Podcasts about Give Me One Reason

Dirt Road Rising!JD Clayton didn't wait for permission. He wrote the songs, built the band, produced the album—and now he's building a movement one dirt road and bass drop at a time.Instead, he's ripping stages across America, self-producing records that slap you in the soul, and proving that roots music doesn't have to play by the rules.In this episode, we dive into the unpredictable rise of a Southern preacher's grandson turned genre-blending Americana artist with a voice built for vinyl and a mindset built for the grind. From late-night voice memos to full-blown anthems, JD pulls back the curtain on the chaos, pressure, and pure magic of making music on your own terms.You'll discover:The song that literally started in a rain-soaked car ride and now melts faces on tourWhy he produces his own albums—and the mental toll it takesHow a failed dinner date became the seed for a fan-favorite track.And the moment he realized: "The cavalry isn't coming. You have to be it."Oh—and you'll never hear Tracy Chapman's “Give Me One Reason” the same way again. JD's version shreds.This episode is real, raw, and ridiculously fun. If you're sick of polished PR stories and want the unfiltered truth of what it takes to make it in music today, JD brings it.Plug in. Press play. And get ready to join the Clayton cult with us!His new album Blue Sky Sundays is out now!----Check out JD here: https://jdclaytonofficial.com/----We WANT to hear from you. Please share a review on Spotify and Apple.AND follow Americana Curious on Instagram for the latest interviews and the behind-the-scenes with your favorite artists! https://www.instagram.com/americanacurious

Adam Levy is a featured guitarist and songwriter. He played on Norah Jones' big hit “Come Away With Me” and on Tracy Chapman's big hit “Give Me One Reason.” He's done recordings with Allen Toussaint, Lizz Wright, Vulfpeck, Amos Lee and Anais Mitchell.My featured song is “Sostice”, my recent single, by my band Project Grand Slam. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------Connect with Adam at:www.adamlevy.com—---------------------------------------ROBERT'S SINGLES:“THE RICH ONES ALL STARS” is Robert's latest single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's sublime, atmospheric Jazz Fusion tune. Featuring guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Folks, you don't need me to tell you this is a stressful time. Fortunately for us here in the good ol' US of A, we have several options for releasing stress. In this country we have the right to listen to music. Believe it or not music is strictly forbidden in some places. That's because the powers that be know music has a way to galvanize people like no other art form. Another way to relieve stress is to exercise your right to vote. It's the most valuable thing we have, this freedom of choice. It's such an incredible thing that people take it for granted. Well not anymore! With the future bearing down on us, we're enlisting the incomparable Nina Jo Smith to help us count down our favorite Songs About Choice. Use it while you got it, my friends! Picks 10-6 are featured here in Part 1.Nina Jo is always working on something creative, and creates wonderful music. Her new album Out Of The Darkness is available now!https://www.ninajosmith.net/The beloved Patreon people keep the show afloat by contributing $5 a month. In return they're rewarded with a monthly exclusive bonus episode using our patented Emergency Pod format, our improv game where we pull a playlist out of our butts in real time. On November 1st we will release an all-new Emergency Pod episode with the materfamilias herself, my mom Elizabeth Eisen. No swears were uttered. Get this and every episode we've done, plus a new one every month:https://www.patreon.com/alltimetoptenChat with us! On Facebook! Get more involved in the ATTT cinematic universe by chatting with us on the Facebook Music Chat Group. Start a conversation about music!https://www.facebook.com/groups/940749894391295

"A Day on the Green: Celebrating 35 Years Since the Legendary Concert"Larry Mishkin  highlights a significant Grateful Dead concert from May 27, 1989, at Oakland Alameda County Stadium, part of an AIDS benefit organized by Bill Graham. The event featured artists like Tracy Chapman, John Fogerty, Los Lobos, Joe Satriani, and the Grateful Dead. Larry delves into Fogerty's set, backed by Jerry Garcia and Bob Weir, sharing insights and historical context. He also touches on the canceled Neil Young concert due to illness, expressing disappointment and hope for rescheduling. The episode mixes personal anecdotes, music history, and current events in the music world. Grateful DeadMay 27, 1989Oakland Alameda County StadiumOakland, CAGrateful Dead Live at Oakland-Alameda County Stadium on 1989-05-27 : Free Borrow & Streaming : Internet ArchiveA Day On The Green: Aids Benefit Concert:Tracy Chapman                an American singer-songwriter, widely known for her hit singles "Fast Car" from her debut album “Tracy Chapman” (1988) and "Give Me One Reason" from her fourth album which on that day was still a few years awat, “New Beginning” (1995).  Fast Car has enjoyed a resurgence thanks to Country star, Luke Combs, who's cover version went platinum in 2023 and by September that year was a No 1 country hit making Chapman the first black woman with a sole songwriting credit at No. 1 on the Country charts.John Fogerty                Of Credence Clearwater Revival fameLos LobosJoe Satriani              an American rock guitarist, composer, and songwriter. Early in his career he worked as a guitar instructor, with many of his former students achieving fame, including Steve Vai, Larry LaLonde, Rick Hunolt, Kirk Hammett, Andy Timmons, Charlie Hunter, Kevin Cadogan, and Alex Skolnick. Satriani went on to have a successful solo music career, starting in the mid-1980s. He is a 15-time Grammy Award nominee and has sold over ten million albums, making him the bestselling instrumental rock guitarist of all time.[3]In 1988, Satriani was recruited by Mick Jagger as lead guitarist for his first solo tour.[4] Satriani briefly toured with Deep Purple, joining shortly after another departure of Ritchie Blackmore from the band in November 1993.[5] He has worked with a range of guitarists during the G3 tour, which he founded in 1995.Tower of Power, and, last but not least Dead INTRO:                                 Althea                                                Track #3                                                4:51 – 6:21                From the Go To Heaven album (April, 1980), Garcia and Hunter masterpiece.  Always a Jerry favorite and loved by Deadheads everywhere, this was the third song of the show following the Touch of Grey opener (of course) and Greatest Story.  Great guitar work, lovely vocals, this song really launches the show and gets everyone in the groove. Played 273 timesFirst:  August 4, 1979 at Oakland Civic Auditorium, Oakland, CA, USALast:  July 8, 1995 at Soldier Field, Chicago          The weather for the Day On The Green concert was perfect. Bill Graham, apparently, had an exclusive arrangement with some greater power, so that it never, ever rained when he was having a major outdoor show, and his deal remained in place for the May '89 AIDS Benefit. Another oddity about the AIDS Benefit was that there were no less than five opening acts for the Grateful Dead, which I think was some kind of record for a Bay Area Grateful Dead show. To see that whole event would mean at least 12 hours in the sun, just to wipe yourself out for what we all really wanted to see at the very end.            It seems shocking today that a Benefit concert for a terrible disease would be seen as a progressive political act, but such was the Reagan 80s. At least in San Francisco, efforts to prevent AIDS and provide care for those suffering from it had finally expanded beyond the gay community into the general culture. Nonetheless it was still significant when major rock bands headlined a large benefit concert in the Bay Area's biggest venue. Concern for AIDS had finally reached parity with Amnesty International and the Rain Forest, which was a welcome thing. The Coliseum benefit was the largest of several events around the Bay Area, all organized by Bill Graham Presents, and meant to raise awareness as well as money.            Originally the Oakland show was supposed to have joint headliners, with both the Grateful Dead and Huey Lewis and The News. A few weeks before the show, however, Huey Lewis had to drop out of the show. Rather sheepishly, his management publicly conceded that the stadium show was cutting into ticket sales for Lewis around Northern California, and they couldn't afford to work for what was effectively nothing.             The Dead, of course, had no such concerns. At a press conference, Jerry Garcia graciously said that Huey had to listen to his management, it was part of the business.  Huey Lewis And The News were the biggest act in the Bay Area at the time with respect to record sales, and yet the Dead outdrew them by several multiples. The Dead were no longer an aging hippie band who hadn't broken up--they were the biggest draw in town.           By 1989, the Dead were huger than ever, thanks to "Touch Of Grey" – which the Dead opened with - and the Coliseum show was an opportunity for a lot of people who had always wanted to see the Dead but hadn't been been able to get tickets. Frost and Shoreline shows sold out pretty rapidly, so regular rock fans who wanted to see the Dead were out of luck. Thus the crowd was very Dead-positive, with plenty of Deadheads, but far less like the insular club of Deadhead veterans that were characteristic of Bay Area shows at the time.            There were many fascinating aspects to this event, but in retrospect the most fascinating was that former Creedence Clearwater Revival frontman John Fogerty was second on the bill, and it was known before the show that Jerry Garcia and Bob Weir would be part of his backing group.            Creedence had been hugely, titanically popular, but Fogerty had been in a bitter dispute with his record company since the mid-70s, and as a result had refused to play any of his great Creedence songs in concert. By 1989, however, although Fogerty's ire towards Fantasy Records had not subsided, for various reasons he had come to terms with his old songs, so it was widely known that not only would Garcia and Weir be backing Fogerty, but that they would be playing Creedence classics as well. Everything pointed towards an event of historic proportions.            There is a You Tube video of the entire Fogerty set that I encourage you to view.                   Fogerty had a unique status in the Bay Area at the time, and everyone was reminded of that when word was unofficially "leaked", I believe through Joel Selvin's Chronicle column, that not only would Garcia and Weir back Fogerty, but that Fogerty would be playing old Creedence songs.            John Fogerty hit the stage in the late afternoon, last up before the Grateful Dead. His band, previously announced, wasJohn Fogerty-lead guitar, vocalsJerry Garcia-guitarBob Weir-guitarRandy Jackson-bassSteve Jordan-drumsJackson and Jordan were well-known and well regarded as session players. Randy Jackson was a working member of Santana's band at the time, among many other gigs. Today, of course, Jackson is best known as a judge for the TV show American Idol, but that was far in his future. Jordan had played the Bay Area recently, on the 1988 tour with Keith Richards, whose album he had co-produced. Fogerty played 11 songs in about 45 minutes. Born On The BayouGreen RiverDown On The CornerRock And Roll GirlCenterfieldProud MaryMidnight SpecialBad Moon RisingFortunate Sonencores with Clarence Clemons-tenor saxophoneSuzie QLong Tall Sally             The question many would most like to have answered about this show is "who rehearsed?" From watching the video, it is clear that John Fogerty had run through the songs with Randy Jackson and Steve Jordan. Now, Creedence songs are delightfully basic, as well as famous worldwide, so pros like Jackson and Jordan hardly needed many takes. On every song, however, Jackson and Jordan both provide a funky bottom and plenty of accent. They knew the tunes, and they knew how to make them swing, so I think they had worked on them with Fogerty.            Jerry Garcia, however, was notorious for never wanting to rehearse. Weir is far less notorious for avoiding rehearsals, though it is also known that he is famously not on time, so it may amount to something similar. Since John Fogerty wasn't particularly close to any members of the Dead, it's clear that Bill Graham was the one who got Garcia and Weir to accompany Fogerty, and in so doing make it "an event," in classic Graham style. Could Graham have persuaded Garcia to rehearse? The alternative is strange, namely playing a show in front of 40,000 people with at least two band members completely flying blind.            On the day of the show the story is that Garcia and Weir had a dressing room run-through with Fogerty and the rhythm section, agreeing on the tempos and the intros. Sandy Rothman has described how the Jerry Garcia Acoustic Band did not really practice songs, they just agreed on an intro and tempo and sang a chorus together. Granted, Rothman, Garcia and David Nelson had played all those songs before, but it was usually twenty years earlier. Still, one chorus run through was sufficient. So I think Fogerty talked Garcia and Weir through the planned songs, but they had never really played together until they got on stage.            Creedence songs have a nice groove, but they aren't jamming platforms, so of course Garcia just plunks away through the entire show, maybe not his most memorable performance.  On one hand, Jerry Garcia's health in 1989 was as good as it had been in at least a decade, nor it would ever be that good again. Yet the stunning success of "Touch Of Grey," gratifying as it must have been, insured that the bubble of Garcia's life meant that he was more insulated than ever. Garcia wasn't just a legend to Deadheads, he was in the pantheon now, the biggest rock star in the Bay Area, in a beautiful cage with no escape.When Fogerty kicks off the familiar, booming riff of "Born On The Bayou," Garcia is tucked back on stage left, next to Steve Jordan's drums. Randy Jackson is on the other side of Jordan, and Weir is right next to Jackson. Although Garcia plays a very simple figure behind Fogerty for "Bayou," his eyes are on Jordan, and Jerry has a big, happy grin on his face. I'm not imagining this--Garcia has a big grin on his face throughout the entire set, and he mugs happily with Jordan as the drummer plays fills and accents through the set. Weir seems to be having the same kind of fun with Randy Jackson over on stage right. Fogerty is the star, front and center, but the band is getting their own groove on behind him. SHOW No. 1:                    Down On The Corner (and Band introductions)                                                John Fogerty (w. Jerry and Bobby)                                                JERRY GARCIA JOHN FOGERTY CLARENCE CLEMMONS AND BOB WEIR 5-27-1989 AIDS BENEFIT OAKLAND CA (youtube.com)                                                10:49 – 12:42                 "Down on the Corner" is a song by the American band Creedence Clearwater Revival. It appeared on their fourth studio album, Willy and the Poor Boys (1969). The song peaked at No. 3 on the Billboard Hot 100 on 20 December 1969. The flip side, "Fortunate Son", reached No. 14 on the United States charts on 22 November 1969, the week before Billboard changed its methodology on double-sided hits.           The Fogerty set isn't a big deal to Deadheads, but it's hard to get around the fact that Garcia is having a great time. Whether Fogerty was "bigger" than Garcia is beside the point. Fogerty is a genuine star, with genuine hits, so he is the center of attention while he is on stage. For any singer less important than Fogerty--as in, just about all of them--Garcia could not hang back, but he can do so here. For 45 minutes, it's like Garcia is at the Keystone Berkeley or something, hanging out with his peers, playing the guitar parts that are dictated by the music, simple though they may be. When they got to "Down On The Corner," Jerry is practically jumping up and down. In a small but fascinating moment, he steps up to the mic to sing the backing vocals. Now granted, the whole English speaking world knows that it goes "Down on the corner/Out in the street/Willie and The Poor Boys are playing/Bring a nickel, tap your feet," but Jerry actually steps up to sing. Over the years, Deadheads have seen and heard Garcia make lots of guest appearances with various artists. Yet how often did he sing the chorus of other people's hit songs? After "Down On The Corner," Fogerty introduces the band, and Garcia's back is turned when it is his turn, as he's tuning up. Fogerty says "wake him up!' and Garcia turns around. "On guitar, Jerry Garcia!" Garcia grins and goes back to tuning, and Fogerty says "Genius at work." This is just musicians goofing around, albeit goofing around on stage in front of 40,000 people, but Garcia gets to be just another dude on stage, perhaps for one of the last times. A few months later (August 2, 1989), he would share the stage with Carlos Santana and Ruben Blades but that was for a TV special where he was a featured guest. At the Oakland Coliseum, he's just a hired gun playing a bunch of top 40 songs.             As Deadheads, we always wanted certain things from Jerry. When Garcia didn't give us what we want, we grumbled, and thanks to the magic of tape and digital recording, we can collectively complain about it for decades. Good times! But we have to keep in mind that what we wanted wasn't always what Jerry wanted. For a Memorial Day Saturday, Garcia wanted to be in a band, playing songs the way they were written, singing his parts when they came around, grooving with the drummer and letting the front man do the heavy lifting. Did it ever come around again that Jerry got to play simple, popular songs with a front man with enough gravitational pull so that it wasn't All About Jerry? In that sense, Garcia's role as John Fogerty's backing musician is a last look backwards for Garcia, a time when he could just be in the band, if only for 45 minutes.             Or, as I like to think of it, the Fogerty set was a big pre-show jam session for Bobby and Jerry who soon came back out with the Dead for their standard 3+ hour performance.  However you look it at it, the Fogerty set was a fun throwback for Deadheads and a chance to see Jerry and Bobby play with another legend.  MUSIC NEWS: Neil Young show in Chicago canceled 90 minutes before show time  May 23, 2024 at Northerly Island in Chicago.Going to see Dead & Co. this Saturday, June 1, at the Sphere with a bunch of good friends including good buddy Marc from St. Louis.  I hope to be able to have a report on the show for next week's episode but with travel the next day, it may be hard to get the story ready in time.  If so, there will be a big report in two weeks.  Very excited to see the boys, the Sphere and all my good buddies.The Music Plays the Band – new Dead cover album  SHOW No. 2:                    Iko Iko w/Clarence Clemmons                                                Track #5                                                5:09 – 6:11                 The classic Dead cover of the Dixie Cups tune joined by the Big Man wailing on the sax.  Clarence had played a few tunes during Fogerty's set and joined the boys for this tune and a few others during the show.  In '89 the Boss was as big as ever and Clarence was a big part of that success.  But he enjoyed playing in the improv style embraced by the Dead.                 Clarence first played with the Dead at their New Year's run on December 27 and December 31, 1988 in Oakland and soon after this how, on June 21, 1989 at Shoreline Amphitheater.  He also played a number of times with JGB.  And it turns out that one of Clarence's final live performance was playing a show with Phil and Friends a few years back.               When the E Street Band went on hiatus at the end of the Eighties, Clemons, who by then had moved to the Bay Area, went in search of work and new musical experiences. In 1989, he toured with the first version of Ringo Starr's All Starr Band, cut an album with producer Narada Michael Walden, and — not surprisingly, given his new home base — befriended members of the Dead.Starting in early 1989, Clemons sat in with both the Dead and the Jerry Garcia Band (JGB) at several shows. With the Dead, he joined in on songs like “Estimated Prophet” and “Eyes of the World” and partook of the overall Dead vibe. “Clarence was an old pal, a soulful bro,” Bob Weir told RS in 2011, right after Clemons' death from complications of a stroke. “He was a good hang. Back in the late Eighties and early Nineties, he was living out here in Marin County. He was in moving-on mode, and he, Jerry, and I mixed it up a bit. We were dropping by clubs like Sweetwater and sitting in with various bands.”The association wasn't just musical. “Jerry and I were both single at that time, and Clarence suggested the three of us move in together and have a bachelor pad,” Weir recalled bemusedly. “Jerry and I almost went for it. It would've been a lot of fun, but I don't think anyone would have survived. Jerry was in good shape, but we were doing a little drinking.”  SHOW No. 3:                    Stuck Inside of Mobile w.the Memphis Blues Again w/Clarence                                                Track #6                                                2:26 – 3:51 "Stuck Inside of Mobile with the Memphis Blues Again" (also listed as "Memphis Blues Again") is a song by American singer-songwriter Bob Dylan from his seventh studio album, Blonde on Blonde (1966). The song was written by Dylan and produced by Bob Johnston. It has nine verses, each featuring a distinct set of characters and circumstances. All 20 takes of "Stuck Inside of Mobile with the Memphis Blues Again" were recorded in the early hours of February 17, 1966, at Columbia Records's A Studio in Nashville, Tennessee, with the last take selected for the album. This version also appears on Dylan's second compilation album, Bob Dylan's Greatest Hits Vol. II (1971). Dylan played the song live in concert 748 times from 1976 to 2010. A live version recorded in May 1976 was included on the live album from that tour, Hard Rain (1976), and was also released as a single with "Rita May" as the B-side. The first live performance was at the University of West Florida, Pensacola, on April 28, 1976,[32] during the Rolling Thunder Revue tour. Played 70 times by the Dead.  Part of Bobby's first set rotation of Dylan tunes with Queen Jane Approximately, Desolation Row, Masterpiece and Ballad of a Thin Man.First:  March 17, 1988 at Henry J. Kaiser Convention Center, Oakland, CA, USALast:  April 2, 1995 at The Pyramid Arena, Memphis, TN, USA  MJ NEWS                 SHOW No. 4:                    Blow Away                                                Track #11                                                7:37 – 9:10                 A Brent tune, lyrics by John Barlow (? – seems like a lot of Brent rapping during the song)                When you listen to (and read, thanks to the transcription efforts of careful listeners like Alex Allan of The Grateful Dead Lyric and Song Finder site) to Brent's closing rap / rant from the version of “Blow Away” captured on Dozin' at the Knick, you have to acknowledge that, whether the words were improvised or not, they come from the heart, and have a strong sense of immediacy and urgency. Played 23 timesFirst:    June 20, 1988 at Alpine Valley Music Theatre, East Troy, WI, USALast:    July 16, 1990, Rich Stadium, Orchard Park (Buffalo), NY – it died with Brent   OUTRO:                               Wharf Rat                                                Track #17                                                3:59 – 5:26                 Not the closer this night, or most nights, but it could have been a perfect closer.  Hunter/Garcia masterpiece. Wharf Rats are a group of concert-goers who have chosen to live drug and alcohol-free. They arose out of the environment around the rock group the Grateful Dead and their followers the Deadheads, both of which were rooted in the drugs-embracing counterculture of the 1960s.[1]Their primary purpose is to support other concert goers who choose to live drug-free, like themselves. They announce their presence with yellow balloons, signs, and the Wharf Rats information table. At a set break during Grateful Dead (and related) concerts they hold self help style meetings but are not affiliated specifically with any 12-Step organization and have no requirement for attendance at one of their meetings besides providing some helpful drug free fellowship.[2] Like Deadheads, members of Wharf Rats come from all walks of life.[3] By 1990, the Wharf Rats mailing list had some 3,000 names.[1]The Wharf Rats began during the early 1980s[2] as a group of Deadheads under the name "The Wharf Rat Group of Alcoholics Anonymous". The Wharf Rats originally came from a small group of Narcotics Anonymous members who went to a Grateful Dead concert in Philadelphia and located each other by their Yellow balloons with the NA symbol drawn on in Magic Marker.[4] However due to operational differences they soon split off from Narcotics Anonymous, and are not affiliated with them, AA, or any other twelve-step program (though many of members of the Wharf Rats are members of AA, NA or other 12-step programs). The Wharf Rats see themselves as "a group of friends sharing a common bond, providing support, information and some traction in an otherwise slippery environment." The relationship between the Wharf Rats and more traditional such groups has been studied in the academic journal Deviant Behavior.[1]While the Wharf Rats originated at Grateful Dead concerts, they now have a presence at other concerts as well. Similar groups include The Phellowship for Phish, The Gateway for Widespread Panic, The Jellyfish for The String Cheese Incident, Much Obliged for Umphrey's McGee, Happy Hour Heroes for moe., the Digital Buddhas for The Disco Biscuits, Better Than Before for The Werks, the Hummingbirds for Bassnectar, and the Sunny Bunny Recovery for Ween, Dustie Baggies for Billy Strings and The Hot Tea Party for Goose—all based on the Wharf Rats, which remain the best-known.[2]The name of this group comes from the 1971 Dead song "Wharf Rat" (written by Jerry Garcia and Robert Hunter and appearing on Skull & Roses), which contains the self-told story of August West, a down-and-out dockside wino Played: 399 timesFirst:      February 18, 1971 at Capitol Theatre, Port Chester, NY, USALast:      June 25, 1995 at RFK Stadium in D.C. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Rob ranks the books he was forced to read in high school before turning his focus on the greatness of Tracy Chapman's “Give Me One Reason” from her 1995 album ‘New Beginning.' Later, Rob is joined by fellow Ohio native and author Hanif Abdurraqib to discuss why Ohio breeds such great writers such as Tracy Chapman. The guys also get into Chapman's appearance at the Grammy's and much more. Host: Rob Harvilla Guest: Hanif Abdurraqib Producers: Jonathan Kermah and Justin Sayles Additional Production Support: Chloe Clark Learn more about your ad choices. Visit podcastchoices.com/adchoices

