Podcast appearances and mentions of Suzanne Scott

Real estate involves people's most significant transaction, so agents are bound to have a memorable experience or two. Very few can say that a cold call and a listing appointment turned into an adoption journey.   Agents touch the lives of many families, but what happens when you're led to do more than help them get their dream home?   For SuzAnne Scott, the growth of her family was directly connected to real estate. The adoption process taught her something important in the face of challenges. Stay the course when you know you're doing the right thing.   How did a typical real estate conversation turn into such a life changing decision? When is it a bad idea to pivot? In this episode, the Lubbock, Texas broker shares her rare real estate story and how to run a growing business alongside a growing family.   When something gets hard, you don't just pivot, it's too easy. You stay the course when you're doing the right thing. You'll never see the fruit if you don't stay the course. -SuzAnne Scott    Three Things You'll Learn In This Episode    -Build a business that serves you Real estate isn't a one-size-fits-all business. How did SuzAnne find and perfect the lead generation method that works best for her?   -Stay the course, even when it's hard How did a cold call turn into a conversation about adopting a child? What were the challenges of the adoption journey?    -Double down or pivot Everyone talks about the power of pivoting, but do we rob ourselves of something great when we shift too quickly?    Guest Bio SuzAnne is described by her clients as being an expert, an activator that makes things happen, on top of the details, and above all else genuine and relatable. SuzAnne is a high achiever and quickly became known throughout the city as one of the top agents in Lubbock, SuzAnne started her career as an agent in 2007 Her passion for real estate started as a way for her to be available for her family and still have a successful career. Follow SuzAnne's team on https://www.residelubbock.com/

The HBS hosts chat about the symbiotic relationship between cultural products and their fandoms.For a long time, the image of the fan and fan culture was summed up by an infamous skit by William Shatner on SNL, in which he implores the trekkies to “get a life.” To be a fan was to be a passive stooge of the culture industry, one who mindlessly buys its products, and memorizes its trivia at the expense of their own creativity and life. Gradually this image began to change. The field of “Cultural Studies” demanded that we see fans as not just passive recipients of the culture industry, but active producers, who create their own interpretations, their own meaning, and their own activities with fan fiction, cosplay, and creativity, by poaching the commodities of the culture industry. Lately, however, the division between official product and consumption have broken down in a different way, as fan activity has become integral to marketing and maintenance of the value of intellectual property. Fans rabidly defend their favorite franchises online, harassing critics and anyone seen to deviate from canon. Suzanne Scott had dubbed this practice the convergence culture industry, it is fan activity not passivity that drives the industry. At the same time that fan culture and practices have changed in popular culture,  the fan has moved beyond the confines of popular culture to become a general figure of political and cultural participation. The platform formerly known as twitter is dominated by Elon Musk fanboys who rush to defend his increasingly erratic actions. Therapists have had to adjust to the way in which Taylor Swift has become the dominant cultural force in the lives of young women. Last, but not least, the Trump rallies seem to be both fan service and rallies around the particular cult of personality of Trump. The fan has become a cultural, political, and economic force in our society. What has caused this transformation? What does it mean for us? What can be done about it?Full episode notes available at this link:https://hotelbarpodcast.com/podcast/episode-111-fan-culture-------------------If you enjoy Hotel Bar Sessions podcast, please be sure to subscribe and submit a rating/review! Better yet, you can support this podcast by signing up to be one of our Patrons at patreon.com/hotebarsessions!Follow us on Twitter @hotelbarpodcast, on Facebook, on TikTok, and subscribe to our YouTube channel!     

EPISODE 188: COUNTDOWN WITH KEITH OLBERMANN A-Block (1:43) SPECIAL COMMENT: All the details are leaked to The New York Times, The Washington Post, and The Wall Street Journal. Rupert Murdoch did TOO fire Tucker Carlson personally, just weeks after meeting with him. Murdoch was furious at Carlson calling President Zelensky a "Ukrainian Pimp" and even joined a Fox editorial meeting to complain, and furious that Carlson had called a NewsCorp exec (presumably communications mogul Irena Briganti) a C-U-Later. Worse still, the C-word insult appeared in the Dominion lawsuit discovery product. Fox attorneys managed to get it redacted, told Carlson. But he replied he didn't WANT it redacted: he wanted everybody to know he'd said it. And the Fox Board and some executives didn't know until the day before the Dominion trial was to begin - another reason Fox settled. Bottom lines: Fox is clearly revealing everything it has in its Carlson closet in hopes of making him eternally unemployable. Oh, and about 25 days ago Murdoch had dinner at his home in Bel-Air with his fiancee and his top Fox anchor and before the month was over HE HAD FIRED THEM BOTH. B-Block (19:33) IN SPORTS: Two weeks ago he tied the record for the longest hitting streak for any player 20 or younger. Today's he's in the minors. And it's the anniversary of Harry Chili, the guy who was traded for "A Player To Be Named Later" and then the "Player To Be Named Later." Except it never happened; it's just an urban legend (24:33) THE WORST PERSONS IN THE WORLD: Ronna McDaniel lies about Trump and debates; Ron Johnson may actually have a head made of cheese: he suggests Wisconsin will be a safer place to live after catastrophic climate change; and the Vanity Blue Checkmark guy on twitter trying to incite genocide against Trans people and allies. C-Block (30:01) THINGS I PROMISED NOT TO TELL: 90 years ago this month the most humble superstar I ever met, was born. Why I still miss my friend Elizabeth Montgomery and the extraordinary and hilarious advice she gave me within minutes of the day we met.See omnystudio.com/listener for privacy information.

Fox News and Tucker Carlson, the right-wing host who used his show to promote conspiracy theories and radical rhetoric, parted ways. A source tells CNN that Fox Corporation chief executive Lachlan Murdoch and Fox News chief executive Suzanne Scott made the decision on Friday night. CNN Political Commentator and Democratic Strategist Paul Begala used to work with Carlson on CNN when they co-hosted “Crossfire.” He explains why his former co-host is a “different person” than he was 20 years ago. Plus, President Biden met with the three Democratic Tennessee State lawmakers who faced expulsion votes over their protest for gun reform after the Covenant School shooting in Nashville that left six dead, including three children. Justin Jones and Justin Pearson were forced out of the GOP-controlled legislature while Gloria Johnson survived by just one vote. Jones and Pearson were eventually sent back to the Tennessee House on an interim basis. Jones joins AC360 to discuss meeting the President and if he thinks his state will pass any gun reform legislation.To learn more about how CNN protects listener privacy, visit cnn.com/privacy

Lachlan Murdoch told Fox News boss Suzanne Scott to lower the boom on his good pal Tucker Carlson after a terse tête-à-tête with dad Rupert at Dulles International Airport in Virginia last Thursday, RadarOnline.com has exclusively learned.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

