Podcast appearances and mentions of Martin Puchner

Nicht nur die Rechte propagiert kulturelle Reinheit: Auch den "woken" Kampf gegen „kulturelle Aneignung“ erlebt Martin Puchner als ausgrenzend. In seinem neuen Buch zeigt der Literaturwissenschaftler, dass Kultur schon immer von Vermischung lebt. Puchner, Martin; Eilenberger, Wolfram www.deutschlandfunkkultur.de, Sein und Streit

Martin Puchner betont, dass Kultur nicht besessen, sondern weitergegeben wird und stets aus anderen Kulturen entsteht. Sein Buch plädiert gegen Purismus und für die Anerkennung kultureller Aneignung als natürlichen Prozess.

Der in Erlangen geborene deutschamerikanische Literaturwissenschaftler Martin Puchner lehrt in Harvard und legt mit "Kultur. Eine neue Geschichte der Welt" (Klett-Cotta) ein kurzweiliges Buch über die weltweite Verflechtung verschiedenster Kulturräume vor. Eine Historie von Verschmelzung, Konflikten, Umwälzungen und wechselseitiger Befruchtung, die zeigt: Kulturgeschichte ist die Geschichte permanenter kultureller Anleihen und Aneignungen. Ein Gespräch mit dem Autor / Baskische Tragödie: Fernando Aramburo und sein Roman "Der Junge" (Rowohlt) erzählt von einer Gasexplosion und ihren Folgen / Willkommen im Reich der Zombies: Anne de Marckens preisgekrönter Roman "Es währt für immer und dann ist es vorbei" (Suhrkamp). Eine Rezension / "Gespensterfische": Svealena Kutschke lässt ihren neuen Roman in einer psychiatrischen Anstalt spielen (Schöffling & Co). Eine Kritik / Das literarische Rätsel

Jantschek, Thorsten www.deutschlandfunkkultur.de, Studio 9

Jantschek, Thorsten www.deutschlandfunkkultur.de, Studio 9

Jantschek, Thorsten www.deutschlandfunkkultur.de, Studio 9

Jantschek, Thorsten www.deutschlandfunkkultur.de, Studio 9

Hubert, Martin www.deutschlandfunk.de, Andruck - Das Magazin für Politische Literatur

Der Literaturwissenschaftler Martin Puchner studierte in Konstanz, Bologna und Santa Barbara und lehrt als Professor für Komparatistik und Englisch an der Harvard University.Er ist der Herausgeber der Norton Anthology of World Literature und Autor von Büchern wie „Literature for a Changing Planet“, „Die Sprache der Vagabunden“ und „Die Macht der Schrift: Wie Literatur die Geschichte der Menschheit formte“.Sein neues Buch „Kultur - Eine neue Geschichte der Welt“ ist im April 2025 bei Klett Cotta erschienen.Ein Gespräch über die Illusion originärer Kulturen, halluzinierende Chatbots, Zeitkapseln wie die Chauvet Höhle oder Pompeji, über die Future Library in Oslo, kulturelle Aneignung und den Umgang mit Raubkunst und wie die digitale Globalisierung zu einer Homogenisierung der Kultur beiträgt.Martin Puchner ließt:​04.2025 DAI Heidelberg​05.2025 American Academy Berlin​05.2025 Amerikahaus MünchenInfos & Links zur FolgeHomepage von Martin PuchnerBuch: Kultur - Eine neue Geschichte der Welt (bei Klett-Cotta)WeiterhörenFolge .223 mit Martin Puchner über Sprache, Kultur und das Gilgamesch-Epos ⁠⁠bei Apple Podcasts | ⁠⁠bei SpotifyFolge .237 Ägypten, eine Reise ⁠⁠bei Apple Podcasts | ⁠⁠bei SpotifyInfos & Links zum Podcast⁠⁠

Is genuine originality a realistic goal for artists?From fashion to fantasy, entertainment to enterprise, we seek the 'new' as the means to originality, change, and creativity. And for the most part, we imagine the new is always identifiable as a radical break from the past. But the nature of the new is more elusive and unknown than it first appears. Is the new an illusion, and the search for originality a mistake? Should creative endeavour be focussed on other goals, such as the timeless, the provocative, and the beautiful? Or is the new an essential part of life, creativity and action, without which we would have mere passive re-orderings of the known?Martin Puchner is a literary critic and philosopher. He is the Byron and Anita Wien Chair of Drama and of English and Comparative Literature at Harvard University. Claire Hynes is Associate Professor in Literature & Creative Writing at the University of East Anglia, and an author of fiction and creative non-fiction. Stanley Fish is a literary critic, legal scholar, and public intellectual. Renowned for his role in developing reader-response theory in literary studies, Fish has written on a wide range of topics including the poetry of John Milton, the distinction between free speech and academic freedom, and the doctrine of liberalism. And don't hesitate to email us at podcast@iai.tv with your thoughts or questions on the episode!To witness such debates live buy tickets for our upcoming festival: https://howthelightgetsin.org/festivals/And visit our website for many more articles, videos, and podcasts like this one: https://iai.tv/You can find everything we referenced here: https://linktr.ee/philosophyforourtimesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Gen AI is nothing new; it's just a natural continuation of the historical practices of cultural mixing and preservation. This is the argument from Martin Puchner, Harvard professor and award-winning author. In this episode, Carla Buzasi, WGSN's CEO, and Martin discuss the evolution of culture in the context of Gen AI and digital advancements.Listen to learn about the emotional responses to Gen AI, the implications for copyright and artistic integrity, and how tech influences access to culture

Wenn Martin Puchner an Künstliche Intelligenz (KI) denkt, katapultieren ihn seine Gedanken nicht in die Zukunft, sondern weit zurück in die Vergangenheit. Denn für den Literaturwissenschaftler bietet die Fähigkeiten von KI eine der besten Möglichkeiten, die Geschichte der Menschheit neu zu interpretieren. „KI ist kein Alien, das plötzlich auftaucht. Es ist einfach die neueste Version von Schrift, Mathematik und Symbolen, die wir seit Tausenden von Jahren nutzen“, erzählt er im DLD-Spezial von Wunderbar Together. Und, auch wenn es leicht sei, darauf hereinzufallen: „Man muss der Katastrophenerzählung widerstehen.“

