Podcast appearances and mentions of warner brothers studios

Here's what to expect on the podcast:Sharissa's journey from tech leadership to coaching.Understanding and identifying burnout.How introverts can thrive in leadership without changing who they are.Balancing work and self-care.Practical tips for introverts to lead with confidence and authenticity.And much more! About Sharissa:Sharissa Sebastian Deppen is the CEO of Leadership Mastery Alliance; a company specializing in supporting introverted servant leaders who are women in corporate leadership. She's a leadership and executive coach with an MBA, MSc in Technology Leadership, and her PCC Certification from the International Coaching Federation (ICF), as well as a Myers Briggs Certified Practitioner. She has 15+ years of corporate leadership experience, in addition to coaching several Fortune 100 leaders and executives.She's also a TEDx speaker and TEDx speaker coach, an award-winning international keynote speaker, a writer for Forbes and the Huffington Post, a member of Forbes Coaches Council, a Professor at Southeastern University, and an advisory board member at the University of South Florida.Her many years of experience include helping leaders draw on their God-given strengths and abilities, see their value, and be able to bring out the best in themselves and others, all while having fun, being fulfilled and not burning out! She's able to masterfully help them navigate their blind spots while thriving in their zone of genius to take their career and leadership to a level that has a significant impact on themselves, their teams and their organization.Her clients include leaders and executives at companies such as LinkedIn, Facebook, Google, Amazon, Twitter, Microsoft, Harpo Studios, Bank of America, CNN, The United Nations, Intuit, SalesForce, BP, Fedex, Comcast, Deloitte, Accenture, Keurig Dr. Pepper, Victoria's Secret, Warner Brothers Studios, US Bank, Coinbase, Ameriprise Financial, Nestle, Virgin, Mars, Slack, Space Force, among others. Connect with Sharissa Sebastian Deppen!Website: https://www.leadershipmasteryalliance.com/Email: info@leadershipmasteryalliance.comLinkedIn: https://www.linkedin.com/in/sharissasebastian/----- If you're struggling, consider therapy with our sponsor, BetterHelp.Visit https://betterhelp.com/candicesnyder for a 10% discount on your first month of therapy.*This is a paid promotionIf you are in the United States and in crisis or any other person may be in danger -Suicide & Crisis Lifeline Dial 988----- Connect with Candice Snyder!Website: https://www.podpage.com/passion-purpose-and-possibilities-1/Facebook: https://www.facebook.com/candicebsnyder?_rdrPassion, Purpose, and Possibilities Community Group: https://www.facebook.com/groups/passionpurposeandpossibilitiescommunity/Instagram: https://www.instagram.com/passionpurposepossibilities/LinkedIn: https://www.linkedin.com/in/candicesnyder/Shop For A Cause With Gifts That Give Back to Nonprofits: https://thekindnesscause.com/Fall In Love With Artists And Experience Joy And Calm: https://www.youtube.com/@movenartrelaxation

On this Season 3 Finale, Virginia and Alex sit down to recount their August 2024 family trip to London that was part of Alex's Christmas and 8th Grade graduation presents for last year!  London had been on the top of his list since he was 5 years old and started watching the Harry Potter movies so the trip included a visit to tour the Warner Brothers Studio where much of Harry Potter was filmed, of course.  They also made it to Buckingham Palace, the Tower of London, Shakespeare's Globe Theatre, and other fun spots around London. Trip Dates: August 24 - September 1, 2024 Interview: recorded 1/1/25   Episode Specific Links: DoubleTree by Hilton London Chelsea WB Studio Tour: The Making of Harry Potter  Hamley's Toy Shop Liberty London El Cenote (Mexican Restaurant in Camden we loved) Fortnum and Mason Afternoon Tea at the Clermont Hotel Buckingham Palace Tour Watching the Changing of the Guard Video: How to Get to the Secret Beach by the Tower Bridge Dirty Bones (restaurant in Soho on Carnaby Street we enjoyed) Today Tix London 606 Jazz Club Shakespeare's Globe Video: Beauty and the Beat (a parody by Todrick Hall)  Sha Xian Delicacies (restaurant in Chinatown) Video: Trailer for “Kathy and Stella's Murder Podcast” (a West End musical we saw) Santa Maria Pizzeria (Fulham neighborhood location) People mentioned in this episode: Beth - @elizabethclifford_ Leoni - @leonibarker Jeanette - @pixiejeanette Maria - @mrsbobo428 Nanci - @nancibat3 Chrissy - @cecagg   Be Our Guest: Do you have an upcoming trip you'd like to share?  Submit your trip information here to be considered as a podcast guest.   Get in Touch: If you would like to reach out to Virginia for something other than a trip report guest submission (for that use the link above!), you may email whereilongtobepodcast@gmail.com.   Follow: Instagram: @whereilongtobepodcast Facebook: @whereilongtobepodcast TikTok: @whereilongtobepodcast Website: whereilongtobepodcast.com

In this episode, Tom and Tony interview a true “artist's artist”, Tod Polson, master animation designer and director.  We discuss Tod's amazing book about Maurice Noble and what he learned from Chuck Jones's main layout artist at Warner Brothers Studios.  We then dive into discussing his newest short film, “The 21” a powerful and stylized film that tells the true story of martyred men of faith in the 90s. This is an amazing, Oscar-worthy short!

Sarah and Vic chat with Nashville-based artist and songwriter and TONS (The Other Nashville Society) 2024 Next Artist Abigail Rose about her life so far, including: Growing up on Music Row, discovering her passion for music and chasing it Coming up in the industry “sweet spot” Taylor Swift created for young women  Evolving sound and artistry while not being Country Abigail's influences and her foundation in strength and femininity How the way the industry looks at women is all wrong, and how it's changing How living in LA helped solidify who she was and the music she makes Collaborating with your significant other, finding your community, and making a record! Coming home to Nashville and building a fan base and reputation Being a 2024 TONS Next artist! Tour, new music, and how the industry is moving forward  And more! Notes: Abigail Rose - https://www.abigailrosemusic.com/ Silver Springs (Live at Warner Brothers Studios in Burbank, CA 5/23/97) - https://www.youtube.com/watch?v=-RYRoQO15ZI

 Johnny Mac shares five uplifting Christmas stories. The Warner Brothers Studio lot in Burbank transforms into Stars Hollow, celebrating the 'Gilmore Girls' 25th anniversary. Taylor Swift and Travis Kelce appear in the artwork for the Philadelphia Eagles' holiday album, 'A Philly Special Christmas Party.' Little Debbie introduces new Christmas-themed treats, and the BBC releases a special documentary about Wham!'s 'Last Christmas.' Lastly, select Spirit Halloween stores convert into Spirit Christmas shops, bringing festive cheer to various northeastern locations. Tune in for more details and festive joy! 00:20 Gilmore Girls Christmas Celebration01:15 A Philly Special Christmas Party02:45 Little Debbie's Christmas Treats03:39 Wham!'s Last Christmas Unwrapped04:08 Spirit Halloween Stores Transform04:54 Conclusion and Podcast Informationnlock an ad-free podcast experience with Caloroga Shark Media! Get all our shows on any player you love, hassle free! For Apple users, hit the banner on your Apple podcasts app. For Spotify or other players, visit caloroga.com/plus. No plug-ins needed!! The bundle of over 20 podcasts is just $4.99 per month, or save 20% with a yearly plan at $49.99. Join today and help support the show!

Internationally renowned composer and conductor Leonard Slatkin believes that the arts have the power to transform us – and his life and body of work exemplify this belief. Slatkin has served as the Music Director of the St. Louis, Detroit, New Orleans, National and Lyon Symphony Orchestras, Chief Conductor of the BBC Symphony Orchestra in London, and Principal Guest Conductor of countless others. Raised in a musical household, he is the son of violinist, conductor and film composer Felix Slatkin and Eleanor Aller, first chair cellist at Warner Brothers Studios. Both were members of the Hollywood String Quartet and contributed to some of the great film scores of old Hollywood. As a result, Stalkin was surrounded by music from an early age - learning several instruments while young and attending The Juilliard School. He went on to build an impressive career, including six Grammy wins and the National Medal of the Arts. Slatkin is the author of several books on music and conducting, most recently “Eight Symphonic Masterworks of the Twentieth Century - A Study Guide for Conductors.” He also served as host of the weekly radio programs “The Slatkin Project” and “The Slatkin Shuffle.” Leonard Slatkin shares with host Alec Baldwin what it was like growing up surrounded by icons like Marilyn Monroe and Frank Sinatra in his home, discusses how he contributes to an orchestra as its Music Director and reflects on what it means to be part of a musical dynasty.See omnystudio.com/listener for privacy information.

Gary and Shannon search the internet far and wide for What's Happening on Friday, June 21st, 2024:Robert F Kennedy Jr. supporters arrived across from Warner Brothers Studios and KFI around Noon. Supporters want RFK Jr. to appear on the debate stage with Biden and Trump on CNN next week. Listen to the impromptu interview with the protest organizer, Laura Jones now!Biden-Trump 2024 presidential debate: What to know and how to watchRFK Jr. Fails to Qualify for CNN Debate With Trump and Biden

"The Dance" es un álbum en vivo de la banda Fleetwood Mac, lanzado en 1997. El álbum fue grabado durante una serie de conciertos en vivo en Warner Brothers Studios en Burbank, California. Incluye versiones actualizadas de algunas de las canciones más populares de Fleetwood Mac, como "Go Your Own Way", "Everywhere" y "Rhiannon", así como algunas nuevas canciones. "The Dance" recibió críticas positivas y fue un éxito comercial, alcanzando el puesto número 1 en las listas de álbumes de varios países. Es considerado uno de los mejores álbumes en vivo de la banda y captura la energía y la magia de sus actuaciones en directo.

We discuss starting out sweeping floors at Warner Brothers Studios, M*A*S*H*, The Goonies, Leslie Nielsen's Fart Machine, and so much more. Mike's IMDB Please check us out on our website and on instagram and like us and review us if you enjoyed the episode. Theme Music - Tatyana Richaud Theme Mix - Charles Papert We'd like to thank Knuckle Puck Camera for sponsoring today's episode. If you'd like to sponsor a future episode, contact us at www.theop.io.  

A globally mobile Afro-Latina and first-generation American who, by age 19, lived in and identified with seven cultures on five continents, Doni Aldine is passionate about creating community for “in-between” cultural populations. She has presented around the globe as a keynote speaker, at conferences, universities and in media as a lifestyle expert focused on media, marketing and multiculturalism. With this background, her education, and lived experiences, she developed university curricula for global culture identity and founded the Culturs Global Multicultural Lifestyle Network. Most recently, Doni consulted on culture for Warner Brothers Studios and Turner Network Television, working with Wonder Woman Director Patty Jenkins and Star Trek Actor Chris Pine; and branding and culture for the Peter Tosh Estate in Jamaica. In 2018, Culturs - The Global Multicultural Magazine Celebrating Cross-Cultural Identity, launched in print and has worked with Colorado State University, The Denver Post, United Nations, World Bank, Coke, New Belgium Brewery, O'Dells Brewery and Turner Broadcasting. The publication reaches more than 9 million through email, mobile, digital and print editions distributed in grocers, booksellers and university and independent bookstores.  Doni uses her global, multi-cultural background, academic training, and career experience in media, management and business to position Culturs as the first-ever digital-first print publication and product marketplace of its kind - one that addresses global and mobile cultural identities, with emphasis on hidden diversity. Learn more about your ad choices. Visit megaphone.fm/adchoices

LaSean Smith is a business creator and software developer. He helps people predictably navigate their entrepreneurial journey. After spending over a decade as a software executive at Amazon and Microsoft, he uncovered patterns to use process as a tool to win in business more often. He's applied his toolkit to start new businesses, produce feature films, and turn around struggling businesses. He's consulted a wide range of clients, including Electronic Arts, Sony, T-Mobile, Target, TOMS Shoes, and Warner Brothers Studios. His expertise in artificial intelligence, behavioral economics, and systems engineering creates a unique talent stack for solving many of today's most challenging business problems. He's been fortunate to help launch products that have found their way into the hands of millions of people. LaSean is also the author of Value-Based Business Design. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's Founder Focus guest is Nick Abrahams. Nick is a Partner and Global Co-leader Digital Transformation of the law firm Norton Rose Fulbright, a global law firm with 7000 people. Nick is also a co-founder of LawPath, a legal platform with over 400,000 users.  Nick is passionate about the law, however his overall journey is nothing short of amazing as you'll hear in this episode.  Nick studied law in the late 80's and then began his law career in the early 90's in Sydney. Nick moved to Tokyo where he not only practiced law, he owned the Tokyo Comedy Store. This ain't no joke! We discuss how comedy fits into communication techniques.  A love of film saw Nick also pursue acting which led him to become an executive with Warner Brothers Studios. Nick shares his lessons from this time, and how this dream didn't really match the reality of the role.  An entrepreneur at heart, Nick joined a dot.com boom era business, learning lessons about growth and market crashes that would serve him well in his future entrepreneurial endeavors and advising entrepreneurs as a lawyer.  In 2013, after seeing a gap in the market for SMEs and entrepreneurs who could not afford traditional legal support, Nick co-founded LawPath. LawPath has grown to over 400,000 happy customers and more than 10,000 5-star online reviews which is an incredible testament to getting product market fit validation early on - something Nick talks about in this episode.  Nick has a deep interest in artificial intelligence, and shares where he sees this innovation taking companies.  There is so much to learn from this episode, and we hope you enjoy it as much as we enjoyed recording it.  hello@tribeglobal.vc 

For the bulk of his career, Alan Shayne relied on the creativity of others. Alan Shayne (born November 21, 1925 in Boston, Massachusetts) was President of Warner Brothers Television for ten years, where he shepherded such hit shows as Alice, The Dukes of Hazard, Night Court, Scarecrow and Mrs. King, Head of the Class and Growing Pains. In addition to holding other positions at the Warner Brothers Studio, he has been an independent film and television producer with such projects as The Bourne Identity starring Richard Chamberlain (nominated for an Emmy), and he won a Christopher Award for The House Without a Christmas Tree. Prior to that, he was an actor on Broadway and in television. Shayne is the author of the children's book, The Minstrel Tree¸ illustrated by Sunshine. Norman Sunshine is a painter and sculptor whose work is in the permanent collections of the Museum of Contemporary Art in Los Angeles and the Los Angeles County Museum of Art. Earlier in his career, he was a fashion illustrator and Vice President, Creative Director of Trahey Advertising, where he coined the phrase "What Becomes a Legend Most?" for Blackglama Minks and "Danskins are not just for Dancing."  In 1988, he served as Design Director of Lear's Magazine. View his artwork at www.normansunshine.com “A fascinating, frank and page-turning memoir about the lifelong love affair of two extraordinary men” (Candace Bushnell, author of Sex and the City). The human story at the center of this debate is told in Double Life, a dual memoir by a gay male couple in a fifty-plus year relationship. Double Life is a trip through the entertainment world and a gay partnership in the latter half of the twentieth century. As more and more same sex couples find it possible to say “I do,” the book serves as an important document of how far we've come.

LaSean Smith is a former executive at Amazon + Microsoft who is currently making his mark as a full-time investor and founder of Private Equity firm, CAGR Investments. He's on a mission to take what he's learned as an active solopreneur, big company executive, feature film producer, private equity investor, and software developer to help others win without permission.   00:36: About LaSean Smith and his journey.  LaSean is a seasoned technology executive who has worked on some of the largest consumer technology products in the world. He began his career in the US Navy, built his software engineering and user experience skills at early-stage startups, and helped pioneer entertainment services on mobile phones. He's also founded multiple companies and worked as a consultant for clients that include Cablevision, Electronic Arts, Sony, T-Mobile, Target, TOMS Shoes and Warner Brothers Studios. He managed the Windows Experiences business design team at Microsoft and helped build products across factors that include AR/VR, game consoles, mobile and PC. He's been fortunate to help launch products that have found their way into the hands of millions of people. His quest continues to fill the world with fresh ideas, new sounds, bold images, and captivating experiences. --- Support this podcast: https://podcasters.spotify.com/pod/show/tbcy/support

I was happy to welcome back novelist Martin Turnbull, my most popular guest on the podcast to date. We talked about Bogart, Bacall, Hollywood and Warner Brothers Studios during World War II and how they are featured in his Hollywood Homefront Trilogy including the recently released finale to this fascinating blend of fact and fiction You Must Remember This. You can learn more about Martin Turnbull's many books, including his Hollywood Home Front Trilogy, at his official website. I also highly recommend following his fascinating Twitter account where he shares lots of photos and information about vintage LA & Hollywood. The show is available on— Apple Spotify Amazon Music PocketCasts Breaker Sticher Google Radio Public Like the podcast? Want to hear more frequent episodes? Subscriptions are as low as 99 cents a month You can also support my work on ko-fi --- Support this podcast: https://podcasters.spotify.com/pod/show/k-cruver/support

Poetry comes in many forms. Dr. Joshua Bennett explores the history of “spoken word” and its expansion of the contours of poetry and its ability to capture the urgent, social issues of the day. Bennett is the author of five award-winning books of poetry, criticism, and narrative nonfiction, including “Spoken Word: A Cultural History,” “The Study of Human Life,” which is currently being adapted for television in collaboration with Warner Brothers Studios, “Owed,” “Being Property Once Myself” and “The Sobbing School.”  He has received fellowships and awards from the Guggenheim Foundation, the Whiting Foundation, the National Endowment for the Arts, and the Society of Fellows at Harvard University.  His writing has been published in The Atlantic, The Best American Poetry, The New Yorker, The New York Times, The Paris Review, and elsewhere.  He has recited his original works at the Sundance Film Festival, the NAACP Image Awards, and President Obama's Evening of Poetry and Music at the White House.  He has also performed and taught creative writing workshops at hundreds of middle schools, high schools, colleges, and universities across the United States, in the U.K. and in South Africa.  Bennett currently teaches literature at Massachusetts Institute of Technology.  He earned his Ph.D. in English from Princeton University, and a master's degree in Theatre and Performance Studies from the University of Warwick, where he was a Marshall Scholar.See omnystudio.com/listener for privacy information.

