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4 episodes with joseph stefano
5 episodes with joseph stefano
2 episodes with joseph stefano
2 episodes with joseph stefano
2 episodes with joseph stefano
3 episodes with joseph stefano
2 episodes with joseph stefano
In our discussion of Alfred Hitchcock's 1960 classic Psycho we discuss the psychology of Norman Bates, the birth of the slasher, women in horror, underrated performances & more! This episode was originally released on Aug 31, 2020 I Love This You Should Too is hosted by Samantha and Indy Randhawa Psycho is a 1960 American horror film produced and directed by Alfred Hitchcock. The screenplay, written by Joseph Stefano, was based on the 1959 novel of the same name by Robert Bloch. The film stars Anthony Perkins, Janet Leigh, Vera Miles, John Gavin and Martin Balsam. The plot centers on an encounter between on-the-run embezzler Marion Crane (Leigh) and shy motel proprietor Norman Bates (Perkins) and its aftermath, in which a private investigator (Balsam), Marion's lover Sam Loomis (Gavin) and her sister Lila (Miles) investigate her disappearance.
Gabe Hardman and I are joined by Stefano's son Dominic about the writer's work in tv and film
The thirteenth episode of our season on the awesome movie year of 1969 features our producer David Rosen's pick, David Lowell Rich's Eye of the Cat. Directed by David Lowell Rich and starring Michael Sarrazin, Gayle Hunnicutt, Eleanor Parker and Tim Henry, Eye of the Cat is the return to filmmaking for Psycho screenwriter Joseph Stefano.The contemporary reviews quoted in this episode come from Howard Thompson in The New York Times (https://www.nytimes.com/1969/06/19/archives/horror-melodrama.html), Variety (https://variety.com/1968/film/reviews/eye-of-the-cat-1200421928/), and Kevin Thomas in the Los Angeles Times.Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also check out David Rosen's pet project The Pup Pups and their new album A Boy and His Dog and Three Cats and A Bear at https://thepuppups.bandcamp.comYou can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 1969 installment, featuring our audience choice winner, Bob Fosse's Sweet Charity.
Of course we saved the best for last for Mommy Issues May! For our latest theme month's grand finale, there was only one real option for what to cover, and we knew we wanted to do it up right. That's why we invited some new friends to join us for a stay at the Bates Motel as we talk with Spooky Chicks & Horror Flicks about all things Psycho (1960). Arguably *the* most famous Alfred Hitchcock classic, this film literally changed the game for the genre, setting the scene for all kinds of iconic films that followed. It's definitely the blue print — so listen in as we explain the term MacGuffin, debate exactly when things went wrong, and find all sorts of extremely important connections to The Polar Express on a new Spooky Tuesday. Follow Spooky Chicks & Horror Flicks on Instagram, TikTok, and YouTube at @spookychickshorrorflicks. Check out their new episodes every other week on Apple and Spotify. References:https://screenrant.com/psycho-movie-true-story-norman-bates/https://www.theatlantic.com/culture/archive/2010/06/how-hitchcock-s-psycho-changed-cinema-and-society/345186/https://brightlightsfilm.com/psychoqueering-hitchcocks-classic-queering-hitchcocks-classic/https://www.pastemagazine.com/movies/horror-movies/first-slasher-movie-horror-halloween-psychohttps://academic.oup.com/book/7082/chapter-abstract/151583885?redirectedFrom=fulltexthttps://www.aspeers.com/sites/default/files/pdf/Martins.pdfhttps://www.theguardian.com/film/2020/jun/16/psycho-alfred-hitchcock-anthony-perkins-janet-leighhttps://www.slashfilm.com/1122413/it-took-three-separate-actors-to-bring-psychos-norma-bates-to-life/https://en.wikipedia.org/wiki/MacGuffin
New pantheon member Pockets had never seen any Psycho films and watched about half of this one. Find out if she enjoyed it. Henry Thomas was in this film, and if you'd like to explore a supposedly sad film starring him, check out the time McFly appeared on Bad For Me. Join us next time as we complete April Showers with Psycho (1998).
Bienvenidos a Podcastwood. El hogar de las estrellas, el podcast sobre los pilares del cine y donde solo las películas consideradas como obras maestras del séptimo arte son analizadas e invitadas a esta selecta hora de la podcastfera cinéfila española. 2️⃣✖2️⃣4️⃣ | PSICOSIS Dirigida por Alfred Hitchcock, el maestro del suspense, esta película de 1960 cuenta la historia de Marion Crane, una joven secretaria que tras cometer el robo de un dinero en su empresa, huye de la ciudad y, después de conducir durante horas, decide descansar en el mítico Bates Motel. Con guion de Joseph Stefano, basado en la novela de Robert Bloch, este clásico protagonizado por Anthony Perkins y Janet Leigh cuenta con la música de Bernard Herrmann. ¿Qué técnicas usaba Hitchcock para distraer al espectador?. ¿Conoces los detalles de cómo se rodó la famosa escena de la ducha? ¿Sabías que Anthony Perkins tuvo una carrera en el mundo de la música?. Y debatimos, ¿Es Norman Bates realmente un psicópata? Camina junto a Fran Maestra y Gonzalo Cuélliga por El Paseo de la Fama escuchando este podcast de cine clásico que homenajea a Psicosis. SECCIONES ▪️ Contexto ▪️ La técnica de la distracción ▪️ La escena de la ducha ▪️ La carrera musical de Anthony Perkins ▪️ ¿Es Norman Bates realmente un psicópata? ➖➖➖➖➖➖➖➖➖➖➖➖ LISTA DE PELÍCULAS CITADAS EN EL PROGRAMA: https://letterboxd.com/podcastwood/list/2x24-podcastwood-psicosis/ ➖➖➖➖➖➖➖➖➖➖➖➖ ⭐ ÚNETE AL PASEO DE LA FAMA DE PODCASTWOOD Si te gusta Podcastwood y quieres ayudarnos a seguir progresando con este proyecto convertirte en fan y parte de nuestra comunidad activando el botón "APOYAR" en ivoox. Con ello recibirás las siguientes ventajas: ▪️ Acceso al grupo privado de Telegram de Podcastwood ▪️ Acceso en ivoox a los programas exclusivos para fans ▪️ Capacidad para elegir contenidos para los programas exclusivos para fans Comparte día a día tu pasión por el cine junto a nosotros y otros amigos cinéfilos enamorados del séptimo arte. Acomódate, ¡te estábamos esperando! ➖➖➖➖➖➖➖➖➖➖➖➖ SÍGUENOS EN TWITTER: @podcastwood @fran_maestra @gcuelliga INSTAGRAM: podcastwood BLOGGER: podcastwood.blogspot.com ✉ CONTACTANOS EN podcastwoodmail@gmail.com ➖➖➖➖➖➖➖➖➖➖➖➖ DISFRUTA DE LA BSO DE PODCASTWOOD EN SPOTIFY (PODCASTWOOD JUKEBOX): https://open.spotify.com/playlist/3Pm8vswdhuBW6FeobnQH3F?si=FwqJBIAiSsKO-_aLfqF9FQ&pi=e-kdoptmnIRoSO ➖➖➖➖➖➖➖➖➖➖➖➖ CREW ▪️Producción: Fran Maestra y Gonzalo Cuélliga ▪️ Redacción: Fran Maestra y Gonzalo Cuélliga ▪️ Sonido y grafismo: Fran Maestra ▪️ Entorno digital: Gonzalo Cuélliga ▪️ Conducción: Fran Maestra y Gonzalo Cuélliga ▪️ Locución: Marta Navas Podcastwood | 2024
Skin Of Evil (Star Trek: The Next Generation, S1 E23) was recommended by Mark Nixon, who said: This was one of my earliest experiences of horror and ultimately proved formative in the developments of my tastes and values as a storyteller. At that age I saw Riker as the coolest, bravest guy I had ever seen, and to see him being helplessly dragged by some invisible force while screaming for help? Chilling stuff indeed.Plus Picard gets to *really* Picard, in a season that gave their captain less opportunities to be the hero in a way that Kirk did.Skin Of Evil first aired on April 25, 1988, written by story by Joseph Stefano, teleplay by Joseph Stefano & Hannah Louise Shearer, and directed by Joseph L. ScanlanThe Joy of Trek is hosted by Khaki & Kay, with editing & production by Chief Engineer Greg and music by Fox Amoore (Bandcamp | Bluesky)Send us your recommendations, or support us on Patreon.Find us at joyoftrek.com | Bluesky | Instagram
Happy New Year! This week Josh and Drusilla cover the classic Alfred Hitchcock film, Psycho (1960). From wiki: “Psycho is a 1960 American horror film produced and directed by Alfred Hitchcock. The screenplay, written by Joseph Stefano, was based on the 1959 novel of the same name by Robert Bloch. The film stars Anthony Perkins, Janet Leigh, Vera Miles, John Gavin and Martin Balsam. The plot centers on an encounter between on-the-run embezzler Marion Crane (Leigh) and shy motel proprietor Norman Bates (Perkins) and its aftermath, in which a private investigator (Balsam), Marion's lover Sam Loomis (Gavin), and her sister Lila (Miles) investigate her disappearance.[8]Also, Carmel, Indiana, our favorite first-time watches, Julian Sands' butt, The Cremator, Don't Deliver Us From Evil, Orgasmo, Targets, Whistle and I'll Come to You, Dream Scenario, Wonka, While You Were Sleeping, transphobic killers, Dressed to Kill, Ed Gein, Bates Motel, Psycho II, Psycho III, Carnival of Souls, women driving, Peeping Tom, Frasier, Cate Blanchett loves horror, and more! NEXT WEEK: Safe (1995) Website: http://www.bloodhauspod.comTwitter: https://twitter.com/BloodhausPodInstagram: https://www.instagram.com/bloodhauspod/Email: bloodhauspod@gmail.comDrusilla's art: https://www.sisterhydedesign.com/Drusilla's Instagram: https://www.instagram.com/hydesister/Drusilla's Letterboxd: https://letterboxd.com/drew_phillips/Joshua's website: https://www.joshuaconkel.com/Joshua's Bluesky: https://bsky.app/profile/joshuaconkel.bsky.socialInstagram: https://www.instagram.com/joshua_conkel/Joshua's Letterboxd: https://letterboxd.com/joshuaconkel
Think spending the holidays with your family is stressful?Meet the Morgan family.Their family get-togethers are killer.All aboard Polyester Airlines flight to the night of November 27, 1972: the night the Christmas proto-slasher HOME FOR THE HOLIDAYS premiered on ABC.You can expect:-A truly knockout cast of heavy-hitting women.-Pulpy dialogue.-Fraught melodrama.-Perfectly timed thunderclaps.-Pitchfork murders-Worst. Christmas. EVER!Your copilot on this very wet journey into Christmas carnage is author DANIEL W. KELLY from the BOYS BEARS & SCARES blog and the Comfort Cove horror-erotica series ("No Place for Little Ones", "Horny Devils", "Wet Screams").HOME FOR THE HOLIDAYS was directed by JOHN LLEWLYN MOXEY, written by JOSEPH STEFANO and stars SALLY FIELD, JULIE HARRIS, JESSICA WALTER, ELEANOR PARKER, JILL HAWORTH and WALTER BRENNAN.The movie is currently available on YouTube for free.https://www.youtube.com/watch?v=p9OqwXY7AII&t Visit us at www.ScreamQueenz.comFollow us on FACEBOOK
The bros recognize that everyone can go a little mad sometimes in this new episode about the 1960 film, Psycho. Written by Joseph Stefano and Directed by Alfred Hitchcock. Instagram: https://www.instagram.com/thefilmbrospodcast Youtube: https://www.youtube.com/channel/UC4g9YbMBwRIKzDTV4uXt5Eg The bros Letterboxd's: @_isaiahlucas @lilabey @NickGowinPlaces
Clay Sayre joins Jim for a fun look at a 1977 Made-For-TV horror film written by Joseph Stefano (“The Outer Limits”) – “Snowbeast,” starring Robert Logan, Bo Svenson, Yvette Mimieux, Clint Walker and Sylvia Sydney. Something is attacking guests at a Colorado ski resort during its Winter Festival. Is it a bear on a rampage … Snowbeast (1977)| Episode 361 Read More » The post Snowbeast (1977)| Episode 361 appeared first on The ESO Network.
