Podcast appearances and mentions of Susie Ibarra

Since the early 2000s, Festival Director and musical curator Cem Zafir has been presenting diverse, exploratory, and engaging concerts via his non-profit organization, Zula Presents. After moving to Hamilton, Ontario in 2012, Cem seized on the opportunity to create an early summer music festival. The Something Else! Festival began in 2014. Now in its 12th year, it brings to Hamilton some of the finest talents in creative, global, and improvised music. In this fun and compact catch up with Jane, Cem previews some of the highlights of the upcoming festival. From solo piano with Guggenheim Fellow and Alpert Award-winning pianist/educator Myra Melford, to the deep electronic vibes of Farida Amadou; from the "weird beauty" of The Cluttertones, to a nature walk with Pulitzer Prize recipient, percussionist and composer Susie Ibarra, the lineup is guaranteed to blow your mind, and open your ears. Tickets and passes are on sale now via Eventbrite or E-transfer (no fee) to tix@zulapresents.orgMusic in this episode:"Water Thief" - Izumi Kimura and Gerry Hemingway (Kairos, 2023)"The End Of" - Farida Amadou (When It Rains It Pours, 2024)"Moveable Do (La-La Bémol) Feat. Matt Mitchell and John Hollenbeck" - Anna Webber (simpletrio2000, 2024)"Pulse" - Susie Ibarra (Perception, 2017)"Enero" - The Cluttertones (Ordinary Joy, 2015)"Coastal Birds" - Susie Ibarra et al (Walking on Water, 2015)"DESTEJER" - Ibelisse Guardia Ferragutti and Frank Rosaly (MESTIZX, 2024)"One More Latch (Give It to 'ya) - Pantayo (Ang Pagdaloy, 2023)"Ravenous Hound" - Peter Van Huffel's Callisto (Meandering Demons, 2024)Support the showPlease help us keep the pod rocking and rolling with a donation. Any amount helps! MUSIC BUDDY IS:Jane Gowan (host, producer, editor) ; Tim Vesely (co-producer)The show's theme song, "Human Stuff," is written by Jane Gowan and Tim Vesely, and performed by Jane and Tim, with additional vocals by Steve Wright and Connie Kostiuk STAY IN TOUCH Email: jane@musicbuddy.caInstagram: @musicbuddypodcastFacebook: @musicbuddypodcastBluesky: @musicbuddy.bsky.socialTikTok: @musicbuddypodThis podcast is brought to you by Morning Run Productions.

Composer and Sound Designer Robert Aiki Aubrey Lowe tells Caro C about his preferred sound modules and working methodologies, plus shares details some of the film and TV projects that he has recently been collaborating on.Chapters00:00 - Introduction01:35 - Finding A Musical Voice04:38 - Choosing Modular Synthesis10:18 - Avant Garde Artistry17:14 - Current Modular Setup23:19 - Other Favourite Modules 28:11 - Composing For TV And Film34:03 - Combining Hardware And Software#morphagene #spectraphon #dxg #optomix #proworkout #arbharRobert Aiki Aubrey Lowe BiogRobert Aiki Aubrey Lowe is an artist, curator and composer based in Brooklyn, New York. Robert is known for his work with modular synthesis combined with voice. Along with analogue video synthesis works, he has had exhibitions of his work at John Michael Kohler Art Center, Museum of Art and Design, Kunsthal Charlottenborg and the Broad.Over the last several years Robert has collaborated on projects or provided sound in a featured artist capacity for such films as “End of Summer”, “Sicario”, “Arrival”, “Last and First Men” with Johann Johannsson and “It Comes at Night” with Brian McOmber. In recent years Robert has scored “Candyman” for Nia DaCosta, “The Color of Care” and “Power” for Yance Ford, “Master” for Mariama Diallo, “Grasshopper Republic” for Daniel McCabe, docuseries “Telemarketers”, “UNION” for Brett Story and Stephen Maing, “The Man In My Basement” for Nadia Latif, “Life After" for Reid Davenport and “Seeds” for Brittany Shyne. Through collaboration Robert has worked with Tarek Atoui, Ben Russell, Ben Rivers, Rose Lazar, Nicolas Becker, Rashaad Newsome, Jóhann Jóhannsson, Hildur Guđnadóttir, Sabrina Ratté, Philippe Parreno, Evan Calder Williams, Ariel Kalma, Susie Ibarra and YoshimiO, as well as many others.https://robertaikiaubreylowe.bandcamp.com/Caro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.URL: http://carocsound.com/Twitter: @carocsoundInst: @carocsoundFB: https://www.facebook.com/carocsound/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Composer, pianist, educator Angelica Sanchez in commentary alongside excerpts from performances with bassist Michael Formanek, drummers Billy Hart and Hamid Drake, composer/percussionist Susie Ibarra with violinist Jennifer Choi, and a solo at the tribute to jaimie branch. Sanchez returns to Roulette in a new trio with guitarist Brandon Ross and drummer Chad Taylor on 16 January 2024. https://roulette.org/ 

Composer, pianist, educator Angelica Sanchez in commentary alongside excerpts from performances with bassist Michael Formanek, drummers Billy Hart and Hamid Drake, composer/percussionist Susie Ibarra with violinist Jennifer Choi, and a solo at the tribute to jaimie branch. Sanchez returns to Roulette in a new trio with guitarist Brandon Ross and drummer Chad Taylor on 16 January 2024.

In this episode, we're excited to feature a conversation with the team behind OFFAIR Records, a label dedicated to bringing background music to the foreground and creating intentional soundtracks for environments and mental spaces. As they put it, "instead of music getting stuck in your head, we want your head to get lost in the music." Join me as I explore how OFFAIR cultivates an intimate, memorable experience for both artists and fans through unique live shows, and their mission to showcase music that goes beyond the familiar sonic territories. This podcast episode is a must-listen for anyone who wants to discover the power of intentional listening and the art of music curation. Download my free RECORD LABEL TOOLKIT: http://otherrecordlabels.com/toolkit

David Grubbs: On Derek Bailey Excerpts from Roulette concerts between 1986-99 by improvising activist guitarist Derek Bailey, with commentary by musician/professor/author David Grubbs (Records Ruin The Landscape). Emerging from the London free improv scene, Bailey tapped New York musicians to engage in his wildly diverse Company Weeks, in groupings and pairings with John Zorn (sax), Carlos Zingaro (violin), Ikue Mori (electronic percussion), Jim Staley (trombone), Ciro Baptiste (percussion), Jamaladeen Tacuma (bass), Calvin Weston (drums), Susie Ibarra (percussion), Richard Teitelbaum (electronics), and Greg Bendian (percussion). John Zorn is honoring Derek Bailey with three Nights of Improvisation at Roulette, Jan. 19-21, 2023. https://roulette.org/