Editors - Jason Ballantine ACE and Paul Machliss ACE While THE FLASH editors Jason Ballantine ACE and Paul Machliss ACE* both hail from Australia, this latest entry in the DCEU would be their first time meeting one another.  Both editors have been advancing their careers away from their homeland for quite some time.  Jason has worked in LA for the past ten years, while Paul has been in London for the last twenty.  The director who would be responsible for bringing these two together is Andy Muschietti, Jason's director for IT (2017) and IT CHAPTER TWO (2019).  The two editors split editing duties pretty much down the middle for THE FLASH, each taking five of the film's ten reels.  One thing that did separate them for much of the film's development was geography.  While Jason was holding down the fort at Warner Brothers Studios in LA, Paul was on location in the UK for seven months, assembling main unit footage with Muschietti.  Following production, Machliss would join Jason in LA for six additional months of editing.  And it would be six more months before Ballantine would put the final touches on the highly anticipated "metahuman" movie. Based on the DC Comics character of the same name, THE FLASH is the thirteenth installment in the DC Extended Universe (DCEU). The film is directed by Andy Muschietti from a screenplay by Christina Hodson and stars Ezra Miller as Barry Allen (The Flash) alongside Ben Affleck, Michael Keaton, Sasha Calle, Michael Shannon, Ron Livingston and Maribel Verdú.  In the film, Barry travels back in time to prevent his mother's death, which traps him in an alternate reality without metahumans. Barry enlists the help of; his younger self, an older Batman and the Kryptonian castaway Supergirl in order to save this world from General Zod and return to his universe. JASON BALLANTINE ACE Jason Ballantine began his editing career in the horror genre (one which he would return to often) with the Australian thriller WOLF CREEK (2005).  From there he would edit other fright flicks, such as PROM NIGHT (2008), CRUSH (2009) and NEEDLE (2010).  But it would be his work on director Andy Muschietti's adaptation of Stephen King's IT (2017) and IT: CHAPTER TWO (2019) that would put an exclamation point on Jason's work in the horror medium.  Jason has also previously teamed up with directors Baz Luhrmann and Matthew Vaughn for THE GREAT GATSBY (2013) and THE KING'S MAN (2021) respectively. PAUL MACHLISS ACE While known most prominently for his work with Edgar Wright; SPACED (1999-2001), SCOTT PILGRIM VS THE WORLD (2010), THE WORLD'S END (2013), BABY DRIVER (2017) and LAST NIGHT IN SOHO (2021), Paul also edited; the pilot episode of FLEABAG (2016), eighteen episodes of THE IT CROWD (2006-2008) and films such as THE KID WHO WOULD BE KING (2019) and THE GENTLEMEN (2019).  For his work on BABY DRIVER, Paul was nominated for an Oscar® alongside co-editor John Amos. * [Publisher's Note] The guests wish to express their regret and apologies for using he/him pronouns in referencing Ezra Miller (they/them). No disrespect was intended toward Ezra or anyone else.  This oversight should be attributed to all of the following conditions: jet lag, old age, and recording this interview way too early on a Sunday morning.  Thanks for your understanding. Editing The Flash In our discussion with THE FLASH editors, Jason Ballantine ACE and Paul Machliss ACE, we talk about: Turning up the volume capture way past eleven Taking techniques from Baby Driver to a Baby Shower Sounds that shouldn't be heard, but still be felt Editors having The Knack for needle drops...until they don't Scoring points off Zack Snyder and Danny Elfman The Credits Visit ExtremeMusic for all your production audio needs Hear Jason Ballantine talk about IT Chapter 2 and The Guilty Listen to Paul Machliss talk about Baby Driver and Last Night in Soho Check out the free trial of Media Composer | Ultimate Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

“Let's go ahead and dive into our story, shall we?” says Priscilla, about how she and Lauren met and the experiences that led to founding Forward Female, their coaching and creative agency which helps female entrepreneurs reach their goals and find community. Priscilla always knew she wanted to work in news, and studied journalism at college in Texas before moving to L.A. to intern at Warner Brothers Studios and later work at Bumble in digital marketing. She hosted a brunch where she met Lauren, a graduate of L.A.'s Fashion Institute of Design and Merchandising who at the time was a photographer and ran a creative agency. Lauren was lucky to find a wonderful mentor (NJ Falk) who showed her the ropes of business and entrepreneurship straight out of college which years later led into the beautiful business partnership they all three have today at Forward Female.    Their meeting reiterates the crucial importance of networking, putting yourself out there, and building relationships. The two believe in manifestation and that all opportunities, people, and challenges are put in our lives for a reason, so that we can grow and evolve. Prior to them starting Forward Female they noticed that many people acted as gatekeepers to information and didn't want to share their knowledge or help others. Women especially, tended to be cliquey and competitive rather than empowering and collaborative with each other.    With all of these motivations in mind, the two set out to create a business with the idea that when women come together, everyone can succeed faster and more efficiently. You'll hear them describe the early days of Forward Female, the way it evolved pre-and-post pandemic. And just how excited and grateful they are to have listeners join them as they continue along on this journey.    Quotes “Networking is huge. The way you present yourself and put yourself out there, it's all about building those relationships. That's how beautiful things come to view.” (7:50-8:00 | Lauren) “There's enough room at the table for everybody to succeed.” (13:49-13:53 | Priscilla)  “The mission has always been to empower, inspire, and to help women start and grow businesses.” (14:54-14:59 | Lauren) “The beautiful part of what we've been able to do thus far is meet so many incredible women that believe in the same thing that we do…And we know that if you're listening to this podcast, that you're on this journey with us, too.” (20:05-20:33 | Priscilla) ABOUT FORWARD FEMALE: The Forward Female is a coaching and creative agency helping women around the world build successful businesses and a thriving community. We help women navigate their business goals through our business development coaching programs, full-service creative agency, entrepreneurial community, and events. Whether in the beginning stages of a new business or leveling up an existing one, The Forward Female has all the tools entrepreneurs need to eliminate overwhelm and get into action. Links   Instagram: @forwardfemale @hernextbigmove Website: www.forwardfemale.com Join Community: https://theforwardfemale.mn.co/ Schedule Consultation: https://calendly.com/the-forward-female/discovery-call Email Us: hello@forwardfemale.com Podcast production and show notes provided by HiveCast.fm

This week on The Reel Debaters Micheal and Rob review Silo, Shiny Happy People and Spider Man Into The Spider Verse and talk Batman 89, The Flash predictions and critics review and love on Warner Brothers Studios at 100In our Batman '89 segment, we uncover the cultural impact of Tim Burton's dark and brooding vision of the Caped Crusader. From Michael Keaton's iconic portrayal of Batman to Jack Nicholson's unforgettable Joker, we delve into the film's groundbreaking visuals, compelling storytelling, and its lasting influence on the superhero genre. Tune in as we explore the legacy of Batman '89 and its place in cinematic history.Next up, we turn our attention to the upcoming film The Flash. With its groundbreaking concept of the multiverse, The Flash promises to deliver an epic adventure that transcends time and space. We discuss the exciting casting choices, including Ezra Miller reprising his role as the Scarlet Speedster alongside a star-studded ensemble. Join us as we speculate on the impact of this highly anticipated film on the DC Extended Universe and the broader superhero landscape.As Warner Brothers celebrates its centennial anniversary, we reflect on a century of groundbreaking entertainment. From timeless classics to modern blockbusters, we explore the studio's rich history and its contributions to the world of film and television. Join us as we delve into Warner Brothers' iconic franchises, memorable characters, and innovative storytelling techniques that have shaped popular culture for a hundred years.Wanna send us your opinion on this week's episode? Hit up our voicemail and drop us a comment.RD voicemail Events:Join us at Movies In The Park this summer as re record live from a field while a bunch of awesome movies play and we talk about them. Follow our social media below and come over and say high if you're there. HousekeepingLike being in the know? Hate FOMO? Follow us online below to never miss a live show, contest or give away and don't forget to subscribe to the show on your podcast player.TwitterFacebookInstagramYoutubeDonate to the causeAbout UsThe Reel Debaters Podcast is the podcast from the Cinefiles at Sick Bad Panda Studios located in the centre of Canada in a basement studio watching way too many moviesEach week a cast of film obsessed nerds with selected colleagues and friends sit down and use one of our many patented formats to compare, contrast and insult each other for your cinematic amusements with situational debates created from their favourite films and shows Example: Could James Bond be a Chef? Should The Ghostbusters have their own restaurant?What would Indiana Jones and Lara Croft's wedding look like?Maybe you wanna find out if Conan The Barbarian could teach Sex Ed?You get the picture.At The Reel Debaters we have all your film needs covered, arguing the best releases big and small and reassessing great films and in between debates

In 1941, Warner Brothers story editor Irene Diamond was in New York when she discovered the script to an un-produced play called Everybody Comes to Rick's. She convinced Hal Wallis to buy the rights to the script in January of 1942 for twenty-thousand dollars. The project was renamed Casablanca. Humphrey Bogart was cast as Rick Blaine, an expatriate nightclub owner hiding from a suspicious past and negotiating a fine line among Nazis, the French underground, the Vichy prefect, and unresolved feelings for his ex-girlfriend. Ingrid Bergman was cast opposite Bogart with Claude Rains, Sydney Greenstreet, Paul Henreid, Peter Lorre, and Dooley Wilson in supporting roles. Michael Curtiz directed. Principal photography began on May 25th, 1942. The film was shot entirely at Warner Brothers Studios in Burbank, California, with the exception of one sequence at Van Nuys Airport in Los Angeles. As Ingrid Bergman mentioned in an interview with the CBC, no one involved with Casablanca's production expected it to be good. It was rushed to take advantage of the publicity from the Allied invasion of North Africa and had its world premiere on November 26th, 1942, in New York City. It was nationally released on January 23rd, 1943. But Casablanca quickly became iconic. Many exiled and cause-sympathetic film actors appeared in cameos, including Helmut Dantine, Dan Seymour, Madeleine Lebeau, Frank Puglia, Jack Benny, Marcel Dalio, Leonid Kinskey, Torben Meyer, Ilka Grünig, Ludwig Stössel, and Wolfgang Zilzer. A witness to the filming of the "duel of the anthems" sequence said he saw many of the actors crying because they knew that they were all real-life refugees. The film was nominated for eight Oscars, including Bogart for best actor, and Casablanca won best picture, best direction, and best adapted screenplay at the 1943 Academy awards. On April 26th, 1943, six weeks after the awards, the Screen Guild Theater broadcast an adaptation of the film.

Every week, X8 Global Luxury Travel Podcast brings you the most exotic properties in the most luxurious destinations around the world. From Monaco to the Maldives, from Bali to Borneo to Bahrain, if five stars is your minimum, you'll find them all on X8. 00:41: Welcome back to X8; thanks so much for joining us and for subscribing! 01:25: Intro and welcome Aditya Prasad from the The Park Hyatt Abu Dhabi 02:00: We are big fans of any Park Hyatt! 02:20: How are you able to create such a comfortable, high-level environment? 03:25: Everyone gets just what they want; from children to honeymooners! 03:45: Tell us about the new, current Abu Dhabi? What's it like? 04:20: Ref: https://www.yasisland.com Warner Brothers Studios, Ferrari World, etc 05:50: Ref: F1's Abu Dhabi Grand Prix 2023!  06:45: Tell us about the hotel; it's more chill and approachable than some right? 08:00: ref: Golf Course and Restaurants on the island serving various cuisines 08:05: Tell us about family fun? 10:15: What is the best way for a first-time visitor to soak it all up? Ref: The Louvre 10:50: How do you live like a local? 12:20: Saturdays and Sundays in Abu Dhabi are now the weekend days! 13:00: Ref: Mamsha Al Saadiyat promenade and playground  13:47: How can people find out more about your property?  Web: https://www.hyatt.com/en-US/hotel/united-arab-emirates/park-hyatt-abu-dhabi-hotel-and-villas/abuph 14:04: Thank you Aditya, and thank you for joining us! We'll be back the week after next with another new episode, till then~ Stay safe & keep traveling!! You can find us and more info on the web at www.x8travelpodcast.com or email us at info@explorateurjourneys.com Also on Instagram @theexplorateur and Facebook here: https://www.facebook.com/theexplorateur [Editors note:  Original audio file for this podcast revised on March 21, 2023. Please re-download this episode if yours was short] 

