Podcasts about meital

In this episode of MUM, host Ellen Wong engages in an open-hearted discussion with death laborer and author meital yaniv. The conversation centers around their book, 'Bloodlines,' which explores the impact of the Israeli apartheid regime through the lens of meital's personal experiences and ancestral history. Topics include the deep-seated trauma and unaddressed grief carried by generations, the indoctrination within Israeli society, and meital's own life experience as an ex-israeli/ex-zionist. Ellen and meital emphasize the importance of compassion, the practice of grief, and the global implications of dismantling militarized identities for collective healing.About Guest: meital yaniv (b. 1984, Tel-Aviv, occupied Palestine) is learning how to be in a human form. they do things with words, with moving and still images, with threads, with bodies in front of bodies, with the Earth. They are a death laborer tending to a prayer for the liberation of the land of Palestine and the lands of our bodies. they keep Fires and submerge themselves in Ocean and Sea Water often. yaniv is learning to listen to the Waters, birdsongs, caretakers, and ancestors as they walk as a guest on the home and gathering place of the Cahuilla-ʔívil̃uwenetem Meytémak, Tongva-Kizh Nation, Luiseño-Payómkawichum, and Serrano-Yuhaaviatam/Maarenga'yam. yaniv is the author of bloodlines. They make offerings through true name collective.About the book “Bloodlines”: Bloodlines is an epic and intimate dive into the israeli apartheid regime from the perspective of an ex-israeli/ex-zionist soldier. Born into a sephardic and ashkenazi lineage of in/famous war heroes and pillars for the state of israel, meital yaniv traces their paternal family narrative from surviving the Holocaust of the second world war to migrating to Palestine and their subsequent indoctrination as zionist colonizers and defenders of the state of israel. yaniv directs our attention to the cycles of history and how genocide not only repeats but grows monstrously in the crevices of state belonging. Through a bold and radical poetics that unsettles language and definition, they foreground vulnerability while traversing the nuance of voice and inner forms of address. yaniv unravels the coordinates of belonging to write in the fissures of israeli identity. bloodlines is an invitation to contemporary israelis to unstitch the military uniform from their bodies and to reckon with their atrocities against generations of Palestinian lives and livelihoods. It is also a demand that the ongoing catastrophes in Palestine end now. With uncompromising courage and in lucid manifestation, yaniv urges israelis to join them in drowning in the wounds of their ancestors as well as the wounds they've inflicted, and in so doing, bring the state of israel and israeli identity to "a loving and caring death.”The prayer of bloodlines is to bring the israeli identity and state to a loving and caring death.Meital's Links & Offerings:IG: @bloodlines_bookOne-on-one Energy and Death work offerings through: https://www.truenamecollective.comUpcoming gatheringsOctober 11-13 Yom Kippur in Ukiah, CAOctober 18-20 Writing workshop and grief circle at Mendocino Art Center, CAAbout MumWe are on Youtube! Subscribe to our channel.MUM is produced by ⁠Ellen Wong⁠ and edited by ⁠Stepfanie Aguilar.⁠ Your support allows us to continue creating this podcast. If you enjoy this episode, please take a moment to rate and review. Keep this conversation alive by bringing it to your communities.Follow Mum on Instagram ⁠⁠@mumthepod⁠⁠.If you are interested in working privately with Ellen, visit ⁠tripwithellen.com⁠ to learn more about her Death/Birth program and her spirit medicine solo retreats. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit tripwithellen.substack.com/subscribe

Cairo's synagogues shed new light on the transformation Egyptian society and its Jewish community underwent from 1875 to the present. Sacred Places Tell Tales: Jewish Life and Heritage in Modern Cairo (U Pennsylvania Press, 2024) is the previously untold history of Egyptian Jewry and the ways in which Cairo's synagogues historically functioned as active institutions in the social lives of these Jews. Historian Yoram Meital interprets Cairo's synagogues as exquisite storytellers. The synagogues still stand in Cairo, and they shed new light on the social, cultural, and political processes that Egyptian society and the Jews underwent from 1875 to the present. Studying old and new synagogues in the Egyptian capital, their locations, the items they stored, and the range of religious and nonreligious activities they hosted reveals the social heterogeneity and the diverse ways in which modern Jewish sociocultural identity was constructed within Cairo's Sephardi, Ashkenazi, and Karaite communities. Meital contends that studying the congregations and the social services provided in synagogues reveals the local Jewish community's customs, cultural preferences, socioeconomic gaps, and class divisions. Sacred Places Tell Tales narrates not only the past but also the unprecedented transformations that have occurred in recent years in Egypt. While only a handful of Jews live in Egypt, the preservation of Jewish heritage, first and foremost synagogues and cemeteries, enjoy a growing interest in public discourse and popular culture. This new desire to preserve Jewish heritage is inseparable from the ongoing public debate about Egyptian society, its characteristics, and its identity, past and present. By contextualizing Jewish heritage preservation in a longer Egyptian and Jewish history, Meital opens a window into one of the most significant political discussions dividing Egyptian society today. If you'd like to see the Ben Ezra Synagogue, you can on YouTube.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Cairo's synagogues shed new light on the transformation Egyptian society and its Jewish community underwent from 1875 to the present. Sacred Places Tell Tales: Jewish Life and Heritage in Modern Cairo (U Pennsylvania Press, 2024) is the previously untold history of Egyptian Jewry and the ways in which Cairo's synagogues historically functioned as active institutions in the social lives of these Jews. Historian Yoram Meital interprets Cairo's synagogues as exquisite storytellers. The synagogues still stand in Cairo, and they shed new light on the social, cultural, and political processes that Egyptian society and the Jews underwent from 1875 to the present. Studying old and new synagogues in the Egyptian capital, their locations, the items they stored, and the range of religious and nonreligious activities they hosted reveals the social heterogeneity and the diverse ways in which modern Jewish sociocultural identity was constructed within Cairo's Sephardi, Ashkenazi, and Karaite communities. Meital contends that studying the congregations and the social services provided in synagogues reveals the local Jewish community's customs, cultural preferences, socioeconomic gaps, and class divisions. Sacred Places Tell Tales narrates not only the past but also the unprecedented transformations that have occurred in recent years in Egypt. While only a handful of Jews live in Egypt, the preservation of Jewish heritage, first and foremost synagogues and cemeteries, enjoy a growing interest in public discourse and popular culture. This new desire to preserve Jewish heritage is inseparable from the ongoing public debate about Egyptian society, its characteristics, and its identity, past and present. By contextualizing Jewish heritage preservation in a longer Egyptian and Jewish history, Meital opens a window into one of the most significant political discussions dividing Egyptian society today. If you'd like to see the Ben Ezra Synagogue, you can on YouTube.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Cairo's synagogues shed new light on the transformation Egyptian society and its Jewish community underwent from 1875 to the present. Sacred Places Tell Tales: Jewish Life and Heritage in Modern Cairo (U Pennsylvania Press, 2024) is the previously untold history of Egyptian Jewry and the ways in which Cairo's synagogues historically functioned as active institutions in the social lives of these Jews. Historian Yoram Meital interprets Cairo's synagogues as exquisite storytellers. The synagogues still stand in Cairo, and they shed new light on the social, cultural, and political processes that Egyptian society and the Jews underwent from 1875 to the present. Studying old and new synagogues in the Egyptian capital, their locations, the items they stored, and the range of religious and nonreligious activities they hosted reveals the social heterogeneity and the diverse ways in which modern Jewish sociocultural identity was constructed within Cairo's Sephardi, Ashkenazi, and Karaite communities. Meital contends that studying the congregations and the social services provided in synagogues reveals the local Jewish community's customs, cultural preferences, socioeconomic gaps, and class divisions. Sacred Places Tell Tales narrates not only the past but also the unprecedented transformations that have occurred in recent years in Egypt. While only a handful of Jews live in Egypt, the preservation of Jewish heritage, first and foremost synagogues and cemeteries, enjoy a growing interest in public discourse and popular culture. This new desire to preserve Jewish heritage is inseparable from the ongoing public debate about Egyptian society, its characteristics, and its identity, past and present. By contextualizing Jewish heritage preservation in a longer Egyptian and Jewish history, Meital opens a window into one of the most significant political discussions dividing Egyptian society today. If you'd like to see the Ben Ezra Synagogue, you can on YouTube.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Cairo's synagogues shed new light on the transformation Egyptian society and its Jewish community underwent from 1875 to the present. Sacred Places Tell Tales: Jewish Life and Heritage in Modern Cairo (U Pennsylvania Press, 2024) is the previously untold history of Egyptian Jewry and the ways in which Cairo's synagogues historically functioned as active institutions in the social lives of these Jews. Historian Yoram Meital interprets Cairo's synagogues as exquisite storytellers. The synagogues still stand in Cairo, and they shed new light on the social, cultural, and political processes that Egyptian society and the Jews underwent from 1875 to the present. Studying old and new synagogues in the Egyptian capital, their locations, the items they stored, and the range of religious and nonreligious activities they hosted reveals the social heterogeneity and the diverse ways in which modern Jewish sociocultural identity was constructed within Cairo's Sephardi, Ashkenazi, and Karaite communities. Meital contends that studying the congregations and the social services provided in synagogues reveals the local Jewish community's customs, cultural preferences, socioeconomic gaps, and class divisions. Sacred Places Tell Tales narrates not only the past but also the unprecedented transformations that have occurred in recent years in Egypt. While only a handful of Jews live in Egypt, the preservation of Jewish heritage, first and foremost synagogues and cemeteries, enjoy a growing interest in public discourse and popular culture. This new desire to preserve Jewish heritage is inseparable from the ongoing public debate about Egyptian society, its characteristics, and its identity, past and present. By contextualizing Jewish heritage preservation in a longer Egyptian and Jewish history, Meital opens a window into one of the most significant political discussions dividing Egyptian society today. If you'd like to see the Ben Ezra Synagogue, you can on YouTube.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Cairo's synagogues shed new light on the transformation Egyptian society and its Jewish community underwent from 1875 to the present. Sacred Places Tell Tales: Jewish Life and Heritage in Modern Cairo (U Pennsylvania Press, 2024) is the previously untold history of Egyptian Jewry and the ways in which Cairo's synagogues historically functioned as active institutions in the social lives of these Jews. Historian Yoram Meital interprets Cairo's synagogues as exquisite storytellers. The synagogues still stand in Cairo, and they shed new light on the social, cultural, and political processes that Egyptian society and the Jews underwent from 1875 to the present. Studying old and new synagogues in the Egyptian capital, their locations, the items they stored, and the range of religious and nonreligious activities they hosted reveals the social heterogeneity and the diverse ways in which modern Jewish sociocultural identity was constructed within Cairo's Sephardi, Ashkenazi, and Karaite communities. Meital contends that studying the congregations and the social services provided in synagogues reveals the local Jewish community's customs, cultural preferences, socioeconomic gaps, and class divisions. Sacred Places Tell Tales narrates not only the past but also the unprecedented transformations that have occurred in recent years in Egypt. While only a handful of Jews live in Egypt, the preservation of Jewish heritage, first and foremost synagogues and cemeteries, enjoy a growing interest in public discourse and popular culture. This new desire to preserve Jewish heritage is inseparable from the ongoing public debate about Egyptian society, its characteristics, and its identity, past and present. By contextualizing Jewish heritage preservation in a longer Egyptian and Jewish history, Meital opens a window into one of the most significant political discussions dividing Egyptian society today. If you'd like to see the Ben Ezra Synagogue, you can on YouTube.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's poem is Separation Wall by Naomi Shihab Nye.This spring, we asked our community to submit poems that have helped you slow down in your lives. Thank you to the nearly 300 of you who sent us poems to read and enjoy. This week we're featuring the team's selections. Today's selection was submitted by Meital from Washington, D.C. In this episode, Major writes… “Coexistence on the planet demands that we transcend reactionary treatment of each other. For this reason, we need poems to tease out our innocence, that part of us untouched by the callousness of the world, to bring us to a sanity beyond inherited hurts and old fears, away from the logic of ‘an eye for an eye.' Dr. Martin Luther King Jr. said that this kind of violence ‘destroys communities and makes humanity impossible. It creates bitterness in the survivors and brutality in the destroyers.'” Celebrate the power of poems with a gift to The Slowdown today. Every donation makes a difference: https://tinyurl.com/rjm4synp

What's the world like for a Puma in California? What would they encounter, and what would they make of the humans acting strangely in the landscape? Scientist Dr. Tiffany Yap and artist Meital Smith put together what they think that may look like in the incredible Tales of the Urban Wild: A Puma's Journey, now available from Reverberation Books. Dr. Yap, a conservation scientist, wrote the story of the puma named C-8 by local scientists who explores the world around him; Meital Smith, a multidisciplinary artist, developed the incredible artwork that pulls together the graphic novel into a poignant, evocative read. To share more about the motivation behind the story, the artwork, and why the narrative of a young puma navigating the world is more important today than ever before, Dr. Tiffany Yap and Meital Smith join Defender Radio. SHOW NOTES: Buy Tales of the Urban Wild: A Puma's Journey at https://www.amazon.ca/Tales-Urban-Wild-Pumas-Journey/dp/1634050584 Learn more about Meital Smith: https://www.meitalsmith.com/ Learn more about Dr. Tiffany Yap: https://tiffanyyap.com/ Episode art by Meital Smith Want to suggest topics for Defender Radio? Reach out to us at DefenderRadio@Gmail.com, by visiting DefenderRadio.com or engaging host Michael Howie on social media via Instagram (www.instagram.com/howiemichael) or Facebook (www.Facebook.com/DefenderRadio).  Defender Radio is produced by The Fur-Bearers (www.TheFurBearers.com), a charitable non-partisan organization whose mandate is to advocate on behalf of fur-bearing animals in the wild and in confinement, promote coexistence solutions in communities and protect the habitats of fur-bearing animals across Canada. You can follow The Fur-Bearers on Instagram (www.instagram.com/furbearers), Twitter (www.twitter.com/furbearers) and Facebook (www.facebook.com/FurFree). 

