Podcasts about hbo game of thrones

#metaverse #lamina1 #interoperability Rebecca Barkin is Co-Founder & CEO of LAMINA1, the brainchild of Neal Stephenson (Chairman), who first conceptualized the Metaverse in his 1992 million-selling book Snow Crash, and Peter Vessenes a foundational leader from the early days of Bitcoin a Layer 1 blockchain optimized for the open metaverse and its makers. The tech and creative leader brings 20+ years of experience leading strategy, design, and development at the intersection of emerging technology and entertainment – with recent positions VP of Content Strategy & Partner Solutions at the groundbreaking immersive venue Madison Square Garden Sphere and as Vice President of Brand Platform & Design at Augmented Reality pioneer Magic Leap. Since starting her career at EMI-Capitol Records, Barkin has helped companies big and small embrace transformative new technologies and bring them to market in partnership with beloved brands and artists. She led GTM strategy for pioneering computer vision & AI company Nod Labs which developed foundational 6Dof tracking technology to enable VR and AR. She's also held leadership roles at Genius Products, Dell Computers, and Silicon Valley startup Lyve . At Magic Leap, she drove the development of a slate of launch applications like the award-winning immersive music experience Tónandi, as well as branded content experiences with premium partners like Alibaba (Tokyo Olympics), Warner Bros (Fantastic Beasts), and HBO (Game of Thrones). Later, as Vice President of Brand & Platform Design, she led the redesign of both the operating system and brand for the enterprise-focused Magic Leap 2 (winner of multiple design awards). The brainchild of Neal Stephenson (Chairman), who first conceptualized the Metaverse in his 1992 million-selling book Snow Crash, and Peter Vessenes (CEO), a foundational leader from the early days of Bitcoin, Lamina1 is a Layer-1 blockchain purpose-built to empower the open Metaverse. Lamina1's chain technology, cryptographic model and extensive intellectual property partnerships (to be announced throughout 2022) will establish it as the preferred destination for this generation's most creative minds — those who are crafting the digital societies of the future. It is the first provably carbon-negative blockchain in the world https://www.linkedin.com/in/rebeccambarkin https://www.lamina1.com https://twitter.com/Lamina1official https://www.linkedin.com/company/lamina1 XROM- Home of Extended Reality India's 1st AR/VR Focussed Podcast Kindly subscribe to our youtube channel www.youtube.com/xrompodcast @spotifyforpodcasters @nealstephenson @lamina1 @metaverse

A Ragusa, storica città fortificata nella Dalmazia meridionale, nota anche per essere apparsa nella serie di HBO Game of Thrones, il Comune ha preso una decisione drastica per venire incontro al volere dei propri cittadini, bandire il trascinamento da parte dei turisti dei trolley per le vie del centro, peccato che per quanto curiosa e diffusa da molti giornali nel mondo, si trattasse di una notizia vera solo in parte.Fonti degli inserti audio contenuti in questa puntata: “Mediterranean village”; “Balkan tales”; “Jazzy abstract soundtrack”; “Reflected lights”

*Go to http://magicmind.com/geekf and get up to 50% off your subscription for the next 10 days with my code GEEKF20 TIMESTAMPS News: 6:00 Zelda Review: 26:00 WoW 10.1: 30:00 PlayStation Showcase: 35:00 Fast X Review: 51:00 DESCRIPTIONHey all! In this episode of the Geek Freaks podcast, we dive into the latest and greatest news from the geek world. First up, we discuss the exciting expansion of the John Wick franchise with the confirmation of a fifth film and spinoffs, giving fans more adrenaline-pumping action than ever before. Next, we delve into the upcoming Game of Thrones spinoff titled "A Knight of the Seven Kingdoms: The Hedge Knight," which promises to follow the captivating novella structure that made the original series so beloved. Prepare to be thrilled as we reveal insider information about an HBO Game of Thrones spinoff starring none other than Kit Harington's iconic character, Jon Snow. The early development stages have us on the edge of our seats, eagerly awaiting the return to Westeros. In gaming news, we discuss Nintendo's latest update, which removes duplication glitches in The Legend of Zelda: Tears of the Kingdom patch, ensuring a fair and seamless gaming experience. Hold onto your superhero capes as we tackle the latest setback for Marvel Studios' Thunderbolts production, which has been paused due to the ongoing WGA strike. We dive deep into the implications and potential outcomes of this industry-shaking event. We share the nostalgic news that Mortal Kombat 1 will feature classic characters alongside exciting guest fighters, reigniting the fierce battles that made the franchise legendary. Then, we shift our focus to the PlayStation Showcase 2023, exploring every new trailer that left fans buzzing with excitement. From highly anticipated sequels to mind-blowing new IPs, we've got you covered with all the details. We also dive into the latest reviews for The Legend of Zelda: Tears of the Kingdom. Hear our analysis and discover if this installment lives up to the hype, as we break down the game's stunning visuals, immersive gameplay, and captivating storyline. Additionally, we shift gears to the adrenaline-fueled world of high-speed car chases and epic heists with the release of Fast X. Join us as we discuss the initial reactions and critical acclaim for the latest installment in the Fast and Furious saga. Strap in for our in-depth review of the action-packed sequences, jaw-dropping stunts, and charismatic performances that make Fast X a must-watch for fans of the franchise. Tune in to this jam-packed episode of Geek Freaks Podcast, where we explore the latest geek culture news, indulge in wild speculations, and keep you up to date on all things geeky! Don't miss out – hit that play button now! Keywords: John Wick franchise, Game of Thrones spinoff, Kit Harington, Jon Snow, The Last of Us, Nintendo, Legend of Zelda, Marvel Studios, Thunderbolts, WGA strike, Star Trek: Strange New Worlds, PlayStation Showcase, Elizabeth Olsen, Daniel Craig, Doctor Strange in the Multiverse of Madness, HBO Max, Max rebrand, Mortal Kombat 1, guest fighters.

En este episodio de #PodcastLaTrinchera, Christian Sobrino se reencuentra con Luis Herrero y Jonathan Lebrón del podcast Puestos P'al Problema y con el Lcdo. Carlos Sagardía para repasar lo que ha sido un año del podcast. Entre cervezas se discute de todo, incluyendo la reforma energética y LUMA, la condición del Departamento de Justicia de Puerto Rico, el ecosistema mediático, el "brokenismo", las predicciones de cada uno para el 2024, la ruta al trono imperial de Joanne Rodríguez Veve, entre muchos otros temas.Los artículos de Alana Newhouse en Tablet Magazine durante el episodio son los siguientes:- "Everything is Broken and How to Fix It"- "Brokenism"Para contactar a Christian Sobrino, nada mejor que mediante las siguientes plataformas:Facebook: @PodcastLaTrincheraTwitter: @zobrinovichInstagram: zobrinovich"Lo que está muerto no puede morir, sino que se alza de nuevo, más duro, más fuerte." - Sacerdote del Dios Ahogado en la serie de HBO Game of Thrones

Gwnedoline Christie es una actriz inglesa conocida por actuar en la serie de drama y fantasía de HBO Game of Thrones (actuación que le valió un Emmy) y por interpretar a la Capitana de Primera Orden en Star Wars. Hoy recordamos su sabiduría con esta frase: “La belleza de la existencia radica en superar lo superficial y adentrarnos en un poco de profundidad.”

Brandon and Chanel are joined by Sharmane Fury from the Militantly Mixed and BlerdComixed podcast to talk about Episode 8 of the HBO Game of Thrones spinoff House of the Dragon. This show just continues to get better and better and now we see all the alliances and where everyone stands. We did get more incest, we got some fighting, we got new dragon owners and a great funeral. Feedback If you want to leave feedback, questions, comments about the show you can email us at WeWasDragonsPod@gmail.com Twitter Brandon - @thatcoolblknerd Chanel - @chanelcreating Sharmane - @dablasianBlerd Youtube - Chanel Creating Other Podcast Brandon - Why So Serious Podcast, RTO Podcast, Bald Black Nerds Podcast, Hindsight Movie Reviews Podcast Chanel - Baby, Baaabe! Podcast --- Send in a voice message: https://anchor.fm/we-was-dragons/message

Quando você estiver perdido nas sombras, lembre-se do.... CheeeeeeeeeeckList Podcast! Olááááááá ouvintes amados! Sejam muito bem-vindos (as/es) a mais um episódio na nossa página de entretenimento e enriquecimento da sua lista de cultura pop! Foi dado a largado. Sinalizado por meio de um assobio que o trailer de The Last of Us, nova série da HBO, inspirada no game, está no ar. Os amantes desse aclamado e premiado jogo ficaram altamente empolgados, porém, cautelosos, agachados sobre a grama alta. A série promete atrair um novo público e trazer a emoção que tivemos com esse jogo lá no passado nos controles, agora nas telinhas. Mas fica a provocação para você amante dessa obra: Será mesmo que você é o público alvo? Essa e outras perguntas nós respondemos nesse Cast of Us, mais que especial. Mais aterrorizante que Estaladores, Baiacus ou Rei dos Ratos é o tédio de ficar sem ouvir os nossos casts. E não venha me dizer que eu ficaria bem se você ouvisse outro cast porque na verdade eu só teria mais medo! VINGUE-SE DO TÉDIOOOOOOO!!!! https://linktr.ee/checklistpodcast

