Podcast appearances and mentions of Arthur Hiller

Kevin Stoller is joined by longtime educator and podcast host Steve Miletto to unpack the 1984 film Teachers, a gritty dramedy that offers an unflinching critique of the American public school system. Directed by Arthur Hiller and starring Nick Nolte, Teachers dives headfirst into the dysfunction, bureaucracy, and burnout often hidden behind school walls. Set in a troubled urban high school, the story centers on idealistic teacher Alex Jurel, who's caught between his desire to make a difference and a system that seems determined to maintain the status quo. With subplots involving a mentally ill teacher who was never removed, a student lawsuit, and apathetic staff, the movie blurs the line between satire and sobering reality. Kevin and Steve discuss how many of the themes from Teachers—such as disengaged leadership, systemic failure, and student disillusionment—still resonate in today's schools. Their conversation explores what's changed (and what hasn't) in the decades since the film's release, the importance of strong school culture, and how educators can lead with purpose in the face of institutional challenges. It's a raw and honest discussion about the role of teachers, the need for systemic change, and the heart it takes to truly connect with students.   Takeaways: Teachers (1984) offers a satirical yet sobering critique of the American public school system, many of which still resonate today. The character of Alex Jurel represents the struggle of passionate educators trying to make a difference within a broken system. The episode explores how authentic relationships and emotional intelligence are still the most powerful tools educators have. The discussion underscores the mental health toll on both students and teachers in rigid, outdated school environments. Despite the challenges, the film and the conversation both reinforce why committed, caring educators matter more than ever.   About Steve Miletto: Steven Miletto, EdD has been an educator in Georgia(US) for 38 years. He has served public school families as a history teacher, assistant principal, high school principal, and RESA (Regional Education Service Agency) Executive Director in the Heart of Georgia RESA (8 years) and now with North Georgia RESA (3years). In 2009, he was the Georgia Principal of the Year and a finalist for NASSP/MetLife National Principal of the Year in 2010. In 2007 he received the Atlanta Braves/AT&T Educator of the Year Award. His focus in education is to help kids achieve their dreams.   Learn More About Steve's Podcast, Teaching Learning Leading K12 Website: https://www.stevenmiletto.com/episodes/     Learn More About Steve Miletto Website: https://www.stevenmiletto.com/ LinkedIn: https://www.linkedin.com/in/stevenmiletto/ Twitter: https://x.com/SRMiletto YouTube: https://www.youtube.com/channel/UCKFLbruqt3wFKTMQg56gDtg     Connect with host, Kevin Stoller: LinkedIn: https://www.linkedin.com/in/kevinstoller/     Episode 227 of the Better Learning Podcast Kevin Stoller is the host of the Better Learning Podcast and Co-Founder of Kay-Twelve, a national leader for educational furniture. Learn more about creating better learning environments at www.Kay-Twelve.com.     For more information on our partners: Association for Learning Environments (A4LE) - https://www.a4le.org/ Education Leaders' Organization - https://www.ed-leaders.org/ Second Class Foundation - https://secondclassfoundation.org/ EDmarket - https://www.edmarket.org/ Catapult @ Penn GSE - https://catapult.gse.upenn.edu/ Want to be a Guest Speaker? Request on our website

Do you love playing in the snow? Do you identify as preppy? Do you think love means never having to say you're sorry? Then Love Story (1970) is the movie for you! Just in time for Valentine's day, check out this romantic and heartbreaking Arthur Hiller directed classic (that saved Paramount from financial ruin) and revel in the chemistry of Ali MacGraw and Ryan O'Neal. Sara Greenfield and her guest Sarah Rois chat about all this and more on this week's episode of Talk Classic To Me.-------------------------------------------------------------------Want to become a subscriber? Use the link below to support the show!https://creators.spotify.com/pod/show/sara-greenfield/subscribe

No one has to think Love Story is a good movie to acknowledge that it's a beloved romance that made an absolute killing at the box office 55 years ago. The AFI remembers Arthur Hiller's film fondly too. It's just that we Ellises aren't at all sorry to say that we aren't as enamored as millions of other people have been. It feels rushed and story beats aren't allowed to breathe, plus---Oscar nominations or not---the performances certainly weren't award-worthy. The title of the movie is appropriate too because the overly-earnest story is focused on the love between Ryan O'Neal and Ali MacGraw...and absolutely nothing else. In any case, as Valentine's Day approaches, settle in for our 644th episode about the preppy boy and the sassy girl who headline Old Love Month here on Have You Ever Seen. Well, Actually: "after all, tomorrow is another day" from Gone With The Wind is 31st on AFI's Top 100 Quotes. Sparkplug Coffee can ordered by Bostonians, New Yorkers, or anyone from the U.S. and Canada. They'll give our fans a onetime 20% discount. Use "HYES" promo code to get that. The website is "sparkplug.coffee/hyes". Subscribe to Have You Ever Seen in your podcast app. Also, write a review and rate the podcast. Hunt for us on YouTube as well (@hyesellis in the search bar). Comment on the 'Tube and also like the show there. Don't forget to subscribe too. Contacting us can be via email (haveyoueverseenpodcast@gmail.com) or through social media. Ryan is "@moviefiend51" on Twi-X and "ryan-ellis" on Bluesky. Bev is "@bevellisellis" on Twi-X and "bevellisellis on Bluesky.

Encore! Encore! - This winter break, we're revisiting some of our favorite episodes. First up, we bask in the hilarity of 3 great 1970's comedies with some of the funniest film moments in film brought to us by; Mel Brooks, Arthur Hiller and Ivan Reitman.  To find out more about this and past episodes' movies, including trivia and other fun facts, visit our official Cinema Sounds and Secrets website.  

Revisitamos, analizamos y discutimos la comedia See No Evil, Hear No Evil de Arthur Hiller (1989). Fico Cangiano Luis Angelet Alexis Leon --- Support this podcast: https://podcasters.spotify.com/pod/show/cinexpress/support

Charles Skaggs & Xan Sprouse are joined by special guest Jesse Jackson as they watch The In-Laws, the 1979 action comedy film directed by Arthur Hiller and featuring Peter Falk as Vince Ricardo, Alan Arkin as Sheldon Kornpett, and Richard Libertini as General Garcia! Find us here:X/Twitter: @DrunkCinemaCast @CharlesSkaggs @udanax19 @JesseJacksonDFW Facebook: @DrunkCinema Email: DrunkCinemaPodcast@gmail.com Listen and subscribe to us on Apple Podcasts and leave us a review!

In this episode, we're delving into the comedic chaos of "The In-Laws," exploring both the beloved 1979 original and its 2003 remake. The original film, directed by Arthur Hiller, stars Peter Falk and Alan Arkin as two future in-laws caught in a whirlwind of international espionage and hilarious misadventures. Fast-forward to 2003, and Andrew Fleming reimagines this classic, casting Michael Douglas and Albert Brooks in a similar tale of pre-wedding jitters mixed with undercover operations. We'll compare the comedic styles of each film, how the humor has evolved over the decades, and discuss whether the remake holds up to the original's legacy. Tune in as we unpack the antics, the laughs, and the unexpected bonds that make "The In-Laws" a comedic encounter of the familial kind.

A book editor witnesses a murder during a cross-country trip, and is plunged into a Hitchcockian world of murder and intrigue. Eventually Richard Pryor shows up, and we get some unfortunate blackface. What can I say, it's the 1970s. Starring Gene Wilder, Richard Pryor, Jill Clayburgh, Patrick McGoohan, Ned Beatty, Ray Walston, Scatman Crothers, and Richard Kiel. Written by Colin Higgins. Directed by Arthur Hiller.

