Podcast appearances and mentions of Christopher Maloney

Don't say his name. Content Warnings:  Foul language, self-harm, gun-violence, and genocide. TranscriptPatronsNicvhole Wilson, TParis, GreyMatte, Tyler Bennett, Gregory Betti, Deathbymoth, Catherine Wahe, Christopher Maloney, Cheryl, Hunter Byford, EzraHiiro, Chelsie Diaz, Erica Bateson, Antonine Desillets, and Flizzard The WizardCast & Crew SCP Archives was created by Pacific S. Obadiah & Jon GrilzSCP-2521  was written by LurkD“Creaking at the Seams” was written by RallistonScript by Kevin WhitlockNarrator - Dustin ParsonsDr. Ross - Graham RowatD-8931 - Marquiz MoorePatty Demers - Nichole GoodnightMonty Chambers - Kayla TemshivTi'adhgt Ai'n - Vic CollinsD-8934 - Jesse HallSecretary - Daisy McNamaraPercival Darke - Ben CounterFirst - Brandon P JenkinsSecond - Anver MahmudThird - Ashlee JonesFourth - Scott PaladinArt by Eduardo Valdés-HeviaDialogue Editing by Daisy McNamaraTheme Song by Matt Roi BergerSound Designer - Chris Harris BeechyShowrunner - Daisy McNamaraCreative Director - Pacific S. ObadiahExecutive Producers - Tom Owen & Brad Miska Presented by Bloody FMwww.Bloody-Disgusting.comwww.SCParchives.com Patreon: https://www.patreon.com/scp_podStore: https://store.dftba.com/collections/scp-archivesInstagram: https://www.instagram.com/scp_pod/Bluesky: https://bsky.app/profile/scparchives.bsky.socialDiscord: https://discord.gg/tJEeNUzeZXTikTok: https://www.tiktok.com/@scppodYouTube: https://www.youtube.com/c/scparchives

Today's podcast episode is part 2 of a two part conversation with a returning guest. Christopher Maloney was on the podcast last year to talk about founding Practice Warriors, an online practice program aimed at teen and adult students. You can hear that story in Episode 132. In that conversation, Christopher mentioned that he had formerly owned a multi-teacher music studio, which he sold. That was too big a topic to get into in our last conversation, but I knew I wanted to hear that story, so I'm grateful to Christopher for making the time for another interview. In the first part of the interview we hear the startup story and Christopher's take on the 5 things he credits for the success of his studio. Teaser: his wife, Christina, has a PR background and you can hear that influence in the out-of-the-box marketing strategies they used to launch the studio. In the second part, which you'll hear next week, we get into the numbers and money side: we talk about startup costs, how they priced lessons, how they financed the building, and how they eventually sold the studio. You'll hear us talk a lot about “equity” in this episode,  I'll unpack that a bit in my recap, as well. It's not something that gets talked about very much in the context of music studios, but I think it's an important concept for business owners to get familiar with, so we're going to talk about it.   A full transcript and resources from this episode can be found at MusicStudioStartup.com/episode154.

This week on the Time to Practice podcast I am sharing expert practice tips from our guests on the show who we heard from in early 2024.  Each week I ask our guests the question: "If you could leave listeners with one tip about music practice this week, what would it be?"  These tips are too good not to share in a format that's easy to listen to and I hope you enjoy listening to them as much as I enjoyed putting them together with you in mind.  If you missed any of these episodes in their long-form format you can find them below:  Musicality & Joy from the Beginning with Crystal Boyack: Episode 39 Playing the Long Game with Susanna Klein;Episode 41 Leading with Love First with Barbie Wong: Episode 43 The Parent-Child Relationship in Music Practice with Alan Duncan: Episode 44 Making Great Music with Ease with Jennifer Roig-Francoli: Episode 46  Supporting Teens & Approaching Practice with Gratitude with Amy Beth Horman:  Episode 48 & Episode 49 Unlocking What's Possible with Christopher Maloney of Practice Warriors: Episode 50  Connect with Christine:  Looking for more support, conversation and community? Join Christine and Barbie Wong in the Musical Nest community: https://barbiewong.com/community/ Connect with Christine on Instagram: https://www.Instagram.com/suzukitriangle

Today's podcast episode is part 1 of a two part conversation with a returning guest. Christopher Maloney was on the podcast last year to talk about founding Practice Warriors, an online practice program aimed at teen and adult students. You can hear that story in Episode 132. In that conversation, Christopher mentioned that he had formerly owned a multi-teacher music studio, which he sold. That was too big a topic to get into in our last conversation, but I knew I wanted to hear that story, so I'm grateful to Christopher for making the time for another interview. In the first part of the interview we hear the startup story and Christopher's take on the 5 things he credits for the success of his studio. Teaser: his wife, Christina, has a PR background and you can hear that influence in the out-of-the-box marketing strategies they used to launch the studio. In the second part, which you'll hear next week, we get into the numbers and money side: we talk about startup costs, how they priced lessons, how they financed the building, and how they eventually sold the studio. You'll hear us talk a lot about “equity” in this episode,  I'll unpack that a bit in my recap, as well. It's not something that gets talked about very much in the context of music studios, but I think it's an important concept for business owners to get familiar with, so we're going to talk about it. A full transcript and resources from this episode can be found at MusicStudioStartup.com/episode153. MSS Entrepreneurs Hub + Mastermind Music Studio Business Building 101 Business Finance for Music Teachers  

Today, we're speaking to Christopher Maloney of Practice Warriors. Christopher is a multi-instrumentalist who has performed and recorded with an impressive list of rock and pop musicians, some of whom he'll share at the start of our interview below. He's a former instructor and Department Chair at the world-renowned Musicians Institute in Los Angeles, a published author with Hal Leonard Publishing and runs a website called Practice Warriors where he shares tips about practice, interviews with musicians, and resources for music students as a part of the membership there. He also shares great articles and ideas about practice in his newsletter. Links in this episode:  The Practice Warriors membership site: https://www.practicewarriors.com  YouTube Page: https://www.youtube.com/@practicewarriors Instagram Page: https://www.instagram.com/practicewarriors Facebook Page: https://www.facebook.com/practicewarriors Connect with Christine on Instagram The transcript and blog post for this episode can be found HERE This episode is brought to you by my practice workbook, Positive Practice  