EPISODE 186: COUNTDOWN WITH KEITH OLBERMANN A-BLOCK (1:43) SPECIAL COMMENT: Let's all congratulate - and thank - Sidney Powell for getting Tucker Carlson fired. Because of the many final straws in this sad man's case, the MOST final was when it turned out he repeatedly called Powell the C-word. And it all may be on tape. The real reason Lachlan Murdoch and Suzanne Scott went to Rupert Murdoch over the weekend and Rupert fired Carlson was that producer Abby Grossberg has - per her lawyer - nearly 90 recordings documenting her allegations of a toxic, abusive, misogynistic, sexist workplace in Tucker Carlson's office. I have stitched together all the reporting on the biggest firing since Bill O'Reilly - including my own - and it boils down to this. Yes, Fox was furious at all the insults against management revealed (and redacted) in the Dominion files. But Grossberg's suit was the real menace. They would not go for a repetition of the O'Reilly or Roger Ailes sexual abuse scandals. And now Carlson may walk away with $20 or $30 million a year - but only if he DOES NOT WORK at any video or news outlet that could be considered a rival to Fox. Plus: How Don Lemon messed up the chance to get to say farewell on the air, and why he might wind up on MSNBC. Among other reasons, NBC has a lot more money today: they won't pay my lying ex-friend, fired CEO Jeff Shell, a dime. He was fired for cause, and it sure looks like he tried to push his ex-flame Hadley Gamble into re-starting their affair, either by professional carrot or stick. B-BLOCK (20:42) POSTSCRIPTS TO THE NEWS: Fani Willis basically announces she will indict - or WON'T indict - Trump and company in July or August. She warns law enforcement to make appropriate preparations. The FAA shuts down SpaceX after Elon Musk nearly destroys two Texas towns. And The Wall Street Journal finds an instance where Harlan Crow did TOO have actual business in front of the Justice he bought, Clarence Thomas. (25:42) THE WORST PERSONS IN THE WORLD: Anti-vaxxer, Pharma conspiracy theorist Aaron Rodgers will now be paid by the heir to the Johnson & Johnson Pharma fortune. Marsha Blackburn wants to sell you a pizza-cutter. And somehow Fox's resident idiot Brian Kilmeade thought he should celebrate the Carlson firing. C-BLOCK (30:15) THINGS I PROMISED NOT TO TELL: If I'm bringing up Aaron Rodgers going to the New York Jets, I have to flash back to the day a New York GIANTS quarterback nearly kept me from graduating from college on time!See omnystudio.com/listener for privacy information.

EPISODE 152: COUNTDOWN WITH KEITH OLBERMANN A-Block (1:41) SPECIAL COMMENT: New government document in a separate January 6 case filed yesterday, sworn under oath and under penalty of perjury, confirms that by September 2021 Jacob Chansley and his attorneys were given all but 10 seconds of the J6 video Carlson showed last week. Carlson's claim that Chansley and his lawyers had never seen the video, is a lie. Carlson's claim that it was "withheld" from Chansley and America, is a lie. Carlson's claim that they were sightseers, is a lie. Carlson's claim that it's a false flag, is a lie. Tucker Carlson is a liar. What's worse: he could be guilty of Obstruction of Justice. Because what has this all been about? This was Kevin McCarthy providing Tucker Carlson access to the materials with which to lie, gaslight, and whitewash. He did all three things. This is a conspiracy to turn guilty perpetrators of insurrection, coup, and violent attack on the Capitol during the official transfer of power, into victims - and the victims into defendants. And THAT is called "Obstruction Of Justice." B-Block (20:47) POSTSCRIPTS TO THE NEWS: Yay Capitalism until its speculative bank fails then it's Yay Socialism. At least it shuts up Junior Trump. Mike Pence talks tough against Trump but still won't lift a finger to stop him. And Tom Hanks broke my Cummerbund at the Oscars. (24:23) IN SPORTS: DeSantis's brilliant idea to get a hated tennis player arrested, MSG's Jim Dolan vows to win alcohol fight (it'd be his first win) and what sportscaster solidarity can do: BBC's Gary Lineker has brought the UK's fascist government to its knees. (30:50) THE WORST PERSONS IN THE WORLD: On the other hand, the UK mailed in its uniforms for the World Baseball Classic. The House Freedom Caucus's debt limit demand includes...Defunding the police? And why DeSantis needs to read every snowflake first. C-Block (35:20) THINGS I PROMISED NOT TO TELL: My Dad died, 13 years ago today. But instead of telling you some somber remembrance let me tell you about something he did that, 47 years later, still strikes me as the epitome of selfless parenting and still leaves me speechless. Oh and it features me meeting Howard Stern when he was 20 and I was 15.See omnystudio.com/listener for privacy information.

EPISODE 146: COUNTDOWN WITH KEITH OLBERMANN A-Block (1:42) SPECIAL COMMENT: As Rupert Murdoch prepares to scapegoat Fox News CEO Suzanne Scott for the Dominion Documents scandal, a reminder that no matter how hopeful we might be right now, Fox "News" isn't going to destroy itself! Here are ten steps to take to help kill the thing so that democracy may live. There are recommendations for actions by Democrats invited to appear as guests, for what the White House Correspondents Association and RTCA should do, what the Senate should do, what prosecutors should do, what media should do, what the network should do. Plus: there are three steps YOU can do at home to hasten the demise, including hurrying over to UnFoxMyCableBox-dot-com. Plus I will answer the question: How does Sean Hannity sleep at night (on a bed made out of money) and tell you that the man most responsible for Fox "News" existing today is, of all people, Rudy Giuliani. It's almost forgotten now, but what he did as Mayor of New York in October 1996 saved this godforsaken poisoner of this nation from vanishing almost before it began. B-Block (26:06) POSTSCRIPTS TO THE NEWS: Jim Jordan's "Weaponization" Committee is coming apart at the seams; DOJ says yes you can sue Trump over 1/6. But that doesn't mean you'll win, and Daniel Ellsberg says goodbye. (30:53) IN SPORTS: Did the New York Rangers' social media director abuse an LGBTQ fan because other LGBTQ fans complained when the Rangers screwed up Pride Night? And the ESPN offer of a true public service: a centralized place where you can find your game, no matter who's streaming it (35:30) THE WORST PERSONS IN THE WORLD: The NFL team where players say rats ran the practice facility; who would've guessed Marjorie Traitor Greene's press flak is an asshole; and the Florida legislator who wants to force bloggers who write about Ron DeSantis to REGISTER WITH THE STATE OR FACE HUGE FINES. C-Block (40:30) FRIDAYS WITH THURBER: The only Thurber character who owns his own pet...Thunderstorm: "The Black Magic Of Barney Haller."See omnystudio.com/listener for privacy information.

