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Each episode on Unstoppable Mindset I ask all of you and my guests to feel free to introduce me to others who would be good guests on our podcast. Our guest this time, Erin Edgar, is a guest introduced to me by a past podcast guest, Rob Wentz. Rob told me that Erin is inspirational and would be interesting and that she would have a lot to offer you, our audience. Rob was right on all counts. Erin Edgar was born blind. Her parents adopted an attitude that would raise their daughter with a positive attitude about herself. She was encouraged and when barriers were put in her way as a youth, her parents helped her fight to be able to participate and thrive. For a time, she attended the Indiana School for the Blind. Her family moved to Georgia where Erin attended high school. After high school, Erin wanted to go to college where she felt there would be a supportive program that would welcome her on campus. She attended the University of North Carolina at Chapple Hill. After graduating she decided to continue at UNC where she wanted to study law. The same program that gave her so much assistance during her undergraduate days was not able to provide the same services to Erin the graduate student. Even so, Erin had learned how to live, survive and obtain what she needed to go through the law program. After she received her law degree Erin began to do what she always wanted to do: She wanted to use the law to help people. So, she worked in programs such as Legal Aid in North Carolina and she also spent time as a mediator. She will describe all that for us. Like a number of people, when the pandemic began, she decided to pivot and start her own law firm. She focuses on estate planning. We have a good discussion about topics such as the differences between a will and a living trust. Erin offers many relevant and poignant thoughts and words of advice we all can find helpful. Erin is unstoppable by any standard as you will see. About the Guest: Erin Edgar, Esq., is a caring, heart-centered attorney, inspirational speaker and vocal artist. She loves helping clients: -- Plan for the future of their lives and businesses, ensuring that they have the support they need and helping them find ways to provide for their loved ones upon death. --Ensure that the leave a legacy of love and reflect client values -- Find creative ways that allow them to impact the world with a lasting legacy. She is passionate about connecting with clients on a heart level. She loves witnessing her clients as she guides them to transform their intentions for their loved ones into a lasting legacy through the estate planning process. Erin speaks about ways to meld proven legal tools, strategies, and customization with the creative process to design legal solutions that give people peace of mind, clarity, and the assurance that their loved ones will be taken care of, and the world will be left a better place Ways to connect with Erin: Facebook: https://facebook.com/erin-edgar-legal LinkedIn: https://linkedin.com/in/erinedgar About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:21 Hi everyone, and welcome to another edition of unstoppable mindset. We're glad that you're here with us, wherever you may be. Hope the day is going well, and we have Erin Edgar on our episode today. Edgar is a very interesting person in a lot of ways. She's a caring, heart centered attorney. She is also an inspirational speaker and a vocal artist. I'm not sure whether vocal artistry comes into play when she's in the courtroom, but we won't worry about that too much. I assume that you don't sing to your judges when you're trying to deal with something. But anyway, I'll let her answer that. I'm just trying to cause trouble, but Erin again. We're really glad you're with us. We really appreciate you being here, and I know you do a lot with estate planning and other kinds of things that'll be fun to talk about. So welcome to unstoppable mindset.   Erin Edgar ** 02:14 Thank you, Michael. It's great to be here, and I haven't sung in a courtroom or a courthouse yet, but I wouldn't rule it out.   Michael Hingson ** 02:23 I have someone who I know who also has a guide dog and his diet. His guide dog, it's been a while since I've seen him, but his guide dog tended to be very vocal, especially at unexpected times, and he said that occasionally happened in the courtroom, which really busted up the place. Oh, dear.   Erin Edgar ** 02:45 I imagine that would draw some smiles, hopefully, smiles.   Michael Hingson ** 02:48 Well, they were, yeah, do you, do you appear in court much?   Erin Edgar ** 02:53 Um, no, the type of law that I practice, I'm usually, I don't think I've ever appeared in court after I've written people's wills, but I have done previous things where I was in court mediating disputes, which is a kind of a separate thing that I used to do, so I've been in court just not recently. Yeah.   Michael Hingson ** 03:17 Well, that's understandable. Well, let's start a little bit with the early Erin and growing up and all that sort of stuff. Tell us about that? Sure.   Erin Edgar ** 03:26 So I was born in cold, gray Indiana, and, yeah, chilly in the wintertime, and I started out I was blind from birth, so my parents thought it would be a good idea to send me to the school for the blind for a while. And back when I was born, um, teen years ago, they did not mainstream visually impaired and disabled students in that state, so you went where you could, and I was at the blind school for until I reached third grade, and then we moved to Georgia, and I've been in the south ever since I live in North Carolina now, and I started going to public schools in fourth grade, and continued on that route all the way up through high school.   Michael Hingson ** 04:21 Oh, okay. And so then, what did you do?   Erin Edgar ** 04:29 So after, after that, I, you know, I was one of those high school students. I really wanted to get out of dodge and leave my high school behind. I went visiting a couple of colleges in Georgia, and I said to my parents, I said, I really don't like this. It's like going to high school again. Literally, I was meeting people I had been in high school with, and I decided, and was very grateful that my parents. Were able to rig it some way so that I could go to an out of state school. And I went to UNC Chapel Hill here in North Carolina, Tar Heels all the way. And I was there for undergrad. And then I got into law school there as well, which I was very excited about, because I didn't have to go anywhere, and graduated from law school again a while ago in the early 2000s   Michael Hingson ** 05:31 Okay, and so then you went straight into law from that.   Erin Edgar ** 05:37 I didn't I did some other things before I actually went into law itself. I worked with some local advocacy organizations, and I also mediated, as I said earlier, I did mediations with the county court, helping mediate criminal disputes. And we're talking about like things with you get in a dispute with your neighbor and you yell at each other, those kind of People's Court type things. They were fun and interesting. And then I did go into law. After that, I started working with Legal Aid of North Carolina, which is a an organization that helps people in poverty who cannot afford a lawyer to go and have have their options communicated to them and some help given to them regarding their public benefits or certain other, you know, public things that we could help with we weren't able to help with any personal injury, or, you know, any of the fun stuff you see on TV. So and then, when the pandemic hit, I started my own law practice and completely changed gears and went into writing estate plans and wills for a living.   