Hola Gerardo aquí en otro episodio de Simplemente Yo; La selección de esta semana es Psycho, es una película de suspenso y terror psicológico de 1960 producida y dirigida por Alfred Hitchcock. El guión, escrito por Joseph Stefano, se basó en la novela de 1959 del mismo nombre de Robert Bloch. Plot: Una secretaria de Phoenix se roba $40,000 del cliente de su jefe, se da a la fuga y se registra en un motel remoto dirigido por un joven bajo el dominio de su madre. Espero que lo disfruten ;) Información adicional del podcast: Enlace del website official de Filmic Notion Podcast: https://filmicnotionpod.com/ Enlace a nuestra página de Facebook: https://www.facebook.com/fnpod
“She's harmless… She's as harmless as one of those stuffed birds.” This week on The Blind Rage Podcast, Tony and I sit down to watch Gus Van Sant's 1998 remake of Alfred Hitchcock's immortal classic PSYCHO, a film which tanked at the box office and was ripped to shreds by critics. Of course, I've long ago pledged my allegiance to the original. I'm not mental. Or…a psycho… But I would call this one tolerable. Wouldn't say I have a soft spot for it, but it's tolerable, primarily thanks to Joseph Stefano's original script, which was only minorly tweaked, and the performances by the stellar cast. Excluding Vince Vaughn, whose bastardization of the Norman Bates character should've gotten him blacklisted from Hollywood. --- Send in a voice message: https://podcasters.spotify.com/pod/show/blindragepod/message
In honour of mothers around the world, past and present, a rerelease of our episode on the Unexpected History of MOTHERS!THE UNEXPECTED HISTORY OF MOTHERS! A boy's best friend is his mother' (Norman Bates – Psycho, written and directed by Joseph Stefano and Alfred Hitchcock, 1960). Welcome to Histories of the Unexpected where you will discover the history of things you did not know even had a history, like the history of nonsense or the history of the itch. For this episode let us join the Abbott of historical action, Dr Sam Willis, and the Marconi of long distance historical communication, Professor James Daybell, as they bring forth the unexpected history of mothers.Join the very well preserved and embalmed historical adventurers as they take you on a journey of nurturing and sometimes less than tender care, from Freud's controversially proposed Oedipus complex to the archaeological site of Banpo, China, discovered in 1953, from the Cross of Honour handed out to mothers in Nazi Germany to Stalin's Order of Maternal Glory, and from the maternal conflict and violence evidenced within the fifteenth-century Paston Letters to the poignant seventeenth-century diary extracts of a worried mother, Lady Anne Clifford.Our two old maters discover that this unexpected history is actually all about: conflict and matriarchy, communist theory and shared economies, capitalism and inherited material wealth, legitimisation and state doctrine, propaganda and ideology, tyranny and idealism, cultural conformity and social engineering, knowledge transmission and dissemination, … and ugly babies, which were disliked by Queen Victoria.Listen out for James's own tribute to his mother, and a big Hi! to all mums listening.‘Good mother, do not marry me to yond fool' (Anne – Merry Wives of Windsor, Act 3, Scene 4, written by William Shakespeare, 1602). Hosted on Acast. See acast.com/privacy for more information.
If you could re-make any movie, what would you choose? After the blockbuster success of Good Will Hunting, Gus van Sant chose to re-do Psycho, from the same script! The disastrous box office made this the first and last experiment of its type. Psycho (1998) directed by Gus van Sant. Shot from the original screenplay, lightly altered by original screenwriter Joseph Stefano. Starring Anne Heche, Vince Vaughn, William H. Macy, Julianne Moore, Viggo Mortensen, and his butt. We re-cast it for 2023. That's So Gothic releases episodes on the first and third Thursday every month. Email sogothicpod@gmail.com. Follow Chance and Amanda on Letterboxd @mrchancelee and @mcavoy_amanda. Instagram @sogothicpod Closing music "Gothic Guitar" by Javolenus 2014 - Licensed under Creative Commons Attribution Noncommercial (3.0)
Follow the homies Cam (Cameron Cox) and Dylan (Dylan Hernandez) two former AMC Theater employees as they take a nostalgic trip back in time to rewatch films that mean the most to them! This Podcast is set up so that listeners at home can watch the movies along with us and laugh along as we talk about whatever comes to mind! From pop-culture-related events to AMC theater work stories, hell even us just talking about our personal lives! The Film we are discussing in this Halloween Episode is "Psycho" Psycho is a 1960 American psychological horrorthriller film produced and directed by Alfred Hitchcock. The screenplay, written by Joseph Stefano, was based on the 1959 novel of the same name by Robert Bloch. The film stars Anthony Perkins, Janet Leigh, Vera Miles, John Gavin and Martin Balsam. The plot centers on an encounter between on-the-run embezzler Marion Crane (Leigh) and shy motel proprietor Norman Bates (Perkins) and its aftermath, in which a private investigator (Balsam), Marion's lover Sam Loomis (Gavin), and her sister Lila (Miles) investigate her disappearance. Now in the Famous words of that Pig from Shrek "Play the movie.. Yeah PLAY" ALSO Follow the homie Dylan on his fantastic Podcast "The Hernandez Variety Show" https://open.spotify.com/show/58pVAOZ5sSK4ti563o5fWn?si=BjR3hTyjR9mjfKIh6itDuw
This week, we look at the 1964 film, The Ghost of Sierra de Cobre. It was written and directed by Joseph Stefano and stars Martin Landau, Judith Anderson, Diane Baker, and Tom Simcox. It is the story of a blind man who gets phone calls from his dead mother, and his wife hires an architect to look into the problem. And what does all this have to do with what happened at Sierra de Cobre? It is a very atmospheric made-for-TV film.
This was supposed to be a full WB Live but we had a couple tech problems, so it became this 2 parter. A celebration of Outer Limits Co-Creator Joseph Stefano , The man who wrote the Screenplay for Hitchcock's Psycho First Dave Rash joins Gabe Hardman Ian Brill and myself to talk about the new book from Gauntlet Pres FROM THE INNER MIND TO…THE OUTER LIMITS SCRIPTS OF JOSEPH STEFANO. . order the book at gauntletpress.comThen Stefano's son Dominic joins us giving his perspective on his father's works from Outer Limits to Hitchcock's Psycho to friendships with Gene Roddenberry and Sally Kellerman
A secretary embezzles $40,000 from her employer, goes on the run and then checks into a remote motel run by a young man who seems to be under the thumb of his domineering mother. Directed by Alfred Hitchcock. Screenplay by Joseph Stefano, based on the novel of the same name by Robert Bloch. Starring Anthony Perkins, Janet Leigh, Vera Miles, John Gavin and Martin Balsam. FOLLOW US ON LETTERBOXD - Zach1983 & MattCrosby Thank you so much for listening! Please follow the show on Twitter: @GreatestPod Subscribe on Apple Podcasts / Podbean Check out: Psycho (1960) / Psycho II / Psycho III / Psycho (1998) [Peacock] 78/52: Hitchcock's Shower Scene (Streaming rental) Hitchcock (2012) [Streaming rental]
En este episodio conversamos sobre "Psycho" (Psicosis) de Alfred Hitchcock, protagonizada por Anthony Perkins, Janet Leigh y Vera Miles.
