Podcasts about frederick p

Familiares del joven Frederick Pérez Ventura, asesinado a puñaladas el 17 de julio de 2022, en un hecho ocurrido en una comunidad de Pedro Brand, se manifestaron este miércoles para exigir justicia por la muerte de su pariente.

Hello Friends! We're back at it again today with, not only another new remix, but also a look at an album already covered on the show, The Monkees' classic 1967 LP Headquarters. In our original instalment we covered the original mono and stereo mixes, but today we're covering both the 1989 Bill Inglot remix on Arista, and the brand new 2022 remix by Andrew Sandoval from the Super Deluxe Edition of the album. While the 1989 was a remix from the final 4-track master, the new 2022 remix provides a resync of the multistage tapes to provide a far more evenly balanced mix, while retaining the sound of 1967 through and through. If you're on the fence about picking up the set, this episode should push you off of it - and with only a few copies left, there's No Time to waste! So, let's see if this is like comparing Shades of Grey, or if [this] May Just Be The One.   Happy Listening, Frederick   P.S. The HQ fun doesn't end here - this Sunday on Mixology on 45 we'll be looking at the brand new mixes of non-LP single A Little Bit Me, A Little Bit You & The Girl I Knew Somewhere, and then in December we will be looking at the 9 other new mixes of the bonus tracks in a Patreon exclusive Mixology! Sign up to support the show now to get access as soon as they go live, from just £1 a month, at https://www.patreon.com/backtomono   Purchase the box set exclusively from Rhino here: https://monkeesstore.warnermusic.com/en/the-monkees/home/the-monkees---headquarters-super-deluxe-edition/081227883836.html   Email the show at: backtomonoradio@gmail.com   Listen to companion podcast Back to Mono: https://www.mixcloud.com/backtomonoradio/playlists/back-to-mono-complete/   Find me on Instagram @hypnoticfred   Artwork for this episode by @vinylbenjy

Sandra Jackson-Dumont is the Director and CEO of the Lucas Museum of Narrative Art. Tasked with leading the institution through its opening and beyond, she comes to the museum from the Metropolitan Museum of Art in New York City, where she has served as the Frederick P. and Sandra P. Rose Chairman of Education and Public Programs since 2014. Throughout her career, Jackson-Dumont has developed programming around museum collections and special exhibitions to engage a broad range of audiences. She also served for eight years as the deputy director for education and public programs and adjunct curator in modern and contemporary art at the Seattle Art Museum. Prior to that, Jackson-Dumont held positions at the Studio Museum and the Whitney Museum of American Art in New York City. She and Zuckerman discuss misbehaving, seeing God, being in and of the world, museums as social spaces, going where you want to be, ambiguity, what's missing from the syllabus of work, an integrated life, and for us by us!

La familia de Frederick Pérez Ventura lo dio por desaparecido en la mañana de ayer y horas después su cuerpo con heridas de arma blanca apareció en un vertedero en el sector La guáyiga en Santo Domingo Oeste. El joven residente en Los alcarrizos había salido de su casa en un carro Honda Civic el Sabado. Hoy Ministerio Público y policía dicen que investigan y que varias personas han sido interrogadas. Frederick es el más reciente caso de desaparición en el que los involucrados tiene un perfil muy parecido y hay que suponer que al igual que nosotros las autoridades se están dando cuenta de que no debe ser una casualidad. Una nota de diario Libre recoge que de marzo a mayo 55 personas han desaparecido en la RD. La mayoría, por suerte, es encontrado después de algunos días. Sin embargo el perfil del desaparecido permanente y de los que han aparecido muertos es el mismo: Hombre joven, clase media, estudiante o cuentapropista, Caminante deportivo o propietario de vehículos. En algunos casos la familia reporta depresión. Alexander SAng Díaz desaparecido en Honduras hace dos meses se lo tragó la tierra. Las redes sociales han servido para que su familia y amigos mantengan el caso activo pero todos sabemos que se agotará como pasó con Anaury Castillo Lara que desapareció el año pasado tras salir a caminar en horas de la madrugada. Las autoridades están forzadas a dar una respuesta en este caso pero además llenar la las expectativas en torno a lo que ya es un grupo de los desaparecidos que se pierden teniendo el mismo perfil. En el mundo entero desaparecen personas pero en el mundo entero cuando los desaparecidos guardan similitud en características alguien piensa que no es un hecho aislado como no parece serlo en estos casos. Grupos que reclaman los derechos de la comunidad LGBT indican que dos de los desaparecidos de mayor edad eran Gays y que por ahora no hay respuestas de sus casos. Ojalá que el caso de Frederick se esclarezca para no pensar que la autoridad cierra los ojos ante este tragedia y que la perdida de esas vidas no quedará como una simple tendencia en redes sociales.