This week, we finish our three part episode on the 1980s distribution company Vestron Pictures. ----more---- The movies discussed on this week's episode are: The Adventures of a Gnome Named Gnorm (1990, Stan Winston) Big Man on Campus (1989, Jeremy Paul Kagan) Dream a Little Dream (1989, Marc Rocco) Earth Girls Are Easy (1989, Julien Temple) Far From Home (1989, Meiert Avis) Paperhouse (1989, Bernard Rose) Parents (1989, Bob Balaban) The Rainbow (1989, Ken Russell) Wonderland (1989, Philip Saville)   TRANSCRIPT From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today.   At the end of the previous episode, Vestron Pictures was starting to experience the turbulence a number of independent distributors faced when they had a successful film too soon out of the gate, and the direction of the company seemingly changes to go chasing more waterfalls instead of sticking to the rivers and the lakes they were used to.   Welcome to Part Three of our miniseries.   As we enter 1989, Vestron is seriously in trouble. More money has gone out then has come back in. It seems that they needed one more hit to keep going for a while longer. But if you were to look at their release schedule for the year, which included a pickup from the recently bankrupt DeLaurentiis Entertainment Group, there wasn't really anything that felt like it could be a Dirty Dancing-like break out, except for maybe the pickup from the recently bankrupt DeLaurentiis Entertainment Group.    But we'll get there in a moment.   Their first film from 1989 is a certifiable cult film if there ever was one, but the problem with this label is that the film tagged as so was not a success upon its initial theatrical release. Bob Balaban, the beloved character actor who had been regularly seen on screen since his memorable debut in Midnight Cowboy twenty years earlier, would make his directorial debut with the black comedy horror film Parents.   Bryan Madorsky stars as Michael Laemle, a ten year old boy living in the California suburbs in the 1950s, who starts to suspect mom and dad, played by Mary Beth Hurt and Randy Quaid, might be cannibals. It's a strange but fun little movie, and even Ken Russell would compare it favorably over David Lynch's Blue Velvet during one contemporary interview, but sadly, it would take far more time for the film to find its audience than Vestron could afford.   Opening in 94 theatres on January 27th, the $3m Parents could not overcome a series of negative reviews from critics, and it would only gross $278k in its first three days. Vestron would not strike any additional prints of the film, and would cycle the ones they did have around the country for several months, but after four months, the film could only attract $870k in box office receipts. But it would become something of a cult hit on video later in the year.   In 1992, British filmmaker Bernard Rose would make his American directing debut with an all-time banger, Candyman. But he wouldn't gotten Candyman if it wasn't for his 1989 film Paperhouse, an inventive story about a young girl whose drawings seem to manifest into reality. British actor Ben Cross from Chariots of Fire and American actress Glenne Headly from Dirty Rotten Scoundrels plays the young girl's parents.   Outside of Gene Siskel, who would give the film a thumbs down on his movie review show with Roger Ebert despite acknowledging Rose's talent as a filmmaker and being fascinated by the first two-thirds of the movie, the critical consensus was extraordinary. But it appears Siskel may have never actually written a review of the film for the Chicago Tribune, as the film still has a 100% Fresh rating on Rotten Tomatoes. But the film would only earn $6,700 from its single screen playdate at the Carnegie Hall Cinemas when it opened on February 17th, and the film would get little support from Vestron after that. More single playdates in major cities that added up to a $241k box office tally after fourteen weeks in release.   Marc Rocco's Dream a Little Dream would be the third film in The Two Coreys Cinematic Universe. Corey Feldman plays a high school student who, through one of the strangest plot twists in the whole body switching genre, finds himself switching places with two time Academy Award-winner Jason Robards, playing a professor who is looking for immortality through entering a meditative alpha state. Meredith Salinger and Piper Laurie also find themselves switching bodies as well, while Corey Haim plays the goofball best friend with not a whole lot to do. The supporting cast also includes veteran character actors Harry Dean Stanton and Alex Rocco, the latter who agreed to do the film because it was directed by his son.   When the film opened on March 3rd, it would be Vestron's second widest release, opening on more than 1,000 theatres. But just like the previous year's License to Drive, the pairing of Corey Haim and Corey Feldman did not set the box office on fire, opening in fifth place with $2.57m in ticket sales, compared to the #1 film of the week, the Morgan Freeman drama Lean on Me, which would gross twice as much as Dream a Little Dream while playing in 125 fewer theatres. In its second week, the film would lose 56 theatres and 52% of its opening weekend audience, falling all the way to 13th place with a gross of only $1.25m. By week three, the movie would move to dollar houses, and trudge along for several more months, until it closed in the middle of summer with only $5.55m in the till.   In the late 1970s and early 1980s, writer/director Jeremy Paul Kagan had directed and occasionally written several big ticket movies, including the 1977 Henry Winkler drama Heroes, which also starred Sally Field and, in his first post-Star Wars movie, Harrison Ford, and the 1985 Meredith Salinger/John Cusack adventure film The Journey of Natty Gann. Which makes his Natty Gann follow up, Big Man on Campus, such a head scratcher.   A modern adaptation of The Hunchback of Notre Dame, Big Man on Campus was written by Allan Katz, who had been working in television for nearly twenty years writing for and producing shows like All in the Family, Sanford and Son, The Mary Tyler Moore Show and MASH. Katz would also star in the movie as the titular hunchback, even though he had never once acted on any of his shows. But at least he had a good cast supporting him, including Gerrit Graham, Melora Hardin, Jessica Harper, Tom Skerritt, and Cindy Williams.   I can only find one playdate for the film ever, in Los Angeles at the American Cinematheque in March 1989, so while this mostly qualifies as a direct to video release, I feel compelled to at least give it a token mention here.   Have you ever heard of a movie called The Fruit Machine? Of course you haven't, because that's a horrible name for a movie, no matter what it's about. When Vestron acquired this British drama about young gay men who go on the run after they witness a murder, the first thing they did was change the title to Wonderland. Not that Wonderland gives you any more of an idea of what the movie is about than The Fruit Machine. But, whatever.   Today, the movie has two things going for it. One, an early role for Robbie Coltrane, playing a transvestite who operates a nightclub for gay men and transvestites called, you guessed it, The Fruit Machine. Second, the musical score was written by Hans Zimmer, in one of his earliest film jobs. Ironically, Wonderland would be the the third movie scored by Hans Zimmer to be released by Vestron in a four month period, after Burning Secret and Paperhouse.   Wonderland would open at the Quad Cinemas in New York City on April 28th, to poor reviews but a decent $11,500 opening weekend. But the film would not be able to maintain much of an audience, and after five weeks, Wonderland was out of the Quad Cinemas, never to play another theatre in America, with just $50k in the till.   Ken Russell's third and final film in his contract with Vestron was The Rainbow, an adaptation of a 1915 novel by D.H. Lawrence, whose 1920 novel Women in Love had been adapted by Russell in 1969. Glenda Jackson, who had won the Academy Award for her role in Women in Love, here plays the mother of the character she played in the other film. Here, she co-stars with Sammi Davis as Ursala, the younger sister of Jackson's Women in Love character, who finds herself attracted to Anton, a young man in town, as well as her gym teacher Winifred.   As one would expect from Ken Russell, the supporting cast is top notch, including future Eighth Doctor Paul McGann, regular Russell collaborator Christopher Gable, and Blowup star David Hemmings. The film would open at the Paris Theatre in New York City on May 5th, where it would gross a very good $22k, spurred on by great reviews from most of the city's major critics, several of which noted the film to be Russell's best in a number of years. So it would be sad that the film would end up being the lowest grossing of the three films he'd make with Vestron, only earning a total of $444k after three months in mostly single playdates in major markets.   In 1985, Geena Davis and Jeff Goldblum would work together on a forgettable horror comedy film called Transylvania 6-5000, whose name was a pun on a popular 1940 song recorded by Glenn Miller. In 1986, the pair would work together again in David Cronenberg's amazing remake of the cheesy 1950s horror film The Fly. In late 1987, shortly after the pair married, they would work together for a third time, on another comedy, and on a movie that was this time based on an actual song.    Earth Girls Are Easy was the name of a song that appeared on comedian Julie Brown's 1984 EP Goddess in Progress, and was originally developed as a movie at Warner Brothers Studio. The studio would get cold feet when Absolute Beginners, the big British musical directed by music video director Julien Temple, failed big time everywhere in the world except for the UK. Temple was slated to direct Earth Girls Are Easy, and Brown, as the co-writer and co-star of the film, was committed to the filmmaker, even if it meant Warners putting the film into turnaround.   Which they did, in 1986.   It would take nearly a year to get the project back on track, after being rejected by every other major studio and production company in Hollywood, until the French banking giant Credit Lyonnais agree to finance the film, provided they could cut the budget from $14m to $10m, and if the filmmakers could make a distribution deal with the bank's preferred distributor, the then newly-formed DeLaurentiis Entertainment Group.   The film, about a manicurist in Los Angeles who helps three aliens blend into human culture after they accidentally crash land their spaceship into her pool, would begin production in Los Angeles in October 1987. Davis played the manicurist, and Goldblum one of the aliens, alongside Damon Wayans and Jim Carrey, while the remaining cast would include a number of great comedic actors like MASH's Larry Linville, Michael McKean, Rick Overton, and Charles Rocket, as well as Los Angeles media personality Angelyne as basically herself.   While the film was nearing completion in early 1988, the DeLaurentiis Entertainment Group would go out of business, leaving Credit Lyonnais in need of a new distributor for their investment. But after Temple turned in his first cut of the film, Credit Lyonnais would send Temple back into his editing bay, where he and his team would spend nearly another five months  winnowing out various scenes and completely excising a big and expensive musical number based on one of the other songs on Brown's 1984 EP, I Like ‘Em Big and Stupid, because it just didn't work for the film. Additional scenes would be shot, and the budget would end up being $11m.    The film would have its premiere at the Toronto Film Festival in September 1988, and attract attention from a number of distributors including MGM/UA, New World Pictures and Twentieth Century-Fox, but Vestron would end up putting in the winning bid.   The film would originally be set for a February 1989 release, but would get delayed until May 12th. When it finally opened on 317 screens in Boston, Chicago, Los Angeles, New York, Philly, San Francisco, Toronto and Washington DC, the film would gross $893k, putting in twelfth place for the weekend, but its per screen average would be the fourth best amongst the films in the top twenty. The film would fall one place in its second week,  losing 35% of its opening weekend audience, grossing $577k. The film would slowly hemorrhage theatres and box office until the plug was pulled in mid-July with only $3.9m in tickets sold.   The sole lasting legacy of the film is that Damon Wayans enjoyed working so much with Jim Carrey that when Damon's brother Kenan Ivory Wayans was putting together a new comedy television show together thanks to the success of his movie I'm Gonna Get You Sucka, Damon would get his brother to give Carrey a chance. In Living Color would make Carrey and the Wayans Brothers stars, and would change the course of comedy. So there's that…   In late June, the Lightning Pictures imprint would release their first movie in nearly two years, Far From Home. The film starred the then-fourteen year old Drew Barrymore as a young girl traveling cross country with her father, who get stuck in a small desert town in Nevada on their way to back to Los Angeles, who must deal with some very strange characters in the trailer park they're staying in, as they slowly discover nothing is as it's supposed to be. Matt Frewer, Max Headroom himself, plays the dad, who must protect his daughter while he figures out how to get the hell out of town alive.   Truth be told, the movie sucks, and it's really creepy in how it sexualizes Barrymore, but there's one hell of a great supporting cast doing their best to keep the joint from totally stinking the place up. Richard Masur, Academy Award nominee Susan Tyrell, Anthony Rapp from Adventures in Babysitting, Jennifer Tilly, and beloved character actor Dick Miller. When Vestron opened the film in four theatres in third-tier regions on June 30th, it was little surprise the film got some very bad notices, although one unnamed reviewer for Variety felt the need to note that Barrymore, who again was only fourteen at the time, had “a baby face, dreamy eyes and a playboy model's body.” The film would gross just $3,763 in its first and only weekend in theatres.   But that wasn't even the worst news of the week for Vestron.   On the same day as they opened Far From Home, Vestron had been informed by Security Pacific Bank in Los Angeles that the $100 million line of credit the company had with them was being terminated. 140 of the approximately 300 Vestron staff members, mostly from the Los Angeles office, were let go, including the President of Production, the Senior Vice President of Marketing and Distribution, and the Vice President of Publicity and Promotion. While Vestron Video would continue for a while, in large part thanks to a $15.7m payoff during a dispute over home video ownership rights to the 1986 Best Picture winner Platoon, the theatrical distribution unit was effectively dead. Some movies, including the Fred Savage/Howie Mandel comedy Little Monsters, the Harry Dean Stanton-led comedy Twister, and the Kathryn Bigelow-directed action thriller Blue Steel with Jamie Lee Curtis, would be sold off to other companies, but the titles left behind would see their planned theatrical releases cancelled and eventually be released direct to video.   Thanks to some of the legacy titles in their video catalog, including Dirty Dancing, Vestron would be able to stave off the inevitable, but in January 1991, the company would file for bankruptcy, their final film being the Stan Winston-directed fantasy buddy comedy The Adventures of a Gnome named Gnorm. Filmed in 1988 as Upward, the film featured Anthony Michael Hall as an Los Angeles Police Detective who has to team up with a gnome, a puppet created by Winston, the effects wizard who also directed the film, to solve a murder. For Winston, it was deja vu all over again, as his previous directorial effort, Pumpkinhead, found itself in limbo for a while when its distributor, the DeLaurentiis Entertainment Group, filed for bankruptcy in 1987 before they could release that film.   In bankruptcy court, Live Entertainment, partially owned by 1990s mega movie production company Carolco Pictures, would purchase all of Vestron's assets for $24m. Live used the assets as collateral to secure a line of credit from industry friendly banks, so they could start their own production and distribution company, of which their only moment of note was helping to finance Reservoir Dogs when no one else would.   Eventually, Live Entertainment would be sold off to Bain Capital, a private investment firm co-founded by Mitt Romney, in 1997, and they would rebrand Live as Artisan Entertainment. Artisan today is best known as the little independent distributor of The Blair Witch Project, but they also would enter into an agreement with Marvel Comics to make movies for 15 of their characters, including Ant-Man, Black Panther, Deadpool, Iron Fist, Longshot, Morbius, Mort the Dead Teenager, and the Power Pack.   Artisan would produce two movies based on Marvel characters, Man-Thing and The Punisher, although neither of those films would be released by Artisan. Artisan would declare bankruptcy in 2003, and Marvel would be one of the companies to place a bid for them. Lionsgate would end up becoming the winning bidder for Artisan's assets, which is how the vast majority of Vestron titles are now owned by a company that didn't even exist when Vestron closed shop.   Today, Lionsgate is the owner of the assets of a number of the companies we've spoken about on this podcast in the past, and will be talking about in the future, including Crown International, the DeLaurentiis Entertainment Group, Embassy Pictures, and New World Pictures. And it's also a major reason why so many of the movies we discuss in these episodes looking back at past companies are completely unknown today. As big as Lionsgate is, with nearly $3.6 billion in revenue in 2022, they aren't going to be able to keep up with the chain of ownership for every movies from every company they've purchased, and they're not going to put the money in to the movies that are barely remembered today. The Film Foundation, the non-profit organization co-founded by Woody Allen, Francis Ford Coppola, Martin Scorsese and Steven Spielberg, which is dedicated to film preservation, estimates the average cost to do a photochemical restoration of a color feature with sound to between $80,000 to $450,000 dollars, not including the cost of a 2k or 4k digital scan. I'm going to have a link in the show notes on our website at The80sMoviePodcast.com to a November 2018 article from the Science History Institute about the process of restoring films. It's not a long read, but it's a fascinating read. I hope you'll check it out.   So there you have it, the end of the line for Vestron Pictures, and many of the movies they helped to make and distribute, most of which you cannot find today in any form.   Thank you for listening.   We'll talk again next week when Episode 105, on the 1985 teen comedy O.C. and Stiggs, directed by Robert Altman, will be discussed.   Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about the movies we covered this episode.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.