EPISODE 136: COUNTDOWN WITH KEITH OLBERMANN A-Block (1:41) The death of baseball's legendary television analyst Tim McCarver, easily one of the most beloved people in the sport, and in broadcasting. I knew him for 42 years and for whatever criticisms he took late in his career from listeners who didn't realize all the other ones were merely doing impressions of him, in 1983 he literally, personally, saved my love of the game. He was a pleasure to work with, and as I have been saying for 20 years, his insight in literally the last 60 seconds of the bottom of the 9th inning of the 7th Game of the most emotional season in baseball history was the television equivalent of Bill Mazeroski's home run to win the 1960 World Series. B-Block (19:55) POSTSCRIPTS TO THE NEWS: The Fox News texts are out. Tucker Carlson was afraid Trump would destroy them, but telling the truth about him would tank the stock price. He, Ingraham and Hannity all thought Rudy Giuliani was crazy. The News Chief tried to stop news. Perjury in the Trump Atlanta case? How many people did Senator Fetterman help yesterday? Now that he's proven he can live on his own, why is the Central Park Zoo setting a honey trap to re-capture Flaco the Owl? And can anyone stop the Killer Windows of Russia? (25:48) THE WORST PERSONS IN THE WORLD: Nikki Haley would struggle with the math part of her own Presidential Candidate Mental Competency Test, Ann Coulter makes you feel sympathy for Nikki Haley, and a German choreographer says: I am an artist and you have criticized me, so, I will now smear my dog's feces on your face. C-Block (31:50) EVERY DOG HAS ITS DAY: Falcon, Rio, Titan, Torino, and Tundra - five pups with Parvo in Texas (32:50) FRIDAYS WITH THURBER: fittingly on the occasion of the loss of a great baseball broadcaster, Thurber's story that begins with the words of another great baseball broadcaster: "The Catbird Seat."See omnystudio.com/listener for privacy information.

Karen Yarnell - The Gymslips -  in conversation with David Eastaugh  East London's The Gymslips, Paula Richards, Suzanne Scott and Karen Yarnell, barged their way onto the post punk scene in 1981. They openly embraced drinking, Pie & Mash, monkey boots and double denim right from the start. Often credited with being  the first female Oi! band, but they brought so much more to the table with their punky 60s influenced girl pop, Formed in 1980, The Gymslips started playing live the following year, and opened for Dolly Mixture on a 1981 UK tour. The band referred to themselves as “Renees” a late 60s term for mod girls, the same subculture that named boys “Ronees”. Drummer Karen Yarnell told the NME that a “Renee was a girl who got as much shagging done as a bloke while also matching him for pint drinking, fag smoking, nose-picking, farting and the wearing of skinhead style double denim”.

Suzanne Scott, the Texas State Director of The Nature Conservancy, preaches on the first Sunday of Season of Creation.

In this episode, Alexa Rae is chatting with Suzanne, a parent who started a non-profit trauma informed parenting company. Suzanne (she/her) is a parent first and foremost! She has two children, one of them having autism, and is also a foster parent. Throughout her parenting journey, Suzanne found her own trauma from her childhood was being pushed to the surface within her own parenting role and this motivated her to start the Trauma Informed Parenting non-profit. Suzanne and Alexa Rae chat about everything trauma and parenting. If you are a parent, have experienced trauma, or were a child of a parent, THIS EPISODE IS FOR YOU! Make sure you check out her Facebook group "Trauma Informed Parenting (T.I.P)" and her website - https://www.traumainformedparenting.uk/Home You do NOT want to miss this episode!

Sponsored by thegivingblock.com/nfp and the https://koii.network/ NFP is proud to be sponsored by The Giving Block -- give crypto to one of more than 1200 vetted non-profit organizations and get yourself a tax break on all those crypto gains! You can support the podcast by visiting The Giving Block and donating at thegivingblock.com/nfp Director of Glen Garriff Lions NPC, Suzanne Scott, photographer and founder of the NFT project, No Kingdom Without Kings, Simon Needham and Marketing & Technology Lead, Jai Lozan join DKleine for this episode of NFP. The group discusses how they are using photography NFTs as a means to raise funds and awareness for the conservation of the African lion population in South Africa. GG Conservation Instagram: https://www.instagram.com/ggconservation/ GG Conservation Twitter: https://twitter.com/gglionsNPC No Kingdom Without Kings Instagram: https://www.instagram.com/nokingdomwithoutkings/ No Kingdom Without Kings Twitter: https://twitter.com/NKWK_NFT Simon Needham Instagram: https://www.instagram.com/human.kind.photography/ Simon Needham Twitter: https://twitter.com/SimonNeedham27 This episode is also brought to you by the Koii network at https://koii.network/ and Atomic Zombies at atomiczombies.io -- Create atomic NFTs and earn Koii tokens with views of your work!

Writer and academic Suzanne Scott drops by the podcast to discuss two books that inspire her as a writer. The Friend is an experimental book that Suzanne describes as a jazz piece riffing and improvising on the themes of suicide, writing and dogs. The Pull of the Stars by Emma Donoghue is a gripping historical novel set during the Spanish Flu at a Dublin maternity hospital. Suzanne reveals how The Chair accurately captures an academic environment and The Secret Life of Writers podcast is a source of inspiration.Books and Resources:The Friend by Sigrid NunezThe Pull of the Stars by Emma DonaghueRoom by Emma DonaghueThe Chair, NetflixCountry Girls by Edna O'BrienStation Eleven by Emily St. JohnLeave the World Behind by Rumaan AlamThe Secret Life of Writers, PodcastA Wrinkle in Time by Madeleine L'EngleHerself: Reflections on a Writing Life by Madeleine L'EngleThe Wide Sargasso Sea by Jean RhysA Bright Ray of Darkness by Ethan HawkeFollow Red Fern Book Review:Website: https://www.redfernbookreview.comInstagram: @redfernbookreviewFacebook: https://www.facebook.com/redfernbookreview/Newsletter: https://redfernwriting.com/newsletterRead Suzanne Scott's Writing:First Person, The Globe and Mail, February 12, 2018How to Love and Support Your Alpha Wife​  Facts & Arguments, The Globe and Mail, April 12, 2016As My Newly minted teen gazed over New York, I could only gaze on himFirst Person, The Globe and Mail, October 6, 2021What Does it Mean to Be a Middle-Aged Woman Today? 

Our Generosity stewardship Campaign 2021 came to a close today with Suzanne Scott as our final Sunday speaker.

