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In this episode of the Brain & Life Podcast, co-host Dr. Katy Peters is joined by journalist Kat McGowan. In 2022, Kat was awarded a fellowship from the Alicia Patterson Foundation to cover caregiving and has been featured in Wired, Popular Science, Scientific American, Boston Globe, Audubon, and NPR. Kat discusses her experience with caregiving for her parents and how technology like robots helped in the caregiving relationship. Dr. Peters is then joined by Dr. Jeffrey Kaye, professor of neurology and biomedical engineering at Oregon Health and Science University, director of Layton Aging and Alzheimer's Disease Center, and director of the Oregon Center for Aging and Technology. Dr. Kaye explains what Alzheimer's disease is and how different types of technology are used in treatment and caregiving scenarios.   Additional Resources My Parents' Dementia Felt Like the End of Joy. Then Came the Robots A Robotic Pet Brings Joy to a Patient Who Has Dementia Promising Advances in Robotics-assisted Rehabilitation Therapies Lynda Carter Advocates for Those with Alzheimer's Disease   Other Brain & Life Podcast Episodes Finding Community in Caregiving with Kitty Norton Navigating Complicated Caregiving Journeys with Jacquelyn Revere Journalist, Producer Kitty Eisele's Honest Recount of Her Time as Caregiver We want to hear from you! Have a question or want to hear a topic featured on the Brain & Life Podcast? ·       Record a voicemail at 612-928-6206 ·       Email us at BLpodcast@brainandlife.org   Social Media: Kat McGowan @mcgowankat; Dr. Jeffrey Kaye @oshunews Hosts: Dr. Daniel Correa @neurodrcorrea; Dr. Katy Peters @KatyPetersMDPhD

Cristina Salvador Klenz new photo project is called INTERSECTIONS In Time. She makes images from her car. She only leaves to talk to the subjects. We talk about the project and then for a first time I go along on the shoot to see her work her magic.Cristinaa photojournalist, freelance photographer, and Board Certified Behavior Analyst, graduated from the University of Missouri-Columbia with a Bachelor of Journalism degree majoring in Photojournalism (1986). Cristina's documentary photography work on the Roma culture has been published worldwide in Aperture, Geo France, Interfacemagazine in Paris, and the textbook Photojournalism the Professional's Approach. She also received a National Endowment for the Arts/WESTAF grant for her work on the Roma culture. She was a grant finalist for the Alicia Patterson Foundation and the Nikon Documentary Grant. Her Roma images are in the collection of The Romani Archives & Documentation Center at the University of Texas at Austin.Cristina's interest in psychology inspired her to purse an additional Bachelor of Arts Degree in Psychology from Cal State University Long Beach (2005) and a Master of Education Curriculum and Instruction/Applied Behavior Analysis from Arizona State Univeristy (2015). In 2020 she became a Board Certified Behavior Analyst (BCBA).She currently works as a behavior intervention assistant for Long Beach (CA) Unified School District.