In the episode, we discuss the research behind hair drug tests and cultural bias. how hair products that are mainly used by people of African descent can bathe drugs in the environments on the hair what leads to higher rates of false-positive drug test results for Black people   Connect with me: Website: TheResearchHer.com TikTok: @TheResearchHer Instagram: @TheResearchHer Twitter: @TheResearchHer Facebook: @TheResearchHer   Show sources:   JONES v. CITY OF BOSTON  Ethnic hair care products may increase false positives in hair drug testingby David A. Kidwell, Frederick P. Smith, Arica R. Shepherd

Learn English with Neil DeGrasse Tyson. Astrophysicist Neil deGrasse Tyson recalled President John F. Kennedy's famous "We will go to the moon" speech at Rice Stadium and discussed the drivers of exploration, but what he most wanted to talk about at Rice University's 100th commencement ceremony May 11 was Apollo 8. He is an American astrophysicist, planetary scientist, author, and science communicator. Since 1996, he has been the Frederick P. Rose Director of the Hayden Planetarium at the Rose Center for Earth and Space in New York City. For more, visit: https://www.englishspeecheschannel.com

Paul Holdengräber is joined by Sandra Jackson-Dumont, the director of the Lucas Museum of Narrative Art, on episode 033 of The Quarantine Tapes. They discuss the history of visual storytelling, the role of museums in our shifting world, and more.Sandra Jackson-Dumont has been appointed Museum Director and Chief Executive Officer at The Lucas Museum of Narrative Art. Tasked with leading the institution through its opening and beyond, Jackson-Dumont joined the Lucas Museum in January 2020. She comes to the museum from the Metropolitan Museum of Art in New York City, where she served as the Frederick P. and Sandra P. Rose Chairman of Education and Public Programs from 2014 to 2019. 

Who is Karl T. Wright: Karl is an actor and former journalist who’s worked for NPR and Marketplace radio. He started his acting career in Chicago at Player’s Workshop of Second City and hosted Morning Edition and the award-winning entertainment magazine he created called Backstage Pass both on WBEZ. After moving to LA, Karl made a career playing doctors, lawyers, teachers (pretty much anyone in a suit) on TV shows and movies. He played an astrophysicist on “Castle” (possibly the bad guy?) and appeared on TV’s longest-running comedy about astrophysics, “The Big Bang Theory.” cha-ching! Catch him in his recurring role as Chuck on the hit Netflix show “Atypical” or narrating the audiobook, “Arcade & the Triple T Token” from New York Times best-selling author, Rashad Jennings.  Karl also produces the popular podcast “Sex Ed: The Musical” hosted by his wife, Wendy Miller.  IMDB imdb.me/karltwright;  Instagram instagram.com/karltwright/; Facebook facebook.com/KarlTWright1/; or  karltwright.com.    Who is Neil deGrasse Tyson: Neil deGrasse Tyson is an American astrophysicist, author, podcaster and science communicator. Since 1996, he has been the Frederick P. Rose Director of the Hayden Planetarium at the Rose Center for Earth and Space in New York City. After you are done with this episode go check out Neil's podcast Star Talk. And here is the link to listen to Carl Sagan & God How to show love to Project Woo Woo: Click here to buy Lisa a cup of joe.   This episode was also supported by Amazon. Click on this link --> Amazon any time you need to make an Amazon purchase. A small percentage of your purchase will support the show (no extra cost to you).  I receive an affiliate commission from some of the links above. Go get your free be happier than all your friends morning routine over here --> Project Woo Woo Listen to Lisa's other podcasts at Love Bites & Honestly Lisa

In the episode, we discuss the research behind hair drug test and its cultural bias. Hair products that are mainly used by people of African descent can bathe drugs in the environments on the hair, which leads to higher rates of false positive drug test results.   The Research Her supports Audible: For a FREE audiobook and 30-day trial: http://www.audibletrial.com/research   The Research Her also supports Acorns: For $5 toward your investing account: https://www.acorns.com/invite/XMAQL9   Connect with me: Website: TheResearchHer.com Instagram: @TheResearchHer Twitter: @TheResearchHer Facebook: @TheResearchHer   Show sources: JONES v. CITY OF BOSTON   Ethnic hair care products may increase false positives in hair drug testing by David A. Kidwell, Frederick P. Smith, Arica R. Shepherd

Dell Courtney is a native Louisvillian with an English Major from the University of Louisville. Her hand print & influence has been instrumental for decades in the “Behind-the-Scenes” work as a consultant or volunteer on such notable Louisville festivals as the Ethnic Heritage weekends in the 1970’s under her company’s banner Visionworks, LLC. She has overseen the development and management of such notable festivals as the: St. Patrick’s Parade from 1999–2009, the Halloween Parade from 2003-16, WorldFest in 2005-06, the Lewis & Clark Bicentennial national Signature Event from 2000-03 as well as the iconic Light Up Louisville Winter Wonderland Parade from 2004-12. She was also involved with Holidays Around the World from 2006-16 not to mention multiple 5K Runs & Walks, golf scrambles, community expos & summer festivals. Most recently she has overseen Louisville’s Veterans Day Parade from 2011-16 with two co-chairs to the “Spirit of ’45” commemoration, end of World War II event in 2015 & 16 to co-chairing & co-producing the Bowman Field Aviation & Military Heritage Festival in 2017. Lastly, she has served on the volunteer boards of Sister Cities of Louisville, Clifton Center of Louisville, The Fillies, Kling Center, & the Spirit of Louisville Foundation (Bell Awards) for over 25 years! She is married to Frederick P. Courtney, retired from the US Coast Guard, and they have 1 daughter in Washington, DC along with 1 grandson.