House of the Dragon episode 3 was...the best. I loved it, the show delivered on just about everything my book loving heart wanted. Well...most of it. Prophecy, magic, weirwoods, dragons, battles, a drunk guy talking about dreams in front of a fire. The destiny of Rhaenyra and Aegon being decided over a white hart, Viserys finding he has a heart, and Daemon bathes in blood in the Stepstones. Had it all.  Fire and Blood by George RR Martin: https://amzn.to/3bXgQif Audible Free Trial: https://www.audibletrial.com/Joemagician for a free 30 day subscription 

House of the Dragon gave us a new introduction for each episode and it...is an introduction. Not quite sure what it is supposed to be either? Well, come along and we'll try to figure out what the rivers of blood and weird locks and sigils are about.  Conqueror's Crown on Twitter: https://twitter.com/conquerorscrown/ Fire and Blood by George RR Martin: https://amzn.to/3bXgQif Audible Free Trial: https://www.audibletrial.com/Joemagician for a free 30 day subscription 

Many are asking if the Targaryens have Aegon the Conqueror's prophecy of Ice and Fire, why does it seem like they did nothing to prepare for the White Walker invasion? Well, I'm here to answer that burning question with facts and logic. Fire and Blood by George RR Martin: https://amzn.to/3bXgQif Audible Free Trial: https://www.audibletrial.com/Joemagician for a free 30 day subscription 

Luxana me acompaña para discutir como nos sentimos sobre como terminó la serie de HBO Game of Thrones y damos nuestras impresiones del primer episodio de House of the Dragon. ► https://linktr.ee/dulcepodcast ◀

House of the Dragon is an American fantasy drama television series, a prequel to Game of Thrones (2011–2019). Both series are based on the A Song of Ice and Fire novels by George R. R. Martin. House of the Dragon was created by Martin and Ryan Condal for HBO; Condal and Miguel Sapochnik are the showrunners. Based on parts of the novel Fire & Blood, the series is set about 200 years before the events of Game of Thrones. It portrays the beginning of the end of House Targaryen, the events leading up to and covering the Targaryen war of succession, known as the "Dance of the Dragons". House of the Dragon received a straight-to-series order in October 2019 with casting beginning in July 2020 and principal photography starting in April 2021 in the United Kingdom. The series premiered on August 21, 2022, and its first season will consist of ten episodes. --- Send in a voice message: https://anchor.fm/popcorn-junkies/message

Dragoncast rises again! We’re back for the premiere of the new HBO Game of Thrones prequel show “The House of the Dragon”. We’ve been hurt before but we’ve returned cautiously optimistic to see what HBO has brought us this time. … Continue reading →

House of the Dragon is an American fantasy drama television series, a prequel to Game of Thrones (2011–2019). Both series are based on the A Song of Ice and Fire novels by George R. R. Martin. House of the Dragon was created by Martin and Ryan Condal for HBO; Condal and Miguel Sapochnik are the showrunners. Based on parts of the novel Fire & Blood, the series is set about 200 years before the events of Game of Thrones. It portrays the beginning of the end of House Targaryen, the events leading up to and covering the Targaryen war of succession, known as the "Dance of the Dragons". House of the Dragon received a straight-to-series order in October 2019 with casting beginning in July 2020 and principal photography starting in April 2021 in the United Kingdom. The series premiered on August 21, 2022, and its first season will consist of ten episodes. --- Send in a voice message: https://anchor.fm/popcorn-junkies/message

Link to video: https://youtu.be/3hJPzvwNoGE   The Targaryens have always been guided by dragons, although not the ones you're thinking of. The massive role of prophecy in the lives of the stars of House of the Dragon from Aegon to Aegon. And how it may be a trap from the Children in the Weirwood thrones.  Fire and Blood by George RR Martin: https://amzn.to/3bXgQif Audible Free Trial: https://www.audibletrial.com/Joemagician for a free 30 day subscription 

Welcome to the inaugural episode of The Westerbros as we preview the new HBO Game of Thrones series, “House of the Dragon.” We'll be reviewing the entire season, so be sure to subscribe to the channel. Rashad will also be doing spoiler reviews of She-Hulk on Disney Plus, starting this Wednesday! Join “The Fam” on Patreon, www.patreon.com/hangingwiththejoneses IG: hangingwith_thejoneses FB: Hanging with the Joneses TikTok: hangingwiththejoneses Music via Artlist --- Send in a voice message: https://anchor.fm/hangingwiththejoneses/message Support this podcast: https://anchor.fm/hangingwiththejoneses/support

Sonoya Mizuno recently made her stage debut as Maggie in the first Off-Broadway production of the Tennessee Williams classic, "Cat On a Hot Tin Roof". The actress slash ballet dancer and now a stage performer speaks candidly about her childhood, and how her uncle who was a stage actor inspired her to pursue acting. She talks about her ballet dancing career, auditioning and getting the role of Kyoko in Alex Garland's "Ex Machina" which was also her first feature film. She would later appear in Garland's other works as well. She shares what made her try theatre and how she got an audition for "Cat On a Hot Tin Roof", the production timeline and how the pandemic affected it, her favorite part about performing on stage, and why she prefers to play characters that are far from her personality. Sonoya Mizuno is an actress and ballet dancer who has appeared in movies, including Alex Garland's works like "Ex Machina" and "Annihilation". Her other film credits include "La La Land", "Beauty and the Beast", and "Crazy Rich Asians". She also appeared in film shows such as the Netflix miniseries "Maniac" and "Devs". Her upcoming works include the HBO Game of Thrones prequel series, "House of the Dragon" and the movie, “Civil War”. She made her stage debut as Maggie in the first Off-Broadway production of the Tennessee Williams classic, "Cat On a Hot Tin Roof". Get tickets to see "Cat On A Hot Tin Roof": https://www.telecharge.com/Off-Broadway/Cat-on-a-Hot-Tin-Roof/Overview Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

We're back!  After the Long Night of No Podcasts, we're back to give our SPOILER-FREE thoughts on the HOUSE OF THE DRAGON.  We were lucky enough to attend the red-carpet premiere of the new HBO Game of Thrones successor show in Hollywood! We give our immediate thoughts on the episodes, talk about the wonderful event at the Academy Museum of Motion Pictures.  We talk: Will non-Game of Thrones viewers be able to jump in and enjoy? Which characters steal the show: Alicent, Rhaenyra, Daemon, Otto Hightower, King Viserys, Criston Cole, and all the rest? Will the returning Game of Thrones fans love the first episode?  How many drinks did we get from the open bar at the after-party. Join Us:Twitter/Instagram:  @DoublePHQYouTube: youtube.com/c/DoublePMediaFacebook: facebook.com/DoublePHQ#HotD #HouseOfTheDragon #GameOfThrones #HouseOfTheDragonHBO #JoffreyOfPodcasts

Is Jodi making upsetting changes for Murphy at home?Sam has a new TV show binge idea he will share. In the Hollywood Outsider: EVERYONE who says they want to come back and be IN the HBO Game of Thrones Sequel SNOW!

With a new year comes new lists and games for the world of ice and fire and the HBO Game of Thrones franchises! The Siren of A Song of Ice and Fire from the West, Kelly (@KellyUnderfoot on twitter), joins Matt to have some fun! Send us your suggestions for games, for punishments in the […]

To continue listening to PST, search for our new home at "Dungeons and Demogorgons" wherever you search for podcasts. But please DO NOT delete this podcast feed as it will be repurposed as "Double Dragon," an HBO Game of Thrones prequel podcast. Check out https://support.baldmove.com/ to find out how you can gain access to ALL of our premium content, as well as ad-free versions of the podcasts, for just $5 a month! Join the discussion: pst@baldmove.com  | Discord | Reddit | Forums Follow us:  Instagram | LeDonneBooks.com Learn more about your ad choices. Visit megaphone.fm/adchoices

With a new year comes new lists and games for the world of ice and fire and the HBO Game of Thrones franchises! The Siren of A Song of Ice and Fire from the West, Kelly (@KellyUnderfoot on twitter), joins Matt to have some fun! Send us your suggestions for games, for punishments in the “Seven Hellz” game we'll be playing, or your choices for our top 5 list categories, by emailing Matt mattsaudioblog@gmail.com, or tweeting to @B4thedragonpod! Find everything Matt does in podcast form at mattsaudioblog.com, and be sure to check out our youtube and subscribe at https://www.youtube.com/channel/UCD9o2Dck_7tdBdHV06cfr5Q . Intro and Outro music in this podcast (Titled "Philly Crew") by Doug Maxwell and Danny Keen - https://www.youtube.com/channel/UCwhJTv7O8EmDwyvqMBLHcHg mp3

En este episodio de #PodcastLaTrinchera, Christian Sobrino habla con la licenciada y activista Eva Prados Rodríguez, sobre su rol actual como directora ejecutiva de la Comisión Ciudadana para la Auditoría Integral del Crédito Público y la auditoría de la deuda; la transición de activista a ser candidata para la Cámara de Representantes en el 2021 por el Movimiento Victoria Ciudadana; su perspectiva sobre la crisis fiscal de Puerto Rico y el Plan de Ajuste de la Deuda; su demanda para la publicación de los salarios de empleados públicos; y varios otros temas.  Por favor suscribirse a La Trinchera con Christian Sobrino en su plataforma favorita de podcasts y compartan este episodio con sus amistades.Para contactar a Christian Sobrino y #PodcastLaTrinchera, nada mejor que mediante las siguientes plataformas:Facebook: @PodcastLaTrincheraTwitter: @zobrinovichInstagram: zobrinovich"La paz solamente se hace con nuestros enemigos... por eso se dice hacer las paces." - Littlefinger a Ned Stark en la serie de HBO Game of Thrones

It looks like HBO is moving forward with the Dunk & Egg show! We have a new writer ~ Are you encouraged? Do you think we'll get anymore Dunk & Egg novels soon? The reread will continue! We are shifting to Fire & Blood. Join the discussion: https://www.facebook.com/BendtheKneePodcast/ ***BTK UPDATES*** Subscribe to our YouTube Page: http://www.youtube.com/c/BendtheKnee If you'd like to support the show, gain access to additional WESTEROS content, or LISTEN LIVE then hit us up at Patreon: https://www.patreon.com/bendtheknee EMAIL: BTKcast@gmail.com  Bend the Knee is now on Ko-Fi!!! So you can support the show without a monthly subscription https://ko-fi.com/bendtheknee Support the show: https://www.patreon.com/bendtheknee See omnystudio.com/listener for privacy information.