In this week's Lilli Palmer Acteurist Oeuvre-view episode, we encounter more Nazis in a couple of movies very loosely based on real WWII incidents: Disney's Miracle of the White Stallions (1963), based on Operation Cowboy (but with the equine eugenics shoved into the subtext), and Operation Crossbow (1965), about the attempt by British Intelligence to stop the threat of Nazi rockets. Sophia Loren shares a great scene with Lilli Palmer in the latter, but to say more would be spoilers. In Fear and Moviegoing in Toronto, we discuss our viewings of two more Powell Pressburgers, A Canterbury Tale and The Tales of Hoffman, plus an adjacent film, The Thief of Bagdad (1940), a Korda production co-directed by Powell and starring Sabu and Rex Ingram.  Time Codes: 0h 00m 30s:      MIRACLE OF THE WHITE STALLIONS (1963) [dir. Arthur Hiller] 0h 21m 17s:      OPERATION CROSSBOW (1965) [dir. Michael Anderson] 0h 35m 04s:      Fear and Moviegoing in Toronto: The Thief of Bagdad (1940) by Michael Powell, Tim Whelan & Ludwig Berger and A Canterbury Tale (1944) and Tales of Hoffman (1951) by Michael Powell and Emeric Pressburger +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

What happens when you're an Ordinary Schmoe who suddenly gets sucked into the spy game? This is what we're exploring this week, as we look at a pair of films dedicated to the proposition that anyone can become a spy, if they're stupid enough. We start with The In-Laws, from 1979 and directed by Arthur Hiller. Peter Falk and Alan Arkin are soon-to-be in-laws who get caught up in an international incident shortly before their children get married. In Part 2, we'll take a peek at Top Secret! from 1984. --- Support this podcast: https://podcasters.spotify.com/pod/show/wordsandmovies/support

On this episode of I Am The Wiz, Wiz reviews the 1970 romantic drama Love Story starring Ryan O'Neal and Ali MacGraw, directed by Arthur Hiller.

Another movie from their youth for which they have a soft spot, Jer and Dan discuss 1996's "Carpool" directed by Arthur Hiller, and the inspired casting choices of Tom Arnold and David Paymer as our main duo, supported by equally inspired choices Rhea Perlman and Kim Coates.

Steve Martin Month continues as this week we're heading down to the fern store and haggling over haircuts with 1984's The Lonely Guy, directed by Arthur Hiller, and starring Steve Martin, Charles Grodin, Judith Ivey, Steve Lawrence and Robyn Douglas -- a much wackier movie than last week's entry, though one that can't quite tonally balance all of its ambitions, losing its comedic edge to a rather rote romance. Still, the movie is quite funny, with the majority of its laughs belonging to Grodin, who is right at home mining comedy gold out of the absolute worst person to talk to at a party. Can Martin's charm and Grodin's misanthropy lift this movie above its rom-com trappings? We watched it to find out. Other works discussed on this episode include some bonus Martin movies like L.A. Story, Baby Mama, Traitor and The Man With Two Brains, as well as what might be a career-best turn from Grodin in The Great Muppet Caper. We also talk a little video games, as J Mo wades into Star Ocean: First Departure R, while Hayley has become ensnared in the music of one Taylor Swift. If you'd like to watch this week's episode before listening, good luck! Just like last week this one is not readily available on streaming in Canada. We'll be back next week with another Steve Martin movie, though his role as Insolent Waiter might be considered more of a cameo, as we cross off a long-standing unseen from J Mo's collection: 1979's The Muppet Movie, currently streaming on Disney+.

SUMMER RERUNS!  A number of our listeners have expressed frustration that some of our earlier episodes have dropped off the feed, so while we’re on summer hiatus we thought we’d rerun some of our favourites from the beginning of our BGM journey!  Journey back to 2013 and Episode 4 when we talked about Arthur Hiller’s […]

We get back to covering actual Worst Picture Winners with 1998's An Alan Smithee Film: Burn, Hollywood, Burn, winner at the 19th Annual Golden Raspberry Awards! You can tell how excited we were to talk about this one by how long we talk about whether Batman's a fascist in the opening. We break down what did and didn't work about the movie, marvel at how anyone could possible cast Harvey Weinstein in an on-screen role, dig into what went wrong with this film's bizarre soundtrack, lambast Joe Esterhaz's lazy writing while defending his Wookiee-like appearance, and try to grasp how a movie like this can be so bad that the director took an Alan Smithee credit himself unironically. We come up with film aliases for ourselves, Jack recounts a bathroom crime, and Joe struggles and fails to remember the title of Comedy Central's single-season adult animated series Kid Notorious about producer Robert Evans. Get comfy, enjoy the episode, and please let us know if you know anything about Michael Ovitz. CW: Brief mention of Harvey Weinstein and the #MeToo movement; racism; sexism; Hollywood being obsessed with itself Link to our stupid short film, Knife-Bricker: The Brickening: https://youtu.be/JPkpfdmvlFU Podcast plugged in this episode: Making a Martini (@MartiniMaking on Twitter) Things Mentioned In This Episode: Mark Waid, Alex Ross, Grant Morrison, Alan Moore, Superman: Red Son, Knife-Bricker, Caligula, the Wu-Tang Name Generator, Joe Esterhaz, the Star Wars Christmas Special, Burt Reynolds, Demolition Man, Sylvester Stallone, Whoopi Goldberg, Jackie Chan, Richard Jeni, Ryan O'Neil, Eric Idle, Chuck D, Coolio, Spike Lee, La Brea Tar Pits, Robert Evans, Flashdance, Paul Verhoeven, Showgirls, Basic Instinct, Dark Knight Rises, The Stinkers Bad Movie Awards, Rotten Tomatoes, IMDB, The Avengers, Sean Connery, Ralph Fiennes, Meet The Deedles, Spice World, Scary Spice, Ilya Kazan, the House Committee on Un-American Activities, Dalton Trumbo, Stanley Kubrick, Sparticus, Kirk Douglas, the Hollywood Blacklist, Inside Baseball, Kathleen Kennedy, Kevin Feige, Michael Eisner, Bruce Willis, Armageddon, Mercury Rising, The Siege, Leonardo DiCaprio, The Man In The Iron Mask, Gas Van Sant, Paris Texas, Milk, My Own Private Idaho, Keanu Reeves, Cinema Sins, Monty Python, Sean Penn, Jon Peters, Pinnochio, Dragnet, Dan Aykroyd, Leslie Nielsen, Miramax, Eric King, Dexter, Arthur Hiller, The Directors' Guild of America, Rugrats, Mark Mothersbaugh, DEVO, Wes Anderson, Asteroid City, Hoopla --- Support this podcast: https://podcasters.spotify.com/pod/show/derazzled/support

Dr. Quentin and Dr. Roger report to Arthur Hiller's The Hospital, where madness, murder and malpractice are running rampant! George C. Scott is the chief of medicine at a hospital in Manhattan, suicidal from his personal life collapsing and suspicious a murderer is on the loose in his facility. Quentin and Roger discuss writer Paddy Chayefsky's masterful storytelling, Scott's volcanic performance, and what the versatile Hiller brings to the screen. Next up, we travel to the early American West in Ulzana's Raid. Based on true events, fierce Apache war chief Ulzana and a contingent of warriors have jumped the reservation, and an inexperienced young lieutenant is sent to track him down with a top-notch scout and an Apache guide. We'll discuss characters that confront hidden prejudices, surprising and brutal violence that mirrors the Vietnam War, and the working relationship between Robert Aldrich and Burt Lancaster. Finally, Quentin and Roger reach for an impossible dream and build a miracle in Steel! A building tycoon falls to his death, leaving his skyscraper unfinished. His daughter sets her sights on completing the building, assembling the Seven Samurai of the construction world to hang iron and get this job done. A remarkable movie about America coming together, the Video Archives crew discuss the unique way they watched Steel and the film's fantastic cast. Learn more about this week's films, get Video Archives merch and more at videoarchivespodcast.com. Follow us on Twitter @videoarchives, and on Instagram @videoarchivespod. You can also write us a question by sending a letter to The Video Archives Podcast, c/o Earwolf Media, PO Box 66, 5551 Hollywood Blvd, Los Angeles, CA, 90028.  