From a SAND Community Gathering in January 2024. You can watch the full video of this Community Gathering here: scienceandnonduality.com/event/bloodlines/ As many of us grapple with feelings of disillusionment, outrage, impotence and grief at the horrendous tragedy unfolding in Gaza, we gathered as a SAND community for an intimate conversation with meital yaniv, an ex-israeli soldier / ex-zionist fighter and Sulaiman Khatib, Palestinian co-founder of Combatants for Peace. With meital and Souli reflecting on their personal journeys of loss and transformation, we uncovered ancestral legacies of trauma and coping, belonging and indoctrination, individual and collective grief, awakening, and resilience. Their dialog was facilitated by Rae Abileah, a Jewish faith leader, social change strategist, and writer. Through sharing our stories, and engaging in open and compassionate conversation, may we find collective healing. Sulaiman Khatib is the Co-Founder of Combatants for Peace. Nominated for the Nobel Peace Prize, he has been recognized internationally for his contributions to promoting peace, social justice and equality for all. In 2006, he co-founded Al-Qud's Association for Democracy and Dialogue, a program which works with youth in order to create effective and sustainable projects focusing on the promotion of peace, democracy and civic participation in the Palestinian Territories. For the last twenty years, he has been a committed advocate for peace in the Middle East and an active member of various programs aiming to promote a peaceful solution to the Palestinian-Israeli conflict. He is the author of In this Place Together. meital yaniv was born into a sephardic and ashkenazi lineage of in/famous war heroes and pillars for the state of israel, meital is the author of bloodlines, an epic and intimate dive into the israeli apartheid regime from the perspective of an ex-israeli/ex-zionist soldier. In the book, meital yaniv traces their paternal family narrative from surviving the Holocaust of the second world war to migrating to Palestine and their subsequent indoctrination as zionist colonizers and defenders of the state of israel. yaniv directs our attention to the cycles of history and how genocide not only repeats but grows monstrously in the crevices of state belonging. They see themselves as “a death laborer tending to a prayer for the liberation of the land of Palestine and the lands of our bodies.” Rae Abileah (she/her) is a Jewish faith leader, social change strategist, writer, and facilitator. For the past two decades, she has worked with nonprofits and social movements, from volunteer to executive director. Topics: 00:00 – Introduction 00:24 – Introduction with Gazan Musician, Haneen Sabbah singing Reem Banna (The Absence one) 04:16 – Introduction from Zaya and Maurizio Benazzo 06:52 – Rae Abileah Introduction 12:12 – Sulaiman Khatib 17:32 – Sulaiman's Time in Jail 33:18 – meital yaniv's Story 48:16 – Healing the Land Through Ancestors SAND's Helpful Resources on Israel/Palestine Support the mission of SAND the production of this podcast by becoming a SAND Member

Today   on KPFA Radio's Women's Magazine Lisa Dettmer and Kate Raphael talk to two Israeli spiritually informed Jewish activists and scholars about  what  the role  and effects are  of trauma are in living and growing up in the apartheid state of  Israel  on both their own lives, and the lives of others in Israel/Palestine and how that trauma and the exploitation of that trauma has supported the militaristic and colonialist Zionist state of Israel.  And we discuss  how racism and white supremacy are intrinsically part  of the  colonialist  Zionist project in Israel  from its founding and how healing from trauma is one of the important steps to peace. We talk to Meital Yaniv  who was born in Israel, and is learning how to be in a human form. they do things with words, with moving and still images, with threads, with bodies in front of bodies, with the Earth. they are a death laborer tending to a prayer for the liberation of the land of Palestine and the lands of our bodies. they keep Fires and submerge themselves in Ocean and Sea Water often. yaniv is learning to listen to the Waters, birdsongs, caretakers, and ancestors as they walk as a guest on the home and gathering place of the Cahuilla-ʔívil̃uwenetem Meytémak, Tongva-Kizh Nation, Luiseño-Payómkawichum, and Serrano-Yuhaaviatam/Maarenga'yam.yaniv is the author of bloodlines. They make offerings through true name collective. And we talk to Hadar Cohen who  is an Arab Jewish scholar, mystic and artist. She is the founder of Malchut, a spiritual skill building school teaching Jewish mysticism and direct experience of God. She cultivated her own curriculum on the cosmology of creation and teaches it through her training God Fellowship. Malchut is also home for her Jewish Mystical School that includes a library of her classes and a community platform for connection. She is a 10th-generation Jerusalemite with lineage roots also in Syria, Kurdistan, Iraq and Iran. Hadar consults and teaches on Judaism, multi-faith solidarity, spiritual and political activism and more. Her podcast, Hadar's Web, features community conversations on spirituality, healing, justice, and art. Hadar coaches and mentors people 1:1 as well as leads and facilitates groups and community gatherings. Hadar weaves the spiritual with the political through performance art, writing, music and ritual.  Hadar can be heard at her substack where she share writings, events and talks for people who want to stay connected https://hadarcohen.substack.com       The post Role of Trauma and need for healing in Israel w two spiritually informed Jewish Israeli activists, and scholars, Meital Yaniv and Hadar Cohen appeared first on KPFA.

Happy Pride Month! Rachelle sits down with death doula, reiki practitioner and writer, meital yaniv (they/them) to discuss what goes into a dead name ritual, especially for trans folks who have given themselves a new name since their transition, true name anointing - a process of ritualizing and crowning a new chosen name, the on-going violence in Palestine at the hands of the Israeli (and American-funded) government and why meital decided to shed their "Israeli" identity as a step towards the freedom of Palestine. You can find meital's work at truenamecollective.com or at meitalyaniv.com. Thank you for listening! You can follow the show on Instagram to see guests' faces, get updates on the show, and see exclusive death content! You can also find Rachelle on Instagram, Twitter, Letterboxd and everything else she's up to on rachelleyounie.com.  Please follow the podcast, rate it five stars and leave a written review wherever you listen, it would mean a lot!

Tim and Jean are talking with Meital May on today's episode!Meital happens to be the spouse of James May who has been a guest on the podcast.  She started her own unique business of designing AirBnB properties with decor that sets them apart and gives the guests an experience they will remember!Here are some links we talked about: https://scentsail.com/Use code: REI40 for 40% off for your listeners.  Using this link will put the code in the cart-https://scentsail.com/discount/REI40https://easybreezybnb.com/Connect with Meital:Cellphone: (214) 432 0574  Email: meitalmay@gmail.comFacebook: Meital MayConnect with us:Schedule a call with TimSchedule a call with LisaSchedule a call with JeanLearn more at thereiconcierge.com

Podcast: ICS Cyber Talks PodcastEpisode: Meital Arik COO @DeviceTotal former Head of Guidenes & Regulation Division @INCD about OT Sec & data sciencePub date: 2023-04-07הכר את הסטארטאפ נחשון פינקו מארח את מיטל אריק מהסטארטאפ דיוויס טוטל, לשעבר דירקטורית וראש תחום הנחייה ורגולציה במערך הסייבר בשיחה על ניהול סיכוני סייבר בעולמות התפעולים והחשיבות של עדכוני פאצ'ים מה? מי? חברת דיוויס-טוטל, ואיך דאטה סיינס מתחבר לנושא ההגנה על סיבות תפעוליות מה הפתרון שלכם ולמי הוא טוב מה האתגר מול פגיעויות וניהול פאצ'ים איפה אתם ממקמים את עצמכם ומה הערך שאתם מציעים ללקוחות שלכם ועוד Know the startup Nachshon Pincu hosts Meital Arik, COO @DeviceTotal startup, and former Chief Executive Director Head of Guidenes and Regulation Division @Israel National Cyber Directorate (INCD) in a conversation about OT risk management and keeping your OT patching updated. 1. DeviceTotal? In between OT defense and data science? 2. What is the DeviceTotal solution, and for whom is it good? 3. What are the challenges with OT vulnerabilities and patch management? 4. What is DeviceTotal goto market strategy? And moreThe podcast and artwork embedded on this page are from Nachshon Pincu, which is the property of its owner and not affiliated with or endorsed by Listen Notes, Inc.

הכר את הסטארטאפ נחשון פינקו מארח את מיטל אריק מהסטארטאפ דיוויס טוטל, לשעבר דירקטורית וראש תחום הנחייה ורגולציה במערך הסייבר בשיחה על ניהול סיכוני סייבר בעולמות התפעולים והחשיבות של עדכוני פאצ'ים מה? מי? חברת דיוויס-טוטל, ואיך דאטה סיינס מתחבר לנושא ההגנה על סיבות תפעוליות מה הפתרון שלכם ולמי הוא טוב מה האתגר מול פגיעויות וניהול פאצ'ים איפה אתם ממקמים את עצמכם ומה הערך שאתם מציעים ללקוחות שלכם ועוד Know the startup Nachshon Pincu hosts Meital Arik, COO @DeviceTotal startup, and former Chief Executive Director Head of Guidenes and Regulation Division @Israel National Cyber Directorate (INCD) in a conversation about OT risk management and keeping your OT patching updated. 1. DeviceTotal? In between OT defense and data science? 2. What is the DeviceTotal solution, and for whom is it good? 3. What are the challenges with OT vulnerabilities and patch management? 4. What is DeviceTotal goto market strategy? And more

Meital Manzuri, is a real OG since 2005. We discuss what is legal, the industry consolidation, raising funds through M&A and many funny stories. She's one of the top cannabis attorneys nationwide, has dedicated her entire career to cannabis law. Meital was one of the first cannabis attorneys in Los Angeles and has earned a prominent reputation for her dedication to excellence. As the managing partner, Meital's practice areas include deal structuring and strategy in light of cannabis licensing issues, obtaining new licenses, advice and counsel for regulatory compliance, corporate formation and governance, early-stage growth financing, sales and acquisitions, IP licensing, commercial transactions, best business practices and defense. Meital prides herself as not only running a firm that has become a pillar for legal resources and education for the cannabis industry. She is an educator and activist.

As the market continues to shift backwards, most agents seem to be hitting a wall. So how are some, like Laguna Beach luxury real estate agent Meital Taub, not just thriving but actually DOUBLING their business over last year? For Meital, who is on track to do $100mil more in volume over last year, it's a matter of discipline and habits. In this episode of Luxury Code, I spoke with Meital about what agents need to be doing to beat the market and double their volume even in the most difficult times. She talks about the discipline she developed in the Israeli Air Force, the daily habits that keep her mindset strong, and the first moves that agents can make to break into luxury real estate. This episode is a wakeup call to what is possible when you run the plays that work, so be sure to watch or listen, now! In this episode, we discuss… 0:55 – Why Meital's winning 3:30 – Meital's background 5:40 – Going int real estate 8:15 – Getting habits right 12:13 – Habits over time 14:45 – Marketing that works 18:40 – Buyer demand 20:55 – Helping deal hungry buyers 23:40 – First 5 luxury moves 26:16 – Opens houses at scale