Amidst all the doom and gloom of the current zeitgeist, Harvard University literature professor & DLD 2025 speaker Martin Puchner remains cautiously optimistic about our high tech future. Reflecting on cultural and technological changes over the past 20 years. Puchner explains how digital technology has transformed academic research and teaching since 2005, noting how the internet has made obscure texts more accessible and changed how scholars work. While acknowledging concerns about declining humanities enrollment and student reading habits, Puchner maintains a cautiously optimistic outlook. He observes that while fewer top students choose to study literature, there's been a growth in public engagement with humanities through book clubs, podcasts, and adult education. Puchner offers nuanced perspectives on several contemporary issues, including the rise of student anxiety (which he attributes more to psycho-pharmaceuticals than technology), the paradox of people valuing reading while actually reading less, and the role of AI in education. He suggests that AI's ability to summarize texts might complement rather than replace deep reading, particularly for fiction where the reading experience itself is central. Looking ahead to 2045, Puchner is particularly optimistic about education's future, believing that interactive online platforms and AI could help democratize high-quality education globally. However, he maintains that human teachers will remain essential due to the affective, interpersonal nature of education—something demonstrated during COVID-19 when in-person interaction was lost. He sees technology as augmenting rather than replacing traditional educational experiences, much as print didn't eliminate lectures and film didn't replace theater.Martin Puchner, the Byron and Anita Wien Professor at Harvard University, is a prize-winning author, educator, public speaker, and institution builder in the arts and humanities. His writings range from philosophy and theater to culture and technology and have been translated into many languages. Through his best-selling Norton Anthology of World Literature and his HarvardX MOOC Masterpieces of World Literature, he has brought four thousand years of literature to audiences across the globe. His book, The Written World, which tells the story of literature from the invention of writing to the Internet, has been widely reviewed in The New York Times, The Times (London), the Financial Times, The Times Literary Supplement, The Atlantic, The Economist, among others, covered on radio and television, and has been translated into over twenty languages. It appeared on the Wall Street Journal bestseller list and received the Massachusetts Book Award. His book The Language of Thieves has been praised as an unusual combination of scholarship and memoir, and the writing, compared to Stevenson's Treasure Island and Tolkien's Lord of the Rings. An adventurous foray into the philosophy of language, it is also a reckoning with Germany's past. His book Literature for a Changing Planet is based on the inaugural Oxford University Lectures in European History, delivered in November 2019, has been reviewed in the Financial Times, The New York Review of Books and other venues. It calls for a new approach to storytelling and climate change. His most recent book, Culture: The Story of Us, tells a global history of culture that raises fundamental questions about how culture works, and how different cultures should relate to one another. In hundreds of lectures and workshops from the Arctic Circle to Brazil and from the Middle East to China, he has advocated for the arts and humanities in a changing world. At Harvard, he has instituted these ideas in a new program in theater, dance and media as well as in the Mellon School of Theater and Performance Research, which lasted from 2010-2022. Among his prizes are a Guggenheim Fellowship, fellowships at the Institute for Advanced Study in Berlin and at the Cullman Center at the New York Public Library, the Berlin Prize, and the 2021 Humboldt Prize. He is a permanent member of the European Academy.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Kulturni, umetniški dosežki, spoznanja in znanja, vedenja, predstave, ideje, verovanja, pravni dokumenti, etični kodeksi, nenazadnje politični in družbeni sistemi, so se po različnih civilizacijah širili neovirano, krožili nenačrtno, z navdušenimi posamezniki, z državnimi podporami, včasih pa so poniknili in bili znova najdeni in izumljeni, neredko, sploh v primerih imperializma in kolonializma, tudi izkoreninjeni. Tokrat bo osvetljenih nekaj zgodovinsnko izjemnih trenutkov vznemirljivega in presenetljivega povezovanja ter medcivilizacijskega prenašanja vzorcev kulture in njenih elementov, zaradi miroljubne vedoželjnosti ali preračunljivega koristoljubja. Pred časom je namreč izšla mojstrovina, knjiga z naslovom Kultura, s podnasovom Nova svetovna zgodovina, slovitega avtorja Martina Puchnerja. Naj gre za namerne ali nenamerne komunikacije, interakcije, izposoje ali delitve, avtor, ki ne daje prednosti evropskim umetniškim, kulturnim ali tehničnim dosežkom, meni, da ni toliko pomebna izvirnost, kje in kako je določen fenomen nastal, ampak je pomembno, da produkte kulture ohranjamo in si jih ne lastimo; kultura namreč ni muzejski predmet, ampak prepletajoča se mreža v nastajanju in spreminjanju.  Gost: dr. Peter Purg, sicer dekan Fakultete za humanistiko Univerze v Novi Gorici in izredni profesor za Nove medije na Akademiji umetnosti, ki je doktoriral je iz medijske umetnosti ter komunikoloških in literarnih ved na Univerzi v Erfurtu, ukvarja se z intermedijsko in raziskovalno umetnostjo, zanimajo ga vloge humanistike in umetnosti v ekologiji in idejah odrasti, pri socialnih inovacijah ter skupnostnih praksah. Bil je tudi član skupine za pripravo kandidature Nove Gorice z Gorico za evropsko prestolnico kulture 2025. foto: Wikipedia

Der Literaturwissenschaftler Hans Martin Puchner studierte in Konstanz, Bologna und Santa Barbara, lehrt Komparatistik and der Harvard University und ist der Autor von Büchern wie „Literature for a Changing Planet“, „Die Sprache der Vagabunden“ und dem, im kommenden April erscheinenden „Kultur - Eine neue Geschichte der Welt“. Ein Gespräch über Schöpfungsmythen und kulturelle Aneignung, archäologische Ausgrabungen im Irak und seine Reise nach Uruk, über Umweltaktivismus in Mossul, über die Anfänge der Schrift, die Aktualität des Gilgamesh Epos und warum sich dieser erste, der Menschheit bekannte Text mit der Zerstörung der Umwelt auseinander setzt. Infos & Links zur Folge Homepage von Martin Puchner Buch: Kultur - Eine neue Geschichte der Welt (bei Klett-Cotta) Infos & Links zum Podcast ⁠⁠

One of the hallmarks of humanity is our ability to pass down cultural information and knowledge over thousands of years. Philosopher and author Martin Puchner says the lifeblood of culture lies in how we take pieces of information and combine them into new ideas and ways of inhabiting the world. Martin talks with Lilah about how that culture is formed, and how he sees the emergence of generative AI as a new tool for remixing cultural ideas from human history. This conversation was recorded in front of a live audience at the FT Weekend Festival in Washington, DC. -------We love hearing from you. Lilah is on Instagram @lilahrap and we're on X @lifeandartpod. You can email the show at lifeandart@ft.com.-------Links (all FT links get you past the paywall): – Martin's custom GPTs where you can chat with Socrates or the Buddha, and more: https://www.martinpuchner.com/custom-gpts-and-online-education.html – Martin's book on culture: https://www.martinpuchner.com/culture-story-of-us.html – The FT's John Thornhill on Martin's work: https://on.ft.com/3JQEf29-------Special FT subscription offers for Life and Art podcast listeners, from 50% off a digital subscription to a $1/£1/€1 trial, are here: http://ft.com/lifeandart------Original music by Metaphor Music. Mixing and sound design by Breen Turner and Sam GiovincoRead a transcript of this episode on FT.com Hosted on Acast. See acast.com/privacy for more information.

Geschichten können vieles: berühren, sensibilisieren, mitreissen. Die Fünf-vor-zwölf-Rhetorik tut nichts davon, sagt Martin Puchner, Professor an der renommierten Harvard Universität. Wollen wir die Krisen unserer Zeit meistern, brauchen wir neue und bessere Erzählungen. Die Menschheit erzählt Geschichten, seit sie der Sprache mächtig ist. Erforscht man die Weltliteratur, erforscht man deshalb immer auch sich selbst. Für Martin Puchner, Professor für Literaturwissenschaft und Komparatistik an der renommierten Harvard Universität in den USA, liegen in diesen Zeugnissen die Schlüssel zum Verständnis heutiger Krisen. So ist bereits das Gilgamesch-Epos, das rund 4000 Jahre alt ist, eine Katastrophenerzählung, wie sie Hollywood nicht besser erzählen könnte. In der Bewegung der «Prepper», die sich zu Selbstversorgern ausbilden, um beim grossen Showdown zu überleben, erkennt Puchner die Wiederbelebung des Mythos von Noah, der sich und seine Lieben mit einer Arche rettete. In unseren Geschichten erkennen wir aber nicht nur uns selbst, mit Geschichten können wir uns auch neu erfinden. Die Frage ist bloss: Welche Narrative prägen die Zukunft – und welche Medien? Denken wir weit in die Zukunft, wird die Menschheitsgeschichte irgendwann ein leises Kräuseln auf dem Ozean der Ewigkeit gewesen sein. In Zeitkapseln werden heute Botschaften versteckt für Zivilisationen, die vielleicht nach uns kommen. Doch wird sie je jemand entziffern können – und vor allem: Warum wird das getan? Barbara Bleisch trifft den umtriebigen Harvard-Professor am Zürcher Philosophie Festival zum Gespräch.