Betrayal leaves deep wounds, but it also opens the door to profound personal transformation. In this powerful episode, Lesley Logan and Brad Crowell recap Dr. Debi Silber's episode, discussing the intentional nature of betrayal, its impact on our lives, and the deliberate steps needed to heal. Listeners will find solace, understanding, and strategies for setting better boundaries and to prevent repeated betrayals.If you have any questions about this episode or want to get some of the resources we mentioned, head over to LesleyLogan.co/podcast. If you have any comments or questions about the Be It pod shoot us a message at beit@lesleylogan.co. And as always, if you're enjoying the show please share it with someone who you think would enjoy it as well. It is your continued support that will help us continue to help others. Thank you so much! Never miss another show by subscribing at LesleyLogan.co/subscribe.In this episode you will learn about:Addressing concerns about insufficient teacher training and alternative learning paths.The personal impact of betrayal and its distinct nature from other traumas.How betrayal can be a catalyst for personal growth and transformation.Overview of the process and stages involved in recovering from betrayal.The importance of establishing strong boundaries to prevent future betrayals.Episode References/Links:The PBT InstituteStudio Growth AcceleratorOPC Summer CampCambodia February 2025 Early Bird4-Week Pilates ChallengeeLevate WaitlistLittle Readers Big Change  If you enjoyed this episode, make sure and give us a five star rating and leave us a review on iTunes, Podcast Addict, Podchaser or Castbox. DEALS! Check out all our Preferred Vendors & Special Deals from Clair Sparrow, Sensate, Lyfefuel BeeKeeper's Naturals, Sauna Space, HigherDose, AG1 and ToeSox Be in the know with all the workshops at OPCBe It Till You See It Podcast SurveyBe a part of Lesley's Pilates MentorshipFREE Ditching Busy Webinar Resources:Watch the Be It Till You See It podcast on YouTube!Lesley Logan websiteBe It Till You See It PodcastOnline Pilates Classes by Lesley LoganOnline Pilates Classes by Lesley Logan on YouTubeProfitable Pilates Follow Us on Social Media:InstagramFacebookLinkedIn  Episode Transcript:Lesley Logan 0:00  She said time heals all wounds but that does not apply to betrayal. And she said healing needs to be deliberate and intentional. Like you actually have to be deliberate and intentional with your healing. Lesley Logan 0:11  Welcome to the Be It Till You See It podcast where we talk about taking messy action, knowing that perfect is boring. I'm Lesley Logan, Pilates instructor and fitness business coach. I've trained thousands of people around the world and the number one thing I see stopping people from achieving anything is self-doubt. My friends, action brings clarity and it's the antidote to fear. Each week, my guest will bring bold, executable, intrinsic and targeted steps that you can use to put yourself first and Be It Till You See It. It's a practice, not a perfect. Let's get started.  Lesley Logan 0:49  Welcome back to the Be It Till You See It interview recap where my co-host in life, Brad, and I are going to dig into the transformative convo I had with Dr. Debi Silber in our last episode. If you haven't yet listened to the interview, feel free to pause this now. Go back and listen to that one and then come back and join us. Holy freaking moly. We have never had a topic on betrayal. Nope. First time and not only do we will talk about betrayal, but she is the leading doctor on betrayal. She has so much scientific information you guys if youBrad Crowell 0:57  TED talks, education from stage, workshops. She's an institute. Lesley Logan 1:23  If anyone in your life is like act like reacting to being betrayed in their life and other things that they're doing and they keep going well, I had this extra do this thing. Holy fricking moly, send them the episode. It was so informative, so good. And it's like, it's I mean, we'll get we'll get into it in a second. Anyways, today is April 4th, and it's School Librarian Day. Okay. Of course we're gonna highlight this day because we're all about the books on this podcast. So about this day, the day is observed to recognize the professionals who keep school libraries well-stocked in the books in perfect order. School librarians, I'm just gonna say, also librarians, if you're a public school public librarian this is you too, your school librarians spend long hours keeping the library organized, they also, they're also likely to be the first people to help students find the resources they need to learn. Pause. Yes, so many librarians I've heard on the news in the last year are the only safe person to suggest books to a lot of people. Anyways, they also encourage students pursue reading outside of academic text. School librarians are also responsible for creating an environment where students are motivated to learn. Their work is truly an accomplishment. With that said, if you didn't already know this, in 2024 OPC is supporting the nonprofit organization the Wheat Penny press and their program Little Readers Big Change along with Be It podcast, Rebekah Borucki, who runs it with every dollar spent so all you OPC members out there just know that you are part of providing free and low-cost books programming and funding for the creative arts to our most vulnerable communities and their most talented members. Thank you for being an OPC member and thank you for supporting reading. And we had Danny Brassel on who talked about like how he helps kids want to read and it's about giving them books that they actually want to read.Brad Crowell 3:06  That was a fun episode. Lesley Logan 3:07  I know. With Nick Hutchison coming up soon it's gonna be about how The Rise of the Reader. Brad Crowell 3:13  Jake Kelfer. Lesley Logan 3:13  Well, Jake Kelfer is for the writers. Brad Crowell 3:15  Yeah, but, books.Lesley Logan 3:16  And then, Nick is actually you're gonna learn how to retain what you're reading. Danny Brassel helps you get your kids reading and Rebekah Borucki who was recently a guest holy freaking moly, she is making sure that what we're reading is like making change. So. Brad Crowell 3:31  Pretty rad.Lesley Logan 3:32  You guys. Brad Crowell 3:32  Well, anyway, a sincere heartfelt thank you to all the OPC members out there. We love being able to donate to different causes. And we change, each year we pick a new cause and we get to donate throughout the year. And so we're really fired up to be supporting Little Readers Big Change along with you.Lesley Logan 3:54  Along with you. And you know, like support your local library. Brad's cousin is a librarian and she is like, all about like, getting me on Libby getting me to go get my library card and all that stuff. So like, support the libraries, they're really amazing and it's just, you know, look, you don't need to scroll so much. So anyway, okay. Brad Crowell 4:14  Read a book. Lesley Logan 4:15  This afternoon. So if you happen to listen to this in the morning, when it drops, you can still sign up for the Studio Growth Accelerator which is for Pilates teachers and studio owners who are ready to make some changes in their business and who want to learn and also work on your business. So you're going to get information and integrate it. Brad Crowell 4:32  We're going to be running through the proprietary Accel formula. A-C-C-E- L. Short for accelerator, y'all. Basically, we're going to we're going to really dig into how do you bring new clients in, how do you work with those clients to make them champions for your business so that they go out into the world and share your business with their relationships and it's going to be amazing. So if you're looking to jumpstart the growth of your studio, this is a great way to do it. Join me this afternoon there will be a three-day replay and if you missed it that's okay if you listen to this late, just DM us because you know we'll get you on the waitlist for the next time. The next one. Okay? PRfit.biz/accelerator. PRfit.biz/accelerator. Lesley Logan 5:19  And if you listen to last week's episode you understand that spelling accelerator is two Cs, one O. Brad Crowell 5:24  Hence the Accel... Lesley Logan 5:26  Well excel you could spell with an EBrad Crowell 5:28  ...programs. No, no. That's excel. This is accel. A-C-C-E-L-E-R-A-T-O-R. Well.Lesley Logan 5:35  Okay. Summer Camp. Okay, so I was, the time we tell the team when we're designing summer camp I'm like think American hot summer like, get like look up. Brad Crowell 5:46  What is it? What? Hot American Summer (inaudible).Lesley Logan 5:48  I was like, look up look at what Christopher Maloney is wearing. I want Brad to dress like that for the Zoom calls. Like I want people to have hot shorts. I want Elizabeth Banks like I Brad Crowell 5:59  Bradley Cooper was in there. Lesley Logan 6:00  Everybody who was in this show. (inaudible) I want, so here's the thing, the way I see summer camp for OPC is all the best parts of summer camp without the bunks, bunk beds.Brad Crowell 6:13  Without the bugs. Lesley Logan 6:14  Without the bugs, without the travel. Brad Crowell 6:16  Without the mean girls. Lesley Logan 6:18  Without the mean girls or the weird people or you know the shit food. So you can wear whatever you want, you can be off camera if you want, you can actually sign up and watch it later because you'll have lifetime access to the replays. But you do want Brad Crowell 6:32  That's a big event for us, y'all. This is not like two workshops. This is going to be like potentially like all-day events, two days in a row. Lesley Logan 6:39  It could be like, we're looking at potentially up to 14 or 16 events in two days. Brad Crowell 6:45  Crazy. Lesley Logan 6:46  We've been planning this for over a year because y'all loved summer camp so much last year, we had like the best time with summer camp. And so we are actually promoting early because we want as many people to be able to do summer camp with us. I'm like I want camp counselor shirts. I want the whole thing. So OPC.me/workshops. The reason why we want you on the waitlist even though you're like, Lesley, (inaudible) later. Correct. But if you're on the waitlist, you get the second-best prices of the early bird. The people who get the best best prices are those OPC members who are helping Little Readers Big Change. So, you want to be an OPC member to get the best earlybird. Second best is the workshop waitlist. Third best is hearing from the public. And fourth best is full price.Brad Crowell 7:29  Fourth best, fourth best.Lesley Logan 7:31  Okay. OPC.me/workshops. Also, Cambodia. As you mentioned in last week's episode, Brad. Brad thinks it's sold out. It's possible that it's sold out by now because it's April 4th, but we did schedule already and pick our dates for February 2025. Holy fricking moly, it's gonna be so fun. Like I said last week, best sunrises are in the February time and it's just before the weather gets hot. So you want to go to crowsnestretreats.com, crowsnestretreats.com to snag your early bird rate for February 2025.Brad Crowell 8:07  Yeah, join us it's gonna be amazing. I am so excited.Lesley Logan 8:11  I'm so excited. Oh my gosh, our October retreat, the people who are coming on this are freaking so excited. One of our girls is coming for the second year in a row. We've, because we've made some changes and like it's so fun. And we've got some eLevate members coming. We've got some OPC members coming. We've got some people we've never met coming and it's just gonna be a freaking blast. Brad Crowell 8:29  It's going to be amazing. Lesley Logan 8:28  So amazing. So, crowsnestretreats.com if you are wanting to come, if you're like Lesley when are you doing a retreat somewhere else? I don't have the time. I want to go there. And you can join at my house, come to my house. I would love to do a retreat somewhere else but I'm just going to tell you right now, the amount of work that goes into putting the retreat on that is an amazing, unforgettable experience is something you I can never express I could never actually share. And so while I would love to do a retreat somewhere else, I also would love one, of the reasons we did Cambodia retreat is because I think it's really, really important to see places in the world you might never see and a lot of places where people go on retreats just feel like a like America-like. And I really enjoy so immersing myself in a culture that's so uniquely different than my own. And seeing things that like it's just takes you out of your normal routine. You're 12 hours to 15 hours ahead. So like you are just really out of your routine. It's not the same timezone as your family like, I really love to get out and just be in a, in the village like being around other people and how the world is so different there.Brad Crowell 9:15  It's a transformational experience. I mean, I truly believe that when we have the opportunity to experience cultures that are not our own. It changes our perspective in a way that allows us to be more empathetic, more kind to others, more excited for other people, because they're people too, doing life the way they do life and it's different than the way that we do life but it allows this polarization that's happening in our, you know, in American society about others, like, you know, those other people, they're bad or something. You know, it allows you to see another culture in a way that is like, whoa, totally different than how we do things. But they're fucking great people, too.Brad Crowell 9:35  Oh, yeah. I mean, it also helps you vote with others in mind. Just a thought. Okay. So go do that. Come with us. Okay. And don't forget.Brad Crowell 10:36  If you love a good challenge and you're looking for one that's a four-weeker.Lesley Logan 10:40  You want to do my challenges. Come on, guys. The reformer challenge and mat challenge are available anytime. Which, I'm telling you, this is your prompt to sign up now. At OPC.me/challenge. Just pick the challenge you want. They are, it's the first week's 10 minutes, the second week's, 20 minutes. The third week is 30 minutes. And the fourth biggest (inaudible), 40 minutes. You see how that goes. Brad Crowell 11:01  Is that how it works? Lesley Logan 11:02  Yeah. And so, I want you to all do it, I want you to have some fun. I want you to get it out of your head and into your body. I want you to do it imperfectly. I had someone say, Ah, this is too fast. And I said, Great. Do it slower and just skip half the exercises. It's not about being perfect, you don't have to look like me. You don't have to do it like me, I even tell you to replace what you can't do with what you can. Pilates is the thing that helps you realize like how you talk and treat yourself. You are allowed to be imperfect and to be in process. And that's what this challenge is all about. It's super fun to learn how to do habits while doing it. So, OPC.me/challenge.Brad Crowell 11:36  Yeah. And you can pick either the mat or the reformer. How about that? Lesley Logan 11:39  How about that? Brad Crowell 11:40  Alright. So we had an audience question. And it was from Michelle. She said hi, I'm in a teacher training program that doesn't feel like it's giving me enough information and I'd love to learn from more from you about how to teach. Is OPC your only option? Lesley Logan 11:57  Yeah. Brad Crowell 11:57  And I just want to say first off, I'm sorry that you're in a program that isn't meeting your needs. And clearly, as a student, if you're going what the hell I expected more. That sucks. Lesley Logan 12:08  Yeah, so it sucks. I got this from our customer service team. And first of all, this is exactly why I wrote my book Profitable Pilates: Everything But the Exercises. And the unfortunate thing is, I don't think as many people get it before they choose a program. They get it after they choose a program. So I'll work on that. But a lot of programs have a lot to be (inaudible). And it's also just want to say to any teacher trainees listening, it is not totally your fault. In fact, it's probably not even your fault. You might be doing someone else's program. But the other thing is, is like we are an unregulated industry, the Pilates industry is unregulated, meaning that your massage therapist, do you all know, if you're living in the States, your nail technician had to take a state exam, like literally had to take a state exam for you to complain about a $15 pedicure, they had to take a state exam. And in the Pilates industry, there is an organization that has created an exam so you can be truly certified. But there's no, there's no regulation in this country. And that means people can create a training program. And there's something great about that you could just create a training program if you want one, and you need teachers. But when there's regulations, there are things like refund policies, there are ways that you can complain about the company, you can be treated with respect, they can't abuse you, things like that. So a lot of programs do have a lot (inaudible). And here's the other reason. Even if it's the best program in the world, when you're a new teacher, you cannot learn as much as you think. It's so much information. Brad Crowell 13:43  It's overwhelm. Lesley Logan 13:43  It is so much information, which is why everyone ends up doing a second training, which yes means you spend more money. So look, I really do feel free, Michelle, I love this question. You're not the only person to ask me something similar in the exact same week. So here's the deal. OPC is not the only option to learn from me, but OPC is the most affordable option. So I teach at least half the classes on OPC every single month. And we have themes. And if you like seeing how I connect exercises to exercises, take class with me. That's how it works. And guess what, take class with other teachers on OPC. They do the exact same, too and they do it with different body types. And that is so important. So please, please, please and $79 a month is not cheap, but it's not expensive. And if you are a teacher, it's a write-off. You can put it as your education. Brad Crowell 14:30  Education and training, y'all.Lesley Logan 14:32  So all the more reason to not be a sole profit, that's a different story. If you are wanting more you're actually wanting to learn with me. Right? There's a from and there's a with. That would be eLevate, which is our mentorship program. As we were recording this, we just wrapped day one of weekend two. It's another investment. I'm gonna be really honest. It is another investment that's on purpose. I want you to show up for you. And I only want to have 12 people in a group. So in order to dedicate over all the five weekends and tons of calls and all the time on one-on-one calls with you, it is an investment, but it is an option. So you can go to lesleylogan.co/elevate to get on the waitlist, we're probably going to open up applications for 2025 really soon. And we're really excited we have so many people who want 2025, we'll probably open up applications. And then based on who applies and who gets accepted, we will pick the times of the days we already have the weekends picked because we have the retreat picked. But I just want to say to anyone listening to this, Pilates teacher who just feels like their first training program didn't teach them enough. Let's just let it go. Just let it go. Just pretend that they did the best they can with what they had. You did the best you could with what you had. And that and just know that I did three training programs. So there you go. Brad Crowell 15:50  There you go.Lesley Logan 15:53  And it's because you can only take in so much. And then you have to go teach and you realize what doesn't work and you teach again, anyways.Brad Crowell 16:03  Well, Michelle, thanks for asking that. If you have a question for us. Just reach out, you can DM us on the pod on Instagram, you can hit up our Customer Support Chat. You can text us, all the things, however you want to reach out. Just ping us and you know, we might include your question on the pod. Okay, let's talk about Dr. Debi Silber. Debi Silber PhD, founder of the PBT Institute, a Pilates expertise in health and personal developments, to her innovative Post Betrayal Transformation Program. Drawing on her own experiences and extensive research, she has developed groundbreaking strategies for overcoming and fully healing from betrayal. And her groundbreaking strategies that she came up with, they went viral, like it was like a big deal. Like boom, that's what like really allowed her to shift into this role, you know, full-time. Lesley Logan 16:58  I, when I heard about her, I was like, Oh my God. We have to talk about this because I think we talked about other things that are around relationships, family, grief, all these other things, sex, all this stuff. But betrayal, I mean, and so maybe some of those episodes, you should go back and listen to after hearing this because if you have experienced betrayal Brad Crowell 17:19  Puts a different lens on. Lesley Logan 17:20  You may have hated what they said. Brad Crowell 17:24  Sure. Lesley Logan 17:25  Anyways, Okay, my turn. Brad Crowell 17:26  Yeah. Lesley Logan 17:27  One of the things I love is that we actually talked about how betrayal is a different type of trauma than death, disease or natural disaster. And I think it's easy to put betrayal in kind of like those same experiences of trauma. But she says it feels intentional snd we take it personally. And our entire Brad Crowell 17:44  Betrayal feels intentional. Lesley Logan 17:45  Yes, it feels intentional. And sometimes it might not even be, it might be all about them. But probably is, but our entire self gets shattered and requires rebuilding. She said rejection, abandonment, belonging, confidence, worthyness and trust, these are all demolished and have to be rebuilt. So if you have been betrayed, and you just feel like you are left, like, like an open wound and just shattered, you have and it's, it's not like you just rebuild a house or you like you just start dating someone else, or you go through a grieving process and remember them on special days, like it's, can be really difficult. Brad Crowell 17:46  Yeah, well, she talks about her five phases, which, you know, the best thing to do is to go back through, we're going to cover, we're going to cover four of the five phases a little bit later on in the pod. But, you know, she said something really interesting. She said, you don't outgrow betrayal. Like it's and she has the scientific proof to demonstrate that. Lesley Logan 18:56  Meaning if like you were (inaudible).Brad Crowell 18:58  Time doesn't heal all.Lesley Logan 18:59  And you feel like you're betrayed by your parents. You know, just like become an adult and you're good. Lesley Logan 19:04  Right, right. She was specifically talking about grief and time and the way that we talk about that societaly. Lesley Logan 19:11  