Podcasts about art gallery

Youtube Version: https://youtu.be/ALdjnh-ou1A Chugging Bleach: Thousand Year Bloodwar Part 3 - https://youtu.be/A6vHeOcdfz8 Podlord Song: https://www.youtube.com/watch?v=aqC6QH9aMSQ Industry Burning Down Song: https://youtu.be/SLgms78JVo0 Become a podlord or normal patron today! http://www.patreon.com/GBPodcasts RSS Feed: https://gbpods.podbean.com/ Follow GB (Noel) on BlueSky! https://bsky.app/profile/gigaboots.com Kris' BlueSky: https://bsky.app/profile/kriswolfhe.art.social Dr. Aggro's BlueSky: https://bsky.app/profile/draggro.bsky.social Bob's BlueSky: https://bsky.app/profile/gigabob.bsky.social GB Main Patreon: http://www.patreon.com/gigaboots GB Fan Discord: https://discord.gg/XAGcxBk

Episode 26 – Nicholas Harper brings Art Wunderful back for reasons completely different than expected. Over the next 31 days this podcast will be the host of a narrative story. Tune in to learn more.

BYU-Idaho alumna, Marissa Albrecht's “In Passing” exhibit uses discarded materials found during everyday travel to explore connection, relationships and the importance of noticing the small things. https://www.byui.edu/radio/campus-news/byu-idaho-alumna-brings-in-passing-to-spori-art-gallery

Great Falls has art in some unexpected places, including the windows of a downtown parking garage. On Episode 301, Rebecca and Shannon are joined by artists Kyle Daugherty and Liz Lauver, Great Falls Montana Tourism's Content and Events Director, to talk about the Great Falls Urban Art Project. They share how the project got started, how it works, their own installations, and how rotating public art adds to Great Falls' creative culture. The newest Urban Art Project installation is dedicated to Dan Price, a friend and avid supporter of the arts. Reception: • Saturday, September 26 at 5 p.m. • 315 1st Avenue South, followed by a celebration at KellerGeist • Appetizers, cake, no-host bar, open mic and music from Natalie and Cameron Nicolson Learn more and follow the Great Falls Urban Art Project: https://www.facebook.com/GFUrbanArtProject IG: @LizLauver and @nonayme85

Episode No. 777 of The Modern Art Notes Podcast features artist Jitish Kallat. The Menil Drawing Institute is presenting "Wall Drawing: Series: Jitish Kallat" through August 8, 2027. For the exhibition Kallat has produced a site-specific wall drawing that grows out of his years-long engagement with Project A119, a partly declassified 1958 US Air Force plan to detonate a nuclear bomb on the moon. The drawing Kallat has made for the MDI, Wall Drawing / Redux: A119, presents enlarged images derived from Kallat's 2025 Accordion of Drawings / Project A119 / Early Intuitions, in which watercolors evoke an unrealized Cold War story of ambition, secrecy, and the exporting of global violence to the moon. The presentation was curated by Edouard Kopp. Kallat's work often blends the intimate and specific and the immense, and references history, science, time, and philosophy. He has exhibited at institutions such as the Art Institute of Chicago, the Art Gallery of New South Wales, the Tate Modern, London, and the Mori Art Museum, Tokyo, and he has participated in biennials in Venice, Gwangju, Havana, and more. Works discussed on the program and extensively documented on Kallat's website include: Epilogue, 2011; Public Notice 3, 2010; Covering Letter (Terrum Nuncius), 2018-20; "I draw, therefore I think" (curatorial project); and Conjectures on a Paper Sky, 2025. Instagram: Jitish Kallat, Tyler Green. Air date: September 24, 2026.

In this episode of the Self-Publishing with ALLi podcast, internationally renowned glass artist Mark Eliott joins Anna Featherstone to show how a published book doesn't need to stay in a fixed format over the years. Mark's Essence of Cloud project began as improvised glass cloud sculptures, grew into a novel and an art exhibition, and now, years later, has taken on a new form as a special-edition e-book with new nonfiction and visual elements. You'll hear about working with artistic collaborators and about flexibility and fluidity in production and distribution decisions. Sponsor This podcast is proudly sponsored by Gatekeeper Press — your partner in premium independent publishing. Empowering authors with expert guidance, 100% rights, 100% royalties, and global distribution. From editing to marketing, their all-inclusive services help you publish professionally and confidently. Gatekeeper Press — Where Authors Are Family. About the Host Anna Featherstone is ALLi's nonfiction adviser and an author advocate and mentor. A judge of The Australian Business Book Awards and Australian Society of Travel Writers awards, she's also the founder of Bold Authors and presents author marketing and self-publishing workshops for organizations, including Byron Writers Festival. Anna has authored books including how-to books and memoirs, and her book Look-It's Your Book! about writing, publishing, marketing, and leveraging nonfiction is on the Australian Society of Authors recommended reading list. When she's not being bookish, Anna's into bees, beings, and the big issues of our time. About the Guest Mark Eliott, author of Essence of Cloud, is an Australian artist whose glass work is held in private and public collections including the Corning Museum of Glass, the Glasmuseet Ebeltoft in Denmark, the Sculptureum in New Zealand, the National Gallery of Australia, and the Art Gallery of Western Australia, where he won the 2019 Tom Malone Prize. His work ranges from sculptural abstraction and biological representation to mythology and storytelling, often incorporating text, sound, wood, graphics, performance, and scent. Trained first as a jazz saxophonist at the Sydney Conservatorium of Music, he went on to earn a Master of Studio Arts and a Master of Visual Arts at Sydney College of the Arts. He teaches glass flame-work in his studio at Among the Trees, Marrickville, and lives with his partner Manjit in Sydney. You can find Mark on his website and Instagram.

Petersfield Museum and Art Gallery needs to boost its footfall and Jeremey Mitchell, Chair of the Trustees, says they want people’s views. They are being collected in the market, at the Museum and online, as part of its National Lottery funded Major Business Review. Jeremey Mitchell talks to Mike Waddington about it all and we hear from Miri, from cultural consultants Flying Geese, about how views can shape the outcome. The Stanley Spencer and Flora Twort exhibition closes this Saturday, 26 September. The Museum then closes for two weeks so that the shortlisted entrants for the South Down Open can be displayed. The Survey is on the website and here: PMAG Public Survey Moore about the South Downs Open here: South Downs Open 2026 | Petersfield Museum See omnystudio.com/listener for privacy information.

Meet Amanda, an photography gallery manager and consultant living in Tokyo. She sits down to talk to us about her work exhibiting Asian/Japanese photography, her work in book design, and why physical books still matter. --0:00 Intro0:50 Meet Amanda5:18 Post-colonial grandfather8:23 Studying at Waseda20:26 Start in gallery work28:54 Galleries in Japan32:55 Exhibiting Chinese photography37:46 Japanese audience interest40:16 Photo galleries as a business42:12 Amanda's favorite projects49:38 Focus on designing photography books1:05:52 Why books still matter1:19:59 How to get into Japanese photography1:29:27 Current projects1:42:03 Working as an exhibition producer1:48:05 How to fit into a community--Follow Amanda:https://www.intermediart.co/https://www.nitesha.com/https://lolingning.tumblr.com/illustrationFollow us:https://unpacking.jp/https://www.instagram.com/unpacking_japanhttps://www.tiktok.com/@unpackingjapanhttps://www.facebook.com/unpackingjapanhttps://www.youtube.com/@unpackingjapanshortshttps://www.x.com/unpacking_japanhttps://creators.spotify.com/pod/profile/unpackingjapanSubscribe for more in-depth discussions about life in Japan! Interested in working at a global e-commerce company in Osaka? Our parent company ZenGroup is hiring! To learn more, check out https://careers.zen.group/en/