Until you find a groove getting hired for narrative projects, most directors make their money in the non-scripted world. How can you make the most from your time doing non-scripted work? How can you help your interview subjects feel at ease? How do you know what b-roll to film? How can you keep your set running smoothly? And how does all of that translate to your narrative film work? We'll talk about all that and more with TV director Steve Abramson on this episode of the working director podcast. (Episode 40) Hosted by Director/Producer⁠⁠ Jenn Page.⁠⁠ To join our private FB group for directors, or to learn about The Working Director course that helps emerging filmmakers become working directors faster, visit ⁠⁠TheWorkingDirector.Pro⁠⁠. More on Steve: Steve Abramson a multiple award-winning Television Director for over four decades.  For 16 seasons, he directed at Dr. Phil, including two episodes on location in New Orleans examining the one-year aftermath of Hurricane Katrina.  He also directed hundreds of segments, telling the stories of countless guests. He has a wealth of experience directing, writing, and producing for many acclaimed television shows for NBC,CBS, Fox, A&E, Disney Channel, Discovery Channel, Animal Planet, FoodNetwork, and SyFy.  His A&E Biography of the Amistad revolt leader, “Cinque: Freedom Fighter,” was nominated for the prestigious NAACP Image Award. Other credits include Sightings, A&E Top 10, Disney's American Teacher Awards, CBS Morning News, The Christopher Lowell Show, Name Your Adventure, and Calling All Cooks.  He's earned one Emmy nomination along the way. He's been an active member of the DGA for 30+ years and the PGA for 20+ years.  He's also been a member of the Television Academy for over 30 years, where he served on the Directors Peer Group Executive Committee and the Primetime Awards Committee for nearly 10 years.  He's also moderated the "Directing For Television" panel for the annual TV Academy Faculty Seminar, and judged candidates for the Academy Foundation's esteemed Intern program. Steve is most proud and fortunate to have interviewed nearly 80 television pioneers for the TV Academy's prestigious oral history project, The Interviews, including Steve Binder, Pat Boone, Mark Burnett, Jonathan Murray, Richard Chamberlain, Dick Enberg, Tom Freston, Louis J. Horvitz, Arthur Hiller, Cliff Robertson, William Shatner, Nichelle Nichols, Suzanne Somers, Adam West, Patty Duke and Larry King. --- Send in a voice message: https://podcasters.spotify.com/pod/show/theworkingdirector/message

We need a laugh, so we're basking in the hilarity of 3 great 1970's comedies with some of the funniest film moments in film brought to us by; Mel Brooks, Arthur Hiller and Ivan Reitman.   Where else can you have a Mary Shelley classic and mash it up with Irving Berlin to make monsters loveable, or twist up a take on a Hitchcock thriller by pairing two comic geniuses and taking a real look at what the social life off a gentlemanly college fraternity  was like in 1962?  Why right here and we have a true gentleman just across the desk, my producer extraordinaire and wingman, actor and cinephile, John, Schwab… so Let's go to the movies! Check out our website at cinemasoundsandsecrets.com

Thanks to one of our wonderful Patrons (Adam Jures!), the guys sit down with returning guest and extreme sports expert Jerika Layne to discuss the 1996 Tom Arnold vehicle (heh)... Carpool. The guys talk about fully operational storage locker carnivals, Tom Arnold's mother being voiced by three different actors, Rhea Perlman's insane meter maid character, the egregious use of ADR to "punch up" and over-explain the script and much more. Next week: it's definitely... a weird one... What We've Been Watching: Bros Master Z: IP Man Legacy Deadstream All Quiet on the Western Front Questions? Comments? Suggestions? You can always shoot us an e-mail at wwttpodcast@gmail.com  Patreon: www.patreon.com/wwttpodcast Facebook: www.facebook.com/wwttpodcast Twitter: www.twitter.com/wwttpodcast Instagram: www.instagram.com/wwttpodcast Theme Song recorded by Taylor Sheasgreen: www.facebook.com/themotorleague Logo designed by Mariah Lirette: www.instagram.com/its.mariah.xo Montrose Monkington III: www.twitter.com/montrosethe3rd Carpool stars Tom Arnold, David Paymer, Rhea Perlman, Rachael Leigh Cook, Kim Coates, Micah Gardener, Jordan Warkol, David Kaye and Rod Steiger; directed by Arthur Hiller. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome. You're listening to Reel Charlie Speaks, an LGBTQ podcast spin-off of the film and television review blog, Reel Charlie looking at movies and TV from a gay male perspective since 2009. I'm your host, Philip Bahr. Each month I select a classic queer film, television series, or creator. I talk about how the subject spoke to me when I first discovered it years ago, and how its stood the test of time. In episode 9 I explore the classic gay male film, Making Love from 1982. In addition to discussing the plot, I also talk about the film as melodrama, the fallout for the male actors, and why this movie often gets ignored in the queer canon of films. Currently Making Love is unavailable to stream. Perfect reason to hold on to your disk player. Corrections: The director's name is not Arthur Hill, but Arthur Hiller. Personal Best is a very important LGBTQ film from this time period. https://www.rottentomatoes.com/m/making_love https://www.rogerebert.com/reviews/making-love-1982 https://www.advocate.com/arts-entertainment/film/2012/07/14/how-making-love-changed-us https://communication.ucf.edu/screenwriter-barry-sandler-talks-about-film-making-love/ https://ew.com/movies/harry-hamlin-making-love-role-ended-film-career/ https://www.youtube.com/watch?v=kOl5reHeqTw https://www.youtube.com/watch?v=Vo1MGPTjrVQ Reel Charlie's 2015 review of Making Love: https://reelcharlie.wordpress.com/2015/01/05/making-love/ https://reelcharlie.wordpress.com/2022/08/29/reel-charlie-speaks-podcast/ Music by Daddy_s_Music from Pixabay --- Send in a voice message: https://podcasters.spotify.com/pod/show/reel-charlie-speaks/message

Today on the show, we have director, Raja Gosnell. He directed comedy classics like Big Momma's House, starring Martin Lawrence. Never Been Kissed, starring Drew Berrymore, and Yours, Mine & Ours starring Dennis Quaid.Raja is best known as the director who brought not one but two beloved children's cartoons to the big screen, Scooby-Doo and The Smurfs. We also discuss the original vision that Raja and writer James Gunn had for Scooby-Doo. Let's say we finally understand why Scoob and Shaggy always had the munchies.He also directed the relatively low-budget runaway hit Beverly Hills Chihuahua. Raja's films have grossed almost $2 billion at the worldwide box office.Raja wasn't always a director; he started his film career as an assistant editor in the late 1970s.His first credit as a film's main editor was the romantic comedy The Lonely Guy (1984), for director Arthur Hiller. During the 1980s, Gosnell served as editor in films directed by Tom Laughlin, David Worth, Bob Dahlin, Bert Convy, Christopher Leitch, Annabel Jankel, Rocky Morton, Phillip Schuman, and Chris Columbus.For Chris Columbus, he edited the comedy film Heartbreak Hotel (1988), which features a 1970s teenager kidnapping singer Elvis Presley to bring home as a gift for his mother. During the 1990s, Gosnell would serve as editor in several more films by Columbus.The 1990s started with Gosnell working as an editor in two high-profile projects: Pretty Woman (1990) by Garry Marshall and Home Alone (1990) by Chris Columbus. Both turned out to be among the major hits of the year 1990.He then worked in the Columbus films Only the Lonely (1991), Home Alone 2: Lost in New York (1992), Mrs. Doubtfire (1993), and Nine Months (1995).Raja and I discuss his remarkable career as an editor, why he jumped to directing, and why he chose to do the thing everyone says not to do direct children and animals. I had a ball talking shop with Raja.We also discuss his remarkable new film Gun and a Hotel Bible, which he co-directed with Alicia Joy LeBlanc.Based on an award-winning play, GUN AND A HOTEL BIBLE is the story of a young man on the verge of a violent act (Pete) and his encounter with a personified hotel bible (Gideon). Can Gideon sway Pete before Pete pulls the trigger?Enjoy my conversation with Raja Gosnell.