Host Lee Hawkins investigates how a secret nighttime business deal unlocked the gates of a Minnesota suburb for dozens of Black families seeking better housing, schools, and safer neighborhoods. His own family included.TranscriptIntroLEE HAWKINS: This is the house that I grew up in and you know we're standing here on a sidewalk looking over the house but back when I lived here there was no sidewalk, and the house was white everything was white on white. And I mean white, you know, white in the greenest grass.My parents moved my two sisters and me in 1975, when I was just four years old. Maplewood, a suburb of 25,000 people at the time, was more than 90% white.As I rode my bike through the woods and trails. I had questions: How and why did these Black families manage to settle here, surrounded by restrictions designed to keep them out?The answer, began with the couple who lived in the big house behind ours… James and Frances Hughes.You're listening to Unlocking The Gates, Episode 1.My name is Lee Hawkins. I'm a journalist and the author of the book I AM NOBODY'S SLAVE: How Uncovering My Family's History Set Me Free.I investigated 400 years of my Black family's history — how enslavement and Jim Crow apartheid in my father's home state of Alabama, the Great Migration to St. Paul, and our later move to the suburbs shaped us.My producer Kelly and I returned to my childhood neighborhood. When we pulled up to my old house—a colonial-style rambler—we met a middle-aged Black woman. She was visiting her mother who lived in the brick home once owned by our neighbors, Mr. and Mrs. Hutton.LEE HAWKINS: How you doing? It hasn't changed that much. People keep it up pretty well, huh?It feels good to be back because it's been more than 30 years since my parents sold this house and moved. Living here wasn't easy. We had to navigate both the opportunities this neighborhood offered and the ways it tried to make us feel we didn't fully belong.My family moved to Maplewood nearly 30 years after the first Black families arrived. And while we had the N-word and mild incidents for those first families, nearly every step forward was met with resistance. Yet they stayed and thrived. And because of them, so did we.LEE HAWKINS: You know, all up and down this street, there were Black families. Most of them — Mr. Riser, Mr. Davis, Mr. White—all of us can trace our property back to Mr. Hughes at the transaction that Mr. Hughes did.I was friends with all of their kids—or their grandkids. And, at the time, I didn't realize that we, were leading and living, in real-time, one of the biggest paradigm shifts in the American economy and culture. We are the post-civil rights generation—what I call The Integration Generation.Mark Haynes was like a big brother to me, a friend who was Five or six years older. When he was a teenager, he took some bass guitar lessons from my dad and even ended up later playing bass for Janet Jackson when she was produced by Minnesota's own Jimmy Jam and Terry Lewis.Since his family moved to Maplewood several years before mine, I called him to see what he remembered.MARK HAYNES: "It's a pretty tight-knit group of people,"Mark explained how the community came together and socialized, often –MARK HAYNES: "they—every week, I think—they would meet, actually. I was young—maybe five or six.LEE HAWKINS: And what do you remember about it? I asked. What kind of feeling did it give you?MARK HAYNES: It was like family, you know, all of them are like, uh, aunts and uncles to me, cousins. It just felt like they were having a lot of fun. I think there was an investment club too."Herman Lewis was another neighbor, some years older than Mark—an older teenager when I was a kid. But I remember him and his brother, Richard. We all played basketball, and during the off-season, we'd play with my dad and his friends at John Glenn, where I'd eventually attend middle school. Herman talked to me about what it meant to him.HERMAN LEWIS: We had friends of ours and our cousins would come all the way from Saint Paul just to play basketball on a Friday night. It was a way to keep kids off the street, and your dad was very instrumental trying to make sure kids stayed off the street. And on a Friday night, you get in there at five, six o'clock, and you play till 9, 10 o'clock, four hours of basketball. On any kid, all you're going to do is go home, eat whatever was left to eat. And if there's nothing left to eat, you pour yourself a bowl of cereal and you watch TV for about 15 to 25-30, minutes, and you're sleeping there, right in front of the TV, right?LEE HAWKINS: But that was a community within the community,HERMAN LEWIS: Definitely a community within the community. It's so surprising to go from one side of the city to the next, and then all of a sudden there's this abundance of black folks in a predominantly white area.Joe Richburg, another family friend, said he experienced our community within a community as well.LEE HAWKINS: You told me that when you were working for Pillsbury, you worked, you reported to Herman Cain, right? We're already working there, right? Herman Cain, who was once the Republican front runner for President of the United States. He was from who, who was from the south, but lived in Minnesota, right? Because he had been recruited here. I know he was at Pillsbury, and he was at godfathers pizza, mm hmm, before. And he actually sang for a time with the sounds of blackness, which a lot of people would realize, which is a famous group here, known all over the world. But what was interesting is you said that Herman Cain was your boss, yeah, when he came to Minnesota, he asked you a question, yeah. What was that question?Joe Richburg: Well, he asked me again, from the south, he asked me, Joe, where can I live? And I didn't really understand the significance of that question, but clearly he had a sense of belonging in that black people had to be in certain geographic, geographies in the south, and I didn't have that. I didn't realize that was where he was coming from.Before Maplewood, my family lived in St. Paul's Rondo neighborhood—a thriving Black community filled with Black-owned businesses and cultural icons like photojournalist Gordon Parks, playwright August Wilson, and journalist Carl T. Rowan.Like so many other Black communities across the country, Rondo was destroyed to make way for a highway. it was a forced removal.Out of that devastation came Black flight. Unlike white flight, which was driven by fear of integration, Black flight was about seeking better opportunities: better funded schools and neighborhoods, and a chance at higher property values.Everything I've learned about James and Frances Hughes comes from newspaper reports and interviews with members of their family.Mr. Hughes, a chemist and printer at Brown and Bigelow, and Frances, a librarian at Gillette Hospital, decided it was time to leave St. Paul. They doubled down on their intentions when they heard a prominent real estate broker associate Blacks with “the ghetto.” According to Frances Hughes, he told the group;FRANCES HUGHES (ACTOR): “You're living in the ghetto, and you will stay there.”She adds:FRANCES HUGHES (ACTOR): “I've been mad ever since. It was such a bigoted thing to say. We weren't about to stand for that—and in the end, we didn't.”The Hughes began searching for land but quickly realized just how difficult it could be. Most white residents in the Gladstone area, just outside St. Paul, had informal agreements not to sell to Black families. Still, James and Frances kept pushing.They found a white farmer, willing to sell them 10 acres of land for $8,000.And according to an interview with Frances, that purchase wasn't just a milestone for the Hughes family—it set the stage for something remarkable. In 1957, James Hughes began advertising the plots in the Twin Cities Black newspapers and gradually started selling lots from the land to other Black families. The Hughes's never refused to sell to whites—but according to an interview with Frances, economic justice was their goal.FRANCES HUGHES (ACTOR): “Housing for Blacks was extremely limited after the freeway went through and took so many homes. We wanted to sell to Blacks only because they had so few opportunities.”By the 1960s, the neighborhood had grown into a thriving Black suburban community. The residents here were deeply involved in civic life. They attended city council meetings, started Maplewood's first human rights commission, and formed a neighborhood club to support one another.And over time, the area became known for its beautiful homes and meticulously kept lawns, earning both admiration and ridicule—with some calling it “The Golden Ghetto.”Frances said:FRANCES HUGHES (ACTOR): “It was lovely. It was a showplace. Even people who resented our being there in the beginning came over to show off this beautiful area in Maplewood.”And as I pieced the story together, I realized it would be meaningful to connect with some of the elders who would remember those early daysANN-MARIE ROGERS: In the 50s, Mr. Hughes decided he was going to let go of the farming. And it coincided with the with 94 going through the RONDO community and displacing, right, you know, those people. So, at that time, I imagine Mr. Hughes had the surveyors come out and, you know, divided up into, you know, individual living blocks.That is Mrs. Ann-Marie Rogers, the mother of Uzziel and Thomas Rogers, who I spent a lot of time with as a kid. I shared what I'd uncovered in the archives, hoping she could help bring those early experiences to life.ANN-MARIE ROGERS: So, everyone played in our yard, the front yard, the yard light that was where they played softball, baseball, because the yard light was the home plate, and the backyard across the back was where they played football.Throughout this project, we found similar stories of strength, including one from Jeson Johnson, a childhood friend with another Minnesota musical connection. His aunt, Cynthia Johnson, was the lead singer of Lipps Inc., whose hit song “Funkytown” became a defining anthem of its time when many of us were just kids. We were proud of her, but I now know the bigger star was his grandmother.JESON JOHNSON: She was actually one of the first black chemists at 3M. So what she told me is that they had told her that, well, you have to have so much money down by tomorrow for you to get this house. It was really, really fast that she had to have the money. But my grandmother was she was really smart, and her father was really smart, so he had her have savings bonds. So what she told him was, if you have it in writing, then I'll do my best to come up with the money. I don't know if I'll be able to. She was able to show up that day with all her savings bonds and everything, and have the money to get it. And they were so mad, yes, that when she had got the house, they were so mad that, but they nothing that they could do legally because she had it on paper, right, right? And then that kind of started out in generation out there. It was the NAACP that kind of helped further that, just because she was chemist, they got her in the 3M, and all their programs started there.Decades later, as my friends and I played, I had no concept of any of the struggles, sacrifices and steps forward made by the pioneers who came before us. I checked in with my friend, Marcel Duke.LEE HAWKINS: did they tell you that mister Hughes was the guy that started, that started it?MARCEL DUKE: It probably never was conveyed that way, right to us kids, right? I'm sure back then, it was looked as an opportunity, yes, to get out of the city. Mm, hmm, and and where people that look like us live. And obviously that's the backstory of Mister Hughes, yeah, ultimately, we went out there because he made it known in the city, inner city, that we could move out there and be a community out there.Marcel is about four years older, I figured he may have clearer memories of Mr. Hughes than I do.MARCEL DUKE: I used to cut mister Hughes grass. I was like, like the little hustler in the neighborhood. I wanted to cut because I wanted money to go to spend on candy.Mr. Hughes' significance transcends the extra cash he put in the pockets of neighborhood kids. His granddaughter, Carolyn Hughes-Smith, told us more his multigenerational vision for Black American wealth building. But before he became a historical figure, he was just...grandpa.CAROLYN HUGHES-SMITH: the things that I really remember about him. He could whistle like I not whistle, but he could sing like a bird, you know, always just chirping. That's how we know he was around. He was more of a, like a farmer.He didn't talk much with his grandchildren about how he and Frances had unlocked the gates for Blacks. But she was aware of some of the difficulty he faced in completing that transaction that forever changed Maplewood.HUGHES-SMITH: I just heard that they did not, you know, want to sell to the blacks. And they, you know, it was not a place for the blacks to be living. And so, what I heard later, of course, was that my grandpa was able to find someone that actually sold the land to him out there and it, you know, and that's where it all started, reallyThat someone was a white man named Frank Taurek. He and his wife, Marie, owned the farm that Mr. Hughes and Frances had set their sights on. But the purchase was anything but straightforward. They had to make the deal through “night dealing.” Frances explains in a 1970s interview.FRANCES HUGHES (ACTOR): "It was just after the war. There was a tremendous shortage of housing, and a great deal of new development was going on to try to fix that. But, my dear, Negroes couldn't even buy a lot in these developments. They didn't need deed restrictions to turn us away. They just refused to sell."She describes the weekend visit she and her husband made to put in an offer on the land. By Monday morning, a St. Paul real estate company had stepped in, offering the Taurek's $1,000 more to keep Blacks out.FRANCES HUGHES (ACTOR): "But he was a man of his word, which gives you faith in human nature. The average white person has no idea of how precarious life in these United States is for anybody Black at any level. So often it was a matter of happenstance that we got any land here. The farmer could have very easily accepted the $1,000 and told us no, and there would have been nothing we could have done."What led Frank Taurek to defy norms and his neighbors, to sell the land to a Black family?DAVIDA TAUREK: I'm already moved to tears again, just hearing about it, [but and] hearing you talk about the impact of my, you know, my lineage there. It seems so powerful.This perspective comes from his great-granddaughter, Davida Taurek, a California-based psychotherapist. When I tracked her down, she was astonished to hear the long-buried story of how her white great grandparents sold their land to a Black family, unwittingly setting into motion a cascade of economic opportunities for generations to come.DAVIDA TAUREK: When I received your email, it was quite shocking and kind of like my reality did a little kind of sense of, wait, what? Like that somehow I, I could be in this weird way part of this amazing story of making a difference. You know, like you said, that there's generational wealth that's now passed down that just didn't really exist.I've seen plenty of data about what happens to property values in predominantly white neighborhoods when a Black family moves in. The perception of a negative impact has fueled housing discrimination in this country for decades, you may have heard the phrase: “There goes the neighborhood.” It's meant to be a sneer—a condemnation of how one Black family might “open the door” for others to follow. In this case, that's exactly what the Taurek's facilitated.As Carolyn Hughes- Smith sees it, the power of that ripple effect had a direct impact on her life, both as a youngster, but later as well.CAROLYN HUGHES-SMITH: We were just fortunate that my grandfather gave us that land. Otherwise, I don't, I don't know if we would have ever been able to move out thereHer parents faced some tough times –CAROLYN HUGHES-SMITH: making house payments, keeping food in the house, and that type. We were low income then, and my dad struggled, and eventually went back to school, became an electrician. And we, you know, were a little better off, but that happened after we moved out to Maplewood, but we were struggling.But they persevered and made it through –CAROLYN HUGHES-SMITH: after I grow got older and teen and that, I mean, I look back and say, Wow, my grandfather did all of this out hereOn the Taurek side of the transaction, the wow factor is even more striking. As I dug deeper into his story, it wasn't clear that he Frank Taurek was driven by any commitment to civil rights.Davida never met her great grandfather but explains what she knows about him.DAVIDA TAUREK: What I had heard about him was through my aunt that, that they were, you know, pretty sweet, but didn't speak English very well so there wasn't much communication but when they were younger being farmers his son my grandfather Richard ran away I think when he was like 14 years old. his dad was not very a good dad you know on a number of levels. There's a little bit of an interesting thing of like where Frank's dedication to his own integrity or what that kind of path was for him to stay true to this deal and make it happen versus what it meant to be a dad and be present and kind to his boy.Carolyn Hughes-Smith still reflects on the courage of her family—for the ripple effect it had on generational progress.CAROLYN HUGHES-SMITH: Would the struggle be the same? Probably not. But what makes me like I said, What makes me happy is our family was a big part of opening up places to live in the white community.LEE HAWKINS: Next time on Unlocking The GatesCAROLYN HUGHES-SMITH: The one thing that I really, really remember, and it stays in my head, is cross burning. It was a cross burning. And I don't remember exactly was it on my grandfather's property?OUTRO THEME MUSIC/CREDITS.You've been listening to Unlocking the Gates: How the North led Housing Discrimination in America. A special series by APM Studios AND Marketplace APM with research support from the Alicia Patterson Foundation and Mapping Prejudice.Hosted and created by me, Lee Hawkins. Produced by Marcel Malekebu and Senior Producer, Meredith Garretson-Morbey. Our Sound Engineer is Gary O'Keefe.Kelly Silvera is Executive Producer.