What if weaving released untold stories? And how does textile art with such narrative yet abstract powers fit into contemporary art and its traditionally European systems? Joana's conversation with contemporary artist Paula do Prado takes unexpected turns and spreads across at least 3 different continents–if not more. What influence did the lost language of the Charrúa people and her Uruguayan past and lineage have on her work? Or, rather, is it even possible to locate the intuitive, dreamt and compulsive patterns and figures that emerge from her fingers, without any preconceived sketches or pre-established patterns? Did you enjoy the episode? Think about supporting Exhibitionistas by leaving a small donation: https://buymeacoffee.com/exhibitionistaThis episode is a partnership with Worlding, a non-profit co-founded by our host, Joana P. R. Neves, in Elephant and Castle, London. Paula do Prado's Residency is a proposal by Adelaide Bannerman / Never Done. The artist's residency is supported by Creative Australia.Paula do Prado is represented by Station Australia and is current a studio resident at Artspace, Woolloomoloo. Following her Worlding residency, Paula will hold her first institutional show as part of the Artspace x Art Gallery of New South Wales Co-Commission as part of the Contemporary Arts Project Space, Art Gallery of New South Wales 28 November 2026 to 14 February 2027. See more https://www.artgallery.nsw.gov.au/whats-on/exhibitions/paula-do-prado/To know more about Worlding, visit the website: www.worldingproject.com/Sign up for a tiered monthly support: https://www.buzzsprout.com/2624749/monetization/supporter_settings Your contribution keeps us going.Resources:Conversation between Paula do Prado and Mónica Michelena: https://vimeo.com/835732257?fl=pl&fe=sh (Spanish)Paula do Prado's website (art / projects / workshops): www.studiodoprado.comJingle: "Wunder", experimental poem by Joana P. R. Neves.Did the episode stir Art Wonderment memories? Share them via text or voice message.Support the showCreated & Hosted by Dr. Joana P. R. Neves, art curator and writer with over 20 years of experience in the contemporary art field. Artistic director of Drawing Now Paris since 2018, she has worked across the industry, from the art market to education. She co-launched the art residency and project space Worlding in 2020. Exhibitionistas' first year offered exhibition discussions with guest co-host Emily Harding; organically, it grew into a more experimental show exploring art topics, stories and interviews complemented by Joana's publication Art Thinkosaurus on Substack. She champions ‘Art Wonderment's' embrace of complexity against the lure of ready-made opinions. A polyglot, she grew up in Lisbon, studied and lived in Paris, to finally settle in London with her artist husband, four children and two cats. READ JOANA'S TEXTS:Joana on Substack: https://joanaprneves.substack.comWhere you find the Exhibitionistas Files, our Newsletter: ...

Melissa Auf der Maur may have been known best as the bass player for Hole and the Smashing Pumpkins, but the mystical Montrealer is back with more art and more insight into a game changing decade in culture: the 1990s. As an artist who got her start in photography, she has returned as your archivist and documentarian of the last years of analogue and the pre-corporate takeover of rock 'n roll, showing you years 1991-2001 through her personal lens. A photo book companion piece to her memoir, Even The Good Girls Will Cry, will be released September 8 the with an accompanying exhibition at the Art Gallery of Ontario, called My  ‘90s  Rock  Photographs. We dive deep into the stories and memories that shape this new exhibition. Dive in! Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Episode No. 775 of The Modern Art Notes Podcast features art historian Richard J. Powell and curator Danielle Canter. Powell is the author of "Colorstruck! Painting, Pigment, Affect," which was just published by Princeton University Press. The book examines the historical and cultural work color does in the work of twentieth- and twenty-first-century artists such as Jacob Lawrence, Alma Thomas, Sam Gilliam, Hervé Télémaque, Jean-Michel Basquiat, Lynette Yiadom-Boakye, and Nina Chanel Abney. The book builds on Powell's 2022 National Gallery of Art Mellon Lectures of the same title. Bookshop and Amazon offer "Colorstruck!" from $46-61. As discussed on the program: Powell's Mellon Lectures may be viewed here; The Amistad Research Center, Tulane University collection of Jacob Lawrence works, including the Toussaint L'Ouverture series; Nina Chanel Abney, San Juan Heal (Lincoln Center wall); and "Matisse Alive" at the Art Gallery of New South Wales, Sydney, Australia. Powell, a professor at Duke University, is the author of numerous books, including "Going There: Black Visual Satire," "Cutting a Figure: Fashioning Black Portraiture," and "Homecoming: The Art and Life of William H. Johnson." Canter is the curator of "Odilon Redon: Otherworldly Visions" at the J. Paul Getty Museum, Los Angeles. The exhibition spotlights Redon's works on paper, including charcoal drawings, lithographs, and pastels. It particularly focuses on Redon's fantastical world of tonal and psychological darkness, and also his luminous color. It's on view through October 18. A Getty-published catalogue is available from Bookshop and Amazon for $25. Instagram: Richard J. Powell, Tyler Green. Air date: September 10, 2026.

In this episode, Loni Stark, VP of Strategy and Product at Adobe, joins Liam to talk about what happens when a 25 year tech career runs alongside a full creative practice in painting, sculpture and writing, and what that split brain teaches her about building for the AI era. Loni explains why she thinks brands may already be invisible, or worse, misrepresented, inside AI answers, why every company needs to start treating AI as a new kind of audience, and how she is running her own home AI lab, complete with a self built server and a personal agent that has now run continuously for over 150 days, to understand what actually gives an AI agent an identity. Along the way, Loni and Liam get into her Harvard Extension School research into "orphan values," the personal values people can't express in any of their current life roles, and what happens to that alignment as AI reshapes the roles themselves. She also breaks down how she balances Adobe's biggest enterprise bets, including Experience Manager, Commerce, Brand Concierge and LLM Optimizer, against the need to experiment without limits in her own time. Key Topics Covered Why Loni keeps a full art practice, painting, sculpture and writing, alongside her tech career Growing up with parents who didn't understand the arts, and using creativity as a form of rebellion Whether humans are innately creative, and why AI makes protecting your own voice more important Why Loni has stayed at Adobe for 25 years, and how she thinks about "growing the aquarium" Building a personal AI server at home instead of a garden, and what that setup actually involves Swapping the underlying model and the agent harness to test what gives an AI agent a persistent identity Her Harvard Extension School research into "orphan values" and how AI is reshaping the roles we express them through The shift from human mediated to AI mediated experiences, and why that changes what "traffic" even means Why being invisible to AI isn't the worst case, being misrepresented by it is How brands should start preparing their content and catalogs to be "agent ready" The placebo effect of working with agents, and how that belief shapes performance and creativity How Loni balances limitless experimentation with the governance enterprise AI actually requires Why she does what she does: an insatiable need to grow, create and become more than she currently is Episode Timestamps 00:00 - Introduction and welcome 00:05 - Balancing a full art practice with a 25 year tech career 05:38 - Why she's stayed at Adobe for 25 years 08:30 - AI as the biggest creativity enabler she's seen 12:50 - Inside her home AI lab: hardware, memory, and swapping the agent harness 18:11 - Studying psychology at Harvard, and what "orphan values" mean 26:28 - The shift to AI mediated business, and why invisible isn't the worst case 31:46 - How brands become "agent ready" for the AI agent economy 36:23 - The placebo effect of working with AI agents 37:35 - Balancing limitless experimentation with enterprise governance 47:05 - Why Loni does what she does 49:14 - Where to find Loni and closing thoughts Loni's Socials: LinkedIn - https://www.linkedin.com/in/lonistark/ Loni's Art Gallery: https://atelierstark.com/work/ Partner Links Upgrade your AI toolkit: https://www.theaireport.ai/ai-executive-pass Subscribe to our free newsletter: https://newsletter.theaireport.ai/subscribe Join the community: https://community.theaireport.ai/checkout/the-ai-report-welcome-gift?coupon_code=WRTH Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on the pod we have Daniel Mudie Cunningham! Daniel is the former Director of Programs at Carriageworks, and the current director of Wollongong Art Gallery. His work has been widely exhibited and collected by institutions including MoNA and Art Gallery of Western Australia.Topics we covered include: How we met Dan by eavesdropping, Matt got locked up in earlwood, family portraits at Hurstville westfield, five year plans, Aiden grapples with DEATH, Lost media, Tow truck delivery to the Tina Turner concert, Matt's ego death, and Aiden's free psychotherapist, and the Moby song that inspired his Funeral SongsDan's Linkshttps://danmudcun.com/creation/are-you-there-the-bookhttps://boxd.it/9JSUf