On today's After Show, we open up the Video Vault for a brief discussion of Arthur Hiller's The In-Laws, how Peter Falk became a superstar, and the funniest spit take in cinema history. Plus, we have part 3 of Roger's interview with Gala; this week, they're talking about Roger's favorite customers, lessons he learned working at the store, and the slow decline of the Video Archives store. Learn more about this week's films, get Video Archives merch and more at videoarchivespodcast.com. Follow us on Twitter @videoarchives, and on Instagram @videoarchivespod. You can also write us a question by sending a letter to The Video Archives Podcast, c/o Earwolf Media, PO Box 66, 5551 Hollywood Blvd, Los Angeles, CA, 90028.

Today on the show we have director Raja Gosnell. He directed comedy classics like Big Momma's House starring Martin Lawrence, Never Been Kissed starring Drew Barrymore, and Yours, Mine & Ours starring Dennis Quaid.Raja is best known as the director who brought not one but two beloved children's cartoons to the big screen, Scooby-Doo and The Smurfs. We also discuss the original vision that Raja and writer James Gunn had for Scooby-Doo. Let's say we finally understand why Scoob and Shaggy always had the munchies.He also directed the relatively low-budget runaway hit Beverly Hills Chihuahua. Raja's films have grossed almost $2 billion at the worldwide box-office.Raja wasn't always a director, he started his film career as an assistant editor in the late 1970s. His first credit as a film's main editor was the romantic comedy The Lonely Guy (1984), for director Arthur Hiller. During the 1980s, Gosnell served as editor in films directed by Tom Laughlin, David Worth, Bob Dahlin, Bert Convy, Christopher Leitch, Annabel Jankel, Rocky Morton, Phillip Schuman, and Chris Columbus.For Chris Columbus he edited the comedy film Heartbreak Hotel (1988), which features a 1970s teenager kidnapping singer Elvis Presley, to bring home as a gift for his mother. During the 1990s, Gosnell would serve as editor in several more films by Columbus.The 1990s started with Gosnell working as an editor in two high-profile projects: Pretty Woman (1990) by Garry Marshall, and Home Alone (1990) by Chris Columbus. Both turned out to be among the major hits of the year 1990. He then worked in the Columbus films Only the Lonely (1991), Home Alone 2: Lost in New York (1992), Mrs. Doubtfire (1993), and Nine Months (1995).Raja and I discuss his remarkable career as an editor, why he jumped to directing, and why he choose to do the thing everyone says not to do direct children and animals. I had a ball talking shop with Raja.We also discuss his remarkable new film Gun and a Hotel Bible, which he co-directed with Alicia Joy LeBlanc.Based on an award-winning play, GUN AND A HOTEL BIBLE is the story of a young man on the verge of a violent act (Pete) and his encounter with a personified hotel bible (Gideon). Can Gideon sway Pete before Pete pulls the trigger?Enjoy my conversation with Raja Gosnell.

Even though George Herman Ruth is arguably the greatest baseball player of all time, The Babe is not even a good movie, never mind a great one. The problems start with John Goodman, who's a terrific actor, but he's miscast in the titular role of the man-child who started as a pitcher with the Red Sox and then became an outfielder with the Yankees. It also doesn't help that this gregarious, larger-than-life baseball legend is depicted as moody, needy and a sad sack for most of this lifeless film. The biggest crime of all though is how much Arthur Hiller and his team stretched the truth (or messed up the chronology of momentous events) about Ruth's incredible real-life story. We got very pedantic about those facts and figures. So shrug off the non-stop insults about your weight because it's clear that you're a natural who just likes to hit home runs as we shuffle our way through the glum disappointment of a biopic they call The Babe.   We don't mind if you keeds tweet us. We are @moviefiend51 and @scoringatmovies. You can also email us at scoringatthemovies@gmail.com.

Benvenuti nella raccolta in formato Podcast delle puntate di #CloseUp, a cura di Matteo Righi, aka Houssy. #CloseUp è la rubrica di recensioni cinematografiche in onda su Radio Italia Anni 60 Emilia-Romagna.

Izzi's decides to pick a family favorite this week. The In-Laws, directed by Arthur Hiller and starring Alan Arkin and Peter Falk, is not only a good caper film but part of the screwball comedy resurgence in the 1970s. David and Izzi have fun discussing whether the comedy holds up or if this film is better left in the past. Visit us at tmlajourneythroughcinema.com.Follow us on:Instagram @tmlajourneythroughcinemaTwitter - @tmlajourneyFacebook - @TheMovieLog1

DJ & Toppie discuss the trivia behind the 1982 Drama "Making Love" starring Michael Ontkean, Kate Jackson and Harry Hamlin. An Arthur Hiller film. Our first Pride Month episode. Join us Live on UniVoz Fri 6/17 for a special returning guest appearance by Cosplay & Drag artist D'Manda Martini Write to DJ & Toppie at matineeminutiae@gmail.com Leave a comment on our page at matineeminutiae.com Follow the show on Twitter. View our our videos on YouTube. Friend DJ on Facebook This podcast is powered by Pinecast.

Certaines infinités sont plus vastes que d'autres. Dans cet épisode, Victoire, Pascale, Marianne et Jeanne comparent le best-seller de l'auteur américain John Green, Nos étoiles contraires, à son adaptation en film avec Shailene Woodley et Ansel Elgort. Hazel, 16 ans, rencontre Augustus à une réunion d'enfants atteints du cancer. Gus est en rémission, mais pour Hazel, chaque jour est une bataille. Leur amitié va changer leurs vies à jamais... Mais le film de Josh Boone est-il fidèle à l'oeuvre originale ? Réponse dans l'épisode !  3 min 04 : On commence par parler du roman Nos étoiles contraires écrit par John Green et paru en 2012. 41 min 04 : On enchaîne sur son adaptation en film réalisée par Josh Boone sortie en 2014, avec Shailene Woodley et Ansel Elgort. 1 h 21 min 51 : On termine sur nos recommandations autour de John Green, Shailene Woodley, et des histoires d'amour ou familiales autour d'une maladie. Si vous avez lu ou vu Nos étoiles contraires, n'hésitez pas à partager votre avis avec nous !

MURDER! The blind guy couldn't see it. The deaf guy couldn't hear it. Now they're both wanted for it. It's See No Evil, Hear No Evil on 80s Revisited! Thank you for listening 80s Revisited, hosted by Trey Harris. Produced by Jesse Seidule. We look forward to comments and questions sent via e-mail to 80srevisited@gmail.com.

Listen to this PREVIEW of the 48th episode of On Second Thought, a special bonus series you can hear on the And the Runner-Up Is Patreon exclusive feed! On Second Thought is a series in which Kevin is joined by TWO special guests in breaking down another Best Picture nominee not reviewed on the regular show that could have still been the runner-up. In this episode, Kevin speaks with Baby Clyde and Eoin Daly about Arthur Hiller's "Love Story," the possible runner-up that lost Best Picture to "Patton" in 1970. This episode includes a review of the film itself, its awards run, and another fun quiz!   You can listen to the full episode of On Second Thought by going to patreon.com/andtherunnerupis and contributing at the $3 per month tier. Follow Kevin Jacobsen on Twitter:     @Kevin_Jacobsen Follow Baby Clyde on Twitter: @BabyClydeOscars Follow Eoin Daly on Twitter: @eoindaily Follow And the Runner-Up Is on Twitter:      @OscarRunnerUp Music featured in this episode: "Love Story Theme" - Francis Lai

Writer and producer Aaron Martin -- creator of the inventive horror series Slasher, now in its fourth season, and the delirious sci-fi series Another Life, which just dropped its second season on Netflix last week -- would like you to consider the similarly chaotic joys of The Out-of-Towners, the Neil Simon-scripted, Arthur Hiller-directed 1970 comedy starring Jack Lemmon and Sandy Dennis as a nice couple from Ohio whose plans to hit New York City for a night out and an important morning meeting are met with a maelstrom of delays, diversions and disasters designed to test the limits of their patience, their character and possibly even their immune systems. Your genial host Norm Wilner knows better than to fly into JFK after noon.

In this episode of the Musical Series, Amy chose Man a La Mancha.  A 1972 American Musical directed by Arthur Hiller and written by Dale Wasserman. This film was based on the 1965 Musical of the same name also written by Dale Wasserman.