Michael Hingson ** 07:07 Do you think that your time doing mediation work and so on taught you a lot about humanity and human nature and people?   Erin Edgar ** 07:16 It did. I bet it did. It was invaluable, actually, in that area taught me a lot about, I don't know necessarily, about human nature. However, it did teach me a lot about how to talk to people who were on different pages. You know, they had, perhaps, values and principles that weren't quite the same, where they had a different way of looking at the same exact situation, and how to bring those those people together and allow them to connect on a deeper level, rather than the argument we're able to get them to agree to kind of move forward from that, so nobody has to be found guilty, right? And you know a judge doesn't have and you don't have to drag a criminal conviction around with you. I think the most rewarding cases that I had, by far were the education cases. Because I don't know if anyone knows this, but in most states, in the United States, if you don't send your kids to school, you are guilty of a crime. It's called truancy, and you can be arrested. Well, the county that I live in was very forward thinking, and the school system and the court said, that's kind of dumb. We don't want to arrest parents if their kids aren't going to school, there's something behind it. You know, there the school is not providing what the child needs. The child's acting out for some reason, and we need to get to the bottom of it. So what they did was they set up a process whereby we come in as neutral observers. We did not work for the court. We were part of a separate organization, and have a school social worker there or counselor, and also have a parent there, and they could talk through the issues. And in a lot of cases, if the children were old enough, they were teenagers, they were there, and they could talk about it from their perspective. And truly amazing things came out of those situations. We could just we would discover that the children had a behavioral issue or even a disability that had not been recognized, and were able to come up with plans to address that with you know, or the school was with our help,   Michael Hingson ** 09:42 going back a little bit, how did your parents deal with the fact that you were blind? I gather it was a fairly positive experience   Erin Edgar ** 09:50 for me. It was positive. I was so fortunate, and I'm still so grateful to this day for having parents who you. I were very forward thinking, and advocated for me to have and do whatever, not whatever I wanted, because I was far from spoiled, but, you know, whatever, yeah, yeah, you know. But whatever, however I wanted to be successful, they advocated for me. And so my mother actually told me, you know, when I was born, they went through all the parent things like, oh, gosh, what did we do wrong? You know, why is God punishing us? You know, all that. And they, very early on, found support groups for, you know, parents with children with either blindness or disabilities of some sort, and that was a great source of help to them. And as I grew up, they made every effort to ensure that I had people who could teach me, if they couldn't, you know, how to interact with other children. I think, for a while when I was very little, and I actually kind of remember this, they hired an occupational therapist to come and teach me how to play with kids, because not only was I blind, but I was an only child, so I didn't have brothers and sisters to interact with, and that whole play thing was kind of a mystery to me, and I remember it sort of vaguely, but that's just A demonstration that they wanted me to have the best life possible and to be fully integrated into the sighted world as much as possible. So when I was at the blind school, and I was in this residential environment, and there was an added bonus that my parents didn't really weren't happy in their jobs either, and they weren't happy with the education I was getting, that they decided, well, we're just going to pick up and move and that was, quite frankly, as I look back on it now, a huge risk for them. And they did it, you know, 50% for me and 50% for them, maybe even 6040, but as I look back on it now, it's another demonstration of how supportive they were, and all the way through my school age years, were very active in ensuring that I had everything that I needed and that I had the support that I needed.   Michael Hingson ** 12:19 That's cool. How did it go when you went to college at UNC?   Erin Edgar ** 12:25 Yeah, that's an interesting question, a very good question.   Michael Hingson ** 12:29 You didn't play basketball, I assume? Oh no, I figured you had other things to do.   Erin Edgar ** 12:33 Yeah, I had other stuff to do. I sang in the choir and sang with the medieval chorus group, and, you know, all this other, like, musical geek, geeky stuff. But, or, and when we were looking for colleges and universities, one of the criteria was they had to have a solid kind of, like disability, slash visually impaired center, or, you know, support staff that would help in, you know, allow people with disabilities to go through the university. So at UNC Chapel Hill, the they had as part of their student affairs department Disability Services, and it just so happened that they were very aware of accommodations that blind people needed. I wasn't the first blind student to go through undergrad there. That's not law school, that's undergrad. And so you know, how much was it? Time and a half on on tests if I was doing them on the computer, double time if I was doing them in Braille. A lot of the tests were in Braille because they had the technology to do it. And also the gentleman who ran the Disability Services Department, I think, knew Braille, if I'm not mistaken, and could transcribe if necessary. But I was at the stage at that point where I was typing most of my exams anyway, and didn't need much that was in Braille, because I had books either electronically or they had a network of folks in the community that would volunteer to read if there was not, you know, available textbooks from RFD, and what is it, RFP and D? Now was at the time, yeah, now Learning Ally, there wasn't a Bookshare at that time, so we couldn't use Bookshare, but if there weren't textbooks available, they would have people in the community who would read them for them, and they would get paid a little bit. Now, when I went to law school, it was a totally different ball game, because I was the first law student who was blind, that UNC Chapel Hill had had, and it was a different school within the school, so that student affairs department was not part of law school anymore, and we had quite a time the first semester getting my book. Works in a format that I could read them in. They did eventually, kind of broker a deal, if you will, with the publishers who were either Thompson Reuters or Westlaw at the time to get electronic versions. They were floppy disks. This is how old I am. Floppy disks. They were in this weird format. I think it was word perfect or something. Usually it was, and they   Michael Hingson ** 15:27 didn't really have a lot of them new or no, they didn't know now, newer publishing system,   Erin Edgar ** 15:32 yeah, there wasn't PDF even, I don't think, at the time. And the agreement was I could get those, and I actually had to buy the print textbooks as well. So I have this whole bookcase of law books that are virgin, unopened, almost. And they are, you know, some of them almost 25 years old, never been opened and of no use to anyone. But I have them, and they look nice sitting down there in that bookshelf antiques books. They're antiques. So the first year was a little rough, because for a while I didn't have books, and we were able to make arrangements so that I could kind of make up some classes on a later year and switch things around a little bit. And it ended up all working out really well once we got started.   