Geschichten können vieles: berühren, sensibilisieren, mitreissen. Die Fünf-vor-zwölf-Rhetorik tut nichts davon, sagt Martin Puchner, Professor an der renommierten Harvard Universität. Wollen wir die Krisen unserer Zeit meistern, brauchen wir neue und bessere Erzählungen. Die Menschheit erzählt Geschichten, seit sie der Sprache mächtig ist. Erforscht man die Weltliteratur, erforscht man deshalb immer auch sich selbst. Für Martin Puchner, Professor für Literaturwissenschaft und Komparatistik an der renommierten Harvard Universität in den USA, liegen in diesen Zeugnissen die Schlüssel zum Verständnis heutiger Krisen. So ist bereits das Gilgamesch-Epos, das rund 4000 Jahre alt ist, eine Katastrophenerzählung, wie sie Hollywood nicht besser erzählen könnte. In der Bewegung der «Prepper», die sich zu Selbstversorgern ausbilden, um beim grossen Showdown zu überleben, erkennt Puchner die Wiederbelebung des Mythos von Noah, der sich und seine Lieben mit einer Arche rettete. In unseren Geschichten erkennen wir aber nicht nur uns selbst, mit Geschichten können wir uns auch neu erfinden. Die Frage ist bloss: Welche Narrative prägen die Zukunft – und welche Medien? Denken wir weit in die Zukunft, wird die Menschheitsgeschichte irgendwann ein leises Kräuseln auf dem Ozean der Ewigkeit gewesen sein. In Zeitkapseln werden heute Botschaften versteckt für Zivilisationen, die vielleicht nach uns kommen. Doch wird sie je jemand entziffern können – und vor allem: Warum wird das getan? Barbara Bleisch trifft den umtriebigen Harvard-Professor am Zürcher Philosophie Festival zum Gespräch.

EPISODE 1936: In this special KEEN ON show from DLD in Munich, Andrew talks to Martin Puchner, author of CULTURE: THE STORY OF US, FROM CAVE ART TO K-POP, about on the future of artistic creativity in the age of the smart machine​Martin Puchner, the Byron and Anita Wien Professor at Harvard University, is a prize-winning author, educator, public speaker, and institution builder in the arts and humanities. His writings range from philosophy and theater to culture and technology and have been translated into many languages. Through his best-selling Norton Anthology of World Literature and his HarvardX MOOC Masterpieces of World Literature, he has brought four thousand years of literature to audiences across the globe. His book, The Written World, which tells the story of literature from the invention of writing to the Internet, has been widely reviewed in The New York Times, The Times (London), the Financial Times, The Times Literary Supplement, The Atlantic, The Economist, among others, covered on radio and television, and has been translated into some twenty languages. It appeared on the Wall Street Journal bestseller list and received the Massachusetts Book Award. His book The Language of Thieves has been praised as an unusual combination of scholarship and memoir, and the writing, compared to Stevenson's Treasure Island and Tolkien's Lord of the Rings. An adventurous foray into the philosophy of language, it is also a reckoning with Germany's past. His book Literature for a Changing Planet is based on the inaugural Oxford University Lectures in European History, delivered in November 2019, has been reviewed in the Financial Times, The New York Review of Books and other venues. It calls for a new approach to storytelling and climate change. His most recent book, Culture: The Story of Us, tells a global history of culture that raises fundamental questions about how culture works, and how different cultures should relate to one another.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.