This week, we finish our three part episode on the 1980s distribution company Vestron Pictures. ----more---- The movies discussed on this week's episode are: The Adventures of a Gnome Named Gnorm (1990, Stan Winston) Big Man on Campus (1989, Jeremy Paul Kagan) Dream a Little Dream (1989, Marc Rocco) Earth Girls Are Easy (1989, Julien Temple) Far From Home (1989, Meiert Avis) Paperhouse (1989, Bernard Rose) Parents (1989, Bob Balaban) The Rainbow (1989, Ken Russell) Wonderland (1989, Philip Saville)   TRANSCRIPT From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today.   At the end of the previous episode, Vestron Pictures was starting to experience the turbulence a number of independent distributors faced when they had a successful film too soon out of the gate, and the direction of the company seemingly changes to go chasing more waterfalls instead of sticking to the rivers and the lakes they were used to.   Welcome to Part Three of our miniseries.   As we enter 1989, Vestron is seriously in trouble. More money has gone out then has come back in. It seems that they needed one more hit to keep going for a while longer. But if you were to look at their release schedule for the year, which included a pickup from the recently bankrupt DeLaurentiis Entertainment Group, there wasn't really anything that felt like it could be a Dirty Dancing-like break out, except for maybe the pickup from the recently bankrupt DeLaurentiis Entertainment Group.    But we'll get there in a moment.   Their first film from 1989 is a certifiable cult film if there ever was one, but the problem with this label is that the film tagged as so was not a success upon its initial theatrical release. Bob Balaban, the beloved character actor who had been regularly seen on screen since his memorable debut in Midnight Cowboy twenty years earlier, would make his directorial debut with the black comedy horror film Parents.   Bryan Madorsky stars as Michael Laemle, a ten year old boy living in the California suburbs in the 1950s, who starts to suspect mom and dad, played by Mary Beth Hurt and Randy Quaid, might be cannibals. It's a strange but fun little movie, and even Ken Russell would compare it favorably over David Lynch's Blue Velvet during one contemporary interview, but sadly, it would take far more time for the film to find its audience than Vestron could afford.   Opening in 94 theatres on January 27th, the $3m Parents could not overcome a series of negative reviews from critics, and it would only gross $278k in its first three days. Vestron would not strike any additional prints of the film, and would cycle the ones they did have around the country for several months, but after four months, the film could only attract $870k in box office receipts. But it would become something of a cult hit on video later in the year.   In 1992, British filmmaker Bernard Rose would make his American directing debut with an all-time banger, Candyman. But he wouldn't gotten Candyman if it wasn't for his 1989 film Paperhouse, an inventive story about a young girl whose drawings seem to manifest into reality. British actor Ben Cross from Chariots of Fire and American actress Glenne Headly from Dirty Rotten Scoundrels plays the young girl's parents.   Outside of Gene Siskel, who would give the film a thumbs down on his movie review show with Roger Ebert despite acknowledging Rose's talent as a filmmaker and being fascinated by the first two-thirds of the movie, the critical consensus was extraordinary. But it appears Siskel may have never actually written a review of the film for the Chicago Tribune, as the film still has a 100% Fresh rating on Rotten Tomatoes. But the film would only earn $6,700 from its single screen playdate at the Carnegie Hall Cinemas when it opened on February 17th, and the film would get little support from Vestron after that. More single playdates in major cities that added up to a $241k box office tally after fourteen weeks in release.   Marc Rocco's Dream a Little Dream would be the third film in The Two Coreys Cinematic Universe. Corey Feldman plays a high school student who, through one of the strangest plot twists in the whole body switching genre, finds himself switching places with two time Academy Award-winner Jason Robards, playing a professor who is looking for immortality through entering a meditative alpha state. Meredith Salinger and Piper Laurie also find themselves switching bodies as well, while Corey Haim plays the goofball best friend with not a whole lot to do. The supporting cast also includes veteran character actors Harry Dean Stanton and Alex Rocco, the latter who agreed to do the film because it was directed by his son.   When the film opened on March 3rd, it would be Vestron's second widest release, opening on more than 1,000 theatres. But just like the previous year's License to Drive, the pairing of Corey Haim and Corey Feldman did not set the box office on fire, opening in fifth place with $2.57m in ticket sales, compared to the #1 film of the week, the Morgan Freeman drama Lean on Me, which would gross twice as much as Dream a Little Dream while playing in 125 fewer theatres. In its second week, the film would lose 56 theatres and 52% of its opening weekend audience, falling all the way to 13th place with a gross of only $1.25m. By week three, the movie would move to dollar houses, and trudge along for several more months, until it closed in the middle of summer with only $5.55m in the till.   In the late 1970s and early 1980s, writer/director Jeremy Paul Kagan had directed and occasionally written several big ticket movies, including the 1977 Henry Winkler drama Heroes, which also starred Sally Field and, in his first post-Star Wars movie, Harrison Ford, and the 1985 Meredith Salinger/John Cusack adventure film The Journey of Natty Gann. Which makes his Natty Gann follow up, Big Man on Campus, such a head scratcher.   A modern adaptation of The Hunchback of Notre Dame, Big Man on Campus was written by Allan Katz, who had been working in television for nearly twenty years writing for and producing shows like All in the Family, Sanford and Son, The Mary Tyler Moore Show and MASH. Katz would also star in the movie as the titular hunchback, even though he had never once acted on any of his shows. But at least he had a good cast supporting him, including Gerrit Graham, Melora Hardin, Jessica Harper, Tom Skerritt, and Cindy Williams.   I can only find one playdate for the film ever, in Los Angeles at the American Cinematheque in March 1989, so while this mostly qualifies as a direct to video release, I feel compelled to at least give it a token mention here.   Have you ever heard of a movie called The Fruit Machine? Of course you haven't, because that's a horrible name for a movie, no matter what it's about. When Vestron acquired this British drama about young gay men who go on the run after they witness a murder, the first thing they did was change the title to Wonderland. Not that Wonderland gives you any more of an idea of what the movie is about than The Fruit Machine. But, whatever.   Today, the movie has two things going for it. One, an early role for Robbie Coltrane, playing a transvestite who operates a nightclub for gay men and transvestites called, you guessed it, The Fruit Machine. Second, the musical score was written by Hans Zimmer, in one of his earliest film jobs. Ironically, Wonderland would be the the third movie scored by Hans Zimmer to be released by Vestron in a four month period, after Burning Secret and Paperhouse.   Wonderland would open at the Quad Cinemas in New York City on April 28th, to poor reviews but a decent $11,500 opening weekend. But the film would not be able to maintain much of an audience, and after five weeks, Wonderland was out of the Quad Cinemas, never to play another theatre in America, with just $50k in the till.   Ken Russell's third and final film in his contract with Vestron was The Rainbow, an adaptation of a 1915 novel by D.H. Lawrence, whose 1920 novel Women in Love had been adapted by Russell in 1969. Glenda Jackson, who had won the Academy Award for her role in Women in Love, here plays the mother of the character she played in the other film. Here, she co-stars with Sammi Davis as Ursala, the younger sister of Jackson's Women in Love character, who finds herself attracted to Anton, a young man in town, as well as her gym teacher Winifred.   As one would expect from Ken Russell, the supporting cast is top notch, including future Eighth Doctor Paul McGann, regular Russell collaborator Christopher Gable, and Blowup star David Hemmings. The film would open at the Paris Theatre in New York City on May 5th, where it would gross a very good $22k, spurred on by great reviews from most of the city's major critics, several of which noted the film to be Russell's best in a number of years. So it would be sad that the film would end up being the lowest grossing of the three films he'd make with Vestron, only earning a total of $444k after three months in mostly single playdates in major markets.   In 1985, Geena Davis and Jeff Goldblum would work together on a forgettable horror comedy film called Transylvania 6-5000, whose name was a pun on a popular 1940 song recorded by Glenn Miller. In 1986, the pair would work together again in David Cronenberg's amazing remake of the cheesy 1950s horror film The Fly. In late 1987, shortly after the pair married, they would work together for a third time, on another comedy, and on a movie that was this time based on an actual song.    Earth Girls Are Easy was the name of a song that appeared on comedian Julie Brown's 1984 EP Goddess in Progress, and was originally developed as a movie at Warner Brothers Studio. The studio would get cold feet when Absolute Beginners, the big British musical directed by music video director Julien Temple, failed big time everywhere in the world except for the UK. Temple was slated to direct Earth Girls Are Easy, and Brown, as the co-writer and co-star of the film, was committed to the filmmaker, even if it meant Warners putting the film into turnaround.   Which they did, in 1986.   It would take nearly a year to get the project back on track, after being rejected by every other major studio and production company in Hollywood, until the French banking giant Credit Lyonnais agree to finance the film, provided they could cut the budget from $14m to $10m, and if the filmmakers could make a distribution deal with the bank's preferred distributor, the then newly-formed DeLaurentiis Entertainment Group.   The film, about a manicurist in Los Angeles who helps three aliens blend into human culture after they accidentally crash land their spaceship into her pool, would begin production in Los Angeles in October 1987. Davis played the manicurist, and Goldblum one of the aliens, alongside Damon Wayans and Jim Carrey, while the remaining cast would include a number of great comedic actors like MASH's Larry Linville, Michael McKean, Rick Overton, and Charles Rocket, as well as Los Angeles media personality Angelyne as basically herself.   While the film was nearing completion in early 1988, the DeLaurentiis Entertainment Group would go out of business, leaving Credit Lyonnais in need of a new distributor for their investment. But after Temple turned in his first cut of the film, Credit Lyonnais would send Temple back into his editing bay, where he and his team would spend nearly another five months  winnowing out various scenes and completely excising a big and expensive musical number based on one of the other songs on Brown's 1984 EP, I Like ‘Em Big and Stupid, because it just didn't work for the film. Additional scenes would be shot, and the budget would end up being $11m.    The film would have its premiere at the Toronto Film Festival in September 1988, and attract attention from a number of distributors including MGM/UA, New World Pictures and Twentieth Century-Fox, but Vestron would end up putting in the winning bid.   The film would originally be set for a February 1989 release, but would get delayed until May 12th. When it finally opened on 317 screens in Boston, Chicago, Los Angeles, New York, Philly, San Francisco, Toronto and Washington DC, the film would gross $893k, putting in twelfth place for the weekend, but its per screen average would be the fourth best amongst the films in the top twenty. The film would fall one place in its second week,  losing 35% of its opening weekend audience, grossing $577k. The film would slowly hemorrhage theatres and box office until the plug was pulled in mid-July with only $3.9m in tickets sold.   The sole lasting legacy of the film is that Damon Wayans enjoyed working so much with Jim Carrey that when Damon's brother Kenan Ivory Wayans was putting together a new comedy television show together thanks to the success of his movie I'm Gonna Get You Sucka, Damon would get his brother to give Carrey a chance. In Living Color would make Carrey and the Wayans Brothers stars, and would change the course of comedy. So there's that…   In late June, the Lightning Pictures imprint would release their first movie in nearly two years, Far From Home. The film starred the then-fourteen year old Drew Barrymore as a young girl traveling cross country with her father, who get stuck in a small desert town in Nevada on their way to back to Los Angeles, who must deal with some very strange characters in the trailer park they're staying in, as they slowly discover nothing is as it's supposed to be. Matt Frewer, Max Headroom himself, plays the dad, who must protect his daughter while he figures out how to get the hell out of town alive.   Truth be told, the movie sucks, and it's really creepy in how it sexualizes Barrymore, but there's one hell of a great supporting cast doing their best to keep the joint from totally stinking the place up. Richard Masur, Academy Award nominee Susan Tyrell, Anthony Rapp from Adventures in Babysitting, Jennifer Tilly, and beloved character actor Dick Miller. When Vestron opened the film in four theatres in third-tier regions on June 30th, it was little surprise the film got some very bad notices, although one unnamed reviewer for Variety felt the need to note that Barrymore, who again was only fourteen at the time, had “a baby face, dreamy eyes and a playboy model's body.” The film would gross just $3,763 in its first and only weekend in theatres.   But that wasn't even the worst news of the week for Vestron.   On the same day as they opened Far From Home, Vestron had been informed by Security Pacific Bank in Los Angeles that the $100 million line of credit the company had with them was being terminated. 140 of the approximately 300 Vestron staff members, mostly from the Los Angeles office, were let go, including the President of Production, the Senior Vice President of Marketing and Distribution, and the Vice President of Publicity and Promotion. While Vestron Video would continue for a while, in large part thanks to a $15.7m payoff during a dispute over home video ownership rights to the 1986 Best Picture winner Platoon, the theatrical distribution unit was effectively dead. Some movies, including the Fred Savage/Howie Mandel comedy Little Monsters, the Harry Dean Stanton-led comedy Twister, and the Kathryn Bigelow-directed action thriller Blue Steel with Jamie Lee Curtis, would be sold off to other companies, but the titles left behind would see their planned theatrical releases cancelled and eventually be released direct to video.   Thanks to some of the legacy titles in their video catalog, including Dirty Dancing, Vestron would be able to stave off the inevitable, but in January 1991, the company would file for bankruptcy, their final film being the Stan Winston-directed fantasy buddy comedy The Adventures of a Gnome named Gnorm. Filmed in 1988 as Upward, the film featured Anthony Michael Hall as an Los Angeles Police Detective who has to team up with a gnome, a puppet created by Winston, the effects wizard who also directed the film, to solve a murder. For Winston, it was deja vu all over again, as his previous directorial effort, Pumpkinhead, found itself in limbo for a while when its distributor, the DeLaurentiis Entertainment Group, filed for bankruptcy in 1987 before they could release that film.   In bankruptcy court, Live Entertainment, partially owned by 1990s mega movie production company Carolco Pictures, would purchase all of Vestron's assets for $24m. Live used the assets as collateral to secure a line of credit from industry friendly banks, so they could start their own production and distribution company, of which their only moment of note was helping to finance Reservoir Dogs when no one else would.   Eventually, Live Entertainment would be sold off to Bain Capital, a private investment firm co-founded by Mitt Romney, in 1997, and they would rebrand Live as Artisan Entertainment. Artisan today is best known as the little independent distributor of The Blair Witch Project, but they also would enter into an agreement with Marvel Comics to make movies for 15 of their characters, including Ant-Man, Black Panther, Deadpool, Iron Fist, Longshot, Morbius, Mort the Dead Teenager, and the Power Pack.   Artisan would produce two movies based on Marvel characters, Man-Thing and The Punisher, although neither of those films would be released by Artisan. Artisan would declare bankruptcy in 2003, and Marvel would be one of the companies to place a bid for them. Lionsgate would end up becoming the winning bidder for Artisan's assets, which is how the vast majority of Vestron titles are now owned by a company that didn't even exist when Vestron closed shop.   Today, Lionsgate is the owner of the assets of a number of the companies we've spoken about on this podcast in the past, and will be talking about in the future, including Crown International, the DeLaurentiis Entertainment Group, Embassy Pictures, and New World Pictures. And it's also a major reason why so many of the movies we discuss in these episodes looking back at past companies are completely unknown today. As big as Lionsgate is, with nearly $3.6 billion in revenue in 2022, they aren't going to be able to keep up with the chain of ownership for every movies from every company they've purchased, and they're not going to put the money in to the movies that are barely remembered today. The Film Foundation, the non-profit organization co-founded by Woody Allen, Francis Ford Coppola, Martin Scorsese and Steven Spielberg, which is dedicated to film preservation, estimates the average cost to do a photochemical restoration of a color feature with sound to between $80,000 to $450,000 dollars, not including the cost of a 2k or 4k digital scan. I'm going to have a link in the show notes on our website at The80sMoviePodcast.com to a November 2018 article from the Science History Institute about the process of restoring films. It's not a long read, but it's a fascinating read. I hope you'll check it out.   So there you have it, the end of the line for Vestron Pictures, and many of the movies they helped to make and distribute, most of which you cannot find today in any form.   Thank you for listening.   We'll talk again next week when Episode 105, on the 1985 teen comedy O.C. and Stiggs, directed by Robert Altman, will be discussed.   Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about the movies we covered this episode.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.

Robert Horn's life story is an incredible testament that you can use humor as a way of survival—well, that and a little bit of luck. From getting separated from his twin and sneaking out of an orphanage when he was a little over 13 to renting an apartment in New York that was possibly run by the mob and eventually moving to LA to pursue a career in writing, his life is anything but boring. Robert talks about how he got his first gig and how it was kismet, what a showrunner really does and why it's great training for theatre, and his myopic approach when it comes to writing jokes. He looks back on his life in New York City during the 70's, which included working all sorts of jobs, including writing monologues for actors and working as a phone sex operator.  Robert has two productions currently on stage - the first is Disney's “Hercules”, currently open at the Papermill Playhouse, the other is “Shucked”, which begins previews on March 8th. With his long list of works and achievements, Robert reminds us that we should never stop learning how to laugh at ourselves and follow our instincts.  Robert Horn is a Tony, Drama Desk, Outer Critics Circle, and New York Drama Critics' Circle award-winning book writer. His career started in film and television where he worked as a writer on the CBS series "Designing Women" and as a writer and producer on the Fox series "Living Single". Following that, he created and Executive Produced the CBS series "High Society". He was also signed to an overall production deal with Warner Brothers Studios, where he developed, wrote, and executive-produced numerous network pilots and series. He also signed a script deal at Sony Studios and an overall pilot deal at ABC studios. Together with Bob Boyett, he created and wrote the FX series “Partners”. Robert's Broadway credits include "Dame Edna", "13 The Musical", "Back With A Vengeance", and "Tootsie" among others.  Connect with Robert: Instagram: @rhorn1 Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's showtime for the Sub-Auteurs' first video episode, as Misha walks us through his Hollywood trip to Warner Bros. Studio!From the sets to the stories - prepare to geek out at this slice of movie heaven, and catch the video on Youtube here: https://youtu.be/N3T15Wis-r4

10 things to know about Warner Brothers Studio Tour The Warner Brothers Studio Tour in California is an immersive experience that takes visitors through the legendary studio lot. Visitors explore sound stages, backlots, and iconic sets while learning about film and television history. They can also get an exclusive look at props, costumes, and real sets used in some of the biggest productions. Join Club UTM : https://www.clubutm.co This episode is brought to you by Unlocking The Magic Travel. https://www.UnlockingTheMagicTravel.com Join Team Tonga: https://bit.ly/2YVC0nV​ Join Team Talks: https://www.bit.ly/3dxyUvC​ Check out our latest design: https://bit.ly/2YVC0nV​ Our Favorite Books How to be like Walt: https://amzn.to/31qyFxx​ Walt Disney An American Original: https://amzn.to/31r2XjD​ One Little Spark : https://amzn.to/3jfVASr​ Dream It Do It: https://amzn.to/31qs5Hd​ Gear Used for this: Cannon g7x: https://amzn.to/2TaMJql Cannon Rebel t6ii: https://amzn.to/31r2yhg At2020 microphone: https://amzn.to/3jhh1lM Ring Light: https://amzn.to/34eMPUr Scarlett mixer: https://amzn.to/3m1fNNx Contact Us: P.O. Box 82 Swampscott MA 01907 Website: http://www.unlockingthemagic.com/ Itunes: http://www.unlockingthemagic.com/itunes​ Facebook: http://www.unlockingthemagic.com/facebook Twitter: http://www.unlockingthemagic.com/twitter​ Instagram: https://www.instagram.com/unlockingthemagicpodcast --- Support this podcast: https://anchor.fm/utmtv/support

Nellie Madison married her first husband, 24-year-old Cowboy Ralph, when she was just 13 years old, but her parents quickly annulled the marriage. After many failed marriages Nellie met Eric Madison and shortly after getting married they moved to Burbank, California where they both were hired at Warner Brothers Studios. Although, the job wouldn't last long for Eric and Nellie would truly see who she married.