Racial covenants along with violence, hostility and coercion played an outsized role in keeping non-white families out of sought after suburbs. Lee learns how these practices became national policy after endorsement by the state's wealthy business owners and powerful politicians.TranscriptPart 2 – Discrimination and the Perpetual FightCold Open:PENNY PETERSEN: He doesn't want to have his name associated with this. I mean, it is a violation of the 14th Amendment. Let's be clear about that. So he does a few here and there throughout Minneapolis, but he doesn't record them. Now, deeds don't become public records until they're recorded and simultaneously, Samuel Thorpe, as in, Thorpe brothers, is president of the National Board of Real EstateFRANCES HUGHES (ACTOR): “Housing for Blacks was extremely limited after the freeway went through and took so many homes. We wanted to sell to Blacks only because they had so few opportunities.”LEE HAWKINS: You know, all up and down this street, there were Black families. Most of them — Mr. Riser, Mr. Davis, Mr. White—all of us could trace our property back to Mr. Hughes at the transaction that Mr. Hughes did.CAROLYN HUGHES-SMITH: What makes me happy is our family was a big part of opening up places to live in the white community.You're listening to Unlocking The Gates, Episode 2.My name is Lee Hawkins. I'm a journalist and the author of the book I AM NOBODY'S SLAVE: How Uncovering My Family's History Set Me Free.I investigated 400 years of my Black family's history — how enslavement and Jim Crow apartheid in my father's home state of Alabama, the Great Migration to St. Paul, and our move to the suburbs shaped us.We now understand how the challenges Black families faced in buying homes between 1930 and 1960 were more than isolated acts of attempted exclusion.My reporting for this series has uncovered evidence of deliberate, systemic obstacles, deeply rooted in a national framework of racial discrimination.It all started with me shining a light on the neighborhood I grew up in – Maplewood.Mrs. Rogers, who still lives there, looks back, and marvels at what she has lived and thrived through.ANN-MARIE ROGERS: My kids went to Catholic school, and every year they would have a festival. I only had the one child at the time. They would have raffle books, and I would say, don't you dare go from door to door. I family, grandma, auntie, we'll buy all the tickets, so you don't have to and of course, what did he do? And door to door, and I get a call from the principal, Sister Gwendolyn, and or was it sister Geraldine at that time? I think it was sister Gwendolyn. And she said, Mrs. Rogers, your son went to a door, and the gentleman called the school to find out if we indeed had black children going to this school, and she said, don't worry. I assured him that your son was a member of our school, but that blew me away.In all my years in Maplewood, I had plenty of similar incidents, but digging deeper showed me that the pioneers endured so much more, as Carolyn Hughes-Smith explains.CAROLYN HUGHES-SMITH: The one thing that I really, really remember, and it stays in my head, is cross burning. It was a cross burning. And I don't remember exactly what's it on my grandfather's property? Well, all of that was his property, but if it was on his actual home site.Mrs. Rogers remembers firsthand –ANN-MARIE ROGERS: I knew the individual who burned the cross.Mark Haynes also remembers –MARK HAYNES: phone calls at night, harassment, crosses burnedIn the archives, I uncovered a May 4, 1962, article from the St. Paul Recorder, a Black newspaper, that recounted the cross-burning incident in Maplewood. A white woman, Mrs. Eugene Donavan, saw a white teen running away from a fire set on the lawn of Ira Rawls, a Black neighbor who lived next door to Mrs. Rogers. After the woman's husband stamped out the fire, she described the Rawls family as “couldn't be nicer people.” Despite the clear evidence of a targeted act, Maplewood Police Chief Richard Schaller dismissed the incident as nothing more than a "teenager's prank."Instead of retreating, these families, my own included, turned their foothold in Maplewood into a foundation—one that not only survived the bigotry but became a catalyst for generational progress and wealth-building.JESON JOHNSON: when you see somebody has a beautiful home, they keep their yard nice, they keep their house really clean. You know that just kind of rubs off on you. And there's just something that, as you see that more often, you know it just, it's something that imprints in your mind, and that's what you want to have, you know, for you and for your for your children and for their children.But stability isn't guaranteed. For many families, losing the pillar of the household—the one who held everything together—meant watching the foundation begin to crack.JESON JOHNSON: if the head of a household leaves, if the grandmother that leaves, that was that kept everybody kind of at bay. When that person leaves, I seen whole families just, just really go downhill. No, nobody's able to kind of get back on your feet, because that was kind of the starting ground, you know, where, if you, if you was a if you couldn't pay your rent, you went back to mama's house and you said to get back on your feet.For Carolyn Hughes-Smith, inheriting property was a bittersweet lesson. Her family's land had been a source of pride and stability— holding onto it proved difficult.CAROLYN HUGHES-SMITH: We ended up having to sell it in the long run, because, you know, nobody else in the family was able to purchase it and keep going with it. And that that that was sad to me, but it also gave me an experience of how important it is to be able to inherit something and to cherish it and be able to share it with others while it's there.Her family's experience illustrates a paradox—how land, even when sold, can still transform lives.CAROLYN HUGHES-SMITH: Us kids, we all inherited from it to do whatever, like my brother sent his daughter to college, I bought some property, you know?But not all families found the same success in holding onto their homes. For Mark Haynes, the challenges of maintaining his father's property became overwhelming, and the sense of loss lingered.MARK HAYNES: it was really needed a lot of repair. We couldn't sell it. It was too much.It wasn't up to code. We couldn't sell it the way it was. Yes, okay, I didn't really want to sell it. She tried to fix it, brought up code, completely renovated it. I had to flip I had to go get a job at Kuhlman company as a CFO, mm hmm, to make enough money. And I did the best I could with that, and lost a lot of money. AndLEE HAWKINS: Oh, gosh, okay. So when you think about that situation, I know that you, you said that you wish you could buy it back.MARK HAYNES: Just, out of principle, it was, I was my father's house. He, he went through a lot to get that and I just said, we should have it back in the family.For Marcel Duke, he saw the value of home ownership and made it a priority for his own life.MARCEL DUKE: I bought my first house when I was 19. I had over 10 homes by time I was 25 or 30, by time I was 30This story isn't just about opportunity—it's about the barriers families had to overcome to claim it. Before Maplewood could become a community where Black families could thrive, it was a place where they weren't even welcome.The racial covenants and real estate discrimination that shaped Minnesota's suburban landscape are stark reminders of how hard-fought this progress truly was.LEE HAWKINS: I read an article about an organization called Mapping Prejudice which identifies clauses that say this house should never be sold to a person of color.So we had this talk. Do you remember?PENNY PETERSEN: I certainly do, it was 2018.Here's co-founder Penny Petersen.PENNY PETERSEN: So I started doing some work, and when you you gave me the name of Mr. Hughes. And I said, Does Mr. Hughes have a first name? It make my job a lot easier, and I don't think you had it at that point. So I thought, okay, I can do this.LEE HAWKINS: I just knew it was the woman Liz who used to babysit me. I just knew it was her grandfather.PENNY PETERSEN: Oh, okay, so, he's got a fascinating life story.He was born in Illinois in. He somehow comes to Minnesota from Illinois at some point. And he's pretty interesting from the beginning.He, apparently, pretty early on, gets into the printing business, and eventually he becomes what's called an ink maker. This is like being a, you know, a chemist, or something like, very serious, very highly educated.In 1946 he and his wife, Francis Brown Hughes and all. There's a little more about that. Bought 10 acres in the Smith and Taylor edition. He tried to buy some land, and the money was returned tohim when they found it. He was black, so Frank and Marie Taurek, who maybe they didn't like their neighbors, maybe, I don't know. It wasn't really clear to me,PENNY PETERSEN: Yeah, yeah. And so maybe they were ready to leave, because they had owned it since 1916 so I think they were ready to retire. So at any rate, they buy the land. They he said we had to do some night dealing, so the neighbors didn't see. And so all of a sudden, James T Hughes and Francis move to Maplewood. It was called, I think in those days, Little Canada, but it's present day Maplewood. So they're sitting with 10 acres of undeveloped land. So they decide we're going to pay it off, and then we'll develop it.Hearing Penny describe Frank Taurek takes me back to the conversation I had with his great granddaughter Davida who never met him and only heard stories that didn't paint him in the most flattering light.DAVIDA TAUREK: It feels like such a heroic act in a way at that time and yet that's not, it seems like that's not who his character was in on some levels, you know.HAWKINS: But people are complicatedThe choices made by Frank and Marie Taurek—choices that set the stage for families like mine—are reflected in how their descendants think about fairness and equity even today. That legacy stands alongside the extraordinary steps taken by James and Frances Hughes. Penny Petersen explains how they brought their vision to life.PENNY PETERSEN: They paid it off in a timely fashion. I think was 5% interest for three years or something like that. He plaits it into 20 lots, and in 1957 he starts selling them off. And he said there were one or two white families who looked at it, but then decided not to. But he he was had very specific ideas that you have to build a house of a certain, you know, quality. There were nice big lots, and the first family started moving in. So that's how you got to live there.But interestingly, after the Hughes bought it in 1946 some a guy called Richard Nelson, who was living in Maplewood, started putting covenants around it.LEE HAWKINS: There were people who were making statements that were basically explicitly excluding Negroes from life liberty and happiness.And these are big brands names in Minnesota. One was a former lieutenant governor, let's just put the name out there.Penny explains how we got here:PENNY PETERSEN: The first covenant in Hennepin County and probably the state of Minnesota, seems to be by Edmund G Walton. He lived in Minneapolis in 1910 he enters a covenant. He doesn't do it. This is great because his diaries are at the Minnesota Historical Society.He was, by the way, born in England. He'd never he may or may not have become an American citizen. He was certainly voting in American presidential elections. He was the son of a silk merchant wholesaler, so he was born into money. He wasn't landed gentry, which kind of chapped him a lot. And he he came to America to kind of live out that life. So he he's casting about for what's my next, you know, gig. And he goes through a couple things, but he finally hits on real estate.And he He's pretty good at it. He's, he's a Wheeler Dealer. And you can see this in his letters to his mom back in England, in the diaries, these little, not so maybe quite legal deals he's pulling off.But by, by the early aughts of the 20th century, he's doing pretty well, but he needs outside capital, and so he starts courting this guy called Henry or HB Scott, who is land agent for the Burlington railroad in Iowa, and he's immensely wealthy. And. No one knows about Henry B Scott in Minneapolis. You know, he's some guy you know.So he gets Scott to basically underwrite this thing called what will be eventually known as Seven Oaks Corporation. But no one knows who he is really what Edmund Walton does so he gets, he gets this in place in 1910 Walton, via Henry Scott, puts the first covenant in.And there's a laundry list of ethnicities that are not allowed. And of course, it's always aimed at black people. I mean that that's that's universal. And then what's happening in the real estate realm is real estate is becoming professionalized.Instead of this, these guys just selling here and there. And there's also happening about this time, you know, race riots and the NAACP is formed in 1909 the Urban League in 1910 and I think Walton is he sees something. I can make these things more valuable by making them White's only space.But he doesn't want to have his name associated with this. I mean, it is a violation of the 14th Amendment. Let's be clear about that. So he does a few here and there throughout Minneapolis, but he doesn't record them. Now, deeds don't become public records until they're recorded and simultaneously, Samuel Thorpe, as in, Thorpe brothers, is president of the National Board of Real Estate, you know, and he's listening to JC Nichols from Kansas City, who said, you know, a few years ago, I couldn't sell a lot with covenants on them, but now I can't sell it without covenants.After that, that real estate convention, there's one in 1910 and Walton is clearly passing this around, that he's he's put covenants in, but no one really talks about it, but they you know, as you look back when the deeds were signed, it's like 1910 1911 1912 the 1912 one when HB, when JC, Nichols said, I can't sell a lot without him.Sam Thorpe immediately picks up on this. He's the outgoing president of the National Board of Real Estate. By June, by August, he has acquired the land that will become Thorpe Brothers Nokomis Terrace. This is the first fully covenanted edition. He doesn't record for a while, but within a few years, they're not only these things are not only recorded, but Walton is advertising in the newspaper about covenants, so it's totally respectable. And then this is where Thomas Frankson comes in. In Ramsey County, he's still in the legislature when he puts his first covenant property together, Frankson Como Park, and in 1913 he's advertising in the newspapers. In fact, he not only advertises in English, he advertises in Swedish to let those Swedish immigrants know maybe they don't read English. So well, you can buy here. This will be safe.Penny says the National Board of Real Estate but she means the National Association of Realtors. Samuel Thorpe was not only the President of this powerful organization, he even coined the term ‘realtor' according to records.I want to take a moment to emphasize that Thomas Frankson is a former lieutenant governor.They were architects of exclusion. By embedding racial covenants into the fabric of land deals, they set a legal precedent that shaped housing markets and defined neighborhoods for decades. As Penny Petersen noted, these practices were professionalized and legitimized within the real estate industry.Michael Corey, Associate Director of Mapping Prejudice explains how these covenants were enforced.MICHAEL COREY: And so in the newspaper, as not only do they put the text of the Covenant, then two lines later, it says, you have my assurance that the above restrictions will be enforced to the fullest extent of the law. And this is a legislator saying this, and so like when he says that people are going to assume he means it.And the way this worked with racial covenants is, theoretically, you could take someone to court if they violated the covenant, and they would lose the house, the house would revert back to the original person who put the covenant in. So the potential penalty was quite high forLEE HAWKINS: Oh, gosh.MICHAEL COREY: And I think, like, in practice, it's not like this is happening all the time. The way covenants work is that, like, no one's gonna mess with that because the consequence is so high.LEE HAWKINS: Is there any record of anybody ever breaking a covenant.MICHAEL COREY: Yeah, there are, like, there are legal cases where people either tried like, and people try a number of different strategies, like as Penny mentioned some of the early ones, they have this, like, laundry list of 19th century racial terms. And so it'll say, like, no Mongolian people, for example, like using this, like, racial science term. And so someone who is Filipino might come in and say, like, I'm not Mongolian, I'm Filipino.So, this professionalizing real estate industry keeps refining the covenants to be more, to stand up in court better. But I think for so many people, it's it's not worth the risk to break the covenant both white and like. For the white person, the stakes are low, right? Your neighbors might not like you. For people of color who are trying to break this color line, the stakes are the highest possible like like, because the flip side of a covenant is always violence.So I'm now clear on how these wealthy and powerful figures in my home state came up with a system to keep anybody who was not white locked out of the housing market.I'm still not clear on how these ideas spread around the country.MICHAEL COREY: these conferences that these real estate leaders, like the like the Thorpe brothers are going to like, this is the, this is the moment when these national Realty boards are being formed. And so all of these people are in these rooms saying, Hey, we've got this innovative technology. It's a racial covenant.And this private practice spreads rapidly after places that are in early. There's some places in the East Coast that are trying this this early too. This becomes the standard, and in fact, it gets written into the National Board of Realty ethics code for years because they're prominent people, they're also, like, going to be some of your elected officials there.And when you get to the era of the New Deal, like these are the people who are on the boards that are like, setting federal policy, and a lot of this stuff gets codified into federal legislation. So what starts as a private practice becomes the official policy of the US government when you get to the creation of the Federal Housing Administration that adopts essentially this, this concept that you should not give preferential treatment on loans to to integrate to neighborhoods that are going to be in harmonious and that same logic gets supercharged, because if we know something about this era, this is the FHA and then, and then the GI bill at the end of World War Two are a huge sea change in the way that housing gets financed and the way that homeownership sort of works.I learned so much from my conversations with Penny and Michael. We covered a lot of ground and at times I found myself overwhelmed by the weight of what I was hearing. What exactly does this mean today? What about the families who didn't secure real estate through night dealings? The families who didn't slip through the cracks of codified racial discrimination? How can we address these disparities now?In the final part of our series, we'll hear from some of the people who benefitted, including relatives of Samuel Thorpe who have become new leaders in an old fight to make home ownership a reality for millions of Americans.MARGARET THORPE-RICHARDS: This could be the conversation. I feel like it's time to say something from my perspective. I have a platform, I have a voice, and I think it needs to be said and discussed and talked about,OUTRO MUSIC THEME/CREDITSYou've been listening to Unlocking the Gates: How the North led Housing Discrimination in America. A special series by APM Studios AND Marketplace APM with research support from the Alicia Patterson Foundation and Mapping Prejudice.Hosted and created by me, Lee Hawkins. Produced by Marcel Malekebu and Senior Producer, Meredith Garretson-Morbey. Our Sound Engineer is Gary O'Keefe.Kelly Silvera is Executive Producer.