She especially said time, she said time heals all wounds, but does not, that does not apply to betrayal. And she said healing needs to be deliberate and intentional. Like you actually have to be deliberate and intentional with your healing.Brad Crowell 19:23  Yeah, the you know, and so what's great is that she also has a process, she goes through, like, how does that happen? How do you do that? Right, but I just found that really, really intriguing because she's not just talking about divorce, you know, she could be talking about family, parents, siblings, best friends, you know. Lesley Logan 19:44  It could be a coworker.Brad Crowell 19:45  Yeah. She actually talked about her, your boss, and I was like, wow, that's crazy. I didn't even realize that, you know, I've been definitely betrayed at work in my old job and I was really hurt by that. You know, but I today like, you know, a couple years later, I just didn't even think about it until let's say this conversation, I was like, oh my god, that was me too. You know, so I, you know, there's a lot of context for betrayal in our lives. And she said, the amount of betrayal really depends on how close you are to the person on how close how much you allow them to weigh into your life.Lesley Logan 20:22  I agree. Because like, if you're betrayed by a coworker, that you saw Monday through Friday, a little bit each day, that is going to be hard and shattering. But if you switch jobs or get them out of your life, it's different than like a spouse or a parent because like they're, it's interesting, like I was listening to something recently, where if, like, certain breakups can feel so hard, because it's not that you're grieving the break up of the past, but also the future that you had with them. And if a betrayal is someone where there's a future that you had seen yourself going down with them, you discussed with them. That is also, that's part of the shatter that you're going through, because your future has also changed. What you thought was possible has changed. Brad Crowell 21:13  Yeah. Yeah, that's a that's a really fascinating point as well. You know.Lesley Logan 21:21  Now that I think about it, I feel like maybe there are people in my life who thinks I betrayed them, too. So now, I just felt like a little bit of a dick. It wasn't on purpose. I hope they don't think that but anyway, you know, I'm thinking about the person like what the way I, I don't think I always say like, I don't really think I did a great job breaking up with my ex, because I never broken up with anyone. And like, I'm sure they felt very betrayed in that moment. And I didn't know like, I was just like, no, we're just breaking up because I don't think we love each other that much. And one of the ways that I wanted to make sure that they didn't feel betrayed was like, I went through with the court proceedings we had against a family member of theirs, and I pretended to still be together. But I'm sure that felt like a massive betrayal to them, you know. And so now I think back, like, no wonder they were so shattered. And, you know, when that was all over, so I think it's really interesting. Like, it's even in your kindness, or most thought-out ways of doing things you can accidentally make someone feel betrayed.Lesley Logan 21:22  That's interesting. I definitely hadn't thought of that. I mean, for me, it was the other way around.Lesley Logan 21:35  I mean, you're so perfect, Brad, you've not even betrayed anyone. Brad Crowell 22:30  I sure have. Lesley Logan 22:31  I mean, you did quit your own band.Brad Crowell 22:34  That's betrayal. That totally is, you know, like, we, that's true. And that's a good way, that's a good thing to point out. And like, I wasn't trying to let down who's one of the people in my life, who was one of my best friends, you know, and we still, you know, but also, like, I've had business relationships go bad. I've had, you know, just life, right? Life's life is what we like to say. But still, no matter what the circumstance is, there is a sense of betrayal that can be felt by one party or the other, whether it's as dramatic as a breakup or a divorce. Or as you know, you know, like, hey, this, this program is over, I'm out, and then the person is no longer in your life anymore. Lesley Logan 23:15  Well, it's also interesting, okay, off-topic, but like, I'm just also thinking, like, for some of the things where I am, like thinking back, like maybe they felt very betrayed by me in that same moment, I also felt very betrayed by them. So it's so fascinating how it could be like, an equal betrayed experience.Brad Crowell 23:33  Well, yeah, I think I think that's.Lesley Logan 23:34  Now you have our back and it's (inaudible) explain that. Brad Crowell 23:37  Well, I think it's important to point that out, right? Like, because there's a reason that you chose to leave that relationship. And it was because promises were made and not kept. And so sure, it totally makes sense that you would also feel betrayed in that moment, which then was betrayal enough to cause you to take action, right? We're gonna talk about this. I'll talk about what I really loved about her after I say this with my you know, when my ex and I got a divorce, and then you and I started dating. The story that we've put out there is that I broke up with you two times. I mean, I literally did this so it's it's not a not a fake story. But we told everyone, we shared that I broke up with you twice and. Lesley Logan 24:17  People hate when we tell the story. They get so mad at Brad. Brad Crowell 24:20  They get so mad at me. Lesley Logan 24:21  They get so mad but he doesn't share.Brad Crowell 24:23  Well, I don't really share I wait till a certain point in the story to talk about why I did that for dramatic effect. But the reality of it is when you're listening to last episode and you're talking about the different stages that you know of moving through betrayal you know that Dr. Silber has created, I was almost stuck in one phase and that phase was like it was a keeping me where I was and I was operating out of fear and the fear was effectively I felt so betrayed so hurt by my ex, that I was almost unwilling to ever even put myself in the position again, to be betrayed in that manner. Right? Which is why when things started to get real, I was like, I got to get the fuck out. Like, I can't handle this, this is too much for me. I can't do it. I don't want to be hurt that way again. Right? And so I've never really thought of my divorce as betrayal. That term never came into my mind. But thinking about it now, I definitely felt betrayed.Lesley Logan 25:31  I mean, also, I think so. Because I think that like, how could you not feel betrayed? You thought you guys would be together forever. Like, there's a lot. There's, I mean, I think like, anyone who hears your story would go, Oh, my God, I felt so betrayed, which is why they stop hating you at that point in the story and start loving you.Brad Crowell 25:47  You know, on the introspective side, I wonder if I wonder how she felt betrayed. You know, and I don't actually. Lesley Logan 25:55  Okay, so now we have to talk. Okay, Melissa, we have to have Dr. Silber back, because now I need to know if people who are betrayed if the betrayer also felt betrayed, I need the studies. Brad Crowell 26:06  Yeah, I'm really interested in this.Lesley Logan 26:07  Melissa are you listening? Does she listen? Brad Crowell 26:11  Well, okay, so, you know, moving on here. She also, Dr. Silber, Debi, also said she looks at betrayal as an opportunity to completely catapult yourself to a level that you never thought was even possible. And I, you know, she said something really interesting about this, that I, you know, that sounds like, you know, just, you know, polish it up and make it like, you know, look good, feel good, whatever. But she was actually the story that she gave was, she had, she was always talking to herself, like talking down to herself. And, you know, because she would get lost. So she doesn't, you know, she's not good at following directions, or whatever, and would like end up someplace and be like, fucking lost again, I'm such an idio. I can't believe it. What's wrong with me. Right? And so the story that she's telling herself is like, you're bad at this, like, how come you always mess this up? And she reframed that in a way that allowed her to completely catapult herself to a new level that she never thought was possible by shifting the way that she talked to herself and saying, that is just adorable. You did it again. You know, and think about that, like, you're still probably frustrated with yourself, but you're not berating yourself and beating yourself up.Lesley Logan 27:36  Yeah, I think that's so important. Even if you've never been betrayed, like, Guys, we talk about this all the time at OPC, you have to like how you talk to yourself matters. It really does. Forget matters. It can literally change your day from being amazing and feeling happy to like, being depressed. And feel like a failure all the time. Anyways. Brad Crowell 27:57  Well, I mean, you know, we talk about speaking into existence and be it till you see it. You know, when you reframe the story, you're telling yourself it, it lends itself to creating an entirely new version of you, right, and then, as you have this positive self-talk and you're treating yourself with respect, you start to take a look at all the parts of you that you love, and you start to leave behind the things that no longer serve you, right, and then you start to not tolerate that negative part of yourself anymore, and it just shifts you, it changes you. And so, you know, it really, it's a really interesting, it's a really interesting idea, and I think it's worth pursuing you know? Lesley Logan 28:39  I love it. Brad Crowell 28:40  Alright, so finally, let's talk about those Be It Action Items. What bold, executable, intrinsic or targeted action items can we take away from your convo with Dr. Debi Silber? So she's talked about these stages. There are five predictable stages. And we didn't actually apparently cover the fifth stage. So I don't actually know what that is. But the first four.Lesley Logan 29:01  Another reason to have Dr. Silber back.Brad Crowell 29:03  The first four are the four table legs, right? She talks about the physical, mental, emotional and spiritual side of recovering from betrayal. And she said most people focus on the mental and the physical, or actually, I think she said the mental and the emotional. But she said there's two that people focus on most, they don't really focus on the other two sides. And so you're not creating a stable foundation. So that's stage one. And stage two is shock, trauma and D-Day or discovery day. This is the scariest of all the stages. It's a breakdown of the body, the mind the worldview, where you've gotten this news, you have a stressful response, which leads to you know, basically, chaos right? Chaos in your mind, chaos in life. Step three, then you shift into survival instinct, where you're grabbing anything or anyone to stay safe and alive. You're, you shift into practicality. We were referring to it a couple of weeks ago as fifth gear, you know as shit hits the fan, go up into fifth gear, you gotta power through figure it out, you're, you never leave time for yourself, you're always operating at this, like, where's when is the other shoe gonna drop whatever analogy you want to do. And she said, that's actually the most common place to be stuck in. And that's so that's stage three. Stage four is finding and adjusting to the new normal. Right? So now that like, life has shifted, after the chaos and like really the go, go, go of stage three, you know, can you downshift can you get back into stage into a place that isn't quite as high-strung, intense, anxiety, you know, anxiety-driven, all those kinds of things. She said, most people get stuck in stage three. So that said, going back to our Be It Actions here, she said if you are stuck in stage three, you should write these four questions down. Number one. Am I numbing or avoiding distractions? You need to call yourself on it like call yourself on the walk to the refrigerator when you're opening the door, even though you're not hungry. Call yourself on the TV, you know, because you're desperately trying to drown out other sound the sound of your own thoughts. You know, what are you doing to distract yourself? Is it video games? Is it drinking? Is it? You know, running? Is it? I don't know what it is, you know. There's this lots of different opportunities. You know, the second question, what am I trying not to see? What am I trying not to see? Again, call yourself on it, such as that health issue that needs my attention. The relationship issue that I'm avoiding. The job that I absolutely hate, you know, there's avoidance, right is probably a pretty good indicator. And you know, it's hard, it's hard to address these things you're avoiding. You know, but it's the thing you're trying not to see, right? So number three, what is life going to look like in five or 10 years? If I continue to do the actions that I'm currently doing today?Lesley Logan 32:09  That's a hard oh my god, oh.Brad Crowell 32:12  Yeah. You know, like, I think I remember, I remember, when I was going through my divorce, I decided to just start drinking. And, you know, I was drinking a lot. And I was feeling like garbage the next day when I would go into work. And after a few months, it was bad enough that I was like, Okay, I pretty much hate the way I feel i can't function. And if I keep down this road, I didn't think five or 10 years later, I literally thought like, in two more months, I'm gonna be toast like I can't do this anymore. And that, that was like a really interesting, like introspective moment that where I was interested in making a change, you know? So I think this question is helpful to be reflective on yourself, what is life gonna look like in five to 10 years? And then number four, is what can life look like, in five or 10 years, if I make a change today? So that's a really encouraging one, that's a really exciting one, it helps you see the future, see the vision of what could be for you if you're going to make a change in your life today. So, you know, when you're stuck in stage three, you know, which is again, survival mode, basically. You know, these are four questions that you can help, you know, ask yourself to help you shift through it.Lesley Logan 33:40  Yeah, I had a Be It Action Item about repeat betrayal, repeat betrayal. So this is if you like, find like you keep getting betrayed. She said you are lovable, worthy, and deserving. But she also said, for the Be It Action, you need better boundaries in place. And we talk about this a lot with the people that we coach, which is like you train people how to treat you, which are boundaries. And I just want to say, just because we say that doesn't mean people won't betray you. But I do think you will feel it differently if you had better boundaries in place. Because you will probably see it before. Like, there's just you might be able to like you won't feel like it's happening to you. So I don't know, I could be wrong, Debi, you can tell me. But the reality is.Brad Crowell 34:31  You did talk about this because you asked her like, hey, you know, if I get betrayed again, do I have to go back to stage three? Lesley Logan 34:39  Yeah, yeah. So she said you need better boundaries in place and she's like, unless there's a benefit in learning the hard way. And she, she said as a targeted step, you can identify areas lacking boundaries or reflect on aspects of your life where boundaries are weak or nonexistent and set boundaries in place. And here's the deal guys. Guess what? When you put boundaries in place where there wasn't one, people might feel betrayed by that. You need to understand. Brad Crowell 35:08  It's possible. Lesley Logan 35:09  It's true like for my teachers who are listening, if you never charge for late cancels and you start charging for late cancels, people gonna be pissed. Because you didn't do it before. You have to own that you weren't doing that before. And you have to say, I understand. You don't have to apologize. I understand this change sucks. But this is business, I got to do it. If you have friends, if you have friends or family members who walk all over you, you know, and you start to like, stand up for yourself. They're gonna feel upset about that. They might even feel betrayed that you've changed. Yeah, how dare you? How dare you. Iliza Shlesinger will say on her podcast, you guys, I love her podcast if you know Iliza, I want her on the pod, like I didn't ask her because she just had a baby. But like, yes, I do. Because I mean, what a be it till you see it woman, but she is saying, she always says we have to be comfortable making people as uncomfortable as they have made us.Brad Crowell 36:01  Right. Lesley Logan 36:02  And so. Brad Crowell 36:04  That's fucking hard to do.Lesley Logan 36:08  She says that too. She's like, I know I tell you to do it doesn't mean I do it. But it's so here's the thing. Like, if you are feeling like people are overstepping boundaries that you haven't enforced, they're making you uncomfortable. And so you're going to enforce them which will make them feel uncomfortable. But you they've been making you feel uncomfortable, you have to be comfortable making them feel as uncomfortable as they make you. And another person I'm gonna quote is Lori Harder, which is like, we can't take away other people's rock bottom. So we cannot take away the lessons people need to learn. And sometimes it sucks to be the lesson someone has to learn. But that you are allowed to have boundaries that allow you to do this life better because I always say this, this is me quoting me. You are the only person who can do what you do the way that you do it. And if you burn out, if you are lost, if you feel stuck, the world loses your amazingness. And to have people like to have to be as amazing as I am. There are boundaries in place, y'all. There are and it's not always perfect. It's not always easy, and sometimes it offends people in ways that I didn't intend. Sometimes I have to go oh, shit, I didn't fucking think that would happen. Thank you for letting me know. Here's how it was intended. Here is how, like let's talk about it. Brad Crowell 37:30  I'm gonna, I'm gonna quote me. Fuck yeah.Lesley Logan 37:33  Yeah. So anyways, I'm Lesley Logan. Brad Crowell 37:36  And I'm Brad Crowell. Lesley Logan 37:37  Clearly we're gonna have Dr. Debi Silber back. Thanks, team for already asking her. Thank you for joining us today. How are you going to use these tips in your life we want to know. We want to know. Share this with a friend who needs it. Share this with a friend who's constantly feeling betrayed that you just want to give a little shake, shake to and little tough love to. And until next time, Be It Till You See It. Brad Crowell 37:58  Bye for now. Lesley Logan 38:00  That's all I got for this episode of the Be It Till You See It Podcast. One thing that would help both myself and future listeners is for you to rate the show and leave a review and follow or subscribe for free wherever you listen to your podcast. Also, make sure to introduce yourself over at the Be It Pod on Instagram. I would love to know more about you. Share this episode with whoever you think needs to hear it. Help us and others Be It Till You See It. Have an awesome day. Lesley Logan 38:28  Be It Till You See It is a production of The Bloom Podcast Network. If you want to leave us a message or a question that we might read on another episode, you can text us at +1-310-905-5534 or send a DM on Instagram @BeItPod. Brad Crowell 38:43  It's written, filmed, and recorded by your host, Lesley Logan, and me, Brad Crowell. Lesley Logan 38:48  It is transcribed, produced and edited by the epic team at Disenyo.co. Brad Crowell 38:52  Our theme music is by Ali at Apex Production Music and our branding by designer and artist, Gianfranco Cioffi. Lesley Logan 38:59  Special thanks to Melissa Solomon for creating our visuals. Brad Crowell 39:03  Also to Angelina Herico for adding all of our content to our website. And finally to Meridith Root for keeping us all on point and on time. Support this podcast at — https://redcircle.com/be-it-till-you-see-it/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Most teachers agree that one of the greatest indicators of whether or not a student will progress in music is not their innate talent. It all comes down to practicing. Today's musician entrepreneur, Christopher Maloney, realized that there was a gap in where his adults were and where they wanted to be in their musical skills and that gap could only be traversed by practicing and, ideally, practicing more effectively. So he decided to tackle this challenge. Not in the form of a practice app, but by creating an online program, specifically for adult students, to teach them how to practice. Today we'll hear the startup story of that program, Practice Warriors. A full transcript and resources from this episode can be found at MusicStudioStartup.com/episode132.   MSS Entrepreneurs Hub + Mastermind Music Studio Business Building 101 Business Finance for Music Teachers  

Christopher Maloney, mortgage strategist at Bank of Oklahoma Financial, discusses the surge in Treasury yields, Jerome Powell's challenges and achievements as Chairman of the Fed, “higher for longer” interest rates and the outlook for housing and consumer demand with Reorg's James Holloway. If you are not a Reorg subscriber, request access here: go.reorg-research.com/Podcast-Trial We're looking for feedback to improve the podcast experience! Please share your thoughts here: www.research.net/r/Reorg_podcast_survey For more information on our latest events and webinars: reorg.com/resources/events-and-webinars/ Sign up to our weekly newsletter Reorg on the Record: reorg.com/resources/reorg-on-the-record/ #leveragedfinance #highyield #restructuring #performingcredit #distresseddebt #debtrestructuring #leveragedloans

The $8 trillion mortgage-bond market plunged to levels rarely seen since the global financial crisis as Treasury yields surged. To analyze why and what's next, we're joined by Christopher Maloney, mortgage strategist at BOK Financial Capital Markets, and Bloomberg News reporter Scott Carpenter. Homebuyers face the threat of even larger debt payments, while credit investors may find an opportunity to buy cheap bonds. Also in this episode of the Credit Edge, Bloomberg News senior editor James Crombie asks Bloomberg Intelligence senior credit analyst Arnold Kakuda about the outlook for financial institutions following this year's banking crisis. Wall Street faces more regulatory pressure just as private lenders get more aggressive, Kakuda says.  Listen to this episode here on the Bloomberg Terminal and on Apple Podcasts and Spotify.See omnystudio.com/listener for privacy information.