"Entführung, Ermordung und eine Schießerei in London: Einblicke in die geheimen Kriegspläne der CIA gegen WikiLeaks."Ein Kommentar von Bernhard Loyen.Am 26. September 2021 veröffentlichte Edward Snowden zwei Tweets, deren inhaltliche Bedeutungen langsam an Fahrt aufnehmen.In einem ersten Tweet schrieb er: Unterbrechen Sie Ihre Arbeit und lesen Sie dies. Die CIA entwickelte Pläne, um einen preisgekrönten Journalisten, dessen Arbeit ihnen nicht gefiel, zu töten oder zu entführen - bevor sie ihn eines Verbrechens anklagten. Das Verfahren gegen Julian Assange muss eingestellt und verurteilt werden (1).Zwanzig Minuten später präzisierte er in einem weiteren Tweet wie folgt: Wenn Sie Journalist sind, ob in den USA oder anderswo, müssen Sie verstehen, dass die ganze Welt sich auf ein Paradigma zubewegt, in dem die Kriminalisierung des Journalismus zur Routine wird, wenn Sie bei dieser Geschichte die Augen verschließen. Sie müssen in dieser Sache Ihre Stimme erheben. Lesen Sie die Quelle (2).Die Quelle lautet yahoo!news. Nicht wirklich als Informationsplattform auf dem Radar von politisch interessierten Bürgern vorzufinden. Es irritiert daher etwas, dass keiner der Artikel in den letzten drei Tagen im deutschsprachigen Raum, die sich auf den Beitrag von yahoo!news beriefen, darauf verwies, dass ohne den Hinweis von Snowden diese investigative Recherche wohl kaum breitere Aufmerksamkeit ausserhalb der USA erfahren hätte.Die Recherche der drei Journalisten Zach Dorfman, Sean D. Naylor and Michael Isikoff, die laut yahoo!news auf der Grundlage von Gesprächen mit mehr als 30 ehemaligen US-Beamten basieren, von denen acht Einzelheiten zu den Vorschlägen der CIA zur Entführung von Assange beschrieben, liest sich wie das berühmte, etwas zu sehr ambitionierte Hollywood-Drehbuch.Hauptdarsteller - Mike Pompeo. Pompeo war von 2018 bis 2021 Außenminister der Vereinigten Staaten unter Präsident Donald Trump. Zuvor war er von 2017 bis 2018 Direktor der Central Intelligence Agency, CIA. Im April diesen Jahres gab der Sender Fox News bekannt, dass Mike Pompeo zukünftig als contributor, also Mitwirkender begrüßt werden könnte. Die CEO des Senders, Suzanne Scott, ließ mitteilen: "Mike Pompeo ist eine der anerkanntesten und respektiertesten Stimmen Amerikas zu Fragen der Außenpolitik und der nationalen Sicherheit. Ich freue mich auf seine Beiträge auf unseren verschiedenen Plattformen, um seine besondere Perspektive mit unseren Millionen von Zuschauern zu teilen" (3).Diese Dame schwärmt von einer Person, der folgendes Zitat aus dem April 2019 zugeordnet werden darf: „Ich war CIA-Direktor. Wir haben gelogen, wir haben betrogen, wir haben gestohlen. Wir hatten ganze Ausbildungskurse darin. Wir hatten dazu ganze Trainingskurse. Das erinnert an die Glorie des amerikanischen Experiments“ (4). Dabei hat er geschmunzelt.Die Enthüllungen von yahoo!news haben es in sich. Der Artikel auf der Nachrichten-Website ist überschrieben mit: Entführung, Ermordung und eine Schießerei in London: Einblicke in die geheimen Kriegspläne der CIA gegen WikiLeaks (5). Demnach plante die CIA im Jahre 2017 die Entführung des WikiLeaks-Gründers. Den Beamten der Trump-Regierung war dies jedoch eindeutig zu heikel und so diskutierte man zumindest über die Rechtmäßigkeit und Praktikabilität einer solchen Operation.Warum ließ der frischgekürte CIA- Chef Pompeo diese Szenarien entwickeln? Wikileaks, also Julian Assange in der Außenwahrnehmung, veröffentlichte im März 2017 die sogenannten Vault 7 - Dokumente, Zitat: Diese umfängliche und detaillierte Sammlung an Dokumenten zeigt das Cyber-Waffenarsenal und die Hacking-Operationen der CIA gegen Smartphones und andere Computer, vor allem mit dem Betriebssystem Windows, bis hin zu Fahrzeugen. Die konkreten Ziele der digitalen CIA-Waffen in Nord- und Südamerika und Europa sowie die Namen der Staatshacker waren zwar überwiegend geschwärzt. Aber einige teure Zero-Day-Exploits, die von der CIA oder von Partnergeheimdiensten gekauft oder entwickelt worden waren, überließ WikiLeaks im Rahmen von „Vault 7“ der interessierten Öffentlichkeit (6).Ein Affront der Superlative gegen diese mächtige Institution. Die Behörde bezeichnete die Veröffentlichung damals als: “den größten Datenverlust in der Geschichte der CIA“.Wie empfindlich sie Pompeo trafen, zeigt das folgende Zitat aus dem yahoo!news Artikel: Pompeo, der offenbar den Zorn des Präsidenten fürchtete, zögerte zunächst, den Präsidenten über Vault 7 zu informieren, so ein ehemaliger hoher Beamter der Trump-Administration. "Sagen Sie es ihm nicht, er muss es nicht wissen", sagte Pompeo zu einem Informanten, bevor er darauf hingewiesen wurde, dass die Informationen zu kritisch seien und der Präsident informiert werden müsse, so der ehemalige Beamte.Die Pompeo-Pläne gingen damals sogar noch weiter. Zitat der Recherche: "Einige hochrangige Beamte innerhalb der CIA und der Trump-Administration diskutierten sogar über die Ermordung von Assange und gingen so weit, "Skizzen" oder "Optionen" für seine Ermordung anzufordern. Diskussionen über die Entführung oder Tötung von Assange fanden "auf höchster Ebene" der Trump-Administration statt, sagte ein ehemaliger hochrangiger Beamter der Spionageabwehr. "Es schien keine Grenzen zu geben.“Pompeo und andere Spitzenbeamte der Behörde "waren völlig von der Realität abgekoppelt, weil sie sich so sehr für Vault 7 schämten", sagte ein ehemaliger nationaler Sicherheitsbeamter von Trump" (5).Wörtlich: “They were seeing blood.“, bedeutet, CIA-Kräfte sahen nicht nur rot, sie waren anscheinend wirklich Willens Assange körperlich Schaden zuzufügen, bis hin zur blutigen Ermordung.Die CIA lehnte eine Stellungnahme laut yahoo!news ab. Pompeo schwieg zu den Bitten des Nachrichten-Portals um einen Kommentar. Am 27. September gab er jedoch ein Live-Interview, in dem er zu den Vorwürfen befragt wurde... hier weiterlesen: https://apolut.net/julian-assange-im-persoenliche-visier-von-mike-pompeo-von-bernhard-loyenUnterstütze apolut:IBAN: DE40 8506 0000 1010 7380 26BIC: GENODEF1PR2Verwendungszweck: apolutKontoinhaber: apolut GmbHVolksbank Pirna eG_Patreon: https://www.patreon.com/apolutflattr: https://flattr.com/@apolutTipeee: https://de.tipeee.com/apolutInstagram: https://www.instagram.com/apolut_netFacebook: https://www.facebook.com/apolutTwitter: https://twitter.com/apolut_netOdysee: https://odysee.com/@apolut:a Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

