in part by RØDE Microphones – providing premium audio products at an accessible price, enabling people around the world to achieve their creative goals. With mics for studio, video-recording and podcasting; you’re bound to find the mic you need. To find out more visit www.rode.com
This week we are featuring the 2015 Mix Magazine Presents Sound for Film event hosted at Sony Pictures Studios in Culver City. This event focused on a theme of “The Art of Sound Design: Music, Dialog and Effects in an Immersive World.” The topic of this first roundtable discussion is on Music: Composing, Editing and Mixing Beyond 5.1, where the panelist discussed the soundtrack’s integration into the sound design and the potential for music to extend beyond the screen. Panelist included Andy Koyama, Bill Abbott, Joseph Magee, Steven Saltzman, Will Kaplan and was moderated Dennis Sands. This podcast is brought to you in part by RØDE Microphones – providing premium audio products at an accessible price, enabling people around the world to achieve their creative goals. With mics for studio, video-recording and podcasting; you’re bound to find the mic you need. To find out more visit www.rode.com
The Rekt Krew reviews the latest bloated Marvel phantasmagoria - "Captain America: Civil War". Paul refuses to call the Black Panther anything other than "Catman". Erik seems to have reached the limit of his tolerance for superhero ensemble movies. Christopher is delighted with the new scrawny smart-alecky Spider-Man, (at long last liberated from the incompetent clutches of Sony Pictures Studios.) Shark hits the nail on the head with his synopsis: the movie is essentially working off a bad, sloppy script and the schism between the Avengers seems forced and utterly avoidable. At the same time the direction is solid, the action scenes are exciting, particularly the fresh hand-to-hand combat scenes, and overall the movie is entertaining...assuming you are not looking too closely at things like character motivation or plot coherence.
(Editor's Note: This episode of Daytime Confidential featuring Victoria Rowell (ex-Drucilla Winters, The Young and the Restless) was set to air as our special 300th episode, however after completing the interview, we realized we couldn't sit on it. Download now to find out why!) From her unforgettable debut in 1990 as Drucilla Barber the street smart niece of Mamie, the Abbott maid, on The Young and the Restless, through today as a world-recognized advocate for foster children and a New York Times Best Selling author, few actresses in the history of daytime television have made the kind of impact of Victoria Rowell. Who better then than Rowell to help Daytime Confidential celebrate our 300th episode? Rowell speaks to Luke and Jamey from Atlanta, GA, where she is busy doing press for her hugely successful memoir The Women Who Raised Me, as well as writing her juicy first novel–Secrets of a Soap Opera Diva. Rowell talks about the experience of being out on the road for the past 17 months "pressing flesh" with the droves of fans who have adored watching her on the big (Distinguished Gentlemen, Eve's Bayou) and small screen (Y&R, Diagnosis Murder) for the past 25 years. She talks passionately about her work with foster children, via the foundation she started almost 20 years ago, the Rowell Foster Children's Positive Plan (RFCPP). She elaborates on how her other passion–ballet–helped her to carve a niche for herself in the world as a 17-year-old girl, fresh from the foster care system and why the RFCPP strongly utilizes the arts to teach its students discipline. Rowell then provides a revealing and sometimes shocking glimpse into her time on The Young and the Restless, where she rose to fame as the insurmountable Dru. She remembers how it felt to work with the legendary Bill Bell, whom she shares she was as "thick as thieves" with. She tells how the daytime pioneer allowed her to help shape many storylines for the Barber-Winters family over the years, including Dru's ballet storyline and the Congressionally-recognized foster care storyline which helped win Bryton McClure (Devon) the Emmy and how that spirit of collaboration and trust died with Bell. She reveals how it feels to have never won the Emmy herself (she was nominated twice and boasts 11 NAACP Image Award) and why she feels a "gang mentality" exists among much of the cast of daytime's number one show in terms of Emmy voting. She tells how on set popularity is measured above actual talent when it comes to making the all-important list of pre-nominees. Rowell goes on to respond to remarks made by former Y&R costar Peter Bergman (Jack Abbott) in an interview with TV Guide Canada's Nelson Branco. Rowell reveals just why she feels Bergman is absolutely right, she wasn't "playing with a full deck", but not in terms of her sanity, in terms of onset equality. She talks about what it was like working opposite Michelle Stafford (Phyllis Newman) and why an onset violation resulted in Sony Pictures Studios (which co-owns the CBS soap with Bell Dramatic Serial Company) having to get involved to facilitate an apology. She answers a Daytime Confidential reader's question about why Lily (Christel Khalil) doesn't seem to have her mother's spirit and responds to questions about when and if she will ever return to Y&R. It's only fitting that this, our 300th episode, is Daytime Confidential's most revealing, poignant, jaw-dropping, interview ever.