Podcasts about Vik Muniz

Neste episódio da série 'Cenários', Sonia Racy recebe o arquiteto e urbanista Miguel Pinto Guimarães, fundador da MPG Arquitetura. Ele relembra momentos marcantes dos seus 30 anos de carreira, fala sobre o projeto de revitalização do Parque Jardim de Alah e a parceria público-privada com a prefeitura do Rio de Janeiro para realizá-lo. O projeto Parque Jardim de Alah revitalizará uma área de 93,6 mil m², reconectando o Leblon a Ipanema com restaurantes, creche, ciclovia, esculturas a céu aberto com curadoria de Vik Muniz e Beatriz Milhazes, entre outras atrações. See omnystudio.com/listener for privacy information.

Neste episódio da série 'Cenários', Sonia Racy recebe o arquiteto e urbanista Miguel Pinto Guimarães, fundador da MPG Arquitetura. Ele relembra momentos marcantes dos seus 30 anos de carreira, fala sobre o projeto de revitalização do Parque Jardim de Alah e a parceria público-privada com a prefeitura do Rio de Janeiro para realizá-lo. O projeto Parque Jardim de Alah revitalizará uma área de 93,6 mil m², reconectando o Leblon a Ipanema com restaurantes, creche, ciclovia, esculturas a céu aberto com curadoria de Vik Muniz e Beatriz Milhazes, entre outras atrações. See omnystudio.com/listener for privacy information.

El artista visual brasileño Vicente José Oliveira Muniz, más conocido como Vik Muniz, presenta su último trabajo en el Museo Universidad de Navarra, "Flora Industrialis". Una exposición con 90 fotografías que recogen un cuidado catálogo botánico basado en grabados de la flora iberoamericana. Se acaba de prorrogar hasta el 10 de marzo.´Tiene más detalles nuestra compañera Sabrina Aguado.  Escuchar audio

Vik Muniz says he owes his artistic career to being shot as a young man, not because he had an epiphany about the meaning of his life, but because he won enough compensation from the accident to move to New York and kick-start his career in the art world. He is now probably one of Brazil's most successful visual artists and his pieces can range from tiny specs that are photographed by microscopes to giant landscapes captured from helicopters. He is known for working with unconventional materials; some of his most famous works have been created out of sugar, chocolate and a plate of left over spaghetti. Andrea Kennedy went to New York to meet him as he prepared for an exhibition full of illusions.

Projeto que incentiva a parentalidade positiva para coibir violência contra a criança vai à sanção; e Senado inaugura exposição permanente de obra de Vik Muniz sobre o 8 de Janeiro. 

En el programa, nos acercaremos al Museo Universidad de Navarra para conocer la exposición Flora industrialis, del artista visual brasileño Vik Muniz, disponible hasta el 25 de febrero. Una muestra con 90 fotografías inspiradas en la flora latinoamericana y grabados de los exploradores a las Américas. Este cuidado trabajo refleja la importancia de la relación entre naturaleza y el arte, entre lo real y lo imaginario. Vik Muniz parte de unas flores secas para crear su propio catálogo, en estas imágenes tratadas con algunas técnicas, que dan vida a toda su creatividad. Hablamos de todo esto con Valentín Vallhonrat, comisario de la exposición y director artístico del museo. También repasamos la actualidad latinoamericana con países como Argentina, Estados Unidos, México o Perú.Escuchar audio

Nos detenemos en Perú donde el Parlamento ha aprobado una ley que modifica el Código Civil para prohibir el matrimonio infantil en el país, y también en la absolución de Vladimiro Montesinos, el que fuera asesor del expresidente Alberto Fujimori, y a los jefes del escuadrón de la muerte Grupo Colina, del asesinato del líder sindical Pedro Huilca en 1992 en Lima, una decisión que va a ser recurrida por la familia. La actualidad nos lleva también hasta Colombia, Estados Unidos, Venezuela, México, Ecuador y Brasil. Precisamente de Brasil es el artista visual Vicente José Oliveira Muniz, más conocido como Vik Muniz, que presenta su último trabajo Flora Industrialis en el Museo Universidad de Navarra, hasta el 25 de febrero 2024.Escuchar audio

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Posicionalidade é a reflexão crítica sobre a posição sócio-histórica do corpo que cria, incluindo ancestralidade, gênero, raça, classe, etnia, condição física e amanualidade. A reflexão sobre a posicionalidade evidencia os privilégios de quem pode ser criativo, herdados ou recebidos não por mérito, mas por pertencer a determinados grupos sociais. Nesta oficina, é proposta uma cria-atividade de reflexão sobre os privilégios e falta de privilégios do cria-corpo manifestos na produção de lixo reciclável. Os participantes tiram um auto-retrato com o lixo acumulado durante uma semana de modo a refletir criticamente sobre seu cria-corpo. Baseando-se no trabalho inovador da professora Lesley-Ann Noel, conhecida por promover discussões sobre diversidade cultural e corporal, a oficina também explora o tema dos privilégios. Os participantes são incentivados a refletir sobre quem detém acesso às oportunidades de criação e a investigar as razões por trás dessa disparidade. A desigualdade, frequentemente perpetuada através das gerações, é examinada de maneira aberta e crítica. O conceito de "cria-corpo" está intrinsecamente ligado à noção de posicionalidade, ambos desempenhando papéis cruciais na compreensão da identidade e da formação individual. O "cria-corpo" representa a ideia de um corpo em constante processo de criação e recriação, não apenas no sentido físico, mas também no sentido emocional, intelectual e criativo. Este termo reconhece que um corpo não é uma entidade estática, mas sim uma entidade em fluxo, constantemente influenciada por experiências, aprendizado e interações. A posicionalidade, por sua vez, refere-se às condições e contextos que moldam a identidade e as experiências de um indivíduo. Envolve fatores como origem étnica, gênero, classe social, raça e até mesmo o ambiente cultural em que alguém cresce. A posicionalidade destaca que cada pessoa ocupa um lugar único na sociedade, influenciando suas perspectivas, oportunidades e desafios. A conexão entre "cria-corpo" e posicionalidade emerge quando se considera que o processo de criação não ocorre em um vácuo, mas é fortemente influenciado pelas condições e experiências que um indivíduo enfrenta. Nossas escolhas criativas, nosso desenvolvimento intelectual e nossas perspectivas são moldados por nossa posicionalidade. A forma como interpretamos o mundo ao nosso redor e expressamos nossas ideias é profundamente influenciada pelas circunstâncias em que vivemos. Ao criar autorretratos usando materiais recicláveis, os participantes têm a oportunidade de incorporar sua posicionalidade em suas expressões criativas. Isso não apenas reflete a influência de suas histórias individuais, mas também ressalta como a posicionalidade influencia o processo criativo e a forma como nos relacionamos com o mundo ao nosso redor. Esta oficina salienta o papel vital dos designers, uma vez que os produtos que concebem influenciam diretamente a sociedade. Projetos como aquele mostrado no documentário Lixo Extraordinário sobre o trabalho do artista Vik Muniz, que envolveu a colaboração de catadores de lixo na produção artística, ilustram o potencial do design para abordar questões sociais complexas. A experiência pessoal do autor, ao criar um autorretrato a partir de seus próprios resíduos, também destaca como nossas escolhas de consumo revelam nossa posição social e enfatiza a importância da autocrítica nesse contexto.Vídeo Slides Download dos slides em PDF Áudio Expressando a posicionalidade do cria-corpo MP3 20 minutos Exercício O desafio nesta cria-atividade é produzir uma foto de auto-retrato com o lixo pessoal acumulado nos últimos sete dias. Os criadores explorarão o lixo pessoal como um material, refletindo sobre como materiais de design e composição gráfica podem ajudar a expressar (e refletir sobre) a posicionalidade. Os criadores podem usar lixo ao lado de seus corpos ou criar um auto-retrato 100% de lixo. Os retratos serão filmados em classe com smartphones pessoais e exibidos para discutir diferenças e semelhanças. Os criadores podem pedir ajuda uns aos outros para tirar fotos. Por meio da atividade proposta, os participantes são encorajados a examinar seus próprios privilégios e a considerar como suas escolhas de consumo afetam não apenas o meio ambiente, mas também a estrutura social. Através da criação de autorretratos com o lixo coletado, eles têm a chance de expressar visualmente sua posicionalidade e contribuir para uma discussão mais ampla sobre desigualdades e responsabilidade social.Comente este post