Michael Hingson ** 16:16 Yeah, I remember when I was going through getting my bachelor's and master's in physics, I needed the books in braille because, well, it's the only way to be able to really deal with the subject. You can't do it nearly as well from recordings, although now there's a little bit better capability through recording, because we have the DayZ format and so on. But still, it's not the same as reading it in Braille and for mathematics and physics and so on. I think that the only way to really do it is in Braille. And we had challenges because professors didn't want to decide what books to use until the last minute, because then, oh, a new book might be coming out and we want to get the latest book, and that didn't work for me, right? Because I had a network that I, in part, I developed with the Department of Rehabilitation out here, helped our office for disabled students didn't really have the resources to know it. They were very supportive. They just didn't really deal with it. But the bottom line is that we had to develop, I had to develop the network of transcribers, but they needed three to six months to do the books, at least three months and and sometimes I would get them one or two volumes at a time, and they barely kept ahead of the class. But, you know, it worked, but professors resisted it. And my the person who ran the Office for Students with Disabilities, said, Look, you have to work on these things, but if you're not getting cooperation from professors, and you come and tell me, and I will use the power of this office to get you what you need, there's another thing you might consider doing, she said. And I said, What's that? And Jan said, Go meet the chancellor. Make friends, yeah, friends in high places. And so I did. And Dan, oh, there you go. Became pretty good friends over the years, which was pretty cool,   Erin Edgar ** 18:15 you know, it was weird because we didn't, I didn't have that problem with the professors. They were, you know, I had a couple of old codgers, but they weren't really worried about the books. They were fine with me having the books, but it was the publishers. The publishers were irritated that that I needed them, and, you know, in an alternative format. And I didn't really, I was not. I was one of those people that if someone said they were going to do something for me, I kind of let people do it. And at the time, I was really not an advocate, advocator for myself, at that time, a very good self advocate. And so I kind of let the school interface with that. I think it would have been really interesting, if I look back on it, for me to have taken a hand in that. And I wonder what would have happened well, and at this point, you know, it's neither here nor there, but that's really fascinating. Making Friends with the chancellor, sometimes you have to do stuff like that   Michael Hingson ** 19:15 well. And the idea was really to get to know Him. And what there was, well, obviously other motivations, like, if we needed to go to a higher court to get help, we could go to the chancellor. I never had to do that, but, but the reason for meeting him and getting to know him was really just to do it and to have fun doing it. So we did,   Erin Edgar ** 19:36 yeah, and I kind of had a comparable experience. I met the Dean of the Law School for that very reason. And he said, you know, if you've got trouble, come to me, my parents got involved a little bit. And we all, you know, met together and maybe even separately at some points just to make sure that I had everything that I needed at various times. Mm. Yeah, and I made friends with the some of the assistant deans at the law school, in particular because of the situation, and one of whom was the Dean of the Law School Student Affairs, who was helping me to get what I needed. And for a while, when I was in law school and beyond. He was like, We lent books to each other. It was very funny. We found out we had the same reading tastes beyond law books. It wasn't, you know, legal at all, but we were like, trading books and things. So a lot of really good relationships came out of that.   Michael Hingson ** 20:37 And I think that's extremely important to to do. And I think that's one of the things that that offices for students with disabilities that tend to want to do everything for you. I think that's one of the things that it's a problem with those offices, because if you don't learn to do them, and if you don't learn to do them in college, how are you going to be able to be able to really act independently and as an advocate after college, so you have to learn that stuff   Erin Edgar ** 21:05 Absolutely. That's a very good point.   Michael Hingson ** 21:09 So I, I think it was extremely important to do it, and we did, and had a lot of fun doing it. So it was, was good. What are some of the biggest misconceptions you think that people had about you as a blind child growing up?   Erin Edgar ** 21:25 Oh yeah, that's a great question. I think that one of the biggest misconceptions that people had about me, especially when I was younger, is that I would know I would be sort of relegated to staying at home with parents all of my life, or being a stay at home parent and not able to be kind of professionally employed and earning, you know, earning a living wage. Now, I have my own business, and that's where most of my money goes at the same at this point. So, you know, earning a living wage might be up in the air at the moment. Ha, ha. But the the one thing I think that the biggest misconception that people had, and this is even like teachers at the blind school, it was very rare for blind children of my age to grow up and be, you know, professionals in, I don't want to say high places, but like people able to support themselves without a government benefit backing them up. And it was kind of always assumed that we would be in that category, that we would be less able than our sighted peers to do that. And so that was a huge misconception, even you know, in the school that I was attending. I think that was the, really the main one and one misconception that I had then and still have today, is that if I'm blind, I can't speak for myself. This still happens today. For instance, if I'm if I want, if I'm going somewhere and I just happen to be with someone sighted, they will talk whoever I'm, wherever I'm at, they will talk to the sighted person, right? They won't talk to you. They won't talk to me. And so, for instance, simple example, if I'm somewhere with my husband, and we happen to be walking together and we go somewhere that I need to go, they will talk to him because he's guiding me, and they won't talk. And he's like, don't talk to me. I have no idea, you know, talk to her, and part of that is I'm half a step behind him. People naturally gravitate to the people that are leading. However, I noticed, even when I was a young adult, and I would go, you know, to the doctor, and I would be with my my parents, like, maybe I'm visiting them, and I need to go to the doctor, they would talk to them and not me, yeah, which is kind of sad. And I think it happens a lot, a lot more than people realize.   