Podcasts about Bravia

After listening to episode 477 about Sony's 2025 TV lineup, Dan has some questions about models that carry over from one year to the next as well as the differences between the Bravia 7 and Bravia 5. Scott Wilkinson has some answers. Bravia 7 can be looked at here: https://electronics.sony.com/tv-video/televisions/all-tvs/p/k65xr70?srsltid=AfmBOoqaBzUX9aFRDqqmoNPdCL2RCtb037LDa1aDnatER6MBpNVcK8fl Bravia 5 can be looked at here: https://electronics.sony.com/tv-video/televisions/all-tvs/p/k65xr50?srsltid=AfmBOoocfLtU8kTaPa-uONgF3zKBayiudWCB03GTOlaAsBUQP8MYz_C2 Host: Scott Wilkinson Download or subscribe to Home Theater Geeks at https://twit.tv/shows/home-theater-geeks Want access to the ad-free video and exclusive features? Become a member of Club TWiT today! https://twit.tv/clubtwit Club TWiT members can discuss this episode and leave feedback in the Club TWiT Discord.

「ソニー、フラグシップスマホ「Xperia 1 VII」。独自AIとWALKMAN／BRAVIA／αの知見で性能強化」　ソニーは、Androidスマートフォンのフラグシップライン “Xperia 1” から、カメラ、ディスプレイ、音質、AI機能などを強化した「Xperia 1 VII」を、6月上旬より順次発売する。

「ソニー、4K Mini LED液晶テレビの新エントリー「BRAVIA 5」。超大画面98型もラインナップ」　ソニーは、4K Mini LED液晶テレビのエントリーモデル“BRAVIA 5”（XR50シリーズ）を6月7日より順次発売する。

「ソニー、新サウンドバー「BRAVIA Theatre Bar 6」。ワイヤレスサブウーファー付きの3.1.2ch機」　ソニーは、ワイヤレスサブウーファー付き3.1.2chサウンドバー「BRAVIA Theatre Bar 6（HT-B600）」、オプションサブウーファー「BRAVIA Theatre Sub 7（SA-SW7）」、オプションリアスピーカー「BRAVIA Theatre Rear 8（SA-RS8）」を発売する。

The 16:9 PODCAST IS SPONSORED BY SCREENFEED – DIGITAL SIGNAGE CONTENT Every so often I'll get a call or email from an industry friend asking me about a software company called Zynchro, because they were in the mix, or the incumbent, on some sort of deal that was in play. Yes, I'd say. I've heard of them. But that was about it. Well, that's changed, as I had a good chat recently with Jose Behar, one of the two brothers who founded the company some 30 years ago. Zynchro has very quietly built up a nice book of business, mostly in the United States, with SaaS software marketed on the basis of flexibility, rock-solid reliability and low annual costs. By its own admission, the Dallas-based company operates very quietly. But the installed base is north of 50,000 devices, many of them involving a couple of giant global brands. Like most whale clients, Zynchro can't quite say who those are ... but have a listen, and it becomes fairly obvious. Subscribe from wherever you pick up new podcasts. TRANSCRIPT Jose, thank you for joining me. I have heard about Zynchro, but we've never met, at least, I don't think so, and while I've heard about the company, I don't know a lot about it, and you're one of those companies that seems to be very active, quite successful, but kinda an old World War II submarine. You're running silent and deep.  Jose Behar: Yes, we were silent for a long time. Even when my brother and I started a company 30 years ago, we started doing multimedia and CGI animation, and one of our ways to do business was to keep networking, being a little bit silent on the media, but having a lot of reputation among client to client, mouth to mouth.  So if I bumped into you in an elevator, and I'm not in this business and asked, oh, what do you do? What does your company do? What would you tell them?  Jose Behar: Zynchro is a digital signage platform SaaS, software as a service. So, our clients can use Zynchro for different kinds of applications and in a lot of vertical markets. Zynchro is not only a content manager. Maybe a lot of our clients, or the people that hear about us, look at us as content managers, but we have different modules. We now have four modules, and we are developing two more for health monitoring for all the players in the network. Also, analytics, all kinds of different analytics for interactive and non-interactive presentations. Of course, the content management, and we also have the campaign module. The campaign module is the monetizing area.  One of our biggest clients is one the biggest retailers in the market. They are using this campaign module, and you can see different media and articles saying that they are making billions of dollars using their digital signage. and now all the stores and all their home office and some distribution centers are using our software to communicate and to control their digital signage.  So the campaign manager is basically enabling a retail media network? Jose Behar: That's right. The idea is creating a TV network where our clients can sell their advertising spaces, and they can have all the inventory and all the reports that they need in order to show their clients all the information.  There are a hell of a lot of companies out there that do what you do. You've been at it for a very long time, three decades. What is it about what you do that differentiates it from the scores of other companies who have a pretty similar offer. Everybody has their unique aspects to it, but what is it about yours? Jose Behar: We don't use other hardware or software APIs. For example, one of the players that we use is BrightSign, and we know all the insights of the player. We are able to be a standalone. We don't need their software to be useful.  Another thing is that we are the owners of the intellectual property, and we develop everything completely. So our clients are able to ask us for different kinds of customizations, all kinds of customizations we have done with all of our clients, and connect directly to their systems or allow different kinds of peripherals. For example, right now, we were selected by Sony Semiconductor to integrate their AI camera Aitrios into our software as almost a plug and play. We are now the only software that can manage that and use that camera in digital signage without any additional development.  So for BrightSign and for Sony as well, when you talk about not really relying on APIs and things like that, do you have your own specific operating system instead of working with BrightSign OS, or how does all that work?  Jose Behar: In the case of BrightSign, we don't have an operating system because they have their own, but we can control the player without using almost any of their APIs, and only using their application, that is, an operating system. We are almost ready in about four to six weeks to release a new version for Android. So we have a partnership with C Labs, the players that are based here in Dallas too, and in that case, we are more into the players. So we work in that sense more like an operating system, and we can control and do more things with that kind of open architecture instead of a closed architecture like BrightSign. Is that a client, ask or demand that they want as much extraneous stuff and other hooks stripped out of it so that it's clean and therefore less of a risk security and stability wise?  Jose Behar: Talking about stability and security, we have been proven to be the most robust and secure platform. That's why this client, that is one of the biggest retailers, but other clients that we have that are almost the same size don't have any issues regarding security or stability. They have even been looking for other platforms for redundancy, because in a critical income business like that, they can have another option in case something happens to Zynchro but Zynchro has been proving that it is more capable and it can show more data and more information to the clients than any other platform. Even showing and controlling the displays, the TV with serial commands, all that kind of stuff we can do, and of course, again, because of our capability of customization, we can add or remove any of the functionalities that our clients are asking for. Until the pandemic, we had a client, the biggest one in Entertainment Parks, and they asked us to have a special administrator. So nobody can mess with the imaging, nobody can mess with the pictures or with the animations, because for them it's their brand. So they used our server for all the information in the resorts, in convention centers, and even transportation. All the bus transportation, they had connected Zynchro to their main source for all the bus routes, and if the buses were coming in time or not, connecting the buses in real time.  One of our other clients, the Central Ohio Transport Authority, has connected our system to their own system where at the bus terminals and bus stations, they can show the different routes and if the bus is coming on time or not with GPS on the buses. So that's one of the biggest benefits. The other, I think the greatest benefit here is also our pricing, which is very competitive.  At this moment, looking at the market, now we are, if not the least expensive, one of the less expensive in the market because we want to have long-term relationships, not only one-shot deals.  The challenge, of course, with competing somewhat on price is how do you make money?  If you're not charging all that much per software license, part of it's obviously about scale, but how do you address that? Jose Behar: Two main things. One, as we are the owners, and we developed this 18 years ago. In the beginning, it was for the Windows platform. We are constantly creating new upgrades and updates in order to be more efficient and for the software to be more efficient as our operation to be most efficient and the second one is that the clients like the way we do support.  In the market, one of the most costly areas is support. So what we do is to reduce the support infrastructure and the support area by creating well-tested software. And being almost perfectionist of course, we are going to have a problem some time and we are going to have some  problems. But with our software, we try to have a quality assurance and a testing phase that may be longer than any other software. But with that, we can offer almost a support free platform: a platform that is very easy to use and also so robust that the client needs almost no support.  We are one of the only ones that don't have 24/7 support. We have Monday to Friday, 9-5 support with a ticket system and that's it and even with worldwide clients, it has worked pretty well, so reducing that cost in support is one of the main things that we have achieved.  You've understandably danced around the names and are only able to describe some of your larger clients. I get that the bigger the clients, the harder it is for them to give permission to talk about them and the last thing you wanna do is get on their bad side about doing that sort of thing.  But can you give me some sort of sense of scale of the footprint of your installed base?  Jose Behar: Right now, we are managing around 50,000 players in our network.  50,000?  Jose Behar: Yeah, and we're still growing. We are at different gas stations. One of the clients that I can mention is in Canada, Lexus-Toyota dealers. All the Lexus-Toyota dealers in Canada are using Zynchro for the different areas like the waiting room or the service parts and that kind of stuff. One of the clients that I can mention in order for you to see the different kinds of verticals is The Omnia nightclub at the Caesar's Palace in Las Vegas. So they are using our software for this nightclub. But also all the big screens that you can see from the Vegas strip, talking about Omnia, are managed by Zynchro. So you're all over the place. I mean nightclubs and theme parks and big mass merch retailers, and auto dealers. Do you have a vertical market that you focus on, or is it kinda more of a generalist offer?  Jose Behar: Basically, right now, we are focusing on retail and hospitality, because principally, the monetizing tool is a tool that helps them a lot for self-pay projects or even generating a lot of income. But as I always say to my new clients or prospects, if you are uploading an x-ray or you are uploading a JPEG with coffee, for us, it's only a picture, it's only a file, and the same with videos. So, the only thing that we need from the client is the specific requirements in order to show them how to use Zynchro, logistically speaking.  We have a lot of functionalities, like Smart Groups. With the Smart Groups functionality, you can program Zynchro and all the content based on logical variables. So with that,, you can upload only content with tags and automatically Zynchro is going to program the content depending on your programming. For example, with distribution centers, the administrator of the distribution center can upload images with the tag “distribution center one”, and automatically Zynchro is going to deploy all the images. In that sense, talking about administration, we have unlimited users, so those users can be organized by a matrix with different kinds of permissions. So you can even have your advertising agency only with the permission to upload content, or you can have the marketing director only to approve content, different kinds of directors only to see reports in real time, or a full administrator that can do everything on the platform.  In that sense, we have clients that use our content management services because they don't have the personnel to do it, so the advertising agencies and the headquarters send us all the content. Or we have other types of clients that have a specialist area where they manage all the content with their clients and sell the spaces. What you offer is on a SaaS basis, right?  Jose Behar: Yeah, we are SaaS based, but with an annual fee.  With your larger clients, some of these “whale accounts”, are they also doing SaaS, or do you have a variation of an on-premise for them?  Jose Behar: No. Because with that, we can be responsible for everything that is happening. We have experienced a lot of different issues in the past with having installed the server on premises where sometimes nobody takes the responsibility of any of the issues or it goes from the hardware to the server, software to the hardware, and with infinite meetings. We prefer to take all the responsibility, and when we have an issue, it's better and easier to detect where the issue is.  For your larger clients, I suspect that almost every week, there's some competing company trying to work their way into your deal. Basically, take you out. How do you kind of address that with your clients?  Jose Behar: Being the best, and always trying to do our best work solving their issues. One of the things that all our clients appreciate about us is that, as we are responsible for the whole network, we are able with our system to detect a lot of different issues, even with different kinds of hardwares, so our platform also can send automatic alerts via sms or emails, and we have developed different kinds of automated detecting and self-correcting functionalities.  So each day, with every upgrade, we have fewer and fewer issues and our team that is in charge of detecting the different kinds of problems or issues is very specialized, and we have a long time doing this, so we have detected almost all the problems, and 90% of the problems in our experience are hardware related. And even though we are not in charge of the hardware, we are still able to detect even if a cable is broken.  So in that sense, solving problems is the main thing that the clients like about us and being neutral as we don't sell hardware, we are not compromised to any brand. We are neutral and we can say anything and say everything that we need to say without compromising our commercial status. Does your software stack work with smart displays like the Samsung Tizen OS and LG Web OS?  Jose Behar: Last year, we launched the Tizen application. For the Tizen application, of course, because of the hardware we have different restrictions compared to a full player. But yes, we are now working with Tizen.  That idea was also to save money for our clients. That is our mantra. Our mantra is to create an income or to save money for our clients. With Tizen and with the service they support, everything is about saving money, because they make a playlist or maybe only show very easy content so they don't need to buy a full installation of players and splitters or whatever, only a connected TV, and that's it.  So with the support that we are offering, they are also saving a lot of money without sending surveys or people to every store or every area only to see if the system is working. We have been able to detect black screens and automatically report the black screens, even when in parallel with our software, we are trying to solve the issue with automated functionalities.  It's interesting because a lot of people generally in the industry and more broadly, just in general, would look at some of these very large clients to think, they're not gonna be all out concerned about hardware costs and month to month subscription costs and things like that because they're making bags of money and they're so big, but, they got so big because they worry about every nickel and dime, right? Jose Behar: Oh, of course. If you multiply only an SD card by thousands, you're gonna have to invest millions of dollars and with players or with even a cable, if you need HDMI cables, long cables with amplifiers or whatever, you're talking about millions of dollars, but it is also about buying the hardware, it also about the maintenance of the hardware. Once this hardware is installed, sometimes it's installed in an area that is difficult to access or is difficult for the IT department to be trained in a  timely manner. Our first concern is always to have the correct installation. We also help our clients with defining all the engineering layouts so they can have the best maintenance through the years. We had some clients, for example, that at this time, they're not even able to change a player even though it's a very old area because of the architecture of the area, so they are finding ways to do what they need to do without opening the wall for that kind of stuff.  Sometimes these people, as you said, don't even think about the installation or what kind of resources they will need in the ongoing activities, like with only energy, we have been able to detect that going black in the stores when they close or at different times we are able to save them millions of dollars in only energy. And that's why we can also control the TVs and we can have all the information about the TV, because with the idea of the displays, we can know how many hours they have left or when they are gonna need to replace the display or the splitter or whatever. You mentioned working with Sony Semiconductor earlier. What is that about? I believe it's a computer vision system called Aitrios?  Jose Behar: Aitrios is a camera that added the layer for AI, so with that camera, we can detect gaze and face detection, not recognition. Recognition at this moment is illegal, and you need a database for a lot of phases or whatever.  The idea here is to have a detection for two objectives, the first one is to have a report about how many people are in front of the display, their gender, age and also where they are looking because they can be in front of the display, but looking the other way, and they are one of the first hardwares that also can catch a lot of people at the same time, not only one person.  So one objective is to have those kinds of reports in order for decision makers to have more contentless content because sometimes they have to pay royalties for the content, but if they don't have a lot of people, and adding the analytics that we have with the clicks and all the information about the experience was used, they can make better decisions. In my point of view, the best objective of that is reacting in real time. So you can trigger content based on your audience in real time. So if you have a male around 50 years old in front of the TV, and looking directly at the TV, you can program it to automatically trigger maybe a Black & Decker advertisement. But if it's a female around 30 years old, looking directly at the TV from a distance of four to five feet, you are going to trigger a female orientation advertisement. So, now, segmentation is the name of the game. So you have people at the store who are there to buy already, but if you can also show them something that it's segmented for, then it's more probable that they are going to buy it or get a promotion for. So this is Sony Semiconductor as opposed to the Sony Pro Display Business unit. Do they work hand in hand on this, or is it a separate thing completely?  Jose Behar: Right now, it's a completely separate thing, Aitrios and Bravia, but also we are starting talks with Bravia to integrate Zynchro into Bravia like we did with Tizen, Samsung. Because I believe Sony has Android TV, I believe, right?  Jose Behar: Yes, Bravia is based on Android, the commercial specs and we are looking into that, doing some research. In the future, we may be able to have both in the same application. All right, so your company's in Dallas. Is everybody working out of a Dallas office, or are you dispersed?  Jose Behar: No, we are completely dispersed. It was like 12 years ago that we decided to start doing home office for all the programmers. They like it more because they can be with their families and also for some of them, it's like their hobby. They love what they do, right? So sometimes they work at night or sometimes when their family is watching a movie or whatever, they're still working, and as we have a lot of developers in Mexico, the idea was to help them avoid traffic, to avoid criminal issues. There are a lot of security issues in Mexico, so between traffic and all the criminal stuff, their efficiency went up more than 30%.  How many people are in the company now?  Jose Behar: We are a team of twenty seven. Wow. You've got some monster clients for a company that's in relative terms is quite small. Jose Behar: The thing here is that we have a lot of experience developing since the beginning of multimedia touch screens. So we have a lot of experience developing programming and how to do things more efficiently.  All right. It was great to finally have a chat and understand a bit more about your company. It's one of those ones I've heard about here and there, and now I know more, and as do our listeners. Thank you very much.  Jose Behar: Thank you so much for the opportunity and for your time. I appreciate it.