Real estate accounts for 18% GDP and each home sale generates two jobs. It's a top priority for state officials and business leaders across the country to build stable communities. In Minnesota, efforts to address inequity that keeps people locked out of the property market are well-advanced. Lee sits down to interview those directly involved.TranscriptPart 3 – Action and AccountabilityLT GOV PEGGY FLANAGAN: An apology is powerful. But in the same way that I think things like land acknowledgements are powerful. If you don't have policies and investments to back them up, then they're simply words.You're listening to Unlocking The Gates, Episode 3.My name is Lee Hawkins. I'm a journalist and the author of the book I AM NOBODY'S SLAVE: How Uncovering My Family's History Set Me Free.I investigated 400 years of my Black family's history—how enslavement and Jim Crow apartheid in my father's home state of Alabama, the Great Migration to St. Paul, and our move to the suburbs shaped us.Community and collaboration are at the heart of this story. I've shared deeply personal accounts, we've explored historical records, and everyone we've spoken to has generously offered their memories and perspectives.Jackie Berry is a Board Member at Minneapolis Area Realtors. She's been working to address the racial wealth gap in real estate. And she says;JACKIE BERRY: We need to do better. We have currently, I think it's around 76% of white families own homes, and it's somewhere around 25-26% for black families.If we're talking about Minnesota, in comparison to other states, we are one of the worst with that housing disparity gap. And so, it's interesting, because while we have, while we make progress and we bring in new programs or implement new policies to help with this gap, we're still not seeing too big of a movement quite yet.Jackie says there's a pretty clear reason for this.JACKIE BERRY: Racial covenants had a direct correlation with the wealth gap that we have here today. Okay, if you think about a family being excluded from home ownership, that means now they don't have the equity within their home to help make other moves for their family, whether it's putting money towards education or by helping someone else purchase a home or reducing debt in other areas in their life.Racial covenants were not just discriminatory clauses—they were systemic barriers that shaped housing markets and entrenched inequality.LT GOV PEGGY FLANAGAN In my community of St Louis Park, there is, you know, there are several racial covenants. You know, our home does not have one, fortunately.Lieutenant governor Peggy Flanagan is the highest ranking Native American female politician in the country. I asked her about her experience and how it informs her leadership.LT GOV PEGGY FLANAGAN: I can tell you that I never forget that I'm a kid who benefited from a section eight housing voucher, and that my family buying a home made a dent in that number of native homeowners in this state, and I take that really seriously,LEE HAWKINS: You know? And it's powerful, because I relate to you on that. You know, this series is about just that, about the way that the system worked for a group of people of color who were just doing what everyone else wants to do, is to achieve the American Dream for their children. And so I see you getting choked up a little bit about that. I relate to that, and that's what this series is about.Homeownership is more than a marker of personal achievement—it's a cornerstone of the U.S. economy.Real estate accounts for 18% of GDP, and each home sale generates two jobs. This is why state officials and business leaders continue to prioritize stable and thriving communities.Remember earlier in the series we spoke about some other influential men in the state who were involved in creating the housing disparity gap that we have today.LT GOV PEGGY FLANAGAN: I don't believe that that Thomas Frankson ever imagined that there would be an Ojibwe woman as lieutenant governor several, several years after he was in this role, and additionally, right? It's symbolic, but also representation without tangible results, right? Frankly, doesn't, doesn't matter. And so, I think acknowledging that history is powerful. I think it has to do with how we heal and move forward. And we can't get stuck there.MARGARET THORPE-RICHARDS: Thorpe Brothers was very much a part of my childhood and sort of upbringing. But my own father, Frank Thorpe, was not part of the real estate business. He chose to do investments.This is Margaret Thorpe-Richards. Her grandfather is Samuel Thorpe. Head of Thorpe Brothers, the largest real estate firm in Minneapolis, which he helped establish in 1885. I asked her to share her memories.MARGARET THORPE-RICHARDS: My uncle, my dad's brother, Sam Thorpe, the third, also followed in the Thorpe Brothers family business and he ran it until kind of that maybe the early 80s or mid 80s. But anyway, they sold off the residential to another big broker here, and then just kept commercial. While I was growing up you know I was aware about real estate but not actively involved.MARGARET THORPE-RICHARDS: Both my grandfather and grandmother, they were very much, I don't know, white upper class, you know, I remember going to dinner at their house, they weren't very reachable, like personally, so I never really had a relationship with them, even though they lived two or three doors down. And that's kind of my recollection.LEE HAWKINS: Okay. And so, at that time, there was no indication that there was any racism in their hearts or anything like that.MARGARET THORPE-RICHARDS: Oh, I don't know if I want to say that.Margaret's entry into the real estate business didn't happen in the way you might expect given her grandfather's outsized role in the industry.MARGARET THORPE-RICHARDS: I went to my uncle Sam who was at the helm of Thorpe Brothers Real Estate it was still intact and he didn't see the opportunity or the talent that I had which I have to say I always have had I'm not going to be boastful but I'm really good at sales and so he never he never explored that and I think basically that was sexism.We didn't really have a great relationship. My father died early. He died when I was 18. So that also impacted things.It was my mother who's not the blood relative, Mary Thorpe Mies. She went into real estate during kind of the boom years of 2000. She said you need to come. She said, I'll help you get started." And we had a good long run for probably 10 years and then she retired, and I've been on my own until a year and a half ago when my oldest son Alexander joined me as my business partner. So now we're the Thorpe Richards team and he is essentially fifth generation realtor of the Thorpe family.The nature of her family's role in the origins of discriminatory housing policy is a recent discovery for Margaret and her two sons.MARGARET THORPE-RICHARDS: I really didn't know about these covenants until it was 2019 when, and I was actually on the board of the Minneapolis Area Association of RealtorsI asked her how she felt when she found out.MARGARET THORPE-RICHARDS: I was horrified. It felt shameful.I'm not going to fix anything, but I would like to show up in a way that says I think this was wrong and I'd like to help make it right.I felt like I needed to take some ownership. I also was a little worried about putting a stain on the Thorpe name by sort of speaking my truth or what I feel we have a huge family.So I was reluctant maybe to speak out against, you know, the wrongs. However, I've just been trying to do my job at educating and being welcoming and creating it as part of our mission that we want to, you know, serve those who have not been well -served and have been discriminated and who've had an economic hardship because of the way that things were.I can relate to what Margaret is saying here.MARGARET THORPE-RICHARDS: And that has proven to be challenging as well. I'm not gonna lie. I'm white. I'm not black. So, how do I sort of reach over to extend our expertise and services to a population that maybe wants to deal with somebody else who's looks like them or I don't know it's a tricky endeavor and we continue to try and do outreach.I went through a similar range of emotions and thoughts while writing my book and uncovering family secrets that some of my relatives would rather not to think about. It led to some difficult discussions. I asked her if she'd had those conversations with her family -MARGARET THORPE-RICHARDS: Mm -mm. This might be it, Lee. This could be the conversation. I feel like it's time to say something from my perspective. I have a platform, I have a voice, and I think it needs to be said and discussed and talked about,One thing that struck me in my conversation with Margaret is her advanced-level understanding of the issue. She mentioned the challenge of foundational Black Americans versus immigrants. Families who moved from the South looking for opportunities after World War one and two were most severely affected by these discriminatory policies.Here's Jackie Barry Director of Minneapolis Area Realtors;JACKIE BERRY: Between 1930 and 1960 and to me, this is a staggering statistic, less than 1% of all mortgages were granted to African Americans across the country. That truly speaks to having a lack of equity to pull out of any homes, to be able to increase wealth and help other family members.Efforts to address this are well-advanced here. Yet, lieutenant governor Flanagan is clear about how much more can and should be doneLT GOV PEGGY FLANAGAN: It's important to acknowledge and to provide folks with the resources needed to change and remove those covenants, which is a whole lot of paperwork, but I think is worth doing. And then figure out, how do we make these investments work? In partnership with community.I asked why the state has not issued an official apology for its role in pioneering structural housing discrimination and whether she sees any value in doing so.LT GOV PEGGY FLANAGAN: An apology is powerful. But in the same way that I think things like land acknowledgements are powerful. If you don't have policies and investments to back them up, then they're simply words. So I think the work that we have done during our administration, is one of the ways that we correct those wrongs, explicitly apologizing. I think could be something that is is powerful, and I don't want us to just get stuck there without doing the actual work the people expect of us.I wanted to understand what that work is –LT GOV PEGGY FLANAGAN: I think when we increase home ownership rates within our communities, it's a benefit to the state as a whole,LEE HAWKINS: right, okay, so not necessarily going back and doing reparatory justice, but looking out into the future.LT GOV PEGGY FLANAGAN: But I think that is reparatory justice, okay, making those investments in communities that have been historically underserved, you know, partnering with nonprofits that are led by and for communities of color, that are trusted.I asked all three women for their thoughts on the pace of progress. Here's Margaret –MARGARET THORPE-RICHARDS: I don't see it changing very quickly. So I don't know how to sort of fuel that effort or movement. It seems like we talk about it a lot, yet the needle isn't moving.And Jackie -JACKIE BERRY: We need to increase our training and development. So in Minnesota, a realtor has to do um complete Fair Housing credits every two years, meaning that they're getting some type of education related to learning about housing discrimination and how to avoid it, how to represent clients equitably, understanding rules and regulations around fair housing.And lieutenant governor FlanaganLT GOV PEGGY FLANAGAN: Our legislation that we passed in 2023 was $150 million directed at first time homebuyers and black, indigenous and communities of color. We see that, I think, as a down payment right on the work needs to happen. The legislature is the most diverse legislature we've ever had, three black women who are elected to the Senate, the very first black women ever to serve. And I think we start to see the undoing of some of that injustice simply because there are more of us at the table.Communicating these complex policies and ideas is no easy task at the best of times. I was talking to the lieutenant governor shortly after the 2024 presidential election which delivered a stinging rebuke of the Democratic party and many of the social justice initiatives it champions.LT GOV PEGGY FLANAGAN: Listen, I'm a Native American woman named Peggy Flanagan, I've been doing this dance my entire life, right? And, you know. I also know that Minnesotans really care about their neighbors. They really care about their communities and the state, and frankly, people are sick and tired of being told that they have to hate their neighbor. We're over it.LEE HAWKINS: What do you say to them when they say that's woke and I'm tired of it. I'm fatigued. I didn't do anything, I didn't steal land, I didn't enslave people, and I'm feeling attacked.LT GOV PEGGY FLANAGAN: The biggest thing that we need to do right now, is just, is show up and like, listen and, you know, find those common values and common ground.LEE HAWKINS: And this doesn't have to be a partisan conversation.LT GOV PEGGY FLANAGAN: It does not, and frankly, it shouldn't be.LEE HAWKINS: Have you seen that kind of that kind of cooperation between the parties in Minnesota here with it's actually some of these reparations' measures could be doable.LT GOV PEGGY FLANAGAN: I don't know that they say reparations, but I would sayLEE HAWKINS: It's a very polarizing word to some extent.LT GOV PEGGY FLANAGAN: Everything that we do has to be grounded in relationshipsThroughout this series, we've explored the legacies of Frank and Marie Taurek, who embodied allyship and fairness by making land accessible to Black families. James and Frances Hughes, built on that opportunity, fostering collaboration within the Black community by creating pathways to homeownership.These families, in their own ways, represent the power of choice: to open doors, to challenge norms, and to plant seeds of progress.Their stories remind us that even within deeply flawed systems, individuals can make decisions that echo across generations. But as we reckon with the enduring impacts of housing discrimination and inequity, the question remains: In our time, what choices will we make to move forward—and who will they benefit?You've been listening to Unlocking the Gates: How the North led Housing Discrimination in America. A special series by Marketplace APM with research support from the Alicia Patterson Foundation and Mapping Prejudice. You've been listening to Unlocking the Gates: How the North led Housing Discrimination in America. A special series by APM Studios AND Marketplace APM with research support from the Alicia Patterson Foundation and Mapping Prejudice.Hosted and created by me, Lee Hawkins. Produced by Marcel Malekebu and Senior Producer, Meredith Garretson-Morbey. Our Sound Engineer is Gary O'Keefe.Kelly Silvera is Executive Producer.