The Wasmer Art Gallery at Florida Gulf Coast University is currently exhibiting “The History of the United States, Vol. I & II, 1774 – 1844.” There is one print for each year, each created by different contemporary artists. Some chose well-known events while others more obscure conceptual ideas, all of which were tied into what was happening during those years. During the opening reception, WGCU's Mike Kiniry was joined by three FGCU professors who had been asked to look over the collection and choose a few prints that they wanted to reflect on from their own area of expertise. The panel was comprised of Dr. Rick Coughlin, Professor of Political Science & Government; Dr. Jordan Von Cannon, Associate Professor of American Literature; and by Dr. Sarah Rodriguez, Assistant Professor of History. They were also joined on the panel by Knox Naumes-Hoch — he's a former FGCU dual-enrolled student who is now studying at College of the Atlantic in Bar Harbor, Maine. Knox wrote the labels for every print to provide some historical context.

140 people visited the Edward Thomas Fellowship collection at Petersfeld Museum and Art Gallery last month. Thomas, who lived in Sheet, has a very enduring appeal, and for some a rediscovery. Jeremy Mitchell from the Fellowship speaks to Mike Waddington about events that reflect this appeal. There is a walk in the Quantocks which follows Thomas's journey 'in pursuit of spring' and an online meeting with America and the Robert Frost Society. We also hear about a new acquisition - a drawing from 1906 - gifted recently to the collection and news of a play in gestation. More at The Edward Thomas Fellowship - Edward Thomas (1878-1917) Poet and WriterSee omnystudio.com/listener for privacy information.

Landmark Difference Makers Interview Series: Vanessa Stokes - Economic and Community Development That LastsWe're joined by Vanessa Stokes—writer, community builder, and founder of The West Side Review. Through her work, Vanessa is telling the stories of Chicago's West Side with honesty, depth, and pride—shifting the narrative from what's often missing in mainstream coverage to what's actually alive, creative, and possible. Vanessa is also bringing that vision into the physical world with the upcoming Outwest Café and Art Gallery in Austin, a space designed to celebrate culture, creativity, and connection on the West Side.Whether through writing or building community spaces, Vanessa is creating platforms where people can see themselves, their neighborhoods, and their futures differently.Join us as we talk with Vanessa about storytelling, ownership of narrative, and what it means to invest in a community in a way that's both real and lasting.The Westside Reviewhttps://westsidereview.substack.com/

Guests: Blue Jays pitcher Dylan Cease, Jays icon Buck Martinez     This week in Deep Left Field, it's the first time in a long time that the Blue Jays have lost ground in the playoff race, but they're heading into September well within striking distance of the leader in the chase for the American League's final wild card spot. Thursday, that's the Cleveland Guardians, but that seems to change on a daily basis. We look back at the Jays' 3-3 Week That Was, with an emphasis on the Shane Bieber injury news that has made the climb toward a playoff position that much more difficult. Dylan Cease joins us, possibly on the way to a Cy Young award, to talk about what the Jays have to do in September to make it back to the post-season. He also discusses his artistic endeavours, with his work currently on display at the Art Gallery of Ontario, and how much he's gotten to explore Toronto in the first season of his seven-year deal with the Jays. Buck Martinez is being inducted into the Jays' new Hall of Excellence on the weekend, and the iconic Jays player and broadcaster, who also managed the team for 215 games, joins us to reflect on an incredible career that is more than deserving of Blue Jays immortality. Plus, a dip into the mailbag at deepleftfield@thestar.ca!

Ontario Premier Doug Ford makes the case for Canada to Americans on network television a day after trading insults with U.S. President Donald Trump; Canadians react to Trump's latest threat to rename Lake Ontario to 'Lake America'; and, Toronto Blue Jays star pitcher Dylan Cease teams up with the Art Gallery of Ontario to put his artwork on display.

In this episode, we meet Chelsea Cordova and Kelly Baker, the creative duo behind Front Room Fine Art Gallery, Spokane's newest addition to the West End Arts District. Located at the corner of S. Adams and Railroad Alley, Front Room is part of an eclectic pocket of Spokane where galleries, artists and creative spaces come together—and where one of the city's coolest courtyards sits tucked beneath the railroad tracks. Chelsea and Kelly talk about what inspired them to open the gallery, their vision for the space, and the artists and artwork they're bringing to Spokane's growing creative community. It's a conversation about art, collaboration, taking a chance on a new venture, and discovering the unique places that make a city's arts scene so much fun. Come explore Front Room Fine Art Gallery with us! Learn more at frontroomartgallery.com.

For five years, Radio Maine has brought people together through long-form conversations. Now that conversation is moving into the room. Recorded before a live audience at Portland Art Gallery, this Radio Maine Live gathering brings together people who have previously joined Dr. Lisa Belisle—and a room filled with artists, entrepreneurs, community leaders, and other Mainers—to consider one deceptively simple question: What kind of Maine are we building? Tobias Parkhurst, Quincy Hentzel, Ginny Hussey, and Phillip Hussey bring distinctly different perspectives to a conversation about growth, affordability, workforce, healthcare, quality of life, and the opportunities that exist beyond Portland. But some of the most compelling ideas emerge around what Maine's next generation will need—and whether we are building a state they will choose to call home. Radio Maine Live is also about what happens when thoughtful people gather in the same place: ideas collide, connections form, and the conversation continues after the cameras stop. Join Dr. Lisa Belisle for this special live conversation today on Radio Maine.

Maximilian Kolbe had a vision of our Lady who offered him two crowns: a white one for virginity, a red one for martyrdom. Which do you want? I'll take both.that Mary is and a sign of hope and comfort for your people on their pilgrim way. 
(Assumption preface)Thumbnail: Esteban Márquez de Velasco (1652–1696) , Dormition of the virgin Mary, Art Gallery of Ontario.

Dawoud Bey talks to Ben Luke about his influences—from writers to musicians, and, of course, other artists—and the cultural experiences that have shaped his life and work. Bey, who was born in 1953 in New York, makes photographs and film installations that address the experience of Black people in the US, from the horrors of slavery via racist violence and the Civil Rights era to intimate moments in contemporary life. He began his career as a photographer in the 1970s with the consistent aim to work as an artist rather than a photojournalist. While he was celebrated from the start for his depictions of people and communities, he has always had a particular sensitivity to place, and after several decades in which portraiture and street photography were dominant strains in his practice, his work over the past decade has focused mostly on landscape. But even when they are not physically present, those who have lived in and travelled through the places he depicts are as much part of the photographs' and films' subject as the environments captured by his camera. He has said of recent series, for instance, that he wants to capture the landscape as seen and felt by the enslaved people who moved through it, and a profound sense of empathy underpins all his output. “This notion of the radical Black imaginary,” he explains, “is the foundation or place that my work springs from.” He discusses how his background in jazz and how it has influenced his art-making, his term “subjective opticality” and what it tells us about the camera and the perspective of the photographer, and the importance of photographs as objects. He reflects on the early influence of Roy DeCarava and John Coltrane, who continue to impact his thinking today, his early fascination with Rembrandt, his work with David Hammons and friendship with Torkwase Dyson, how he has responded to Toni Morrison in his recent photographic series, and the ongoing influence of Michael Roemer, the film-maker with whom he studied. Plus, he gives insight into life in the studio and asks our usual questions, including the ultimate: what is art for?Dawoud Bey: Material Histories, Living Landscapes, Art Gallery of Ontario, Toronto, Canada, until 4 July 2027. The exhibition is co-presented by the Toronto Biennial of Art 2026. Hosted on Acast. See acast.com/privacy for more information.