本期嘉宾：彭林、十天、恺伦特邀嘉宾：森森本期节目的主要内容有：· 关于 OPPO Find X8 Ultra 我们还有什么没说的· 消息称 Vision Pro 2 有望年内上市· 曝苹果将推出 AI 医生项目· 小米 YU7 官方读音公布· 任天堂 Swtich 2 发布· Sony 公布 2025 新款 Bravia 电视系列还有众多观众朋友的热心提问~每周五晚 8 点，爱否直播间，我们一起开心聊天

Home Theater News Review Podcast Season 3, Episode 6 links and notes:Join our home theater community at AVNirvana.com. Build relationships with other Home Theater Enthusiasts and talk shop about speakers, processors, projectors, TVs, and more. We look forward to having you join our community!00:01 Intro00:53 Show Sponsor: SVS01:39 Show Sponsor: madVR03:07 Time Machine Segment: April 16, 197505:57  Forum Announcements07:50 Begin News Lightning Round: Just Video Walls HQ08:46 AVPro New Facility09:34 Just Video Walls Joins HTSA10:10 Magnetar Joins Home Technology Association11:26 AVPro STILE App12:10 Bullet Train Professional Series HDMI Cables12:45 Epson QS10014:13 Sony VPL-XW5100ES Bravia Projector 715:32 Sony OLED Bravia 8 Mark 2, Bravia 5 Mini-LED, Bravia 2 II16:58 Klipsch La Scala AL6, Klipschorn AK7, Heritage Active Crossover18:01 Spotlight News Feature: Kaleidescape Strato-M21:21 Spotlight News Feature: SVS SB-5000, PB-5000 5000 Series Subwoofers24:04 Check in with Michael Scott Disc Reviews24:58 New to Disc this Week26:12 Kaleidescape Content Update27:35 Disc Sales Numbers28:32 Disc Charts30:28 Movie/TV Stream Charts22:31 Disc and Gear DealsThis episode of HTNR is sponsored by SVS: Visit them at: ⁠https://fave.co/4bCbL9r⁠This episode is also sponsored by madVR Labs: Visit them at ⁠https://madvrenvy.com/⁠Buy the New SVS 5000 Series Subwoofer!- SB-5000: ⁠https://fave.co/4iepSDx⁠- PB-5000: https://fave.co/4jviXqF*DISC DEALS on AMAZON* -The Unbearable Weight of Massive Talent 4K: https://amzn.to/3RccHYK-Parasite 4K: https://amzn.to/3YrWP8j-Mission: Impossible 6-Movie Collection: ⁠https://amzn.to/4285aAt⁠*Gear Deal of the Week*TX-SR494 7.2-Ch A/V Receiver: https://www.accessories4less.com/make-a-store/item/onktxsr494-rb/onkyo-tx-sr494-7.2-ch-x-80-watts-bluetooth-a/v-receiver/1.html#ONKTXSR494-RB-1Check out ⁠JustWatch.com⁠'s list of show recommendations here: ⁠https://www.justwatch.com/us/guide/shows-like-the-white-lotus⁠*Forum Links*-For the latest disc reviews, go to: https://www.avnirvana.com/forums/blu-ray-media-reviews.12/-For the latest news, including stories covered in this episode:https://www.avnirvana.com/forums/av-industry-news.6/*PODCAST LINKS*-Subscribe to the podcast on Spotify: https://open.spotify.com/show/2XZc1WVL7gGazxGLiURw0ESubscribe to the podcast on Apple: https://podcasts.apple.com/us/podcast/av-nirvanas-home-theater-news-review-htnr/id1715862636On this week's edition of the Home Theater News Review Podcast, we have so much to cover, it's hard to know where to start. Lot's to dig through from the likes of Sony, Epson, Kaleidescape, SVS, Just Video Walls, AVPro, Klipsch and more! We're also blasting back in time with a trip to one of my favorite decades - 1970s - for a look at some tech that forever changed access to content in the home.Please Note: AV Nirvana may make a small commission from affiliate links... thanks for your support!

It's a Nintendo Switch 2. What could it cost, a thousand dollars? In this episode, Nilay, David, and The Verge's Richard Lawler talk through why we don't really know. But first, we talk about the Switch 2, and some of the reasons we're excited — and maybe just a little concerned — about Nintendo's new console. This is likely to be the most interesting device of the year, and we learned an awful lot more about it this week. We also talk about Microsoft's 50th anniversary, the fate of TikTok, and other gadget news. Then we get to tariffs, with the help of Tuneshine creator Tobias Butler, who explains how tariffs affect the way hardware companies do business — and how they're navigating the current uncertainty. After that, in the lightning round, it's time for a little Brendan Carr is a Dummy, followed by the latest on Tesla's sales numbers, Alexa Plus, and Coyote vs. Acme. Further reading:  The Vergecast was nominated for a Webby, which means we can win a Webby People's Voice Award and that's voted online by you! So we'd love your support. You can vote at the link:https://bit.ly/3DXFgpN The 50 best things Microsoft has ever made The Nintendo Switch 2 arrives on June 5th for $449.99 Nintendo Switch 2 hands-on: it's all in the games Nvidia confirms the Nintendo Switch 2 has DLSS and real-time ray tracing Nintendo Switch 2 specs: 1080p 120Hz display, 4K dock, mouse mode, and more The Nintendo Switch 2 has a camera accessory for video chat Nintendo's Switch 2 ‘C' button is a Discord-like GameChat feature  Verge staffers react to the Nintendo Switch 2 Here's everything Nintendo has revealed about the Switch 2's Joy-Cons Nintendo's Switch 2 preorder process has strict requirements to thwart scalpers ‘TikTok America,' Amazon, and other rumors about who might buy TikTok From The New York Times: Trump Set to Meet With Top Aides to Decide TikTok's Fate From Wired: The Founder of OnlyFans Wants to Buy TikTok Tuneshine – Your space, your music Donald Trump announces tariffs that could raise the price of almost everything you buy Reciprocal Tariff Calculations | United States Trade Representative Trump's new tariff math looks a lot like ChatGPT's These are the tariffs about to hit Apple. Chris Murphy's Bluesky thread Trump's tariffs are ‘a debacle of epic proportions' for the auto industry T-Mobile closes Lumos deal after dropping DEI | The Verge E&C Democrats Launch Investigation into FCC Chairman Carr's Repeated Attacks on the First Amendment Sony's new Bravia lineup includes its ‘King of TV' successor Tesla's sales plummet 13 percent as Musk backlash grows Best printer 2025: just buy a Brother laser printer, the winner is clear, middle finger in the air Alexa Plus just launched in early access, but it's missing some features Coyote vs. Acme is finally coming to theaters Learn more about your ad choices. Visit podcastchoices.com/adchoices

【PR】 Wise.comこのポッドキャストでは、ライブ配信の開始から最近の出来事、AIスタートアップの話、Appleの新製品発表、M4プロセッサの詳細まで幅広く議論されています。特に、日本における技術革新やAIの進展についての洞察が得られます。 この会話では、AppleのM4とM4 MAXプロセッサーの性能、スペックトリック、GPUの計算精度、メモリの進化、そしてApple製品の実用性について詳しく解説されています。特に、M4の性能がM3と比較してどのように進化したのか、また、AI関連のアプリケーションにおけるメモリの重要性についても触れられています。 この会話では、ハードウェアの話題から始まり、Galaxy Z Fold 4の使用体験やBluetoothとWi-Fiの問題、スマホの買い替えや修理の難しさについて議論されました。また、家電の故障や出費、高額なスマホの購入検討、分割払いの選択肢についても触れられました。さらに、AV機器の評価やゲーミング性能、パナソニックの評価、AVウォッチアワードの結果、ゲーミング性能の比較、画質と性能のバランス、審査員の選定基準、他ジャンルへの展開、今後の技術の進化、量子ドット技術の進展、色域と画質の重要性、自然な色再現の進化、テレビ出演の経験についても話し合われました。 この会話では、音楽とエンターテインメントの融合、テレビ番組の企画とその反響、AIを活用した音楽制作の未来、そしてバーチャルシンガーの可能性について深く掘り下げられました。特に、音楽の完成度や新しい曲のリクエスト、AI技術の進化がどのように音楽業界に影響を与えるかが議論されました。注）この情報はriverside.fmのAI機能を使って自動生成しました。関連リンク【西川善司が語る“ゲームの仕組み” Vol.5】ポリゴンでモデリングされた3Dキャラクターを動かすための技術｜ゲームメーカーズ【PS1/1080p/録画テスト】「ガンダム・ザ・バトルマスター」(サウンド無し)　録画は、2024年末に発売予定のマイコンソフト製「SC400N1-L HDV」を使って行いました。詳細は概要欄にて - YouTubeマイコンソフト製品ニュースリリース：2023年10月16日【AV Watchアワード】2024年ベストTVはソニー液晶「BRAVIA 9」、パナソニック有機EL「Z95A」に決定!!-AV WatchSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this week's show Ara gets a new TV! It came down to a UST Projector and a Mini LED. We also read your emails and take a look at the week's news. News: Amazon Debuts New Streaming Ads on Prime Disney and Warner Set to Bundle Disney Plus, Max and Hulu Starting This Summer Fox Says Tubi Now Has 80 Million Average Monthly Users; FAST Platform's Engagement Also Up 36% Sunday Leadoff' Is Coming to The Roku Channel Apple, Netflix Amazon Want to Change How They Pay Hollywood Stars Comcast Plans Peacock, Netflix, Apple TV+ Streaming Bundle Other: SportsNet Pittsburgh launches direct-to-consumer streaming service My ideal TV has no tuner, no speakers and no smart platform I've had my current TV for about a year now, and do you know how many times I've used its built-in tuner? None. I've not even plugged in the aerial. I've not used any of the built-in apps, either, and the built-in speakers have emitted a sound only a handful of times, and only because the connected sound system didn't automatically switch on as it should have. Full article here… New TV for Ara Ara's original Vizio P-Series UHD TV finally gave out. After posting this information on X, he received a few suggestions on how it could possibly be revived. Unfortunately nothing worked. Vizio customer service even offered to help resolve the issue. But after ten years of trusty service, it was time to move on.  Ara posted to X that it was between a Sony Mini LED and an AWOL UST projector. The response was mixed. So where did he land? The field was quickly narrowed down to: The AWOL LTV-2500 4K 3D Triple Laser Projector $3000 + $1000 for a 100” screen. Bring The Cinematic Experience to Your Home: AWOL VISION LTV-2500 powered with a cutting edge Triple Laser without Color Wheel Technology, Dolby Vision & Dolby Atmos 4K UHD Resolution, HDR10+, 3D available, brings you a stunning 150", 4K Movie Theater experience. Coupled with exceptional audio immersion technology with Dolby Atmos, LTV-2500 is the most colorful with details' ultra short throw 4K laser projector for controlled light environment. and The BRAVIA XR 75” Class X93L Mini LED 4K HDR Google TV (2023) $2500 The Cognitive Processor XR™ delivers a picture with wide dynamic contrast and natural colors, replicating how we see the real world. See ultimate contrast from thousands of Mini LEDs and billions of accurate colors, all precision-controlled by the XR Backlight Master™ Drive and XR Triluminos Pro™. The winner is…. The Sony Bravia.  The Process: Cost was a factor but not as big a factor as Lina not wanting to rearrange the artwork above the current TV. Some on X said that the UST was only an option if I had good control of the light in the room. Even my first gen UST looks decent in full daylight and it does not have the lumens of this projector. So that was not and issue that disqualified the UST While I would have liked a 100” screen. The 75” Sony is a small step up from the 70” Vizio. Tip! Regardless of choice I was going to have to get rid of my old Vizio. I'm thinking I'd have to call my trash company and pay to have it hauled away. So I thought let me try to see if someone wanted a free broken UHD TV. And to my surprise, four people reached out to me. The person who ended up with it worked at a youth center and had a friend who fixed TVs. So he came and picked it up and just like that, problem solved.  Once the Bravia was delivered I simply plugged the cables in exactly as the Vizio. The output of the Yamaha RX-850 to the eARC port, power, and Ethernet. It's actually pretty heavy (97 lbs or 42Kgs). I powered it up and went through the setup. By the way, I did not accept anything that I interpreted as them spying on me. The TV is also a GoogleTV. I did not log into my account. For calibration I selected cinema mode and turned off motion flow and automated adjustments.  I did enable calibrated mode for any programming that sends that info in the stream. First issue… My Yamaha for some reason would not pass HDR data even though it says it will. Solution… Connect Oppo and AppleTV to the Sony and use eARC for audio, Second issue…I could not send ATMOS data through to the receiver because it does not support eARC.  Not a big deal because this is the family room and there is no ATMOS. But I also can't get Dolby digital. Solution… Set AppleTV to force DD 5.1 and set Sony to pass signal untouched to Yamaha. Not the best solution but hey! I don't have to explain to my wife why we now need a new receiver. There is a high probability that there will be a new receiver purchased on Black Friday! The picture looks phenomenal! A few times I caught myself saying it's like looking out a window. The colors are so saturated and beautiful! And while the black levels are not like OLED. They are quite good! No regrets. Not even a letter ;-) Review to come after I have had a chance to use the TV and dial it in. 

This week we interview Gavin McCarron from Sony and cover the entire BRAVIA TV and AV range for 2024. There are three new initial TV lines with the BRAVIA 7, BRAVIA 8 and BRAVIA 9 and new soundbars and Home Cinema Systems.

Sony greift mit neuen Bravia-Fernsehern an: Nach der Vorstellung der Modelle Bravia 7, 8 und 9 hat sich der japanische Hersteller nun auch zu den Preisen der Smart-TVs geäußert – und die haben es in sich. Das Topmodell ist für 5.000 Euro zu haben.