pWotD Episode 2470: Tracy Chapman Welcome to popular Wiki of the Day where we read the summary of a popular Wikipedia page every day.With 956,623 views on Monday, 5 February 2024 our article of the day is Tracy Chapman.Tracy Chapman (born March 30, 1964) is an American singer-songwriter. Chapman is best known for her hit singles "Fast Car" (1988) and "Give Me One Reason" (1995).She was signed to Elektra Records by Bob Krasnow in 1987. The following year she released her debut album, Tracy Chapman, which became a commercial success, boosted by her appearance at the Nelson Mandela 70th Birthday Tribute concert, and was certified 6× Platinum by the Recording Industry Association of America. The album received six Grammy Award nominations, including one for Album of the Year, three of which she won: Best New Artist, Best Female Pop Vocal Performance for her single "Fast Car", and Best Contemporary Folk Album. In 1989 she released her second album, Crossroads, which earned her an additional Grammy Award nomination for Best Contemporary Folk Album. Her third album, Matters of the Heart, followed in 1992.Her fourth album, New Beginning, was released in 1995 and became another worldwide success. It was certified 5× platinum by the RIAA and yielded the hit single "Give Me One Reason", which earned her the Grammy Award for Best Rock Song. Five years would pass before the release of her fifth album, Telling Stories (2000). Let It Rain and Where You Live followed in 2002 and 2005, respectively. Her most recent studio album, Our Bright Future, was released in 2008. The remastered compilation album Greatest Hits, which she curated, was released in 2015. In 2023, she became the first Black woman to score a country number one with a solo composition, and to win the Country Music Association Award for Song of the Year, when Luke Combs covered her song "Fast Car".This recording reflects the Wikipedia text as of 01:42 UTC on Tuesday, 6 February 2024.For the full current version of the article, see Tracy Chapman on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Joanna Standard.

It's good to be in the band Black Stone Cherry right now. Earlier this year they put out what may be their most intense and heaviest record to date with Screamin' at The Sky, they were just announced as the opener for the Sharp Dressed Simple Man Tour featuring the legends ZZ Top and Lynyrd Skynyrd, and meanwhile their cover of "Give Me One Reason" continues to captivate new audiences. Lead singer and rhythm guitarist Chris Robertson checks in from the tour bus to talk all things Black Stone Cherry and the state of music in 2023.

To Support the Channel:Patreon  https://www.patreon.com/AskZacTip jar:  https://paypal.me/AskZacVenmo @AskZac  Or check out my store for merch  - https://my-store-be0243.creator-spring.com/Adam Levy has an established guitar voice that we first heard on Tracy Chapman's "Give Me One Reason," then on albums and tours with Norah Jones, and sharpened to a fine point on his latest release, Spry. Besides his work as a guitarist, Levy has also devoted himself to being an educator through his Guitar Tips channel, Truefire instructional courses, and time spent as the Guitar Dept. Chair at the Los Angeles College of Music. Additionally, Adam made great contributions to the world of guitar journalism as a staff writer for Guitar Player Magazine in the 90s. Today Adam shares his musical adventures, expresses his love for his 1964 Gibson ES-335, and his excitement in releasing the "jazz album of his dreams," Spry.#askzac #adamlevySupport the show

Adam Levy has an established guitar voice that we first heard on Tracy Chapman's "Give Me One Reason," then on albums and tours with Norah Jones, and sharpened to a fine point on his latest release, Spry. Besides his work as a guitarist, Levy has also devoted himself to being an educator through his Guitar Tips channel, Truefire instructional courses, and time spent as the Guitar Dept. Chair at the Los Angeles College of Music. Additionally, Adam made great contributions to the world of guitar journalism as a staff writer for Guitar Player Magazine in the 90s. Today Adam shares his musical adventures, expresses his love for his 1964 Gibson ES-335, and his excitement in releasing the "jazz album of his dreams," Spry.

EP 58 This week we break down one of my favorite songs on the Justified album, "Take It From Here." We talk about how this is such a great song about falling in love. We also Lance making a potentially huge announcement on his podcast, that could have MAJOR implications of our paths crossing again in the near future. --- Support this podcast: https://podcasters.spotify.com/pod/show/peter-sers2/support

Several years after she told us about her "Fast Car," singer-songwriter Tracy Chapman scored her biggest hit by tapping into the nation's love of standard blues changes. This week, Andrew and Dan dive into this number three hit, and name several alumni of Tufts University in the process. 

Over the past decade we've seen a seismic shift in labor: why are so many people quitting their jobs? This week, Mory and Melissa turn towards the Great Resignation to unpack what it means to set boundaries with your work. They explain why we should ditch the term “quiet quitting,” recount some of their own personal horror stories from the job market, and try their best Tracy Chapman impressions. When is your job supporting you, and when should you demand of it, “give me one reason to stay here”?To submit questions for future episodes: https://forms.gle/ZhSKGveWox33GvFq6Follow Mory on insta: https://www.instagram.com/moryfontanez/

My cover for Tracy Chapman's Give me one reason to stay here. sung, rearranged and produced by my self.

Give Me One Reason is one of my favourite song's by Tracy Chapman. I remember when it came out back in the 90s, I bought the CD and that song was on repeat for days. It seemed only fitting to do a cover of the song and add a little of my own style. The track was released on March 13th, 2023. The remix will be released on April 20, 2023.

Give Me One Reason is one of my favourite song's by Tracy Chapman. I remember when it came out back in the 90s, I bought the CD and that song was on repeat for days. It seemed only fitting to do a cover of the song and add a little of my own style. The track was released on March 13th, 2023. The remix will be released on April 20, 2023.

Give Me One Reason is one of my favourite song's by Tracy Chapman. I remember when it came out back in the 90s, I bought the CD and that song was on repeat for days. It seemed only fitting to do a cover of the song and add a little of my own style to it. The track was released today, March 13th.  

Give Me One Reason is one of my favourite song's by Tracy Chapman. I remember when it came out back in the 90s, I bought the CD and that song was on repeat for days. It seemed only fitting to do a cover of the song and add a little of my own style to it. The track was released today, March 13th.

Música

Why Jerry West shouldn't trade for 17 year old Kobe Bryant.

https://funkypearls.fr/ Funky Pearls radio est la première station de radio disco et funk sur le web. Nous jouons les meilleures chansons funk et disco des années 70 à 80. Albums funk et disco Nous diffusons tous vos artistes et albums funk et disco préférés, notamment Parliament-Funkadelic, James Brown, Rick James, Chic, Kool & The Gang, Earth Wind & Fire, K.C. & The Sunshine Band et bien plus encore. Année disco Nous avons également un calendrier qui vous indique quel jour de la semaine chaque chanson disco est sortie ! Application radio gratuite Écoute la radio Funky Pearls sur ton téléphone ou ta tablette avec notre application gratuite ! Tu peux l'écouter partout où tu vas ! Chansons funk et disco Nous jouons toutes vos chansons préférées : "Give Up The Funk", "Ain't No Stoppin' Us Now", "Boogie Wonderland", "The Hustle", "Give Me One Reason"... et bien d'autres encore ! La culture pop Si vous aimez la culture pop (et qui ne l'aime pas ?), nous avons quelque chose pour vous : Un segment hebdomadaire intitulé "L'histoire amusante de la culture pop". Il s'agit d'un regard amusant sur l'évolution de la culture pop au fil du temps et sur la façon dont elle a influencé... Vous pouvez aussi écouter nos replay en podcast Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Wherein Elie meets her new baby boo, Mylah looks for apartments in Prague, and Jennie goes to buy veggies. --- Support this podcast: https://anchor.fm/docusweeties/support

One of my students put down the gauntlet. They asked me this: What one thing could you say to me to help me commit to daily meditation? Here is my answer. 

Why Jerry West shouldn't trade for 17 year old Kobe Bryant.

One must keep doing one's duty and leave the rest to God. Remember, we all have different purposes in life, and we must strive to achieve that. Let's leave comparing ourselves with others and be our own benchmark. https://saibalsanskaar.wordpress.com/2013/02/27/god-can-you-give-one-good-reason-not-to-quit-trust-faith-perseverance/

Today Lowell asks if anyone can give him just one reason why we need to continue with the Emergency Measures act? It is being panned around the world. The trucks are gone, the border crossings are all open... So where is the national security issue here? We hear your comments on Facebook, Youtube, Twitter and Twitch! Lowell is live weekdays at 2pm ET on www.BlastTheRadio.com

Alex, Chris, Jesse, Jon, and Josh offer their weekly teaspoon of nonsense. Chris and Josh begin the episode by recapping the Kings-Leafs game they watched last Monday night at Scotiabank Arena (12:20). The crew discuss Carey Price's statement regarding his mental health and substance use (19:03), a bizarre Week 9 in the NFL (25:03), and Jon plays Give Me One Reason [To Stay Here] focused on his Miami Dolphins (31:10). The guys talk about some feuds in the sports world, including Nikola Jokic vs. Markieff Morris, Scottie Pippen vs. Michael Jordan (34:56), and the upcoming Deron Williams vs. Frank Gore boxing match (40:52). The show ends with everyone's Qualin Award nominations (53:44), and a round of Start-Bench-Cut with current NHL goalies (59:39).

Dan Beyer and Mike Harmon react to an absolute dud of a game between the Dolphins and Ravens and explain the potential fantasy implications of these performances moving forward. The guys break down what Odell Beckham Jr. and Cam Newton could do in fantasy for the rest of this season. The guys look at how a longer season may cause teams to view injuries differently, bring interesting situations for guys like Kyler Murray, Alvin Kamara, and Chris Godwin this week. Mike gives his top-5 QBs, RBs, and WRs, plus your Hot Plays, Cold Sores, and Fantasy Ninjas. Dan brings his most controversial Give Me One Reason of the season. Plus, the guys leave you with 3 important points to take into Week 10! Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

SUBSCRIBE TO I WANT YOUR FLEX HERE Dan Beyer and Mike Harmon react to an absolute dud of a game between the Dolphins and Ravens and explain the potential fantasy implications of these performances moving forward. The guys break down what Odell Beckham Jr. and Cam Newton could do in fantasy for the rest of this season. The guys look at how a longer season may cause teams to view injuries differently, bring interesting situations for guys like Kyler Murray, Alvin Kamara, and Chris Godwin this week. Mike gives his top-5 QBs, RBs, and WRs, plus your Hot Plays, Cold Sores, and Fantasy Ninjas. Dan brings his most controversial Give Me One Reason of the season. Plus, the guys leave you with 3 important points to take into Week 10! Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

SUBSCRIBE TO I WANT YOUR FLEX HERE Dan Beyer and Mike Harmon react to an absolute dud of a game between the Dolphins and Ravens and explain the potential fantasy implications of these performances moving forward. The guys break down what Odell Beckham Jr. and Cam Newton could do in fantasy for the rest of this season. The guys look at how a longer season may cause teams to view injuries differently, bring interesting situations for guys like Kyler Murray, Alvin Kamara, and Chris Godwin this week. Mike gives his top-5 QBs, RBs, and WRs, plus your Hot Plays, Cold Sores, and Fantasy Ninjas. Dan brings his most controversial Give Me One Reason of the season. Plus, the guys leave you with 3 important points to take into Week 10! Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Alex, Chris, Jesse, Jon, and Josh offer their weekly teaspoon of nonsense. They discuss the report by law firm Jenner & Block re: Kyle Beach and the sexual abuse he endured as a member of the Chicago Blackhawks organization, and the subsequent lack of action taken by seven team executives (11:18). The guys converse about the fallout from Jon Gruden's sexist and racist email messages he sent a decade ago (29:27), early storylines from the beginning of the NBA season (35:18), and the most valuable NBA franchises according to Forbes Magazine (37:28). The boys talk about their fantasy basketball league (42:24), and Chris opines that Patrick Mahomes is a major reason for the Kansas City Chiefs' slow start (49:32). They finish the episode with a new segment based on Tracy Chapman's hit song, Give Me One Reason [To Stay Here] looking at the Montreal Canadiens' brutal start to the season (52:35), and give their Qualin Award nominations (59:04).