Series: Be'erot, Love & Relationship with God.     Episode Transcript: So, I'm drawn to continue developing certain access in our relationship with HKB"H which is the access way which is Yosef.  And, just to recontextualize ourselves, again and again and again, and I take no responsibility for what happens every time I recontextualize, because every time it comes out to be somewhat different context.  But the primary context which we've been exploring is, I would say, sort of an overall picture of life with G-d as "in-breath, out-breath."  That kind of became clear as we learned towards the end of our year, that, really, in a sense, if there's an overarching framework for our ongoing interaction with the divine, its most intimate expression and presence is in our breath.  And I was blessed to find that the Admor HaZaken actually says this.  As with most things that I find, I found it quite by chance; I was actually looking for something else and got an incorrect reference to a place where he discusses this, at the end of Parshas Miketz.  And he says something like that. Ok.  That's for my purposes.  You people, I don't know if it matters to you.  To me it matters.  In any case, so the – to Nachama Sheina it matters!  In any case, it's there.  And the most important thing for us, I would say, in that context, was this realization that G-d has a two-fold plan for us, so to speak, and that is that we learn how to let go and to be in Him and return to Him and his Oneness, and how we then are called upon to take for ourselves and breathe in and be real and alive, here, with all that that implies.  And an expression of this, which I'm not sure that we explored together, is something that we do every day in saying Shema Yisrael.  And that is Shema Yisrael, HaShem Elokeinu HaShem echad, is the sort of, letting go into the Oneness of G-d, that there is no other than Him, to the point in which I disappear into that.  And then, we're called back by a calling of love, in V'ahavta et HaShem Elokeicha, etc, b'chol levavcha, u'bchol nafshecha, u'bchol meodeicha.  That is very real and present in terms of I sense myself, I'm alive, I'm loving.  And, in being a lover, so one is probably going to experience the most intense presence of one's own self.  If you think about it, there's really no emotive experience as intensely personal and enlivening, exciting, "it's me, here" than love.  That excitement is actually described in that pasuk, in b'chol levavcha, b'chol nafshecha, u'bchol meodeicha.  Each one of those is very, very personal.  Your heart, Your soul, your might.  So we explored that pasuk but I think we haven't really brought out this element of it being very, very personal.  V'ahavta et HaShem Elokeicha.  He's your G-d.  As opposed to in the Shema Yisrael, Shema Yisrael, HaShem Elokeinu, HaShem Echad.  You have to access His Oneness by joining with others.  He's our G-d.  In the V'ahavta, so it doesn't become v'ahavtem et HaShem Elokeichem.  It should have, grammatically, continued the same format of, we're talking to the klal.  But no.  When you talk about love, so, then, it's very personal.  In vahaya im shemoa so then it becomes klal, but that's for reasons that have to do with something that we're not exploring right now. So, in fact, there's a calling here to – so to speak – come down, come back, after the Shema Yisrael, HaShem Elokeinu, HaShem echad. And the b'chol nafshecha, requires of you – in a sense – and b'chol levavcha and b'chol meodecha requires of you a very intense realization of personhood.  It's something like – I was just thinking about this – it's something like, the way the rabbis say it, you should be willing to give up your yetzer hara .  To G-d.  You should be willing to give up your life to G-d.  You should be willing to give up all of your meod to G-d.  And we explored this a lot, around David HaMelech, the meod especially, and Yaakov Avinu, if you remember.  But b'chol nafshecha, which is Yitzhak, is, in a sense, a calling that you be very alive.  In other words, if you're being told to give your life to G-d, and even if it's to the point of someone taking your life, so, if it's not for real, intense, meaningful, developed, so then, how much meaning does it have to give up your life to G-d if your life is really just a shambles that you don't relate to with any seriousness.  Really.  I say this with that kind of harshness 'cause I actually got this from my wife when we were going out; I remember, in a marvelous moment, I told her, like, I want to give myself over to her.  She looked at me and she said "who do you think you are?"  Like, "so what?"  No, it was something which I think was right in place, in other words, there's a certain gaiva , there's a certain ga'ava that comes with "I'm giving myself over," like "who are you? What have you made yourself into?  What have you become?  What is this 'give yourself over,' have you really built something of a self such that to give it over in love would be a meaningful act?"  Anyhow,  I can be amused by it now.  But the sense of that in the pasuk is very strong, to me, v'ahavta et HaShem Elokeicha  … b'chol nafshecha, it really means that, make something of yourself.  And in that, then, giving it over to HKB"H and being drawn towards Him, yesh b'ze.  Of course, everyone is something; I don't mean to belittle anyone.  And everyone has their own context for defining what it means to be a realized human being; everyone has a totally different context.  It's not like, if you're not a yuppy lawyer on Wall Street, though I don't know if that's even a very honorable place to be, right now, but, whatever, that's not what I'm talking about "being something."  It can be in any, any context.  But the point is that I've worked, I've realized something.  So this is just another illustration, I guess, of this "in-breath, out-breath" of letting go and coming back, which is the primary framework of so much of what we've spoken.  And it actually is the beginning of a pasuk which we explored greatly as our map, and that that is the pasuk which says Kol Dodi dofek.  Pitchi li achoti, ra'ayati, yonati, tamati.  Now, we spent a lot of time on the end of the pasuk, on achoti, ra'ayati, yonati, tamati.  But I neglected to inform us that the beginning of the pasuk is everything that I just spoke about.  Because the literal meaning of kol dodi dofek is that "I hear the sound of my lover pounding."  Or beating.  And, knocking on the door.  So, the word that's chosen is a word which actually is the word for the heartbeat.  So, I feel my lover pounding, I feel my lover beating.  That's like a whole other level of intimacy with this bringing-in, letting-go, bringing-in, letting-go, which is all the time going on in our hearts.  And, so then when that creates the actual framework for then the achoti, ra'ayati, yonati, tamati that we spent so much time in exploring.  I just wanted to give that over, and that was really our context, and we [saw with?] through Avraham many, many different aspects of Avraham as achoti, and many, many aspects of Yitzhak as , many aspects of Yitzhak as ra'ayati, and many aspects of Yaakov as tamati, primarily as the tam.  And then we saw him as the ta'om in mirroring reality, and that is the ta'om in experiencing the beauty of reality, and that's pretty much where we were last time.  And the beauty and the relationship with beauty cacha lo b'olamo.  I simply just reflected and mirrored it.  And, yonati, which is the, is a connector, which is the connection of Yosef.  And, today, is yesod, yesod sh'b'hod; it's one of the days of Yosef, as they appear, the the sfirat Ha'omer.  So today and next week too, we'll touch upon him and what he brings as the yona.  We're on board? I just want to point something else out just briefly: tamati is actually, plays a dual role.  Because it's, it is a ta'om, it is a twin.  So tamati comes after ra'ayati, and then there's yonati, and then, in a sense, there's another tamati, which isn't in the pasuk, but the malchut is the yona coming in to the tama.  I don't know how much these structures matter to you people, but if they do, just so you understand that the malchut is also a ta'am.  Tiferet and malchut, would you like me to explain that a little, or is that…  You don't need that, right?  That's for me, just to have it all worked out. ”If you want." I see. OK. I'll put it in as a footnote. I don't need to say it.  But it works very beautifully, for those who like these kinds of structures.  Meital, do you want to ask a question? "... בהתחלה של המשפט, של קול דודי דופק ... שבעצם היא ה[?] לו, לא? כאילו, זה שהדלת פתוחה וצריך להגיד לה "תפתחי," זה ה[13:34:5 ?] שומע. נשאיר את זה, בטמיעה. כן. So, we'll sing a little first, and then we'll connect to something in Yosef HaTzadik as the yonah.  And we'll be looking at some psukim also from Breishit. [14:16 -  18:52, nigun] The first time that the word Yosef, or mosif, yosaf appears in the Torah, is by Yosef. He's the first appearance of there being something which is an addition.  That is experienced as an addition, and is actually waiting for the next level to happen.  Yosef is a son who's born to a woman who's been awaiting her child in great anticipation and anxiety.  And, when he's finally born, so the only thing that she can say is yosif li ben acher. That G-d should grant that I should have another child.  And so, Yosef is actually born into a reality in which he is – so to speak – nothing of his own.  He's only there as one who is – in a sense – a passageway for something else to appear.  As names are, so his name actually then really defines for him what it is that his life is now going to be composed of, and that is that he's going to be a pathway and a passageway for the next son.  For the next son: yosif li ben acher.  And, indeed, we find this characteristic of Yosef that he's always stepping out and going beyond; he's always the one who is in movement to a place that is beyond himself.  And his very mode of revelation or recognition  to his brothers, for instance, when he literally exposes himself to them, so, the way in which he identifies himself to them is by showing them that he has a brit mila, that they were having difficulty in the meeting with him, and for all kinds of reasons, obviously including their embarrassment over what they had done, and so, that's how he indicates to them – we can just leave the physicality of it aside – but he's like, actually, indicating to them that he's not someone who is stuck inside of a box; basically, an orla is an enclosure, an orla is a [block?], an orla is a box.  "I'm not.  And I reach out to you. " And in that reaching out, so he then, is able to meet them.  So, I'm just kinda looking, I'm interested in looking at the encasing of Yosef's prime moments, so in his life, he's the one who's passing on to, and the passageway towards.  And the one, therefore, who is always focused on to make contact.  If you look at the way Rachel actually names him, so she says two things: she says, not only about him that yosif li ben acher,  but she says another thing too, and that is asaf Elohim et cherpati.  That G-d has gathered in my shame.  In giving me this child.  Asaf HaShem et cherpati.  As Rashi explains, "I was a despised and disparaged woman who was barren.  And people were saying about me that I would be lost to a Eisav if I couldn't bring a child to Yaakov."  So, then when she calls him his name, so the word ”Yosef" includes both this aspect of asaf – that my cherpa has been gathered in – and also this aspect of Yosef, that there's another child who's going to be added to me.  Yosif HaShem li ben acher.   This is a very, very deep thing about Yosef, and it teaches us – if we begin with his name – it teaches us that he actually lives on two different elements that are reflected through him.  One is the prevention of shame, the end of shame.  Or, the act takes away the shame and disparagement of another.  His being born relieved his mother of her lowliness, of her embarrassment.  And the other is that he's a pathway for others to appear.  And these are mamash, as we're going to see, the two aspects of the way of yesod.  Because, what Yosef does, through his entire life, is he defines situations in which people's disparagement and dimunition [should say: diminution!], their cherpa is relieved.  And they are given a place of significance and honor.  And we'll see how that works with him.  And, on the other hand, he does it – so to speak – completely selflessly.  In which he's simply a passageway for other things to appear.  And for the other to appear in his fullness. It's not, perhaps, the way we're used to recognizing him, and so I want to give illustrations from stories about him, and the way he lives with his brothers and deals with the tremendous challenges which he deals with.  But before we get there I just want to point out a few other things about how he functions in people's lives.  I would say one of the big functions that Yosef has, is he shakes things up.  He doesn't leave things as they are!  And they way where that happens, most significantly, I would say, in the story in the Chumash, is when Yosef actually undoes Yaakov's plan leshev b'shalvah.  For instance, right, in the beginning of Parshas Vayeshev after Yaakov's gone through all the stuff he's gone through, so, the rabbis say, vyeshev Yaakov b'eretz megurei aviv; he's come back home, everything should really be for good now, and for comfort, and he can finally be complacent with what he has, so that the rabbis really pick up the tenor of the verse vyeshev Yaakov b'eretz megurei aviv in the place his Dad had lived too.  Yeah, it's like, "come back home," come back into the bosom of his parents.  You know, he's done with all that being out there stuff.   And then, ele toldot Yaakov, Yosef.  And then, here come the generations of Yaakov.  Who are the generations of Yaakov?  Or, who are the unfoldings and the birthings of Yaakov?  Yosef. Yeah, what about the other 11 sons and daughter that he has?  No, the toldot of Yaakov are Yosef.  And, in fact, the rabbis have all kinds of issues around how to interpret that verse.  But, we can suffice it to say that the birthing of Yaakov – whatever you mean by that – the unfolding of Yaakov are through Yosef.  But the point is, the unfolding of Yaakov come through Yosef.  And what Yosef does, in his rather, what would you call it, brazen and adolescent way, is, he shakes everything up.  That's really what he does.  He's the roeh et chatzav b'tzoen, he's out there with his brothers, v'hu na'ar; he's a youth.  You know you're in trouble; you've got an adolescent in the house.  They're going to shake things up; that's just what they do.  The very word itself, naar, actually, means to "shake off," hitna'ari, lhitna'er is to shake off.  They don't stay put.  That's the primary drive.  And his impact for Yaakov is to shake things up.  And then from there, Rashi says, Kafatz alav rogzo shel Yosef.  You thought that you were now going to be sitting complacent?  Let me show you what life is really about.  I'm going to basically "sic" Yosef on you.   Kafatz alav rogzo shel Yosef,  Yosef and all of the "shake up" that Yosef is, is now going to shake everything up for you.  So Yaakov doesn't get a minute of peace.  Because of Yosef.  He's like the essence and element of adolescence.  That really is a transition point that is not for itself.  The adolescents know that; they tell you that too!  Like, they're always saying "it's a very close experience for me right now."  They're always saying to you "don't worry; I'll do teshuva later. Don't worry; I'll make it up later. Let me have fun now!"  But that "nowness" is excused by their living always in a consciousness that this is just a passage point.  "I'm just passing through, in my being now a ben 17 shana.  In my being 17 years old.  That's all I am; it's just a passageway."  So,  that becomes the whole starting point of the story of Yaakov's final chapter in his life, which is the beginning of the real making of the Jewish people.  So, that's just another illustration of his being the one who shakes things up.  But, another thing that is about Yosef is in his being a pathway and a channel for things; so Yosef is also quite powerfully the one is the dreamer.  And, here, is a sense of dreaming which belongs exactly there, because, a person who dreams a real dream, on a certain level has an experience of his life as being  one in which things are being channeled through him.  [31:48.7 ?] dream comes.  You know, there's a lot of psychological overlay that we have, and that Chazal also have, about how dreams can be manipulated, and dreams can actually just be an expression of what you think of yourself, etc.  And, in a profound sense, that has to do with the dynamic relationship between what we choose and who we are and what we are sent here to do and what is being channeled through us.  And that complex interaction – we'll have to save it for another time – but, right now I just want to appreciate how a person whose whole reality is yosif li ben acher is all and there's something else coming, is going to be a great dreamer:  there's something else coming!  Right?  I'm not staying where things are, and my experience of it also is something which is really sort of flowing through me. It's not like – in telling his brothers – it's not like he's standing up to them and taunting them with it: it's just the way it is.  It's not something that I'm choosing; it's not something that I'm making.  It's just the way it is.  And it's being passed through me.  So that also makes him not only available to his own dreams, but, actually, therefore makes him available to other people's dreams.  Because a person who is a dreamer is also one who is able to connect to the place of dreaming in a selfless way.  The more caught up you are in your own opinions, predispositions, prejudgments, etc., so the less you're going to be able to interpret someone else's dream.  You can't hear their dream if you're concerned with yourself.  But when you become a channel, so then you can hear their dream and hear what its real message is.  And so he's able to be a poter chalomot.  By the way, the vocalization in Hebrew, which is called a cholam, is actually written – it seems to me – like a dreamer.  A cholam is written like a vav with a dot on top of it.  That's a cholam.  It's like, an opening to something which is a super-consciousness, or an opening which is something which is that ball is going to now come down and [34:31.6 noise blocks word] the vav.  Yosef, as yesod is a shuruk, according to the kabala. Which is also a vav with a dot alongside it.  And in that you really get a very strong sense about the difference between Yosef and Yaakov. Shuruk.  Yosef, and Yaakov are the cholom and the shuruk.  Yaakov is the first dreamer in the Torah.  But Yosef is the first one who relates his dreams.  In other words, his dreaming, he views or experiences as something which needs to be given out. Yaakov doesn't relate his dream to anyone.  He just sees the malachim olim v'yordim and HaShem nitzav alav, but Yosef shares his dreams.  And in sharing his dreams he becomes the revelation of what the real yesod is, as the one who can dream from above and have it pass through him and then passed on to another.  Not only does it get passed on to another, but it becomes realized in the external reality.  He's also the only one who we have among the Avot whose dream becomes manifest.  These are very powerful things.  It's not happenstance that all these should be involved with him.  And he therefore also is one who is always relating to reality as something which is being dreamed into another realization – another level of realization.  There's another aspect of Yosef and [the?] yesod, which is that he is the man of peace.  Which also sounds really, uh, not characteristic of him in the sense that he seems to stir up so much trouble.  But, in fact, his father sends him to his brothers on a very profound mission, one which apparently he was not able to accomplish in his life.  And that is, after all this trouble-making, and all of this problematic, he tells Yosef Lech na u're'eh et shlom acheicha. Go now and see the peace of your brothers.  And anyone who looks at the Chumash for the word shalom will discover that its first appearance is here.  Now that's an important word!  And in the kabala yesod is shalom.  Apparently only Yosef is going to be the only one who is able to bring about the shalom achav.  And at great sacrifice to himself.  'Cause it's obvious to anyone reading the story, Yosef is quite well aware of what his brothers think of him; certainly his father is also quite well aware of what the brothers think of him.  And so to send him to where the brothers are – I mean now, really, lech na u're'eh et shlom acheicha – just find out how they're doing?  I mean, you're going to send your beloved son of Rachel out there to find out how they're doing?  There are no servants around?  There's no one else to take care of this?  And, he's sent, and his whole task becomes from then on the fulfillment of his father's request of lech na u're'eh et shlom acheicha . The coalescing point of that is again, when he exposes himself to his brothers, if you listen carefully to what he basically tells them has come about by virtue of all that's taken place, so Yosef tells them after he's taken them through all that he's taken them through, so he gets everyone out of the room, and then he starts to cry.  And Yosef tells his brothers, it says, "I am Yosef. Is my father still alive?"  So, his brothers, they couldn't answer him; they were too afraid – nivhalu mipanav.  So then Yosef says to his brothers, Gishu na elai.  "Come close to me."  And then he says Ani Yosef achichem.  "I am Yosef your brother."  Sh'machartem oti Mitzrayma.  Then they were able to speak to him.  So basically what Yosef had done is he's shifted the declaration of Ani Yosef, which throws them away, "Is my father still alive?" which excludes them, to "I am Yosef your brother."  In a sense that this is what all of this has been about, is making Yosef your brother.  So this element of Yosef, as the seeker of peace, becomes, it's first success, so to speak, is when he exposes himself to them and reveals to them that he has really been here as Yosef their brother.  Not as Yosef, his father's only son.  But he, he, in a sense, needed to have taught them that, in order to accomplish what it was that his father sent him out to do, which was exactly that.  Which was lech na u're'eh et shlom acheicha.  "Go and find the peace of your brothers."  And going to find the peace of your brothers has been really what the entire story was about, that is, this other power of yesod.  Which clearly has to do with connecting with what is beyond and finding it as being part of the greater whole.  And that is really what shalom does, right?  When we're in a situation in which there are things which seem to be, so to speak, excluded from the circle, excluded from the possibility of inclusion, so making peace with them, so to speak, is bringing them inside.  Bringing them into the circle.  Bringing them into brotherhood.  And, it's very profoundly related to this kind of an experiencing life as there being something  else which is waiting, which is beyond, which I am aspiring towards, looking forward to, longing for.  Which is Yosef's power.  So these are – I'm just kinda giving us, because it's a little bit  new, I want to give us some of the – before you can paint a picture you need to begin to draw the lines.  So these are some of the elements of who Yosef is, as asaf li et cherpati; he's the one who protects from shame. Yosif li ben acher ; he's the one who's a channel-way for new things to come.  And, he's the man of peace – of shalom – which is going to be creating the interconnection between this "I relieve you of your shame" and "I come as a channel for something new."  And it has to do with relating to that which is outside oneself in a way, in a path, of honor, and of desire, for that connection.  So, what I'd like to do is seek illustrations for us of this in [?] stories, like we saw, in Avraham, in Yitzhak and in Yaakov.  One thing which is another starting point, which is, sort of the easiest way to begin, especially if we're going to be talking about yesod, which means "foundation," is how Yaakov responds to Yosef when he's born.  It's quite fascinating.  Because the rabbis say that as soon as Yosef was born, so, how does Yaakov respond?  We already heard how Rachel responds.  She's the one who calls him by his name.  So all that we heard now was Rachel's experience of Yosef, of who he is.  But Yaakov, kasher yalda Rachel et Yosef, when Rachel gave birth to Yosef, v'yomer Yaakov el Avraham 'shalcheni v'elcha el mekomi u'le'artzi.'  I'm getting' outta here.  Send me away.  So you see how perfect this is;  Yosef has now been born, so Yaakov's immediate response to Yosef is "I'm going out; I'm not staying where I am.  I'm coming now to connect to new possibilities and new realities, which weren't there before."  So this aspect of Yosef becomes reflected there, and Rashi says on that, he says, "well, what actually became possible for Yaakov now, was to go back to Eretz Yisrael, because now he can meet Eisav."  And his meeting of Eisav is mishenolad sitno shel Eisav – now the one who is actually who stands in opposition to Eisav – I'm now able to go back.  As it says, and it's a very important verse about Yosef, and it says in Ovadia the prophet,  v'haya  beit Yaakov esh, that Beit Yaakov is a fire, and Beit Yosef is a lahava: Beit Yosef is a flame.  U'beit Eisav l'kash.  And the house of Eisav is straw.  Esh b'lo lahava ein lo sholet lo merachok. A fire without a flame, doesn't reach out.  Now that there's Yosef, so now the fire will reach out, as a flame.  Now, whatever we do with  the particular relationship that Yaakov is concerned with right now, which is with his brother Eisav, which would take us into great complexity in terms of the relationship between Yosef and Eisav, which perhaps we'll touch upon in the not-too-distant future, but the point is there's an image now.  You see, now, I'm looking for a picture.  That we can have and we can walk with, with Yosef. Yosef's primary depiction in Yaakov's mind is of a flame.  Yosef is the flame.  Now this is particularly exciting for me on the day which is yesod sh'bhod.  Because hod is all about the fire.  We just saw that on Lag B'Omer, I hope.  Which is hod sheb'od, or – everyone lighting fires.  We talked about this once, way back when.  We were talking about Aharon HaKohen, and the power of hod which is a power of fire.  Remember that?  We did. Ok.  In any case, we'll get back to it.  No, I like it when people don't remember what I said – then I get to say it again! But, we'll put it aside right now, and just point out that with hod being the fire, so Yosef is the flame.  I'm just orienting us in terms of the particular time we're sitting in right now, which is the flame of the fire.  That's yesod sh'b'hod.  In any case, you see that Yaakov's experience of Yosef right away is that, if I have been the fire, so now you can be the flame.  Right?  Which, again, is this image of him reaching out and touching that which is beyond him.  There's another aspect of that also.  That is, like a fire is, never satisfied with what is, so is Yosef; in other words, Yosef is going out and he's burning everything up.  He's a fire-maker.  He'll light other people's fires, and that's what he does.  On all levels.  He's like the song "Come on baby, Light my Fire?"  Right?  Is mamash a Yosef song, it's a – you know, I expect you to light my fire!  That's what it is.  But this aspect of lighting other people's fires, which is the aspect of Yosef, is also, on another level, his ongoing and constant renewal . I fire doesn't stay still for a number of reasons, but one of them is that a flame is not a constant.  By its very definition – and this is what makes it so hard to hold on --what is fire anyway?  Well, fire is simply the releasing of the energy which is contained.  It's the opening up of potentialities which are contained within this and opening it up.  And then the flame is reaching that [50:49 ?] and doing it to someone else.  It's this— perhaps I should clarify the image, we're perhaps used to fire as being a destructive thing – but when we relate to fire as a constructive thing, so basically what fire is doing, the very process of the fire is that, what's happening, is there are these tremendous potentialities which are contained within the thing which is about to be ignited of energy, which is being held in a particular form, it's true, and we like that form.  Like this table, or this room.  Or our bodies, or whatever it might be that's about to be lit on fire.  But when it's lit on fire, so this tremendous energies which are pent up inside, that material which now become released into light!  So that actually what has been shown by the fire are these tremendous possibilities which have been laying latent so to speak within this piece of wood.  It's just a darn piece of wood, right? Which is, you know, useful for us as it is, and we want to hold it in its place so that it should continue to function here and serve our needs in this current condition.  But if this table is going to become something else, its quickest way to becoming something else is to light it on fire.  And then its energy will be released, which will find, eventually, when it slows down to the right speed or whatever, will find eventually a path to becoming rematerialized.  And whatever ashes are left will find their way back into the ground, and be grown again into a plant and be eaten by an animal and go through a different path and serve a different function in G-d's great cosmos, in a way which will never be lost, because there is the law of the conservation of energy and, really, of matter.  It's all conserved within.  But what will happen and is, and enough being a table!  Bam! Turn you into something else and release these energies which are within you.  So, this flame then becomes not only a reaching out to touch another in a way in which they've become touched, but in a way in which they become realized.  And awakened to their possibilities and their potentialities.  This is really, in a sense, what a dreamer does.  Not only about the flame, the fire that they have inside, which is really what all of our dreams our, a dreaming fire inside, like "what's your dream?  Do you want to hear my dream?"  Yeah, like, what would it be if we had all the money in the world you needed, and all the help you could possibly imagine, and all the circumstances that would make it possible, "tell me your dream!"  If there were no conditions on it, "wow! really? Like to talk?" "Yeah!"  That's, you know, when you touch that in the right way, that's when you start seeing people light up.  And they light up because their fire starts to burn.  That's really what happens!  But that kind of a lit fire is something which we can sort of generate sometimes in ourselves, but it really gets lit by another, and it can really truthfully only be lit by another who is himself also a dreamer.  So Yosef is also the one who has the power to light other people's fires.  That kind of a lighting, in the way he contacts other people, he also causes them to dream.  I really believe that it's because Yosef was around that Pharaoh had his dreams.  It's because Yosef was around that those people in the prison had their dreams.  Whenever Yosef is around people start to dream.  And their fires starts to burn and to open up.  It's great to be around people like that.  They can also become very disconcerting, because [they? You?] can become very frustrated about all the dreams and the minimal realization sometimes of those dreams.  