On this week's show we look at the Nielsen “The Gauge™” report for March 2024 and the new Sony Bravia Line of TVs. We also ask if QDEL is the future of TV Technology. We round out the show with your emails and a look at the week's news. News: Plex Flex: FAST Boasts That It Has Exceeded 1100 Channels Netflix Makes Major Changes to Its Plans - RetailWire Source: 4K Chromecast with Google TV sequel is coming with new remote Other: Cambridge Audio USA | eBay Stores Cambridge Audio Minx X201 (Black) Ultra-compact powered subwoofer at Crutchfield S6 Powered Subwoofer for $300 Sony might have perfected Mini LED TVs with its new 2024 lineup - The Verge Neilsen's Total TV and Streaming Snapshot Nielsen today released The Gauge™ report for March 2024, which revealed that TV usage changes from February to March were very similar to those exhibited in the same interval last year, as seasonality—of both content and viewing behavior—has started to take effect. As such, the 3% drop in overall TV usage in March does not come as a surprise, but a closer look at shifts in viewing behavior over a longer period of time highlights greater changes across the broader media landscape. Full Press Release here… Sony Bows New Premium Bravia Mini-LED TVs Sony unveiled four new Bravia TV models, “flagship” and “premium” mini-LED editions, the Bravia 9 and Bravia 8, respectively, a “core” full-array LED Bravia 7, and a “standard” direct LED Bravia 6. Full Article Here… Is QDEL The Future of Display Technology In the realm of premium display technologies, Quantum Dot Electroluminescent (QDEL) is emerging as a promising innovation that could potentially replace OLED in high-end TVs and monitors. Unlike traditional LEDS, QDEL displays do not require a traditional backlight; instead, they utilize quantum dots as the light source, offering various advantages in terms of image quality, affordability, and longevity. So what makes QDEL so enticing to TV manufacturers? Evolution from OLED  With OLED technology becoming more common and affordable, the focus has shifted toward identifying the next breakthrough in consumer display technology. While concepts like Micro LED, transparent screens, and foldable displays are under development, quantum dots have surfaced as a leading contender to address key user concerns effectively. Quantum Dot Technology  Quantum dots are semiconductor nanocrystals that emit light when subjected to an electric current, offering superior color accuracy and brightness compared to traditional displays. QDEL leverages quantum dots to produce vibrant colors, high brightness, and enhanced energy efficiency without relying on a separate backlight system. Advantages of QDEL Wider Color Gamut: QDEL displays are expected to surpass QD-OLEDs in terms of color accuracy and vibrancy, enhancing the viewing experience for consumers. Improved Brightness: By using quantum dots as the light source, QDEL screens can achieve higher brightness levels, making them suitable for various environments, including well-lit rooms. Cost Efficiency: The elimination of backlight components in QDEL technology may lead to more affordable displays for consumers in the future. Burn-In Resistance: QDEL displays are designed to be resistant to issues like burn-in, which have been a concern with certain display technologies. Nanotechnology Development  Nanosys, a leading quantum dot supplier, is actively involved in developing QDEL technology under the name NanoLED. This innovative approach aims to enhance display performance while offering a competitive edge in the premium display market. QDEL represents a promising advancement in display technology, offering a backlight-less solution with improved color reproduction, brightness, affordability, and durability. As the industry continues to evolve, QDEL stands out as a technology to watch for enthusiasts and consumers looking for the next generation of premium displays.

「【Amazonセール】ソニー“BRAVIA”の4K液晶テレビ「X75WLシリーズ」が30%オフに！」　Amazonのタイムセールで、ソニーの4Kテレビ“BRAVIA”43V型モデル「KJ-43X75WL」がセール対象に！通常参考価格126,500円のところ、30%オフの89,000円で購入できる。

We talk to Hisense Australia's Chris Mayer who explains the new features of the 2024 range of TVs, Sony has united its new TVs and soundbars under the Bravia banner, we take a look at the new Kobo colour e-readers, Rode has launched new microphones and mounts, we check out the lunchbox that can heat itself up so you can enjoy a hot meal anywhere and we'll answer all your questions in the Tech Guide Help Desk.

We talk to Hisense Australia's Chris Mayer who explains the new features of the 2024 range of TVs, Sony has united its new TVs and soundbars under the Bravia banner, we take a look at the new Kobo colour e-readers, Rode has launched new microphones and mounts, we check out the lunchbox that can heat itself up so you can enjoy a hot meal anywhere and we'll answer all your questions in the Tech Guide Help Desk. Learn more about your ad choices. Visit megaphone.fm/adchoices

本期嘉宾：森森、老郑、恺伦本期节目的主要内容有：· 华为 Pura 70 Ultra/Pro 正式开售，Ultra 款搭载可伸缩摄像头· 郑老师试驾理想 L6· iOS 18 首批 AI 功能或完全本地运行· 苹果高管：8GB 内存有适合的用户场景· iPhone 或用塑料镜头取代玻璃镜头· 首个第三方应用程序商店 AltStore PAL 上线· 高通骁龙 X Elite 多核跑分击败苹果 M3· 索尼公布 2024 款 Bravia 系列电视和音响产品信息还有众多观众朋友的热心提问~每周五晚 8 点，爱否直播间，我们一起开心聊天~

「ソニー、香港・台湾向け大型液晶テレビ「BRAVIA 9」で発泡スチロール梱包を廃止」　ソニーは、香港・台湾向けの大型液晶テレビにおいて、業界で初めて大型テレビに採用している発泡スチロール製の緩衝材を撤廃することを発表した。

Today (April 17, 2024) Sony introduced its new 2024 line of BRAVIA 4K TVs, Soundbars and Theater speakers. Take a deep dive into the product launch with eCoustics Founder, Brian Mitchell and Editor at Large, Chris Boylan who got a hands-on tour of all the new products last month at Sony Pictures Studios in Los Angeles.Sony says, "Cinema is Coming Home" but is that true or just marketing hype? Join us and find out.Thank you to the sponsor of this episode, Q Acoustics! https://www.qacoustics.com Learn more:https://www.ecoustics.com/products/sony-bravia-tvs-soundbars-2024/Pricing:BRAVIA 9 Mini LED TVs:85″ $5,499.9975″ $3,999.9965″ $3,299.99BRAVIA 8 OLED TVs77″ $3,899.9965″ $2,799.9955″ $1,999.99BRAVIA 7 Mini LED TVs85″ $3,499.9975″ $2,799.9965″ $2,299.9955″ $1,899.99BRAVIA 3 LED/LCD TVs85″ $1,799.9975″ $1,299.9965″ $999.9955″ $849.9950″ $699.9943″ $599.99Soundbars & Speakers:BRAVIA Theater Quad – $2,499.99BRAVIA Theater Bar 9 – $1,399.99BRAVIA Theater Bar 8 – $999.99BRAVIA Theater U – $299.99On the panel:Brian Mitchell, eCoustics Founder & CEOChris Boylan, eCoustics Editor at LargeCredits:Original intro music by The Arc of All.Voice Over Provided by Todd Harrell of SSP Unlimited.Production by Mitch Anderson, Black Circle Studios.Keep up-to-date with all the latest Hi-Fi, Music, Home Theater, and Headphone news by visiting:https://www.ecoustics.com#sony #bravia #4ktv #hometheater #homevideo #hometheater #soundbar #theaterbar #televisions #ecoustics #productlaunch #bringingthecinemahome #oledtv #miniledtv #braviatheater

「ソニーBRAVIA「XRJ-55A80L」シェア1割超　連続1位記録は9週に伸びる　今売れてる有機ELテレビTOP5　2024/4/4」　「BCNランキング」2024年3月25日から3月31日の日次集計データによると、有機ELテレビのじつばい台数ランキングは以下の通りとなった。5位は、REGZA48X8900L（TVS REGZA）4位は、REGZA55X8900L（TVS REGZA）3位は、AQUOS OLED4T-C48EQ2（シャープ）2位は、VIERATH-55MZ1800（パナソニック）1位は、BRAVIA XRXRJ-55A80L（ソニー）「BCNランキング」は、全国の主要家電量販店・ネットショップからパソコン本体、デジタル家電などのじつばいデータを毎日収集・集計しているPOSデータベースで、日本の店頭市場の約4割（パソコンの場合）をカバーしています。

「ソニー「BRAVIA」55型が2週連続トップ　今売れてる有機ELテレビTOP5　2024/2/15」　「BCNランキング」2024年2月5日から11日の日次集計データによると、有機ELテレビのじつばい台数ランキングは以下の通りとなった。5位は、VIERATH-55MZ1800（パナソニック）4位は、REGZA55X8900L（TVS REGZA）3位は、AQUOS OLED4T-C48EQ2（シャープ）2位は、AQUOS OLED4T-C55EQ1（シャープ）1位は、BRAVIA XRXRJ-55A80L（ソニー）「BCNランキング」は、全国の主要家電量販店・ネットショップからパソコン本体、デジタル家電などのじつばいデータを毎日収集・集計しているPOSデータベースで、日本の店頭市場の約4割（パソコンの場合）をカバーしています。

「BRAVIAの50型がシャープ55型を抑えて1位浮上　今売れている有機ELテレビTOP5　2024/2/8」　「BCNランキング」2024年1月29日から2月4日の日次集計データによると、有機ELテレビのじつばい台数ランキングは以下の通りとなった。5位は、VIERATH-55MZ1800（パナソニック）4位は、REGZA55X8900L（TVS REGZA）3位は、AQUOS OLED4T-C48EQ2（シャープ）2位は、AQUOS OLED4T-C55EQ1（シャープ）1位は、BRAVIA XRXRJ-55A80L（ソニー）「BCNランキング」は、全国の主要家電量販店・ネットショップからパソコン本体、デジタル家電などのじつばいデータを毎日収集・集計しているPOSデータベースで、日本の店頭市場の約4割（パソコンの場合）をカバーしています。

This week look at the new Sony Bravia line for 2023 and discuss why watching movies at home is better than in the cinema. We also read your emails and take a look at the week's news. News: YouTube TV's CEO Confirms New Features Coming This Fall With NFL Sunday Ticket TiVo: Viewing Time Stagnates But Number of Video Services Used Jumps Cord Cutting Accelerates as Pay TV Loses Nearly 5.9M Subscribers in 2022 Your Ring camera features are about to change, and not in a good way LG Announces Pricing And Availability Of 2023 OLED TVs Other: HT Guys Music Testing Playlist Sony 2023 Bravia TV Sony Electronics Inc. announced its 2023 BRAVIA XR™ TV Lineup, with Cognitive Processor XR™, for the ultimate home entertainment experience. There are five new models in the BRAVIA XR line: X95L and X93L Mini LED, X90L Full Array LED, A95L QD-OLED and A80L OLED. All models are equipped with features to provide consumers with an immersive experience for watching movies, streaming apps, gaming and more. Full Press release… 2023 BRAVIA XR TVs have the updated Cognitive Processor XR, featuring the all new XR Clear Image on select models, which improves noise reduction and clarity with motion, reducing blur and creating scenes bursting with action. The Cognitive Processor XR enables better backlight control for increased local dimming zones, increased brightness and decreased blooming. Additionally, each model offers Acoustic Center Sync, which synchronizes the TV's audio system with the center channel of a compatible Sony soundbar turning it into the center speaker for the ultimate, immersive at-home experience. For consumers looking for an even more immersive sound experience, each model also works with Sony soundbars to offer 360 Spatial Sound Mapping which generates phantom speakers and sound field optimization. New this year, the X95L features Acoustic Multi-Audio+™, using frame tweeters to elevate the sound in a way that matches the image on screen. The A95L and A80L models feature Acoustic Surface Audio+™ with actuators that vibrate to produce sound from the entire screen, perfectly matching with what's playing on screen. The 2023 BRAVIA XR lineup also allows gamers to take their PlayStation® 5 gaming to the next level with exclusive features, including Auto HDR Tone Mapping and Auto Genre Picture Mode, for optimized picture quality while gaming and streaming Key BRAVIA XR lineup features: Cognitive Processor XR with XR Clear Image: The Cognitive Processor XR replicates content the way people see and hear for an incredibly lifelike experience. The latest iteration of the Cognitive Processor XR for 2023 enters a new chapter in its development with advanced XR Clear Image. This technology further reduces noise and reduces blur in motion, creating scenes that burst with life. Elevate the experience with Sony's sound products: Sony's new BRAVIA XR TVs are an excellent match for an array of Sony sound products, such as the HT-A9 Home Theater System or the HT-A7000, HT-A5000 and HT-A3000 soundbars. 360 Spatial Sound Mapping, a new frontier of spatial sound technology, is the latest addition to models HT-A7000 and HT-A5000. By calibrating sound to the chosen viewing room, the technology creates multiple optimally arranged phantom speakers for a wider and more immersive cinematic sound field.  Acoustic Center Sync: Pairs perfectly with Sony soundbars – Acoustic Center Sync synchronizes the TV speakers with select Sony soundbars and AV receivers to reinforce the center speaker channel for clearer, fuller dialogue and more immersive sound. When paired with Sony Home Audio products, consumers can expect a truly exceptional at-home movie viewing experience. XR Backlight Master Drive and Mini LED: Powered by Cognitive Processor XR™, the XR Backlight Master Drive uses a Sony-developed local dimming algorithm to control thousands of tiny, ultra-dense Mini LEDs with absolute precision and independence, delivering extraordinary brightness, impressive dynamic range, deep blacks and beautifully natural colors. Perfect for PlayStation® 5 and new Gaming functions: Gamers can take their PlayStation® 5 gaming to the next level with exclusive features Auto HDR Tone Mapping and Auto Genre Picture Mode that optimize picture quality while gaming and streaming. With the newly added Game Menu, it has never been easier to fine-tune gaming settings and assist functions. All the essentials are at the gamer's fingertips for on the fly adjustments. Additionally, the BRAVIA XR A95L features Multi View, making it easier than ever to watch walkthroughs side-by-side while the gamer plays their favorite titles. BRAVIA CORE: The BRAVIA CORE app is a pre-loaded movie service that comes with five, 10 or 15 movie credits to watch the latest releases and popular classics and additional movies up to 24 months of unlimited streaming, with the purchase of a BRAVIA XR TV. With BRAVIA XR technology, Pure Stream™ and IMAX® Enhanced, content is delivered with stunning visuals and expressive sound quality. Featuring BRAVIA CORE Calibrated Mode, movies will automatically adjust to the optimal picture settings including IMAX® Enhanced mode to create a truly exceptional at-home movie viewing experience. Over time, the app experience will be enriched with new features. Crunchyroll® remote button: The Crunchyroll remote button gives BRAVIA users one-touch access to one of the world's largest anime libraries, a collection of more than 18,000 hours of anime, comprising more than 44,000 episodes and feature films, translated in multiple languages. Simulcasting is also accessible, so Japanese titles can be watched from abroad following broadcast in Japan. BRAVIA CAM: BRAVIA CAM can detect the viewer's position to optimize the picture and sound according to room environment and viewing distance. Google TV: See 700,000+ movies and TV episodes, plus live TV, all in one place. Google TV brings everyone's favorite content from across apps and subscriptions and organizes them. Searching is easy- just ask Google. Try saying, "Hey Google, find action movies" to search across apps. Built with sustainability in mind: During manufacturing, Sony is reducing overall plastic usage by approximately 60%, and is cutting emissions by approximately 15% by using smaller and lighter packaging during transportation. All Eco settings in one place: The Eco dashboard keeps all user settings in one place, making it easier to change them individually or in one go. With the Easy Setup option, users can optimize settings for their viewing environment. Pricing and Availability Suggested retail price and retail availability will be announced in spring 2023. For more information on new Sony television models, please watch Sony's BRAVIA XR announcement video here or visit the BRAVIA XR website: https://electronics.sony.com/bravia-xr-TV. To learn more about each US model, please visit the links below: X95L: http://electronics.sony.com/x95l X93L: http://electronics.sony.com/x93l X90L: http://electronics.sony.com/x90l A95L: http://electronics.sony.com/a95l A80L: http://electronics.sony.com/a80l Bad Projection Is Ruining the Movie Theater Experience Michelle Pfeiffer and Jonathan Majors look like crap. Usually, they're two of the most radiant, dermatologically exceptional people in the world. But right now, they're decrepit husks of themselves, their faces so drained of color that they could pass for cadavers. Full Article Here… For quite some time we have been making the case that we prefer to watch movies at home. We have modest home theaters, nothing like the ones we show on our YouTube channel. However, in our modest theaters we have very large screens, Braden has an 86” Sony UHD and Ara has a 100” Optoma UST Projection system. We also have good speakers and sound systems to match. But come on, you seriously aren't saying your audio and video quality are better than the cinema.  Getting back to the article, Jack Theakston, a projection specialist who works as a contractor at Dolby Laboratories and the article author visit flagship theaters and critique the experience. Jack immediately diagnoses the washed out issue: This is a 2-D showing of Ant-Man, but some neglectful employee has forgotten to remove the 3-D filter from the projector. You can tell when it's happening because if you look at the port-window glass, instead of a single image, you'll see two, with one stacked on top of the other.” He points up to the booth behind us, and sure enough, there are two stacked beams. So imagine you pay your hard earned money only to find that the movie looks like crap. Are you going to complain and see if someone can diagnose the issue? Would you ask for your money back?  The two go into another theater and find trailers that are playing on screen that's creased and sagging. Almost as bad: The picture is trapezoidal instead of rectangular, a phenomenon known as keystoning, which happens when a projector is not set up perpendicular to the screen. It's fixable with software, if one bothers to do it. The two spending the day finding plenty of other issues; A torn masking curtain Out of calibration projectors Noisy dine in service Variable seat pricing However, the Dolby consultant can look the other way on most issues with the exception of bad projection. “If a movie theater can't perform its most basic function and deliver a sharp, well-lit image with the right colors and contrast, then we might as well knock it down and put up a bank.” The pandemic hurt theaters but the problem started well before. Back in 2009 when theaters went digital. Chains and studios loved this because there were no more film that had to be shipped and threaded into projectors. Everything was beamed into the cinema and then to the projector. One projectionist could cover an entire cinema.  The new projectionist was more like an IT guy instead of a skilled technician who could maintain and troubleshoot issues like the washed out faces we discussed at the top of this feature. One of the most common issues today are dim images. That's because many of these projectors need new lamps that cost about $1500. Since cinemas are essentially broke they ride the old gear as long as they can, creating a situation where people can actually have a better experience at home. Obviously this is not every theater, but enough to where people decide to stay home and stream. This starts the vicious cycle of cinemas not spending the money they need to in order to put out a quality product.  AMC announced that it will install laser projectors made by  Barco in 3,500 of its U.S. theaters by 2026. These machines offer better brightness, colors, and contrast than standard digital projectors. They're also bulb free and can run for 20,000 hours before needing a replacement. But by 2026 will it even matter?  So why doesn't Hollywood do something about it. Jack argues that when there is a major hollywood premier the theater is gone through with a fine tooth comb to assure every aspect of the presentation is perfect. So our recommendation is, if you want to see a movie the way it was meant to be, go to a theater in Hollywood or New York. Otherwise get yourself a large OLED and have it professionally calibrated.  