NSFW Smack My Pitch Up 97 - Mad Max: Kronk's New Dystopia Transcript at the bottom of show notes Hobbit and Thandi strap in for a diesel-fueled ride through remakes and remixed of Mad Max! Subscribe to Smack My Pitch UP! https://link.chtbl.com/smpu_gui_subscribe Check out tons of merch for the GUI Network on TeePublic: http://bit.ly/teepublicGUI GUI Network Hotline: (804) 505-4GUI (4484) (Message & data rates may apply) _________________________________________________ ● Track Info ● "In A World" "Forever Believe" "Bustin Loose" and "Hi Fi Brutality" by Jason Shaw (audionautix.com) These works are licensed under a Creative Commons Attribution 3.0 Unported License. creativecommons.org/licenses/by/3.0/deed.en_US geeksundertheinfluence@gmail.com for sponsorship inquiries TRANSCRIPT: Hobbit: [00:00:00] Hello? Hello. Hello Geeks. Welcome to another episode of smack my pitch up, the podcast that reboots remakes, reimagines sequels side-quels and adapts some of your favorite and least favorite properties from film, television and what have you. And we've got a banger here on this episode for sure, and with me to discuss the remakes and reimaginings, my co-host Thandi. Good day. I thought about doing like an accent, I think, for the betterment of everyone involved. I'm not gonna try to do that. I've never been able to nail either the British or the Australian accent cause they bleeding to each other. Thandi: Yeah. You know, what's fun about doing an accent? For me specifically I'll lose it. I'll lose it almost immediately, and it will turn into whatever it'll turn into like something racist by the end of whatever impression I'm doing, Hobbit: It could be the whitest act. I can do like a Russian accent very poorly, where you're almost offended. I don't think I have Russian background, but like I'm white enough where it's like, no, he can he's allowed to do Russian accent. No. [00:01:00] It's almost offensive. So Thandi: You don't wanna get smacked by Putin. Nobody wants to get smacked by Putin. So Hobbit: get clobbered by his giant horse. Yeah. Let's avoid that if possible. Thandi: eat you with my pick. Yeah. Hobbit: So today we are talking about, Cult Classic for sure. A movie that has spawned to multiple sequels as well as a remake that's not really a remake, so much as a kinda re, re-engagement, a re-envisioning of yeah. Thandi: Yeah it's like, old Mad Max is, what do they call the Star Wars stuff that was made before the reboot, Hobbit: Oh, those are, Thandi: The Star Wars legends or whatever, all the novels and stuff. Yeah. Old Mad Max is Mad Max Legends and . This is like, you know, the new kids. This is, even though it's the same character, it's Hobbit: And what we are talking about is Mad Max the first Mad Max movie and the universe in general. I, guess, But the thing that's interesting about that though is starting with Fury Road, if they are going with Tom Hardy as, max from now on, if they're [00:02:00] restarting this universe it is interesting where they're starting as far as the distance away from Doomsday. Like every Mad Max movie gets a little bit further away from the fall of society. Thandi: Yeah, little. Road is like hundreds of years after, like Max is a Highlander or something Hobbit: Right. Thandi: by the time of Hobbit: And the the original director, he said that Max is really more there to be Way into a slice of life of that world at that time, you know, that Max does assist with stuff happening. But for the most part it's, we're just following him around on his adventures to see where the world is at this point in the decay. And it was interesting to revisit Mad Max after it's been years. I haven't seen it since Fury Road came out, I think. Thandi: I'd only ever seen it on tv. After watching this, I realized I'd only ever seen it as a TV edit. and it's a whole different experience. This is some good [00:03:00] schlock. I was actually surprised. It's really Hobbit: holds up well and you try to explain what happens and there's three important things that happen and that's it in like 90 minutes, but it's engaging the whole time. There's never a point where I felt bored watching this, movie. Thandi: It's interesting. It's not too long, although I did feel like it dragged a little bit somewhere in the middle. It's not too long. It has some really intriguing aesthetic choices. The score is late fifties, early sixties style the orchestration, which is interesting. There's some interesting camera stuff going on. It's very surprising that this is uh, George Miller's first major movie. Hobbit: And I feel like the acting is not top-notch, but it does feel natural enough that it's even the bad actors are not that cringey. It doesn't come off poorly, I Thandi: I like some like, goose. I thought Goose Hobbit: Goose is great. Thandi: Max is actually a little bit too young. That was, my complaint. Mel Gibson is a little bit young for the Hobbit: I was mindful and made sure that I didn't go too old with Max [00:04:00] with my casting, but I did. Yeah. He is so much younger than everybody else really in the film. He looks like a baby and maybe it's just cuz we know Mel Gibson to be this like old racist dude. And this is like young racist dude, but. Thandi: This is even before big hair, incredible wings. Mel Gibson. This is, A whole different Hobbit: was looking at actors in their like early twenties, and I just, I couldn't I just, the concept of them driving a car, I'm like, you're not old enough to drive a car. You can't, Thandi: You got the cutest little baby face Hobbit: is something that I really like about Mad Max, is that there is a portrayal of a revenge film, very Western. It's completely, if you take all the beats of this movie and remove the cars and put in horses it's, and it's not the apocalypse, it's just the old West. This is a fucking Western movie. But it doesn't try to overdo the chase scenes. The chase scenes are pretty straight up. Like they're on straightaways. They're not doing all these crazy twists and turns. And max isn't this big buff fucker, he's this normal [00:05:00] sized person that he fights a little, but mostly it's just him running people over with his car. That's the majority of his skillset is just Thandi: Killing people with this Hobbit: yeah, it's, so what I liked about that is , I didn't need to cast some like action hero type necessarily for the role of. Thandi: This was pre that type anyway. They were on the, just the cusp of having leads take over in that fashion. But this is what, it's like 79, Hobbit: believe in late seventies. Yeah. Thandi: Yeah. So this is right before they start putting Adonis Godman as the other action leads. Hobbit: What a weird time. Yeah, it was the eighties pretty much all the way through until right at the end of the 80. when you had the, like Bruce Willis's and the Joe Everyman that came in and picked that back up again, but there was this like 10 year block that was just big old machismo men that ruled the world. Thandi: Yep. And then after that it was, they were all Brad Pitt types wiry, mu wiry dudes that I still resent Hobbit: of course. Oh man, there was a weird time in [00:06:00] my high school years that scrawny hairless men was the in vogue. , and that's literally the opposite of me. if you Thandi: Damn you, Moby moby Hobbit: right. It was all the lanky, fucking scrawny dudes that everybody was losing their shit over had no armpit hair, nothing. Here I am looking like a fucking lumberjack, a short little, wide lumberjack. Thandi: Yes, and both you and the scrawny, lanky dude are both looking at Mel Gibson going, Hobbit: Yeah. Pretty much. Now how the tides have turned that bearded men is now in vogue and yay. Thandi: We rule the day until Hobbit: until we go to bed at a very reasonable hour. Okay. So Mad Max, there's a lot of room to work here. I'm interested to see if either of us, decided to stick to the timeline of the post apocalypse or the dystopian world. Of the original Mad Max or took it a little bit further into the post apocalypse. Also, is this an apocalypse movie? Is this done differently? [00:07:00] I'm really interested. You have the wild one always excites me cuz you will go out there this might be in space, I don't know. So I'm. Thandi: No, the take this time is gonna be something where you're like, what? What are you doing? You know, last time you were like, wow, that is really cool. The time before you, that is fun. This one's gonna be like, yeah, Hobbit: Why Great. Mine, I feel, is a pretty straight ahead version here that I think you're gonna understand why I made the choices that I did. This is the straight up remake, reimagining what have you. I decided that the real difference here is that I didn't want to try to capture that like Aussie. Dystopian vibe. I wanted to look at what Man Max would be if it was an American director, directing American actors with an American aesthetic, but not necessarily the fast and the furious kind of aesthetic. Definitely balls to the wall a little bit. That's just, that's definitely America, but more that, action kind of [00:08:00] comedy, the die hards of it, the fun action vibe a little. With just a touch of demented to get, let it go down smoother. And I decided that Brian Taylor would be my director for that kind of journey. If you're unfamiliar. He is one of the directors of Crank one and two. He directed gamer Ghost writer Spirit of Vengeance. More recently he did the movie Mom and Dad with Nicholas Cage, which is an absolute fucking blast If you haven't seen. Thandi: I have not Hobbit: It's like an infection movie where all the parents are infected and get like homicidal and wanna murder their own children. That's what the virus does. Yeah. Basically. So it's just all these parents being like, come here honey. Stab stab. And there was a series on sci-fi that he that helps create and also directed called Happy. That was a tour de force of demented weird fantasy the main character. Chris Maloney. He has an imaginary friend that's like a flying unicorn that's voiced by Pat [00:09:00] Oswalt. It's a weird show, but definitely steeped in gross, weird demented comedy. And so that's energy that I wanted to bring to this is just a little over the top, a little bonkers but still that intensity you want from an action. And so I, for Max, that was a tough choice for me. I wanted to do a not action hero kind of person, but somebody that could get unhinged , if they really got to that point they would break bad when it got to that. And from his portrayal in mayhem this horror movie, I thought Stephen Yune would be an interesting choice for. Thandi: Oh, nice. I almost cast him in a different role, yeah. Steven. Deserves a breakout role in like a young person's breakout role like that. I know he's going for serious stuff, but Hobbit: He's definitely proven himself to be a tremendous actor. But I've also been playing this dude that gets basically infected and becomes like a raw [00:10:00] nerve of aggression in mayhem. He, it's a very fun ride that he takes you on and he's gets to play it super big and you can tell he is having a fun time with it. And so I want to be able to have that spectrum from the actor playing Max is somebody that can go subtle and quiet cuz Mel Gibson is quiet in the first man Max. He doesn't say a lot at all. So I want that to just go up to 11 when he's on his revenge. That he's what? Just freaking out and going Bonkers. So, Steven Yeun. I think it would be fun in that role for Jesse, his partner, his wife, his, the mother of his child. I wanted an actress that could play like she's got her own shit together. She's not like the damsel and distress type, but is also very funny and can play at these big action sequences and be the comic relief of the moment in some of the most like, darkest moments of this. And I just saw her recently in a really bad movie called Shotgun Wedding. The movie's fucking awful. It's the Jennifer Lopez vehicle that came out on Prime, and it's stupid. I [00:11:00] hate Thandi: Yeah, Sandra started watching that the other day, and I don't Hobbit: Yeah, it's really bad. But Darcy Carden is in it and I love her. She was in the Good place as Janet. She plays Natalie in Barry and she was also in shotgun wedding, but she's a comedic actress. She's been around and she's been in tons of. Very funny. There's something about her that's so, so just like hits me the right way. Very funny actress and has the, I'm one step ahead of you, kind of energy with her humor as well. She knows what you're gonna say and she's got five clips ready to go already. So I thought they would be a fun matchup. Jim Goose. Goose. I wanted somebody that would be like the kind of wide open, wants to be a ladies man, just fun, weird, sidekick character and a little older as well. Christopher Maloney, he's already worked with the director. I think he would've a lot of fun just being like the zany, the, sidekick, or not sidekick, but coworker, Thandi: oh, definitely. And Maloney's. Hobbit: Maloney is a fucking trip. He is such a [00:12:00] trip. Initially I had cast him as Fifi, the basic, their boss, basically. Cuz I thought Maloney would have a lot of fun just walking around shirtless, smoking a cigar and yelling at people. And he would, but I think his energies would be better spent as Jim Goose. For Fifi, I decided that role, I wanted somebody built like the. He looked like a Russian weightlifter that lifted the triangular weights only the their boss, Fifi. So I needed a buff guy that was gonna be able to have fun in this role as this really happy, big energy person. So Terry Cruz immediately jumped out as a good choice there. He Thandi: course. Hobbit: just really friendly, nice boss that people actually like, but also don't fuck with him. I could, Terry Cruz works perfectly for that. Thandi: Yeah. No, Terry Cruz is great as the big Hobbit: Yeah, that's, his whole career is pretty much playing that role for the most part except for Brooklyn nine nine. He doesn't play the big guy, quote unquote necessarily in that role. Thandi: He plays this sweet, cool-headed guy who [00:13:00] loves his family. Hobbit: I feel like Terry Cruz would be a great person to spend time with, not even get a drink with, but like, Just your friend from years ago that you go to like the park with your kids together kind of energy. He, this is a sweetheart Thandi: Who keeps trying to get you to go to the gym with him and you're like, oh Hobbit: suit? Yep. 100%. Oh, your CrossFit friend. That's Terry Cruz. Oh no. I, for the use of bad guys now that we're going with and I wanted to cast a kind of quiet intensity for Bubba Zt. And so I went with Tommy Flanagan, if you're unfamiliar he's the Irish actor with a giant gash scar in his face that was in Sons of Anarchy. He was in Sin City. He's been in Braveheart and Gladiator. Thandi: I believe I know who you're talking about, Hobbit: very well known as a, always the grizzled, tough guy and uh, toe cutter. Unhinged, boss of the biker gang. We gotta get Nicholas Cage in there at some point.[00:14:00] He's had a couple movies with Brian Taylor. He had Ghost Rider and also mom and dad, so they know how to work together. Nicholas Cage could definitely have room to do whatever Nicholas Cage wants with this role. Thandi: I'm kinda surprised that Nick Cage didn't come to mind for me for what I was, what I'm doing. That's, yeah, cuz he is a great choice for that. Hobbit: I think just giving him moments to do whatever would really make this movie. And then finally, Johnny the Boy, the drugged out fucking weirdo guy that gets in trouble and gets arrested and then gets released is the little brother character to the biker gang that always fucks up and they're always really annoyed with him. Pete Davidson. For Johnny The Boy. Yeah, that's perfect. But with this casting and Brian Taylor in this demented action comedy kind of vibe, the world that I'm setting up in the States is that basically resources are dwindled dramatically. and the coasts are really where most everybody lives because you can get to stuff easier that way through the ocean and railway systems and stuff. The [00:15:00] middle of America is basically ghosted. A lot of the crops have died at this point. resources are dwindling dramatically cuz of global warming or whatever you, whatever. It's not necessary to explain, but there's just barren wastes of just flat, dusty dust bowl . And so really the only people that exist in this area have cars, have souped up rods and cars that have extra gas tanks attached to them, randomly and basically Mad Max vehicles that they have to build out to make these long hauls in between small towns that are still existing in the Midwest. And because that also, there's not enough police force to cover these great expanses and so there's the highway patrol basically that has these. That they can get from town to town on like less gas, but still like gun it. You know, they have little bit better technology but they can only get around so much. So they're constantly on the tail of all these highway gangs. They are constantly trying to make sure all the small towns are okay, but the small towns, [00:16:00] they have their sheriffs and their people in charge, but they can only do so much when a gang of like 30 or 40 bikers comes into town. So, they've been after this gang for a while. They've been trying to prevent them from stealing the resources from the towns in their sector. And so that's how they come to know Max from him just being the best cop in their region, trying to protect these towns. So Max is there basically out of his ability to drive really well, but also he gets better resources by being friendly with all these towns that have resources. And they thank him by giving him water and gas and clothes and stuff for his car. As a bribe basically, hey, pay more attention to us than the other towns. And so when the bikers start cutting into his cut by. By stealing resources from these towns and you know, him not getting there in time, then that's what's really pissing him off. You know, that's what's really motivating him [00:17:00] is like, Hey, you're cutting into my stuff here. So it's less about the world fully falling apart. The cities are still, industrialized and still working and functioning. Though poorly, a little bit dystopian, but the middle America looks like the post apocalypse just because everybody's escaped. Pretty much everybody's gone to the coasts. There's nothing really left in middle America anymore for anybody. the crops have died, like the resources have dwindled, Thandi: Yeah. Yeah. And taking it to America is probably a better move anyway, like maybe not explicitly so. But I feel like there's enough regional culture in the Mad Max movies that doing something that you're a little bit more familiar with might be a better. Hobbit: And it being set in Australia was because that's, George Miller lived , like, so it doesn't have to be Australia necessarily. There's nothing Australia centric [00:18:00] about this story really. Thandi: Except for all the the Fosters billboards in the Hobbit: Right. Australian for post apocalypse. So yeah that's my take. Middle America centered mad Max movie with. Yuck. Yucks and action. And explosions and craziness. Thandi: I'd watch it. And it's . It's about time to bring back the the aesthetic. Like of course we had Fury Road as George Miller's modern vision of that, but A world of post-apocalyptic leather daddies that populated that Mad Max era . It's time to bring that back. I'd love to Hobbit: And I, there's only so much further you can go in the post-apocalyptic world of Mad Max after Fury Road, because then it's just dust. There's nothing there's barely anything left in Fury Road. Resetting it and bringing it back to where there's ghost towns, they're driving through these ghost towns and there's small populations of people and there's still some level of government, working, giving resources. [00:19:00] Highway patrolman, basically. And, the best way I can explain it is it's when shit's done, there's no going back. The society is collapsing as they speak. Everybody knows it, everybody's aware of it. Everybody knows they got maybe 10 years tops before even the police are gone. That it's that level, but nobody's willing to admit it. It's like when in 2008 when I worked at Blockbuster, everybody knew that Blockbuster was going under, every couple of months another store would go out of business. But we all just pretended that somehow there'd be like a turn that we'd be fine at some point and we just of went about our business until, you know, the store went under. Thandi: Red box is bs. Nobody's gonna use a Hobbit: We just gotta Thandi: box. Netflix, Hobbit: in there just a little bit longer until this fad blows over. So that's this world of Mad Max is people out of not having other options, barely hanging on, hoping that something changes Thandi: Yeah, not knowing that the world is going to descend to the place where the only three assets left [00:20:00] are bullets, gasoline and titty milk. Hobbit: That sounds like a good weekend right there, Thandi: maybe Hobbit: Yeah. Yeah. Thandi: Ah, I did something interesting with my take, I guess, So my take is basically based on me diving down a rabbit hole, mad Max influenced a bunch of like 1980s anime, like just Mel Gibson in general influenced a bunch of 1980s anime, but basically it influenced it so much that like anime style, mad Max has already been. Many times over. So going down that rabbit hole, I was like we're doing a big budget movie for an American audience. What's big budget? American animation. There's Disney and there's Dreamworks. So basically my Mad Max is an animated movie from Dreamworks, Hobbit: Okay. Thandi: Cars via Dreamworks. [00:21:00] And it's It's basically a bunch of chases that climax in the big race for it all or whatever kids movie. No, I take that back. All a family movie, so everybody gets to be Hobbit: So there's some winks to murdering a wife and child and stuff, but not like overtly to. Thandi: It's, yeah. There'll be violence, but it's like violence that you never see. Like people can die in a cartoon movie. You just can't see the body hit the floor. So, my Mad Max Dreamworks movie takes place in Arizona. Max Rocke Tansky is the best pursuit cop on this stretch of of highway in, in Arizona. And he is got a big head about it and it's about him finding his way to appreciate the love of friends and family and working as a team, you know, kid movie stuff. But for everybody. Max Roski, Chris Pratt. Why Chris Pratt? Because Chris Pratt is the universal voice actor for everything right [00:22:00] now. So my Max Roski is Chris Pratt. He will not be doing a gruff anything. He'll just be doing Chris Pratt like he does anyway, except when he is playing when he did that movie for Amazon. Hobbit: Oh, the tomorrow war. Thandi: goose. Yeah, my goose. I just needed a side kick. Character. Who's the best sidekick in the history of man and who's also like a really interesting voice. John C. Reilly Hobbit: I knew you were gonna say John C. Reilly. knew it when you said sidekick. Yeah. Thandi: Yeah he's the sidekick John C. Reilly in, in this take goose still dies, but you don't see him burned to to. Where Max is like, what Hobbit: Where Max does the Ooh Thandi: goosey Hobbit: face as he pulls the sheet up, Thandi: Oh, it's so early days for his acting. It's fine. It's fine. Jesse Roski, the wife is still his wife in this movie, but she's also on the highway patrol. She's part of the [00:23:00] action. Their conflict comes into the fact that he wants to be a lone wolf and she wants to teach him how to work better with the team. Kristen Bell is Jesse Ros Hobbit: Okay. I see it Thandi: cuz she could be sweet and convincing Hobbit: a little agro when need be. Thandi: Yeah. Roski Ski is no longer a child. Sprague Rockat. Tansky is a talking. And the actual direct partner of Max Rock Osky, doing the ride alongs and pointing down the suspects and saying, Hey man, cuz it's Kevin Hart. Is Sprague Rock. Hobbit: Oh, no. Like talk, like I. That's racist. I don't know how it's racist, but it's racist. I think there's no way to portray Kevin Hart playing that character without it coming off kind of racist. Thandi: As Sprague Rock Osky. He can't be like Brian, the dog for Max Rock Atki without [00:24:00] being Hobbit: You you know how they would play Kevin Hart in that role though. That's the thing. There's only Thandi: Yeah. But that's actually Kevin Hart. That's how Kevin Hobbit: I'm Thandi: Kevin Hart. That's on him. Me too. That's what makes it great. The tow tremor, so the Hobbit: The tow trimmer. Thandi: Yeah. The Hobbit: no. That's brilliant. But God damn it Thandi: is Keefer Sutherland cuz he is got the ultimate like, hard ass, bad guy voice the cold. Wonderful for a kids' movie, perfect villain Hobbit: If you haven't seen the movie Freeway with uh, Keer Sutherland. He plays like the big bad wolf type character of like a serial killing like dude. And he does this kind of like voice. I can picture that being the perfect touchpoint for him to play this role. Like of the kind of growly. Thandi: Or his take on a solid Hobbit: Yes. Thandi: cuz he was, he replaced David Hader on that game that people were like, oh, it's not David Hader. Zunti, his his second in [00:25:00] command is, No longer a person. That's a dog too. But that dog can talk. And that talking dog is Patrick Warburton. Is Zanetti in this Hobbit: So Kronk's new, dystopia uh, okay. Thandi: Yeah, he's the henchman. He's henchman number one. Henchman number two, Kini. The guy who loses his hand. And yeah. That's James Fran. So James Franco is is guy number three, the police captain or whatever of the station house. The boss is Brian Cox Hobbit: always a good Thandi: and they're all just, yeah, they're all just trying to reign Max in Goose dies, wife lives tow trimmer. Ends by not getting hit by a truck, but by driving off of a cliff Disney style. So he dies. You don't see the death, but characters falling off a cliff is like animated kids movie tradition. Uh, That's how he does Hobbit: noise as Yeah.[00:26:00] Thandi: and like a, just a sickening splat. Yeah. That is my version of of Mad Max. Hobbit: choices were made But it does beg the question, like, why aren't there more post-apocalyptic cartoons that really, I feel like cars kind of could be perceived that way. And then there's Wally, and then that's it. Like that's pretty Thandi: You get something like, I don't know I don't know about a post apocalypse, but Treasure Planet or a ladin where the heroes just in dire straits. Hobbit: Titan ae, I guess would be post-apocalyptic, or at least for Earth. Yeah. It's literally after Earth is what it stands for. Yeah. I don't know, I'd go see it can't be too judgmental on something where like, yeah, day one I'd be there watching it being like, what the fuck? Thandi: I'd be curious enough to look up the reviews, but yeah, Hobbit: nice . Yeah, Thandi: the audacity, why are you making this movie cause Hobbit: because money. All right. With you saying Brian Cox as well for your thing, I'm [00:27:00] just thinking a mashup for Mad Max. I would love to see Super Troopers three being in the post apocalypse where they're still working the highway patrol, but in a Mad Max type fashion, would be fucking great cuz Brian Cox, he. The boss in Supert Troopers, so yeah, that would be brilliant. Thandi: So, a couple fun mashups. Mad Max in weird science, like in that scene where Kelly Le Brock brings like the the Road Warrior style mutants to their party. At the end of the movie, she also brings Max, and then she ends up hooking up with Max instead of the nerds. Um, , And Mad Max and Waterworld. Where the the Mariner finally reaches dry land, but the dry land is Australia, and so he's in the jurisdiction of Max Rocke Tansky, now Hobbit: I I would watch that movie. 100% Thandi: Desert versus Duff Sea, Hobbit: Mad Max Fury, tsunami. I don't know. Yeah. Mad Max Tsunami. Okay, so we've [00:28:00] got two very different takes on Mad Max. Both of which I think we would probably be murdered online for even suggesting so Perfect. Perfect for us. Um, And now we're doing the trailers, so let me get that. From the director that brought you Crank one, crank two, and Ghost Rider. Spirit of Vengeance is an American take on a cult classic Meet Max. He's mad. Played by Stephen Yon and he'll stop at nothing to take down the toe cutter crew and restore order to the Midwest this summer Max. Loses his wife Jesse, played by Darcey Carden, and him and his buddy Jim Goose, played by Christopher Maloney are wiping the streets red with the blood of their enemies. With the help of Fifi, their boss, played by Terry Cruz. They go up against Tommy Flanagan as Bubba Zanetti, Nicholas Cage as the leader of the toe cutters, toe [00:29:00] cutter, and hijinks ensuing. Burnout. Fuck boy. Pete Davidson. As Johnny the Boy. Are you mad? You will be with this remake Mad Max America Road. Thandi: Oh, I didn't give my director actually. Before we continue my director was Clarence William, or I'm sorry, Chris Williams. Clarence Williams is somebody I went to high school with Chris Williams, who directed Big Hero six and the Hobbit: man. Both of those are really, I didn't realize it was the same director, big hero of six I love that movie so much. Sea Beast was better than I expected it would be. Thandi: Yeah, I've heard nothing, but I haven't watched it all the way through yet. I started it and I got distracted, but it's on the list because I've heard nothing but good things about it. I heard, I've heard it's Hobbit: Yeah. With directors for animated films. I that that's a thing. Like you, you think of directors like directing live actors, you know, but I'm sure there's plenty that goes into directing Lincoln animated film, possibly even more than a regular film. There's amazing director like Brad Bird who did the Incredibles movies [00:30:00] and stuff that did Directors of animation, but I never really think about it. Thandi: Yeah. Those guys do some some amazing work and they have to entertain a larger audience than many other directors do. So they have to get their lesson in there, keep the parents occupied, keep the kids occupied. It's a. An interesting juggling job to pull that together. speaking of entertaining an audience we've got your take next for your trailer I hate it. Hobbit: So let me light it up. You ready to roll? Let's get this car on the road, I guess. Thandi: From Chris Williams in Dreamworks. It's a movie about what happens when you're too good at what you do in a world that's not Chris PR is Mad Max Rocke Tansky the best cop on the Arizona Highway. His wife played by Kristen Bellis, Jesse Rocke Tansky, and she just wants him to make friends. Sprague, his [00:31:00] dog is Kevin Hart. Cutting up and having fun on the highway is a fight keeper. Sutherland's tow trimmer and his boys, Patrick War Burton and James Franco. As they try to win the big race, but are they good enough to win the big race? And does it matter when The most important thing on the road as having the drive to be the best, to take it all on your own, even when it threatens to drive away you from the only race that matters, the race to be the best of friends. Mad Max, the best of friends coming this summer. Hobbit: Friend Road Um, I, yeah. Fuck it. Yeah, let's make this kid's movie. I, I'm, I, you know what, you changed my mind. I am on board with this yet to get another banger from Tandy in the, in the Wackadoo category. So [00:32:00] Wackadoo. Hell yeah. This was a blast. I am really glad that I got a chance to rewatch Mad Max. It's one of. The road warrior is so good. Like the sequel is so, so good that I sometimes, Thandi: And that's the one that everybody has seen. That's Hobbit: yeah. And so I forget sometimes that Mad Max is still very good. Like it's a really good starter to this universe that gets created Thandi: Yeah. Hobbit: and then you throw in Thunderdome and just have a like silly blast. Thandi: And, but none of them have what Mad Max has, which is the Hall of Justice. Hobbit: I forgot yet. Thandi: They like an old abandoned cement factory. That's the Hall of Justice, and that is awesome in itself. Hobbit: Not just genre, but he permanently changed the way people did dystopian Futures with this movie. And it was basically because he was in the outback of Australia and he had access to these abandoned buildings and he's like, great. Yeah.  Cool. This is what it is. Like this is the police station and yeah, it's like a cement plant or something. Great. No Thandi: Yeah. No, he's he was inspired and they didn't run over the [00:33:00] kid, which was also inspired. That brought me in more than any other scene in the movie. Were the kids out in Hobbit: Oh, right, yeah, yeah, Thandi: They're driving. They're driving. I was like, he was, this movie's kind of crazy, but they're not gonna kill this kid. Whew. Hobbit: pet cemetery. This is not, Pet Cemetery is like, fuck that kid. Thandi: Oh, guess we'll need to add that one to the list too. Actually. That's already been remade. Hobbit: Yep. Terrible remake, unfortunately, but at least compared to these bangers that we brought on this episode here, think Mad Max needs to go a new direction, with some of our choices here. Thandi: Hit us up. Hobbit: we're ready and waiting. So speaking, of, waiting, we're waiting for you to follow us on social media, Facebook, Twitter.  Just follow geeks of the influence on Instagram, Twitter, you've got me and Thandi on Twitter. We've gotta smack my pitch up. uh, pitch smacked on Twitter. got Facebook keep track of when episodes are coming out. We'll let you know when there's cool stuff happening. Maybe some live event. And, yeah, it's a great way to get all the pitch smacking that you could ever want. Thandi: [00:34:00] Yeah, All All smacked all day long. Oh it's got a rosy glow Hobbit: from all the smackings. So on that uh, yeah, re review, subscribe, post on socials, let people know how cool this show is and how bad our choices are. But that's half the fun. Gotta thank Of course. Tandy, thank you so much for joining me on this. Thandi: Thank you, sir. Hobbit: I'll find you next time. Thandi: I'm Thandi. Hobbit: and you just got pitch smacked, Thandi: Hey, pitch another smacking shrimp on the Bobby Hobbit: mate. Good day. Good day. Thandi: Fosters it's pitch for smack. Hobbit: Jesus.