Michael Hingson ** 24:10 Yeah, it does. And one of my favorite stories is, is this, I got married in 1982 and my wife has always been, or had always been. She passed away in 2022 but she was always in a wheelchair. And we went to a restaurant one Saturday for breakfast. We were standing at the counter waiting to be seated, and the hostess was behind the counter, and nothing was happening. And finally, Karen said to me, she doesn't know who to talk to, you know? Because Karen, of course, is, is in a wheelchair, so actually, she's clearly shorter than this, this person behind the counter, and then there's me and and, of course, I'm not making eye contact, and so Karen just said she doesn't know who to talk to. I said, you know? All she's gotta do is ask us where we would like to sit or if we'd like to have breakfast, and we can make it work. Well, she she got the message, and she did, and the rest of the the day went fine, but that was really kind of funny, that we had two of us, and she just didn't know how to deal with either of us, which was kind of cute. Mm, hmm. Well, you know, it brings up another question. You use the term earlier, visually impaired. There's been a lot of effort over the years. A lot of the professionals, if you will, created this whole terminology of visually impaired, and they say, well, you're blind or you're visually impaired. And visually impaired means you're not totally blind, but, but you're still visually impaired. And finally, blind people, I think, are starting to realize what people who are deaf learned a long time ago, and that is that if you take take a deaf person and you refer to them as hearing impaired, there's no telling what they might do to you, because they recognize that impaired is not true and they shouldn't be equated with people who have all of their hearing. So it's deaf or hard of hearing, which is a whole lot less of an antagonistic sort of concept than hearing impaired. We're starting to get blind people, and not everyone's there yet, and we're starting to get agencies, and not every agency is there yet, to recognize that it's blind or low vision, as opposed to blind or here or visually impaired, visually impaired. What do you think about that? How does and how does that contribute to the attitudes that people had toward you?   Erin Edgar ** 26:38 Yeah, so when I was growing up, I was handicapped, yeah, there was that too, yeah, yeah, that I was never fond of that, and my mother softened it for me, saying, well, we all have our handicaps or shortcomings, you know, and but it was really, what was meant was you had Something that really held you back. I actually, I say, this is so odd. I always, I usually say I'm totally blind. Because when I say blind, the immediate question people have is, how blind are you? Yeah, which gets back to stuff, yeah, yeah. If you're blind, my opinion, if you're blind, you're you're blind, and if you have low vision, you have partial sight. And visually impaired used to be the term, you know, when I was younger, that people use, and that's still a lot. It's still used a lot, and I will use it occasionally, generally. I think that partially sighted, I have partial vision is, is what I've heard people use. That's what, how my husband refers to himself. Low Vision is also, you know, all those terms are much less pejorative than actually being impaired,   Michael Hingson ** 27:56 right? That's kind of really the issue, yeah. My, my favorite example of all of this is a past president of the National Federation of the Blind, Ken Jernigan, you've heard of him, I assume, Oh, sure. He created a document once called a definition of blindness, and his definition, he goes through and discusses various conditions, and he asks people if, if you meet these conditions, are you blind or not? But then what he eventually does is he comes up with a definition, and his definition, which I really like, is you are blind if your eyesight has decreased to the point where you have to use alternatives to full eyesight in order to function, which takes into account totally blind and partially blind people. Because the reality is that most of those people who are low vision will probably, or they may probably, lose the rest of their eyesight. And the agencies have worked so hard to tell them, just use your eyesight as best you can. And you know you may need to use a cane, but use your eyesight as best you can, and if you go blind, then we're going to have to teach you all over again, rather than starting by saying blindness is really okay. And the reality is that if you learn the techniques now, then you can use the best of all worlds.   Erin Edgar ** 29:26 I would agree with that. I would also say you should, you know, people should use what they have. Yeah, using everything you have is okay. And I think there's a lot of a lot of good to be said for learning the alternatives while you're still able to rely on something else.   Michael Hingson ** 29:49 Point taken exactly you know, because   Erin Edgar ** 29:53 as you age, you get more and more in the habit of doing things one way, and it's. Very hard to break out of that. And if you haven't learned an alternative, there's nothing you feel like. There's nothing to fall back on, right? And it's even harder because now you're in the situation of urgency where you feel like you're missing something and you're having to learn something new, whereas if you already knew it and knew different ways to rely on things you would be just like picking a memory back up, rather than having to learn something new. Well, I've never been in that position, so I can't say, but in the abstract, I think that's a good definition.   Michael Hingson ** 30:34 Well, there are a lot of examples, like, take a person who has some eyesight, and they're not encouraged to use a cane. And I know someone who was in this situation. I think I've told the story on this podcast, but he lived in New Jersey and was travel. And traveled every day from New Jersey into Philadelphia to work, and he was on a reasonably cloudy day, was walking along. He had been given a cane by the New Jersey Commission for the Blind, but he they didn't really stress the value of using it. And so he was walking along the train to go in, and he came to the place where he could turn in and go into the car. And he did, and promptly fell between two cars because he wasn't at the right place. And then the train actually started to move, but they got it stopped, and so he was okay, but as as he tells the story, he certainly used his cane from then on. Because if he had been using the cane, even though he couldn't see it well because it was dark, or not dark, cloudy, he would have been able to see that he was not at the place where the car entrance was, but rather he was at the junction between two cars. And there's so many examples of that. There's so many reasons why it's important to learn the skills. Should a partially blind or a low vision person learn to read Braille? Well, depends on circumstances, of course, I think, to a degree, but the value of learning Braille is that you have an alternative to full print, especially if there's a likelihood that you're going to lose the rest of your eyesight. If you psychologically do it now, that's also going to psychologically help you prepare better for not having any eyesight later.   