Recall This Book listeners already know the inimitable Martin Puchner (Professor of English and Theater at Harvard, editor of more than one Norton Anthology, and author of many prizewinning books) from that fabulous RTB episode about his “deep history” of literature and literacy, The Written World. And you know his feelings about Wodehouse from his Books in Dark Times confessions. Today you get to hear his views on culture as mediation and translation, all the way down. His utterly fascinating new book, Culture: The Story of Us from Cave Art to K Pop (Norton, 2023) argues that mediators, translators and transmitters are not just essential supplements, they are the whole kit and kaboodle—it is borrowing and appropriation all the way down. Mentioned in the episode: Cave art: Chauvet cave "Meaning rather than utility" (cf Werner Herzog's Cave of Forgotten Dreams) Recovery of Gilgamesh retold in David Damrosch's The Buried Book) David Ferry translation of Gilgamesh John Guillory's version of multiple forms of cultural transmission: "Monuments and Documents" William Blake, "Drive your cart and plough over the bones of the dead" Alex Ross writes eloquently in his book The Rest Is Noise about music's "pulverized modernity"; the revival of ancient culture in a reformulated, fragmented and reassembled from. Creolization as distinctively Caribbean (cf Glissant's notion of creolite ) Orlando Paterson, Slavery and Social Death (cf also Vincent Brown on the syncretism and continuity in Carribean deathways, Reaper's Garden) "Revenants of the past" as a way of understanding what scholars do: a phrase from Lorraine Daston's Rules--and was extensively discussed in the RTB conversation with Daston. Peter Brown Through the Eye of the Needle on monastic wealth and the rise of "mangerial bishops"--a topic that came up in his conversation with RTB. John presses the non-cenobitic tradition of the hermit monk, but Martin insists that most Church tradition shares his preference for the cenobitic or communal monastic tradition --even on Mt Athos. Recallable Books:  Sidney Mintz and Richard Price, The Birth of African-American Culture Richard Price, First Time (the dad of Leah Price?) Aphra Behn Oroonoko: or, The Royal Slave (1688) Roberto Calasso (an Umberto Eco sidekick?) The Marriage of Cadmus and Harmony  Read the episode here. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Recall This Book listeners already know the inimitable Martin Puchner (Professor of English and Theater at Harvard, editor of more than one Norton Anthology, and author of many prizewinning books) from that fabulous RTB episode about his “deep history” of literature and literacy, The Written World. And you know his feelings about Wodehouse from his Books in Dark Times confessions. Today you get to hear his views on culture as mediation and translation, all the way down. His utterly fascinating new book, Culture: The Story of Us from Cave Art to K Pop (Norton, 2023) argues that mediators, translators and transmitters are not just essential supplements, they are the whole kit and kaboodle—it is borrowing and appropriation all the way down. Mentioned in the episode: Cave art: Chauvet cave "Meaning rather than utility" (cf Werner Herzog's Cave of Forgotten Dreams) Recovery of Gilgamesh retold in David Damrosch's The Buried Book) David Ferry translation of Gilgamesh John Guillory's version of multiple forms of cultural transmission: "Monuments and Documents" William Blake, "Drive your cart and plough over the bones of the dead" Alex Ross writes eloquently in his book The Rest Is Noise about music's "pulverized modernity"; the revival of ancient culture in a reformulated, fragmented and reassembled from. Creolization as distinctively Caribbean (cf Glissant's notion of creolite ) Orlando Paterson, Slavery and Social Death (cf also Vincent Brown on the syncretism and continuity in Carribean deathways, Reaper's Garden) "Revenants of the past" as a way of understanding what scholars do: a phrase from Lorraine Daston's Rules--and was extensively discussed in the RTB conversation with Daston. Peter Brown Through the Eye of the Needle on monastic wealth and the rise of "mangerial bishops"--a topic that came up in his conversation with RTB. John presses the non-cenobitic tradition of the hermit monk, but Martin insists that most Church tradition shares his preference for the cenobitic or communal monastic tradition --even on Mt Athos. Recallable Books:  Sidney Mintz and Richard Price, The Birth of African-American Culture Richard Price, First Time (the dad of Leah Price?) Aphra Behn Oroonoko: or, The Royal Slave (1688) Roberto Calasso (an Umberto Eco sidekick?) The Marriage of Cadmus and Harmony  Read the episode here. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Recall This Book listeners already know the inimitable Martin Puchner (Professor of English and Theater at Harvard, editor of more than one Norton Anthology, and author of many prizewinning books) from that fabulous RTB episode about his “deep history” of literature and literacy, The Written World. And you know his feelings about Wodehouse from his Books in Dark Times confessions. Today you get to hear his views on culture as mediation and translation, all the way down. His utterly fascinating new book, Culture: The Story of Us from Cave Art to K Pop (Norton, 2023) argues that mediators, translators and transmitters are not just essential supplements, they are the whole kit and kaboodle—it is borrowing and appropriation all the way down. Mentioned in the episode: Cave art: Chauvet cave "Meaning rather than utility" (cf Werner Herzog's Cave of Forgotten Dreams) Recovery of Gilgamesh retold in David Damrosch's The Buried Book) David Ferry translation of Gilgamesh John Guillory's version of multiple forms of cultural transmission: "Monuments and Documents" William Blake, "Drive your cart and plough over the bones of the dead" Alex Ross writes eloquently in his book The Rest Is Noise about music's "pulverized modernity"; the revival of ancient culture in a reformulated, fragmented and reassembled from. Creolization as distinctively Caribbean (cf Glissant's notion of creolite ) Orlando Paterson, Slavery and Social Death (cf also Vincent Brown on the syncretism and continuity in Carribean deathways, Reaper's Garden) "Revenants of the past" as a way of understanding what scholars do: a phrase from Lorraine Daston's Rules--and was extensively discussed in the RTB conversation with Daston. Peter Brown Through the Eye of the Needle on monastic wealth and the rise of "mangerial bishops"--a topic that came up in his conversation with RTB. John presses the non-cenobitic tradition of the hermit monk, but Martin insists that most Church tradition shares his preference for the cenobitic or communal monastic tradition --even on Mt Athos. Recallable Books:  Sidney Mintz and Richard Price, The Birth of African-American Culture Richard Price, First Time (the dad of Leah Price?) Aphra Behn Oroonoko: or, The Royal Slave (1688) Roberto Calasso (an Umberto Eco sidekick?) The Marriage of Cadmus and Harmony  Read the episode here. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Recall This Book listeners already know the inimitable Martin Puchner (Professor of English and Theater at Harvard, editor of more than one Norton Anthology, and author of many prizewinning books) from that fabulous RTB episode about his “deep history” of literature and literacy, The Written World. And you know his feelings about Wodehouse from his Books in Dark Times confessions. Today you get to hear his views on culture as mediation and translation, all the way down. His utterly fascinating new book, Culture: The Story of Us from Cave Art to K Pop (Norton, 2023) argues that mediators, translators and transmitters are not just essential supplements, they are the whole kit and kaboodle—it is borrowing and appropriation all the way down. Mentioned in the episode: Cave art: Chauvet cave "Meaning rather than utility" (cf Werner Herzog's Cave of Forgotten Dreams) Recovery of Gilgamesh retold in David Damrosch's The Buried Book) David Ferry translation of Gilgamesh John Guillory's version of multiple forms of cultural transmission: "Monuments and Documents" William Blake, "Drive your cart and plough over the bones of the dead" Alex Ross writes eloquently in his book The Rest Is Noise about music's "pulverized modernity"; the revival of ancient culture in a reformulated, fragmented and reassembled from. Creolization as distinctively Caribbean (cf Glissant's notion of creolite ) Orlando Paterson, Slavery and Social Death (cf also Vincent Brown on the syncretism and continuity in Carribean deathways, Reaper's Garden) "Revenants of the past" as a way of understanding what scholars do: a phrase from Lorraine Daston's Rules--and was extensively discussed in the RTB conversation with Daston. Peter Brown Through the Eye of the Needle on monastic wealth and the rise of "mangerial bishops"--a topic that came up in his conversation with RTB. John presses the non-cenobitic tradition of the hermit monk, but Martin insists that most Church tradition shares his preference for the cenobitic or communal monastic tradition --even on Mt Athos. Recallable Books:  Sidney Mintz and Richard Price, The Birth of African-American Culture Richard Price, First Time (the dad of Leah Price?) Aphra Behn Oroonoko: or, The Royal Slave (1688) Roberto Calasso (an Umberto Eco sidekick?) The Marriage of Cadmus and Harmony  Read the episode here. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Recall This Book listeners already know the inimitable Martin Puchner (Professor of English and Theater at Harvard, editor of more than one Norton Anthology, and author of many prizewinning books) from that fabulous RTB episode about his “deep history” of literature and literacy, The Written World. And you know his feelings about Wodehouse from his Books in Dark Times confessions. Today you get to hear his views on culture as mediation and translation, all the way down. His utterly fascinating new book, Culture: The Story of Us from Cave Art to K Pop (Norton, 2023) argues that mediators, translators and transmitters are not just essential supplements, they are the whole kit and kaboodle—it is borrowing and appropriation all the way down. Mentioned in the episode: Cave art: Chauvet cave "Meaning rather than utility" (cf Werner Herzog's Cave of Forgotten Dreams) Recovery of Gilgamesh retold in David Damrosch's The Buried Book) David Ferry translation of Gilgamesh John Guillory's version of multiple forms of cultural transmission: "Monuments and Documents" William Blake, "Drive your cart and plough over the bones of the dead" Alex Ross writes eloquently in his book The Rest Is Noise about music's "pulverized modernity"; the revival of ancient culture in a reformulated, fragmented and reassembled from. Creolization as distinctively Caribbean (cf Glissant's notion of creolite ) Orlando Paterson, Slavery and Social Death (cf also Vincent Brown on the syncretism and continuity in Carribean deathways, Reaper's Garden) "Revenants of the past" as a way of understanding what scholars do: a phrase from Lorraine Daston's Rules--and was extensively discussed in the RTB conversation with Daston. Peter Brown Through the Eye of the Needle on monastic wealth and the rise of "mangerial bishops"--a topic that came up in his conversation with RTB. John presses the non-cenobitic tradition of the hermit monk, but Martin insists that most Church tradition shares his preference for the cenobitic or communal monastic tradition --even on Mt Athos. Recallable Books:  Sidney Mintz and Richard Price, The Birth of African-American Culture Richard Price, First Time (the dad of Leah Price?) Aphra Behn Oroonoko: or, The Royal Slave (1688) Roberto Calasso (an Umberto Eco sidekick?) The Marriage of Cadmus and Harmony  Read the episode here. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Recall This Book listeners already know the inimitable Martin Puchner (Professor of English and Theater at Harvard, editor of more than one Norton Anthology, and author of many prizewinning books) from that fabulous RTB episode about his “deep history” of literature and literacy, The Written World. And you know his feelings about Wodehouse from his Books in Dark Times confessions. Today you get to hear his views on culture as mediation and translation, all the way down. His utterly fascinating new book, Culture: The Story of Us from Cave Art to K Pop (Norton, 2023) argues that mediators, translators and transmitters are not just essential supplements, they are the whole kit and kaboodle—it is borrowing and appropriation all the way down. Mentioned in the episode: Cave art: Chauvet cave "Meaning rather than utility" (cf Werner Herzog's Cave of Forgotten Dreams) Recovery of Gilgamesh retold in David Damrosch's The Buried Book) David Ferry translation of Gilgamesh John Guillory's version of multiple forms of cultural transmission: "Monuments and Documents" William Blake, "Drive your cart and plough over the bones of the dead" Alex Ross writes eloquently in his book The Rest Is Noise about music's "pulverized modernity"; the revival of ancient culture in a reformulated, fragmented and reassembled from. Creolization as distinctively Caribbean (cf Glissant's notion of creolite ) Orlando Paterson, Slavery and Social Death (cf also Vincent Brown on the syncretism and continuity in Carribean deathways, Reaper's Garden) "Revenants of the past" as a way of understanding what scholars do: a phrase from Lorraine Daston's Rules--and was extensively discussed in the RTB conversation with Daston. Peter Brown Through the Eye of the Needle on monastic wealth and the rise of "mangerial bishops"--a topic that came up in his conversation with RTB. John presses the non-cenobitic tradition of the hermit monk, but Martin insists that most Church tradition shares his preference for the cenobitic or communal monastic tradition --even on Mt Athos. Recallable Books:  Sidney Mintz and Richard Price, The Birth of African-American Culture Richard Price, First Time (the dad of Leah Price?) Aphra Behn Oroonoko: or, The Royal Slave (1688) Roberto Calasso (an Umberto Eco sidekick?) The Marriage of Cadmus and Harmony  Read the episode here. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Recall This Book listeners already know the inimitable Martin Puchner (Professor of English and Theater at Harvard, editor of more than one Norton Anthology, and author of many prizewinning books) from that fabulous RTB episode about his “deep history” of literature and literacy, The Written World. And you know his feelings about Wodehouse from his Books in Dark Times confessions. Today you get to hear his views on culture as mediation and translation, all the way down. His utterly fascinating new book, Culture: The Story of Us from Cave Art to K Pop (Norton, 2023) argues that mediators, translators and transmitters are not just essential supplements, they are the whole kit and kaboodle—it is borrowing and appropriation all the way down. Mentioned in the episode: Cave art: Chauvet cave "Meaning rather than utility" (cf Werner Herzog's Cave of Forgotten Dreams) Recovery of Gilgamesh retold in David Damrosch's The Buried Book) David Ferry translation of Gilgamesh John Guillory's version of multiple forms of cultural transmission: "Monuments and Documents" William Blake, "Drive your cart and plough over the bones of the dead" Alex Ross writes eloquently in his book The Rest Is Noise about music's "pulverized modernity"; the revival of ancient culture in a reformulated, fragmented and reassembled from. Creolization as distinctively Caribbean (cf Glissant's notion of creolite ) Orlando Paterson, Slavery and Social Death (cf also Vincent Brown on the syncretism and continuity in Carribean deathways, Reaper's Garden) "Revenants of the past" as a way of understanding what scholars do: a phrase from Lorraine Daston's Rules--and was extensively discussed in the RTB conversation with Daston. Peter Brown Through the Eye of the Needle on monastic wealth and the rise of "mangerial bishops"--a topic that came up in his conversation with RTB. John presses the non-cenobitic tradition of the hermit monk, but Martin insists that most Church tradition shares his preference for the cenobitic or communal monastic tradition --even on Mt Athos. Recallable Books:  Sidney Mintz and Richard Price, The Birth of African-American Culture Richard Price, First Time (the dad of Leah Price?) Aphra Behn Oroonoko: or, The Royal Slave (1688) Roberto Calasso (an Umberto Eco sidekick?) The Marriage of Cadmus and Harmony  Read the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Recall This Book listeners already know the inimitable Martin Puchner (Professor of English and Theater at Harvard, editor of more than one Norton Anthology, and author of many prizewinning books) from that fabulous RTB episode about his “deep history” of literature and literacy, The Written World. And you know his feelings about Wodehouse from his Books in Dark Times confessions. Today you get to hear his views on culture as mediation and translation, all the way down. His utterly fascinating new book, Culture: The Story of Us from Cave Art to K Pop (Norton, 2023) argues that mediators, translators and transmitters are not just essential supplements, they are the whole kit and kaboodle—it is borrowing and appropriation all the way down. Mentioned in the episode: Cave art: Chauvet cave "Meaning rather than utility" (cf Werner Herzog's Cave of Forgotten Dreams) Recovery of Gilgamesh retold in David Damrosch's The Buried Book) David Ferry translation of Gilgamesh John Guillory's version of multiple forms of cultural transmission: "Monuments and Documents" William Blake, "Drive your cart and plough over the bones of the dead" Alex Ross writes eloquently in his book The Rest Is Noise about music's "pulverized modernity"; the revival of ancient culture in a reformulated, fragmented and reassembled from. Creolization as distinctively Caribbean (cf Glissant's notion of creolite ) Orlando Paterson, Slavery and Social Death (cf also Vincent Brown on the syncretism and continuity in Carribean deathways, Reaper's Garden) "Revenants of the past" as a way of understanding what scholars do: a phrase from Lorraine Daston's Rules--and was extensively discussed in the RTB conversation with Daston. Peter Brown Through the Eye of the Needle on monastic wealth and the rise of "mangerial bishops"--a topic that came up in his conversation with RTB. John presses the non-cenobitic tradition of the hermit monk, but Martin insists that most Church tradition shares his preference for the cenobitic or communal monastic tradition --even on Mt Athos. Recallable Books:  Sidney Mintz and Richard Price, The Birth of African-American Culture Richard Price, First Time (the dad of Leah Price?) Aphra Behn Oroonoko: or, The Royal Slave (1688) Roberto Calasso (an Umberto Eco sidekick?) The Marriage of Cadmus and Harmony  Read the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