Our weekly recap and preview for next week features AMC Entertainment Holdings, Endo International, Reverse Mortgage Funding and the Zantac multidistrict litigation. This week, with borrowing rates hovering around 30-year highs, we feature a replay from The Reorg Primary View series, where Christopher Maloney, mortgage strategist at Bank of Oklahoma Financial, and Reorg's James Holloway discuss stresses in the housing market, mortgage lenders and Fed policy. If you are not a Reorg subscriber, request access here: go.reorg-research.com/Podcast-Trial We're looking for feedback to improve the podcast experience! Please share your thoughts here: www.research.net/r/Reorg_podcast_survey

In this week's episode of The Reorg Primary View, Christopher Maloney, mortgage strategist at Bank of Oklahoma Financial, discusses stresses in the housing market as borrowing rates hover around thirty-year highs, mortgage lenders and Fed policy with Reorg's James Holloway. If you are not a Reorg subscriber, request access here: go.reorg-research.com/Podcast-Trial We're looking for feedback to improve the podcast experience! Please share your thoughts here: www.research.net/r/Reorg_podcast_survey

This week Christopher Maloney of Practice Warriors, studio/session musician and award-winning songwriter stopped by the studio and had a great chat with us about his career, his website Practice Warriors and so much more. Practice Warriors can be found at the following links: Facebook: https://www.facebook.com/practicewarriors Instagram: https://www.instagram.com/practicewarriors YouTube: https://www.youtube.com/channel/UC-PlmCLxuC6wirC2X-ZjVaA Website: https://www.practicewarriors.com Christopher Maloney can be found at the following website: Website: https://www.christophermaloney.com Enjoy his music on Spotify, or you can find him on the 561 Music Playlist we created of various local artists that we will be continually updating. Looking for his solo material? Just search the CDs "Control" and "The Terrors Of Intimacy" on all streaming platforms. You can check his discography on his site for other session recordings. Please note there is a singer from the UK with the same name as his who has released a couple of singles. 561 Music Playlist: https://open.spotify.com/playlist/7y2i0AgJTGRMtxMADgZ7AZ?si=Zp77sqBTuewWTDouxH2g 561 Music Links: Facebook: https://www.facebook.com/561musicpodcast Instagram: https://www.instagram.com/561musicpodcast Twitter: https://twitter.com/561musicpodcast YouTube: https://www.youtube.com/c/561musicpodcast A huge thank you to our sponsors this week. BAK MIDDLE SCHOOL OF THE ARTS FOUNDATION The Middle School of the Arts Foundation's is a 501c3 organization whose mission is to raise the funding needed to provide Bak Middle School of the Arts with the resources, opportunities, and experiences required for the highest quality arts enriched education. BAK MSOA is inviting the community, to learn about and experience the arts at Bak MSOA.* Three DIFFERENT Programs to Choose From (A Ticket Required for EACH Specific Program). Each program will highlight student performances as well as the featured art area's state-of-the-art facilities. *Audition process/questions will not be addressed at Fall in Love with Bak, hosted by the MSOA Foundation. For audition information/questions, visit msoa.palmbeachschools.org or contact Magnet Coordinator Lee Glaze. General Admission Tickets Available online only and required for admittance - Doors open 30 minutes prior to each program. Due to traffic and parking, guests should arrive 20 to 30 minutes before performance time . All tickets are non-refundable and non-transferable. Guests attending multiple programs must exit venue and re-enter when doors open for the next program. Bak Audition Guidelines are currently posted on Bak's School Messenger Page - MSOA.palmbeachschools.org. OASIS ROOT COFFEE AND KAVA LOUNGE Oasis Root Coffee and Kava Lounge in Jupiter is a fun, relaxing place to come by drink kava, java, or tea, and hang out… South Pacific Style! Open daily from 8am-1am. Located at 185 E. Indiantown Rd., Suite 111, Jupiter, FL 33477. LIVE MUSIC COMMUNITY Thank you to Justin and Live Music Community for all they do to make our podcasts as professional as possible. If you are looking to do a podcast, record an album, do a live stream, or anything of that type, Live Music Community is the place to go. LMC is also a music school that takes it up a notch by not only teaching the foundations of music theory and songs on instruments and vocals but also teaches the students the full band experience. They team your child up with like-minded individuals who then go on to play shows, do live streams, and learn the dos and don'ts of being in a successful working band. You can find them online at https://www.livemusiccommunity.com and on Facebook and Instagram @LMCFlorida 561 Music Podcast was recorded by our producer Justin Hucker at Live Music Community, which offers podcasting, video production, live stream, music lessons, recording and so much more. Check them out and take a virtual studio tour here: https://www.livemusiccommunity.com Special Guest: Christopher Maloney.

You would think Kayla would be SUPER into the idea of a naked Christopher Maloney on television, but instead she has some safety concerns for him. 

A new season with an old guest, Christopher Maloney! Chris joins the show to talk about his new podcast "Hooked!", an in depth look at the 1991 classic "Hook" starring Robin Williams, Dustin Hoffman, and Julia Roberts. Now, let's fly by the second pod to the right, and straight on till morning! Find Chris online https://www.christopheralanmaloney.com/ Twitter: @MaloneysMovies

This week, we sit down with filmmaker Christopher Maloney (@MaloneysMovies) to discuss his past work and his newest project: Knowing Andy Kaufman.

This week, we sit down with filmmaker Christopher Maloney (@MaloneysMovies)to discuss his past work and his newest project: Knowing Andy Kaufman.

Brian welcomes filmmaker Christopher Maloney to the podcast to discuss Harold Ramis's mob comedy. Released on November 28, 2019.

Brian welcomes filmmaker Christopher Maloney to the podcast as the two discuss the religious support of Donald Trump he looks at in his documentary. Released on May 23, 2018.