The Art Gallery Note That Exposed My Husband s Months-Long Affair With His ColleagueBecome a supporter of this podcast: https://www.spreaker.com/podcast/cheat-stories-official--5689182/support.#CheatingStories #RelationshipDrama #Infidelity #Storytime #Betrayal #cheatstoriesThis episode includes AI-generated content.

The comedian Joe Lycett has long dabbled in art, but it's a serious business now as his first ever solo exhibition ‘Everything Must Go' has just opened at the Birmingham Museum and Art Gallery. He talks about how this show came together and why its most eye-catching piece is a giant pink and blue woolly mammoth called Martin.Charlotte Higgins talks to Samira Ahmed about her book Ukrainian Lessons, and the role artist's play in the cultural identity of the country. With poetry sales at an all time high, we speak to poets Nikita Gill and Lucas Jones, two writers credited as being part of this boom. Entries for A-level arts subjects continue to fall. However, this year saw a drop of nearly six per cent in entries for A level English Literature. What does this continued decline mean for the health of the arts and humanities? Hetan Shah is Chief Executive of the British Academy and Professor Robert Eaglestone is education policy lead at the English Association. Presenter: Samira Ahmed Producer: Andrea Kidd

Art Galleries Are Still Not OK—Now What? In the latest episode of The Baer Faxt Podcast, Josh sits down with Marc Spiegler, Cultural Strategies Consultant, former CEO of Art Basel and author of the New York Times piece that set the art world talking, a...

Japanese ikebana (flower arrangement) is enjoyed throughout Australia. Ikenobo, with a history spanning more than 550 years in Japan, is the oldest and largest school of ikebana. Its Sydney chapter is holding a special flower exhibition at the Art Gallery of NSW in August to mark its 30th anniversary. We spoke to Senkō Ikenobo, the Headmaster Designate of Ikenobo, who will be giving a demonstration at the exhibition in Sydney, and Aya Shibata, president of the Sydney chapter. - オーストラリアで楽しまれる日本の生け花。日本で550年以上の歴史を持つ池坊（いけのぼう）で、そのシドニー支部が今年創立30周年を迎えます。シドニーで行われる記念花展でデモンストレーションを行う次期家元の池坊専好（せんこう）さんと、シドニー支部長を務める柴田文（あや）さんにお話を聞きました。Listen to SBS Japanese Audio on Tue, Thu and Fri from 1pm on SBS 3.Replays from 10pm on Tue, Thu and Sat on SBS1. Listen to past stories from our podcast.  Download the free SBS Audio App and don't forget to visit SBS Japanese Facebook and Instagram page! - SBSの日本語放送は火木金の午後１時からSBS3で生放送！火木土の夜10時からはおやすみ前にSBS1で再放送が聞けます。SBS日本語放送ポッドキャストから過去のストーリーを聞くこともできます。無料でダウンロードできるSBS Audio Appもどうぞ。SBS 日本語放送のFacebookとInstagramもお忘れなく。

On the Aug. 7 episode of Friday LIVE, we're broadcasting from the Haymarket Mill Coffee & Tea. Guest host Penelope Morrow has lively conversations about: - composer Masayoshi Ishikawa's latest album Migration (1:09); - author David Moscovich's latest book, Premieres: A Memoir in Verse (18:52); - artists of the month at Cozad's Robert Henri Museum and Art Gallery, Beth Jasnoch and Jeri-Jasnoch-Schultheiss (10:34); and - a new theater production coming out of Omaha's Union for the Contemporary Arts, Frydaddies (37:25). We also hear poetry from Eleanor Reeds (31:36) and KJ Teder learns about Kim Hager and Angie Seykora in her series about the artists of Omaha's new public library (44:45).

A plan to redevelop the Capital Irons lands, at the north end of downtown Victoria, got an important vote of confidence from city council. It means that hundreds of units of housing will likely be built, as well as a new home for the Art Gallery of Greater Victoria and a place where a local fish company can dock its boats, and process and sell its stock. We get the details.This episode originally aired January 15, 2026.

If you don't know Dawoud Bey's name, chances are you've seen his work. One of the most influential photographers working today, Dawoud rose to prominence through his powerful portraits of Black Americans and young people. In 2017, he shifted his focus from portraiture to landscape photography, exploring the history and legacy of African Americans in the Southern United States. Ahead of his new solo exhibit at the Art Gallery of Ontario, Dawoud joins Q guest host Garvia Bailey to talk about his artistic practice, his fascination with history, and the stories embedded in the landscapes he photographs.

Send us Fan MailToronto is a city built out of neighborhoods, food, and constant surprises. We sit down with Ashley Rochefort, Media Relations Manager at Destination Toronto, to unpack what makes Canada's largest city feel so alive, from its long history to its modern identity as “the world in a city,” where roughly half of residents are born outside Canada and cultures show up block by block. We get specific about things to do in Toronto, starting with the CN Tower for panoramic views, the glass floor, and the EdgeWalk, plus the waterfront cluster nearby with Ripley's Aquarium and the Rogers Centre. From there we hit iconic stops like Casa Loma with its seasonal programming. Museum favorites including the Royal Ontario Museum, the Art Gallery of Ontario, and the unexpectedly fascinating Bata Shoe Museum.We talk Toronto's legendary diversity of authentic eats, and the fusion that comes with it, including the Toronto-invented sushi pizza, peameal bacon sandwiches at St. Lawrence Market, and the city's serious love for Jamaican patties. We also map out walkable neighborhoods like the Distillery District and Kensington Market. Toronto's natural beauty includes beaches, parks, High Park cherry blossoms, and a quick ferry ride to the Toronto Islands. Finally, we connect the dots to a Niagara Falls day trip and the Niagara wine region, plus summer festivals, the CNE, and nightlife hotspots. **Ashley Rochefort isMedia Relations Manager at Destination Toronto. She loves her city and has done the Edge Walk on CN Tower. Podcast host Lea Lane has traveled to over 100 countries, and has written nine books, including the award-winning Places I Remember  (Kirkus Reviews star rating, and  'one of the top 100 Indie books of  the year'). She has contributed to dozens of guidebooks and has written thousands of travel articles. Read her weekly essays on Substack._____Our award-winning travel podcast, Places I Remember with Lea Lane, has produced over 130 travel episodes! New episodes drop on the first Tuesday of the month, on Apple, Spotify, and wherever you listen to podcasts. All episodes are also on the website: placesirememberlealane.com_____Travel vlogs of featured  podcasts-- with video and graphics -- now also drop on YouTube.  