EPISODE 1691: In this special KEEN ON show from DLD Circular, Andrew talks to Martin Puchner, professor of literature at Harvard, about why truthful stories about nature should have neither beginnings nor endings Martin Puchner is the Byron and Anita Wien Professor of English and Comparative Literature at Harvard University, where he also serves as the founding director of the Mellon School of Theater and Performance Research. Puchner completed his BA at the Universität Konstanz; MA at the University of California, Santa Barbara, and at UC Irvine; and PhD at Harvard University. A recent fellow of both the Guggenheim Foundation and Cullman Center, he has published over a dozen books and anthologies, including Poetry of the Revolution: Marx, Manifestos, and the Avant-Gardes (Princeton, 2006), which won the MLA's James Russell Lowell Award; The Drama of Ideas: Platonic Provocations in Theater and Philosophy (Oxford, 2010), awarded the Joe A. Callaway Prize and the Walter Channing Cabot Prize; and The Written World: How Literature Shaped Civilization (Random House, 2017). Puchner is the co-editor of Against Theatre: Creative Destructions on the Modernist Stage (Palgrave, 2006) and The Norton Anthology of Drama (2009), and the general editor of the Norton Anthology of World Literature. Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children. Learn more about your ad choices. Visit megaphone.fm/adchoices

In an age where the line between cultural appreciation and cultural appropriation seems ever more blurred, can anyone actually own a culture? In this conversation acclaimed author and public intellectual Martin Puchner explains that the history of mankind has always been a story of borrowing from one another and that this is something to be celebrated, not lamented. The idea of ownership implicit in debates about cultural appropriation, he argues, presents an insular tale about how culture evolves — flattening out the complicated textures of human history and, in the end, what truly makes us us. Our host for this discussion is Edward Wilson Lee, fellow and lecturer at Sidney Sussex College, University of Cambridge. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode is a live session from Jaipur Literature Festival 2023!

The Essentials That Make Culture What it Is, and Has Been.Dr. Martin Puchner joins us to talk about his new book, Culture: the Story of Us from Cave Art to K-Pop. It's a very important discussion about some of the crucial elements in creating culture: “storage,” “circulation,” and “mixture.” We talk about lots of cultural history, including cave paintings, art and literature “traveling” during imperial and colonial times, and the melange that has become modern pop culture. A real brainiac discussion! Episode 505.

EPISODE 1372: In this KEEN ON show, Andrew talks to the Harvard professor and author of CULTURE Martin Puchner about how culture - from cave art to K-Pop - is the syncretic story of all of us. Nobody has the "right" to it, he says. And we all "own" it. ​Martin Puchner, the Byron and Anita Wien Professor of English and Comparative Literature at Harvard University, is a prize-winning author, educator, public speaker, and institution builder in the arts and humanities. His writings range from philosophy and theater to world literature and culture and have been translated into many languages. Through his best-selling Norton Anthology of World Literature and his HarvardX MOOC Masterpieces of World Literature, he has brought four thousand years of literature to audiences across the globe. His new book, Culture: The Story of Us, tells a global history of culture that raises fundamental questions about how culture works, what good are the arts, and how different cultures should relate to one another.  Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children. ​ Learn more about your ad choices. Visit megaphone.fm/adchoices

Dive into a compelling discussion on culture's endless evolution with Nora Ami. Examining perspectives from Martin Puchner's book 'Culture. The Story of Us from Cave Art to K-Pop', Nora discusses how culture has always transcended borders and influenced identities. From the controversial restoration of a Hugo statue to the classic tales of Egyptian Queen Nefertiti, she illustrates how cultures have continuously been shaped and re-sharping by ongoing interactions. This episode is a must-listen for anyone interested in learning about the influence of cultural cross-pollination throughout history.