Psycho IV: The Beginning is the fourth and final film in Universal's Psycho franchise, and the last to portray Anthony Perkins in his most famous of roles. It's the first of the series not to be released theatrically, debuting on the premium cable channel Showtime in 1990. This film is a sequel in theory, as it does take a step forward in showing Norman Bates trying to live the semblance of a normal life today, finally in a relationship with a woman, with a baby on the way. Trouble is, Norman does not want a baby, thinking that being a homicidal maniac is a genetic trait that passes on from generation to generation, and he wants his mother's psychopathic tendencies to end with him. On this night, Norman is listening to a late-night radio program about why sons kill their mothers, and after hearing what the doctors have to say about it, Norman ends up calling the show to tell how it really went down for him. Under the pseudonym of 'Ed', Norman relates the tale of his adolescence, and how his mother Norma's severe mood swings, psychological abuse, and sexual repression drove him to commit murder, including his own mother. Although much talked about in the previous films, Psycho IV: The Beginning is the first to show a living Norma Bates (Olivia Hussey), and to give is a first-hand viewing of how bizarre an upbringing a young Norman (Henry Thomas) would have, resulting in an overwhelming feeling of guilt in his actions that he didn't have the maturity or mental balance to keep a grip on. In addition to Norma's stamping out of her son's masculinity and sexuality, there is also an element of Norman becoming a bit of a surrogate for male companionship in her life in between finding a suitable partner, though never physically consummated between mother and son. Mick Garris directs from a screenplay from Psycho screenwriter Joseph Stefano.
RE-RELEASE: THE UNEXPECTED HISTORY OF MOTHERS! A boy's best friend is his mother' (Norman Bates – Psycho, written and directed by Joseph Stefano and Alfred Hitchcock, 1960). Welcome to Histories of the Unexpected where you will discover the history of things you did not know even had a history, like the history of nonsense or the history of the itch. For this episode let us join the Abbott of historical action, Dr Sam Willis, and the Marconi of long distance historical communication, Professor James Daybell, as they bring forth the unexpected history of mothers.Join the very well preserved and embalmed historical adventurers as they take you on a journey of nurturing and sometimes less than tender care, from Freud's controversially proposed Oedipus complex to the archaeological site of Banpo, China, discovered in 1953, from the Cross of Honour handed out to mothers in Nazi Germany to Stalin's Order of Maternal Glory, and from the maternal conflict and violence evidenced within the fifteenth-century Paston Letters to the poignant seventeenth-century diary extracts of a worried mother, Lady Anne Clifford.Our two old maters discover that this unexpected history is actually all about: conflict and matriarchy, communist theory and shared economies, capitalism and inherited material wealth, legitimisation and state doctrine, propaganda and ideology, tyranny and idealism, cultural conformity and social engineering, knowledge transmission and dissemination, … and ugly babies, which were disliked by Queen Victoria.Listen out for James's own tribute to his mother, and a big Hi! to all mums listening.‘Good mother, do not marry me to yond fool' (Anne – Merry Wives of Windsor, Act 3, Scene 4, written by William Shakespeare, 1602). See acast.com/privacy for privacy and opt-out information.
This week we continue a series of Abominable Snowman movies with Snowbeast (1977). This is Episode #355! Snowbeast is a 1977 American made-for-television horror film starring Bo Svenson, Yvette Mimieux, Robert Logan and Clint Walker. It was directed by Herb Wallerstein from a teleplay written by Joseph Stefano (who wrote the screenplay for Alfred Hitchcock's 1960 thriller Psycho). The film originally premiered as the NBC Thursday Night Movie on NBC on April 28, 1977. This was the #1-rated television program in the USA the week of its release.
This was supposed to be a full WB Live but we had a couple tech problems, so it became this 2 parter. A celebration of Outer Limits Co-Creator Joseph StefanoFirst Dave Rash joins Gabe Hardman Ian Brill and myself to talk about the new book from Gauntlet Pres FROM THE INNER MIND TO…THE OUTER LIMITS SCRIPTS OF JOSEPH STEFANO. . pre-order the book at gauntletpress.comThen Stefano's son Dominic joins us giving his perspective on his father's works from Outer Limits to Hitchcock's Psycho to friendships with Gene Roddenberry and Sally Kellerman
En este episodio de Back to the Movies! Gabriel, Rafa y El Watcher terminan el mes de octubre, mes en el que conversaron sobre "Slasher Films", conversando sobre "Psycho" (1960), película protagonizada por Janet Leigh, Vera Miles, John Gavin y Anthony Perkins, escrita por Joseph Stefano y dirigida por Alfred Hitchcock. ¡Apoya nuestro contenido uniéndote a nuestro Patreon! Visita: https://www.patreon.com/CulturaSecuencial ¡Síguenos y Suscríbete a nuestro canal de Twitch! Visita: https://www.twitch.tv/culturasecuencial ¡Síguenos en Twitter! Visita: https://twitter.com/CultSecuencial ¡Síguenos en Instagram! Visita: https://www.instagram.com/culturasecuencial ¡Síguenos en Facebook! Visita: https://www.facebook.com/CulturaSecuencial ¡Subscríbete a nuestro canal de YouTube! Visita: https://www.youtube.com/culturasecuencial --- Send in a voice message: https://anchor.fm/culturasecuencial/message Support this podcast: https://anchor.fm/culturasecuencial/support
In this episode Mark talks about one of his favourite films: the 1960 American psychological horror thriller "Psycho" directed by Alfred Hitchcock, written by Joseph Stefano, based on the 1959 novel of the same name by Robert Bloch. The film stars Anthony Perkins, Janet Leigh, Vera Miles, John Gavin and Martin Balsam. The iconic soundtrack of the film was composed by Bernard Herrmann. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/markthepoet/message
S1E8 - Psycho (feat. Ricky) AfterThought Podcast A new media review podcast hosted by Marshall, also known as Connecticut's very own DJ Edgewood, will take his listeners on a personal journey to revive his love for movies, music, video games, etc., accompanied by special guests to join the ride. Season 1 Episode 8 “Psycho” With guest host Ricky (IG: rickipedia_12) Make sure you watch the movie before listening to the episode! #spoileralert Now available on major podcast platforms and Youtube https://linktr.ee/afterthoughtpod Email the podcast at afterthoughthub@gmail.com Psycho is a 1960 American psychological horror thriller film produced and directed by Alfred Hitchcock. The screenplay, written by Joseph Stefano, was based on the 1959 novel of the same name by Robert Bloch. The film stars Anthony Perkins, Janet Leigh, Vera Miles, John Gavin and Martin Balsam. The plot centers on an encounter between on-the-run embezzler Marion Crane (Leigh) and shy motel proprietor Norman Bates (Perkins) and its aftermath, in which a private investigator (Balsam), Marion's lover Sam Loomis (Gavin) and her sister Lila (Miles) investigate the cause of her disappearance. https://en.wikipedia.org/wiki/Psycho_(1960_film) #afterthoughtpod #afterthoughtpodcast #psychomovie #AlfredHitchcock #RobertBloch #AnthonyPerkins #JanetLeigh #VeraMiles #JohnGavin #MartinBalsam #NormanBates #BatesMotel Music: VHS Dreams by Shane Ivers - https://www.silvermansound.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Time serves as the ultimate judgment upon the impact and power of ones art. Now nearly 60 years later people are beginning to realise the philosophical and poetic depth within the writings of Joseph Stefano. Stefano was the man who adapted Robert Bloch's `novel into the screen play that became Alfred Hitchcock's "Psycho". More importantly he was the unsung genius behind the bulk of the episodes of the small screens first season of the science fiction anthology series "Outer Limits". Never before had the human condition been explored so profoundly than this imaginative foray into science fiction and fantasy and gothic horror. (I will argue that Rod Serling came close but Stefano took it to a whole new level) Radical in his approach, constantly outwitting the censors Joseph elevated the intellect of his audiences by serving allegories that danced macabre and pinched the nerve of our psychic disorders. All these decades later historians and critics are singing his praises. Dan Rash not only has sung his praises but has taken it one step further by doing an immaculate job of editing and curating some of Stefano's most astounding shooting scripts for Outer Limits including quite a few that never made it to air. We were honoured to have the opportunity to speak to Dan about the passionate drive that led to his forth coming book that celebrates Stefano's writings. Dan is not just a fan but has now concreted his role as a film historian in the construction of the book "From The Inner Mind to the Outer Limits Volume One". If the first print run of 500 sells out then a second volume will become a reality, lets make sure this happens. Link below.
This was supposed to be a full WB Live but we had a couple tech problems, so it became this 2 parter. A celebration of Outer Limits Co-Creator Joseph Stefano First Dave Rash joins Gabe Hardman Ian Brill and myself to talk about the new book from Gauntlet Pres FROM THE INNER MIND TO…THE OUTER LIMITS SCRIPTS OF JOSEPH STEFANO. . pre-order the book at gauntletpress.comThen Stefano's son Dominic joins us giving his perspective on his father's works from Outer Limits to Hitchcock's Psycho to friendships with Gene Roddenberry and Sally Kellerman
Hosts Mat Bradley-Tschirgi, Thrasher, and Alex Miller discuss Psycho IV: The Beginning. Norman Bates (Anthony Perkins) calls into a talk radio show about serial killers and tells the host Fran Ambrose (CCH Pounder) all about his twisted childhood. Made for Showtime and directed by horror maven Mick Garris (Critters 2), this is the only Psycho sequel written by Joseph Stefano, the screenwriter of the original. The modern day wraparound plot is a bit weak, but it's nice to see Anthony Perkins playing Norman one last time. Olivia Hussey is especially creepy playing Norman's incestuous abusive mother. Sequelcast 2 and Friends is part of the Greenlit Podcast Network Follow the show on Twitter @Sequelcast2 Like our Sequelcast 2 Facebook Page Listen to Marc with a C's music podcast Discography. Buy Thrasher's tabeltop RPG supplements from DriveThruRPG! Buy Mat's new book The Films of Uwe Boll Vol. 1: The Video Game Movies! Watch Alex Miller's YouTube series The Trailer Project!
Finally, a movie that makes sense! This week, the Brides pull up to the Bates Motel for a spirited discussion on Alfred Hitchcock's seminal thriller, Psycho. We rave about the spotless editing, Anthony Perkins' legendary performance, the straight up hot opening scene, and obviously beautiful and iconic score by Bernard Hermann. I We also debate if viewing this movie through a 2021 lens makes Norman Bates look like a total creep even before the final twist, and the sheer pointlessness of the 1998 Gus van Sant remake. Honestly, this movie is a masterpiece, and if you haven't seen it yet, what are you even doing here? Psycho. Directed by Alfred Hitchcock. Based on Psycho by Robert Bloch. Written by Joseph Stefano. Starring Janet Leigh, Anthony Perkins, Vera Miles, John Garvin, and Martin Balsam.
