Podcast appearances and mentions of heather marie

In this conversation, Monique interviews Heather Stringer, a licensed therapist, about her work with trauma and rituals. Heather shares her experience of using rituals as a form of processing trauma and making it known and significant. She describes a ritual she created for a woman who was reclaiming her femininity and how it helped her embody a new story. Heather emphasizes the importance of involving the body in the healing process and the power of community in supporting and witnessing the ritual. She also discusses the possibility of conducting rituals online and the significance of incorporating simple rituals into daily life.Keywordstrauma, rituals, processing, significance, embodiment, community, healing, online, daily lifeTakeaways Rituals can be a powerful tool for processing trauma and making it known and significant. Involving the body in the healing process is essential, as trauma is a full-body experience. Community support and witnessing are crucial in the ritual process. Rituals can be conducted online, allowing for participation from different locations. Simple rituals can be incorporated into daily life to bring meaning and intentionality. Conducting Rituals Online The Power of Embodiment in Healing "We're capable of entering into the really dark places and calling forth our goodness and our glory." "Ritual interrupts old stories and patterns, allowing for new possibilities." "Rituals provide a tangible reminder of who we are and what we have overcome." Watch this episode video on Spotify or youtube https://youtu.be/nbtAVnjBWjc Learn more about Heather https://www.lifeinritual.com/ Support :Buy Me A Coffee https://www.buymeacoffee.com/TheHealingtraumapodcast Become a friend of the podcast & you will have access to bonus content that may include early access, extended and or additional episodes. Your support helps to cover the practical costs of keeping things running. https://podcasters.spotify.com/pod/show/monique34/subscribe Meet with Monique https://www.thehealingtraumapodcast.com/work-with-monique/

We welcome Heather Marie as a new co-host.  And we start her tenure on the podcast by discussing all things Taylor Swift.  (Yes, we've become Swifties here at the podcast.)

In this episode of #ReadingWithYourKids we are celebrating the Nearly Departed, Long Names and a pair of Creatures named Pickle Juice and Patty Cakes. First up we speak with José Pablo Iriarte, he author of the debut #MiddleGrade #Novel Benny Ramirez and the Nearly Departed. Jose tells us that Benny Ramírez can see dead people . . . Well, one dead person, anyway. A hilarious and heartwarming story about a boy who can suddenly see the ghost of his famous musician grandfather! Jose talks about the book, his hometown of Miami and his thoughts on why tweens love spooky stories! We also welcome Suma Subramaniam, author of My Name Is As Long As A River. Suma tells us this book celebrates how special our names are. She also gives us a look inside the varied cultures of India. Heather Marie closes the show by telling us about her delightful new series inspired by her two puppies Pickle Juice and Patty Cakes. She tells us her dogs went through difficult medical issues as puppies. She started this series to help teach kids to never give up, always be kind and to learn to accept differences in others. Click here to visit our website - www.readingwithyourkids.com 

Message Rella B Here!Welcome to Reading with Rella B! This episode features a sample reading of the early reader chapter book: Pickle Juice & Patty Cakes Ice Cream Adventure by Heather Marie.Join Pickle Juice & Patty Cakes on their whimsical ice cream adventure as they frolic under the morning sun, facing obstacles and indulging in scrumptious ice cream delights. With their tails wagging and unwavering determination, they overcome challenges, spreading joy and experiencing the kindness of others. This heartwarming tale will captivate young readers, teaching them valuable lessons on friendship, kindness, resilience, and the importance of maintaining a positive outlook in life.If you like this book, it can be purchased on Amazon.FREE ACTIVITYSupport the Show.We will begin getting our brains and bodies ready with some stretching and a riddle with Rella, then we will hear the story and shout out our Co-Creators!There are many participation opportunities for the little ones, so please go to RellaBBooks.com or your favorite social channel, if you would like to learn more about those! I send out FREE weekly activities to my newsletter subscribers and followers. Social HandlesFacebook: @RellaBBooksInstagram: @RellaBBooksTwitter: @RellaBBooksPinterest: @RellaBBooksYouTube: @RellaBBooksTikTok: @RellaBBooksWebsite: RellaBBooks.comThanks for listening, toodles!

This Podcast Is... Uncalled For has turned 5 years old!!! Joining us on today's 5th anniversary special are co-host Heather Marie and newest member of the 3-Timers Club Chris Hurt

Bevin Cohen and his wife Heather Marie co-founded Small House Farm, a homestead, garden, family, and bridge to the natural world around them. Bevin writes: “The garden is where we meditate, harvest our seeds and learn about Mother Nature's many wonders. We are avid seed savers, and amateur plant breeders. We believe that each seed is a connection to every grower that stewarded that variety before us – and every rower that comes after us.” Through his books, his educational workshops and lectures, and now through his podcast, Seeds and Weeds, Bevin shares his small-farm big-life heartfelt world view. In our ongoing exploration of who gardeners are, where gardeners are and what they are growing in this world, I am so pleased to be in conversation with Bevin this week. Listen in! Cultivating Place now has a donate button! We thank you so much for listening over the years, and we hope you'll support Cultivating Place. We can't thank you enough for making it possible for this young program to grow even more of these types of conversations. The show is available as a podcast on SoundCloud, iTunes, and Google Podcasts. To read more and see more photos, please visit www.cultivatingplace.com. All photos courtesy of Bevin Cohen, Small House Farm. All rights reserved.