When Rowan Jacobsen first heard of a chocolate bar made entirely from wild Bolivian cacao, he was skeptical. The waxy mass-market chocolate of his childhood had left him indifferent to it, and most experts believed wild cacao had disappeared from the rainforest centuries ago. But one dazzling bite of Cru Sauvage was all it took. Chasing chocolate down the supply chain and back through history, Jacobsen travels the rainforests of the Amazon and Central America to find the chocolate makers, activists, and indigenous leaders who are bucking the system that long ago abandoned wild and heirloom cacao in favor of high-yield, low-flavor varietals preferred by Big Chocolate.What he found was a cacao renaissance. As his guides pulled the last vestiges of ancient cacao back from the edge of extinction, they'd forged an alternative system in the process-one that is bringing prosperity back to local economies, returning fertility to the land, and protecting it from the rampages of cattle farming. All the while, a new generation of bean-to-bar chocolate makers are racing to get theirhands on these rare varietals and produce extraordinary chocolate displaying a diversity of flavors no one had thought possible. Full of vivid characters, vibrant landscapes, and surprising history, Wild Chocolate promises to be as rich, complex, and addictive as good chocolate itself.Rowan Jacobsen is the author of eight books, including the James Beard Award-winning A Geography of Oysters and 2021's Truffle Hound. He has written for the New York Times, Harper's, Outside, Food & Wine, Forbes, Mother Jones, Scientific American, Smithsonian, Vice, and others, and he appears regularly in Best American Science & Nature Writing and Best Food Writing. He has been an Alicia Patterson Foundation fellow, a McGraw Center fellow, and a Knight Science Journalism Fellow at MIT. The creator and host of the 2022 podcast series "Wild Chocolate," he lives in Vermont.Buy the book from Wellington Square Bookshop - ​https://www.wellingtonsquarebooks.com/book/9781639733576

If you're a part of the Seattle arts scene, chances are you've come across Tessa Hulls. She has a hand in many local creative communities, including Seattle Arts & Lectures (where you might have spotted her illustrations on the 2021 Summer Book Bingo Card!), the Seattle Office of Arts and Culture, and the Henry Art Museum. She's also the lead artist in the Wing Luke Museum exhibit “Nobody Lives Here,” which explores the impacts of how the I-5 construction ran right through the Chinatown International District in the 1960s. It's no surprise then that Hulls is passionate about mixing art and historical research, looking at how past events echo throughout daily relationships today. She explores these themes in her debut book, Feeding Ghosts, a graphic novel memoir that tells the story of three generations of women in her family: her Chinese grandmother Sun Yi; her mother, Rose; and herself. Sun Yi, who fled Communist China for Hong Kong, published a celebrated memoir about her persecution and survival, but then later succumbed to mental illness. Determined to face the history that shaped her family, Tessa exposes the wounds that haunt generations and the love that holds them together. Hulls is a self-proclaimed “compulsive genre-hopper,” mixing personal and political histories with travel writing and visual art. This might explain why she's so well-intertwined in Seattle's art scene, using her creativity to build community and create conversations about the impacts of our shared history. Tessa Hulls is an artist, a writer, and an adventurer. Her essays have appeared in The Washington Post, Atlas Obscura, and Adventure Journal, and her comics have been published in The Rumpus, City Arts, and SPARK. She has received grants from the Seattle Office of Arts and Culture and 4Culture, and she is a fellowship recipient from the Washington Artist Trust. Feeding Ghosts is her first book. Putsata Reang is a Cambodian-born author and a journalist whose work has appeared in The New York Times, Politico, The Guardian, Ms., The San Jose Mercury News, and The Seattle Times, among other publications. She is an alumna of residencies at Hedgebrook, the Kimmel Harding Nelson Center for the Arts, and Mineral School, and she has received fellowships from the Alicia Patterson Foundation and Jack Straw Cultural Center.   Buy the Companion Book Feeding Ghosts: A Graphic Memoir Third Place Books

In this episode, the Seven Ages team gathers at the Cross-Tyme Pub to discuss the latest stories from the world of history and archaeology. We begin with the recent paper concerning the Younger Dryas Impact and its ability to help date artifacts from various paleo sites across the United States. Next, we discuss a discovery from a Wyoming Clovis site of a small but significant bead and an underwater megalithic structure discovered in the Baltic Sea.  Then we are joined by journalist Roger Atwood to discuss his incredible book Stealing History: Tomb Raiders, Smugglers, and the Looting of the Ancient World. Roger Atwood is a regular contributor to ARTnews and Archaeology magazines, and his articles on culture and politics have appeared in The New Republic, Mother Jones, The Nation, The Miami Herald, and The Boston Globe. Atwood was a journalist for Reuters for over fifteen years, reporting from Peru, Argentina, Brazil, and Chile, and a senior editor at their Washington, D.C. bureau. He is currently a fellow at the Alicia Patterson Foundation. Instagram  Facebook  Seven Ages Official Site  Patreon  YouTube  News and Guest Links:  Prehistoric blast helps date stone artifacts  Archaeologists discover oldest known bead in the Americas  Baltic Sea megastructure  Roger Atwood 

Can losing beavers in our environment leave us with profound consequences? Tune in for an inspiring discussion with Ben Goldfarb on his new #book Eager: The Surprising, Secret Life of Beavers and Why They Matter. #MomentsWithMarianne with host Marianne Pestana airs every Tuesday at 3PM PST / 6PM EST and every Friday at 10AM PST/ 1PM EST in the Southern California area on KMET1490AM & 98.1 FM, ABC Talk News Radio affiliate! Not in the area? Click here to listen! https://tunein.com/radio/KMET-1490-s33999/Ben Goldfarb is an independent conservation journalist and winner of the 2019 PEN/E.O. Wilson Literary Science Writing Award. His next book, Crossings: How Road Ecology Is Shaping The Future of Our Planet, will be published by W.W. Norton & Company in September 2023, and has been supported by grants from the Alicia Patterson Foundation and the Whiting Foundation. https://www.bengoldfarb.comFor more show information visit: www.MariannePestana.com#bookclub #readinglist #book #bookish #MariannePestana #author #authorinterview #kmet1490am #beavers #environment #BenGoldfarb #eager #ecology #conservation

Join award-winning author China Miéville and New Yorker contributing writer E. Tammy Kim, for a discussion of Miéville's latest book, "A Spectre, Haunting" Few written works can so confidently claim to have shaped the course of history as Karl Marx and Friedrich Engels's Manifesto of the Communist Party. Since first rattling the gates of the ruling order in 1848, this incendiary pamphlet has never ceased providing fuel for the fire in the hearts of those who dream of a better world. Nor has it stopped haunting the nightmares of those who sit atop the vastly unequal social system it condemns. In A Spectre, Haunting, award-winning author China Miéville provides readers with a guide to understanding the Manifesto and the many specters it has conjured. Through his unique and unorthodox reading, Miéville offers a critical appraisal and a spirited defense of the modern world's most influential political document. For this launch event, Miéville will be joined by E. Tammy Kim for a conversation about contemporary capitalism's rapidly multiplying crises and the Manifesto's enduring relevance. ----------------------------------------------------------------------- Get A Spectre, Haunting from Haymarket Books: https://www.haymarketbooks.org/books/1990-a-spectre-haunting ----------------------------------------------------------------------- Speakers: China Miéville is the multi-award-winning author of many works of fiction and non-fiction. His fiction includes The City and the City, Embassytown and This Census-Taker. He has won the Hugo, World Fantasy, and Arthur C. Clarke awards. His non-fiction includes the photo-illustrated essay London's Overthrow. He has written for various publications, including the New York Times, Guardian, Conjunctions and Granta, and he is a founding editor of the quarterly Salvage. E. Tammy Kim is a contributing writer at The New Yorker and the co-host of the Time to Say Goodbye podcast. She's also the writer-in-residence at the A/P/A Institute at NYU, a contributing editor at Lux magazine, and a fellow at the Alicia Patterson Foundation and Type Media Center. Watch the live event recording: https://youtube.com/live/PKwxKR5-QKU Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