Wynton Marsalis joined us for Behind The Note Podcast today! We talked many things including leadership, building a team, and turning vision into reality. Rate Behind The Note Podcast on the platform you're using right now to read this script and to listen to the show. Press Play. Enjoy. Share. ---------------------------------------------------------------------------- Here is Wynton's Bio straight from his website: Wynton Marsalis is an internationally acclaimed musician, composer, bandleader, educator and a leading advocate of American culture. He is the world’s first jazz artist to perform and compose across the full jazz spectrum from its New Orleans roots to bebop to modern jazz. By creating and performing an expansive range of brilliant new music for quartets to big bands, chamber music ensembles to symphony orchestras, tap dance to ballet, Wynton has expanded the vocabulary for jazz and created a vital body of work that places him among the world’s finest musicians and composers. The Early Years Wynton was born in New Orleans, Louisiana, on October 18, 1961, to Ellis and Dolores Marsalis, the second of six sons. At an early age he exhibited a superior aptitude for music and a desire to participate in American culture. At age eight Wynton performed traditional New Orleans music in the Fairview Baptist Church band led by legendary banjoist Danny Barker, and at 14 he performed with the New Orleans Philharmonic. During high school Wynton performed with the New Orleans Symphony Brass Quintet, New Orleans Community Concert Band, New Orleans Youth Orchestra, New Orleans Symphony, various jazz bands and with the popular local funk band, the Creators. At age 17 Wynton became the youngest musician ever to be admitted to Tanglewood’s Berkshire Music Center. Despite his youth, he was awarded the school’s prestigious Harvey Shapiro Award for outstanding brass student. Wynton moved to New York City to attend Juilliard in 1979. When he began to pick up gigs around town, the grapevine began to buzz. In 1980 Wynton seized the opportunity to join the Jazz Messengers to study under master drummer and bandleader Art Blakey. It was from Blakey that Wynton acquired his concept for bandleading and for bringing intensity to each and every performance. In the years to follow Wynton performed with Sarah Vaughan, Dizzy Gillespie, Sweets Edison, Clark Terry, John Lewis, Sonny Rollins, Ron Carter, Herbie Hancock, Tony Williams and countless other jazz legends. Wynton assembled his own band in 1981 and hit the road, performing over 120 concerts every year for 15 consecutive years. With the power of his superior musicianship, the infectious sound of his swinging bands and an exhaustive series of performances and music workshops, Marsalis rekindled widespread interest in jazz throughout the world. Wynton embraced the jazz lineage to garner recognition for the older generation of overlooked jazz musicians and prompted the re-issue of jazz catalog by record companies worldwide. He also inspired a renaissance that attracted a new generation of fine young talent to jazz. A look at the more distinguished jazz musicians of today reveals numerous students of Marsalis’ workshops: James Carter, Christian McBride, Roy Hargrove, Harry Connick Jr., Nicholas Payton, Eric Reed and Eric Lewis, to name a few. Classical Career Wynton’s love of the music of Bach, Beethoven, Mozart and others drove him to pursue a career in classical music as well. He recorded the Haydn, Hummel and Leopold Mozart trumpet concertos at age 20. His debut recording received glorious reviews and won the Grammy Award® for “Best Classical Soloist with an Orchestra.” Marsalis went on to record 10 additional classical records, all to critical acclaim. Wynton performed with leading orchestras including the New York Philharmonic, Los Angeles Philharmonic, Boston Pops, The Cleveland Orchestra, Saint Louis Symphony Orchestra, English Chamber Orchestra, Toronto Symphony Orchestra and London’s Royal Philharmonic, working with an eminent group of conductors including: Leppard, Dutoit, Maazel, Slatkin, Salonen and Tilson-Thomas. A timeless highlight of Wynton’s classical career is his collaboration with soprano Kathleen Battle on their recording Baroque Duet. Famed classical trumpeter Maurice André praised Wynton as “potentially the greatest trumpeter of all time.” Record Production To date Wynton has produced over 80 records which have sold over seven million copies worldwide including three Gold Records. His recordings consistently incorporate a heavy emphasis on the blues, an inclusive approach to all forms of jazz from New Orleans to modern jazz, persistent use of swing as the primary rhythm, an embrace of the American popular song, individual and collective improvisation, and a panoramic vision of compositional styles from dittys to dynamic call and response patterns (both within the rhythm section and between the rhythm section and horn players). Always swinging, Marsalis blows his trumpet with a clear tone and a unique, virtuosic style derived from an encyclopedic range of trumpet techniques. The Composer Wynton Marsalis is a prolific and inventive composer. The dance community embraced Wynton’s inventiveness by awarding him with commissions to create new music for Garth Fagan (Citi Movement-Griot New York & Lighthouse/Lightening Rod), Peter Martins at the New York City Ballet (Jazz: Six Syncopated Movements and Them Twos), Twyla Tharp with the American Ballet Theatre (Jump Start), Judith Jamison at the Alvin Ailey American Dance Theatre (Sweet Release and Here…Now), and Savion Glover (Petite Suite and Spaces). Marsalis collaborated with the Lincoln Center Chamber Music Society in 1995 to compose the string quartet At The Octoroon Balls, and again in 1998 to create a response to Stravinsky’s A Soldier’s Tale with his composition A Fiddler’s Tale. With his collection of standards arrangements, Wynton reconnected audiences with the beauty of the American popular song (Standard Time Volumes I-VI). He re-introduced the joy in New Orleans jazz with his recording The Majesty Of The Blues. He extended the jazz musician’s interplay with the blues in Levee Low Moan, Thick In The South and other blues recordings. With Citi Movement, In This House On This Morning and Blood On The Fields, Wynton invented a fresh conception for extended form compositions. His inventive interplay with melody, harmony and