La celebridad de Robert Bloch se debe principalmente a su autoría de Psicosis, novela adaptada fielmente por Joseph Stefano para el filme del mismo título dirigido por Alfred Hitchcock en 1960. Su guion propio más conocido es el que escribió para la película Amor Entre Sombras, del director William Castle. Bloch escribió asimismo guiones para la serie Star Trek, y trabajó para varias series de televisión, como la presentada por el actor de cine de terror Boris Karloff, titulada Thriller. Este autor intervino en la antología de ciencia-ficción del escritor Harlan Ellison titulada 'Visiones Macabras. Su relato Un Juguete para Juliette evocaba conjuntamente al Marqués de Sade y a Jack El Destripador. Ha cultivado el género del relato breve saltando con habilidad de un género a otro pero demostrando siempre su gran dominio del suspense y el terror psicológico. EL relato que hoy nos ocupa, “La guadaña” es una muestra de su enorme capacidad para escribir un relato terrorífico con un estilo por encima de la media que logra arrastrar a su lector hasta su inesperado final. Temas musicales: • “Walkaway” de Thomas Newman • “Whisper of a thrill” de Thomas Newman Narración, edición y montaje: Asier Menéndez Marín Diseño logo Podcast: albacanodesigns (Alba Cano) Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals
It's time to dive into 1987, the new year we're watching movies from! Our first review is a look at a dark Lovecraftian horror about science, splatter, and scary monsters with tentacles. It's The Kindred, released January 9th. Join the Dead Dad Club on Patreon for TWO bonus episodes each month! https://www.patreon.com/oldiebutagoodiepod Follow the show! Instagram: https://www.instagram.com/oldiebutagoodiepod/ Facebook: https://fb.me/oldiebutagoodiepod Omny: https://omny.fm/shows/oldie-but-a-goodie YouTube: https://www.youtube.com/channel/UCjfdXHxK_rIUsOEoFSx-hGA Songs from 1984 Playlist: https://open.spotify.com/playlist/39v1MbWf849XD8aau0yA52 Got feedback? Send us an email at oldiebutagoodiepod@gmail.com Follow the hosts! Sandro Falce - Instagram: https://www.instagram.com/sandrofalce/ - Twitter: https://twitter.com/sandrofalce - Letterboxd: https://letterboxd.com/SandroFalce/ - Nerd-Out Podcast: https://omny.fm/shows/nerdout Zach Adams - Instagram: https://www.instagram.com/zach4dams/ Donations: https://paypal.me/oldiebutagoodiepod Please do not feel like you have to contribute anything but any donations are greatly appreciated! See omnystudio.com/listener for privacy information.
Especial Terror con Robert Bloch. 😱 Intro: Película Scream (2015), voces Nuria Mediavilla y José Posada. Final Episodio: Breve Biografía de Robert Bloch. Música Epidemic Sound con Licencia Premium autorizada. Soundtrack/theme Psicosis: Bernard Hermann --------------------------------------------------------------------------------------------- ROBERT BLOCH, (5 de abril de 1917, Chicago, Illinois - 23 de septiembre de 1994, Los Ángeles). Fue un novelista, cuentista y guionista estadounidense de literatura fantástica y ciencia-ficción. De ascendencia judía, escribió cientos de cuentos y alrededor de 20 novelas, la mayor parte dentro del género negro, de terror y de ciencia-ficción. Escribió además numerosos guiones cinematográficos. La celebridad de Robert Bloch se debe principalmente a su autoría de Psycho ( Psicosis ), novela adaptada fielmente por Joseph Stefano para el filme del mismo título dirigido por Alfred Hitchcock en 1960. Su guión propio más conocido es el que escribió para la película The Night Walker ( Amor entre sombras , 1964), del director William Castle. Bloch escribió asimismo guiones para la serie Star Trek , y trabajó para varias series de televisión, como la presentada por el actor de cine de terror Boris Karloff, titulada Thriller . Art by Nathan Milliner /edit Olga ¡Feliz Halloween!, gracias por tu escucha y tu me gusta. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals
We're joined by screenwriter Tom Vaughan (Winchester, Unstoppable) to discuss his picks for the 10 greatest horror screenplays ever written. From consensus classics like Dan O'Bannon's script for Alien and Joseph Stefano's work on Psycho, to offbeat choices like the remake of The Blob, the conversation digs into what makes for brilliant writing in a genre where the art of the screenplay often gets overlooked. Vaughan breaks down Howard Hawks' maxim that a great film is "three good scenes and no bad ones," the importance of scene work, what constitutes "cheating" in a narrative, and how to breathe life into clichés, homages and remakes. An in-depth conversation about craft and how legendary films lay their foundation before the shooting starts. The Pink Smoke site: www.thepinksmoke.com Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke on Twitter: twitter.com/thepinksmoke Tom Vaughan on Twitter: twitter.com/tomvaughan John Cribbs on Twitter: twitter.com/TheLastMachine Christopher Funderburg on Twitter: twitter.com/CFunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas”
In our second chapter, we explore the creation myth surrounding the song, Eleanor Rigby. Travel back in time with us to the very moment of formation of … the Beatles.Why this moment in time? Because it provides fascinating clues about the creation of this song. Join us in our investigation as we discover what in the world a psychological phenomenon known as cryptomnesia, has to do with the creation of Eleanor Rigby.Buckle up, for we are going to visit a very specific graveyard just outside Liverpool where everything will be revealed. Well, almost everything. Try to figure out now, in advance if you can, what the film “Psycho” has to do with the song Eleanor Rigby!SongsEleanor Rigby; Lennon and McCartney; performed by Joe Anastasi, Mike Sugar, and Winter, of SDPLYesterday, Lennon and McCartney; performed by Joe Anastasi, of SDPLOla-na Tung-eee; Paul McCartney, performed by Joe Anastasi and Mike Sugar, of SDPLA Day in the Life; Lennon and McCartney, ‘outro,' performed by Mike Sugar, of SDPLMellow Yellow; Donovan; performed by Joe Anastasi and Mike Sugar, of SDPLDa-Zi-Di-Da-Zu; Paul McCartney, performed by Joe Anastasi and Mike Sugar, of SDPLA Hard Day's Night, Lennon and McCartney; ‘intro,' performed by Mike Sugar, of SDPLAlso Sprach Zarathustra, Op. 30; Richard Strauss"Think!," Merv Griffin; mangled by Mike Sugar, of SDPLTwilight Zone Theme, Bernard Herrmann and Marius Constant, original recording cue, mangled by Mike Sugar, of SDPLSgt. Pepper's Lonely Hearts Club Band; Lennon and McCartney; performed by Joe Anastasi and Mike Sugar, of SDPL1985, Paul McCartney: ‘outro,' performed by SDPL (Joe Anastasi, Mike Sugar, Winter, Mark Abbott, and Matt Twain)The Girl Can't Help It; Bobby Troup; performed by Little RichardTwenty Flight Rock; Ned Fairchild and Eddie Cochran; performed by Joe Anastasi and Mike Sugar, of SDPLPenny Lane, Lennon and McCartney; performed by SDPL (Joe Anastasi, Mike Sugar, Winter, Mark Abbott, and Matt Twain)Cry Me a River; Arthur Hamilton; performed by Joe Anastasi and Mike Sugar, of SDPLShake It Off; Taylor Swift, Max Martin, and Shellbac; performed by Joe Anastasi and Mike Sugar, of SDPLMoonlight Sonata, Piano Sonata No. 14, Ludwig van Beethoven, performed by Mike Sugar, of SDPLEasier Said Than Done; William Linton and Larry Huff; performed by Joe Anastasi and Mike Sugar, of SDPLBarracuda; Ann and Nancy Wilson, Roger Fisher and Michael DeRosier; performed by Mike Sugar, of SDPLManiac; Michael Sembello; performed by Joe Anastasi and Mike Sugar, of SDPLString Concerto, Vivaldi; performed by Baroque BandBad Idea, Ariana Grande, Peter Svensson, Savan Kotecha, Max Martin and Ilya Salmanzadeh; performed by Joe Anastasi and Mike Sugar, of SDPLPsycho!, Bernard Herrmann, original recording cue, mangled by Mike Sugar, of SDPLThe End, Lennon and McCartney; performed by SDPL (Joe Anastasi, Mike Sugar, Winter, Mark Abbott, Matt Twain)SourcesMcCartney, Christopher Sandford; Carroll and Graf Publishers; 2006Paul McCartney, the Life, Philip Norman; Little Brown and Company; 2016Songwriting Secrets of the Beatles, Dominic Pedler; Omnibus Press; 2003This is Your Brain on Music, The Science of a Human Obsession; Daniel J. Levitin; Plume; 2007Recording the Beatles, Kevin Ryan & Brian Kehew, Curvebender Publishing; 2006The Beatles Anthology; Chronicle Books; 2000www.merriam-webster.com/medical/cryptomnesiawww.dictionary.apa.org/cryptomnesiaSunbeams Music Trust; Annie Mawson, Director;The Girl Can't Help It; produced and directed by Frank Tashlin, screenplay adapted by Frank Tashlin and Herbert Baker; 1956Psycho! directed and produced by Alfred Hitchcock; written by Joseph Stefano; 1960Voice Actors Joe AnastasiMike SugarAnnie Mawson -- as herself.This show is part of Pantheon Podcasts.
In our second chapter, we explore the creation myth surrounding the song, Eleanor Rigby. Travel back in time with us to the very moment of formation of … the Beatles. Why this moment in time? Because it provides fascinating clues about the creation of this song. Join us in our investigation as we discover what in the world a psychological phenomenon known as cryptomnesia, has to do with the creation of Eleanor Rigby. Buckle up, for we are going to visit a very specific graveyard just outside Liverpool where everything will be revealed. Well, almost everything. Try to figure out now, in advance if you can, what the film “Psycho” has to do with the song Eleanor Rigby! Songs Eleanor Rigby; Lennon and McCartney; performed by Joe Anastasi, Mike Sugar, and Winter, of SDPL Yesterday, Lennon and McCartney; performed by Joe Anastasi, of SDPL Ola-na Tung-eee; Paul McCartney, performed by Joe Anastasi and Mike Sugar, of SDPL A Day in the Life; Lennon and McCartney, ‘outro,’ performed by Mike Sugar, of SDPL Mellow Yellow; Donovan; performed by Joe Anastasi and Mike Sugar, of SDPL Da-Zi-Di-Da-Zu; Paul McCartney, performed by Joe Anastasi and Mike Sugar, of SDPL A Hard Day’s Night, Lennon and McCartney; ‘intro,’ performed by Mike Sugar, of SDPL Also Sprach Zarathustra, Op. 30; Richard Strauss "Think!," Merv Griffin; mangled by Mike Sugar, of SDPL Twilight Zone Theme, Bernard Herrmann and Marius Constant, original recording cue, mangled by Mike Sugar, of SDPL Sgt. Pepper's Lonely Hearts Club Band; Lennon and McCartney; performed by Joe Anastasi and Mike Sugar, of SDPL 1985, Paul McCartney: ‘outro,’ performed by SDPL (Joe Anastasi, Mike Sugar, Winter, Mark Abbott, and Matt Twain) The Girl Can’t Help It; Bobby Troup; performed by Little Richard Twenty Flight Rock; Ned Fairchild and Eddie Cochran; performed by Joe Anastasi and Mike Sugar, of SDPL Penny Lane, Lennon and McCartney; performed by SDPL (Joe Anastasi, Mike Sugar, Winter, Mark Abbott, and Matt Twain) Cry Me a River; Arthur Hamilton; performed by Joe Anastasi and Mike Sugar, of SDPL Shake It Off; Taylor Swift, Max Martin, and Shellbac; performed by Joe Anastasi and Mike Sugar, of SDPL Moonlight Sonata, Piano Sonata No. 14, Ludwig van Beethoven, performed by Mike Sugar, of SDPL Easier Said Than Done; William Linton and Larry Huff; performed by Joe Anastasi and Mike Sugar, of SDPL Barracuda; Ann and Nancy Wilson, Roger Fisher and Michael DeRosier; performed by Mike Sugar, of SDPL Maniac; Michael Sembello; performed by Joe Anastasi and Mike Sugar, of SDPL String Concerto, Vivaldi; performed by Baroque Band Bad Idea, Ariana Grande, Peter Svensson, Savan Kotecha, Max Martin and Ilya Salmanzadeh; performed by Joe Anastasi and Mike Sugar, of SDPL Psycho!, Bernard Herrmann, original recording cue, mangled by Mike Sugar, of SDPL The End, Lennon and McCartney; performed by SDPL (Joe Anastasi, Mike Sugar, Winter, Mark Abbott, Matt Twain) Sources McCartney, Christopher Sandford; Carroll and Graf Publishers; 2006 Paul McCartney, the Life, Philip Norman; Little Brown and Company; 2016 Songwriting Secrets of the Beatles, Dominic Pedler; Omnibus Press; 2003 This is Your Brain on Music, The Science of a Human Obsession; Daniel J. Levitin; Plume; 2007 Recording the Beatles, Kevin Ryan & Brian Kehew, Curvebender Publishing; 2006 The Beatles Anthology; Chronicle Books; 2000 www.merriam-webster.com/medical/cryptomnesia www.dictionary.apa.org/cryptomnesia Sunbeams Music Trust; Annie Mawson, Director; The Girl Can’t Help It; produced and directed by Frank Tashlin, screenplay adapted by Frank Tashlin and Herbert Baker; 1956 Psycho! directed and produced by Alfred Hitchcock; written by Joseph Stefano; 1960 Voice Actors Joe Anastasi Mike Sugar Annie Mawson -- as herself. This show is part of Pantheon Podcasts.
Episode 2: Eleanor Rigby – The Counter-Narrative!In our second chapter, we explore the creation myth surrounding the song, Eleanor Rigby. Travel back in time with us to the very moment of formation of … the Beatles.Why this moment in time? Because it provides fascinating clues about the creation of this song. Join us in our investigation as we discover what in the world a psychological phenomenon known as cryptomnesia, has to do with the creation of Eleanor Rigby.Buckle up, for we are going to visit a very specific graveyard just outside Liverpool where everything will be revealed. Well, almost everything. Try to figure out now, in advance if you can, what the film “Psycho” has to do with the song Eleanor Rigby!SongsEleanor Rigby; Lennon and McCartney; performed by Joe Anastasi, Mike Sugar, and Winter, of SDPLYesterday, Lennon and McCartney; performed by Joe Anastasi, of SDPLOla-na Tung-eee; Paul McCartney, performed by Joe Anastasi and Mike Sugar, of SDPLA Day in the Life; Lennon and McCartney, ‘outro,' performed by Mike Sugar, of SDPLMellow Yellow; Donovan; performed by Joe Anastasi and Mike Sugar, of SDPLDa-Zi-Di-Da-Zu; Paul McCartney, performed by Joe Anastasi and Mike Sugar, of SDPLA Hard Day's Night, Lennon and McCartney; ‘intro,' performed by Mike Sugar, of SDPLAlso Sprach Zarathustra, Op. 30; Richard Strauss"Think!," Merv Griffin; mangled by Mike Sugar, of SDPLTwilight Zone Theme, Bernard Herrmann and Marius Constant, original recording cue, mangled by Mike Sugar, of SDPLSgt. Pepper's Lonely Hearts Club Band; Lennon and McCartney; performed by Joe Anastasi and Mike Sugar, of SDPL1985, Paul McCartney: ‘outro,' performed by SDPL (Joe Anastasi, Mike Sugar, Winter, Mark Abbott, and Matt Twain)The Girl Can't Help It; Bobby Troup; performed by Little RichardTwenty Flight Rock; Ned Fairchild and Eddie Cochran; performed by Joe Anastasi and Mike Sugar, of SDPLPenny Lane, Lennon and McCartney; performed by SDPL (Joe Anastasi, Mike Sugar, Winter, Mark Abbott, and Matt Twain)Cry Me a River; Arthur Hamilton; performed by Joe Anastasi and Mike Sugar, of SDPLShake It Off; Taylor Swift, Max Martin, and Shellbac; performed by Joe Anastasi and Mike Sugar, of SDPLMoonlight Sonata, Piano Sonata No. 14, Ludwig van Beethoven, performed by Mike Sugar, of SDPLEasier Said Than Done; William Linton and Larry Huff; performed by Joe Anastasi and Mike Sugar, of SDPLBarracuda; Ann and Nancy Wilson, Roger Fisher and Michael DeRosier; performed by Mike Sugar, of SDPLManiac; Michael Sembello; performed by Joe Anastasi and Mike Sugar, of SDPLString Concerto, Vivaldi; performed by Baroque BandBad Idea, Ariana Grande, Peter Svensson, Savan Kotecha, Max Martin and Ilya Salmanzadeh; performed by Joe Anastasi and Mike Sugar, of SDPLPsycho!, Bernard Herrmann, original recording cue, mangled by Mike Sugar, of SDPLThe End, Lennon and McCartney; performed by SDPL (Joe Anastasi, Mike Sugar, Winter, Mark Abbott, Matt Twain)SourcesMcCartney, Christopher Sandford; Carroll and Graf Publishers; 2006Paul McCartney, the Life, Philip Norman; Little Brown and Company; 2016Songwriting Secrets of the Beatles, Dominic Pedler; Omnibus Press; 2003This is Your Brain on Music, The Science of a Human Obsession; Daniel J. Levitin; Plume; 2007Recording the Beatles, Kevin Ryan & Brian Kehew, Curvebender Publishing; 2006The Beatles Anthology; Chronicle Books; 2000www.merriam-webster.com/medical/cryptomnesiawww.dictionary.apa.org/cryptomnesiaSunbeams Music Trust; Annie Mawson, Director;The Girl Can't Help It; produced and directed by Frank Tashlin, screenplay adapted by Frank Tashlin and Herbert Baker; 1956Psycho! directed and produced by Alfred Hitchcock; written by Joseph Stefano; 1960Voice Actors Joe AnastasiMike SugarAnnie Mawson -- as herself.This show is part of Pantheon Podcasts.
Stroll Down Penny Lane Episode 2: Eleanor Rigby – The Counter-Narrative! In our second chapter, we explore the creation myth surrounding the song, Eleanor Rigby. Travel back in time with us to the very moment of formation of … the Beatles. Why this moment in time? Because it provides fascinating clues about the creation of this song. Join us in our investigation as we discover what in the world a psychological phenomenon known as cryptomnesia, has to do with the creation of Eleanor Rigby. Buckle up, for we are going to visit a very specific graveyard just outside Liverpool where everything will be revealed. Well, almost everything. Try to figure out now, in advance if you can, what the film “Psycho” has to do with the song Eleanor Rigby! Songs Eleanor Rigby; Lennon and McCartney; performed by Joe Anastasi, Mike Sugar, and Winter, of SDPL Yesterday, Lennon and McCartney; performed by Joe Anastasi, of SDPL Ola-na Tung-eee; Paul McCartney, performed by Joe Anastasi and Mike Sugar, of SDPL A Day in the Life; Lennon and McCartney, ‘outro,’ performed by Mike Sugar, of SDPL Mellow Yellow; Donovan; performed by Joe Anastasi and Mike Sugar, of SDPL Da-Zi-Di-Da-Zu; Paul McCartney, performed by Joe Anastasi and Mike Sugar, of SDPL A Hard Day’s Night, Lennon and McCartney; ‘intro,’ performed by Mike Sugar, of SDPL Also Sprach Zarathustra, Op. 30; Richard Strauss "Think!," Merv Griffin; mangled by Mike Sugar, of SDPL Twilight Zone Theme, Bernard Herrmann and Marius Constant, original recording cue, mangled by Mike Sugar, of SDPL Sgt. Pepper's Lonely Hearts Club Band; Lennon and McCartney; performed by Joe Anastasi and Mike Sugar, of SDPL 1985, Paul McCartney: ‘outro,’ performed by SDPL (Joe Anastasi, Mike Sugar, Winter, Mark Abbott, and Matt Twain) The Girl Can’t Help It; Bobby Troup; performed by Little Richard Twenty Flight Rock; Ned Fairchild and Eddie Cochran; performed by Joe Anastasi and Mike Sugar, of SDPL Penny Lane, Lennon and McCartney; performed by SDPL (Joe Anastasi, Mike Sugar, Winter, Mark Abbott, and Matt Twain) Cry Me a River; Arthur Hamilton; performed by Joe Anastasi and Mike Sugar, of SDPL Shake It Off; Taylor Swift, Max Martin, and Shellbac; performed by Joe Anastasi and Mike Sugar, of SDPL Moonlight Sonata, Piano Sonata No. 14, Ludwig van Beethoven, performed by Mike Sugar, of SDPL Easier Said Than Done; William Linton and Larry Huff; performed by Joe Anastasi and Mike Sugar, of SDPL Barracuda; Ann and Nancy Wilson, Roger Fisher and Michael DeRosier; performed by Mike Sugar, of SDPL Maniac; Michael Sembello; performed by Joe Anastasi and Mike Sugar, of SDPL String Concerto, Vivaldi; performed by Baroque Band Bad Idea, Ariana Grande, Peter Svensson, Savan Kotecha, Max Martin and Ilya Salmanzadeh; performed by Joe Anastasi and Mike Sugar, of SDPL Psycho!, Bernard Herrmann, original recording cue, mangled by Mike Sugar, of SDPL The End, Lennon and McCartney; performed by SDPL (Joe Anastasi, Mike Sugar, Winter, Mark Abbott, Matt Twain) Sources McCartney, Christopher Sandford; Carroll and Graf Publishers; 2006 Paul McCartney, the Life, Philip Norman; Little Brown and Company; 2016 Songwriting Secrets of the Beatles, Dominic Pedler; Omnibus Press; 2003 This is Your Brain on Music, The Science of a Human Obsession; Daniel J. Levitin; Plume; 2007 Recording the Beatles, Kevin Ryan & Brian Kehew, Curvebender Publishing; 2006 The Beatles Anthology; Chronicle Books; 2000 www.merriam-webster.com/medical/cryptomnesia www.dictionary.apa.org/cryptomnesia Sunbeams Music Trust; Annie Mawson, Director; The Girl Can’t Help It; produced and directed by Frank Tashlin, screenplay adapted by Frank Tashlin and Herbert Baker; 1956 Psycho! directed and produced by Alfred Hitchcock; written by Joseph Stefano; 1960 Voice Actors Joe Anastasi Mike Sugar Annie Mawson -- as herself. This show is part of Pantheon Podcasts.
We have another classic to cover this week, and it’s 1960’s PSYCHO, directed by Alfred Hitchcock and written Joseph Stefano, based on the novel by Robert Bloch. We also talk the famous serial killer Ed Gein, Anthony Perkins being not straight (in real life), and a film-filled wind down, with some big news from Elle! You can follow the podcast on Twitter at @HorrorTimePod and the hosts at @dykemadden and @ellemdesigns! We also are on Facebook at facebook.com/stophorrortimepod, and our website is stophorrortime.wordpress.com. If you like what we do, you can rate, review, and subscribe to us on Apple Podcast, Stitcher, or wherever you listen to your favorites. Contact us at stophorrortime@gmail.com for any comments, questions, or movies you would like for us to cover!
This week the kid critics take a journey back in time and review the 1960 thriller Psycho. This film was directed and produced by Alfred Hitchcock, and written by Joseph Stefano.
This month, Erik and Kyle only have two episodes left in season one of The Outer Limits. Fittingly, they're both would-be spin-offs from each of the show's two driving creative forces. First up is "Controlled Experiment," a comedy take on sci-fi from series creator Leslie Stevens. Second is the bat-poop crazy "The Forms of Things Unknown" from head writer Joseph Stefano.
IT’S HALLOWEEN! What better way to celebrate the greatest holiday then by watching (arguably) the greatest horror film? After a month of slashing up the sequels to the famed original, we finally arrive back at where it all started with Alfred Hitchcock’s masterpiece, “Psycho.” Among all the explorations and analyses of “Psycho,” Tim and Ryan attempt to pull something new from it by (inherently) viewing it in the world of 2019. And of course, they give it a double “buy” rating. Where we watched: Blu-Ray RecommenDEADtions: 78/52 / The Last House on the Left (1972) Psycho (1960) Directed by Alfred Hitchcock Written by Joseph Stefano
We made it to the fourth instalment of the Psycho franchise, and it was quite the bookend. Exploring the origin as well as the ultimate fate of our beloved Norman, this combination sequel-prequel was a fun way to transition us back to the original film. The guys had their differences on this one, but were able to agree that Psycho IV gives the audience an appropriate conclusion. With a “stream” and of course a continued “buy” from Ryan, one thing is for sure: Anthony Perkins as Norman Bates means it’s worth checking out. Where we watched: Amazon Rental RecommenDEADtions: Joker / The Town That Dreaded Sundown (2014) Psycho IV: The Beginning (1990) Directed by Mick Garris Written by Joseph Stefano
This month, as we head to the end of The Outer Limits season one, we have a quartet of very odd stories, all featuring input from story editor and Joseph Stefano's right-hand man, Lou Morheim. These include "The Mice," "Second Chance," "Moonstone," and "The Chameleon." Robert Towne wrote that last one.
This month, Erik and Kyle keep digging deeper into the troubled psyche of The Outer Limits season 1's showrunner, Joseph Stefano. These three episodes--"The Invisibles," "The Bellero Shield," and "A Feasibility Study"--each represent the writer's best (and most upsetting) traits.
This month, Erik and Kyle are joined by writer, podcast, smart person extraordinaire, Paul Cornell to discuss the Outer Limits episode "Nightmare." "Nightmare" is a very somber episode about humans facing interrogation from a superior alien aggressor. Can their fragile Earth psyches take it?! This discussion goes deep on rules of engagement, interior storytelling, Southern Gothic Sci-fi, and writer Joseph Stefano's id and ego. Find Paul on Twitter, and check out his podcast, Hammer House of Podcast.
This month we begin our look at The Outer Limits' most important writer, producer, and story-shaper, Joseph Stefano. We go in-depth on "It Crawled Out of the Woodwork," "The Zanti Misfits," and "Don't Open Till Doomsday," and figure out what Gothic Sci-Fi really means.
We had the distinct pleasure of recording at MAVO 2018...over 2 hours worth of gold! So, we are going to release out the interviews in full over the next few weeks until we can compile the highlights into our next episode. Here is interview number 17, Anna and Joseph Stefano. https://www.vometer.com https://www.paulstefano.com http://www.dailyvo.com/ https://www.vocalboothtogo.com/ https://www.jmcvoiceover.com/demo-production/ https://www.voiceactorwebsites.com/ https://www.audiopub.org/ https://globalvoiceacademy.com/ https://timpaige.lpages.co/podcast-demos/
He is an unsung hero from The Original Series. Associate producer Bob Justman was a key figure in keeping the production side of Star Trek functioning on time ...and on budget. He came to Star Trek in 1965 and started at the beginning, working on the first pilot, The Cage. Justman stayed until 1968, working on 14 of the 24 shows in the third season. Like Gene Coon, Bob Justman had a real impact on the show while he was there. He was a major player in getting Star Trek off the ground and functioning as a production. On this episode of 70s Trek, co-hosts Bob Turner and Kelly Casto tell you about Associate Producer Bob Justman. Show Notes Robert "Bob" Harris Justman was born July 13, 1926 in Brooklyn ⁃ As a boy he really liked Science Fiction ⁃ His father Joseph Justman was in the produce business. He and his partners did very well. ⁃ In 1944, Bob signed up for the draft. He didn’t get drafted so he went to the draft board and asked why he wasn’t drafted. They said he wasn’t needed. He told them he wanted to go so they sent him the PE building in LA for a physical. He failed due to his eye sight. He protested so they sent him to Ft MacArthur to get a real physical and made it. ⁃ While Bob was in the Navy during WW II his father, Joseph, founded the Motion Picture Center studio ⁃ He rented it to Lucille Ball and Desi Arnaz and in 1950 they bought. The studio became part of Desilu Studios. ⁃ When Bob returned from the navy he worked at the produce firm. He didn’t get paid very well so when his dad asked him to come to LA to work in the motion picture business he decided to leave the produce firm and go to LA. ⁃ He hung around the studio for a time until his money ran out. He then went to one of the producers and asked for a job. This landed him his first job working on the film “Three Husbands” as a production assistant Justman had quite a career in film and TV as a Production Assistant and Assistant director prior to TOS ⁃ Production assistant on such films as ⁃ 1951's ⁃ The Scarf (featuring Celia Lovsky), ⁃ New Mexico (featuring Jeff Corey and John Hoyt) ⁃ M (featuring Norman Lloyd and William Schallert) ⁃ He Ran All the Way (also with Norman Lloyd), ⁃ 1952's ⁃ Japanese War Bride (with George D. Wallace), ⁃ Red Planet Mars ⁃ Abbott and Costello Meet Captain Kidd (with Leonard Mudie) ⁃ 1953's ⁃ The Moon Is Blue - made in 2 version an english version and a german version ⁃ The Moonlighter. ⁃ Assistant Director and producer ⁃ To be an assistant director you had to be in the Director’s Guild. At the time, to get in the Guild you had to be either the son of a member or be nominated by a studio which was only allowed one nomination a year. He didn’t have either but he requested to be accepted anyway. After waiting an agonizing 30 minutes for an answer the president of the Assistant Directors Counsel, Bob Aldrich, went to him, shook his hand and said, “Welcome brother” ⁃ everyone starts as a 2nd assistant director. It only took Justman about a year to become 1st assistant director which was unheard of ⁃ After Superman Justman was approached to be 1st assistant director on a series of 3 films called “The Americans” which never saw the light of day ⁃ As an assistant director, Justman worked with director Bob Aldrich on several projects. ⁃ They first worked together on the 1952-53 NBC series The Doctor, - This was his first AD job ⁃ after which they collaborated on such films as Kiss Me Deadly (1955) and ⁃ Attack (1956, featuring William Smithers). ⁃ Justman's other films where he was assistant director included; ⁃ The Big Combo (1955, featuring John Hoyt and Whit Bissell), ⁃ Blood Alley (1955, starring Paul Fix), ⁃ While the City Sleeps (1956, with Celia Lovsky) ⁃ Director - Fritz Lang ⁃ Noticed Justman looking at his set plans and Lang spent time to explain the plans to him even though Justman was the 2nd AD ⁃ This was technics that Justman used in the future ⁃ Lang had issues with John Drew Barrymore ⁃ Barrymore looked to his wife for direction instead of Lang which did not make him very happy ⁃ Green Mansions (1959, starring Nehemiah Persoff), and ⁃ 1962's Mutiny on the Bounty (featuring Antoinette Bower, Torin Thatcher and stunts by Paul Baxley). ⁃ Justman was also an assistant director on television shows such as ⁃ The Adventures of Superman (1953-58, 78 ep) ⁃ associate producer for all 78 episodes and ⁃ assistant director on the classic series during its 1954-55 season. ⁃ Justman says that George Reeves was a trooper given what he was put thru ⁃ One time the wire broke and he dropped down to the cement ⁃ Justman learned early to schedule certain shots very carefully. As an example he tells a story about how Reeves would drink his lunch so when he would do the spring-board jump out the window he sort of missed and hit his knees on the window sill ⁃ The Thin Man (1958-59, 31 ep) ⁃ Northwest Passage (1958-59, 13 ep) ⁃ Philip Marlowe (1959-60, 26 ep) ⁃ Alcoa Presents One Step Beyond (1959-1961) ⁃ Produced at the same time as the more well-known The Twilight Zone (1959) ⁃ Some stars included Cloris Leachman, Warren Beatty, Jack Lord, Christopher Lee, Elizabeth Montgomery, Donald Pleasence, and William Shatner, ⁃ Dr. Kildare (1961-66, 6 ep) ⁃ Was asked by the President of MGM TV if Justman new any composers. Justman had heard some of Jerry Goldsmith’s scores and recommended him. As we talked about in Episode XXX This was one of Goldsmith’s breakout opportunities. ⁃ Justman and Goldsmith have never met ⁃ The Outer Limits (1963-65, 20 ep) ⁃ He served as the assistant director for all 20 episodes and a Production Manager in 1964 ⁃ Appeared in the 1964 episode "A Feasibility Study" (directed by Byron Haskin, written by Joseph Stefano, and starring David Opatoshu) ⁃ Worked with Shatner on “Cold Hands, Warm Heart” (1964) ⁃ Sally Kellerman, James Dohan ⁃ Lassie (1965-66, 4 ep) ⁃ My Friend Flicka (1956-57) ⁃ While the City SleepsFritz Lang ⁃ In Oct 1964 Justman met GR at Desilu to talk to him about Associate Producer role for the first TOS pilot “The Cage”. Justman recommended Byron Haskin saying that he (Justman) did not have enough post production experience ⁃ first to call Gene Roddenberry "The Great Bird of the Galaxy," drawn from a throwaway line from the original series episode "The Man Trap" That takes us to October 1964. Gene Roddenberry was in pre-production for Star Trek’s first pilot, The Cage and he needed an associate producer. An Associate Producer’s job is to do the dirty work on a show. This person makes sure both the production and post-production phases are running smoothly for every episode. They are also responsible for making sure each episode doesn’t run over budget. So with a show as complicated as Star Trek was going to be, Gene needed an experienced hand. He asked James Goldstone who had worked with Gene on The Lieutenant if he had any suggestions. He recommended Bob Justman. Justman met with Gene for about 30 minutes and Gene offered him the job. While Justman really wanted it, he turned down Roddenberry’s offer. He felt Star Trek’s post-production needs would be great, and he was afraid he didn’t have the experience to get the job done. But they also needed an experienced assistant director. Justman was, at the time, working on The Outer Limits. But Desilu’s Executive in Charge of Production, Herb Solow, called and asked if Justman could work for Star Trek temporarily, just 6 weeks. And that was it. The deal was done and Justman came to Star Trek. Now the original position that Justman had interviewed for, associate producer, went to Byron Haskin. He was an experienced producer, but was hard to get along with. And as work started on The Cage, he and Roddenberry butted heads a lot. Rodenberry would want a certain effect on a shot, and Haskin would tell him it couldn’t be done. Period. He gave Gene no alternative ideas. Often times, Justman was in the middle of these disputes trying to nudge Haskin to come up with something Work on The Cage finished, and NBC rejected it. But invited Roddenberry to try again. When Star Trek was offered to do the second pilot, Gene asked Justman back. This time, though, he gave him the job of associate producer. Gene had had enough of Haskin. Because of the budget on the 2nd pilot, when post-production finished on it, so did Justman’s job. This was the summer of 1965. But Desilu had attracted a number of pilot projects that needed produced. So Solow decided to make Justman the associate producer on all of them. This way he could stay at Desilu and be close by if Star Trek was picked up. Some of the work he did included Desilu’s other big show, Mission Impossible. Star Trek was picked up by NBC in March 1966. And Justman’s first task was to move the starship sets from the soundstage where the 2nd pilot was shot, to a new soundstage that would be its home for the series. This was actually a monumental task. Each section had to be removed, crated and put back into place on the new soundstage in exactly the same configuration. The move resulted in some of the sets being redesigned, and reworked for the series. One of those sets was the bridge that got a big make over. As the show started production, it was Justman’s job to make sure all the little details were taken care of. Some of this work included analyzing scripts and establishing production budgets for them, Making sure production on one episode, production and post production on a 2nd were all moving forward simultaneously and on schedule. Any issues for any shows in any of these stages, were Justman’s to work out. Along with his day-to-day duties, Justman also acted in one episode of the series, though he is not creditied for it, He is the voice of a security guard in the episode Conscience of the King. He also found time to come up with a story idea. He came up with the basic story for the episode Tomorrow is Yesterday. In fact, he laid that story out in a memo to Gene on April 12, 1966. When he didn’t hear anything for 8 months, he sent a reminder to Gene about the idea. At that point, the show was hungry for scripts, so Roddenberry approved of the idea and assigned Dorothy Fontana to write the screenplay. But in his second memo, you cans ee a little of Justman’s wit. He wrote at the end, “Please let me hear from you at your earliest convenience, as otherwise I feel I shall be forced to sell this story idea to “Time Tunnel.” ” That’s just one example of Justman’s wit, and it is pretty legendary. He would often let his sarcastic sense of humor and dry wit fly in memos. An example of his humor can actually be seen in the closing credits of the show. For Herb Solow’s credit, Justman intentionally chose a picture of the Balok dummy from the Corbmite Maneuver and positioned Solow’s credit just under the glaring eyes of Balok. Justman later wrote in the Book Inside Star Trek, “I thought it a fitting tribute, as did Herb, who thanked me profusely, thereby depriving me of some heavy-duty gloating. I still have the original credit and display it in my office at home, suitably framed in the cheapest, junkiest frame I could find.” And there’s another incident that speaks to Justman’s humor. The show was shooting a script that was still being written by Roddenberry. The last shot was about to be completed, and if they didn’t get the new pages for the next scene, they would be forced to shut down production. That costs money! So Justman went to Gene’s office. Roddenberry kept writing away, and didn’t acknowledge Justman. Justman waited a few minutes and finally asked, him, “How much longer Gene?” Roddenberry ignored him and kept writing. Justman waited some more. At one point Gene looked up, thinking about something, ignored Justman, and went back to work. Justman later wrote, “He shouldn’t have done that. I climbed up onto his desk and stood there, looking down at him. ‘That’ll teach him to ignore me, I thought.” After a few minutes more, Gene finally ripped the pages free of the typewriter, finished scribbling on them, and without looking at Justman, reached up and handed them to him. Without saying anything, Justman jumped down and went to the set. This became a standard routine through the 1st and 2nd seasons of the show. Whenever Gene was still writing, Justman would jump up on his desk and wait for the pages. But there’s a little addendum to this story. There came a time when Justman tried to get in Gene’s office and the door was locked. He realized that there was an electronic latch on the door that, when Justman entered the outer office, Gene’s secretary would activate. Not to be out done, Justman waited until the secretary left on an errand. Found the switch and unlocked Gene’s door. Then without saying a word, he entered Roddenberry’s office, walked past Gene who was busy writing, and exited through another door at the other end of the office. Justman wrote, “We never discussed it, not even in later years. It was our own private joke and it helped cement an already close friendship.” The 2nd year of Star Trek was by far its best. It’s when all the right people were active in the right positions. Speaking of positions, Justman told Roddenberry at this time that he wanted to move up to a full producer’s position for Star Trek’s third season, and Gene agreed it was probably time. With the letter writing campaign at the end of the 2nd year, Star Trek’s third season was guaranteed. But it wasn’t going to go the way anyone thought it would. NBC first told Roddenberry that Star Trek would be on at 7:30 on Monday. Then it changed the position to Friday at 8:30. But, it finally settled on Fridays at 10pm, a time when Star Trek’s core audience would not be home watching TV. It was this move by NBC that prompted Roddenberry to move out of his producer role and become the Executive Producer of the show. That position is further up the chain of command, and has nothing to do with the day-to-day operations. Roddenberry had, in effect, quit Star Trek. As pre-production for the third season began, the show had no story editor. So Justman jumped in and started reading and analyzing stories and scripts. Then he would forward his thoughts to Gene. Roddenberry never responded and seldom read Justman’s reports. To make matters worse, there was no one to rewrite scripts. Justman urged Roddenberry to hire someone. Gene finally got back to him and said, “Good news Bob, Star Trek’s going to have a new producer this year.” Justman thought gene was about to say, “It’s you.” Instead, Roddenberry said, “Fred Freiberger’s coming in as our new producer…” Hustman was stunned. “Gene, I thought I would be producer.” “You will,” said Roddenberry. “You’ll be a co-producer.” The new studio, Paramount, and NBC wanted an experienced hand at the help of such a complicated show. Justman was viewed as a nuts and bolts guy, and Roddenberry didn’t fight for him. Justman’s attitude toward Star Trek never recovered. In fact the morale of the entire cast and crew began to sink. Star Trek was not a fun place to work anymore. Gene was now gone. Frieberger had to labor to understand the show. And the bulk of the daily chores fell on Justman. He later wrote, “I was alone, struggling against insuperable odds.” Without Roddenberry, the writing process was no longer about good stories. It was now just budget-driven. Justman wrote, “There were no highs and no lows---just a boring in-between…The Star Trek I knew, and was proud to be a part of, was no more.” He expressed his concerns to paramount’s head of TV, Doug Cramer. Cramer asked Justman to stay and promised him his pick of future pilots to work on if he did. Justman said he’s love to do a pilot for Cramer, but he wanted out of his contract. Paramount came back and offered more money, but that wasn’t what Justman wanted. Justman was burned out. That’s when Herb Solow called. He was now the head of MGM Television and he offered Justman a full producers job on the pilot for “Then Came Bronson.” He quit Paramount the next day and, according his own words, became persona non grata at Paramount for the next 18 years. After Star Trek, Justman went on to work on shows like Search and Man from Atlantis. In 1987, he rejoined Gene Roddenberry and others from The Original Series on Star Trek The Next Generation. He served as Supervising Producer for 17 episodes in the first season. In 1996, he and Herb Solow published their book, Inside Star Trek: The Real Story. If you haven’t read this one, it is a very captivating look at what was going on behind the scenes at Star Trek. Bob Justman died of Parkinson’s Disease in 2008.
Beyond the Cabin in the Woods goes beyond Psycho We’re all in love with Janet Leigh, Tony Perkins and John Galvin. We pan the need for the shot-for-shot remake. Mac learns what S&M really means. Problematic men of the 60’s. IMDB SynopsisDirected by: Alfred HitchcockWritten by: Joseph Stefano, based on the novel by Robert BlochReleased: 1960Quote: I think that we're all in our private traps, clamped in them, and none of us can ever get out. Honorable mention: I’ll lick the stampsPoll:Rule: It’s always the nice guys™ who will stab you in the shower. If you enjoyed this, please consider buying us a coffee? https://ko-fi.com/A487KYMOur logo was created by Billy Whala and Debbie Buchanan.Some parts of it are used under a creative commons license:Designed by Freepikhttps://creativecommons.org/licenses/by/4.0/http://www.supercoloring.com/silhouettes/log-cabin Our music was modified from Dementia by Decomentarium and is licensed under a Creative Commons Attribution License.https://creativecommons.org/licenses/by/4.0/ #beyondthecabininthewoods #beyondthecabin #horror, #horrorfan, #horrorfilms, #horrormovies, #horrorfanatic, #horrorjunkie, #currentlywatching, #ilovehorror, #horrorlove, #horrorfamily, #horrorgeek, #horrornerd, #horroraddict #horrorlife, #horrorfreak, #horrorclub, #AdreanMessmer, #DonnaLeahey, #KenziWhala ,#debbiebuchanan, #macboyle #SnarkCasts #gumbiecatnetwork
Sally Field was transitioning from her Gidget/Flying Nun period to new kinds of roles when this opportunity presented itself. Some see it as a proto-slasher, a film ahead of its time, down to the iconic look of the killer. One thing's for sure, you'll want to add this TV movie by John Llewellyn Moxey and Joseph Stefano to your Christmas rotation of films. Why go to the theater when you can be Home for the Holidays?
Episodio 124. Oggi Omar Serafini ci parlerà di The Outer Limits, una serie TV antologica statunitense degli anni Sessanta ideata da Leslie Stevens e Joseph Stefano. Per l'immagine di copertina: © Aventi diritto. All rights reserved.Support this podcast at — https://redcircle.com/fantascienticast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
A Colorado ski resort is besieged by a sub-human beast that commits brutal murders on the slopes.Director: Herb WallersteinWriter: Joseph StefanoStars: Bo Svenson, Yvette Mimieux, Robert Logan - via IMDB https://archive.org/details/Snowbeast_436
You may think you know all there is to know about Alfred Hitchcock's Psycho (1960). Watch it again. Right now. Joseph Stefano (from Robert Bloch's novel) adapted a corker of a suspense tale centered around a deeply troubling, even Gothic, family history, and a false protagonist set to remedy a… The post Episode 024 – Psycho appeared first on The Magic Lantern.
Commentary: Trek Stars: The Work of Star Trek Creators Outside of Star Trek
Bloch & Stefano, Part 4: Psycho Comparison. You never know what might happen while recording a podcast. Your cat might run by and rip setup and rip your external hard drive out of your laptop. You might crack a tooth on a Nutri-Grain Bar. Or you might have to drive across town to purchase Star Wars tickets. If you're lucky, you will capture the unexpected on mic. Such is the case on this episode of Commentary: Trek Stars. Mike and John try to recap their look at Psycho by comparing Robert Bloch's novel to Joseph Stefano's screenplay. But in the process, tickets for Star Wars: Episode VII--The Force Awakens went on sale. This podcast is the result. Running Time: 59 minutes 19 seconds HostsMike Schindler and John Mills Editor and ProducerMike Schindler Executive ProducersCharlynn Schmiedt, Norman C. Lao, Matthew Rushing, and C Bryan Jones Associate ProducerBecome one! Support Trek.fm and Commentary: Trek Stars at the $25/month level or plus! Visit http://patreon.com/trekfm http://patreon.com/trekfm Production ManagerRichard Marquez Content ManagerWill Nguyen ChaptersPsycho (00:01:15)Star Wars (00:07:02)The Trailer (00:34:45)Psycho Again (00:43:22)Wrap-up (00:50:29) Send us your feedback!Twitter: @trekfm Facebook: http://facebook.com/trekfm Voicemail: http://www.speakpipe.com/trekfm Contact Form: http://www.trek.fm/contact Subscribe in iTunes: http://itunes.com/trekfm Support the Network!Become a Trek.fm Patron on Patreon and help us keep Star Trek talk coming every week. We have great perks for you at http://patreon.com/trekfm
Commentary: Trek Stars: The Work of Star Trek Creators Outside of Star Trek
Bloch & Stefano, Part 2: Psycho (Film). One year after the release of Robert Bloch's novel, Alfred Hitchcock adapted Psycho for the big screen. To complete this task, he enlisted the help of Joseph Stefano to write the screenplay. The result is one of the best movies ever made. In this episode Commentaty: Trek Stars, John and Mike take a look at Stefano's movie. we discuss the impact the film had on the culture, the similarities between the movie and Stefano's Star Trek work, and the validity of Gus van Sant's remake. Running Time: 1 hour 7 minutes 19 seconds HostsJohn Mills and Mike Schindler Editor and ProducerMike Schindler Executive ProducersCharlynn Schmiedt, Norman C. Lao, Matthew Rushing, and C Bryan Jones Associate ProducerBecome one! Support Trek.fm and Commentary: Trek Stars at the $25/month level or plus! Visit http://patreon.com/trekfm http://patreon.com/trekfm Production ManagerRichard Marquez Content ManagerWill Nguyen ChaptersThe Movie (00:02:07)Gearshifting (00:18:42)Star Trek Comparison (00:38:30)The Gus Van Sant Film (00:45:10)Wrap-up (00:57:49) Send us your feedback!Twitter: @trekfm Facebook: http://facebook.com/trekfm Voicemail: http://www.speakpipe.com/trekfm Contact Form: http://www.trek.fm/contact Subscribe in iTunes: http://itunes.com/trekfm Support the Network!Become a Trek.fm Patron on Patreon and help us keep Star Trek talk coming every week. We have great perks for you at http://patreon.com/trekfm
Commentary: Trek Stars: The Work of Star Trek Creators Outside of Star Trek
Bloch & Stefano, Part 1: Trek. In 1959, Robert Bloch wrote his most famous novel, Psycho. One year later, Joseph Stefano adapted that novel into a screenplay for Alfred Hitchcock. The rest is history. Years later, both Bloch and Stefano would go on to write for Star Trek. In this episode of Commentary: Trek Stars, Mike and John are joined by Grace Moore from Women at Warp to begin a new series looking at both Bloch and Stefano, and their work on Psycho. In Part 1, we examine their contributions to Trek, including Bloch's original series episodes, What Are Little Girls Made Of?, Catspaw, and Wolf in the Fold, and Stefano's Next Generation episode, Skin of Evil. Running Time: 1 hour 5 minutes 31 seconds HostsMike Schindler and John Mills GuestGrace Moore Editor and ProducerMike Schindler Executive ProducersCharlynn Schmiedt, Norman C. Lao, Matthew Rushing, and C Bryan Jones Associate ProducerBecome one! Support Trek.fm and Commentary: Trek Stars at the $25/month level or plus! Visit http://patreon.com/trekfm http://patreon.com/trekfm Production ManagerRichard Marquez Content ManagerWill Nguyen ChaptersBloch & Stefano (00:02:08)What Are Little Girls Made Of? (00:08:22)Catspaw (00:16:03)Wolf in the Fold (00:23:58)Skin of Evil (00:34:12)Final Thoughts (00:43:06)Wrap-up (00:46:44) Send us your feedback!Twitter: @trekfm Facebook: http://facebook.com/trekfm Voicemail: http://www.speakpipe.com/trekfm Contact Form: http://www.trek.fm/contact Subscribe in iTunes: http://itunes.com/trekfm Support the Network!Become a Trek.fm Patron on Patreon and help us keep Star Trek talk coming every week. We have great perks for you at http://patreon.com/trekfm
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