SUBSCRIBE TO I WANT YOUR FLEX HERE! Dan Beyer and Mike Harmon discuss the evolving scope on fantasy tight ends and discuss how to approach the position. Mike gives his Top-5 QBs, RBs, and WRs for the week. The guys have your Hot Plays, Cold Sores, and Fantasy Ninjas to watch out for. Dan seeks redemption in his Give Me One Reason starts and sits for the week and tells you where you can find Points-a-Palooza on Sunday. Plus, birthday wishes, Packers/Bears historical moments, and the most obscure music references you can find! Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Dan Beyer and Mike Harmon discuss the evolving scope on fantasy tight ends and discuss how to approach the position. Mike gives his Top-5 QBs, RBs, and WRs for the week. The guys have your Hot Plays, Cold Sores, and Fantasy Ninjas to watch out for. Dan seeks redemption in his Give Me One Reason starts and sits for the week and tells you where you can find Points-a-Palooza on Sunday. Plus, birthday wishes, Packers/Bears historical moments, and the most obscure music references you can find! Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

SUBSCRIBE TO I WANT YOUR FLEX HERE! Dan Beyer and Mike Harmon discuss the evolving scope on fantasy tight ends and discuss how to approach the position. Mike gives his Top-5 QBs, RBs, and WRs for the week. The guys have your Hot Plays, Cold Sores, and Fantasy Ninjas to watch out for. Dan seeks redemption in his Give Me One Reason starts and sits for the week and tells you where you can find Points-a-Palooza on Sunday. Plus, birthday wishes, Packers/Bears historical moments, and the most obscure music references you can find! Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

SUBSCRIBE TO I WANT YOUR FLEX HERE! Dan Beyer and Mike Harmon discuss the evolving scope on fantasy tight ends and discuss how to approach the position. Mike gives his Top-5 QBs, RBs, and WRs for the week. The guys have your Hot Plays, Cold Sores, and Fantasy Ninjas to watch out for. Dan seeks redemption in his Give Me One Reason starts and sits for the week and tells you where you can find Points-a-Palooza on Sunday. Plus, birthday wishes, Packers/Bears historical moments, and the most obscure music references you can find! Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

It is impossible to remember everyone's name but Kent was so good at convincing someone he remembered them it even fooled his wife.

With armed robbery in the recent rearview, Roswell season three gets to a very important development: Michael has friends! Of course, he almost immediately gets them all fired, but it's emotional growth. This episode also prompts Patrick and Ryan to decide exactly how to react when your paramour presents a hang glider in the dead of night. Over on Roswell, New Mexico, Liz and Max continue to have the cutest one night stands on record and Jones' backstory gives our hosts a chance to reflect on their favorite villain monologues. Yes, Lost is discussed.

DJ Travel Size calls in from the great state of Texas to take Lyd The SBW on a black woman centered journey from Fort Worth, TX to Kingston, Jamaica and stops off at some of the places in between.The SpaceTimeMusic theme music is a sample of the Ana-Tole x Jonah Christian Remix of Ready or Not by the Fugees.LINKS:A Sample, A Cover playlistFacebookMerchEmail: spacetimemusicpodcast@gmail.comEp. 38 The RainThe cast of Broadway show The Color Purple singing Purple RainSONG CREDITS:In order of appearancePurple RainPurple Rain SoundtrackPrince & The Revolution1984Rock Me AmadeusFalco 3Falco1985Give Me One ReasonNew BeginningTracy Chapman1995Everything is EverythingThe Miseducation of Lauryn Hill Lauryn Hill19987/11BeyonceBeyonce 2014Orinoco Flow WatermarkEnya1989Hard Place I Used to Know HerH.E.R.2019I Like ThatJanelle Monae Dirty Computer2018Hold UpLemonadeBeyonce2016Bam BamOne, TwoSister Nancy1982Bam BamThe Maytals/Byron Lee & The Dragonaires1966Stalag 17Ansell Collins1974The Rain (Supa Dupa Fly)Supa Dupa FlyMissy “Misdemeanor” Elliot1997

Biblical Evil Elvis Toilet Myth Jamiroquai That's what trip-hop is. Slap City picks: "Black Milk" by Massive Attack, "Give Me One Reason" by Tracy Chapman. Listen to our playlist here Join us in 2 weeks when we'll discuss our 25th Patreon pick, King Gizzard & the Lizard Wizard's Polygondwanaland!

Jazz is all about the contrast between the individual and the collective, and few recordings embody that as beautifully as "Stolen Moments," the opening track from Oliver Nelson's 1961 hard-bop record The Blues and the Abstract Truth. On this episode, Kirk dives deep into Nelson's classic tune, starting with his dense horn arrangement, then considering the three improvised horn solos as distinct creations that reflect the at-times wildly different ambitions of each individual player. Also, there's jazz flute. Written by: Oliver Nelson Performed by: Freddie Hubbard (tpt.), Eric Dolphy (alto/flute), Oliver Nelson (tenor), George Barrow (bari), Bill Evans (piano), Paul Chambers (bass), and Roy Haynes (drums). Album: The Blues and the Abstract Truth (1961) Listen/Buy: Apple Music | Amazon | Spotify ALSO FEATURED/DISCUSSED: “Moanin” by Bobby Timmons, played by Art Blakey and the Jazz Messengers on Moanin', 1959 (rec. 1958) “So What” by Miles Davis from Kind of Blue, 1959 “Hoe Down” and “Butch and Butch” by Oliver Nelson from The Blues and the Abstract Truth, 1961 “Hyperballad” by Björk from Post, 1995 “Tutti Frutti” by Little Richard, 1955 “Kiss” by Prince from Parade, 1986 “Give Me One Reason” by Tracy Chapman from New Beginning, 1995 “Blue 7” by Sonny Rollins from Saxophone Colossus, 1956 “Giant Steps” by John Coltrane from Giant Steps, 1960 OUTRO SOLOIST: Kirk Hamilton Kirk is the host of Strong Songs. He lives in Portland, Oregon, where he likes to play the drums. He thinks he's getting good but he can handle criticism. STRONG MERCH Visit the Strong Songs merch store for some cool t-shirts, mugs, totes, and more: store.strongsongspodcast.com KEEP IT SOCIAL You can follow Strong Songs on Twitter @StrongSongs: http://twitter.com/strongsongs And you can find Kirk on Twitter @Kirkhamilton and on Instagram at @Kirk_Hamilton: https://www.instagram.com/kirk_hamilton/ NEWSLETTER/MAILING LIST Sign up for Kirk's mailing list to start getting monthly-ish newsletters with music recommendations, links, news, and extra thoughts on new Strong Songs episodes: https://kirkhamilton.substack.com/subscribe STRONG PLAYLISTS Kirk has condensed his Strong Songs picks into a single new list, which you can find on Spotify and Apple Music, and YouTube Music. SUPPORT STRONG SONGS ON PATREON! Thanks to all of Strong Songs' Patrons, you all rule! If you'd like to support the creation of this show, go here: https://Patreon.com/StrongSongs APRIL 2021 WHOLE-NOTE PATRONS Donald Mackie Liam Keogh Melissa Osborne Per Morten Barstad Christopher Miller Tim Byrne Allison Clift-Jennings Patrick Funston Jamie White Angus McKimm Christopher Kupski Christopher McConnell Joshua Jarvis Rick Klaras Niko Joe Laska Laurie Acreman Ken Hirsh Jez Jenness Gardner Simon Cammell Guinevere Boostrom Narelle Horn Nathaniel Bauernfeind Bill Rosinger Anne Britt David Zahm Erin Aidan Coughlan Jeanneret Manning Family Four Doug Paton Robert Paul R Watson Viki Dun Christer Lindqvist Sami Samhuri Craig J Covell AccessViolation Ryan Torvik Merlin Mann Fraser Glenn CALEB ROTACH Andre Bremer Mark Schechter Dave Florey Dan Apczynski APRIL 2021 HALF-NOTE PATRONS Christopher Michael J. Cunningham Kari Kirk Mark Boggs mino capossela Mary Schoenmaker Sarah David Joske Åshild Margrete Østtveit Odéen Emma Sklar Spencer Stanford Bernard Khoo Andrew Shpall Robert Heuer Matthew Golden Brian Meldrum David Noah Ben Hunt Geraldine Butler Richard Cambier Madeleine Mader Andy Smith Fernando Rodriguez Timothy Dougherty Jason Pratt John Hargis Stewart Oak Caroline Miller Abbie Berg Sam Norton Nicole Schleicher Dermot Crowley Achint Srivastava Ryan Rairigh Michael Berman stephen matthews Bridget Lyons Melody Valdez Olivia Bishop Jeremy Schwartz John Gisselquist Elaine Martin Thomas König Kouroth Belinda Mcgrath-steer Eoin de Burca Kevin Potter M Shane Borders Pete Simm Shawn McCarthy Dallas Hockley Jana J Jason Gerry Rich Roskopf Melissa Gallo Nathan Gouwens Will Dwyer Alethea Lee Lauren Reay Eric Prestemon Erika L Austin Cookies250 Spencer Shirley Damian Brady Angela Livingstone Jeffrey C. Yarnell David Friedman Phillip Dalton Christopher Cudnoski Sarah Sulan Diane Hughes Kenneth Tiong Jo Sutherland David Catlett Michael Casner Michael York Barb Courtney Derek Bender Jen Small Don Hutchison Lowell Meyer Etele Illes Stephen Tsoneff Lorenz Schwarz Becca Sample Wen Jack Sjogren Aparajit Raghavan Benedict Pennington Geoff Golden Robyn Fraser Alexander Geddes Pascal Rueger Randy Souza JC Brendan Jubb Clare Holberton Jake Tinsley Diane Turner Tom Coleman Judy Chapple Mark Perry Malory Dhu Wik Mel Eric Helm Jake Roberts Briony Leo Bill Fuller Jonathan Daniels Steven Maron Michael Flaherty Jarrod Schindler Zoe Little Albukitty Caro Field michael bochner Duncan Dave Sharpe brant brantphillip David Cushman Alexander Jeremy Dawson Gavin Doig Sam Fenn Tanner Morton AJ Schuster Jennifer Bush David Stroud Amanda Furlotti Andrew Baker Chris Brown Juan Carlos Montemayor Elosua Matt Gaskell Jules Bailey Eero Wahlstedt Bill Thornton Brian Amoebas Brett Douville Jeffrey Olson Matt Betzel Mueller Nate from Kalamazoo Melanie Stivers Richard Toller Alexander Polson Tom Lauer Earl Lozada Jon O’Keefe Justin McElroy Arjun Sharma James Johnson Andrew Lee Kevin Morrell Tom Clewer Kevin Pennyfeather Nicholas Schechter Justin Liew Emily Williams

Cover of Give Me One Reason

Adam Levy, Mimi Fox, and Stu Hamm talk about their guitar and bass lessons available on TrueFire, perform, and answer questions. To learn more and watch the video from this live session, please visit truefire.com/live.About Adam: To call Adam Levy a "well-traveled musician" would be a hell of an understatement. During a six-year stint touring as a member of Norah Jones' Handsome Band, Levy went round the world several times and maxed out the pages of his passportand then a second onewith country stamps and visas. He first played with Jones at the very beginning of the singer's career and went on to be the featured electric guitarist on her wildly successful first three albums and DVDs. Levy held the enviable gig through 2007, ultimately leaving to follow his own path as a performing songwriter.Levy released two CDs under his own name while in Jones' band, and has continued to release new recordings annually since thensome featuring his lyrical songs, some wholly instrumental. His best-known is 'The Heart Collector,' praised by No Depression online as "a great album overflowing with warm and soulful songs that enchant the ears and captivate the heart." Other recent CDs include 'Town & Country,' 'Blueberry Blonde,' and 'Live from Sun Studio'the latter tracked, of course, at the legendary Memphis mecca where Johnny Cash and Elvis Presley cut their first acetates.Jones is not the only top-shelf artist whose music Levy has been party to. He can be heard on Tracy Chapman's New Beginning (that's Levy's laid-back blues solo on "Give Me One Reason"), Amos Lee's eponymous Blue Note debut (featured on the single, "Arms of a Woman"), Lisa Loeb's 'Lullaby Girl,' Vulfpeck's 'The Beautiful Game,' Allen Toussaint's 'American Tunes,' and Meshell Ndegeocello's 'Ventriloquism.'Levy is also well-known as a writer and journalist, with articles appearing regularly in the pages of Fretboard Journal and Acoustic Guitar magazines. And he has earned a reputation as an esteemed educator. He is the author of Jazz Guitar Sight-Reading (book) and Play the Right Stuff (book & DVD), and has led many workshops and masterclasses all across the U.-and internationally.About Mimi:Internationally renowned guitarist, composer and recording artist Mimi Fox has been named a winner in 6 consecutive Downbeat Magazine international critic's polls and has been recognized by writers and colleagues alike as one of the most eloquent jazz guitarists on today's scene. In one of many feature stories, Guitar Player Magazine hailed Mimi as "a prodigious talent who has not only mastered the traditional forms but has managed to reinvigorate them."Mimi has performed/recorded with some of jazz's most commanding players, including fellow guitarists Charlie Byrd, Stanley Jordan, Charlie Hunter, and Mundell Lowe, Grammy-nominated saxophonists Branford Marsalis, David Sanchez and Houston Person and the late Don Lanphere, vocalists Abbey Lincoln, Diana Krall, Kevin Mahogany and Janis Siegel (Manhattan Transfer), B3 organ masters Barbara Denerlein and Dr. Lonnie Smith, and powerhouse drummer Terri Lyne Carrington. She has also performed outside of the jazz world with legends Stevie Wonder and John Sebastian and with Patty Larkin's Vanguard Records-produced La Guitara project.About Stu:Stu Hamm attended the Berklee College of Music in Boston, where he met guitarist Steve Vai and, through him, met Joe Satriani. Hamm played bass on Vai's debut solo album, Flex-Able, which was released in 1984. Hamm has performed and recorded with Steve Vai, Frank Gambale, Joe Satriani and many other well-respected guitarists. It was playing live on tour with Satriani that brought Hamm's skills to national attention. Subsequent recordings with Satriani and other rock/fusion artists along with the release of his own solo recordings solidified his reputation as a bassist and performer.

Owning a friend as a family is noble. Selfless acts to support them in the toughest times are invaluable.   Today’s Back To The Lodge Podcast is a special episode as it geared towards raising funds to support a family who’s struggling with COVID, Bo Bodiford. Band members of 24 Seven, Brooke, Frank, and Leslie, bring their instruments tonight as they are doing a telethon for their dear friend and family. They are in the spotlight to cover your most favorite and requested songs.   Bo Bodiford is 24 Seven’s keyboardist and is battling with COVID-19 . He has been in the ICU for weeks now. He is on the ventilator and ECMO. Bridgette, his spouse, has also been out of work while recovering from COVID-19. The two of them have a long road ahead of them.   Back To The Lodge wants to help and offer some amazing deals. All proceeds are going to Bo to bridge the gap of medical costs outside his insurance.   If you're interested in supporting Bo and his battle with COVID please donate here: https://www.facebook.com/donate/1719760094855186/ 24 Seven Facebook Dial 833- ICEY TEK or (833) 423-9835 for your pledge and donations   Your pledge:   $1500 - a private concert of 24 Seven at your own backyard $ 500 -  120-Qt Icey-Tek cooler signed by the band $ 100 -  Icey-Tek tumbler $ 50   -  Kryptek hat   Enjoy!   Favorite Quote   “There's no price on life. I have not known Bo. I've met him but that's as far as it got. But listening to the stories, he's just an amazing person.”                                                                                                               -Patrick Mudge In This Episode 4:05 - The genre of music 24Seven plays   20:18 - Present medical conditions of Bo while struggling with COVID in the ICU   27:38 - Listen to the wonderful voice of Brooke: A song dedicated to Bo   41:05 - Jamming with 24 Seven: Head Carolina, Tails California by Jo Dee Messina   57:09 - Another great session from the band: Shallow by Bradley Cooper & Lady Gaga   1:02:23 - 24 Seven’s favorite outdoor activity   1:18:26 - More acoustic songs you love to hear: Killing Me Softly   1:33:17 - Frank's advice to his 16-year old self   1:34:34 - Brooke's life lesson she wants to share with   1:35:50 - What Leslie wants for his 16-year old self   1:37:56 - Listen more to 24 Seven’s jam: Give Me One Reason   1:50:55 - The band performs a Journey song: Lights   1:58:10 - Another Journey music: Don't Stop Believin   2:08:50 - Classic love song by Deana Carter: Strawberry Wine     Our Sponsors Higdon Outdoors - The industry leader in the waterfowl industry for over 25 years Icey-Tek USA - The classic rotomolded ice chest that started the entire premium cooler industry Merica Bourbon - The sweet taste of freedom Mossy Oak - Make sure the camo that you use is up to the task   Listen To More Episodes of BACK TO THE LODGE PODCAST Spotify Apple Podcast YouTube   Visit our Website Back To The Lodge Follow us on Facebook - Back to the Lodge Tune in LIVE to WEIO 100.9 The Farm   Back to the Lodge shows the values, resilience and determination of Gold Stars, country music artists, veteran non-profits & outdoor personalities. Hear stories behind the scenes and off the camera of celebrity outdoor personalities combined with country music artists and veterans alike! Stellar guests and stories on why valuing the outdoors has built amazing successes!  