Erin Edgar ** 32:20 And of course, that leads to to blind children these days learn how to read, yeah, which is another issue.   Michael Hingson ** 32:28 Which is another issue because educators are not teaching Braille nearly as much as they should, and the literacy rate is so low. And the fact of the matter is even with George Kircher, who invented the whole DAISY format and and all the things that you can do with the published books and so on. The reality is there is still something to be said for learning braille. You don't have sighted children just watching television all the time, although sometimes my parents think they do, but, but the point is that they learn to read, and there's a value of really learning to read. I've been in an audience where a blind speaker was delivering a speech, and he didn't know or use Braille. He had a device that was, I think what he actually used was a, was, it was a Victor Reader Stream, which is   Erin Edgar ** 33:24 one of those, right?   Michael Hingson ** 33:25 I think it was that it may have been something else, but the bottom line is, he had his speech written out, and he would play it through earphones, and then he would verbalize his speech. Oh, no, that's just mess me up. Oh, it would. It was very disjointed and and I think that for me, personally, I read Braille pretty well, but I don't like to read speeches at all. I want to engage the audience, and so it's really important to truly speak with the audience and not read or do any of those other kinds of things.   Erin Edgar ** 33:57 I would agree. Now I do have a Braille display that I, I use, and, you know, I do use it for speeches. However, I don't put the whole speech on   Michael Hingson ** 34:10 there that I me too. I have one, and I use it for, I know, I have notes. Mm, hmm,   Erin Edgar ** 34:16 notes, yeah. And so I feel like Braille, especially for math. You know, when you said math and physics, like, Yeah, I can't imagine doing math without Braille. That just doesn't, you know, I can't imagine it, and especially in, you know, geometry and trigonometry with those diagrams. I don't know how you would do it without a Braille textbook, but yeah, there. There's certainly something to be said for for the the wonderful navigation abilities with, you know, e published audio DAISY books. However, it's not a substitute for knowing how to   Michael Hingson ** 34:55 read. Well, how are you going to learn to spell? How are you going to really learn sit? Structure, how are you going to learn any of those basic skills that sighted kids get if you don't use Braille? Absolutely, I think that that's one of the arenas where the educational system, to a large degree, does such a great disservice to blind kids because it won't teach them Braille.   Erin Edgar ** 35:16 Agreed, agreed. Well, thank you for this wonderful spin down Braille, Braille reading lane here. That was fun.   Michael Hingson ** 35:27 Well, so getting back to you a little bit, you must have thought or realized that probably when you went into law, you were going to face some challenges. But what was the defining moment that made you decide you're going to go into law, and what kind of challenges have you faced? If you face challenges, my making an assumption, but you know what?   Erin Edgar ** 35:45 Oh, sure. So the defining moment when I decided I wanted to go into law. It was a very interesting time for me. I was teenager. Don't know exactly how old I was, but I think I was in high school, and I had gone through a long period where I wanted to, like, be a music major and go into piano and voice and be a performer in those arenas, and get a, you know, high level degree whatnot. And then I began having this began becoming very interested in watching the Star Trek television series. Primarily I was out at the time the next generation, and I was always fascinated by the way that these people would find these civilizations on these planets, and they would be at odds in the beginning, and they would be at each other's throats, and then by the end of the day, they were all kind of   Michael Hingson ** 36:43 liking each other. And John Luke Picard didn't play a flute,   Erin Edgar ** 36:47 yes, and he also turned into a Borg, which was traumatic for me. I had to rate local summer to figure out what would happen. I was in I was in trauma. Anyway, my my father and I bonded over that show. It was, it was a wonderful sort of father daughter thing. We did it every weekend. And I was always fascinated by, like, the whole, the whole aspect of different ideologies coming together. And it always seemed to me that that's what human humanity should be about. As I, you know, got older, I thought, how could I be involved in helping people come together? Oh, let's go into law. Because, you know, our government's really good at that. That was the high school student in me. And I thought at the time, I wanted to go into the Foreign Service and work in the international field and help, you know, on a net, on a you know, foreign policy level. I quickly got into law school and realized two things simultaneously in my second year, international law was very boring, and there were plenty of problems in my local community that I could help solve, like, why work on the international stage when people in my local community are suffering in some degree with something and so I completely changed my focus to wanting to work in an area where I could bring people together and work for, you know, work on an individualized level. And as I went into the legal field, that was, it was part of the reason I went into the mediation, because that was one of the things that we did, was helping people come together. I realized, though, as I became a lawyer and actually started working in the field, most of the legal system is not based on that. It's based on who has the best argument. I wanted no part of that. Yeah, I want no part of that at all. I want to bring people together. Still, the Star Trek mentality is working here, and so when I when I started my own law firm, my immediate question to myself was, how can I now that I'm out doing my own thing, actually bring people together? And the answer that I got was help families come together, especially people thinking about their end of life decisions and gathering their support team around them. Who they want to help them? If they are ever in a situation where they become ill and they can't manage their affairs, or if you know upon their death, who do they want to help them and support them. And how can I use the law to allow that to happen? And so that's how I am working, to use the law for healing and bringing people together, rather than rather than winning an argument.   