Frame Fatale es un podcast sobre películas no canónicas conducido por Sebastián De Caro y Santiago Calori. En este vigésimo octavo episodio —el más largo hasta ahora—, nos ocupamos de Un detective suelto en Hollywood (Beverly Hills Cop, 1984) de Martin Brest y, como nos suele ocurrir, hablamos de esa, pero terminamos hablando de todas estas otras: Dos rivales tras un canalla (Outrageous Fortune, 1987) de Arthur Hiller, Halcones de la noche (Nighthawks, 1981) de ¿Bruce Malmuth?, Eddie Murphy: Delirious (1983) de Bruce Gowers, Eddie Murphy: Raw (1987) de Robert Townsend, Salvador (1986) de Oliver Stone, Las tortugas pinjas (1990), Los pinjapiedras (1991) y Los porno SinSon (1992) de Víctor Maytland, Fletch: el extraordinario (Fletch, 1985) de Michael Ritchie, Duro de matar (Die Hard, 1988) de John McTiernan, Cobra (1986) de George P. Cosmatos, Mujer bonita (Pretty Woman, 1990) de Garry Marshall, Baile caliente (Dirty Dancing, 1987) de Emile Ardolino, Perros de la calle (Reservoir Dogs, 1992) de Quentin Tarantino, Rápido y furioso (The Fast and the Furious, 2001) de Rob Cohen, Fiebre de sábado por la noche (Saturday Night Fever, 1977) de John Badham, Space Jam (Space Jam, 1996) de Joe Pytka, Space Jam 2 (Space Jam: A New Legacy, 2021) de Malcolm D. Lee, Los tres días del cóndor (Three Days of the Condor, 1975) de Sydney Pollack, Perfume de mujer (Scent of a Woman, 1992), ¿Conoces a Joe Back? (Meet Joe Black, 1998), Fuga a la medianoche (Midnight Run, 1988) y Gigli (2003) de Martin Brest, Jersey Girl (2004) de Kevin Smith, Juegos de guerra (1983) de John Badham, Un detective suelto en Hollywood - parte 2 (Beverly Hills Cop II, 1987) de Tony Scott y Un detective suelto en Hollywood III (Beverly Hills Cop III, 1994) de John Landis... ... por si justo te dio paja anotar, y hasta nos dignamos a contestar preguntas de lxs oyentes. Podés comentar este episodio o agregar tu pregunta usando el hashtag #FrameFatale en Twitter. Frame Fatale volverá el lunes que viene. Quizás sea una pegada total suscribirte en donde sea que escuches tus podcasts y tener la primicia que de todas maneras, ya explicamos varias veces, es lo menos importante.

Al invokes Lara's wrath this week as we discuss his first true comedic turn (and his entry into DILF canon) in Arthur Hiller's Author! Author! (1982) with dear friend Aleisha Murphy. Digressions include Marriage Story (2019), Shakespeare, An Unmarried Woman (1978), Kramer Vs Kramer (1979), All That Jazz (1979), The Muppets, Mrs Doubtfire (1993), Something's Gotta Give (2003), Robert De Niro's late-period comedies, Shark Tale (2004), the Jack Black oeuvre, Bob & Carol & Ted & Alice (1969), and Dead Poets Society (1989). Follow Aleisha on Letterboxd Get in touch with us via Twitter / Instagram / Email

Benvenuti nella raccolta in formato Podcast delle puntate di #CloseUp, a cura di Matteo Righi, aka Houssy. #CloseUp è la rubrica di recensioni cinematografiche in onda su Radio Italia Anni 60 Emilia-Romagna.

Andrew and Dave are back! Having enjoyed THE BRINK'S JOB, the podcasting duo jump ahead a year to follow star Peter Falk to THE IN-LAWS, the 1979 comedy classic co-starring Alan Arkin and directed by Arthur Hiller. Just how much do the hosts enjoy the film? How tight is writer Andrew Bergman's script? And just what is the key to the benefits program? Tune in and find out!Next Episode: A bonus!The Next Regular Episode: We don't deserve this autographed photo of Sean Connery.All music by Andrew Kannegiesser. Editing by Dave Babbitt

Connor & Jon venture back to the Golden Age of Hollywood with Kaden Reed to discover the wonderful word of glitz, glamour, and communism. They discuss what the intentions of the Coen's were behind this film. If this is the closest we'll get to a Coen's 30 Rock episode. And who the biggest idiot in the film is.Link to Roger Deakins website: https://www.rogerdeakins.com/Follow us:Facebook: https://www.facebook.com/rulesoftheframe/  Instagram: https://www.instagram.com/rulesoftheframe  Twitter: https://twitter.com/RulesOfTheFrame  YouTube: https://www.youtube.com/channel/UCII7_Fevn8na1ZkXyfUeTQA/featuredFilms mentioned in this episode:---------------------------------Hail, Caesar! (2016) | Dir. Joel & Ethan CoenNo Country for Old Men (2007) | Dir. Joel & Ethan CoenArrival (2016) | Dir. Denis VilleneuveDr. Zhivago (1965) | Dir. David LeanLawrence of Arabia (1962) | Dir. David LeanThe Ballad of Buster Scruggs (2018) | Dir. Joel & Ethan CoenThe Big Lebowski (1998) | Dir. Joel & Ethan CoenThe Hudsucker Proxy (1994) | Dir. Joel & Ethan CoenInside Llewyn Davis (2013) | Dir. Joel & Ethan CoenTrue Grit (2010) | Dir. Joel & Ethan CoenFargo (1996) | Dir. Joel & Ethan CoenLa La Land (2016) | Dir. Damien ChazelleO Brother, Where Art Thou? (2000) | Dir. Joel & Ethan CoenSome Like It Hot (1959) | Dir. Billy WilderSunset Blvd. (1950) | Dir. Billy WilderRaising Arizona (1987) | Dir. Joel & Ethan CoenAvengers: Endgame (2019) | Dir. Joe & Anthony RussoThe Grand Budapest Hotel (2014) | Dir. Wes AndersonThe Meyerowitz Stories (2017) | Dir. Noah BaumbachMank (2020) | Dir. David FincherA Serious Man (2009) | Dir. Joel & Ethan CoenIshtar (1987) | Dir. Elaine MayHigh Noon (1952) | Dir. Fred ZinnemannRio Bravo (1959) | Dir. Howard HawksBarton Fink (1991) | Dir. Joel & Ethan CoenBrazil (1985) | Dir. Terry GilliamThe Artist (2011) | Dir. Michel HazanaviciusHugo (2011) | Dir. Martin ScorseseSaving Mr. Banks (2013) | Dir. John Lee HancockOnce Upon a Time... In Hollywood (2019) | Dir. Quentin TarantinoSkyfall (2012) | Dir. Sam MendesFoxcatcher (2014) | Dir. Bennett MillerThe Disaster Artist (2017) | Dir. James FrancoAn Alan Smithee Film: Burn Hollywood Burn (1997) | Dir. Arthur Hiller and Alan SmitheeThe Farewell (2019) | Dir. Lulu WangPosthumous (2014) | Dir. Lulu Wang

Making Love This week my special guest is Michael Anthony Berg who bravely shares his broken-hearted warrior tale from 1977. We work through the 1982 movie Making Love starring Kate Jackson, Michael Ontkean and Harry Hamlin. Directed by Arthur Hiller, the film tells the story of a married man who comes to terms with his sexuality. 

Wally e Dave sono gli unici testimoni di un omicidio compiuto da una misteriosa donna. Il problema è che Wally è cieco e Dave sordo. Tra tutti e due, hanno visto e sentito proprio tutto. Come sfuggire alla polizia e ai killer che li braccano e scoprire la verità? Hiller, già autore di Wagon Lits con omicidi, dirige nuovamente la collaudata coppia Wilder - Pryor in una commedia irriverente che trascina lo spettatore in una storia piena di brio e battute memorabili, dove è presente anche un ancora misconosciuto Kevin Spacey. Protagonisti in formissima, dialoghi intelligenti e scalpitanti, Non guardarmi non ti sento è una pellicola forse un po' datata, ma che ha l'enorme merito di trattare l'handicap in maniera ironica, senza mai essere irrispettoso. Da recuperare per godere di risate intelligenti e di una commedia ben scritta, diretta e interpretata.