Cristina Salvador Klenz, a photojournalist, freelance photographer, and Board Certified Behavior Analyst, graduated from the University of Missouri-Columbia with a Bachelor of Journalism degree majoring in Photojournalism (1986). Cristina's documentary photography work on the Roma culture has been published worldwide in Aperture, Geo France, Interfacemagazine in Paris, and the textbook Photojournalism the Professional's Approach. She also received a National Endowment for the Arts/WESTAF grant for her work on the Roma culture. She was a grant finalist for the Alicia Patterson Foundation and the Nikon Documentary Grant. Her Roma images are in the collection of The Romani Archives & Documentation Center at the University of Texas at Austin. Cristina's interest in psychology inspired her to purse an additional Bachelor of Arts Degree in Psychology from Cal State University Long Beach (2005) and a Master of Education Curriculum and Instruction/Applied Behavior Analysis from Arizona State Univeristy (2015). In 2020 she became a Board Certified Behavior Analyst (BCBA). She currently works as a behavior intervention assistant for Long Beach (CA) Unified School District. --- Support this podcast: https://anchor.fm/matt-brown57/support

In many contexts - both in-person and online - it can often feel like reasonable behaviour, the ability to constructively disagree, and basic kindness are in short supply.  Award-winning science journalist and author, Melissa Wenner Moyer, joins us to discuss some of the themes in her new book How to Raise Kids Who Aren't Assholes.  In this discussion we cover:a consideration of the evidence that parenting is failing children and creating an increase in bad behaviour  features of the current environment that could be selecting for/promoting bad behaviour among childrenMelinda's reflection on what has changed the most for children growing up in the 70s or 80s vs those who have been raised in the last 10 to 15 years  the critical link between generosity and successimpulse control & emotion vs. self-esteem as the primary driver of a child's sense of self-worth and contentednessthe key role of bearing responsibility and managing adversity (in reasonable doses) in creating tolerable adultsthe value of providing children with frank, direct feedback while remaining attuned to the overall attachment with your childhow to talk about lying with children and to work through contradictions that children may notice in their parent's behaviour around lying on a near-daily basis Melinda's thoughts and words of encouragement for parents who are worried that they are not living up to their ideal as parentsMelinda Wenner Moyer is a contributing editor at Scientific Americanmagazine and a regular contributor to The New York Times, Washington Post, and other national magazines and newspapers. She is a faculty member in the Science, Health & Environmental Reporting program at NYU's Arthur L. Carter Journalism Institute. Her first book, How To Raise Kids Who Aren't Assholes, was published in July 2021 by J.P. Putnam's Sons. Melinda was the recipient of the 2019 Bricker Award for Science Writing in Medicine, and her work was featured in the 2020 Best American Science and Nature Writing anthology. She was also awarded a 2018 Alicia Patterson Foundation fellowship. Moyer's work has won first place prizes in the Awards for Excellence in Health Care Journalism, the Folio Eddie Awards and the Annual Writing Awards of the American Society of Journalists and Authors. It has also been shortlisted for a James Beard Journalism Award, a National Academy of Sciences Communication Award and a National Magazine Award. She has a master's in Science, Health & Environmental Reporting from NYU and a background in cell and molecular biology. She lives in New York's Hudson Valley with her husband, two children, and her dog.https://www.melindawennermoyer.comMelindawmoyer.substack.com

Jocelyn C. Zuckerman is my guest on Episode 128 of Inside Ideas with Marc Buckley. Jocelyn is a freelance writer based in Brooklyn. The former deputy editor of Gourmet, articles editor of OnEarth, and executive editor of Modern Farmer, she has written for Audubon, The American Prospect, newyorker.com, nationalgeographic.com, and many other publications. A graduate of Columbia University's Graduate School of Journalism, she served as a Peace Corps volunteer in Kenya and is a former fellow with the Washington, DC–based Alicia Patterson Foundation. Jocelyn has been the recipient of a James Beard Award for feature writing and of fellowships from the Carter Center, The Peter Jennings Project, The New York Times Company Foundation, and Columbia University's Center for Environmental Research and Conservation. Her first book, Planet Palm, was published in May of 2021. www.jocelynczuckerman.com

Description: Our kids do not have to end up going the way of those we see in the media these days, focusing on themselves, fomenting conflict and seeding hate and division. Join author and award-winning science journalist Melinda Wenner Moyer and I as we discuss what science has to say to today's parents who are burdened by the daily and societal strains of raising kids in an uncertain and multi-tasked world. Ranging from perspective to practical methods, our discussion takes parents on a tour of what science has to offer parents looking to cut through the wispy fads to discover solid ground for their children. About Melinda: Melinda Wenner Moyer is a contributing editor at Scientific American magazine and a regular contributor to The New York Times, Washington Post, and other national magazines and newspapers. She is a faculty member in the Science, Health & Environmental Reporting program at NYU's Arthur L. Carter Journalism Institute. Her first book, How To Raise Kids Who Aren't Assholes, will be published in July 2021 by J.P. Putnam's Sons. Melinda was the recipient of the 2019 Bricker Award for Science Writing in Medicine, and her work was featured in the 2020 Best American Science and Nature Writing anthology. She was also awarded a 2018 Alicia Patterson Foundation fellowship. Moyer's work has won first place prizes in the Awards for Excellence in Health Care Journalism, the Folio Eddie Awards and the Annual Writing Awards of the American Society of Journalists and Authors. It has also been shortlisted for a James Beard Journalism Award, a National Academy of Sciences Communication Award and a National Magazine Award. She has a master's in Science, Health & Environmental Reporting from NYU and a background in cell and molecular biology. She lives in New York's Hudson Valley with her husband, two children, and her dog. Learn more about Melinda and her work at www.melindawennermoyer.com

In this episode of "Keen On", Andrew is joined by Melinda Wenner Moyer, the author of "How to Raise Kids Who Aren't Assholes: Science-based Strategies for Better Parenting — from Tots to Teens", to discuss a winning guide for parents who wish to build a ‘better, fairer, stronger world Melinda Wenner Moyer is a contributing editor at Scientific American magazine and a regular contributor to The New York Times, Washington Post, and other national magazines and newspapers. She is a faculty member in the Science, Health & Environmental Reporting program at NYU's Arthur L. Carter Journalism Institute. Melinda was the recipient of the 2019 Bricker Award for Science Writing in Medicine, and her work was featured in the 2020 Best American Science and Nature Writing anthology. She was also awarded a 2018 Alicia Patterson Foundation fellowship. Moyer's work has won first place prizes in the Awards for Excellence in Health Care Journalism, the Folio Eddie Awards and the Annual Writing Awards of the American Society of Journalists and Authors. It has also been shortlisted for a James Beard Journalism Award, a National Academy of Sciences Communication Award and a National Magazine Award. She has a master's in Science, Health & Environmental Reporting from NYU and a background in cell and molecular biology. She lives in New York's Hudson Valley with her husband, two children, and her dog. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we're talking about how to make investigative reporting work within a freelance career. So often we think of investigative reporting projects as money sucks that will wreck your sustainable business plan. You never know how much time or effort the reportage could take, and it can be tough to estimate time accurately because of that. Wudan's conversation with investigative journalist Lee van der Voo turns that assumption on its head. Lee is an award-winning environmental journalist based in Portland, Oregon. She recently published a book called "As the World Burns," which is about 21 young people suing the U.S. government for climate-related crimes. You can find her investigations in places like The New York Times, The Guardian, Slate, Reuters, The Atlantic, Propublica, and beyond. And she's been supported by the Alicia Patterson Foundation, The Fund for Investigative Journalism, Investigative Reporters and Editors, and the Lizzie Grossman Grant for Environmental Health Reporting. Lee and Wudan talk about breaking your reporting process into smaller pieces, and Lee offers innovative ways to use your reporting to spark other pitches, which you can sell to make money along the way. She also talks about working toward a book or longform project, and how to decide which end-game is the best choice for you. You can read more about her work here: https://leevandervoo.com/ Follow her on social media: https://twitter.com/lvdvoo Writers' Co-op members will receive a tip sheet from Lee that walks you through defining the many versions of stories that you could sell based on your longform reportage, so you can make money as you work toward the "big thing." If you're not a Co-op member, there's still time to join: https://www.patreon.com/twcpod (Btw: we have a new offering: If you're just getting started with your freelance business, you'll want to enroll in freelance biz school @ The Writers’ Co-op Academy! We're offering two courses: One that helps you create a business plan (Biz Basics) and one to help you understand media contracts. Check 'em out!)

Episode 127:  American Timelines 1950, Part 4:  The Murder of Jo Ann Dewey with Craig from Canadian History Ehx.  Craig joins us from Edmonton to discuss the Red River Flood of 1950, while Amy covers the murder of Jo Ann Dewey.  PLUS:   antibiotics in animal feed, a killer circus elephant, the first female little league player, and much more!   Season 5, Episode 4, of American Timelines! Part of the Queen City Podcast Network: www.queencitypodcastnetwork.com. Credits Include  Historylink.org, Crimecapsule.com, The Alicia Patterson Foundation, derangedlacrimes.com, Popculture.us, Wikipedia, TVtango, IMDB & Youtube.  Information may not be accurate, as it is produced by jerks. Music by MATT TRUMAN EGO TRIP, the greatest American Band. Click Here to buy their albums!