In this special episode, contemporary artist Libita Sibungu joins EMPIRE LINES live, to explore the layers, energies, and geologies that connect people to place, and African diasporic, mixed and multi-racial, and working-class experiences in Cornwall, through their installation, ZED LOVE (2026).This episode was recorded live as part of the public programme for Libita Sibungu: ZED LOVE at Newlyn Art Gallery & The Exchange in Penzance in July 2026. The exhibition continues until 31 October 2026: newlynartgallery.co.uk/activities/empire-lines-podcast-recording/Find all the information in the first Instagam post: instagram.com/p/DZqDXwfFT22/?img_index=1For more from Barby Asante, listen to the episode from her collective choral performance, Declaration of Independence (2023), at Stratford Station in London as part of Art on the Underground: pod.link/1533637675/episode/aa2803b68933ab974ca584cf6a18479cFor more with Angeline Morrison, listen to Paul Gilroy live in conversation with EMPIRE LINES at the Black Atlantic Symposium in Plymouth, marking the 30th anniversary of his formative text in 2023: pod.link/1533637675/episode/90a9fc4efeef69e879b7b77e79659f3fAnd read into Library Obscura — a new publication from the AfroSea Collective (Libita Sibungu, Maria Christoforidou, Angeline Morrison, Caroline Deeds, and Catherine Lucktaylor)—supported by Exeter University and the Hypatia Trust in Penzance in April 2026.For more about the Diaspora Pavilion at the Venice Biennale in 2017, listen to artist Yinka Shonibare, in the episode on Decolonised Structures (Queen Victoria (2022-2023) at the Serpentine in London: pod.link/1533637675/episode/01fffb739a1bd9f84f930ce41ee31676And listen to curator Sabina Desir with Anita, Mark, and Julie—three children of Black (and Indigenous) American airmen stationed at RAF Manston in the 1950s— on Richard Birch's Children of the Manston US Air Force Servicemen Print Series (2023) at Turner Contemporary in Margate: pod.link/1533637675/episode/OTU0NmM1YzMtMTYwMi00NjdiLWI0ZDgtZWUzYmI5ODViOGY1PRODUCER: Jelena Sofronijevic.Follow EMPIRE LINES on Instagram: ⁠⁠instagram.com/empirelinespodcast⁠⁠Support EMPIRE LINES on Patreon: ⁠⁠patreon.com/empirelinesEMPIRE LINES is a project within the ecosystem of Radical Ecology (2025-2026).

Halifax  Part 2 of 2   Welcome to the  Dr. Mary Travelbest Guide podcast. The FAQ is: What is the best messaging app in Asia for Dr. Travelbest women?   Answer: For Dr. Travelbest, women traveling in Asia, the best answer is: use WhatsApp as your home base, but add the local app for the country you're visiting. Use WhatsApp as your main travel messaging app, but download the local app for the country you are visiting. In Japan, Taiwan, and Thailand, that may be LINE. In South Korea, it is KakaoTalk. In China, it is WeChat. Set these up before you leave home, while you still have easy access to your phone number, email, passwords, and two-factor codes. Asia does not use one single messaging app everywhere. The best app depends on where you are going. Before your trip, create a small phone folder called Asia Travel Apps and put these inside: WhatsApp, LINE, KakaoTalk, WeChat, Google Translate, Google Maps or Apple Maps, and your airline app. For most Dr. Travelbest women, the safest and simplest strategy is to keep WhatsApp for home, use the local app for local connections, and not wait until you land to download everything. 60-second confidence challenge Your challenge today, Confidence Challenge Halifax Part 2     See Book A for addressing this concern. I'm an expert at messaging apps. Just ask. Find it on the website​​ at https://www.5stepstosolotravel.com/ or on Amazon. It's a several-part series.   Today's itinerary is Halifax, Nova Scotia, Canada. Part 2 of 2 This episode is a three-day itinerary for a first-time visitor to Halifax, especially a solo woman traveler from the USA who wants history, waterfront views, local food, public transportation, and a relaxed pace. Halifax is a city where the harbor shapes everything. You will see ferries, cruise ships, navy activity, kayaks, boardwalks, seafood restaurants, and historic sites. My advice is to balance the serious history with time outside, because Halifax is best experienced both on land and near the water. Day One: Start with the waterfront and maritime history. Begin your first day with a walk along the Halifax waterfront boardwalk. This is the best way to feel the city. You may hear music, see cruise ships, watch boats moving across the harbor, and find places to sit outside. In summer, the waterfront can feel festive, especially if there are events or buskers. Look for Theodore the Tugboat, one of the cheerful harbor icons. It is a fun stop, especially if you like seeing the lighter side of a working port city. Then visit the Maritime Museum. This is one of the best first-day stops because it helps you understand Halifax's identity as a port city. Pay special attention to the history of the Halifax Explosion. In 1917, two ships collided in the harbor, causing a devastating explosion. The blast was massive, and the next day brought a blizzard. It is a sobering story, but it explains a lot about the city's strength and memory. After the museum, have lunch near the waterfront. This is a good time to try fish and chips, scallops, clams, or another seafood dish. If you are on a budget, balance one restaurant meal with simple food from a market or grocery store later in the day.   https://www.tripadvisor.com/AttractionProductReview-g154976-d23939015-Historic_Halifax_by_Foot-Halifax_Halifax_Regional_Municipality_Nova_Scotia.html In the afternoon, take the ferry to Dartmouth. The ferry is inexpensive; one of my notes said it costs about $2.50. Keep your ticket and enjoy the short ride across the harbor. You do not need to make this complicated. Sometimes the ferry ride itself is the experience. It gives you harbor views, a rest for your feet, and a different look back at Halifax. In the evening, return to the waterfront. Halifax is pretty at night, and if the weather is good, outdoor eating can be delightful. Stay aware of your surroundings, especially near nightlife areas. A local warning I heard was that areas with many bars can get rowdy. As a solo traveler, I would enjoy the evening but avoid getting pulled into a crowded late-night drinking scene. Day Two: Gardens, Citadel Hill, churches, and city views. Start day two at the Halifax Public Gardens. The main gate near South Park Street is a lovely entrance point. The gardens are peaceful, colorful, and a good contrast to the harbor. Go in the morning if you can, when the pace is slower. From there, head toward Spring Garden Road, one of the city's lively areas. You can find shops, cafes, and transit connections. If you like libraries, visit the newer Halifax Central Library and go up to the rooftop area for views and a sense of local life. I noted spring gardening and the rooftop as part of the library experience, and it is a good stop for travelers who like free or low-cost places. Next, walk or take transit toward the Citadel. The Citadel is up the hill, so wear comfortable shoes. Plan about two hours if you want to understand the military and cultural history. The views from the area also help you understand Halifax's shape. After the Citadel, visit St. Paul's Anglican Church downtown. It is an important landmark and one of the oldest buildings in Halifax, dating back to 1749. It is close enough to combine with other downtown stops and gives you a sense of the city's early colonial history. If you enjoy art, consider the Art Gallery of Nova Scotia, especially for Maud Lewis's paintings. Her work is colorful, personal, and deeply connected to Nova Scotia. This is a good afternoon choice if the weather turns rainy or if you need a quieter indoor stop. For dinner, try seafood again or sample poutine if you have not already. Poutine is fries, cheese curds, and gravy. It may be unfamiliar to American visitors, but it is worth trying at least once in Canada. Day Three: Point Pleasant Park, universities, swimming, or a harbor adventure. On your third day, choose a pace that fits your energy.   My travel tip: combine one paid attraction each day with free or low-cost experiences like the Public Gardens, waterfront walks, the ferry, and Point Pleasant Park. Today's destination is My missteps: Leaving my cellphone behind. My mistake for this episode: Leaving my phone at the swimming pool in Toronto. I changed back into my clothes and left the phone on the bench. The phone is my lifeline when I travel. I was with a friend that day, so perhaps more distracted than normal. I called the pool, picked up the phone, and all was well. Don't leave your phone unattended when you travel. My travel tip on eSims: My Airalo discount code is:  MARY2856 for your savings of $3.00 or more. Install before you leave: Always download and install the eSIM while you are still at home on your secure, reliable Wi-Fi network. You don't want to activate it until the day before you arrive in the country you will use it, so have it downloaded already.   For most Dr. Travelbest women, the safest and simplest strategy is to keep WhatsApp for home, use the local app for local connections, and not wait until you land to download everything. AI was used to select some of the suggestions for this episode.   Connect with Dr. Travelbest 5 Steps to Solo Travel website Dr. Mary Travelbest X Dr. Mary Travelbest Facebook Page Dr. Mary Travelbest Facebook Group Dr. Mary Travelbest Instagram Dr. Mary Travelbest Podcast Dr. Travelbest on TikTok Dr.Travelbest on YouTube In the news  

Part of the late beloved Kiwi actor's legacy now hangs on the wall of Gore's Eastern Southland Gallery where he quietly donated artworks from his personal collection over the years.