Today your decade under the influence crew watch and review the great and heavy -Man in the glass booth 1975. Major Kira Nerys is hunting Cardassian war criminals, and appears to have found a big one pretending to be a file clerk, but is later identified as the butcher of Gallitep. JK, although the deep space 9 episode Duet is very good, we are doing the 1975 Arthur Hiller film based on the novel then play by Robert Shaw (yes the guy from Jaws). The film stars Maximilian Schell, Lawrence Pressman (the guy from the Hellstrom Chronicle 1971), Lois Nettleton, and Luther Adler. Screenplay by Edward Anhalt. If it gets deep, start swimming. Thanks for listening.

Today your decade under the influence crew watch and review the great and heavy -Man in the glass booth 1975. Major Kira Nerys is hunting Cardassian war criminals, and appears to have found a big one pretending to be a file clerk, but is later identified as the butcher of Gallitep. JK, although the deep space 9 episode Duet is very good, we are doing the 1975 Arthur Hiller film based on the novel then play by Robert Shaw (yes the guy from Jaws). The film stars Maximilian Schell, Lawrence Pressman (the guy from the Hellstrom Chronicle 1971), Lois Nettleton, and Luther Adler. Screenplay by Edward Anhalt. If it gets deep, start swimming. Thanks for listening.

Au sommaire de cette spéciale sorties vidéo : -Chroniques de deux films de Billy Wilder : UNIFORMES ET JUPONS COURTS (1942) sorti chez RIMINI ainsi qu'ARIANE (1957) édité par CARLOTTA ;-Débat autour des dernières sorties ELEPHANT FILMS dont, NE DITES JAMAIS ADIEU (1956) de Jerry Hopper, LE SPORT FAVORI DE L'HOMME (1964) d'Howard Hawks, LES YEUX BANDES de Philip Dunne (1965), ETRANGES COMPAGNONS DE LIT (1965) de Melvin Frank, trois films de Robert Mulligan intitulés LE RENDEZ-VOUS DE SEPTEMBRE, LE ROI DES IMPOSTEURS (1961) et L'HOMME DE BORNEO (1962) ainsi que quelques films de guerre, à savoir, L'ENFER DES HOMMES (1955) de Jesse Hibs, LES HEROS D'IWO JIMA (1960) de Delbert Mann, LE COMBAT DU CAPITAINE NEWMAN (1963) de David Miller, TOBROUK COMMANDO POUR L'ENFER (1967) d'Arthur Hiller et LE CINQUIEME COMMANDO (1971) d'Henry Hataway ;-Evocation de JARDINS DE PIERRE (1987) de Francis Ford Coppola paru chez CARLOTTA ;-Critiques de quelques perles du cinéma asiatique telles LA VENGEANCE D'UN ACTEUR (1963) de Kon Ichikawa (RIMINI), LA CONDITION DE L'HOMME, trilogie réalisée par Masaki Kobayashi (1959 - 1961), SILENCE (1971) de Masahiro Shinoda, MADE IN HONG KONG (1997) de Fruit Chan et JUDO (2004) de Johnnie To (CARLOTTA), EXPECT THE UNEXPECTED (1998) de Patrick Yau et LOVE & PEACE (2015) de Sono Sion (SPECTRUM FILMS). Bonne écoute à toutes et à tous.

J'ai rencontré Delphine lors de ma formation Yoga Aligné 200h avec Clothilde Swartley dont vous avez sans doute entendu l'épisode en novembre. Elle était assistante, professeur, camarade, médiatrice, ... incontournable. Sa présence discrète et paradoxalement généreuse m'a beaucoup interpelée. J'ai la chance de la côtoyer sur une autre formation jusqu'en 2022 et je m'en réjouis. Elle partage sa joie de yoguer, l'équilibre qu'elle trouve dans la pratique posturale et spirituelle de la discipline. Les livres de Delphine

Qui potete trovare le puntate di PAGINE, la quotidiana rubrica sui libri a cura di Andrea Nanni, in onda su Radio Italia Anni 60 Emilia Romagna.

Connor and Jon are left nearly speechless by the tastelessness of the film that "Hollywood doesn't want you to see." There's good reason for that slogan as it is nearly unbearable to watch. Even so, the boys slug through the film and rag on this weird part of film history that is better left forgotten.WARNING: Major spoilers for An Alan Smithee Film: Burn Hollywood BurnFollow us:Facebook: https://www.facebook.com/rulesoftheframe/  Instagram: https://www.instagram.com/rulesoftheframe  Twitter: https://twitter.com/RulesOfTheFrame  YouTube: https://www.youtube.com/channel/UCII7_Fevn8na1ZkXyfUeTQA/featuredFilms mentioned in this episode:---------------------------------An Alan Smithee Film: Burn Hollywood Burn (1997) | Dir. Arthur Hiller(Alan Smithee)The Big Short (2015) | Dir. Adam McKayDeath of a Gunfighter (1969) | Dir. Don Siegel & Robert Totten(Allen Smithee)Vice (2018) | Dir. Adam McKayBowfinger (1999) | Dir. Frank OzShowgirls (1995) | Dir. Paul VerhoevenThis is Spinal Tap (1984) | Dir. Rob ReinerNetwork (1976) | Dir. Sidney LumetTaxi Driver (1976) | Dir. Martin ScorseseJoker (2019) | Dir. Todd PhillipsRashomon (1950) | Dir. Akira KurosawaBarton Fink (1991) | Dir.  Joel & Ethan CoenThe Room (2003) | Dir. Tommy WiseauDeadpool (2016) | Dir. Tim MillerBarry Lyndon (1975) | Dir. Stanley KubrickPaper Moon (1973) | Dir. Peter BogdanovichGhost (1990) | Dir. Jerry ZuckerBattlefield Earth (2000) | Dir. Roger Christian

Per festeggiare degnamente San Valentino, una rassegna di film d'amore che hanno deciso di evitare il lieto fine, ma di concentrarsi sulla realtà e sulla sana sofferenza che essa reca con se. Come sempre amabilmente raccontati dai vostri affezionati Houssy e Carfa.Elenco dei film citati:Ombre rosse (John Ford, 1969)Lei mi parla ancora (Pupi Avati, 2021)Love story (Arthur Hiller, 1970)Non lasciarmi ((Mark Romanek, 2010)Quel che resta del giorno (James Ivory, 1993)I ponti di Madison County (Clint Eastwood, 1995)Titanic (James Cameron, 1997)Romeo + Giulietta (Baz Luhrmann, 1996)Moulin Rouge (Baz Luhrmann, 2001)Voglia di tenerezza (James L. Brooks, 1983)La mosca (David Cronenberg, 1986)Harold e Maude (Hal Ashby, 1971)C’eravamo tanto amati (Ettore Scola, 1974)Broadway Danny Rose (Woody Allen, 1984)Lolita (Stanley Kubrick, 1962)Fino all’ultimo respiro (Jean-Luc Godard, 1960)Qualcuno da amare (Tony Bill, 1993)Vi presento Joe Black (Martin Brest, 1998)Le parole che non ti ho detto (Luis Mandoki, 1999)City of Angels (Brad Silbering, 1998)Tre metri sopra il cielo (Luca Lucini, 2004)