“Sooo…what's up with Miyazaki's spindly hands thing?” On Episode 8, host/producer Albert Chessa and host/executive producer Terapop are joined by incomparable artist (and all-round excellent human being

2021 Fantasy Football Rookies discussion with WalterFootball.com and Kenny @FantasyJabber. We’ll also discuss the HBO Game of Thrones prequel promo,

Bryan, Pol, and Bud talk security, how Disney's Haunted Mansion is like a plum, Golden Globegate, and we review and recommendaysh the first two episodes of The Bad Batch. Bud's Weekly Geek-out 10:25 – Google auto-enrols eligible users into 2FA Coming Soon 15:53 – Loki (now Wednesdays, starting June 9) (awkward Hiddleston announce) 18:05 – Stranger-er-er-er Things (4) (“002/004” was the only text in the description) 20:23 – Venom: Let There Be Carnage (Coming soon, “only in movie theatres” haha, directed by Andy Serkis!) 22:32 – Muppets Haunted Mansion (SFX: THUNDER, Disney+ one-off special, sometime in the fall) 24:26 – The Green Knight (Arthurian film, July 30, w/ Dev Patel, Alicia Vikander, and Joel Edgerton) 25:37 – A Quiet Place Part II (May 28, “only in theatres” haha, maybe in America) 26:37 – The Friendship Onion (LotR podcast w/ Dominic Monaghan and Billy Boyd) Geek News Proper 29:25 – NBC cancels 2022 Golden Globes after outcry against lack of diversity 33:32 – First-look photos from HBO Game of Thrones prequel House of the Dragon (production began April 26, hopefully airing 2022) 36:46 – First Look: Avengers Campus Cast Members assemble in new cast costumes 40:06 – First look at Sebastian Stan as Tommy Lee, Lily James as Pamela Anderson for Hulu series Pam and Tommy 41:33 – Joseph Gordon-Levitt confirms ‘Knives Out' secret voice cameo: “It's a tradition” 42:43 – Bucky's name didn't change because there's more Winter Soldier to come 44:31 – The Avengers' shawarma scene was shot after the film's premiere, and partially spoiled by Robert Downey Jr Reviews and Recommendayshes 46:02 – 91-Second Movie Review: Monster (find more at TheZone.fm/movies/) 50:25 – The Mitchells vs the Machines 55:08 – The Bad Batch eps 1 & 2 (and its LEGO) Join The Geek-out Podcast's Facebook page (where we'll release new episodes, and where you can talk with us) and Facebook group (where fans of the podcast can gather and talk geeky stuff)! Questions? Comments? Corrections? Suggestions? e-mail geekout@TheZone.fm Subscribe to The Zone's Geek-out Podcast on Apple Podcasts. Or, copypasta this link to subscribe using your podcatcher of choice: https://omny.fm/shows/the-geek-out-podcast/playlists/podcast.rss And, get more Zone podcasty goodness at TheZone.fm/podcast

Conversamos hoje sobre um dos personagens mais icônicos dos últimos tempos na cultura pop: Tyron Lannister, personagem dos livros de As Crônicas de Gelo e Fogo do autor americano George R. R. Martin e da super série da HBO Game Of Thrones. Suas perturbações de infância e perseguições familiares foram explanados e opinados por nós, sem compromisso algum de estarmos certos. ------------------------------------------- Nos siga no Instagram: @denispedrozafilho Curta e compartilhe!

Cut from Game of Thrones, the undead Catelyn Stark aka Lady Stoneheart has been an integral and fascinating part of the ASOIAF books. Her reign of terror over the Riverlands after taking over the Brotherhood Without Banners from Beric Dondarrion is just getting started with The Winds of Winter. Perhaps another Red Wedding is on the table, and a chance to reunite with her long lost son. And definitely hang a lot of Freys.    Link to video: Cut from Game of Thrones, the undead Catelyn Stark aka Lady Stoneheart has been an integral and fascinating part of the ASOIAF books. Her reign of terror over the Riverlands after taking over the Brotherhood Without Banners from Beric Dondarrion is just getting started with The Winds of Winter. Perhaps another Red Wedding is on the table, and a chance to reunite with her long lost son. And definitely hang a lot of Freys.   

Discussion of The Two Towers, Book Three, Chapter One Join Cam and Maggie for the curious beginning to Two Towers. This is the shortest LOTR chapter yet, and the first one to focus in on just a few members of the fellowship. (All Hail the Three Hunters: Aragorn, Legolas, and Gimli!) The new narrative structure expands each of these characters, especially Aragorn, who starts to feel like a hybrid of the curious Bilbo we knew in The Hobbit and Geralt from The Witcher. We discuss Boromir’s death and debate the respectability of his send-off. Is his waterfall funeral practical or indulgent? Why does so much of the action in this chapter occur off-page? We also work through the latest muddy navigation of free will in Middle-earth and try to figure out if Aragorn has Gandalf’s blessing in his decision to rescue Merry and Pippin (instead of Frodo and Sam!) In our Second Breakfast, we turn once again to Christopher Tolkien’s The History of The Lord of the Rings, this time for some extremely helpful, explicit rules about the magic of the Ring and exactly what powers it would grant to Sauron. Maggie then leads us into a discussion about fantasy adaptations where we consider the lineage, echoes, and diversions between the Peter Jackson LOTR movies and the HBO Game of Thrones show. Specifically, we consider the first season of GOT and Fellowship to better understand each story’s handling of death, mentors, and divergent storylines. Follow us on Instagram: @secondbreakfastpod Send us your feedback and theories: secondbreakfastpod@gmail.com Check out our illustrated YouTube clips page: https://bit.ly/2OT6RP3

En este episodio platicamos sobre la serie de HBO "Game Of Thrones". Hablamos sobre nuestros personajes y momentos favoritos, sus cualidades y desenlaces. El apresurado final de la serie y las próximas secuelas/precuelas de la misma. Recomendación "Drive Me Mad - Tyler Bryant And The Shakedown" Cover "Narcisista Por Excelencia - PXNDX" ¡Escúchanos en YouTube! https://www.youtube.com/channel/UCOC1KVizUBJY3jf1LWTfHcw Twitter @edbertrequejo @jorge_rop

Episode XXII “Winter is Coming” iPhone 13 camera rumours, iPhone 12 mini slowing sales, LG to exit smartphones and SpaceX Starlink Internet beta program arrives to Canada. In the film and tv segment Paramount launching their streaming service, Peaky Blinders ending after new season 6, Christopher Nolan to leave Warner, latest on Hollywood theatre releases for 2021, HBO Game of Thrones prequel and GOT conversation with Dave. Lastly on “The Shift” segment Dave is here to talk about portable gaming and talk about favourite ‘One Hit Wonders' band/artists. Follow me on Twitter @KnowsPodcast, Instagram @joeknows.podcast and Facebook @JoeKnowsPodcast for latest news and updates. If you enjoyed please subscribe on your favourite podcast and share with your family and friends.