But those are the people, who, if you want to be in a place of transition, of moving from one place to another, which is the place of yesod and its depth, when you're letting go of the current form: so then you want to be touched by someone who's going to light your fire.  And this Yosef does; he's the aspect of the fire which is the burning, which is able to light other people's fires.  What happens to Eisav, who is the exact opposite of a dreamer, is that he just burns up and dissipates.  But if he's attached to someone with whom there's going to be a real relationship so then that real relationship will become one in which that person becomes ignited and alive and just a burning fire and a flame.  With all those potentialities released.  So, this very beautiful image of Yosef also then becomes an image for us in his function as someone – and it's almost ironic – but as someone who can bring people peace.  Bring peace among people.  And, you actually can hear this in Yosef's voice, when, at the very end of his interaction with his brothers, when he finally accomplishes what his father has contracted him to do, bring peace to this family, bring peace to this house, bring peace to these brothers, so, Yosef actually says to them this image.  In other words, this is his own self-awareness, his own self-consciousness which is something that Yaakov is aware of.  And it happens, after Yaakov leaves the scene and dies, so then the brothers come to Yosef in fear.  And they come to Yosef and they say to him, basically they say to him a – it's not exactly the truth.  They say to him, you know, before Dad died, so he commanded something which we were supposed to pass on to you.  (This is in Chapter 50 verse 15 on.)  And, he said, "Tell Yosef the following, 'Please forgive your brothers for all of the evil that they did to you, 'cause they have caused you great harm.  Now, please forgive them, these servants of the Lord of your father.'"  And Yosef cried as they spoke to him.  And then they go and they fall before him, and they say "we are now your slaves."  And Yosef says to them "don't be afraid.  Am I instead of G-d? What you thought was going to be evil G-d has turned into good, in order to do to you all that He has done so that I should be able to bring you life."   This is a great opportunity to see Yosef in his own personal conception and how a man of yesod actually experiences himself in life.  "Now, don't be afraid; I will continue to provide you with all that you need, as the giver of life," which is who Yosef is.  So, the verse goes on, and then says, "And he calmed them, and he spoke to their hearts."  Ok.  He calmed them.  And he consoled them.  But how is he speaking to their hearts?  So, the Chachamim wonder, how, well, what was he saying to their hearts?  So, listen to what he said to them, he said to them things that would sit well in their hearts.  And said to them, "you know, 10 candles can't put out 1 candle, so how could 1 candle put out 10?"  That's it.  It's from the Talmud in Megilla.  10 candles, they cannot put out 1 candle, so – I'll make it a little more explicit now – so could 1 candle put out 10?  And then they're done.  Now, what is the meaning of that? What is he saying?  "See you [are?] 10 candles.  You couldn't put out one candle, could you?  'Cause you know what happens?  When 10 candles try to put out 1 candle?  The flame just gets bigger.  So could 1 candle put out 10?  You tried to harm me, to destroy me, but instead my light became greater.  Were I to come against you, would I be able to destroy you?  Your light would only become greater!"  What a perfect image!  [Of?] someone whose whole experience of life is as a flame.  "The only thing that I could possibly do" – he experiences others that way also – "the only thing that I could possibly do? In coming in contact with you?  Is to be a flame that would light your fire even brighter.  Because you too are fires that are burning."  And that's exactly what G-d did – it's just the perfect image – exactly what G-d did: "everything that you thought was going to be evil to me, [?] the contact that you were having with me that you thought was going to undo me, all it did was light my fire.  I could never have burned this brightly if it hadn't been for all that you caused me.  I could never have been the Yosef who would bring food to the entire planet, who would bring a whole new reality into being, who would really be the source for this people now going into an exile which will produce them into becoming the consciousness on the planet of the One G-d.  It wouldn't have happened if it hadn't been for what you did to me, throwing me down into the dark pit.  Throwing me down into the dark pit. And all those places of darkness were just ways in which my fire was being lit even brighter."  It's mamash – can you imagine experiencing all others like that?  You wouldn't want anything but relationship, because everyone you come in contact with is simply another piece of the flame that's going to be lighting you even more brightly.  And every contact you have with them is going to be nothing but igniting [1:02:55.9 everything?] more brightly.  This is a total consciousness in which there's nothing but the continued growth and bringing out of potentialities which lay embedded in our environment and in our arena of living, which is just contact with [that?] is lighting it even brighter and brighter and brighter and brighter.  So he mamash speaks to them, and these are his final words to his brothers, that's the end.  This is basically where Breishit ends.  He's done.  These are his last words.  And then it says "and Yosef lived 110 years."  And that was it; and he saw more children, etc., etc.  The story's over.  This is the end of Breishit.  This is the end of the book, which the Tikkunei Zohar says is the book of brit esh.  Of the Covenant of Fire.  It's the first rewriting of the first word of the Torah breishit, whose letters are brit esh. The brit esh of Sefer Breishit ends with Yosef making a covenant of fire.  And if you thought a covenant of fire is something which sounds destructive and threatening, no!  Well, that would depend really, on the way in which you live it!  Because if you live it as something "I must hold on to the forms I have; I've gotta hold tight on to being a table.  That's what I am!  That's my identity!  I can't give that up!" so then your meeting with someone like that is gonna be shvirat hakelim.  It's going to be breaking your vessels and you might not survive it and you might not like people like that, and, in fact, that's the kind of person – you know what?  If what your commitment is to is to reality "just as it is," to making structures that hold things in place, you don't want a dreamer around.  You don't want a flame-guy around.  He's a troublemaker.  And, in fact, the entire interrelationship between Yosef and his brothers is largely defined by their chieftain, who is Yehuda, who is the man, who is the one, who is entrusted, really, with creating a structure, creating a kingdom.  Creating something that's going to hold all this together. In fact, when Yosef meets them, so he meets – his father sends him out – he meets a man who's standing near Shechem, and he asks him, the man asks him "what are you looking for?"  And so, he says, "well, I'm looking for my brothers."  Very poignant verse.  "I'm looking for my brothers."  So he says, "well, they've gone to Dotan."  So you know what Rashi says?   On that – they've gone to Dotan.  They've gone to da'at.  They've become religious.  Better be careful.  Religious not in the – religious in the real meaning of the term.  You know, like, they keep the rules.  They're keeping-the-rules people.  They're the ones who guard the givens.  So, understand what you're getting into, Yosef.  And in fact, as soon as they see him the first thing they say is [tone of dismay] "here he comes.  The dreamer. He's the one we want to get rid of.  He's the one who's going to shake things up."  So their first experience of this flame is not a particularly positive one.  And causes them to become content to murder him.  And then to sell him into slavery.  This is not a simple matter.  Nor is it a – it's like not a simple matter in our relationship with others, nor is it a simple matter in our relationship within ourselves.  We're always are faced, struggling, with the flame of reaching out in to the farther regions, and what happens when we do that, and what happens when others touch us there.  But the world of Yosef and the world of yesod will be one which is convinced and committed to that the other one being touched will burst into a most glorious fire, which will then allow a re-embodying on an even higher and more enlightened form.  This becomes also, the aspect of Yosef not only [in his? as a?] flame, but also in his – there's another piece here – in his making peace.  His making shalom.  So now we've got this little piece of the "scope" of Yosef.  So I want to tell you something which is like one of the simplest things in life, about how we do that with others.  And I'm going to say this in the simplest way, really what happens, the way to light another person's fire, is by believing in them.  Believing in them.  Being committed to them.  That's Yosef's reliability, his ne'emanut.  That's why Yosef would never come between, in a relationship, between a man and a woman, between a husband and a wife.  That's why his primary test and transition and transformation comes by virtue of the question of relationship.  And the honoring of relationship.  Because in his honoring relationship he defines it all. So. [long pause to collect thoughts] There's like, 4 different avenues. You know what's the opposite of a person who's like this?  Who's a flame?  Who's always seeking contact with what's out there, because he just keeps adding fire – there's more and more fire?  The opposite of this is, mamash, like, an enlightener.  I think on a certain level they're also, like Yosef is, in as much as they're involved in relation and connecting, they're kinda lonely.  Alone.  A person who has a lot of dreams that way can become very much alone.  Yosef is actually n'zir eichav, he stands apart from his brothers.  But there are two ways of standing apart.  And this is something else that Yosef seeks to teach his brothers.  That big scene, when Yosef first meets them, he does something like totally weird.  And that is that – I'm talking about now when Yosef meets his brothers for the first time when they've come to Egypt to collect food.  So that whole story begins with the famine coming, and then it says that (in the beginning of chapter 42) v'yar Yaakov ki yesh shever b'Mitzrayim .  This is kind of a funny word.  Shever in Hebrew means "food," or something that's going to be sold.  But shever also means breakage.  A mashber is a catastrophe in which there's been breakage.  And a mashber is also where when a woman gives birth.  The birthing stone is called the mashber.  So Yaakov sees there's a shever in Mitzrayim.  Very, very laden word.  And he tells his children lama titra'u.  Which literally means "How come you're just standing around looking at yourselves?"  How come you're just standing there and looking at yourselves?  He says, "I heard that there's shever in Mitrayim."  Now, at the beginning of the chapter it said Yaakov saw that there's shever in Mitrayim.  He's seen it.  But he tells them "I've heard it."  Ok.  That there's shever in Mitrayim.  "Go down there and get us some food, so we'll live and not die."  So the brothers go down and there's some very, very rich elements here in this story – and  they come before Yosef.  Yosef, of course, he recognizes them, but they didn't recognize him.  And then he starts to talk to them.  And what he says to them is, after he remembers his dream, what he says to them is "you're spies.  You're spies.  You've come to see the erva, the indecent exposure, the shame of this land.  Basically you've come here to seek out the weak points of this land.  So that you can take advantage of it."  So they say to him "no, no, no: that's not true!  We've come to get food!  We're all the sons of one father.  All the sons of one man.  We're really being honest with you.  We are brothers.  We're not slaves [meant "spies?"]."  So Yosef says to them "Uh-uh-uh. – [goes back and changes slaves to spies] "We're brothers, we're not spies."  So Yosef says "uhhh, you're spies."  "no, no!  We're brothers!"  "No, you are spies."  I mean, you'd think that there should be a little guy on the side who says well, I mean, brothers can be spies!  It's not as if they're in an argument!  About something.  But apparently, they are!  "Either you're spies, or you're brothers.  You know what?  You go back and you bring that other brother of yours, and you prove to me that you're brothers!"  "Huh?  How's that going to prove that we're not spies?"  Well, doesn't matter, right?  Now that, is totally "out there."  Unless Yosef is actually teaching them something about two different paths in living, and they are the path of the flame.  And, what is really the opposite of the path of the flame, in terms of personal expression, and that is the path of the spy.  Because the spy is the advantage-taker.  The spy has absolutely no interest in you and your marvelous potentialities and your flame that waits to be exposed.  And, as my mother would say[1:17:41.6 ahnes g'matuch???] like, a hole in the head.  Doesn't care about any of that.  What a spy cares about is one thing only, and that is "what advantage can I take of this situation?"  A spy stands completely outside the relationship.  Cannot enter a relationship. That's when spies fall, right? That's always the tension in the spy flicks, is he going to fall for the girl, or is he not going to fall for the girl?  If he falls for the girl so then his cover is going to be blown.  Right?  If he really falls in love with her.  'Cause spies cannot fall in love.  'Cause once a spy has fallen in love so he becomes your brother.  He becomes connected.  And then he's in trouble.  The only way for you to be able to live as an advantage-taker, is to live outside:  standing and spying the situation out.  The only thing you're looking for is erva, and it's a sexual term also.  You're just looking for the advantage taking.  "No, no, we're brothers!"  Almost as if, subconsciously, they recognize what the conversation is about.  Right?  "We're brothers, we're not spies," he's like mamash got them in it.  That "you're spies."  Because Yosef is the man who's there to teach them brotherhood.  Which he will in the end.  He's the one who's there to teach them the opposite of blockage, of orlah.  He's the one who's there to teach them what it really means to contact life, and what it means to really contact life is to be committed to life in a way that all you are there for is for the igniting of it so that it become more and more enlightened.  That it become more and more realized.  That's the only reason to be here, is to bring life to become more and more enlightened and more and more realized.  Is to light it on fire!  The last thing to do, that a spy wants, is to light it on fire, because all the spy is there for is to see things as they are and to discover their weakness, so that advantage can be taken of them.  Rather than they be given the opportunity to live in their own freedom and expression. [1:19:53.6?] mamash speaking to people that Yaakov described at the very beginning, which was lama titra'u?  All you people are looking at is yourselves.  It's the reflexive in Hebrew.  For looking.  What do you mean to look "at yourselves?"  It's completely the opposite of someone who's looking to contact reality in a way in which is going to be adding light and adding enlightenment for both of us!  When one candle touches another it's for both of us.  But it's only for both of us if we do it in a selfless way.  Because if all you're after is that your light should be greater, so then you become a spy.  How can I get the most out of this situation?  How can I get the most out of you?  But if you're living in the situation and the relationship in which it's not about "how can I get the most out of you," it's about how can we both become a greater light, and that's the only way we can become a greater light.  And this is a secret which we all forget as we move through life; this is the great secret of living:   the only way that I'm going to become fully expressed is by being committed to your full expression.  That's, it's won't happen any other way because when I lose that commitment to your full expression, so then all I have is myself!  I won't become more!  I might become, you know, more of myself!  But I won't become truly more; there will not be any Yosef.  There will not be any tosefet.  And the pathway to that is in this great belief in the other.  The great emuna and the great ne'emanut to what they have to bring.  The great connection to that place which is that burning flame that's inside them.  And this is so marvelously so that, to be standing there espying the advantage, is to be precisely the opposite of that one who touches the flame of the other.  It's dangerous for that other one.  To become alive.  It's dangerous for that other one to – so to speak – to give birth.  The erva and the [? 1:22:11.4] aspect of it is very, very profound there.  This is why, also, Yosef and his reflection on that, with them, so he reveals this aspect of them to them  and that begins their process of tikkun of moving from being meraglim to becoming achim, [?] achim.  You can see how strongly it would be that the last thing in the world that Yosef would want would be to shame another.  To expose their cherpa, to expose their erva.  And we all have it.  But the last thing in the world that Yosef would want would be to shame another.  The other aspect of Yosef that we've been talking about, which we just started to touch, again, is asaf et cherpati  -- that he's "gathered in my shame."  And, that's [what] Rachel says.  So you know there's a story that seems to be completely out of place in the Chumash, in the context of Yosef, and that is the story of Yehuda and Tamar.  Because after Yosef is sold into slavery and before we are given the whole story of Yosef and his standing up to the temptation of eshet Potifar, so we have the story of Yehuda, in a sense, not standing up to the temptation.  Of a whore.  And in that we're actually meeting a kind of a clear juxtaposition, which is, in a sense, preparation for the story of Yosef and Potifar's wife, by seeing what's the nature of the behavior of the man who represents – sort of – the "rules," the institutionalization of things, the solidity of things?  The king.  What happens to him?  And, of all the pain around that story, what happens to him is, in a sense – it's not quite the same, obviously as an eshet ish – but, you know, it doesn't particularly reflect well, that story.  Whatever we're going to do to it to soften it.  And, the story is actually about a very particular series of events.  We can't ignore that this woman Tamar, who was married to Yehuda's child, actually becomes the subject of the first, well, not the first, the subject of a sexual behavior which is attempting to prevent her from becoming pregnant.  And that's what the Chumash describes, that she doesn't have children because the man with her is not giving her seed.  The, one of the sons of Yehuda, is called Er, which means "awake," and the other is Onan, which basically means "caught up in his own power."  On, in Hebrew, is "power."  Caught up in his own power.  Onan is.  That becomes, in Hebrew, actually the word – oneinut – is the word for masturbastion.  It's completely self-contained.  So this is who she's married to.  These are the children of Yehuda.  Not a very pretty picture.  And there's a third son, whose name is She'la, which actually means in Hebrew "Shel La," that he's for her.  But Yehuda doesn't give her him.  And, I guess, he doesn't really know what's going on in the bedroom maybe, but he does know that he's had two boys who died, married to this woman, doesn' t bode well for the 3rd one.  So, the answer is, in the meantime, "no."  Now, you know the way of the Torah is that a person who's not had a child, so someone from the family, in the Torah later, the brother, is supposed to have a child by the woman.  So these boys have died and the brothers are supposed to take her, and have a child by her.  So, that doesn't happen, and so she seduces Yehuda.  That's the encapsulated story.  But, then interesting things start to happen.  And especially in our context.  She, when she's discovered to be pregnant, is taken out to be burned.  So, in her being taken out because she is considered to have been, on some level, been an adulteress.    'Cause she's supposed be waiting for this other boy Shela.  So, on her way out, it says v'hie mutzeit  -- she has been taken out --v'amra -- and she said – this is all in Ch. 38 of Breishit – so she's taken out and she says the following crucial words: v'hie mutzeit, v'hie shalcha el chamiha l'emor, 'l'ish asher eleh lo, anochi ha'ra .  She sends to her father-in-law what he had given her as a guarantee that he'll pay for the znut, and says to him "the man to whom this belongs, he's the one who I have become pregnant from."  So Yehuda recognizes it, and he admits that it's from him.  "She is more righteous than I am," tzadka mimeni.  And lo n'tatiha l'Sheila bni.  That "I was wrong in not giving her to my son Shela."  V'lo yasaf od l'da'ata. And he didn't have any more relation with her, or, some say, he never stopped having connection with her.  Yosef's back in the picture.  V'lo Yasaf.  Putting that aside, so what happened here?  So the rabbis say a most amazing thing.  The rabbis say, "she's been sent out to be burned," right?  OK.  V'hie mutzeit actually in Hebrew has a sound to it of hatzata, which means she's actually been lit on fire.  And she doesn't simply declare to everyone "you all see what this is?  You all see it?  You all recognize what it is, right?  You know who this belongs to; it's got his name on it; it's his chotam.  This belongs to Yehuda, my father –in- law!"  That would have saved her life!  I mean, immediately they would have taken her off the fire-pier and looked in to it.  But instead of exposing him, she sends it to him: let him decide.  So, it almost sounds like she sends it to him in a box.  You know, like "you open it up, you take a look at it and you decide what you're going to do with this."  So the rabbis say, "what was going on here; why didn't she just say to everyone what had happened?"  Lo ratzta lehalbin panav.  She didn't want to expose his cherpa.  She didn't want to shame him.  V'lomar mimcha ani meuberet.  And say "I'm pregnant from you."  She didn't want to "whiten his face."  Ela l'ish asher eleh lo amra.  Im yodeh m'atzmo yodeh, v'im lav, yisrafuni.  V'al albin panav. "If he admits, good.  If he doesn't admit, let them burn me.  It shouldn't be that I should whiten his face, and shame him."  Mi kan amru Rashi then goes on and says, which is actually somewhat uncharacteristic of him, because you don't need to say this now in order to finish off explaining: from here the rabbis learn "better that a person throw himself into the burning furnace rather than shame another person in public."  And, in fact, there's a story in Masechet Ketubot of a man who did that.  Are you familiar?  About Rabbe Zera, he used to give tzedaka to a neighbor and once the neighbor wanted to see who it was, so he opened the door when Rebbe Zera was fiddling with the money, and he started chasing Rebbe Zera.  Rebbe Zera ran away because he didn't want him to actually see who it was and be embarrassed by him; he ran home and he jumped into the oven.  Which, thank G-d, his wife jumped into first to protect him, because his wife didn't get burned.  But he would have gotten burned.  Which the Gemara then develops into a whole thing about why his wife was superior to him in terms of being protected from the burning.  But the point is the rabbis actually take this very literally.  That it's better to burn up rather than to, I guess, get someone else "hot in the face," you know, that they should burn.  With shame.  Now, this is amazing because this is the other aspect of Yosef, right?  This is asaf li et cherpati, this is Yosef is the one who protects people from shame. "Ah," you say, "this isn't about Yosef; this is about Tamar."  But this story is embedded in the teaching which is now being taught to Yehuda, who is the antithesis of Yosef.  And her name Tamar actually reveals her as being the feminine form of Yosef.  That's why lo yasaf l'da'ata.  Because we have a verse which says tzadik k'tamar yifrach.  Which is a Yosef verse.  Tzadik – which is Yosef.  He's called The Tzadik.  So:  blossoms like a tamar.  But he's the tamar who is – it's just that Yehuda has met Yosef in the feminine form.  And the whole teaching, really, that she gives over to him, is: "not shame another."  Not shame another.  "See, I thought you were making so many correlations about Yosef earlier that were so connected to Dinah." So, we'll wait with your ideas about that; I just want to have this here, that that not shaming him was an expression of his root of asaf et cherpati.  Of to not shame another.  Tov, bezrat HaShem from there I want us to continue today – we've been exploring a lot of yosif li ben acher , and the power, in a sense, of Yosef's fertility.  He's so fertile that he's turning everyone else on and making them become more of what they were before.  That's like the primary, that's the feature of Yosef as the flame.  Who's there as setting people on fire in a way in which they become more.  In which they're mosif.  In which they – in a sense – birth themselves into becoming more than what they were before.  That's his tremendous power of fertility which is his great blessing – one of his great blessings.  But the antithesis of that is to shame a person, to make them feel like nothing, to make them, like, go away, to make them be worthless in their own eyes.  To basically burn them in the way of destructive burning.  So, the image that the rabbis uncover in the verse is "you got a choice: to burn a person up or, if you're in a situation where you're going to shame them, or to  get out of the way and let yourself be burned."  Better to let yourself be burned than to burn another.  That's a total Yosef perspective.  You're really only here to be bringing other people's fire out, so if you're going to douse that, better that you should be burned than that they should be.  That's the aspect of the selflessness of it.  But the great teaching in that becomes this very, very powerful teaching which is a teaching about what is called ona'at dvarim.  Ona'at dvarim is the rabbis description of what it means to shame another person and belittle them. And, b'ezrat HaShem we're going to explore that next time, this idea of asaf li et cherpati, and from there we'll see the very, very deep connection to yonati.  Let's leave it at that.  Any questions, contributions? "My question was just, one of the descriptions of Yosef was, I felt, very, very [? Dinah?]. … interesting [?] Tamar.  Just like, exposing out of the box, and like, um, like the concept of protecting from shame, like, she really like, I don't know if it was exposing a shame or like, also shaking things up.  And yesod, and all those different…" Those are all connections to Dinah, you mean?  We knew that; Chazal say that explicitly, "Really?' but [??] I wasn't exploring that. "I was really struck by, I mean, you obviously definitely like addressed it, and yet I also thought there was so much there, around the paradox of what you're saying about who Yosef is, in terms of bringing peace and in terms of, just the paradox, really, that's there because he seems to be stirring things up in a way.  I mean, yeah, you talked about it.  You talked about it, it's so…" Yeah, I think it's really important for us to have clarity on the distinction between shalva , which is to be – nu, what's the word – to be content, and shalom.  You see, peace actually is from the Hebrew word, which is not shalom, it's shalva. 'Cause peace, in Hebrew, is pius, which means, basically, to "make do with."  Like lehafis da'ato shel mishehu.  Lefayes oto is to calm him down so that we can get on with the business of the day.  Peace is a Eisavian concept.  In that sense, which is basically what they call in Hebrew: sheket tasiyati, that there should be "factory quiet."  There must be some kind of phrase like that in English [ literally "manufactured peace" though the sense is changed in Hebrew].  Keep things moving calmly. Business as usual.  Business as usual, keep the people content, satisfy the masses, don't get involved in new ideas, revolutionary people, keep the underdogs underdogs, but give them enough to keep them satisfied so that they don't start any revolutions, etc., etc.: that's peace!  That's peace.  That's a perfect picture of peace.  And it's an Eisavian concept.  This helps us with the sense of like, Eisav gets burned up by Yosef; there's no place for him, because Eisav is completely asui, he's born already done.  He's basically the guy who's "made it."  He's already hairy.  When he comes out his mother's womb!  He's got nothing to do with birthing.  He's so, like, anti-birthing that the rabbis say "he tore Rivka's womb as he came out."  He may even needed to have been born by a caesarian birth.  Whatever.  In any case, he created caesarian birth.  That's what Caesars did; they're Eisavian.  But the point is that he's totally not there, totally asui.  And the point about Eisav is that he stands in total opposite and Yehuda, who has connections with Eisav and that's later revealed more deeply in David, who's ruddy.  It says he's admoni; he's ruddy, right?  The malchut can very easily fall into that kind of a sense of peace.  In my opinion that's exactly what we're living right now; we're living through a period in which the malchut of Israel has become totally set on "peace," on pius.  Which has nothing to do with shalom; totally nothing to do with shalom.  It has everything to do with just kind of holding things as they are, not letting things get out of order and get out of hand.  Shalom is an entirely different concept.  Shalom is very dynamic, because shalom always involves – there's another level, which we're aiming towards, which we're aspiring to, which is what's called the makif.  Which is the light which is beyond.  The makifim belong to the world of Yosef.  'Cause he speaks to what is the next stage.  That kind of shlemut, this is a whole other picture.  So, only when you recognize what shalom  is can you respect Yosef as the shalom maker, not as the peace maker.  He's not a peace-maker at all; he's the shalom maker, and in being a shalom maker he comes from that perception of life as "my candle when it touches your candle there will be greater light.  But I need your light.  To be there, glowing.  And if you are unwilling for that, and, instead of being light you've become iced-over, so then, you'll just melt away."  That's the kash of Eisav.  The only way for Yaakov and his dynamism, which is the dynamic of creation, which is the Jewish people, the only way for that dynamic – we're always the revolutionaries; that's just the way the Jewish people are.  We're always the revolutionaries out on the barricades.  The only way for that, for me to go back to Eretz Yisrael is to burn out the Eisavian.  Only then will I be able to be there.  Right. "I totally thank you, and I've lots [to be?] thinking about in personal terms, in terms of, like, facing conflict, like, if somebody says "I'm your brother," I mean, he says 'I'm your brother, the one who you sold to Egypt.'  Like, this statement of, you know, you focus on the connection of 'I'm your brother,' but, like, it necessarily, he has to say 'the one you sold to Egypt,' like, he reminds them, like 'you did this wrong!'  And it's about, I see it more as also li