rhythm, along with his lyrical voicing and tonal coloring assert new possibilities for the jazz ensemble. In his dramatic oratorio Blood On The Fields, Wynton draws upon the blues, work songs, chants, call and response, spirituals, New Orleans jazz, Ellingtonesque orchestral arrangements and Afro-Caribbean rhythms; and he uses Greek chorus-style recitations to move the work along. The New York Times Magazine said the work “marked the symbolic moment when the full heritage of the line, Ellington through Mingus, was extended into the present.” The San Francisco Examiner stated, “Marsalis’ orchestral arrangements are magnificent. Duke Ellington’s shadings and themes come and go but Marsalis’ free use of dissonance, counter rhythms and polyphonics is way ahead of Ellington’s mid-century era.” Wynton extended his achievements in Blood On The Fields with All Rise, an epic composition for big band, gospel choir, and symphony orchestra – a classic work of high art – which was performed by the New York Philharmonic under the baton of Kurt Masur along with the Morgan State University Choir and the Lincoln Center Jazz Orchestra (December 1999). Marsalis collaborated with Ghanaian master drummer Yacub Addy to create Congo Square, a groundbreaking composition combining elegant harmonies from America’s jazz tradition with fundamental rituals in African percussion and vocals (2006). For the anniversary of the Abyssinian Baptist Church’s 200th year of service, Marsalis blended Baptist church choir cadences with blues accents and big band swing rhythms to compose Abyssinian 200: A Celebration, which was performed by the Jazz at Lincoln Center Orchestra and Abyssinian’s 100 voice choir before packed houses in New York City (May 2008). In the fall of 2009 the Atlanta Symphony Orchestra premiered Marsalis’ composition Blues Symphony. By infusing blues and ragtime rhythms with symphonic orchestrations Wynton creates a fresh type of enjoyment of classical repertoire. Employing complex layers of collective improvisation, Marsalis further expanded his repertoire for symphony orchestra with Swing Symphony, premiered by the renowned Berlin Philharmonic in June 2010, creating new possibilities for audiences to experience a symphony orchestra swing. Marsalis’ rich and expansive body of music for the ages places him among the world’s most significant composers. Television, Radio & Literary In the fall of 1995 Wynton launched two major broadcast events. In October PBS premiered Marsalis On Music, an educational television series on jazz and classical music. The series was written and hosted by Marsalis and was enjoyed by millions of parents and children. Writers distinguished Marsalis On Music with comparisons to Leonard Bernstein’s celebrated Young People’s Concerts of the 50s and 60s. That same month National Public Radio aired the first of Marsalis’ 26-week series entitled Making the Music. These entertaining and insightful radio shows were the first full exposition of jazz music in American broadcast history. Wynton’s radio and television series were awarded the most prestigious distinction in broadcast journalism, the George Foster Peabody Award. The Spirit of New Orleans, Wynton’s poetic tribute to the New Orleans Saints’ first Super Bowl victory (Super Bowl XLIV) received an Emmy Award for Outstanding Short Feature (2011). From 2012 to 2014 Wynton served as cultural correspondent for CBS News, writing and presenting features for CBS This Morning on an array topics from Martin Luther King, Nelson Mandela and Louis Armstrong to Juke Joints, BBQ, the Quarterback & Conducting and Thankfulness. Marsalis has written six books: Sweet Swing Blues on the Road, Jazz in the Bittersweet Blues of Life, To a Young Musician: Letters from the Road, Jazz ABZ (an A to Z collection of poems celebrating jazz greats), Moving to Higher Ground: How Jazz Can Change Your Life and Squeak, Rumble, Whomp! Whomp! Whomp! a sonic adventure for kids. Awards and Accolades Wynton Marsalis has won nine Grammy Awards® in grand style. In 1983 he became the only artist ever to win Grammy Awards® for both jazz and classical records; and he repeated the distinction by winning jazz and classical Grammys® again in 1984. Today Wynton is the only artist ever to win Grammy Awards® in five consecutive years (1983-1987). Honorary degrees have been conferred upon Wynton by over 25 of America’s leading academic institutions including Columbia, Harvard, Howard, Princeton and Yale (see Exhibit A). Elsewhere Wynton was honored with the Louis Armstrong Memorial Medal and the Algur H. Meadows Award for Excellence in the Arts. He was inducted into the American Academy of Achievement and was dubbed an Honorary Dreamer by the “I Have a Dream Foundation.” The New York Urban League awarded Wynton with the Frederick Douglass Medallion for distinguished leadership and the American Arts Council presented him with the Arts Education Award. Time magazine selected Wynton as one of America’s most promising leaders under age 40 in 1995, and in 1996 Time celebrated Marsalis again as one of America’s 25 most influential people. In November 2005 Wynton Marsalis received The National Medal of Arts, the highest award given to artists by the United States Government. United Nations Secretary-General Kofi Annan proclaimed Wynton Marsalis an international ambassador of goodwill for the Unites States by appointing him a UN Messenger of Peace (2001). In 1997 Wynton Marsalis became the first jazz musician ever to win the Pulitzer Prize for Music for his epic oratorio Blood On The Fields. During the five preceding decades the Pulitzer Prize jury refused to recognize jazz musicians and their improvisational music, reserving this distinction for classical composers. In the years following Marsalis’ award, the Pulitzer Prize for Music has been awarded posthumously to Duke Ellington, George Gershwin, Thelonious Monk and John Coltrane. In a personal note to Wynton, Zarin Mehta wrote: “I was not surprised at your winning the Pulitzer Prize for Blood On The Fields. It is a broad, beautifully painted canvas that impresses and inspires. It speaks to us all … I’m sure that, somewhere in the firmament, Buddy Bolden, Louis Armstrong and legions of others are smiling down on you.” Wynton’s creativity has been celebrated throughout the world. He won the Netherlands’ Edison Award and the Grand Prix Du Disque of France. The Mayor of Vitoria, Spain, awarded