On this episode of the A Song of Laugh & Death Podcast the guys discuss all of the events of season 6 as well as book spoilers! We discuss our favorite moments, the Battle of the Bastards, discuss Arya’s training to be a faceless man, the politics of Westeros, and explore the lore from the books. Check us out as we review all of the seasons as we prepare ourselves for the final season of Game of Thrones. SUBSCRIBE/LIKE/SHARENow on iTunes and Spotify!Every Week Alex, Dave, and Fern get together to discuss topics of conversation for your amusement Each podcaster brings a topic to the table and then -- anything goes. Tune in each week to keep up with what the guys are talking about. Movies, life, video games, space, pop culture -- everything is up for discussion.Proudly from the Rio Grande Valley.*ALL PHOTOS WERE BORROWED FROM HBO'S GAME OF THRONES SERIES*GAME OF THRONES THEME IS MUSIC OF THE TELEVISION SERIES GAME OF THRONES. PRODUCED BY RAMIN DEJAWADIFollow Laugh & Death on Twitter:@laughanddeathhttp://www.twitter.com/laughandddeathFollow Laugh & Death on Instagram@laughanddeathpodcasthttp://www.instagram.com/laughanddeathpodcastFollow the guys on Twitter:Alex - @alexmrblondehttp://www.twitter.com/alexmrblondeFern - @LnDfernhttp://www.twitter.com/LnDfernDave - @956isforlovershttp://twitter.com/956isforlovers

Neste episódio do UniversiCast, falamos sobre a aclamada série da HBO: Game Of Thrones. Batemos um papo sobre os principais acontecimentos da última temporada para te ajudar a relembrar e também fizemos nossas apostas sobre a última e decisiva temporada que vem por aí. Com as participações de: Pamela Gualiato e Adriano Tobias ==============================================  Nos sigam nas redes sociais: @udnerds  ==============================================  Deixem seus elogios, críticas e sugestões nos comentários deste episódio, ou através do email: udnerds@outlook.com

NEW TRAILER! Send us a Raven with your thoughts on the Trailer! We are recording later today! Eddard Stark confronts Cersei Lannister as we discuss chapter 45 of George R. R. Martin's A Game of Thrones.  The reread will continue on January 21st! Make sure to read Chapter 46 and share your thoughts on Facebook: Join the discussion: https://www.facebook.com/BendtheKneePodcast/ If you'd like to support the show and get access to additional WESTEROS content then hit us up at Patreon: https://www.patreon.com/bendtheknee Patreon exclusive podcast series include: MEAD, MEAT, and CHEESE - A food review followed by various Game of Thrones THEORIES!  The Black Council - A discussion about various historical events in Westeros! Green Dreams - Theories and speculation! Who is the Knight of the Laughing Tree? Azor Ahai? Quaithe?  EMAIL: BTKcast@gmail.com VOICEMAIL: (614) 547-2350

Age of Heroes! What will the HBO Prequel be about? What secrets does Ser Ilyn Payne hold and how might their revelation affect the realm? Who is Darkstar working for? Send us a Raven and we will read and discuss it on the show. Join the discussion: https://www.facebook.com/BendtheKneePodcast/ If you'd like to support the show and get access to additional WESTEROS content then hit us up at Patreon: https://www.patreon.com/bendtheknee Patreon exclusive podcast series include: MEAD, MEAT, and CHEESE - A food review followed by various Game of Thrones THEORIES!  The Black Council - A discussion about various historical events in Westeros! Green Dreams - Theories and speculation! EMAIL: BTKcast@gmail.com VOICEMAIL: (614) 547-2350

Today we’re joined by TOFOP and Wolf Creek’s own Charlie Clausen to talk the best and worst TV shows adapted from films as well as ACTING.Plus we discuss the first review for Inhumans, Deathwish, the HBO Game Of Thrones hack, news Transformers animated films plus more Karate Kid! Thanks as always for listening.Visit https://www.planetbcasting.com for all of the podcast!TOFOP: https://goo.gl/u8t2v9Who’s A Skrull?: https://goo.gl/fdwKXhIt’s A Duck Blur: https://goo.gl/StqnBABeer Eye With Your Mates Guy: https://goo.gl/L6kM45Cake Boss Ralph Make A Wish: wish.org/dannyshaves11:35 First Inhumans review16:48 Deathwish trailer18:03 HBO hack21:45 New Transformers animated movies23:47 The Dark Tower TV series25:53 Karate Kid TV Series32:38 Wolf Creek and acting and movies and such44:55 Movies Turned Into TV Series1:36:33 What We Reading/What We Gonna Read1:44:53 Letters It’s Time For LettersAmazon affiliate link: https://amzn.to/35fPtYlPatreon: https://www.patreon.com/mrsundaymoviesMr Sunday Movies YouTube Channel: https://goo.gl/lB90W2The Weekly Planet YouTube Channel: https://goo.gl/1ZQFGHFind our T-Shirts here: https://goo.gl/q6gE9C See acast.com/privacy for privacy and opt-out information.

No programa de hoje, vamos falar sobre preconceito, feminismo, empoderamento feminino e muito que envolve em Mulher-Maravilha. Neste SetCast temos, Franz Lima, Jack, Marcos Santigo (Boy) e nossas Girls Power Nívia Xaxa e Carol, vão falar sobre as curiosidades e analisar este filme. Gal Gadot retorna como a personagem-título do épico de ação e aventura Mulher-Maravilha, dirigido por Patty Jenkins (“Monster: Desejo Assassino”, série da AMC “The Killing”). Unindo-se a Gadot no elenco internacional estão Chris Pine (filmes “Star Trek”), Robin Wright (“Millennium: Os Homens que Não Amavam as Mulheres”, série da Netflix “House of Cards”), Danny Huston (“Fúria de Titãs”, “X-Men Origens: Wolverine”), David Thewlis (filmes “Harry Potter”, “A Teoria de Tudo”), Connie Nielsen (série da Fox “The Following”, “Gladiador”), Elena Anaya (“A Pele que Habito”), Ewen Bremner (“Êxodo: Deuses e Reis”, “Expresso do Amanhã”), Lucy Davis (“Todo Mundo Quase Morto”, série de TV “Better Things”), Lisa Loven Kongsli (“Ashes in the Snow”), Eugene Brave Rock (série de TV “Hell on Wheels”) e Saïd Taghmaoui (“Trapaça”). Antes de tornar-se Mulher-Maravilha, ela era Diana, princesa das Amazonas e treinada para ser uma guerreira invencível. Diana descobre que um grande conflito assola o mundo quando um piloto americano cai com seu avião nas areias da costa. Convencida de que é capaz de vencer a ameaça de destruição, Diana deixa a ilha. Lutando lado a lado com homens numa guerra que pretende acabar de vez com todas as guerras, ela vai descobrir todos os seus poderes… e seu verdadeiro destino. Patty Jenkins dirige o longa a partir do roteiro de Allan Heinberg, história de Zack Snyder & Allan Heinberg e Jason Fuchs, baseada nos personagens da DC. Mulher-Maravilha é uma criação de William Moulton Marston. O filme é produzido por Charles Roven, Deborah Snyder, Zack Snyder e Richard Suckle, com Stephen Jones, Geoff Jones, Jon Berg, Wesley Coller e Rebecca Steel Roven como produtores executivos. Juntando-se a Jenkins nos bastidores estão o diretor de fotografia Matthew Jensen (“Poder Sem Limites”, “Quarteto Fantástico”, série da HBO “Game of Thrones”), a designer de produção indicada ao Oscar Aline Bonetto (“O Fabuloso Destino de Amélie Poulain”, “Eterno Amor”, “Peter Pan”), o editor vencedor do Oscar Martin Walsh (“Chicago”, “Operação Sombra - Jack Ryan”, “V de Vingança”), e a figurinista vencedora do Oscar Lindy Hemming (trilogia “O Cavaleiro das Trevas”, “Topsy-Turvy - O Espetáculo”).  A trilha sonora é composta por Rupert Gregson-Williams (“Até o Último Homem”, “A Lenda de Tarzan”). Participe do #SetCast, deixe sua opinião nos comentários

Chris and Arnaldo go over movie news ,gaming news, Game of Throne news, Star Wars news,a major announcement for an actor, and much more! Make sure to follow us on Facebook at facebook.com/fomocast

No programa de hoje, vamos falar da lenda da espada de Excalibur, novo filme do cineasta Guy Ritchie que leva seu estilo dinâmico para a épica aventura de ação e fantasia Rei Arthur: A Lenda da Espada. Com Charlie Hunnam no papel principal, o filme é uma tomada iconoclasta do clássico mito da espada Excalibur, traçando a jornada de Arthur das ruas para o trono. Neste SetCast temos, Franz Lima, Jack e Marcos Santigo (Boy). Estrelando com Charlie Hunnam (série da Fox “Sons of Anarchy”) e o indicado ao Oscar Jude Law (“Cold Mountain”, “O Talentoso Ripley”) estão Astrid Bergès-Frisbey (“Piratas do Caribe 4: Navegando em Águas Misteriosas”) como Mage; o também indicado ao Oscar Djimon Hounsou (“Diamante de Sangue”, “Terra de Sonhos”) como Bedivere; Aidan Gillen (série da HBO “Game of Thrones”) como Goosefat Bill; e Eric Bana (“Star Trek”) como o pai de Arthur, o Rei Uther Pendragon. https://www.youtube.com/watch?v=iUJXje976RM Guy Ritchie (“O Agente da U.N.C.L.E.”, filmes “Sherlock Holmes”) dirigiu o filme a partir do roteiro de Joby Harold (“Awake – A Vida Por Um Fio”) e Guy Ritchie & Lionel Wigram, e história de David Dobkin (“O Juiz”) e Joby Harold. O filme é produzido pelo ganhador do Oscar Akiva Goldsman (“Uma Mente Brilhante”, “Eu Sou a Lenda”), Joby Harold, Tory Tunnell (“Awake - A Vida Por Um Fio”, “Caminhos Opostos”), e os produtores de “O Agente da U.N.C.L.E.” e “Sherlock Holmes” Steve Clark-Hall, Guy Ritchie e Lionel Wigram. David Dobkin e Bruce Berman são os produtores executivos. O time criativo de Guy Ritchie por trás das câmeras inclui o diretor de fotografia duas vezes indicado ao Oscar John Mathieson (“Gladiador”, “O Fantasma da Ópera”), a designer de produção também indicada ao Oscar Gemma Jackson (“Em Busca da Terra do Nunca”), o editor James Herbert (“O Agente da U.N.C.L.E.”, “No Limite do Amanhã”), a figurinista Annie Symons (da minissérie “Great Expectations”), a designer de maquiagem e cabelo Christine Blundell (“Sr. Turner”, filmes “Sherlock Holmes”), e o supervisor de efeitos visuais indicado ao Oscar Nick Davis (“Batman: O Cavaleiro das Trevas”). A música é de Daniel Pemberton (“O Agente da U.N.C.L.E.”). https://noset.com.br/rei-arthur-lenda-da-espada-voces-precisam-assistir-esse-espetaculo/ Participe do #SetCast, deixe sua opinião nos comentários

Roman Reigns is a "Game of Thrones" fanatic! He made the Minnesota Vikings practice squad, played in the Canadian Football League (shout out to Edmonton!), worked for his sister as an office furniture installer, is a "back of the brother" (not what you think so layoff the social media hate), and comes from a very long line of professional wrestlers (grandfather, father, cousins)! He's talking about all of that along with his first title belt, Brock Lesnar, Dusty Rhodes (including a wicked impression), and his upcoming match against the Dead Man this Sunday at Wrestlemania 33!