Megan and Wendy are back with their monthly round up of everything they are watching, reading, and listening to in today's Pop Culture Club episode. How is there time for anything else besides Hallmark holiday movies? Somehow they manage to squeeze a few in. Have you watched anything on December's Pop Culture Club list? Email the show at meganandwendy@gmail.com. Mentioned in this Episode Saltine Coffee Cookie recipe via All Recipes Origin of "white elephant" term and gift exchange Essex College isn't a real university - "The Sex Lives of College Girls" Season one was filmed primarily at Vassar College in Poughkeepsie, New York and at Warner Brothers Studio in Burbank, CA. Season two was filmed at UCLA and at the University of Washington. Essex College crewneck sweatshirt (via Etsy, $37) Warner Brothers Studio Tour - Holidays Made Here Gilmore Girls Holiday Tour Pop Culture Club December What Megan and Wendy are Watching Below Deck (Bravo) and Below Deck Adventure (Peacock) Casey Anthony Where the Truth Lies (Peacock) Sex Lives of College Girls (HBO Max) Wednesday (Netflix) Inside Man (Netflix) Don't Worry Darling (HBO Max) Mythic Quest (Apple TV) What We're Reading Mad About You by Mhairi McFarlane The End of Normal: A Wife's Anguish, A Widow's New Life by Stephanie Madoff Mack The Mother I Never Had by Gary Goldstein Listening To Jeff Lewis Live (SiriusXM) The Mel Robbins Podcast Why Is Adult Friendship So Hard How to Have More Fun: A Guide to Enjoying the Holidays Top Hallmark Movies for 2022 for the Casual Hallmark Movie Watcher Three Wise Men and a Baby Lights, Camera, Christmas A Holiday Spectacular Haul Out the Holly Ghosts of Christmas Always Never miss a Hallmark movie review by subscribing to Girls Gone Hallmark! Megan and Wendy Approved! Pet-Pourri Pet Odor Air and Fabric Spray (16 fl.oz $14.99) Milani Make It Last Setting Spray ($9.99 via Target)

Most of the "next new things" are neither new nor hot. Beware of trendy investments, because very few things stand the test of time. Plus, we "Meet Kevin" and his expensive exchange-traded fund (ETF). Plus, callers want to know: Does it make sense to retire early and, if so, how should a lump-sum payout be invested? What can be done with an old share of Warner Brothers Studios? Learn more about your ad choices. Visit megaphone.fm/adchoices

FOR A LIMITED TIME ONLY: During the 1930's, Warner Brothers Studios established themselves as the master purveyors of the contemporary crime drama, or as audiences have forever since called them, "The Gangster Movie"... But all fiction springs from truth... In Part Two of 'Bullets And Blood', hear the incredible stories behind some of the most enduring gangster fiction ever committed to film, from the shadowy machinations of Al Capone and his war on Chicago's North Side gang, to the macabre tale of "Il Diavolo" and his juvenile henchmen... And behind the screen itself, the dramatic saga of the Warner family continues, as does the story of the only star in Hollywood willing to take them on... To become a Co-Producer of this show, and earn access to hundreds more hours of Hollywood storytelling, sign up now at https://www.patreon.com/attaboysecret Learn more about your ad choices. Visit megaphone.fm/adchoices

Stephers talks to Angela Dahlgren about her recent trip across the pond where she visited the Warner Brothers Studio and saw all the Harry Potter things. Things also didn't go quite as planned for Angela so buckle in for this wild ride! Make sure to like, subscribe, and hit the bell for new video notifications! Check out Scott's Cheap Flights: https://scottscheapflights.com/ Follow Angela: https://www.instagram.com/angela_dahlgren https://www.twitter.com/angeladahlgren Follow Stephers: https://www.bio.site/adventureswithstephers 

We are joined by Dr. Scott Padgett to talk about his journey through the 12 steps. A very humble conversation about what it takes to make your way through the program form his own personal experience. Link to earlier podcast on the SOCO Show with Dr. Scott. – https://socoshow.com/scott-padgett/ 12 Steps as defined by Alcoholics Anonymous: We admitted we were powerless over alcohol–that our lives had become unmanageable. Came to believe that a Power greater than ourselves could restore us to sanity. Made a decision to turn our will and our lives over to the care of God as we understood Him. Made a searching and fearless moral inventory of ourselves. Admitted to God, to ourselves and to another human being the exact nature of our wrongs. We are entirely ready to have God remove all these defects of character. Humbly asked Him to remove our shortcomings. Made a list of persons we had harmed, and became willing to make amends to them all. Made direct amends to such people wherever possible, except when to do so would injure them or others. Continued to take personal inventory and when we were wrong promptly admitted it. Sought through prayer and meditation to improve our conscious contact with God as we understood Him, praying only for knowledge of His will for us and the power to carry that out. Having had a spiritual awakening as the result of these steps, we tried to carry this message to alcoholics and to practice these principles in all our affairs. Source: https://www.addictioncenter.com/treatment/12-step-programs/ Scott Padgett Dr. Scott Padgett is a music writer, producer & archivist dating back to his college days as a program director at WUSC radio in Columbia, SC. He followed that with radio programming & production work in the new frontier of the ‘FM underground'. A stint as music editor at the southeast's pioneering alternative newsweekly Osceola Magazine led to becoming the first music writer/columnist at Free Times Magazine. His work appeared in Billboard, the Village Voice, Rolling Stone and practcally every other regional art/political outlet extant through the early nineties. After a stint in radio in Los Angeles & later at Warner Brothers Studios, he returned to the south where he and co-conspirator Steve Gibson vowed to bring live spectrum-spanning music to the masses. Thus was born the legendary Rockafellas music venue and artist management company. Working through Ian Copeland's legendary musical talent booking firm FBI, the likes of Soundgarden, the Red Hot Chili Peppers, Smashing Pumpkins, et. al. were initially exposed to club venues all over the U.S. He is a contributor and social media monitor for semi-important e-music rags as well as several fly-by-night blogs and has a music industry specific twitter account @AntiBonIver which draws on a digest of 104 music news outlets for content. --- Send in a voice message: https://anchor.fm/warriormindset/message Support this podcast: https://anchor.fm/warriormindset/support

DC and Warner Brothers can't keep quiet, can they?! Yes, ladies and gents, The Nerds are back to discuss some juicy details that have come out regarding some Ben Affleck/Aquaman news. With leaks centering around reshoots and re-edits around the new Aquaman movie, it has The Nerds wondering if the heads of Warner Brothers Studios know what they are doing... or better, know what they want. Alongside some "Comic Strips" news and reviews on DC's SuperPets, this is one special issue that isn't Marvel-centric. Take a seat and enjoy!   Year Two Intro Song: "Moon Cheeseburger" by Harris Heller For music like this and more, go check out streambeats.com   The Nerds Network is here! Our team is expanding for the better and we can't wait to work with Our Reel Addiction more in the future. Find their socials here! Instagram: https://www.instagram.com/ourreeladdiction/?hl=en Twitter: https://twitter.com/ourreelpod Spotify: https://open.spotify.com/show/6jNjDLmFSjxgcc8tlVtSqv Apple Podcast: https://podcasts.apple.com/us/podcast/our-reel-addiction/id1538266683   This Issue is Brought to You by: Bryan Quevedo, Rene Bravo & Nick Valero   Podcasts can also be found here! YouTube: https://tinyurl.com/y6luw7uq Spotify: https://tinyurl.com/y4q64run Apple Podcasts: https://tinyurl.com/y4ztkn2o Google Podcast: https://tinyurl.com/y5y48mfy   Follow us on our socials! Instagram: https://www.instagram.com/keepingwiththenerds/ Twitter: https://twitter.com/KeepitNerds Ask us questions and leave us a like and comment! Don't forget to subscribe and leave a follow!   Follow the host's socials! Rene's Socials Instagram: https://www.instagram.com/renegbravo/ Bryan's Socials Instagram: https://www.instagram.com/turtlezbryan/ Twitter: https://twitter.com/Turtlag562 YouTube: https://tinyurl.com/y64ts759 Spotify: https://tinyurl.com/y3vjearg Nick Valero's Socials Instagram: https://www.instagram.com/thenickvalero/ Twitter: https://twitter.com/thenickvalero    

We're back! Fully settled back in from our vacation time and are ready to get the stories rolling again. Join us as we catch up with each other and talk about all the stuff we did while we were away and the pop culture we got to see in real life with our own two eyes! Then it's off to the realm of the weird and cryptid this week as we talk about the Greys and why they seem to be the most common visitor from space to our planet.  To send in topics of interest, please email quiteabitpodcast@gmail.com Follow us on instagram/facebook/youtube:https://linktr.ee/quiteabitpodcast  Sources for this episode:https://www.discoveryplus.com/video/ancient-aliens/the-greyshttps://en.wikipedia.org/wiki/Grey_alienhttps://www.vice.com/en/article/mvpvyn/magickal-stories-lamhttps://aliens.fandom.com/wiki/Greyhttps://www.simonandschuster.com/books/Grey-Aliens-and-the-Harvesting-of-Souls/Nigel-Kerner/9781591431039https://neobiota.pensoft.net/article/4824/https://www.thirteen.org/programs/monstrum/alien-abduction-and-ufos-why-are-grays-so-common-d5uw7p/https://www.nbcnews.com/mach/science/space-aliens-are-breeding-humans-university-instructor-says-scientists-say-ncna1008971https://www.mirror.co.uk/news/weird-news/alien-greys-created-using-dna-26932902https://tvtropes.org/pmwiki/pmwiki.php/Main/TheGreyshttps://en.wikipedia.org/wiki/Zeta_Reticuli

In this week's show, Phil talks to Howard Scott Warshaw, a video game pioneer, an award-winning filmmaker, an innovative technologist, an author, and a Museum of Modern Art artist. He now employs this eclectic skillset as a psychotherapist in California's Silicon Valley. His latest book, “Once Upon Atari” (subtitled How I made history by killing an industry) details his exploits at Atari and how they reshaped his life. Howard talks about why we should remember that goals are only achieved through hard work and perseverance. He also discusses the value to be found in understanding what it is that we really want in life.   KEY TAKEAWAYS:   TOP CAREER TIP Be prepared to pay your dues when it comes to your career. Dreams are all well and good, but always recognize that hard work is required in order to achieve them.   WORST CAREER MOMENT While working on Yars Revenge, Howard insisted on carving out his own path for the game but was forced to admit later that the game he's insisted upon was not good.   CAREER HIGHLIGHT While being interviewed by Steven Spielberg in order to discuss a game version of Raiders of The Lost Ark, Howard not only got to meet his hero, but also was allowed to tour the Warner Brothers Studio.   THE FUTURE OF CAREERS IN I.T IT is so wide open. One piece of tech can often give birth to whole new worlds and ways of thinking. The future is almost boundless when it comes to innovation.   THE REVEAL What first attracted you to a career in I.T.? – Computers in college showed Howard a life he wanted to pursue. What's the best career advice you received? –That the world of technology is chaotic! What's the worst career advice you received? – That he was throwing his life away to make video games. What would you do if you started your career now? – Howard would focus more on handheld apps What are your current career objectives? – Howard enjoys taking longstanding problems and applying new ways of solving them. What's your number one non-technical skill? – Hypervigilance. How do you keep your own career energized? – Always try new things and seek out new challenges. What do you do away from technology? – Movies, TV shows, and exploring new places in his own mind.   FINAL CAREER TIP Understand what it is that you want, and the you that you really wish to be, and then start a journey that takes you, day by day, towards the version of yourself that you wish to be.   BEST MOMENTS (20:13) – Howard – “Most successful products do not realise 100% of their design” (24:15) – Howard- “Success has a thousand parents, but failure is an orphan” (26:25) – Howard – “Be prepared to have your dreams corrected. The difference between your fantasy of where you're trying to get to and the reality of being there can be harsh” (36:01 – Howard – “IT is at the forefront of the toolset that's going to help make people's lives better. To me that's the most exciting thing you can do”   ABOUT THE HOST – PHIL BURGESS Phil Burgess is an independent IT consultant who has spent the last 20 years helping organizations to design, develop, and implement software solutions.  Phil has always had an interest in helping others to develop and advance their careers.  And in 2017 Phil started the I.T. Career Energizer podcast to try to help as many people as possible to learn from the career advice and experiences of those that have been, and still are, on that same career journey.   CONTACT THE HOST – PHIL BURGESS Phil can be contacted through the following Social Media platforms: Twitter: https://twitter.com/_PhilBurgess LinkedIn: https://uk.linkedin.com/in/philburgess Instagram: https://instagram.com/_philburgess Website: https://itcareerenergizer.com/contact Phil is also reachable by email at phil@itcareerenergizer.com and via the podcast's website, https://itcareerenergizer.com Join the I.T. Career Energizer Community on Facebook - https://www.facebook.com/groups/ITCareerEnergizer   ABOUT THE GUEST – HOWARD SCOTT WARSHAW Howard Scott Warshaw is a video game pioneer, an award-winning filmmaker, an innovative technologist, an author, and a Museum of Modern Art artist. He now employs this eclectic skillset as a psychotherapist in California's Silicon Valley. His latest book, “Once Upon Atari” (subtitled How I made history by killing an industry) details his exploits at Atari and how they reshaped his life.   CONTACT THE GUEST – HOWARD SCOTT WARSHAW Twitter: https://twitter.com/hswarshaw LinkedIn: https://www.linkedin.com/in/howard-scott-warshaw-824425/ Instagram: https://www.instagram.com/hswmft/ Website: https://hswarshaw.com/wordpress/ Book Website: https://newonceuponatari.hswarshaw.com/ Wikipedia: https://en.wikipedia.org/wiki/Howard_Scott_Warshaw Nolan Bushnell, Founder of Atari – “If you want to understand the true story of the video game crash, I highly recommend this book”

Mary Clay Boland is a two time Emmy award winning casting Director.  Boland started her career at Circle Repertory Theater where she had the honor to work with many brilliant playwrights and actors. Circle Rep was the perfect atmosphere to hone Mary Clay's casting instincts and enable her to witness the best acting has to offer. Transitioning to television Boland became the Casting Associate at Walken/Jaffe Casting where she was the Casting Associate on the first two seasons of the Emmy award winning show The Sopranos as well as the feature films But I'm a Cheerleader, The Legend of Wiry Spindell, First Look and many other films over a three year period.  Boland then moved on to the casting department of Warner Brothers Studios television where she worked on casting over 40 pilots including Everwood, Smallville, Gilmore Girls, George Lopez, and Without a Trace. While at Warner Brothers, Boland also cast the first two seasons of Third Watch, NBC and Witch Blade. In addition to that Boland was also responsible for the New York casting of their existing LA based shows ER, THE WEST WING, and FRIENDS. Throughout her career, Boland has also served as the Casting Director for many independent films that have played heavily on the festival circuit. Such films as MARCONI BROS. starring Dan Fogler, BEST THIEF IN THE WORLD starring Mary Louise Parker, CONFESS starring Melissa Leo, and many more. Mary Clay worked as the Casting Director for CBS' AS THE WORLD TURNS for 8 years and won two Day Time Emmys for Outstanding achievement in casting a drama series.   Boland went on to open her own company where she cast the first season of the Adult Swim series YOUR PRETTY FACE IS GOING TO HELL. She also cast a Warner Bros. Web series FINDING CODY starring Cody Simpson. She cast the film FOUR which won best ensemble cast at the LA Film Festival. For the last eight years Mary Clay has focused on motherhood while also keeping her foot immersed in the Louisville Film community. She has resided on the board of the Louisville Film Society. She was appointed by the mayor to be on the Louisville Film Commission. On the commission she acted as a liaison between New York and Los Angeles film productions that wished to shoot in KY and take advantage of their state tax film incentives. She taught media and film studies as a guest lecturer for the Governor's School of the Arts and has also led multiple workshops on auditioning technique.  Boland heads the casting department for MCM Creative and is a member of the Casting Society of America and served on their New York Board for four years. She is also a member of the Academy for film and Television and IFP and Women in Film and Television. https://www.mcmcreativeproductions.com/casting Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this episode we discuss the long awaited Thor: Love and Thunder trailer, the possible big changes over at Warner Brothers Studios, discuss some recent box office bombs and debate who is the  MVP of  arguably the greatest animated series ever..Avatar, the Last Airbender. All this and more on a “Back From Break” Or “Hey, they finally released the Thor Trailer” episode of the Fandalorians: Teachers by Day, Nerds by NightWant to buy some merch where 100% of our cut goes to the charity!!!  Go to  https://www.teepublic.com/user/the-fandalorians-teachers-by-day-nerds-by-nightOUR PERCENTAGE OF THE SALES GOES DIRECTLY TO THE MAKE A WISH FOUNDATION!!!Like the show and want to give us feedback?  Send all email to Thefandaloriansmailbag@gmail.com Follow us on Twitter at @FandalorainspodAlso follow us on Instagram at fandalorians.podcast

Presented with Holley! Be sure to get signed up for LSFest West asap if you live west of the Mississippi. Visit LSFest.com for details, and visit Holley.com to buy a few toys for yourself and make SURE you tell them we sent you! Dukes Review: In this episode - a fake movie star played by Barry Van Dyke comes to Hazzard - a real TV show - to shoot a fake movie inside of the real TV show - and then they all go to Hollywood to a fake movie studio - that's really the real Warner Brothers Studios - to shoot the movie as if they were in a TV show about creating a fake movie. Everyone got that? Barry Van Dyke is someone you may know, but you definitely know his dad……none other than Dick Van Dyke, star of stage and screen, a TV show of his own name, murder mysterious, and the beloved Disney classics. Anyway, they shoot the entire episode on the real Warner Brothers backlot, and SHOW YOU the backlot. The General drives up Hollywood BLDV even. Maybe this was just a gift to we fans who knew the end was near, who know. This is a great episode - in fact so great that the second Dukes of Hazzard reunion TV movie was based on it (Hazzard in Hollywood). Corndog's real screen used General did the jump in that episode! 8 Corndogs. Patreon Peeps, the year 2022 will be an important one for Patreon specifically, and if you'd consider jumping up to the $5 level it would sure help. The $10 level will remain and we now have a brand new $20 level as well! All members who join at that level will receive a sticker swag pack in the mail, you'll be IMMEDIATELY entered in the monthly prize grab, and you'll receive a phone call from one (or all) of us to chat up whatever you want for 30 minutes! Thank you SO MUCH to those of you who have joined in for the extra content that is only for Patreon supporters. To get in on the action and support the show with a minor financial contribution just click the link below to sign up. http://www.patreon.com/kfshow. Click to join our super secret KF Show Only listener email list..just in case we get blocked from every social and podcast platform! https://forms.aweber.com/form/48/1311263948.htm The post K&F Show #219: Fave Pies and the new Batmobile; Dukes of Hazzard S7E06 Review “The Dukes in Hollywood” first appeared on The Muscle Car Place.