Episode 120 of Trance Up Your Life as broadcasted on www.afterhours.fm Trance Up Your Life is aired every 3rd wednesday of the month 16:00-17:00 CET @ afterhours.fm If you like what you hear, feel free to share/repost it with friends on socials. And if you want more content like this don't hesitate to follow me: www.facebook.com/PeteersonMusic www.mixcloud.com/peteerson/ @peteerson or iTunes Podcast via apple.co/370Dfp8 Tracklist: 01 Pierce Fulton Vs. Andy Duguid Ft. Jaren - I Can't Remember If It Was My Thunder (Peteerson Mashup)[Whitelabel] 02 Tritonal Ft. Cristina Soto - Still With Me (Elevven Remix)[Enhanced] 03 Coldplay - Daddy (Patrik Humann Bootleg)[Whitelabel] 04 Veracocha - Carte Blanche (Ilan Bluestone Remix)[Armind] 05 Daxson - Escape The Silence [Coldharbour] 06 Jordan Tobias Ft. Limelight - Angel In Disguise [GO Music] 07 PAIPY - Run [GO Music] 08 Yoel Lewis & Meital de Razon - Brave (ReOrder Remix)[Find Your Harmony] 09 Key4050 - Utterly Butterly (Nikolauss #140 Remix)[Whitelabel] 10 The Thrillseekers Pres. Hydra - Amber (Peteerson Bootleg)[Whitelabel] 11 Giuseppe Ottaviani - Lumina (Fisical Project Remix)[GO Music] 12 Ferry Corsten & Ruben de Ronde Ft. David Westmeijer – Bloodstream (Ben Gold Remix)[Flashover] 13 Andrea Ribeca - Prisma [Azura Ink] 14 Dennis Sheperd & Sarah Russell - When Our Worlds Collide (John O'Callaghan Remix)[Black Hole] Thank You for listening // Peteerson