*Alerta Spoiler: si tienes pendiente la lectura de las novelas de "Canción de Hielo y Fuego" o no has terminado la última temporada de la serie de HBO Game of Thrones, ten en cuenta que nuestro relato de esta noche es el prólogo al quinto libro de la saga, "Danza de Dragones" y contiene detalles relevantes sobre la trama. Para aquellos que no conozcan Canción de Hielo y Fuego, el relato es disfrutable con independencia de las líneas argumentales de la saga. Esperamos estar a la altura! Se acerca el invierno... El huargo y el león se observan justo antes de la batalla. Las lomas se tiñen de sangre. Artimañas, ambición, asesinatos y violencia. Una amenaza se congrega desde el Mar Angosto y las hordas bárbaras se preparan para una gran invasión. Pero en su ceguera los hombres ignoran que el mayor peligro se yergue en el norte, de los desiertos helados más allá del Muro donde aguarda el durmiente dragón de hielo y los demonios semi-olvidados renacen de las leyendas, los Otros, levantan sus legiones y se preparan para descender con los vientos y extinguir todo aquello que llamamos “vida”. Lo único que se interpone entre los Siete Reinos y una noche interminable es la espada en la oscuridad. En el norte, un hombre moribundo susurra más allá del muro, el cuervo de tres ojos lo contempla. Es un cambiapeles, alguien capaz de entrar en la mente de ciertos animales y controlarlos a voluntad. Sus habilidades son un mito; una leyenda desechada largo tiempo atrás por los maestres de la Ciudadela. Reliquia de un mundo olvidado; un absurdo cuento para asustar a los niños. Pero a pesar de todo el existe y hasta en sus sueños más inverosímiles su don sabe recrearse en los detalles. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Ever wondered how to make a living with just your voice? Interested in becoming a professional voice-over artist? This week I'm joined by professional voice-over artist Jay Britton, who has done work for companies like HBO (Game of Thrones!), Marvel, Amazon, and more. He built his voice-over career from scratch in his late 20's, and in this episode, Jay shares everything you need to know if you want to be a professional voice-over artist too. We talked about how he got started, what gear he recommends for beginners, how to find work if you're just starting out, how to get your first agent, tips for improving your speaking voice, and so much more. Key Takeaways: You don't need the fanciest mic or a ton of knowledge to sound good. Just make sure you aren't clipping and do some basic treatment to your audio. Not every mic is right for your voice. You'll need to try some different mics out to see what pairs with your voice the best. If you want to make a living from voice-over work, you have to think about yourself as a business. If you're just getting started as a voice-over artist, a voice coach is one of the best investments you can make. You can make a living in voice-over without an agent. You don't need an agent to be successful. It doesn't matter how you start, it just matters that you start. You're born with the voice you are born with, that's it. You can't change that. All you can do is learn how to use your own voice to its best abilities. You're not going to get many scripts that you can read in advance, so the ability to read ahead while performing a script is essential. How Did You Start Your Career as a Voice-over Artist? Aaron: How did you get started doing voice-over work? Were you born with a golden voice, did you know from an early age that you were going to be a voice actor? Jay: Golden voice? Not exactly. I don't really have a special Barry White kind of voice. I did know from an early age that I wanted to do something with my voice. I blame the Animaniacs and all those kinds of shows for the inspiration. I just wanted to do voices; I was that guy in school who did the funny voices. Like so many people, I decided to do something sensible after college. I left college and went straight into an IT job for 10 years or so. But I got to a point in my life where IT work was just too boring; I knew I couldn't do it for the rest of my life. I asked myself what I wanted to do, and knew that it was voice-over. So I slowly started to take some steps towards getting started. Those first steps are always the scariest. The first thing I did was look for a voice coach. I booked a workshop in London and got some coaching and recorded some demos. Then (slowly) I started to try to find voice-over work. There was a long journey from then to what I have now; I definitely had a false start, kind of kept it on the sidelines for awhile. I kind of dabbled, I didn't commit to getting my voice-over business off the ground. After about 3 years of dabbling, I had a really bad day at my job (still IT) and I was talking to my wife afterwards about how much I hated it. She said, “Why don't you do the voice-over thing properly?” So that's when I started taking it seriously. I went over to the states and got some more coaching, got some real recordings done, got some new kit (that's gear), and really worked hard to make it my full-time business. So it started off slowly, but when I made my mind up that it was possible and starting applying myself, that's when it all started coming together. Aaron: So how old were you when you started dabbling? And how long did it take you to go full-time? Jay: I'd just got married… so 27? I'm 31 now, so I got started around four years ago. And I kept my job until recently. My hours at the job decreased as my voice-over work increased, and eventually I ditched the day job altogether. But in the beginning I'd work the day job Monday-Friday, 9am to 5pm, and as I got more bookings for voice-over work my schedule got a little crazy. So the transition was hard but it was worth it. What Kind of Gear Do You Need to Get Started as a Voice-over Artist? Aaron: What kind of gear did you have when you were starting out? Jay: I had (and this is terrible)… a $30 USB microphone. It had a built-in pop shield. For my booth (my entire sound treatment), I had two pieces of foam stood up in a “V” behind the microphone, and a blanket over my head. Not terribly professional, but it got me started. Aaron: Did you actually do some paying gigs with that setup? Jay: Oh yeah, I booked a lot of work on that mic. I booked and recorded a Marvel gig on that kit. I was supposed to do the voice of Jarvis for some Avengers promo stuff. That's when I started feeling a little bit of imposter syndrome. It was just me in my little pop-up booth in my house in England with my $30 USB microphone. But they had no idea; I was just a voice on a microphone and I did the job, and that was that. Who Handles the Post-Production for a Voice-over Artist? Aaron: How much did you know about things like setting input gain levels and EQ and compression and all that post production stuff? Was that handled by you or did your clients do it? Jay: At that point I knew very little about it. I was flying by the seat of my pants. Most clients at that stage didn't require much, just a bit of cleanup and normalizing. I knew that I didn't want to go over the red line on the meters; if you're chopping the top off, dial it down. But that was about it, I really didn't know much about recording and post-production when I was getting started. Aaron: I think a lot of people will be relieved to hear that. I talk about sound quality and post-production a lot because I hate to see podcasts ruined by poor audio quality, but that's something you have to learn through trial and error. You can't let it keep you from getting started. Jay: Absolutely. I'm a big believer in simplicity. I'm talking to you on a USB microphone right now because my home studio is currently being put back together. You don't need the fanciest mic or a ton of knowledge to sound good. Just make sure you aren't clipping and do some basic treatment to your audio. Jay's Favorite Gear for Voice-over Work Aaron: So which USB mic are you using currently? And what other gear do you have in your home studio? Jay: I'm recording this episode with a Rode NT USB mic ($170), which is really nice. It's not a very “hot” mic, so it's good if you're in a noisy environment. It's kind of my backup/travel mic. In my main studio I use a Sennheiser 416 shotgun mic ($999). It's a beautiful mic. I also have the “voice-over standard”, the Neumann TLM 103 ($1299). I record everything through a Focusrite Scarlett 2i4 interface ($180) (with a 2i2 as a backup). Not every mic is right for your voice. You'll need to try some different mics out to see what pairs with your voice the best. Jay's Tips for How to Get Started Doing Professional Voice-Over Work Aaron: What advice would you give to someone interested in making a living doing voice-over work? Jay: The first thing I'd recommend is forgetting about the creative side of it when you're first getting into it. You are starting a business. You have to get your head around that. You're going to be pretty isolated as a voice-over artist; most of your work is going to be done from home. You have to approach it like you're starting a business. You have to think about things like your vocal training, where you're going to invest your money, how you're going to brand and market your voice, what your competition is like, what the market wants at the moment… You have to think about things like that. If you think about those things you'll have a massive advantage over someone who just buys a mic and records some stuff. If you want to make a living from voice-over work, you have to think about yourself as a business. I'm a huge believer in voice coaching as well. I've had four different coaches since I got started. Each genre has particular requirements, and a voice-over coach can help you understand those things and also the industry as a whole. If you're just getting started as a voice-over artist, a voice coach is one of the best investments you can make. How to Find Voice-over Work if You're Just Getting Started Jay: After you get a simple home studio setup, you can start looking for work. And there's really only three ways you can get work: First, through an agent. Second, through “pay to play” websites, where you pay to become a member and you get access to auditions. And third, through direct marketing; reaching out directly to production companies. You phone them up and say, “Hey, I'm a voice-over actor, do you guys needs voices? Here's my demo reel.” Start building relationships, and if you have a plan and you hit all three of those, you'll start booking work. Aaron: Can you share how you got started? Which did you do first, and what worked best for you? Jay: I had some pretty awful reels (demos) when I first started, but I signed up for a pay to play website called Voice 123 and I got a couple of gigs there. That was where I dabbled for awhile; I stayed on that site and picked up a bit