This is the final part of December's special audio essay series on The Epic of Gilgamesh! This week, Abigail breaks down the entire dang story — and really goes hard on why it's a love story you should care about. You can listen to it or read it at patreon.com/worksbyabigail.INCREDIBLE MUSIC FEATURED IN THIS EPISODE: Kingdom of Thirst's theme (sans sax) by the incomparable Andrew Machado! bit.ly/2L1LcCLRESOURCES:GILGAMESH by STEPHEN MITCHELL: https://amzn.to/3B2BWomFALL OF CIVILIZATIONS PODCAST - EPISODE 13: https://bit.ly/3ijDfsDFALL OF CIVILIZATIONS PODCAST - EPISODE 9: https://bit.ly/3VolZkQINANNA: QUEEN OF HEAVEN AND EARTH by DIANE WOLKSTEIN AND SAMUEL NOAH KRAMER: https://amzn.to/3XPgtt3EVERYDAY LIFE IN MESOPOTAMIA by JEAN BOTTERO: https://amzn.to/3uk0vtuEPIC OF GILGAMESH by ABED AZRIE: https://www.youtube.com/watch?v=9ARRP5i2nw8THE WRITTEN WORLD by MARTIN PUCHNER: https://bit.ly/3XSdRdIABIGAIL'S STUFF: https://linktr.ee/abigailkellyauthorKOT'S MERCH STORE: https://rdbl.co/2Vg6ZeACITIZENS OF THIRST DISCORD SERVER: https://bit.ly/30NsP8PTWITTER, FACEBOOK, & INSTAGRAM: @kingdomthirstKoT'S BOOKSHOP: bookshop.org/shop/kingdomthirstEMAIL: kingdomofthirst@gmail.comPO Box 460816San Francisco CA, United States94146-0816Kingdom of Thirst is a member of the Frolic Podcast Network! Find all our episodes and tons of new podcasts to enjoy at frolic.media/podcasts.

This is the third part of December's special audio essay series on The Epic of Gilgamesh! This week, Abigail tells you all about our favorite baby-man: Enkidu. He's more than a metaphor and he's too good for this world. You can listen to it or read it at patreon.com/worksbyabigail.INCREDIBLE MUSIC FEATURED IN THIS EPISODE: Kingdom of Thirst's theme (sans sax) by the incomparable Andrew Machado! bit.ly/2L1LcCLRESOURCES:GILGAMESH by STEPHEN MITCHELL: https://amzn.to/3B2BWomFALL OF CIVILIZATIONS PODCAST - EPISODE 13: https://bit.ly/3ijDfsDFALL OF CIVILIZATIONS PODCAST - EPISODE 9: https://bit.ly/3VolZkQINANNA: QUEEN OF HEAVEN AND EARTH by DIANE WOLKSTEIN AND SAMUEL NOAH KRAMER: https://amzn.to/3XPgtt3EVERYDAY LIFE IN MESOPOTAMIA by JEAN BOTTERO: https://amzn.to/3uk0vtuEPIC OF GILGAMESH by ABED AZRIE: https://www.youtube.com/watch?v=9ARRP5i2nw8THE WRITTEN WORLD by MARTIN PUCHNER: https://bit.ly/3XSdRdIABIGAIL'S STUFF: https://linktr.ee/abigailkellyauthorKOT'S MERCH STORE: https://rdbl.co/2Vg6ZeACITIZENS OF THIRST DISCORD SERVER: https://bit.ly/30NsP8PTWITTER, FACEBOOK, & INSTAGRAM: @kingdomthirstKoT'S BOOKSHOP: bookshop.org/shop/kingdomthirstEMAIL: kingdomofthirst@gmail.comPO Box 460816San Francisco CA, United States94146-0816Kingdom of Thirst is a member of the Frolic Podcast Network! Find all our episodes and tons of new podcasts to enjoy at frolic.media/podcasts.

This is the second part of December's special audio essay series on The Epic of Gilgamesh! This week, Abigail introduces you to romance's most unlikeable hero: Gilgamesh himself. Discussion includes seventeen foot tall men, charisma out the wazoo, and why this king's head is really, super-duper empty. You can listen to it or read it at patreon.com/worksbyabigail.INCREDIBLE MUSIC FEATURED IN THIS EPISODE: Kingdom of Thirst's theme (sans sax) by the incomparable Andrew Machado! bit.ly/2L1LcCLRESOURCES:GILGAMESH by STEPHEN MITCHELL: https://amzn.to/3B2BWomFALL OF CIVILIZATIONS PODCAST - EPISODE 13: https://bit.ly/3ijDfsDFALL OF CIVILIZATIONS PODCAST - EPISODE 9: https://bit.ly/3VolZkQINANNA: QUEEN OF HEAVEN AND EARTH by DIANE WOLKSTEIN AND SAMUEL NOAH KRAMER: https://amzn.to/3XPgtt3EVERYDAY LIFE IN MESOPOTAMIA by JEAN BOTTERO: https://amzn.to/3uk0vtuEPIC OF GILGAMESH by ABED AZRIE: https://www.youtube.com/watch?v=9ARRP5i2nw8THE WRITTEN WORLD by MARTIN PUCHNER: https://bit.ly/3XSdRdIABIGAIL'S STUFF: https://linktr.ee/abigailkellyauthorKOT'S MERCH STORE: https://rdbl.co/2Vg6ZeACITIZENS OF THIRST DISCORD SERVER: https://bit.ly/30NsP8PTWITTER, FACEBOOK, & INSTAGRAM: @kingdomthirstKoT'S BOOKSHOP: bookshop.org/shop/kingdomthirstEMAIL: kingdomofthirst@gmail.comPO Box 460816San Francisco CA, United States94146-0816Kingdom of Thirst is a member of the Frolic Podcast Network! Find all our episodes and tons of new podcasts to enjoy at frolic.media/podcasts.

This is the first part of December's special audio essay series on The Epic of Gilgamesh! This week, Abigail breaks down what it is, why it matters, and why you should maybe, possibly care about it. Discussion includes the world's first paranormal romance, plowing [REDACTED], and how Gorbie became Gorbie the Great. You can listen to it or read it at patreon.com/worksbyabigail.INCREDIBLE MUSIC FEATURED IN THIS EPISODE: Kingdom of Thirst's theme (sans sax) by the incomparable Andrew Machado! bit.ly/2L1LcCLRESOURCES:GILGAMESH by STEPHEN MITCHELL: https://amzn.to/3B2BWomFALL OF CIVILIZATIONS PODCAST - EPISODE 13: https://bit.ly/3ijDfsDFALL OF CIVILIZATIONS PODCAST - EPISODE 9: https://bit.ly/3VolZkQINANNA: QUEEN OF HEAVEN AND EARTH by DIANE WOLKSTEIN AND SAMUEL NOAH KRAMER: https://amzn.to/3XPgtt3EVERYDAY LIFE IN MESOPOTAMIA by JEAN BOTTERO: https://amzn.to/3uk0vtuEPIC OF GILGAMESH by ABED AZRIE: https://www.youtube.com/watch?v=9ARRP5i2nw8THE WRITTEN WORLD by MARTIN PUCHNER: https://bit.ly/3XSdRdIABIGAIL'S STUFF: https://linktr.ee/abigailkellyauthorKOT'S MERCH STORE: https://rdbl.co/2Vg6ZeACITIZENS OF THIRST DISCORD SERVER: https://bit.ly/30NsP8PTWITTER, FACEBOOK, & INSTAGRAM: @kingdomthirstKoT'S BOOKSHOP: bookshop.org/shop/kingdomthirstEMAIL: kingdomofthirst@gmail.comPO Box 460816San Francisco CA, United States94146-0816Kingdom of Thirst is a member of the Frolic Podcast Network! Find all our episodes and tons of new podcasts to enjoy at frolic.media/podcasts.