Blunt Blowin' Mama goes right to the source to get the scoop on all the legalities behind cannabis regulation and what the future of legal weed looks like. We sit down with Meital Manzuri, a board certified cannabis and hemp lawyer with over 15 years in the game. She is the founder of Manzuri Law and has been involved in many different sectors throughout her career. From criminal law, to helping folks establish legal cannabis businesses to petitioning for social change Meital is an expert in her field. Blunt Blowin' Mama also  shares some listener questions and concerns around CPS and getting caught with cannabis. You definitely want to listen to this episode. Check it out now! 

01. SMR Live feat. Polly Strange - Rising sun (Glynn Alan Remix) 02. Yoel Lewis x Meital de Razon - Brave (ReOrder Extended mix) 03. Richard Durand feat. Sarah de Warren - Made of stone (Extended mix) 04. Mart Sine feat. Natalie Gioia - Glass house (Extended mix) 05. D72 x That Girl feat. Tobias Maarten - Pendulum (Extended mix) 06. Apollo x Megara vs. DJ Lee - Time (Extended mix) 07. Drym x GXD feat. Linney - Give me life (Extended mix) 08. Nicholas Gunn feat. Alina Renae - Broken (Giuseppe Ottaviani Remix) 09. Dennis Sheperd feat. Sarah Russell - When our worlds collide (John O' Callaghan Extended mix) 10. SMR Live x That Girl - Need somebody (Extended mix) 11. BiXX - Face your fears www.facebook.com/SzanszyTDT