What do 1,500 years of Indian art reveal about the many forms of Vishnu? Avatar: Forms of Vishnu at the Art Gallery of New South Wales brings together more than 200 artworks exploring Hindu traditions, mythology and the enduring influence of bhakti. In this SBS Hindi podcast, co-curator Dr Chaitanya Sambrani shares the three-year journey behind this landmark exhibition and its significance for Australia's engagement with South Asian art and culture.

What old is new again in East Pilsen as a Chicago family is reviving an iconic modern art gallery and the legacy behind it. WBBM's Lisa Fielding reports.

What old is new again in East Pilsen as a Chicago family is reviving an iconic modern art gallery and the legacy behind it. WBBM's Lisa Fielding reports.

What old is new again in East Pilsen as a Chicago family is reviving an iconic modern art gallery and the legacy behind it. WBBM's Lisa Fielding reports.

Alex breaks down Spain's dominant World Cup victory over Argentina, arguing that character in defeat is just as important as excellence in victory. From Argentina's post-match conduct to Trump's awkward attempts to steal the spotlight, this episode explores why humility, sportsmanship, and leadership matter both on and off the field.

In today's episode, come with me as we imagine ourselves in an art gallery that I hope will change your perspective on your body forever. Consider invitations: read this article  listen to this talk  

 Halifax Part 1 of 2  Dr. Mary Travelbest Guide podcast.  Find my book series on the website​​ at https://www.5stepstosolotravel.com/ or on Amazon. It's a several-part series. Today's destination is Halifax,  Nova Scotia, Canada. Part 1 of 2 Eastern Canada is understated. This episode is about what I actually did there in August 2025, as a solo woman traveler. Halifax surprised me. It is a harbor city, a university city, a military city, a cruise-ship city, and a place where history seems to rise from the water. One of the first things I noticed is that Halifax is surrounded by water. The harbor is not just scenery. It is part of the city's identity. Ships, ferries, kayaks, cruise passengers, navy vessels, and waterfront walkers all share the same sense of place. So I walked, I spent a lot of time along the waterfront. There was music, people eating outside, and a lively summer feeling. I was there around August 4, which was a holiday, and I ate poutine at the buskers' event. Poutine was new to me. It is French fries with cheese curds and gravy, topped with ketchup. It was a different flavor for me, and that is part of travel: trying something even when you are not sure it will become your favorite. Halifax has a strong maritime history, and I visited the Maritime Museum. That was one of the highlights. I learned more about the Halifax Explosion of December 6, 1917, when two ships collided in the harbor. The explosion was enormous — often described as the world's largest pre-atomic explosion. I heard that the anchor landed miles away, the water was displaced, and a tsunami followed. The next day, there was a blizzard. That story stayed with me because it showed how much tragedy this city has survived. The Maritime Museum also connects you to other parts of Halifax history, including shipyards, dockyards, and the city's role as a port. If you are a first-time visitor, this is a good place to start because it helps you understand why Halifax matters. Immigration museum https://pier21.ca/ Look up your family history here, including whether you have US relatives. It had a 15-minute wait, but it was free. I also visited the Citadel, up on the hill. I spent about two hours there learning about the military and cultural changes in the area. It was informative, and I am glad I made the climb. Halifax has hills, so wear good walking shoes. You may think you are just going "up the hill to the museum," but your legs will know you are in a real city with elevation. Another special experience was my kayak tour around St. George's Island. It was a two-and-a-half-hour tour, and we learned about tunnels and armaments from the time when the British were responsible for the harbor's defense and security. It was expensive, but I was really glad I did it. Sometimes a higher-cost experience is worth it because it gives you a memory you would not get any other way. I also made time for beauty and quiet. I took bus number 1 to the Public Gardens, and they were beautiful. The main gate is near South Park Street and Spring Garden Road. That area is a good part of the city to explore. I wandered, took buses, and let myself explore different parts of Halifax rather than staying in just one tourist zone. One morning, I went swimming at the Centennial Pool at 8:30 AM. The water was chilly, but not freezing, and I swam for about 45 minutes. It felt fantastic. I love finding ordinary things in a new city — a public pool, a bus route, a grocery store, a coffee shop — because those places help me feel less like a tourist and more like a temporary resident. I noticed Tim Hortons everywhere. Strong coffee, bathrooms, and big business. For a traveler, especially one moving around by bus, knowing where you can get coffee and find a bathroom matters. I rode public buses and appreciated that they announced the next street before arriving. That was helpful when I was trying to figure out where I was going. At one point, I jumped on a 10C bus, not completely sure where it was going, but I was on South Park Street and Spring Garden Road and seeing more of Halifax. That is one of my travel styles: I like to wander, but I also pay attention. I passed St. Mary's University, Dalhousie University, Gorsebrook Park on Inglis Street, and other neighborhoods. Halifax has a strong student presence, which gives parts of the city energy. Quinpool Road felt like a main drag for shops. I also hopped at the Mic Mac Mall. I went to the Art Gallery, where Maud Lewis's paintings are an important draw. I saw Point Pleasant Park, one of my favorite parts of the city, especially around Young Avenue. Halifax has one gated street with six houses on the ocean, and that area felt peaceful and special. Point Pleasant Park also carries reminders of storms and resilience. I heard about a hurricane in 2010 that downed a huge number of trees. Nature is beautiful here, but also powerful. I also visited downtown Halifax, including St. Paul's Anglican Church, the city's oldest building, dating back to 1749. It is close to downtown and gives you a sense of how old Halifax is by North American standards. A few small details stayed with me. Some red traffic lights in Nova Scotia were square. The city has a Commons area for winter skating at the Emera Oval. There is an armory, the Scotiabank Center for events, cruise ships at the harbor, Irving gas stations, and a pretty waterfront at night. I even saw or heard about Theodore the Tugboat, which brought a lighter, cheerful side to the harbor. My food experiences included fish and chips, scallops, clams, poutine, and outdoor eating. I remember Olive and Rudy, scallops and clams, and the pleasure of eating outside when the weather is right. Halifax is a good place for seafood and simple travel meals. One day, I had a ham sandwich, an apple, a pear, an orange, and toast. That helped me manage costs while spending money on experiences. My caution for listeners: someone mentioned the "Dome" neighborhood as a place with many bars and a possible recipe for a bar fight. I would say this more gently: as a solo traveler, especially at night, be aware of nightlife districts. You do not have to avoid fun, but you do need to know your surroundings. The shownote includes a link to crime mapping in Halifax. https://www.halifax.ca/safety-security/police/crime-mapping   My mistake for this episode: assuming Halifax would be only a small waterfront stop. It was much more layered than that. My lesson: Halifax is not just a pretty Canadian harbor. It is a city of resilience, history, students, seafood, public spaces, and water views. Next up will be Part 2 of 2 on Halifax.    Travel Mistakes  My mistake for this episode: assuming Halifax would be only a small waterfront stop. It was much more layered than that. My travel tip: take the buses, walk the waterfront, and do at least one water-based experience — a ferry, harbor cruise, or kayak tour.     AI was used to select some of the suggestions for this episode.   Connect with Dr. Travelbest 5 Steps to Solo Travel website Dr. Mary Travelbest X Dr. Mary Travelbest Facebook Page Dr. Mary Travelbest Facebook Group Dr. Mary Travelbest Instagram Dr. Mary Travelbest Podcast Dr. Travelbest on TikTok Dr.Travelbest on YouTube In the news  