Since 2010, there have been at least three dozen significant autistic characters in feature films and four dozen autistic characters in literary fiction. And, of course, we've also seen more autistics on series television. “The Good Doctor,” “Atypical,” and Amazon's new series “As We See It” are just three quick examples of series with autistic lead characters. Today we will be discussing the new feature film Tyson's Run with writer-director Kim Bass and the film's star, Major Dodson. Tyson's Run follows fifteen-year-old autistic Tyson Hollerman as he attends public school for the first time. While helping his father, the school's head football coach, clean up during the team's practice, Tyson befriends champion marathon runner Aklilu. Tyson becomes determined to run his first marathon in hopes of winning his father's approval. Tyson's Run will open in theatres on March 11, 2022. Tyson's Run website: https://tysonsrun.com  Major Dodson - Tyson Hollerman MAJOR DODSON is best known for his role of Sam Anderson on AMC's International smash hit series “The Walking Dead.” Other projects include LEFT BEHIND, “American Horror Story,” and “Revolution.” Dodson is currently featured in the inspirational drama TYSON'S RUN in theaters Spring 2022. Dodson currently resides in Los Angeles, Calif. Kim Bass - Writer & Director Bass is an Emmy-nominated screenplay and teleplay writer best known for his work on “In Living Color,” “Sister, Sister” and the Nickelodeon sitcom “Kenan & Kel.” During his over twenty-five year career, Bass has worked as a writer for almost all of the major Hollywood studios and television networks as well as many prominent and independent film and television production companies including: Warner Brothers Studios; Twentieth Century Fox Studios; Disney Studios; Sony Pictures Studios and others. Currently, Bass is in post-production on his latest film, HeadShop, and pre-production on a faith-based Christmas film, Mother Johnson's Miracle Christmas, scheduled to begin principal photography in the spring of 2022. 

View the trailer here.Movie Description:When fifteen-year-old Tyson attends public school for the first time, his life is changed forever. While helping his father clean up after the football team, Tyson befriends champion marathon runner Aklilu. Never letting his autism hold him back, Tyson becomes determined to run his first marathon in hopes of winning his father's approval. With the help of an unlikely friend and his parents, Tyson learns that with faith in yourself and the courage to take the first step, anything is possible.Guest Bios:Bass is an Emmy®-nominated screenplay and teleplay writer best known for his work on “In Living Color,” “Sister, Sister” and the Nickelodeon sitcom “Kenan & Kel.” During his over twenty-five year career, Bass has worked as a writer for almost all of the major Hollywood studios and television networks as well as many prominent and independent film and television production companies including: Warner Brothers Studios; Twentieth Century Fox Studios; Disney Studios; Sony Pictures Studios and others. Currently, Bass is in post-production on his latest film, HeadShop, and pre-production on a faith-based Christmas film, Mother Johnson's Miracle Christmas, scheduled to begin principal photography in the spring of 2022. In addition, Bass' film, Tyson's Run is scheduled to open theatrically, nationwide on March 4th.Major Dodson is best known for his role of Sam Anderson on AMC's International smash hit series “The Walking Dead.” Other projects include LEFT BEHIND, “American Horror Story,” and “Revolution.” Dodson is currently featured in the inspirational drama TYSON'S RUN in theaters Spring 2022. Dodson currently resides in Los Angeles, Calif.Film Website: https://www.tysonsrun.com/Facebook: https://www.facebook.com/TysonsRunMovie https://www.facebook.com/OfficialMajorDodsonInstagram: https://www.instagram.com/tysonsrunmovie/https://www.instagram.com/major_dodson/Twitter: https://twitter.com/tysonsrun https://twitter.com/Major_Dodson

Rayna Mohrmann, TV Development Assistant at Warner Brothers Studio, takes us back to this infamous 90s Olympics as we debate the 2017 film I, Tonya. But is this a wild ride that should be awarded or (triple) axed?  +++++ Donate to our Patreon Email Comparing Notes @ comparingnotes.hello@gmail.com Learn More about our Show Song & Artwork

Today's show is a discussion and review of the HBO Max original 8-BIT CHRISTMAS.Tis the season for us to take a look at this potential Christmas classic.  Jam packed with 80s nostalgia, this film was definitely made to target folks that grew up in the 80s and remember the scarcity of Cabbage Patch Dolls and how every kid wanted a Nintendo NES.  And as the story is narrated from today's perspective, there's an added comedic element between the contrast of the wild and unsafe 80s vice the over protective times of today.  8-Bit Christmas was plucked from the 2019 Black List, backed by Warner Brothers Studio, enlisted Neil Patrick Harris as the lead, and hoped to help HBO Max capture the Christmas Spirit.  Did it?  Well, Kenny and Del are going to help you answer that question.On this show, we like to do more than a movie review by delving into the lives of the cast and crew, fan theories, trivia, scene breakdowns, and anything related to the film itself.  Needless to say, our shows are a little longer than your average movie review show, but we can assure you that our shows are jam packed with entertaining and interesting discussions.  If that sounds like your sort of bag, hang out with us as we get into 8-Bit Christmas.Kenny and Del hope their discussion will not only entertain you, but will also spark your interest in this film.   Thanks for listening and feel free to hit us up on any of our social media platforms!     https://linktr.ee/BiAPodcastPost script song by Chase Holfelder.  Check out his YouTube video:https://www.youtube.com/watch?v=VvTplYFJUFQThe Cabbage Patch craze was real.  Video by Eyewitness News ABC7NY:https://www.youtube.com/watch?v=mzfuo94KCe8The Nintendo craze was real.  Video posted by Saving The Video Game:https://www.youtube.com/watch?v=59JesM8mIFQTheme song "Loli'ana" written and performed by award-winning musician Kamuela Kahoano.   Listen to more of Kamuela's music on iTunes and https://kamuelamusic.com/.  Also, "Loli'ana" performed live at The Ko'olau Banquet Hall can be seen here https://youtu.be/YDJ1NNJgEiA Thanks for listening!  Don't forget our next bi-weekly Pod and keep an eye out for our specials, series, request line, and news episodes!  And please subscribe and review!

Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. Your host is  Kelly Molson, MD of Rubber Cheese.Download our free ebook The Ultimate Guide to Doubling Your Visitor NumbersIf you like what you hear, you can subscribe on iTunes, Spotify, and all the usual channels by searching Skip the Queue or visit our website rubbercheese.com/podcastIf you've enjoyed this podcast, please leave us a five star review, it really helps others find us. And remember to follow us on Twitter for your chance to win the books that have been mentioned in this episode.Competition ends April 29th 2022. The winner will be contacted via Twitter. Show references: https://www.edinburghzoo.org.uk/https://www.rzss.org.uk/support/https://www.highlandwildlifepark.org.uk/we-are-open https://twitter.com/Lisa_Robshawhttps://twitter.com/EdinburghZoohttps://twitter.com/HighlandWPark David Field, Royal Zoological Society of Scotland (RZSS) CEO, returned to RZSS in 2020 having been a section moderator at Edinburgh Zoo early in his career. David's previous roles include chief executive of the Zoological Society of East Anglia, zoological director of the Zoological Society of London (ZSL), curator of ZSL Whipsnade Zoo and assistant director of Dublin Zoo. An honorary professor of the Royal Veterinary College, David has served as chairman of the British and Irish Association of Zoos and Aquaria (BIAZA) and is the current president of the Association of British and Irish Wild Animal Keepers. Lisa Robshaw is a visitor attraction marketing specialist with 20 years' experience of working in the tourism and hospitality industry after studying International Tourism at the University of Lincoln. She joined the Royal Zoological Society of Scotland (RZSS)  in August 2019 after a brief stint agency side. Prior to this she has worked for Historic Environment Scotland, Continuum Attractions and British Tourist Authority (Now Visit Britain).As Head of Marketing and Sales at RZSS, Lisa leads the teams responsible for the wildlife conservation charity's marketing, sales activity, membership, adoptions, events and experiences . No day is ever the same and what she enjoys most is sharing the amazing experiences Edinburgh Zoo and Highland Wildlife Park have to offer and telling people about the important work RZSS does to protect threatened species in Scotland and around the world .  When she's not working, Lisa can usually be found chasing after her young family and planning visits to the south coast of England from where she originally hails! Transcription:Kelly Molson: Welcome to Skip the Queue, a podcast for people working in or working with visitor attractions. I'm your host Kelly Molson. Each episode I speak with industry experts from the attractions world. In today's episode, I speak with David Field, CEO, and Lisa Robshaw, Head of Marketing and Sales, at the Royal Zoological Society of Scotland. We discuss the zoo's experiences over the pandemic, highs, lows, and why you really can't furlough a penguin. If you like what you hear, subscribe on all the usual channels by searching Skip the Queue.Kelly Molson: Lisa and David, thank you so much for coming on the podcast today. I'm really looking forward to speaking to you both.Lisa Robshaw: Yeah, looking forward to speaking to you. It should be good fun.Kelly Molson: Well, let's see how we get on with the icebreaker questions, and see how much fun it is going to be.David Field: Yeah. I'm dreading this.Kelly Molson: I've been quite kind to you both, actually, I feel because we've got two of you today and we've got a lot to cram in. So what is the worst food you've ever eaten and why isn't it peas?Lisa Robshaw: Oh my God. I think it was snails for me. And it was when I was 12, in France. So that probably doesn't help. So we're talking like 1990, giving away my age now. And we're in this awful school canteen on this French exchange trip, we were forced to eat these snails. We weren't rude to our hosts. I don't actually think they were cooked particularly well because I think some of us were ill afterwards.Kelly Molson: Oh gosh.Lisa Robshaw: The texture, the smell, the whole experience.David Field: Yeah. I adore snails and I adore peas. I'm not sure your listeners would particularly want to hear about my adventures when we've been out on ... doing field work in Indonesia, some of the things that we had out there. But we did have to eat animals which were hunted and caught, and we ate. And they were kind of animals, which suffice to say, had a very strong aroma about them. So you're in the jungles, you're surviving, and it was not nice. But it was the aroma of their scent glands which permeated the meat.Kelly Molson: Oh Gosh. Yeah. I'm getting a really lovely ... a lovely image of that, David. Thank you.David Field: It makes celebrity in the jungle thing a walk in the park.Kelly Molson: You were the real celeb. Get me out of here.David Field: I really wanted to get out of there.Kelly Molson: Okay. Brilliant. Thank you. Okay. To both of you, if you could have an extra hour of free time every day, how would you use that free time?David Field: I would do more moth hunting. I like trapping moths and counting moths. And I never get a chance in a morning to do that. So that's what I would do, every single day if I could.Kelly Molson: Moth hunting, can we just elaborate on this? So this is a hobby of yours?David Field: Yeah. Yeah. You just hunt ... and butterflies. It's amazing. It's the best thing in the world. And you just ... every night you set at this light trap and moths are attracted to it at night. And then you get in there in the morning, first thing in the morning, and you've got all these hundreds of different species of moths, and it's just the most beautiful thing. They are the most gorgeous thing that we never think about that just roam our gardens. And I'd do that every day if I could.Kelly Molson: Oh wow. I honestly have never heard anyone have that as a hobby before. That's something completely new for me. How lovely.David Field: Yeah. Try it.Kelly Molson: This is why I ask these questions. You never know what you're going to get. What about your unpopular opinions?Lisa Robshaw: Harry Potter books should not be read by adults. They are a children's book.Kelly Molson: Oh. I mean, no one can see my face because this is a podcast. So if you're not watching the video it's ... Gosh.Lisa Robshaw: But I don't know what it is. I remember when Harry Potter came out. Again, I'm aging myself here. I was at university and I didn't understand why people were going mental. And then I think right about the time of ... in the middle of it all, they re-released the same book with a different cover to appeal to adults. And I was like, that is wrong. You're ripping people off. It's a children's book. That's what I talk about. No, no, no.Kelly Molson: I am quite shocked by that. I love the Harry Potter books.Lisa Robshaw: I'm sure they're great. I've tried reading them. I just ... they're not for me.Kelly Molson: What about the films? Fan? Not bothered?Lisa Robshaw: I kind of class those as a sort of Boxing Day, fall asleep in front of it after a few glasses of red wine type of film. Anything that keeps the kids' kids quiet for two and a half hours. You know what I mean? It's that kind of thing. But I just don't ... I mean, this is ironic that I've been to a Castle and done the broomstick riding three times and my kids, and it's a brilliant experience. But like grown adults losing their minds over it, I just don't get it.Kelly Molson: Oh my God. Well, David, I don't know, can you top that for an unpopular opinion? I'm not sure.David Field: Well first off, who's Harry Potter?Kelly Molson: What are you doing to me, David?David Field: So perhaps this segues a little bit into talking about the visitor attractions and that type of stuff, but mobile phones should be banned at visitor attractions because it's about family time.Kelly Molson: Oh, that's a bit serious.David Field: I really do think they should be banned from visitor attractions.Kelly Molson: I can see where you're going with that. Yeah. Like being present, not on your phones, not looking for the opportunity to be on your phone, but just being present with your family. I get that.David Field: Yeah. Yeah.Kelly Molson: Oh, this is ... isn't it really interesting though. But from the perspective of being a CEO of an attraction, wouldn't you want people to be engaged with the stuff that you have there so that they share that on social media, so that then drives more people to come?David Field: They can do that when they go home. They can do that on their way there. They can do that every time. When they're in, and particularly when they're in the zoo, we want them to be engaged with nature, we want them to be there in front of them, not encasing them in some sort of cloak of electronic gadgetry, putting these barriers between them and nature and putting the barriers between them and their family. Live in the moment, not on your phone.Kelly Molson: Oh, what a great quote. Okay. Listeners, I really ... well, I want to hear what you've got to say about both of those unpopular opinions. Thank you for sharing. Okay. I was going to ask you what you do in your roles. But I think from your job titles, it's probably pretty obvious to people, especially the people that are listening to this. So I thought I'd actually ask you if each of you could tell me what your favourite thing is about the zoo or the wildlife park?Lisa Robshaw: It's like choosing a favourite child, isn't it?Kelly Molson: I've only got one, so it's really easy.Lisa Robshaw: Yeah. Highland Wildlife Park. For me, it's the expanse and the fresh air. I mean, I'm a city girl. I'm originally from Portsmouth. I've lived in New York and all this kind of thing, and I've lived in Edinburgh for 20 years now, but ... or 15 years. But when you get up to Highland Wildlife Park in the beautiful Cairngorms and it's just the fresh air and the space, and even when the park's busy, it's almost still silent. Do you know what I mean? It's just this sort of really relaxing place. When I get the chance not to be sitting in meetings all day, as is the danger sometimes when you're on the kind of hamster wheel of working and that kind of thing. So I love getting up there and just spending time and relaxing and enjoying the surroundings.Kelly Molson: Great answer.Lisa Robshaw: That's my professional point of view. I mean, the animals are amazing, and asking me to pick my favourite animal is always a difficult one. Red panda, but ... penguin. Now see, that's the problem. But yeah, that's mine.Kelly Molson: I love it. David, what about yours?David Field: So, as part of my job ... and I've been knocking around this zoo world since I was 12 years old. So for me, it really is about the animals and the beauty and that connection with the animals. And as part of my job now, I insist that I have a couple of hours ... an hour or so in the day that I go pottering around the zoo. And zoo directors need to potter around their zoo. Because every day, every different hour of the day, every season, there is something different going on. There's a different animal, doing something different, something exciting. And my favourite animal changes each day. But I go out and because the zoo and the wildlife park are so different, every single time you go around, that's what makes them so amazing and beautiful and inspiring and glorious, and why I've been doing this for 30 odd years.Kelly Molson: Oh, perfect answer. I love that you're just pottering around, just having a little walk around your zoo, just checking out the animals. It's really nice. I'd like to do that. There you go. And I'd like to spend my hour pottering around the zoo if I got my extra hour. Thank you both. So the title of this podcast episode is You can't furlough a penguin. Experiences from the last 19 months at the Royal Zoological Society of Scotland.Kelly Molson: Now, I was at the Visitor Attractions Conference a little while ago, back in October and you can't furlough a penguin was something that I heard Bernard Donoghue say while he was given one of his very fantastic talks, as always. And I thought, that's a great podcast title. I'm going to use that when I get Lisa to come on this podcast.Kelly Molson: I want you to take us back to kind of Feb., March time 2020, when coronavirus was something very new and nobody in the UK had ever heard the word furlough before. I can very vividly remember what it was like for me with a team of seven thinking, gosh, we've got to pack up, we've got to work from home. Is anyone actually going to buy anything from us for the next ... I've got no idea what's going to happen. I can only imagine what was going through your heads, having a team of people that you were both thinking about and thousands of animals that you have to care for, that you're responsible for. What was that even like?David Field: Well, I think every day you are looking back on that time and hindsight's an amazing thing, to look back on how you handled it, how many hours you spent lying, awake thinking about it. But then, in some respects, we were no different to others. And everybody was facing a crisis in so many different ways. And this has been one of the most important sort of most significant kind of social impacts in our lives. Hopefully we'll never get anything like this. My parents, my grandparents had world wars and stuff like that to deal with. We just had to deal with a bit of a pandemic, which quite frankly, we should all have been prepared for. It was coming. And the next one will come.David Field: For me, it was very odd because just February, March, I was leaving my previous job, ready to come up to Edinburgh to start a new job. So I was having to sort of resolve the issues in one zoo and leave it in a good enough state, ready to come to Edinburgh, where my board, etc. at the time were already trying to deal with the organization that at the time, we didn't have a CEO in place then, did we? You just had to react. You just had to understand that you had so little information that you had to be incredibly dynamic and react to situations.David Field: And the crucial nature, before anything else, was just securing money, was securing funding, just so that you could make sure that you could stay open. And the difference in dealing with governments in the UK as compared to governments in Scotland, were miles apart. And so that was the crux. And you were so focused into that, that other things did disappear. Once you could get the money, once you could get the bank loans, once you got that, then you could start some sort of planning. So that was the crux. It was money, money, money all the way, just so you could stay open. Now, as good charities, we all had some reserves, but we just didn't know what the endpoint was going to be. And so securing funding was the be all and end all.Kelly Molson: And I guess, so David, were you ... I mean, you talked a little bit there about the challenges dealing with English government, Scottish government. What were the differences? What was difficult about that process?David Field: Access, getting people to listen to you. Now look, we know the governments had so much on the plate that wanting to listen to the zoo director down the road was probably fairly low down the list. But it was trying to get the message across that you couldn't, not so much furlough a penguin, but you couldn't furlough a penguin keeper. And just trying to get those individual messages through. But being able to get that through to Scottish government made life so much easier, having people that would listen made so much easier for you. To be fair, DEFRA were excellent, but it was trying to get to the ministers. The civil servants, hats off to them, amazing. But try and get through to ministers who actually make the decisions, was nigh on impossible.Kelly Molson: Yeah, I can completely imagine. And Lisa, so where did this leave you? Because I guess you then have to think of different ways to drive donations. You have to think about how you're engaging with the audience who aren't able to come to your venues. You've got to engage with them on social media, online, and virtually in some way. How did you even ... how did you start that process and where did some of the ideas ... and what did you do? Where did they come from?Lisa Robshaw: I mean, for me, it was a massive learning curve. I'm a visitor attraction marketer by trade. I'm not a fundraiser. And it's obviously a different discipline. Although we're talking to the same people, we're having to talk to them in a slightly different way. So I mean, back to that week in March, it was a sense of disbelief of what was going on. All of a sudden, I had to put a different hat on and I was learning a new trade almost from our sort of development team, and all that kind of thing. We put a lot of people on furlough, which meant we all had to wear different hats and support people in a different way. I suddenly became a web developer and yeah, I'm a digital marketeer, I'm not a web developer.Kelly Molson: You want a job because it's really hard to find web developers right now.Lisa Robshaw: I don't think anyone would want to employ me, to be honest. I gave that part of my career up as soon as I could. But very quickly, it was long hours, long days, adapting our messaging. Because to be fair, Edinburgh Zoo and Highland Wildlife Park, visitor attractions first, almost kind of ... in terms of individual giving, it was such a small part of our charitable income at that stage that we just had to completely do a 360. So in terms of fundraising, it was really just making sure that our development team were well supported in making sure our messages got out, and working with the comms teams to make sure the messaging was appropriate, emotional enough to elicit that donation.Lisa Robshaw: And then it was working with kind of our discovery and learning team, I think there was only one after we'd furloughed everybody, on how are we going to engage with people virtually? So obviously we were looking at the great work that other zoos were doing. Chester, for example, with their Friday kind of online videos and Facebook lives and all this kind of thing. Almost, okay, what can we do, which is really Edinburgh or Highland Wildlife Park-esque? You know? And all this kind of thing.Lisa Robshaw: And one of the light bulb moments, I think in think in lockdown two, when we were all getting really quite professional at lockdowns, professional lockdowners, all this kind of thing, was thinking about how we can do virtual birthday parties and take that experience into people's homes, and do something different to what other people were doing. That's what we wanted to do. And that's how we honed our kind of skills, I guess, and how we developed, and how we all evolved during the two lockdowns. It was incredible.Lisa Robshaw: But the outpouring of support from people we had. I mean, I was very much the same as David, how ... and other attractions, not just zoos, but other attractions, how are we going to keep the money coming in while we're closed? How am I going to sell a membership to somebody when the zoo's closed and they not having the experience? It's things like making sure the membership didn't start until we reopened, so people felt, we'll get them the money at that point, but their membership wasn't starting. They were getting the added value when we opened. And our membership, the support we had from our members and our new members was just incredible during lockdown. It really was. And that just ... yeah, it was a massive learning curve.David Field: I mean, that support Lisa, that you talked about, was huge, was overwhelming. It was remarkable. And certainly Edinburgh Zoo and Highland Wildlife Park, certainly the zoo, hadn't had that level of support previously. The level of support that we received from the community was incredible. But I think that came because the authenticity of our message. We were very, very transparent with what was going on. We spoke to everybody and anybody, whether they wanted to do a podcast, whether they wanted to do a newspaper piece, whether they wanted to talk to us on the phone. We spoke to anybody. And it was the honest truth of what we were putting out there, that we didn't know what was happening day to day. We didn't know about the future of some of these animals. There was questions about our pandas. There was questions about our penguins. But we went out there and talked. We opened our hearts, we opened our zoos to information and messages, and the response that we got was incredible.David Field: Do you know, I think Edinburgh fell in love with its zoo again. They began to value what they might just miss. And it was about the ... I truly believe it was the authenticity of our message and what people saw and heard from our zookeepers, from our conservation teams. And that work with the D and L team, the Discovery and Learning team, was incredible, because they didn't just put material online. They made it just a zoo visit online. They made it so interactive. They made it one on one. It was remarkable. It was just so exciting.Kelly Molson: I love what you said there about Edinburgh realises what they could potentially miss if the zoo wasn't ... if it didn't exist anymore. Have you seen, since the zoo has reopened, that you are getting a lot more kind of people ... a lot more local visitors? Have you seen that that's kind of increased, that people ... they are really loving Edinburgh Zoo again?David Field: I think so. I mean, Lisa might ... you might be able to give a bit more of the kind of stats and facts of it all. I look at it from a more emotive sense and you do just get that level of feeling that people believe in what we're doing and they're really supporting what we are doing. But I think one of the most remarkable things for me was when we did reopen and you saw people coming back into the zoo for the first time. And it was also a time when the families were probably meeting each other for the first time again, because we were one of the few places that were open, one of the few places where people could meet. And suddenly the emotion of people meeting in a place like the zoo, it was remarkable. And we tend to forget the social value of our visitor attractions for quality family time. And that period of just as we were starting to reopen, just emphasized it perfectly of how important the zoo was as a family place, a place for real quality time.Lisa Robshaw: Yeah, absolutely. I completely agree. And the amount of people that were coming back that were saying, "I haven't been for years, and I'd forgotten how wonderful it was or it is." You still get that in the school playground, anecdotally, the mums going, "Oh my God, I can't believe you work at Edinburgh Zoo. You've done so much amazing work during lockdown. The kids have loved the films and all this kind of stuff." And you just go, wow, that social value is an absolute, really good point. And yeah, anecdotal evidence is that everyone did fall in love with the zoo again. It's incredible.Kelly Molson: And they're coming back in droves to show you that love now as well.Lisa Robshaw: Absolutely, yeah. Our visitor numbers this year have been amazing, better than ... I think summer 2020 was better than summer 2019. But we have to make ... or '21, sorry, was better than 2019. But we have to remember 2019's a pretty bad summer weather wise as well. But I do ... so couple the bad weather with this new affection and the fact that people haven't been able to go anywhere else, I mean, it's ... yeah. We're reaping the reward and the challenge is going to be keeping the momentum going into next year when we've got so more competition.Kelly Molson: Yeah.David Field: Absolutely. We've got to seriously up our game for the ... when the period sort of as we were reopening and lockdowns were being lifted, so people just wanted to get out and be local, there was a benefit there. People started to see, as Lisa said, actually this is a pretty, pretty great place. Look at all this exciting stuff that's going on. But now we've got to just keep going and maintaining that excitement and that wonderful visitor attraction element, which drives our charity mission, is essential. So it's challenging going forward.Kelly Molson: It is. And actually one of the questions I was going to ask you is about how you kept your team motivated through the pandemic. Because, like you said earlier, it's not just, you can't furlough a penguin, it's you can't furlough the penguin keeper. So you had a lot of people that were still coming into work during the pandemic because there was a need for them. They had to be there. But I guess an extra question to that is how do you now keep your team motivated to keep that excitement and keep that enthusiasm going, to keep drawing the people in again? So two different questions, or same question, but for two different situations there.David Field: Yeah. I think there's ... it's a really, really tough time for the staff. They're absolutely shattered. Staff such as the ... say the keeping staff, and I mean ... were coming through during the pandemic to work. So they weren't getting time off particularly. And even now our other teams, which are so crucial to making the place work and be great place to visit, there's so much going on that people can't take their ... are struggling to take their holidays because of the momentum that's going on. So people are tired.David Field: And then with the challenges that we are getting there with trying to recruit new people, where there is nobody to recruit, it is putting pressure on people. But it's humbling to work for a team like team RZSS, because they just step up and go above and beyond constantly. And it's the belief in what we do. It's the love of the animals. It's the love of the institution, that people step up to such an extent. And it's remarkable. But they are tired. And we would like to recruit more staff so that they could actually recover.Kelly Molson: We have Kate Nichols on from Hospitality UK, speaking with her next week about the recruitment challenge. So if you do have any questions that you'd like to pose to her, feel free to send them in, because I know that this is widespread right now. And if I'm honest, it's not just the attractions industry. We're struggling ourselves. Like I said, no joke society, if you have got web development skills hit me up. It is a huge challenge right now. And like you said, people are really, really tired. So there's still a long way to go to get everyone motivated and to keep everyone going. I really hear you on that.Kelly Molson: Lisa, I want to talk a little bit about what you said earlier about the birthday parties and some of the things that you did in terms of engaging with your audience while you couldn't open the zoo. Will you still carry on some of those things? And if so, are there any new things in development or anything that's coming up that you're quite excited about that you'd like to share with us?Lisa Robshaw: Yeah. I mean, the demand for the virtual birthday parties has obviously waned now. And actually they'll always be secondary to trying get these groups of kids into the zoo so they can actually, like David say, get close to nature and sort of be around the animals. That's our number one reason for being really, in terms of engagement. But that was great, to see the reactions and all that kind of thing. Not only because we tested it on my own six year old who had a second lockdown birthday, but also just the demand, and people by that point were wanting something different for their kids. That was great.Lisa Robshaw: I mean, one of the things I loved were the amount of companies that came out and actually wanted to work with us, and companies that traditionally the zoo have worked for ... worked with kind of on a sort of cursory ticket selling level. So hotels, for example. We had so many hotels that wanted to come and work with us in a completely different way. So one hotel wanted to do a giraffe themed bedroom, and a certain portion of percentage of the room rate would come to the hotel ... to the zoo. So I mean, I'm under no illusion, a lot of that was for PR and unusual ideas. But never before have we had hotels being that actively courting us.Lisa Robshaw: The big one is the Waldorf Astoria, the five star Waldorf Astoria Hotel, more sort of known as the Cally here in Edinburgh. And they did a zoo themed afternoon tea. Five pounds from every afternoon tea that they sold came to the zoo with an option to top up it to another five pound donation. And I think it was three and a half months that was for sale with, just as we were coming out of lockdown. So you could get home delivery or you could get the whole Waldorf Astoria experience. And they raised eight and a half thousand pounds.Kelly Molson: Wow.Lisa Robshaw: So you work out how many they sold. And that was a partnership we would never have had the opportunity to do had lockdown and COVID and the pandemic not happened. So that was fantastic. So moving forward, I'm really looking forward to working with loads of other different companies, in the next couple of ... next year or so. We've started that initiative with our art trail that we're doing next year, called Giraffe About Town. So this is one of the Wild In Art trails. You might remember things like Cow Parade. Here in Scotland we have the Oor Wullie Bucket trail, but they're popular all around the country. I think there's been Elmer Elephants in Luton, that were involved with. All this kind of thing.Lisa Robshaw: So we're going to have our own herd of 40 sponsored eight foot giraffes around the city of Edinburgh next summer. And at the moment we're going out and talking to companies about sponsoring those giraffes. And what ... this is a complete unknown of a project for me. I've never been involved in something like this to this scale before. But what is really heartening is that a variety of companies that are coming out and actually wanting to support their zoo, from big house builders to a company, a sort of a one man band who does synthesizer things for electric guitars and bands. It's just so random, but it's so amazing to see the outpouring of support that's happening.Lisa Robshaw: And also the public are really excited about ... Every time we talk about Giraffe About Town, there's people making arrangements to come to the city and have a weekend break so they can find all the giraffes. That's kind of our way of giving back to the city as well. So that's a really exciting initiative. Alongside the day job, it's quite hard work, but it's going to be so exciting. And the whole process is a whole new thing for me, from talking to sponsors, to people who create concrete plinths and these things to sit on and then looking at venues for auctions at the end to raise money for our wildlife conservation projects around the world. So yeah, that's a really exciting initiative and that would never ... we would never have taken that type of project on if it wasn't for the pandemic and have the confidence to do it.Kelly Molson: That's amazing, isn't it? That that's something so fabulous that has actually come out of something so horrendous.Lisa Robshaw: I'm going to have a lot of gray hair by the end of it. It's great that I am already. But already. I get quite emotional thinking about what the end result's going to be, and from people ... sort of companies actually getting a lot of extra PR and marketing value out of working with us, to people having a great time around Edinburgh and exploring parts of the city they've never explored, trying to tick off all their giraffes, to the impact they're going to make at auction with real money for charity. It's quite exciting.Kelly Molson: It feels like people want to take ownership of an experience in some way. They want to be part of it, not just come to visit. They want to be part of that for a longer period. Do you know what I mean? Like you come and visit the zoo and then you might adopt an animal, but actually being part of the walking trail, that's really kind of embedding yourself into that experience. Something that Gordon and I discussed actually, when we had it on, was the desire for more personalised experiences, that people want to do things that are not just the norm now. They want something that's really kind of tailored to them. Have you seen an increase in demand for your zoo experiences this year?Lisa Robshaw: Yeah. Massive. Massive demand, to the point where we're getting so booked up in advance. It's great, but you almost get to a situation where we can't fulfill some of them. So we're having to manage that really carefully to make sure that we don't lose the sale, but we're also managing people's expectations. But people want that experience. And if nothing else, the pandemic sort of reignited that passion. People don't just want a tangible kind of gift. It's this thing where ... that experience that people really want, which is ... we are just made for that kind of experience.David Field: I think that is really interesting with the need for personalised experience, but deeper and more emotive experiences. And I think that's a way ... not everybody who comes to the zoo can possibly have a personalised experience. We don't have enough animals. There's not enough time in the day. For all different reasons. I'm very lucky. I get that kind of contact with animals constantly. And people need that in their lives. They cry out for this contact with nature, and it makes people better.David Field: And somehow we got to deliver within the zoo more and more of these emotional experiences. We've got to get people to not just look at an animal from a distance, but when they go into the giraffe house now at the zoo, they don't just see animals. They're really, really close. They can smell them, they can hear them, they can almost taste them. That sounds a bit weird, doesn't it? But it's a full multisensory experience. It's a deeper meaning, which is why the zoo experience means so much more than something you just see on screen. It has to be ... we've got to make the hairs on people's necks sort of stand up, get them really emoting, get those emotions running about animals. Then people care about animals more and want to hear our messages about how we can do more to protect them or conserve them. So emotion is huge for us.Kelly Molson: And is that part of how you kind of inspire people to help you now? Because I guess the zoo ... we're heading into winter, so you're going to have less people visiting. I wanted to ask what the kind of shape of the zoo is as you head into winter this year. But I see that you've got the Help the Animals that you Love campaign still running. Is that something that you run all year through? Are you going to be doing a big kind of driver of that to kind of help get through the winter? Like where are you at?David Field: I mean, I think there's a couple of questions there. I mean, in terms of ... we will do various fundraising activities at different times. And there's a recent appeal gone out just for more of our general work. When there's some specific project, we might do other appeals. But I think where we are really trying to get to is that ... and we touched on it before, is that long term relationship with the zoo. And I said, the zoo is different, whether it's winter, summer, spring, autumn morning, noon, evening, it's always something different. So we want people to be able to experience that and really pushing our membership, pushing that long term relationship with the zoo. And really there's a cradle to grave relationship that you can have with the zoo. And that's what we want to achieve because it's more than just a visit.Kelly Molson: Yeah, it is. This is something that I saw Bristol Zoo has just said, that it's going to open its grounds to the public for free after it moves to a new home next year. Circling back to what you said earlier about the zoo being at the heart of the community and people falling back in love with Edinburgh Zoo, do you have any more initiatives to kind of connect with that local community aside from the walking trail that we've just discussed, which I think is an absolutely wonderful way of connecting with the local community? Have you thought about anything long term for the zoo where you get more of the community engaged with it?David Field: Well, I would say kind of watch this space, because we will be launching next year, a major part of our future strategy is about community and it's about using the unique resources of the zoo and the power of animals to do good, to actually build improved wellbeing in individuals and also in the communities where we work, helping to strengthen the communities where we work. That's really powerful for us. When Edinburgh Zoo first opened back in the early 1900s, it was designed by the social architect, Patrick Geddes, so it was a place where communities could come and walk and commune with nature outside of all the industrial areas and built up areas of Edinburgh. And we still appeal to that. That idea appeals to us, so that it is a place of sanctuary. It is a place where people can come.David Field: And we are undertaking a range of initiatives that we can link with the community. We already do that in many ways. We work with different community groups, both in Edinburgh and up at the Highland Wildlife Park. And we want to look at all of those barriers that are cultural, social health wise, which stops people getting to the zoo. We need to work with that. We need to work with local businesses, with local council, with Scottish government, in order that we can become the most inclusive and accessible visitor attraction, not just in Scotland, but in the UK and beyond.Lisa Robshaw: It's probably worth talking about Highland, Wildlife Park as well, the developments that will start next year for the Scotland's Wildlife Discovery Center. We've got HLF funding for some massive new developments at Highland Wildlife Park, which are just around that sort of engaging with the community, the people that would normally be able to have those experiences, getting close to nature and that kind of thing, and really telling the story of sort of Scotland's wildlife heritage as well. And no better place to do that than in the Cairngorms. So we're really excited about that project and that's going to be an absolute game changer for Highland Wildlife Park.Kelly Molson: Oh, can you share a little bit more about what makes it game changing? Or is this top secret information for the time being?David Field: No, not at all. I mean, there's been quite a lot of information out there about it already. And the Scottish Wildlife Discovery Center is ... it's a transformational project, both for the park and for the society because it will be ... in reality, it's a network of hubs that takes you on an expedition across the Highland Wildlife Park. But this expedition exposes you to the people, the place, and the animals of the Cairngorms. It brings the beauty of the Cairngorms and all the knowledge and information that we need the people that will come and visit.David Field: But we will have ... there's a large discovery centre where you can find all this information. There will be hubs, which overlook our wildcat breeding program project, and our peat restoration project. Then there's a wonderful new accessible learning hub, which will be open for the community as well so that we can bring people to the park that would never have dreamed of coming to the park before or wouldn't have been able to come to the park. But they'll be able to come for different events, community outreach. But it is designed so that we can celebrate the Cairngorms and the people, the place, and the animals therein.Lisa Robshaw: What he said.Kelly Molson: What David said. Do you know what's lovely? Is you speak ... there's a real sense of positivity in this interview. Whenever you both speak, there's a real kind of uplift and a real kind of sense of excitement about what's coming next. So it's been really lovely to hear that come through from you both.David Field: Oh, fantastic. Thank you. I mean, we work with animals. It's amazing. You're having a bad day, go and sit with the penguins.Kelly Molson: That is not dreadful, isn't it? Yeah. I mean, the closest I get is to picking up a dog if I'm having a bit of a bad day, but a penguin would top it.David Field: But that is ... it's so important to us. And it's not a trite statement, but we know that people just visiting a zoo, your stress levels just go down. We know that. We know that again, it's that quality social time. It's memories. It's access to nature. All of this is important for us from so many aspects. And the power of animals to do good is just ... it's beyond. They're amazing.Kelly Molson: Couldn't have said that any better myself, David. I totally agree with you. Thank you both for coming on the podcast today. I always like to end our interviews by asking if you have a book that you would recommend to our listeners. So it could be something that's helped you in your career. It could be something that you just ... you absolutely love. It's definitely not going to be Harry Potter. We know that. Hopefully Geoff is not listening to this, our past-Lisa Robshaw: I'm to going to get an invite to the Warner Brothers Studio at any time soon, am I?Kelly Molson: No, it's not happening, Lisa. But yes, I would like to ask you both if you've got a book that you'd like to recommend?Lisa Robshaw: I'll let David go first.David Field: Well, I love my books. Absolutely love my books. The Zoo Quest Expeditions by Attenborough were an inspiration to me. But more recently, it's The Invention of Nature: The adventures of Alexander van Humboldt. Amazing book by Andrea Wulf. Alexander von Humboldt, one of the greatest naturalists, a real kind of polymath that was there. He invented ecology. He saw climate change before anybody else. And it's so beautifully written and a real inspiration in terms of what he achieved. He's one of my scientific heroes.Kelly Molson: Fabulous. That's very topical. All right, that's David's one. Lisa, what about you?Lisa Robshaw: I'm now regretting asking David to go first. Mine is ... I'm not sure I'm allowed to swear on this podcast.Kelly Molson: You can.Lisa Robshaw: The Life-Changing Magic of Not Giving a F*ck.Kelly Molson: Excellent book.Lisa Robshaw: It was given to me, the actual book was given to me by a friend, God, probably about six or seven years ago when I was having a bit of a hard time. And David ... it'll probably make David smile, and my boss, Ben, but I give myself a really hard time over things sometimes. I just want things to be perfect all the time. It's quite topical at the moment. And actually, I just ... sometimes when I'm feeling a bit overwhelmed, I just go into this book and it reminds me that I can't control certain things. I just need to give a fuck about the things I can control and let go of the things I can't. I recommend it to so many friends that have found it useful as well. I know Ben, my boss, would probably want it to be like a bit of a marketing book that I'm recommending or something like that, I thought I really let him down with this. This is well worth a read.Kelly Molson: Lisa, I have read that book. It is an excellent book. So basically what we are recommending is grab a copy of that book, head to the zoo, go and sit by the penguins, life will be sweet.David Field: Perfect.Kelly Molson: All right, well, listen, listeners, as ever, you can have the chance to win copies of those books. So if you would like to win a copy of Lisa's book and David's book, then head over to this episode announcement and retweet it with the words, "I want David and Lisa's book," and we will put you ... books even, and we will put you in the draw to win a copy of each of them. Thank you very much. I really like those suggestions and I really am very grateful for you both coming on and sharing your experiences today with the listeners for the podcast. So thank you.David Field: You're more than welcome, Kelly.Lisa Robshaw: Thanks, Kelly.Kelly Molson: Thanks for listening to Skip the Queue. if you've enjoyed this podcast, please leave us a five star review. It really helps others find us. And remember to follow us on Twitter for your chance to win the books that have been mentioned. Skip the Queue is brought to you by Rubber Cheese, a digital agency that builds remarkable systems and websites for attractions that helps them increase their visitor numbers. You can find show notes and transcriptions from this episode and more over on our website, rubbercheese.com/podcast. 