O artista plástico brasileiro revisita sua carreira e fala de sua nova exposição: ‘Dinheiro Vivo'.

We've been doing the podcast for three years now. Can you believe it!? So, enjoy another recommendation-packed episode. Send us your ideas to our instagram @makingthecutpodcast.Dan Kennedy - https://www.instagram.com/dankennedyphoto/?hl=enDoof - https://doofstore.co.uk/Vik Muniz - https://www.instagram.com/vikmuniz/?hl=enSpare Tickets - https://www.facebook.com/sparetickets/Claudia Winkleman - https://twitter.com/ClaudiaWinkleFleabag - https://www.imdb.com/title/tt5687612/Liz Kingsman - https://www.instagram.com/lizkingsman/?hl=enTin Desk Concert - https://www.npr.org/series/tiny-desk-concerts/The Fablemans - https://www.imdb.com/title/tt14208870/Mr Feel Good - https://www.instagram.com/mrfeelgoodhq/?hl=enPrince Charles Theatre - https://princecharlescinema.com/PrinceCharlesCinema.dll/HomeTwist Museum - https://twistmuseum.com/Eternal Sunshine of the Spotless Mind - https://www.imdb.com/title/tt0338013/Bank of Dave - https://www.imdb.com/title/tt14308636/Sunday Song Worship - https://www.instagram.com/sunday_song_worship/?hl=enTaboo - https://www.imdb.com/title/tt3647998/Kerryann Duffy - https://www.instagram.com/kerryannduffyphotography/?hl=en Hosted on Acast. See acast.com/privacy for more information.

On today's Radio Davos, co-hosted by ‘Exponential View' writer, author and podcaster Azeem Azhar, UN Secretary-General warns of a ‘great fracture' in the world, Lithuanian Foreign Minister Gabrielius Landsbergis tells us the war in Ukraine affects the whole world. We talk to Caroline Casey of the disability inclusion campaign Valuable 500 and tour the art exhibition bringing the voice of refugees to Davos. “It is essential for the two countries to have meaningful engagement on climate trade and technology to avoid the decoupling of economies and even the possibility of future confrontations.” UN chief António Guterres says the world can well do without a ‘great fracture' caused by rivalry between the United States and China. And he calls the continued exploration for fossil fuels the stuff of dystopian science fiction. Ty Greene, Project Lead, Health Equity at the World Economic Forum tells us about health equity and how companies leading are pledging to achieve it. Caroline Casey, founder and director of the Valuable 500 tells Linda Lacina's Meet the Leader podcast about a surprising pivotal moment in her life that galvanized her life's work.  Lithuanian Foreign Minister Gabrielius Landsbergis tells Radio Davos why the world needs to unite behind Ukraine. And we stroll up the stairs from the Radio Davos studio, in the heart of the Davos congress centre, to admire artwork created by refugee children around the world, and speak to the people behind the project, Brazilian artist Vik Muniz and Max Frieder of Artolution. People in this episode: Azeem Azhar, entrepreneur, author, podcaster, writer of Exponential View António Guterres, Secretary-General, United Nations Ty Greene, Project Lead, Health Equity, World Economic Forum Caroline Casey, Founder and Director, The Valuable 500 Gabrielius Landsbergis, Foreign Minister of Lithuania Max Frieder, Co-Founder, Chief Creative Officer, Artolution Vik Muniz, artist   Davos 2023 sessions related to this episode: The Age of Net-Zero Energy Technologies Special Address by António Guterres, Secretary-General, United Nations Cultural Leaders as a Catalyst of Change with Max Frieder The Geography of Diversity Thinking the Unthinkable: The Risk of Nuclear Confrontation

On today's Radio Davos, co-hosted by ‘Exponential View' writer, author and podcaster Azeem Azhar, UN Secretary-General warns of a ‘great fracture' in the world, Lithuanian Foreign Minister Gabrielius Landsbergis tells us the war in Ukraine affects the whole world. We talk to Caroline Casey of the disability inclusion campaign Valuable 500 and tour the art exhibition bringing the voice of refugees to Davos. “It is essential for the two countries to have meaningful engagement on climate trade and technology to avoid the decoupling of economies and even the possibility of future confrontations.” UN chief António Guterres says the world can well do without a ‘great fracture' caused by rivalry between the United States and China. And he calls the continued exploration for fossil fuels the stuff of dystopian science fiction. Ty Greene, Project Lead, Health Equity at the World Economic Forum tells us about health equity and how companies leading are pledging to achieve it. Caroline Casey, founder and director of the Valuable 500 tells Linda Lacina's Meet the Leader podcast about a surprising pivotal moment in her life that galvanized her life's work.  Lithuanian Foreign Minister Gabrielius Landsbergis tells Radio Davos why the world needs to unite behind Ukraine. And we stroll up the stairs from the Radio Davos studio, in the heart of the Davos congress centre, to admire artwork created by refugee children around the world, and speak to the people behind the project, Brazilian artist Vik Muniz and Max Frieder of Artolution. People in this episode: Azeem Azhar, entrepreneur, author, podcaster, writer of Exponential View António Guterres, Secretary-General, United Nations Ty Greene, Project Lead, Health Equity, World Economic Forum Caroline Casey, Founder and Director, The Valuable 500 Gabrielius Landsbergis, Foreign Minister of Lithuania Max Frieder, Co-Founder, Chief Creative Officer, Artolution Vik Muniz, artist   Davos 2023 sessions related to this episode:

João Gioia é Iluminador, Ator, Professor e Artista de teatro, formado pela Escola de Teatro Eduardo Cabús. Bacharel em Artes Cênicas pela UniverCidade e Docência pela Universidade Cândido Mendes. Possui a indicação ao Prêmio de Melhor iluminação de Musical “Broadway Awards” em 2019 com o espetáculo “As Comadres” com direção de Ariane Mnouchkine. É professor de Iluminação da Escola SPECTACULU, com Direção Artística de Gringo Cardia, Marisa Orth e Vik Muniz. Já trabalhou como assistente de destacados iluminadores brasileiros como: Aurélio de Simoni, Paulo Cesar Medeiros, Renato Machado e Tomás Ribas. Fez a Iluminação de grupos teatrais como: Cia Carroça de Mamulengos, Cia Sala Escura de Teatro e Circo no Ato. Realizou a coordenação, montagem e operação de diversos projetos de iluminação como festivais, peças teatrais, eventos, shows e filmes. @gioiajoao https://artcomluz.wordpress.com/ Release: O Projeto Entre Lugares, terras que pisei, histórias que contei é realizado pela GI Produções Culturais e tem o incentivo da Secretária Municipal de Cultura do Rio de Janeiro e o patrocínio da LAMSA Linha Amarela S/A e o apoio do Instituto Invepar. O projeto é composto por cinco oficinas artísticas, como Montagem Teatral, Pesquisa de Campo/Leitura e Escrita, Iluminação ,Corpo e Movimento e Restauro de figurino. O tema do trabalho é a memória de território da Maré com foco em sua formação e nos moradores que fizeram suas mais diversas histórias nesse espaço. O projeto atende a 30 jovens do complexo nas imediações do morro do Timbau e desde 2012, utiliza do teatro como ferramenta para resgate de memória e valorização da identidade dos moradores daquele território. https://www.instagram.com/entrelugaresmare/ https://www.youtube.com/results?search_query=entre+lugares+mar%C3%A9 https://www.facebook.com/FabulasdeUmaMaredeHistorias