Topics: Tupac death, Fugees, Set It Off, Moesha (Bonus Artist: hidingtobefound) http://afropopremix.com 1996 Snapshots 1.    President: Bill Clinton 2.    Jan - Whitewater scandal: U.S. First Lady Hillary Clinton testifies before a grand jury. 3.    Feb - Daniel Green is convicted of the murder of James Jordan, the father of basketball star Michael Jordan. 4.    Mar - Lyle and Erik Menendez are found guilty of first-degree murder for the shotgun killing of their parents. 5.    Apr - Chicago Bulls set a new NBA record for the most wins in a season, 70. 6.    May -? 7.    Jun - The Colorado Avalanche wins their first Stanley Cup in their first season based out of Denver and The Chicago Bulls win their fourth NBA Championship by defeating the Seattle Supersonics. 8.    July - The Centennial Olympic Park bombing at the 1996 Summer Olympics kills 2 and injures 111. 9.    Aug - Tiger Woods makes his professional PGA Tour debut. 10.    Sep - Tupac Shakur dies. 11.    Oct - The Fox News Channel is launched. 12.    Nov - Bill Clinton defeats Republican challenger Bob Dole to win his second term. 13.    Dec - Death of JonBenét Ramsey: A six-year-old beauty queen is beaten and strangled in the basement of her family's home in Boulder, Colorado; her body is found the following day. 14.    Open Comments: 15.    Music Snapshots 16.    #1 Macarena (Bayside Boys Mix), Los del Río 17.    #2 One Sweet Day, Mariah Carey and Boyz II Men 18.    #3 Because You Loved Me, Celine Dion 19.    Record of the Year: Change the World – Eric Clapton 20.    Album of the Year: Falling Into You – Celine Dion 21.    Song of the Year: Change the World 22.    Best New Artist: LeAnn Rimes 23.    Best Female R&B Vocal Performance: You're Makin' Me High – Toni Braxton 24.    Best Male R&B Vocal Performance: Your Secret Love – Luther Vandross 25.    Best R&B Performance by a Duo or Group with Vocal: Killing Me Softly – Fugees 26.    Best R&B Song: Exhale (Shoop Shoop), Babyface, songwriter (Whitney Houston) 27.    Best R&B Album: Words – The Tony Rich Project 28.    Best Rap Solo Performance: Hey Lover – LL Cool J 29.    Best Rap Performance by a Duo or Group: Tha Crossroads – Bone Thugs-N-Harmony 30.    Best Rap Album: The Score – Fugees 31.    Movie Snapshots 32.    #1 Independence Day 33.    #2 Twister 34.    #3 Mission: Impossible 35.    Notables: Don't Be a Menace to South Central While Drinking Your Juice in the Hood, The Birdcage, Fargo, A Thin Line Between Love and Hate, The Nutty Professor, Kazaam, Set It Off, Space Jam, Jerry Maguire. 36.    TV Snapshots 37.    #1 - ER 38.    #2 - Seinfeld 39.    #3 - Suddenly Susan 40.    Debuts: Moesha, The Daily Show, Kenan & Kel, The Steve Harvey Show, In The House, Malcolm & Eddie, Homeboys in Outer Space, The Jamie Foxx Show 41.    Economic Snapshots 42.    Income = 36.3k (Previously 36K) 43.    House = 118.2K (113) 44.    Car = 16.3k (15.5) 45.    Rent = 554(550) 46.    Harvard = 27.5k (26k) 47.    Movie = 4.42 (4.35) 48.    Gas = 1.22 (1.12) 49.    Stamp = .32 (-) 50.    Social Scene: Tupac Killed 51.    Childhood: Tupac Shakur, born Parish Crooks, was born on June 16, 1971, to Black Panther activist parents in New York City. Thirteen days later, his mother, Alice Faye Walker (Afeni Shakur), changed his name. The parents wanted to avoid him being targeted by Black Panther-affiliated enemies. His mother was imprisoned while she was pregnant with him. Tupac's father, Billy Garland, was also a Panther but lost contact with Afeni when Tupac was five years old. The rapper would not see his father again until he was 23 - I thought my father was dead all my life. 52.    Early Life: He had a difficult childhood, as he grew up in the company of criminals, militant activist, violence, and a drugged addicted mother with a transient lifestyle. Art became a constructive and safe escape. His first acting stint was in 1983 (@12 yrs. old) with the Harlem’s 127th StreetRepertory Ensemble when he performed in a play ‘A Raisin in the Sun’ at the Apollo Theater. In 1984, Tupac's family moved from New York City to Baltimore, Maryland.There he studied poetry, jazz, acting, and ballet at the Baltimore School for the Arts and befriended Jada Pinkett. The family later moved to Marin City, California, across the bay from Oakland, in 1988 (@17 yrs. old). They went to the home of a woman Afeni had been close to during her Black Panther days and lived in a poor housing complex, referred to as ‘the Jungle.’ 53.    Early Career: While attending high school he participated in a poetry workshop known as The Microphone Sessions, organized by Leila Steinberg, who would eventually become his first manager. She introduced 19-year-old Tupac to Atron Gregory, a manager for the World Class Wrekin Cru’ and tour manager for NWA, who had just returned to the Bay Area, started TNT Records, and quickly gained attention by signing Digital Underground.  Gregory matched Tupac with Digital Underground as a roadie and backup dancer. Tupac’s talent was soon recognized by the group, and he began rapping in some of their songs. He debuted on ‘Same Song,’ which was featured in the 1991 film Nothing But Trouble. (@20 yrs. old) 54.    Solo Career: He released his debut solo album ‘2Pacalypse Now’ in 1991. (Big hit - 'Brenda's Got a Baby') Also in 1991, Shakur filed a $10-million lawsuit against the Oakland Police Department for allegedly brutalizing him over jaywalking. The case was settled for about $43,000. (1992 - Juice, first starring role) His second album, ‘Strictly 4 My N.I.G.G.A.Z’ came out in 1993. It was more successful than its predecessor and contained the hits ‘Keep Ya Head Up’ and ‘I Get Around’. (1993 - Poetic Justice, co-starred with Janet Jackson) In 1994, he formed a group Thug Life and they released one album ‘Thug Life: Volume 1. (1994 - Above the Rim, Co-starred with Duane Martin) During this period he had several brushes with the law (he was associated with the shooting of a 6 yr. old Qa'id Walker-Teal in Marin City / shooting two policemen / various physical assaults) and was shot in an armed robbery case. After recovering from the shooting, he was sent to prison on a sexual assault charge. He released the album ‘Me Against the World’ in 1995 (@24) while serving his prison term. The album was an immediate hit and debuted at number one on the Billboard 200. 55.    Final Album: During 1995, while imprisoned, impoverished, and with his mother about to lose her house, Tupac had his wife get word to Marion Suge Knight, in Los Angeles, boss of the Death Row Records, at the time a verry successful company, and asked for a meeting. Tupac's mother received $15k, Suge paid Tupac's $1.4m bail, signed the rapper, and went to work on the album ‘All Eyez on Me’. The album was recorded in two weeks! In a matter of two weeks, Tupac recorded and completed the double-disc album, completing two out of three albums he owed Death Row. (The third release would end up being the posthumously released The Don Killuminati: The 7 Day Theory) Released in February of 1996, the album featured five singles and went multi-Platinum in just a few months after its release. 56.    Death: Seven months later, in September 1996, Tupac was killed in a drive-by shooting. He was 25 years old. 57.    Open Comments: 58.    Question: Confused young man or someone to be taken seriously? (What did he represent?) 59.    Music Scene: 60.    Black Songs in the Top 40 61.    #1 Macarena (Bayside Boys Mix), Los del Río 62.    #2 One Sweet Day, Mariah Carey and Boyz II Men 63.    #4 Nobody Knows, The Tony Rich Project 64.    #5 Always Be My Baby, Mariah Carey 65.    #6 Give Me One Reason, Tracy Chapman 66.    #7 Tha Crossroads, Bone Thugs-n-Harmony 67.    #9 You're Makin' Me High / Let It Flow, Toni Braxton 68.    #10 Twisted, Keith Sweat 69.    #11 C'mon N' Ride It (The Train), Quad City DJ's 70.    #14 Exhale (Shoop Shoop), Whitney Houston 71.    #16 Sittin' Up in My Room, Brandy 72.    #17 How Do U Want It / California Love, 2Pac featuring K-Ci and JoJo 73.    #20 Hey Lover, LL Cool J 74.    #21 Loungin, LL Cool J 75.    #23 Be My Lover, La Bouche 76.    #27 I Can't Sleep Baby (If I), R. Kelly 77.    #32 Not Gon' Cry, Mary J. Blige 78.    #33 Gangsta's Paradise, Coolio featuring L.V. 79.    #34 Only You, 112 featuring The Notorious B.I.G. and Mase 80.    #35 Down Low (Nobody Has to Know), R. Kelly featuring The Isley Brothers 81.    #36 You're the One, SWV 82.    #37 Sweet Dreams, La Bouche 83.    #38 Before You Walk Out of My Life / Like This and Like That, Monica 84.    #40 1, 2, 3, 4 (Sumpin' New), Coolio 85.    #42 No Diggity, Blackstreet featuring Dr. Dre 86.    Vote: 87.    Top RnB Albums 88.    Jan - Waiting to Exhale, Soundtrack / Various artists 89.    Feb - Str8 off tha Streetz of Muthaphukkin Compton, Eazy-E 90.    Mar - All Eyez on Me, 2Pac 91.    Mar - The Score, Fugees 92.    Apr - The Coming, Busta Rhymes 93.    Apr - The Resurrection, Geto Boys 94.    Jun - Gettin' It (Album Number Ten), Too Short 95.    Jun - Legal Drug Money, Lost Boyz 96.    Jun - The Nutty Professor, Soundtrack / Various artists 97.    Jul - Secrets, Toni Braxton 98.    Jul - Keith Sweat, Keith Sweat 99.    Jul - It Was Written, Nas 100.    Aug - Beats, Rhymes and Life, A Tribe Called Quest 101.    Sep - ATLiens, Outkast 102.    Sep - Home Again, New Edition 103.    Oct - Another Level, Blackstreet 104.    Nov - Bow Down, Westside Connection 105.    Nov - Ironman, Ghostface Killah 106.    Nov - The Don Killuminati: The 7 Day Theory, Makaveli 107.    Nov - Tha Doggfather, Snoop Dogg 108.    Dec - Hell on Earth, Mobb Deep 109.    Dec - Muddy Waters, Redman 110.    Vote: 111.    Featured Artist: The Fugees 112.    Lauryn Hill (@21 yrs. old in 1996) was born in 1975 to a high school teacher and computer expert in New Jersey. Her mother played piano and her father sang in nightclubs. Young Lauryn sang in church choirs, gospel groups and showed a strong voice. She loved '60s and '70s soul and by age thirteen, she was playing the amateur night showtime at the Apollo, doing a cover of Smokey Robinson's "Who's Loving You". Hill nabbed minor roles on television's As the World Turns and in the film Sister Act II: Back in the Habit. Her work with the Fugees began in 1987 in high school with friend Prakazrel Samuel Michel. 113.    "Pras" (@23 in 1996) was born in Brooklyn in 1972 and raised in New Jersey. He showed an early interest in music and attended Rutgers University and Yale University, pursuing a double major in Philosophy and Psychology. 114.    Wyclef Jean (@27 yrs. old) was born in 1969 in Haiti, the son of a minister. When he was nine, he moved to the projects of Brooklyn, and later New Jersey, where he took up guitar and the study of music. 115.    The trio formed in the late '80s, named themselves the Tranzlator Crew and used Hill's soap opera acting proceeds to pay for equipment. They toured the tri-state area and were signed to major label Ruffhouse/Columbia in 1993. Hill was still a minor. Shortly thereafter, they renamed themselves Fugees, a derisive slang term for refugees, and released a debut 12-inch Fugees (Tranzlator Crew) "Boof Baf" to no notable sales. 116.    Their 1994 debut LP Blunted on Reality, stylized in a fashion like A Tribe Called Quest, Poor Righteous Teachers, and Digable Planets, did better. However, it was the remixed versions of "Nappy Head (Mona Lisa)" and "Vocab" that earned the group another budget for a follow-up album. (Also, notable, in later interviews Pras would say that a married Wyclef and the underage Hill were having a clandestine relationship at the time) 117.    Combining a mix of conscious hip hp, soul, and reggae, with a homemade basement studio, sampled melodies, live guitars, bass, keys, "The Score" arrived in 1996, filling the void between gangsta and glitter. It became an instant classic, ultimately selling over 18 million copies. 118.    Open Comments: 119.    Internal "Affairs": In the summer of 1996, on the Smoking Grooves Tour, Hill met Rohan Marley, (one of Bob Marley's kids) and even though the former University of Miami football player was initially rebuffed, because Hill was still seeing Jean, , no one knew who the child really belonged to. 120.    In the summer of 1996 Hill had met Rohan Marley, a son of Bob Marley and a former University of Miami football player. Hill subsequently began a relationship with him, while still also involved with the married Wyclef. She soon became visibly pregnant. Marley and Hill's first child was born the following summer. 121.    Soon after Zion was born, she learned that Marley already had a wife and two children from another marriage. 122.    Amid newfound international fame and baby Daddy drama, Wyclef did not support Hill's solo desires (she had made appearances on Wyclef's solo project), thus leading to the group splitting up. 123.    Hill started work on The Miseducation of Lauryn Hill; blocking out Wyclef Jean from any type of production help after he had snubbed her. Her old-school takes on "Doo Wop (That Thing)" helped it rule the charts in 1998 and win five Grammy Awards, including Album of the Year, Best New Artist, Best Female R&B Vocal Performance, Best R&B Song, and Best R&B Album -- the most ever for a woman. 124.    Meanwhile, Hill was having more of Marley's children and becoming close with Brother Anthony, a spiritual adviser who studied the Bible with her several times per week. In 2001, she recorded an MTV Unplugged session where she broke down in tears and admitted to being deranged and emotionally unstable. Rolling Stone called the session "a public breakdown", though it debuted at number three on the Billboard 200 and went platinum. 125.    She has been a sporadic and reluctant public figure ever since. 126.    Question: Have you ever had an affair with a co-worker? How did it turn out? 127.    Movie Scene: Set It Off. [Directed by F. Gary Gray Action, Crime, Drama, Romance, Thriller. Starring Queen Latifah, Jada Pinkett, and Vivica A. Fox] 128.    Rotten Tomatoes, Critics Consensus: It may not boast an original plot, but Set It Off is a satisfying, socially conscious heist film thanks largely to fine performances from its leads. 129.    Emanuel Levy, Variety 11-1996: Influenced by "Thelma & Louise" and "Waiting to Exhale," F. Gary Gray's "Set It Off" is a well-crafted girls-n-the-hood actioner, with an acute social conscience and plenty of soul. A tale of female bonding and empowerment, this relevant film boasts a terrific cast, headed by Jada Pinkett and Queen Latifah in career-making performances. 130.    Stephen Holden, New York Times 11-1996: Just Trying to Get Even While They Get Rich. On the long list of Hollywood heist movies that make you root for its criminals to steal a million dollars and live happily ever after, F. Gary Gray's film ''Set It Off'' is one of the most poignantly impassioned. If this messy roller coaster of a film often seems to be going in several directions at once, it never for a second loses empathy for its quartet of black female bank robbers who grew up together in a Los Angeles housing project and earn meager wages working for a janitorial service... A pop psychologist might translate the story into a fable called ''Women Who Rob Banks and the Society That Hates Them.' 131.    Roger Ebert 11-1996: “Set It Off” is advertised as a thriller about four black women who rob banks. But it's a lot more than that. It creates a portrait of the lives of these women that's so observant and informed; it's like “Waiting to Exhale” with a strong jolt of reality. The movie surprised and moved me: I expected a routine action picture and was amazed how much I started to care about the characters. 132.    Kent, Entertainment Weekly 09-2019: Why Set It Off is an era-defining film that shouldn't be remade. We are clearly in the age of reboots and remakes, but the '90s heist film is irreplaceable. 133.    Question 1: Remake or Sequel? 134.    Question 2: Do we really want more black female action heroines/stories? (i.e., women of Black Panther, "Breaking In" movie, Berry, Valkyrie, Guardians...etc.) 135.    TV Scene: Moesha 136.    Screen Rant: No show lasts for six seasons without making a cultural impact; Moesha was nominated for 32 awards and won three: two NAACP Image Awards and one SHINE Award. The series was syndicated, and still airs around the world. Netflix picked up streaming rights to the series in 2020, which became available to US subscribers on August 1, 2020. As new viewers will discover, however, despite how influential the show was, it ends abruptly after a significant cliffhanger for the main character in the season 6 finale. Despite the recognition, the show steadily declined in ratings, leading to its cancelation. 137.    Moesha Mitchell went through quite the journey on Moesha. At the beginning of the series, Moesha was still dealing with her mother's death a few years prior and learning to come to terms with her new stepmother, Deirdre "Dee" Mitchel (Sheryl Lee Ralph) — who just happened to be the vice principal at Moesha's school. The final season sees Brandy experiencing the trials and tribulations of being a young adult, complete with an engagement to long-time on-again, off-again boyfriend Quinton "Q" Brooks (Fredro Starr) and attending college. The final episode ends with the reveal of a positive pregnancy test in Moesha's dorm — who it belongs to, however, is a mystery. Since the show never got another season, the storyline was never resolved. 138.    According to EW, at the time, UPN's plan was to address the pregnancy cliffhanger in the spin-off series The Parkers, which premiered on the network in 1999. The Parkers followed Moesha's "boy-crazy" friend Kimberly Ann "Kim" Parker as she navigated attending college with her mother, who has decided to enlist at the same time as her daughter. For unknown reasons, however, the planned resolution never took place, despite The Parkers running until 2005. With there being reports of a possible reboot series in the works, perhaps this Moesha storyline — as well as the question of what happened to Moesha's brother Myles, who disappeared in the finale — can finally be laid to rest." 139.    Question: Is it reboot worthy? / Is any classic black TV show reboot worthy? 140.    Vote: Best/most important/favorite pop culture item from 1996?