Doni Aldine is a globally mobile Afro-Latina and first-generation North American who, by age 19, lived in seven cultures on five continents. She is passionate about creating community for cross-cultural populations. She has presented around the globe as a Keynote, at conferences, universities & in media as a lifestyle expert focused on entrepreneurship, marketing & cross-cultural identity. With this background, she developed university curricula for global culture identity.Aldine uses her global, multi-cultural background, academic training, and career experience in media, management and business to position CULTURS as the first-ever digital-first print publication & product marketplace that addresses global and mobile cultural identities, with emphasis on hidden diversity.----Most recently, she consulted on culture for Warner Brothers Studios and Turner Network Television, with Wonder Woman Director Patty Jenkins, and worked with NBC/Universal to feature cross-cultural casts for "New Amsterdam," and "Bluff City Law."Doni mentioned on the podcast that she would love you to contribute your story. TCKs, expats, global nomads, diplomatic kids, etc. Culturs is home for a global audience of culturally mobile people. Their audience embodies hidden diversity rather than visual diversity. They have spent their formative years in between cultures and in doing so, have adopted a separate culture altogether, uniquely their own. They are looking for content which speaks to this group's interests and experiences. They focus on lifestyle topics of interest to this population including entrepreneurship, travel, education and human connection. The A World of Difference Podcast is brought to you in partnership with Missio Alliance.Stay In Touch: Connect on Facebook and Instagram with thoughts, questions, and feedback. Rate, review and share this podcast with anyone that would love to listen.  On Clubhouse @loriadbr. Find Us Online: @aworldof.difference on Instagram and A World of Difference on Facebook on Twitter at @loriadbr https://linktr.ee/aworldofdifference or loriadamsbrown.comInterested in one-on-one or group coaching on how to live a life that makes a difference? Check out: https://www.loriadamsbrown.com/coachingIf you are facing some big decisions, here is a pro tip that helps.Mentioned in this episode:Do you want to go deeper?Join us in Difference Makers, a community where we watch and discuss exclusive content that truly makes a difference. Give us $5 a month (the price of a latte), and join in on the conversation with our host Lori and others who want to make a difference. We'd love to have you join us!PatreonJoin Difference MakersJoin us in our membership community for exclusive content for only $5/month at https://www.patreon.com/aworldofdifference. We go deeper with each guest, and it makes such a difference.PatreonThis podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacyPodtrac - https://analytics.podtrac.com/privacy-policy-gdrp

https://culturs.org/Doni/ (Doni Aldine) is a globally mobile Afro-Latina and first-generation North American who, by age 19, lived in seven cultures on five continents. She is passionate about creating community for cross-cultural populations. She has presented around the globe as a Keynote, at conferences, universities & in media as a lifestyle expert focused on entrepreneurship, marketing & cross-cultural identity. With this background, she developed university curricula for global culture identity. Aldine uses her global, multi-cultural background, academic training, and career experience in media, management and business to position https://culturs.org/ (CULTURS )as the first-ever digital-first print publication & product marketplace that addresses global and mobile cultural identities, with emphasis on hidden diversity. ---- Most recently, she consulted on culture for Warner Brothers Studios and Turner Network Television, with Wonder Woman Director Patty Jenkins, and worked with NBC/Universal to feature cross-cultural casts for "New Amsterdam," and "Bluff City Law." Doni mentioned on the podcast that she would love you to https://culturs.org/contribute/ (contribute your story). TCKs, expats, global nomads, diplomatic kids, etc. Culturs is home for a global audience of culturally mobile people. Their audience embodies hidden diversity rather than visual diversity. They have spent their formative years in between cultures and in doing so, have adopted a separate culture altogether, uniquely their own. They are looking for content which speaks to this group's interests and experiences. They focus on lifestyle topics of interest to this population including entrepreneurship, travel, education and human connection.  The A World of Difference Podcast is brought to you in partnership with https://www.missioalliance.org/ (Missio Alliance). Stay In Touch: Connect on Facebook and Instagram with thoughts, questions, and feedback. Rate, review and share this podcast with anyone that would love to listen.  On Clubhouse https://www.joinclubhouse.com/@loriadbr (@loriadbr). Find Us Online: https://www.instagram.com/aworldof.difference/ (@aworldof.difference) on Instagram and https://www.facebook.com/A-World-of-Difference-613933132591673/ (A World of Difference) on Facebook on Twitter at https://twitter.com/loriadbr (@loriadbr) https://linktr.ee/aworldofdifference (https://linktr.ee/aworldofdifference) or http://loriadamsbrown.com/ (loriadamsbrown.com)Interested in one-on-one or group coaching on how to live a life that makes a difference? Check out: https://www.loriadamsbrown.com/coaching (https://www.loriadamsbrown.com/coaching) If you are facing some big decisions, here is a https://www.youtube.com/watch?v=T9eRJXjZrsM (pro tip that helps). Mentioned in this episode: Coaching Sept 22 Want to get unstuck and make a difference? Go to loriadamsbrown.com/coachnig for a free exploratory session. Patreon Support us for as little as $5/month at Patreon.com/aworldofdifference and receive exclusive audio content and free merch. This podcast uses the following third-party services for analysis: Podcorn - https://podcorn.com/privacy

Tune in to a brilliant conversation with Tracy Barash, VP of Marketing at Turner Sports. Hear the former Whitman School of Management graduate discuss her vast experiences at Cartoon Network, Warner Brothers Studios, and now Turner! --- Support this podcast: https://anchor.fm/syracuse-sport-business/support

Kalilah Wright, born in Jamaica W.I., migrated to the United States at the tender age of 4 and was raised in Brooklyn, NY. She is the Founder and CEO of expressive brand Mess in a Bottle. As an accomplished designer and trained architect, she used her Masters degree from Morgan State University and Bachelors of Arts from Penn State University to establish the brand in January 2016 in Baltimore, Maryland. Mess in a Bottle allows you to put messages on t-shirts and are packaged in reusable bottles. The Mess in a Bottle brand was established to evoke change, question Kalilah's audience and allow individuals wearing their messages to be vocal without saying anything at all. Each item is designed and printed at her Baltimore in-house studio space. Kalilah has participated in multiple pitch competitions and won the Wells Fargo Business Pitch competition at Blogalicious in 2016 and the 2018 iFundWomen pitch competition in conjunction with the Baltimore Ravens. Mess in a Bottle has collaborated with numerous brands and created limited edition capsule collections with Warner Brothers Studios for their movie The Kitchen as well as Roc Nation artist Rapsody. Celebrities such as Serena Williams, Luvvie Ajayi, Lena Waithe, Yvonne Orji, and fashion gurus Claire Sulmers and Ty Tyrone, are all proud supporters of Mess in a Bottle.   Facebook: https://www.facebook.com/aMessinaBottle Instagram: https://www.instagram.com/messinabottle/ Twitter: https://twitter.com/_messinabottle Website: https://www.messinabottle.com/   and SHE Thrives is a podcast that helps Millennial mothers check their MIC + THRIVE. MIC Check = adjusting your mindset, setting your intention, seeking clarity + ultimately living your best life + THRIVING.  The podcast is hosted by ShaBree Henry Ewusi. SHE is an Author, Speaker + Certified Coach. The and SHE Thrives podcast was created with truth, transparency + sisterhood in mind.  Listen on Apple Podcasts, Spotify and  Soundcloud.  Click here to subscribe via RSS feed (non-iTunes feed): http://andshethrives.libsyn.com/rss   Links mentioned in this episode: If you enjoyed today's show and want to be texted the link for the next episodes text the word “PODCAST” to (973) 210-4470 or click here: https://my.community.com/shabreeewusi For daily affirmations via text, text the word “AFFIRMATIONS' to (973) 210-4470 or click here: https://my.community.com/shabreeewusi If you're a woman and you'd like to join a supportive community founded on truth, transparency + sisterhood join us on facebook by searching and SHE Thrives. https://www.facebook.com/groups/539995406344571/   Need a resource to help with mindset? Click here to download my FREE MIC Check workbook: https://www.shabreeewusi.com/shop/miccheck   Social Media Info WWW.SHABREEEWUSI.COM instagram.com/shabreeewusi Facebook.com/shabreeewusi Twitter.com/shabreeewusi   Remember, you have everything that you need, take what you have and make it what you want. #LetsTHRIVE  #IAMThrivingAF

In 2013, Warner Brothers Studios released the smash-hit horror film The Conjuring, to the delight of scary movie fans all across the globe. This paved the way for an entire universe of slow-burning horror flicks based on the careers of Ed and Lorraine Warren, two real-life world-renowned paranormal investigators. Here we look at the true accounts of the Perron family, which served as the basis of the first Conjuring film.Episode narrated by Top5sMusic by CO.AG________Our episodes deal with serious and often distressing cases involving serial killers. Listener discretion is advised.Support the show (https://www.patreon.com/Top5sOffical)

We have a brand new episode and it's really good! We discuss the new Wendy Williams biopic and who asked for it, Warner Brothers Studios releasing 17 huge movie titles in 2021 on HBO Max and theaters, and the return of Underground on OWN...maybe. We also have a very special For Artists segment about a free 10-week course about Producing. We welcome our special guest Jessica Alberto of Bravemoode. She talks about why being petite was the reason she became interested in the fashion industry, how she couched surfed in NYC until she found her way, how the fashion industry is finally catching up with her mission statement of inclusion and positive representation, and much more. We also learned that she is also a jazz artist. We award our BAF and GAF awards and take a peek behind the curtain to discuss our hometown boy and his restaurant that made national news. Listen, Share, and Follow us on Social media! Jessica Alberto: https://www.bravemoode.com/ IG: https://www.instagram.com/bravemoode/ Youtube: https://www.youtube.com/channel/UCRzKyNrGgexKUhhEW2cEBKA Rania Blaq: https://linktr.ee/Reinablaqq Broke, Gifted, and Black Podcast: Facebook: https://www.facebook.com/BrokeGiftedandBlackPodcast IG: https://www.instagram.com/brokegiftedandblackpodcast/ Email: hey.brokegiftedandblackpodcast@gmail.com For Artists Segment: https://www.playbill.com/article/stephen-c-byrd-mara-isaacs-brian-moreland-more-set-for-theatre-producers-of-colors-10-week-producing-101-program --- Support this podcast: https://podcasters.spotify.com/pod/show/broke-gifted-and-black/support

On this episode (we apologize for the audio) we talk about the disheveled and chaotic world of Warner Brothers Studios.  Lots of news and recent developments happening and most of it not that great.  Also we discuss the Playstation 5 now that we've seen the pictures and read all the specs.  Interested to see how the pre-sales continue to roll out, or not lol. Join us in this conversation and let us know what you think of WB and PS5. You can find us on Twitter, Facebook & Instagram using the handle @NerdlyEclectic and be sure to set the alerts for when we go live as we will be broadcasting a lot of live conversations. Thank you all for listening and as always, we love you all! Stay eclectic!  Subscribe, listen and rate us! Apple Google Play Spotify iHeartRadio Facebook Twitter