Vishnu is a Hindu god whose purpose is to maintain the world. When a crisis arises, he sends various avatars to help the world. We spoke with Japanese volunteer guides Nobuko Matsuda and Kazuko Chalker about the current special exhibition, "Avatar: Forms of Vishnu," held by the Art Gallery of New South Wales. - ヒンズー教の神様ヴィシュヌ。世界の維持を目的とした神様で、危機が訪れるといろいろな化身（アバター）を送り世界を助けます。NSW州立美術館で開催中の特別展、「アバター：ヴィシュヌの化身展」について、日本語ボランティアガイドの 松田延子さん、チョーカー和子さんに聞きました。Listen to SBS Japanese Audio on Tue, Thu and Fri from 1pm on SBS 3. Replays from 10pm on Tue, Thu and Sat on SBS1. Listen to past stories from our podcast. Download the free SBS Audio App and don't forget to visit SBS Japanese Facebook and Instagram page! - SBSの日本語放送は火木金の午後１時からSBS3で生放送！火木土の夜10時からはおやすみ前にSBS1で再放送が聞けます。SBS日本語放送ポッドキャストから過去のストーリーを聞くこともできます。無料でダウンロードできるSBS Audio Appもどうぞ。SBS 日本語放送のFacebookとInstagramもお忘れなく。

Uncle Vinny sits down with Darcy Borg at "On the Edge" Art Gallery in Scottsdale, AZ. Great conversation. Check out https://instagram.com/darcy.does.art for Darcy's work Timestamps: 0:00 - On the Edge with Darcy Borg 2:00 - going from film editing to painting 4:30 - moving to LA as a teenager; getting into film editing 6:40 - dealing with health issues and experimenting with filming 8:30 - getting tired of working on the news 10:30 - validation comes from within 14:15 - starting to get recognition 17:00 - dealing with addiction 19:20 - painting style 22:30 - "On the Edge"; Phoenix art scene 26:30 - establishing community 29:00 - too much negativity on the news 32:00 - favorite pieces & places 39:00 - on the edge event 42:00 - "coach" event 45:00 - shout-out Darcy Click the Below Links to Keep Up With New Versatile Vigilante content: Instagram: https://instagram.com/VersatileVigilante/ Soundcloud: https://soundcloud.com/versatilevigilante Spotify: https://podcasters.spotify.com/podcast/6rbWSYZP9asHUv431qHZfK/overview Apple Podcasts: https://podcasts.apple.com/ca/podcast/versatile-vigilante/id1384221180?mt=2 Linktree: https://linktr.ee/VersatileVigilante

Art is more than color on canvas — it's memory, identity, and the way a culture says, “We were here.” In this powerful conversation, Michael sits down with Dr. Archana Srivastava, TEDx speaker, PhD historian, award‑winning artist, and founder of ArtSage and Les Trésors Art Gallery. Her mission is urgent: to save India's vanishing folk and tribal art forms, some preserved by only a few families left.Together, they explore how art becomes activism, why creativity is the most underrated leadership skill, and what we stand to lose when cultural traditions fade. Dr. Archana shares her journey as an “artrepreneur,” her work bridging legendary masters with emerging artists, and her fight to protect the stories that shaped a civilization.This episode invites listeners to reflect on legacy, identity, and the responsibility we all share in preserving the beauty and wisdom of the past.This episode explores: • Why artists are the original disruptors • How creativity shapes leadership and innovation • The disappearance of India's folk & tribal art • What's at stake when cultural memory fades • The founding of Les Trésors Art Gallery • How ArtSage supports artists with resources, technology & opportunity • What legacy truly means in a changing worldFind us on Apple, Spotify or your favorite listening platform; visit us on our YouTube channel Find everything "One More Thing" here: https://taplink.cc/beforeyougopodcastWant to be a guest on One More Thing Before You Go? Send Michael Herst a message on PodMatch, here: PODMATCH Proud member of the Podmatch Network of Top Rated- PodcastsThis podcast uses the following third-party services for analysis: Podcorn - https://podcorn.com/privacy

Join our next FASO Show Live!https://artists.boldbrush.com/p/the-faso-showLearn the magic of marketing  with us here at BoldBrush!boldbrushshow.com--For our season 14 finale, we sat down with artist and veteran art-marketing writer, Lori Woodward. Lori shares how she went from burnout after art school to rebuilding her skills through workshops, portrait commissions, and writing for major magazines and art organizations. She explains how learning directly from successful peers, mentors, and collectors shaped her understanding of how the art market really works, which is very different from generic marketing advice. Lori breaks down the impact of the 2008 recession, why so many galleries and careers collapsed, and why today's market, despite economic anxiety, is fundamentally healthier and full of new, younger collectors. Throughout the conversation, she emphasizes that no amount of marketing can replace a cohesive, competitive body of work, consistent production, and a recognizable voice that develops only through years of painting, experimenting, and failing forward. She gives practical guidance on pricing, working with galleries, outdoor shows, email lists, and social media, stressing that real relationships and in‑person experiences now matter more than chasing algorithms. Ultimately, Lori encourages artists to build a realistic vision, move slowly but steadily, and design a career that fits their personality—whether that means becoming a local favorite, a gallery regular, or a small‑scale, part‑time professional who still sells meaningful work.Sign up for Lori's Newsletter:loriwoodward.com/email-newsletterLori's FASO Site:loriwoodward.com/Lori's Social Media:instagram.com/woodwardartist/Lori's Article about Pricing:https://www.artworkarchive.com/blog/how-to-price-consistently-for-art-sales-successLori's Blog:loriwoodward.com/blog

This week I'm in Berlin, walking through the Neue Nationalgalerie. A tour of German expressionist paintings and 20th century history This week I'm in Berlin, walking through the Neue Nationalgalerie. A tour of German expressionist paintings and 20th century history. Thumbnail image is Potsdamer Platz by Ludwig Kirchner Hosted on Acast. See acast.com/privacy for more information.