Michael Hingson ** 39:59 Yeah. Yeah, well, and I think there's a lot of merit to that. I I value the law a great deal, and I I am not an attorney or anything like that, but I have worked in the world of legislation, and I've worked in the world of dealing with helping to get legislation passed and and interacting with lawyers. And my wife and I worked with an attorney to set up our our trust, and then couple of years ago, I redid it after she passed away. And so I think that there was a lot of a lot of work that attorneys do that is extremely important. Yeah, there are, there are attorneys that were always dealing with the best arguments, and probably for me, the most vivid example of that, because it was so captivating when it happened, was the whole OJ trial back in the 1990s we were at a county fair, and we had left going home and turned on the radio, only To hear that the police were following OJ, and they finally arrested him. And then when the trial occurred, we while I was working at a company, and had a radio, and people would would come around, and we just had the radio on, and followed the whole trial. And it was interesting to see all the manipulation and all the movement, and you're right. It came down to who had the best argument, right or wrong?   Erin Edgar ** 41:25 The bloody glove. If it doesn't fit, you must acquit. Yeah, yep, I remember that. I remember where I was when they arrested him, too. I was at my grandparents house, and we were watching it on TV. My grandfather was captivated by the whole thing. But yes, there's certainly, you know, some manipulation. There's also, there are also lawyers who do a lot of good and a lot of wonderful things. And in reality, you know, most cases don't go to trial. They're settled in some way. And so, you know, there isn't always, you know, who has the best argument. It's not always about that, right? And at the same time, that is, you know, what the system is based on, to some extent. And really, when our country was founded, our founding fathers were a bunch of, like, acted in a lot of ways, like a bunch of children. If you read books on, you know, the Constitution, it was, it was all about, you know, I want this in here, and I want that in here. And, you know, a lot of argument around that, which, of course, is to be expected. And many of them did not expect our country's government to last beyond their lifetimes. Uh, James Madison was the exception, but all the others were like, Ed's going to fail. And yet, I am very, very proud to be a lawyer in this country, because while it's not perfect, our founding documents actually have a lot of flexibility and how and can be interpreted to fit modern times, which is, I think the beauty of them and exactly what the Founders intended for.   Michael Hingson ** 43:15 Yeah, and I do think that some people are taking advantage of that and causing some challenges, but that's also part of our country and part of our government. I like something Jimmy Carter once said, which was, we must adjust to changing times while holding to unwavering principles. And I think absolutely that's the part that I think sometimes is occasionally being lost, that we forget those principles, or we want to manipulate the principles and make them something that they're not. But he was absolutely right. That is what we need to do, and we can adjust to changing times without sacrificing principles. Absolutely.   Erin Edgar ** 43:55 I firmly believe that, and I would like to kind of turn it back to what we were talking about before, because you actually asked me, What are some challenges that I have faced, and if it's okay with you, I would like to get back to that. Oh, sure. Okay. Well, so I have faced some challenges for you know, to a large extent, though I was very well accommodated. I mean, the one challenge with the books that was challenging when I took the bar exam, oh, horror of horrors. It was a multiple, multiple shot deal, but it finally got done. However, it was not, you know, my failing to pass the first time or times was not the fault of the actual board of law examiners. They were very accommodating. I had to advocate for myself a little bit, and I also had to jump through some hoops. For example, I had to bring my own person to bubble in my responses on the multiple choice part, it. And bring my own person in to kind of monitor me while I did the essay portion. But they allowed me to have a computer, they allowed me to have, you know, the screen reader. They allowed me to have time and a half to do the the exam. And so we're accommodating in that way. And so no real challenges there. You know, some hoops to jump through. But it got all worked out.   Michael Hingson ** 45:23 And even so, some of that came about because blind people actually had to go all the way to the Supreme Court. Yes, the bar to the Bar Association to recognize that those things needed to be that way,   Erin Edgar ** 45:37 absolutely. And so, you know, I was lucky to come into this at a time where that had already been kind of like pre done for me. I didn't have to deal with that as a challenge. And so the only other challenges I had, some of them, were mine, like, you know, who's going to want to hire this blind person? Had a little bit of, you know, kind of challenge there, with that mindset issue for a while there, and I did have some challenges when I was looking for employment after I'd worked for legal aid for a while, and I wanted to move on and do something else. And I knew I didn't want to work for a big, big firm, and I would, I was talking to some small law firms about hiring me, small to mid size firms. And I would get the question of, well, you're blind, so what kind of accommodations do you need? And we would talk about, you know, computer, special software to make a talk, you know, those kinds of things. And it always ended up that, you know, someone else was hired. And I can, you know, I don't have proof that the blindness and the hesitancy around hiring a disabled person or a blind person was in back of that decision. And at the same time, I had the sense that there was some hesitation there as well, so that, you know, was a bit of a challenge, and starting my own law firm was its own challenge, because I had to experiment with several different software systems to Find one that was accessible enough for me to use. And the system I'm thinking about in particular, I wouldn't use any other system, and yet, I'm using practically the most expensive estate planning drafting system out there, because it happens to be the most accessible. It's also the most expensive. Always that. There's always that. And what's it called? I'm curious. It's called wealth Council, okay, wealth. And then the word councils, Council, SEL, and it's wonderful. And the folks there are very responsive. If I say something's not accessible, I mean, they have fixed things for me in the past. Isn't that great? And complain, isn't that wonderful? It is wonderful. And that's, that's awesome. I had a CRM experience with a couple of different like legal CRM software. I used one for a while, and it was okay. But then, you know, everyone else said this other one was better and it was actually less accessible. So I went back to the previous one, you know. So I have to do a lot of my own testing, which is kind of a challenge in and of itself. I don't have people testing software for me. I have to experiment and test and in some cases, pay for something for a while before I realize it's not, you know, not worth it. But now I have those challenges pretty much ironed out. And I have a paralegal who helps me do some things that, like she proof reads my documents, for instance, because otherwise there may be formatting things that I'm not, that I miss. And so I have the ability to have cited assistance with things that I can't necessarily do myself, which is, you know, absolutely fine,   Michael Hingson ** 49:04 yeah. Now, do you use Lexus? Is it accessible?   