1. HOY… Si el río suena, es que tendremos noticias de Apple. Todo sobre la nueva gama de Macs2. Además… Fast Company reconoce a Jüsto como una de las empresas más innovadoras de América Latina este 20233. Y también… estuvimos en Monterrey para conocer FIRST® Robotics Competition 20234. Y para terminar…: Sony presenta la nueva gama de televisores BRAVIA XR 2023.Todo esto y más en el podcast del día de hoy…Yo soy LuisGyG, y sin más preámbulos… comenzamos.

Contact your hostcharles_martin@appleinsider.comLinks from the showA new Mac Pro is coming, confirms Apple execMultiple mall shootings prompt Apple Store closure in North CarolinaBattery replacement costs surge for iPhones, iPads & MacsApple Card promotion promises $150 cash back for select new applicantsApple high-yield Savings account one step closer to launchNew Sony Bravia TVs have Apple TV, AirPlay 2, HomeKit & more Subscribe to the AppleInsider podcast on: Apple Podcasts Overcast Pocket Casts Spotify Subscribe to the HomeKit Insider podcast on:Apple PodcastsOvercastPocket CastsSpotify

「2022年に売れた有機ELテレビTOP5、ソニーの55型BRAVIA XRが2位以下に大差をつけて首位　2022/1/4」　「BCNランキング」2022年1月1日から12月11日の日次集計データによると、有機ELテレビのじつばい台数ランキングは以下の通りとなった。5位は、BRAVIA XRXRJ-65A80J（ソニー）4位は、REGZA55X8900K（TVS REGZA）3位は、4K有機EL4T-C48CQ1（シャープ）2位は、AQUOS OLED4T-C55DQ1（シャープ）1位は、BRAVIA XRXRJ-55A80J（ソニー）本ランキングの集計期間は2022年1月1日～12月11日のため、実際の年間順位は変動している場合があります。「BCNランキング」は、全国の主要家電量販店・ネットショップからパソコン本体、デジタル家電などのじつばいデータを毎日収集・集計しているPOSデータベースで、日本の店頭市場の約4割（パソコンの場合）をカバーしています。

「今売れてる4Kチューナー搭載テレビTOP10、ソニーの55型BRAVIA XRが2位浮上　2022/9/18」　　「BCNランキング」2022年9月5日から9月11日の日次集計データによると、4Kチューナー搭載テレビのじつばい台数ランキングは以下の通りとなった。5位は、BRAVIA XRXRJ-55A80J（ソニー）4位は、AQUOS 4K4T-C42DJ1（シャープ）3位は、REGZA50C350X（TVS REGZA）2位は、BRAVIA XRXRJ-55X90J（ソニー）1位は、REGZA43C350X（TVS REGZA）「BCNランキング」は、全国の主要家電量販店・ネットショップからパソコン本体、デジタル家電などのじつばいデータを毎日収集・集計しているPOSデータベースで、日本の店頭市場の約4割（パソコンの場合）をカバーしています。

「今売れてる有機ELテレビTOP5、ソニー55型BRAVIA XRが40週連続首位　2022/9/14」　　「BCNランキング」2022年8月29日から9月4日の日次集計データによると、有機ELテレビのじつばい台数ランキングは以下の通りとなった。5位は、REGZA55X8900K（TVS REGZA）4位は、4K有機EL4T-C48CQ1（シャープ）3位は、REGZA48X8900K（TVS REGZA）2位は、AQUOS OLED4T-C55DQ1（シャープ）1位は、BRAVIA XRXRJ-55A80J（ソニー）「BCNランキング」は、全国の主要家電量販店・ネットショップからパソコン本体、デジタル家電などのじつばいデータを毎日収集・集計しているPOSデータベースで、日本の店頭市場の約4割（パソコンの場合）をカバーしています。

「【動画レポート】ハンドジェスチャーでテレビを操作！ 「BRAVIA CAM」実機デモ！」　ソニーから8月に発売されたテレビ用外付けカメラ“BRAVIA CAM（ブラビアカム）”「CMU-BC1」が実際に動く様子を動画でレポート。設定項目や、ハンドジェスチャーによる操作体験などをご紹介します。

Esta semana toca hablar de los estrenos de la semana y de la prueba de algunos dispositivos como son la tele top QD-OLED de Sony la Bravia XR A95K y también del novedoso monitor gaming Odyssey Ark de Samsung (https://computerhoy.com/noticias/tecnologia/monitores-odyssey-ark-odyssey-g70b-g65b-son-nuevos-equipos-samsung-mundo-gaming-1113717).

「上半期に売れた有機ELテレビTOP10、BRAVIA XRが1位・2位を独占　2022/8/17」　　「BCNランキング」2022年1月1日から6月30日の日次集計データによると、有機ELテレビのじつばい台数ランキングは以下の通りとなった。5位は、VIERATH-55JZ2000（パナソニック）4位は、VIERATH-55JZ1000（パナソニック）3位は、AQUOS OLED4T-C55DQ1（シャープ）2位は、BRAVIA XRXRJ-65A80J（ソニー）1位は、BRAVIA XRXRJ-55A80J（ソニー）「BCNランキング」は、全国の主要家電量販店・ネットショップからパソコン本体、デジタル家電などのじつばいデータを毎日収集・集計しているPOSデータベースで、日本の店頭市場の約4割（パソコンの場合）をカバーしています。

「今売れてる有機ELテレビTOP5、55型BRAVIA XRが首位譲らず　2022/8/10」　　「BCNランキング」2022年7月25日から31日の日次集計データによると、有機ELテレビじつばい売台数ランキングは以下の通りとなった。5位は、REGZA 55X8900K（TVS REGZA）4位は、4K有機EL 4T-C48CQ1（シャープ）3位は、REGZA 55X9400S（TVS REGZA）2位は、AQUOS OLED 4T-C55DQ1（シャープ）1位は、BRAVIA XR XRJ-55A80J（ソニー）「BCNランキング」は、全国の主要家電量販店・ネットショップからパソコン本体、デジタル家電などのじつばいデータを毎日収集・集計しているPOSデータベースで、日本の店頭市場の約4割（パソコンの場合）をカバーしています。

「今売れてる4Kチューナー搭載テレビTOP10、55型BRAVIAと43型REGZAが2位争い　2022/6/26」　　「BCNランキング」2022年6月13日から19日の日次集計データによると、4Kチューナー搭載テレビのじつばい台数ランキングは以下の通りとなった。5位は、AQUOS 4K 4T-C42DJ1（シャープ）4位は、AQUOS 4K 4T-C43DN2（シャープ）3位は、REGZA 43C350X（TVS REGZA）2位は、BRAVIA XR XRJ-55A80J（ソニー）1位は、AQUOS 4K 4T-C50DN2（シャープ）「BCNランキング」は、全国の主要家電量販店・ネットショップからパソコン本体、デジタル家電などのじつばいデータを毎日収集・集計しているPOSデータベースで、日本の店頭市場の約4割（パソコンの場合）をカバーしています。

A podcast looking at the three biggest transfer moves of the summer so far, the mega-deals that shale up European football. Erling Haaland making the switch to Manchester City, Darwin Nunez becoming Liverpool's new center-forward and Sadio Mane swapping Merseyside for Bravia. Support the show

「今売れてる有機ELテレビTOP5、55型BRAVIA XRの首位続く　2022/6/15」　　「BCNランキング」2022年5月30日から6月5日の日次集計データによると、有機ELテレビのじつばい台数ランキングは以下の通りとなった。4位は、VIERA TH-48JZ1000（パナソニック）4位は、BRAVIA XR XRJ-65A80J（ソニー）3位は、VIERA TH-55JZ1000（パナソニック）2位は、AQUOS OLED 4T-C55DQ1（シャープ）1位は、BRAVIA XR XRJ-55A80J（ソニー）「BCNランキング」は、全国の主要家電量販店・ネットショップからパソコン本体、デジタル家電などのじつばいデータを毎日収集・集計しているPOSデータベースで、日本の店頭市場の約4割（パソコンの場合）をカバーしています。

「今売れてる有機ELテレビTOP5、ソニーBRAVIA XRシリーズが1位・2位独占　2022/5/18」　　「BCNランキング」2022年5月2日から8日の日次集計データによると、有機ELテレビのじつばい台数ランキングは以下の通りとなった。5位は、VIERA TH-55JZ1000（パナソニック）4位は、4K有機EL 4T-C48CQ1（シャープ）3位は、AQUOS OLED 4T-C55DQ1（シャープ）2位は、BRAVIA XR XRJ-65A80J（ソニー）1位は、BRAVIA XR XRJ-55A80J（ソニー）「BCNランキング」は、全国の主要家電量販店・ネットショップからパソコン本体、デジタル家電などのじつばいデータを毎日収集・集計しているPOSデータベースで、日本の店頭市場の約4割（パソコンの場合）をカバーしています。

「今売れてる4Kチューナー搭載テレビTOP10、55型BRAVIA XRが首位、有機EL製品が40週ぶりにランキング制する　2022/5/15」　　「BCNランキング」2022年5月2日から8日の日次集計データによると、4Kチューナー搭載テレビのじつばい台数ランキングは以下の通りとなった。5位は、REGZA 43C350X（TVS REGZA）4位は、AQUOS 4K 4T-C42DJ1（シャープ）3位は、BRAVIA XR XRJ-55X90J（ソニー）2位は、AQUOS 4K 4T-C50DN2（シャープ）1位は、BRAVIA XR XRJ-55A80J（ソニー）「BCNランキング」は、全国の主要家電量販店・ネットショップからパソコン本体、デジタル家電などのじつばいデータを毎日収集・集計しているPOSデータベースで、日本の店頭市場の約4割（パソコンの場合）をカバーしています。

「第1四半期に売れた有機ELテレビTOP5、55型BRAVIA XRが首位　2022/5/11 　」　「BCNランキング」2022年1月1日から3月30日の日次集計データによると、有機ELテレビのじつばい台数ランキングは以下の通りとなった。5位は、AQUOS OLED 4T-C55DQ1（シャープ）4位は、VIERA TH-55JZ1000（パナソニック）3位は、VIERA TH-55JZ2000（パナソニック）2位は、BRAVIA XR XRJ-65A80J（ソニー）1位は、BRAVIA XR XRJ-55A80J（ソニー）「BCNランキング」は、全国の主要家電量販店・ネットショップからパソコン本体、デジタル家電などのじつばいデータを毎日収集・集計しているPOSデータベースで、日本の店頭市場の約4割（パソコンの場合）をカバーしています。

Capitulo 3 Bravia. Pag 23 - 30

本集節目由【Sony BRAVIA】贊助播出 這次介紹的是Sony BRAVIA XR X90J， @SonyTaiwan特別提供給台通聽眾Sony獨家優惠

「2021年に売れた4Kチューナー搭載テレビTOP10、ソニーがTOP3を独占、43型BRAVIAが人気　2022/1/2」　　「BCNランキング」 2021年01月01日～2021年12月12日の日次集計データによると、4Kチューナー搭載テレビのじつばい台数ランキングは以下の通りとなった。5位は、BRAVIA KJ-49X9500H（ソニー）4位は、AQUOS 4K 4T-C40CL1（シャープ）3位は、BRAVIA KJ-43X8500H（ソニー）2位は、BRAVIA KJ-55X9500H（ソニー）1位は、BRAVIA KJ-43X8000H（ソニー）「BCNランキング」は、全国の主要家電量販店・ネットショップからパソコン本体、デジタル家電などのじつばいデータを毎日収集・集計しているPOSデータベースで、日本の店頭市場の約4割（パソコンの場合）をカバーしています。

Descubre y escucha lo más reciente de tus artistas y grupos favoritos cada semana. Entérate antes que nadie de lo nuevo que nos presentan cada 60 minutos en PENTAGRAMA LATINOAMERICANO Radio Folk http://PentagramaLatinoamericanoRadioFolk.com Escucha desde Suiza, la mas completa seleccion de música de todos los tiempos, interpretada con instrumentos tradicionales de los Andes, como la quena (kena), zampoñas, sikus, tarkas, charango, etc... e instrumentos contemporaneos ::: "PENTAGRAMA LATINOAMERICANO" La Genuina Expresión del Folklore ::: JUEVES y DOMINGOS a las 12h00 (hora de Perú y Ecuador) 13h00 (hora de Bolivia y Chile) 14h00 (hora de Argentina) 13h00 en Miami (USA) y Toronto (Canada) 19h00 (hora de verano en Europa) 18h00 (hora de invierno en Europa) vía http://PentagramaLatinoamericanoRadioFolk.com y http://malkitv.com