of work here and there. When I decided I was going to do it properly, I put about $15,000 on a credit card to train with a commercial coach, an animation coach, and a promotion coach, and I flew out to Los Angeles to get some proper reels done. Once I had those, I hit all the pay to play websites again and started doing direct marketing. I started doing research on Twitter and Google, finding the production companies and phoning them up, giving them my reels and my website and stuff like that. I also started networking, meeting other voice-over actors, meeting game producers, going to events and getting my name out there. Once I had a decent offering, that's when I went to the agents and said, “Here I am, this is what I've got. Represent me, dammit!” Aaron: Sounds like a fantastic strategy. And hey, it worked. Do I Need an Agent to Find Work as a Voice-over Actor? Jay: There's a common misconception that you get your work through an agent, and these days that's just not the case. Thanks to the internet, anyone can find your website and hire you. Agents will always have their place because many of them look after the niche and “big” jobs, things like Coca-Cola advertisements and huge triple-A games. But so much work is now on the pay to play websites and through production companies. You can make a living in voice-over without an agent. You don't need an agent to be successful. I love my agents, but they don't make up the majority of my income. You don't need to worry about getting an agent when you're just getting started. In fact, agents won't take you on until you've got a lot of stuff to offer them. Voice-over Gear for People on a Budget Aaron: I know earlier you mentioned that you got started on a 30 dollar USB microphone. Do you have any gear recommendations for new voice actors who don't want to spend a ton of money to get started? Jay: That was 6 years ago and USB mics are way better these days. There's a starter kit that I recommend from Focusrite. It comes with a microphone, a Scarlett 2i4 interface, and some headphones. Basically everything you need to get started for around 200 dollars (you will need to buy a pop filter and a mic stand, though). A basic setup like that is all you need, and then just sit in a closet with some pillows and a duvet over your head. I'm a big fan of simplicity. Just get started. You can always buy a better microphone later once you've made some money. It doesn't matter how you start, it just matters that you start. You can always buy a better microphone, you can always build a voice-over booth. But the sure-fire way to make sure nothing ever happens is to never start in the first place. It doesn't matter how you start, just start. Note: If you're interested in learning more about affordable gear for voice-over or podcasting, check out https://kit.com/thepodcastdude/podcasting-gear. Jay's Tips for How to Be a Better Speaker Aaron: Are people born with great voices, or is that something you can teach yourself? What are your tips for improving your voice and the way you talk? Jay: Some people are both with a voice that makes a nice sound. Is that relevant, does that directly relate to their potential success as a voice actor? No. Not in the slightest. Like I said earlier, I don't have an amazing voice. I have a standard voice that sounds like everyone else's, and so do most of my colleagues. You've got guys like Don LaFontaine who have a deep and boomy voice (the “In a world…” movie trailer voice), but you wouldn't book him to do a corporate voice-over gig. His voice just wouldn't sound right. You're born with the voice you are born with, that's it. You can't change that. All you can do is learn how to use your own voice to it's best abilities. I'm proud of the fact that I'm able to do a broad range of characters with my voice. I can go high, I can go a little low, I can do accents and I can make my voice sound funny. But I'm never going to book a movie trailer; I don't have the right voice for it. That's ok. Part of working in voice-over is understanding that you might book work in genres that you don't necessarily want to work in. You might want to do movie trailers but if you don't have the right voice for it, you won't get the gig. This is why you need coaching. You need to understand things like, if you're reading a promo script for a TV show, you need to know how to make the read less funny, or how to change the inflection. So much is based on melody. Knowing how to play with your voice is so much more important then the voice you were born with. One of my coaches said, “As far as booking a job goes, 95% of it is how well you understand the copy and how well you perform the copy, and the last 5% is genetics.” Rather than worry about how your natural voice sounds, worry about what you do have control over, which is how you use the voice that you have. How to Get Better at Reading Scripts Out Loud Jay: Want to get better at reading scripts? Read out loud every day. It's not good enough just to read, you need to read out loud everyday. One skill that is absolutely critical is being able to read ahead of what you're currently saying out loud when you're reading a script. You'll make less mistakes because you'll know what words are coming, and you'll very rarely mess up the intonation of a sentence. You're not going to get many scripts that you can read in advance, so the ability to read ahead while performing a script is essential. Reading ahead will feel unnatural at first, but after you do it for awhile it will get easier and you'll start making less mistakes. This is especially important for video games because you'll often get thrown into recording sessions without a chance to read the script or even get a full idea of what your character is like. It's an immensely helpful skill because no one in this business has any time. If you can nail something on the first take, then you'll do great. Another tip is go and do some improv and learn how to ad-lib. It'll speed up the auditory part of your brain, you'll learn how to come up with words and get them out quickly. That's a great skill to have. Increase that “brain-to-mouth” speed. Q&A: Tobi asks: What are your thoughts about working with unions? Jay: It really depends. If you're just starting out, there's no reason to join the union, and more and more work is going non-union in the US. So if you're in the states and you're trying to do voice-over work, don't join the union until you're forced to join the union. You can actually book your first union job without being a part of the union, and it's $5000 to join after that, so at the start of your career, it's not really necessary. Richard asks: What are some of the best methods to get in front of casting agents? What elements are they looking for in a vocal reel? Is sending in a vocal reel the best way to get hired for voice over gigs/start a relationship with casting agents? Jay: There's two sides to this. There's casting agents (or as we call them here in the UK, casting directors), and then there are agents. An agent will represent you and present you to a casting director (who will then consider you for a job). If you want to get yourself an agent, the best way to do that is by referral. So make sure you have a great sound reel (demos) and do lots of networking with other voice actors, especially the ones who work with agency you'd like to work with. Don't be weird, but develop relationships with other voice actors and agent. If you're good, they'll notice. Thousands of people want to be voice actors and work with these agents, so you've got to find a way to stand above the crowd. Doing great work and getting referred by another successful voice actor is one of the best ways to get an agent. In terms of working with casting directors, generally they are “behind the scenes” people. They're not the most receptive to being bombarded by voice actors. The best way to get to know them is to organically get a job for them and just start a relationship with them. Another way to meet casting agents is on Twitter. Social media in general is a great tool for growing relationships, just don't be salesy about it. If they tweet a funny picture of their cat, don't reply with “I'm a voice actor, please hire me!” Ultimately, people work with people. Don't smash your voice reel in their face; take the time to build a relationship. That's the way I play it. Aaron: Relationships are so important if you want to be successful as a freelancer. When I was getting started as a podcast editor, most of my best clients came from referals. I always made sure I was friendly and I did a good job and if I saw an opportunity to provide some value, I'd do that. Eventually people grew to trust me, and if they knew someone who needed my services, they'd send them to me. So I got a ton of work that way, and I think that works in almost any industry. Jay: Exactly. I've done voice-over work for 22 games in the past 2-3 years, and something like 80% of those jobs came through networking. Another tip is give it time. It's natural to want everything to happen yesterday, but it takes time to develop those relationships. I'm going to be working on a big game project pretty soon, and I only got the gig after talking with the casting director for over eight months. That's a long time to pursue a lead, but things don't happen overnight. You've got to be prepared to play the long game. Eric asks: Do clients expect you to do post-processing on your recordings, or is that something they typically handle? Is it important for you to know how to master your own recordings? Jay: It's usually a 50/50 split. If I book something through my agent, I'm usually going to a studio where they have professional audio engineers to handle everything. If you record something at home, the client will most likely expect you to handle the mastering. If you're booking work through the pay to play websites or through direct marketing, they're probably going to expect you to do the post-production. Quite a few of my clients also want me to match the audio to the video as well. In general, most clients just want the audio to be clean and pretty level in terms of dynamics. So you do need to be comfortable with editing audio and doing basic treatment (equalizing, compression, normalizing). Find Jay Britton Online: You can find Jay's website at VoiceOfJayBritton.com, and follow him on Twitter @voicejaybritton. If you'd like to make a living as a voice actor, I highly suggest hiring Jay for coaching. It's an investment that will pay off 10x in the long run. Cool Stuff to Check Out: Recommended Gear: https://kit.com/thepodcastdude Podcast: https://thepodcastdude.simplecast.com Twitter: https://twitter.com/thepodcastdude Youtube: https://www.youtube.com/c/thepodcastdude Successful Podcasting: http://successfulpodcasting.com Simplecast Blog: http://blog.simplecast.com/