Excerpts from Roulette concerts by improvising activist guitarist Derek Bailey, with commentary by musician/professor/author David Grubbs (Records Ruin The Landscape). Emerging from the London free improv scene, between 1986-99 Bailey tapped New York musicians to engage in his wildly diverse Company Weeks, in groupings and pairings with John Zorn (sax), Carlos Zingaro (violin), Ikue Mori (electronic percussion), Jim Staley (trombone), Ciro Baptiste (percussion), Jamaladeen Tacuma (bass), Calvin Weston (drums), Susie Ibarra (percussion), Richard Teitelbaum (electronics), and Greg Bendian (percussion). John Zorn is honoring Derek Bailey with three Nights of Improvisation at Roulette, Jan. 19-21, 2023.

 This episode was recorded live at Public Records in Brooklyn, NY as part of the Offair event series. Arcade Fire multi-instrumentalist Richard Reed Parry and percussionist/composer Susie Ibarra talk about their album “Heart and Breath” with cardiologist and bestselling author, Dr. Sandeep Jauhar. Their album is set entirely to the rhythm of their own heartbeats and breath cycles so we dive deep on what's at work with Dr. Jauhar. We cover the relationship between heart and lungs, the development of open heart surgery and more!

Yuka C. Honda: Fairyland Composer and musician Yuka C. Honda reflects on a remarkable musical trajectory, serendipity, and new directions. Widely known for the project Cibo Matto, this program is illustrated with excerpts from a 2016 performance at the Roulette Concert Hall in NYC with drummer Susie Ibarra and electronic percussionist Ikue Mori. Photo: Sophie Caby. https://roulette.org/

Composer and musician Yuka C. Honda reflects on a remarkable musical trajectory, serendipity, and new directions. Widely known for the project Cibo Matto, this program is illustrated with excerpts from a 2016 performance at the Roulette Concert Hall in NYC with drummer Susie Ibarra and electronic percussionist Ikue Mori. Photo: Sophie Caby.

This is the second part of an edition of Mondo Jazz which explores the repertoire built over the years by countless women composers, which are in part included in "New Standards", the collection of 101 compositions by women composers curated by Terri Lyne Carrington for Berklee Press, and in part we hope they will be included in a near future. For our selection we focus on instrumental tunes by musicians that are alive, and possibly still young. The playlist features Susie Ibarra; Nubya Garcia; Co Streiff; Airelle Besson; Anke Helfrich; Patricia Zarate Perez; Courtney Bryan [pictured]; Anna Högberg; Kris Davis; and Tomeka Reid. The detailed playlist is available at https://spinitron.com/RFB/pl/16445708/Mondo-Jazz (from "Azul" onwards). Happy listening!

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Richard Reed Parry is a Canadian multi-instrumentalist, composer, producer, best known as a core member of the Grammy Award-winning indie rock band Arcade Fire, where he plays a wide variety of instruments, often switching between guitar, double bass, drums, celesta, keyboards, and accordion. His new collaborative album "Heart and Breath: Rhythm and Tone Fields"  Susie Ibarra s a contemporary composer and percussionist who has worked and recorded with jazz, classical, world, and indigenous musicians. One of SPIN's "100 Greatest Drummers of Alternative Music," she is known for her work as a performer in avant-garde, jazz, world, and new music. As a composer, Ibarra incorporates diverse styles and the influences of Philippine Kulintang, jazz, classical, poetry, musical theater, opera, and electronic music. Ibarra remains active as a composer, performer, educator, and documentary filmmaker in the U.S., Philippines, and internationally.

Senem Pirler is a New York based, Turkish born, sound artist and academic whose practice is all about connection; Whether it's humans, plants or seemingly inanimate objects, Senem has a knack of finding ways to question profound ideas around identity, belonging and being present in the world. Inside this week's episode, Isobel gets the chance to hear how Senem started training as a classical pianist, then worked as a sound engineer and, eventually, studied for a PhD in electronic arts at Rensselaer under none other than the late Pauline Oliveros. In 2018, Senem was the recipient of The Malcolm S. Morse Graduate Research Enhancement Award to support her in honouring the work of her mentor Oliveros and Deep Listening. Girls Twiddling Knobs is hosted and produced by Isobel Anderson with production support from Jade Bailey and Francesca O'Connor and is a Female DIY Musician Production.EPISODE HIGHLIGHTS{0:00} Intro{5:06} Let's meet Senem Pirler{9:44} How she got started in music technology and sound design{13:38} Working with Pauline Oliveros{25:49} Entanglement and Queer Theory {30:40} Collaborations: ‘Unearthly Vibrations' and ‘Moved in Light' {44:46} Senem's software recommendations{49:13} Episode SummaryOther Notes:Correction: Senem connected the Neve Console.Instead of performing 'The Witness', Claire Chase, Susie Ibarra and Senem performed Pauline's other score titled '13 Changes'. Watch the video documentation here >> Girls Twiddling Knobs listeners get 10% off iZotope's award-winning audio plugins and a 30 day free trial of their incredible Music Production Suite 4.1. Just use the code GIRLSPOD10 here >>Download my 10 FREE Tools to Start Recording Your Music guide >>Find out more about Senem and her work >>Find out more about the Pauline Oliveros documentary >>Listen to the episode hereListen on SpotifyJoin the Girls Twiddling Knobs Podcast Community here >>Which vocal mic is your perfect match? TAKE THE QUIZ >> Love Girls Twiddling Knobs? Leave a review wherever you're listening and let me know!

We have come full circle and reached the end of season 3 - time really flies! I started this season expressing my desire to talk about social justice, racism and discrimination. I gave the example of the Japanese art of Kintsugi - the broken vessel that is mended to make new. And who better to talk about these Kintsugi ideals than the person who introduced me to this concept, return guest, artist Makoto Fujimura. This time he joins me with his incredible wife, lawyer and justice advocate Haejin Shim. This episode was so powerful and whilst it was recorded sometime in June, the themes remain ever-relevant. We talk about the ways in which beauty, art and justice intersect. Can beauty be found in justice, can art be used as an instrument for justice? What does justice really mean? We talk about faith and beauty. Beauty not as perfection, it's not cosmetic - but beauty as a journey - a journey into the new. And we can't talk about beauty without talking about sacrifice and suffering - suffering that leads to what Mako calls ‘generative love'. I have so much to say about this episode, so much that it's better that I just say less and you listen and draw your own conclusions.Guests: Makoto Fujimura & Haejin ShimTitle: Beauty, Art & JusticeMusic on playlist: Susie Ibarra, Walking on WaterMakoto Fujimura Links:BioWebsiteIGTwitterKintsugi AcademyCulture Care PodcastBooksHaejin Shim Links:BioIGEmbers International WebsiteEmbers International IGShim & Associates Law FirmTo Learn more about Airbnb's work with Afghan Refugeeshttps://www.airbnb.org/refugees See acast.com/privacy for privacy and opt-out information.