The SciFi Gangstas discuss whether virtual cons can replicate the excitement of a fan convention with someone who has written books on fan conventions, our featured guest Dr. Suzanne Scott! #fanconventions #dragoncon #fanstudies #fandom #mediastudies Dr. Suzanne Scott https://rtf.utexas.edu/faculty/suzanne-scott Fake Geek Girls https://www.amazon.com/Fake-Geek-Girls-Convergence-Communication-ebook/dp/B07JK1HT43/ref=sr_1_1dchild=1&keywords=fake+geek+girls&qid=1632572233&sr=8-1 CJ Twitter: MDSoul Twitch: MDSoul Lyndsey Twitch: ZeeSouthern Acidtrain: Twitch: https://www.Twitch.Tv/Acid_Train YouTube: https://www.YouTube.com/Acidtrain Twitter: @Acidtrain19

Linda is talking with Suzanne Fox. Writing as Suzanne Scott, she is the author of One Hot Summer. Originally published in 1997, Harlequin re-released it as an ebook.Suzanne Fox writes fiction and nonfiction, reviews books for Publishers Weekly, edits the online journal Society 19, and works with authors to shape, publish, and market their work. Her handmade jewelry and digital art, including that used for the Tart Words Mary Stewart podcasts, is inspired by favorite books and authors. A graduate of the Columbia University MFA writing program, Suzanne now lives in North Carolina. Find out more about Suzanne at www.bookstrategy.com and www.SocietyNineteenJournal.com.  Visit her on Instagram to see digital art, her feline mistress Miss Boots, and other visual delights.Get to know Suzanne: The Tart Words Baker's Dozen1.   Plotter or Pantser? Combo? Pantser2.   Tea or Coffee? Both3.   Beer, Wine, or Cocktails? Wine4.   Snacks: Sweet or Savory? Sweet5.   Indie Published, Traditionally Published, or Hybrid? Hybrid6.   Strict Writing Schedule: Yes or No Not currently7.    Strictly Computer or Mix It Up? Strictly computer8.    Daily Goal: Yes or No Yes9.    Formal Track Progress: Yes or no No10.  Special Writing Spot? With cat11.   Writer’s Block? No12.   File of Ideas: Yes or No Yes13.   Favorite Author(s)? Too many to list! However, "big 4": Austen, Bronte, DuMaurier & Sayers

The San Antonio River Authority (SARA) board of directors has named Derek Boese as the agency's new general manager. He will begin his tenure May 3, succeeding Suzanne Scott, who retired last October after 13 years in the position. Boese comes to SARA from the Flood Protection Authority-East, a New Orleans-based regional agency, where he served as the chief administrative officer for a billion flood risk management system. “While Derek may not be a native Texan, his experience serving our military and the U.S. Army Corps of Engineers, as well as keeping the city of New Orleans safe from...Article Link

As winter approaches, we all need our list of media recs to keep us warm and safe during this season! This week's episode features Suzanne Scott, author of Fake Geek Girls: Fandom, Gender, and the Convergence Culture Industry. Also on the episode is Susan Kresnicka, a cultural and business anthropologist and president and founder of cultural research firm Kresnicka Research and Insights!

Episode 5 - Pilates 101 - Industry Leader Interviews & COVID Update   This month's Pilates 101 Podcast brought to you by APPI Health Group, will bring you the latest advice regarding the latest Covid Announcement in the UK (Nov 2020)   We also have a special treat for you with our extract of the Opening Address from our 2016 APPI Pilates conference which consisted of a Graham Norton style panellist interview with who we think are the 3 leaders in the Pilates Industry, Alan Herdman the Grandfather of Pilates who brought Pilates to the UK, Michael King who is a true legend and was the first Pilates instructor and teacher for our Founders Glenn and Elisa Withers and Suzanne Scott the Queen of Pilates who is influential within the Elite Sport world with special interest in Rotational Control.   In this interview we ask the 3 leaders about their background, their first experiences with Pilates and we ask them various questions from our delegates regarding the development of Pilates from Joe through the elders and how it ended up here the UK.

The Chrises are joined by the hottest artist on the planet and possible vampire, Suzanne Scott. The Nocturnal Painter talks about her recent solo exhibit celebrating womankind at Art Of Our Century titled “A Particular Group of Women at a Particular Place in Time”. For her show, Suzanne went under the thumbs of exceptional women to provide untraditional portraits based upon their fingerprints. Looking for the full therapeutic experience, Intern Ryan hands over his pink thumb print for a live reading of his essence.Suzanne's studio assistant, LouLou, takes time away from her Olympic winning naps to steal the show and somehow pour a glass of Hiatus Tequila— opposable thumbs be damned. While dog paw printing may not be on the horizon for this helicopter mom, Suzanne teases a gemological art show in 2022 that may include Great Scott wine, a champagne moat, and only real diamonds.