The 16:9 PODCAST IS SPONSORED BY SCREENFEED – DIGITAL SIGNAGE CONTENT Sony has been around digital signage for pretty much as long as the industry, but in all my time around this sector I haven't had a particularly strong sense that the company was really serious about digital signage. Until the last year or so. First, the company attracted Rich Ventura over from NEC, and Ventura is as well-known, knowledgeable and hyper-connected as they come in this business. A few months later, Jay Leedy left the huge AV integrator Diversified to join Sony, and while he's maybe not quite as connected as Rich, he's still really well known in this sector, and knows his stuff. Locked down for months like most of us, Leedy's spent his first year with Sony building up relationships with the ecosystem and raising awareness that Sony really, truly is in the digital signage business in a serious way. In our chat, we cover a bunch of things - most notably Sony's own approach to so-called smart displays. While Samsung and LG have proprietary operating systems for their smart screens, and their main competitors use Android, Sony uses Android TV. We get into what that means, in terms of benefits like power and features, and a small number of quirks that owe to its being, at its core, a consumer product. Leedy's gig, in part, is making the developer system aware that Sony has a "pro mode" for Android TV, and how digital signage software companies that already support Android can add support for Android TV quickly and easily. We also get into where Leedy is seeing marketplace demand right now, and where the industry is going in terms of emerging technologies. Subscribe to this podcast: iTunes * Google Play * RSS TRANSCRIPT Mr. Leedy, thanks for joining me. You have, in the past year or so, gone from one company to another. What are you doing at Sony?  Jay Leedy: Hey, Dave. Good to talk to you as well. So when I left Diversified, I had been doing a lot of work in business development for strategic partners, and also working with a lot of the offices globally, driving digital signage solutions through local relationships. Similar work, as when I moved to Sony. I'm part of an organization that is really part of their factory planning and product roadmap team called HES or Home Entertainment & Sound, which is a funny name for an organization in my focus, which is really exclusively B2B, but it sheds a little light on our strategy and how we're developing our Bravia product, with a lot of efficiencies in manufacturing and kind of common components from our consumer line, we poured it into a discrete line of Bravia products.  So I do a lot of partnership development, really taking cues from our professional sales organization that Richard Ventura leads, and based on their feedback and voice of customer insights, leverage that into developing solutions or effecting changes to our hardware components that are made to better serve the B2B market, and in cases where we have gaps in capability, build-out partnership ecosystems to serve that. So my focus immediately, since I came on, which has been about eight months, has really been around digital signage and building out a broad partner ecosystem to serve that market. Yeah, I think it's interesting because I spoke with Richard when he came over to Sony and talked a little bit about his plans and everything else, and I think it's fair to say that Sony in the past decade or so, hasn't been all that present, maybe by design or just circumstance or marketing, I don't know, in the digital signage sector, but I would say in the past year or so, it seems much more a part of it and not might owe to people like you and Rich and others who are known in the ecosystem and have those deep contacts and everything else.  Has it been work to get the digital signage ecosystem, understanding that, “Hey, Sony is a player on the B2B side, and we are interested in talking to you and we do have products that are very digital signage appropriate”?  Jay Leedy: Yeah, it's been an interesting journey, and I'll be honest when I saw Sony at the very last DSE, the same year that LG had decided not to attend. It was a bit of a head-scratcher for me too, I was still at Diversified at the time and had not worked with Sony at all in my capacity there but certainly, with Rich Ventura joining and my coming on, roughly six months after he joined, there's been a distinct focus and an investment at the headquarters level to go after this market seriously.  We've had a Pro Bravia line of products since 2018, but to your earlier point, we have been relatively Invisible to the market so a number of the folks that I reached out to after I joined Sony on the SI and reseller side, comments were, “Where have you guys been? You've got a great brand. You've got great quality. Everybody knows Sony.” But for whatever reason, we had chosen not to really go aggressively after the B2B market and for a number of years, we were really solely focused on consumers. But as you know, there's a huge opportunity in B2B, and coming on and engaging with partners, helping them understand our current strategy, which is really around an Android TV-based system on a chip, that's been surprisingly and enthusiastically met with a lot of optimism and support in the digital signage partnership community. So I think that's largely because it's not proprietary [latform that needs to be developed there, they can use existing development talent that is already familiar with developing for Android and work with us without having to develop a new skill set or onboard new resources. Yeah, I think it's interesting because everybody thinks about Samsung as the company that really introduced the idea of “smart signage” with their system on chip displays, going back to 2013 or something. But I pretty strongly believed that Sony actually had a smart TV and a smart digital signage product before Samsung by a year or so, but it was, as we were just talking about not all that heavily marketed and there wasn't a lot of awareness around it, but Sony has been at this for quite some time. Jay Leedy: We did have a line that I just learned about actually proceeding with our 2018 launch of Pro Bravia that was more of an ODM approach. So because of that, we didn't control the entire solution stack. Now that we do you have that level of control and a strong partnership with Google and the Android team, that combined with inherent components that we've always built into our devices with respect to image processing and high-quality screen components, that's really helped us accelerate, I think. A lot of it, to your point, is really about getting the word out and talking with our reseller and SI community, as well as the consultant community to help them understand that this is a real line, we're committed, and we're not dipping our toes into proverbial water. Like this is something that we have deep investment in and commitment at the highest levels of the organization to go after.  You talked about how easy it is to develop for Android since you don't have to have a proprietary operating system, but is there a clear distinction between Android and Android TV, in terms of development?  Like I've heard some software companies say, “Yeah, the Sony product is great, but it's Android TV. It's not Android as we know it. So it's different. We have to develop differently. There are limitations on what we can do and everything else.” How accurate is that?  Jay Leedy: It's somewhat accurate. I'd say there are some trade-offs. There are some differences between Android TV and Android, specifically that Android TV was designed for watching TV so some of the capabilities like portrait view, for example, are not native in the application. There's ways to work around that. There are currently some cash limitations on a per-app basis that we're working to address with Google as well, and there's also I think the impression that our Pro Bravia line is more of a consumer or prosumer approach, and to some degree, that's, I think informed by a lack of understanding that we have developed and enabled what we call “Pro mode” which turns off certain UI UX functionality, menus and exposes IP control and other capabilities that would be expected in a commercial line of product. So engineers that are unfamiliar with that may rightly or wrongly draw the conclusion that we're not built for commercial use. We are in fact, and because of Android, we can expose IP capabilities that are already native to the solution, the device just has to be configured in a specific way in order to take advantage of that. We've also very quickly, to the credit of our software development team in the San Diego offices at Sony, in partnership with Tokyo have developed a device policy control application that enables deeper system level access and that has been a product of my working directly with that team and them better understanding what the requirements of the market or what the desires of partners are, and what is ultimately going to be really critical in helping us meet the market needs.  So if I'm understanding that correctly, you may have developers from different companies going, yeah Android TV is just not going to be good enough, but if you can get them on a demo and get a sales engineer explaining what you can do, that changes their minds.  Jay Leedy: It does, and I think what's important to a growing number of end customers and subsequently the managed service providers and SI that serve them is a need to be able to specify devices that can predictably plug into their existing device management and network topology infrastructure because MDM has grown so rapidly with bring your own device strategies and the need to manage disparate device types. The familiarity with Android has increased rapidly especially, where only three four years ago, Android was really looked at as something that posed potential risk to network administrators.  Now they only embrace it, because they have the tools and familiarity with those tools as to how to effectively manage devices and also mitigate risk on their networks. And I think with the new Sony Bravia lines that are out, I was reading an email the other day, I think it's like Android 10, right?  Jay Leedy: That's right, yep, and with any of the devices that we release with Android TV, we're obligated to support up to three major updates. Ss Google releases new versions of Android, we would be compatible for three major releases so the Android 10 devices that are hitting the market now will be able to support up to Android 13, for example, which I think is really helpful in helping the developer community understand the extent to which we support their efforts as well.  I think it was the guys over in the Czech Republic, SignageOS guys, who did a review of different smart displays and they took a look at the Sony and said, it was really good in terms of video handling and everything else, because it was a later version of Android versus some of the other ones. Is that something you're hearing?  Jay Leedy: It is. Yeah, in fact, a couple of our partners, who've done initial assessments using benchmarking criteria and content mix and playlists that they use to benchmark all the various players that they evaluate, and in some cases they're even scorecarding and publicly publishing those results, and our performance based on those assessments has been consistent with purpose-built devices like an Intel NUC or a Mac Mini versus some of the others in the market that don't perform nearly as strongly. So I think that's partly because of the processing power that we have, our dedicated video processors as well. And, also having powerful connectivity handling and, some of the other components that really make these strong performing devices.  So is there a “but” that comes up still? You know, “These are great, but they don't do this or they don't do that.”  Jay Leedy: Yeah. We have a couple of limitations. One is that per app cache is currently at a max threshold of 2GB, which for many of the applications does not present a challenge, but when you get into scenarios where you're trying to cache locally assets that are fairly large, that can create a challenge. There's a limitation with native rotation, that when putting it into portrait mode, as we touched on earlier, it natively doesn't support that, but in most of the applications that we're testing, we have an answer for that with HTML and CSS workflows that don't present any concern and we're actively working to resolve those issues and take that feedback and insight that we get from our partners and our resellers and customers. And that's really my job is to carry those into our planning and roadmap afterwards.  Yeah, so much of digital signage now is built up around web-based technologies that in the same way that you can have a responsive webpage that'll go into portrait for a smartphone, I assume the same thing is happening here, right?  Jay Leedy: That's right. The trend, in general, is towards progressive web apps versus native applications, and better understanding that and helping our development team understand how we can address and create a kind of a fertile platform to be able to accommodate those strategies. It is part of our focus as well, and that's really why we built this large ecosystem to get as much feedback as we can so that we can remain relevant and proactively drive into the market with the right tools for the community.  So when I looked at Sony in recent years, if I would go to their booth at something like ISC and ask them about digital signage, they would look around and try to find somebody who knew about it and they drag somebody over and they may, or maybe not know much, and if they did, they would point me in a couple of directions to something called TEOS, which is what I gather is more of an office management collaboration toolset, and then there was some CMS software partnership with a company who I wasn't terribly familiar with so I would walk away from those little drive-by meetings and think, “okay, they're not really active in this”, but that's changed if you're talking to 40-60 different software companies you're trying to build something up?  Jay Leedy: That's right, yeah, and the change is also in helping our professional sales organization and the product management and sales engineers better understand digital signage as a whole, but also the nuances and specialized differentiation between the different partners. You're right, we did have limited expertise internally prior to Rich and myself coming on digital signage. We had made some inroads and I think had a strategy that entailed reselling digital signage software. That is really not our focus now. We really want to, at the end of the day, remove obstacles to specification and be able to plug into existing estates seamlessly with NSOC that has already pre-qualified as compatible or in the event that, we uncover an opportunity that doesn't have that compatibility or inherent that we have a process and a program to move quickly and ensure that performance evaluation can take place, both by putting a display in our partner's hands and putting their product in our software engineers hands and doing parallel testing and having a feedback loop that's ongoing.  So what are you hearing from the various companies out there?  And God knows there are many of them that have been developing two different system-on-chip displays for several years now, and I say “they” in a global fashion and I understand, some haven't done that, but many have, where are they going and what are they doing?  Jay Leedy: You mean in terms of…?  The development, do you see a shift to smart displays from PCs, and do you see a different direction in terms of how they're developing? Cause I get a sense that the smart companies are understanding that they've got to stop just being this kind of island of activity where it just like digital science, you've got to be integrated.  Jay Leedy: Yeah, you're right about that. I think generally there was a desire by the digital signage software community to consolidate their development resources as much as possible. So not maintaining expertise on a wide range of platforms is desirable. There's also been a shift away from any Chrome OS support and that the logical kind of migration is to support Android, so we're seeing that.  We're also seeing, in general, a trend towards, using a SOC where possible versus a purpose-built device, both in terms of reducing the cost of hardware, as well as points of failure. But yet you're always going to have scenarios where there is a dedicated playback device may be required, higher-resolution or video walls, but more and more we're seeing a desire to specify and be able to run multiple applications on a single device that in many cases Bravia is built to be able to handle, and that goes beyond digital signage, it edges into typical AV installations and all the device control and integrated solutions in that market as well.  So there's enough processing power on these two to handle to basically multitask or multithread?  Jay Leedy: That's right.  With the different software companies, are you getting any sense that they're coming or they're looking for an alternative to what they've been doing in the past, because some of the big guys, the Samsungs, and LGs of the world, in particular, have started introducing their own software platforms or CMS software? Jay Leedy: Yeah, I'd say that's correct. There's a desire certainly by the leading software partners to align with manufacturers that are competing with their business, and that's the same with the systems integrators and managed service providers where we don't have a device monitoring network operations kind of service offering. In some cases, there are manufacturers that have built up those practices and that creates a threat to the highest growth rate part of that industry sector, and it would make logical sense to align with the manufacturer that's staying in their lane, so to speak, and let them grow the business that is most attractive for them to realize returns on. But the flip side of that argument is that if you are going with a company that has proprietary smart displays and its own CMS, it's kind of a matched set, so to speak, and therefore it simplifies the lives of the integrators. You just know that their displays and the software are already baked in and validated for it so that makes it simple for me.  Jay Leedy: Yeah, I can see that. But I think flexibility is a big part of the need in the market. We're seeing that kind of confirmed with a number of touchpoints through the industry where especially when you're approaching a customer that has a fairly mature strategy and maybe legacy devices that are across a wide global estate that are not all going to be deemed end of life at the same time, they need to be able to have more interoperability and flexibility and also be able to capitalize on trends as they occur, and as relationships evolve and shift over the life of those things  Does activity and interest in the signage sector differ from what it did 15-16 months ago? Jay Leedy: That's a great question. I think I just read your Workplaces Reworked white paper yesterday, which was really well done by the way. And you slept well last night, right? (Laughter)  Jay Leedy: I did. We are seeing an increased interest in unified communication and hybrid working environments, or I think accelerating the need for physical spaces to be able to have more heads-up displays for situational awareness, all that stuff is driving that. And I think there are also opportunities because of the way that these spaces are being organized differently to place communication tools where they previously didn't exist, as well as in the cases of huddle rooms and conference room spaces, there's a number of clients that are interested in activating both screens and using them as communication tools more passively when that environment is not being used for its primary purpose. That definitely has been a trend that we've seen, and I would expect to continue to grow.  Setting workplace aside, are there verticals that seem to be emerging and other ones that are, you would maybe coach a solutions provider or software company to stay away from for now or not bother with?  Jay Leedy: I think enterprise, education, healthcare, they all seem to be on a more of a growth trajectory. Obviously, QSR, especially for the drive-throughs, has gone through a major transformation, and there's not any in particular that I think I would steer anybody away from, honestly, we've seen investments that have been pretty significant in transportation as the operators of those hubs, in airports and train stations, have taken advantage of the less traffic. Being able to put labor to drive installation and overhauling those environments at a fraction of the cost, because they don't have to work overnight. They can work during the day.  So there's not anyone in particular that I would say, I would steer away from necessarily where, as far as Sonny's line of product currently, we don't have an outdoor display. That's something that we may choose to bring to market in the future. But as far as working with Sony specifically, obviously, outdoor displays is not something that we would chase but there certainly seems to be plenty of momentum there.  Yeah, I was walking through ISE a year and a half ago, and one of the things that stuck in my head was, “Dear God, there are a lot of companies selling outdoor kiosks,” and that was in Europe. So imagine North America and Asia and add all that up and holy smokes.  So there's nobody sitting around going, “if only somebody would come out with an outdoor ready display for my use.”  Jay Leedy: That's right, yeah. There seems to be plenty of options out there, but plenty of opportunities too as a result.  Where do you see the digital signage software and technology going in terms of new developments and overarching trends? Jay Leedy: Like I mentioned earlier with progressive web apps and a trend towards consolidating developer resources on really focusing on a single platform versus having to support a range of them is certainly a trend in broader integration as well. We're seeing that with companies like Mersive and Crestron, who are able to support digital signage playback in traditional AV applications, and I think beyond that, there are more comprehensive strategies evolving in corporate communications and using a range of different screen types from mobile phones to desktop to traditional digital signage as channels to communicate and meet the need of where the audience wants to receive that information in any shape or form across the entire chain. So when you're working with the 40-50 companies that you're speaking with, what are they asking and why should they be involved with you?  Jay Leedy: Mainly they're asking whether their existing native Android application can run on our device or whether they have to develop something unique and more often than not the answer is that their APK can be sideloaded onto our device and very little modification to their code is required.  So a small job versus a six months job?  Jay Leedy: Exactly, yeah. So that's really attractive, just to have another arrow in the quiver, so to speak and I think they're also looking for more ways to market. The enthusiasm that we've gotten in general when they learned that Sony is leaning in and getting more serious about the B2B side of the business and digital signage in particular, they're super excited about it because, like many of us, myself included, some of the first electronics that we had relationships with as we were teenagers and young adults were Sony products, and the idea of working with a brand that has so much recognition in the market for quality, as well as so much innovation in various sectors of our business, including our interactive entertainment division and then this PlayStation product that just can't even stay on the shelves that we get a little bit of a Halo effect from that when approaching these various partners there, they're really excited about working with us.  Yeah I'd be curious about that. When you come to a Sony display if you're looking at it versus some of the other manufacturers out there, I don't know, I'm thinking maybe you're not going to win a deal based on your price versus some other commodity product but if the buying decision is hanging around, at least in part on visual quality, then you're in the hunt.  Jay Leedy: Yeah, absolutely. Yeah. That's a great point. In terms of color accuracy and acuity and things that are really important to brand marketers, we're absolutely in the hunt, if not first consideration, and I think that also translates to total cost ownership calculations, and some of the kind of quality benchmarks that we hit that are reflected in our warranties.  The industry experts that have worked with us for a long time and as well as are familiar with a number of other manufacturers gravitate towards us because they know they can, more or less, set it and forget it. They're not going to incur costs that they may have to pass on to their customers for field remediation and things that may have been problematic for them previously. So yeah, that seems to really resonate as well.  All right, Jay, thank you so much for spending some time with me. Jay Leedy: Absolutely. Dave, great to talk to you again, and I'm glad everything's going well for you.    