Ever wondered how to make a living with just your voice? Interested in becoming a professional voice-over artist? This week I'm joined by professional voice-over artist Jay Britton, who has done work for companies like HBO (Game of Thrones!), Marvel, Amazon, and more. He built his voice-over career from scratch in his late 20's, and in this episode, Jay shares everything you need to know if you want to be a professional voice-over artist too. We talked about how he got started, what gear he recommends for beginners, how to find work if you're just starting out, how to get your first agent, tips for improving your speaking voice, and so much more. Key Takeaways: You don’t need the fanciest mic or a ton of knowledge to sound good. Just make sure you aren’t clipping and do some basic treatment to your audio. Not every mic is right for your voice. You’ll need to try some different mics out to see what pairs with your voice the best. If you want to make a living from voice-over work, you have to think about yourself as a business. If you’re just getting started as a voice-over artist, a voice coach is one of the best investments you can make. You can make a living in voice-over without an agent. You don’t need an agent to be successful. It doesn’t matter how you start, it just matters that you start. You’re born with the voice you are born with, that’s it. You can’t change that. All you can do is learn how to use your own voice to its best abilities. You’re not going to get many scripts that you can read in advance, so the ability to read ahead while performing a script is essential. How Did You Start Your Career as a Voice-over Artist? Aaron: How did you get started doing voice-over work? Were you born with a golden voice, did you know from an early age that you were going to be a voice actor? Jay: Golden voice? Not exactly. I don’t really have a special Barry White kind of voice. I did know from an early age that I wanted to do something with my voice. I blame the Animaniacs and all those kinds of shows for the inspiration. I just wanted to do voices; I was that guy in school who did the funny voices. Like so many people, I decided to do something sensible after college. I left college and went straight into an IT job for 10 years or so. But I got to a point in my life where IT work was just too boring; I knew I couldn’t do it for the rest of my life. I asked myself what I wanted to do, and knew that it was voice-over. So I slowly started to take some steps towards getting started. Those first steps are always the scariest. The first thing I did was look for a voice coach. I booked a workshop in London and got some coaching and recorded some demos. Then (slowly) I started to try to find voice-over work. There was a long journey from then to what I have now; I definitely had a false start, kind of kept it on the sidelines for awhile. I kind of dabbled, I didn’t commit to getting my voice-over business off the ground. After about 3 years of dabbling, I had a really bad day at my job (still IT) and I was talking to my wife afterwards about how much I hated it. She said, “Why don’t you do the voice-over thing properly?” So that’s when I started taking it seriously. I went over to the states and got some more coaching, got some real recordings done, got some new kit (that’s gear), and really worked hard to make it my full-time business. So it started off slowly, but when I made my mind up that it was possible and starting applying myself, that’s when it all started coming together. Aaron: So how old were you when you started dabbling? And how long did it take you to go full-time? Jay: I’d just got married… so 27? I’m 31 now, so I got started around four years ago. And I kept my job until recently. My hours at the job decreased as my voice-over work increased, and eventually I ditched the day job altogether. But in the beginning I’d work the day job Monday-Friday, 9am to 5pm, and as I got more bookings for voice-over work my schedule got a little crazy. So the transition was hard but it was worth it. What Kind of Gear Do You Need to Get Started as a Voice-over Artist? Aaron: What kind of gear did you have when you were starting out? Jay: I had (and this is terrible)… a $30 USB microphone. It had a built-in pop shield. For my booth (my entire sound treatment), I had two pieces of foam stood up in a “V” behind the microphone, and a blanket over my head. Not terribly professional, but it got me started. Aaron: Did you actually do some paying gigs with that setup? Jay: Oh yeah, I booked a lot of work on that mic. I booked and recorded a Marvel gig on that kit. I was supposed to do the voice of Jarvis for some Avengers promo stuff. That’s when I started feeling a little bit of imposter syndrome. It was just me in my little pop-up booth in my house in England with my $30 USB microphone. But they had no idea; I was just a voice on a microphone and I did the job, and that was that. Who Handles the Post-Production for a Voice-over Artist? Aaron: How much did you know about things like setting input gain levels and EQ and compression and all that post production stuff? Was that handled by you or did your clients do it? Jay: At that point I knew very little about it. I was flying by the seat of my pants. Most clients at that stage didn’t require much, just a bit of cleanup and normalizing. I knew that I didn’t want to go over the red line on the meters; if you’re chopping the top off, dial it down. But that was about it, I really didn’t know much about recording and post-production when I was getting started. Aaron: I think a lot of people will be relieved to hear that. I talk about sound quality and post-production a lot because I hate to see podcasts ruined by poor audio quality, but that’s something you have to learn through trial and error. You can’t let it keep you from getting started. Jay: Absolutely. I’m a big believer in simplicity. I’m talking to you on a USB microphone right now because my home studio is currently being put back together. You don’t need the fanciest mic or a ton of knowledge to sound good. Just make sure you aren’t clipping and do some basic treatment to your audio. Jay’s Favorite Gear for Voice-over Work Aaron: So which USB mic are you using currently? And what other gear do you have in your home studio? Jay: I’m recording this episode with a Rode NT USB mic ($170), which is really nice. It’s not a very “hot” mic, so it’s good if you’re in a noisy environment. It’s kind of my backup/travel mic. In my main studio I use a Sennheiser 416 shotgun mic ($999). It’s a beautiful mic. I also have the “voice-over standard”, the Neumann TLM 103 ($1299). I record everything through a Focusrite Scarlett 2i4 interface ($180) (with a 2i2 as a backup). Not every mic is right for your voice. You’ll need to try some different mics out to see what pairs with your voice the best. Jay’s Tips for How to Get Started Doing Professional Voice-Over Work Aaron: What advice would you give to someone interested in making a living doing voice-over work? Jay: The first thing I’d recommend is forgetting about the creative side of it when you’re first getting into it. You are starting a business. You have to get your head around that. You’re going to be pretty isolated as a voice-over artist; most of your work is going to be done from home. You have to approach it like you’re starting a business. You have to think about things like your vocal training, where you’re going to invest your money, how you’re going to brand and market your voice, what your competition is like, what the market wants at the moment… You have to think about things like that. If you think about those things you’ll have a massive advantage over someone who just buys a mic and records some stuff. If you want to make a living from voice-over work, you have to think about yourself as a business. I’m a huge believer in voice coaching as well. I’ve had four different coaches since I got started. Each genre has particular requirements, and a voice-over coach can help you understand those things and also the industry as a whole. If you’re just getting started as a voice-over artist, a voice coach is one of the best investments you can make. How to Find Voice-over Work if You’re Just Getting Started Jay: After you get a simple home studio setup, you can start looking for work. And there’s really only three ways you can get work: First, through an agent. Second, through “pay to play” websites, where you pay to become a member and you get access to auditions. And third, through direct marketing; reaching out directly to production companies. You phone them up and say, “Hey, I’m a voice-over actor, do you guys needs voices? Here’s my demo reel.” Start building relationships, and if you have a plan and you hit all three of those, you’ll start booking work. Aaron: Can you share how you got started? Which did you do first, and what worked best for you? Jay: I had some pretty awful reels (demos) when I first started, but I signed up for a pay to play website called Voice 123 and I got a couple of gigs there. That was where I dabbled for awhile; I stayed on that site and picked up a bit of work here and there. When I decided I was going to do it properly, I put about $15,000 on a credit card to train with a commercial coach, an animation coach, and a promotion coach, and I flew out to Los Angeles to get some proper reels done. Once I had those, I hit all the pay to play websites again and started doing direct marketing. I started doing research on Twitter and Google, finding the production companies and phoning them up, giving them my reels and my website and stuff like that. I also started networking, meeting other voice-over actors, meeting game producers, going to events and getting my name out there. Once I had a decent offering, that’s when I went to the agents and said, “Here I am, this is what I’ve got. Represent me, dammit!” Aaron: Sounds like a fantastic strategy. And hey, it worked. Do I Need an Agent to Find Work as a Voice-over Actor? Jay: There’s a common misconception that you get your work through an agent, and these days that’s just not the case. Thanks to the internet, anyone can find your website and hire you. Agents will always have their place because many of them look after the niche and “big” jobs, things like Coca-Cola advertisements and huge triple-A games. But so much work is now on the pay to play websites and through production companies. You can make a living in voice-over without an agent. You don’t need an agent to be successful. I love my agents, but they don’t make up the majority of my income. You don’t need to worry about getting an agent when you’re just getting started. In fact, agents won’t take you on until you’ve got a lot of stuff to offer them. Voice-over Gear for People on a Budget Aaron: I know earlier you mentioned that you got started on a 30 dollar USB microphone. Do you have any gear recommendations for new voice actors who don’t want to spend a ton of money to get started? Jay: That was 6 years ago and USB mics are way better these days. There’s a starter kit that I recommend from Focusrite. It comes with a microphone, a Scarlett 2i4 interface, and some headphones. Basically everything you need to get started for around 200 dollars (you will need to buy a pop filter and a mic stand, though). A basic setup like that is all you need, and then just sit in a closet with some pillows and a duvet over your head. I’m a big fan of simplicity. Just get started. You can always buy a better microphone later once you’ve made some money. It doesn’t matter how you start, it just matters that you start. You can always buy a better microphone, you can always build a voice-over booth. But the sure-fire way to make sure nothing ever happens is to never start in the first place. It doesn’t matter how you start, just start. Note: If you’re interested in learning more about affordable gear for voice-over or podcasting, check out https://kit.com/thepodcastdude/podcasting-gear. Jay’s Tips for How to Be a Better Speaker Aaron: Are people born with great voices, or is that something you can teach yourself? What are your tips for improving your voice and the way you talk? Jay: Some people are both with a voice that makes a nice sound. Is that relevant, does that directly relate to their potential success as a voice actor? No. Not in the slightest. Like I said earlier, I don’t have an amazing voice. I have a standard voice that sounds like everyone else’s, and so do most of my colleagues. You’ve got guys like Don LaFontaine who have a deep and boomy voice (the “In a world…” movie trailer voice), but you wouldn’t book him to do a corporate voice-over gig. His voice just wouldn’t sound right. You’re born with the voice you are born with, that’s it. You can’t change that. All you can do is learn how to use your own voice to it’s best abilities. I’m proud of the fact that I’m able to do a broad range of characters with my voice. I can go high, I can go a little low, I can do accents and I can make my voice sound funny. But I’m never going to book a movie trailer; I don’t have the right voice for it. That’s ok. Part of working in voice-over is understanding that you might book work in genres that you don’t necessarily want to work in. You might want to do movie trailers but if you don’t have the right voice for it, you won’t get the gig. This is why you need coaching. You need to understand things like, if you’re reading a promo script for a TV show, you need to know how to make the read less funny, or how to change the inflection. So much is based on melody. Knowing how to play with your voice is so much more important then the voice you were born with. One of my coaches said, “As far as booking a job goes, 95% of it is how well you understand the copy and how well you perform the copy, and the last 5% is genetics.” Rather than worry about how your natural voice sounds, worry about what you do have control over, which is how you use the voice that you have. How to Get Better at Reading Scripts Out Loud Jay: Want to get better at reading scripts? Read out loud every day. It’s not good enough just to read, you need to read out loud everyday. One skill that is absolutely critical is being able to read ahead of what you’re currently saying out loud when you’re reading a script. You’ll make less mistakes because you’ll know what words are coming, and you’ll very rarely mess up the intonation of a sentence. You’re not going to get many scripts that you can read in advance, so the ability to read ahead while performing a script is essential. Reading ahead will feel unnatural at first, but after you do it for awhile it will get easier and you’ll start making less mistakes. This is especially important for video games because you’ll often get thrown into recording sessions without a chance to read the script or even get a full idea of what your character is like. It’s an immensely helpful skill because no one in this business has any time. If you can nail something on the first take, then you’ll do great. Another tip is go and do some improv and learn how to ad-lib. It’ll speed up the auditory part of your brain, you’ll learn how to come up with words and get them out quickly. That’s a great skill to have. Increase that “brain-to-mouth” speed. Q&A: Tobi asks: What are your thoughts about working with unions? Jay: It really depends. If you’re just starting out, there’s no reason to join the union, and more and more work is going non-union in the US. So if you’re in the states and you’re trying to do voice-over work, don’t join the union until you’re forced to join the union. You can actually book your first union job without being a part of the union, and it’s $5000 to join after that, so at the start of your career, it’s not really necessary. Richard asks: What are some of the best methods to get in front of casting agents? What elements are they looking for in a vocal reel? Is sending in a vocal reel the best way to get hired for voice over gigs/start a relationship with casting agents? Jay: There’s two sides to this. There’s casting agents (or as we call them here in the UK, casting directors), and then there are agents. An agent will represent you and present you to a casting director (who will then consider you for a job). If you want to get yourself an agent, the best way to do that is by referral. So make sure you have a great sound reel (demos) and do lots of networking with other voice actors, especially the ones who work with agency you’d like to work with. Don’t be weird, but develop relationships with other voice actors and agent. If you’re good, they’ll notice. Thousands of people want to be voice actors and work with these agents, so you’ve got to find a way to stand above the crowd. Doing great work and getting referred by another successful voice actor is one of the best ways to get an agent. In terms of working with casting directors, generally they are “behind the scenes” people. They’re not the most receptive to being bombarded by voice actors. The best way to get to know them is to organically get a job for them and just start a relationship with them. Another way to meet casting agents is on Twitter. Social media in general is a great tool for growing relationships, just don’t be salesy about it. If they tweet a funny picture of their cat, don’t reply with “I’m a voice actor, please hire me!” Ultimately, people work with people. Don’t smash your voice reel in their face; take the time to build a relationship. That’s the way I play it. Aaron: Relationships are so important if you want to be successful as a freelancer. When I was getting started as a podcast editor, most of my best clients came from referals. I always made sure I was friendly and I did a good job and if I saw an opportunity to provide some value, I’d do that. Eventually people grew to trust me, and if they knew someone who needed my services, they’d send them to me. So I got a ton of work that way, and I think that works in almost any industry. Jay: Exactly. I’ve done voice-over work for 22 games in the past 2-3 years, and something like 80% of those jobs came through networking. Another tip is give it time. It’s natural to want everything to happen yesterday, but it takes time to develop those relationships. I’m going to be working on a big game project pretty soon, and I only got the gig after talking with the casting director for over eight months. That’s a long time to pursue a lead, but things don’t happen overnight. You’ve got to be prepared to play the long game. Eric asks: Do clients expect you to do post-processing on your recordings, or is that something they typically handle? Is it important for you to know how to master your own recordings? Jay: It’s usually a 50/50 split. If I book something through my agent, I’m usually going to a studio where they have professional audio engineers to handle everything. If you record something at home, the client will most likely expect you to handle the mastering. If you’re booking work through the pay to play websites or through direct marketing, they’re probably going to expect you to do the post-production. Quite a few of my clients also want me to match the audio to the video as well. In general, most clients just want the audio to be clean and pretty level in terms of dynamics. So you do need to be comfortable with editing audio and doing basic treatment (equalizing, compression, normalizing). Find Jay Britton Online: You can find Jay’s website at VoiceOfJayBritton.com, and follow him on Twitter @voicejaybritton. If you’d like to make a living as a voice actor, I highly suggest hiring Jay for coaching. It’s an investment that will pay off 10x in the long run. Cool Stuff to Check Out: Recommended Gear: https://kit.com/thepodcastdude Podcast: https://thepodcastdude.simplecast.com Twitter: https://twitter.com/thepodcastdude Youtube: https://www.youtube.com/c/thepodcastdude Successful Podcasting: http://successfulpodcasting.com Simplecast Blog: http://blog.simplecast.com/