Erin Edgar ** 49:08 I don't need Lexus, yeah, yeah. I mean, I have, I'm a member of the Bar Association, of my, my state bar association, which is not, not voluntary. It's mandatory. But I'm a member primarily because they have a search, a legal search engine that they work with that we get for free. I mean, with our members, there you go. So there you go. So I don't need Lexus or West Law or any of those other search engines for what I do. And if I was, like, really into litigation and going to court all time and really doing deep research, I would need that. But I don't. I can use the one that they have, that we can use so and it's, it's a entirely web based system. It's fairly accessible   Michael Hingson ** 49:58 well, and. That makes it easier to as long as you've got people's ears absolutely make it accessible, which makes a lot of sense.   Erin Edgar ** 50:08 Yeah, it certainly does well.   Michael Hingson ** 50:10 So do you regard yourself as a resilient person? Has blindness impacted that or helped make that kind of more the case for you? Do you think I do resilience is such an overused term, but it's fair. I know   Erin Edgar ** 50:24 I mean resilience is is to my mind, a resilient person is able to face uh, challenges with a relatively positive outlook in and view a challenge as something to be to be worked through rather than overcome, and so yes, I do believe that blindness, in and of itself, has allowed me to find ways to adapt to situations and pivot in cases where, you know, I need to find an alternative to using a mouse. For instance, how would I do that? And so in other areas of life, I am, you know, because I'm blind, I'm able to more easily pivot into finding alternative solutions. I do believe that that that it has made me more resilient.   Michael Hingson ** 51:25 Do you think that being blind has caused you, and this is an individual thing, because I think that there are those who don't. But do you think that it's caused you to learn to listen better?   Erin Edgar ** 51:39 That's a good question, because I actually, I have a lot of sighted friends, and one of the things that people just assume is that, wow, you must be a really good listener. Well, my husband would tell you that's not always the case. Yeah. My wife said the same thing, yeah. You know, like everyone else, sometimes I hear what I want to hear in a conversation and at the same time, one of the things that I do tell people is that, because I'm blind, I do rely on other senses more, primarily hearing, I would say, and that hearing provides a lot of cues for me about my environment, and I've learned to be more skillful at it. So I, I would say that, yes, I am a good listener in terms of my environment, very sensitive to that in in my environment, in terms of active listening to conversations and being able to listen to what's behind what people say, which is another aspect of listening. I think that that is a skill that I've developed over time with conscious effort. I don't think I'm any better of a quote, unquote listener than anybody else. If I hadn't developed that primarily in in my mediation, when I was doing that, that was a huge thing for us, was to be able to listen, not actually to what people were saying, but what was behind what people were saying, right? And so I really consciously developed that skill during those years and took it with me into my legal practice, which is why I am very, very why I very much stress that I'm not only an attorney, but I'm also a counselor at law. That doesn't mean I'm a therapist, but it does mean I listen to what people say so that and what's behind what people say, so that with the ear towards providing them the legal solution that meets their needs as they describe them in their words.   Michael Hingson ** 53:47 Well, I think for me, I learned to listen, but it but it is an exercise, and it is something that you need to practice, and maybe I learned to do it a little bit better, because I was blind. For example, I learned to ride a bike, and you have to learn to listen to what's going on around you so you don't crash into cars. Oh, but I'd fall on my face. You can do it. But what I what I really did was, when I was I was working at a company, and was told that the job was going to be phased out because I wasn't a revenue producer, and the company was an engineering startup and had to bring in more revenue producers. And I was given the choice of going away or going into sales, which I had never done. And as I love to tell people, I lowered my standards and went from science to sales. But the reality is that that I think I've always and I think we all always sell in one way or another, but I also knew what the unemployment rate among employable blind people was and is, yeah, and so I went into sales with with no qualms. But there I really learned to listen. And and it was really a matter of of learning to commit, not just listen, but really learning to communicate with the people you work with. And I think that that I won't say blindness made me better, but what it did for me was it made me use the technologies like the telephone, perhaps more than some other people. And I did learn to listen better because I worked at it, not because I was blind, although they're related   Erin Edgar ** 55:30 exactly. Yeah, and I would say, I would 100% agree I worked at it. I mean, even when I was a child, I worked at listening to to become better at, kind of like analyzing my environment based on sounds that were in it. Yeah, I wouldn't have known. I mean, it's not a natural gift, as some people assume, yeah, it's something you practice and you have to work at. You get to work at.   Michael Hingson ** 55:55 Well, as I point out, there are people like SEAL Team Six, the Navy Seals and the Army Rangers and so on, who also practice using all of their senses, and they learn, in general, to become better at listening and other and other kinds of skills, because they have to to survive, but, but that's what we all do, is if we do it, right, we're learning it. It's not something that's just naturally there, right? I agree, which I think is important. So you're working in a lot of estate planning and so on. And I mentioned earlier that we it was back in 1995 we originally got one, and then it's now been updated, but we have a trust. What's the difference between having, like a trust and a will?   