Wynton with the city’s Gold Medal – its most coveted distinction. Britain’s senior conservatoire, the Royal Academy of Music, granted Mr. Marsalis Honorary Membership, the Academy’s highest decoration for a non-British citizen (1996). The city of Marciac, France, erected a bronze statue in his honor. The French Ministry of Culture appointed Wynton the rank of Knight in the Order of Arts and Literature and in the fall of 2009 Wynton received France’s highest distinction, the insignia Chevalier of the Legion of Honor, an honor that was first awarded by Napoleon Bonaparte. French Ambassador, His Excellency Pierre Vimont, captured the evening best with his introduction: “We are gathered here tonight to express the French government’s recognition of one of the most influential figures in American music, an outstanding artist, in one word: a visionary… I want to stress how important your work has been for both the American and the French. I want to put the emphasis on the main values and concerns that we all share: the importance of education and transmission of culture from one generation to the other, and a true commitment to the profoundly democratic idea that lies in jazz music. I strongly believe that, for you, jazz is more than just a musical form. It is tradition, it is part of American history and culture and life. To you, jazz is the sound of democracy. And from this democratic nature of jazz derives openness, generosity, and universality.” Jazz at Lincoln Center In 1987 Wynton Marsalis co-founded a jazz program at Lincoln Center. In July 1996, due to its significant success, Jazz at Lincoln Center was installed as new constituent of Lincoln Center, equal in stature with the New York Philharmonic, Metropolitan Opera, and New York City Ballet – a historic moment for jazz as an art form and for Lincoln Center as a cultural institution. In October 2004, with the assistance of a dedicated Board and staff, Marsalis opened Frederick P. Rose Hall, the world’s first institution for jazz. The complex contains three state-of-the-art performance spaces (including the first concert hall designed specifically for jazz) along with recording, broadcast, rehearsal and educational facilities. Jazz at Lincoln Center has become a preferred venue for New York jazz fans and a destination for travelers from throughout the world. Wynton presently serves as Managing and Artistic Director for Jazz at Lincoln Center. Under Wynton’s leadership, Jazz at Lincoln Center has developed an international agenda presenting rich and diverse programming that includes concerts, debates, film forums, dances, television and radio broadcasts, and educational activities. Jazz at Lincoln Center is a mecca for learning as well as a hub for performance. Their comprehensive educational programming includes a Band Director’s Academy, a hugely popular concert series for kids called Jazz for Young People, Jazz in the Schools, a Middle School Jazz Academy, WeBop! (for kids ages 8 months to 5 years), an annual High School Jazz Band Competition & Festival that reaches over 2000 bands in 50 states and Canada. In 2010 the Jazz at Lincoln Center Orchestra established its first residency in Cuba with a rich cultural exchange of performances with Cuban musicians including Chucho Valdes and Omara Portuondo and education programs for kids. Education In 2011 Harvard University President Drew Faust invited Wynton to enrich the cultural life of the University community. Wynton responded by creating a 6 lecture series which he delivered over the ensuing 3 years entitled Hidden In Plain View: Meanings in American Music, with the goal of fostering a stronger appreciation for the arts and a higher level of cultural literacy in academia. From 2015 to 2021 Wynton will serve as an A.D. White Professor at Cornell University. A.D. White Professors are charged with the mandate to enliven the intellectual and cultural lives of university students. Giving Back Wynton Marsalis has devoted his life to uplifting populations worldwide with the egalitarian spirit of jazz. And while his body of work is enough to fill two lifetimes, Wynton continues to work tirelessly to contribute even more to our world’s cultural landscape. It has been said that he is an artist for whom greatness is not just possible, but inevitable. The most extraordinary dimension of Wynton Marsalis, however, is not his accomplishments but his character. It is the lesser-known part of this man who finds endless ways to give of himself. It is the person who waited in an empty parking lot for one full hour after a concert in Baltimore, waiting for a single student to return from home with his horn for a trumpet lesson. It is the citizen who personally funds scholarships for students and covers medical expenses for those in need. Immediately following Hurricane Katrina, Wynton organized the Higher Ground Hurricane Relief Concert and raised over $3 million for musicians and cultural organizations impacted by the hurricane. At the same time, he assumed a leadership role on the Bring Back New Orleans Cultural Commission where he was instrumental in shaping a master plan that would revitalize the city’s cultural base. Wynton Marsalis has selflessly donated his time and talent to non-profit organizations throughout the country to raise money to meet the many needs within our society. From My Sister’s Place (a shelter for battered women) to Graham Windham (a shelter for homeless children), the Children’s Defense Fund, Amnesty International, the Sloan Kettering Cancer Institute, Food For All Seasons (a food bank for the elderly and disadvantaged), Very Special Arts (an organization that provides experiences in dance, drama, literature, and music for individuals with physical and mental disabilities) to the Newark Boys Chorus School (a full-time academic music school for disadvantaged youths) and many, many more – Wynton responded enthusiastically to the call for service. It is Wynton Marsalis’ commitment to the improvement of life for all people that portrays the best of his character and humanity. In 2011 Wynton joined with Harvard University President, Drew Faust to present a series of 6 lectures to the student body over 3 years. The series entitles Hidden In Plain View: Hidden Meanings in American Music was developed to foster a stronger appreciation of the arts and a higher level of cultural literacy amount college students.