Today on Cause Talk Radio, Megan and Joe have back-to-back guests to discuss a new cause initiative launched by HBO, Game of Thrones, Omaze and the International Rescue Committee to raise $1 million for refugee services. The goal of Rescue Has No Boundaries is to bring attention to the global refugee crisis and to raise emergency funds to help rescue the millions of people displaced by the war in the Middle East.  Our first guest is Dennis Williams, Vice President of Corporate Social Responsibility at HBO. Our second guest is Matt Pohlson, Co-Founder & Co-CEO of Omaze, a cause marketplace that raises money and awareness for charity by offering the chance to win once-in-a-lifetime experiences. On the show, Megan, Dennis, Matt and Joe discuss: With Dennis Williams:  How the campaign got started and why HBO decided to leverage its most popular show to help refugees around the world. How Rescue Has No Boundaries is focused on both raising money and building awareness. How this is the first time that HBO has tied one of its shows to a major issue. Why HBO decided to partner with Omaze to raise funds. HBO has had success with the program in the past! With Matt Pohlson: Matt Pohlson explains how Omaze is an online charity raffle of unique experiences. Matt's background in cause-content and producing documentaries, and how an encounter with Magic Johnson motivated him and co-founder Ryan Cummins to start Omaze. How Omaze gets access to celebrities, and Matt's early struggles to establish the platform. The biggest lessons Omaze has learned since their first success in 2013. It's all about storytelling! The value Omaze brings to its charity partners: a new audience. Why do people go to Omaze, for the cause or the experience? Joe tries to bribe Matt to win the Game of Thrones experience. No chance! How Omaze worked with HBO to develop Rescue Has to No Boundaries. Links & Notes Rescue Has No Boundaries Omaze Game of Thrones Experience 6 Fundraising Platforms That Have Disrupted Charitable Giving Forever (Includes Omaze)

O programa Papo Geral é na verdade uma espécie de papo semanal, onde cada programa é um tema específico. Nesse programa o assunto foi a série da HBO Game of Thrones.

O programa Papo Geral é na verdade uma espécie de papo semanal, onde cada programa é um tema específico. Nesse programa o assunto foi a série da HBO Game of Thrones.

Brendan and I got to go to NYC for the release event for Game Of Thrones Season 2! We talk about our experience and include an interview with Chelsea and Sariann, the authors of A Feast Of Ice And Fire, as well as a recording of the performance by Jason Yang! 

HBO - Game Of Thrones Season Two - Enhanced Digital Experience - Outstanding Creative Achievement In Interactive Media - Enhancement To A Television Program or SeriesVideo:https://vimeo.com/45808629Nominees: Alison Moore, Senior Vice President, Digital Platforms Otto Berkes, Senior Vice President, Consumer Technology