Welcome to Dreamland episode 251, New Trance Weekly.This week's playlist: Luke Bond Feat. Duna Lua - Habitat (Extended Mix) (2021-08-13) Ashley Wallbridge Feat. Bodine - 5000 Miles (Extended Mix) (2021-08-13) Costa & Veronica K - You Are Loved (Behind The Horizon) (Extended Mix) (2021-08-12) Stoneface & Terminal and Waltin Jay - Life Is For Living (Extended Mix) (2021-08-13) Yoel Lewis & Meital de Razon - Brave (ReOrder Extended Remix) (2021-08-06) Jordan Tobias Feat. Samuel Welsh - Seeing Red (Extended Mix) (2021-08-13) Andy Duguid + Jaren - My Thunder (Ciaran McAuley Extended Remix) (2021-08-13) Made Of Light - The Reason Why (Extended Mix) (2021-08-06) Mario Moon & Dave AirmaX - Can't Forget U (Original Mix) (2021-07-29) BT - Wildfire (Sean Tyas Extended Remix) (2021-08-13) C-Systems & Hanna Finsen - Breaking The Spell (Extended Mix) (2021-08-06) Gianmarco Fabbretti - Together (Extended Mix) (2021-08-09) Criostasis & Space Raven feat. Maria Milewska - Falling Through Time (2021-08-13) ===

Desde que somos pequeños escuchamos hablar de empatía. Es decir, la capacidad que tiene una persona de ponerse en el lugar o “en los zapatos“ de otra persona. Tratar de entender una situación o sentimientos de otra persona en determinado momento. Y si bien, es un concepto que hemos oído mil veces, muchas veces tendemos a ir por un camino diferente, el de juzgar. Sobretodo el de juzgar sin realmente entender la situación. Hoy hablo con Meital Benari, mamá de tres, mujer extraordinaria, resiliente, y quien aboga por su hijo con necesidades especiales a través de un movimiento que amo de principio a fin llamado: Create Awareness, o en español, Crear Conciencia. @Createawarenessus

Episode 115 of Trance Up Your Life as broadcasted on www.afterhours.fm Trance Up Your Life is aired every 3rd wednesday of the month 16:00-17:00 CET @ afterhours.fm If you like what you hear, feel free to share/repost it with friends on socials. And if you want more content like this don't hesitate to follow me: www.facebook.com/PeteersonMusic www.mixcloud.com/peteerson/ @peteerson or iTunes Podcast via apple.co/370Dfp8 Tracklist: 01 Paul Skelton - In My Eyes [Kinected] 02 Ferry Tayle Vs. Yoel Lewis & Meital de Razon - Brave Smile (Peteerson Mashup)[White Label] 03 Eugenio Tokarev & Shedonia Ft. Susie Ledge - On My Way To You [AVA White] 04 David Oleart & Van Der Bert - Trance Lovers [Flashover Trance] 05 JOC Vs. Gabriel & Dresden Ft. SubTeal - Coming On Strong Behind The Silence (Peteerson Mashup)[White Label] 06 DRYM & Gid Sedgwick - Lost In You (Leroy Moreno Instrumental Remix)[Valteon] 07 Factor B & Arielle Maren - Connected [Theatre Of The Mind] 08 Andrea Ribeca - Tuscia Est [Future Sound Of Egypt] 09 Alex M.O.R.P.H. & Aimoon Pres. Northen Storm - Mission Control (Tech Mix)[Morphland] 10 Liam Wilson & Paul Troubridge - The Fortress [Subculture] 11 Dennis Shepard & Katty Heath - Losing My Mind (Yelow Remix)[White Label] 12 Bryan Kearney Vs. Ciaran McAuley Ft. Clare Stagg - All I Want Is Omega Six (Peteerson Mashup)[White Label] 13 Key4050 - Just A Dream [Kearnage] Thank You for listening // Peteerson

The first rule of Fight Club is we're about to talk about Fight Club... The second rule of Fight Club is we've got to destroy that meteor using the power of Chutzpah! Comedian Meital Abraham joins us this week to talk about one of her most favorite movies: Fight Club Find us online at @ihaveseenthat on Twitter and Instagram. Or shoot us an email at ihaveseenthat@gmail.com

This week in Porchville I sit down with Comedian and (S)laughter House Comedy Co-Director Meital Abraham. We discuss her comedic summer camp roots, her journey from Baltimore to Gainesville, dirty root water and The Nuns of St. John’s Convent. Enjoy.

Shmuel Rosner and Meital Lehavi discuss Tel Aviv's new Shabbat transportation lines and its implications on the Israeli status quo. Meital Lehavi serves as Deputy Mayor of Tel Aviv-Yafo for transportation, construction and infrastructure.    Follow Shmuel Rosner on Twitter.

Go Behind the Scenes of the Alyn Bike Ride - Wheels of Love. Hear about the incredible ride from Atara Weiss, mother of Meital Weiss and why Alyn is so important to her family. This interview originally aired on the Nachum Segal Network - BITE SIZE with Yoni Pollak.

With globalisation, it is inevitable that our society is increasingly diverse. Technology has enabled companies to operate virtually and in multiple countries. The improved mobility and accessibility has enabled the global workforce to fill talent gaps in far-flung places. Even so, the once homogeneous neighbourhood has welcomed Nepali security guards, Filipino nurses, Korean chefs and many others. The heterogeneity of a society or organisation can be a big advantage in our competitive world-- only if it is harnessed well.  Without a doubt, we need to learn how to adapt and navigate in our culturally diverse world. But where do we start? Do we need extensive travel experiences? Would it be different for a person from the West as opposed to a person from the East? Joining us is Meital Baruch, an organisational consultant, intercultural trainer, professional speaker and the founder of Global Mindset, a company that designs Intercultural learning programs and global leadership solutions to help organizations thrive in a culturally diverse world.   Check out our podcast on:  Apple Podcasts:  CastBox:  Google Play Music:  iHeartRadio:  Overcast:  Spotify:  Stitcher:    Highlights from the podcast episode can be found here:    *If you enjoy this episode, please like, share or comment on this post. We’d love to hear from you on the topics you’d like us to cover or persons you’d like us to interview.

Tracklistings: 1.aSg - Nothing to Say 2.Volen Sentir - Heimarmene 3.Oceanvs Orientalis - Tarlabasi (Be Svendsen Remix) 4.Chaim feat. Meital de Razon - Love Rehab 5.Sous Sol - Palosanto 6.Modd - Salomeya 7.Evren Ulusoy - The Encounter (Sous Sol Remix) 8.Basti Pieper feat. Eddy Pirax - I Love You 9.Clarian - Under The Gun (Tiga Remix) 10.Anja Schneider - All I See 11.Djuma Soundsystem, Westerby - Disambigua (KatrinKa Edition) 12.Brett Johnson - Sigh Of Relief 13.&ME, Rampa, Adam Port, Keinemusik - Muyã 14.Hans Zimmer - Time (Tale of Us Edit) for bookings & contact: guipimentel29@gmail.com www.guipimentel.com.br

From 2011: Meital Dohan will be a familiar face – and body – to fans of Showtime’s long-running series “Weeds.” On that show, she was Yael Hoffman, the very strong willed Israeli director of admissions for a Hebrew university where Andy hoped to find salvation. But, this being Weeds, viewers knew he’d find something else when she said, “I’m wearing a bra, so stop looking for my n!pples.” As one YouTube fan wrote, “That was the hottest way I have ever heard anyone say “n!pples.”

Haus of Mimosa: The Podcast Ep. 22 “Klash of the Gamer Princess Anime Clown: Erika Klash” This week’s special guest is NY City Drag Sensation Erika Klash. Listen, as she joins Travis and Steven for an in-depth conversation about what it’s like to be a newer queen in the Big Apple. Erika tell us all about how she is setting her mark as an original "Gamer Princess Anime Clown”. The gang discusses all different aspects of Drag; how it can be whatever you want it to be, thinking outside the box, making it happen for yourself, and staying true to who you are. With a passion for playwriting, Erika draws inspiration from the Drag careers of Charles Busch, Varla Jean Merman, and the hilarious Miss Coco Peru. More fun topics include: Gamer Make-up, Cosplay, and Comic con. You can see Erika Klash from April 28th-May 1st 2016 when she sets out to be a part of The Austin International Drag Fest in Texas. And to find out more about Erika, follow her on social media: www.facebook.com/erika.klash instagram.com/erikaklash twitter.com/erikaklash erikaklash.tumblr.com And rounding out the episode is our very own DJ Anita B. who gives you your favorite music to get you through the day. Music featured in this episode: “Remember” By Dumblonde “Can’t Feel My Face” by The Weekend “Heaven in Your Eyes: Avicci vs. Offer Nissim & Itay Kalderon Ft. Meital “Mac n’ Cheese Mashup” For more Haus of Mimosa check out our Youtube Channels: www.youTube.com/SundayMorningMimosa www.youTube.com/BuffemBeautiful brought to you by Dragaholic.com, KTCHNNYC.com, TheOutNYC.com, Audible.com, and the DragMyCity App. Produced by The Haus of Mimosa

Another 3 hour circuit mix - split in to two parts. Lots of exotic sounds and euphoric vocals CLick for some Circuit Love and enjoy the magic carpet ride. This is Part 1 Tracklisting: 001 - Ze Sheshomer Alay (Adrian Dalera & Eduardo Lujan vs Itzko Intro Private Mix) - Sarit Hadad 002 - Perfect Love (Jonnah Ruiz Area 51 Rmx) - Offer Nissim Ft. Maya 003 - TWhat Time Is Love (Offer Nissim Remix Vocals By Meital De Razon) - he KLF 004 - I See Right Through To You (DJ Tristan Jaxx Mash) - Stacey Michelle vs Ellas Rojas 005 - Like It (When We Do) (Alex Acosta Remix) - Yinon Yahel feat. Maya Simantov 006 - Love On My Mind (Grasso, Rich, and Frappier Club Mix) - Philip Grasso & Russ Rich feat. Debby Holiday & Leo Frappier 007 - I Can Fly (Marcelo Rivera Club Room Mix) - Tom Light 008 - Makes Me Wonder (Sagi Kariv Remix) - Edson Pride 009 - Fall In Love In The Heat Of The Night (DJ Bolt Mashup) - Lissat & Voltaxx ft Vanesse Ekpenyong vs Estelle 010 - Angel (Stefan Dabruck Remix) - Sarah Brightman 011 - Loved (Offer Nissim Remix) - Kim Wilde 012 - Rock The Right Now (David Paoni Mash) - Rihanna 013 - Everywhere (Diogo Luctemberg & Felipe Lima BITCH Mashup!) - MYNC, Mario Fischetti; Isak Salazar feat. Deborah Cox 014 - Infinity (Jasmins Club Mix) - Mariah Carey 015 - Exceeder vs Rapture (DJ GSP Mash) - Mason vs Iio Ft. Nadia Ali 016 - BBHMM (Bitch Better Have My Money) (Oscar Velazquez & Luis Vazquez Remix) - Rihanna 017 - Talking Body (Luis Vazquez Vocal Remix) - Tove Lo

It's Circuit Party time - 2 hours of Vocal House tracks with a dash of Tribal beats Track Listing: 001 - Try (Carlos Gallardo Eloise Remix) - Edson Pride 002 - What Time Is Love (Offer Nissim Remix Vocals By Meital De Razon) - The KLF 003 - Medusa (Jerome Robins Tekk Mix) - Hazzaro 004 - Perfect Exceeder 2015 (Argonaut X UMEK Mash Up) - 3Mason Vs Princess Superstar 005 - Exceeding Time (DJ Bolt Mashup) - Azealia Banks vs Mason 006 - 100% Pure Love (Original Mix) - Armand Pena, Crystal Waters 007 - DropDatBitch (Casey Alva Club Mix) - JimiJames 008 - Body (Pacheco Serving A Body Remix) - Cherrie Lily 009 - Speak No Evil (Klubjumpers Club Mix) - Kimberly Davis 010 - Stay With Me (Double Face Brazil Remix) - Edson Pride 011 - Chandelier (Enrry Senna Mix) - Sia 012 - I Try Everybody (Bonnis Maxx Mash) - Made By Monkeys vs Etienne Ozborne 013 - Symphony (Original Mix) - Troy Dark 014 - First Time (Mike Beatz 2014 Remix) - Offer Nissim 015 - 5 Alarm (Daniel Hadad Remix) - Viennie V 016 - HEX Latch (Tryde & z3tO Reboot) -Tommy Trash & Wax Motif vs. Disclosure ft. Sam Smith 017 - Apocalypse At Night (Jose De Mara Bootleg) Master - Arno Cost, N. Doray, Kryder & Tom Staar vs Shakedown 018 - This Is Marrakesh (Bonnis Maxx Intense Private) - O.B. 019 - Titanium (Bonnis MAxx 2k14 Mashup) - David Guetta feat. Sia 020 - G.U.Y. vs Venus vs Donatella (DJ Tristan Jaxx vs Tony Moran & Mauro Mozart vs Bruno Ramos) - Lady Gaga 021 - Get Your Hands Off! (Oscar Velazquez Remix) - Junior Vasquez 022 - Dangerous (Bonnis Maxx & Mauro Mozart Bootleg) - David Guetta 023 - Beautiful People Say (Dj Fabio Campos Pvt Mashup) - David Guetta, Jose Spinnin Cortes, Chris Stutz feat. Sia 024 - Bad Romance (DJ Paulos Gaga Oh La-La Remix) - Lady Gaga 025 - In My Mind (Mauro Mozart Rework 2013) - Ivan Gough, Feenixpawl Feat. Georgi Key & Axwell 026 - Spectrum (Mauro Mozart ReWoRk 2013) - Zedd feat. Matthew Koma and Gregori Klosman & Tristan Garner