What you'll learn in this episode: The difference between art jewelry and jewelry by artists Why more collectors and jewelry enthusiasts are starting to appreciate artist jewelry How Elisabetta helps visual artists bring their first pieces of jewelry to life Why artist jewelry is a smart investment About Elisabetta Cipriani Elisabetta Cipriani invites world leading contemporary artists to create aesthetically innovative and socially relevant wearable art projects. Since the opening of her namesake gallery in 2009, Elisabetta's pioneering vision has redefined the boundaries between jewelry and fine art, capturing the imaginations of artists and collectors across the globe. The gallery has collaborated with over 50 critically acclaimed painters and sculptors, including Ai Weiwei, Chiharu Shiota, Giulio Paolini, Ilya & Emilia Kabakov, Carlos Cruz-Diez, Enrico Castellani, Erwin Wurm, Giorgio Vigna, Jannis Kounellis, Rebecca Horn, and Pedro Cabrita Reis, to name a few. The gallery's projects can be found in museums and private collections across the globe, including Musée des Arts Décoratifs, Paris; Museum of Art and Design, New York; World Jewelry Museum, Seoul; and The State Hermitage Museum, St Petersburg. A number of Elisabetta Cipriani's jewelry collaborations are featured in From Picasso to Koons: The Artist as Jeweler, the international touring exhibition of artist jewelry curated by Diane Venet. Elisabetta Cipriani participates in leading art and design fairs, including Design Miami and Design Basel, TEFAF Maastricht, Artissima Turin, MiArt Milan, PAD London, and PAD Monaco. Additional Resources: Instagram Website Photos: Available on TheJewelryJourney.com Transcript: For a long time, jewelry created by visual artists was considered lesser than artwork made in the medium the artist was known for (compare the price of Man Ray jewelry to the price of Man Ray photographs, for example). But in recent years, both jewelry and art collectors have realized the significance of artist jewelry, due in no small part to Elisabetta Cipriani. Through her gallery, Elisabetta Cipriani Wearable Art, Elisabetta collaborates with leading visual artists to create limited edition artist-made jewels. She joined the Jewelry Journey Podcast to talk about what inspired her to combine fine art and jewelry; the process she uses to work with artists; and why jewels by artists should be a part of any jewelry lover's collection. Read the episode transcript here.    Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. Here at the Jewelry Journey, we're about all things jewelry. With that in mind, I wanted to let you know about an upcoming jewelry conference, which is “Beyond Boundaries: Jewelry of the Americas.” It's sponsored by the Association for the Study of Jewelry and Related Arts, or, as it's otherwise known, ASJRA. The conference takes place virtually on Saturday and Sunday May 21 and May 22, which is around the corner. For details on the program and the speakers, go to www.jewelryconference.com. Non-members are welcome. I have to say that I attended this conference in person for several years, and it's one of my favorite conferences. It's a real treat to be able to sit in your pajamas or in comfies in your living room and listen to some extraordinary speakers. So, check it out. Register at www.jewelryconference.com. See you there.   This is a two-part Jewelry Journey podcast. Please make sure you subscribe so you can hear part two as soon as it comes out later this week. Today, my guest is Elisabetta Cipriani, founder and owner of the gallery Elisabetta Cipriani Wearable Art, a gallery of limited-edition jewels created by artists. The gallery has collaborated with more than 50 well-known painters and sculptors since its opening in 2009. We'll hear more about Elisabetta's jewelry journey today. Elisabetta, welcome to the program.    Elisabetta: Hello, Sharon. Thank you for having me.   Sharon: So glad to have you. Tell us about your jewelry journey. Did you study jewelry as a young girl? Did you like glittery things? Tell us about that.   Elisabetta: Basically, I didn't study jewelry when I was in university. I never studied jewelry; I only had a big passion for traditional jewelry. I'm Italian. I come from Rome, and there is this Italian tradition of having beautiful jewelry. Especially in the 80s, women were going out with parures, with the necklaces and bracelets. They were taken out from the safe for special occasions. I have memories of me as a young girl on my mother's bed with her jewelry on the bed, dressing up for various events and weddings. I was touching them and looking at them from the back and the front, and I was trying them on and asking her all the time, “Please, can I have this when I'm older?” I was playing with them while she was selecting the right piece for the right event. For me, when she went out, it was the best moment. It wasn't like playing with a doll. It was like, “Oh my god, beautiful jewelry. I can have a look at them again.” I've always had this passion.    I have a background in jewelry in terms of how to make a jewel. I didn't study the history of jewelry. Of course, now I know about it because I read and studied a little bit. I'm not an expert; I know what I'm talking about, but I never had the occasion to study in depth in university, for example. When I finished school, I wanted to study jewelry, to create jewelry, and my father said, “There's no way you can do that. You need to do a proper degree.” I took a gap year, and I remember that I did an evening course on pearls and diamonds. It was really advanced, and I didn't understand much of it, but I ended up doing history of arts, which is now all connected.   After university, I worked in a museum of contemporary art in Rome called MACRO. It's a state museum for contemporary art in Rome. I worked there for three years as co-curator. I had the best experience of my life because I met the most important artists the museum was inviting to have their exhibitions there. How old was I? I was 23 years old, and for me, it was natural to talk to a famous visual artist like Tom Wesselmann, who passed away, or Cecily Brown, Vik Muniz, Tony Cragg. For me, it was natural to have a conversation with them and go to their artists' studio with the director of the museum to select the artworks for the exhibition. I learned how to move in the world of art with the artists. I was really comfortable being with them, but deep in my heart, I always had this love for jewelry. I was wearing jewelry from my mother and grandmother that they were giving to me as gifts. I always kept it as a passion.   I moved to London in 2005, and I worked for an art gallery. I left Rome because I wanted to grow and be independent and learn the art market, how you sell an art piece, rather than being a curator. Then I learned about jewelry by Picasso and Man Ray, and I thought it was an interesting topic to follow and learn about. Then there was Louisa Guinness. I used to work for the husband of Louisa Guinness, Ben Brown. At that time, I think it was two years since she had started her business, and she had one kid after another. She asked me to bring the cabinet of jewelry to the art fairs, so I was bringing this cabinet with Picasso jewelry and Kapoor jewelry. It was 17 years ago. I remember there was an interest in artist jewelry, but not as much as today. I was selling the pieces. People were seeing them more as jewelry back then, sculptures by artists. It's weird how things have changed. The perception is that what you are buying or owning is not a jewel, but it's an art piece you can wear by a visual artist.    I worked for Ben Brown for three years, and then I got married. When I was pregnant, I said, “That's it. I'm not going to continue working for the gallery. I want to work independently. I'm going to open my own business.” I started an artist jewelry gallery. I invited the artists I met at the Museum of Contemporary Art in Rome and asked them to work with me. At the beginning, they were very supportive. Most of them said yes. One didn't say yes, but I'm still in touch and asking him if he would like to do a project with me. I've been waiting 12 years and he hasn't come back to me yet. He didn't say no. They say they are busy with their art works, with their museum shows. An artist needs to be free mentally and needs the time to sit down and work small. You might think it's straightforward for an artist to do a wearable art piece, but it's not something they typically do. My first collaboration was with Tatsuo Miyajima, a Japanese artist. He works with LED. He's a very established sculptor from Japan.   Sharon: What is his name? I'm not familiar with him.    Elisabetta: Tatsuo Miyajima. If you want, I can send you his email.   Sharon: That would be great. So, he's very established. What was his reaction when you talked with him?   Elisabetta: This was in 2009. He was surprised at the time that someone would propose something so unusual. He had never done a jewel, so it was also a challenge for him, and he agreed. He sent me an LED from Japan. Basically, it's a digit with numbers that count from one to nine or nine to one. I have it here. It represents the continuation of life in Buddhism. It's never zero. This LED has been mounted inside a ring with three colors: rose gold, white gold and yellow gold. It's a very complicated ring to put together. When you close the ring, the ring turns on and you see this LED that counts from one to nine. Whoever buys the ring can choose the counting speed, from one second to five minutes, because you decide how long you want your life to move on.    Actually, a museum purchased this piece for the museum collection. The museum is called the Slager Museum in Hertogenbosch. They did a beautiful exhibit called “Private Passion” many, many years ago, and they bought the Miyajima ring and a few other pieces. It was my first museum purchase.   Sharon: How exciting.   Elisabetta: It was very exciting. My first project was with Tatsuo Miyajima, then Atelier Van Lieshout, then Tom Sachs. I only had three pieces, and the museum contacted me to go to Holland and bring this jewelry, these small pieces to show them. I was very pleased with it.   Sharon: Wow! You're just starting your own business.   Elisabetta: When I look back to how I started and with the resources I had, it's incredible what I've done in the past 12 years. I should say to myself more often that I should be proud of myself. Normally I don't say those things. I always move forward, and I never stop and say, “Well done, Elisabetta.” Sometimes I need to stop and say it.   I'm inside my husband's gallery, Sprovieri. We are in Mayfair. When I started in 2009, my husband only had a piece of the gallery. Ten years ago, he expanded and got another space which is linked to this one. When I started, he gave me a shelf from his library. So, I had this shelf and then he said, “O.K., you can take this space.” It was a shelf like this. I think it was light blue or grey blue; I don't remember which color. I put my three little jewels on it. So, I had this shelf with these three jewels, and I remember Diane Venet, the most important artist jewelry collector in the world, coming to visit me to see my new projects. I was young; everything was new. She bought the Miyajima ring and the Atelier Van Lieshout piece. That's how I started from my little shelf.    Then I took a small space from the gallery. In 2019, when I celebrated the 10-year anniversary of my business, I took this space here, which is very nice. It's always inside my husband's gallery, where he sells art. It's very nice, because when people come to see the exhibition of an artist, then they come here and discover the most intimate aspect of an artist, which is a jewel.   Sharon: How did Diane Venet know that you even existed there? Were you advertising? How did she find out about you if you only had three pieces?   Elisabetta: When I was working from Ben Brown and bringing this jewelry to the fairs, I spoke to her a few times. I went to see her exhibitions because I was starting to become passionate about artist jewelry. That's how I learned about artist jewelry. So, I went to her. I think her first exhibition was in—I don't remember the city in France where she first showed her collection, but she brought this exhibition to the MAD in New York. I kept in touch with her, and she came to visit me. After a few years, when she opened her exhibition at the Museum of Arts and Design in New York, she invited me to talk with her and Didier and Marc Vendome in this huge stadium about my projects.    In any case, I continued inviting artists to work exclusively for me worldwide. I had a very successful project with Giuseppe Pennone; he's an artist from the arte povera movement. He created this beautiful necklace called “Feuille,” which means leaf, made in bronze and pure gold. The necklace is basically bronze where it's rolled into a leaf, and the artist's hand is imprinted on the leaf because his work is about the connection between nature and the person and the human. It was a very successful piece, and I brought it to my first fair in Paris.    The fair was in 2011 or 2012. It was my first fair. At the fairs, there's always a prize for the best piece in the fair or the best designer. At that fair, there was a prize for the best piece. I was not even thinking about the prize. For me, I was like, “Oh my god, it's my first fair. How do I do this?” I was panicking. Then all of a sudden, the director of the fair came to my booth and said, “Congratulations, you've won the prize.” I'm like, “Which prize?” I won the prize for the best piece in the fair with the Feuille necklace. The prize was basically that the Museum of Decorative Arts in Paris would purchase the best object of the fair and put it in the collection of the museum.   Sharon: That's a high bar to pass. You surpassed it.    Elisabetta: Exactly. There were dealers there who had 40 years of experience. I had just arrived in their world. That piece sold out in less than six months, which is quite unusual for an artist jewel, especially back then. Now, things are quicker. I remember when I started, I had an inquiry once a month. Now, I've got 10 inquiries a day for prices from people all around the world. I don't know how they know about me because I'm so niche in field. I think this is the power of the virtual world, that people browse online and discover. Maybe it's actually thanks to Diane Venet, because she's bringing her collection around the world and people are even more knowledgeable about the subject matter. They might see pieces that come from me, so maybe it's because they've seen it in Diane's exhibition.