Today on the show we have director Raja Gosnell. He directed comedy classics like Big Momma's House starring Martin Lawrence, Never Been Kissed starring Drew Berrymore, and Yours, Mine & Ours starring Dennis Quaid.Raja is best known as the director who brought not one but two beloved children's cartoons to the big screen, Scooby-Doo and The Smurfs. We also discuss the original vision that Raja and writer James Gunn had for Scooby-Doo. Let's say we finally understand why Scoob and Shaggy always had the munchies.He also directed the relatively low-budget runaway hit Beverly Hills Chihuahua. Raja's films have grossed almost $2 billion at the worldwide box-office.Raja wasn't always a director, he started his film career as an assistant editor in the late 1970s. His first credit as a film's main editor was the romantic comedy The Lonely Guy (1984), for director Arthur Hiller. During the 1980s, Gosnell served as editor in films directed by Tom Laughlin, David Worth, Bob Dahlin, Bert Convy, Christopher Leitch, Annabel Jankel, Rocky Morton, Phillip Schuman, and Chris Columbus.For Chris Columbus he edited the comedy film Heartbreak Hotel (1988), which features a 1970s teenager kidnapping singer Elvis Presley, to bring home as a gift for his mother. During the 1990s, Gosnell would serve as editor in several more films by Columbus.The 1990s started with Gosnell working as an editor in two high-profile projects: Pretty Woman (1990) by Garry Marshall, and Home Alone (1990) by Chris Columbus. Both turned out to be among the major hits of the year 1990. He then worked in the Columbus films Only the Lonely (1991), Home Alone 2: Lost in New York (1992), Mrs. Doubtfire (1993), and Nine Months (1995).Raja and I discuss his remarkable career as an editor, why he jumped to directing, and why he choose to do the thing everyone says not to do direct children and animals. I had a ball talking shop with Raja.We also discuss his remarkable new film Gun and a Hotel Bible, which he co-directed with Alicia Joy LeBlanc.Based on an award-winning play, GUN AND A HOTEL BIBLE is the story of a young man on the verge of a violent act (Pete) and his encounter with a personified hotel bible (Gideon). Can Gideon sway Pete before Pete pulls the trigger?Enjoy my conversation with Raja Gosnell.

It's a slightly late Christmas doublesode this week as we watch and discuss Love Story (1970) by The Out-of-Towners (1970) director Arthur Hiller and the Acid Western El Topo (1970).

Love Story, dʹArthur Hiller, sorti en 1970, basé sur un scénario dʹErich Segal, est un mélodrame absolument culte, un film qui a fait pleurer des générations de spectateurs, une histoire dʹamour toute simple inspirée du Prince et de la Bergère confrontés au mauvais sort. Cette histoire classique à laquelle personne ne croyait en plein courant du Nouvel Hollywood, alors que le cinéma parle de guerre et de hippies, attire les foules dans les cinémas avec, à lʹécran, des acteurs vrais et entiers qui ne sont même pas des têtes dʹaffiche. Cʹest du jamais vu. Dans la foulée, un roman sort, réveillant le sentimentalisme endormi dʹune foule de lecteurs. La bande originale fait également un carton. On lʹentend sur toutes les radios. Lʹhistoire, sans violence, évoque un amour tendre entre Ryan OʹNeal, jouant un étudiant de Harvard, issu dʹune famille riche et influente et Ali Mac Graw, dʹorigine italienne, pauvre, étudiante en musique à Radcliffe. Tout les oppose, tout les attire, ils se marieront malgré lʹopposition des parents et feront face à la maladie qui ruinera leur couple. Aujourdʹhui, dans "Travelling", nous déroulons cette romance, qui a créé un véritable raz-de-marée, prenant le parti de raconter une autre face de lʹAmérique, celle des étudiants qui ne sʹengagent pas, qui poursuivent leurs études, hors de la guerre du Vietnam et des révolutions sociales. Ne tardons plus, nous avons un mélodrame à vous raconter.

Writer/Director/Producer Donna Kanter has produced countless realty series, dramatic films and documentaries. As the daughter of legendary writer/directorproducer Hal Kanter (Elvis fins to the Rose Tattoo to the groundbreaking tv series Julia and Jimmy Stewart Show talks about growing up in Hollywood, her father and her father's 40 year of lunches with some of the greatest comics and comedy writers in her documentary LUNCH. At those lunches would be Sid Caesar, Carl Reiner, Monty Hall, Ben Starr, Garry Owens, Shelly Berman, director Arthur Hiller, MASH writer John Rapaport, Rocky Kalish and many others. Donna filmed these hysterical lunches with some of the greatest storytellers that ever lived. Donna remembers someone great stories and her remarkable career in this fascinating podcast. --- Support this podcast: https://anchor.fm/RickLertzman/support

Josh and Andrew are back with another entry in their Stand-Up Spotlight. This time Steve Martin is the unwitting victim. The boys review the Arthur Hiller film, the Lonely Guy, which follows Larry Hubbard through the ups and downs of dating in Manhattan in the 80's. How has it held up? Or rather, HAS it held up? And where does it rank with some of the other Steve Martin offerings when he still had some pepper mixed in with all of that salt. So put aside that mechanical chess board and come listen! Follow us on twitter @PopUniversityP1 and Facebook page is Pop U with Josh and Drew. We have email too. popuwithjoshanddrew@gmail.com. And if you like this episode, go check out our Steve Martin breakdown by following our Deharmonizing podcast.

Josh and Andrew are back with another entry in their Stand-Up Spotlight. This time Steve Martin is the unwitting victim. The boys review the Arthur Hiller film, the Lonely Guy, which follows Larry Hubbard through the ups and downs of dating in Manhattan in the 80's. How has it held up? Or rather, HAS it held up? And where does it rank with some of the other Steve Martin offerings when he still had some pepper mixed in with all of that salt. So put aside that mechanical chess board and come listen! Follow us on twitter @PopUniversityP1 and Facebook page is Pop U with Josh and Drew. We have email too. popuwithjoshanddrew@gmail.com. And if you like this episode, go check out our Steve Martin breakdown by following our Deharmonizing podcast. --- Send in a voice message: https://anchor.fm/popuwithjoshanddrew/message

“If there’s ever anything that you need, don’t call me.” For Colin Higgins’ second film, he wanted to write something that had a Hitchcockian flair, and he was partial to the thrillers on trains. What we got – and what Arthur Hiller deftly directed – was Silver Streak. What we also got was the legendary comedy pairing of Gene Wilder and Richard Pryor, two comedians who would end up making three more films together after this. Join us – Pete Wright and Andy Nelson – as we continue our Colin Higgins series with Hiller’s 1976 train thriller Silver Streak. We talk about Pryor and Wilder and if blackface comedy is still something we’re allowed to laugh at, especially when the actors are so clearly pointing out that it’s not okay. We chat about the thrills balanced with the comedy in this film and how well it works. We look at Wilder and Pryor, but also Jill Clayburgh, Patrick McGoohan, Ned Beatty, Clifton James, Scatman Crothers, Ray Walston, Valerie Curtin, and Richard Kiel, to see what they’re all bringing to the table. We touch on Henry Mancini’s score and the vibes it brings. And we look at the many tropes throughout this film, wondering if they work well here because at the time, they likely weren’t as commonly used as they came to be. It’s a fun film and we have a great time talking about it on this week’s show, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins. Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel! Film Sundries Thank you for supporting The Next Reel Film Podcast on Patreon! Watch this film: iTunes • Amazon • YouTube Script Transcript Original theatrical trailer Original poster artwork Flickchart Letterboxd

“If there's ever anything that you need, don't call me.” For Colin Higgins' second film, he wanted to write something that had a Hitchcockian flair, and he was partial to the thrillers on trains. What we got – and what Arthur Hiller deftly directed – was Silver Streak. What we also got was the legendary comedy pairing of Gene Wilder and Richard Pryor, two comedians who would end up making three more films together after this. Join us – Pete Wright and Andy Nelson – as we continue our Colin Higgins series with Hiller's 1976 train thriller Silver Streak. We talk about Pryor and Wilder and if blackface comedy is still something we're allowed to laugh at, especially when the actors are so clearly pointing out that it's not okay. We chat about the thrills balanced with the comedy in this film and how well it works. We look at Wilder and Pryor, but also Jill Clayburgh, Patrick McGoohan, Ned Beatty, Clifton James, Scatman Crothers, Ray Walston, Valerie Curtin, and Richard Kiel, to see what they're all bringing to the table. We touch on Henry Mancini's score and the vibes it brings. And we look at the many tropes throughout this film, wondering if they work well here because at the time, they likely weren't as commonly used as they came to be. It's a fun film and we have a great time talking about it on this week's show, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins. Join the conversation with movie lovers from around the world on The Next Reel's Discord channel! Film Sundries Thank you for supporting The Next Reel Film Podcast on Patreon! Watch this film: iTunes • Amazon • YouTube Script Transcript Original theatrical trailer Original poster artwork Flickchart Letterboxd