This week we sit down with Dan Kennedy, the Senior Product and Partner Specialist from Sony, to talk about the current market trends and what Sony is up to in this space. If you're in the market for a new TV, this is a must listen.Don't forget to leave a review and feel free to contact me directly at any time.You can follow Geoff Quattromani on Twitter at https://www.twitter.com/gquattromanior Instagram at https://www.instagram.com/gquattromanion Facebook at https://www.facebook.com/GeoffQuattromanior text me on +61 467 439 078 (not kidding)

This week we review the new Samsung HW-Q800A soundbar and the Rotel Michi X3 integrated Amplifier. We discuss the best decor and fittings for your media room or home cinema and Cas rounds up the best TV show and movie news and reviews.

第115回：北澤くんの初めての4Kテレビ（後編）◯電気代＋Amazon Primeプランって何？ ◯4Kコンテンツを楽しむには？ ◯地上波4Kってどうなってるんだっけ？ ◯DMMブックスのキャンペーンで68冊買ったらiPadがいっぱいに ◯intel MacBook Pro 13インチの値段が ◯ハイボールもらってくれる人募集（着払い） ◯ひっそりとSwellで５分の独り言を配信中

第114回：北澤くんの初めての4Kテレビ（前編） ◯ひっそりとSwellで５分の独り言を配信中 ◯4Kコンテンツを楽しむには？BRAVIA A8Hシリーズ 熊川哲也 『カルミナ・ブラーナ』

2021年2月25日放送回は、唯一無二のカオスなバンドサウンドと世界観で、国外からも人気の高いアーティストCö shu Nieが登場。 ボーカル中村未来によるピアノ弾き語りで披露された「asphyxia」と、コーラスワークが印象的なトラックを使用した「inertia」の２曲の一発撮りパフォーマンスがTHE FIRST TAKEで、そして、バンド編成で「絶体絶命」と「黒い砂」の２曲を「THE FIRST TAKE FES vol.2 supported by BRAVIA」に公開。ここだけのアナザーストーリーを語ります。 ■ラジオ番組詳細 放送局：J-WAVE（81.3FM） 番組名：THE FIRST TAKE MUSIC 放送日時：毎週木曜日 21:45～21:55 （「SONAR MUSIC」内10分プログラム） ナビゲーター：甲田まひる 番組HP：https://www.j-wave.co.jp/original/sonarmusic/firsttakemusic/

Your message aimed at a highly targeted audience. Let's talk. dan@selected.sesamers.comTopics Discussed:COVID-19 Cases Are Dropping FastPrince Jazz Funk Sessions 1977 Instrumental$75 MILLION dollars!I got some loans to pay off."Sheel, that's your cue"!1 bedroom cardboard box.Our meeting part 2 (Sheel's Selected Salon Session).No Beach Boys.ADD? ADHD? HD? Diagnosed?"I'm totally monopolizing the conversation".Sheel and Dan are BOTH music video stars!The origins of the Zoom Bachelor.Scooter Braun, manager to Ariana and The Beebs."Stuck WIth U" 2 mintes in.Dan: Man #1 on bus: Macy Grey's "I try".9 hours for 3 seconds."The loser from one gets to be the person for the next."Dan's typical weekend.The Zoom Bachelor effect."Part of being a venture capitalist is just having people think of you.""I'm super busy when people call. If you're not callin', I'm not super busy!"Are VC's in need of pitches?"There's a number issue ... there's a quality issue.""Every day there are 30 people that reach out to me.""What is a quality pitch?""Overall there are six things."TeamTechnology (advantage)Trends / TAM (Total Addressable Market)TractionTermsTaproom Buddy"This is my bullet point list."The four richest Latvians.Tap Room Buddy!Pitching SheelFintech serviceSend a beerWe're using:AIBig DataArtificial Intelligence (twice, clearly)Machine LurgingLurging Against the MachineAugmented Reality AND Virtual RealityFacial RecognitionBlockchain pays for the beverage of choiceGoogle's Automated Car.#micdropSend me the MONEY SHEEL!We're done with this podcast.Tangentialize.Sheel's Other. (Hint: The Lockdown Cook Book is coming soon!)Cooking with Marijuana.Calling your dealer for Paprika."What is it with you VC's and SECRET SAUCE?""Everybody's going to see your naked body again.""Can I see YOUR naked body Sheel?"Noisily is going ahead.Loud thumping music."I'm unfattening right now.""What do you miss the most and the least about being an entrepreneur?"Making the leap from entrepreneur to VC is like taking a GIANT Prozac.In order to be a successful VC, do I need to be an entrepreneur first?How do I step up and become a VC?"Not this podcast with me. This is junk. This is absolute shit."Due Diligence.Business idea number 2!The Origins of The Pitch.Sheelbi-wan Kenobi.How to sell out.Chris Sacca nails it.The Shark Tank, The Zoom Bachelor"I do the shittier version of something that's on TV."A towel with a hole in it.What's 5k amongst friends?"Hi, here's the holy grail. Sorry, what's the holy grail?""We didn't grow up, but we wised up." - Mike D.Why Fintech?"Financial Services Suck!" - Sheel Mohnot"Research, muthafucka!" - Dan TaylorLoan sharking is EXPENSIVE!Isn't Fintech just another way of saying, "We want to be your bank?"Flip it material.Not every Fintech is a bank, but every bank has components of Fintech.I'm winging it.Klarna is getting into the "we want to be your full on bank" in the U.S.Why do we still need banks?Dan's mom's head explodes!He's sending his money to a Nigerian Prince.The symbiotic relationship between Banks and Fintech.Is the Fintech industry simply chum for the sharks?The LIGHTENING ROUND!Your message aimed at a highly targeted audience. Let's talk. dan@selected.sesamers.comAaaaaaand we're back!Sheel's journey to VC. (Hint: He gambled his own money.)Soup to salad? Salad to soup? Nuts to bolts?"These guys are awesome. They've got the money, they tell me what to do."The fake fund called 500 Fintech."You ask rich people for money.""We raised 75 Million bucks, and here we are."Bravo, Brava, and Bravi.Bravia, it's an excellent car."Bitch, please. Opera singer, ok?"Nessun Dorma / Heidenröslein (Want more? Here you go).Sleeping in a park. Across the street from the hotel.Atlanta has a LOT of conferences! In July.Bearish or Bullish?Technology has done really well.A lightning-ette roundWisest?Stupidest?Craziest?Sheel is one helluva barber.I'll bring the clippers!Dan's girlfriend gets the vaccine!Sheel forces a beer down his throat.August 27th, 2021.Dan's phone number.Francis Underwood. Bill Clinton.Sheel's gotta go close a $25m deal.From Nick: "How will you ensure your portfolio companies are making tomorrow better, and not worse?"From Ramit (via email): "Blockchain.com just raised $120m. They say 65m wallets have been created. And yet India and Nigeria are moving to ban Bitcoin and other private crypto’s. Sheel, in your opinion, where is all this going?"Old tweets from Sheel. He's not a good fortune teller.Sheel, I was singing."If I had bought FIVE bitcoins. Which would have been $3.50". $270,000 today."How did you get so DAMN GOOD LOOKING?"Jack's beard."Any last thought?" "No."You're really good at this.Sheel is hitched. Not HITCHED. Don't run for the hills! Unavailable.She said NO!The pandemic has been rough. I'm desperate.One helluva movie script.Give me a Kiss to Build a Dream On.Hire this man!Sheel ... take us out.1.2 million followers on Clubhouse!The Pittsburgh Steelers.Your message aimed at a highly targeted audience. Let's talk. dan@selected.sesamers.comWhere to Find Us:Find Sheel at:TwitterInstagramClubhouse: @sheelFind Dan at:Linktr.eeClubhouse: @dantelor

この一ヶ月の間、55型のBRAVIAを購入し大画面でYouTubeやNetflix、DAZNをボタンひとつで観れることに感動しっぱなし。これは年始早々、良い買い物をしたなと…。母（いっちー）は父（よし）が亡く […] The post 第十段｜2021年の不時着 first appeared on 白と水色のカーネーション.

Sony announces a new streaming service. The Nerds breakdown Sony's Bravia Core movie service which promises to allow customers to watch and stream movies at some of the highest quality in the consumer market.

Adam discusses movie topics of the day

「今売れてる有機ELテレビTOP5、55型BRAVIAが首位返り咲き　2021/1/13」　　「BCNランキング」2020年12月28日から2021年1月3日の日次集計データによると、有機ELテレビのじつばい台数ランキングは以下の通りとなった。5位は、BRAVIA KJ-55A9G（ソニー）4位は、VIERA TH-55HZ1800（パナソニック）3位は、VIERA TH-55HZ1000（パナソニック）2位は、4K有機EL 4T-C55CQ1（シャープ）1位は、BRAVIA KJ-55A8H（ソニー）「BCNランキング」は、全国の主要家電量販店・ネットショップからパソコン本体、デジタル家電などのじつばいデータを毎日収集・集計しているPOSデータベースで、日本の店頭市場の約4割（パソコンの場合）をカバーしています。

The first virtual CES has kicked off and we go through the major announcements from Samsung, Hisense, LG and Sony and the products we’ll be seeing from them in 2021. In the Tech Guide reviews we take a look at the Netgear Nighthawk M5 5G Mobile Router and the JBL Quantum One gaming headset and we’ll answer your tech questions in the Tech Guide Help Desk.

#LotusEvija #SonyBravia #CanonMirroless Another day , another vlog! 420 The ultra beautiful Lotus Evija electric Supercar prototype is sex on wheels no matter the angle you look at it. It shows that electric cars can still inspire long boys a life long addiction to fast speed and spending hours in a shed by themselves cursing and getting drunk ! 2000 HP and only 130 to be ever made this beast is going to cost you a staggering 2.1 million pounds or about 5 million Aussie dracma's ! Canon set to be releasing up to a possible 8 cameras in 21 inside information saying. The ones we know are coming, 8k cine , C50 ,R5S, and then the ones we know about but not 100% just yet. RF mount aps-c , 2 new rf f/f to replace rp and r. the R1 for the olympics but not on sale till 22'. maybe we get a c90? cine 8k should be soon thats what we do know ! Apple rumours are pretty much locking in 120hz this year for the iPhone . insiders saying they got the LTPO screen sorted to sort power issues and we are finally getting the fast glass! Mac Patent shows possible wires charging on the new laptops ??? looks feasible and with 14" and 16 M1 lapis out this year a new body well over due i don't see why they couldn't do it ? Sony announced it s new Bravia series of TV's. 5 models with 2 oled 4k , 2 HDR 4k and 1 8k HDR 83 monster announced. Using a "game changing" Cognitive intelligence chip to give depth of field to he images. This gives you a feeling of immersion. I know one thing they look bloody expensive ! Thinking about building a website? Let me help you turn your ideas into reality by using My exclusive 20% off Squarespace discount code with them. (good for the 1st 5 people who sign up be quick ! ends Jan 8th 2021 or if they are used) CG5EH2933L NEED MERCH !! Here's the link :- https://teespring.com/stores/34-media Come see me at my website - thirty4media.squarespace.com Buy us a cup of tea at our PayPal at - hankshouse@yahoo.com Want to send something to us, flick us an email to get the address details, cheers ! hankshouse@yahoo.com Catch us on our social pages- Insta-@nightcliff_34 Facebook-@tigersfishingclub twitter-@NightcliffT http://www.youtube.com/c/NTFCMedia --- Send in a voice message: https://anchor.fm/ashley-kendray/message

2020年11月19日放送回はYUIが登場。 ライブハウスからアーティストたちの一発撮りパフォーマンスを届ける「THE FIRST TAKE FES vol.2 supported by BRAVIA」にて、ロックバンドFlower Flowerのボーカルでも活躍するyuiが""YUI""として、8年ぶりに名曲「TOKYO」と代表曲「CHE.R.RY」を披露。 ここだけのアナザーストーリーを語ります。 ■ラジオ番組詳細 放送局：J-WAVE（81.3FM） 番組名：THE FIRST TAKE MUSIC 放送日時：毎週木曜日 21:45～21:55 （「SONAR MUSIC」内10分プログラム） ナビゲーター：甲田まひる 番組HP：https://www.j-wave.co.jp/original/sonarmusic/firsttakemusic/ ■YUI - TOKYO , CHE.R.RY / THE FIRST TAKE FES vol.2 supported by BRAVIA https://www.youtube.com/watchv=OSWgS6EpYCcSTREAMING&DOWNLOAD：https://lnk.to/zucSWUDM ■YUI SNS Official Site：https://www.flowerflower-net.jp Twitter：https://twitter.com/FFLOWER_STAFF Instagram：https://www.instagram.com/yui_flower_flower/ YouTube：https://www.youtube.com/user/yuiSMEJ

「今売れてる有機ELテレビTOP5、55型BRAVIAの人気が続く　2020/10/7」　　「BCNランキング」2020年9月21日から27日の日次集計データによると、有機ELテレビのじつばい台数ランキングは以下の通りとなった。5位は、BRAVIA KJ-48A9S（ソニー）4位は、VIERA TH-55HZ1800（パナソニック）3位は、4K有機EL 4T-C55CQ1（シャープ）2位は、BRAVIA KJ-55A8H（ソニー）1位は、BRAVIA KJ-55A9G（ソニー）「BCNランキング」は、全国の主要家電量販店・ネットショップからパソコン本体、デジタル家電などのじつばいデータを毎日収集・集計しているPOSデータベースで、日本の店頭市場の約4割（パソコンの場合）をカバーしています。