Patrick rants about Vik Muniz, talks about death, and reads another essay by David Sedaris.

Mariana é produtora, esteve à frente da Barry Company, RT Features, Zola e Columbia Tri-Star (Madrid). Atuou em obras como os longas-metragens “Infância Clandestina” e “This Is Not a Ball”, de Vik Muniz e Juan Rendón; e séries como “Lilyhammer”, para a Netflix, e “Impuros”. Além disso, se especializou em Negócios de Cinema e Roteiro … Continue lendo "Primeiro Tratamento – Mariana Ricciardi – # 184"

Todo mundo tem um coração. Centro de força física e emocional. O que nos une como seres vivos. Falar de paralimpíada é voltar ao tempo e retomar a experiência de traduzir esse universo tão poderoso da emoção e da potência. Tão poderoso que provoca e é capaz de dialogar com bilhões de pessoas por todo o mundo. Foram dois anos de esboços, ideias, encontros e seis meses dentro do Maracanã para construir “o projeto mais incrível da nossa vida”, segundo Fred, Marcelo e Vik. O #asterisco16 relembra a criação da Cerimônia de Abertura dos Jogos Paralímpicos Rio 2016. Uma homenagem aos jogos e ao espírito criativo humano. .

Hoje o papo é com um artista plástico que dispensa maiores apresentações, Vik Muniz. Nascido em São Paulo e revelado para o mundo das artes em Nova York, as obras do Vik fazem parte do acervo pessoal e galerias em São Francisco, Madri, Moscou, Tóquio e, claro, São Paulo e Rio de Janeiro. Além de […]

O convidado da vez do podcast Matéria Bruta é o Maestro Ubiratan Marques que nos conta a história dos 10 anos da Orquestra Afrosinfônica e da criação do último álbum lançado, “Orín, a Língua dos Anjos”. O disco traz a participação de nomes como Seu Mateus Aleluia, BaianaSystem, Dodo Miranda, Gerônimo e Lazzo Matumbi. Ubiratan sugere durante a entrevista que devemos sempre nos atentar para o nosso quintal, e preservá-lo com a devida importância que ele merece, em uma metáfora a nossa música. Além disso, o maestro comenta sobre a o interesse de Vik Muniz na feitura da capa do disco. Aumenta o som porque muita coisa boa vem aí... Todas as músicas utilizadas no episódio fazem parte do álbum “Orín, a Língua dos Anjos”, e foram gentilmente cedidas para a realização deste podcast. Canção a 2 Editora e Altafonte Distribuidora. • Canal Curta! •

Nas ruínas de um antigo britador desativado há décadas, no alto da Zona Sul, em Pato Branco, o artista plástico Sinésio Pereira Chueiri, o Kalu, instalou seu ateliê e sua residência. O local, escolhido para a nossa entrevista, mais parece um trabalho a ser concluído por Vik Muniz. Com um pé direito alto, o lugar apresentava abundância de sucata de metais, resíduos de madeira, argila e pó, muito pó – matérias-primas de suas obras. Kalu domina a arte de transformar conceitos em esculturas. Apresentação: Silvia Bocchese de Lima

Renowned Brazilian artist/photographer Vik Muniz discusses Froebel, creativity, and the Escola Vidigal school he established in Rio. Vik shares his experiences growing up in São Paulo and how creativity is not often nurtured in children.

El artista visual brasile

We discuss: Wisdom, Young Presidents' Organization, The hero's journey, Trying to extend the audience for art, Aspen Art Museum, Designing museum exhibition, Stagen Institute, Museums are safe places for unsafe ideas, How museums design their exhibition programs, Vik Muniz, Michael Govan (LACMA), Rashid Johnson, Fred Tomaselli, Adam McEwen, Young curators program Conversations About Art Podcast http://hiz.art   About: Heidi Zuckerman is the Founder of HiZ.art, a multi-platform project that connects all to art through a podcast series: Conversations About Art, talks program, and more. An inspiring storyteller and trusted conversation partner, Zuckerman has invited artists, curators, collectors, athletes, actors, musicians, politicians and CEOs to explore art through threads of uncertainty, happiness, and spirituality on her podcast, of which new episodes are available every other Tuesday. Zuckerman, a globally recognized leader in contemporary art, is the former CEO and Director of the Aspen Art Museum for 14 years. After re-imagining the museum as a world-class institution, she raised more than $120 Million and built a new, highly-acclaimed museum with Shigeru Ban, the 2014 Pritzker Prize winner for architecture. She has curated more than 100 exhibitions during her career and is the author of numerous books including Conversations with Artists Volumes I and II and a widely loved children's book The Rainbow Hour with artist Amy Adler. Heidi also served as the Chair of the YPO Art Network. She earned a BA in European History from the University of Pennsylvania and a MA in Art History from Hunter College at CUNY and a Harvard Business School Executive Education Women on Boards certification in 2018.   Please be sure to visit our Patreon page and help support the podcast by being part of the conversation. The more money raised, the larger the global reach we can offer you: https://www.patreon.com/thewisefool For more information about the host, Matthew Dols http://www.matthewdols.com

We discuss: Wisdom, Young Presidents' Organization, The hero's journey, Trying to extend the audience for art, Aspen Art Museum, Designing museum exhibition, Stagen Institute, Museums are safe places for unsafe ideas, How museums design their exhibition programs, Vik Muniz, Michael Govan (LACMA), Rashid Johnson, Fred Tomaselli, Adam McEwen, Young curators program Conversations About Art Podcast http://hiz.art   About: Heidi Zuckerman is the Founder of HiZ.art, a multi-platform project that connects all to art through a podcast series: Conversations About Art, talks program, and more. An inspiring storyteller and trusted conversation partner, Zuckerman has invited artists, curators, collectors, athletes, actors, musicians, politicians and CEOs to explore art through threads of uncertainty, happiness, and spirituality on her podcast, of which new episodes are available every other Tuesday. Zuckerman, a globally recognized leader in contemporary art, is the former CEO and Director of the Aspen Art Museum for 14 years. After re-imagining the museum as a world-class institution, she raised more than $120 Million and built a new, highly-acclaimed museum with Shigeru Ban, the 2014 Pritzker Prize winner for architecture. She has curated more than 100 exhibitions during her career and is the author of numerous books including Conversations with Artists Volumes I and II and a widely loved children's book The Rainbow Hour with artist Amy Adler. Heidi also served as the Chair of the YPO Art Network. She earned a BA in European History from the University of Pennsylvania and a MA in Art History from Hunter College at CUNY and a Harvard Business School Executive Education Women on Boards certification in 2018.   Please be sure to visit our Patreon page and help support the podcast by being part of the conversation. The more money raised, the larger the global reach we can offer you: https://www.patreon.com/thewisefool For more information about the host, Matthew Dols http://www.matthewdols.com