On December 30th, I hosted a webinar called “How Professional Screenwriters Overcome Writer's Block” and I talked about why story structure is so important in getting past this block. This episode addresses questions you asked in our Q&A session that we didn't have time to answer. There's lots of great info here, make sure you watch.Show NotesA Paper Orchestra on Website: - https://michaeljamin.com/bookA Paper Orchestra on Audible: - https://www.audible.com/ep/creator?source_code=PDTGBPD060314004R&irclickid=wsY0cWRTYxyPWQ32v63t0WpwUkHzByXJyROHz00&irgwc=1A Paper Orchestra on Amazon: - https://www.amazon.com/Audible-A-Paper-Orchestra/dp/B0CS5129X1/ref=sr_1_4?crid=19R6SSAJRS6TU&keywords=a+paper+orchestra&qid=1707342963&sprefix=a+paper+orchestra%2Caps%2C149&sr=8-4A Paper Orchestra on Goodreads: - https://www.goodreads.com/book/show/203928260-a-paper-orchestraFree Writing Webinar - https://michaeljamin.com/op/webinar-registration/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Newsletter - https://michaeljamin.com/newsletterAutogenerated TranscriptMichael Jamin:Everyone wants to be a showrunner, which is again, why it's so freakingMichael Jamin:Hard. I want to make all the decisions, but you don't know based on what youMichael Jamin:Don't know what you're doing. Why would you want that? Is it an ego thing you want to tell people you're a showrunner or don't you want to learn? Do you assume? When I was starting off, I didn't want to be a showrunner for 10 years. I didn't want to be a show runner. Like, this is a hard job. I don't know how to do it.Michael Jamin:You are listening to What the Hell is Michael Jamin talking about conversations in writing, art, and creativity. Today's episode is brought to you by my debut collection of True Stories, a paper orchestra available in print, ebook and audiobook to purchase and to support me in this podcast, please visit michael jamin.com/book and now on with the show.Michael Jamin:Hey everyone, welcome back to another episode of What the Hell is Michael Jamin talking about? Well, we're doing another q and a from one of our webinars and my special guest host is Kevin Lewandowski, script coordinator extraordinaire. He helps out with a lot of my projects, social media projects here and he's subbing in for Phil and he's doing a great job. So welcome Kevin.Kevin Lewandowski:Thank you again for having me.Michael Jamin:You screwed it up. You already screwed. No, I'm only messing with you. You're doing great. Thanks.Kevin Lewandowski:Yeah, I'm not going to apologize for not being Phil anymore, so fair Phil. But no, I'm happy to be here and this how professional screenwriters overcome Writer's Block is one of my favorite topics to talk about. Oh good. So I think it's super, super interesting and there's been, when we dive into it, I'll say my favorite line that you always say that just unlocked the excuse sometimes we use for when we have writer's block.Michael Jamin:I'm curious to know what your favorite line is.Kevin Lewandowski:Alright, I have so many Michael Jainism that I think my all time favorite is Shit Happening is not a story.Michael Jamin:By the way, we have that on merch now, guys. Yeah, we do. We got merch and you can go get it@michaeljamin.com/merch where all the crazy things that I say, you can get it on a on mug or a notebook or whatever. We got merge. Go get it. I should have plugged it before, but I forgot. But anyway, these questions came from our last webinar that we did and if you're not on my webinar list, sign up for it's free. Go to michael jamin.com/webinar and you can sign up. You can be invited when we do our next one. And so yeah, Kevin, we had a lot of questions people asked. We didn't have time to get all the questions answered and so here they are nKevin Lewandowski:Here we go. These first couple of questions are going to be about kind of course related stuff. So this first one is from David Zilo. I feel like we see his name a lot. I feel like he comes to these webinars a lot and ask a lot of questions. The question is, how does the story structure change when say a character does not, cannot achieve a goal in the tragic story, for example,Michael Jamin:Doesn't change at all. It's the same old story structure that we use. Whether the character achieves their goal at the end or not, it's the same damn thing.Kevin Lewandowski:Yep.Michael Jamin:The guys you're just asking, he's just asking at the end, what if the last two minutes are different, so what? Nothing.Kevin Lewandowski:Yeah, I think it's always more interesting for me when that character doesn't achieve their goal. I think the breakup with, but yeah, Vince v and Jennifer Ston, they don't stay together in the end. No. It's one of the few rom-coms that I think they decide to go off the beaten path and not haveMichael Jamin:Them end often. We call this the joyful defeat in a movie or the character doesn't get what they want, but they get what they need. Yeah.Kevin Lewandowski:Next question, Rob. Robert, when is the latest the stakes should be made clear?Michael Jamin:The sooner the better because the story does not start until the audience knows what's at stake. And so until then you're boring them and you're daring them to change the channel or read another script or do something else with their time. So the sooner the better, and that's a note you'll get from a network executive. They'll always say, can we start the story sooner? And so wherever you have it, they'll give you that note. If it's on page four, they'll say page two.Kevin Lewandowski:In your experience, is there a realistic, for instance, if they were like, oh, it's on page three, we need it on page two, have you ever run into We just can't. We need a little bit of room to be able toMichael Jamin:SetKevin Lewandowski:SomethingMichael Jamin:Up. Absolutely. And so you'll move it up a little bit, but sometimes there's only so much you can do.Kevin Lewandowski:Yeah. But yeah, like you said, they'll always say, oh, can we start this sooner? Yeah, we'll take a look at it. We'll take a look at that. Coley Marie, can the goal change or appear to change?Michael Jamin:Yeah. Yes. And often it sometimes will. It's like because something happens and what the character thought they wanted is not what they want anymore. So yeah.Kevin Lewandowski:So how do you feel about, because sometimes it's, is there a fear of if you start writing it too much of a change, can it almost feel like, oh, okay, now we're following a different story to,Michael Jamin:It usually happens kind of like an act top of act three with the character discoveries. This thing that I wanted turns out I don't really want any. I got what I thought I wanted and it's not what I want. So that's usually late in the script.Kevin Lewandowski:Yeah. So you're saying in top of act two, if they wanted to,Michael Jamin:It wouldn't be top ofKevin Lewandowski:Act ride a pony at the end of act one. Top of Act two should be like, well, I want to win this prize at the CarnivalMichael Jamin:Now. Yeah, top of act two is one. Well, this is what we teach in the course. What tab of Act two would be, so yeah,Kevin Lewandowski:Arius Kennedy. So should we avoid high stakes conflicts?Michael Jamin:No. The higher stakes are good. High stakes are good. Higher the stakes are better. You want to avoid low stakes conflicts.Kevin Lewandowski:Yeah, low stakes conflicts are not that interesting. Heather Marie, vital, how do we find conflicts for TV shows with main characters without getting stale? That's kind of the job of a writer.Michael Jamin:Yeah, that's right. That's exactly, that's the job without getting stale, it's like, and again, this is not her concern. Concern. Your concern is to do it once and then let's a showrunner worried about it getting stale. Right now your job is to write one great scriptKevin Lewandowski:Are Barry, when it comes to an episodic show, there's the overall show conflict and then the mini conflicts of the episodes. So I'm assuming they're talking about, there's the A story, the B story, the C story,Michael Jamin:Or maybe they're talking about the overall arch of the show. I'm watching Show Gun right now and I'm only on episode one, so it seems like the overarching stories, how is this one? I dunno if he called the futile Lord going to maintain his position in the kingdom, but within each episode he has a challenge that he has to overcome, so to make that larger prop goal happen.Kevin Lewandowski:Meg Parker Wilson, when you are writing a TV show, do you plot out the entire story pilot to finale and then create all those moments episode by episode in terms of the arc and the structure?Michael Jamin:No, it's too much work. It's too difficult. What you really, and again, this is not something that she needs to worry about, but maybe she's just asking me out of curiosity, we'll come up with a pilot and we'll have that pilot broken. We know what that story is going to be and then we have a vague idea of what season one might be. But I'm talking vague, just enough to bullshit our way through this because it'll change when we're breaking the story. As we discover writing and digging into the character, we'll discover something that might be better. So what are we going to do? Not do it just because we said we were talking out of our ass that this other thing was going to be better,Kevin Lewandowski:Right? Yeah. I think Vince Gilian, creator of Breaking Bad, I think he says something very similar. Yeah, we kind of have an idea, but part of going through different story ideas is you discover stuff along the way. Jesse Pinkman was only supposed to be four or five episodes, and then now they realize how much chemistry those two characters had. And could you imagine, would that show have worked if they would've killed off Jesse Pinkman? Because they said, well, we said our pitch, we have to kill em off after five episodes. We have to stick with that.Michael Jamin:I'm always surprised that people don't know that and they're worried about breaking the entire series. It's like, but breaking one episode of television when I'm talking breaking, figuring out what the story is and writing the outline in the script is so much work. How could you possibly do all that in advance and you have a team of writers doing all that work.Kevin Lewandowski:Yeah. Yeah. It's interesting. Sometimes you'll see people that'll talk about, yeah, I have this TV series I wrote and I have the first eight episodes done, and I'm like, oh, that's a lot to do withMichael Jamin:No theyKevin Lewandowski:Don't. One person,Michael Jamin:They really don't. They might have enough for one episode and they broke it up into eight episodes. They don't know any better. That's very common. I thinkKevin Lewandowski:I remember there's another example on friends that one of the writers was talking about. It's probably one of the more iconic moments of the whole series is when Ross is getting married to Emily and Rachel shows up and he ends up, he accidentally says Rachel's name, I Ross take the Rachel. And the writer was saying that wasn't anything we would've ever thought of. It was one day we were rehearsing or something like that. And he accidentally said the wrong name. And as writers, we all laughed and we thought that's super funny. He was like, we had the aha moment of like, oh, we need to include this. And that little moment had so much of a change for the rest of the series. Now it turned into, well, Emily will make them now. Okay. It's clear that Ross is still in love with Rachel and Emily. She's only going to come to New York if Ross stops talking to Rachel. So it was just that little moment of discovery and what would that scene or storyline have been if Ross married EmilyMichael Jamin:And they discovered that by accident and rehearsal and what are you going to do not do with this and that, that moment everyone gasped in the audience and people at home gasped. So what you not going to do it?Kevin Lewandowski:Yeah, and I don't think in their pitch they're like, okay, season five we're going to have Ross marry this British girl, but when he is actually up there, we're going to have him say Rachel's thing. It was just discovery.Michael Jamin:You don't think that far in advanced. You can't. It's too much work.Kevin Lewandowski:Let's see. So this next question from Sarah, there's a bit of terminology from your course, so I'm going to not use that terminology, but does the end of act two have to be in direct relation to the conflict with the introduced in the first act? Can it be attributed to a different relationship conflict?Michael Jamin:No, no, no. Pretty much no. If you're telling one story that's your A story or your act two break to be on the A story. If it's coming out of nowhere and it's like, what's this? It's not going to feel earned. It's going to be like, what's going on?Kevin Lewandowski:Rob, Robert again, how do we make funny? Because it can be so subjective.Michael Jamin:Yeah. One thing I say is in my course, I can't teach you how to be funny. I can maybe teach you how to be a little funnier. I could give you tips that will help you be a little funnier, but if you're not funny, I can't help you be funny. It's okay. You can write drama. There's plenty of work for drama writers and just write what you're really good at. But it is a little heartbreaking. I see sometimes when people, I want to be accommodator, but you're not funny, so you don't have that in you. That's okay. Write some other stuff. Drama's great too.Kevin Lewandowski:Yeah. One of my other favorite things you say, and this wasn't the one I was talking about earlier, is you have to find new ways to say old things in a funny way. Yeah. Every version of a joke has been told to a degree. So how do you make it relevant to today and your story and your characters and make it so it hasn't