Welcome back to How Do You Like It So Far?, listeners! Today, we’re bringing you a time capsule of an episode: We recorded today’s conversation back in April, but it’s still as relevant as ever. Just don’t mind us thinking the coronavirus pandemic will be over in a couple of weeks. The episode features Suzanne Scott, an assistant professor at the University of Texas Austin and author of Fake Geek Girls: Fandom, Gender, and the Convergence Culture Industry. She is also the co-editor of The Routledge Companion to Media Fandom, an anthology that brings together an international and interdisciplinary collection of nearly 60 established scholars to reflect on the state of the field and to point to new directions in fan studies research. Also on the episode is Susan Kresnicka, a cultural and business anthropologist and president and founder of cultural research firm Kresnicka Research and Insights (see their Human Needs Model whitepaper). Susan holds an M.A. in social anthropology from The University of Texas at Austin, sits on the professional advisory board for UCLA’s Master of Social Science program, and regularly speaks publicly on fandom, gender, morality, identity, and the value of anthropology in business. In the episode, Susan and Suzanne lead us through a discussion of how we define the word “fan” and who it applies to. Then, we discuss the relationship between fandom and industry: How do industry choices shape whose voices matter in fandom? How do companies strike the balance between capitalism and fan culture? Should fans be entitled to have a voice in new iterations of their favorite texts? Other topics Susan and Suzanne cover are the differences and similarities between sports fandom and entertainment fandom, how toxic fans and trolls affect fandom, and how fandom’s relationship to the industry is shifting as a result of COVID-19.   Here are some of the references from this episode, for those who want to dig a little deeper: Susan’s yearlong study on fandom: The Power of FandomDegrees of Fandom: Authenticity and HierarchySuzanne’s study on repackaging fan culture and commercializationCovid-19 and FandomFandoms and virtual engagement in a time of social distancingExploring Fan Communities in Online SpacesInstagram #PassTheBrush challengeDisney+ “May the 4th” TweetsDisney Terms of Use“Fanocracy” and fandom of brands like Trader Joe’s, Southwest Airlines, etc.“Joker” Fan Art contest“A Portrait of the Auteur as Fanboy”Chapter 5 of Suzanne’s book (on Fan Auteurs)The Psychology of Sports FandomThe beginning of the fan movement: brief history of the first fandomsMatinee girls as the first fansThe Disjuncture between Sport Studies' and Pop Culture Studies' Perspectives on FandomAfrican American acafandom and other strangers: New genealogies of fan studiesEsports and the future of fandom“Creators of popular media are becoming increasingly wary of their fans. That’s a problem for everyone.”Balance of Power Between Media and the AudienceFrom Sonic the Hedgehog to Star Wars, are fans too entitled?Sonic and the costs of fan angerWhat is Fan Service?Sonic Movie Redesign VFX Studio Shuts Down After ‘Extreme Hours’ to Wrap it UpToxic fandom: “When Fandom is the Problem” On toxic fan practices: A round-tableRian Johnson’s death threats after “The Last Jedi”Archive of Our Own (fanfiction platform)“How Do You Like It So Far?” Episode 16: Emily Andras, Maureen Ryan, and Louisa Stein Discuss Fans, Producers, and Queer BaitingShare your thoughts via Twitter with  Henry, Colin  and the How Do You Like It So Far? account! You can also email us at howdoyoulikeitsofarpodcast@gmail.com! Music: “In Time” by Dylan Emmett and “Spaceship” by Lesion X.––––––––––––––––––––––––––––––In Time (Instrumental) by Dylan Emmet  https://soundcloud.com/dylanemmetSpaceship by Lesion X https://soundcloud.com/lesionxbeatsCreative Commons — Attribution 3.0 Unported — CC BY 3.0Free Download / Stream: https://bit.ly/in-time-instrumentalFree Download / Stream: https://bit.ly/lesion-x-spaceshipMusic promoted by Audio Library https://youtu.be/AzYoVrMLa1Q––––––––––––––––––––––––––––––

What are the primary affects around and through TV consumption? How has the pandemic (and the protests following the murder of George Floyd) affected the ways in which we consume and critique television? What are our embodied viewing experiences as audiences trapped at home, and how might these experiences speak to new ways of perceiving and understanding TV? What can we learn from existing fan cultures about spectatorial engagement in this time? How has the pandemic affected our collective notions of comfort and discomfort, and how does this shake out across modes of distribution, genre, and style? Guest Scholars: Hollis Griffin, Suzanne Scott, Karen Tongson, Kristen Warner; Host: Hunter Hargraves NOTE: Some episodes of this series were recorded before the murder of George Floyd on May 25, 2020—when a white police officer pressed his knee to Floyd's neck for 8 minutes and 46 seconds while Floyd struggled for his life—and before the protests that broke out around the country and the world condemning that despicable murder and, more broadly, police brutality and systemic racial injustice. Racism too is a pandemic—one that intersects with the COVID-19 pandemic, with African Americans at higher risk of the Coronavirus because of centuries of health, employment, and social disparities. The horrific inequalities in the economic and criminal "justice" systems—and, of course, in the media—highlight how racism itself poses an ongoing public health crisis. In the wake of this murder—along with the murders of Breonna Taylor, Ahmaud Arbery, and so many others—we have thus broadened the podcast conversations to include discussion of television's relation to racism, injustice, oppressive policing and policies (and the protests against these) together with discussion of television's relation to COVID-19, as considering these pandemics together is, we believe, critical to understanding the state of our world and the media today.

"Those kinds of neat categories seem to be breaking down quite a bit. We see more and more industry reaching out to create transformative works."

In the inaugural episode of “It’s a Thing!”, I talk with Suzanne Scott about cosplay, embodied fandom, and bringing Theodor Adorno and Max Horkheimer into the fan studies fold. I also talk with Lesley Willard about Tumblr, fan labor, working behind-the-scenes of academic conferences, and mentor/mentee relationships in fandom and academia.

Suzanne Scott’s new book Fake Geek Girls: Fandom, Gender, and the Convergence Culture Industry (NYU Press, 2019) provides an overview of the convergence culture industry and the world of fandom while examining the role that gender and misogyny has played in understanding who is and is not considered an “authentic” fan. Scott delves into the realm of geek culture and explores how this has evolved as a social identity, and where the gender bifurcation became more acute within this cultural milieu. Fandom, Fan Studies, and fan communities were, for quite some time, female dominated, producing fan fiction, fan art, and female-populated spaces focused around fan engagement. Over the past decade, as fan engagement became much more interactive through social media, there has also been a shift in gender dynamics, as fanboys became more vocally engaged in fan activities, and also became more strident in policing who gets to be a fan, or who is a more authentic fan. Fake Geek Girls examines these shifting structures and communities, while also analyzing where the media industry became involved in these changes and in trying to control and manage fan discourse. The book discusses how the media industry, with production bottom lines always in mind, worked to closely manage intellectual properties and their residual profits, and thus also has had a significant hand in trying to regulate and constrain, in some capacity, fan engagement. Not only does Fake Geek Girls provide a clear and insightful analysis of convergence culture and fandom, but it also highlights the connections and overlaps between the misogyny in contemporary fan culture and the dynamics within the American electorate at large. There is much to be learned from Suzanne Scott’s work from a host of disciplinary perspectives, and with regard to how powerful systems and stakeholders operate within the media-cultural community. Lilly J. Goren is professor of Political Science at Carroll University in Waukesha, WI. She co-edited the award-winning Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Learn more about your ad choices. Visit megaphone.fm/adchoices

Suzanne Scott’s new book Fake Geek Girls: Fandom, Gender, and the Convergence Culture Industry (NYU Press, 2019) provides an overview of the convergence culture industry and the world of fandom while examining the role that gender and misogyny has played in understanding who is and is not considered an “authentic” fan. Scott delves into the realm of geek culture and explores how this has evolved as a social identity, and where the gender bifurcation became more acute within this cultural milieu. Fandom, Fan Studies, and fan communities were, for quite some time, female dominated, producing fan fiction, fan art, and female-populated spaces focused around fan engagement. Over the past decade, as fan engagement became much more interactive through social media, there has also been a shift in gender dynamics, as fanboys became more vocally engaged in fan activities, and also became more strident in policing who gets to be a fan, or who is a more authentic fan. Fake Geek Girls examines these shifting structures and communities, while also analyzing where the media industry became involved in these changes and in trying to control and manage fan discourse. The book discusses how the media industry, with production bottom lines always in mind, worked to closely manage intellectual properties and their residual profits, and thus also has had a significant hand in trying to regulate and constrain, in some capacity, fan engagement. Not only does Fake Geek Girls provide a clear and insightful analysis of convergence culture and fandom, but it also highlights the connections and overlaps between the misogyny in contemporary fan culture and the dynamics within the American electorate at large. There is much to be learned from Suzanne Scott’s work from a host of disciplinary perspectives, and with regard to how powerful systems and stakeholders operate within the media-cultural community. Lilly J. Goren is professor of Political Science at Carroll University in Waukesha, WI. She co-edited the award-winning Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Learn more about your ad choices. Visit megaphone.fm/adchoices