Ernesto Bazan nasce a Palermo.Dopo aver ricevuto la sua prima macchina fotografica già a 14 anni, capisce che quello non era un semplice regalo, ma era passione, la sua missione.Nel 2002 crea un suo workshop, con uno stile di insegnamento singolare che lo porta ad essere di grande ispirazione per molti studenti. Bazan è vincitore di alcuni dei più alti riconoscimenti a livello mondiale per la fotografia come il World Press Photo, Eugene Smith Grant, e borse di studio da Alicia Patterson Foundation e John Simon Guggenheim Memorial Foundation.Oggi vive a Jersey City con la sua famiglia e il loro cane, Diva.#bazan #intervista #fotografia

Listen NowNine in 10 prescriptions are today filled using a generic drug saving Americans tens of billions annually.   A significant amount of generic drugs, along with active ingredients in all drugs, are manufactured overseas.  However, how safely or to what quality standards are these ingredients and generics produced?   Bottle of Lies, published in May, tells the story of appalling practices foreign generic manufacturers use to produce these drugs at the most minimal cost.  The work moreover provides a detailed account of Ranbaxy, the former India-based generic manufacturer that after eight years of investigation was fined a then record amount,$500 million, for significant fraud.  The work questions or brings to serious doubt the FDA's ability to adequately inspect overseas generic manufacturers ensuring these drugs are safe for consumption in the US or around the world.  Listeners may recall I interviewed coauthor Paul Weinberg in September 2017 concerning his related work, Blood On Their Hands, How Greedy Companies, Inept Bureaucracy and Bad Science Killed Thousands of Hemophiliacs and Rosemary Gibson this past December concerning her related, China Rx, Exposing the Risk of America's Dependence on China for Medicine. During this 37 minute interview. Ms. Eban provides an overview of Ranbaxy's manufacturing practices revealed by former employee and whistleblower, Dinesh Thakur.  She explains the mindset, termed "Jugaad," used in India to produce generics.  She discusses the adequacy of the 2013 US settlement with Ranbaxy , the role the Japanese firm, Daiichi Sankyo, a  major Ranbaxy stakeholder, the FDA's ability to adequately inspect Ranbaxy and other generic manufacturers around the world, e.g., Cipla and Mylan, recent and future related Congressional action, how poor or inadequate manufacturing practices complicate remedying the drug shortage problem and what precautions consumers or patients can take before consuming generic drugs.  Katherine Eban, an investigative journalist, is a Fortune magazine contributor and Andrew Carnegie fellow. Her articles on pharmaceutical counterfeiting, gun trafficking, and coercive interrogations by the CIA, have won international attention and numerous awards.  She has also written for Vanity Fair, The New York Times, Self, The Nation, the New York Observer and other publications. Her work has been featured on 60 Minutes, Nightline, NPR, and other national news programs.  She lectures frequently on the topic of pharmaceutical integrity.  Her first book, Dangerous Doses: a True Story of Cops, Counterfeiters and the Contamination of America's Drug Supply, was named one of the Best Books of 2005 by Kirkus Reviews and was a Barnes&Noble Discover Great New Writers pick.  Her account of reporting on 9/11 was anthologized in At Ground Zero: 25 Stories From Young Reporters Who Were There. Her work has also been awarded grants from the Alfred P. Sloan Foundation, the Fund for Investigative Journalism, the Alicia Patterson Foundation and the McGraw Center for Business Journalism at CUNY's Craig Newmark Graduate School of Journalism.  Educated at Brown University and Oxford, where she was a Rhodes Scholar.   Information on Bottle of Lies is at: https://www.harpercollins.com/9780062338785/bottle-of-lies/.  Ms. Eban's FAQ regarding how to learn about generics or best to consume is at: https://www.katherineeban.com/faqs.  This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.thehealthcarepolicypodcast.com

Ep. 223: With 20+ years of experience as an award-winning journalist and author, Dr. Kristal Brent Zook has skills in reporting, writing, editing, teaching, public speaking, and media analysis. Her work has appeared in The Washington Post, Essence Magazine, The New York Times Magazine, The LA Weekly, The Village Voice, and many other outlets. Dr. Zook has also worked as a producer and on-air commentator for National Public Radio, and she continues to appear periodically as an on-air commentator providing analysis of media, social justice issues, and politics for NPR, CNN, BET, Fox, TV-One, MTV, and MSNBC. Her expertise is at the intersections of journalism, cultural reporting, race, gender, and media studies. Dr. Zook has served most recently as a mentor for the Op-Ed Project in New York, and a judge for the Robert F. Kennedy Journalism Awards and The New York Press Club Awards. In 2013, she was appointed to the Board of Directors for the Alicia Patterson Foundation in Washington DC.  Dr. Zook is the founder of the #ImNotAlone movement, which provides on social media an informational platform about the multiracial experience.  For more on Dr. Zook, please visit her website: http://kristalbrentzook.com/about/ For more on host, Alex Barnett, please check out his website: www.alexbarnettcomic.com or visit him on Facebook (www.facebook.com/alexbarnettcomic) or on Twitter at @barnettcomic To subscribe to the Multiracial Family Man, please click here: MULTIRACIAL FAMILY MAN PODCAST Huge shout out to our "Super-Duper Supporters" Elizabeth A. Atkins and Catherine Atkins Greenspan of Two Sisters Writing and Publishing Intro and Outro Music is Funkorama by Kevin MacLeod (incompetech.com) Licensed under Creative Commons - By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/

Rowan Jacobsen is the author of A Geography of Oysters, Fruitless Fall, The Living Shore, American Terroir, Shadows on the Gulf, Apples of Uncommon Character, and The Essential Oyster. He writes for Harper’s, Outside, Mother Jones, Vice, Yankee, and others, and his work has been anthologized in The Best American Science & Nature Writing and Best Food Writing collections. He has won a couple of James Beard Awards, an IACP award, and some others. His Outside Magazine piece “Heart of Dark Chocolate” received the Lowell Thomas Award from the Society of American Travel Writers for best adventure story of the year, and his Harper’s piece “The Homeless Herd” was named best magazine piece of the year by the Overseas Press Club. He was an Alicia Patterson Foundation fellow, writing about endangered diversity on the borderlands between India, Myanmar, and China, and a McGraw Center for Business Journalism Fellow, writing about the disruptive potential of plant-based proteins. Apples of Uncommon Character was named a Best Book of the Year by the Washington Post, Wall Street Journal, Boston Globe, NPR, and others.

Rowan Jacobsen is the author of A Geography of Oysters, Fruitless Fall, The Living Shore, American Terroir, Shadows on the Gulf, Apples of Uncommon Character, and The Essential Oyster. He writes for Harper's, Outside, Mother Jones, Vice, Yankee, and others, and his work has been anthologized in The Best American Science & Nature Writing and Best Food Writing collections. He has won a couple of James Beard Awards, an IACP award, and some others. His Outside Magazine piece “Heart of Dark Chocolate” received the Lowell Thomas Award from the Society of American Travel Writers for best adventure story of the year, and his Harper's piece “The Homeless Herd” was named best magazine piece of the year by the Overseas Press Club. He was an Alicia Patterson Foundation fellow, writing about endangered diversity on the borderlands between India, Myanmar, and China, and a McGraw Center for Business Journalism Fellow, writing about the disruptive potential of plant-based proteins. Apples of Uncommon Character was named a Best Book of the Year by the Washington Post, Wall Street Journal, Boston Globe, NPR, and others.

David H. Wells a free-lance photographer affiliated with Aurora Photos and photo educator in Providence, Rhode Island. He specializes in intercultural communications and the use of light and shadow to enhance visual narratives. His work has been featured in one-person exhibits at Brown University, U.C. Berkeley and Harvard University. His work has been part of group exhibitions at the Houston FotoFest and the Visa pour l'Image Festival in Perpignan, France. He has been an Artist in residence at the Visual Studies Workshop and the Light Works Photography Center. He has taught classes at the University of Pennsylvania and workshops at the International Center for Photography in NYC and Maine Media Workshops. He was featured in Photo District News as one of "The Best Workshop Instructors." http://www.pdnonline.com/features/PDN-Reader-Survey-T-3302.shtml His photo-essays have been funded by fellowships from Nikon/NPPA, the Pennsylvania Council on the Arts, the MacArthur Foundation's Program of Research and Writing on International Peace and Cooperation, the Alicia Patterson Foundation and the Fulbright Foundation. His project on the pesticide poisoning of California farm workers was nominated for a Pulitzer Prize by the Philadelphia Inquirer. As an Olympus Visionary, Wells has been contracted by the camera company to produce images and provide feedback on new product lines. You can find out more about David H. Wells and his work by visiting his site http://davidhwells.com/index.php or his blog http://thewellspoint.com/ or follow him on Tumblr at http://thewellspoint.tumblr.com/ or Twitter at https://twitter.com/thewellspoint David H. Wells recommends the work of Harry Callahan. www.davidhwells.com/index.php http://thewellspoint.com/ www.thecandidframe.com info@thecandidframe.com