Tracy Chapman é uma cantora estadunidense de folk, blues, soul e pop rock, vencedora de 4 prêmios Grammy Awards, tornada mundialmente famosa por suas canções "Fast Car", "Baby Can I Hold You" e "Give Me One Reason". Ela nasceu em 1964, atualmente está com 56 anos. >> Por 5,99 você aceita um adicional de Soneto para acompanhar? Apoie o projeto! =P https://www.amazon.com.br/dp/B08DJ61J4R/ Compositora: Tracy Chapman Música: Baby Can I hold you Voz: Daniele Santos | @dani.i.santos "Sinto muito É tudo o que você não pode dizer Os anos se passaram e contudo As palavras não vêm facilmente Como um sinto muito Perdoe-me É tudo o que você não pode dizer Os anos se passaram e contudo As palavras não vêm facilmente Como um perdoe-me Mas você pode dizer, querido Querida, posso te abraçar essa noite? Talvez se eu tivesse dito as palavras certas No momento certo você seria meu Eu te amo É tudo o que você não pode dizer Os anos se passaram e contudo As palavras não vêm facilmente Como eu te amo Mas você pode dizer, querido Querida, posso te abraçar essa noite? Talvez se eu tivesse dito as palavras certas Na hora certa você seria meu" Descubra mais em www.jessicaiancoski.com Está servido? Fique! Que tal mais um poeminha? ___ >> Quer ter um poema seu aqui? É só preencher o formulário! Após o preenchimento, nossa equipe entrará em contato para informar a data agendada. https://forms.gle/nAEHJgd9u8B9zS3u7

Lady Sapphire Noir, the sultry dark jewel of burlesque, is an award winning burlesque singer and dancer as well as a published pinup model.  She is known for her big sexy sultry voice, her love of cookies, her glamorous vintage/pinup style and her signature color royal blue. She made her big splash in the burlesque scene with her award winning signature act Cookie Monster Goes to Weight Watchers! Her titles and awards include: Miss Pin Up Perfection 2017, International Burlypicks Master of Singing 2016, 2017 Best Hybrid at the Great Burlesque Expo, 2017 Thursday Audience's Choice and Most Original at Texas Burlesque Festival, 2020 Burlypicks Solid Gold Canada Regionals Master of Singing and Master of Nerdlesque. Published in several pinup magazines and books including Chocolate Cheesecake Vol 1 and a pinup deck of cards featuring LA based performers. She is also featured in the film “Pineapples and Pasties: A Burlesque Documentary”.She has performed in 14 burlesque festivals in the US and CanadaThe unique voice of this sparkling dark jewel has seduced and captivated audiences internationally for over 6 years.www.facebook.com/ladysapphirenoirwww.instagram.com/ladysapphirenoirwww.ladysapphirenoir.comhttps://www.amazon.com/Chocolate-Cheesecake-Celebrating-Modern-Pin-up/dp/0764348159----------------------------------------------------------------Visit Show Pony Express at www.missmaryjanegreen.com/show-pony-express.htmlAffiliate Partner of Glam’r Gear www.ponypod.club/glamrgearGet in touch:www.instagram.com/missmaryjanegreenwww.instagram.com/pony.podwww.instagram.com/show_pony_expressmoxie@missmaryjanegreen.comPony Pod is the media arm of ‘Show Pony Express’, an online boutique for traveling performers curated by Miss Mary Jane Green.If you enjoyed this episode please subscribe, leave a review and tell your friends.Are you or do you know a traveling performer? Interested in being featured on the show? Interview queries accepted 

Matty Libatique is truly one of the greatest cinematographers I have had the chance to work with throughout my career. Matty comes from a Filipino background but was born in New York City in Elmhurst in the borough of Queens. His father, Justiniano Libatique, was an amateur photographer and worked in a film laboratory in New York. As a kid growing up in New York, his dad gifted Matty a Nikon and taught him photography fundamentals at an age when he did not realize he would be using this knowledge for his entire career. During his University years he studied sociology and communications at Cal State Fullerton and then went to AFI for an MA in Cinematography. In this podcast we talked about his journey to become the great cinematographer he is today including his career long collaboration with Darren Aronofsky going back to when they were students at AFI and working with great DP’s like Ed Lachman, a very important mentor for Matty. We also talked about some of his other collaborations with directors like Joel Schumacher, Spike Lee, Jon Favreau, Ernest Dickerson, Bradley Cooper, Rashid Johnson, Mathieu Kassovitz and many others…. As a cinematographer, he is one of the great pioneers of manipulating the photochemical process for extreme dramatic effect by using lab processing techniques like Cross Process & Skip Bleach. He is one of a small group of bold DP’s that were the original trailblazers that experimented frequently with using the cross process and skip bleach process in the work including Malik Sayeed, Harris Savides, Bob Richardson, Darius Khonji and Ellen Kuras to name a few. He has Academy Award nominations for Black Swan and A Star is Born and has many festival wins for films including Spirit Awards for Requiem For a Dream and Black Swan. His parents, Justiniano Libatique and Georgina Porter are immigrants from the Philippines. Matty’s Filipino heritage is very important to him. He speaks and understands Tagalog and comes from French heritage on his paternal side. Throughout his career he has shot many important music videos including the 1998 Jay-Z video Ja Rule & Amil: Can I Get A….. directed by Steve Carr and also the Tracey Chapman video with Julie Dash directing called Give Me One Reason. CONVERSATIONS WITH CHARLIE YOUTUBE: https://tinyurl.com/vrtzr64 SPOTIFY: https://tinyurl.com/wvjfav4 APPLE PODCASTS: https://tinyurl.com/w7n8br2 WEBSITE: www.conversationswithcharlie.com

Making a Scene Presents the PODCAST of LIVE from the Midnight Circus Indie Blues Double Shot Show!This is the Voice of Indie Blues, the future of the blues. An Indie Blues double shot of artists who embrace the diversity of the blues that always has and still is being created from it's roots. These artists understand the blues is a living art form that is driven by innovation and creativity. These are the Indie Blues Artists!Kenny Blues Boss Wayne,Don't Want To Be The President,"Go, Just Do It!"Kenny Blues Boss Wayne,T & P Train,"Go, Just Do It!"Norman Beaker,What Am I Doing Here,Running Down The ClockNorman Beaker,Long Before You Came Along,Running Down The ClockDavid Booker,You Got to Do Better,"Hobos & Mojos, Vol 2"David Booker,Your Feets Too Big,"Hobos & Mojos, Vol 2"Mick Hayes,07_Political Funk,Mick Hayes,08_No Second Chances_M2_16 copy,Zakiya Hooker,Hang On For A While,LegacyZakiya Hooker,Big Girl Panties,LegacyVintage Dixon,My Greatest Desire,The Real McCoyVintage Dixon,When I Make Love,The Real McCoyCrystal Shawanda,New Orleans Is Sinking,Church House BluesCrystal Shawanda,Evil Memory,Church House BluesAlison Solo,Last One Standing,PlutonianAlison Solo,Beautiful And Old,PlutonianRuthie Foster Big Band,Phenomenal Woman,Live at The ParamountRuthie Foster Big Band,Death Came A Knockin' (Travelin' Shoes),Live at The ParamountGravel and Grace,NEXT MOVE,Bringing the BluesGravel and Grace,SUNDAY AFTERNOON,Bringing the BluesLinsey Alexander,Somethin' 'Bout 'Cha,Live at Rosa'sLinsey Alexander,Going Back To My Old Time Used To Be,Live at Rosa'sGerald McClendon,Where Do We Go From Here,Can't Nobody Stop Me NowGerald McClendon,You Can't Take My Love,Can't Nobody Stop Me NowJohnny Burgin,Old School Player,No Border BluesJohnny Burgin,Pumpkin's Boogie,No Border BluesThe Nighthawks,Luscious,Tryin' To Get To YouThe Nighthawks,Searchin' For My Baby,Tryin' To Get To YouJohn Primer and Bob Corritore,Ain't Gonna Be No Cuttin' Loose,The Gypsy Woman Told MeJohn Primer and Bob Corritore,Walking The Back Streets And Crying,The Gypsy Woman Told MeBacktrack Blues Band,"Best Friend's Grave (Joy, Joy, Joy)",Your Baby Has LeftBacktrack Blues Band,Times is Hard,Your Baby Has LeftJose Ramirez,As You Can See,Here I ComeJose Ramirez,Goodbye Letter,Here I ComeEvelyn Rubio,What A Way to Go,Crossing BordersEvelyn Rubio,When You Say You're Sorry,Crossing BordersEliza Neals,Black Crow Moan (feat. Joe Louis Walker),Black Crow MoanEliza Neals,The Devil Don't Love You (feat. Joe Louis Walker),Black Crow MoanSteve Howell,I'll Remember April,Long AgoSteve Howell,Song for my Father,Long AgoLeRoux,Lifeline Redux,One Of Those DaysLeRoux,One Of Those Days,One Of Those DaysTony Holiday,Ol’ Number Nine,Tony HolidayTony Holiday,Getting Off The Hustle,Tony HolidayScott Ellison,Skyline Drive,Skyline DriveScott Ellison,These Blues Got A Hold On Me,Skyline DriveMisty Blues,Keep Rising Up,Weed ‘Em & ReapMisty Blues,No More to Give,Weed ‘Em & ReapJay Willie & James Montgomery,Give Me One Reason,Cadillac WalkJay Willie & James Montgomery,Cadillac Walk,Cadillac WalkAndrew Alli,Hard Workin' Man,Hard Workin ManAndrew Alli,Texas Woman,Hard Workin ManLisa Mills,13 Members Only,The TriangleLisa Mills,09 That's How Strong My Love Is,The Triangle 

Adam Levy discusses his jazz guitar lessons available on TrueFire, performs, and answers questions. To learn more and watch the video from this live session, please visit truefire.com/live.About Adam: To call Adam Levy a "well-traveled musician" would be a hell of an understatement. During a six-year stint touring as a member of Norah Jones' Handsome Band, Levy went round the world several times and maxed out the pages of his passportand then a second onewith country stamps and visas. He first played with Jones at the very beginning of the singer's career and went on to be the featured electric guitarist on her wildly successful first three albums and DVDs. Levy held the enviable gig through 2007, ultimately leaving to follow his own path as a performing songwriter.Levy released two CDs under his own name while in Jones' band, and has continued to release new recordings annually since thensome featuring his lyrical songs, some wholly instrumental. His best-known is 'The Heart Collector,' praised by No Depression online as "a great album overflowing with warm and soulful songs that enchant the ears and captivate the heart." Other recent CDs include 'Town & Country,' 'Blueberry Blonde,' and 'Live from Sun Studio'the latter tracked, of course, at the legendary Memphis mecca where Johnny Cash and Elvis Presley cut their first acetates.Jones is not the only top-shelf artist whose music Levy has been party to. He can be heard on Tracy Chapman's New Beginning (that's Levy's laid-back blues solo on "Give Me One Reason"), Amos Lee's eponymous Blue Note debut (featured on the single, "Arms of a Woman"), Lisa Loeb's 'Lullaby Girl,' Vulfpeck's 'The Beautiful Game,' Allen Toussaint's 'American Tunes,' and Meshell Ndegeocello's 'Ventriloquism.'Levy is also well-known as a writer and journalist, with articles appearing regularly in the pages of Fretboard Journal and Acoustic Guitar magazines. And he has earned a reputation as an esteemed educator. He is the author of Jazz Guitar Sight-Reading (book) and Play the Right Stuff (book & DVD), and has led many workshops and masterclasses all across the U.-and internationally.

Making a Scene Presents the PODCAST of LIVE from the Midnight Circus Indie Blues Double Shot Show!This is the Voice of Indie Blues, the future of the blues. An Indie Blues double shot of artists who embrace the diversity of the blues that always has and still is being created from it's roots. These artists understand the blues is a living art form that is driven by innovation and creativity. These are the Indie Blues Artists!LeRoux,The Song Goes On,One Of Those DaysLeRoux,Don't Rescue Me,One Of Those DaysMick Hayes,08_No Second Chances_M2_16 copy,Mick Hayes,02_Hand Me Down,The Nighthawks,The Cheap Stuff,Tryin' To Get To YouThe Nighthawks,Chairman Of The Board,Tryin' To Get To You2. Marcus King,The Well,10. Marcus King,Too Much Whiskey,Jose Ramirez,I Miss You Baby,Here I ComeJose Ramirez,One Woman Man,Here I ComeEvelyn Rubio,Border Town,Crossing BordersEvelyn Rubio,Still On Your Side,Crossing BordersEliza Neals,Black Crow Moan (feat. Joe Louis Walker),Black Crow MoanEliza Neals,Ball and Chain (feat. Derek St. Holmes),Black Crow MoanTony Holiday,Ol’ Number Nine,Tony HolidayTony Holiday,It's Gonna Take Some Time,Tony HolidayScott Ellison,Skyline Drive,Skyline DriveScott Ellison,Perfect For You,Skyline DriveRenee Hose,Smokescreen,The Other Side (Rock/Blues/Eclectic)Renee Hose,Hell Fire and Holy Water,The Other Side (Rock/Blues/Eclectic)Mike Zito,QUARANTINE BLUES,Quarantine BluesMike Zito,DONT LET THE WORLD GET YOU DOWN,Quarantine BluesJohn Primer and Bob Corritore,I Got The Same Old Blues,The Gypsy Woman Told MeJohn Primer And Bob Corritore,Let's Get Together,The Gypsy Woman Told Me8 Ball Aiken,Tremlo Rain,8 Ball Aitken,03 Murderers Bar,MasterMisty Blues,Swing My Blues,Weed ‘Em & ReapMisty Blues,Find My Way Again,Weed ‘Em & ReapJim Diamond Revue,Rock And Roll All Over You,Friends & FamilyJim Diamond Revue,Better Way,Friends & FamilyCrystal Shawanda,New Orleans Is Sinking,Church House BluesCrystal Shawanda,Rather Be Alone,Church House BluesJose Ramirez,One Woman Man,Here I ComeJose Ramirez,Goodbye Letter,Here I ComeEric Hughes Band,08 Come See About Me,Postcard From Beale StreetEric Hughes Band,03 He's Just  An Alley Cat,Postcard From Beale StreetGerald McClendon,Cut You Once,Can't Nobody Stop Me NowGerald McClendon,It's Over Now,Can't Nobody Stop Me NowLarkin Poe,Ain't Gonna Cry,Venom & FaithLarkin Poe,Good and Gone,Venom & FaithLouise Cappi,Song For You,MélangeLouise Cappi,Chain Of Fools / Unchain My Heart,MélangeFederico Luiu,She's Gone,Walkin' The BluesFederico Luiu,"All I Wanna Do, Is Play Them Blues",Walkin' The BluesCatfish,One More Chance,Burning BridgesCatfish,The Root Of All Evil,Burning BridgesMichael Mills Band,My New Woman,Stand UpMichael Mills Band,You Can't Hide,Stand UpLisa Mills,10 Someone Else Is Steppin' In,The TriangleLisa Mills,08 A Place Nobody Can Find,The TriangleThe Proven Ones,Whom My Soul Loves (Feat. Ruthie Foster),You Ain't DoneThe Proven Ones,Nothing Left To Give,You Ain't DoneSteve Howell,Please Send Me Someone to Love,Long AgoSteve Howell,Singin' the Blues,Long AgoAndrew Alli,Texas Woman,Hard Workin ManAndrew Alli,Hard Workin' Man,Hard Workin ManJay Willie & James Montgomery,Cadillac Walk,Cadillac WalkJay Willie & James Montgomery,Give Me One Reason,Cadillac Walk 

Making a Scene Presents the PODCAST of LIVE from the Midnight Circus Indie Blues Double Shot Show!This is the Voice of Indie Blues, the future of the blues. An Indie Blues double shot of artists who embrace the diversity of the blues that always has and still is being created from it's roots. These artists understand the blues is a living art form that is driven by innovation and creativity. These are the Indie Blues Artists!Evelyn Rubio,What A Way to Go,Crossing BordersEvelyn Rubio,Still On Your Side,Crossing BordersCrystal Shawanda,Blue Train,Voodoo WomanCrystal Shawanda,Voodoo Woman,Voodoo WomanEliza Neals,Never Stray (feat. Derek St. Holmes),Black Crow MoanEliza Neals,Black Crow Moan (feat. Joe Louis Walker),Black Crow MoanTony Holiday,Ol’ Number Nine,Tony HolidayTony Holiday,Day Dates,Tony HolidayScott Ellison,Breathe Underwater,Skyline DriveScott Ellison,Skyline Drive,Skyline DriveRenee Hose,Be Careful,The Other Side (Rock/Blues/Eclectic)Renee Hose,Hell Fire and Holy Water,The Other Side (Rock/Blues/Eclectic)Mike Zito,QUARANTINE BLUES,Mike zito,DONT LET THE WORLD,8 Ball Aiken,Tremlo Rain,8 Ball Aitken,07 Knocking On Your Door,MasterMichael Mills Band,You Can't Hide,Stand UpMichael Mills Band,My New Woman,Stand UpAndrew Alli,30 Long Years,Hard Workin ManAndrew Alli,Hard Workin' Man,Hard Workin ManLisa Mills,10 Someone Else Is Steppin' In,The TriangleLisa Mills,13 Members Only,The TriangleLiz Mandeville,Joliet Town,Playing With FireLiz Mandeville,Everybody Got Wings,Playing With FirePeter Karp,Scared,Magnificent HeartPeter Karp,Compassion,Magnificent HeartBlind Lemon Pledge,Love in Vain,Goin' HomeBlind Lemon Pledge,Crazy Mama,Goin' HomeThe Proven Ones,You Ain't Done,You Ain't DoneThe Proven Ones,Fallen,You Ain't DoneJay Willie & James Montgomery,Detroit Blues,Cadillac WalkJay Willie & James Montgomery,Give Me One Reason,Cadillac WalkJohn Primer and Bob Corritore,Ain't Gonna Be No Cuttin' Loose,The Gypsy Woman Told MeJohn Primer and Bob Corrtore,Knocking On Your Door,The Gypsy Woman Told MeJeremiah Johnson,Castles In The Air,Heavens To BetsyJeremiah Johnson,American Steel,Heavens To BetsyKatarina Pejak,Sex Kills,Roads That CrossKatarina Pejak,Chasing Summer,Roads That CrossSass Jordan,07_Too Much Alcohol,Sass Jordan,03_Am I Wrong,Jim Gustin & Truth Jones,I'd Been Drinking,Lessons LearnedJim Gustin & Truth Jones,Never Forget,Lessons LearnedMisty Blues,I Ain't No Giving Tree,Weed ‘Em & ReapMisty Blues,Treat Me Like I Want,Weed ‘Em & ReapSugaray Rayford,Sometimes You Get the Bear (and Sometimes the Bear Gets You),Somebody Save MeSugaray Rayford,Angels and Devils,Somebody Save MeEric Hughes Band,"02 Oh, Booze!",Postcard From Beale StreetEric Hughes Band,08 Come See About Me,Postcard From Beale StreetJohn Pagano Band,Ain't Gonna Lose You,One More RoundJohn Pagano Band,Misbehavin,SingleIna Forsman,Why You Gotta Be That Way,Been Meaning To Tell YouFederico Luiu,What You've Done To Me,Walkin' The BluesFederico Luiu,"All I Wanna Do, Is Play Them Blues",Walkin' The BluesSteve Howell,Angel Eyes,Long AgoSteve Howell,Nothin' But the Blues,Long AgoRusty Ends and Hillbilly Hoodoo,Cheap Wine,The Last of the Boogie MenRusty Ends and Hillbilly Hoodoo,Midnight Angels,The Last of the Boogie MenReverend Freakchild,Big Boss Man,The Bodhisattva BluesReverend Freakchild,Death Don't Have No Mercy,The Bodhisattva Blues 