been heard that way before.Michael Jamin:You know what though? I just got an email from, I don't know how I'm on this list, whatever. I got an email from a writer and she's doing a public appearance and she said, come see me the headline, come see me. I don't bite. And I'm like, oh God, you're supposed to be a writer. Don't tell me you don't bite. That's so unoriginal. That's so clammy. That's not something a writer should ever say. Find a new way to say, I don't bite. I was so unimpressed. I was like, oh God, you just embarrass yourself. Don't do that. You're a writer. You have to find a new way to say old things.Kevin Lewandowski:Yeah. Okay, so these are kind of more craft related questions, Nathan Shapiro, what are the rookie mistakes you see new writers making both in writing as well as from the business side. What is something you wish you had known when you were starting out? And then part two, which I think this is actually part three, do all supporting lead characters need an obstacle and goal? Or is it sufficient that they're simply there to facilitate the main hero's journey?Michael Jamin:This guy's gotKevin Lewandowski:Questions. We'll split this up. So the first part was what are the rookie mistakes you see new writers making both in writing as well as from the business side.Michael Jamin:I mean, a rookie mistake in the writer's room is what we call when they bitch instead of pitch. The expression is pitch, don't bitch. So it's very easy for a new writer to shoot down an idea in the room without having a better one because it's hard to come up with a better one. So that's a rookie thing. I don't care if the idea on the table is bad, if you don't have a better one, shut up because it's what are you there for? You're not a critic. Your job is to make it better, not to say this is bad. AndKevin Lewandowski:Also don't defend your joke if the showrunner doesn't think it's good. If you put something, they're like, ah, I don't really know. Okay, that's it.Michael Jamin:Don'tKevin Lewandowski:Fight for it. Don't just let it go. Think of a better one.Michael Jamin:What was the other question?Kevin Lewandowski:So the next one is, what is something you wish you had known when you were starting up?Michael Jamin:Well, to be honest, everything that I teach in the course, I didn't know any of it.Kevin Lewandowski:Yeah, I think it's just, yeah, I mean, again, Michael's course has unlocked a lot for me and someone that's not a very intelligent person, he really simplifies it.Michael Jamin:Yeah, make it easy.Kevin Lewandowski:It's easy to understand. I don't understand the terminology of progressive complications and sight incidents, all that stuff. IMichael Jamin:Don't understand it either.Kevin Lewandowski:Any sense to me? I won't tell you what the terms are that Michael uses. You'll have to take this course, but they're much easier toMichael Jamin:Understand. Yeah, I think writing should be simple. It's not easy, but it's simple.Kevin Lewandowski:And then the last part of this question, do all supporting lead characters need an obstacle and goal, or is it sufficient that they're simply there to facilitate the main hero's journey?Michael Jamin:Well, often they are an obstacle in the main hero's journey. Sometimes if you don't give 'em too much to play, they can be the Greek chorus, but generally every character in a scene has to have an attitude on something, and if they don't wire in the scene, if they don't have, they're not just there to stand around. Yeah.Kevin Lewandowski:So do you also think when in the context of the story structure that you teach in your class, those B stories that aren't necessarily as emotionally empowering as what the A story is, do you think it should still follow all those structure points or just enough or doesn't really matter?Michael Jamin:No, a b story doesn't carry the same emotional weight as the A story. So it doesn't actually have to carry, it doesn't have to be structured the way an A story is, but stuff does have to happen and it can't be random. It has to be on that story that we're following.Kevin Lewandowski:Okay. Next question. If it's an ensemble cast, like Orange is a new black or stranger things, does each character have to have a stake or only a main character? So very similar to thisMichael Jamin:Question. Yeah, usually you're following. I mean, I haven't watched Stranger Things in a long time. Maybe they have two or three running storylines in each episode. I don't know. They probably do.Kevin Lewandowski:Who is the hero in horror movies like Friday the 13th? Is it Jason or the person who survives at the end?Michael Jamin:Well, you're not rooting for Jason. You're not rooting for him to murder everybody. And again, I haven't seen those Friday the 13th movies, but you're rooting for the person in the summer camp.Kevin Lewandowski:Michael. Is there such thing as an anti-hero?Michael Jamin:Yeah, of course there is, and I talk about that, but the problem is I think it's unnecessarily complicated. What's interesting, an anti-hero and a hero. Why don't you just call it a hero and make it easier on yourself? Oh, because your anti-hero is a little bit unlikeable or a little bit dirty or villainous. Well, that's okay. There's still a hero.Kevin Lewandowski:I think there was an example you used of if you're writing something about the devil, him being what we all think the devil is, that's not interesting. You make him where he has compassion with some things and you give him layers like Sopranos. You talk about the example as well, and I think it's those villains are, they're the hero in their own story. We may not agree with it. They're the hero in their own story though. Yeah,Michael Jamin:I think Tony Swan, I don't think he's an anti-hero. I think he's a hero.Kevin Lewandowski:Okay, next question. Do you have to know the end when you start the story? Can it change?Michael Jamin:And often it does. You'll get often it does. Often it does, but usually when we're breaking a story on the board in the writer's room, no one sent off to outline or script until we know what the ending is. But it's not uncommon to get a draft back and you go, you know what? This ending isn't working. Let's figure out a new Act three.Kevin Lewandowski:And in your experience, do you think for something like the ending doesn't feel right, do you think that was potentially because it wasn't broken in the best way? Or do you think the writer didn't maybe necessarily deliver the dialogue the right way?Michael Jamin:Well, often problems in act three requires solutions in Act one. So in other words, it wasn't set up right. The ending wasn't set up early, and so it's unusual to say, okay, all we have to do is fix Act three. No, you got to fix all of it.Kevin Lewandowski:And that's when you have the really late nights and you do dinner in the writer's room, which everyone hates when that PA comes around is All right. What does everyone want for dinner?Michael Jamin:Yep.Michael Jamin:You are listening to What the Hell is Michael Jamin talking about? Today's episode is brought to you by my new book, A Paper Orchestra, A collection of True Stories. John Mayer says, it's fantastic. It's multi timal. It runs all levels of the pyramid at the same time. His knockout punches are stinging, sincerity, and carcass Review says Those who appreciate the power of simple stories to tell us about human nature or who are bewitched by a storyteller who has mastered his craft will find a delightful collection of vignettes, a lovely anthology that strikes a perfect balance between humor and poignancy. So my podcast is not advertiser supported. I'm not running ads here. So if you'd like to support me or the podcast, come check out my book, go get an ebook or a paperback, or if you really want to treat yourself, check out the audio book. Go to michael jamin.com/book, and now back to our showKevin Lewandowski:From Rachel. It helps to do homework before even writing. Yes. If you're new to fantasy, read some fantasy scripts or books first.Michael Jamin:Sure, a lot as much as you can, but I'd also ask you why you want to write fantasy then, if you've never read any or what's attracting to you, to you if you don't even know anything about it.Kevin Lewandowski:Next question. What's with the job titles that writers end up with? What do the different kinds of jobs actually cover?Michael Jamin:So there's different levels to writers. They're just ranks and in terms of how much it's big pay grades basically. So the lowest level writer is called a staff writer. Even though everyone, it's confusing because every writer on staff is a staff writer, but the lowest level writer has the title of staff writer. Then the next higher up is called story editor, then executive story editor, then co-producer, producer, supervising producer, co-executive producer, executive producer, the executive producer's the showrunner, and so they're the boss and everyone else. They're just different levels that determines how much you're going to get paid. Often it determines how much responsibility you have. If the showrunner leaves the room, often it's the co-executive producer who will run the room in their proxy or they'll do the set, they'll work on the set, they'll do whatever that's based on their experience. But in terms of job responsibilities, other than that, it's really up to the S to determine how much they want. Maybe they'll say if someone's a producer, they may let them go to the set on their own. I mean, it just depends on the showrunner, what they want them to do.Kevin Lewandowski:Yeah. One of the shows I worked on, I think we talked about this in the last podcast, Steve Rudnick, who wrote Space Jam and Santa Claus movies. He was a supervising producer on The Muppets, and he spent a lot of time on set and he really liked it. It's just fascinating to watch how those puppeteers canMichael Jamin:DoKevin Lewandowski:Their stuff. Next question from Steven. Can stream of consciousness work for screenwriting?Michael Jamin:Sounds terrible to me. I'm not a fan of stream of consciousness. I'm not really interested in reading your thoughts. If you're going to take me someplace, take me by the hand and lead me there. To be honest, just going to say it right now, I feel stream of consciousness is masturbatory. I feel like it's for yourself and no one else, but I could be. Someone else may enjoy it.Kevin Lewandowski:So when you say hold my hand, because I think there's also this, people sometimes assume, well, well, I don't want to put that on the page. It's just going to take a page. The audience will get, the audience will understand what I'm going for, and I think is there that fine line of figuring out, okay, what do I need to hold the hand of the audience through versus what do I think they're going to be able to pick up?Michael Jamin:Yeah. I like to write. When I'm writing, I like to check in with the audience, let 'em know. Yeah. When I say hold their hand, let them know. Remind them what's at stake here. This character wants, I'd like to just check. So it's not a mystery. Now, often that's the difference between sometimes you'll see a really smart writing, they won't kind of do that. They expect a little more of the audience. It just depends on what kind of show you're doing. If you're doing a broad silly show, you check in with the audience knowing that that's not what they're there for. They're there for something silly and fun. You got to keep checking in with them. But I just saw a zone of interest, which is really smart, and they didn't check in with the audience, and that might win. The Oscars a wonderful movie also. That's not a movie for the masses. I don't think it's going to be a movie that's a blockbuster. It was a great movie though.Kevin Lewandowski:What are the stakes of 2001 a Space Odyssey?Michael Jamin:God, I haven't seen it in forever. What were the stakes was the guy I am trying to remember. They went on a spaceship. They had a mission, but then the computer was sabotaging the mission and there was going to basically, I think the computer was going to kill them, basically take 'em on a mission that would kill them. Is that that I remember. So the stakes were life or death.Kevin Lewandowski:Those are pretty mistakes.Michael Jamin:And how do we defeat the computer? Who's the boss of the whole thing? How do we fool the computer? I believe that's what it was, right? It was a long time ago.Kevin Lewandowski:Yeah, it's been a while since I've seen that, and I guess if they don't, they die.Michael Jamin:I think so, yeah.Kevin Lewandowski:Next question. How would you recommend doing a man versus a system conflict, like perhaps is seen in Cool Hand Luke?Michael Jamin:Well, I mean, yeah, that was the whole thing. He wanted to get out of prison. They were trying to, and again, I haven't seen that in 10, 12 years. I don't remember. He was in prison and the system was trying to break him down. Right? That's like anything you escape from Alcatraz to the same thing. How do we get out of this prison? So yeah, but I'm trying to remember in Cool Luke, there was probably a face to the system. It wasn't like a system. I'm guessing it there was a warden or something, or there were other inmates who was the face of the system trying to remember. They called me off guard.Kevin Lewandowski:Yeah. So I was thinking about when you said I was Shawshank Redemption, and I think it's, yeah, there's the system, but then kind of the warden represents the system. In that context,Michael Jamin:There was the warden and then the warden's proxy, the guard, and there were definitely, it wasn't so much the system. They were faces of the system. Yeah.Kevin Lewandowski:Okay. Can the conflict be hidden from the hero? The hero thinks they want control money, but they really don't want to be alone