Barry M. Staw, Professor Emeritus at the Haas School of Business, talks about his life and career with Frederick P. Morgeson, Eli Broad Professor of Management at the Eli Broad College of Business at Michigan State University.

Barry M. Staw, Professor Emeritus at the Haas School of Business, talks about his life and career with Frederick P. Morgeson, Eli Broad Professor of Management at the Eli Broad College of Business at Michigan State University.

Barry M. Staw, Professor Emeritus at the Haas School of Business, talks about his life and career with Frederick P. Morgeson, Eli Broad Professor of Management at the Eli Broad College of Business at Michigan State University.

Barry M. Staw, Professor Emeritus at the Haas School of Business at the University of California, Berkeley, talks to Frederick P. Morgeson, Professor at the Eli Broad College of Management at Michigan State University and Editor of the Annual Review of Organizational Psychology and Organizational Behavior.

Barry M. Staw, Professor Emeritus at the Haas School of Business, talks about his life and career with Frederick P. Morgeson, Eli Broad Professor of Management at the Eli Broad College of Business at Michigan State University.

Barry M. Staw, Professor Emeritus at the Haas School of Business, talks about his life and career with Frederick P. Morgeson, Eli Broad Professor of Management at the Eli Broad College of Business at Michigan State University.

Barry M. Staw, Professor Emeritus at the Haas School of Business, talks about his life and career with Frederick P. Morgeson, Eli Broad Professor of Management at the Eli Broad College of Business at Michigan State University.

Barry M. Staw, Professor Emeritus at the Haas School of Business, talks about his life and career with Frederick P. Morgeson, Eli Broad Professor of Management at the Eli Broad College of Business at Michigan State University. Read Dr. Staw's perspectives article with our compliments: http://arevie.ws/barrystaw

Barry M. Staw, Professor Emeritus at the Haas School of Business at the University of California, Berkeley, talks to Frederick P. Morgeson, Professor at the Eli Broad College of Management at Michigan State University and Editor of the Annual Review of Organizational Psychology and Organizational Behavior.

Barry M. Staw, Professor Emeritus at the Haas School of Business at the University of California, Berkeley, talks to Frederick P. Morgeson, Professor at the Eli Broad College of Management at Michigan State University and Editor of the Annual Review of Organizational Psychology and Organizational Behavior.

Edgar H. Schein, Professor Emeritus at the MIT Sloan School of Management, talks about his life and career with Frederick P. Morgeson, Eli Broad Professor of Management at the Eli Broad Graduate School of Management of Michigan State University in an interview for the Annual Review of Organizational Psychology and Organizational Behavior. Read the associated article: http://arevie.ws/EdSchein.

Edgar H. Schein, Professor Emeritus at the MIT Sloan School of Management, talks about his life and career with Frederick P. Morgeson, Eli Broad Professor of Management at the Eli Broad Graduate School of Management of Michigan State University in an interview for the Annual Review of Organizational Psychology and Organizational Behavior. Read the associated article: http://arevie.ws/EdSchein.

Edgar H. Schein, Professor Emeritus at the MIT Sloan School of Management, talks about his life and career with Frederick P. Morgeson, Eli Broad Professor of Management at the Eli Broad Graduate School of Management of Michigan State University in an interview for the Annual Review of Organizational Psychology and Organizational Behavior. Read the associated article: http://arevie.ws/EdSchein.

Edgar H. Schein, Professor Emeritus at the MIT Sloan School of Management, talks about his life and career with Frederick P. Morgeson, Eli Broad Professor of Management at the Eli Broad Graduate School of Management of Michigan State University in an interview for the Annual Review of Organizational Psychology and Organizational Behavior. Read the associated article: http://arevie.ws/EdSchein.

Edgar H. Schein, Professor Emeritus at the MIT Sloan School of Management, talks about his life and career with Frederick P. Morgeson, Eli Broad Professor of Management at the Eli Broad Graduate School of Management of Michigan State University in an interview for the Annual Review of Organizational Psychology and Organizational Behavior. Read the associated article: http://arevie.ws/EdSchein.

Edgar H. Schein, Professor Emeritus at the MIT Sloan School of Management, talks about his life and career with Frederick P. Morgeson, Eli Broad Professor of Management at the Eli Broad Graduate School of Management of Michigan State University in an interview for the Annual Review of Organizational Psychology and Organizational Behavior. Read the associated article: http://arevie.ws/EdSchein.

Edgar H. Schein, Professor Emeritus at the MIT Sloan School of Management, talks about his life and career with Frederick P. Morgeson, Eli Broad Professor of Management at the Eli Broad Graduate School of Management of Michigan State University in an interview for the Annual Review of Organizational Psychology and Organizational Behavior. Read the associated article: http://arevie.ws/EdSchein.

Edgar H. Schein, Professor Emeritus at the MIT Sloan School of Management, talks about his life and career with Frederick P. Morgeson, Eli Broad Professor of Management at the Eli Broad Graduate School of Management of Michigan State University in an interview for the Annual Review of Organizational Psychology and Organizational Behavior. Read the associated article: http://arevie.ws/EdSchein.

Edgar H. Schein, Professor Emeritus at the MIT Sloan School of Management, talks about his life and career with Frederick P. Morgeson, Eli Broad Professor of Management at the Eli Broad Graduate School of Management of Michigan State University in an interview for the Annual Review of Organizational Psychology and Organizational Behavior. Read the associated article: http://arevie.ws/EdSchein.