Separação de misturas

This week they discuss artwork you can experience while self-isolating including works by Cassie McQuater, Claire L. Evans & Tracy Chou, James Bridle, and Orian Barki and Meriem Bennani. The Wisdom of Groundhog Day - http://tiny.cc/topkmz Firewatch - www.firewatchgame.com Cassie McQuater - http://hgjfkdhskjdgturrgehdsbjkfhdsjkahturaytklfdjjfjfff.net/blackroom.html Claire L. Evans & Tracy Chou - https://bot.theater/ James Bridle - www.jamesbridle.com/works/autonomous-trap-001 Article where he writes about traffic light story - http://tiny.cc/qzpkmz Orian Barki and Meriem Bennani- www.instagram.com/meriembennani 12ø 30works30days - www.thirty.works Getty Museum Artwork Recreation Challenge - http://tiny.cc/cspkmz People climbing height of mountains on their stairs - http://tiny.cc/u4pkmz Vik Muniz - http://tiny.cc/rppkmz

Ouça os destaques do Caderno 2 desta terça-feira (14/01/20)See omnystudio.com/listener for privacy information.

Nesta 4ª edição do ORÂMBULO os nossos convidados: João Lopes Toledo (designer e dono do Estúdio Escola Estação Q em SP), Drika Lucena (artista e publicitária professora no curso de Multimídia e de Publicidade na Unisanta), André Rittes (jornalista, especialista em Quadrinhos e também professor em Multimídia e Jornalismo) conversam com Márcia Okida, Rodiney Assunção e Marcos Guinoza sobre a estreita relação de amor e ódio - ou nem tanto assim - entre a arte e o design. CITAÇÕES, LIVROS, LINKS, FILMES E ARTISTAS CITADOS NESTE BATE-PAPO LINKS "Porradaria" - card game produzido pelo nosso convidado João Lopes Toledo http://porradaria.com.br/ www.catarse.me/porradaria www.estacaoq.com.br Obra "Comediante" de Maurizio Cattelan e sua repercussão https://www.metropoles.com/mundo/artista-come-banana-vendida-como-obra-de-arte-por-us-120-mil Joshua Bell toca no metro de Washington https://piaui.folha.uol.com.br/materia/perolas-aos-poucos/ LIVROS "A Linguagem das Coisas" de Deyan Sudjic https://www.intrinseca.com.br/livro/88/ "Os Caranguejos" - André Rittes https://www.ateliedepalavras.com/os-caranguejos- "Semiótica Russa" https://loja.editoraperspectiva.com.br/comunicacao-semiologia-e-semiotica/semiotica-russa/ Ivan Bistrina - Semiótica Russa https://pt.scribd.com/document/382215867/IVAN-BYSTRINA-Topicos-de-Semiotica-Da-Cultura FILMES "O Irlandês" de Martin Scorsese "Coringa" de Todd Phillips "Vingadores: Guerra Infinita" de Anthony Russo ARTISTAS, OBRAS CITADOS DURANTE A CONVERSA Alex Ross, Banksy, Basquiat, Cards do Magic, Da Vinci, Damien Hirst, DC comics e Marvel, Dostoiévski, Earth, Wind And Fire - banda, Gabriel García Márquez, Irmãos Hildebrandt - Greg e Tim Hildebrandt , Ivan Reis, Justiça - DC Comics - HQ, Marcel Duchamp, Martin Scorsese, Michelangelo, Morandini, Mortal Kombat - game, Paula Barros - carnavalesco, Philippe Starck, Principe Valente - HQ, Rick Astley - músico, Robert Crumb, Street Fighter - game, Van Gogh, Vik Muniz e Will Eisner. ORÂMBULO é apresentado pela professora, coordenadora do curso e designer Márcia Okida, pelo professor, designer e produtor de audiovisual Rodiney Assunção. Edição: professor Marcio Dias. Nesta edição tivemos a participação ao final do professor Cid Marcos. CONTATO DOS CONVIDADOS João Lopes Toledo - @estacao_q - Facebook.com/estacaoq Drika Lucena - @_drika_lucena André Rittes - @andreluismarquesferreira Marcos Guinoza - @marcosguinoza Rodiney Assunção - @flowernankin Márcia Okida - @okidadesign - @marciaokida CONTATOS DE PRODUÇÃO MULTIMÍDIA UNISANTA Facebook: @pdmultimidia Insta: @pdmm_unisanta Site: https://cursos.unisanta.br/producaomultimidia E-mail: pdmultimidia@gmail Arte da capa desta edição: João Lopes Toledo

Neste podcast, os repórteres Renata Ribeiro e Gabriel Prado conversam com o artista plástico Vik Muniz e a economista Ana Carla Fonseca sobre a importância das artes e da inovação social.

Nesta semana, Helena Bagnoli, Almir de Freitas, Guilherme Werneck e Andrei Reina falam sobre: 1. A estreia do filme A Vida Invisível , de Karim Aínouz (1:05) 2. O lançamento do livro Kalocaína, de Karin Boyle (22:22) 3. A exposição Superfícies, de Vik Muniz, na Galeria Nara Roesler (30:51) 4. O livro Chico Science & Nação Zumbi: Da Lama Ao Caos, de Lorena Calabria (38:27) 5. A reestreia da peça Os Sete Afluentes do Rio Ota, de Robert Lepage, dirigida por Monique Gardenberg (46:38)

Artist and photographer Vik Muniz is famous for his use of materials that run the gamut from diamonds to chocolate. He speaks to us about how unconventional tools and collaborators have inspired his art – and what he thinks about the pragmatism of US design.