If you have been around the digital signage industry for even a little while, you'd know Rich Ventura - the very active board member and then chair of the Digital Signage Federation, and pretty much the front man for NEC Display. But now, after about 20 years with NEC, he's now at Sony - running its B2B group, which includes digital signage products. I caught up with Rich last week to talk about the job change, and where Sony sits in the signage and AV ecosystems. We get into Sony's smart displays, where Sony is at with software, and the past, present and future of its gorgeous but big-dollar micro LED displays. He even drops a hint that maybe we'll see more LED from Sony. Have a listen ...  Subscribe to this podcast: iTunes * Google Play * RSS   TRANSCRIPT So, Rich, good to chat with you. You have moved on. People know you from many, many years at NEC and now you are at Sony. What prompted the move? Rich: You know, some people say it was kind of a midlife crisis and I kind of laugh at that. As I've told everybody in the 20 years at NEC, and I love NEC, and I always will and I tell everybody at NEC family, it was an opportunity that just made a lot of sense form my career. It had to be a really, really amazing opportunity for me to move and you know, I looked at the direction Sony wants to go, I looked at the leadership within Sony, I looked at the technology, I looked at all those different things. And it was that really great opportunity.  And I think it was also that opportunity to give me the ability of driving change even further and adding to my skill set, but you know, going looking at the tech and the direction that Sony wants to go, it was just hard to say no. It was a hard decision to say yes. But it was also a hard decision to say no. So what is the gig? Rich: You know, it's basically running and leading our B2B organization. And I hate to say running and leading because it's really, to me, it's more supporting and growing and partnering within the B2B organization with all the people that we have there, to really grow our business. It's for North America.  So you look within the B2B organization, it's working with our BRAVIA professional displays. We do also have access to some of our consumer products as well, working with our CLED product, which is really just an amazing technology. It's working with our projector group, projector products, an area I've never really worked with before, our PTZ cameras space, our boom mikes. We have Edge analytics, but it's not the type of Edge analytics people are used to hearing me talk about. It's really around distance learning and the classroom. And looking at any of those types of solutions that fit within our pro AV space. Is broadcast on your portfolio as well? Rich: No, it's not. That's gonna be a different group in there. But we have kind of that touch and that's what that PTZ camera base is because there's some products that we have that can play in both the AV space but also in the broadcast space. Right. So, you know, this is a digital signage podcast, so I will tend to talk about that. I'm curious about where Sony is in the context of signage, because Sony has had a product out there in different ways for at least 15 years, and they've kind of been in and out of signage.  You know, they've had booths at the trade shows, and then they kind of disappeared. And they seem to have software, but maybe they don't. They were the first guys, as far as I know, to do system-on-chip displays. But, you know, Samsung made a lot more noise about it than them and on and on. So, where are they at? Rich: It's great. I mean, part of the reason or part of my decision criteria to come over here was I did look at the SOC play and what we're doing. And if you look at it, you know, our displays have an SOC chip on it, we're running Android. It's not a Sony operating system, It's an Android operating system. And there was a lot of attractiveness to that and I see this great opportunity within digital signage. I mean you look at how the industry has gone, you've got organizations that have their own operating system, and they're running this closed environment, so to speak, right?  And then you have organizations that are not running operations. They're just running this massively open environment where you can use these different types of computers and open an operating system. And in Sony, we kind of can go both directions. We have this Android operating system, which is fairly open. But it's designed for our displays. And one of the things I want to look at is how can we capitalize on that and you'd be amazed, or you may not be amazed, but the first week of me joining Sony, so many CMS companies called me saying, “we want to work with Sony.”  And I said great, let me understand where we're at. To me, I look at digital signage as still a very young industry. I always refer to the industry we're in today as really that fourth industrial revolution. We're focusing on IoT, in an everything's connected device world and digital signage is a massive part of it. Nobody has truly capitalized on that. And so when I came into Sony and had my conversations with leadership and everyone, they said, well, we don't focus that much on digital signage, because there's everybody's doing business in there, and I said actually, they're not. They're not doing it the right way. And I think even with what's happening with COVID, digital signage has taken on this whole different life and this whole opportunity.  And to me, this is very opportunistic for Sony, and what we can do and I'm having a lot of late night conversations with our team in Japan. I'm talking a lot with our team here. I'm talking to a lot of different software companies and looking at what has been our strategy, so it's here and where do we want to grow? And where do we our strategy being and that's part of my first 30-45 days, laying out what is our strategy. Digital signage has got a massive opportunity for us. There's a lot of upside to it. I think we need to have, I don't want to say open our eyes a little bit differently, but I think we need to look at it a little differently than what we have historically. And I think you're gonna see a lot of really exciting stuff coming from us, both in the near future and long term future around digital signage. It's a little bit challenging though, because Sony primarily, if you set aside the CLED product, which we'll talk about, but the on the LCD flat panel side, it seems to be increasingly a commodity play and the big Korean guys like LG and Samsung seem to be backing off of it a little bit because it can't compete with China panels. Rich: Totally and I think you've always known my opinion about value. If you look at what I have shared with the organization in my first week, I have really three core values when looking at our business. Everything we have to do needs to drive value. So if we're delivering a 55-inch LCD, we're delivering a PTZ camera, CLED, whatever it is, there has to be value driven to our customers.  Well, the way we drive value is really twofold. One is we drive value by being easier to engage and work with, not having complex systems. And you know, some people say, that's what you said when you were at NEC and I go well, I believe in that. I mean, I believe that as an organization, to drive value, we have to be easier to work with. We have to have systems that work very well together that go all the way down to the level of our platforms, where with Android, being able to integrate into that, being able to deploy our product, being able to purchase a product, all those things have to be easier. And that drives value.  The second aspect of it is solutions focused. And I don't mean taking a monitor mount and a cable and throwing it in a box. Solutions focus, to me, means solving pain points for our customers. We're creating an opportunity for them to impact their business. And so when we look at those three things, our focus is not to sell at the lowest price point, our focus is not to compete at a dollar for dollar. Our focus is really competing at the value, how do we drive that value to our customers? If you look at our product category, we don't have 100 SKUs. What we have though, are very focused SKUs that can work well in the corporate space, well in the education space, work well in the transportation space, the wayfinding space. Okay, so you don't really, I mean you would take the opportunity if it came along, but the high volume commodity-ish stuff like digital menu boards, that sort of thing where you're just selling large volumes of them isn't really the play. It's going to be more around situations where you need very high quality displays. Rich: You know me, I'm gonna go after every deal I can, right? I'm gonna be opportunistic, but I also need to maintain and make sure that we're doing it profitably. What I don't want to do is, I don't want to give up quality, I don't want to give up support. I don't want to give all those things that we're known for just so that we can sell, you know, 10,000 displays.  It's interesting when I've asked our employees, why do people buy Sony? And the answer has been almost identical across the line. It's been around our quality, it's been around our technology, it's been around our reliability, those things that I value very heavily. And so how do we do that? Grow the business, maintain profitability, and really deliver on the value. It's a difficult task, right? And especially as we see more and more of the commoditization happening out there, and, and that's where I'm really challenging the team. And that's where I'm even challenging our partners, from our technology partners and even our channel partners. How do we do that? And where can we become opportunistic to go after the right business and deliver the right solutions and value to our partners? And right now, is that partners as you describe them, is that a reseller channel partner ecosystem that you primarily sell through? Rich: Yeah, we are a channel organization. We have very strong relationships with our distribution partners. Our regional integrators are national integrators. We have really strong relationships with them. And I want to find ways to expand that relationship with them and how can we help them grow their business and really take on more of that solution. Not meaning any meaning Sony taking on that solution, but how do we help them take on that ability of growing their capabilities and growing their value add. At the same time though, I'm going to be very opportunistic and see what are the ways that we can help them with differentiation from Sony as well. Sure. So in the ecosystem, where do you think right now or historically, these channel partners have been kind of jammed up to like, where do they need the help? Rich: It'd be easy for me to say well, they need XYZ, but I think they're all different. Every one of these channel partners, really out of necessity and opportunity have really differentiated themselves. Some have the most amazing content creation organizations. Some of them have amazing installation capabilities and service. That's really where integrators have always cut their teeth, it's been around integration services. Some of them have just amazing levels of partnerships. So it's really looking at every level with them, where can we help them?  And I'll use a really easy example, there's a partner that I had a call with in my first week as one of our channel partners, and they cut their teeth and broadcast an audio, that's where they've always focused their attention. And digital signage is a new realm for them. And so as we were talking through and I asked him, you know, who do you partner with, who have you talked to and stuff like that? We started talking about organizations that are out there, from a software perspective. And the knowledge base that we have is very valuable to them. And so the fact that we can help steer them and look at who are the right types of companies to work with, or as you verticalized, who are the right players in different vertical markets, that becomes very valuable.  So now how do I use that to our advantage? And that's the million dollar question. And I think as I work with the sales organization and our marketing organization, looking at who we have worked with, and where we've seen those values and create, to me really a tear of manufacturer partners, like you know, it's our friends, it's our family, and it's our blood. Friends are those that we know each other, we work well together, right? Family is where we start getting that stickiness where we have some integrations together or we have ease, you know, I go back to the ease of use and the value. Blood is really where solutions come in and where our products are integrated with one another.  And that's new for Sony and I think as we grow the business, it’s not going to be today, it's not gonna be tomorrow, it's going to happen over a period of time. That's where we start driving and helping that value with that integration channel. What do you think of the whole work-from-home thing and the realization amongst a lot of companies that, “Hey, maybe we don't need this big office tower or five floors and an office tower. We can have one floor and everybody else just works from home”. What that's going to mean for things like workplace communications and this idea that this was one of the next big frontiers for signage in particular that you can sell them all this stuff, because of the need to communicate in white collar environments? Rich: So the selfish, opportunistic salesperson in me hates it, because it reduces my opportunity to sell. I love having a million tons of the top offices out there because I can sell a lot of products. The realist in me sees this as an opportunity to differentiate and drive value, whether it's, you know, I go back to the Android player and the fact that we have simple solution for signage, and being able to get that to a company so that they can do simple, whether it's information to their employees about COVID, and information about status and information about things going on in their business.  I think it's also going to be opportunistic and challenging for us as manufacturers to look at. What are other ways that we communicate, right? Is it putting higher brightness displays in windows so that people can be communicated to? Is there going to be this growth within the out of home community? And are they going to have a different type of need with direct view LEDs? It's all those things. One of the things I also see is, it's a challenging opportunity from a technology perspective.  I go back to this being that industrial revolution around IoT. How do we deliver our tech that doesn't require somebody to physically touch the monitor? How do we derive solutions that allow our customers to remotely monitor, manage and deploy their technology? Where they do have offices, and maybe they don't have an employee in every single location? It's all those things, I think are going to be a play for us. I've worked from home for many years. I mean, I carried a bag for NEC, right? So you look at my first 10 years at NEC, I worked from home, then I worked at an office, and now I'm back to working at home. So, I'm used to it. It's definitely creating a new dynamic for employees. The engagement has to be different. We have to engage with our employees a lot different, we have to make sure that they feel engaged. I've seen some of these digital signage software companies like Signagelive, for example, building out platforms that allow them to engage at the employee level to their laptops. I think when we're looking at what's going on today, I think it's gonna really drive creativity and innovation. And it's gonna be really interesting, it’s gonna be fun to see how companies do innovate and drive engagement now. So when I go to trade shows, when those things still happened, I would walk through, let's say the last one was ISC, I walked through the big Sony booth and I would see a lot of information about a product, I think, it was called TEOS, which seemed to be primarily office based, digital room signs, that sort of thing, but I got a sense that there was a digital signage component to it, but you also have some sort of a signage-CMS product that maybe comes out of India or I'm not quite sure where from really, what are those things? Rich: I'm still learning. (Laughter) TEOS is really an interesting platform. I'm learning a lot about it. I got to spend some time last week with our team in Europe to understand it. To me, TEOS is like this office management, automation, communication platform. And it's a platform, it's not a piece of software. And I know that it’s critical to understand that it's a platform, and it's allowing us to look at, you know, room management and schedule management and there's a digital signage element to it, but it's not like if I were to rank like the top 10 features to it and functionalities, it's not in that top five, because there's a lot of other things behind it.  It's a module.  Rich: It is. It's not a standalone “I'm going to deploy this for my digital signage and that's all I'm gonna do”, that's not what it's for. And so I'm really learning a lot about it. There's some really cool capabilities with it. But it's not something I would go and deploy in a retailer, for example. This is more for an office workspace environment. And you know, I'm definitely learning a lot about it. I think there's some really cool capabilities in it. And you know, knowing my background when I'm working with software teams, I of course, start asking a million questions and blow their minds a little bit, but I think there's some really cool things about it. The digital signage element you're talking about is something else that I haven't had a chance to go learn and spend my time on yet, but from what I see it, it's very simplistic. It's something that you can do within our environment.  What I will say is, there's a necessity for it. As we all talk about, you know, that early SMB, that single screen environment that you don't make your money on. But do I think it's the silver bullet? I think you know me well enough to know that I've never considered any digital signage software package to be a silver bullet, you know, one package can’t do  everything for everyone. So, I'm gonna reserve judgment till I've gotten to really see it and play with it, right? But it's exciting to see that people are thinking about ways that we can deliver value. Everything goes back to my conversation around value. Yeah, whenever you have your own CMS, it becomes this delicate little dance of what is it for, does it compete with your software partners and all that sort of thing. I don't think any of the software partners who started calling you would be too worried about a totally entry level onesie-twosie kind of thing.  But I've chatted quite a bit with Samsung and Magicinfo through the years and they're now at a point where they have a full-time Product Manager and they're taking it very seriously, but you know, that starts to get really foreign in terms of the partner ecosystem that they have on the software side. Rich: Yeah, I look at it as an opportunity. Hire as many product managers as you can, please. I look at it as an opportunity where we can partner with companies. I think you've known me long enough, and those in the industry have known me long enough, I take partnerships very seriously. And they're a path to growth. And if I can have thousands of people out there pushing and talking about the Sony brand, that's very valuable to me.  I've had a lot of people go to me and say, “You were at NEC all those years and you guys are one of the top dogs, why go to Sony?” And I say because Sony's a top dog too, you just don't realize it yet. And I think we've been quiet. I think everybody knows me well enough to know I'm not shy. I bleed my brand. I bleed my company. I told everybody on the team on day one, I've got your back. And my job here is to help us grow and really put us in that position that we're going to be the top dog and I look at those opportunities with the products we have today, the partnerships and you know, the one product we haven't talked about yet is CLED, I mean, I'm blown away by what that product can do. It is an absolutely beautiful technology. I know you and I have talked about it. When we first saw it, you first saw it, we talked about it in interviews, and you've asked me what's my opinion of the CLED product, I said it's pretty amazing looking. I don't know anything about it yet, but it's pretty cool looking. The one thing I would ask about CLED and if people listening don't know what it is, it's Sony's micro LED product which has been around about four or five years. Now yes, it looks amazing. I've stood really close to it and tried to figure out what was going on. And over the years I've learned more about what micro LED is. The one thing that I wondered about is that it seems to be the same product that it was three, four years ago when it first came out and in LED, everything's evolving so quickly. I wonder where is it now? Is it on Gen 3, and I just don't understand that. Rich: Well, why fix anything if you made perfection day one? (Laughter) I'm just kidding. I think we are evolving, right? I think where CLED is today and where we want to take it, you're going to see we will evolve it, right? One of the things I really dive deeply into and it's been an interesting experience, I think, for my business team, is really understanding all of our products whether it’s CLED, it’s BRAVIA to PTZ, you can have a list of it and having these calls with the product management team here, but also our team in Japan, and that's challenging. I’m like okay, what are we going to do? How do we grow this business? How are we positioning ourselves against the competition in the industry?  You know, going back to my three things earlier about value, simplicity and solutions, what are we doing? And I think you're going to see a lot of really cool stuff. I can't go into depth about it at all, but I can tell you, there's a lot of cool stuff that we're working on and looking at. That being said, we've got some really, really amazing projects that are deploying the CLED product and the clarity of the product, the uniformity of the product, the technology behind it, is exactly what they need for those applications. And It's not a utilitarian product at all. No. I mean, I've seen it in the wild Now a couple of times. And just like in the trade shows being really impressed the one thing that worried me a little bit was the glossy finish that it has on it, seems to pick up reflection. Rich:  No, it does. And that's, like I said the applications are very explicit for how it's being used. You know, I've seen some I've seen pictures of some of the deployments that we've done. And I go, “Aha, that makes sense to me.” That makes sense on where it goes and why it goes in this application. It's really a technology you need to really dive in to understand. It's not like a traditional LED at all. And I'm still learning it. I mean, I've had nine meetings just specifically around CLED, and I still have a million questions everytime I get on the phone. So I'm excited about what it can do and how we can position it better in the market or how we currently position it, but how we continue to position it in the market. Yeah, I think it'll be important for people to understand the price points and how the technology is evolving. Because when that thing first came out, making a micro led of that scale would have been enormously expensive, just because the manufacturing technology wasn't there. But, you know, micro LED is, I want to say it's becoming commonplace, but it's pretty widely adopted now. So, I would assume that you can do a hell of a lot more and you'll make it more relatable price wise to more potential buyers. Yeah. Rich: Yeah and that happens, you know, we always talk about technology at that tech curve, right? So you're the early adopters all the way through to the late adopters, and technology follows that curve, right? So even if you’re the early adopters, you don't have a lot of volume, you don't have the technology to drive things. Because it's new. It's a new idea. And it takes a while to happen. But I think that's where I challenge our team. When I tell them I say our team, I am talking about everybody: our sales organization, our marketing organization, our development team, is how do we drive forward where that product, that platform is the right product, right platform for the marketplace and where it needs to go, but also fits the right applications and use cases. So like I said, I think you'll see a lot of opportunity coming out of us with the CLED product. It's interesting that even today, you still have any number of people referring to any big outdoor LED board as a Jumbotron, which was a Sony product that came and went. But really the only Sony direct-view LED product I know of is the CLED. Are there any plans to expand? Or is that just such a crowded market and you'll stay with this premium product, and that'll be it? Rich: All I can say is keep your eyes and ears open. Yeah. Well that makes sense. I mean, you know, wherever it's going, it's hard not to have a range of products to suit different needs particularly in the business market.  One other thing I'm curious about is, is it an advantage to you or does it feel more comfortable in the fact that you spent 20 years working for a Japanese company already, so you understand the business culture? Because I would imagine somebody who's spent all their time working just, with North American manufacturers or whatever going and starting to work with a Japanese business culture might be quite a shift for them. Rich: So, it's an advantage and a disadvantage. It's an advantage because I've gotten to really learn so much, especially as I say, in the last three or four years of my career in NEC. I really spent a lot of time with our Japanese tema and I got to learn how they work and how we as an organization can work better with them and communicate better.  I think I always have to remind everybody that English is not their first language, right? And so as we share information with our team in Japan, they may be speaking to us in English, but they're also computing this in their heads in Japanese to make sure they understand. So it's very critical that we communicate and we're very open and transparent with one another. That was the first thing.  The second thing is that I also can understand where their needs are, and you know, they're not asking questions to be difficult, they're not doing things that way. They truly want to understand, they truly want to be there with us and support us and so I've got that, and that's been an awesome experience that I've had coming into this.  Where it's not an advantage is I've got 20 years experience working with NEC and how they operate. Now I have a new organization. So I have a new vocabulary, I have a new chain of command, I have all those new things to learn, which is actually exciting. As I have told a lot of people, everybody's been going, “How's it going so far? Your week three!” and I go, yeah, just as excited as I was in week one. And they laugh go, well it’s only been two weeks, and I go, yeah, but you don't understand, I'm excited and I think even my people are seeing that as I talk with them and even with the Japanese, it's exciting. It's such an exciting opportunity and I hope that I can transfer that excitement within the organization. So I see a lot of value in my history of working with the Japanese and going to work with Japanese organizations because I do have a history and I do have an understanding of how we work best with one another. Well, this has been great. It's great in a couple standpoints first, just catching up. But second, I've struggled to find the right person on the business side to talk to at Sony for many, many years. And now I have someone!  Rich: (Laughter) Well, it's funny, Dave. I was talking with Allison in our marketing, social media Group, and I was actually talking with some of our product managers and business managers yesterday. And one of the things that I told him is that we need to be more present. We need to be more out there in the industry, whether it's just social media, whether it's speaking, training, it's education. And those who know me well know that is something I really value heavily, right? And if not me, I don't need to be the person doing it. And I really want to empower our organization to be more present in the industry. Because I look at it from a couple ways, one is it builds value. The second is it builds those bridges between our organizations, but also it shows just how much we can do and all that drives sales and all that drives relationships and everything else.  So, I'm excited because it kind of feels they have a little bit of a blank canvas to work with. But you know, if we sit down a year from now, and we talk about all the things that we did in this first year and, you know, let's do that, let's talk in a year from now, let's talk about how much Sony's changed. And I think the statement you just made, I hope I never hear that again, because I think you guys will see us more present in the industry. You'll see us more present in the technology. You're gonna see us out there more. And I'm really excited about seeing that happen. All right, Rich, thanks for your time. Rich: As always, thank you for inviting me and I look forward to continuing to have these conversations with everybody. Probably virtually. (Laughter) Rich: I do look forward to the day that I can actually travel and see some of our customers and partners and face to face again. Yeah, me too.