Sermon for the Second Sunday after Christmas Day - The Rev. Dr. Frederick P. Moser, RectorLessons: Jeremiah 31:7-14 Ephesians 1:3-6,15-19a or Matthew 2:1-12 Psalm 84:1-8

Sermon for the Twenty-Third Sunday after Pentecost - The Rev. Dr. Frederick P. MoserLessons:   Judges 4:1-7   Psalm 123   1 Thessalonians 5:1-11Matthew 25:14-30

Sermon for All Saints' Sunday - The Rev. Dr. Frederick P. Moser, RectorLessons: Revelation 7:9-17 Psalm 34:1-10, 22 1 John 3:1-3 Matthew 5:1-12

Sermon for the Eighteenth Sunday after Pentecost - The Rev. Dr. Frederick P. MoserLessons: Exodus 32:1-14Psalm 106:1-6, 19-23Philippians 4:1-9Matthew 22:1-14

Panel Eric Davis (twitter github blog) Charles Max Wood (twitter github Teach Me To Code Intro to CoffeeScript) Discussion 01:36 - Duct Tape Marketing by John Jantsch (Eric) 04:51 - Getting Things Done: The Art of Stress-Free Productivity by David Allen (Chuck) David Allen Company Podcast 06:30 - Time Management for System Administrators by Tom Limoncelli (Eric) 08:47 - The 7 Habits of Highly Effective People by Stephen R. Covey (Chuck) 12:26 - Get Clients Now!: A 28-Day Marketing Program for Professionals, Consultants, and Coaches by C.J. Hayden (Eric) 15:08 - Book Yourself Solid: The Fastest, Easiest, and Most Reliable System for Getting More Clients Than You Can Handle Even if You Hate Marketing and Selling by Michael Port (Eric) 17:09 - 48 Days to the Work You Love: Preparing for the New Normal by Dan Miller (Chuck) 48 Days Podcast 20:10 - The Mythical Man-Month: Essays on Software Engineering by Frederick P. Brooks Jr. (Eric) Peopleware: Productive Projects and Teams by Tom DeMarco (Eric) 24:11 - Rich Dad Poor Dad: What The Rich Teach Their Kids About Money That the Poor and Middle Class Do Not! by Rober T. Kiyosaki (Chuck) 26:29 - Million Dollar Consulting by Alan Weiss (Eric) 28:50 - The Passionate Programmer: Creating a Remarkable Career in Software Development by Chad Fowler(Chuck) 32:18 - Dead Tree Books vs eBooks Tactile feel Convenience Note-taking 39:20 - Managing to-dos Phone apps & email Highlighting Quotes folder Tweets 40:35 - Skipping/Skimming parts of books Book samples 42:57 - Finishing books Reading multiple books at once Reading more than one genre at once 45:09 - Books as mediums for learning 46:52 - Reviewing books Picks Developer depression: Isolation is the biggest problem by Lauren Maffeo (Eric) RubyTapas Episode 4: Barewords (Eric) HandBrake (Chuck) BitTorrent (Chuck) Transmission (Chuck) Transcript [Are you a busy Ruby developer who wants to take their freelance business to the next level? Interested in working smarter not harder? Then check out the upcoming book “Next Level Freelancing: Developer Edition Practical Steps to Work Less, Travel and Make More Money”. It includes interviews and case studies with successful freelancers, who have made it by expanding their consultancy, develop passive income through informational products, build successful SaaS products, and become rockstar consultants making a minimum of $200/hour. There are all kinds of practical steps on getting started and if you sign up now, you'll get 50% off when it's released. You can find it at nextlevelfreelancing.com] [Hosting and bandwidth provided by the Blue Box Group. Check them out at bluebox.net] CHUCK: Hey everybody and welcome to episode 35 of the Ruby Freelancer show. This week on our panel, we have Eric Davis. ERIC: Hello. CHUCK: And I'm Charles Max Wood from devchat.tv and this week, we are going to be talking about… we were looking at like the top five books that we recommend, and I think we are just going to kind of add and just recommend our top books. It's hard for me to make a list of top five and it sounded like Eric had like, four that he'd recommend outright and then it was a tie between another four or five. We'll just kinda see how it goes. Eric, what is your top book? I'm kind of curious to hear about that. ERIC: And by “top” you mean top of the pile of books that's sitting on my desk? CHUCK: Yeah, the one that you would recommend the most, I guess. ERIC: OK. So I think the one that's had the best impact was I think “Duct Tape Marketing” by John Jantsch. It's very much a marketing oriented book, but it has a lot of good like how to run your business and it's just not just marketing but sales and customers and who you are working for and kind of like what services you are providing. And it's kind of an older book. I have used it for many,