Talk Art Live in London, with Ruinart! Russell & Robert meet Vik Muniz, the superstar Brazilian artist best-known for his complex photography made with a diverse range of materials including sugar, toys, diamonds and even trash to recreate and interpret famous images, such as the 'Mona Lisa' (which he executed in peanut butter and jelly), or a Picasso (created entirely with raw paint pigment). Muniz taps into our collective memory of known and recognisable images and artworks. With a wry and canny combination of high and low, Muniz uses the photograph not in the traditional sense, as a recording of reality, but instead as a document of his illusion. Recorded live in front of an audience at Soho House Greek Street on 1st October 2019, we discuss his new Ruinart collaboration 'Shared Roots' on display this week at Frieze Art Fair in London. As well as looking back to his childhood dyslexia, drawing cartoon clouds in the Manhattan sky (using a modified crop-dusting plane) and his legendary 'Verso' series in which Muniz recreates the back panels of world famous paintings like Van Gogh’s 'Starry Night' or Vermeer’s 'The Girl with a Pearl Earring'. We discover why he decided to work with photography following a life-changing shooting which led to him moving to New York to become an artist. For more details please visit @ruinart #SharedRoots @vikmuniz @talkart at Instagram! www.ruinart.com See acast.com/privacy for privacy and opt-out information.

Hello my lovelies, This week I got two treats for you, first is the book Man's Search for Meaning from psychiatrist Viktor Frankl's memoir who describe the of what life was in Nazi death camps and its lessons for spiritual survival. Based on his own experience and the stories of his patients, Frankl argues that we cannot avoid suffering but we can choose how to cope with it, find meaning in it, and move forward with renewed purpose. Man's Search for Meaning has become one of the most influential books in America; it continues to inspire us all to find significance in the very act of living. Here is the link: https://www.amazon.com/Mans-Search-Meaning-Viktor-Frankl/product-reviews/080701429X The second treat is this documentary that made me cry for the human spirit through out, just an amazing experience, and an awesome happy ending. This Oscar-nominated documentary by Lucy Walker is about the Brazilian artist and photographer Vik Muniz and his work with the "pickers", or catadores, who eke out an existence scavenging scraps from Rio's colossal city garbage dump. The title avowedly refers to TS Eliot's poem, but what Walker thinks she's showing us in her handful of dust is not fear, but life-affirming hope. Some might find the movie's take-home optimism naive and Muniz's attitude itself open to question. But this is undoubtedly a bold raid into an unknown territory – both geographic and conceptual – that the prosperous classes prefer not to think about. (This is a review from the Guardian’s Peter Bradshaw which I copy and paste because it explain far better than I ever could) and here is the link: https://www.theguardian.com/film/2011/feb/24/waste-land-review Documentary link: https://www.imdb.com/title/tt1268204/?ref_=tt_urv Thank you for listening or reading. Didier Soulier Listen on Itunes Podcast: https://podcasts.apple.com/us/podcast/dider-podcast/id1141054508 Listen on Google Play: https://podcasts.google.com/?feed=aHR0cDovL2RpZGllcnNvdWxpZXJzdWNjZXNzZnVsc3Rvcmllcy5wb2RvbWF0aWMuY29tL3JzczIueG1s Listen on Stitcher: https://www.stitcher.com/podcast/didershow/dider-show?refid=stpr Follow me on Twitter: https://twitter.com/DidierjcSoulier Follow me on Instagram: https://www.instagram.com/didiersoulier/ The Dider Show FACEBOOK Page: https://www.facebook.com/didershow/ Support this Podcast and my music. Become my Patreon: https://www.patreon.com/didiersoulier Support this podcast with Paypal: https://paypal.me/didierSoulier Volunteers environmental group I founded in France: https://www.facebook.com/TrashBustersFRANCE/ Subscribe on my Youtube Channel: https://www.youtube.com/channel/UCqEIlAdjKh-QT1OooRrA8sg? Subscribe on Radio Channel: https://player.fm/series/the-dider-show

We talk with classically trained pianist Derwin Dyer about how inspiration influences his art. Learn another way of tapping into this well and creating more than you consume.   Welcome friend, welcome to KDOI Podcasting Kimo’s Den of Iniquity where we create more than we consume, I am your host Timothy Kimo Brien, the head instigator. This episode will be discussing Inspiration. Ah yes, that elusive muse that artists of all disciplines seek to bottle and keep handy. The definition of inspiration according to Merriam Webster is a divine influence or action on a person believed to qualify him or her to receive and communicate sacred revelations, the action or power of moving the intellect or emotions, the act of influencing or suggesting opinions, the act of drawing in specifically ; the drawing of air into the lungs. Vik Muniz says that “The really magical things are the ones that happen right in front of you. A Lot of the time you keep looking for beauty, but it is already there. And if you look with a bit more intention, you see it.” Take a look at his website vikmuniz.net. Vik Muniz is a Brazilian artist and photographer. Initially a sculptor, Muniz grew interested with the photographic representations of his work, eventually focusing completely on photography. Primarily working in series, Muniz incorporates the use of quotidian objects such as diamonds, sugar, thread, chocolate syrup, and garbage in his practice to create bold, ironic and often deceiving imagery, gleaned from the pages of pop culture and art history. His work has been met with both commercial success and critical acclaim and has been exhibited worldwide. Just one look at his portfolio and you can see he is in touch with inspiration.   What does this definition/quote mean to me: Inspiration requires an action, it doesn’t just drop in your lap and present itself. You can wait for inspiration that way, but eventually, you need to get out and experience the world and look for the “beauty” of the world and try to capture it on your medium of choice. The quote is specifically relevant to me because when I am feeling “blocked” I just need to remind myself that by taking one look around I can write, paint, photograph whatever I see, hear, smell, touch, taste. I need to use all my senses and memories and perceptions and try to not judge initially too much. I can’t take and represent everything, but I can take a few things or one simple thing that stands out and represent it. This episode we will discuss what inspiration is, how do we seek it and what do we do with it. Let’s get the conversation started.       You can join in the conversation by emailing us at KDOIPODCASTING@GMAIL,COM or hit us up on social media @KDOIPodcasting on both Twitter and IG. We are always looking for new stories and new ideas to help you create more than you consume. 

  We bring back Ethan Rusch to hear his take on Inspiration. We get right to it with the Dominoes pizza issue and continue on with what makes Ethan tick. We move the discussion forward on how to overcome when there is nothing in the tank and we discuss how Ethan seeks out inspiration and doesn't wait for it to fall from the sky. Sit back and enjoy the ride, you know with Ethan it is bound to be bumpy       This episode will be discussing Inspiration. Ah yes that elusive muse that artists of all disciplines seek to bottle and keep handy. The definition of inspiration according to Merriam Webster is a divine influence or action on a person believed to qualify him or her to receive and communicate sacred revelations, the action or power of moving the intellect or emotions, the act of influencing or suggesting opinions, the act of drawing in specifically ; the drawing of air into the lungs. Vik Muniz says that “The really magical things are the ones that happen right in front of you. A Lot of the time you keep looking for beauty, but it is already there. And if you look with a bit more intention, you see it.” Take a look at his website vikmuniz.net. Vik Muniz is a Brazilian artist and photographer. Initially a sculptor, Muniz grew interested with the photographic representations of his work, eventually focusing completely on photography. Primarily working in series, Muniz incorporates the use of quotidian objects such as diamonds, sugar, thread, chocolate syrup and garbage in his practice to create bold, ironic and often deceiving imagery, gleaned from the pages of pop culture and art history. His work has been met with both commercial success and critical acclaim, and has been exhibited worldwide. Just one look at his portfolio and you can see he is in touch with inspiration.   What does this definition/quote mean to me: Inspiration requires an action, it doesn’t just drop in your lap and present itself. You can wait for inspiration that way, but eventually you need to get out and experience the world and look for the “beauty” of the world and try to capture it on your medium of choice. The quote is specifically relevant to me because when I am feeling “blocked” I just need to remind myself that by taking one look around I can write, paint, photograph whatever I see, hear, smell, touch, taste. I need to use all my senses and memories and perceptions and try to not judge initially too much. I can’t take and represent everything, but I can take a few things or one simple thing that stands out and represent it. This episode we will discuss what inspiration is, how do we seek it and what do we do with it. Let’s get the conversation started.   Remember to hit us up on Twitter and IG @KDOIPodcasting,  Email us at kdoipodcasting@gmail.com As always our website is www.kdoipodcasting.com 