Why we must learn to tell new stories about our relationship with the earth if we are to avoid climate catastrophe.  Reading literature in a time of climate emergency can sometimes feel a bit like fiddling while Rome burns. Yet, at this turning point for the planet, scientists, policymakers, and activists have woken up to the power of stories in the fight against global warming.  In Literature for a Changing Planet (Princeton UP, 2022), Martin Puchner ranges across four thousand years of world literature to draw vital lessons about how we put ourselves on the path of climate change—and how we might change paths before it's too late. From the Epic of Gilgamesh and the West African Epic of Sunjata to the Communist Manifesto, Puchner reveals world literature in a new light—as an archive of environmental exploitation and a product of a way of life responsible for climate change. Literature depends on millennia of intensive agriculture, urbanization, and resource extraction, from the clay of ancient tablets to the silicon of e-readers. Yet literature also offers powerful ways to change attitudes toward the environment. Puchner uncovers the ecological thinking behind the idea of world literature since the early nineteenth century, proposes a new way of reading in a warming world, shows how literature can help us recognize our shared humanity, and discusses the possible futures of storytelling. If we are to avoid environmental disaster, we must learn to tell the story of humans as a species responsible for global warming. Filled with important insights about the fundamental relationship between storytelling and the environment, Literature for a Changing Planet is a clarion call for readers and writers who care about the fate of life on the planet. Prof. Martin Puchner is Byron and Anita Wien Professor of Drama and of English and Comparative Literature at Harvard University.  Gargi Binju is a researcher at the University of Tübingen. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Why we must learn to tell new stories about our relationship with the earth if we are to avoid climate catastrophe.  Reading literature in a time of climate emergency can sometimes feel a bit like fiddling while Rome burns. Yet, at this turning point for the planet, scientists, policymakers, and activists have woken up to the power of stories in the fight against global warming.  In Literature for a Changing Planet (Princeton UP, 2022), Martin Puchner ranges across four thousand years of world literature to draw vital lessons about how we put ourselves on the path of climate change—and how we might change paths before it's too late. From the Epic of Gilgamesh and the West African Epic of Sunjata to the Communist Manifesto, Puchner reveals world literature in a new light—as an archive of environmental exploitation and a product of a way of life responsible for climate change. Literature depends on millennia of intensive agriculture, urbanization, and resource extraction, from the clay of ancient tablets to the silicon of e-readers. Yet literature also offers powerful ways to change attitudes toward the environment. Puchner uncovers the ecological thinking behind the idea of world literature since the early nineteenth century, proposes a new way of reading in a warming world, shows how literature can help us recognize our shared humanity, and discusses the possible futures of storytelling. If we are to avoid environmental disaster, we must learn to tell the story of humans as a species responsible for global warming. Filled with important insights about the fundamental relationship between storytelling and the environment, Literature for a Changing Planet is a clarion call for readers and writers who care about the fate of life on the planet. Prof. Martin Puchner is Byron and Anita Wien Professor of Drama and of English and Comparative Literature at Harvard University.  Gargi Binju is a researcher at the University of Tübingen. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Why we must learn to tell new stories about our relationship with the earth if we are to avoid climate catastrophe.  Reading literature in a time of climate emergency can sometimes feel a bit like fiddling while Rome burns. Yet, at this turning point for the planet, scientists, policymakers, and activists have woken up to the power of stories in the fight against global warming.  In Literature for a Changing Planet (Princeton UP, 2022), Martin Puchner ranges across four thousand years of world literature to draw vital lessons about how we put ourselves on the path of climate change—and how we might change paths before it's too late. From the Epic of Gilgamesh and the West African Epic of Sunjata to the Communist Manifesto, Puchner reveals world literature in a new light—as an archive of environmental exploitation and a product of a way of life responsible for climate change. Literature depends on millennia of intensive agriculture, urbanization, and resource extraction, from the clay of ancient tablets to the silicon of e-readers. Yet literature also offers powerful ways to change attitudes toward the environment. Puchner uncovers the ecological thinking behind the idea of world literature since the early nineteenth century, proposes a new way of reading in a warming world, shows how literature can help us recognize our shared humanity, and discusses the possible futures of storytelling. If we are to avoid environmental disaster, we must learn to tell the story of humans as a species responsible for global warming. Filled with important insights about the fundamental relationship between storytelling and the environment, Literature for a Changing Planet is a clarion call for readers and writers who care about the fate of life on the planet. Prof. Martin Puchner is Byron and Anita Wien Professor of Drama and of English and Comparative Literature at Harvard University.  Gargi Binju is a researcher at the University of Tübingen. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

Why we must learn to tell new stories about our relationship with the earth if we are to avoid climate catastrophe.  Reading literature in a time of climate emergency can sometimes feel a bit like fiddling while Rome burns. Yet, at this turning point for the planet, scientists, policymakers, and activists have woken up to the power of stories in the fight against global warming.  In Literature for a Changing Planet (Princeton UP, 2022), Martin Puchner ranges across four thousand years of world literature to draw vital lessons about how we put ourselves on the path of climate change—and how we might change paths before it's too late. From the Epic of Gilgamesh and the West African Epic of Sunjata to the Communist Manifesto, Puchner reveals world literature in a new light—as an archive of environmental exploitation and a product of a way of life responsible for climate change. Literature depends on millennia of intensive agriculture, urbanization, and resource extraction, from the clay of ancient tablets to the silicon of e-readers. Yet literature also offers powerful ways to change attitudes toward the environment. Puchner uncovers the ecological thinking behind the idea of world literature since the early nineteenth century, proposes a new way of reading in a warming world, shows how literature can help us recognize our shared humanity, and discusses the possible futures of storytelling. If we are to avoid environmental disaster, we must learn to tell the story of humans as a species responsible for global warming. Filled with important insights about the fundamental relationship between storytelling and the environment, Literature for a Changing Planet is a clarion call for readers and writers who care about the fate of life on the planet. Prof. Martin Puchner is Byron and Anita Wien Professor of Drama and of English and Comparative Literature at Harvard University.  Gargi Binju is a researcher at the University of Tübingen. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Why we must learn to tell new stories about our relationship with the earth if we are to avoid climate catastrophe.  Reading literature in a time of climate emergency can sometimes feel a bit like fiddling while Rome burns. Yet, at this turning point for the planet, scientists, policymakers, and activists have woken up to the power of stories in the fight against global warming.  In Literature for a Changing Planet (Princeton UP, 2022), Martin Puchner ranges across four thousand years of world literature to draw vital lessons about how we put ourselves on the path of climate change—and how we might change paths before it's too late. From the Epic of Gilgamesh and the West African Epic of Sunjata to the Communist Manifesto, Puchner reveals world literature in a new light—as an archive of environmental exploitation and a product of a way of life responsible for climate change. Literature depends on millennia of intensive agriculture, urbanization, and resource extraction, from the clay of ancient tablets to the silicon of e-readers. Yet literature also offers powerful ways to change attitudes toward the environment. Puchner uncovers the ecological thinking behind the idea of world literature since the early nineteenth century, proposes a new way of reading in a warming world, shows how literature can help us recognize our shared humanity, and discusses the possible futures of storytelling. If we are to avoid environmental disaster, we must learn to tell the story of humans as a species responsible for global warming. Filled with important insights about the fundamental relationship between storytelling and the environment, Literature for a Changing Planet is a clarion call for readers and writers who care about the fate of life on the planet. Prof. Martin Puchner is Byron and Anita Wien Professor of Drama and of English and Comparative Literature at Harvard University.  Gargi Binju is a researcher at the University of Tübingen.