Rich Redmond is one of the world’s most influential and in-demand drummers who has worked with the “who’s who” of the music industry. A successful entrepreneur, Rich is a true “renaissance man” in the entertainment industry.  Rich has toured/recorded/performed with: Jason Aldean Garth Brooks Bob Seger Bryan Adams  Kelly Clarkson Ludacris Florida Georgia Line Keith Urban Trace Adkins Miranda Lambert Eric Church Cole Swindell Tyler Farr Thomas Rhett Michael Tyler Hank Williams, Jr Jewel Vince Gill Travis Tritt Montgomery Gentry Alabama Joe Perry (Aerosmith) Terri Clark The Pointer Sisters  Thompson Square Marty Stuart Thompson Square Parmalee Frankie Ballard 1,000 Horses Lee Brice Steel Magnolia Emily West OAR Phyllis Diller Steve Allen Lit Lindsay Ell Rushlow  Pam Tillis  Gene Watson  Susan Ashton  John Anderson  Doc Walker  The Roadhammers  Deana Carter  Jedd Hughes Patricia Conroy  Chuck Wicks  The Lost Trailers  Andi Griggs  Earl Thomas Conley  Hank Williams III  Mindy McCready  Robbie Nevil  Emily West  Jo El Sonnier  Jim Brickman  Deana Carter  Crystal Schawanda  Anita Cochran  Patricia Conroy  Earl Thomas Conley  Big Kenny  Stan Lynch (Tom Petty, Don Henley) Lila McCann  Michael Peterson  Ronna Reeves  Regina Regina  Lucy Woodward  Lane Turner  Crossin' Dixon  Lee Brice  Steel Magnolia  The Stellas  Hot Chelle Rae, and many others. Motivational Speaking Clients: Cisco Johnson and Johnson Hewlett Packard Microsoft Presidio Embassy Suites Hard Rock Hotel Katalyst Technologies Sigmanet Information Transport Systems School Of Rock Rock N Roll Fantasy Camp Herff Jones Omnience Hershey Park The Arts Institute Grammy Camp Active Data Comm Education: Bachelor of Music Education, Texas Tech University, 1992. Master of Music Education, University of North Texas. Teaching Certificate, State of Texas 1993. Rich toured with the 1:00 Lab Band, the most prestigious collegiate jazz band in the world. On the radio: Rich has recorded 23 #1 hits you hear on the radio every hour on the hour around the world. Hits like “Big Green Tractor” and “She’s Country” helped pave the way for a new sonic brand in music and have earned their place as radio classics. On the video: Rich has appeared in 20 #1 music videos on networks like CMT, GAC, AXS TV On stage: Rich plays to sold-out amphitheaters, arenas and stadiums around the world to over two million fans per year! Rich has played sold out shows at the most iconic venues in the world: Madison Square Garden, The Hollywood Bowl, Fenway Park, Wrigley Field, Red Rocks, The Gorge, Texas Stadium and most every Major League Baseball and NFL Stadium. On TV: Rich has appeared multiple times on hit tv shows like: The Voice, American Idol, The Grammy Awards, The Tonight Show (with Leno, O’Brien and Fallon), The Today Show, Conan O' Brien Show, Jimmy Kimmel, Craig Ferguson, Good Morning America, Ellen, The CMA Awards, ACM Awards, CMT Awards, ACA Awards, The People’s Choice Award, etc. As a host: Rich hosts his “Pick Rich’s Brain” Podcast on Itunes, Google Play, Stitcher and Youtube. Awards: Rich was awarded “Country Drummer Of The Year” 2015, 2017, 2017, 2018 by Modern Drummer Magazine, the world’s most widely read drum publication. Producer: As a music PRODUCER, Rich has helped popular radio acts THOMPSON SQUARE and PARMALEE garner 3 #1 radio hits which included the most played song on country radio for 2011, “Are You Gonna Kiss Me Or Not”? Author: Rich’s book “FUNdamentals of Drumming For Kids” has a 5-star rating on Amazon and is a best seller in 5 countries. Rich is also a regular contributor to magazines such as Modern Drummer, Drum!, Rhythm, Music Insider and many others. Songwriter: Rich has had #1 songs with the Australian pop-country band "The Wolfe Brothers"....entitled "You Got To Me", "That Kinda Night" and "When I Was The One". Educator: Rich has appeared twice as a featured performer/speaker at the prestigious Percussive Arts Society Annual Convention. Rich is also a popularly featured artist with collegiate ensembles, such as The University of Northern Iowa, where Rich’s drum set was placed on a moving riser with a 400 piece marching band. -Rich appears regularly in trade publications and interviews discussing the value and importance of music education in America. Other clients include: Musician’s Institute in Hollywood, The Los Angeles Music Academy, Belmont University, The School Of Rock, Rock N Roll Fantasy Camp, The University of Texas San Antonio and many others. -Rich was the drum set professor at The University of North Alabama for the 2017-2018 school year. Actor: Rich is an active on screen and voice actor in Hollywood and the Southeast markets. He can be seen playing the role of “Lieutenant Paxton” in a new horror film called “Reawakened”, an over-caffeinated radio DJ in “All Light Will End” and a copy of SYFY Channel’s hit show “Happy”. Product Design: Rich has designed specialty products for global companies like DW Drums, Promark Sticks, Prologix Pads, Gator Cases and Humes and Berg Cases. Link to products: Rich Redmond SIGNATURE ACTIVE GRIP 595 Drumsticks: http://www.promark.com/pmMediaDetail.Page?ActiveID=3906&MediaId=10355 DW BLACK SHEEP Beater: http://www.dwdrums.com/factoryaccessories/fa.asp?sKITNAME=dwsm104W Mentor: Rich teaches musicians in one on one and group settings to help them further their skill set, confidence and career opportunities. Rich uses the MEETHOOK app to mentor drummers and musicians around the world. Expert: Rich is frequently called upon to lend his expert opinion on the subjects of music, motivation, marketing, and success. Alright, guys, this is gonna be a really, really, really fun episode. You know, I'm having a lot of fun with bringing so many different guests on here. So this would be a little bit of a twist. Today I'm bringing on you know, a musician from the Nashville scene and, you know, so I'm sure I'm gonna bust his chops about being a drummer. So that'll be fun. I'm sure he's caught his entire career but you know, so I'm bringing on Rich Redmond. I'm Donnie Boivin. This is Donnie success champions Rich buddy Welcome to the show, my friend. I've played drums for 42 years. I'm originally from Milford, Connecticut. So I'm a little New England boys and the first 10 years of my life there fell in love with the drums my dad ended up moving to El Paso Texas when I was 11. He did that for 20 years and he ran the factories that made Victoria's Secrets underwear. Ladies just sewing underwear all day across the border. And then and so that was a great thing for me because Texas has a strong culture of music education, the great state of music, education, very healthy scenes. So I kind of, you know, nurtured My, chops, and my musicianship there ended up going and getting a master's degree from the University of North Texas, the Eagles you know, those are actually the Eagles were formed. Then in 1997 I moved to Nashville, Tennessee, and so I'm celebrating I don't know 23 years so of navigating the Music City, USA and so yeah, and so, since day one, I've been playing drums for a country rocker Jason Aldean. Just, I just celebrated playing drums on 25 number one songs which are really fun. We're working on our 19th record, I should know. Finishing that up, and then we'll have enabled and had a nice tour this year. Then we'll probably get into some other things. But I just have embraced the entertainment and education fields and I do some speaking. I author I, I do a little voiceover and little acting out here in Hollywood. I like to mentor and educated from camps, produce records, write songs, I'm in the game of entertainment and just have just love and light and that is awesome. That's awesome. I mean, Louis last night, I went to my niece, she plays saxophone or high school. And they this whole for a program that started off I did the drum corps. Yeah, that's what I was going through high school. You know, you know, a couple of guys banging on drums. Nowadays. It's like an entire flipping show. It's insane what they're doing with you and these kids into it, it was that you know how you could jump to this whole thing with your high school into the game? Yeah, it was a fifth grade I was actually in 1976 or 77. I was you know, six, seven years old and I was listening to kiss records and may I was restless my parents got me drum lessons I was studying with a guy in Connecticut and so I got some skills together and so then when I was enough hasn't tenses and they join the fifth grade band was already headed the other kids, but I knew that while I have this cool skill, it was an icebreaker people were interested in he was a way to be socially acceptable, you know, and that awkward period of your life especially when going into high school and stuff. And so it was great. It was you know, it was my calling, I recognize that and 93 police came out with a record called synchronicity and then the very next year, Van Halen came out with a smoking Angel on the cover of a record called nice name for and I just resonated with me and I said, this is what I'm going to do with my life and then I didn't know About Malcolm Gladwell and the 10,000. Our theory of mastering a craft Matter of fact is so funny. I was in my favorite West Hollywood eatery the other night, and I don't get starstruck, but Malcolm Gladwell was ordering a drink next. He's a very unique looking individual. But, you know, five best sellers. I mean, his books they just full meaning, you before you know, you've learned so much the book is over. What what I'm a big fan out over that I wanted to be like Malcolm high five. You're not supposed to do when you read but I didn't. I just walked away. I left them. But I didn't know about the 10,000-hour theory at that time, but was, you know, I was passionate about it. So when you know you're passionate about something, it's so easy to work hard, and the harder you work the more successful in attracting yourself. So I have already had those wheels in motion roses, living and breathing drums and I continued that all the way you know, never missed a meal man. You know, I mean, there were some hard times and you know, I had some rough day jobs. I was a courier. I did construction. I was a waiter. I was a kindergarten teacher, substitute teacher and schlepped drums around all around the planet and lugging suitcases. I figured recently that I haven't unpacked my suitcase and 22 years I've been living out of a suitcase The only time I truly unpack is when is when at the end of the year or currencies and as usual over in October and I'll and I'll literally I will just take everything out of the suitcase and put everything away even though I know I'm going to be putting things back in there to go do freelance things are speeches, but I touring cycle now has become like the beach or April through October, which is wonderful. We do about 60 shows a year. But we used to do 225 shows early days about being like in 2004 2005 2006 we lived on the road was just it was incredible. And then that's a wild lifestyle to I mean, so how did you go into the national scene and how did you hook up with Jason Aldean? I mean, was it a tryout, was it a call? Or would you guys just have me drinking the same bar? And so let's put this together. Yeah, it's funny to hear people's stories and see how they're 16. Another success comes together, but it's the perception of the music business, is that it's an audition based industry. And I think that, you know, 99% of your guests are going there that are all speaking on success, are going to say it's about human relationships and interacting with the owner, championing each other and lifting each other up and having birds of a feather come together and I was playing in a band with a guy named Kurt Allison, who was our guitar player to this day. And so I've been playing with him for 23 years. I had a gig with him and his dad in a band called The Blues, other brothers and we had like a review. We did like Motown, Stax Records, kind of things. I'm working, you know, Dennis, Dennis, that, all that stuff and then he introduced me to this guy named Kelly Kennedy to who's our bandleader and our bass player to this day, totally Kennedy's Uncle was was writing songs at Warner Chappell Music. Michael Knox was the VP at Warner Chappell music and who is Jason's producer to this day? Michael said we need a band totally said Kurt you know a drummer champion me we brought the three of us together and it's like you know can invert you put your peanut butter and chocolate just worked in like to this day you know i don't know we had I guess when I too many Irish Coffee is what we call ourselves to three kings and him kind of branded ourselves that way about those three knuckleheads that went every were together for a decade and we ended up just playing with Jason Aldean become great friends which are not being so it was. Yeah, I think I had to have it was there was a loose audition which means learning material going in knowing the material it was given. I was going to do a good job for them. I did a good job for them but they wanted to see if I can, if we can all you know it was going to link me because when you're living this lifestyle, your arms Stage, maybe two hours a day and there's another 22 hours a day that you're writing a 45 foot two. And you're sleeping on airport floors and, and I'm about to put out a book next month called Crash Course for success and literally one of the photos is all of us crashed out on the airport floor. And the and the caption is, you know, touring is hell sleep cycle. That's kind of how that all came together man and a very organic human relationship based way. And the music industry is not for the faint of heart. It's you know, it's tough on relationships. It's been tough on health. So it's nice to be able to go through such an industry with like-minded people that you finish each other's sentences and you're part of each other's you know, wedding parties and look for sharing it almost like five presidencies later and met a few gray more gray hairs later too. And yeah, this is my choice and I was I had Lot of wives and girlfriends that were a hairstylist and so it was pretty easy to get my hair pink and black. Right? On vacation recently I just said I'm gonna let this go. And when they fill my wife, man, I'm not getting gray hair thing. This is Chrome is. But you know and a lot of people look at like the music industry or the acting industry of all that and they always around this whole thought process of this overnight success type thing. And, you know, doesn't matter how many times you tell them an overnight success is a myth. Right? There's a lot of damn hard work is a lot of friggin late nights at airport floors and everything else. I mean, how long were you in the game before you felt like okay, I'm finally you know, in my rhythm and things are working. Yeah. Well, my story was I moved to Nashville on a Tuesday with a box of 400 cassette demos Rich Redmond percussion. And I was passing these things out everywhere and I had little before then you would have like a folder and it would have all your press clippings in it and it was so archaic and you know, I always had a, you know, a VISTA print business card that was a pretty savvy self-promoters still to the day, you know, no one is going to champion you like yourself and I want you as much as yourself. So you have to be polite, be persistent, and maybe have some luck along the way, but luck is just being prepared for those opportunities, and also giving yourself a shot to be successful in the music business people like can I do this from Des Moines, Iowa Can I do this from Tallahassee Florida know you can really only be in three places you know, and New York City really has kind of become you know, you do Broadway and then you can play weddings, environments were you know, make pretty good money. live out in Long Island come into the City, Los Angeles, you know, I'm here a lot. I have a love affair with Los Angeles like your business out here. But if you're not doing music for TV and film, and you don't have a big touring gig, the actual music scene Los Angeles really isn't the healthiest. And then you have a place like Music City, where people are like, Well, what about Austin, Texas? Austin's great. It's great there's a lot of great live music going on, but it doesn't have the big machine, the infrastructure of, okay, song was written at 10am on a Monday, that song has to be demoed up. And so there's a group of musicians that play on the demo, and it's a play on the record in a live band has to be put together and then around that you have tour managers, graphic designers, web designers, truck drivers, caterers that whole industry, there are so many jobs and handle feet and you need all those things to make that Taylor Swift show work and as she called her label big machine, because we have the big machinery that infrastructure that doesn't exist. But you know, and I'm glad you brought that up because a lot of people are looking at it as you know, I sing I played drums I play guitar, I'm just going to show up and it's going to happen. Yeah, you know, it's, it's a production. I like the term big machine. You know, it's really an amazing name, you know for, for the label but know your skill set is having an extremely an incredibly well put together cultivated skill set is an expectation. The other thing is giving yourself that chance to be successful, which is going to a place like Nashville, Tennessee, and then getting out and shaking hands and crashing parties and letting the world know you exist because there are some amazing drummers Are you better than me? They're playing their mind space. But you have to take your music to the people you have to connect with other people. Those gatekeepers, especially someone like a drummer is only as good as, as the people that are surrounded by a really strong and important and powerful position in a band. But usually, unless you're like a deep Grove was writing all the material, you know, we're only as good as the person that you're surrounding yourself with. So my story was I moved to Nashville on a Tuesday, and by Wednesday, I was I had a gig on Saturday night I was playing with like a corporate band and you know That you're playing, you know, jazz and the salads coming out. And then you're eating the main course and you're playing Motown by the end of the night everyone's been interrupted lip clapping on one and three and dancing to discuss something for the 70s. You know, and but that was great because that's what opened my door to my Nashville. You know, the family tree of shaking this person's hand, they champion me, they recommended me to someone else. And it's still happening to this day, and you're never done paying your dues, because I never want to be that guy that says, I've made it. I know everyone in the industry. There are new people coming to Nashville all the time. And what I do is I need that new talent. And now I'm on the other side of the business where you know, if you're a national long enough, eventually started writing software, producing records. I opened up my own record label, I have a record label 1225 label group. And so so now I can nurture you. Right and i and i, and through my eyes and my experiences, I can give them positive streets and be an artist, producer and Label Label. That's awesome. Well, keep your eyes and Fort Worth Texas because there's a lot of awesome local musicians coming out of here right now. Yeah. So, so, you know, what was it like, you know, up there performing with a guy like Jason Aldean and depending on some circles you love me or hate them you know you know what was it like being up there playing for massive crowds know live in that that rock star life with the spotlight the the craziness that happens on the road because I have some buddies in the game. I know some of the fun stories, but you know, what is that what it was? Was that like that experience like for you? And it's my happy place. I think that you know, I was, you know, had these calling these columns in life and you know, I think, my God my house, my higher power gave me this talent and I was respected enough to nurture it molded and then Be able to have that connective tissue, the connective tissue are all the guys in my band or allow us to express ourselves and I think music is one of our highest forms of communication to get you to know, it transcends all cultural barriers language barriers, and but know when I'm up there and Pyros going off and see I mean that is just like my goddess energy and receiving energy and I'm putting out energy and I always tell my students I say look if you want to send your energy not to the person per person there in the in the expensive see if they're already the true believers you have to go to the cheap seats in the guy that was dragged there by his girlfriend you make that guy who believes that my goal is to have that guy go home that was on the fence and no man has ever seen in my life. Have you got to say it that voice mail it was my attempt at a southern accent but no, it's it's I don't want to say that the drums to find me but it's such a it's such a calling when I'm when I see a set of drums even like I'm going to look up a nightclub or I'm at a wedding or something, there's a set of drums in the corner to focus on that man, I want to go play those drums. You know, it's just a, it's just calling so when I'm on stage, it's like Dude, I meant to do this and then it's like a drug and you're always looking for that next opportunity to do that. See? You same thing when you're speaking but that's how I feel when I'm on stage speaking is you know, you know it said that I want to hit the people that are in the back the one that was guys know that you know that the skeptics? Yeah, those are the ones that I love that it's a thing for you when you're here. Yeah, and for me, it's it for me when it comes to speaking. It's not so much the power of the words in the concepts I'm saying because my when I speak on my craft concept, commitment, relationships, attitude, skill, and hunger. It's basically a way of reminding people, yeah, you can have your corporate philosophies, you can have your, your PowerPoint, and you can get lost in all of this corporate stuff. But lets I just I'm there to remind them everything I need to know in life I learned in kindergarten. I know basically keep it simple and work on added do everything. You know, like, maybe a relationship or power or you know, I wrote an E-book called five keys, the drumming success, you know, so people can remember it. But for me, it's really like how I am articulating the message. It's almost people like what is your event of about? I said, Well, just picture like an animal from the Muppets. And Robin's means Jerry Lewis, right. So it's like, it's almost like I want to present this in like a very energetic fashion. I'm sweating. I'm pacing. I'm cracking jokes and playing the drums. And then I'm speaking to the drums and I'm speaking and so it's really it's like how I'm getting people that information because I don't know. We went Get people too much credit like I tell people all the time you know people hear music with their eyes most people don't know they're not really educated musically so so we have to give them a show give them or they can just listen to their mp3 right device and these little things right here it's like if you're going to spend all that money get a babysitter paying for parking grave the crowds by a $15 beer Dude, I'm going to make this a memorable experience. Well, and I hope everybody heard that because you have to, I mean, especially if you're going to make it in this day and age and whatever you're in, is I still remember there was an acapella show on TV. I one of the boys the men guys was one of the judges and it was a really really cool shit on there's a country music group that that one one of the episodes that's a completely acapella Country Music Group, Humphrey endings name the group but and, you know, I think was a second or third season. They had this colleague group on all acapella and they were The final episode and whoever won this episode one, the whole show. And the song was taking me to church, and it was done acapella. And, man, they had the littlest dude in their college. I mean, this guy if he was five-foot tall idea maze, and they said, No, we picked him to sing the solo in this because he's got that voice. Do this kid. I get goosebumps thinking about the kids singing. I mean, he's saying it and he, he left it all on the stage. And when he was done performing, then he dropped to his knees and pure exhaustion. That's how much you put into the song. I love it. And then that's stuck with me. Absolutely. I mean, even the voice and the game I wish I remember his name, but he was a judge looked at him because you know, that's why you just want because you put everything you had just in that song. But you know, I think it was Bon Jovi that said, you know, when you go on stage, you've got to perform like this is your last performance. So I always say that, yeah, go on stage. So this may be the very last time What do That's how I'm going out man. Right. But yeah, and just think about that amazing singer in a talent that he had and that commitment to his craft who knows he may be killing it in the industry right now from that initial push of success that he had with that show, or he could be back in the day job became still be moving back in and was parents I don't know. It's like, just having the talent is not enough. You have to mold it and then you have to get to a place and get this and gatekeepers that can actually allow allowing you to give you permission to do what you do. Because I've had some very successful people that I've known that have been raised every hair on my bottle of one girlfriend of mine that comes to mind that was just such an amazing singer and still is an amazing singer. But to create that emotional reaction from when I would play with her i would shed a tear every hair on my arm and stand up. So powerful and things really didn't work out to the extent that they should have and if there are so many other factors involved in cultivating success, long term in your life, Yeah, you know, I'm going through David Goggins book right now called you can't hurt me and do that guys bs but in his book, he laid out something but that once he said it, I'm sure I've heard it other times. It was the first time I heard it put this way when he says is the most time when people look at accomplishing that goal. They're sitting in their soft, comfortable house. They're sitting on their soft, comfortable couch, they're probably drinking in a very comfortable drink watching a TV show, dreaming about that life that could be, right. So it's very, very capable of doing. They're not thinking about and he's talking about running 100-mile marathons and stuff, right? And he's like, you know, people, like, I want to run a marathon. Well, you're sitting on your soft couch, drinking your soft drink, drinking, you know, that simple lifestyle, you're thinking about the end, you're not thinking about all the things that you got to do to go through it, to be able to get there. And it was it was it's the same thing with what you're talking about, is you've got to literally be thinking about where am I going through and then realize that you're going to have to go through a lot of crap, you know, into a lot of things to actually be able to get there and get lucky breaks and what I mean by lucky breaks and you said earlier is by putting yourself in the position to find and they look happy. Yeah, yeah. Yeah. Look favorite. Then they're prepared, you know what I mean? Right? And I use over preparation. I use over preparation and hustle as a business model like some, some people have found success at a younger age, some people have found success easier. Some people found success and it has gone away. Like my trajectory has been I've always had the raw talent. I hope that raw talent, I had a vision there were roadblocks there was a door slammed in my face. No, no, no. And I would get success and that will lead to more successes. And it was just the slowest of all climbs. And I'm still working on achieving all of my dreams. And and it's just been very difficult for me. It was not easy. There was a lot of no's and a lot of setbacks. But if you use those setbacks to fuel your victories will be rocking. So like for me, I wrote down my goals in 1997. When I moved to Nashville it was I will be a top call touring and recording drummer based in Nashville. It was a one simple sentence creates a sort of very succinct one or two sentences, that could be your mantra and put it in places where you can, where you can reiterate, reiterated every day saved yourself special before you go to bed at night when you get up in the morning, and I would do that and take all the necessary steps to make that happen. And so I started making a living, playing with various artists, hundreds of others, and maybe out of those hundreds of artists, maybe 10 are still in the industry in some way. And of course, I had to find my Jason Aldean and when I say my Jason Aldean, I mean, he's my he was my standings, my john Mellencamp He's my bar know, he's me, he's me, he's my Billy Joel. He's the front man that I could that I can hitch my wagon to and cultivate a long term career. I had to find that guy. I found, you know, but I mean was country music the direction you are always headed. You know, did you sound like you grew up more on the More the rock side of thing. I just tell everybody I'm an overeducated rock drummer Actually, I have experienced playing so many different kinds of music obviously I fell in love with the police's music, which is, you know, reggae and world-inspired pop rock and then I love you know just knuckle-dragging rock and roll like healing you know, and but I played like so I did the merchant Landry years and when I was in college I did steel drum ensemble world music ensemble, it was in the pep band that was in the jazz combo. I was in the new music ensemble, I was in the Symphonic Band, I was in this, the orchestra, anything I can do to play music is and I can read music and so I played every style of music under the sun. And when you mix all those things together, you can kind of create your own kind of style. And then the other way I was able to cultivate a style was having an outlet, like playing music on the world stage where were you know, God with Jason's music we mixed up the tune guitars and You know drop drop two guitars and drums and storytelling and kind of like restructured the fabric of some of the music making the game permission to like prefer like we're trying to do his thing and for Georgia line to do their thing and and then there are the rap elements and so just all my influences came together in this style and then and then having an encouraging boss like someone like Kaldi and his entire team Secrets You be the drummer you want to be you know their courage our creativity so um and it's been incredible but no but I did play a lot of country music like in Dallas Fort Worth It was like country bands all of the Dallas Fort Worth area but it was also a big band, getting my masters and university like Frank Zappa music and down a deep element. I was playing like alternative musical condos and bands and stuff. So I love music. Um, but yeah, we just have an encouraging team that allows us to, that's awesome. That's important. That has Your part of a team that allowed that creative freedom, the flow. So you can just be yourself, you know, how did this all, you know, transfer into now speaking on stages and writing books and all of that. I mean, you see some people make a template that world not well, you see some people actually make it what what made you want to go that direction. So I have a teacher's heart, you know, I have always been a teacher and I feel like as soon as you, you're good at something and you can stay one step ahead of the students, if you if you have that own, that mentoring that educational bone, it's a really powerful thing to do. So I love that. And so I've always taught and then when, as we were cultivating Dean's career, during the day, every day I would go and teach at high school or a music store or college and I was developing a reputation as an educator and then during that event, I started incorporating some motivational elements from you know, my love of, you know, the law of attraction and Ziegler and Napoleon Hill and Tony Robbins and studying all these great thought leaders over the years so before you know it my teaching my drum event started to take on a more like motivational so I say mix music and motivation. And it's educational and entertaining. So I I'd say p people in it defines edutainment. And then that grew into someone from corporate America. Good friend of mine, Anthony Grady, worked at a company called Cisco and he saw one of my speeches, one time performances and a small little drum shop in Raleigh, North Carolina. And he said to five people here you can be should be speaking in front of 50,000 people, this is really strong messaging. It'll work for anybody in any field that's like you're right, let's do this. He goes, you're going to get you booked at Cisco. And so he got me booked in and went over smashing link. And then I've done 10 events for Cisco. And then I grew that into like a pattern and Presidio at Microsoft. And you just grow that same way you develop anything's one handshake at a time and it's all the sweat of your brow and cultivating a good reputation that precedes you and Then I wrote a book for kids called fundamentals of drumming for kids. And that's cool if you have like a five-year-old and wants to learn how to play the drums or a 50-year-old cousin that, that acts like a five-year-old, the book will work for them, you know? And then so I said, Okay, I'm speaking on this crash concept for like, 13 years, I need to put up a book, and I'm about to do it. And it's just, I think that once I get that, that in drumming book out, first motivational book, hopefully, it'll be popularly received in that and that'll just inspire me. I think it's just follow through and just having a vision and just not stopping until you say, you're like, Okay, I want to be an internationally recognized speaker. I want to do no less than two speaking events a month. That's my new goals. Without fail, I want to be speaking twice a month, 24 times a year, which is daunting around where do you know because I'm playing Thursday, Friday, Saturday in Middle America without Dean and then that means I've got somehow look Sundays and Wednesdays to do my speeches, you know, so just having that vision and then having that follow through and not stopping now, that's, that's awesome. And, you know, it's, it shows a lot of your grit and it shows a lot of your tenacity to not reinvent yourself. But you almost create a whole nother business model view. So that is out of the norm. I mean, you're in a sense, creating your own side hustle, and I hate the word hustle. But yeah, you're inside business, as you're going through this still successful career and everything else you're doing. So when you're speaking, you know, I've seen people incorporate guitar and motivational speaking, I haven't seen the drum that's going to be a pretty powerful, you know, message when you're able because, with the drums man, you can really hit somebody in the heart with it and get them to move. Yes. Is that why you're you're really incorporating the both Well, I think it's you know, people love the drums is man's first instrument, we're just like biologically through our DNA drawn to the drums and, you know, the guitar is way more portable. And you know, people love the lead singer and with the guitar and all that. But if you can just get past the old parameters features like going, but you're going to like it better because it's a week for people to see the physical manifestation of my passion. It's the passion personified when they see how I can connect with that instrumental music as a form of communication in the form of expression. They go, Oh, this is what this guy does. He travels the world so he can get on those set of drums and create that energy to lift up his band and bring these songs to life and be an entertainer and I say, if you take this level of passion that I have the sweat on my brow, and I'm French, so you can accomplish anything you want to accomplish in your life. You know, and so they go Oh, okay. And so yeah, like my friend Mike Rayburn. It's like a comedian and a guitar player and he does motivational speeches and then my friend, Freddie Ravel, he's like Earth Wind and Fire keyboard player. He plays piano and does motivational speeches. And then really the only drummers are me and my buddy, Mark Schulman piece, Pink's drummer and so if I can't make a speech, I said mark and Mark can't make speech he sends me and so we look, Africa, there's really only like two of us really kind of that are like motivational speakers to play drums on a high level. And it's so it's a small group of us kind of looking out for each other that use the music. No, I love it. You know, I mean, I can like bang and top of my desk, you know, so if you needed a motivational speaker for the drums, how about I just come speak and you drop all right. Devil events together, right, right, right. Very fun. You know. A lot of people get hung up in this whole phrase and motivational speaker you when I say, you know, I'm a motivational speaker. People get hung up on him because they're like, you know, motivation doesn't last. You know you go get fired up at an event go get charged up and then Monday happens. Right, you know, what are you teaching in these things that are the tangible take homes that that people are, like, completely applying to their life? And our action items off of your speeches? Yeah, great, great point. Um, you know, I threw my teaching and and like all my little drum camps that I've done over the years, you know, I've had success stories of students that are have all met at my camps, and then they get accepted to Musicians Institute Hollywood, or they're going to Berkeley, or they're getting gigs in their city, or they decided to make the big move to Nashville, Tennessee. And they're like, you know what? Your crash concept really stuck with me. I just always remember the crash. And I can actually live my life like that. And it's so easy to remember, I just can use these five things and I can apply it to anything. So I'm like, Great, yeah, committed. And if you're committed to yourself, to your goals, to your family, for your community, your company to your product, you're going to be able to break your ticket to success. relationships, remember that people are the keys. That's the end. Answer light finding those birds of a feather funny people that are going to champion you. So go out and make friends, you can't have enough friends and I constantly mix business and pleasure. People say don't do that. And it's the secret to my success because I always mix business and pleasure. And then remembering about your attitude is really is 99% of life. It takes twice as much as energy to cultivate and nurture negative thoughts. I just tell people to try to stay in a positive space because people are attracted to use it as a positivity. Those people are usually happier, happier, people are healthier and there are more successful so try to stay in that zone, and techniques you can use to stay in that zone, our synergy sofa birds of a feather, I use colorful food. I like film, I like friends, I exercise I use these as tools to like stay in that in that positivity zone. And then skill identifies those skills you need to be successful in your chosen field and master those skills but Don't get cocky. You have to make sure you keeping up with the Joneses and developing new skills like I'm doing in my mid-life isn't just an automatic successful drummer, I was on the cover of the magazine, I'm always going to be working, I never get cocky like that I'm developing these other skills in case my entire industry goes away. I other things that are happening, and who knows the music industry is kind of on its knees, who knows what's going to happen. So I'm preparing for that. And then staying hungry for success having that fire that burns in your belly to be successful. And I'd say that this passion is your engine and hard work is your fuel. So fuel that engine with hard work, and you will allow which will allow you to work harder, and the harder you work the luckier you get. So just oh my god, I just got to commit to my craft. I gotta find the people, the relationships, I've got to stay positive so people will be attracted to me. I have to identify those skills to be successful, Master those skills and then stay hungry for success. It's like oh my God if I can live my life like this, I will be successful. I love it. Dude, that is so awesome. And I love it when somebody comes up with a very, very, very simple analogy, you know that or simple acronyms or word I'm looking for. That is so easy to remember. And the principles are so easy to apply, you know, to the life, you know, so Well done, well done. What do you think this is all going to take you, man? I mean, are you going to be the next Tony Robbins with drums in your hand? Or, or-or, you know, are you going to stay in the corporate private gigs? You know how big sis and going? I kind of like the corporate private. I don't see. It could happen because I had drum camps where people sign up and there's a hotel package and there's catered meals and the kids show up in a limo and we do the event and it's this huge exponential thing. I was Tony Robbins is my guru his documentary. And I sent myself to I want to do that on that level. I like this private gigs, saying, you know, I like that. I like the balance of my life where, oh, yes, I'm an international speaker. A company from Mexico City can hire me. I'm going to go The lights smoke like a little mini rock concert disguised as a keynote. I'm doing that whole thing. I think for me the variety is very sexy. We're playing live touring with somebody and recording drums for other people. I'm doing my corporate keynotes on the the highest level for Fortune 100 companies. I'm cranking out my books, I'm running my record label, and then I have a foothold in, in Hollywood where I'm where I ultimately want to be doing more hosting, and some maybe some appearances on episodic television and films. So my latest thing is, is I played a cop on a show on the sci-fi channel called happily and it's with Christopher Maloney. And he was like the Bologna cop on Law and Order SBU. And he was on HBO is oz healer actor. And I was like, thrown into the deep end of the pool as a new actor been acting for four years. And I'm going to see what this guy is a 12 hour day and it'll probably All boiled down to about, I don't know 15 seconds, right? But epic I mean to get flown to New York City to shoot in Queens in a real prison with a real prison guard suit with a real network and this thing is going to be seen and it's like I'm in the game their man. So I think creatively playing drums producing records, speaking at the highest level and cranking out my books and then I'm going to my acting jobs with the possibility like never know maybe I could maybe I'll be the next Mario Lopez or secrets where I'm doing a lot of hosting it at feels very second nature to me, I love reading teleprompter. I love interacting with a guest and, and just being that kind of like masters of ceremony. I'm doing a lot of professional emceeing now where I'm finally getting paid MC corporate events and charity events and doing panel moderation. Just love it all. And so people are like, how do you do it? How do you keep your schedule straight as an add on? Oh man. It's temporary. I just created the scheduling gods and all these cool things come in and they're all different they're covered in different ways. And it just allows me to interact with people stay creative Hyslop that's so awesome man it's it's fun watching somebody step into their own fire Am I mean if you know actually go for it and chase it find some success and do it you know I have an only thing I ever want to do in a movie is I want to be the guy in the background so I can say I was in that movie Yeah, I was actor 12 you know I have friends that you know live in Burbank and they just they have these they make a great living just doing background acting as I can show up as always snacks craft service, right? You know, they have their, their their their benefits and their insurance to sag AFTRA and they go in there in the Big Bang Theory and all they have to do is look within the top of the hour. Long day, I don't think I can do it. I'm not focusing on doing any background because I'm too on the move. I'd rather be like playing drums. Some of them he needs to know that you know I want to be the guy on stage I want to be the guy in front of the rooms and all that but you know I someday I want to be in just one big movie I don't want to actually put it in the I just wanted to get in the background that they like just walks through, you know, or you know, gets knocked out by a guy in the seat. Yeah, you'll do it by not going not getting an agent and having Yep, you're going to get it because a buddy of yours is it? Yes, he's run a new film. Yeah. Show up on this day. When this guy walks, you're just gonna walk right across right? Right. Right, right. Just be my one cameo. That's it. And I'm going to sign autographs right buddy and tell them a famous actor. So I mean, this is awesome man. What a killer story what a great journey. It's just going to feel cool that you accomplished a lot of the things that you set out to accomplish and now you know you're adding so many more things to your life and funnels and said success in those you know, that's just getting a feel good. Really cool on your journey it does it is it is very very nice to be like oh my god you know a lot of drummers will spend their entire life trying to plan a number one song to hear themselves on the radio and you know just to be part of this Creative Collective of like-minded people and and and to have a body of work like that could be like oh my god I can hear myself on the radio two-three times in our I can hear myself in elevators in supermarkets and you know at the gas station and pumping gas it's that's me playing the drums. I like my childhood dream DD did it. It is pretty cool. That's, that's awesome. That's awesome. Well, rich, I gotta it's been a lot of fun having you on here. Here's how I like to wrap up every show and I do stump some people on this. So he goes, so if you were to lead the champions who listened to the show, people from all walks of life and the countries that are all chasing their dreams face in their passions, if you were to leave them with a quote, a phrase, saying A mantra, something they can take with them on their journey, especially when they're stacked up against it and going through it. What would be that quote or phrase you would say? Remember this? Do it. Do it now. I love it. I love it. Rich. Thanks, buddy. I really appreciate you coming on here and sharing your story with us. Hey, thanks so much for having me. Please keep in touch everyone to all the listeners out there. I'm a sitting duck on the Google Nadir. Just rich Redmond. com Crash Course success com and just rich ribbon on all the socials. Let's connect awesomely. If you enjoyed this episode, please Comment Share and leave a review... Want to start a podcast? https://www.facebook.com/groups/SYWTP/ Join the Conversation in our Facebook Group Success Champions  