A week after her first live concert performance since the pandemic, composer & percussionist Susie Ibarra talked with us about: a year of making music under quarantine; her collaborative approach to working with other musicians; her explorations of jazz, classical music, traditional Philippine music, and even indie rock; drums as melodic instruments; and the gender stereotyping of percussion in different genres and cultures.

"Jesus is the great kintsugi master." "Something that's broken is already more valuable than when it's whole." "The imagination creates, through the fractures, a river of gold, a mountain of gold." Makoto Fujimura joins Miroslav Volf to discuss Art & Faith: A Theology of Making. Fujimura is a painter who practices the Japanese art of nihonga, or slow art. His abstract expressionist pieces are composed of fine minerals he grinds himself and paints onto several dozens of layers, which take time and close attention both to make and to appreciate.Mako and Miroslav discuss the theology and spirituality that inspires Mako's work, the creative act of God mirrored in the practice of art, the unique ways of seeing and being that artists offer the world, which is, in Mako's words "dangerously close to life and death." They reflect on the meaning of Christ's humanity and his wounds, the gratuity of God in both creation from nothing and the artistic response in the celebration of everything.Show NotesMakoto Fujimura's Art & Faith: A Theology of MakingIlluminated Bible by Makoto FujimuraMary, Martha, & LazarusGenesis Creation NarrativeArt follows in the footsteps of the creatorThe reasons for God's creationWhy would an all-sufficient God create anything?God as "a grand artist with no ego and no need to create."Communicating about art and theology outside the boundaries of the institutional churchReconciliation between art and faithGod's gratuitous creation doesn't need a utilitarian purposeCreating vs makingIn artistic creation, something new does seem to emerge"God is the only artist"The scandal of God's incarnation: In becoming incarnate, God's utter independence is flipped to utter dependence.Psalmist's cry to GodHow art breaks the ordinaryThe artist's way of seeing and beingSeeing as survivalSeeing with the eyes of your heart"Artists stay dangerously close to death and life"Getting beyond the rational way of seeingLetting the senses become part of our prayerWilliam James on conversion: everything becomes new for the convertedSeeing with a new frame of beautyFaith and the authenticity of seeing with the eyes of an artistEmily Dickenson on the "tender pioneer" of JesusHartmut Rosa on resonance—in modernity, the world becomes dead for us, and fails to speak with us, but we need a sense of resonanceKandinsky and Rothko—artists' intuitive sense of resonance that has escaped the church in the wake of mid-century destructionMary's wedding nard oil and the gratuitous cost of artThe non-utilitarian nature of artUsing precious materials in artTear jarsMiroslav's mother regularly weeping and crying: "I wonder why God gave us tears? Only humans are the animals who cry."Helmut Plessner's Laughing and Crying: Weeping as relinquishing self-possession and merging the self with the flesh (as opposed to reason/ratio or technique/techne)N.T. Wright—the greatest miracle is that Jesus chose to stay human.Jesus's remaining woundsCo-mingling our tears with Christ's tearsKintsugi and Japanese Slow ArtAccentuating the fracture"The imagination creates, through the fractures, a river of gold, a mountain of gold."This is the best example of new creation."What would happen to our scars? That's a question with no answer."Through his wounds, our wounds would look differentJesus is the great kintsugi master, leading a path of gold along the fractures of lifeThe permanence of scarsIs it possible to be in the good and be truly joyous?"God is not the source of beauty. God is beauty."Fundamental "new newness": So new that it evades understandingGoodness, truth, and beautyGod loved the world so much, it wasn't enough to merely admire it—he had to join it.What is a life worthy of our humanity?Fujimura's practice of art as an attempt to answer that question."Our lives as the artwork of God, especially as a collaborative community in the Body of Christ."About Makoto FujimuraMakoto Fujimura is a leading contemporary artist whose process driven, refractive “slow art” has been described by David Brooks of New York Times as “a small rebellion against the quickening of time”. Robert Kushner, in the mid 90's, written on Fujimura's art in Art in America this way: “The idea of forging a new kind of art, about hope, healing, redemption, refuge, while maintaining visual sophistication and intellectual integrity is a growing movement, one which finds Makoto Fujimura's work at the vanguard.”Fujimura's art has been featured widely in galleries and museums around the world, and is collected by notable collections including The Museum of Contemporary Art in Tokyo, The Huntington Library as well as Tikotin Museum in Israel. His art is represented by Artrue International in Asia and has been exhibited at various venues including Dillon Gallery, Waterfall Mansion, Morpeth Contemporary,  Sato Museum in Tokyo, Tokyo University of Fine Arts Museum, Bentley Gallery in Phoenix, Gallery Exit and Oxford House at Taikoo Place in Hong Kong, Vienna's Belvedere Museum, Shusaku Endo Museum in Nagasaki and Jundt Museum at Gonzaga University. He is one of the first artists to paint live on stage at New York City's legendary Carnegie Hall as part of an ongoing collaboration with composer and percussionist, Susie Ibarra.  Their collaborative album "Walking on Water" is released by Innova Records. As well as being a leading contemporary painter, Fujimura is also an arts advocate, writer, and speaker who is recognized worldwide as a cultural influencer. A Presidential appointee to the National Council on the Arts from 2003-2009, Fujimura served as an international advocate for the arts, speaking with decision makers and advising governmental policies on the arts. His book “Refractions” (NavPress) and “Culture Care” (IVPress) reflects many of his thesis on arts advocacy written during that time. His books have won numerous awards including the Aldersgate Prize for “Silence and Beauty” (IVPress). In 2014, the American Academy of Religion named Fujimura as its 2014 “Religion and the Arts” award recipient. This award is presented annually to professional artists who have made significant contributions to the relationship of art and religion, both for the academy and a broader public. Previous recipients of the award include Meredith Monk, Holland Cotter, Gary Snyder, Betye & Alison Saar and Bill Viola. Fujimura's highly anticipated book "Art+Faith: A Theology of Making" (Yale Press, with foreword by N.T. Wright, 2021) has been described by poet Christian Wiman as "a real tonic for our atomized time".Fujimura founded the International Arts Movement in 1992, now IAMCultureCare, which over sees Fujimura Institute. In 2011 the Fujimura Institute was established and launched the Four Qu4rtets, a collaboration between Fujimura, painter Bruce Herman, Duke theologian/pianist Jeremy Begbie, and Yale composer Christopher Theofanidis, based on T.S. Eliot's Four Quartets. The exhibition has travelled to Baylor, Duke, and Yale Universities, Cambridge University, Hiroshima City University and other institutions around the globe.Bucknell University honored him with the Outstanding Alumni Award in 2012.Fujimura is a recipient of four Doctor of Arts Honorary Degrees; from Belhaven University in 2011, Biola University in 2012, Cairn University in 2014 and Roanoke College, in February 2015. His Commencement addresses has received notable attention, being selected by NPR as one of the “Best Commencement Addresses Ever”. His recent 2019 Commencement Address at Judson University, was called “Kintsugi Generation”, laying out his cultural vision for the next generation.Production NotesThis podcast featured artist Makoto Fujimura and theologian Miroslav VolfEdited and Produced by Evan RosaHosted by Evan RosaProduction Assistance by Martin Chan & Nathan JowersA Production of the Yale Center for Faith & Culture at Yale Divinity School https://faith.yale.edu/aboutSupport For the Life of the World podcast by giving to the Yale Center for Faith & Culture: https://faith.yale.edu/give

con Paola De Angelis

Solénoïde (29.03.2021) - Cap vers le Texas chez le compositeur Graham Reynolds qui nous offre un mix exclusif ! Basé à Austin, ce chef d'orchestre-improvisateur fait de la musique pour le cinéma, le théâtre, la danse, avec des collaborateurs allant de DJ Spooky à Jack Black. Bref que vous soyez adeptes de musiques de film ou de soundscapes poétiques, une chose est sûre : Graham Reynolds dispose d’atouts convaincants pour toucher notre fibre imaginogène !

World-renowned artist Makoto Fujimura, author of “Art + Faith: A Theology of Making,” draws from his deep well of reflections on creativity and the spiritual aspects of “making” in this poetic, inviting conversation with Jenn Giles Kemper. Experienced in the Japanese art of Kintsugi (mending broken ceramic with lacquer and gold to create something new) Makoto (Mako) talks with Jenn about what he's learned about the very nature of our Maker God through this process of being “not only restored, but made new.”On this episode of Sacred Ordinary Days with Jenn Giles Kemper, Mako explores:Why art is an outpouring of God's graceHow the trauma of living near Ground Zero on Sept, 11, 2001 has been reflected in all of our lives during the 2020-21 global pandemicThe generativity of humanityHow art asks more questions than it answersHis journey in Christ through different denominations and traditionsHow art is a gift but not a commodity, and how that reflects God's graceAbout the guest: Makoto Fujimura, an artist, arts advocate, writer, and speaker, is the founder of the International Arts Movement and the Fujimura Institute, and co-founder of the Kintsugi Academy. He lives in Princeton, New Jersey and is a leading contemporary artist whose “slow art” has been described by David Brooks of the New York Times as “a small rebellion against the quickening of time”.Mako's art has been featured widely in galleries and museums around the world, and is collected by notable collections including The Museum of Contemporary Art in Tokyo, The Huntington Library, and the Tikotin Museum in Israel. He is one of the first artists to paint live on stage at New York City's legendary Carnegie Hall as part of an ongoing collaboration with composer and percussionist, Susie Ibarra.We're proud to carry his books Culture Care and Art + Faith in our spiritual formation bookshop.Reflection point: In Art + Faith, Mako writes that “To be effective messengers of hope we must trust our inner voice, our intuition that speaks into the vast wastelands of our time.” When is a time you have not trusted your inner voice? What was at stake? And in the episode, Jenn mentions that Mako says that the book of Psalms, God's poetry, gives us an ecosystem of metaphors and a garden of words to describe the thriving offered to us in the New Creation. What would it look like for you to spend some time in a Psalm this week? What might God have to tell you through the Psalm you read, as it relates to new creation?Links:Art + Faith: A Theology of Making by Makoto FujimuraMakoto FujimuraCulture Care: Reconnecting with Beauty for Our Common Life by Makoto FujimuraAbout Sacred Ordinary Days with Jenn Giles Kemper: Sacred Ordinary Days with Jenn Giles Kemper explores faith where it hits the pavement of work, relationships, creativity, and real life. Inspired by Jenn's curiosity and faith (and her work as a minister and spiritual director) we're crafting a show to help you meaningfully explore your own life with Christ — and ultimately lead you to become more wholly human and more fully faithful. On Tuesdays, join us for a conversation with folks whose words, work, and witness have shaped our team's understanding of God and practice of faith. (Plus, we're featuring lots of good music, prompts for your reflection and practice, and plenty of invitations into a community of kindred spirits!)Listen on Apple Podcasts or Spotify.

Un mondo magico carico di ricordi che si trasformano in musica nei dischi di Susie Ibarra e di Karoline Wallace

The violinist/composer discusses her classical training, mastering improvisation, Korean heritage, and introduces us to musical examples recorded at Roulette with collaborators including Marco Cappelli, Susie Ibarra, Rubin Kodheli, Ikue Mori, Michael Nicolas, Vongku Pak, and the Talujon Percussion Ensemble.

Jennifer Choi -- Bowing Up The violinist/composer discusses her classical training, mastering improvisation, Korean heritage, and introduces us to musical examples recorded at Roulette with collaborators including Marco Cappelli, Susie Ibarra, Rubin Kodheli, Ikue Mori, Michael Nicolas, Vongku Pak, and the Talujon Percussion Ensemble. https://roulette.org/

The Culture Care Patreon is here! If you'd like to get involved and gain early access to episodes, bonus materials, and Kintsugi Academy Membership, join us: https://www.patreon.com/user?u=38894508.Music in this episode was provided by Susie Ibarra (https://www.susieibarra.com), September Penn, and  experimental/noise rock band, QOHELETH (https://qohelethnoise.bandcamp.com). September's song, "Through His Brokenness" is available now: https://music.apple.com/us/album/through-his-brokenness-single/1523594569https://music.amazon.com/albums/B08CZ44ZJ7?.  You can find out more about her organization, The Power of Song, here: https://www.thepowerofsong.org.Additional Culture Care resources can be found here: https://www.makotofujimura.comSubscribe to our newsletter at https://iamculturecare.com.

Navasha Daya's tribute to Gil Scott Heron, several projecfts that explored the trail that Coltrane blazed, artists for whom rhythm is melody and melody is rhythm, musicians that plunge themselves in the inner space and in the outer space, debut CDs, reissues, label showcase albums... There's something for everyone in this hour of new and umpcoming jazz. The playlist features Navasha Dava; The Auanders; Chris Speed; Steve Reid; Elin Forkelid; Anna Högberg; Muriel Grossmann; Benoît Delbecq; Susie Ibarra; Sun Ra Arkestra. Detailed playlist at https://spinitron.com/RFB/pl/12487369/Mondo-Jazz (from Navasha Daya onward). Happy listening! Photo courtesy of Elin Forkelid (credit: Peter Gannushkin).

Jazz Ahead 111 - Playlist: 1. Paniniwala (Belief), Susie Ibarra, Talking Gong, New Focus Recordings, 2021..2. Dancesteps, Susie Ibarra, Talking Gong, New Focus Recordings, 2021..3. Sunbird, Susie Ibarra, Talking Gong, New Focus Recordings, 2021..4. My dear son, Jacopo Ferrazza, Wood Tales, Autoproduzione, 2021..5. Waiting, Jacopo Ferrazza, Wood Tales, Autoproduzione, 2021..6. Hope, Jacopo Ferrazza, Wood Tales, Autoproduzione, 2021..7. Memories from a farmer, Jacopo Ferrazza, Wood Tales, Autoproduzione, 2021..8. The Message Continues (Mark de Clive-Lowe Remix), Nubya Garcia, The Message Continues (Mark de Clive-Lowe Remix), Concord Jazz, 2021..9. Aka tombo, Akira Sakata, Aka tombo, Daphnia, 2020..10. Tsonmbon Tuuraitai Kheren, Akira Sakata, Aka tombo, Daphnia, 2020..11. Going home, Akira Sakata (Antoni Dvorek), Aka tombo, Daphnia, 2020

Jazz Ahead 111 - Playlist: 1. Paniniwala (Belief), Susie Ibarra, Talking Gong, New Focus Recordings, 2021..2. Dancesteps, Susie Ibarra, Talking Gong, New Focus Recordings, 2021..3. Sunbird, Susie Ibarra, Talking Gong, New Focus Recordings, 2021..4. My dear son, Jacopo Ferrazza, Wood Tales, Autoproduzione, 2021..5. Waiting, Jacopo Ferrazza, Wood Tales, Autoproduzione, 2021..6. Hope, Jacopo Ferrazza, Wood Tales, Autoproduzione, 2021..7. Memories from a farmer, Jacopo Ferrazza, Wood Tales, Autoproduzione, 2021..8. The Message Continues (Mark de Clive-Lowe Remix), Nubya Garcia, The Message Continues (Mark de Clive-Lowe Remix), Concord Jazz, 2021..9. Aka tombo, Akira Sakata, Aka tombo, Daphnia, 2020..10. Tsonmbon Tuuraitai Kheren, Akira Sakata, Aka tombo, Daphnia, 2020..11. Going home, Akira Sakata (Antoni Dvorek), Aka tombo, Daphnia, 2020

In this ep, I sit down with acclaimed, New York-based artist Makoto Fujimura. Makoto is a fascinating man: someone who's perfectly balanced the "border stalking" (his words) nature of artists with a deep and abiding faith. We talk about how to mends trauma and end cultural divides, the nature of God, and the role of artists as healers and integrators.  Makoto Fujimura is a leading contemporary artist whose process-driven, refractive “slow art” has been described by David Brooks of New York Times as “a small rebellion against the quickening of time”. Robert Kushner, in the mid 90’s, spoke of Fujimura’s art this way: “The idea of forging a new kind of art, about hope, healing, redemption, refuge, while maintaining visual sophistication and intellectual integrity is a growing movement, one which finds Makoto Fujimura’s work at the vanguard.” Fujimura’s art is collected and featured widely in galleries and museums around the world, including The Museum of Contemporary Art in Tokyo, The Huntington Library, the Tikotin Museum in Israel, Dillon Gallery and Waterfall Mansion in New York,  Sato Museum in Tokyo, The Tokyo National University of Fine Arts Museum, Bentley Gallery in Arizona, Gallery Exit and Oxford House at Taikoo Place in Hong Kong, Vienna’s Belvedere Museum, and Shusaku Endo Museum in Nagasaki. He is one of the first artists to paint live on stage at New York City’s legendary Carnegie Hall as part of an ongoing collaboration with composer and percussionist, Susie Ibarra. Fujimura is also an arts advocate, writer, and speaker who is recognized worldwide as a cultural influencer. A Presidential appointee to the National Council on the Arts from 2003-2009, Fujimura served as an international advocate for the arts, speaking with decision makers and advising governmental policies on the arts. His books have won numerous awards, including the Aldersgate Prize for “Silence and Beauty”. Fujimura's highly anticipated book Art+Faith: A Theology of Making (Yale Press, with foreword by N.T. Wright, 2021) has been described by poet Christian Wiman as "a real tonic for our atomized time". Connect with Makoto: Website: https://makotofujimura.com/ Twitter Instagram Youtube Latest book: Art + Faith: A Theology of Making Kintusgi Academy Instagram Page Kintsugi Academy Shop Did you enjoy the podcast? If so, please leave us a review on Apple Podcasts, Stitcher, or Podchaser. It helps us get into the ears of new listeners, expand the ManTalks Community, and help others find the self-leadership they’re looking for. Are you looking to find purpose, navigate transition, or fix your relationships, all with a powerful group of men from around the world? Check out The Alliance and join me today.  Check out our Facebook Page or the Men's community. Subscribe on Apple Podcasts | Google Podcasts  | Spotify For more episodes visit us at ManTalks.com | Facebook | Instagram | Twitter    Editing & Mixing by: Aaron The Tech See omnystudio.com/listener for privacy information.

Happy New Year! We hope you all had a wonderful holiday season and a good start to 2021. As promised, we're back with part two of our conversation with Shann Ray. This portion of the interview continues unpacking the themes of part one, considering forgiveness and restoration, mending to make new. We hope it brings you encouragement and inspiration as you dive into the work ahead of you in this new year. Shann is a poet and prose writer who teaches leadership and forgiveness studies at Gonzaga University, and has served as a visiting scholar in Africa, Asia, Europe, and the Americas. A former professional basketball player, Ferch's collection of stories, American Masculine, won the American Book Award.http://shannray.comThe Culture Care Patreon is here! If you'd like to get involved and gain early access to episodes, bonus materials, and Kintsugi Academy Membership, join us: https://www.patreon.com/user?u=38894508.Music in this episode was provided by Susie Ibarra: https://www.susieibarra.com and by experimental/noise rock band, QOHELETH: https://qohelethnoise.bandcamp.com. Additional Culture Care resources can be found here: https://www.makotofujimura.comSubscribe to our newsletter at https://iamculturecare.com.

Susie Ibarra is a Filipina-American composer, percussionist, and sound artist. Her music has been described as “a sound like no other’s, incorporating the unique percussion and musical approach of her Filipino heritage with her flowing jazz drumset style” (Modern Drummer Magazine). She and Mako have worked together frequently in the past, and their latest collaboration is titled "Walking on Water." Listen to more of her music at: https://www.susieibarra.com.The Culture Care Patreon is here. If you'd like to get involved and gain early access to episodes, bonus materials, and Kintsugi Academy Membership, join us: https://www.patreon.com/user?u=38894508.Additional Culture Care resources can be found here: https://www.makotofujimura.comSubscribe to our newsletter at https://iamculturecare.com.

Poet, translator, editor, and essayist Christian Wiman was raised in West Texas and earned a BA at Washington and Lee University. A former Guggenheim fellow, Wiman served as the editor of Poetry  magazine from 2003 to 2013. He received an honorary doctorate from North Central College. He currently teaches at Yale Divinity School. His newest collection of poems, Survival Is a Style , was released in February 2020.https://www.poetryfoundation.org/poets/christian-wiman This episode also features exclusive new music from composer, percussionist, and sound artist Susie Ibarra: https://www.susieibarra.com. We will be hearing more from Susie and her work very soon!The Culture Care Patreon is here. If you'd like to get involved and gain early access to episodes, bonus materials, and Kintsugi Academy Membership, join us: https://www.patreon.com/user?u=38894508.Additional Culture Care resources can be found here: https://www.makotofujimura.comSubscribe to our newsletter at https://iamculturecare.com

As we hunker down amidst a terrifying pandemic what we need is to drum up our positive energy and attitude. So here's a special home edition of Mondo Jazz spotlighting projects led by creative drummers. Just another way to give drummers more than some! Stay home, socially distance, but musically connected. And don't forget to support musicians and the institutions that contribute to their outreach during these challenging times! Happy listening! The playlist features Art Blakey, Derick Dickens, Allison Miller, Bobby Previte, Tiziano Tononi, Chico Hamilton, Scott Amendola, Sasha Mashin, Susie Ibarra, 3TM, Zeno De Rossi, Paul Motian, Lesley Mok. Detailed playlist available https://spinitron.com/RFB/pl/10606134/Mondo-Jazz Photo credit: Claudio Casanova

This week: Don Cherry; Idjah Hadidjah; Kostas Soukas; Christos Govetas et al.; Din Mohammed Zamak-Zahi; Tani Tabbal; Satoko Fujii w. Tatsuya Yoshida et al. (Toh-Kichi); Oliver Lake; Toshiyuki Miyama; Susie Ibarra; Caetano Veloso; Aline de Lima; Tenores de Sarule; Lucianao Berio; Malini Rajurkar; Guy Adjovi; Sabir Mateen w. Federico Ughi & Patrick Holmes; Sun Ra; Kenny Garrett;  much more...  Always FREE of charge to listen to the radio program on WRFI, or stream, download, and subscribe to the podcast: via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. ***In response to the COVID-19 pandemic, Conference of the Birds will be broadcasting remotely, with little to no back-announcing, for the foreseeable future. Playlists will be updated live, in real-time, on the pop-up player on the WRFI website (for those listening live via WRFI's live-stream), on Spinitron at the Conference of the Birds page:  https://spinitron.com/WRFI/show/92902/Conference-of-the-Birds and via the Conference of the Birds page at WRFI.ORG:https://www.wrfi.org/wrfiprograms/conferenceofthebirds/ We will continue to update playlists at comfbirds.blogspot.com 24-48 hours of the program's airing Friday evenings on WRFI. Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks Contact: confbirds@gmail.com

As much as we favor a complete integration of the jazz sexes, this week we feature twenty-four bands or projects with not a single man in sight, actually in hearing. After all, how much jazz radio have you listened to (not on Mondo Jazz) with playlists made exclusively of all male bands? Here's a small contribution to rebalancing that statistical abherration. The playlist features Rhoda Scott's Lady Quartet, Nérija, Irène Schweizer, Co Streiff, Marilyn Mazur's Shamania, Terri Lyne Carrington, Aki Takase, Silke Eberhard, Anna Högberg Attack, Maggie Nicols, Joelle Leandre, Sylvie Courvoisier, Susie Ibarra, Sisters in Jazz, Cæcilie Norby, Jane Bunnett and Maqueque, Monika Herzig, Tia Fuller, Giovani Leonesse, Lioness, Ahn Trio, Minamo, Mary Halvorson, Jessica Pavone, Eve Risser, Kaja Draksler, Susana Santos Silva, Lauren Newton, Hae Voces. Detailed playlist at https://spinitron.com/RFB/pl/9230056/Mondo-Jazz Photo credit: Agata Urbaniak

As jazz was born where cultures converged, it's not a surprise that it is the most adaptable form of music. An art form permeable since its very inception to musical traditions from other continents. This week we focus on the contribution of musicians that approached jazz and improvised music benefiting from the wider perspective afforded to them by the exposure to not only American culture but also the traditions of the places of origin of their families, which hailed from Asian countries like China, India, Iraq, Japan, Korea, Pakistan, the Philippines and Vietnam. The playlist features Susie Ibarra, Cuong Vu, Ben Kono, Amir ElSaffar, Fred Ho, Amirtha Kidambi, Edge, Peggy Chew, Rajna Swaminathan, Brooklyn Raga Massive, Vijay Iyer, Rudresh Mahanthappa, Rez Abbasi, Jon Jang, Jen Shyu, Tomas Fujiwara, Taylor Ho Bynum, Jon Irabagon, Miles Okazaki, Ha-Yang Kim. Detailed playlist at https://spinitron.com/RFB/pl/8609813/Mondo-Jazz Photo credit: Peter Gannushkin http://downtownmusic.net

Mako Fujimura is an artist and a philosopher. He’s been blowing my mind for 15 years, first with his painting and then with his writing. "Culture is not a territory to be won; it is instead a resource we are called to steward,” he has said. That statement is a rebuke to the last forty years of American life. Mako is a Christian, and so he is in particular rebuking American Christianity. He gives us a radically different paradigm through which to view the world. He is a renowned painter. His works have been shown all over the world, at "the Dillon Gallery in New York, Sato Museum in Tokyo, The Tokyo National University of Fine Arts Museum, Bentley Gallery in Arizona, Gallery Exit and Oxford House at Taikoo Place in Hong Kong, Vienna’s Belvedere Museum, Shusaku Endo Museum in Nagasaki.”"He is one of the first artists to paint live on stage at New York City’s legendary Carnegie Hall as part of an ongoing collaboration with composer and percussionist, Susie Ibarra.”Mako paints using an ancient Japanese technique called Nihonga, which relies on the use of pulverized minerals and is makes use of papers made from Japanese mulberry and hemp fibers. He has likened his use of these pulverized minerals to the way that suffering can be redeemed in our own lives. "These materials themselves have to be pulverized and pounded to become beautiful,” he said.We talk about his experience on 9/11/01, when he lived three blocks from the World Trade Center and didn’t know for some time that morning whether his children, who were in school two blocks from the towers, had survived. This is from an August 2019 commencement address: "After 9/11, I had to train my imagination by painting over and over images of fire. I needed to transform haunting memories and images of destructive fire into the fire of sanctification. When I saw the spire fall at Notre Dame last month, yes, I was right back where I started — but I was able, also, to turn my mind and my heart back to my studio near Ground Zero, and again go into my daily practice toward sanctification. These fires do not have to end in destruction. Fire can purify our memory and desire. (“Memory and desire, stirring Dull roots with spring rain.” T.S Eliot, The Wasteland) A renewed neuron network can form, if we imagine through the darkness." Mako has written three books: “Culture Care,” “Silence and Beauty,” and “Refractions.” His work on “Silence and Beauty” brought him into collaboration with renowned director Martin Scorsese, who directed the film “Silence,” a story based on the Japanese novel by the same name written by Shusaki Endo, which plays a big part in Mako’s book. Here are links to a few other writings & speeches.“The Aroma of the New” - Makoto Fujimura commencement address at Belhaven University, 2011“Would You Give Your Life for Beauty?” - Makoto Fujimura commencement address at Messiah College, 2013“

In celebration of International Women's Day, this episode of Sound It Out features songs by women from around the world who make music of an experimental sort. While most of the tracks you will hear are soothing and listenable, there are also a few selections that provide an 'ear cleaning' treatment, to use R. Murray Schafer's expression: they may not be pleasant but the unpleasantness is good for you. Artists: Joëlle Léandre, Catherine Jaunaiux, Ikue Mori, Julianna Barwick, Kim Gordon, Jane Rigler, France-Marie Uitti, Susie Ibarra, and Sainkho Namtchylak. The research for this episode is influenced by Dana Reason Myers' doctoral dissertation(2002): The Myth of Absence: Representation, Reception and the Music of Experimental Women Improvisors. Sound It Out airs on CFRU in Guelph on Tuesdays at 5pm. New episodes usually appear on a fortnightly basis. Sound It Out is produced and hosted by Rachel Elliott in conjunction with the International Institute for Critical Studies in Improvisation. This episode aired on March 13th, 2018.

Bochum Welt - DR2D Michael Jessett, Michael Cole & Rick Jones - Fingermouse & Flash Play The Guitar Stam Samole - Prayer Blessing Rezzett - Yunus in Ekstasi International Harvester - i villande skogen (in the boundless woods) Mvomo Asumu Andre - Obongo Chants Harmonium - Histories Sans Paroles Otto Sidhartha - Gong YoshimiO, Susie Ibarra, Robert Aiki Aubrey Lowe - Ccc Mark Renner - Riverside Helm - After Dark (Sky H1 Remix) Alemayehu Eshete, Hirut Bekele - Temelese Broken Paws - Red Sky (Short Version) Suba - Wayang 04 Motohiko Hamase - Plateau Mikhail Chekalin - Impromptu With Bells Christina Vantzou & John Also Bennett - Large Suess Plant Lee Gamble - Kuang Shaped Prowla Gigi Masin - Kite Vangelis - La Fête Sauvage David Bowie - Subteraneans Lea Bertucci - Patterns for Alto

Susie Ibarra filtered her innate creativity through the prism of jazz language to develop one of the strongest, most original voices in contemporary music. She and Joe discuss: Asian-American identity; being present; time management; and art as a vehicle for wonder, play, and joy. This episode was recorded in 2015 and recently recovered.

I programmet medverkar tre musiker och tonsättare som alla har djupa rötter i den amerikanska södern: kontratenoren och pianisten M Lamar, pianisten Althea Waites och trumpetaren Wadada Leo Smith. Kontratenoren, pianisten och posören M Lamar är känd för en svensk publik, och har bland annat spelat vid Stockholm International Queerfeminist & Anti-Racist Performance Festival. M Lamar tar upp ämnen som makt, kön och slaveriets historia. Vi hör delar av hans musikstycke Speculum Orum. Många slavar försökte begå självmord genom att bita sig igenom sina egna handleder. Andra vägrade äta. Då uppfann vita doktorer Speculum Orum, en saxliknande anordning för tvångsmatning, berättar M Lamar, vars stycke The Tree handlar om lynchning. Författaren James Baldwin sa att Historia är inget som vi läser om i böcker. Historia är inte det förflutna, historia är nu!. Att förstå lidandet och var det kommer ifrån ger mig kraft att fortsätta. Vi bär ju med oss lidandet antingen vi vill eller inte, säger M Lamar.Kuriosa: M Lamar är enäggad tvillingbror till transpersonen Laverne Cox, som spelar transkvinnan Sophia Burset i Netflix-serien Orange is the New Black. Pianisten Althea Waites upplevde 50-talets segregation i New Orleans.Där fanns skiljeväggar mellan säten för vita och svarta i bussarna, just det som Rosa Parks upplevde. Althea kunde inte prova kläder i varuhusen och det fanns biografer för vita dit svarta aldrig fick tillträde. Hon har uruppfört flera bortglömda pianoverk av svarta tonsättare, bland annat Pianosonat i e-moll av Beatrice Price. Flera är mästerverk och det krävs en bländande teknik och djup musikalitet för att tolka dem, förklarar Althea Waits.Jazzlegenden, trumpetaren Wadada Leo Smith, komponerade sviten Ten Freedom Summers. Sviten spelas av kammarensemble och jazzkvintett. Styckena har titlar som Emmet Till, Rosa Parks, Medgar Evers, Black Church, John F Kennedy och Martin Luther King. Denna musikaliska svit är en omfattande undersökning av medborgarrättsrörelsen i USA mellan 1954 och 1964, förklarar Wadada Leo Smith. Jag vill visa att svarta erfarenheter är amerikanska erfarenheter, inte isolerade rasistiska företeelser. De två absolut viktigaste uppgifterna idag är att bekämpa rasismen och sexismen, säger Wadada Leo Smith.I sin Golden Quartet spelar Wadada Leo Smith med Anthony Davis på piano, John Lindberg på bas och och Susie Ibarra på slagverk.Pianisten och tonsättaren Margaret Bonds levde 1913 - 1972. Hon var en av de första svarta tonsättarna och utövarna av klassisk musik som vann erkännande i USA. Hon samarbetade bl a med poeten och dramatikern Langston Hughes. Margaret Bonds tonsatte det virtuosa stycket Troubled Water, en noterad improvisation kring en negro spiritual med titeln Wade in the Water. Musiklista:SYMFONI NR 1 William Grant Still,          John Jeter/ Fort Smith Symphony     NAXOS 14590, 8.559174 Muted Laughter William Grant Still,          Althea Waites     Cambria Master Recordings, CAMBRIA CD-1141 Rosa Parks and the Montogomery Bus Boycott Wadada Leo Smith,          Wadada Leo Smith     CUNEIFORM RECORDS, RUNE 350/351/352/353 The Tree M Lamar,          M Lamar     Speculum Orum M Lamar,          M LamarTrying to leave my body M Lamar,          M LamarIn The Belly Of The Ship M Lamar,          M Lamar     Muted Laughter William Grant Still,          Althea Waites     Cambria Master Recordings, CAMBRIA CD-1141 WADE IN THE WATER Trad Från Usa, Patsy Ford Simms    Trad Från Usa     Delise Perkins-Hall/ The Fisk Jubilee Singers     SMITHSONIAN FOLKWAYS 14631, CD SF 40072 Troubled Water Margaret Bonds,          Althea Waites     Cambria, CAMBRIA CD-1097 JUST A CLOSER WALK WITH THEE Trad,  Preservation Hall Jazz Band         Preservation Hall Jazz Band     COLUMBIA 00149, MK 38650 Piano Sonata in E minor - I. Andante, Allegro Florence Price,          Althea Waites     Cambria, CAMBRIA CD-1097 Piano Sonata in E minor - III. Scherzo Florence Price,          Althea Waites     Cambria, CAMBRIA CD-1097 Cloud Cradles William Grant Still,          Althea Waites     Cambria Master Recordings, CAMBRIA CD-1141 Rosa Parks and the Montogomery Bus Boycott Wadada Leo Smith,          Wadada Leo Smith     CUNEIFORM RECORDS, RUNE 350/351/352/353 Emmett Till - Defiant, Fearless Wadada Leo Smith,          Wadada Leo Smith     CUNEIFORM RECORDS, RUNE 350/351/352/353 John F. Kennedy's New Frontier and the Space Age Wadada Leo Smith,          Wadada Leo Smith     CUNEIFORM RECORDS, RUNE 350/351/352/353

Wadada Leo Smith recorre la historia de la lucha por los derechos civiles en Estados Unidos con su cuádruple disco "Ten Freedom Summers". En esta edición de "Club de Jazz" del 15 de agosto de 2012, escuchamos este descomunal trabajo del trompetista junto al Golden Quartet / Quintet (Anthony Davis, John Lindberg, Pheeroan akLaff y Susie Ibarra) y la Southwest Chamber Music. En 1975 el trompetista Enrico Rava grabó "The pilgrim and the stars", su primer disco para ECM, junto a John Abercrombie (gt), Jon Christensen (bt) y Palle Danielsson (cb). Los dos últimos fueron miembros del cuarteto europeo de Keith Jarrett junto a Jan Garbarek. De esta formación se edita ahora un concierto inédito de 1979 bajo el título de "Sleeper". La cantante valenciana Elma Sambeat busca micromecenas para su nuevo trabajo, "Vuelo de mar", con la compañía, entre otros, de su tío Perico Sambeat y los arreglos de Alberto Palau. El trompetista chileno Sebastián Jordán registró en el Thelonious de Santiago su "Cobre", junto a Félix Lecaros (bt) y Pablo Menares (cb). El guitarrista Scott DuBois vuelve con su cuarteto formado por Gerbhard Ullmann (sx y bcl), Thomas Morgan (cb) y Kresten Osgood (bt) para firmar unas hermosas "Landscape scriptures". Toda la información y derechos: http://www.elclubdejazz.com

Wadada Leo Smith recorre la historia de la lucha por los derechos civiles en Estados Unidos con su cuádruple disco "Ten Freedom Summers". En esta edición de "Club de Jazz" del 15 de agosto de 2012, escuchamos este descomunal trabajo del trompetista junto al Golden Quartet / Quintet (Anthony Davis, John Lindberg, Pheeroan akLaff y Susie Ibarra) y la Southwest Chamber Music. En 1975 el trompetista Enrico Rava grabó "The pilgrim and the stars", su primer disco para ECM, junto a John Abercrombie (gt), Jon Christensen (bt) y Palle Danielsson (cb). Los dos últimos fueron miembros del cuarteto europeo de Keith Jarrett junto a Jan Garbarek. De esta formación se edita ahora un concierto inédito de 1979 bajo el título de "Sleeper". La cantante valenciana Elma Sambeat busca micromecenas para su nuevo trabajo, "Vuelo de mar", con la compañía, entre otros, de su tío Perico Sambeat y los arreglos de Alberto Palau. El trompetista chileno Sebastián Jordán registró en el Thelonious de Santiago su "Cobre", junto a Félix Lecaros (bt) y Pablo Menares (cb). El guitarrista Scott DuBois vuelve con su cuarteto formado por Gerbhard Ullmann (sx y bcl), Thomas Morgan (cb) y Kresten Osgood (bt) para firmar unas hermosas "Landscape scriptures". Toda la información y derechos: http://www.elclubdejazz.com