Making a Scene Presents the PODCAST of LIVE from the Midnight Circus Featuring Watermelon SlimThis is the Voice of Indie Blues, the future of the blues. Artists who embrace the diversity of the blues that always has and still is being created from it's roots. These artists understand the blues is a living art form that is driven by innovation and creativity. These are the Indie Blues Artists!Mike Zito,QUARANTINE BLUES,Quarantine BluesMike Zito,WALKING THE STREET,Quarantine BluesLisa Mills,11 I'll Always Love You,The TriangleLisa Mills,10 Someone Else Is Steppin' In,The Triangle8 Ball Aiken,Tremlo Rain,8 Ball Aitken,13 Cold Shower,MasterThe Proven Ones,Fallen,You Ain't DoneThe Proven Ones,You Ain't Done,You Ain't DoneJim Gustin & Truth Jones,Never Forget,Lessons LearnedSass Jordan,03_Am I Wrong,Andrew Alli,Good Things,Hard Workin ManEliza Neals,Black Crow Moan (feat. Joe Louis Walker),Black Crow MoanMisty Blues,Treat Me Like I Want,Weed ‘Em & ReapThe Claudettes,"Bad Babe, Losin' Touch",Tony Holiday,Ol' Number Nine,Soul ServiceSunday Wilde & The 1 Eyed Jac,3. Dead Man's Clothes,Sunday Wilde & The 1 Eyed JacWatermelon Slim,Into The Sunset,Traveling ManWatermelon Slim,Oklahoma Blues,Traveling Manwww.makingascene.org,WaterMelon Slim,Watermelon Slim,Smokestack Lightning/Two Trains Running,Traveling ManWatermelon Slim,Highway Blues,Traveling ManReverend Freakchild,Death Don't Have No Mercy,The Bodhisattva BluesMichael Mills Band,Big Black Car,Stand UpRusty Ends and Hillbilly Hoodoo,Cheap Wine,The Last of the Boogie MenJeff Fetterman,I Don't Want To,Southern SonCharlie Bedford,Steady Driver Man,Good To GoSteve Howell,Nothin' But the Blues,Long AgoFederico Luiu,"All I Wanna Do, Is Play Them Blues",Walkin' The BluesJohn Pagano Band,Misbehavin,SinglePeter Karp,Sitting On The Edge Of The World,Magnificent HeartEric Hughes Band,08 Come See About Me,Postcard From Beale StreetJim Diamond Revue,Sometime In June,Friends & FamilyCrystal Shawanda,Evil Memory,Church House BluesCrystal Shawanda,When It Comes To Love,Church House BluesJohn Primer and Bob Corrtore,Knocking On Your Door,The Gypsy Woman Told MeJay Willie & James Montgomery,Give Me One Reason,Cadillac Walk 

Making a Scene Presents the PODCAST of LIVE from the Midnight Circus Featuring Crystal ShawandaThis is the Voice of Indie Blues, the future of the blues. Artists who embrace the diversity of the blues that always has and still is being created from it's roots. These artists understand the blues is a living art form that is driven by innovation and creativity. These are the Indie Blues Artists!Mike Zito,QUARANTINE BLUES,Quarantine BluesMike Zito,WALKING THE STREET,Quarantine BluesLisa Mills,11 I'll Always Love You,The Triangle8 Ball Aiken,Tremlo Rain,The Proven Ones,Fallen,You Ain't DoneJohn Pagano Band,Misbehavin,SingleThe Claudettes,"Bad Babe, Losin' Touch",Tony Holiday,Ol' Number Nine,Soul ServiceJim Diamond Revue,Sometime In June,Friends & FamilyWatermelon Slim,Smokestack Lightning/Two Trains Running,Traveling ManWatermelon Slim,Highway Blues,Traveling ManSunday Wilde & The 1 Eyed Jac,3. Dead Man's Clothes,Sunday Wilde & The 1 Eyed JacSunday Wilde & The 1 Eyed Jacks,10. Swear You're Cheatin,Sunday Wilde & The 1 Eyed JacksCrystal Shawanda,I Can't Take It,Church House BluesCrystal Shawanda,Blame It On The Sugar,Church House Blueswww.makingascene.org,Crystal Shawanda,Crystal Shawanda,When It Comes To Love,Church House BluesCrystal Shawanda,Evil Memory,Church House BluesReverend Freakchild,Death Don't Have No Mercy,The Bodhisattva BluesMichael Mills Band,Big Black Car,Stand UpRusty Ends and Hillbilly Hoodoo,Cheap Wine,The Last of the Boogie MenAndrew Alli,Good Things,Hard Workin ManJeff Fetterman,I Don't Want To,Southern SonEric Hughes Band,08 Come See About Me,Postcard From Beale StreetCharlie Bedford,Steady Driver Man,Good To GoSteve Howell,Nothin' But the Blues,Long AgoFederico Luiu,"All I Wanna Do, Is Play Them Blues",Walkin' The BluesPeter Karp,Sitting On The Edge Of The World,Magnificent HeartMisty Blues,Treat Me Like I Want,Weed ‘Em & ReapJim Gustin & Truth Jones,Never Forget,Lessons LearnedSass Jordan,03_Am I Wrong,John Primer and Bob Corrtore,Knocking On Your Door,The Gypsy Woman Told MeJay Willie & James Montgomery,Give Me One Reason,Cadillac WalkEliza Neals,Black Crow Moan (feat. Joe Louis Walker),Black Crow Moan 

Making a Scene Presents the PODCAST of LIVE from the Midnight Circus Indie Blues Double Shot Show!This is the Voice of Indie Blues, the future of the blues. An Indie Blues double shot of artists who embrace the diversity of the blues that always has and still is being created from it's roots. These artists understand the blues is a living art form that is driven by innovation and creativity. These are the Indie Blues Artists!Mike Zito,QUARANTINE BLUES,Quarantine BluesMike Zito,WALKING THE STREET,Quarantine BluesLisa Mills,11 I'll Always Love You,The TriangleLisa Mills,10 Someone Else Is Steppin' In,The Triangle8 Ball Aiken,Tremlo Rain,8 Ball Aitken,13 Cold Shower,MasterThe Proven Ones,Fallen,You Ain't DoneThe Proven Ones,You Ain't Done,You Ain't DoneAndrew Alli,Good Things,Hard Workin ManAndrew Alli,One More Chance,Hard Workin Manthe Claudettes,24/5,The Claudettes,"Bad Babe, Losin' Touch",Tony Holiday,Ol' Number Nine,Soul ServiceTony Holiday,Paying Rent,Soul ServiceSunday Wilde & The 1 Eyed Jac,3. Dead Man's Clothes,Sunday Wilde & The 1 Eyed JacSunday Wilde & The 1 Eyed Jacks,10. Swear You're Cheatin,Sunday Wilde & The 1 Eyed JacksReverend Freakchild,Death Don't Have No Mercy,The Bodhisattva BluesReverend Freakchild,Big Boss Man,The Bodhisattva BluesMichael Mills Band,Big Black Car,Stand UpMichael  Mills Band,I'm Not Sorry,Stand UpRusty Ends and Hillbilly Hoodoo,Midnight Angels,The Last of the Boogie MenRusty Ends and Hillbilly Hoodoo,Cheap Wine,The Last of the Boogie MenJeff Fetterman,Blues For Charlie,Southern SonJeff Fetterman,I Don't Want To,Southern SonCharlie Bedford,Steady Driver Man,Good To GoCharlie Bedford,Money Junkie,Good To GoSteve Howell,Nothin' But the Blues,Long AgoSteve Howell,Angel Eyes,Long AgoFederico Luiu,"All I Wanna Do, Is Play Them Blues",Walkin' The BluesFederico Luiu,What You've Done To Me,Walkin' The BluesJohn Pagano Band,Misbehavin,SingleJohn Pagano Band,Ain't Gonna Lose You,One More RoundPeter Karp,Sitting On The Edge Of The World,Magnificent HeartPeter Karp,The Last Heartbeat,Magnificent HeartEric Hughes Band,08 Come See About Me,Postcard From Beale StreetEric Hughes Band,"02 Oh, Booze!",Postcard From Beale StreetJim Diamond Revue,Sometime In June,Friends & FamilyJim Diamond Revue,Better Way,Friends & FamilyMisty Blues,Treat Me Like I Want,Weed ‘Em & ReapMisty Blues,I Ain't No Giving Tree,Weed ‘Em & ReapCrystal Shawanda,Evil Memory,Church House BluesCrystal Shawanda,When It Comes To Love,Church House BluesWatermelon Slim,Smokestack Lightning/Two Trains Running,Traveling ManWatermelon Slim,Highway Blues,Traveling ManJim Gustin & Truth Jones,Never Forget,Lessons LearnedJim Gustin & Truth Jones,I'd Been Drinking,Lessons LearnedSass Jordan,03_Am I Wrong,Sass Jordan,07_Too Much Alcohol,John Primer and Bob Corrtore,Knocking On Your Door,The Gypsy Woman Told MeJohn Primer and Bob Corritore,Ain't Gonna Be No Cuttin' Loose,The Gypsy Woman Told MeJay Willie & James Montgomery,Give Me One Reason,Cadillac WalkJay Willie & James Montgomery,Detroit Blues,Cadillac WalkEliza Neals,Black Crow Moan (feat. Joe Louis Walker),Black Crow MoanEliza Neals,Watch Me Fly,Black Crow Moan 

Making a Scene Presents the PODCAST of LIVE from the Midnight Circus Indie Blues Double Shot Show!This is the Voice of Indie Blues, the future of the blues. An Indie Blues double shot of artists who embrace the diversity of the blues that always has and still is being created from it's roots. These artists understand the blues is a living art form that is driven by innovation and creativity. These are the Indie Blues Artists!John Pagano Band,Ain't Gonna Lose You,One More RoundJohn Pagano Band,Misbehavin,SingleEric Hughes Band,03 He's Just  An Alley Cat,Postcard From Beale StreetEric Hughes Band,01 Ain't Whipped Yet,Postcard From Beale StreetSunday Wilde & The 1 Eyed Jac,4. Show Me Mercy,Sunday Wilde & The 1 Eyed JacSunday Wilde & The 1 Eyed Jacks,5. Dead Presidents,Sunday Wilde & The 1 Eyed JacksHurricane Ruth,Torn In Two,Good LifeHurricane Ruth,I've Got Your Back,Good LifeJeff Fetterman,Memphis Sky,Southern SonJeff Fetterman,Living With the Blues,Southern SonCharlie Bedford,Steady Driver Man,Good To GoCharlie Bedford,Just A Little Longer,Good To GoSteve Howell,Singin' the Blues,Long AgoSteve Howell,I'll Remember April,Long AgoLisa Mills,02 Tell Mama,The TriangleLisa Mills,07 Same Time Same Place,The TriangleJay Willie & James Montgomery,Give Me One Reason,Cadillac WalkJay Willie & James Montgomery,Detroit Blues,Cadillac WalkRory Block,Motherless Child,Prove It On MeRory Block,Milk Man Blues,Prove It On MeJim Gustin & Truth Jones,My Love Is True,Lessons LearnedJim Gustin & Truth Jones,I Hate To See You Go,Lessons LearnedThe Proven Ones,Already Gone,You Ain't DoneThe Proven Ones,Fallen,You Ain't DoneJohn Primer And Bob Corritore,Walked So Long,The Gypsy Woman Told MeJohn Primer And Bob Corritore,Let's Get Together,The Gypsy Woman Told MeTas Cru,Save Me,Drive OnTas Cru,Drive On,Drive OnStephen Cooper and The Nobody Famous,Three Shades of Black,Stephen Cooper and The Nobody FamousJeremiah Johnson,Leo Stone,Heavens To BetsyJeremiah Johnson,White Lightning,Heavens To BetsySass Jordan,03_Am I Wrong,Sass Jordan,07_Too Much Alcohol,Michael Mills Band,One More Alone,Stand UpMichael Mills Band,My New Woman,Stand UpPeter Karp,The Last Heartbeat,Magnificent HeartPeter Karp,Compassion,Magnificent HeartMike Zito,QUARANTINE BLUES,Quarantine BluesMike Zito,DONT LET THE WORLD GET YOU DOWN,Quarantine BluesCrystal Shawanda,Evil Memory,Church House BluesCrystal Shawanda,Rather Be Alone,Church House BluesThe Claudettes,You Drummers Keep Breaking My Heart,The Claudettes, I Don't Do That Stuff Anymore,Reverend Freakchild,Black Peter,The Bodhisattva BluesReverend Freakchild,Yer Blues (w/ Melvin Seals),The Bodhisattva BluesLisa Mills,09 That's How Strong My Love Is,The TriangleLisa Mills,01 Greenwood Mississippi,The TriangleEliza Neals,Black Crow Moan (feat. Joe Louis Walker),Black Crow MoanEliza Neals,"Hey, Take Your Pants Off",Black Crow MoanMisty Blues,Keep Rising Up,Weed ‘Em & ReapMisty Blues,Treat Me Like I Want,Weed ‘Em & ReapVictor Wainwright & The Train,Recovery,Memphis LoudVictor Wainwright & The Train,America,Memphis LoudChickenbone Slim,Vampire Baby,SleeperChickenbone Slim,Dignity,SleeperAndrew Alli,30 Long Years,Hard Workin ManAndrew Alli,Good Things,Hard Workin Man 

Making a Scene Presents the PODCAST of LIVE from the Midnight Circus Featuring Jim Gustin and Truth JonesThis is the Voice of Indie Blues, the future of the blues. Artists who embrace the diversity of the blues that always has and still is being created from it's roots. These artists understand the blues is a living art form that is driven by innovation and creativity. These are the Indie Blues Artists!John Pagano Band,Ain't Gonna Lose You,One More RoundJohn Pagano Band,Misbehavin,SingleEric Hughes Band,03 He's Just  An Alley Cat,Postcard From Beale StreetEric Hughes Band,01 Ain't Whipped Yet,Postcard From Beale StreetSunday Wilde & The 1 Eyed Jac,4. Show Me Mercy,Sunday Wilde & The 1 Eyed JacSunday Wilde & The 1 Eyed Jacks,5. Dead Presidents,Sunday Wilde & The 1 Eyed JacksJeff Fetterman,Memphis Sky,Southern SonJeff Fetterman,Living With the Blues,Southern SonCharlie Bedford,Steady Driver Man,Good To GoCharlie Bedford,Just A Little Longer,Good To GoSteve Howell,Singin' the Blues,Long AgoLisa Mills,02 Tell Mama,The TriangleLisa Mills,07 Same Time Same Place,The TriangleJim Gustin & Truth Jones,I'd Been Drinking,Lessons LearnedJim Gustin & Truth Jones,Never Forget,Lessons Learnedwww.makingascene.org,Gustin-Jones,Jim Gustin & Truth Jones,I Hate To See You Go,Lessons LearnedJim Gustin & Truth Jones,My Love Is True,Lessons LearnedJay Willie & James Montgomery,Give Me One Reason,Cadillac WalkJay Willie & James Montgomery,Detroit Blues,Cadillac WalkRory Block,Motherless Child,Prove It On MeRory Block,Milk Man Blues,Prove It On MeThe Proven Ones,Already Gone,You Ain't DoneThe Proven Ones,Fallen,You Ain't DoneJohn Primer And Bob Corritore,Walked So Long,The Gypsy Woman Told MeTas Cru,Save Me,Drive OnStephen Cooper and The Nobody Famous,Three Shades of Black,Stephen Cooper and The Nobody FamousJeremiah Johnson,Leo Stone,Heavens To BetsySass Jordan,03_Am I Wrong,Sass Jordan,07_Too Much Alcohol,Michael Mills Band,One More Alone,Stand UpMichael Mills Band,My New Woman,Stand UpPeter Karp,The Last Heartbeat,Magnificent HeartMike Zito,QUARANTINE BLUES,Quarantine BluesCrystal Shawanda,Evil Memory,Church House BluesCrystal Shawanda,Rather Be Alone,Church House BluesThe Claudettes, I Don't Do That Stuff Anymore,Reverend Freakchild,Black Peter,The Bodhisattva BluesLisa Mills,09 That's How Strong My Love Is,The TriangleEliza Neals,Black Crow Moan (feat. Joe Louis Walker),Black Crow MoanMisty Blues,Treat Me Like I Want,Weed ‘Em & ReapVictor Wainwright & The Train,Recovery,Memphis LoudChickenbone Slim,Dignity,SleeperAndrew Alli,30 Long Years,Hard Workin Man 