Panel Eric Davis (twitter github blog) Charles Max Wood (twitter github Teach Me To Code Intro to CoffeeScript) Discussion 01:36 - Duct Tape Marketing by John Jantsch (Eric) 04:51 - Getting Things Done: The Art of Stress-Free Productivity by David Allen (Chuck) David Allen Company Podcast 06:30 - Time Management for System Administrators by Tom Limoncelli (Eric) 08:47 - The 7 Habits of Highly Effective People by Stephen R. Covey (Chuck) 12:26 - Get Clients Now!: A 28-Day Marketing Program for Professionals, Consultants, and Coaches by C.J. Hayden (Eric) 15:08 - Book Yourself Solid: The Fastest, Easiest, and Most Reliable System for Getting More Clients Than You Can Handle Even if You Hate Marketing and Selling by Michael Port (Eric) 17:09 - 48 Days to the Work You Love: Preparing for the New Normal by Dan Miller (Chuck) 48 Days Podcast 20:10 - The Mythical Man-Month: Essays on Software Engineering by Frederick P. Brooks Jr. (Eric) Peopleware: Productive Projects and Teams by Tom DeMarco (Eric) 24:11 - Rich Dad Poor Dad: What The Rich Teach Their Kids About Money That the Poor and Middle Class Do Not! by Rober T. Kiyosaki (Chuck) 26:29 - Million Dollar Consulting by Alan Weiss (Eric) 28:50 - The Passionate Programmer: Creating a Remarkable Career in Software Development by Chad Fowler(Chuck) 32:18 - Dead Tree Books vs eBooks Tactile feel Convenience Note-taking 39:20 - Managing to-dos Phone apps & email Highlighting Quotes folder Tweets 40:35 - Skipping/Skimming parts of books Book samples 42:57 - Finishing books Reading multiple books at once Reading more than one genre at once 45:09 - Books as mediums for learning 46:52 - Reviewing books Picks Developer depression: Isolation is the biggest problem by Lauren Maffeo (Eric) RubyTapas Episode 4: Barewords (Eric) HandBrake (Chuck) BitTorrent (Chuck) Transmission (Chuck) Transcript [Are you a busy Ruby developer who wants to take their freelance business to the next level? Interested in working smarter not harder? Then check out the upcoming book “Next Level Freelancing: Developer Edition Practical Steps to Work Less, Travel and Make More Money”. It includes interviews and case studies with successful freelancers, who have made it by expanding their consultancy, develop passive income through informational products, build successful SaaS products, and become rockstar consultants making a minimum of $200/hour. There are all kinds of practical steps on getting started and if you sign up now, you’ll get 50% off when it’s released. You can find it at nextlevelfreelancing.com] [Hosting and bandwidth provided by the Blue Box Group. Check them out at bluebox.net] CHUCK: Hey everybody and welcome to episode 35 of the Ruby Freelancer show. This week on our panel, we have Eric Davis. ERIC: Hello. CHUCK: And I'm Charles Max Wood from devchat.tv and this week, we are going to be talking about… we were looking at like the top five books that we recommend, and I think we are just going to kind of add and just recommend our top books. It’s hard for me to make a list of top five and it sounded like Eric had like, four that he’d recommend outright and then it was a tie between another four or five. We’ll just kinda see how it goes. Eric, what is your top book? I'm kind of curious to hear about that. ERIC: And by “top” you mean top of the pile of books that's sitting on my desk? CHUCK: Yeah, the one that you would recommend the most, I guess. ERIC: OK. So I think the one that’s had the best impact was I think “Duct Tape Marketing” by John Jantsch. It’s very much a marketing oriented book, but it has a lot of good like how to run your business and it’s just not just marketing but sales and customers and who you are working for and kind of like what services you are providing. And it’s kind of an older book. I have used it for many,

Frederick P. Ognibene, MD, FCCM, discusses his goals as the Society's president for 2007 as well as his decades-long involvement in SCCM and the critical care community. Dr. Ognibene is director of the office of clinical research training and medical education at the National Institutes of Health (NIH) Clinical Center and the director of clinical research training program, OIR. He also is an attending in the medical intensive care unit at the NIH Clinical Center.

On October 18, at 11 am, New York City Mayor Michael R. Bloomberg, accompanied by Department of Cultural Affairs Commissioner Kate Levin, joined Wynton Marsalis and all the JALC staff in the new Allen Room for an official dedication ceremony, which included a fanfare entitled “The Gift”, composed by “Slide” Hampton. Mayor Michael Bloomberg presented Wynton with a “Jazz at Lincoln Center Month” proclamation in honor of the grand opening of the organization’s new home, Frederick P. Rose Hall.

On October 18, at 11 am, New York City Mayor Michael R. Bloomberg, accompanied by Department of Cultural Affairs Commissioner Kate Levin, joined Wynton Marsalis and all the JALC staff in the new Allen Room for an official dedication ceremony, which included a fanfare entitled “The Gift”, composed by “Slide” Hampton. Mayor Michael Bloomberg presented Wynton with a “Jazz at Lincoln Center Month” proclamation in honor of the grand opening of the organization’s new home, Frederick P. Rose Hall.

On October 18, at 11 am, New York City Mayor Michael R. Bloomberg, accompanied by Department of Cultural Affairs Commissioner Kate Levin, joined Wynton Marsalis and all the JALC staff in the new Allen Room for an official dedication ceremony, which included a fanfare entitled “The Gift”, composed by “Slide” Hampton. Mayor Michael Bloomberg presented Wynton with a “Jazz at Lincoln Center Month” proclamation in honor of the grand opening of the organization’s new home, Frederick P. Rose Hall.

On October 18, at 11 am, New York City Mayor Michael R. Bloomberg, accompanied by Department of Cultural Affairs Commissioner Kate Levin, joined Wynton Marsalis and all the JALC staff in the new Allen Room for an official dedication ceremony, which included a fanfare entitled “The Gift”, composed by “Slide” Hampton. Mayor Michael Bloomberg presented Wynton with a “Jazz at Lincoln Center Month” proclamation in honor of the grand opening of the organization’s new home, Frederick P. Rose Hall.

On October 18, at 11 am, New York City Mayor Michael R. Bloomberg, accompanied by Department of Cultural Affairs Commissioner Kate Levin, joined Wynton Marsalis and all the JALC staff in the new Allen Room for an official dedication ceremony, which included a fanfare entitled “The Gift”, composed by “Slide” Hampton. Mayor Michael Bloomberg presented Wynton with a “Jazz at Lincoln Center Month” proclamation in honor of the grand opening of the organization’s new home, Frederick P. Rose Hall.