By 1984, Steve Martin had played an idiot, a down-on-his-luck sheet music salesman in 30s Chicago, a noir detective, and a mad scientist – quite a variety of characters, though all very specific in their characterizations. Because of that, seeing him play a pretty normal, non-affected straight guy in Arthur Hiller’s comedy The Lonely Guy almost seemed a bit of a surprise. Surely, Martin was looking for a variety of parts so he could show off what we could do, so it makes sense. The film didn’t end up being a success, but it still allowed Martin the chance to play something a bit different yet again. Join us – Pete Wright and Andy Nelson – as we continue our Steve Martin series with Hillers’ 1984 film The Lonely Guy. We talk about why a lot of this film doesn’t work, but why parts of it do work. We look at why comedy beats with Dr. Joyce Brothers may work (or not, depending on your take), but how her presence does seem to date the film a bit. We look at the team behind some of the technical elements, including composer Jerry Goldsmith. And we look at other cast members like Charles Grodin and Judith Ivey and chat about what works with their performances versus Martin’s. It’s a tricky little film that feels at times like the parts are better than the sum. Regardless, it has some great comedic beats, even if the tone is a mess. We have a great time talking about it on this week’s show so check it out then tune in. The Next Reel – when the movie ends, our conversation begins. Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel! Film Sundries Thank you for supporting The Next Reel Film Podcast on Patreon! Watch this film: iTunes • Amazon • Hulu • YouTube Script Transcript Original theatrical trailer Original poster artwork The Lonely Guy’s Book of Life by Bruce Jay Friedman Flickchart Letterboxd

By 1984, Steve Martin had played an idiot, a down-on-his-luck sheet music salesman in 30s Chicago, a noir detective, and a mad scientist – quite a variety of characters, though all very specific in their characterizations. Because of that, seeing him play a pretty normal, non-affected straight guy in Arthur Hiller's comedy The Lonely Guy almost seemed a bit of a surprise. Surely, Martin was looking for a variety of parts so he could show off what we could do, so it makes sense. The film didn't end up being a success, but it still allowed Martin the chance to play something a bit different yet again. Join us – Pete Wright and Andy Nelson – as we continue our Steve Martin series with Hillers' 1984 film The Lonely Guy. We talk about why a lot of this film doesn't work, but why parts of it do work. We look at why comedy beats with Dr. Joyce Brothers may work (or not, depending on your take), but how her presence does seem to date the film a bit. We look at the team behind some of the technical elements, including composer Jerry Goldsmith. And we look at other cast members like Charles Grodin and Judith Ivey and chat about what works with their performances versus Martin's. It's a tricky little film that feels at times like the parts are better than the sum. Regardless, it has some great comedic beats, even if the tone is a mess. We have a great time talking about it on this week's show so check it out then tune in. The Next Reel – when the movie ends, our conversation begins. Join the conversation with movie lovers from around the world on The Next Reel's Discord channel! Film Sundries Thank you for supporting The Next Reel Film Podcast on Patreon! Watch this film: iTunes • Amazon • Hulu • YouTube Script Transcript Original theatrical trailer Original poster artwork The Lonely Guy's Book of Life by Bruce Jay Friedman Flickchart Letterboxd

Shelley Long plays prissy longtime acting student Lauren Ames who has never gotten an actual gig, finally finding some hope when she makes her way into a prestigious drama class led by an all-time great international acting coach. Bette Midler co-stars as Sandy Brozinsky, a mouthy, earthy waitress who also suddenly finds herself in the same class without any of the talent or desire to be there. The two have a personality clash immediately that only gets worse once it is discovered that they are both in a relationship with the same dreamboat of a man, Michael Santers (Peter Coyote), who ends up faking his death for reasons the ladies have to put aside their petty differences to discover, mostly to make him choose between them. Their collaborative adventure sees them go on a cross-country trip only to find that there is so much more to Michael they never knew, something which gets them on the run from KGB agents and the CIA to hopefully come out alive, with the MacGuffin being a toxin that can destroy all vegetation within miles with just a few drops. Arthur Hiller directs from a Leslie Dixon script.

Back in 1970, apparently love meant never having to say you were sorry. Or so Love Story, that year’s popular tearjerker, would have us believe. The film was directed by Arthur Hiller from a screenplay by Erich Segal, who also wrote the accompanying novel.Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the story so we can all understand it better.Click here for the full show notes.

Twentieth Century Fox released Silver Streak to theaters on December 3, 1976. Arthur Hiller directed the film starring Gene Wilder, Richard Pryor, and Jill Clayburgh. The post Silver Streak (1976) appeared first on Movie House Memories.

All aboard! Silver Streak (1976), is an action, romance, comedy with a mellow pace and a wicked cast. Terence and Hollis discuss the ways the plot surprises, but mostly can’t stop talking about Gene Wilder and Richard Pryor in this Arthur Hiller film.

In this episode Paul and I discuss the Arthur Hiller film (written by recently deceased screenwriter Neil Simon) 'The Out-of-Towners' starring Jack Lemon and Sandy Dennis. Oh, and that fantastic Bristol cinema we mention is called 20th Century Flicks. If you're in the area please check them out!

Movie Meltdown - Episode 426 This week we have a very special guest… comedian, writer, actor - Tom Arnold. Now, most of you out there are probably more or less familiar with Tom, and if so… you know that if nothing else – he has had one of the more interesting stories of anyone who’s made their way into the entertainment industry. His journey from a humble Midwest childhood to become one of the most notorious people in Hollywood - is that of legend. So we sit down with him to hear how it all began, just where it’s led him over the years… and some of his interesting film roles that happened along the way. And as we consider going streaking through the nursing home, we also bring up... open mic night, Andy Kaufman, he’s outside playing football with these homeless guys, it makes my dad laugh, Herbert Ross, I peaked then, Dustin Hoffman, I walked twenty miles in my underwear in December, Arnold Schwarzenegger, that’s who I was then, Arthur Hiller, funny horror, Lorenzo Lamas vs. Brian Wimmer, Icarus, On the kill floor, Dunston Checks In, DMX, Everclear punch, John Landis, Dead Ant, Bob Hope Special, he would be speaking Chinese, Anthony Anderson, I just have to settle, he gave him a heart attack in the middle of the movie, Happy Joe’s Pizza, Steve Buscemi, drive-in movies, and then you’ll have these crazy dreams, Robin Williams, working at the meat packing plant, Jenna Ortega, Saving Flora, Kristen Bell and the most replayed movie on cable TV ever, “It’s a world you can’t even imagine. You know, just the idea of Hollywood… how do you get there from Ottumwa, Iowa? It’s just impossible.” Follow Tom on Twitter: https://twitter.com/TomArnold

Welcome back to the GGtMC!!! We are finally back after being gone for a week due to busy schedules and we have brought you coverage of 4 films from our friends at Olive Films!!! This week we cover Teachers (1984) directed by Arthur Hiller, The Running Man (1987) directed by Paul Michael Glaser, The Quiet Gun (1957) directed by William Claxton and Cooley High (1975) directed by Michael Schultz!!! We hope you enjoy the episode and thanks again for helping with the show costs!!! Emails to midnitecinema@gmail.com Adios!!! --- Send in a voice message: https://anchor.fm/ggtmc/message

Commentary track of 1979's killer bat movie with actor Nick Mancuso, moderated by Jeremy Smith of Ain't It Cool News.

Director Arthur Hiller talks about his career in the film industry. With a long list of films including The In-Laws, Love Story, Silver Streak, The Lonely Guy, The Americanization of Emily, The Hospital and many others. Arthur gives us insight on working with actors, the great writer Paddy Chayefsky and how to be prepared when luck strikes you.