Rich Redmond is one of the world’s most influential and in-demand drummers who has worked with the “who’s who” of the music industry. A successful entrepreneur, Rich is a true “renaissance man” in the entertainment industry.  Rich has toured/recorded/performed with: Jason Aldean Garth Brooks Bob Seger Bryan Adams  Kelly Clarkson Ludacris Florida Georgia Line Keith Urban Trace Adkins Miranda Lambert Eric Church Cole Swindell Tyler Farr Thomas Rhett Michael Tyler Hank Williams, Jr Jewel Vince Gill Travis Tritt Montgomery Gentry Alabama Joe Perry (Aerosmith) Terri Clark The Pointer Sisters  Thompson Square Marty Stuart Thompson Square Parmalee Frankie Ballard 1,000 Horses Lee Brice Steel Magnolia Emily West OAR Phyllis Diller Steve Allen Lit Lindsay Ell Rushlow  Pam Tillis  Gene Watson  Susan Ashton  John Anderson  Doc Walker  The Roadhammers  Deana Carter  Jedd Hughes Patricia Conroy  Chuck Wicks  The Lost Trailers  Andi Griggs  Earl Thomas Conley  Hank Williams III  Mindy McCready  Robbie Nevil  Emily West  Jo El Sonnier  Jim Brickman  Deana Carter  Crystal Schawanda  Anita Cochran  Patricia Conroy  Earl Thomas Conley  Big Kenny  Stan Lynch (Tom Petty, Don Henley) Lila McCann  Michael Peterson  Ronna Reeves  Regina Regina  Lucy Woodward  Lane Turner  Crossin' Dixon  Lee Brice  Steel Magnolia  The Stellas  Hot Chelle Rae, and many others. Motivational Speaking Clients: Cisco Johnson and Johnson Hewlett Packard Microsoft Presidio Embassy Suites Hard Rock Hotel Katalyst Technologies Sigmanet Information Transport Systems School Of Rock Rock N Roll Fantasy Camp Herff Jones Omnience Hershey Park The Arts Institute Grammy Camp Active Data Comm Education: Bachelor of Music Education, Texas Tech University, 1992. Master of Music Education, University of North Texas. Teaching Certificate, State of Texas 1993. Rich toured with the 1:00 Lab Band, the most prestigious collegiate jazz band in the world. On the radio: Rich has recorded 23 #1 hits you hear on the radio every hour on the hour around the world. Hits like “Big Green Tractor” and “She’s Country” helped pave the way for a new sonic brand in music and have earned their place as radio classics. On the video: Rich has appeared in 20 #1 music videos on networks like CMT, GAC, AXS TV On stage: Rich plays to sold-out amphitheaters, arenas and stadiums around the world to over two million fans per year! Rich has played sold out shows at the most iconic venues in the world: Madison Square Garden, The Hollywood Bowl, Fenway Park, Wrigley Field, Red Rocks, The Gorge, Texas Stadium and most every Major League Baseball and NFL Stadium. On TV: Rich has appeared multiple times on hit tv shows like: The Voice, American Idol, The Grammy Awards, The Tonight Show (with Leno, O’Brien and Fallon), The Today Show, Conan O' Brien Show, Jimmy Kimmel, Craig Ferguson, Good Morning America, Ellen, The CMA Awards, ACM Awards, CMT Awards, ACA Awards, The People’s Choice Award, etc. As a host: Rich hosts his “Pick Rich’s Brain” Podcast on Itunes, Google Play, Stitcher and Youtube. Awards: Rich was awarded “Country Drummer Of The Year” 2015, 2017, 2017, 2018 by Modern Drummer Magazine, the world’s most widely read drum publication. Producer: As a music PRODUCER, Rich has helped popular radio acts THOMPSON SQUARE and PARMALEE garner 3 #1 radio hits which included the most played song on country radio for 2011, “Are You Gonna Kiss Me Or Not”? Author: Rich’s book “FUNdamentals of Drumming For Kids” has a 5-star rating on Amazon and is a best seller in 5 countries. Rich is also a regular contributor to magazines such as Modern Drummer, Drum!, Rhythm, Music Insider and many others. Songwriter: Rich has had #1 songs with the Australian pop-country band "The Wolfe Brothers"....entitled "You Got To Me", "That Kinda Night" and "When I Was The One". Educator: Rich has appeared twice as a featured performer/speaker at the prestigious Percussive Arts Society Annual Convention. Rich is also a popularly featured artist with collegiate ensembles, such as The University of Northern Iowa, where Rich’s drum set was placed on a moving riser with a 400 piece marching band. -Rich appears regularly in trade publications and interviews discussing the value and importance of music education in America. Other clients include: Musician’s Institute in Hollywood, The Los Angeles Music Academy, Belmont University, The School Of Rock, Rock N Roll Fantasy Camp, The University of Texas San Antonio and many others. -Rich was the drum set professor at The University of North Alabama for the 2017-2018 school year. Actor: Rich is an active on screen and voice actor in Hollywood and the Southeast markets. He can be seen playing the role of “Lieutenant Paxton” in a new horror film called “Reawakened”, an over-caffeinated radio DJ in “All Light Will End” and a copy of SYFY Channel’s hit show “Happy”. Product Design: Rich has designed specialty products for global companies like DW Drums, Promark Sticks, Prologix Pads, Gator Cases and Humes and Berg Cases. Link to products: Rich Redmond SIGNATURE ACTIVE GRIP 595 Drumsticks: http://www.promark.com/pmMediaDetail.Page?ActiveID=3906&MediaId=10355 DW BLACK SHEEP Beater: http://www.dwdrums.com/factoryaccessories/fa.asp?sKITNAME=dwsm104W Mentor: Rich teaches musicians in one on one and group settings to help them further their skill set, confidence and career opportunities. Rich uses the MEETHOOK app to mentor drummers and musicians around the world. Expert: Rich is frequently called upon to lend his expert opinion on the subjects of music, motivation, marketing, and success. Alright, guys, this is gonna be a really, really, really fun episode. You know, I'm having a lot of fun with bringing so many different guests on here. So this would be a little bit of a twist. Today I'm bringing on you know, a musician from the Nashville scene and, you know, so I'm sure I'm gonna bust his chops about being a drummer. So that'll be fun. I'm sure he's caught his entire career but you know, so I'm bringing on Rich Redmond. I'm Donnie Boivin. This is Donnie success champions Rich buddy Welcome to the show, my friend. I've played drums for 42 years. I'm originally from Milford, Connecticut. So I'm a little New England boys and the first 10 years of my life there fell in love with the drums my dad ended up moving to El Paso Texas when I was 11. He did that for 20 years and he ran the factories that made Victoria's Secrets underwear. Ladies just sewing underwear all day across the border. And then and so that was a great thing for me because Texas has a strong culture of music education, the great state of music, education, very healthy scenes. So I kind of, you know, nurtured My, chops, and my musicianship there ended up going and getting a master's degree from the University of North Texas, the Eagles you know, those are actually the Eagles were formed. Then in 1997 I moved to Nashville, Tennessee, and so I'm celebrating I don't know 23 years so of navigating the Music City, USA and so yeah, and so, since day one, I've been playing drums for a country rocker Jason Aldean. Just, I just celebrated playing drums on 25 number one songs which are really fun. We're working on our 19th record, I should know. Finishing that up, and then we'll have enabled and had a nice tour this year. Then we'll probably get into some other things. But I just have embraced the entertainment and education fields and I do some speaking. I author I, I do a little voiceover and little acting out here in Hollywood. I like to mentor and educated from camps, produce records, write songs, I'm in the game of entertainment and just have just love and light and that is awesome. That's awesome. I mean, Louis last night, I went to my niece, she plays saxophone or high school. And they this whole for a program that started off I did the drum corps. Yeah, that's what I was going through high school. You know, you know, a couple of guys banging on drums. Nowadays. It's like an entire flipping show. It's insane what they're doing with you and these kids into it, it was that you know how you could jump to this whole thing with your high school into the game? Yeah, it was a fifth grade I was actually in 1976 or 77. I was you know, six, seven years old and I was listening to kiss records and may I was restless my parents got me drum lessons I was studying with a guy in Connecticut and so I got some skills together and so then when I was enough hasn't tenses and they join the fifth grade band was already headed the other kids, but I knew that while I have this cool skill, it was an icebreaker people were interested in he was a way to be socially acceptable, you know, and that awkward period of your life especially when going into high school and stuff. And so it was great. It was you know, it was my calling, I recognize that and 93 police came out with a record called synchronicity and then the very next year, Van Halen came out with a smoking Angel on the cover of a record called nice name for and I just resonated with me and I said, this is what I'm going to do with my life and then I didn't know About Malcolm Gladwell and the 10,000. Our theory of mastering a craft Matter of fact is so funny. I was in my favorite West Hollywood eatery the other night, and I don't get starstruck, but Malcolm Gladwell was ordering a drink next. He's a very unique looking individual. But, you know, five best sellers. I mean, his books they just full meaning, you before you know, you've learned so much the book is over. What what I'm a big fan out over that I wanted to be like Malcolm high five. You're not supposed to do when you read but I didn't. I just walked away. I left them. But I didn't know about the 10,000-hour theory at that time, but was, you know, I was passionate about it. So when you know you're passionate about something, it's so easy to work hard, and the harder you work the more successful in attracting yourself. So I have already had those wheels in motion roses, living and breathing drums and I continued that all the way you know, never missed a meal man. You know, I mean, there were some hard times and you know, I had some rough day jobs. I was a courier. I did construction. I was a waiter. I was a kindergarten teacher, substitute teacher and schlepped drums around all around the planet and lugging suitcases. I figured recently that I haven't unpacked my suitcase and 22 years I've been living out of a suitcase The only time I truly unpack is when is when at the end of the year or currencies and as usual over in October and I'll and I'll literally I will just take everything out of the suitcase and put everything away even though I know I'm going to be putting things back in there to go do freelance things are speeches, but I touring cycle now has become like the beach or April through October, which is wonderful. We do about 60 shows a year. But we used to do 225 shows early days about being like in 2004 2005 2006 we lived on the road was just it was incredible. And then that's a wild lifestyle to I mean, so how did you go into the national scene and how did you hook up with Jason Aldean? I mean, was it a tryout, was it a call? Or would you guys just have me drinking the same bar? And so let's put this together. Yeah, it's funny to hear people's stories and see how they're 16. Another success comes together, but it's the perception of the music business, is that it's an audition based industry. And I think that, you know, 99% of your guests are going there that are all speaking on success, are going to say it's about human relationships and interacting with the owner, championing each other and lifting each other up and having birds of a feather come together and I was playing in a band with a guy named Kurt Allison, who was our guitar player to this day. And so I've been playing with him for 23 years. I had a gig with him and his dad in a band called The Blues, other brothers and we had like a review. We did like Motown, Stax Records, kind of things. I'm working, you know, Dennis, Dennis, that, all that stuff and then he introduced me to this guy named Kelly Kennedy to who's our bandleader and our bass player to this day, totally Kennedy's Uncle was was writing songs at Warner Chappell Music. Michael Knox was the VP at Warner Chappell music and who is Jason's producer to this day? Michael said we need a band totally said Kurt you know a drummer champion me we brought the three of us together and it's like you know can invert you put your peanut butter and chocolate just worked in like to this day you know i don't know we had I guess when I too many Irish Coffee is what we call ourselves to three kings and him kind of branded ourselves that way about those three knuckleheads that went every were together for a decade and we ended up just playing with Jason Aldean become great friends which are not being so it was. Yeah, I think I had to have it was there was a loose audition which means learning material going in knowing the material it was given. I was going to do a good job for them. I did a good job for them but they wanted to see if I can, if we can all you know it was going to link me because when you're living this lifestyle, your arms Stage, maybe two hours a day and there's another 22 hours a day that you're writing a 45 foot two. And you're sleeping on airport floors and, and I'm about to put out a book next month called Crash Course for success and literally one of the photos is all of us crashed out on the airport floor. And the and the caption is, you know, touring is hell sleep cycle. That's kind of how that all came together man and a very organic human relationship based way. And the music industry is not for the faint of heart. It's you know, it's tough on relationships. It's been tough on health. So it's nice to be able to go through such an industry with like-minded people that you finish each other's sentences and you're part of each other's you know, wedding parties and look for sharing it almost like five presidencies later and met a few gray more gray hairs later too. And yeah, this is my choice and I was I had Lot of wives and girlfriends that were a hairstylist and so it was pretty easy to get my hair pink and black. Right? On vacation recently I just said I'm gonna let this go. And when they fill my wife, man, I'm not getting gray hair thing. This is Chrome is. But you know and a lot of people look at like the music industry or the acting industry of all that and they always around this whole thought process of this overnight success type thing. And, you know, doesn't matter how many times you tell them an overnight success is a myth. Right? There's a lot of damn hard work is a lot of friggin late nights at airport floors and everything else. I mean, how long were you in the game before you felt like okay, I'm finally you know, in my rhythm and things are working. Yeah. Well, my story was I moved to Nashville on a Tuesday with a box of 400 cassette demos Rich Redmond percussion. And I was passing these things out everywhere and I had little before then you would have like a folder and it would have all your press clippings in it and it was so archaic and you know, I always had a, you know, a VISTA print business card that was a pretty savvy self-promoters still to the day, you know, no one is going to champion you like yourself and I want you as much as yourself. So you have to be polite, be persistent, and maybe have some luck along the way, but luck is just being prepared for those opportunities, and also giving yourself a shot to be successful in the music business people like can I do this from Des Moines, Iowa Can I do this from Tallahassee Florida know you can really only be in three places you know, and New York City really has kind of become you know, you do Broadway and then you can play weddings, environments were you know, make pretty good money. live out in Long Island come into the City, Los Angeles, you know, I'm here a lot. I have a love affair with Los Angeles like your business out here. But if you're not doing music for TV and film, and you don't have a big touring gig, the actual music scene Los Angeles really isn't the healthiest. And then you have a place like Music City, where people are like, Well, what about Austin, Texas? Austin's great. It's great there's a lot of great live music going on, but it doesn't have the big machine, the infrastructure of, okay, song was written at 10am on a Monday, that song has to be demoed up. And so there's a group of musicians that play on the demo, and it's a play on the record in a live band has to be put together and then around that you have tour managers, graphic designers, web designers, truck drivers, caterers that whole industry, there are so many jobs and handle feet and you need all those things to make that Taylor Swift show work and as she called her label big machine, because we have the big machinery that infrastructure that doesn't exist. But you know, and I'm glad you brought that up because a lot of people are looking at it as you know, I sing I played drums I play guitar, I'm just going to show up and it's going to happen. Yeah, you know, it's, it's a production. I like the term big machine. You know, it's really an amazing name, you know for, for the label but know your skill set is having an extremely an incredibly well put together cultivated skill set is an expectation. The other thing is giving yourself that chance to be successful, which is going to a place like Nashville, Tennessee, and then getting out and shaking hands and crashing parties and letting the world know you exist because there are some amazing drummers Are you better than me? They're playing their mind space. But you have to take your music to the people you have to connect with other people. Those gatekeepers, especially someone like a drummer is only as good as, as the people that are surrounded by a really strong and important and powerful position in a band. But usually, unless you're like a deep Grove was writing all the material, you know, we're only as good as the person that you're surrounding yourself with. So my story was I moved to Nashville on a Tuesday, and by Wednesday, I was I had a gig on Saturday night I was playing with like a corporate band and you know That you're playing, you know, jazz and the salads coming out. And then you're eating the main course and you're playing Motown by the end of the night everyone's been interrupted lip clapping on one and three and dancing to discuss something for the 70s. You know, and but that was great because that's what opened my door to my Nashville. You know, the family tree of shaking this person's hand, they champion me, they recommended me to someone else. And it's still happening to this day, and you're never done paying your dues, because I never want to be that guy that says, I've made it. I know everyone in the industry. There are new people coming to Nashville all the time. And what I do is I need that new talent. And now I'm on the other side of the business where you know, if you're a national long enough, eventually started writing software, producing records. I opened up my own record label, I have a record label 1225 label group. And so so now I can nurture you. Right and i and i, and through my eyes and my experiences, I can give them positive streets and be an artist, producer and Label Label. That's awesome. Well, keep your eyes and Fort Worth Texas because there's a lot of awesome local musicians coming out of here right now. Yeah. So, so, you know, what was it like, you know, up there performing with a guy like Jason Aldean and depending on some circles you love me or hate them you know you know what was it like being up there playing for massive crowds know live in that that rock star life with the spotlight the the craziness that happens on the road because I have some buddies in the game. I know some of the fun stories, but you know, what is that what it was? Was that like that experience like for you? And it's my happy place. I think that you know, I was, you know, had these calling these columns in life and you know, I think, my God my house, my higher power gave me this talent and I was respected enough to nurture it molded and then Be able to have that connective tissue, the connective tissue are all the guys in my band or allow us to express ourselves and I think music is one of our highest forms of communication to get you to know, it transcends all cultural barriers language barriers, and but know when I'm up there and Pyros going off and see I mean that is just like my goddess energy and receiving energy and I'm putting out energy and I always tell my students I say look if you want to send your energy not to the person per person there in the in the expensive see if they're already the true believers you have to go to the cheap seats in the guy that was dragged there by his girlfriend you make that guy who believes that my goal is to have that guy go home that was on the fence and no man has ever seen in my life. Have you got to say it that voice mail it was my attempt at a southern accent but no, it's it's I don't want to say that the drums to find me but it's such a it's such a calling when I'm when I see a set of drums even like I'm going to look up a nightclub or I'm at a wedding or something, there's a set of drums in the corner to focus on that man, I want to go play those drums. You know, it's just a, it's just calling so when I'm on stage, it's like Dude, I meant to do this and then it's like a drug and you're always looking for that next opportunity to do that. See? You same thing when you're speaking but that's how I feel when I'm on stage speaking is you know, you know it said that I want to hit the people that are in the back the one that was guys know that you know that the skeptics? Yeah, those are the ones that I love that it's a thing for you when you're here. Yeah, and for me, it's it for me when it comes to speaking. It's not so much the power of the words in the concepts I'm saying because my when I speak on my craft concept, commitment, relationships, attitude, skill, and hunger. It's basically a way of reminding people, yeah, you can have your corporate philosophies, you can have your, your PowerPoint, and you can get lost in all of this corporate stuff. But lets I just I'm there to remind them everything I need to know in life I learned in kindergarten. I know basically keep it simple and work on added do everything. You know, like, maybe a relationship or power or you know, I wrote an E-book called five keys, the drumming success, you know, so people can remember it. But for me, it's really like how I am articulating the message. It's almost people like what is your event of about? I said, Well, just picture like an animal from the Muppets. And Robin's means Jerry Lewis, right. So it's like, it's almost like I want to present this in like a very energetic fashion. I'm sweating. I'm pacing. I'm cracking jokes and playing the drums. And then I'm speaking to the drums and I'm speaking and so it's really it's like how I'm getting people that information because I don't know. We went Get people too much credit like I tell people all the time you know people hear music with their eyes most people don't know they're not really educated musically so so we have to give them a show give them or they can just listen to their mp3 right device and these little things right here it's like if you're going to spend all that money get a babysitter paying for parking grave the crowds by a $15 beer Dude, I'm going to make this a memorable experience. Well, and I hope everybody heard that because you have to, I mean, especially if you're going to make it in this day and age and whatever you're in, is I still remember there was an acapella show on TV. I one of the boys the men guys was one of the judges and it was a really really cool shit on there's a country music group that that one one of the episodes that's a completely acapella Country Music Group, Humphrey endings name the group but and, you know, I think was a second or third season. They had this colleague group on all acapella and they were The final episode and whoever won this episode one, the whole show. And the song was taking me to church, and it was done acapella. And, man, they had the littlest dude in their college. I mean, this guy if he was five-foot tall idea maze, and they said, No, we picked him to sing the solo in this because he's got that voice. Do this kid. I get goosebumps thinking about the kids singing. I mean, he's saying it and he, he left it all on the stage. And when he was done performing, then he dropped to his knees and pure exhaustion. That's how much you put into the song. I love it. And then that's stuck with me. Absolutely. I mean, even the voice and the game I wish I remember his name, but he was a judge looked at him because you know, that's why you just want because you put everything you had just in that song. But you know, I think it was Bon Jovi that said, you know, when you go on stage, you've got to perform like this is your last performance. So I always say that, yeah, go on stage. So this may be the very last time What do That's how I'm going out man. Right. But yeah, and just think about that amazing singer in a talent that he had and that commitment to his craft who knows he may be killing it in the industry right now from that initial push of success that he had with that show, or he could be back in the day job became still be moving back in and was parents I don't know. It's like, just having the talent is not enough. You have to mold it and then you have to get to a place and get this and gatekeepers that can actually allow allowing you to give you permission to do what you do. Because I've had some very successful people that I've known that have been raised every hair on my bottle of one girlfriend of mine that comes to mind that was just such an amazing singer and still is an amazing singer. But to create that emotional reaction from when I would play with her i would shed a tear every hair on my arm and stand up. So powerful and things really didn't work out to the extent that they should have and if there are so many other factors involved in cultivating success, long term in your life, Yeah, you know, I'm going through David Goggins book right now called you can't hurt me and do that guys bs but in his book, he laid out something but that once he said it, I'm sure I've heard it other times. It was the first time I heard it put this way when he says is the most time when people look at accomplishing that goal. They're sitting in their soft, comfortable house. They're sitting on their soft, comfortable couch, they're probably drinking in a very comfortable drink watching a TV show, dreaming about that life that could be, right. So it's very, very capable of doing. They're not thinking about and he's talking about running 100-mile marathons and stuff, right? And he's like, you know, people, like, I want to run a marathon. Well, you're sitting on your soft couch, drinking your soft drink, drinking, you know, that simple lifestyle, you're thinking about the end, you're not thinking about all the things that you got to do to go through it, to be able to get there. And it was it was it's the same thing with what you're talking about, is you've got to literally be thinking about where am I going through and then realize that you're going to have to go through a lot of crap, you know, into a lot of things to actually be able to get there and get lucky breaks and what I mean by lucky breaks and you said earlier is by putting yourself in the position to find and they look happy. Yeah, yeah. Yeah. Look favorite. Then they're prepared, you know what I mean? Right? And I use over preparation. I use over preparation and hustle as a business model like some, some people have found success at a younger age, some people have found success easier. Some people found success and it has gone away. Like my trajectory has been I've always had the raw talent. I hope that raw talent, I had a vision there were roadblocks there was a door slammed in my face. No, no, no. And I would get success and that will lead to more successes. And it was just the slowest of all climbs. And I'm still working on achieving all of my dreams. And and it's just been very difficult for me. It was not easy. There was a lot of no's and a lot of setbacks. But if you use those setbacks to fuel your victories will be rocking. So like for me, I wrote down my goals in 1997. When I moved to Nashville it was I will be a top call touring and recording drummer based in Nashville. It was a one simple sentence creates a sort of very succinct one or two sentences, that could be your mantra and put it in places where you can, where you can reiterate, reiterated every day saved yourself special before you go to bed at night when you get up in the morning, and I would do that and take all the necessary steps to make that happen. And so I started making a living, playing with various artists, hundreds of others, and maybe out of those hundreds of artists, maybe 10 are still in the industry in some way. And of course, I had to find my Jason Aldean and when I say my Jason Aldean, I mean, he's my he was my standings, my john Mellencamp He's my bar know, he's me, he's me, he's my Billy Joel. He's the front man that I could that I can hitch my wagon to and cultivate a long term career. I had to find that guy. I found, you know, but I mean was country music the direction you are always headed. You know, did you sound like you grew up more on the More the rock side of thing. I just tell everybody I'm an overeducated rock drummer Actually, I have experienced playing so many different kinds of music obviously I fell in love with the police's music, which is, you know, reggae and world-inspired pop rock and then I love you know just knuckle-dragging rock and roll like healing you know, and but I played like so I did the merchant Landry years and when I was in college I did steel drum ensemble world music ensemble, it was in the pep band that was in the jazz combo. I was in the new music ensemble, I was in the Symphonic Band, I was in this, the orchestra, anything I can do to play music is and I can read music and so I played every style of music under the sun. And when you mix all those things together, you can kind of create your own kind of style. And then the other way I was able to cultivate a style was having an outlet, like playing music on the world stage where were you know, God with Jason's music we mixed up the tune guitars and You know drop drop two guitars and drums and storytelling and kind of like restructured the fabric of some of the music making the game permission to like prefer like we're trying to do his thing and for Georgia line to do their thing and and then there are the rap elements and so just all my influences came together in this style and then and then having an encouraging boss like someone like Kaldi and his entire team Secrets You be the drummer you want to be you know their courage our creativity so um and it's been incredible but no but I did play a lot of country music like in Dallas Fort Worth It was like country bands all of the Dallas Fort Worth area but it was also a big band, getting my masters and university like Frank Zappa music and down a deep element. I was playing like alternative musical condos and bands and stuff. So I love music. Um, but yeah, we just have an encouraging team that allows us to, that's awesome. That's important. That has Your part of a team that allowed that creative freedom, the flow. So you can just be yourself, you know, how did this all, you know, transfer into now speaking on stages and writing books and all of that. I mean, you see some people make a template that world not well, you see some people actually make it what what made you want to go that direction. So I have a teacher's heart, you know, I have always been a teacher and I feel like as soon as you, you're good at something and you can stay one step ahead of the students, if you if you have that own, that mentoring that educational bone, it's a really powerful thing to do. So I love that. And so I've always taught and then when, as we were cultivating Dean's career, during the day, every day I would go and teach at high school or a music store or college and I was developing a reputation as an educator and then during that event, I started incorporating some motivational elements from you know, my love of, you know, the law of attraction and Ziegler and Napoleon Hill and Tony Robbins and studying all these great thought leaders over the years so before you know it my teaching my drum event started to take on a more like motivational so I say mix music and motivation. And it's educational and entertaining. So I I'd say p people in it defines edutainment. And then that grew into someone from corporate America. Good friend of mine, Anthony Grady, worked at a company called Cisco and he saw one of my speeches, one time performances and a small little drum shop in Raleigh, North Carolina. And he said to five people here you can be should be speaking in front of 50,000 people, this is really strong messaging. It'll work for anybody in any field that's like you're right, let's do this. He goes, you're going to get you booked at Cisco. And so he got me booked in and went over smashing link. And then I've done 10 events for Cisco. And then I grew that into like a pattern and Presidio at Microsoft. And you just grow that same way you develop anything's one handshake at a time and it's all the sweat of your brow and cultivating a good reputation that precedes you and Then I wrote a book for kids called fundamentals of drumming for kids. And that's cool if you have like a five-year-old and wants to learn how to play the drums or a 50-year-old cousin that, that acts like a five-year-old, the book will work for them, you know? And then so I said, Okay, I'm speaking on this crash concept for like, 13 years, I need to put up a book, and I'm about to do it. And it's just, I think that once I get that, that in drumming book out, first motivational book, hopefully, it'll be popularly received in that and that'll just inspire me. I think it's just follow through and just having a vision and just not stopping until you say, you're like, Okay, I want to be an internationally recognized speaker. I want to do no less than two speaking events a month. That's my new goals. Without fail, I want to be speaking twice a month, 24 times a year, which is daunting around where do you know because I'm playing Thursday, Friday, Saturday in Middle America without Dean and then that means I've got somehow look Sundays and Wednesdays to do my speeches, you know, so just having that vision and then having that follow through and not stopping now, that's, that's awesome. And, you know, it's, it shows a lot of your grit and it shows a lot of your tenacity to not reinvent yourself. But you almost create a whole nother business model view. So that is out of the norm. I mean, you're in a sense, creating your own side hustle, and I hate the word hustle. But yeah, you're inside business, as you're going through this still successful career and everything else you're doing. So when you're speaking, you know, I've seen people incorporate guitar and motivational speaking, I haven't seen the drum that's going to be a pretty powerful, you know, message when you're able because, with the drums man, you can really hit somebody in the heart with it and get them to move. Yes. Is that why you're you're really incorporating the both Well, I think it's you know, people love the drums is man's first instrument, we're just like biologically through our DNA drawn to the drums and, you know, the guitar is way more portable. And you know, people love the lead singer and with the guitar and all that. But if you can just get past the old parameters features like going, but you're going to like it better because it's a week for people to see the physical manifestation of my passion. It's the passion personified when they see how I can connect with that instrumental music as a form of communication in the form of expression. They go, Oh, this is what this guy does. He travels the world so he can get on those set of drums and create that energy to lift up his band and bring these songs to life and be an entertainer and I say, if you take this level of passion that I have the sweat on my brow, and I'm French, so you can accomplish anything you want to accomplish in your life. You know, and so they go Oh, okay. And so yeah, like my friend Mike Rayburn. It's like a comedian and a guitar player and he does motivational speeches and then my friend, Freddie Ravel, he's like Earth Wind and Fire keyboard player. He plays piano and does motivational speeches. And then really the only drummers are me and my buddy, Mark Schulman piece, Pink's drummer and so if I can't make a speech, I said mark and Mark can't make speech he sends me and so we look, Africa, there's really only like two of us really kind of that are like motivational speakers to play drums on a high level. And it's so it's a small group of us kind of looking out for each other that use the music. No, I love it. You know, I mean, I can like bang and top of my desk, you know, so if you needed a motivational speaker for the drums, how about I just come speak and you drop all right. Devil events together, right, right, right. Very fun. You know. A lot of people get hung up in this whole phrase and motivational speaker you when I say, you know, I'm a motivational speaker. People get hung up on him because they're like, you know, motivation doesn't last. You know you go get fired up at an event go get charged up and then Monday happens. Right, you know, what are you teaching in these things that are the tangible take homes that that people are, like, completely applying to their life? And our action items off of your speeches? Yeah, great, great point. Um, you know, I threw my teaching and and like all my little drum camps that I've done over the years, you know, I've had success stories of students that are have all met at my camps, and then they get accepted to Musicians Institute Hollywood, or they're going to Berkeley, or they're getting gigs in their city, or they decided to make the big move to Nashville, Tennessee. And they're like, you know what? Your crash concept really stuck with me. I just always remember the crash. And I can actually live my life like that. And it's so easy to remember, I just can use these five things and I can apply it to anything. So I'm like, Great, yeah, committed. And if you're committed to yourself, to your goals, to your family, for your community, your company to your product, you're going to be able to break your ticket to success. relationships, remember that people are the keys. That's the end. Answer light finding those birds of a feather funny people that are going to champion you. So go out and make friends, you can't have enough friends and I constantly mix business and pleasure. People say don't do that. And it's the secret to my success because I always mix business and pleasure. And then remembering about your attitude is really is 99% of life. It takes twice as much as energy to cultivate and nurture negative thoughts. I just tell people to try to stay in a positive space because people are attracted to use it as a positivity. Those people are usually happier, happier, people are healthier and there are more successful so try to stay in that zone, and techniques you can use to stay in that zone, our synergy sofa birds of a feather, I use colorful food. I like film, I like friends, I exercise I use these as tools to like stay in that in that positivity zone. And then skill identifies those skills you need to be successful in your chosen field and master those skills but Don't get cocky. You have to make sure you keeping up with the Joneses and developing new skills like I'm doing in my mid-life isn't just an automatic successful drummer, I was on the cover of the magazine, I'm always going to be working, I never get cocky like that I'm developing these other skills in case my entire industry goes away. I other things that are happening, and who knows the music industry is kind of on its knees, who knows what's going to happen. So I'm preparing for that. And then staying hungry for success having that fire that burns in your belly to be successful. And I'd say that this passion is your engine and hard work is your fuel. So fuel that engine with hard work, and you will allow which will allow you to work harder, and the harder you work the luckier you get. So just oh my god, I just got to commit to my craft. I gotta find the people, the relationships, I've got to stay positive so people will be attracted to me. I have to identify those skills to be successful, Master those skills and then stay hungry for success. It's like oh my God if I can live my life like this, I will be successful. I love it. Dude, that is so awesome. And I love it when somebody comes up with a very, very, very simple analogy, you know that or simple acronyms or word I'm looking for. That is so easy to remember. And the principles are so easy to apply, you know, to the life, you know, so Well done, well done. What do you think this is all going to take you, man? I mean, are you going to be the next Tony Robbins with drums in your hand? Or, or-or, you know, are you going to stay in the corporate private gigs? You know how big sis and going? I kind of like the corporate private. I don't see. It could happen because I had drum camps where people sign up and there's a hotel package and there's catered meals and the kids show up in a limo and we do the event and it's this huge exponential thing. I was Tony Robbins is my guru his documentary. And I sent myself to I want to do that on that level. I like this private gigs, saying, you know, I like that. I like the balance of my life where, oh, yes, I'm an international speaker. A company from Mexico City can hire me. I'm going to go The lights smoke like a little mini rock concert disguised as a keynote. I'm doing that whole thing. I think for me the variety is very sexy. We're playing live touring with somebody and recording drums for other people. I'm doing my corporate keynotes on the the highest level for Fortune 100 companies. I'm cranking out my books, I'm running my record label, and then I have a foothold in, in Hollywood where I'm where I ultimately want to be doing more hosting, and some maybe some appearances on episodic television and films. So my latest thing is, is I played a cop on a show on the sci-fi channel called happily and it's with Christopher Maloney. And he was like the Bologna cop on Law and Order SBU. And he was on HBO is oz healer actor. And I was like, thrown into the deep end of the pool as a new actor been acting for four years. And I'm going to see what this guy is a 12 hour day and it'll probably All boiled down to about, I don't know 15 seconds, right? But epic I mean to get flown to New York City to shoot in Queens in a real prison with a real prison guard suit with a real network and this thing is going to be seen and it's like I'm in the game their man. So I think creatively playing drums producing records, speaking at the highest level and cranking out my books and then I'm going to my acting jobs with the possibility like never know maybe I could maybe I'll be the next Mario Lopez or secrets where I'm doing a lot of hosting it at feels very second nature to me, I love reading teleprompter. I love interacting with a guest and, and just being that kind of like masters of ceremony. I'm doing a lot of professional emceeing now where I'm finally getting paid MC corporate events and charity events and doing panel moderation. Just love it all. And so people are like, how do you do it? How do you keep your schedule straight as an add on? Oh man. It's temporary. I just created the scheduling gods and all these cool things come in and they're all different they're covered in different ways. And it just allows me to interact with people stay creative Hyslop that's so awesome man it's it's fun watching somebody step into their own fire Am I mean if you know actually go for it and chase it find some success and do it you know I have an only thing I ever want to do in a movie is I want to be the guy in the background so I can say I was in that movie Yeah, I was actor 12 you know I have friends that you know live in Burbank and they just they have these they make a great living just doing background acting as I can show up as always snacks craft service, right? You know, they have their, their their their benefits and their insurance to sag AFTRA and they go in there in the Big Bang Theory and all they have to do is look within the top of the hour. Long day, I don't think I can do it. I'm not focusing on doing any background because I'm too on the move. I'd rather be like playing drums. Some of them he needs to know that you know I want to be the guy on stage I want to be the guy in front of the rooms and all that but you know I someday I want to be in just one big movie I don't want to actually put it in the I just wanted to get in the background that they like just walks through, you know, or you know, gets knocked out by a guy in the seat. Yeah, you'll do it by not going not getting an agent and having Yep, you're going to get it because a buddy of yours is it? Yes, he's run a new film. Yeah. Show up on this day. When this guy walks, you're just gonna walk right across right? Right. Right, right. Just be my one cameo. That's it. And I'm going to sign autographs right buddy and tell them a famous actor. So I mean, this is awesome man. What a killer story what a great journey. It's just going to feel cool that you accomplished a lot of the things that you set out to accomplish and now you know you're adding so many more things to your life and funnels and said success in those you know, that's just getting a feel good. Really cool on your journey it does it is it is very very nice to be like oh my god you know a lot of drummers will spend their entire life trying to plan a number one song to hear themselves on the radio and you know just to be part of this Creative Collective of like-minded people and and and to have a body of work like that could be like oh my god I can hear myself on the radio two-three times in our I can hear myself in elevators in supermarkets and you know at the gas station and pumping gas it's that's me playing the drums. I like my childhood dream DD did it. It is pretty cool. That's, that's awesome. That's awesome. Well, rich, I gotta it's been a lot of fun having you on here. Here's how I like to wrap up every show and I do stump some people on this. So he goes, so if you were to lead the champions who listened to the show, people from all walks of life and the countries that are all chasing their dreams face in their passions, if you were to leave them with a quote, a phrase, saying A mantra, something they can take with them on their journey, especially when they're stacked up against it and going through it. What would be that quote or phrase you would say? Remember this? Do it. Do it now. I love it. I love it. Rich. Thanks, buddy. I really appreciate you coming on here and sharing your story with us. Hey, thanks so much for having me. Please keep in touch everyone to all the listeners out there. I'm a sitting duck on the Google Nadir. Just rich Redmond. com Crash Course success com and just rich ribbon on all the socials. Let's connect awesomely. If you enjoyed this episode, please Comment Share and leave a review... Want to start a podcast? https://www.facebook.com/groups/SYWTP/ Join the Conversation in our Facebook Group Success Champions  