Từng để vụt mất chức vô địch Champions League trên sân nhà, nhưng đó vũng trở thành động lực to lớn để Hùm Xám xứ Bravia giành lại những gì đã mất vào mùa giải Champions League 2012/13. Đừng quên theo dõi BLV Anh Quân trên các nền tảng: Youtube: www.youtube.com/blvanhquan Facebook: www.facebook.com/blvanhquan Soundcloud: soundcloud.com/blvanhquan Spotify: open.spotify.com/show/0fAT5KU1drY0KAWP1PV6vb --- Support this podcast: https://anchor.fm/blvanhquan/support

Every year hundreds of thousands of people and thousands of exhibitors gather to put the entire electronics industry on display across millions of square feet in Las Vegas, Nevada. CES 2019 is in full swing as we chat with our longtime buddy and Editor-at-large for the Wirecutter, Geoffrey Morrison, about the latest revelations in the television segment. There is a huge amount of news to cover, including LG's roll-up OLED TVs, Samsung and Sony's behemoth screens, the market confusion of microLED, quantum dot, OLED, QLED, and TCL's dominance of the inexpensive television market and expansion into appliances. Next, DJI Senior Communications Manager, Patrick Santucci, explains how they came to dominate the consumer drone market, and what they're bringing to the skies for casual fliers and cinematic professionals alike. If you thought that's all there was to DJI, you'd be wrong. Find out how their line of cameras and gimbals can help you look like an action-shot professional! [00:00:00] Welcome to CES 2019 and Huge TVs! [00:06:50] LG Roll-Up TVs the Answer to Huge Sets? [00:12:30] TCL Makes Splash in Consumer Appliances [00:19:51] MicroLED, Quantum Dot, OLED Explained [00:27:46] DJI - Dominating the Drone Segment [00:35:52] More Than Just Drones, DJI Does Cameras

New Campaign Using Old Equation Editor Vulnerability https://isc.sans.edu/forums/diary/New+Campaign+Using+Old+Equation+Editor+Vulnerability/24196/ Root Access Vulnerability in SONY Smart TVs https://www.fortinet.com/blog/threat-research/sony-smart-tv-exploit-inside-view-hijacking-your-living-room.html MicroTik RouterOS Vulnerablities https://github.com/tenable/routeros/blob/master/bug_hunting_in_routeros_derbycon_2018.pdf Reverse Analysis of WebAssembly https://www.forcepoint.com/blog/security-labs/manual-reverse-engineering-webassembly-static-code-analysis Firefox Delays Symantec Certificate Distrust https://www.theregister.co.uk/2018/10/11/firefox_symantec_certs_delay/

New Campaign Using Old Equation Editor Vulnerability https://isc.sans.edu/forums/diary/New+Campaign+Using+Old+Equation+Editor+Vulnerability/24196/ Root Access Vulnerability in SONY Smart TVs https://www.fortinet.com/blog/threat-research/sony-smart-tv-exploit-inside-view-hijacking-your-living-room.html MicroTik RouterOS Vulnerablities https://github.com/tenable/routeros/blob/master/bug_hunting_in_routeros_derbycon_2018.pdf Reverse Analysis of WebAssembly https://www.forcepoint.com/blog/security-labs/manual-reverse-engineering-webassembly-static-code-analysis Firefox Delays Symantec Certificate Distrust https://www.theregister.co.uk/2018/10/11/firefox_symantec_certs_delay/

第75回ポッドキャスト.mp3podcastのiTunes登録はこちらpodcastのYouTube配信はこちらこちらのブログで色々書いていますので、よろしくお願いします。とにもかくにもデカイテレビはいいね！

TypeScript - JavaScript that scales. Front-end web development - Wikipedia 東京の中古マンション、リノベーションマンションの購入なら【cowcamo】 ソニー デジタル一眼カメラ「α6500」ボディ ILCE-6500 Google Home PHILIPS hue LED スマート照明システム スターターパック Nature Remo BRAVIA meets Android TV™ HIS AMD RADEON RX580搭載ビデオカード Ethereumをマイニングしてみる（2017夏） - MOL Ethereumをマイニングしてみる（2017夏・改） - MOL ブロックチェーン - Wikipedia ビットコイン - Wikipedia イーサリアム - Wikipedia

iPhone 8 rumours are reaching fever pitch ahead of launch, Sony launches its first Bravia OLED 4K TVs, the glasses that can help prevent digital eye strain, we take a look at the Hisense Series 7 ULED TV, we review the Nokia 6 Android smartphone, the new Kensington range of computer accessories and we finish off with the Tech Guide Help Desk.

Esta semana en el episodio 547 de Byte Podcast, las noticias incluyen el lanzamiento en México de la nueva línea de televisores Bravia de Sony, la llegada a México de los P10 y P10 Plus de Huawei, y el combate contra las noticias falsas, que tiene nuevos jugadores. Les platico también de la laptop ASUS Strix, un modelo de su serie Republic Of Gamers, dirigido precisamente a gamers, con características poderosas y buen diseño. También de ASUS, la llegada de la nueva versión de Android a su Zenfone 3. Cerramos con las cámaras de seguridad EZVIZ, que llegan a nuestro país en dos modelos, para interiores y exteriores y que ya están a la venta en tiendas departamentales.   Enlaces:  Huawei P10 - http://consumer.huawei.com/en/mobile-phones/p10/index.htm Televisiones Sony Bravia - http://www.sony.com.mx/electronics/tv/t/tv Asus Strix - https://www.asus.com/us/site/g-series/#/products/laptops/gl553-gl753 Cámara EZVIZ Mini O - https://na.ezvizlife.com/item/6.html Cámara EZVIZ Husky - https://na.ezvizlife.com/item/12.html

Naoki Hiroshima さんをゲストに迎えて、ゼルダの伝説、4Kテレビ、バイリンガル、H1B, ソフトウェアエンジニアリング、教育、ラーメン、Alexa、Google Home, アドバタイジング、Snapchat などについて話しました。 Show Notes ゼルダの伝説　ブレス オブ ザ ワイルド | Nintendo リングにかけろ THE MAKING OF ゼルダの伝説 ブレス オブ ザ ワイルド [開発のはじまり] 任天堂、『ゼルダの伝説 BoW』の「エキスパンション・パス」発表 Sony X700D Review (XBR49X700D, XBR55X700D) Android TV BRAVIA meets Android TV™ 4k Movies List & Content Guide - Netflix, Amazon for UHD TVs 心肺停止 Samurai Gourmet Revenge of the Nerds (1984) US suspends expedited processing of H-1B visas Steve Bannon Suggests There Are Too Many Asian CEOs In Silicon Valley Breitbart gets to keep using Shopify to sell its merchandise Rebuild: 153: Connecting The Dots (rui314) Highest paying companies in Silicon Valley Cargo Cult programming Rebuild: 175: Executive Order (higepon) Marufuku Ramen 家系ラーメン カムデンズ ブルースタードーナツ カールスジュニア Carl’s Jr.® パンダエクスプレス Amazon.com: Alexa Skills Connect Google Assistant - IFTTT Google Home is playing audio ads for Beauty and the Beast Amazon pushes back on prosecutor request for Alexa smart speaker info Children's Online Privacy Protection Rule ("COPPA") Snapchat: How the Snap IPO Ended Up a Huge Flop How does Snapchat use Google App Engine?

Edição de 08 de Fevereiro 2016 - Sucupira, holandinha e mostarda bravia

Profitechnik für die eigenen 4 Wände. Bei uns verfügbar mit 55", 65" und 85" Bildschirmdiagonale und mit Ultra HD 4K Auflösung. 36 Monate SONY Prime Support.Mehr Tiefe, Qualität und Realitätstreue: Dank einer Auflösung von 4K/16:9 liefert die FWD X8600P Serie mehr als 8 Megapixel (vierfache Auflösung von Full HD). Mit der technischen Leistung, die man von BRAVIA erwartet, sowie einem sehr schlanken Design überzeugt dieser Fernseher in Unternehmen, Geschäften und bei zahlreichen anderen professionellen Anwendungen sowie in den eigenen 4 Wänden. Und diese Serie steckt voller praktischer Funktionen. Doppeltuner für SAT, Kabel und DVB-T, NFC-One-Touch-Mirroring ermöglicht, Videos, Fotos und Apps direkt von einem Smartphone anzuzeigen.3D Wiedergaber mit passiven Brillen. Kurze Betrachtungsabstände mit 4K X-Reality PRO. Mit dieser SONY Engine kommen Full-HD-Inhalte der ultrahohen Qualität von 4K wesentlich näher. Ganz egal ob Sie TV Inhalte sehen oder Präsentationen durchführen - Sie erhalten das bestmögliche Bild.SONY TRILUMINOS™ Display. Diese einzigartige Technologie macht sich einen wesentlich breiteren Farbraum zunutze, um Farben so lebendig und intensiv wie im echten Leben wiederzugeben. Sie erzeugt natürlichere und tiefere Farben und Schattierungen, sogar bei schwierigen Rot-, Grün- und Blautönen.Jedes Display verfügt über USB-Wiedergabe einschließlich 4K-Inhalten, IP-Steuerung, RS232C-Steuerung (mit optionalem Zubehör CBX-H11/1) und internetfreundlicher HTML5-Unterstützung zur einfachen Erstellung von Digital Signage.Mit dem Hotel-Modus können vorgenommene Einstellung mithilfe eines USB-Sticks von Display zu Display kopiert werden.Sprechen Sie uns an. Gerne unterbreiten wir Ihnen Ihr persönliches Angebot.Natürlich haben wir diese Serie bei uns in der Ausstellung vorführbereit.Weitere Informationen finden Sie hierhttp://www.grobi-shop.tv/index.php?cPath=22_225&osCsid=al547nec526o8kr4najfnl99if30c884t9nuvr4b6915tfdnbd01Telefon: +492131769412Mail: info@grobi.tvWir sind Ihr Ansprechpartner für alles rund um das Thema Heimkino. Besuchen Sie unsere Ausstellung in Kaarst bei Düsseldorf, direkt an der A 52 / A 57. Weitere Informationen finden Sie hier http://www.grobi.tv.Am besten Sie installieren sich direkt unser APP, damit Sie in Zukunft immer topaktuell informiert werden.Für Android System http://www.amazon.de/dp/B00L3ZRDWY/Für IOS System https://itunes.apple.com/de/app/grobi.tv/id566557005?mt=8Besuchen Sie auch das WATCHMI Videoportal oder installieren Sie sich die WATCHMI Software auf Ihren TECHNISAT ISIO Receiver oder SAMSUNG TV Geräthttp://www.watchmi.tvAb sofort haben wir auch einen Podcast.http://grobitv.podcaster.de/GROBITV.rss

Martha Debayle habla con Alberto Romero sobre la tecnología 4k y sus beneficios.

Martha Debayle habla con Alberto Romero sobre la tecnología 4k y sus beneficios.

This week we had a look at the new Adobe Creative Suite 6 - a full product range refresh, plus a new Creative Cloud and a monthly membership model - very impressive. Sony have come out and claimed their Bravia is "the TV to beat" and they stand by that claim, Google launched Google Drive for cloud storage and collaboration, Instagram was faked and hit some unsuspecting people with malware, Kensington's BungeeAir iphone case helps you keep track of your phone, some Mission impossible gadgets might not be as far off as you think, Logitech launched a new Ultra-Thin Keyboard cover for the iPad and 4G set to be a big part of the market by 2016

This week we had a look at the new Adobe Creative Suite 6 - a full product range refresh, plus a new Creative Cloud and a monthly membership model - very impressive. Sony have come out and claimed their Bravia is "the TV to beat" and they stand by that claim, Google launched Google Drive for cloud storage and collaboration, Instagram was faked and hit some unsuspecting people with malware, Kensington's BungeeAir iphone case helps you keep track of your phone, some Mission impossible gadgets might not be as far off as you think, Logitech launched a new Ultra-Thin Keyboard cover for the iPad and 4G set to be a big part of the market by 2016

- HTC Wildfire: очень дешевый Android-смартфон - Samsung i5500: грядущий очень дешевый Android-смартфон - Samsung C5010 Squash: 3G-телефон начального уровня - Билайн А100: "незалоченный" телефон с тарифом за 850 р. - Японские красавцы Sony Ericsson S004 и S003 Bravia - Philips Xenium X606: женская раскладушка - Новый Corby: за 5800 р. с поддержкой 3G - Наверстываем упущенное: пара слов о Nokia N8, Nokia X2 и Garmin-Asus А10 - Слухи: HTC Mondrian на базе Windows Phone 7 с 1,3 Ггц процессором и 4,3-дюймовым экраном - Sharp разработала 3D-камеры для мобильных телефонов. А так ли они нужны?

The latest installment from the guys at Bindledog.com.We go sound effect crazy, as Adam hosts "The Price is Right" like you've never (quite) heard it. Jeff lays out the table for us to determine what, actually, is the best candy bar in the world (hint: it ain't Toblerone!). And in news, get Hancock on your Bravia -- and other dirty-sounding things. Episode #5 of Two A-holes and Jay Gish can be downloaded by right-clicking here.Or just hit the play button below...