Suzanne Scott’s new book Fake Geek Girls: Fandom, Gender, and the Convergence Culture Industry (NYU Press, 2019) provides an overview of the convergence culture industry and the world of fandom while examining the role that gender and misogyny has played in understanding who is and is not considered an “authentic” fan. Scott delves into the realm of geek culture and explores how this has evolved as a social identity, and where the gender bifurcation became more acute within this cultural milieu. Fandom, Fan Studies, and fan communities were, for quite some time, female dominated, producing fan fiction, fan art, and female-populated spaces focused around fan engagement. Over the past decade, as fan engagement became much more interactive through social media, there has also been a shift in gender dynamics, as fanboys became more vocally engaged in fan activities, and also became more strident in policing who gets to be a fan, or who is a more authentic fan. Fake Geek Girls examines these shifting structures and communities, while also analyzing where the media industry became involved in these changes and in trying to control and manage fan discourse. The book discusses how the media industry, with production bottom lines always in mind, worked to closely manage intellectual properties and their residual profits, and thus also has had a significant hand in trying to regulate and constrain, in some capacity, fan engagement. Not only does Fake Geek Girls provide a clear and insightful analysis of convergence culture and fandom, but it also highlights the connections and overlaps between the misogyny in contemporary fan culture and the dynamics within the American electorate at large. There is much to be learned from Suzanne Scott’s work from a host of disciplinary perspectives, and with regard to how powerful systems and stakeholders operate within the media-cultural community. Lilly J. Goren is professor of Political Science at Carroll University in Waukesha, WI. She co-edited the award-winning Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Learn more about your ad choices. Visit megaphone.fm/adchoices

Suzanne Scott’s new book Fake Geek Girls: Fandom, Gender, and the Convergence Culture Industry (NYU Press, 2019) provides an overview of the convergence culture industry and the world of fandom while examining the role that gender and misogyny has played in understanding who is and is not considered an “authentic” fan. Scott delves into the realm of geek culture and explores how this has evolved as a social identity, and where the gender bifurcation became more acute within this cultural milieu. Fandom, Fan Studies, and fan communities were, for quite some time, female dominated, producing fan fiction, fan art, and female-populated spaces focused around fan engagement. Over the past decade, as fan engagement became much more interactive through social media, there has also been a shift in gender dynamics, as fanboys became more vocally engaged in fan activities, and also became more strident in policing who gets to be a fan, or who is a more authentic fan. Fake Geek Girls examines these shifting structures and communities, while also analyzing where the media industry became involved in these changes and in trying to control and manage fan discourse. The book discusses how the media industry, with production bottom lines always in mind, worked to closely manage intellectual properties and their residual profits, and thus also has had a significant hand in trying to regulate and constrain, in some capacity, fan engagement. Not only does Fake Geek Girls provide a clear and insightful analysis of convergence culture and fandom, but it also highlights the connections and overlaps between the misogyny in contemporary fan culture and the dynamics within the American electorate at large. There is much to be learned from Suzanne Scott’s work from a host of disciplinary perspectives, and with regard to how powerful systems and stakeholders operate within the media-cultural community. Lilly J. Goren is professor of Political Science at Carroll University in Waukesha, WI. She co-edited the award-winning Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Learn more about your ad choices. Visit megaphone.fm/adchoices

Suzanne Scott’s new book Fake Geek Girls: Fandom, Gender, and the Convergence Culture Industry (NYU Press, 2019) provides an overview of the convergence culture industry and the world of fandom while examining the role that gender and misogyny has played in understanding who is and is not considered an “authentic” fan. Scott delves into the realm of geek culture and explores how this has evolved as a social identity, and where the gender bifurcation became more acute within this cultural milieu. Fandom, Fan Studies, and fan communities were, for quite some time, female dominated, producing fan fiction, fan art, and female-populated spaces focused around fan engagement. Over the past decade, as fan engagement became much more interactive through social media, there has also been a shift in gender dynamics, as fanboys became more vocally engaged in fan activities, and also became more strident in policing who gets to be a fan, or who is a more authentic fan. Fake Geek Girls examines these shifting structures and communities, while also analyzing where the media industry became involved in these changes and in trying to control and manage fan discourse. The book discusses how the media industry, with production bottom lines always in mind, worked to closely manage intellectual properties and their residual profits, and thus also has had a significant hand in trying to regulate and constrain, in some capacity, fan engagement. Not only does Fake Geek Girls provide a clear and insightful analysis of convergence culture and fandom, but it also highlights the connections and overlaps between the misogyny in contemporary fan culture and the dynamics within the American electorate at large. There is much to be learned from Suzanne Scott’s work from a host of disciplinary perspectives, and with regard to how powerful systems and stakeholders operate within the media-cultural community. Lilly J. Goren is professor of Political Science at Carroll University in Waukesha, WI. She co-edited the award-winning Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Learn more about your ad choices. Visit megaphone.fm/adchoices

Suzanne Scott's new book Fake Geek Girls: Fandom, Gender, and the Convergence Culture Industry (NYU Press, 2019) provides an overview of the convergence culture industry and the world of fandom while examining the role that gender and misogyny has played in understanding who is and is not considered an “authentic” fan. Scott delves into the realm of geek culture and explores how this has evolved as a social identity, and where the gender bifurcation became more acute within this cultural milieu. Fandom, Fan Studies, and fan communities were, for quite some time, female dominated, producing fan fiction, fan art, and female-populated spaces focused around fan engagement. Over the past decade, as fan engagement became much more interactive through social media, there has also been a shift in gender dynamics, as fanboys became more vocally engaged in fan activities, and also became more strident in policing who gets to be a fan, or who is a more authentic fan. Fake Geek Girls examines these shifting structures and communities, while also analyzing where the media industry became involved in these changes and in trying to control and manage fan discourse. The book discusses how the media industry, with production bottom lines always in mind, worked to closely manage intellectual properties and their residual profits, and thus also has had a significant hand in trying to regulate and constrain, in some capacity, fan engagement. Not only does Fake Geek Girls provide a clear and insightful analysis of convergence culture and fandom, but it also highlights the connections and overlaps between the misogyny in contemporary fan culture and the dynamics within the American electorate at large. There is much to be learned from Suzanne Scott's work from a host of disciplinary perspectives, and with regard to how powerful systems and stakeholders operate within the media-cultural community. Lilly J. Goren is professor of Political Science at Carroll University in Waukesha, WI. She co-edited the award-winning Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Learn more about your ad choices. Visit megaphone.fm/adchoices