    This episode will be discussing Inspiration. Our special guest is Nathaniel Moccia. I have worked with him in the past professionally and now he has started a new venture outside of the United States. Nate has a unique approach to inspiring people to find their better selves and live up to their own perceived potential.    We discuss using inspiration in the workplace. Nate brings his unique perspective as a manager of people into today's conversation. We take a look at inspiration from a leadership and team building outlook which can be utilized in your artistic goals. Some of you may be looking for new ways to be the leader you idolize, here is a great view from a manger I respect and admire. The definition of inspiration according to Merriam Webster is a divine influence or action on a person believed to qualify him or her to receive and communicate sacred revelations, the action or power of moving the intellect or emotions, the act of influencing or suggesting opinions, the act of drawing in specifically ; the drawing of air into the lungs. Vik Muniz says that “The really magical things are the ones that happen right in front of you. A Lot of the time you keep looking for beauty, but it is already there. And if you look with a bit more intention, you see it.” Take a look at his website vikmuniz.net. Vik Muniz is a Brazilian artist and photographer. Initially a sculptor, Muniz grew interested with the photographic representations of his work, eventually focusing completely on photography. Primarily working in series, Muniz incorporates the use of quotidian objects such as diamonds, sugar, thread, chocolate syrup and garbage in his practice to create bold, ironic and often deceiving imagery, gleaned from the pages of pop culture and art history. His work has been met with both commercial success and critical acclaim, and has been exhibited worldwide. Just one look at his portfolio and you can see he is in touch with inspiration.   Remember you too can join in on the conversations. Just drop an email kdoipodcasting@gmail.com I will send you our topic list with quotes and definitions and then you get ready to bring your own spin on the topic, take us somewhere we have never been. If someone has done the topic youwanted, that is fine, you can do it as well because you have your own experiences and that is what we are looking for. Talk with you soon and thank you for joining us on these conversations. Tell a friend and share this episode with them.     

Latest episode of 33ª Bienal

sentido/comum • Friedrich Fröbel por [by] Vik Muniz by Bienal de São Paulo

“Our Own Podcast” is a project ODU professor Cathleen Rhodes and Kira Kindley launched to tell the story of LGBTQ people from our community's past. After talking about that, we will discuss the Vik Muniz exhibit and the Wonder Studio at the Chrysler Museum. We hope you'll join us at noon on 89.5 WHRV-FM.

The acclaimed Brazilian visual artist and photographer Vik Muniz is best known for his bold and layered recreations of canonical artworks using a range of media. In conversation with Monocle’s Robert Bound, Muniz muses on the role of art, his fascination with illusion and image and his influences, which range from Andy Warhol and Joseph Beuys to his grandmother and his childhood in 1970s Brazil.

No 'Conversa com Bial' (3/7), os artistas plásticos Beatriz Milhazes e Vik Muniz, e ator Marcos Caruso participam de discussão

Chocolate, diamonds, leftover pasta – getting creative with everything, with one of Brazil’s most successful artists. Castles on grains of sand and cartoon clouds in the sky. Vik Muniz prepares for an exhibition full of trickery and illusion.

Andy Findley speaks with Brazilian artist and photographer Vik Muniz, and Will Murphy speaks with Rosamond Purcell, who finds beauty in decaying objects.

Terrance McNally, Claudia Shear, and Neal LaBute are just a few of the buzz-worthy playwrights featured in Theatre on the Square's new season. For his last interview for The Art of the Matter, Travis DiNicola sat down with the Director of the IU Eskenazi Museum of Art, David Brenneman. Travis DiNicola is relocating to his native Pennsylvania, and Sharon recently sat down with him for this last radio conversation. Go with luck and love, Travis!

A lecture by Vik Muniz, Humanitas Visiting Professor in Contemporary Arts

A symposium with Vik Muniz and Michael Govan (Chief Executive Officer and Wallis Annenberg Director, Los Angeles County Museum of Art) Chaired by Paul Hobson (Director, Modern Art Oxford)

Martha Deabyle y Vik Muniz hablan del nuevo documental de Netflix y dan detalles de lo que se viven en estos momentos en Brasil por la alegría del mundial.

Martha Deabyle y Vik Muniz hablan del nuevo documental de Netflix y dan detalles de lo que se viven en estos momentos en Brasil por la alegría del mundial.

Protagonista do documentário Lixo Extraordinário, de Vic Muniz, é o convidado da semana Ele não é ator, mas teve papel de destaque na única produção brasileira que concorreu ao Oscar deste ano, o documentário “Lixo Extraordinário”, filme que relata o trabalho do artista plástico brasileiro Vik Muniz com catadores de material reciclável em um dos maiores aterros sanitários do mundo. Ele não é musa, mas teve seu retrato imortalizado em uma belíssima obra de arte do próprio Vik Muniz, obra que foi confeccionada com material coletado no aterro e vendida em um leilão, em Londres, por quase 100 mil reais. Ele não é modelo, mas está estrelando comercial de televisão e vai ter seu rosto estampado em latinhas e garrafas de refrigerante por todo o Brasil.  O papo hoje aqui no Trip Fm é com o filho da dona Geruza e pai da pequena Clara Elis, o Sebastião Carlos dos Santos, mais conhecido como Tião, presidente da Associação de Catadores de Material Reciclável de Jardim Gramacho. Ele é o representante do Movimento Nacional de Catadores de Material Reciclável e está participando do Limpa Brasil, Let's Do It, projeto que pretende revolucionar a maneira como as pessoas se relacionam com os materiais que vão descartar. O Trip Fm vai ao ar na grande São Paulo às sextas às 20h, com reprise às terças às 23h pela Rádio Eldorado Brasil 3000, 107,3MHz

WatchMojo.com presents… A look into the artwork of Vik Muniz.