Fluent Fiction - Danish: Midsummer Magic: Love and Inspiration in an Art Gallery Find the full episode transcript, vocabulary words, and more:fluentfiction.com/da/episode/2026-06-18-07-38-19-da Story Transcript:Da: Den lyse skumring fyldte kunstgalleriet i København med en varm glød.En: The light twilight filled the art gallery in København with a warm glow.Da: Store vinduer afslørede byens travle gader, hvor sommerens lette brise dansede mellem cyklister og fodgængere.En: Large windows revealed the city's bustling streets, where the summer's light breeze danced between cyclists and pedestrians.Da: Det var midtsommer-aften, og folk strømmede til åbningsudstillingen.En: It was Midsummer's Eve, and people flocked to the opening exhibition.Da: Det moderne rum var simpelt og elegant; væggene prydet med farverige, nutidige mesterværker fra nye kunstnere.En: The modern space was simple and elegant; the walls adorned with colorful, contemporary masterpieces from emerging artists.Da: Freja, en entusiastisk kunstelsker, arbejdede på en lokal kunstmagasin.En: Freja, an enthusiastic art lover, worked at a local art magazine.Da: Hun var dybt opslugt af en kunstners fascination for det abstrakte, da hendes ven og kollega, Søren, pludselig dukkede op ved hendes side.En: She was deeply engrossed in an artist's fascination with the abstract when her friend and colleague, Søren, suddenly appeared by her side.Da: "Freja, der er en, jeg vil have dig til at møde," sagde Søren med et smil.En: "Freja, there's someone I want you to meet," said Søren with a smile.Da: Freja blev ført hen til en stille, men opmærksom mand med et kamera i hånden.En: Freja was led to a quiet but attentive man with a camera in hand.Da: "Freja, dette er Mikkel.En: "Freja, this is Mikkel.Da: Han er fotograf," introducerede Søren.En: He is a photographer," introduced Søren.Da: Mikkel nikkede og rakte hånden frem.En: Mikkel nodded and reached out his hand.Da: "Hyggeligt at møde dig," sagde han.En: "Nice to meet you," he said.Da: Deres samtale flød naturligt.En: Their conversation flowed naturally.Da: De delte deres kærlighed til kunst, og Freja fortalte om sin søgen efter nye kunstnere til et kommende magasinartikel.En: They shared their love of art, and Freja spoke about her quest for new artists for an upcoming magazine article.Da: "Jeg har brug for en fængslende historie til min redaktør," indrømmede Freja.En: "I need a captivating story for my editor," admitted Freja.Da: Mikkel, der følte sig tynget af en kreativ blokering, lyttede med interesse.En: Mikkel, who felt weighed down by a creative block, listened with interest.Da: Han var på jagt efter ny inspiration til sit næste projekt.En: He was on the hunt for new inspiration for his next project.Da: "Måske kan vi hjælpe hinanden," foreslog han.En: "Maybe we can help each other," he suggested.Da: Natten blev til en opdagelsesrejse.En: The night turned into a journey of discovery.Da: Sammen gennemgik de galleriets mest udtryksfulde værker, mens de udvekslede tanker og indtryk.En: Together they explored the gallery's most expressive works, exchanging thoughts and impressions.Da: De følte en voksende forbindelse.En: They felt a growing connection.Da: En særlig skulptur dragede deres opmærksomhed; dens asymmetriske form syntes at afspejle deres spirende forhold - uventet, men smukt.En: A particular sculpture drew their attention; its asymmetrical form seemed to reflect their budding relationship – unexpected, yet beautiful.Da: Inden længe afslørede de deres sårbarheder over for hinanden.En: Before long, they revealed their vulnerabilities to each other.Da: Freja talte om presset fra hendes redaktør, og Mikkel delte sin frygt for manglende kreativitet.En: Freja spoke about the pressure from her editor, and Mikkel shared his fear of lacking creativity.Da: De støttede hinanden og besluttede at samarbejde.En: They supported each other and decided to collaborate.Da: Freja ville bruge deres samtaler som grundlag for sin artikel, og Mikkel ville finde ny inspiration til sine fotografier.En: Freja would use their conversations as the basis for her article, and Mikkel would find new inspiration for his photographs.Da: Som midtsommermånen hævede sig over byen, lænede Mikkel sig tættere på og hviskede, "Du bringer lys til mine idéer."En: As the midsummer moon rose over the city, Mikkel leaned in closer and whispered, "You bring light to my ideas."Da: Freja smilede, hendes hjerte let.En: Freja smiled, her heart light.Da: "Og du har vækket min trang til at skrive."En: "And you've rekindled my desire to write."Da: Dagene efter bragte en bølge af energi.En: The days that followed brought a wave of energy.Da: Frejas artikel fik ros fra hendes redaktør, der sagde, at det var hendes bedste arbejde til dato.En: Freja's article received praise from her editor, who said it was her best work to date.Da: Mikkel, fyldt med ny inspiration, skabte en serie fotografier, som fangede byens øjeblikke på en magisk måde.En: Mikkel, filled with new inspiration, created a series of photographs that captured the city's moments in a magical way.Da: De lærte begge værdien af personlige forbindelser og hvordan disse kunne forvandle deres arbejde.En: They both learned the value of personal connections and how these could transform their work.Da: Gennem gensidig inspiration og samarbejde fandt de ikke kun en kreativ gnist, men også noget dybere i hinanden.En: Through mutual inspiration and collaboration, they found not only a creative spark but also something deeper in each other.Da: Sommerens varme bragte nye begyndelser, fyldt med udfordringer og muligheder, men også med en frisk oplevelse af skønhed og kærlighed.En: The warmth of summer brought new beginnings, filled with challenges and opportunities, but also with a fresh experience of beauty and love. Vocabulary Words:twilight: skumringglow: glødbreeze: briseflocked: strømmedeadorned: prydetengrossed: opslugtfascination: fascinationabstract: abstraktecaptivating: fængslendeweighed down: tyngetcreative block: kreativ blokeringinspiration: inspirationjourney: opdagelsesrejseexpressive: udtryksfuldesculpture: skulpturasymmetrical: asymmetriskerevealed: afsløredevulnerabilities: sårbarhederpressure: prestransform: forvandlerekindled: vækketleaned: lænedeeditor: redaktørexpressive: udtryksfuldemasterpieces: mesterværkerhunters: jagtemerging: nyediscovery: opdagelsecollaborate: samarbejdebudding: spirende

Episode 248 This show has stories about doctors, dolphins, dead people, presidents, bananas, traitors, taxis and baloons. Contact... flywithbetty@gmail.com The music for the show I recorded on the streets of Rome and Marrakech. Amazon List  Ravens Cup Coffee and Art Gallery, La Conner, WA My website

This week on Paige's Pod, I sat down with Molly and Ray, the founders of Galaray House - a welcoming, contemporary art gallery + modern espresso bar redefining what the gallery experience can feel like. We talk about:how a casual conversation on a boat sparked the idea for Galaray Housecombining coffee culture with fine artwhy traditional galleries can feel intimidatingbuilding a space that feels approachable, warm, and community-drivenbalancing creativity, business, and motherhoodthe emotional side of selling artworksupporting artists beyond just hanging work on wallstrusting your instincts when starting something newthe behind-the-scenes realities of opening a creative businessMolly and Ray share honest stories about starting from scratch, learning the coffee world on the fly, curating their first collection, navigating self-doubt, and building meaningful relationships with both artists and collectors.This conversation felt like a reminder that art doesn't have to feel exclusive or intimidating - it can simply be human, connective, and deeply personal.If you've ever dreamed of starting something creative, building community, or making the art world feel more accessible, this episode is for you. Find Gallery House:

Episode No. 758 features artists Leasho Johnson and Laura Facey. Both artists are featured in "Dancing the Revolution: From Dancehall to Reggaetón" at the Museum of Contemporary Art Chicago through September 20. The exhibition explores and expands the visual, political, and spiritual histories of dancehall and reggaetón through contemporary art produced in the Caribbean, New York, London, and beyond. It was curated by Carla Acevedo-Yates with Cecilia González Godino, Iris Colburn, Nolan Jimbo, and nibia pastrana santiago. A catalogue will be published by the museum and DelMonico Books in July. It is available from Bookshop and Amazon for $60-65. Johnson's paintings explore Black queer identity, Caribbean folklore, and post-colonial narratives. His pictures find meaning in the space between figuration and abstraction, and between Jamaican cultural heritage and broader art histories. His exhibition credits include the 2025 Liverpool biennial at the Walker Art Gallery and group shows at the Leslie Lohman Museum, New York, the Portland (Me.) Art Museum, and the National Gallery of Jamaica. His work is in the collection of the Art Gallery of Ontario, Toronto, the Pérez Art Museum Miami, and the University of Michigan Museum of Art. Facey is a Jamaica-based sculptor whose work addresses the land around her and the histories it holds. Her work often seeks what Facey calls "a healthy alchemy" for people and the earth. She has shown at the International Slavery Museum in Liverpool, the Havana biennial, and at the National Gallery of Jamaica. Her 2003 Redemption Song is sited in Kingston, Jamaica's Emancipation Park. A career-spanning monograph of her work will be published later this year. Instagram: Leasho Johnson, Laura Facey, Tyler Green. Air date: May 14, 2026.

Episode 247 This show has stories about Japan, mayonnaise, Dr. James Bond, lifesavers, Brazil and random singing. Contact... flywithbetty@gmail.com Music: "Fly" by The Good Sirs Amazon List  Ravens Cup Coffee and Art Gallery, La Conner, WA My website