Suzanne Scott’s new book Fake Geek Girls: Fandom, Gender, and the Convergence Culture Industry (NYU Press, 2019) provides an overview of the convergence culture industry and the world of fandom while examining the role that gender and misogyny has played in understanding who is and is not considered an “authentic” fan. Scott delves into the realm of geek culture and explores how this has evolved as a social identity, and where the gender bifurcation became more acute within this cultural milieu. Fandom, Fan Studies, and fan communities were, for quite some time, female dominated, producing fan fiction, fan art, and female-populated spaces focused around fan engagement. Over the past decade, as fan engagement became much more interactive through social media, there has also been a shift in gender dynamics, as fanboys became more vocally engaged in fan activities, and also became more strident in policing who gets to be a fan, or who is a more authentic fan. Fake Geek Girls examines these shifting structures and communities, while also analyzing where the media industry became involved in these changes and in trying to control and manage fan discourse. The book discusses how the media industry, with production bottom lines always in mind, worked to closely manage intellectual properties and their residual profits, and thus also has had a significant hand in trying to regulate and constrain, in some capacity, fan engagement. Not only does Fake Geek Girls provide a clear and insightful analysis of convergence culture and fandom, but it also highlights the connections and overlaps between the misogyny in contemporary fan culture and the dynamics within the American electorate at large. There is much to be learned from Suzanne Scott’s work from a host of disciplinary perspectives, and with regard to how powerful systems and stakeholders operate within the media-cultural community. Lilly J. Goren is professor of Political Science at Carroll University in Waukesha, WI. She co-edited the award-winning Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Learn more about your ad choices. Visit megaphone.fm/adchoices

Suzanne Scott’s new book Fake Geek Girls: Fandom, Gender, and the Convergence Culture Industry (NYU Press, 2019) provides an overview of the convergence culture industry and the world of fandom while examining the role that gender and misogyny has played in understanding who is and is not considered an “authentic” fan. Scott delves into the realm of geek culture and explores how this has evolved as a social identity, and where the gender bifurcation became more acute within this cultural milieu. Fandom, Fan Studies, and fan communities were, for quite some time, female dominated, producing fan fiction, fan art, and female-populated spaces focused around fan engagement. Over the past decade, as fan engagement became much more interactive through social media, there has also been a shift in gender dynamics, as fanboys became more vocally engaged in fan activities, and also became more strident in policing who gets to be a fan, or who is a more authentic fan. Fake Geek Girls examines these shifting structures and communities, while also analyzing where the media industry became involved in these changes and in trying to control and manage fan discourse. The book discusses how the media industry, with production bottom lines always in mind, worked to closely manage intellectual properties and their residual profits, and thus also has had a significant hand in trying to regulate and constrain, in some capacity, fan engagement. Not only does Fake Geek Girls provide a clear and insightful analysis of convergence culture and fandom, but it also highlights the connections and overlaps between the misogyny in contemporary fan culture and the dynamics within the American electorate at large. There is much to be learned from Suzanne Scott’s work from a host of disciplinary perspectives, and with regard to how powerful systems and stakeholders operate within the media-cultural community. Lilly J. Goren is professor of Political Science at Carroll University in Waukesha, WI. She co-edited the award-winning Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Learn more about your ad choices. Visit megaphone.fm/adchoices

In this week’s episode, we’re letting our fan flags fly with Suzanne Scott. Suzanne is a media studies assistant professor at the University of Texas at Austin, where she specializes in researching all things fandom. We chatted about the evolution of fan culture, her new book titled “Fake Geek Girls: Fandom, Gender, and the Convergence Culture Industry,” and her own personal relationship with pop culture, including the Spider-Man character she cosplayed this July at San Diego Comic-Con.

Welcome to the Smart Art Business Podcast: Real talk and tangible advice for artists by industry experts. In this episode abstract portrait artist, Suzanne Scott offers advice on how to build a body of work that will leave gallerists and art dealers want

This year my husband and I have been learning to advocate for our children to receive the services they need at school. Both boys require services and accommodations and it has been a challenge figuring out how to get them the help they need to be academically successful. More and more these days families find themselves in the same position. In this episode we explore the topic with Licensed Behavioral Therapist, Rondi Allen and Suzanne Scott who heads the Special Education department at a high school in the Dallas Fort Worth area. Both have extensive knowledge and experience working with children who have various challenges from anxiety and depression, ADHD, to Autism, and require assistance at school.   For more information about our show head to https://schooldazedshow.com/

In this episode I'm talking to one of my fellow Etsy Team Captains, Suzanne Scott from PEI. While we do get interrupted and off-track, it's still a great conversation between like-minded friends that touches on the realities of running a small business, Suzanne's history and upcoming projects. Not my best work, but it sure makes me happy to hear these voices :) Cameo's from Jessica Murphy (@rawkettecustom), Erin Leroux (@merrilydesigns) and Kim Roach (@kimroachdesign) Learn more about Suzanne at the following links!: www.villagepottery.ca www.instagram.com/the_potters_daughter/

Illustrator and artist Suzanne Scott is on this week you may well know her better as Whimsical Lush. We chat about her making the jump into a creative career, her role as part of the Oor Wullie bucket trail and how she utilises social media. Website - https://whimsicallush.co.uk/ Twitter - https://twitter.com/WhimSicALLusH Instagram - https://www.instagram.com/whimsicallush/ Facebook - https://www.facebook.com/WhimSicALLusH/ Etsy - https://whimsicallush.co.uk/shop/ Brian Froud - http://www.worldoffroud.com/books/ Dark Crystal - http://www.imdb.com/title/tt0083791/ Arthur Rackham - http://rackham.artpassions.net/ Porters Gin - http://www.portersgin.co.uk/ Colour collective - https://twitter.com/Clr_Collective Fun a day Dundee - https://funadaydundee.wordpress.com/ For Wullie Bucket Trail - https://www.facebook.com/oorwulliebuckettrail/ Upfest - http://www.upfest.co.uk/ Freedom Hair Experience - http://www.freedom-hairdressing.com/ Discovery walk - https://www.dundeewaterfront.co.uk/discoverywalk Shaun Tan - http://www.shauntan.net/ The April Rabbits - https://www.amazon.co.uk/April-Rabbits-David-Cleveland/dp/059042369X

It's Canada week on the Tales of a Red Clay Rambler Podcast! I will be releasing one podcast per day featuring Canadian Clay artists from Prince Edward Island, Nova Scotia, Saskatchewan, and Alberta.     Today’s episode features a conversation about the history of craft on Prince Edward Island with Henry Purdy, Ian Scott, and Daphne Large Scott. We talk about a wide range of topics including the era when TV first came to PEI, the back to the land movement and the School of Visual Arts at Holland College. In the second part of today’s episode I talk with Suzanne Scott about taking over the family business and how she uses social media to grow the audience for Village Pottery. For more information about Village Pottery please visit www.villagepottery.ca.