because they were abandoned as a kid.Michael Jamin:Well, I mean, all of that is fine, but your hero is not going to want a hero. Wanting money is not a reputable goal. Who cares? So what your hero wants it sounds like, is companionship. If they're abandoned or or whatever. That's what they're really wanting. So yeah, I mean, all of that is fine, but I'm not sure why it's not hidden for the, yeah,Kevin Lewandowski:I think thinking about breaking bad, I think a lot of people would think, well, Walter White wanted money. No, that'sMichael Jamin:Not what he wanted. Walter White wanted to provide for his family. He was going to be dead soon, so it wasn't the money he wanted. What he wanted was very reputable. He wants to give his family something so they could live when he's dead to, because he can't provide for them. So it wasn't like he wanted a new Ferrari,Kevin Lewandowski:And I think that slightly eventually morphed into he just wants to maintain being powerful.Michael Jamin:Well, then it turned into something else. Then he went down this path of it was about power and control, and he went down that, but that was only seasons into it.Kevin Lewandowski:AI and equalizer for skill and creativity in this competitive era of artists?Michael Jamin:I don't think so. I think ai, I guess it's a cheat code if you want to be a writer, if you wanted to be a race car driver, you'd learn how to race, car drive, and you'd go to courses and classes and you'd be really good at shifting and all that stuff and understand the apex of a curve and how to attack a curve. Or I suppose you could get behind the wheel of a Tesla and put it on autopilot and you could just fall asleep. But why do you want to be a race car driver then if that's what you aspire to do? Do you just want to be a dummy in the wheel of the car?Kevin Lewandowski:I think one of the other things you always say too is AI may never be able to write true human emotion and never be able to really write what my personal stories have been my life. And I think until it can do that, I think we're fine.Michael Jamin:Yeah, we'll see. They're doing some, I guess, crazy amazing things, and I don't know. We'll see. But I'm not sure. I don't know why you or any other aspiring writer would want that. I would think you would want to root against that.Kevin Lewandowski:Oh yeah.Michael Jamin:I think, don't you want to write stories? Don't you want to be the author of the stories, don't you? Isn't that why you want to be a writer, to take what's inside of you and express it in a way that entertains people? Or do you want to be just the person who plugs the computer in the morning and say You're a writer?Kevin Lewandowski:And I think about the writer strike we all went through, and that was a huge topic of conversation, and writers took a sacrifice to stop this from happening to help protect writers that are going to be coming up. And I think it's probably going to be an ongoing battle for a while.Michael Jamin:Yeah, the world's changing fast. Yeah. Scary.Kevin Lewandowski:Yeah. Too fast.Michael Jamin:Yeah, too fast.Kevin Lewandowski:Is it possible to have two showrunners attached to one project, the creator of the show, and one more experienced showrunner?Michael Jamin:No. I mean, they're not going to be equal. I mean, I suppose anything's possible, but it's very unlikely. I've been on shows where someone, a younger writer created it and then they assigned a showrunner. And the showrunner on that one show, the showrunner was very gracious, and he included this young writer and a lot of the decisions, and it wasn't like he made it a partnership as best as he could, but at the end of the day, he was still the boss. Someone has to be the boss, but he was very gracious about how he treated this young writer and he really wanted to mentor him. But again, when you're a mentor, that means more than the other person.Kevin Lewandowski:And you and Seaver have run shows together, right?Michael Jamin:Yeah. But we're a partnership, so that's a little different. But this person is talking about one person created another one. Everyone wants to be a showrunner, which is again, why it's so freaking hard. I want to make all the decisions, but you don't know based on what you don't know what you're doing. Why would you want that? Is it an ego thing you want to tell people you're a showrunner or don't you want to learn? Do you assume? When I was starting off, I didn't want to be a showrunner for 10 years. I didn't want to be a showrunner. This is a hard job. I don't know how to do it. And then you get to the point in your career where it's like, it's either that or unemployment. So I'm like, all right, sign me up for showrunner.Kevin Lewandowski:What, even with that, the rooms I've been in, you just see how many meetings that the showrunners have to be in that aren't necessarily directly related to the writing and the story. It's costume stuff, it's hair and makeup stuff. It's set pieces. It's all these different things that they have the final, final approval on andMichael Jamin:And that's the easy part, all that stuffKevin Lewandowski:Breaking in. Any advice for being hired in a writer's room without coming up with an original show idea? Or do you have to bring an original idea to an interview?Michael Jamin:No, you don't have to. You can write a script on an existing show. You can write a great Game of Thrones spec script, and as long as the showrunner wants to read it and thinks it's great, you're hired.Kevin Lewandowski:Yeah. Do you think in today's world, from what I've heard, spec scripts sort of aren't really a thing anymore. Do you think a lot of that has to do with just because there's so much out there that if I'm like, here, Michael, here's a specs on whatever show, there's a real chance that I've never heard of the show.Michael Jamin:Yes, that's exactly, and that's why, that's why I think it's unfair. I mean, life is unfair, but that's why I think it's harder today than it was back when I was breaking in. Because you could write a spec sip on an existing show on er, and everyone knew what ER was. Yeah.Kevin Lewandowski:It's interesting too, because then I've heard you say this too before, if you're running whatever show and it's in season two or season three, and you're interviewing me and you read my original pilot, you're more like, well, this is great, but I want to know, can you write my show? That's what I want you for. Your original pilot is cool, has nothing to do with my show. I want to know. Can you write my show? Do you have the character's personalities down?Michael Jamin:And it's harder to create an original show, a pilot. It's much harder, I feel, than creating a spec script of an existing show. That's the days we live in. What are we going to do?Kevin Lewandowski:Yeah, I think that might've been all of our questions for right now, but I did want to say, so the one thing I always take away when we talk about this is when writers overcome writer's block, something you always say is Writer's block isn't really a thing for professional writers. You don't get to say, I'm going to go to the beach for three days and clear my head. And if you're really struggling with the writer's block, chances are you don't necessarily have the structure down to a point. And that'll help unlock a lot of problems for you. And that's what Michael scor teaches is those structure points and what you need to know. And I think there's little instances of writer's block where if I'm just kind of like I'm a little frustrated, go for a walk for 15, 20 minutes, and I live by a mall here in Glendale, and it wasn't too long ago, I remember I was walking and I was just thinking about something.I saw these two people, and it looked like it was a boyfriend and a girlfriend, and she had her Starbucks, and she was taking a picture of it, and someone bumped into her and she dropped it everywhere. And I just happened to see this interaction. And the guy, his reaction was kind of like, well, and I thought that was so fascinating because I was like, okay, what's the relationship between these two people? Because this is definitely not a first date. Because if it was a first date, he'd be like, oh my gosh, let me go get you a new one. And so then I was like, okay, so have they been dating for a while? Okay, then it's like, okay, well, if that was his reaction, has this happened so many times? He's just sick of her shit, always posting it to Instagram. He's like, I told you this was going to happen.And then I start kind of building this story in my head of what if this is her moment where she's like, I'm going to break up with you. This is bullshit. You're laughing at something bad. That happened to me. And I remember coming back to my apartment that day, and I felt like more just relaxed and calm. I saw this live event unfold that I don't think anyone else was watching, but I just happened to see this unfold. And I don't think that was anything I could have really written. I think I would've wrote like, oh, she drops it. He picks it up. He wants to impress her because he wants to get laid later. But his reaction was like, yeah, I told him this shit happens all the time. Stop taking pictures. Just drink the damn coffee.Michael Jamin:Yeah, it's good. You're observing. That's what you should be doing.Kevin Lewandowski:It's good. When I worked at a theme park,Get a lot of material there from people, a lot of different personalities, I used to jot down a lot of stuff I used to see and just how people would interact. And it's nice to, when you kind of feel those moments of writing and you're kind of stuck, go back to those notes you took in that can help unlock something. I know you always show on your webinars, you have your black notebook that you've been carrying around your entire career and things people have taught you along the way, and you write 'em down in there. And that's just, that's gold right there.Michael Jamin:Yeah. Write it down. Keep a list of your, like what you're saying. Those specific things are just interesting.Kevin Lewandowski:And because you always say too, when you're driving, you don't really listen to the radio or anything. You just kind of talk with notes on your phone just to get it out there and start thinking about it. AndMichael Jamin:Yeah, if I'm working on a story, I won't listen to the radio. I'll just obsess over this one moment I'm trying to fix in the story. And if I get it, great. Now, that was my writing for that morning was fixing that one problem. Yeah.Kevin Lewandowski:Well, I think that is all we have question wise, Michael. WeMichael Jamin:DidKevin Lewandowski:It. We did it.Michael Jamin:We did it. Thank you everyone. What else do we got to talk about? If you want to come to our free screenwriting webinars, you could sign up at michael jamin.com/webinar if you'd like to. I got a newsletter. Get on that Michael jamin.com/newsletter. And of course, we're unplugging my book, which I worked on for four and a half years. It's called the Paper Orchestra, and it asks the question, what if it's the smallest, almost forgotten moments that are the ones that shape us most? And someone asked me on the live, if I could explain it a little better what it is. And I think what the book, one way to explain it is imagine they're very personal and intimate stories, and I'm sharing them as if, imagine me reading my diary, but performing it out loud knowing that you are going to be watching it. And so I'm going to say it in a way that's going to be entertain you, but it's still my diary. But it's structured in a way, so it's like, I know I have an audience here. And so that's kind of what it is. They're stories, they're true stories, but hopefully they're told in a way that is engaging and makes you laugh and hopefully makes you feel something. It's more importantly.Kevin Lewandowski:Yeah. Yeah. So go to michael jamin.com, check out his book. There's a bunch of, just go to his website, michael jamin.com, click around. There's webinars, there's the podcast. Get uploaded there. There's a couple of free lessons you can download, scripts he's written. There's so much there. And like he said, that you can get his book there and you can get a signed copy from him on his website. And it's Amazon. It was when you originally launched it, it was number one in five different categories on Amazon, so it was pretty wild. So yeah, check out the book, join the class, join our webinars, follow Michael on social media. He's still giving out free tips and trying to help people. And yeah, that's all I got.Michael Jamin:Excellent. Alright. Thank you Kevin. Great job. And if they want to follow you, Kevin, where do they follow you on social media?Kevin Lewandowski:Yeah, so it's Kevin Lewandowski. It's a long last name, I'm sure after you just type the first five letters, it'll pop up.Michael Jamin:Excellent. Alright everyone, until next week, keep writing.Michael Jamin:Wow. I did it again. Another fantastic episode of What the Hell is Michael Jamin talking about? How do I do it week after week? Well, I don't do it with advertiser supported money. I tell you how I do it. I do it with my book. If you'd like to support the show, if you'd like to support me, go check out my new book, A Paper Orchestra. It asked the question, what if it's the smallest, almost forgotten moments that are the ones that shape us most? Laura Sanoma says, good storytelling also leads us to ourselves, our memories, our beliefs, personal and powerful. I loved the Journey, and Max Munic, who was on my show says, as the father of daughters, I found Michael's understanding of parenting and the human condition to be spot on. This book is a fantastic read. Go check it out for yourself. Go to michael jamin.com/book. Thank you all and stay tuned. More. Great stuff coming next week.

Heather Marie Fraser speaks on the matter of white Republicans calling Black conservatives racist because we talk about race.

Award Winning Children's Picture Book! The Golden Wizard Book Award 2023 Dive into the whimsical world of Pickle Juice & Patty Cakes! Pickle Juice & Patty Cakes Ice Cream Adventure is a book written in lyrical rhyme that will be adored by children, book lovers, teachers and parents. Embark on a sun-filled escapade with Pickle Juice and Patty Cakes in "Pickle Juice & Patty Cakes' Ice Cream Adventure"! Follow these adorable pals as they frolic under the morning sun, encountering obstacles and savoring delightful ice cream treats. With wagging tails and unwavering determination, they overcome challenges, spreading joy and experiencing the kindness of others. Find this book at: Pickle Juice & Patty Cakes Ice Cream Adventure (THE ADVENTURES of Pickle Juice & Patty Cakes) https://a.co/d/4i7zF34 --- Send in a voice message: https://podcasters.spotify.com/pod/show/slothslovetoread/message

Which diet will work better, Plant based or Keto? Big Wayne joins the show. Author PT Rivers joins the show to talk about her book about, The Schmitt Brothers. An introduction of Heather Marie, local business owner and actor. Guests: Wayne Stiegelman, Heather Marie

More from local business owner and actor, Heather Marie, on the show and there may be a game show in the future? Check out her website!! Check out Maino and The Mayor on Facebook!! Guest: Heather Marie

In the depths of spring we have been called to lean into our health rituals more and what better time to talk about Ayurveda! We are joined by special guest Heather K. Marie who is an advanced Ayurvedic practitioner and esthetician. Key Takeaways: What Ayurveda is and how you can learn your Doshas Supporting your health, wellness, mind and spirit with Ayurvedic practices The power of panchakarma In person healing vs being focused on only digital connection Abhyanga oil massage and Durga Puja Heather's Human Design chart reading Links:   Heather K. Marie Somamountainrejuvenation.com Instagram: @somamountainrejuvenation   DayLuna: Get our book: Your Human Design! Your Human Design Besties Online Human Design Reader Training   Join us as Transcendence Fest Dec 8-10 2023 Use code: DayLuna for 10% off!   Physical Products & Ritual Kits Digital Products & Video Courses   www.daylunalife.com Instagram Book a Reading Here!

Heather Marie is a massage therapist in Texas talking with me about employment avenues in our industry. You can find her on instagram. Find out more about Robert Gardner on his website. Subscribe to your Free trial video education here.

In Jodielynn's words, her friend Heather, "... is an amazing woman, she is sweet and kind and one of my best friends. She is the one who taught me to channel. She is married, no kids yet, and recently relocated to Texas. She had a very successful business in a completely different industry but left it to pursue her calling. She has done shaman training and so much other training over the last decade." We get a strong taste of that calling in this episode as Heather trans-channels God.  Yes, you read that right. God. And the main message that comes through is, "I am you and you are me." Heather's website:  https://www.mysoulgate.com/ Follow LOA Today: https://www.loatoday.net/follow

Two Roads Hat Co - https://tworoadshatco.com/ Foxedge Beard & Hair Products - https://stephenadkins.us/shop In episode 5 of Suit Up with Stephen Adkins, Stephen welcomes a fellow spokesperson in the Richmond Fashion Week Heather Marie Van Cleave (Heather Marie Speaks), who shares her amazing story of overcoming severe traumas and terrible situations and on to how she won Miss Virginia in 2021. This episode shares loads of fashion tips, business and entrepreneur advice, mental health and trauma best practices, and much, much more. You don't wan to miss it! Heather Marie Speaks Socials: https://www.instagram.com/heathermariespeaks/ Who is Stephen Adkins? Suit Up with Stephen Adkins is a podcast all about fashion, entrepreneurship, lifestyle, the Silver Fox Squad, and how to be the best man you can be. Stephen Adkins is an Army Veteran, entrepreneur and in recent years, a big player in the fashion industry. He has worked as an ambassador with many brands to help promote products and grow sales in the fashion industry, and also is on the board of directors for fashion shows up and down the east coast to help train models and grow careers in the space, and has amassed over 260k followers across his social media platforms in the process. Stephen is also a member of the internationally famous men's group, the Silver Fox Squad, made up of 11 men who will be dressed to impress and want to shed light on what being a good man really means, as well as give back to the community in various ways. The Silver Fox Squad has appeared on many television outlets, including the Steve Harvey show Steve on Watch, as well as many appearances in magazines and other fashion outlets. Suit Up with Stephen Adkins will be a weekly show that airs every Friday around 12pm right here on Morrisette Media. We appreciate your support on this new journey with Stephen! Stephen Adkins Socials: https://www.instagram.com/adkins.stephen https://www.tiktok.com/@stephen.adkins Website: https://stephenadkins.us Support the show on Patreon! https://www.patreon.com/user?u=76985117 Want to sponsor the show? Click here for business inquiries https://forms.gle/d4Yw6S9jEttgjeaA8 Everything else: https://linktr.ee/suituppodcast Morrisette Media Socials - IG - https://instagram.com/morrisettemedia Site: https://morrisettemedia.com Morrisette Media is a digital media/marketing agency based in Richmond, VA, that specializes in the creative side of marketing and branding. We love to work with small to medium-sized businesses to help grow and promote their brand to their target customers through highly thought-out commercial videos and photos.

This week, Jenny and Jenny took a break from recording..so we enlisted our good friends at PCDD to help us! You will learn more about the Circleville and Pickaway music scene and also where to find the best chili at the Pumpkin Show! Thank you, ladies! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/jennyjennyroundtown/message

On June 17, 1977, 3 young girls were murdered at their GirlScout camp, in Mayes County, OK. Gene Leroy Hart was eventually arrested for the crime, but shockingly, a jury acquitted him in 1979. DNA testing has finally confirmed Hart's guilt. https://en.wikipedia.org/wiki/Oklahoma_Girl_Scout_murders?fbclid=IwAR2HSARGvxk63D6WyXo6h50cWWjWlEs5iE6hnixq42OxjCDUR-hxsX050mQ https://www.koco.com/article/oklahoma-girl-scout-murders-1977-latest/39871676?fbclid=IwAR1kh8WPW7dBSD_cmYViD-IRqXYRaBHJ-fnffNyNHlHILrQuUOTI8uQW4Zg https://www.koco.com/article/oklahoma-girl-scout-murders-suspect-gene-leroy-hart/39871694?fbclid=IwAR072OX0liYIxr6lR7_kq_EfTzuCkjKhnSvlAJKHSCeATMFlDFgL_59tGI0 DNA For Win- Diane Lynn Dahn https://www.cnn.com/2022/03/18/us/san-diego-cold-case-solved/index.html?fbclid=IwAR0QGgLciQqfkNcrJhcAUAy_lb-pryuvZ364hokJMeSMLDhuI94iooigMU0 MMIW- Heather Marie Underwood https://www.namus.gov/MissingPersons/Case?fbclid=IwAR3b-0rDVZv5ukqhmkXy5nXs_CrDKFJ4tS_NqU_UjcNW1ee_OSD62ub9VCY#/77367/details?nav SUBSCRIBE: https://www.youtube.com/channel/UCd85RJRW6kn51aM2un6ButA/featured *Social Media Links* Facebook: www.facebook.com/truecrimeparanormalTPS Facebook Discussion Group: https://www.facebook.com/groups/215774426330767 Website: https://www.truecrimeparanormalpodcast.com/ TikTok: https://www.tiktok.com/@truecrimeparanormal Our Latest Video: https://youtu.be/igRpA_OoHEM Check Out Some of Our Previous Uploads! Check Out Some of Our Previous Uploads! Amir Locke, Mike Malloy, and the Fred Meyer Shooter https://youtu.be/33shsbTNcPw The Missing Fort Worth Trio, The Doodler, and Kevin Dugar and Carl Smith https://youtu.be/SG_XbAb7jaQ Means gets...mean! https://youtu.be/IVB8rLe8e1E True Crime Paranormal on Spotify https://open.spotify.com/show/5gIPqBHJLftbXdRgs1Bqm1 True Crime Paranormal on Apple https://podcasts.apple.com/us/podcast/true-crime-paranormal/id1525438711?ls=1 Kristi's Crystal Shop https://www.ehcrystals.com/

Join Brian and Bill as they chat with Heather Marie Stur, one of the most cutting-edge Vietnam War and war and society studies historians in the United States. Dr. Stur earned a Ph.D. in History at the University of Wisconsin after earning a B.A. and M.A. in History at Marquette University. She is the Moorman Distinguished Alumni Professor of the Humanities and Professor of History at the University of Southern Mississippi, where she is also the Director of Graduate Studies in History and the Co-Director of the Dale Center for the Study of War & Society. She is the author of Saigon at War: South Vietnam and the Global Sixties (Cambridge 2020), The U.S. Military and Civil Rights Since World War II (ABC-CLIO 2019), and Beyond Combat: Women and Gender in the Vietnam War Era (Cambridge 2011). She is also co-editor of Integrating the U.S. Military: Race, Gender, and Sexuality Since World War II (Johns Hopkins 2017). Dr. Stur's articles have appeared in the New York Times, Washington Post, BBC, National Interest, Orange County Register, Diplomatic History, and other journals and newspapers. She has presented and lectured at conferences and universities all over the world. In 2013-14, Dr. Stur was a Fulbright scholar in Vietnam, where she was a visiting professor on the Faculty of International Relations at the University of Social Sciences and Humanities in Ho Chi Minh City. She is currently writing a book about the U.S. Army's 3rd Infantry Division and the 2003 invasion of Iraq. We'll ask Heather about how she got interested in history, living in Ho Chi Minh City for a year, and the rise of women in the military history field. We might find out her favorite Vietnamese street food as well, so join us! Rec. 10/28/2021

Link to register: https://onrealm.org/MarcusPointeBap/PublicRegistrations/Event?linkString=YjRmMDU4YmUtNWFkNC00ZmMwLTg4ZmMtYWQ3NTAxMjA2Yjc5   *Conference is November 13th, 2021 in Pensacola, FL hosted by Marcus Pointe Baptist Church. *Event kicks off at 9am and is officially over at 4:30 pm with dessert and coffee to follow. *Childcare is available for 1 y/o's to 5th grade if needed as long as you REGISTER BY November 1st!!!  *Email truthrising21@gmail.com if a sponsored ticket is needed or call Marcus Pointe. *Special performance of "Patriot Belle" by Heather Marie at conference!!!! *BIG GIVEAWAY'S at conference to include a 3 night Pensacola Beach Condo stay!!!!!   We sponsor this podcast ourselves by means of doTERRA

Are you wondering if other Cysters are experiencing the same symptoms and difficulties with their PCOS journey? On this episode, Heather Marie, a fellow Cyster, joins us to discuss her journey with PCOS! You'll learn all about her diagnosis, the steps she took, and what ultimately worked for improving her symptoms, losing weight, and thriving with PCOS! You can follow Heather Marie on Instagram and ask her your own personal questions! --- Join us in The Cysterhood, a community of women learning how to manage PCOS & lose weight, Gluten and Dairy Free! What's Your PCOS Type? Instagram: (@PCOS.Weightloss) & (@A.Cyster.and.Her.Mister) Ovasitol: 15% OFF prc code 292660 Lab kits to help you find the root causes of your PCOS! While Tallene is a Registered Dietitian and Sirak a Personal Trainer, this podcast provides general information about PCOS. It is not meant to serve as fitness, nutrition or medical advice related to your individual needs. If you have questions, please talk to a medical professional. For our full privacy policy, please click on the following link: (Privacy Policy). Links included in this description may be affiliate links. If you purchase a product or service with the links that we provide, we may receive a small commission. There is no additional charge to you! Thank you for supporting our channel so we can continue to provide you with free content each week!

The CPG Guys, Sri & PVSB, are joined in this episode by Josh Blacksmith, Senior Director of Global Consumer Relationships & Engagement at Kimberly-Clark, a manufacturer of household paper and personal care products.Follow  Josh Blacksmith on LinkedIn at: https://www.linkedin.com/in/josh-blacksmith/Follow Kimberly-Clark on LinkedIn at: https://www.linkedin.com/company/kimberly-clark/Follow Kimberly-Clark online at: https://www.kimberly-clark.com/en-us/Josh answers these questions:1) Let's start with a broader industry perspective. What are some of the emerging consumer relationship capabilities that have your interest and how are data, creative and technology enabling them? 2) How do you think about investing against these capabilities? Where do you see brands making trade-off and sourcing funding from traditional investment areas?3) The pandemic had a profound impact on brand loyalty as product availability was severely challenged. Switching became a necessity to ensure consumers could satisfy their needs. What best-in-class examples come to mind in how brands effectively managed consumer relationships to minimize the negative impact on share of wallet during the last 1.5 years? What categories do you still see facing this challenge?4) How important is first-party consumption data to the art of consumer relationships? How do brands go about sourcing this information? Are retailers a viable source and what limits do they typically present? Assuming you can source it, what are some of the core applications for this data?5) Retail media is all the rage in the CPG industry. Brands are rapidly expanding or reallocating budgets to invest in Walmart Connect, Amazon Advertising, Kroger Precision Marketing, Instacart and the like. Are they all “walled gardens?” How, if at all, do these closed loop platforms provide brands with opportunities to build consumer relationships. Are there specific capabilities you are hoping will emerge in these platforms to assist brands in enabling consumer relationships?6) Are marketing mix analytics still all-encompassing and relevant in today's unified commerce environment? How does consumer experience play into brand KPIs?7) DTC is a serious consideration for CPG brands. This is a major challenge for perishable manufacturers. But even for non-perishable goods, investing against the supply chain capabilities can be very daunting for organizations designed to ship pallets to retail warehouses. KCC has taken a different approach, partnering with Shoppable. We previously had Shoppable's CEO Heather Marie udo on our podcast. What has been the appeal to KCC for this CX?DISCLAIMER: The content in this podcast episode is provided for general informational purposes only. By listening to our episode, you understand that no information contained in this episode should be construed as advice from CPGGUYS, LLC or the individual author, hosts, or guests, nor is it intended to be a substitute for research on any subject matter. Reference to any specific product or entity does not constitute an endorsement or recommendation by CPGGUYS, LLC. The views expressed by guests are their own and their appearance on the program does not imply an endorsement of them or any entity they represent.  CPGGUYS LLC expressly disclaims any and all liability or responsibility for any direct, indirect, incidental, special, consequential or other damages arising out of any individual's use of, reference to, or inability to use this podcast or the information we presented in this podcast.

Heather Marie has been in several bands over the years, and once opened for Train, but her voice once she came to San Diego in 2003. Gary talks to Heather about her beginnings in the music business, writing songs, current projects and more. She performs three original songs as well.

In this episode of The CPG Guys podcast, Sri & PVSB speak with Heather Marie Udo. the founder & CEO of Shoppable, a distributed commerce technology company with a suite of e-commerce products surrounding Shoppable's patented, universal checkout API. Shoppable's solutions enable advertisers, retailers, and publishers to create shoppable sites, content, ads, videos, mobile apps, recipes and other innovative commerce. The CPG Guys have partnered with Shoppable to report on this solution that provides brands all of the benefits of a 1P customer relationship without being the merchant of record.Please provide feedback to the CPG Guys here: http://ratethispodcast.com/cpgguysIn this episode, Heather answers the following questions:Take us through the founder's journey of how shoppable was founded a decade ago?  What gap in the industry does shoppable fulfill? How has the journey been? No one wins without failures and learning from them? Was this easy, has everything changed during covid? What are lessons learned you would share with other aspiring entrepreneurs?Tell us about how retail partnerships were formed? Who are your retail partners?  How do retailers benefit from this?It sounds like you started working with publishers when you first launched. When did you start working with CPGs and is shoppable a full DTC solution?How did you scale the platform over time? What are the specific features of shoppable?Which categories or types of brands is shoppable suitable for? Let’s talk about the all important topic of data & insights. DTC is usually anchored for data and consumer/shopper relationships. Does shoppable work towards collecting data and harnessing it?To learn more about Shoppable, visit http://www.shoppable.comShoppable YouTube channel.Part 3 of the series (released next week) will feature Shoppable's client GSK.CPG Guys Website: http://CPGGuys.comInstagram: http://instagram.com/pvsbondTwitter: http://twitter.com/cpgguysLinkedIn: http://www.linkedin.com/company/cpgpodcastMedia Kit: http://tinyurl.com/cpgguysmedia DISCLAIMER: The content in this podcast episode is provided for general informational purposes only. By listening to our episode, you understand that no information contained in this episode should be construed as advice from CPGGUYS, LLC or the individual author, hosts, or guests, nor is it intended to be a substitute for research on any subject matter. Reference to any specific product or entity does not constitute an endorsement or recommendation by CPGGUYS, LLC. The views expressed by guests are their own and their appearance on the program does not imply an endorsement of them or any entity they represent. The views expressed by the CPGGUYS, LLC do not represent the views of their employers or the entity they represent.CPGGUYS LLC expressly disclaims any and all liability or responsibility for any direct, indirect, incidental, special, consequential or other damages arising out of any individual’s use of, reference to, or inability to use this podcast or the information we presented in this podcast. 

GritCON Expand Cast Season 2 Episode 5 Business Owner Mother Survivior Singer Motivational Speaker Small Business Advocate Miss Richmond 2021 Heather has traveled the world and risen above adversity to help others in the community around her. She's a leader who's heart knows no bounds, and yet keeps her life in high operational tempo while at the same time factors in self care for her self worth. She advocates for self love in tough times. Learn more about her journey in this episode. --- Support this podcast: https://podcasters.spotify.com/pod/show/gritcon/support

Interview with Heather Marie, hosted by Dave Shearer, produced by Jon Taverner. Heather shares how an image of an angry God dominated her life until God broke through to reveal His true nature to her through many trials she endured.

Interview with Heather Marie, hosted by Dave Shearer, produced by Jon Taverner. Heather shares how an image of an angry God dominated her life until God broke through to reveal His true nature to her through many trials she endured.

In this episode, we have Heather Marie Annis.And we are continuing our conversation about starting a business. In a previous episode, Heather's message was: Just Start. In this episode, Heather shares in full detail how she and her partners grew their Theatre Company. Heather and her partners have performed their shows all over the world. I love how Heather creates her businesses and I really wanted you all to hear from her about her style of business and the way that she lives her life! Heather’s message is: Start Small. You'll Figure It Out Along The Way. Women tend to have a lot of responsibilities….many different responsibilities! Because we feel we do not have time or the luxury to pursue our dreams, we put our dreams on hold or on the back burner. And then years pass…Heather has seen some of her friends start really small and as time passes the small project grows organically. For people who have responsibilities such as maintaining their jobs to support their families, Heather offers the perspective of “How about Just Starting small?” Follow your passion and start your project small because starting your project may add more fulfillment to your life. Start with the time you can devote, and start with NO EXPECTATIONS that your project MUST bring in millions of dollars. Heather’s friends (who pursued their dreams in small steps)  started from their hearts and for their hearts. Even though the size of their business project was small, the project made them fuller and happier people.Go in small. Even start with one or a few hours a week! See how your project evolves.As your business grows then you can figure out the next level you’d like to take it to.  :) To keep up-to-date with Heather's adventures, here are her details:Email: heathermarieannis@yahoo.ca or morroandjasp@gmail.com Twitter/IG/Facebook @heathermarieannis @morroandjasp

In this episode, we have Heather Marie Annis. Heather is the Founder and Co-Artistic Director of the Theatre Production Company U.N.I.T - Up Your Nose In Your Toes, that’s based in Toronto. And for the past 15 years, Heather and her partners have performed their shows all over the world. I love how Heather creates her businesses and I really wanted you all to hear from her about her style of business and the way that she lives her life! Heather’s message is: Just Start.Women tend to have a lot of responsibilities….many different responsibilities! Because we feel we do not have time or the luxury to pursue our dreams, we put our dreams on hold or on the back burner. And then years pass…Heather has seen some of her friends start really small and as time passes the small project grows organically. For people who have responsibilities such as maintaining their jobs to support their families, Heather offers the perspective of “How about Just Starting Small?” Follow your passion and start your project small because starting your project may add more fulfillment in your life. Start with the time you can devote, and start with NO EXPECTATIONS that your project MUST bring in millions of dollars. Heather’s friends (who pursued their dreams in small steps)  started from their hearts and for their hearts. Even though the size of their business project was small, the project made them fuller and happier people. Go in small. Even start with one or a few hours a week! See how your project evolves. When it grows then you can figure out the next level you’d like to take it to. Gosh golly! We unpacked so much in this 8-minute conversation! Be sure to not miss our 1-hour Interview that is coming up in the next few weeks. :) To keep up-to-date with her creations, her shows, and her life experiences, follow Heather and Morro and Jasp here: HeatherEmail: heathermarieannis@yahoo.ca Instagram: @heathermarieannisMorro and JaspEmail: morroandjasp@gmail.comTwitter:@morroandjaspInstagram: @morroandjaspFacebook: https://www.facebook.com/morroandjaspI hope this episode has been a contribution to you! What passion project would you like to start? Are you juggling with pursuing your dreams and fulfilling your responsibilities? Please share your thoughts and experiences by dropping a comment down below. I  would love to hear from you! Rooting for your success,Stacy

Join us as we talk about the evolution of "Patriot Belle" with Heather Marie. This episode is dedicated to Bronze Star Recipient, Specialist Cody J. Towse who was killed in action in Afghanistan on May 14th, 2013. Cody we will NEVER FORGET. 

Amy Lee & Heather Marie Annis, along with Byron Laviolette are the creators of the clown duo, Morro and Jasp, presenting Save the Date (directed byByron Laviolette and Kat Sandler) at the 2019 Next Stage Festival.Save the Date Does saying “I Do” to someone new mean saying “I Don’t” to each other? For better or for worse, the sisters have to negotiate what their relationship will look like now that there is a third person in the mix. Can they survive this new chapter of life without the person who has always been by their side? Can they still be Morro and Jasp?www.morroandjasp.com Twitter: @morroandjasp Facebook: https://www.facebook.com/morroandjasp/ Youtube: http://youtube.com/morroandjasp Tickets: https://fringetoronto.com/next-stage/show/morro-and-jasp-save-date

Will you need a website in the future to sell your products online?  If you ask Heather Marie Udo, online retail expert and Founder and CEO of Shoppable (a distributed commerce technology company with a patented, universal checkout API), she’ll tell you the answer is likely “no”. After all, the retail consumer is changing, and the focus is shifting from pulling the consumer to the brands to bringing the brands to where the consumer already is. And retailers are following and creating commerce experiences there instead of through their own channels. Heather joins Chris Hansen and Rebecca Fitts to discuss how commerce is  everywhere; about trends in social shopping.why there is so much disruption in the buying process that’s actually changing the shopping paradigm; why collaborations between solutions like Shoppable, and social platforms like Pinterest, are a big deal; and the Cheesehead brings cheese.

She’s been coined the “landless farmer.” Heather-Marie Bloom never set out to be a farmer, but after taking a farming course and leasing some land in Esko in 2011 she was hooked. She now operates Rising Phoenix Community Farm, a CSA (community supported agriculture) south of Floodwood where she leases 2-acres of land. During the growing season, Bloom lives in a tiny house, which she built with the help of her father, on the farmland so she can tend to her crops more easily.

Improviser and performer Heather Marie Vitale talks about her comedy journey in DC in this week's Comedic Pursuits Podcast episode. The post Heather Marie Vitale is Standing Firm appeared first on Comedic Pursuits.

Astra and Heather drop by the she shed. Episode 6 of the "Lady Brain Presents" podcast recorded 3 20 19 at The Heritage Ranch in Encinitas, CA ListenLocalRadio.com Ladybrainpresents.com

Today with All Walks, Heather and I talk about what she has learned about people through teaching, what people need most, a first step towards adding wellness to your life, and some of her writing! One of Heather’s favorite songs right now is Let Go by BANNERS, and her favorite thing about life is connection with nature and people. Much love, everyone.

Scared SIFF co-host Clinton McClung sits down with instructors Evan J. Peterson and Heather Marie Bartels about their SHRIEK: A Women of Horror Film class.

This episode we bring on Subaru Rally Technician Heather Marie for DirtFish Motorsports! Being in the industry so for about 8 years she shares how Social Media helped her land her dream job on the Subaru Rally Team! Heather gets into Depth on the environment & heat of the moment when working on the Rally cars at a fast pace when they start flying in from the course. Be sure to follow Heathers Journey on Instagram @Miss_Shift To help support finding more females in the industry give us a follow as well @MissManual & Support this podcast for as little as 50 cents a day. --- Support this podcast: https://anchor.fm/miss-manaul-podcast/support

Today's episode is with Heather Marie Ditmars. On August 14th, 2015 she left her life in the United States behind with the intention to never look back. With only a backpack, she traveled across Europe, South East Asia and then on to Africa. And now she's a full-time international traveler, writer and business consultant. Her work has been published in the New York Times, Huffing Post and Thought Catalog. In our interview, she takes us on her crazy cross-cultural adventures. Resources Mentioned In The Episode Heather's Website: https://shegoesglobal.net/ Heather's Facebook: https://www.facebook.com/HeatherMDitmars/ Heather's Twitter: https://twitter.com/HeatherMDitmars/ Heather's Instagram: https://www.instagram.com/heathermditmars/ See acast.com/privacy for privacy and opt-out information.

Heather Marie. She’s the founder and CEO of Shoppable, a technology company that helps media companies, brands and retailers bring the checkout experience to anywhere a consumer discovers or engages with their products. While with Shoppable, she won the 2013 Women in Digital Award from L’Oreal, was named 1 of the 10 Most Powerful Millennials in Manhattan by Gotham Magazine, and 1 of the 11 Tech Gurus Changing the Luxury Game by Refinery29. The company was a 2014 Webby Award Honoree for Online Shopping, a 2016 Webby Honoree for Technical Achievement and named one of the 100 Brilliant Companies by Entrepreneur Magazine. Famous Five: Favorite Book? – Never Eat Alone What CEO do you follow? – Jennifer Hyman Favorite online tool? — Boomerang for Gmail How many hours of sleep do you get?— 6 If you could let your 20-year old self, know one thing, what would it be? – “Just how long everything takes”   Time Stamped Show Notes: 01:07 – Nathan introduces Heather to the show 02:07 – Shoppable creates a technology that helps people buy what they see online 02:37 – People see products in every place 02:50 – Shoppable created a patent pending technology that provides different locations to shop that is outside the traditional retail shop 03:20 – Heather started the company in 2011 03:36 – Heather pitched Shoppable to a number of different retailers 03:49 – Shoppable launched a technology with The Wall Street Journal 04:00 – The Wall Street Journal branding was able to bring in a bunch of retailers and advertisers 04:40 – Shoppable has grown to under 30M products across the whole platform 05:28 – Shoppable brings the technology to where the consumers already are 05:40 – com uses Shoppable on their website and customers can buy directly from the website 07:24 – Shoppable brings the technology to different types of companies 07:40 – Shoppable is also integrated with publications such as WSJ, Condé Nast and others 07:58 – Shoppable is a SaaS company and charges annually for licenses 08:20 – Average customer pay is 5 figures 09:11 – Prior to Shoppable, Heather was at post acquisition of com 09:26 – Heather was a founding member of Affinity Labs 10:21 – Heather got into Affinity right after college 10:39 – The exit with Monster was all cash with an additional incentive 10:49 – Heather made it for 2 years after the acquisition, doing research on Shoppable 11:45 – Heather had to make Shoppable work 12:01 – Heather knew that she would start her own company 12:21 – Heather had debt that she was able to pay off after the acquisition 12:55 – Heather kept a part of the money for Shoppable 13:40 – Heather also had to downsize her condo to keep her expenses low 15:13 – There are ways you can increase your buffer 15:33 – Heather had to change her habits 16:22 – Shoppable has raised $5M 16:33 – The last round was a year ago 16:43 – Heather isn’t selling to Shopify 16:55 – Shoppable is above breaking even 17:24 – Team size is 20 and they are all based in New York 17:53 – Heather went on a business trip to NY and on her second day, she thought that Shoppable was made for NY 18:31 – Shoppable has around 438 merchants and 2000 brands 18:38 – One merchant could have hundreds of brands 19:15 – Average ARR 21:13 – The Famous Five   3 Key Points: As an entrepreneur, you need to know how to manage money well. Building a company requires research and an action plan—especially if that company is your first and last shot at building one. Be aware that things in business and in life may take longer that what you’re expecting.   Resources Mentioned: The Top Inbox – The site Nathan uses to schedule emails to be sent later, set reminders in inbox, track opens, and follow-up with email sequences Klipfolio – Track your business performance across all departments for FREE Hotjar – Nathan uses Hotjar to track what you’re doing on this site. He gets a video of each user visit like where they clicked and scrolled to make the site a better experience Acuity Scheduling – Nathan uses Acuity to schedule his podcast interviews and appointments Host Gator– The site Nathan uses to buy his domain names and hosting for the cheapest price possible Audible– Nathan uses Audible when he’s driving from Austin to San Antonio (1.5-hour drive) to listen to audio books Show Notes provided by Mallard Creatives

Episode 5 Have You Heard? Featuring Special Guest Heather Marie! @heathermarie5 on instagram. Have You Heard about The Nashville Predators in the Western Conference Finals? How about dude rompers? We also discuss Turnt to Skurnt, Too much Caffeine, and Saturn's rings!

Freedom, Pennsylvania has the Ohio River flowing next to it and on a hill above the river stands a mansion built by Captain William Vicary. The mansion was built in a unique style and has stood on this spot since 1826. The home remained in the family for nearly one hundred years and was saved from demolition by the Beaver County Historical Research and Landmarks Foundation. Today, it is a museum that can be toured. The Foundation claims there are no ghosts at this location, but rumors and legends claim there is some kind of activity that is unexplained happening at the mansion. And Beaver County, where the mansion is located has many legends of its own. Join us as we explore the history and hauntings of the Vicary Mansion and explore the legends of Beaver County! The Moment in Oddity features Herophilus vivisecting live humans and This Day in History features the Massacre at Drogheda. Our location was suggested by listener Heather Marie! Check out the website: http://historygoesbump.com Show notes can be found here: http://historygoesbump.blogspot.com/2016/09/hgb-ep-148-vicary-mansion-and-beaver.html Become an Executive Producer and support one of the few podcasts that completely listener supported: http://patreon.com/historygoesbump  

Nancy Karon Tripp, Heather Marie, and Jay Canter discuss GMOs and the local March Against Monsanto event. The post March Against Monsanto appeared first on KKFI.

Fashion and business powerhouse, Heather Marie has become an expert and merging the two. She is the Founder and CEO of Shoppable and is here to share her Top 3 Tips For Starting a Tech Company in the Fashion Space. The Top 3 for Entrepreneurs is a weekly podcast created for any business owner looking to get inspired, motivated and moving by asking successful entrepreneurs to share their Top 3 best tips.  Stephanie Burns, founder of Chic-CEO.com, a global resource for female entrepreneurs, interviews today's most impressive entrepreneurs to talk about their challenges and the top 3 things they want you to know in order to be successful. www.chic-ceo.com/top3podcast

Tania, Andrew, and Heather Marie open the 2011-2012 theatre season, featuring The 39 Steps and Amelia: The Girl Who Wants to Fly. We also wax philosophical about adaptations, programming a season, the reasons behind retro culture, the viability of the season model, and slam poetry.

In this episode, Andrew and Heather Marie discuss the fallout from Denis Armstrong's strongly worded blog post about Ottawa theatre on OttawaSun.Com (full post along with comments can be viewed here: http://blogs.canoe.ca/nowopen/general/14431/) as well as the company launch that precipitated it - the launch of the Ottawa Shakespeare Company, headed by Charles McFarland. And, Heather Marie shares her exclusive interview with David Whiteley, one of the artistic directors of Ottawa's "other" new theatre company, Plosive Productions.

Andrew and Heather Marie do a tongue-in-cheek debriefing of this year's Rideau Awards Gala (which took place April 10th, more info can be found here: http://www.prixrideauawards.ca/), including what we found surprising and who made our best dressed list. Heather Marie then shares her pre-recorded interview with Ekaterina Shestakova, Artistic Director of Once Upon a Kingdom Theatre here in Ottawa. The interview was recorded during a rehearsal for "The Little Prince", OUK Theatre's upcoming production (for more information please visit http://www.onceuponakingdom.com/); the additional voices you hear are cast members Jennifer Capogreco and Chris Wardell.