Making a Scene Presents the PODCAST of LIVE from the Midnight Circus Featuring Jay WillieThis is the Voice of Indie Blues, the future of the blues. Artists who embrace the diversity of the blues that always has and still is being created from it's roots. These artists understand the blues is a living art form that is driven by innovation and creativity. These are the Indie Blues Artists!John Pagano Band,Ain't Gonna Lose You,One More RoundJohn Pagano Band,Misbehavin,SingleEric Hughes Band,03 He's Just  An Alley Cat,Postcard From Beale StreetEric Hughes Band,01 Ain't Whipped Yet,Postcard From Beale StreetSunday Wilde & The 1 Eyed Jacks,5. Dead Presidents,Sunday Wilde & The 1 Eyed JacksJeff Fetterman,Memphis Sky,Southern SonCharlie Bedford,Steady Driver Man,Good To GoSteve Howell,Singin' the Blues,Long AgoLisa Mills,07 Same Time Same Place,The TriangleReverend Freakchild,Black Peter,The Bodhisattva BluesPeter Karp,The Last Heartbeat,Magnificent HeartTas Cru,Save Me,Drive OnCrystal Shawanda,Rather Be Alone,Church House BluesJay Willie & James Montgomery,Montgomery Boogie,Cadillac WalkJay Willie & James Montgomery,Three Cool Cats,Cadillac Walkwww.makingascene.org,Jay Willie,Jay Willie & James Montgomery,Give Me One Reason,Cadillac WalkJay Willie & James Montgomery,Detroit Blues,Cadillac WalkRory Block,Motherless Child,Prove It On MeRory Block,Milk Man Blues,Prove It On MeJim Gustin & Truth Jones,My Love Is True,Lessons LearnedJim Gustin & Truth Jones,I Hate To See You Go,Lessons LearnedThe Proven Ones,Already Gone,You Ain't DoneJohn Primer And Bob Corritore,Walked So Long,The Gypsy Woman Told MeStephen Cooper and The Nobody Famous,Three Shades of Black,Stephen Cooper and The Nobody FamousJeremiah Johnson,Leo Stone,Heavens To BetsySass Jordan,07_Too Much Alcohol,Michael Mills Band,My New Woman,Stand UpMike Zito,QUARANTINE BLUES,Quarantine BluesThe Claudettes, I Don't Do That Stuff Anymore,Lisa Mills,09 That's How Strong My Love Is,The TriangleEliza Neals,Black Crow Moan (feat. Joe Louis Walker),Black Crow MoanMisty Blues,Treat Me Like I Want,Weed ‘Em & ReapVictor Wainwright & The Train,Recovery,Memphis LoudChickenbone Slim,Dignity,SleeperAndrew Alli,30 Long Years,Hard Workin Man 

Making a Scene Presents the PODCAST of LIVE from the Midnight Circus Featuring Rory BlockThis is the Voice of Indie Blues, the future of the blues. Artists who embrace the diversity of the blues that always has and still is being created from it's roots. These artists understand the blues is a living art form that is driven by innovation and creativity. These are the Indie Blues Artists!John Pagano Band,Ain't Gonna Lose You,One More RoundJohn Pagano Band,Misbehavin,SingleEric Hughes Band,03 He's Just  An Alley Cat,Postcard From Beale StreetSunday Wilde & The 1 Eyed Jacks,5. Dead Presidents,Sunday Wilde & The 1 Eyed JacksJeff Fetterman,Memphis Sky,Southern SonCharlie Bedford,Steady Driver Man,Good To GoSteve Howell,Singin' the Blues,Long AgoLisa Mills,07 Same Time Same Place,The TriangleReverend Freakchild,Black Peter,The Bodhisattva BluesPeter Karp,The Last Heartbeat,Magnificent HeartTas Cru,Save Me,Drive OnCrystal Shawanda,Rather Be Alone,Church House BluesRory Block,Prove It On Me,Prove It On MeRory Block,In My Girlish Days,Prove It On Mewww.makingascene.org,Rory Block,Rory Block,Motherless Child,Prove It On MeRory Block,Milk Man Blues,Prove It On MeJay Willie & James Montgomery,Give Me One Reason,Cadillac WalkJay Willie & James Montgomery,Detroit Blues,Cadillac WalkJim Gustin & Truth Jones,My Love Is True,Lessons LearnedJim Gustin & Truth Jones,I Hate To See You Go,Lessons LearnedThe Proven Ones,Already Gone,You Ain't DoneJohn Primer And Bob Corritore,Walked So Long,The Gypsy Woman Told MeStephen Cooper and The Nobody Famous,Three Shades of Black,Stephen Cooper and The Nobody FamousJeremiah Johnson,Leo Stone,Heavens To BetsySass Jordan,07_Too Much Alcohol,Michael Mills Band,My New Woman,Stand UpMike Zito,QUARANTINE BLUES,Quarantine BluesThe Claudettes, I Don't Do That Stuff Anymore,Lisa Mills,09 That's How Strong My Love Is,The TriangleEliza Neals,Black Crow Moan (feat. Joe Louis Walker),Black Crow MoanMisty Blues,Treat Me Like I Want,Weed ‘Em & ReapVictor Wainwright & The Train,Recovery,Memphis LoudChickenbone Slim,Dignity,SleeperAndrew Alli,30 Long Years,Hard Workin Man 

This one is especially hard. As many of you know my first podcast episode on Give Me One Reason was with my firstborn son Ryan who has been an atheist for sometime. Though difficult, I ventured into this territory again 25 episodes later to have an honest, heartfelt and somewhat painful talk with my second born Michael Price this past Christmas. In this episode, Michael admits that his relationship he felt to God was somewhat organic and felt real in spite of the indoctrination he received growing up in a Christian home. He recalls years of wanting to be a missionary someday as a young boy and then actually doing it for almost a decade of his life. A former YWAM staff member (Youth With a Mission) and a heart first, zealous young believer, Mikey now has some pretty shocking things to say that were hard for me as his mother to hear. But I not only heard, I did my best to listen as the midnight hour was far gone and a bit of whiskey was still in my glass. I love you so Michael ...I'll love you forever, I'll like you for always...

and ill suck you right off

and ill suck you right off

Meet Ellie, a thoughtful girl who wants to edit movies and is good at looking for that gotcha moment in life and film that makes you think! Her parents met at Intervarsity Christian Fellowship and she came from a devout Christian home. She remembers hearing about the rapture and being scared she wouldn’t go if she didn’t tell everyone she knew about Jesus so they wouldn’t go to hell. As a young girl, her first statement meeting people was ‘Do you know Jesus?’ She believes now she has had a real experience with God although much of her youth she just believed what she was told. She came from the purity culture and tried very hard to resist the ‘worldly urges’ albeit somewhat unsuccessfully as a normal teenage girl, feeling shame about her inability to please a stringent God and her family. Marked by shame, she came to terms with some heavy hitting issues about her faith and her own sexuality.

In this episode, Freddie and Maddy discuss what transpired on TNF against the Minnesota Vikings and the fallout. There is also a very special edition of "Props" with the Washington Nationals just two wins away from their first World Series Championship.

Holland and Kelsey discuss Season 14 Episodes 18 “Give Me One Reason.” Maya and Zig finally admit their love for each another, Clare and Eli deal with their tragedy and it’s VERY sad, and Hunter is an annoying weeb.

Holland and Kelsey discuss Season 14 Episodes 18 “Give Me One Reason.” Maya and Zig finally admit their love for each another, Clare and Eli deal with their tragedy and it’s VERY sad, and Hunter is an annoying weeb.

Welcome back! I talk some college basketball, we have some big games coming up! Also a big match up in the ACC Saturday and Monday. MacGruber to be a TV show??? I started watching Game of Thrones and I give some insight on what I've seen so far. I end the show with some cool High School sports update from my local High School, also some baseball news, and can't forget about music! Thanks again for listening | Follow me on Twitter: @hendr92 | Have a great day!

Robbie Bartlett’s signature voice spans R&B, soul, and jazz. Bartlett and her band have opened shows for Frank Sinatra, Tom Jones, Sheryl Crow, The Righteous Brothers, and many others. David Crosby and Graham Nash specifically asked for her to perform before and after their concert. The legendary B. B. King once sent word back through his daughter, Shirley King, “Who is that? I like her voice,” after hearing Robbie sing with her band. She is an accomplished vocalist, bandleader, composer, and performer. Bartlett recently finished her first movie score “The Gift of Your Love” with Travis Myles who wrote the movie and lyrics to the title song. Bartlett wrote the score for the title song, recorded, played piano, and sang. Bartlett started singing at age four, and developed a strong foundation in R&B and jazz. Her warm smoky alto voice is heard regularly at popular Louisville area nightclubs, where she has performed since 1982. Styles include “Respect” by Aretha Franklin, “Good Morning Heartache” by Billie Holiday, “Give Me One Reason” by Tracy Chapman, and “At Last” by Etta James. Bartlett received the Kentuckiana Blues Society Sylvester Weaver Award in 2012, and was voted #1 for R&B/soul in Louisville, Ky. in 2014. She is always in high demand for outdoor festivals, weddings, birthdays, country club activities, fundraisers, and house concerts. Bartlett resides in the Germantown area of Louisville.

Adam Levy has been an LA session player, touring guitarist, and has worked on Grammy-winning records including Norah Jones’ “Come Away With Me”... Tracy Chapman’s “Give Me One Reason”... and has also worked with Ani DiFranco, Rosanne Cash, Allen Toussaint, Vulfpeck… and has released 6 solo recordings. Adam kept things very real and talked about losing his wife in 2009… growing up in the music business… some challenging early family hurdles… solid advice for anyone who’s ever walked away from a project because they were frustrated… his cool Gibson vintage guitars… trying to figure out if you’re in the right place and doing the right thing… and loads more. Really cool conversation - turn on, tune in, and dig it: Subscribe https://www.EveryoneLovesGuitar.com Facebook: https://www.facebook.com/EveryoneLovesGuitar/ Instagram: https://www.instagram.com/everyonelovesguitar/ Twitter: https://twitter.com/ELovesGuitar

S2 Ep. 10 feat. Adam Levy, guitar slinger, musical alchemist, educator and journalist. Adam talks about: Being a regular collaborator touring musician with Norah Jones... and how the first song with words he ever wrote was on her multi-million selling album. How his very first studio session was spent working with Tracy Chapman, where he recorded Give Me One Reason to Stay, which one multiple Grammys. His shift from a jazz focus to a song writing focus. How his experience in New York shaped him into a different type of musician. His path of accidental opportunities. Working in very diverse musical situation with people like Amos Lee, Dan Hicks & the Acoustic Warriors, Vulfpeck, Alan Tousaint, Todd Sickafoose, Anais Mitchell, Joe Henry, Larry Goldings, Kenny Wolleson, etc. How he wound up writing for almost every guitar publication in the world including Guitar Player, Acoustic Guitar, Fretboard Journal, Premier Guitar, Guitar World. Why he started his free educational Youtube Channel named Guitar Tips and the types of lessons that his followers are learning. Guitar Tips Pro, his platform to help players that want to take the next step. The similarities between learning about religion and music. His musical education and studying with sage teachers like Jimmy Wyble and Ted Greene. How he determines the value of his time. His Aunt Susan's advice about who to sleep with. His thoughts on creative risk. The value of apprenticing Life transitions. With Adam's permission, this episode features the following tunes: This is Our House off his album Blueberry Blonde with Jay Bellerose. Something to Drink About off his album Other Desert Cities. Washing Day off his album Washing Day. MM S2 Ep.10 Blogpost:  http://bit.ly/2m9Wx43  MM S2 Ep.10 on iTunes: https://apple.co/2CMGovE  MM S2 Ep.10 Download: http://bit.ly/2qx4G78  MAKE MOVES on Spotify: http://spoti.fi/2kOMS1d  MAKE MOVES on Stitcher: http://bit.ly/2qsMdDi  MAKE MOVES on Google Play: http://bit.ly/2B7i2I5  MAKE MOVES website: www.makemoveswithjohn.com  MAKE MOVES Facebook Page: @makemoveswithjohn MAKE MOVES EXCLUSIVES Group: http://bit.ly/2t75JqK  MAKE MOVES on Instagram @makemoveswithjohn

A versatile, super-tasty jazz cat who found his way onto huge-selling crossover records by star singers such as Norah Jones and Tracy Chapman, ADAM LEVY is one of the chillest, most thoughtful and grounded pro guitarists you're likely to meet. I had a wonderful time jamming with him on everything from John Coltrane's "Equinox" and Tracy Chapman's "Give Me One Reason" to Norah Jones' "Don't Know Why" and Adam's own solo song, "This Is Our House" (off his stellar EP, Blueberry Blonde). We explore many different musical worlds in this super-size episode, and I learned a lot. Hope you do, too. —JUDE GOLD, host, No Guitar Is Safe

Returning attorney Andrew Jones has read a biography of James Brown, so it's up to him to bring us up to speed on the legendary godfather of sex machines. Elsewhere on the panel, Pat has seen Centennial Man, Rory has issues with "Give Me One Reason," and Rick has drinks on an empty stomach so he keeps saying "gal" (gross). Eventually, James Brown appears on stage. Here's proof: https://www.youtube.com/watch?v=QcwhS3VgHpI