In the twenty-first century, terms such as globalization, global, and world function as key words at the cusp of new frontiers in both historical writing and literary criticism. Practitioners of these disciplines may appear to be long time intimate lovers when seen from pre and early modern time periods, only to divorce with the coming of Anglophone world history in the twenty-first century. In recent years, works such as Martin Puchner's The Written World, Maya Jasanoff's The Dawn Watch, or the three novels that encompass Amitav Ghosh's Ibis Trilogy, have rekindled a variant of history and literature's embrace in a global register.  Neilesh Bose's India After World History: Literature, Comparison, and Approaches to Globalization (Leiden UP, 2022) probes recent scholarship concerning reflections on global history and world literature in the wake of these developments, with a primary focus on India as a site of extensive theoretical and empirical advances in both disciplinary locations. Inclusive of reflections on the meeting points of these disciplines as well as original research in areas such as Neo-Platonism in world history, histories of violence, and literary histories exploring indentured labor and capitalist transformation, the book offers reflections on conceptual advances in the study of globalization by placing global history and world literature in conversation. Gargi Binju is a researcher at the University of Tübingen. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the twenty-first century, terms such as globalization, global, and world function as key words at the cusp of new frontiers in both historical writing and literary criticism. Practitioners of these disciplines may appear to be long time intimate lovers when seen from pre and early modern time periods, only to divorce with the coming of Anglophone world history in the twenty-first century. In recent years, works such as Martin Puchner's The Written World, Maya Jasanoff's The Dawn Watch, or the three novels that encompass Amitav Ghosh's Ibis Trilogy, have rekindled a variant of history and literature's embrace in a global register.  Neilesh Bose's India After World History: Literature, Comparison, and Approaches to Globalization (Leiden UP, 2022) probes recent scholarship concerning reflections on global history and world literature in the wake of these developments, with a primary focus on India as a site of extensive theoretical and empirical advances in both disciplinary locations. Inclusive of reflections on the meeting points of these disciplines as well as original research in areas such as Neo-Platonism in world history, histories of violence, and literary histories exploring indentured labor and capitalist transformation, the book offers reflections on conceptual advances in the study of globalization by placing global history and world literature in conversation. Gargi Binju is a researcher at the University of Tübingen. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In the twenty-first century, terms such as globalization, global, and world function as key words at the cusp of new frontiers in both historical writing and literary criticism. Practitioners of these disciplines may appear to be long time intimate lovers when seen from pre and early modern time periods, only to divorce with the coming of Anglophone world history in the twenty-first century. In recent years, works such as Martin Puchner's The Written World, Maya Jasanoff's The Dawn Watch, or the three novels that encompass Amitav Ghosh's Ibis Trilogy, have rekindled a variant of history and literature's embrace in a global register.  Neilesh Bose's India After World History: Literature, Comparison, and Approaches to Globalization (Leiden UP, 2022) probes recent scholarship concerning reflections on global history and world literature in the wake of these developments, with a primary focus on India as a site of extensive theoretical and empirical advances in both disciplinary locations. Inclusive of reflections on the meeting points of these disciplines as well as original research in areas such as Neo-Platonism in world history, histories of violence, and literary histories exploring indentured labor and capitalist transformation, the book offers reflections on conceptual advances in the study of globalization by placing global history and world literature in conversation. Gargi Binju is a researcher at the University of Tübingen. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

In the twenty-first century, terms such as globalization, global, and world function as key words at the cusp of new frontiers in both historical writing and literary criticism. Practitioners of these disciplines may appear to be long time intimate lovers when seen from pre and early modern time periods, only to divorce with the coming of Anglophone world history in the twenty-first century. In recent years, works such as Martin Puchner's The Written World, Maya Jasanoff's The Dawn Watch, or the three novels that encompass Amitav Ghosh's Ibis Trilogy, have rekindled a variant of history and literature's embrace in a global register.  Neilesh Bose's India After World History: Literature, Comparison, and Approaches to Globalization (Leiden UP, 2022) probes recent scholarship concerning reflections on global history and world literature in the wake of these developments, with a primary focus on India as a site of extensive theoretical and empirical advances in both disciplinary locations. Inclusive of reflections on the meeting points of these disciplines as well as original research in areas such as Neo-Platonism in world history, histories of violence, and literary histories exploring indentured labor and capitalist transformation, the book offers reflections on conceptual advances in the study of globalization by placing global history and world literature in conversation. Gargi Binju is a researcher at the University of Tübingen. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Hosted by Andrew Keen, Keen On features conversations with some of the world's leading thinkers and writers about the economic, political, and technological issues being discussed in the news, right now. In this episode, Andrew is joined by Martin Puchner, author of Literature for a Changing Planet. Martin Puchner is the Byron and Anita Wien Professor of English and Comparative Literature at Harvard University. He is a prize-winning and bestselling author whose books include The Language of Thieves: My Family's Obsession with a Secret Code the Nazis Tried to Eliminate and The Written World: The Power of Stories to Shape People, History, Civilization. He is the general editor of The Norton Anthology of World Literature. He lives in Cambridge, Massachusetts. Learn more about your ad choices. Visit megaphone.fm/adchoices

John and Elizabeth had the marvelous fortune to talk with George Kalogeris about his new book Winthropos (LSU Press, 2021). The title comes from the "Greek-ified" name that George's father gave to their town, Winthrop, MA. George's poems are soaked in memories and tacit, deep affection, communicated through the language of the lines and especially through certain Janus-faced words that reflect the old country and the new at once. George reads and discusses three poems from his new book in the course of the conversation. If you want to read along as you listen to him, click here. You can read a transcript of the interview here. Upcoming episodes: As you know, we always have a new episode for your delectation on the first Thursday of the month, and on the second Thursday an essay by a young scholar connected to the episode. Following on the success of our November reissue of a 2019 conversation with Martin Puchner, we are dedicating the third week of the month to an "archival treasure." So on February 17th, we think you'll be pleased with an older poetical conversation, also starring Elizabeth. In March, a change of pace: we tackle the legacy of settler colonialism in "land grant" universities with a scholar who has been documenting the ways that stolen Native land funded the growth of America's higher education complex. Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Book Industry Month continues with a memory-lane voyage back to a beloved early RtB episode. This conversation with Martin Puchner about the very origins of writing struck us as perfect companion to Mark McGurl's wonderful insights (in RtB 67, published earlier this month) about the publishing industry's in 2021, or as Mark tells it, the era of "adult diaper baby love." Aside from being a fabulous conversation about Martin's wonderful history of book production through the ages (The Written World) this episode brings back happy memories of Elizabeth and John piling their guests into a cozy sound booth at Brandeis, the kind of place that's utterly taboo in Pandemic America.So travel with us back to 2019 for a close encounter with the epic of Gilgamesh. The three friends discuss the different stages of world writing--from the time of the scribes to the time of great teachers like Confucius, Socrates and Jesus Christ, who had a very complicated relationship to writing. In Recallable Books, Martin recommends the fan fiction website Wattpad; Elizabeth recommends "No Reservations: Narnia," in which Anthony Bourdain goes through the wardrobe. John feints at recommending Dennis Tenen's book on the writing within coding before recommending the Brautigan Library. Come for the discussion of writing, stay for the impressions of Gollum! Discussed in this episode: The Written World: The Power of Stories to Shape People, History and Civilization, Martin Puchner Gilgamesh: A New Rendering in English Verse, David Ferry Wattpad "No Reservations: Narnia," Edonohana Plain Text: The Poetics of Computation, David Tenen The Brautigan Library Episode transcript available here: Episode 6 Puchner 3.28.19 Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices