Podcast appearances and mentions of pat mccormick

The celebration of March's Women's History Month continues as GGACP revisits Part 2 of a memorable two-part episode featuring veteran screen and stage actress Sally Struthers. In this episode, Sally regales Gilbert and Frank with entertaining backstage tales from “All in the Family,” “The Gilmore Girls” and the all-female production of Neil Simon's “The Odd Couple,” while sharing personal recollections of Joan Crawford, David Frost, Betty Garrett and idol and personal hero Ruth Gordon. Also, Burgess Meredith philosophizes, Katharine Hepburn paints a birthday card, Sally “gooses” Dennis the Menace and Mel Blanc shows off his vanity license plate. PLUS: Burt Mustin! “Harold and Maude”! “The Great Houdini”! The genius of Rupert Holmes! Colonel Potter goes to Russia! And Sally dates the King of Rock ‘n' Roll and…wait for it…Pat McCormick! Learn more about your ad choices. Visit megaphone.fm/adchoices

GGACP celebrates the birthday (January 23rd) of Emmy-winning comedy writer Arnie Kogen ("The Carol Burnett Show," "Newhart," "The Mary Tyler Moore Show”) by revisiting this 2018 father-son interview with Emmy-winning writer Jay Kogen (“Frasier,” “The Simpsons”). In this episode, the boys talk about failed pilots, cheesy variety shows, the outrageousness of Pat McCormick and the "unwritten rules" of writing for television. Also, Soupy Sales takes flight, Jackie Mason takes offense, Garry Shandling gripes about the sunset and the Kogens party with the Jackson 5. PLUS: "Monkey World"! The genius of James L. Brooks! “The World's Oldest Fireman"! Jay reinterprets "The Aristocrats"! And Gilbert and Arnie remember "Thicke of the Night”! Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a Text Message.Our double-feature drive-in special continues with our first feature from 1977, Smokey and the Bandit. Sure this was a little before our time but we remember loving it as kids when it was rented or appeared on TV. How can this movie go wrong? It has Burt Reynolds, Sally Field, Jerry Reed, and of course, the most quotable Sheriff to ever grace the big screen, Buford T. Justice played by the late and great Jackie Gleason. Throw in a 70s Trans-AM, car chases, and stunts and we're sold. So please join us as we go back and watch the highest-grossing comedy of the 70s, Smokey and the Bandit. Do You Remember Liking This Movie?

Send us a Text Message.We look at Trivia from Smokey and the Bandit which includes improv lines, actors singing, and one or two wrecked Trans Ams.Do You Remember Liking This Movie?

GGACP celebrates the birthday (August 1) of longtime television writer and podcast pal Ron Friedman (“The Odd Couple,” “The Andy Griffith Show,” “All in the Family,” “Barney Miller”) by revisiting Ron's second sitdown with Gilbert and Frank. In this episode, Ron discusses the structure of storytelling, the importance of escapism and the inspirations for Captain Marvel and the Sub-Mariner and shares all-new stories about Lucille Ball, Tony Randall, Danny Thomas and (of course) Pat McCormick. Also, Jack Benny takes a stand, Carol Wayne dodges a bullet, John Huston tangles with Errol Flynn and Ron remembers the late, great Stan Lee. PLUS: Stump and Stumpy! Herve Villechaize's doppelgänger! Marilyn Monroe converts! Buster Crabbe teams with Chuck McCann! And Ron kills off a beloved fictional character! Learn more about your ad choices. Visit megaphone.fm/adchoices

Our first episode returning from paternity leave takes us back to 1983, and one of two sequel bombs Universal made with Jackie Gleason that year, Smokey and the Bandit Part 3. ----more----   TRANSCRIPT   From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today.   On this episode, we'll be covering one of the oddest Part 3 movies to ever be made.   Smokey and the Bandit 3.   But before we do, I owe you, loyal listener an apology and an explanation.   Originally, this episode was supposed to be about the movies of H.B. “Toby” Halicki, who brought car chase films back to life in the mid-70s with his smash hit Gone in 60 Seconds. Part of the reason I wanted to do this episode was to highlight a filmmaker who doesn't get much love from film aficionados anymore, and part because this was the movie that literally made me the person I became. My mom was dating Toby during the making of the movie, a spent a number of days on the set as a five year old, and I even got featured in a scene. And I thought it would be fun to get my mom to open up about a part of her life after my parents' divorce that I don't remember much of.   And it turned into the discussion that made me question everything I became. Much of which I will cover when I find the courage to revisit that topic, hopefully in time for the 50th anniversary this July.   So, for now, and to kind of stick with the car theme this episode was originally going to be about, we're going to do a quick take on one of the most bizarre, and most altered, movies to ever come out of Hollywood.   As you may remember, Smokey and the Bandit was a 1977 hit film from stuntman turned director Hal Needham. Needham and Burt Reynolds has become friends in the early 1960s, and Needham would end up living in Reynolds' pool house for nearly a dozen years in the 60s and 70s. Reynolds would talk director Robert Aldrich into hiring Needham to be the 2nd unit director and stunt coordinator for the car chase scene Aldrich's 1974 classic The Longest Yard, and Reynolds would hire Needham to be his 2nd Unit Director on his own 1976 directorial debut, Gator. While on the set of Gator, the two men would talk about the movie Needham wanted to make his own directorial debut on, a low-budget B movie about a cat and mouse chase between a bootlegger and a sheriff as they tried to outwit each other across several state lines.   As a friend, Reynolds would ask Needham to read the script. The “script” was a series of hand-written notes on a legal pad. He had come up with the idea during the making of Gator, when the Teamster transportation captain brought some Coors beer to the production team. And, believe it or not, in 1975, it was illegal to sell or transport Coors beer out of states West of the Mississippi River, because the beer was not pasteurized and needed constant refrigeration.   Reynolds would read the “script,” which, according to Reynolds' 1994 autobiography My Life, was one of the worst things he had ever read. But Reynolds promised his friend that if he could get a studio involved and get a proper budget and script for the film, he would make it.   Needham would hire a series of writers to try and flesh out the notes from the legal pad into a coherent screenplay, and with a verbal commitment from Reynolds to star in it, he would soon get Universal Studios to to agree to make Smokey and the Bandit, to the tune of $5.3m. After all, Reynolds was still one of the biggest box office stars at the time, and $5.3m was small potatoes at the time, especially when Universal was spending $6.7m on the Super Bowl assassin thriller Two-Minute Warning, $9m on a bio-pic of General Douglas MacArthur, and $22m on William Friedkin's Sorcerer, an English-language version of the 1950 French novel The Wages of Fear.   Reynolds would take the lead as The Bandit, the driver of the chase car meant to distract the authorities from what the truck driver is hauling.    Jerry Reed, a country and western star, would get cast as The Snowman, the truck driver who would be hauling the Coors beer from Texarkana TX to Atlanta. Reed has only co-starred in two movies before, both starring Burt Reynolds, and even if they have almost no scenes together in the final film, their rapport on screen is obvious.   Sally Field, a television star who needed a big movie on her resume, would take the role of Carrie, the runaway bride who joins the Bandit in his chase car. Field had just completed Sybil, the dramatic television movie about a woman with multiple personality disorder, which would break Field out of the sitcom world she had been stuck in for the past decade.   Richard Boone, the star of the long-time television Western Have Gun - Will Travel, would be considered as the sheriff, Buford T. Justice, in pursuit of the Bandit throughout the movie, but Reynolds wanted some who was a bit more crazy, a bit more dangerous, and a heck of a lot funnier. And who wouldn't think of comedy legend Jackie Gleason?   Shooting on the film would begin in Georgia on August 30th, 1976, but not before some pencil pusher from Universal Studios showed up two days before the start of production to inform Needham and Reynolds that they needed to cut $1m from the budget by any means necessary. And the guys did exactly that, reducing the number of shooting locations and speaking roles.   The film would finish shooting eights weeks later, on schedule and on budget… well, on reduced budget, and when it was released in May 1977, just six days before the initial release of Star Wars, it bombed.   For some reason, Universal Studios decided the best way to open a movie about a bunch of good old boys in the South was to give it a big push at the world famous Radio City Music Hall in the heart of Manhattan, along with an hour long Rockets stage spectacular between shows.   The Radio City Music Hall could accommodate 6,000 people per show. Tickets for the whole shebang, movie and stage show, were $5, when the average ticket price in Manhattan at the time was $3.50. And in its first six days, Smokey and the Bandit grossed $125,000, which sounds amazing, until your told the cost of running Radio City Music Hall for a week, stage show and all, was $186,000. And in its second week, the gross would fall to $102,000, and to $90,000 in week three. And Universal would be locked in to Radio City for several more weeks.   But it wouldn't all bad news.   Universal quickly realized its error in opening in New York first, and rushed to book the film into 381 theatres in the South, including 70 in the Charlotte region, 78 in and around Jacksonville, 97 theatres between Oklahoma City and Dallas, another 57 between Memphis and New Orleans, and 79 in Atlanta, near many of the locations the film was shot. And in its first seven days in just those five regions, the film would gross a cool $3.8m. Along with the $102k from Radio City, the film's $3.9m gross would be the second highest in the nation, behind Star Wars. And despite bigger weekends from new openers like The Deep, The Exorcist II and A Bridge Too Far, Smokey and the Bandit would keep going and going and going, sticking around in theatres for more than two years in some areas, grossing more than $126m.   Naturally, there would be a sequel. But here's the funny part. Smokey and the Bandit II, a Universal movie, would be shot back to back with Cannonball Run, produced by the Hong Kong film company Golden Harvest as a vehicle to break their star Jackie Chan into the American market, which would also star Burt Reynolds and be directed by Hal Needham.    Filming on Smokey and the Bandit II was supposed to start in August 1979, but would be delayed until January 1980, because the film Reynolds was working on in the late summer of 1979, Rough Cut, went way over schedule.   While the budget for the sequel would be $10m, more than double the cost of the original film, the overall production was not a very pleasant experience for most involved. Needham was feeling the pressure of trying to finish the film ahead of schedule so he'd have some kind of break before starting on Cannonball Run in May 1980, because several of the other actors, including Roger Moore, were already locked into other movies after shooting completed on that film.   Burt Reynolds and Sally Field had started dating during the making of Smokey and the Bandit in 1976, and both of them signed their contracts to appear in the sequel in 1979, but by the time shooting started in 1980, the pair had broken up, and they were forced to pretend to be in love and be side by side in the Bandit's Trans Am for a couple months.   One of the few things that would go right on the film was a complex chase scene that could only be shot one time, for the end of the sequence would be the destruction of a 64 year old rollercoaster in suburban Atlanta.   They got the shot.   Needham would get a few weeks between the end of shooting Smokey and the Bandit II and the start of Cannonball Run, but the production on the latter film would be put on hold a couple times for a few days each, as Needham would have to go back to Los Angeles to supervise the editing of the former film.   Smokey and the Bandit II would make its planned August 15th, 1980 release, and would have a spectacular opening weekend, $10.8m from 1196 theatres, but would soon drop off, barely grossing half of the first film's box office take. That would still be profitable, but Needham, Reynolds and Field all nixed the idea of teaming up for a third film. Reynolds had been wanting to distance himself from his good old boy 1970s persona, Field was now an Oscar winning dramatic actress, and Needham wanted to try something different. We'll talk about that movie, Megaforce, another time.   But despite losing the interest of the main principles of the first two movies, Universal was still keen on making a third film. The first mention would be a line item in the Los Angeles Times' Calendar section on August 28th, 1981, when, within an article about the number of sequels that were about to gear up, including Grease 2 and Star Wars 3, aka Return of the Jedi, that Universal was considering a third Smokey movie as a cable television movie. In May 1982, Variety noted that the reduced budget of the film, estimated at under $5m, would not accommodate Reynolds' asking price at that time, let alone the cost of the entire production, and that the studio was looking at Dukes of Hazzard star John Schneider as a possible replacement as The Bandit. In the end, it was decided that Jackie Gleason would return not only as Sheriff Buford T. Justice, but that he would also be, in several scenes, playing The Bandit as well.   Thus would begin the wild ride of the third film in the Smokey and the Bandit Cinematic Universe, Smokey IS the Bandit: Part 3.   It would take 11 different versions of the script written over the course of six months to get Gleason to sign off, because, somehow, he was given script approval before filming would begin.   Paul Williams and Pat McCormick would return for a third time as Little Enos and Big Enos, and the storyline would find the Burdette father and son making a bet with Sheriff Justice. Justice and his son Junior must deliver a big stuffed swordfish from Florida to a new seafood restaurant they are opening in Texas. If Justice can get the big stuffed swordfish from Point A to Point B in the time allotted, the Burdettes will give him $250,000, which Justice could use towards his impending retirement. If he doesn't, however, Justice will have to surrender his badge to the Burdettes, and he'd retire in disgrace.   Dick Lowry, who had been directed episodic television and TV movies for several years, including three episodes of Buck Rogers in the 25th Century and the TV movie adaptation of Kenny Rogers' hit song The Gambler, would make his feature directing debut on Smokey Is the Bandit Part 3.   Production on the film would begin in Florida on October 25, 1982, and lasted two months, ending two days after Christmas, mostly in Florida.   Lowry and his team would assemble the film over the course of the next three months, before Universal held its first test screening on the studio lot in March 1983.   To say the screening was a disaster would be an understatement.   The audience didn't understand what the hell was going on here. They wondered how Justice, as The Bandit, could bed a character credited only as Blonde Bombshell, who looks at him the way women in 1982 would have looked at Burt Reynolds. They wondered why a plot twist in the very last scene was presented, that Dusty was really Big Enos's daughter, when it affected nothing in the story before or after its reveal. But, mostly, they were confused as to how one actor could play both title characters at the same time. Like, is Justice seeing himself as The Bandit, seeing himself behind the wheel of the Bandit's signature black and gold Pontiac Trans Am, and a beautiful country music DJ played by Colleen Camp as his companion, all while actually driving his signature sheriff's car with his son Junior as his constant companion?   The studio had two choices…   One, pony up a few extra million dollars to rewrite the script, and try to lure Reynolds back to play The Bandit…   Or, two, bury the movie and take the tax write off.   The second choice was quickly ruled out, as a teaser trailer for the film had already been released to theatres several weeks earlier, and there seemed to be some interest in another Smokey and the Bandit movie, even though the trailer was just Gleason, as Justice, standing in a military-style uniform, standing in front of a large America flag, and giving a speech to the camera not unlike the one George C. Scott gave at the start of the 1970 Best Picture winner, Patton. You can find a link to the teaser trailer for Smokey is the Bandit Part 3 on our website, at The80sMoviePodcast.com.   So the studio goes down to Jupiter, FL, where Reynolds had been living for years, and made him a sizable offer to play The Bandit for literally a couple of scenes. Since Gleason as Bandit only had one line in the film, and since most of the shots of Gleason as Bandit were done with wide lenses to hide that it wasn't Gleason doing any of the driving during the number of scenes involving the Trans Am and stunts, they could probably get everything they needed with Reynolds in just a day or two.   Reynolds would say “no” to that offer, but, strangely, he would agree to come back to the film, as The Bandit, for an extended sequence towards the end of the film. We'll get to that in a moment.   So with Reynolds coming back, but not in the capacity they wanted him in, the next thought was to go to Jerry Reed, the country singer and actor who had played Bandit's partner, The Snowman, in the first two films. Reed was amiable to coming aboard, but he wanted to play The Bandit. Or, more specifically, Cledus pretending to be The Bandit.   The film's screenwriters, Stuart Birnbaum and David Dashev, were called back in to do yet another rewrite. They would have only three weeks, as there was only a short window in April for the production team to get back together to do the new scenes with Reed and Colleen Camp. Dusty would go from being a country radio station DJ to a car dealership employee who literally walks off the job and into Cledus as Bandit's Trans Am. Reed's role as Cledus as Bandit was greatly expanded, and Dusty's dialogue would be altered to reflect both her new career and her time in the car with Cledus.   The reshoots would only last a few weeks, and Lowry would have a final cut ready for the film's planned August 12th theatrical release.   It is often stated, on this podcast and other sources, that in the 1980s, August was mostly the dumping ground of the studio's dogs, hoping to get a little bit of ticket sales before Labor Day, when families look at going on a vacation before the kids go back to school.   And the weekend of August 12th through 14th in 1983 was certainly one way to prove this argument.   Smokey and the Bandit Part 3 would be the second highest grossing new release that weekend, which is surprising in part because it would have a smaller percentage of prints out in the market compared to its competition, 498 prints, almost exclusively in the southern US. The bad news is that the film would barely make it into the Top Ten that weekend. Cujo, the adaptation of the 1981 Stephen King novel, would be the highest grossing new opener that weekend, grossing $6.11m, barely missing the top spot, which was held for a third week by the Chevy Chase film Vacation, which had earned $6.16m. Risky Business, which was making its young lead actor Tom Cruise a movie star, would take third place, with $4.58m. Then there was Return of the Jedi, which had been out three months by this point, the Sylvester Stallone-directed Saturday Night Fever sequel Staying Alive, the Eddie Murphy/Dan Aykroyd comedy Trading Places, the god-awful Jaws 3-D, WarGames and Krull, which all had been out for three to eleven weeks by now, all grossing more than Smokey and the Bandit 3, with $1.73m in ticket sales.   Having it much worse was The Curse of the Pink Panther, Blake Edwards' attempt to reboot the Inspector Clouseau series with a new American character who may or may not have been the illegitimate son of Clouseau, which grossed an anemic $1.64m from 812 theatres. And then there was The Man Who Wasn't There, the 3-D comedy featuring Steve Guttenberg that was little more than a jumbled copy of Foul Play and North by Northwest that arrived too late in theatres to ride the now-dead stereoptic movie craze, which took in $1.38m from 980 theatres.   In its second week, Smokey and the Bandit Part 3 would only lose five screens, but lose 52% of its opening weekend audience, bringing in just $830k that weekend.   Week three would see the film lose nearly 300 screens, bringing in just $218k.   Week four was Labor Day weekend itself, with its extra day of ticket sales, and you'd think Universal would just cut and run since the film was not doing great with audiences or critics. Yet, they would expand the film back to 460 theatres, including 47 theatres in the greater Los Angeles metro area. The gambit worked a little bit, with the film bringing in $1.3m during the extended holiday weekend, bringing the film's four week total gross to $5.02m.   And it would slowly limp along for a few more weeks, mostly in dollar houses, but Universal would stop tracking it after its fifth weekend in theatres, giving the film a final box office total of $5,678,950.   Oh, I almost forgot about Burt Reynolds. Burt did film his scene, a four minute or so cameo towards the end of the film, where Justice finally catches up to Cledus as The Bandit, but in Justice's mind's eye, he sees Cledus as Burt as The Bandit, where Burt as The Bandit does nothing more than half-ass read off his lines while sitting behind the wheel of the Trans Am.   I watched the movie on Paramount Plus back in January, when I originally planned on recording this episode. But it's no longer available on Paramount Plus. Nor is it available on Peacock, which is owned and operated by Universal, and where the film was once available. In May 2024, the only way to see Smokey and the Bandit is on long out-of-print low quality DVDs and Blu-Rays. JustWatch.com says the film is available on Apple TVs Showtime channel, but I can't find any Showtime channel on Apple TV, nor can I find the movie doing a simple search on Apple TV. The first two are on Apple TV, as part of the AMC+ channel. It's all so darn complicated.   But like I said, I watched it for the first and probably last time earlier this year. And, truth be told, it's not a totally painful film. It's not a good film in any way, shape or form, but what little good there is in it, it's thanks to Colleen Camp, who was not only gorgeous but had an amazing sense of comic timing. Anyway who saw her as Yvette the Maid in the 1985 comedy Clue already knows that.    Like a handful of film buffs and historians, I am still wildly interested in seeing the original cut of the film after more than forty years. If Universal can put out three different versions of Orson Welles' Touch of Evil, including a preview cut that was taken away from Welles and re-edited without his consent, in the same set, certainly they can release both versions of Smokey and the Bandit Part 3. But let's face facts. Dick Lowry is no Orson Welles, and there is practically zero calls for this kind of special treatment for the film.   I just find it odd that in this day and age, the only thing that's escaped from the original version of the film after all this time is a single image of Gleason as The Bandit, which you can find on this episode's page at our website.   Thank you for joining us. We'll talk again soon.   Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about Smokey and the Bandit Part 3, including links to Smokey and the Bandit fan sites that have their own wealth of materials relating to the movie, and a video on YouTube that shows about 20mins of deleted and alternate scenes used in the television version of the movie, which may include an additional shot from the original movie that shows Dusty riding in the back of Big Enos's red Cadillac convertible.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.

Our first episode returning from paternity leave takes us back to 1983, and one of two sequel bombs Universal made with Jackie Gleason that year, Smokey and the Bandit Part 3. ----more----   TRANSCRIPT   From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today.   On this episode, we'll be covering one of the oddest Part 3 movies to ever be made.   Smokey and the Bandit 3.   But before we do, I owe you, loyal listener an apology and an explanation.   Originally, this episode was supposed to be about the movies of H.B. “Toby” Halicki, who brought car chase films back to life in the mid-70s with his smash hit Gone in 60 Seconds. Part of the reason I wanted to do this episode was to highlight a filmmaker who doesn't get much love from film aficionados anymore, and part because this was the movie that literally made me the person I became. My mom was dating Toby during the making of the movie, a spent a number of days on the set as a five year old, and I even got featured in a scene. And I thought it would be fun to get my mom to open up about a part of her life after my parents' divorce that I don't remember much of.   And it turned into the discussion that made me question everything I became. Much of which I will cover when I find the courage to revisit that topic, hopefully in time for the 50th anniversary this July.   So, for now, and to kind of stick with the car theme this episode was originally going to be about, we're going to do a quick take on one of the most bizarre, and most altered, movies to ever come out of Hollywood.   As you may remember, Smokey and the Bandit was a 1977 hit film from stuntman turned director Hal Needham. Needham and Burt Reynolds has become friends in the early 1960s, and Needham would end up living in Reynolds' pool house for nearly a dozen years in the 60s and 70s. Reynolds would talk director Robert Aldrich into hiring Needham to be the 2nd unit director and stunt coordinator for the car chase scene Aldrich's 1974 classic The Longest Yard, and Reynolds would hire Needham to be his 2nd Unit Director on his own 1976 directorial debut, Gator. While on the set of Gator, the two men would talk about the movie Needham wanted to make his own directorial debut on, a low-budget B movie about a cat and mouse chase between a bootlegger and a sheriff as they tried to outwit each other across several state lines.   As a friend, Reynolds would ask Needham to read the script. The “script” was a series of hand-written notes on a legal pad. He had come up with the idea during the making of Gator, when the Teamster transportation captain brought some Coors beer to the production team. And, believe it or not, in 1975, it was illegal to sell or transport Coors beer out of states West of the Mississippi River, because the beer was not pasteurized and needed constant refrigeration.   Reynolds would read the “script,” which, according to Reynolds' 1994 autobiography My Life, was one of the worst things he had ever read. But Reynolds promised his friend that if he could get a studio involved and get a proper budget and script for the film, he would make it.   Needham would hire a series of writers to try and flesh out the notes from the legal pad into a coherent screenplay, and with a verbal commitment from Reynolds to star in it, he would soon get Universal Studios to to agree to make Smokey and the Bandit, to the tune of $5.3m. After all, Reynolds was still one of the biggest box office stars at the time, and $5.3m was small potatoes at the time, especially when Universal was spending $6.7m on the Super Bowl assassin thriller Two-Minute Warning, $9m on a bio-pic of General Douglas MacArthur, and $22m on William Friedkin's Sorcerer, an English-language version of the 1950 French novel The Wages of Fear.   Reynolds would take the lead as The Bandit, the driver of the chase car meant to distract the authorities from what the truck driver is hauling.    Jerry Reed, a country and western star, would get cast as The Snowman, the truck driver who would be hauling the Coors beer from Texarkana TX to Atlanta. Reed has only co-starred in two movies before, both starring Burt Reynolds, and even if they have almost no scenes together in the final film, their rapport on screen is obvious.   Sally Field, a television star who needed a big movie on her resume, would take the role of Carrie, the runaway bride who joins the Bandit in his chase car. Field had just completed Sybil, the dramatic television movie about a woman with multiple personality disorder, which would break Field out of the sitcom world she had been stuck in for the past decade.   Richard Boone, the star of the long-time television Western Have Gun - Will Travel, would be considered as the sheriff, Buford T. Justice, in pursuit of the Bandit throughout the movie, but Reynolds wanted some who was a bit more crazy, a bit more dangerous, and a heck of a lot funnier. And who wouldn't think of comedy legend Jackie Gleason?   Shooting on the film would begin in Georgia on August 30th, 1976, but not before some pencil pusher from Universal Studios showed up two days before the start of production to inform Needham and Reynolds that they needed to cut $1m from the budget by any means necessary. And the guys did exactly that, reducing the number of shooting locations and speaking roles.   The film would finish shooting eights weeks later, on schedule and on budget… well, on reduced budget, and when it was released in May 1977, just six days before the initial release of Star Wars, it bombed.   For some reason, Universal Studios decided the best way to open a movie about a bunch of good old boys in the South was to give it a big push at the world famous Radio City Music Hall in the heart of Manhattan, along with an hour long Rockets stage spectacular between shows.   The Radio City Music Hall could accommodate 6,000 people per show. Tickets for the whole shebang, movie and stage show, were $5, when the average ticket price in Manhattan at the time was $3.50. And in its first six days, Smokey and the Bandit grossed $125,000, which sounds amazing, until your told the cost of running Radio City Music Hall for a week, stage show and all, was $186,000. And in its second week, the gross would fall to $102,000, and to $90,000 in week three. And Universal would be locked in to Radio City for several more weeks.   But it wouldn't all bad news.   Universal quickly realized its error in opening in New York first, and rushed to book the film into 381 theatres in the South, including 70 in the Charlotte region, 78 in and around Jacksonville, 97 theatres between Oklahoma City and Dallas, another 57 between Memphis and New Orleans, and 79 in Atlanta, near many of the locations the film was shot. And in its first seven days in just those five regions, the film would gross a cool $3.8m. Along with the $102k from Radio City, the film's $3.9m gross would be the second highest in the nation, behind Star Wars. And despite bigger weekends from new openers like The Deep, The Exorcist II and A Bridge Too Far, Smokey and the Bandit would keep going and going and going, sticking around in theatres for more than two years in some areas, grossing more than $126m.   Naturally, there would be a sequel. But here's the funny part. Smokey and the Bandit II, a Universal movie, would be shot back to back with Cannonball Run, produced by the Hong Kong film company Golden Harvest as a vehicle to break their star Jackie Chan into the American market, which would also star Burt Reynolds and be directed by Hal Needham.    Filming on Smokey and the Bandit II was supposed to start in August 1979, but would be delayed until January 1980, because the film Reynolds was working on in the late summer of 1979, Rough Cut, went way over schedule.   While the budget for the sequel would be $10m, more than double the cost of the original film, the overall production was not a very pleasant experience for most involved. Needham was feeling the pressure of trying to finish the film ahead of schedule so he'd have some kind of break before starting on Cannonball Run in May 1980, because several of the other actors, including Roger Moore, were already locked into other movies after shooting completed on that film.   Burt Reynolds and Sally Field had started dating during the making of Smokey and the Bandit in 1976, and both of them signed their contracts to appear in the sequel in 1979, but by the time shooting started in 1980, the pair had broken up, and they were forced to pretend to be in love and be side by side in the Bandit's Trans Am for a couple months.   One of the few things that would go right on the film was a complex chase scene that could only be shot one time, for the end of the sequence would be the destruction of a 64 year old rollercoaster in suburban Atlanta.   They got the shot.   Needham would get a few weeks between the end of shooting Smokey and the Bandit II and the start of Cannonball Run, but the production on the latter film would be put on hold a couple times for a few days each, as Needham would have to go back to Los Angeles to supervise the editing of the former film.   Smokey and the Bandit II would make its planned August 15th, 1980 release, and would have a spectacular opening weekend, $10.8m from 1196 theatres, but would soon drop off, barely grossing half of the first film's box office take. That would still be profitable, but Needham, Reynolds and Field all nixed the idea of teaming up for a third film. Reynolds had been wanting to distance himself from his good old boy 1970s persona, Field was now an Oscar winning dramatic actress, and Needham wanted to try something different. We'll talk about that movie, Megaforce, another time.   But despite losing the interest of the main principles of the first two movies, Universal was still keen on making a third film. The first mention would be a line item in the Los Angeles Times' Calendar section on August 28th, 1981, when, within an article about the number of sequels that were about to gear up, including Grease 2 and Star Wars 3, aka Return of the Jedi, that Universal was considering a third Smokey movie as a cable television movie. In May 1982, Variety noted that the reduced budget of the film, estimated at under $5m, would not accommodate Reynolds' asking price at that time, let alone the cost of the entire production, and that the studio was looking at Dukes of Hazzard star John Schneider as a possible replacement as The Bandit. In the end, it was decided that Jackie Gleason would return not only as Sheriff Buford T. Justice, but that he would also be, in several scenes, playing The Bandit as well.   Thus would begin the wild ride of the third film in the Smokey and the Bandit Cinematic Universe, Smokey IS the Bandit: Part 3.   It would take 11 different versions of the script written over the course of six months to get Gleason to sign off, because, somehow, he was given script approval before filming would begin.   Paul Williams and Pat McCormick would return for a third time as Little Enos and Big Enos, and the storyline would find the Burdette father and son making a bet with Sheriff Justice. Justice and his son Junior must deliver a big stuffed swordfish from Florida to a new seafood restaurant they are opening in Texas. If Justice can get the big stuffed swordfish from Point A to Point B in the time allotted, the Burdettes will give him $250,000, which Justice could use towards his impending retirement. If he doesn't, however, Justice will have to surrender his badge to the Burdettes, and he'd retire in disgrace.   Dick Lowry, who had been directed episodic television and TV movies for several years, including three episodes of Buck Rogers in the 25th Century and the TV movie adaptation of Kenny Rogers' hit song The Gambler, would make his feature directing debut on Smokey Is the Bandit Part 3.   Production on the film would begin in Florida on October 25, 1982, and lasted two months, ending two days after Christmas, mostly in Florida.   Lowry and his team would assemble the film over the course of the next three months, before Universal held its first test screening on the studio lot in March 1983.   To say the screening was a disaster would be an understatement.   The audience didn't understand what the hell was going on here. They wondered how Justice, as The Bandit, could bed a character credited only as Blonde Bombshell, who looks at him the way women in 1982 would have looked at Burt Reynolds. They wondered why a plot twist in the very last scene was presented, that Dusty was really Big Enos's daughter, when it affected nothing in the story before or after its reveal. But, mostly, they were confused as to how one actor could play both title characters at the same time. Like, is Justice seeing himself as The Bandit, seeing himself behind the wheel of the Bandit's signature black and gold Pontiac Trans Am, and a beautiful country music DJ played by Colleen Camp as his companion, all while actually driving his signature sheriff's car with his son Junior as his constant companion?   The studio had two choices…   One, pony up a few extra million dollars to rewrite the script, and try to lure Reynolds back to play The Bandit…   Or, two, bury the movie and take the tax write off.   The second choice was quickly ruled out, as a teaser trailer for the film had already been released to theatres several weeks earlier, and there seemed to be some interest in another Smokey and the Bandit movie, even though the trailer was just Gleason, as Justice, standing in a military-style uniform, standing in front of a large America flag, and giving a speech to the camera not unlike the one George C. Scott gave at the start of the 1970 Best Picture winner, Patton. You can find a link to the teaser trailer for Smokey is the Bandit Part 3 on our website, at The80sMoviePodcast.com.   So the studio goes down to Jupiter, FL, where Reynolds had been living for years, and made him a sizable offer to play The Bandit for literally a couple of scenes. Since Gleason as Bandit only had one line in the film, and since most of the shots of Gleason as Bandit were done with wide lenses to hide that it wasn't Gleason doing any of the driving during the number of scenes involving the Trans Am and stunts, they could probably get everything they needed with Reynolds in just a day or two.   Reynolds would say “no” to that offer, but, strangely, he would agree to come back to the film, as The Bandit, for an extended sequence towards the end of the film. We'll get to that in a moment.   So with Reynolds coming back, but not in the capacity they wanted him in, the next thought was to go to Jerry Reed, the country singer and actor who had played Bandit's partner, The Snowman, in the first two films. Reed was amiable to coming aboard, but he wanted to play The Bandit. Or, more specifically, Cledus pretending to be The Bandit.   The film's screenwriters, Stuart Birnbaum and David Dashev, were called back in to do yet another rewrite. They would have only three weeks, as there was only a short window in April for the production team to get back together to do the new scenes with Reed and Colleen Camp. Dusty would go from being a country radio station DJ to a car dealership employee who literally walks off the job and into Cledus as Bandit's Trans Am. Reed's role as Cledus as Bandit was greatly expanded, and Dusty's dialogue would be altered to reflect both her new career and her time in the car with Cledus.   The reshoots would only last a few weeks, and Lowry would have a final cut ready for the film's planned August 12th theatrical release.   It is often stated, on this podcast and other sources, that in the 1980s, August was mostly the dumping ground of the studio's dogs, hoping to get a little bit of ticket sales before Labor Day, when families look at going on a vacation before the kids go back to school.   And the weekend of August 12th through 14th in 1983 was certainly one way to prove this argument.   Smokey and the Bandit Part 3 would be the second highest grossing new release that weekend, which is surprising in part because it would have a smaller percentage of prints out in the market compared to its competition, 498 prints, almost exclusively in the southern US. The bad news is that the film would barely make it into the Top Ten that weekend. Cujo, the adaptation of the 1981 Stephen King novel, would be the highest grossing new opener that weekend, grossing $6.11m, barely missing the top spot, which was held for a third week by the Chevy Chase film Vacation, which had earned $6.16m. Risky Business, which was making its young lead actor Tom Cruise a movie star, would take third place, with $4.58m. Then there was Return of the Jedi, which had been out three months by this point, the Sylvester Stallone-directed Saturday Night Fever sequel Staying Alive, the Eddie Murphy/Dan Aykroyd comedy Trading Places, the god-awful Jaws 3-D, WarGames and Krull, which all had been out for three to eleven weeks by now, all grossing more than Smokey and the Bandit 3, with $1.73m in ticket sales.   Having it much worse was The Curse of the Pink Panther, Blake Edwards' attempt to reboot the Inspector Clouseau series with a new American character who may or may not have been the illegitimate son of Clouseau, which grossed an anemic $1.64m from 812 theatres. And then there was The Man Who Wasn't There, the 3-D comedy featuring Steve Guttenberg that was little more than a jumbled copy of Foul Play and North by Northwest that arrived too late in theatres to ride the now-dead stereoptic movie craze, which took in $1.38m from 980 theatres.   In its second week, Smokey and the Bandit Part 3 would only lose five screens, but lose 52% of its opening weekend audience, bringing in just $830k that weekend.   Week three would see the film lose nearly 300 screens, bringing in just $218k.   Week four was Labor Day weekend itself, with its extra day of ticket sales, and you'd think Universal would just cut and run since the film was not doing great with audiences or critics. Yet, they would expand the film back to 460 theatres, including 47 theatres in the greater Los Angeles metro area. The gambit worked a little bit, with the film bringing in $1.3m during the extended holiday weekend, bringing the film's four week total gross to $5.02m.   And it would slowly limp along for a few more weeks, mostly in dollar houses, but Universal would stop tracking it after its fifth weekend in theatres, giving the film a final box office total of $5,678,950.   Oh, I almost forgot about Burt Reynolds. Burt did film his scene, a four minute or so cameo towards the end of the film, where Justice finally catches up to Cledus as The Bandit, but in Justice's mind's eye, he sees Cledus as Burt as The Bandit, where Burt as The Bandit does nothing more than half-ass read off his lines while sitting behind the wheel of the Trans Am.   I watched the movie on Paramount Plus back in January, when I originally planned on recording this episode. But it's no longer available on Paramount Plus. Nor is it available on Peacock, which is owned and operated by Universal, and where the film was once available. In May 2024, the only way to see Smokey and the Bandit is on long out-of-print low quality DVDs and Blu-Rays. JustWatch.com says the film is available on Apple TVs Showtime channel, but I can't find any Showtime channel on Apple TV, nor can I find the movie doing a simple search on Apple TV. The first two are on Apple TV, as part of the AMC+ channel. It's all so darn complicated.   But like I said, I watched it for the first and probably last time earlier this year. And, truth be told, it's not a totally painful film. It's not a good film in any way, shape or form, but what little good there is in it, it's thanks to Colleen Camp, who was not only gorgeous but had an amazing sense of comic timing. Anyway who saw her as Yvette the Maid in the 1985 comedy Clue already knows that.    Like a handful of film buffs and historians, I am still wildly interested in seeing the original cut of the film after more than forty years. If Universal can put out three different versions of Orson Welles' Touch of Evil, including a preview cut that was taken away from Welles and re-edited without his consent, in the same set, certainly they can release both versions of Smokey and the Bandit Part 3. But let's face facts. Dick Lowry is no Orson Welles, and there is practically zero calls for this kind of special treatment for the film.   I just find it odd that in this day and age, the only thing that's escaped from the original version of the film after all this time is a single image of Gleason as The Bandit, which you can find on this episode's page at our website.   Thank you for joining us. We'll talk again soon.   Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about Smokey and the Bandit Part 3, including links to Smokey and the Bandit fan sites that have their own wealth of materials relating to the movie, and a video on YouTube that shows about 20mins of deleted and alternate scenes used in the television version of the movie, which may include an additional shot from the original movie that shows Dusty riding in the back of Big Enos's red Cadillac convertible.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.

GGACP celebrates the birthday of actor, writer, comedian and friend of the podcast Gabe Kaplan (b. March 31) with this ENCORE of a memorable interview from 2021. In this episode, Gabe joins Gilbert and Frank for a hilarious conversation about working strip clubs and Burlesque houses, meeting (and portraying) Groucho Marx, the clunkiness of the Dean Martin Roasts and the backstage drama of "Welcome Back Kotter." Also, Jack Carter buys a shirt, Buddy Hackett makes an omelet, Pat McCormick passes out on Jerry Lewis' couch and Gabe crosses paths with Jack Ruby and Golda Meir. PLUS: "Battle of the Network Stars"! The comedy of Buddy Mantia (and London Lee)! Howard Cosell narrates the Bible! Richard Pryor makes a run for it! And Gilbert auditions to play...Chico Marx!? Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we dive deep into the world of mortgages with Pat McCormick, a seasoned expert from McCormick Mortgage Services.As we explore the complexities of the current mortgage landscape, including fluctuating interest rates and the outlook for future homebuyers, Pat offers invaluable insights that could impact everyone from first-time buyers to seasoned investors. Whether you're contemplating a new home purchase or seeking strategies to navigate the mortgage market, this discussion sheds light on the most pressing questions in today's economic climate.• Understanding Interest Rates: Pat shares his perspective on the recent surge in mortgage rates, the factors influencing these changes, and what it means for the average homebuyer. Despite the challenges, there's a silver lining as rates begin to show signs of improvement, potentially signaling a more favorable buying season ahead.• Strategies for Homebuyers: With many potential buyers on the sidelines due to uncertainty in the market, Pat emphasizes the importance of strategic planning. He discusses the impact of the Federal Reserve's decisions on mortgage rates and offers advice for those looking to navigate the current environment.• The Future of Mortgage Rates: Delving into the complexities of how mortgage rates are determined, Pat explains the relationship between Federal Reserve actions and the mortgage market. He provides predictions on rate movements and strategies for buyers to consider in anticipation of future rate cuts.• Advice for Self-Employed Borrowers: Recognizing the unique challenges faced by self-employed individuals in securing mortgages, Pat offers targeted advice to improve eligibility and optimize financial profiles for loan approval.https://mccormickmortgageservices.com/patrick@mccormickmtg.com410-935-4326Thanks to our partners, NAPA TRACS and PromotiveDid you know that NAPA TRACS has onsite training plus six days a week support?It all starts when a local representative meets with you to learn about your business and how you run it. After all, it's your shop, so it's your choice.Let us prove to you that Tracs is the single best shop management system in the business. Find NAPA TRACS on the Web at NAPATRACS.comIt's time to hire a superstar for your business; what a grind you have in front of you. Great news, you don't have to go it alone. Introducing Promotive, a full-service staffing solution for your shop. Promotive has over 40 years of recruiting and automotive experience. If you need qualified technicians and service advisors and want to offload the heavy lifting, visit www.gopromotive.com.Paar Melis and Associates – Accountants Specializing in Automotive RepairVisit us Online: www.paarmelis.comEmail Hunt: podcast@paarmelis.comGet a copy of my Book: Download HereAftermarket Radio Network

In this episode, we dive deep into the world of mortgages with Pat McCormick, a seasoned expert from McCormick Mortgage Services.As we explore the complexities of the current mortgage landscape, including fluctuating interest rates and the outlook for future homebuyers, Pat offers invaluable insights that could impact everyone from first-time buyers to seasoned investors. Whether you're contemplating a new home purchase or seeking strategies to navigate the mortgage market, this discussion sheds light on the most pressing questions in today's economic climate.• Understanding Interest Rates: Pat shares his perspective on the recent surge in mortgage rates, the factors influencing these changes, and what it means for the average homebuyer. Despite the challenges, there's a silver lining as rates begin to show signs of improvement, potentially signaling a more favorable buying season ahead.• Strategies for Homebuyers: With many potential buyers on the sidelines due to uncertainty in the market, Pat emphasizes the importance of strategic planning. He discusses the impact of the Federal Reserve's decisions on mortgage rates and offers advice for those looking to navigate the current environment.• The Future of Mortgage Rates: Delving into the complexities of how mortgage rates are determined, Pat explains the relationship between Federal Reserve actions and the mortgage market. He provides predictions on rate movements and strategies for buyers to consider in anticipation of future rate cuts.• Advice for Self-Employed Borrowers: Recognizing the unique challenges faced by self-employed individuals in securing mortgages, Pat offers targeted advice to improve eligibility and optimize financial profiles for loan approval.https://mccormickmortgageservices.com/patrick@mccormickmtg.com410-935-4326Thanks to our partners, NAPA TRACS and PromotiveDid you know that NAPA TRACS has onsite training plus six days a week support?It all starts when a local representative meets with you to learn about your business and how you run it. After all, it's your shop, so it's your choice.Let us prove to you that Tracs is the single best shop management system in the business. Find NAPA TRACS on the Web at NAPATRACS.comIt's time to hire a superstar for your business; what a grind you have in front of you. Great news, you don't have to go it alone. Introducing Promotive, a full-service staffing solution for your shop. Promotive has over 40 years of recruiting and automotive experience. If you need qualified technicians and service advisors and want to offload the heavy lifting, visit www.gopromotive.com.Paar Melis and Associates – Accountants Specializing in Automotive RepairVisit us Online: www.paarmelis.comEmail Hunt: podcast@paarmelis.comGet a copy of my Book: Download HereAftermarket Radio Network

RMR 0242: Special Guest, Mark from the Mastering McConaughey Podcast, joins your hosts Dustin Melbardis and Russell Guest for the Retro Movie Roundtable as they revisit Scrooged (1988) [PG-13] Genre: Comedy, Drama, Romance, Holiday Starring:  Bill Murray, Karen Allen, John Forsythe, John Glover, Bobcat Goldthwait, David Johansen, Carol Kane, Robert Mitchum, Nicholas Phillips, Michael J. Pollard, Alfre Woodard, Mabel King, John Murray, Jamie Farr, Robert Goulet, Buddy Hackett, John Houseman, Lee Majors, Pat McCormick, Brian Doyle-Murray, Mary Lou Retton   Director: Richard Donner Recorded on 2023-11-16

Eddie Deezen joins me to discuss 1941; working with Dan Aykroyd, John Belushi, and Christopher Lee; Midnight Madness and tough night shoots; loving most of the cast; doing a pilot with Ally Sheedy that didn't get picked up; doing a back door pilot on The Facts of Life; co-starring on Punky Brewster; going to The Tonight Show and getting his foot run over by Paul McCartney; Beverly Hills Vamp with Britt Eckland, Tim Conway Jr., and Pat McCormick; playing the ponies; starting as a standup at the Comedy Store and being gonged by Paul Williams on The Gong Show and its aftermath. Impressionist Zach W. Arnold joined me and impersonated George Burns; talks about being in character; sang like Frank Sinatra and Dean Martin; discusses his natural singing voice; sings as Ringo Starr; discusses blogging the city of Orlando' playing Ringo in two Beatles tribute bands; what's it like to be in a tribute band; impersonated every US President from JFK to Biden; discusses Rich Little; finding a new take on an impression; Robert DeNiro, Dustin Hoffman, and Matthew McConnaughy; his take on Cheech and Chong; I do John Travolta and Robin Williams; we discuss impressionists Roger Kabler, DC Follies cast members John Roarke and Louise DuArt, Jeff DeHart, and Kevin Pollack; Jack Lemmon & Walter Matthau; Zach does Don Rickles and I introduce his John Wayne as Johnny Carson; impersonates Jimmy Stewart, Truman Capote and Paul Lynde; discusses Dana Carvey, Harry Shearer, Jim Carrey, and Rodney Dangerfield; impersonates Alan Thicke and Tom Brokaw; impersonating Eddie Deezen to Eddie Deezen; impersonating the Klumps; his philosophy of comedy; impersonates Katharine Hepburn, Joan Rivers, Ed Wynn, and Andy Rooney; discusses his grandmothers fascination with Andy Rooney;

GGACP celebrates the birthday of legendary comic, author and talk show host Dick Cavett (b. November 18th) by presenting this ENCORE of a special live episode recorded at the 2016 NYC Podfest. In this episode, Dick weighs in on a host of topics, including World War II propaganda, John Cassavetes' boozing, the lost “Tonight Show” episodes and the rapier wit of Pat McCormick. Also, Dick chats up Zeppo (and Gummo!), Groucho proposes to Truman Capote, Jack Benny gets the last word and a young Dick meets his idol, Bob Hope. PLUS: Robert Q. Lewis! Claude Rains trivia! Remembering Sig Ruman! Gilbert and Dick share a milkshake! And George Jessel weighs in on Uncle Miltie's manhood! Learn more about your ad choices. Visit megaphone.fm/adchoices

A special episode of the Short Time Wrestling Podcast is actually a pilot episode of Inside the Circle, a podcast centered around wrestling officials and topics, hosted by NCAA wrestling official and Bloodround podcast co-host Tom Baranoski. Joining Baranoski on this pilot episode is Dr. Mike McCormick, the new NCAA National Coordinator of Officials, Mike McCormick and guest hosts J.R. Blose and Shane Risner. The crew will discuss the rule changes and interpretations as well as get to know McCormick in his new role, which he assumes after Tim Shiels retired from the position. McCormick knows the role well as his father, Dr. Pat McCormick, served in the position for almost three decades. Links to FollowJoin the Discord: https://www.mattalkonline.com/discordDaily Wrestling Newsletter: https://www.mattalkonline.com/newsContribute: https://www.mattalkonline.com/contributePatreon: https://www.patreon.com/mattalkonline The Short Time Time Wrestling Podcast is proudly supported by Compound Sportswear: https://www.mattalkonline.com/compound Quick Subscribe: https://www.Podfollow.com/shorttime Short Time Wrestling Podcast: Episode 740 – November 1, 2023

GGACP celebrates the birthday (b. September 19) of legendary songwriter and actor Paul Williams with this ENCORE of a memorable 2015 interview with Paul and screenwriter Tracey Jackson. In this episode, Paul and Tracey join the boys at the New York Friars Club to discuss a wide array of topics, including the “musicality” of comedy, the addiction of fame and the movies that changed Paul and Tracey's lives. Also, Paul auditions for The Monkees, Tracey hangs with Hunter S. Thompson and Gilbert “favors” Paul by performing some of his greatest hits. PLUS: John Byner! The Jewish Elvis! Robert Mitchum's bed! Tracey bootlegs a Paul Williams concert! And the return of Pat McCormick! Learn more about your ad choices. Visit megaphone.fm/adchoices

To mark September's National Chicken Month, GGACP presents this ENCORE of a 2017 conversation with one of the podcast's most popular guests, actor and comedian Ronnie Schell. In this episode, Ronnie entertains Gilbert and Frank with classic stories about co-stars and contemporaries Harvey Korman, Don Rickles, Mickey Rooney, Don Knotts, and of course, Pat McCormick. Also: Ol' Blue Eyes takes a punch, Lee Marvin comes up short, Bob Newhart plays the Sahara and Ronnie writes a check to the mob. PLUS: Jesse White! “The Devil and Max Devlin”! The brilliance of Jack Riley! The madness of Marty Ingels! And Gilbert meets Sid Melton (and his dog)!  Learn more about your ad choices. Visit megaphone.fm/adchoices

GGACP honors striking SAG-AFTRA members by posting this ENCORE of a 2021 interview with Emmy- and Oscar-nominated actor-director -- and former SAG-AFTRA president -- Richard Masur. In this episode, Richard talks about his years as a union leader, his 6-decade acting career, his numerous collaborations with mentor Norman Lear and his role in United Artists' infamous "Heaven's Gate." Also, Francis Ford Coppola welcomes feedback, Jack Nicholson replaces Mandy Patinkin, John Carpenter remakes "The Thing" and Richard shares drinks (and the screen) with GGACP favorite Pat McCormick. PLUS: "Scavenger Hunt”! “Hot l Baltimore"! Remembering Richard Farnsworth (and Ben Johnson)! The wisdom of Robert Preston! And Richard praises co-stars Gene Hackman, Sidney Poitier and Meryl Streep! Learn more about your ad choices. Visit megaphone.fm/adchoices

GGACP celebrates the life and career of legendary Oscar-winning actor Alan Arkin with this ENCORE of a 2020 interview with Alan and his son, Emmy-winning actor-director Adam Arkin. In this memorable episode, Adam and Alan talk about portraying villains, directing dark comedies, working with children, the precision of the Coen brothers and the Cold War politics of "The Russians Are Coming, The Russians Are Coming." Also, Pat McCormick hits the hard stuff, Groucho drops in on Second City, Stephen King praises "Wait Until Dark" and Alan (almost) directs "Blazing Saddles." PLUS: Captain Kangaroo! "Northern Exposure"! The brilliance of "The In-Laws"! Adam "reps" Chuck McCann! Alan records "The Banana Boat Song"! And Adam and Alan choose their favorite Arkin performances! (Special thanks to Marsha McManus, Estelle Lasher, Gino Salomone, Sherman Allen and John Murray) Learn more about your ad choices. Visit megaphone.fm/adchoices

RMR 0211: Special Guest, Ben Ashley, joins your hosts Dustin Melbardis and Russell Guest for the Retro Movie Roundtable as they revisit Smokey and the Bandit (1977) [PG] Genre: Action, Adventure, Comedy Starring: Burt Reynolds,Sally Field,Jerry Reed, Mike Henry, Paul Williams, Pat McCormick, Alfie Wise, George Reynolds, Macon McCalman, Linda McClure, Susie Ewing, Laura Lizer Sommers, Michael Mann, Lamar Jackson, Ronnie Gay, Quinnon Sheffield, Jackie Gleason   Director: Hal Needham Recorded on 2023-04-11

GGACP celebrates the birthday (February 4th) of veteran stage and screen actor John Schuck by revisiting this memorable interview from 2021. In this episode, John looks back at his six-decade career in show business and talks about turning down movie roles, guesting on game shows, canoodling with Elizabeth Taylor, portraying both Herman Munster and Daddy Warbucks and working alongside icons Robert Altman, Warren Beatty, George Burns, Richard Burton and Rock Hudson. Also, Bud Cort takes flight, James Mason goes bowling, Jack Riley and Pat McCormick whistle the national anthem and John pens a love letter to Betty Grable. PLUS: “Holmes and Yoyo'! The Old Philosopher! The magnificent mind of Leonard Stern! In praise of “Dick Tracy”! And John shares memories of Richard Deacon, Jack Gilford, James Karen and Werner Klemperer! Learn more about your ad choices. Visit megaphone.fm/adchoices

On Episode 127 of the RETROZEST podcast, Curtis continues the celebration the 45th anniversary of SMOKEY AND THE BANDIT (which was started on episode #101)! This film is a 1977 American road action comedy starring Burt Reynolds, Sally Field, Jackie Gleason, Jerry Reed, Pat McCormick, Paul Williams and Mike Henry. Assisting Curtis in this endeavor is a very special guest; CAYE JONES BARNETT! Caye portrayed "Caye Snow", the eldest daughter of Cledus "Snowman" Snow. She was chosen for the part because the house (exterior and interior) which was used as the home of Snowman's family on North Avenue in Jonesboro, GA was actually where Caye and her family lived at the time! She is now a semi-regular guest for East Bound and Down: The Ultimate Smokey and the Bandit Tribute. Check out their Website and their Facebook Page. Additionally, Mr. Retrovere shares this week's Retro News segment. For a more detailed documentary about Smokey and the Bandit, check out THE BANDIT on Amazon Video! Incidentally, you may help the RetroZest podcast by purchasing a unique SMOKEY AND THE BANDIT T-Shirt or two (many different designs and colors!) from our store at store.retrozest.com/smokey. You may also help the RetroZest Podcast by purchasing a Celebrity Video Message gift for a friend/family member from CelebVM! Choose from celebrities like Barry Williams, Gary Busey, Ernie Hudson, Robert Fripp, Right Said Fred, etc.! Simply enter their website through our portal store.retrozest.com/celebvm, and shop as you normally would; it's no extra cost to you at all! Contact Curtis at podcast@retrozest.com, or via Facebook, Twitter or Instagram. Also, check us out on TikTok!

GGACP celebrates the birthday (November 22) of 6-time guest and friend of the podcast Richard Kind with this ENCORE of his very first appearance from back in 2015. In this episode, Richard discusses the evils of censorship, the joy of onscreen female nudity, the demented genius of Pat McCormick and the early hits (and misses) of Gilbert's stand-up career. Also, Richard auditions for "Cruising," duets with Jose Ferrer, gets "punk'd" by George Clooney and pays his respects to Soupy Sales. PLUS: Conrad Veidt! "The Island of Dr. Moreau"! The many talents of Charles Nelson Reilly! Forrest Tucker plays the back "nine"! Jack Benny lusts after Gina Lollobrigida! And Tony Curtis shares a snack with Captain Stubing! Learn more about your ad choices. Visit megaphone.fm/adchoices

GGACP celebrates the birthday of screen legend Alan Ladd (September 3rd) with an ENCORE of a 2017 interview with comedian and actor Ronnie Schell. In this episode, Ronnie remembers his early days on the club circuit, recalls decades-long friendships with funnymen Bill Dana, Pat McCormick and Harvey Korman and discusses his memorable role as Gomer Pyle's bunkmate, Duke Slater. Also, Ronnie reminisces about sharing the big and small screen with Andy Griffith, Redd Foxx, Rodney Dangerfield, Tony Curtis, Goldie Hawn, George Carlin and even Groucho Marx. PLUS: Billy De Wolfe! The Kingston Trio! The reclusive Jack Burns! Sinatra drops by the Blue Angel! And the prodigious talents of Theodore Bikel! Learn more about your ad choices. Visit megaphone.fm/adchoices

Drive-in theaters are a rare, retro throwback to the golden age of cinema. Join the Watching Wyrd team this week as we go back in time to movies we should have seen at the Drive-In. Southern Comfort is a 1981 American thriller film that stars Keith Carradine, Powers Boothe, Fred Ward, T. K. Carter, Franklyn Seales and Peter Coyote. The film, set in 1973, features a Louisiana Army National Guard squad of nine from an infantry unit on weekend maneuvers in rural bayou country as they antagonize some local Cajun people and become hunted. Death Race 2000 is a 1975 American science fiction action film produced by Roger Corman, directed by Paul Bartel, and starring David Carradine. The film takes place in a dystopian American society in the year 2000, where the murderous Transcontinental Road Race has become a form of national entertainment. Twister is a 1996 American epic disaster film directed by Jan de Bont from a screenplay by Michael Crichton and Anne-Marie Martin. It was produced by Crichton, Kathleen Kennedy and Ian Bryce, with Steven Spielberg, Walter Parkes, Laurie MacDonald, and Gerald R. Molen serving as executive producers. The film stars an ensemble cast that includes Helen Hunt, Bill Paxton, Jami Gertz, Cary Elwes, Philip Seymour Hoffman, Alan Ruck, Todd Field, and Jeremy Davies as a group of amateur but spirited storm chasers trying to deploy a tornado research device during a severe outbreak in Oklahoma. Twister was officially released in theaters on May 10, 1996. Smokey and the Bandit is a 1977 American road action comedy film starring Burt Reynolds, Sally Field, Jackie Gleason, Jerry Reed, Pat McCormick, Paul Williams and Mike Henry. The directorial debut of stuntman Hal Needham, the film follows Bo "Bandit" Darville (Reynolds) and Cledus "Snowman" Snow (Reed), two bootleggers attempting to illegally transport 400 cases of Coors beer from Texarkana to Atlanta. While the Snowman drives the truck carrying the beer, the Bandit drives a Pontiac Trans Am to distract law enforcement (called blocking) and keep the attention off the Snowman. During their run, they are pursued by Texas county sheriff Buford T. Justice (Gleason). Live Stream Thursdays at 10 pm EST/7 pm PST On Wyrd Realities Facebook, Twitter, and YouTube You can find us at linktr.ee/ wyrdrealities www.wyrdrealities.net --- Send in a voice message: https://anchor.fm/wyrd-realities/message Support this podcast: https://anchor.fm/wyrd-realities/support

GGACP celebrates Father's Day with this classic interview from 2020, featuring Emmy-winning actor-director Adam Arkin and Oscar-winning actor-director Alan Arkin. In this episode, Adam and Alan talk about portraying villains, directing dark comedies, working with children, the precision of the Coen brothers and the Cold War politics of "The Russians Are Coming, The Russians Are Coming." Also, Pat McCormick hits the hard stuff, Groucho drops in on Second City, Stephen King praises "Wait Until Dark" and Alan (almost) directs "Blazing Saddles." PLUS: Captain Kangaroo! "Northern Exposure"! The brilliance of "The In-Laws"! Adam "reps" Chuck McCann! Alan records "The Banana Boat Song"! And Adam and Alan choose their favorite Arkin performances! Learn more about your ad choices. Visit megaphone.fm/adchoices

On Episode 101 of the RETROZEST podcast, Curtis celebrates the 45th anniversary of SMOKEY AND THE BANDIT! This film is a 1977 American road action comedy starring Burt Reynolds, Sally Field, Jackie Gleason, Jerry Reed, Pat McCormick, Paul Williams and Mike Henry. Assisting Curtis in this endeavor are two very special guests: First of all, there's SUSIE McIVER EWING, who portrayed "Hot Pants Hilliard" in the film! Susie has a great story about how she got the role in SATB, as well as other details about her career, and the careers of her husband Bill Ewing and son Blake McIver. She has also appeared on such TV shows as The Six Million Dollar Man, Chico and the Man and Starsky & Hutch. She also had a small role in the 1975 film Shampoo. You may find Susie on Instagram, Twitter and Facebook. Also, LINDA McCLURE joins the fun as well! She portrayed "Waynette", the wife of Jerry Reed's character ("Snowman"), in the film! Linda was a close, personal friend of director Hal Needham, and has a lot of great stories about the production of SATB. She has appeared on such TV shows as The Paper Chase, Riptide and Highway to Heaven. Additionally, Mr. Retrovere shares this week's Retro News segment, as well as Landmark Celebrity Birthdays for the month of May 2022! For a more detailed documentary about Smokey and the Bandit, check out THE BANDIT on Amazon Video! Incidentally, you may help the RetroZest podcast by purchasing a unique SMOKEY AND THE BANDIT T-Shirt or two (many different designs and colors!) from our store at store.retrozest.com/smokey. Contact Curtis at podcast@retrozest.com, on the RETROZEST Facebook page (facebook.com/zestretro/) or on Twitter (twitter.com/RetroZest).

May's Jewish Heritage Month continues as GGACP revisits one of their funniest interviews out of 400+ with veteran comedy writer Ron Friedman (“Get Smart,” “The Odd Couple,” “All in the Family,” "Barney Miller") who worked with (and wrote for) everyone from Lucille Ball to Milton Berle to Danny Kaye to Orson Welles -- and has the war stories to show for it. Also, Herve Villechaize packs heat, Sammy Davis meets Charlie's Angels, Ron writes “Murder Can Hurt You!” and Pat McCormick takes a…”dip” in Jonathan Winters' pool. PLUS: Vaughn Meader! Stump and Stumpy! Christmas carols for Jewish people! Forrest Tucker introduces “the General”! And Ron creates Paul Lynde's Uncle Arthur! (Special thanks to Gino Salomone!) Learn more about your ad choices. Visit megaphone.fm/adchoices

Phil and Tom talk about early influences (Phil - Marx Brothers, Preston Sturges, Tom - Little Rascals, Bob Newhart, Johnny Carson, Woody Allen); Tom's father being head of ABC; taking ratings books to school; having Elizabeth Montgomery over for dinner); Phil gets the acting bug in high school and becomes a playwright in San Fransisco; Tom breaks his leg and watches Johnny Carson every night and dreams of being a writer; Tonight Show position opens up; Johnny's writers are not segregated; Tom writes desk pieces; Phil wrote for Hollywood Squares; Phil on having to write for each character; infamous lunch break; Saturday night is biggest night for TV; Tom writes for Cos; Phil writes for Perry Como & Andy Williams; both write for Rock 'n' America; Tom writes for Richard Pryor Show; Richard throws out all sketches written in pre-production; working with Richard Pryor; various sketches; Paul Mooney; Thicke of the Night; Ralph the runner; writer Jeremy Stevens car gets crushed by Robin Thicke; massive ton of unused sketches; Arnie Kogan; Alan Thicke make sure theme song plays in and out of commercials to get royalties; Fernwood Tonight; Norman Lear; Fred Willard; being head writer for 7 episodes of Saturday Night Live; Charles Rocket; small staff and budget hinders show; Michael O'Donoghue; Tom writes a sketch for Eddie Murphy; Phil and Tom officially become a writing team on The Redd Foxx Show (1986); Sinbad, Pamela Segall Adlon, recurring cast changes; learning about writing a sitcom on the fly; writing on of the most popular episodes of My Two Dads; Dick Butkus; Hooperman; John Ritter; writing their best script - Hooperman episode "Who Do You Truss"; Doogie Howser, MD; Mayim Bialik's first tv role; Drexell's Class; introducing America to Tupac, Jason Biggs, and Brittany Murphy; Drexell getting canceled and moving on to the show that replaced it, Martin; working with Martin Lawrence; The Wayans Brothers; "Detroit" John Witherspoon; Phil teaches pilot writing at UCLA Extension Campus; why writers need to create show Bibles today; Tom being retired; the famous Pat McCormick helicopter and streaking stories; --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Gilbert and Frank celebrate the 50th anniversary of Bob Fosse's 1972 masterwork "Cabaret" with this encore presentation from 2019 featuring Oscar and Tony-winning actor-singer Joel Grey. In this episode, Joel has a little fun at the co-hosts' expense while reminiscing about James Garner, Jack Gilford, Buck Henry and Lana Turner and promoting his Yiddish language version of "Fiddler on the Roof." Also: Rita Hayworth lights up the screen, Pat McCormick plays Grover Cleveland (!), Gilbert pulls out his George Jessel impression and Joel shares a stage with the great Eddie Cantor. PLUS: "Man on a Swing"! Hal Prince saves the day! The genius of Will Jordan! And Joel remembers his dad, the legendary Mickey Katz! Ship more in less time with ShipStation. Just go to ShipStation.com, click on the microphone at the top of the page, and type in GILBERT to get a 60-day free trial. That's 2 months FREE of no-hassle, stress-free shipping.   Visit athleticgreens.com/GILBERT for a FREE 1 year supply of immune-supporting Vitamin D AND 5 FREE travel packs with your first purchase. Take ownership over your health and pick up the ultimate daily nutritional insurance! Learn more about your ad choices. Visit megaphone.fm/adchoices

In this conclusion of a memorable two-part episode, veteran screen and stage actress Sally Struthers regales Gilbert and Frank with entertaining backstage tales from "All in the Family," "The Gilmore Girls" and the all-female production of Neil Simon's "The Odd Couple," while sharing personal recollections of Joan Crawford, David Frost, Betty Garrett, Liz Torres and her idol and hero Ruth Gordon. Also, Burgess Meredith philosophizes, Katharine Hepburn paints a birthday card, Sally "gooses" Dennis the Menace and Mel Blanc shows off his vanity license plate. PLUS: Burt Mustin! "Harold and Maude"! "The Great Houdini"! The genius of Rupert Holmes! Colonel Potter goes to Russia! And Sally dates the King of Rock 'n' Roll and...wait for it...Pat McCormick! Learn more about your ad choices. Visit megaphone.fm/adchoices

Tim Shiels began officiating full-time in 1988, working the regional and state tournaments in his home state of Minnesota. He began focusing on college officiating in 1989 and has worked 12 NCAA Division I national championships, seven NCAA Division II national championships, 19 NCAA Division III national championships, five national junior college tournaments and a National Association of Intercollegiate Athletics national tournament.  He has worked five NCAA DI finals and was selected as a Top 5 Official by the NCAA Officials Association for four years straight from 2012-2015. He served as the head official at the NCAA DIII national tournament six times and has worked nine National Wrestling Coaches Association Dual Meet Championships and nine Big Ten Championships. Shiels was elected in 2013 to be the first active official to serve on the NCAA Wrestling Rules Committee and has served as an evaluator of officials at the Minnesota state high school tournament since 2008. In 2015, he was named NCAA Wrestling's National Coordinator of Officials, replacing Hall of Fame official Dr. Pat McCormick, who held the position for 42 years.  Wrestling for his father, Hall of Fame coach Dick Shiels, at Faribault (Minnesota) High School, he qualified for the state tournament twice, placing fifth as a junior. After high school, Shiels lettered in wrestling and golf at Waldorf College, serving as team captain in wrestling. He then went to the University of Minnesota Morris where he earned All-American honors and helped his team finish third with a sixth-place finish at the NCAA Division III tournament in 1981. He had a career record of 106-41-1 and qualified for the National Junior College tournament twice at Waldorf and qualified for the NCAA DIII championships twice at Minnesota Morris.  At St. Olaf College from 1982 to 1988, Shiels coached six wrestling All-Americans and led the team to a 12th-place finish at the NCAA DIII tournament in 1986 and an 11th-place finish in 1987. Shiels was named Minnesota Intercollegiate Athletic Conference Coach of the Year in 1987 after his team won the All-Lutheran tournament and finished second at the MIAC tournament, 1/2 of a point behind champion St. Thomas. He received the Lifetime Service to Wrestling award from the Minnesota Chapter of the National Wrestling Hall of Fame in 2016. For his long-time career as a highly-respected official and his lifetime of involvement in wrestling Tim Shiels is inducted into The National Wrestling Hall of Fame as a Meritorious Official.

Tim Shiels began officiating full-time in 1988, working the regional and state tournaments in his home state of Minnesota. He began focusing on college officiating in 1989 and has worked 12 NCAA Division I national championships, seven NCAA Division II national championships, 19 NCAA Division III national championships, five national junior college tournaments and a National Association of Intercollegiate Athletics national tournament.   He has worked five NCAA DI finals and was selected as a Top 5 Official by the NCAA Officials Association for four years straight from 2012-2015. He served as the head official at the NCAA DIII national tournament six times and has worked nine National Wrestling Coaches Association Dual Meet Championships and nine Big Ten Championships. Shiels was elected in 2013 to be the first active official to serve on the NCAA Wrestling Rules Committee and has served as an evaluator of officials at the Minnesota state high school tournament since 2008. In 2015, he was named NCAA Wrestling's National Coordinator of Officials, replacing Hall of Fame official Dr. Pat McCormick, who held the position for 42 years.   Wrestling for his father, Hall of Fame coach Dick Shiels, at Faribault (Minnesota) High School, he qualified for the state tournament twice, placing fifth as a junior. After high school, Shiels lettered in wrestling and golf at Waldorf College, serving as team captain in wrestling. He then went to the University of Minnesota Morris where he earned All-American honors and helped his team finish third with a sixth-place finish at the NCAA Division III tournament in 1981. He had a career record of 106-41-1 and qualified for the National Junior College tournament twice at Waldorf and qualified for the NCAA DIII championships twice at Minnesota Morris.   At St. Olaf College from 1982 to 1988, Shiels coached six wrestling All-Americans and led the team to a 12th-place finish at the NCAA DIII tournament in 1986 and an 11th-place finish in 1987. Shiels was named Minnesota Intercollegiate Athletic Conference Coach of the Year in 1987 after his team won the All-Lutheran tournament and finished second at the MIAC tournament, 1/2 of a point behind champion St. Thomas. He received the Lifetime Service to Wrestling award from the Minnesota Chapter of the National Wrestling Hall of Fame in 2016.  For his long-time career as a highly-respected official and his lifetime of involvement in wrestling Tim Shiels is inducted into The National Wrestling Hall of Fame as a Meritorious Official. SUBSCRIBE TO THE SHOWApple Podcasts | Stitcher | Spreaker | iHeartRadio | Spotify | Google Podcasts | Android | RSS ContributeAnd if you're a fan of the extensive and broad-based reach of the shows on the Mat Talk Podcast Network, become a contributor today.. There are various levels of perks for the different levels of patronage. If you like wrestling content — scratch that — if you LOVE great wrestling content, consider becoming a contributor. How much you give is solely up to how much you believe it's worth to you. Recorded June 2021 in Stillwater, Oklahoma.

Veteran stage and screen actor John Schuck joins Gilbert and Frank for a look back at his 6-decade career in show business and a lively conversation about turning down movie roles, guesting on game shows, canoodling with Elizabeth Taylor, portraying both Herman Munster and Daddy Warbucks and working alongside icons Robert Altman, Warren Beatty, George Burns, Richard Burton and Rock Hudson. Also, Bud Cort takes flight, James Mason goes bowling, Jack Riley and Pat McCormick whistle the national anthem and John pens a love letter to Betty Grable. PLUS: "Holmes and Yoyo'! The Old Philosopher! The magnificent mind of Leonard Stern! In praise of "Dick Tracy"! And John shares memories of Richard Deacon, Jack Gilford, James Karen and Werner Klemperer! Learn more about your ad choices. Visit megaphone.fm/adchoices

Season One Episode Two of Leaders Lead The Podcast is upon us! In this episode, Hiram Figueroa Jr and TONY TAYLOR will be discussing leadership and inspiration with Navy Command Master Chief Patrick 'Pat' McCormick ! Pat is a leader worth following! He was born in Cottage Grove, Oregon. The day he graduated high school he was told to pack his stuff. Pat went to live with his uncle in Michigan and then joined the Navy. Pat has been in the Navy for 23 years! We hope you will join us during this very inspirational conversation! www.tonytaylorinspires.com #leadership #inspiration #podcast #publicspeaking #leadershipdevelopment #coaching

Actor, writer and comedian Gabe Kaplan (finally) joins Gilbert and Frank for a truly hilarious conversation about working strip clubs and Burlesque houses, meeting (and portraying) Groucho Marx, the clunkiness of the Dean Martin Roasts and the backstage drama of "Welcome Back Kotter." Also, Jack Carter buys a shirt, Buddy Hackett makes an omelet, Pat McCormick passes out on Jerry Lewis' couch and Gabe crosses paths with Jack Ruby and Golda Meir. PLUS: London Lee! The comedy of Buddy Mantia! "Battle of the Network Stars"! Howard Cosell narrates the Bible! Richard Pryor makes a run for it! And Gilbert auditions to play Chico Marx!? Learn more about your ad choices. Visit megaphone.fm/adchoices

All month, we're talking about Olympians. Tune in to hear incredible stories of women who either were in the Olympics or likely should have been!Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we’ll dive into the story behind one woman listeners may or may not know -- but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Leading Ladies, Activists, STEMinists,  Local Legends, and many more. Encyclopedia Womannica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures.Encyclopedia Womannica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Liz Smith, Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard and Lindsey Kratochwill. Special thanks to Shira Atkins, Carmen Borca-Carrillo, Taylor Williamson, and Ale Tejeda.We are offering free ad space on Wonder Media Network shows to organizations working towards social justice. For more information, please email Jenny at jenny@wondermedianetwork.com.Follow Wonder Media Network:WebsiteInstagramTwitter

Gilbert and Frank talk to Emmy- and Oscar-nominated actor-director Richard Masur about his 6-decade acting career, his years as president of the Screen Actors Guild, his numerous collaborations with mentor Norman Lear and his role in the infamous "Heaven's Gate." Also, Francis Ford Coppola welcomes feedback, Jack Nicholson replaces Mandy Patinkin, John Carpenter remakes "The Thing" and Richard shares drinks (and the screen) with Pat McCormick. PLUS: "Scavenger Hunt!" "Hot l Baltimore"! Remembering Ben Johnson! The wisdom of Robert Preston! And Richard praises co-stars Gene Hackman, Sidney Poitier and Meryl Streep! Learn more about your ad choices. Visit megaphone.fm/adchoices

Entertainment historian and bestselling author RICK LERTZMAN ("The Life and Times of Mickey Rooney") discusses his new book, "Deconstructing the Rat Pack: Joey, the Mob, and the Summit" and joins Gilbert and Frank for a fascinating conversation about the heyday of nightclubs, the glory days of Las Vegas and the cultural impact of Frank, Dean, Sammy, Joey and Peter. Also, Uncle Miltie whips it out (again), Sammy Davis blows through a fortune, Pat McCormick tanks "The Joey Bishop Show" and Jerry Lewis runs afoul of Sam "Momo" Giancana. PLUS: Sheldon Leonard! Louis Prima inspires Ol' Blue Eyes! Don Adams "borrows" from Bob Newhart! Rick hangs with Moe Howard (and Bud Abbott)! And the unknown reason behind Dean and Jerry's split? Learn more about your ad choices. Visit megaphone.fm/adchoices

Keith and Tommy sit down with... each other! We discuss what is going on currently in our lives, the show and some of our recent guests. Additionally, our good friend Pat McCormick drops in and we discuss shows he booked in Bucks County / Philadelphia, touring with Coheed and Cambria in their early days and more.

Gilbert and Frank are joined by Emmy-winning actor-director Adam Arkin and Oscar-winning actor-director Alan Arkin for a funny and fascinating conversation about portraying villains, directing dark comedies, working with children, the precision of the Coen brothers and the Cold War politics of "The Russians Are Coming, The Russians Are Coming." Also, Pat McCormick hits the hard stuff, Groucho drops in on Second City, Stephen King praises "Wait Until Dark" and Alan (almost) directs "Blazing Saddles." PLUS: Captain Kangaroo! "Northern Exposure"! The brilliance of "The In-Laws"! Adam "reps" Chuck McCann! Alan records "The Banana Boat Song"! And Adam and Alan choose their favorite Arkin performances! Learn more about your ad choices. Visit megaphone.fm/adchoices

It's our first episode in more than four months, out just in time to celebrate the 95th birthday of the one and only "Democracy of Ham an' Eggs!" Let your host Phil Leirness, and his faithful announcer Marc Hershon, guide you on this time travel expedition exploring the history, happening and colorful characters that comprise the story of the Los Angeles Breakfast Club. Club emcee Richard Gilson and Chicago Chapter member Diane Terenzio get the festivities started. The great Reverend Jim Brougher offers remembrances of the club's founding. Multiple gold-winning diver Pat McCormick regales the club members in 1984 with tales of Olympic glory. The Richard Earl Orchestra offers up a toe-tapping tune. Reverend Barbara Adams ruminates on Valentine's Day while taking us down the path that leads to our continuing "Adventures in Friendship". Club President Lily Leirness initiates new members AND previews what is on tap for March (as well as a Sunday night concert in April that is a yearly tradition no one will want to miss). All that plus a long-ago "banned" song, legendary actress Annette Andre sings the praises of the Breakfast Club, and beloved "Cathy" cartoonist Cathy Guisewite shares humorous pearls of wisdom. This is one birthday party you won't want to miss!

Our guest for this episode is Pat McCormick, co-founder, along with his daughter Allison, of AM:PM PR (ampmpr.com), a Portland public affairs and strategic communications firm. Pat has over 40 years of experience in Oregon politics and public affairs, working for an Oregon legislator and 18-year member of Congress from Oregon Les AuCoin, working as chief of staff to Oregon House Speaker Hardy Myers, and cofounding three firms. In 1999, he was honored by the Portland Chapter of the Public Relations Society of America with its William Marsh Award, recognizing a career of achievement in public relations. This episode features "Hammer," an original song by Hook & Anchor (soundcloud.com/hookandanchor).

Esta semana en #esofuesarcasmo el baño de el apartamento se sigue cayendo en cantos y ahora hasta una culebra se metió no se ni como. También hablamos de el odio que tengo en mi alma a las tiendas Kmart y porque estoy feliz que se van a ir a juste. En el proceso terminamos hablando de el legendario actor y escritor de comedia Pat McCormick.  Extra: El Actor, director, bailarín, escritor y uno de los astrólogos más reconocidos en el mundo Walter Mercado partió de el mundo de los morrales esta semana y lo hizo fuera de nuestra agenda solo para joder

Ronnie Schell discusses going with Carson, his friendships with Pat McCormick and Jim Nabors, Don Adams doing standup in SF, Bob Newhart, & being a contestant on You Bet Your Life in 1959.

This week: "The Tim Conway Show"! The legend of "Turn-On"! Tim teams with Ernie Anderson! Bill pens a "McHale's Navy" episode! And Arnie shares an office with Pat McCormick! Learn more about your ad choices. Visit megaphone.fm/adchoices

By popular demand, legendary television writer Ron Friedman ("The Odd Couple," "The Andy Griffith Show," "All in the Family," "Barney Miller") returns to discuss the structure of storytelling, the importance of escapism and the inspirations for Captain Marvel and the Sub-Mariner and to regale Gilbert and Frank with all-new stories about Lucille Ball, Lenny Bruce, Tony Randall, Danny Thomas and (of course) Pat McCormick. Also, Jack Benny takes a stand, Carol Wayne dodges a bullet, John Huston tangles with Errol Flynn and Ron remembers his friend, the late, great Stan Lee. PLUS: Stump and Stumpy! Herve Villechaize's doppelgänger! Marilyn Monroe converts! Buster Crabbe teams with Chuck McCann! And Ron kills off a beloved fictional character!  Learn more about your ad choices. Visit megaphone.fm/adchoices

We’re back from a long hiatus with a new episode of Just Throw! We’re on vacation in South Carolina where the weather has been warm with occasional rain. The audio quality isn’t as good as usual due to our remote location but it turned out ok. On this episode we discuss some new disc releases, a preview of our bag for 2019 including new putters we’re using, and a rundown of our vacation bags. What is a vacation bag? When traveling with the family it’s nice to carry a smaller bag for cargo space reasons. On top of that, we choose discs that we’re willing to leave behind if necessary. For instance, if a diamond back or rattlesnake is near my vacation disc I’m going to just move along. Shout out to: The Disc Golf Podcast – Joe and Robin discuss the latest in the PDGA, new discs, and review a disc and a beer. One of our favorite disc golf podcasts! Animal Mind Podcast – The former hosts of the Zen Disc Golf Podcast, podfather Pat McCormick and Zach Engelhart, discuss “how we can use our primal natures to develop a mind-body connection and find peace in our contemporary lives.” Check it out! We’ve resubmitted the podcast to iTunes and Google Play. When accepted, we will post details here on the blog. The post Just Throw – Away from home appeared first on Disc Golf Puttheads.

We sit down with Pat McCormick of The Partner Group!  We discuss real estate, home buying, and Pat's past! For more info visit www.partnergroupmt.com  Support us at www.patreon.com/jamieandtravispresent and check out the archive of episodes at www.jamieandtravispresent.com   

Oscar and Tony-winning actor Joel Grey drops by the studio to have a bit of fun at the co-hosts' expense, to share amusing anecdotes about Bob Fosse, Buck Henry, Larry Hagman and Lana Turner and to discuss his new Yiddish language version of "Fiddler on the Roof." Also, Rita Hayworth breaks hearts, Pat McCormick plays Grover Cleveland, Gilbert pulls out his George Jessel impression and Joel shares the stage with the late, great Eddie Cantor. PLUS: "Man on a Swing"! Loving Jack Gilford! (and James Garner)! Hal Prince saves the day! The genius of Will Jordan! And Joel remembers his dad, the legendary Mickey Katz! Learn more about your ad choices. Visit megaphone.fm/adchoices

Peter Isacksen joins Mark to discuss his Johnny appearance, working with Don Rickles on C.P.O. Sharkey, and his friendship with Pat McCormick.

Burt Reynolds ist tot! Aus diesem Grund haben wir uns mit Ein ausgekochtes Schlitzohr nicht nur einen seiner bekanntesten Filme vorgenommen, sondern auch sein Leben und seine Karriere etwas beleuchtet.

In celebration of Father's Day, Gilbert and Frank welcome Emmy-winning comedy writers Arnie and Jay Kogen ("The Carol Burnett Show," "Newhart," "The Simpsons," "Frasier") for a hilarious conversation about failed pilots, cheesy variety shows, the outrageousness of Pat McCormick and the "unwritten rules" of writing for television. Also, Soupy Sales takes flight, Jackie Mason takes offense, Garry Shandling gripes about the sunset and the Kogens party with the Jackson 5. PLUS: "Monkey World"! The genius of James L. Brooks! "The World's Oldest Fireman"! Jay reinterprets "The Aristocrats"! And Gilbert and Arnie remember "Thicke of the Night"! Learn more about your ad choices. Visit megaphone.fm/adchoices

Liz Torres joins Mark to discuss her Johnny appearances, guest host Burt Reynolds, going on a date with Pat McCormick, and becoming friends with an unknown Bette Midler.

Arnie Kogen joins Mark to discuss writing for The Tonight Show Starring Johnny Carson, his friendship with Pat McCormick, and writing for The Carol Burnett Show.

THIS WEEK WE TALK ABOUT JUSTICE LEAGUE ORIGINAL SCRIPT IDEAS, FONSECA GETS TO TALK WITH THE ROCK AND KEVIN HART ABOUT JUMANJI, Then we talk with two comic artists working on a Pat McCormick children's program Charley (inspired by Dennis Weaver's character Chester on Gunsmoke) and his sidekick Humphrey. Charley was a horse who wore a sea captain's hat, and Humphrey Hambone was a bulldog. In time, he'd added additional characters, "Sneezer," We give away more trips and of course will Start "Star Wars".

THIS WEEK WE TALK ABOUT JUSTICE LEAGUE ORIGINAL SCRIPT IDEAS, FONSECA GETS TO TALK WITH THE ROCK AND KEVIN HART ABOUT JUMANJI, Then we talk with two comic artists working on a Pat McCormick children's program Charley (inspired by Dennis Weaver's character Chester on Gunsmoke) and his sidekick Humphrey. Charley was a horse who wore a sea captain's hat, and Humphrey Hambone was a bulldog. In time, he'd added additional characters, "Sneezer," We give away more trips and of course will Start "Star Wars".

Paul Reiser and Jeff Sotzing discuss their new show There's...Johnny!, a funny and heartwarming coming of age series set amid the backstage antics on The Tonight Show with Johnny Carson.  They talk about bringing Carson to a new generation of TV viewers, meticulously recreating the look of The Tonight Show for There's...Johnny!, and building each episode around some of Johnny Carson's most iconic television moments.  Paul recalls his first appearance on Carson, Johnny’s impeccable sense of comedic timing, and his generosity to young comics like himself.  Jeff shares memories of his uncle Johnny and his time working on The Tonight Show including being there for Carson’s final episode.  Plus the antics of the legendary Pat McCormick, the time Johnny Carson foiled an extortion plot, and Tony Danza as the oh so cool Tonight Show producer Freddie deCordova. Season 1 of There’s...Johnny! is available on Hulu November 16. Keep up with Paul at www.paulreiser.com or on Twitter at @PaulReiser, and visit www.johnnycarson.com for memorable clips and other fun stuff from The Tonight Show with Johnny Carson. Today’s episode is sponsored by Nadex and Grasshopper.   Please take our new listener survey at www.podcastlistener.com/KICK.  

Tom Moore joins Mark to discuss writing for Johnny in NY and Burbank, the backstory of Pat McCormick streaking during Johnny's monologue, and an awkward incident involving guest host Jerry Lewis.

Hank Bradford joins Mark to discuss being Johnny's head writer, doing standup on The Tonight Show, and his friendship with Pat McCormick.

Gilbert and Frank welcome one of their favorite funnymen, legendary writer-actor-director Buck Henry, who looks back on his 50+ year career and shares hilarious anecdotes about Orson Welles, James Mason, John Belushi and Jonathan Winters (among others). Also: Buck adapts "Catch-22," praises Richard Benjamin, invents the Cone of Silence, co-directs "Heaven Can Wait" and confirms the Pat McCormick helicopter story. PLUS: "Captain Nice"! "Samurai Delicatessen"! Claude Rains speaks! The hoaxes of Alan Abel! And Buck remembers "That Was the Week That Was"! Learn more about your ad choices. Visit megaphone.fm/adchoices

One of the podcast's most popular guests, actor and comedian Ronnie Schell returns to entertain Gilbert and Frank with classic stories about co-stars and contemporaries Harvey Korman, Don Rickles, Mickey Rooney, Don Knotts, and of course, Pat McCormick. Also: Ol' Blue Eyes takes a punch, Lee Marvin comes up short, Bob Newhart plays the Sahara and Ronnie writes a check to the mob. PLUS: Jesse White! "The Devil and Max Devlin"! The brilliance of Jack Riley! The madness of Marty Ingels! And Gilbert meets Sid Melton (and his dog)!  Learn more about your ad choices. Visit megaphone.fm/adchoices

Comedian and actor Ronnie Schell has shared the stage and screen with virtually everyone in show business, including Andy Griffith, Carl Reiner, Redd Foxx, Rodney Dangerfield, Goldie Hawn, George Carlin and even Groucho Marx. Gilbert and Frank track down Ronnie at his LA home to talk about his early days on the nightclub circuit, his decades-long friendships with legendary funnymen Bill Dana, Pat McCormick and Harvey Korman and his memorable role as Gomer Pyle's bunkmate, Duke Slater. PLUS: Billy De Wolfe! The Kingston Trio! The reclusive Jack Burns! Sinatra drops by the Blue Angel! And the prodigious talents of Theodore Bikel! Learn more about your ad choices. Visit megaphone.fm/adchoices

Gilbert and Frank return to the NYC Podfest for a return engagement with their very first guest, legendary talk show host, comic and author Dick Cavett. In a lively (and LIVE) interview, Dick holds court on a host of topics, including World War II propaganda, John Cassavetes' boozing, the lost "Tonight Show" episodes and the rapier wit of Pat McCormick. Also, Dick chats up Zeppo (and Gummo!), Groucho proposes to Truman Capote, Jack Benny gets the last word and a young Dick meets his idol, Bob Hope. PLUS: Robert Q. Lewis! Claude Rains trivia! Remembering Sig Ruman! Gilbert and Dick share a milkshake! And George Jessel weighs in on Uncle Miltie's manhood! Learn more about your ad choices. Visit megaphone.fm/adchoices

The Golden State Warriors have been playing basketball for three weeks and they still haven't lost a game yet. Sal and Steiny take another dive inside the Warriors, perhaps professional sports' most exciting team, and try to figure out just when this team might lose. Steinmetz thinks the Warriors are playing differently this year -- with Curry playing more off the ball than on it. The result is that Curry is having a better year than last year, Draymond Green is now the team's primary playmaker and their offense is better than ever. The boys also talk about the Raiders' Aldon Smith, who was suspended for a year, the 49ers' future and why the "Big Game" isn't very much of a big game anymore -- even though it should be. And we're all very glad to hear that Bay Area icon Pat McCormick is alive and well.  

Screenwriter Tracey Jackson and legendary songwriter and actor Paul Williams join Gilbert and Frank at New York's famed Friars Club to talk about the launch of their new podcast and to cover a wide array of topics, including the "musicality" of comedy, the addiction of fame, and the movies that changed Paul and Tracey's lives. Also, Paul auditions for The Monkees, Tracey hangs with Hunter S. Thompson and Gilbert "favors" Paul by performing some of his greatest hits. PLUS: John Byner! The Jewish Elvis! Robert Mitchum's bed! Tracey bootlegs a Paul Williams concert! And the return of Pat McCormick! Learn more about your ad choices. Visit megaphone.fm/adchoices

Sitcom and movie actor (and unabashed "Amazing Colossal Podcast" fan) Richard Kind drops by Gilbert's apartment to check out GG's memorabilia collection and to join Gilbert and Frank for a spirited discussion of the evils of censorship, the joy of onscreen female nudity and the twisted genius of Pat McCormick. Also, Richard auditions for "Cruising," duets with Jose Ferrer, gets "punk'd" by George Clooney and pays his respects to Soupy Sales. PLUS: Conrad Veidt! Professor Irwin Corey! Forrest Tucker plays the back "nine"! Jack Benny lusts after Gina Lollobrigida! And Tony Curtis dines with Captain Stubing! Learn more about your ad choices. Visit megaphone.fm/adchoices

More on Feynman, Science Topics, Obits: Shelby Foote, Pat McCormick

More on Feynman, Science Topics, Obits: Shelby Foote, Pat McCormick