On Saturday, May 10, the biggest pool party in Texas heats up with DJ GRIND & DJ Benson Wilder! PURPLE PARTY WEEKEND RISE Pool Party, featuring DJ GRIND and DJ Benson Wilder Saturday, May 10, 2014 | 1:00 pm – 7:00 pm SISU Uptown Resort | 2508 Maple Avenue | Dallas, TX 75201 www.purplefoundation.org = = = = = April 2014 Mix | Purple Party Official Promo Podcast 1. I Will Never Let You Down (WestFunk & Steve Smart Club Remix) – Rita Ora 2. You're Mine (Eternal) (Nick Bertossi Private Mix) - Mariah Carey 3. Macumbero to My Life (Thomas Solvert Mashup 2K14) – Sebastian Ledher vs. Tina Arena 4. Stupid Little Things (Manhattan Clique Extended Mix) – Anastacia 5. Crying For No Reason (Markus W. Bootleg) - Katy B 6. Hideaway (Dzeko & Torres Remix) – Kiesza 7. Alone (Extended Mix) – Armin van Buuren feat. Lauren Evans 8. Holding Onto Heaven (Wideboys Club Mix) – Foxes 9. You Make Me (DJ Miller & DJ Haipa Remix) – Avicii 10. Let's Do it Right (Carlos Gallardo Eloi se Dub Remix) – The Young Professionals feat. Eva Simons 11. This Whole Damn World (Yinon Yahel & Kapler RMX) – Tripl feat. Meital De Razon 12. I Luh Ya Papi (Mike Cruz Remix) – Jennifer Lopez 13. Danse (Cosmic Dawn Club Mix) – Mia Martina feat. Dev 14. Enjoy the Starlight (Tony Rockwell Mashup) – Don Diablo & Matt Nash vs. Krewella 15. Last Love Song (Dave Aude Club Remix) – ZZ Ward 16. Anywhere For You (Extended Mix) – John Martin www.djgrind.net | www.facebook.com/djgrindsf | www.twitter.com/djgrind

As the sun sets on another amazing Summer, I wanted to end the season with an uplifting, hands-in-the-air mix featuring some of my current favorite pop, commercial dance, and vocal house tracks! This month, I'm especially excited to feature my latest collaboration with Toy Armada, an OFFICIAL REMIX for Jessica Sutta's new dance anthem, "Lights Out" -- coming soon to iTunes and Beatport from Citrusonic Records. On Sunday, September 15, Northern California’s legendary outdoor dance party returns, bigger and better than ever. GusPresents SUNDANCE is back, with over 30 acres of water slides, pools and attractions and 3 major dance areas, all outfitted with massive sound systems. Join me at Waterworld California for a party that's more than a decade in the making! www.guspresents.com = = = September 2013 Mix | SUNDANCE Official Promo Podcast 1. Trouble (Sharoque Remix) – Neon Jungle 2. It's My Party (Steve Smart & WestFunk Extended Mix) – Jessie J 3. Disco Love (StarLab Disco Club Mix) – The Saturdays 4. On My Way (Cahill Club Mix) – Ayala 5. New Colours (7th Heaven Club Mix) – Janet Leon 6. Everything to Me (Cutmore Extended Mix) – Shane Filan 7. We Own the Night (Scott Mills & Jon Dixon Club Mix) – The Wanted 8. I Want It Bad (Luis Alvarado Anthem Mix) – Jose Spinnin Cortes, Meital De Razon 9. 'A Voi E A Me' (You and I) (Enrry Senna Vocal Mix) – K.Rose 10. Lights Out (Toy Armada & DJ GRIND Official Club Mix) – Jessica Sutta 11. Skirt (Edson Pride Big Room Mix) – Kylie Minogue 12. Royals (Nick Bertossi Remix) – Lorde 13. Applause (Enrry Senna Vocal Mix) – Lady Gaga 14. A Little Party Never Killed Nobody (All We Got) (Ranlusy louis Mor e-Jack's Bootleg) – Fergie 15. What Now (Guy Scheiman Club Mix) – Rihanna 16. Grown Woman (Ralphi Rosario Big Room Mix) – Beyonce 17. Give Us Back Love (Guy Scheiman Club Mix) – Meital Dohan 18. Burn (Toy Armada & DJ GRIND Flaming Anthem Mix) - Ellie Goulding www.djgrind.net

Han sido 3 meses ya despues de la ultima entrega del podcast. Afortunadamente he tenido mucho trabajo y buena parte del tiempo la dedique a afinar detalles para el lanzamiento de mi mas reciente album de estudio, mismo que Ya esta disponible en CD en todas las tiendas Mix up de Mexico asi como en Beatport y en iTunes. Bueno, este episodio es especial pues decidi volver un poco a mis orígenes, que si bien en mis sesiones en vivo a veces pueden escuchar este sonido, en el podcast tenia tiempo que no lo proponía... estoy hablando del sonido que ha caracterizado mis ya casi 10 años de residencia en el club Monica's en Guadalajara. Aqui encontraran muchas producciones mias, como mi nuevo sencillo a lado de Meital de Razon "I Want It Bad", asi como musica de amigos DJs y productores como Chris Stutz, Tony Moran, DJ Paulo, Ivan Gomez y Nacho Chapado. Ojala les guste esta selección y nos vemos pronto en alguno de los eventos donde me estare presentando! Its been close to 3 months since my last podcast episode. Fortunately I have been working a lot both in the studio and touring. I have been finishing up the details for the release of my new album This is the Revolution wich is already in stores both on CD and Digital formats!. This is a very special set because I decided to bring back the sound that I have been known for in my DJ residence at Club Monica's. On this set you will find lots of my own productions such as my new single alongside Meital de Razon "I Want It Bad", and also music from my friends Chris Stutz, Tony Moran, DJ Paulo, Ivan Gomez and Nacho Chapado and many others!. I hope you like what you hear and see you soon on the dancefloor!.

Thanks for listening to this latest instalment of my house music podcast for the summer of 2013. It contains a mix of mostly current tracks in addition to a couple of re-hashes of older classics. Wishing everyone a fun-filled, but above all, safe summer from wherever you may be listening to this.OH Summer of Pride 2013 House Music Mixset Trackless:1. Avicii vs. Nicky Romero - I Could Be The One (Bent Collective Remix)2. Offer Nissim feat. Maya vs. Residence Deejays & Frissco - Perfect Sexy Love (Alexander vs. Rauhofer Mash)3. Kelly Clarkson - People Like Us (Paulo & Jackinsky United Remix)4. Keenan Cahill (feat. Electrovamp) - Hands Up (DJ Escape and Tony Coluccio Club Mix)5. Jon Flores vs. Beats International - Just Be Good To Me (Joe Gauthreaux Private Mash)6. Meital (feat. Sean Kingston) - On Ya (Steven Redant On the Club Mix)7. Suzanne Palmer - Joy (Tommy Love Big Room Club)8. Martin Villeneuve feat. Redd - Free Your Mind (Peter Brown Remix)9. Emeli Sande - Next To Me (Enrry Senna Vocal Mix)10. Tony Moran - Heartbeat feat. Deborah Cooper (Gustavo Scorpio Club Mix)11. Nick Bertossi - Pumpin' (Stephan Grondin & Alain Jackinsky Shake It Dub)12. Inaya Day - Dancefloor (Movin Up) (Peter Rauhofer Remix)13. Rihanna (feat. David Guetta) - Right Now (Ralphi Rosario Club Mix)14. Nikki Williams - Glowing (Danny Verde Club Mix)15. Offer Nissim feat. Epiphony vs. Christina Aguilera - Mr. Charming (Enrry & Edu Quintas Get Into It Mix)16. Shakedown - At Night (Alexander Private Mix)17. Daft Punk (feat. Pharrell Williams) - Get Lucky (ESQUIRE Extended Mix)

Dj Jim представляет еженедельную программу-подкаст "Electro Speed"! 1. Manian feat. Carlprit - Don T Stop The Dancing (Extended Mix) 2. Wiley - Can You Hear Me (Ayayaya) (Bill & Will Remix) 3. Rocco & Bass-T - My Heart Beats For The Night (Gordon & Doyle Remix) 4. Carly Rae Jepsen - Call Me Maybe (CJ Stone Progressive Berlin Bootleg Mix) 5. Will.I.Am feat. Britney Spears - Scream & Shout (DJ Kuba & Ne!tan Bootleg) 6. Mighty Dub Katz - Magic Carpet Ride (DJs From Mars Remix) 7. Meital feat. Sean Kingston - On Ya (R3hab Rap Extended Mix) 8. Steve Aoki & Angger Dimas feat. Kay - Singularity (Original Mix) 9. Depeche Mode - Personal Jesus (Stereopunks Bootleg Remix) 10. Guenta K vs Big Daddi - Oops Up Side Your Head (L.a.r.5 Edit) 11. DJs From Mars vs Maurizio Gubellini feat. Eleze - Glory Box (DJs From Mars Remix) 12. Kryder - Scorpio (Original Mix) 13. Basto! - Stormchaser (Original Mix) 14. Helvetic Nerds - Blood Pressure (EDX & Leventina Mix)

Dj Jim представляет еженедельную программу-подкаст "Electro Speed"! 1. Manian feat. Carlprit - Don T Stop The Dancing (Extended Mix) 2. Wiley - Can You Hear Me (Ayayaya) (Bill & Will Remix) 3. Rocco & Bass-T - My Heart Beats For The Night (Gordon & Doyle Remix) 4. Carly Rae Jepsen - Call Me Maybe (CJ Stone Progressive Berlin Bootleg Mix) 5. Will.I.Am feat. Britney Spears - Scream & Shout (DJ Kuba & Ne!tan Bootleg) 6. Mighty Dub Katz - Magic Carpet Ride (DJs From Mars Remix) 7. Meital feat. Sean Kingston - On Ya (R3hab Rap Extended Mix) 8. Steve Aoki & Angger Dimas feat. Kay - Singularity (Original Mix) 9. Depeche Mode - Personal Jesus (Stereopunks Bootleg Remix) 10. Guenta K vs Big Daddi - Oops Up Side Your Head (L.a.r.5 Edit) 11. DJs From Mars vs Maurizio Gubellini feat. Eleze - Glory Box (DJs From Mars Remix) 12. Kryder - Scorpio (Original Mix) 13. Basto! - Stormchaser (Original Mix) 14. Helvetic Nerds - Blood Pressure (EDX & Leventina Mix)

Beezo Radio Show (hosted by Enrie & DJ Exodus) that aired Sep 22, 2012 on 104.3 NOW (Las Vegas), 92.7 KREV (San Francisco) and 97.7 KRCK (Palm Springs) from 12-2am SPONSORED BY : www.djlabels.com TRACKLIST (DJ Exodus) 1. One Republic "Feel Again" (DJ Kue Remix) 2. Drop The Lime "Darkness" (Sandro Silva Remix) 3. Kaskade ft Haley "Llove" (Dada Life Remix) 4. Apster "Marrakech" 5. Wolfgang Gratner "Nuke" 6. Meital feat. Sean Kingston "On Ya" (R3hab Remix) 7. Noelia "My Everything" (Scotty Boy & DJ Red Remix) TRACKLIST (J$) 1. Daddy's Groove "Turn The Lights Down" (David Guetta Re Work) 2. Will.I.Am feat. Eva Simons "This Is Love" (Sidney Samson Remix) 3. Firebeatz & Schella "Dear New York" (J Money Edit) 4. Hard Rock Sofa, Squire "Just Can't Stay in the House" (J Money Bootleg) 5. Felix Cartal feat. Maja Ivarsson "Tonight" (Autoerotique Remix) 6. Nicky Romero & Calvin Harris "Iron" (Original Mix) 7. Nero "Crush On You" (GTA & LA Riots Remix) 8. Swanky Tunes "Blood Rush" (J Money Edit) 9. JD Davis vs James Blunt vs Deniz Koyu "The World Is Dangerous" (J Money Bootleg) 10.Skrillex & Damian Marley "Make It Bun Dem"

DJ Craig Summers – Play that funky music Vol 2 01 – Marco Lys & Prok & Fitch – You need some [Great stuff records] 02 – Joris Voorn – Goodbye fly [Rejected] 03 – Richard Grey – Lady (Frederico Scarvo Mix) [Tiger records] 04 – Aaron Snapes – From Stockholm (Jason Chance mix) [Now then records] 05 – My Digital enemy – Enterfloripa (Manual de la mare remix) [Hotfingers] 06 – Blue boy – Remember me (Hoxton whores remix) [Toolroom records] 07 – Jason Chance – Zulu shuffle [Great stuff records] 08 – Phunk investigation & Schumacher – Critical [ Great stuff records] 09 – TJR – Funky vodka [Rising music] 10 – Lee Cabrera & Thomas gold – Shake it (djpp 2012 terrace mix) [CR2] 11 – Meital de razon – you you (Jason chance licked mix) [Dancepush] 12 – Mark Knight – alright [Toolroom] 13 – Phats & Smalls & the cube guys – Turn Around [Ego]

Hi Folks! As promised, here is my second mix for the month! This is an Australian-summer Xmas special: "La Fiesta de la Piscina" ("The Pool Party"). This mix is polar-opposite to my last "exile" mix and features some massive vocal Circuit tracks and loads of uplifting fun !! Featuring hot new tracks by Natalia Kills, Danny Verde & Meital Dohan, Lady Gaga, Thomas Anders, Nacho Chapado & Ivan Gomez, The Free Radicals Formation, Rosabel, Taito Tikaro and Siri Umann & Vicente Ferrer & Starhoney. Also featuring some amazing remixes by Roger Sanchez, Danny Verde, Ivan Gomes & Fran Ramirez Muevelo, Inpetto, Tikaro & T.Tommy. The opening two tracks are mashups that I made for Halloween: Shapeshifters vs Tristan Garner vs Pryda vs Mohawk - Musical Pjanoo Freedom (Adam Watts Edit) Arno Cost & Tristan Garner vs Copyright - Nobody Lasts Forever (Adam Watts Edit) Enjoy! Ads