Podcast appearances and mentions of Sam Gilliam

In this interview with the director and founder of Lily Press and the Printmaking Legacy Project, Susan Goldman shares her passion for printmaking and documentary film making. Susan discusses her journey from discovering printmaking at Indiana University, Bloomington, to founding Lily Press and creating impactful documentaries like Midwest Matrix. She highlights her educational experiences, mentors, and the vibrant printmaking community she's built over time. Goldman also delves into her personal work, her love for screenprinting, and the balance of managing a studio while collaborating with renowned artists like Sam Gilliam. Her current projects include documentaries on Lloyd Menard and Rochelle Toner and exploring the evolution and impact of digital printmaking. Susan's reflections on the importance of documenting printmaking history and incorporating community and teaching into her work provide a comprehensive view of her dedication to the art form. Episode image: Erwin Thamm Midwest Matrix film: https://www.midwestmatrix.info/index.html Printmaking Legacy Project: https://printmakinglegacyproject.org/index.html IG: lily_press_studio IG: goldmansusan Spread from Journal of the Print World on Midwest Matrix. Rudy Pozzatti. Tracey Templeton, Wendy Calman, and Susan Goldman at Indiana University, Bloomington. John Whitesell. Circus, 1981. Three-color lithograph. 19 x 25 in. Published by Normal Editions. Susan Goldman. Squaring the Flower II, #15. Screenprint. 30 x 30 in. Printed and published by Lily Press, Rockville, MD. Installation shot of Susan Goldman's Squaring the Flower, McLean Project for the Arts, McLean, VA. Cory Oberndorfer inspects proofs of Six Frozen Treats (after Dine) at Lily Press, Rockville, MD. Elizabeth Martin Brown working on a Sam Gilliam edition at Lily Press, Rockville, MD. Renee Stout. The Secret Keeper, 2010. Etching. Plate: 7 x 5 in.; sheet: 15 x 11 in. Printed and published by Lily Press, Rockville, MD. Renee Stout working at Lily Press, Rockville, MD.  Viktor Ekpuk. Hip Sista, 2027. Screenprint. 30 x 22 in. Printed and published by Lily Press, Rockville, MD. Victor Ekpuk and Susan Goldman at Lily Press, Rockville, MD. Susan Goldman and Sam Gilliam at Lily Press, Rockville, MD. Dennis O'Neill in the shop at the Corcoran College of Art and Design, Washington, D.C. Lily Press booth at the Baltimore Fine Art Print Fair, 2023. Cory Oberndorfer. Six Frozen Treats (after Dine), 2023. Intaglio. Plate: 10 ¼ x 14 ½ in.; sheet: 21 x 15 in. Printed and published by Lily Press, Rockville, MD. Eve Stockton. Woodland Skyscape. Woodcut with watercolor. Sheet: 36 x 36 in. Printed and published by Lily Press, Rockville, MD. Eve Stockton working at Lily Press, Rockville, MD. Percy B. Martin at Lily Press, Rockville, MD. Photo: Duane Winfield. Lloyd Menard, founder of Frogman's Print Workshops. Rochelle Toner. Boost, 2009. Etching. 12 x 16. Courtesy of the Artist. Rochelle Toner and Susan Goldman filming their interview. Enrique Chagoya. Life at the Border of Language, 2023. Color lithograph. 21 ½ x 36 in. Published by Sharks Ink. Garo Antreasian. Y'es Em, 1991. Four-color lithograph. Sheet: 30 1/8 x 26 ¼ in. Published by Tamarind Institute, University of New Mexico. Leonard Lehrer. Powis, 1972. Lithograph. Sheet: 24 x 18 in. ArtworkArchive.com. Sam Gilliam (American, 1933–2022). 3 PM School Bus, 2018. Screenprint. 18 ½ x 51 ½. Published by Lily Press, Rockville, MD. Sam Gilliam (American, 1933–2022). 4 PM School Bus, 2018. Screenprint. 18 ½ x 51 ½. Printed and published by Lily Press, Rockville, MD. Sangmi Yoo. Common Ground, 2025. Aluminum etching. 20 x 15 in. Courtesy of the Artist. Keiko O'Hara at Lily Press, Rockville, MD.

Ep.218 Ibrahim Mahama was born in 1987 in Tamale, Ghana. He lives and works in Accra, Kumasi, and Tamale. Solo exhibitions include Fruitmarket Gallery, Edinburgh (2024); Barbican Centre, London (2024); Kunsthalle Osnabrück, Germany (2023); Oude Kerk, Amsterdam (2022); Frac des Pays de la Loire, France (2022); The High Line, New York (2021); University of Michigan Museum of Art (2020); The Whitworth, The University of Manchester, UK (2019); Norval Foundation, Cape Town (2019); Tel Aviv Art Museum, Israel (2016); and KNUST Museum, Kumasi, Ghana (2013). He has participated in numerous group exhibitions including Desert X AlUla, Saudi Arabia (2024); Sharjah Biennial 15, UAE (2023); 18th International Venice Architecture Biennale, Italy (2023); the 35th Bienal de São Paulo, Brazil (2023); Museum of Fine Arts, Houston, Texas (2021); Centre Pompidou, Paris (2020); 22nd Biennale of Sydney, Australia (2020); Stellenbosch Triennale, South Africa (2020); 6th Lubumbashi Biennale, Democratic Republic of the Congo (2019); Ghana Pavilion, 58th Venice Biennale, Italy (2019); Documenta 14, Athens and Kassel, Germany (2017); Broad Art Museum, Michigan State University (2016); Kunsthal Charlottenborg, Copenhagen and Holbæk, Denmark (2016); 56th Venice Biennale, Italy (2015); and Artist's Rooms, K21, Düsseldorf, Germany (2015). Mahama was also appointed Artistic Director of the 35th Ljubljana Biennale of Graphic Arts, Ljubljana (2023). In 2024, Mahama was selected for the inaugural Sam Gilliam award by the Dia Art Foundation and the Sam Gilliam Foundation, which includes the presentation of a public program at Dia in fall 2024. Photo credit: Carlos Idun-Tawiah White Cube https://www.whitecube.com/artists/ibrahim-mahama Sam Gilliam Award https://www.diaart.org/about/sam-gilliam-award Dia Art Foundation https://www.diaart.org/program/calendar/sam-gilliam-award-program-ibrahim-mahama-dia-talks-11212024/period/2024-11-02 Fruitmarket https://www.fruitmarket.co.uk/about-us/ Stedelijk Museum Amsterdam https://www.stedelijk.nl/en/events/artist-talk-ibrahim-mahama-en Ghana Remembers https://ghanaremembers.com/stories/people/ibrahim-maham-the-first-ghanaian-artist-to-win-the-inaugural-sam-gilliam-award-in-2024.html#google_vignette Barbican https://www.barbican.org.uk/whats-on/2024/event/ibrahim-mahama-purple-hibiscus Observer https://observer.com/2024/09/interview-ibrahim-mahama-artist-white-cube-exhibition/ Vennice Biennale https://www.labiennale.org/en/architecture/2023/force-majeure/ibrahim-mahama Institute for Humanity Activities https://www.humanactivities.org/en/iha-blank/sculpture-workshop-with-ibrahim-mahama/ Edinburgh Art Festival https://www.edinburghartfestival.com/event/ibrahim-mahamasongs-about-roses/ Wallpaper https://www.wallpaper.com/art/exhibitions-shows/ibrahim-mahama-tells-us-why-he-has-covered-the-barbican-in-pink-fabric Reiter Galleries https://www.reitergalleries.com/en/artists/ibrahim-mahama/ NYTimes https://www.nytimes.com/2024/09/19/arts/design/ibrahim-mahama-artist-ghana-white-cube.html The Brooklyn Rail https://brooklynrail.org/2024/10/artseen/ibrahim-mahama-a-spell-of-good-things/ Bonhams https://www.bonhams.com/press_release/38679/ Burlington Contemporary https://contemporary.burlington.org.uk/reviews/reviews/ibrahim-mahama-songs-about-roses The Highline https://www.thehighline.org/art/projects/ibrahim-mahama/ Desert X AlUla https://desertx.org/dx/dx24-alula/ibrahim-mahama C& https://whitewall.art/whitewaller/best-of-new-york-exhibitions-ibrahim-mahama-janaina-tschape-and-more/ artnet https://news.artnet.com/art-world/ibrahim-mahamas-stunning-textile-installation-blankets-the-barbican-in-london-2476760 BBC https://www.bbc.com/news/world-africa-68846770 The Art Newspaper https://www.theartnewspaper.com/2024/08/23/saatchi-collection-ibrahim-mahama-auction-bonhams Whitewall https://whitewall.art/whitewaller/best-of-new-york-exhibitions-ibrahim-mahama-janaina-tschape-and-more/

Born and raised in Pennsylvania, the 97-year-old Pittsburgh-based artist and sculptor Thaddeus Mosley has a deep and enduring obsession with wood. In his late 20s, he began to use the material for art, carving sculptures in his basement studio, and with his sculpture-making now spanning 70 years, his enduring dedication to his craft is practically unparalleled. Represented by Karma gallery since 2019, Mosley has only now, in the past decade or so, begun to receive the international recognition and attention he has long deserved. In his hands, wood sings; he shapes and carves trees into striking abstract forms that often appear as if they're levitating while honoring and preserving their organic, natural character. As with the work of his two main influences, Constantin Brâncuși and Isamu Noguchi, Mosley, too, strives to make sculptures that, in his words, beyond today, “will be interesting in a hundred tomorrows.”On the episode, he talks about the language that poetry, music, and sculpture all share; his early years as a sports writer for a local newspaper; and his life-transforming relationship with the Carnegie Museum of Art in Pittsburgh.Special thanks to our Season 9 presenting sponsor, L'École, School of Jewelry Arts.Show notes:Thaddeus Mosley[4:13] Sam Gilliam[17:24] Carnegie Museum[21:08] Carnegie International[21:08] Leon Arkus[21:08] “Thaddeus Mosley: Forest”[21:08] “Inheritance”[24:20] Isamu Noguchi[27:53] Constantin Brâncuși[28:28] University of Pittsburgh[28:28] Martha Graham[46:15] Floyd Bennett Field[46:23] Ebony magazine[46:23] Sepia magazine[46:23] Jet magazine[46:23] Pittsburgh Courier[54:34] John Coltrane[51:37] Li Bo[51:37] Dylan Thomas[56:21] Bernard Leach[57:45] Langston Hughes[57:45] Countee Cullen[57:45] Harriet Tubman[57:45] Fannie Lou Hamer[57:45] “The Long-Legged Bait”[57:45] “Air Step - for Fayard and Harold Nicholas”[57:45] The Nicholas Brothers

Heralded by many as one of the most innovative contemporary abstract painters, Sam Gilliam created art over decades and decades that challenges the parameters of painting and sculpture, encouraging his viewers to reexamine their relationship to space and object. Join our hosts as they talk about this celebrated artist from their signature different perspectives.

Sam Gilliam tells a story called "Mary, Mother of Jesus."

This podcast features alumnus author David Grosz, class of 1993. David is editorial director and chief digital officer at Cahiers d'Art Institute, a publisher of catalogues raisonnés of leading twentieth and twenty-first century artists and architects, including Frank Gehry, Sam Gilliam, Robert Irwin, Ellsworth Kelly, Sol LeWitt, Agnes Martin, and Niki de Saint Phalle. David is a graduate of Yale University and received an MFA in creative writing from Brooklyn College. His debut novel is “Providence.”

In this episode I had the honor to sit down with artist Jeffrey Gibson joined by curator and co-editor of An Indigenous Present, Jenelle Porter. We were given space at SITE Santa Fe in Director Louis Grachos office to have a long and generative conversation while we celebrated the book's launch over Indian Market weekend. We talk about Jeff's practice and his journey to this moment and the Artist shares the vulnerable, complicated, difficult and joyous path of choosing to be an Artist, offering reflection from what he has learned along the way, understanding how the practice and studio has evolved in the 20 some years of being a working Artist. We then dive in with both Jeff and Jenelle to speak on Jeff's thought process behind An Indigenous Present, learning about the years of care and intention behind the project, which is, as Jeff reflects, an “Artist book about Artists”. We round out our 2 plus hour chat with the excitement and work that has come with Jeffrey being named the artist to represent the U.S. at the 60th Venice Biennale. As we end our chat, both Jeff and Jenelle share important and practical insight on how to navigate the art worlds and art markets and Jeffrey reminds us all that “Artists do have the power to set precedence in institutions”. Featured song: SMOKE RINGS SHIMMERS ENDLESS BLUR by Laura Ortman, 2023 Broken Boxes introduction song by India Sky More about the publication An Indigenous Present: https://www.artbook.com/9781636811024.html More about the Artist Jeffrey Gibson Jeffrey Gibson's work fuses his Choctaw-Cherokee heritage and experience of living in Europe, Asia and the USA with references that span club culture, queer theory, fashion, politics, literature and art history. The artist's multi-faceted practice incorporates painting, performance, sculpture, textiles and video, characterised by vibrant colour and pattern. Gibson was born in 1972, Colorado, USA and he currently lives and works in Hudson Valley, New York. The artist combines intricate indigenous artisanal handcraft – such as beadwork, leatherwork and quilting – with narratives of contemporary resistance in protest slogans and song lyrics. This “blend of confrontation and pageantry” is reinforced by what Felicia Feaster describes as a “sense of movement and performance as if these objects ... are costumes waiting for a dancer to inhabit them.” The artist harnesses the power of such materials and techniques to activate overlooked narratives, while embracing the presence of historically marginalised identities. Gibson explains: “I am drawn to these materials because they acknowledge the global world. Historically, beads often came from Italy, the Czech Republic or Poland, and contemporary beads can also come from India, China and Japan. Jingles originated as the lids of tobacco and snuff tins, turned and used to adorn dresses, but now they are commercially made in places such as Taiwan. Metal studs also have trade references and originally may have come from the Spanish, but also have modern references to punk and DIY culture. It's a continual mash-up.” Acknowledging music as a key element in his experience of life as an artist, pop music became one of the primary points of reference in Gibson's practice: musicians became his elders and lyrics became his mantras. Recent paintings synthesise geometric patterns inspired by indigenous American artefacts with the lyrics and psychedelic palette of disco music. Solo exhibitions include ‘THE SPIRITS ARE LAUGHING', Aspen Art Museum, Colorado (2022); ‘This Burning World', Institute of Contemporary Art, San Francisco, California (2022); ‘The Body Electric', SITE Santa Fe, New Mexico (2022) and Frist Art Museum, Nashville (2023); ‘INFINITE INDIGENOUS QUEER LOVE', deCordova Sculpture Park and Museum, Lincoln, Massachusetts (2021); ‘To Feel Myself Beloved on the Earth', Benenson Center, Art Omi, Ghent, New York (2021); ‘When Fire is Applied to a Stone It Cracks', Brooklyn Art Museum, Brooklyn, New York (2020); ‘The Anthropophagic Effect', New Museum, New York City, New York (2019); ‘Like a Hammer', Madison Museum of Contemporary Art, Madison, Wisconsin (2019); Seattle Art Museum, Seattle, Washington (2019); Mississippi Museum of Art, Jackson, Mississippi (2019); Denver Art Museum, Denver, Colorado (2018); ‘This Is the Day', Blanton Museum of Art, Austin, Texas (2019); Ruth and Elmer Wellin Museum of Art, Clinton, New York (2018) and ‘Love Song', Institute of Contemporary Art, Boston, Massachusetts (2013). For the Toronto Biennial 2022, Gibson presented an evolving installation featuring fifteen moveable stages at Museum of Contemporary Art Toronto, Ontario, Canada. Other recent group exhibitions include ‘Dreamhome', Art Gallery of New South Wales, Sydney, Australia (2022); ‘Crafting America', Crystal Bridges, Bentonville, Arkansas (2021); ‘Monuments Now', Socrates Sculpture Park, Queens, New York (2020); ‘Duro Olowu: Seeing Chicago', Museum of Contemporary Art, Chicago, Illinois (2020) and The Whitney Biennial, Whitney Museum of American Art, New York City, New York (2019). Works can be found in the collections of Denver Art Museum, Denver, Colorado; Eiteljorg Museum, Indianapolis, Indiana; High Museum of Art, Atlanta, Georgia; Museum of Fine Arts, Boston, Massachusetts; The Museum of Modern Art, New York City, New York; National Gallery of Canada, Ottawa, Canada; Rose Art Museum, Brandeis University, Waltham, Massachusetts; San Francisco Museum of Modern Art, San Francisco, California; Seattle Art Museum, Seattle, Washington; Smithsonian Institution, Washington, DC and Whitney Museum of American Art, New York City, New York, amongst others. Gibson is a recipient of numerous awards, notably a MacArthur Foundation Fellowship (2019), Joan Mitchell Foundation, Painters and Sculptors Grant (2015) and Creative Capital Award (2005). More about Curator/Writer Jenelle Porter: Jenelle Porter is a curator and writer living in Los Angeles. Current and recent exhibitions include career surveys of Barbara T. Smith (ICA LA, 2023) and Kay Sekimachi (Berkeley Art Museum, 2021); Less Is a Bore: Maximalist Art & Design (ICA/Boston, 2019); and Mike Kelley: Timeless Painting (Mike Kelley Foundation and Hauser & Wirth, New York, 2019). She is co-editor of An Indigenous Present with artist Jeffrey Gibson (fall 2023), and a Viola Frey monograph (fall 2024). From 2011 to 2015 Porter was Mannion Family Senior Curator at the Institute of Contemporary Art/Boston, where she organized Fiber: Sculpture 1960–present and Figuring Color: Kathy Butterly, Felix Gonzalez-Torres, Roy McMakin, Sue Williams, as well as monographic exhibitions of the work of Jeffrey Gibson, Jessica Jackson Hutchins, Dianna Molzan, Christina Ramberg, Mary Reid Kelley, Arlene Shechet, and Erin Shirreff. Her exhibitions have twice been honored by the International Association of Art Critics. As Curator at the Institute of Contemporary Art, Philadelphia (2005–10), Porter organized Dance with Camera and Dirt on Delight: Impulses That Form Clay, the first museum surveys of Trisha Donnelly and Charline von Heyl, and numerous other projects. From 1998–2001 Porter was curator at Artists Space, New York. She began her career in curatorial positions at both the Walker Art Center and the Whitney Museum of American Art. She has authored books and essays including those on artists Polly Apfelbaum, Kathy Butterly, Viola Frey, Jeffrey Gibson, Sam Gilliam, Jay Heikes, Margaret Kilgallen, Liz Larner, Ruby Neri, and Matthew Ritchie, among others. An Indigenous Present: Conversation with Jeffrey Gibson and Jenelle Porter

The Postman is here! We got the esteemed collector Kerry Davis joining the Studio Noize fam. Kerry built his legendary collection while working 30 years as a postman at USPS. How impressive is his collection? Well, it's in the middle of a 5-year national museum tour, and he could have a whole other show from work currently up in his home. The collection includes the biggest names in Black art, from Charles White to Radcliff Bailey, Mo Brooker to Louis Delsarte. The collection alone is enough to discuss, but we go deeper than that. Kerry tells us about the relationships with those names on the wall. Mildred Thomas was his real friend; those personal stories are so great to hear. We talk about how he started touring his collection, got so much incredible work, and all the artists he met and got to know on his journey. Another great episode with that good art talk for you. Listen, subscribe, and share!Episode 176 topics include:-buying art vs collecting art-getting to know artists-Mildred Thomas stories -helping Louis Delsarte in his studio-meeting artists as a postman-organizing a collection-developing an “eye”-touring the Davis collection-how to handle a big collection-appreciating printmaking “It's been called “a museum in a home.” The private collection of art amassed by Kerry and C. Betty Davis over nearly 40 years is one of the richest collections of African American art in the world. The Davises – a retired postal worker and a former television news producer – have invited friends, neighbors, church members and their children's friends into their home to see their art.Now they are sharing their extraordinary collection with a wider audience. “Memories & Inspiration: The Kerry and C. Betty Davis Collection of African American Art” opens Feb. 4 through May 14 at the Taft Museum of Art.The exhibition features 67 of the more than 300 works that grace their suburban Atlanta home. It includes Romare Bearden's colorful portrayal of a jazz quartet, photographer Gordon Parks documentation of racial disparity and abstract pieces by Sam Gilliam, Norman Lewis and Alma Thomas. The show spans from early Black pioneers, such as Elizabeth Catlett and Jacob Lawrence, to contemporary artists.” -Janelle GelfandSee more: Cinncinnati Business Courier:Retired postal worker, wife share their world-class collection of African American art Presented by: Black Art In AmericaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

We're covering the other side of this art game today! Ashley Lee, a lawyer by day and art collector, every other moment of her life. Ashley is committed to building her art collection, and we discuss how she does it. It's a little bit of budgeting, a little bit of research, and a whole lot of passion for the work that she loves. We break down things like budgeting and framing, getting to know artists, and how the pieces make her feel. Ashley tells us about her favorite artists, her dream pieces, and the importance of telling everyone how they can build a great collection without being rich. It's a great art collecting conversation for you today on the Noize! Listen, subscribe, and share!Episode 175 topics include:why collect artthe art-collecting communityconnecting with artists and artdefining your art collectionbudgeting for collectingartist wish listframing and presenting work in your homeunderstanding abstractionstudying artgrowth in collectingAshley is an attorney, black art blogger, and private Black art collector based in Atlanta, GA. Although she acquired her first open edition print by notable artist Gilbert Young in 2005 as part of a leadership program with her alma mater Spelman College, she became a serious Black art collector in 2018 when she acquired the "Obama No Drama" linocut by David C. Driskell to commemorate her experience as a 2012 Democratic National Convention Obama Delegate. Over the years, she has collected scores of works including works from established artists such as Kerry James Marshall, Sam Gilliam, Faith Ringgold, Elizabeth Catlett, and Samella Lewis. Ashley collects Black art exclusively because in the words of Faith Ringgold "art is a form of experience of the person, the place, the history of the people, and as Black people, we are different." While she has acquired amazing pieces thus far, her art collecting journey is in full swing as she continues to purchase pieces that resonate with her and represent different aspects of her soul.See more: The AML Collection website + The AML Collection IG @theamlcollection Presented by: Black Art In AmericaFollow us:StudioNoizePodcast.comIG: @studionoizepodcastJamaal Barber: @JBarberStudioSupport the podcast www.patreon.com/studionoizepodcast

This is LiveArt's Hot List for the second quarter of 2022. Using our comprehensive data, we looked at the sales in April, May and June in London, New York and Hong Kong. We tried to identify the artists with high hammer ratios across multiple sales. Hammer ratio is the hammer price over low estimate. We narrowed that list to a few dozen artists, excluding, for example, the names from the Winter Hot List. Then we boiled it down further to 16 artists whose markets we think are worth paying some attention to right now. We covered 9 artists in the first episode. In this one, George O'Dell discusses the markets for Sam Gilliam, A.R. Penck, with side tangent on Georg Baselitz and other European artists, Yuichi Hirako, Susumu Kamijo, Louis Fratino, Ross Bleckner along with some other re-discovered artists from the 1980s, Danielle Orchard and finally George's take on the market conditions going into the Fall.a If you want to follow along as we discuss the sales, go to analytics.liveart.io. Type the artist's name in the nav-bar search window in the upper right hand corner. Once you're on the artist's page, scroll down to the search results. In the right-hand corner you can sort by date sold, newest to oldest. Or use the Auction Sales tab to select only the sales for 2022.

Welcome back FAB FAM! This week, special guest Justin Bland @jblandmademan, creator of the Made Man Improv Show, joined the conversation. After months of dodging the ladies, Justin finally agreed to appear on the show. He shared his origin story along with the inspiration behind the creation of his popular Improv Show. They discussed the power of art, the importance of playfulness, the pitfalls of creating just to be popular, and the advantage of being authentically yourself. What a show!! You will not want to miss this insightful and humorous conversation. Get ready for a little fun!! Cheers! Warning: Adult Content and Language please be advised this show is for adults 18 and up and the open minded. Apologies on the audio this week!! We had some technical difficulties. *Dedication: *To all our listeners and supporters, thank you! To Aliah Sheffield who sang one of Moni's favorite songs ever: "Earth is Ghetto" https://www.youtube.com/watch?v=vr2xMRSObto and to Fine artist Sam Gilliam: https://www.davidkordanskygallery.com/artist/sam-gilliam Very special thanks to Monty Matuka Founder and Creative Director of MELI for allowing us to record in his space. Meli clothing company: https://meli-intl.com/, @themelishowroom, @montymatuka, @meli_intl on IG. Shout out to all the wonderful black men out there! Show Notes: Pablo Picasso Quote: "Every child is an artist. The problem is to remain an artist once they grow up." About our guest: Host and Creator of the Made Man Improv Show | BAMMBOONED | The Fox Box | OuttaTownBesties | You can find Justin @jblandmademan on IG, For tickets to the Mad Man Improv Show July 31 use the link below: ( If they aren't sold out!) https://www.eventbrite.com/e/the-made-man-improv-show-battle-of-the-sexes-tickets-379317909077?utm-campaign=social&utm-content=attendeeshare&utm-medium=discovery&utm-term=listing&utm-source=cp&aff=escb The Clowes Lawn Series: JULY 28, 2022 @ 6:30PM Rhymes & Reasons with Mr. Kinetik & Rusty Redenbacher and Krishawn. Beats by Deckademics, and a family-friendly vibe. Hosted by Justin Bland from the Made Man Improv team. *Presented by GANGGANG and the Butler Arts & Events Center. Stranger than fiction: This week's stranger than fiction story: US man charged with wife's murder wins Republican town primary from jail - The Guardianhttps://apple.news/Aa0YzRiPCROOQ4vehOuwboA *Please email thefabpodcast@gmail.com with your "Stranger than Fiction" stories or book suggestions so we can share them on the show! Let us know what you think about the show!! You can follow and find us by clicking our Link tree https://linktr.ee/Fabpod Don't forget to follow us on social media; rate, review, and share our podcast!! Thank you!

Mia Anika is a visual artist, cartographer, and mental health advocate based in Atlanta, Georgia. She earned her Bachelor of Art in Visual Arts from Agnes Scott College in 2014.   Her work centers around discovering and exploring inner worlds, the intersections of color theory and mindfulness, drawing inspiration from Julie Mehretu, Mary Lovelace O'Neal, Michi Meko, Radcliffe Bailey and Sam Gilliam.    She advocates for holistic approaches to mental health and wellness and invites others to facilitate their healing by participating in the creative process, through journaling and workshops. She recently led a workshop at the 2019 Yale Black Solidarity Conference on fine arts and resilience. Her work has appeared at Decatur Arts Alliance, HOBI Studios, TILA Studios, and currently at Art of Touch Massage & Health Center in Midtown Atlanta. Art Heals the Broken!    You can follow along with Mia on her Website and Instagram.

New evidence about heavily armed protesters on January 6 and a series of extreme decisions by the far-right Supreme Court, prompt Gerald Horne's bleak prognosis for United States. And as demonstrations for reproductive rights continue, I speak to journalist Jacquie L'uqman about the connection between those endangered rights and the legacy of slavery in the U.S. Plus headlines: 181 are arrested in civil disobedience protest near Supreme Court... Thursday, demonstrations continued outside the homes of Supreme Court Justices Roberts and Kavanaugh... Justice Ketanji Brown Jackson sworn in...  Supreme Court ruled that the Environmental Protection Agency does not have the authority to restrict emissions from power plants... Michigan Supreme Court throws out indictments against former state officials, including former governor Rick Snyder, for the massive Flint water crisis. “The Bridge that Carried Us Over"  is on display at American University's  Katzen Arts Center... Also, a collection of the journalism of the late Robert Parry, the investigative journalist who founded Consortium News in 1995, has just been published... Death notices: Russell Dale Simmons, former president of Black Artists of DC; Sam Gilliam, abstract painter; and Leslie R. Roberts Sr., father of Michele Roberts, "On the Ground" environmental justice contributor. The show is made possible only by support from our listeners. In this new era of fake corporate news, we have to be and support our own media! Please click here or click on the Support-Donate tab on this website to subscribe for as little as $3 a month. We are so grateful for this small but growing amount of monthly crowdsource funding on Patreon. PATREON NOW HAS A ONE-TIME, ANNUAL DONATION FUNCTION! You can also give a one-time or recurring donation on PayPal. Thank you! Links: No, Justice Alito, Reproductive Justice Is in the Constitution, by Michelle Goodwin Mississippi Reproductive Freedom Fund , Luqman Nation, The Counter-Revolution of 1836

We're looking ahead to the race to become Maryland's next governor. WTOP's Kate Ryan joins us to share what issues a poll found voters care about and how it'll be hard to predict who might win given the timing of the primary and the fact that a majority of voters said they could change their minds. Then, we talk with Hirshhorn Museum Curator Evelyn Hankins about the life and legacy of Sam Gilliam, an acclaimed abstract artist whose groundbreaking work drew the artworld's attention to Washington, D.C.

We're looking ahead to the race to become Maryland's next governor. WTOP's Kate Ryan joins us to share what issues a poll found voters care about - and how it'll be hard to predict who might win given the timing of the primary and the fact that a majority of voters said they could change their minds. Then, we talk with Hirshhorn Museum Curator Evelyn Hankins about the life and legacy of Sam Gilliam, an acclaimed abstract artist whose groundbreaking work drew the artworld's attention to Washington, D.C.

In our news wrap Monday, the Jan. 6 committee is calling a surprise hearing featuring newly collected evidence, the Supreme Court sided with a high school football coach in Washington state who lead prayers on the field, an Amtrak train with more than 200 passengers and crew hit a truck and derailed in Missouri killing at least three people, and artist Sam Gilliam died at 88. PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders

In our news wrap Monday, the Jan. 6 committee is calling a surprise hearing featuring newly collected evidence, the Supreme Court sided with a high school football coach in Washington state who lead prayers on the field, an Amtrak train with more than 200 passengers and crew hit a truck and derailed in Missouri killing at least three people, and artist Sam Gilliam died at 88. PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders

In our news wrap Monday, the Jan. 6 committee is calling a surprise hearing featuring newly collected evidence, the Supreme Court sided with a high school football coach in Washington state who lead prayers on the field, an Amtrak train with more than 200 passengers and crew hit a truck and derailed in Missouri killing at least three people, and artist Sam Gilliam died at 88. PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders

Timestamps:00:10: Introductions, poetry and the Pace gallery00:45: Sam Gilliam, abstract art and the use of color01:45: Red April, the assassination of Dr. Martin Luther King and the feeling of heaviness04:30: The material process of producing Art and the use of abstract art for a political message. It's about getting people to feel something07:00: How is it made? What goes on in the creator's mind that leads to this intentional art?08:55: Aristotle's Ethics. Reading more into his life grants a new dimension to both the experience of the work and the work itself. An immersive perspective12:00: The use of art as a therapeutic measure. Coming outside of yourself and immerse yourself in a therapeutic experience. Support the show

This episode is also available as a blog post: https://thecitylife.org/2022/04/07/hirshhorns-sam-gilliam-exhibition-will-spotlight-his-decades-long-investigation-into-abstraction/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

African American artists and artists of the African diaspora have been getting a great deal of attention from the art world for the last five years. But Nigel Freeman built the African American art market one sale at a time at Swann Auction Galleries. For 15 years, Freeman developed collectors and courted consignors. He was instrumental in igniting the market for Barkley Hendricks and helped refocus market attention on a broad group of artists like Charles White, Hale Woodruff, Sam Gilliam, Elizabeth Catlett, Hughie Lee-Smith and Kenneth Victor Young. In this podcast, Freeman talks about how this market developed out of the spotlight and what has happened since these artists have gotten the recognition they deserve.

A partner at Mnuchin Gallery since 2013, Sukanya Rajaratnam has played an important role in connecting some of the world's most respected collectors with artists whose work has been previously overlooked or undervalued. Trained in finance but finding her way into the art world, Rajaratnam explains that although she is self-taught in art history and deal-making, her experience looking for value in the financial world has been instrumental in her role as an art dealer. In this podcast, she talks about the exhibitions Mnuchin Gallery has put on for artists like Ed Clark, Sam Gilliam, Lynda Benglis, Mary Lovelace O'Neal and more.

This week, Rev. Josh talks with Sam Gilliam about how she has experienced generosity at Reconciliation.

Korea24 – 2021.06.17. (Thursday) - News Briefing: Health authorities are reconsidering the age group allowed to receive the AstraZeneca COVID-19 vaccine, after it was confirmed that a man had died from a rare blood clot condition caused by the shot. (Koo Heejin) - In-Depth News Analysis: Dr. Choi Ji-eun, the International Spokesperson for the ruling Democratic Party, and Lee Jae-young, former lawmaker and supreme council member of the main opposition, now the People Power Party, delve into major topics in local politics including what the newly elected PPP chair Lee Jun-seok could bring into the political sphere. - Korea Trending with Bruce Harrison: A video showing a man smoking on the subway causes a stir online(지하철서 태연히 담배핀 남자, 말리자 "도덕 지키는 척 한다, 꼰대"), confusion surrounds badges given to those vaccinated against COVID-19(3천원으로 접종 인증?…‘백신접종 배지’ 판매 논란), and Pakistan’s most densely populated districts plan to block SIM cards of those who don’t get vaccinated against the coronavirus(자체 ‘백신’ 개발한 파키스탄…접종 안하면 휴대전화 ‘정지’). - Explore Korea: Art critic Andy St. Louis shares two newly opened art spaces in Hannam-dong, Seoul. He shares the American abstractionist Sam Gilliam’s exhibition at Pace Gallery’s Seoul(페이스 서울) branch as well as Foundry Seoul’s(파운드리 서울) show of the up-and-coming German painter Henning Strassburger. - Morning Edition Preview with Mark Wilson-Choi: Mark shares a piece from the Korea Herald on the idea of local businesses adopting a four-day workweek. He also shares a Korea Times piece featuring Kublai Kwon, a Korean American concert promoter who is pushing for Asian Americans artists to be heard in the U.S.

Episode 55 features Courtney J. Martin. In 2019, she became the sixth director of the Yale Center for British Art. Previously, she was the deputy director and chief curator at the Dia Art Foundation; an assistant professor in the History of Art and Architecture department at Brown University; an assistant professor in the History of Art department at Vanderbilt University; a chancellor’s postdoctoral fellow in the History of Art at the University of California, Berkeley; a fellow at the Getty Research Institute; and a Henry Moore Institute research fellow. She also worked in the media, arts, and culture unit of the Ford Foundation in New York. In 2015, she received an Andy Warhol Foundation Arts Writers Grant. In 2012, Martin curated the exhibition Drop, Roll, Slide, Drip . . . Frank Bowling’s Poured Paintings 1973–1978 at Tate Britain. In 2014, she co-curated the group show Minimal Baroque: Post-Minimalism and Contemporary Art at Rønnebæksholm in Denmark. From 2008 to 2015, she co-led a research project on the Anglo-American art critic Lawrence Alloway at the Getty Research Institute and was co-editor of Lawrence Alloway: Critic and Curator (Getty Publications, 2015, winner of the 2016 Historians of British Art Book Award). In 2015, she curated an exhibition at the Dia Art Foundation focusing on the American painter Robert Ryman. At Dia, she also oversaw exhibitions of works by Dan Flavin, Sam Gilliam, Blinky Palermo, Dorothea Rockburne, Keith Sonnier, and Andy Warhol. She was editor of the book Four Generations: The Joyner Giuffrida Collection of Abstract Art (Gregory R. Miller & Co., 2016), surveying an important collection of modern and contemporary work by artists of African descent. As a graduate student in 2007, Martin contributed to the Center’s exhibition and publication Art and Emancipation in Jamaica: Isaac Mendes Belisario and his Worlds. She received a doctorate from Yale University for her research on twentieth-century British art and is the author of essays on Rasheed Araeen, Kader Attia, Rina Banerjee, Frank Bowling, Lara Favaretto, Leslie Hewitt, Asger Jorn, Wangechi Mutu, Ed Ruscha, and Yinka Shonibare CBE (RA). Yale News April 2019 https://news.yale.edu/2019/04/10/courtney-j-martin-09-phd-named-director-ycba The Art Newspaper September 2020 https://www.theartnewspaper.com/interview/yale-center-for-british-art-embraces-a-global-framework ARTnews April 2019 https://www.artnews.com/art-news/news/yale-center-british-art-courtney-martin-director-12328/ culture type June 2019 https://www.culturetype.com/2019/06/20/courtney-j-martin-appointed-director-of-yale-center-for-british-art-an-opportunity-the-yale-alum-called-too-good-to-pass-up/ Dia Art February 2017 https://diaart.org/about/press/courtney-j-martin-to-join-dias-curatorial-department-as-deputy-director-and-chief-curator/type/text Courtney Martin image credit Angelis Apolinario

This episode, we are very lucky to speak with the visionary collector, philanthropist, and our personal art world hero, Pamela Joyner. Based in San Francisco, California, Pamela is a true champion for artists of African descent. Together with her husband Fred Giuffrida, she has built one of the world’s leading collections of artworks by Black and African diaspora artists, including deep holdings of works by artists including Alma Thomas, Mark Bradford, Jack Whitten, and Sam Gilliam - among many others. Their collection has been the subject of several museum exhibitions, including shows at Chicago’s Smart Museum of Art and the Nasher Museum of Art at Duke University. The collection is also documented in the beautiful book, Four Generations: The Joyner Giuffrida Collection of Abstract Art. Pamela is also a distinguished and highly active philanthropist, sitting on the boards of multiple non-profit institutions, including the San Francisco MoMA, the J. Paul Getty Trust, the Art Institute of Chicago, and the Tate Americas foundation. She is also a founding member of the Black Trustee Alliance for Art Museums an organization of and for Black trustees currently serving on the boards of art museums within the United States. Some artists discussed: Doron Langberg Leonardo Drew Alma Thomas Norman Lewis Sam Gilliam Mark Bradford Emanoel Araujo Rachel Jones Charles Gaines Malik Gaines Lauren Halsey Rodney McMillian Catherine Opie David Huffman Jordan Casteel Kerry James Marshall Lorna Simpson William Kentridge Christina Quarles Michael Armitage Jean-Michel Basquiat For images, artworks, and more behind the scenes goodness, follow @artfromtheoutsidepodcast on Instagram.

Episode Forty features Peg Alston. For nearly four decades since establishing Peg Alston Fine Arts, she has emerged as this country’s foremost private dealer specializing in works by African American artists and other artists of African descent, as well as select pieces of traditional African sculpture. In addition to handling art created by gifted emerging and mid-career artists, Peg Alston has sold works by some of the most renowned 20th Century Black masters, including Aaron Douglas, William H. Johnson, Laura Wheeler Waring, William T. Williams, Horace Pippen, Charles White, and Elizabeth Catlett. She has also sold works by some of the leading names on the contemporary scene, among them: Sam Gilliam, Richard Yarde, Betye Saar, Howardena Pindell, Frank Bowling, Ronald Burns, Edward Clark, David Driskell, Al Loving, Lubaina Himid, Oliver Johnson, Faith Ringgold, and Raymond Saunders. Peg Alston emerged on the New York art scene in 1972, a time when art by African Americans was limited. Early giants such as Romare Bearden and Norman Lewis generously served as informal mentors during the beginning stages of her career. Thanks to her keen eye and tastes, commitment to her specialty, and dedication to educating the public through lectures and activism, she has played a pivotal role in cultivating an interest all around the country for investing in African American fine art, and formed close associations with many of today’s most important African American artists. Long active with theStudio Museum in Harlem and many other major New York City cultural institutions, Peg Alston organized some of the first seminars on collecting, appraising and cataloguing African American art. Today, Peg Alston is a member of the Private Dealer’s Association (PADA) and ArtTable, and recently had the honor of being interviewed by History Makers for their visual and oral archival collection. http://www.pegalstonfinearts.com/ https://www.thehistorymakers.org/biography/peg-alston-41 https://www.instagram.com/pegalston/?hl=en

I found that what Lanecia shared about choosing life, moving through grief, being honest and claiming art for herself was exactly what I needed to hear in this moment. I’m in love with the depth of thought behind her work (which you’ll get to hear!) as well as her perspective on the ways art makes us better humans in the world. We talked about… -- How Lancia creates with patience and mindfulness, and let’s her work “become” in it’s own timing (and the practicality of working with deadlines within this process) -- What led to her transition from minister to artist, and how her background plays out in her vocation now -- How Lanecia moved through the grief of losing her daughter, both on and off the canvas, as well as advice for others working through grief. -- How both creating art and engaging with art makes us better humans -- How Lancia has fiercely directed her own art education and her favorite resources for doing so -- much more! And! Be sure to check out the show notes on this one. Lancia shared a WEALTH of educational and inspirational resources, and I linked them all up for you. _______________________________________________________ Links and Mentions: -- Creative Process by James Baldwin -- On Joy and Sorrow by Kahlil Gibran -- Living With Art by Mark Getlein -- Menil Collection in Houston -- Art Institute in Chicago -- Romare Bearden, Sam Gilliam, Ed Clark, Toni Morrison, Audre Lorde, Frank Bowling, Elma Thomas Additional resources from Lanecia: MOMA Online classes (they are FREE!) Four Generations: The Joyner / Giuffrida Collection of Abstract Art Ninth Street Women by Mary Gabriel. Follow Lanecia: Recent Installation at Project Row http://www.larartphotography.com/ https://www.instagram.com/larartstudio/ Follow Devon + the Podcast: https://www.instagram.com/artandmagicpodcast/ https://www.instagram.com/devonwalzart/ www.devonwalz.com

In this episode we speak to Bobbie Jo about her latest feelings about the case as it progresses.

Art expert and critic Elaine A. King found her way to the Podcast studio, mask and all. This was filmed during the coronavirus pandemic with social distancing, shortly after Arizona governor Ducey issued a stay at home order. Elaine's story as a professor, historian, critic, and curator was enlighting. King was a tenured Professor at Carnegie-Mellon University in Art History & Theory and has curated over 50 art exhibitions. We had a lively discussion on the nuances of what it means to be an art critic and curator; a field I didn't really understand fully until our podcast. It was freeing to discuss art in such a trying time as a lockdown pandemic as art holds importance in our culture, listeners and in my own life. This art podcast was a deep dive into contemporary art, and I hope you' find it as interesting as I did.

At UNTITLED, ART San Francisco, Leigh Raiford, Associate Professor of African American Studies at the University of California, Berkeley, conversed with gallerist Michael Rosenfeld to discuss Michael Rosenfeld Gallery's curated presentation of artists exhibited in "Soul of a Nation: Art in the Age of Black Power 1963–1983." The gallery's booth presentation at UNTITLED, ART San Francisco will included works by such seminal artists as Frank Bowling, Ed Clark, Sam Gilliam, Jacob Lawrence, Norman Lewis, Betye Saar, and William T. Williams, among others. The conversation ranges in topics, from the prominence of abstraction in Soul of a Nation, the place of Africa in African American art, and the gallery's long history exhibiting Black artists as well as the "discovery" of many older Black artists in today's contemporary artworld. James Voorhies, Chair, Graduate Program in Curatorial Practice, California College of the Arts, moderated the conversation.

Pamela Joyner's collection of abstract art by African-American artists includes some of the giants of the field like Alma Thomas, Jack Whitten and Sam Gilliam. Her collecting focuses on supporting scholarship as much as acquiring and donating important works by African American artists to institutions like the Tate Modern in Britain.

This episode features an onsite visit to the exhibition “Solidary & Solitary: The Joyner/Giufridda Collection,”with Alison Gass, the Director of the Smart Museum of Art in Chicago. Alison discusses the history of the exhibition and recounts the stories behind featured artworks by Bethany Collins, Leonardo Drew, Melvin Edwards, Sam Gilliam, Samuel Levi Jones, Norman Lewis, and Amanda Williams, among others. The episode also features a special conversation with the co-curator of the exhibition, Christopher Bedford, Director of the Baltimore Museum of Art.

Jamaal, Jasmine, and Spencer reveal their creative heroes. Spencer - Hale Woodruff, Yara Shahidi, Jasmine - Elizabeth Catlett, Solange + Beyonce, LaToya Hobbs Jamaal - Charles White, Sam Gilliam, Emory Douglas ***LaToya Hobbs is based in Baltimore teaching at MICA*** Send your creative questions to studionoizepodcast@gmail.com Follow Jamaal Barber @JBarberStudio Follow Jasmine Nicole @Negress.Supreme

Bloomberg art market reporter James Tarmy spent the better part of a week swimming in the aisles of Art Basel in Switzerland, the world's premier art fair where many of the top galleries not only make important sales but set the tone for their client base and communicate their view of the art market and its opportunities. Basel isn't only about sales, as Tarmy explains. The city's museums put on influential shows like the Sam Gilliam retrospective or the Beyeler Foundation's Francis Bacon-Alberto Giacometti show. Then, of course, there are the dinners.

In this week's episode of the ArtTactic Podcast, Katya Kazakina, art market report for Bloomberg News, joins us to discuss the important correction happening in the art world in which collectors and museums are increasingly focusing on collecting Black artists. First, Katya pinpoints how and when this correction began. Then, she discusses how important it has become for prominent museums to acquire Black artists for their collections and how successful they have been at this given the recent increase in prices for these artworks. After, Katya identifies some of the key Black artists being targeted by museums, including Mark Bradford, Sam Gilliam, David Hammons, Barkley Hendricks, Chris Ofili and others. Also, Katya talks about how this trend is translating at art galleries, where they are beginning to show and represent more younger black artists. Lastly, Katya speculates if this trend will be more long-lasting than others in the art market and she also highlights some Black artists who will be up for auction in next month's May auctions.

Sirius XM produced this interview between artist Sam Gilliam and Jonathan Binstock, the director of Rochester's Memorial Art Gallery and a Gilliam scholar. On the occasion of Gilliam's return to the Venice Biennale 45 years after he represented the United States, this far-ranging conversation covers the artist's entire career. Born in Louisville, Kentucky where Cassius Clay, Sr. (Muhammed Ali's father) was a prominent painter, Gilliam encountered a European refugee Ulfert Wilke at the Louisville and became his studio assistant. He also eventually encountered the Gutai artists in Japan, Bob Thompson and moved eventually to Washington, DC where Kenneth Noland was at the center of the Color Field movement and the city was "a town of connection." Throughout this conversation Gilliam talks of the lifelong struggle to make art and make a life as an artist. His career followed no clear trajectory but has been punctuated by encounters with an endless cast of 20th Century artistic influences culminating in his most recent turn in the center stage.

Video interview with the artist Sam Gilliam produced for the Luce Foundation Center in the Smithsonian American Art Museum.

Sam Gilliam's new work responds directly to Arthur Dove's Flour Mill II (1938) which he first saw at the Phillips in the early 1960s. On view Jan. 29 through April 24, 2011. During the fall of 1967 The Phillips Collection gave Sam Gilliam his first solo museum exhibition. Nearly 45 years later, Gilliam has created his first site-specific installation for the Phillips, to coincide with its 90th anniversary. Artworks: Arthur Dove, Flour Mill II. 1938. The Phillips Collection, Washington, DC. Sam Gilliam, Flour Mill, 2011.

Sam Gilliam's new work responds directly to Arthur Dove's Flour Mill II (1938) which he first saw at the Phillips in the early 1960s. On view Jan. 29 through April 24, 2011. During the fall of 1967 The Phillips Collection gave Sam Gilliam his first solo museum exhibition. Nearly 45 years later, Gilliam has created his first site-specific installation for the Phillips, to coincide with its 90th anniversary. Artworks: Arthur Dove, Flour Mill II. 1938. The Phillips Collection, Washington, DC. Sam Gilliam, Flour Mill, 2011.