This podcast episode includes about a 10-minute interview between Adamand Joanie which basically recaps what we talked about in the last two episodes ofThe Inform Fitness Podcast. Then at the completion of the video a little magic happened.  A relatively spontaneous little jam session broke out between Adam and Joanie.Adam pulled out a guitar and Joanie shared her voice with us and we captured it all on video. It was really great and we hope that you enjoy it as much as we did.Click here to see the video of this episode: https://www.youtube.com/watch?v=GL5GaDyQDCcTo find an Inform Fitness location nearest you visit www.InformFitness.comIf you'd like to ask Adam, Mike or Sheila a question or have a comment regarding the Power of 10. Send us an email or record a voice memo on your phone and send it to podcast@informfitness.com. Join Inform Nation and call the show with a comment or question.  The number is 888-983-5020, Ext. 3. To purchase Adam's book, Power of 10: The Once-a-Week Slow Motion Fitness Revolution click this link to visit Amazon:  https://www.amazon.com/Power-Once-Week-Revolution-Harperresource/dp/006000889X/ref=sr_1_1?s=books&ie=UTF8&qid=1485469022&sr=1-1&keywords=the+power+of+10+bookIf you would like to produce a podcast of your own just like The Inform Fitness Podcast, please email Tim Edwards at tim@InBoundPodcasting.comThe transcription to this episode is below:14 Jammin with Adam and Joanie - TranscriptIntro: You're listening to the InForm Fitness podcast, 20 minutes with New York Times,best-selling author, Adam Zickerman and friends. Brought to you by InFormFitness, life changing personal training with several locations across the US.Reboot your metabolism and experience the revolutionary Power of 10, the highintensity, slow motion, strength training system that's so effective, you'd get aweek's worth of exercise in just one 20-minute session, which by no coincidenceis about the length of this podcast. So, get ready InForm Nation, your 20 minutesof high intensity strength training information begins in 3, 2, 1.Tim: Hey InForm Nation. Welcome into a special bonus addition of the InForm Fitnesspodcast, 20 minutes with Adam Zickerman and friends. I'm Tim Edwards with theInbound Podcasting Network. A few things are a little different about this episode.For one, it's definitely going to be a little shorter than 20 minutes. And Mike andSheila won't be making an appearance but certainly will be returning in the nextweek's episode. The audio was captured from a video that my company, InboundFilms, produced for InForm Fitness.Now, if you listen to the podcast with any regularity you know that Sheila and Iare here in the Los Angeles area but we record the podcast from two separatelocations. Mike Rogers and InForm Fitness founder, Adam Zickerman, participatefrom their Manhattan location in New York City. Well, in June of 2016 AdamZickerman visited the InForm Fitness location in Toluca Lake near Burbank,California and we filmed a ton of trainer certification and marketing videos forInForm Fitness. Some of which you'll be able to see at informfitness.com. Well,during Adam's visit here in Los Angeles, Joanie Pimentel from the group NoSmall Children and the special guest of our last two episodes here in the podcast,Fat Loss and Face Melting, stopped by InForm Fitness to chat with Adam in oneof the videos that we were producing.Now, this podcast episode includes about a 10-minute interview between Adamand Joanie which basically recaps what we talked about in the last two episodes ofthe podcast. Then at the completion of the video a little magic happened. Arelatively spontaneous little jam session broke out between Adam and Joanie.Adam pulled out a guitar and Joanie shared her voice with us and we captured itall on video. It was really great and we hope that you enjoy it as much as we did.So, here is our bonus episode of the InForm Fitness podcast, 20 minutes withAdam Zickerman and friends. This episode is called Jammin with Adam andJoanie.Adam: Hi, I'm Adam Zickerman. I'm here with Joanie Pimentel from No Small Children,one of my favorite new bands. And she was just a recent guest on one of myshows called 20 minutes with Adam Zickerman and friends. Joanie, I love yourband. I love No Small Children. I've met you guys. I've seen you live. Your albums are great. You have high energy. It's really awesome. Your voices are --your voice, it kills me. It kills me.Joanie: Thank you so much. Thank you. Thank you.Adam: Really. Really. So, tell me about the band a little bit. Tell everyone about that.Joanie: Well, we are a power trio as you had mentioned.Adam: Yes. It's a power trio.Joanie: We play original rock music. We've been playing together about three years now. We have three albums out and we are super active on all social media, Facebook, Instagram, all those things the kids are doing nowadays. And we actuallysomething very exciting has just happened for us. We were -- one of our songswas selected to be in the new Ghostbusters movie.Adam: Oh my gosh.Joanie: We had actually recorded a version of the Ghostbusters' theme song andsubmitted it to Sony Pictures, thinking this, you know, probably nothing with everhappen of it but it did and they actually fell in love with our version of the song atthe last minute, snuck it into the movie. So, you will hear --Adam: It's going to be opening credits of the movie.Joanie: It's going to be in the closing credits of the movie and over the blooper reel. Yes.Adam: Wow.Joanie: So, you will hear us playing that version.Adam: Oh, right on. Congratulations.Joanie: Yeah. It's really exciting. It's really, really exciting, so.Adam: That's great.Joanie: Yeah.Adam: Yeah. Well, it couldn't happen to a better group of people.Joanie: Why thank you so much.Adam: You definitely deserve it.Joanie: We are very serious about having fun.Adam: Yeah [laughs].Joanie: Very serious, so.Adam: So, tell us, the reason you were on our podcast is because you went through atransformation recently.Joanie: I have indeed. Yes.Adam: And you've been -- part of that transformation was using the Power of 10workout. So, why don't you tell me a little bit about that?Joanie: Well, over the past about a year, just over a year, I have been in the process of losing quite a bit of weight. I've lost about 120 pounds at this point. And early on Imet with Sheila through InForm Fitness. I met her through my sister who is alongtime friend of Sheila's and I came to the open house and I have always beenone of those people who despises working out. There really is nothing that beatsrelaxing on the couch. It's very hard to beat that [laughs] but --Adam: [laughs] I'm with you.Joanie: Yes. It feels good, right? So, I came to the open house and I was a total skepticand I said to Sheila, just so you know, I hate all exercise. I don't like going to thegym. I do not like going to classes. It's not for lack of effort or willingness. I justtried it and really disliked it. So, she said, great. I said, what do you mean great?She says, this is going to be perfect for you. This approach it takes 20 minutes. Itspeaks to the things that are very important to you. There is lots of data andscientific information to back up its effectiveness and it's results driven. So, I said,alright. I'll believe it when I see it.So, I started working out with her once a week and within three weeks it was veryclear that it was working. I started to feel really strong and for me personallythat's actually very important, that part of it. I have to move a lot of equipmentand gear, often have to do it very quickly. And when you're in an all-female trioand you're the biggest person [laughs] --Adam: After the Ghostbusters you can have roadies soon. Joanie: Yeah. Oh, wouldn't that be amazing? I would love that. Yes. But in the interim we manage all of our own gear and things like that. So, being able to do that's veryimportant. And also not getting hurt is very important because those things canreally end your career if you get seriously hurt. Not being able to jump around onstage and perform is a big problem. So, that was always a concern.Adam: Yeah. Well, that's our number one value principle is don't do any harm and[crosstalk 06:41] results.Joanie: That's right. And actually that was one of the things that appealed to me rightaway, is that the emphasis was put on safety. All the equipment looked likesomething you would see in a medical rehab center. Not even necessarily at yourlocal gym. So, and I did the workout the first time and I could barely walk to thecar. And I said, okay, this is clearly a workout. I was skeptical that you could get itdone in 20 minutes but it definitely worked for sure. And then I came back thenext week and came back the next week and like I said, after three weeks, I reallynoticed a difference. And then it continued to grow from there.Adam: [Crosstalk 07:19].Joanie: About four years earlier I had been treated for thyroid cancer and one of thetreatments, the treatment requires that you essentially be starved of thyroidhormone which makes you completely exhausted to the point where every musclein your body stops working effectively. And that was very difficult for me.Actually, strangely enough that was the most difficult part of the entire process.Because I have always self-identified as being very strong, physically strongperson. Being able to lift things that are heavy, more so than the average woman.So, when that part of me was gone I felt like part of my identity had gone.Adam: Hm [contemplative], interesting.Joanie: So, maintaining that was very important to me. And, so that three weeks later Isaid, okay, this is working and the Sheila and I continued to work out for quitesome time and then we had some trouble with our schedules and things didn't lineup and I got busy with touring and I'm also a teacher as well, music teacher. So,that became difficult. So, I had gotten the book. The Power of 10 book early on.My first time, the open house and --Adam: New York Times best-seller by the way.Joanie: Yes, and so --Adam: For one week. Joanie: It was -- it's -- and I'll tell you, it's not like reading through a novel. It's verypractical the way the book is laid out and written. So, what I did was after I readit, I took pictures of the various workouts and then kept it on my phone.Adam: That's [crosstalk 08:45] [laughs]--Joanie: And when I couldn't meet with Sheila I would go to the gym and look at myphone and look through all the workouts and do it at the gym. And I get a lot ofstrange stares here and there.Adam: That's interesting.Joanie: You know, everybody's kind of going fast and putting in and I'm there --Adam: Yeah. I know.Joanie: One, two and then three. You know, slow and steady and the people at the gymthat I've gone to have seen me shrink over time.Adam: Yes. That's funny. You talked about this weight loss. 100 and how many pounds?Joanie: It was 119 as of today.Adam: 119 pounds. So, let's talk about that because I think it's important for everyone tounderstand how you lost that weight.Joanie: Yes. It is.Adam: That obviously no exercise program in the world can ever be responsible, solelyresponsible for weight loss, fat loss. So, how'd you do it?Joanie: Well, as you said, exercise is relatively small part of losing that much weight.Adam: Absolutely.Joanie: So, I did have a vertical sleeve gastrectomy in September of 2015. That's a type ofweight loss surgery. It's not as --Adam: Bariatric surgery, mhm [affirmative].Joanie: Yeah. It's not as -- it's not as restrictive as a gastric bypass but it is a very popular,growing in popularity procedure. Now, the thing about weight loss surgery, what they often don't tell you going into it is that actually 50% of people who haveweight loss surgery gain all of their weight back.Adam: Mhm [affirmative].Joanie: And also during the process and you're losing weight very rapidly, it's very easy to lose muscle mass. And you also excess skin is a problem, especially the older youget. So, what the Power of 10 did -- what the surgery did for helping me loseweight, the Power of 10 helped me to actually make my body strong and fit. So,my body does not look like it would if I had not done Power of 10. Absolutelydoes not. The extra muscle not only aides in the weight loss because at a resting --when I'm resting metabolically, I'm still burning more calories than I would if Ididn't have that added muscle mass. It prevented me from losing muscle massduring this process which is very easy to do and it -- the added tone to my framehelps to support excess skin. I mean, there's really not a whole lot you can doabout excess skin but you can help how it looks by supporting the skin withmuscle. And I feel stronger right now than I ever have in my entire life, ever,hands down.Adam: Right on.Joanie: Yeah.Adam: Well, congratulations.Joanie: Thank you so much.Adam: You look so great. You look great.Joanie: Thank you so much.Adam: You always looked great to me actually.Joanie: Thank you. Thank you. And I'll tell you there is no weight loss surgery, there's no exercise program in the world that's going to change how you feel about yourself.That way's a two stage process. I had to start with my body and then I had to workon my head. So, the in -- that the only -- that it's a lot easier to change how yourbody looks than how you feel about how your body looks so.Adam: Right. Well, you said on our podcast that you never thought of yourself -- youwere not an insecure person. [laughs] Joanie: No. It's very -- thankfully, music -- that's one of the gifts of music is that from a very young age my identity was more about being a musician and being on stageand things like that. I before the surgery I was not ashamed to be an obese person.I was -- I didn't feel like I was ugly or disgusting. Fitting in airplane seats waskind of tricky and --Adam: [laughs] [Crosstalk 12:04].Joanie: Finding matching clothes was a little -- because our band we actually always wear matching dresses. So, it's much easier now find matching dressing than it used to be. You know, we don't have to worry about finding extra small, small and adouble extra-large. Now it's small, medium and large. So, or actually small, smalland medium. I am at a size eight right now.Adam: You're a medium. You're a medium, officially.Joanie: I wear size eight pant and I wear a size six dress. I have not been in a single digit dress or pant size in my entire adult life ever.Adam: Now, I asked you also and you said no. And the question was, it doesn't affectyour voice losing all that weight.Joanie: Nope. That's a misnomer. That's a very old like classical --Adam: Mhm [affirmative]. Yeah. Can you prove that with me?Joanie: Absolutely. Are you asking me to sing with you?Adam: I am asking you to sing with me. Yes.Joanie: I would love to. I would love to.Adam: It would be a real honor because I'm a frustrated rock star. And never had thetalent for that so I went into fitness. But this would fulfill a fantasy of mine.Joanie: Oh my gosh. Hey, you know the difference between a frustrated musician and a working musician?Adam: Probably not much, right?Joanie: Just getting up on the stage and doing it. Just got to get up on the stage and do it.That's the only cure. Adam: Alright. Alright. So, let's do it then.Joanie: Alright.Tim: So, there's a little backstory that I want to share with you before we get ready tohear Jammin with Adam and Joanie. Since Adam was traveling he didn't have hisown guitar with him and Adam wasn't quite sure if Joanie would be interested insinging when she showed up for her on camera interview. But he wanted to beprepared just in case. Well, I have a guitar so I offered to let Adam use it. Now,even though I have a guitar, I don't play it. It really serves as a decorative piece inmy house. Well, many years ago I had it signed by many popular musicians and since it'sbeen on a shelf for close to 20 years, the strings were as Adam calls it, dead.Nonetheless, it was all we had. So, when Joanie graciously accepted Adam's offerto perform with him Adam made the most of my 20-year-old dead guitar strings.My guitar truly never sounded so good. Judge for yourself. Here's Joanie Pimentelfrom the group No Small Children with Adam Zickerman performing TracyChapman's ”Give Me One Reason” live from the InForm Fitness studios in TolucaLake.Joanie: Alright, Adam, you ready?[“Give Me One Reason” cover by Joanie Pimentel and Adam Zickerman plays]Adam: [laughs] [claps] I love it.Joanie: [laughs] Nice.Adam: Very good.Tim:  That was pretty cool. That was Joanie Pimentel from the group No Small Children and our very own Adam Zickerman with Tracy Chapman's Give Me One Reason. Remember the ladies from No Small Children will be hitting the road out in the east coast and the mid-west here in the month of August in 2016 and don't forget to head out to the movies this summer and see Ghostbusters. If you do, stick around to the closing credits and the bloopers so you can hear Joanie and her group No Small Children perform the song “Ghostbusters” over the closing redits and the bloopers. Very, very cool.We'll be back again for another regular addition of the InForm Fitness podcast, 20minutes with Adam Zickerman and friends. Please don't forget to subscribe righthere in iTunes, we would greatly appreciate it. Thanks again for listening to thespecial addition of the InForm Fitness podcast. For Adam, Mike and Sheila, I'mTim Edwards with the Inbound Podcasting Network.  

On this week's LadyWatch agenda: Ryan and Jason give 'My Name is Doris' two Ladies up (those two Ladies are Sally Field and Tyne Daly), welcome Lilly Wachowski to join her sister Lana on LadyWatch (and Caitlyn Jenner gets a time out), Loretta Lynn and her costumer on WWHL, Vanessa Williams gets real about bra fat, Sophia Loren is surrounded by admiration, why Mavis Staples should sleep with one eye open for Sally Kirkland, the secrets Stefanie Powers' parrot keeps, why British Ladies have an issue owning up to their racial insensitivity, and much much more!

Few musicians get to experience the kind of career ride Adam Levy has had. It all started simply enough; Levy was a young, talented jazz guitarist who grew up in Los Angeles and had lived on both coasts - playing with numerous artists and earning some accolades for his smoky blues licks on Tracy Chapman's hit, “Give Me One Reason.” After a few more moves Levy found himself in San Francisco writing for Guitar Player magazine. Not a bad regular gig in a field where regular gigs come dear. A strange confluence of events then set him on a path that would sound like a yarn had it not come to pass. It was sparked by an e-mail from a little-known performer he'd played with in New York, along with a rare and uncannily good deal on an apartment in Manhattan and a cross-country tag along ride. That e-mail was from Norah Jones, with whom Levy had been playing gigs before he left for the West coast. She was headed into the studio to record her debut album for the Blue Note label and she asked him to come to New York and play some guitar. When it was released, Come Away With Me captured the zeitgeist of America in the aftermath of the September 11th terror attacks, sold millions of copies and won Jones eight Grammys in 2003 - and it also launched Jones, Levy and the other musicians in her band into the rarified air unique to multi-platinum artists. Levy played with Jones' Handsome Band for six years and two more albums before setting off on his own. Levy has kept busy since, relocating back to his native California, releasing several albums and chairing the guitar department at Los Angeles College of Music. Levy's deft, tasteful, slowhand guitar style has also been heard on recordings by Ani DiFranco, Amos Lee and numerous others, and his newest project is a quartet of top-notch musicians including Rich Hinman, Jay Bellarose and Jennifer Condos that can be found playing entertaining and unpretentious gigs around Los Angeles.

Few musicians get to experience the kind of career ride Adam Levy has had. It all started simply enough; Levy was a young, talented jazz guitarist who grew up in Los Angeles and had lived on both coasts - playing with numerous artists and earning some accolades for his smoky blues licks on Tracy Chapman’s hit, “Give Me One Reason.” After a few more moves Levy found himself in San Francisco writing for Guitar Player magazine. Not a bad regular gig in a field where regular gigs come dear. A strange confluence of events then set him on a path that would sound like a yarn had it not come to pass. It was sparked by an e-mail from a little-known performer he’d played with in New York, along with a rare and uncannily good deal on an apartment in Manhattan and a cross-country tag along ride. That e-mail was from Norah Jones, with whom Levy had been playing gigs before he left for the West coast. She was headed into the studio to record her debut album for the Blue Note label and she asked him to come to New York and play some guitar. When it was released, Come Away With Me captured the zeitgeist of America in the aftermath of the September 11th terror attacks, sold millions of copies and won Jones eight Grammys in 2003 - and it also launched Jones, Levy and the other musicians in her band into the rarified air unique to multi-platinum artists. Levy played with Jones’ Handsome Band for six years and two more albums before setting off on his own. Levy has kept busy since, relocating back to his native California, releasing several albums and chairing the guitar department at Los Angeles College of Music. Levy’s deft, tasteful, slowhand guitar style has also been heard on recordings by Ani DiFranco, Amos Lee and numerous others, and his newest project is a quartet of top-notch musicians including Rich Hinman, Jay Bellarose and Jennifer Condos that can be found playing entertaining and unpretentious gigs around Los Angeles.

Few musicians get to experience the kind of career ride Adam Levy has had. It all started simply enough; Levy was a young, talented jazz guitarist who grew up in Los Angeles and had lived on both coasts - playing with numerous artists and earning some accolades for his smoky blues licks on Tracy Chapman’s hit, “Give Me One Reason.” After a few more moves Levy found himself in San Francisco writing for Guitar Player magazine. Not a bad regular gig in a field where regular gigs come dear. A strange confluence of events then set him on a path that would sound like a yarn had it not come to pass. It was sparked by an e-mail from a little-known performer he’d played with in New York, along with a rare and uncannily good deal on an apartment in Manhattan and a cross-country tag along ride. That e-mail was from Norah Jones, with whom Levy had been playing gigs before he left for the West coast. She was headed into the studio to record her debut album for the Blue Note label and she asked him to come to New York and play some guitar. When it was released, Come Away With Me captured the zeitgeist of America in the aftermath of the September 11th terror attacks, sold millions of copies and won Jones eight Grammys in 2003 - and it also launched Jones, Levy and the other musicians in her band into the rarified air unique to multi-platinum artists. Levy played with Jones’ Handsome Band for six years and two more albums before setting off on his own. Levy has kept busy since, relocating back to his native California, releasing several albums and chairing the guitar department at Los Angeles College of Music. Levy’s deft, tasteful, slowhand guitar style has also been heard on recordings by Ani DiFranco, Amos Lee and numerous others, and his newest project is a quartet of top-notch musicians including Rich Hinman, Jay Bellarose and Jennifer Condos that can be found playing entertaining and unpretentious gigs around Los Angeles.

Laurel and Jenny talk marriage bounce threats, symptoms of d*cksickness, and the dust out state of mind.

LISTEN/REVIEW/SUBSCRIBE IN iTUNES: CLICK HERE What really happens behind the scenes at Brackett Outdoors?  Well, we find out in this exclusive and invasive interview with Chipcity Spaulding and Salvo Magro, two of the main forces behind Brackett Outdoors (makers of Arrow Affliction and Fear No Evil). Here's what we cover: Chewing Copenhagen How Salvo got into the outdoor tv business How Salvo got his nickenames: Blablo and Blackfoot the Barbarian What it's like to get your toes chomped by a gator Chipcity and Animal House, Mr. Serious & Lord Crongle How Chipcity started with Brackett Outdoors Chipcity's underated talent for creating nicknames Body Guards! The Golden Moose Awards Shooting Big Bucks and Tuna Fishing! What's it like to hunt on the road all the time?  Chipcity and Salvo explain what it's like to move from town to town and try to pattern big whitetails. We talk gator hunting too, the Brackett Bus (not happening), flying under the radar, fish and game tickets, North Woods Law, SECRET PROJECTS, PODCAST???, Blablo's ring tone, Hunt Fish Journal, Carrie Z, when the Boss calls, and we end with a hit recoring of Give Me One Reason, Chipcity and Blablo style! This is a must listen show!  

Tracy Chapman è una delle cantautrici della nostra epoca più apprezzate e stimate per sensibilità e impegno. Questo brano rappresenta in qualche modo un'anomalia nel tema trattato, qui si parla d'amore mentre il motivo conduttore della sua opera è molto più spesso sociale.

So we have finally hit that time of year when lots of new music is coming out and we couldn’t be happier. Now while it would be easy to just spin all the new stuff we really think it is more fun to through in a bunch of older tracks that you have probably forgotten about or if we are doing a good job, you missed the first time around. So let’s start with the new. We have brand new Pete Yorn & Scarlett Johansson along with a big old helping of Half Hour Music Hour favorites Noah and the Whale and Friska Viljor. Along with that we also have a great track by The Films and something brand new by fun. What you want unreleased tracks? Well we have that too by a little band called Vampire Weekend. And just to make it really crazy, there is even some live Weezer. We hope you enjoy it all cause it is gonna be a long drive. PS - Think you know what the title of the show means? Drop us a line and let us know. The first right answer gets a shout out in the next episode and can request a song that we will play for you. Ep 35 - 128 Kbps MP3 [111.5 MB] 01. Pete Yorn & Scarlett Johansson - “Relator” 02. Cosmo Jarvis - “She’s Got You” 03. Polyphonic Spree - “Hold Me Now” 04. The Films - “Holiday” 05. The Twang - “Barny Rubble” 06. Vampire Weekend - “White Sky” 07. Noah and the Whale - “Blue Skies” 08. Tracy Chapman - “Give Me One Reason” 09. The Shins - “Saint Simon” 10. Fruit Bats - “The Ruminant Band” 11. fun. - “At Least I’m Not As Sad (As I Used To Be)” 12. Weezer - “Kids (MGMT Cover)” 13. The Decemberists - “O Valencia” 14. Friska Viljor - “Wohlwill” 15. The Killers - “Mr Brightside” 16. We Were Promised Jetpacks - “Ships With Holes Will Sink” For more music don’t forget to follow us on Tumblr or visit us at www.halfhourmusichour.com. You can find out the latest news and updates over at @HalfHrMusicHr.