In this episode I talk to film-maker Christopher Maloney about his latest documentary, In God We Trump, which explores the confounding relationship between Trump and the evangelical world. Evangelicals — one of the largest voting blocks in the United States — are wedded to Trump, and are largely responsible for getting him into office. Despite their supposed commitment to sexual morality, family values, humility, and truth-telling, they have gotten into bed with one of the most dishonest, immoral, and arrogant con-men the presidency has ever seen. Christopher’s documentary attempts to understand this betrayal — how can a group of Christians so dedicated to personal integrity, family values, and sexual purity cast their lot with a figure so blatantly opposed to all that they hold dear? Maloney explains how this betrayal took place, and the rage and hunger for dominance that lurks beneath the pious veneer of American evangelicalism. Find in God We Trump here. Love this show and want to support it? Please consider becoming a patron, and you will receive a separate patrons-only weekly podcast. Also, please share this show with your friends, and take a moment to give it five stars on iTunes or wherever you listen. Want to connect with me? Find me at stephenbradfordlong.com, on twitter, and on Instagram. Other Rock Candy Shows:Eleventylife

In this special edition of MindShift podcast, I talk to filmmaker Christopher Maloney about his project entitled "In God We Trump." What are the implications for the evangelical church going forward, based upon the fact that 81% of (largely white) evangelical Christians not only voted to elect Trump in 2016, but many continue to support him and many of his policies? Statistics have shown that thousands have left evangelical churches over the issue; and beyond that, many have given up their Christian faith also, citing this "deal with the devil" as the last straw. Listen in as Chris and I discuss the film, the reasons so many voted Trump, and what the future holds for evangelicalism in America--and the world.  

Revisiting Joe's interview with Christopher Maloney about this film In God We Trump that is available today on Amazon and iTunes, so go check it out. 

In this week Brandi and Joe discuss an article from the Washington Post wrote saying Evangelicals are the group least likely to believe in taking in immigrants and refugees. Then in the Ice Breaker they each discuss when the last time was that they needed a drink.    Intro 00:00 Fellowship 00:56 Ice Breaker 22:33 Social Media 26:30 Let's Get Falafeling 28:25   Outro Song: "The Parting Glass" by The Pogues   Article discussed this week: The Group Least Likely To Think The U.S. Has A Responsibility to Refugees: Evangelicals   Find Christopher Maloney Online: Twitter: MaloneysMoives Facebook: In God We Trump Website: InGodWeTrumpFilm.com   Find Us Online: Facebook.com/DrinkingAtBibleStudy Twitter: @BrandiDABSPod and @JoeDABSPod Instagram.com/DrinkingAtBibleStudy Patreon.com/DrinkingAtBibleStudy DrinkingAtBibleStudy@gmail.com

Another mass shooting, another day in America. This is becoming all too common. The shooting in Parkland, Florida is just a symptom of a larger problem plaguing America. This week we’ll talk about the tone-deaf response from many Christians and the NRA funded enablers in Congress. This isn’t the world our children deserve, but unless we make a change, it’s the one they will inherit. We mourn the losses, but also look for a way to change the pattern. As Christians, we should seek tangible and coherent answers to gun violence. We can't let the lure of American Christianity inform our perspective. Jesus calls us to non-violence and that must be the only way. We also catch up with documentarian Christopher Maloney and talk about his film In God We Trump that premiers at the Big Sky film festival this past week. Chris journeyed across the country interviewing people about the Trump’s evangelical backed win. His insights informed this relevant documentary that's a look at how evangelical Christianity brought us to the breaking point in America. If you're interested in hosting a screening of the film, you can sign up at www.InGodWeTrumpFilm.com. Come along for the ride as we skewer through life, culture, and spirituality in the face of a changing world. www.SnarkyFaith.com

Join the Sisterds, Callie is back, in a discussion about Trump and Evangelicals, a conversation with Christopher Maloney. Sign up for a screening of Christopher's documentary, In God We Trump, at ingodwetrumpfilm.com You can find Christopher on Twitter: @MaloneysMovies  You can find links to our drinks and fangirling in our show notes at https://twistedsisterds.wordpress.com/ Find links to our Fangirling at our Twitter: @twistedsisterds and Facebook: facebook.com/twistedsisterds Subscribe and drop us a 5-star review on Apple Podcasts: tinyurl.com/sisterds We now have our own Patreon page! Support us at www.patreon.com/twistedsisterds to discuss the episodes in more than 280 characters at a time, get Sisterds swag, and even shape the content of the episodes. Tweet at us @TwistedSisterds @sevillenmdbecky @bearnamedamanda Twisted Sisterds is a production of the Inglorious Pasterds Network of podcasts.

End of the World Beer, Barney Is Sting, Flame Thrower, Scanning Your Eggplant, Taco Bell Vigil, Dutch Vegan   CHRISTOPHER MALONEY LINKS: Film: ingodwetrumpfilm.com Twitter: https://twitter.com/MaloneysMovies   PASTERDS LINKS: Pasterds Website: www.ingloriouspasterds.com Pasterds Twitter: www.twitter.com/PasterdsPodcast Michael Baysinger Twitter: www.twitter.com/mjbaysinger Matt Polley Twitter: www.twitter.com/polleynamedmatt Brad Polley Twitter: www.twitter.com/polleynamedbrad Instagram: www.instagram.com/ingloriouspasterds/ Facebook: www.facebook.com/pasterdspodcast   SUPPORT US ON PATREON TO JOIN THE PASTERDS PUB: http://www.patreon.com/pasterdspodcast     SUPPORT US ON PATREON TO GET ACCESS TO OUR SPINOFF PODCASTS: Pasterds Community Church, Hymns of Reconstruction, TERD Talk & Pub Crawl http://www.patreon.com/pasterdspodcast

We made it. I'll be honest, I had my doubts. Looks like we finally made it out of 2017. It's been a rough ride, but we did it! Trump didn't get the best of us and now we're awake, aware and ready for what's next. Let's take a little look in the rearview mirror as we rewind through some of the snarkier highlights from this past year that include Trump at Trump Tower and our friend Christopher Maloney's documentary In God We Trump (www.InGodWeTrumpFilm.com). I put my hope in better days to come. Let us all move into 2018 with grace and peace. I look forward to more Snarky Faith. Thank you all for making this possible. Cheers to a new year with new possibilities. Come along for the ride as we skewer through life, culture, and spirituality in the face of a changing world. www.SnarkyFaith.com

Winner of the inaugural Alabama Historical Association Digital History Award for Large Projects in 2016. EOA editors Laura Hill, Claire Wilson, and Christopher Maloney discuss the past, present, and future of this informational resource.

This week, Trent sits down with longtime friend Christopher Maloney to discuss film, faith friendship, and the President of the United States. Be sure to subscribe and leave us a 5 star rating. While you're at it, check out dtrentashcraft.weebly.com and follow Chris on twitter @MaloneysMovies

A rundown of the current level of crazy with conservative Christians in America. We talk through some of the craziest, politically motivated crap from Christians in the news. We also have documentary filmmaker, Christopher Maloney, on the show to talk about his Kickstarter campaign to make a film about the current state of politics in America called In God we Trump. Come along for the ride with us! Join us as we skewer through life, culture, and spirituality in the face of a changing world.

The Malliard Report hosted by Jim Malliard has joined Take 2 Radio as a special host to talk about all things paranormal and more! Listen to his shows every Saturday at 7pm EST. An independent documentary exploring the presence of cryptozoology in the United States... Cryptozoology is the study of hidden or unknown animals, creatures not confirmed or recognized by science. What we know about this science comes from eyewitnesses, people who have had encounters with creatures they can't explain. Across the United States, encounters like these are reported in the thousands. What are people seeing? How does it affect them? What does our fascination with cryptozoology say about us? ? To explore these questions, director Christopher Maloney ('The Death of Andy Kaufman') set out on a good old-fashioned all-American road trip, visiting over twenty states to interview people who have reported creature sightings. Combining these interviews with his travels on the road, Maloney takes a look at the presence of cryptozoology in the United States with this fascinating documentary.

Naturopathic Medicine, Holistic Healthcare and Alternative Healthcare; how do they all fit together and are they really the same?  If you have back or neck pain perhaps you have thought about trying to find another way to get out of the chronic pain that rules your life.  When pills and surgery do not spell relief, it is time to look at the other messages your back may be telling you and address them. My guest today is Dr. Christopher Maloney, a Naturopathic Physician who looks at the back and neck as a road map to find out what influences are contributing to your pain and how to adjust the constant triggers that do not allow you to live life to the fullest.  He utilizes nutrition, exercise, motion therapy, botanical medicine, homeopathy and other modalities to support body healing.  You should not have to live a life with restrictions if you can find a way to make each day better.  Dr. Maloney can be reached here for more information and he does provide two writings; one about Naturopathic Medicine found here and your Body Maintenance found here. If you need further information, please contact me, Dr. Jeanette Gallagher, www.outoftheboxhealthcare.com

The Malliard Report Christopher Maloney background of the film coast to coast am thunderbird in Erie cryptotrip.com Andy Kaufmann International Cryptozoology Museum process of getting the movie out salesmanship Bigfoot or Loch Ness Monster cost of filming favorite films Lincoln http://www.cryptotrip.com/ https://www.facebook.com/cryptotrip Malliard.com Show Notes for March 12, 2013 Welcome to Christopher Maloney  Learn more about your ad choices. Visit megaphone.fm/adchoices