Erin Edgar ** 56:40 Well, that's interesting that you should ask. So A will is the minimum that pretty much, I would say everyone needs, even though 67% of people don't have one in the US. And it is pretty much what everyone needs. And it basically says, you know, I'm a, I'm a person of sound mind, and I know who is important to me and what I have that's important to me. And I wanted to go to these people who are important to me, and by the way, I want this other person to manage things after my death. They're also important to me and a trust, basically, there are multiple different kinds of trusts, huge numbers of different kinds. And the trust that you probably are referring to takes the will to kind of another level and provides more direction about about how to handle property and how how it's to be dealt with, not only after death, but also during your lifetime. And trusts are relatively most of them, like I said, there are different kinds, but they can be relatively flexible, and you can give more direction about how to handle that property than you can in a will, like, for instance, if you made an estate plan and your kids were young, well, I don't want my children to have access to this property until they're responsible adults. So maybe saying, in a trust until they're age 25 you can do that, whereas in a will, you it's more difficult to do that.   Michael Hingson ** 58:18 And a will, as I understand it, is a lot more easily contested than than a trust.   Erin Edgar ** 58:24 You know, it does depend, but yes, it is easily contested. That's not to say that if you have a trust, you don't need a will, which is a misconception that some, yeah, we have a will in our trust, right? And so, you know, you need the will for the court. Not everyone needs a trust. I would also venture to say that if you don't have a will on your death, the law has ideas about how your property should be distributed. So if you don't have a will, you know your property is not automatically going to go to the government as unclaimed, but if you don't have powers of attorney for your health care and your finance to help you out while you're alive, you run the risk of the A judge appointing someone you would not want to make your health care and financial decisions. And so I'm going to go off on a tangent here. But I do feel very strongly about this, even blind people who and disabled people who are, what did you call it earlier, the the employable blind community, but maybe they're not employed. They don't have a lot of   Michael Hingson ** 59:34 unemployed, unemployed, the unemployable blind people, employable   Erin Edgar ** 59:38 blind people, yes, you know, maybe they're not employed, they're on a government benefit. They don't have a lot of assets. Maybe they don't necessarily need that will. They don't have to have it. And at the same time, if they don't have those, those documents that allow people to manage their affairs during their lifetime. Um, who's going to do it? Yeah, who's going to do that? Yeah, you're giving up control of your body, right, potentially, to someone you would not want, just because you're thinking to yourself, well, I don't need a will, and nothing's going to happen to me. You're giving control of your body, perhaps, to someone you don't want. You're not taking charge of your life and and you are allowing doctors and hospitals and banks to perpetuate the belief that you are not an independent person, right? I'm very passionate about it. Excuse me, I'll get off my soapbox now. That's okay. Those are and and to a large extent, those power of attorney forms are free. You can download them from your state's website. Um, they're minimalistic. They're definitely, I don't use them because I don't like them for my state. But you can get you can use them, and you can have someone help you fill them out. You could sign them, and then look, you've made a decision about who's going to help you when you're not able to help yourself,   Michael Hingson ** 1:01:07 which is extremely important to do. And as I mentioned, we went all the way and have a trust, and we funded the trust, and everything is in the trust. But I think that is a better way to keep everything protected, and it does provide so much more direction for whoever becomes involved, when, when you decide to go elsewhere, then, as they put it, this mortal coil. Yes, I assume that the coil is mortal. I don't know.   Erin Edgar ** 1:01:37 Yeah, who knows? Um, and you know trusts are good for they're not just for the Uber wealthy, which is another misconception. Trust do some really good things. They keep your situation, they keep everything more or less private, like, you know, I said you need a will for the court. Well, the court has the will, and it most of the time. If you have a trust, it just says, I want it to go, I want my stuff to go into the Michael hingson Trust. I'm making that up, by the way, and I, you know, my trust just deals with the distribution, yeah, and so stuff doesn't get held up in court. The court doesn't have to know about all the assets that you own. It's not all public record. And that's a huge, you know, some people care. They don't want everyone to know their business. And when I tell people, you know, I can go on E courts today and pull up the estate of anyone that I want in North Carolina and find out what they owned if they didn't have a will, or if they just had a will. And people like, really, you can do that? Oh, absolutely, yeah. I don't need any fancy credentials. It's all a matter of public record. And if you have a trust that does not get put into the court record unless it's litigated, which you know, it does happen, but not often,   Michael Hingson ** 1:02:56 but I but again, I think that, you know, yeah, and I'm not one of those Uber wealthy people. But I have a house. We we used to have a wheelchair accessible van for Karen. I still have a car so that when I need to be driven somewhere, rather than using somebody else's vehicle, we use this and those are probably the two biggest assets, although I have a bank account with with some in it, not a lot, not nearly as much as Jack Benny, anyway. But anyway, the bottom line is, yeah, but the bottom line is that I think that the trust keeps everything a lot cleaner. And it makes perfect sense. Yep, it does. And I didn't even have to go to my general law firm that I usually use. Do we cheat them? Good, and how so it worked out really well. Hey, I watched the Marx Brothers. What can I say?   Erin Edgar ** 1:03:45 You watch the Marx Brothers? Of course.   Michael Hingson ** 1:03:49 Well, I want to thank you for being here. This has been a lot of fun, and I'm glad that we did it and that we also got to talk about the whole issue of wills and trusts and so on, which is, I think, important. So any last things that you'd like to say to people, and also, do you work with clients across the country or just in North Carolina?   Erin Edgar ** 1:04:06 So I work with clients in North Carolina, I will say that. And one last thing that I would like to say to people is that it's really important to build your support team. Whether you're blind, you know, have another disability, you need people to help you out on a day to day basis, or you decide that you want people to help you out. If you're unable to manage your affairs at some point in your life, it's very important to build that support team around you, and there is nothing wrong. You can be self reliant and still have people on your team yes to to be there for you, and that is very important. And there's absolutely no shame, and you're not relinquishing your independence by doing that. That. So today, I encourage everyone to start thinking about who's on your team. Do you want them on your team? Do you want different people on your team? And create a support team? However that looks like, whatever that looks like for you, that has people on it that you know, love and trust,   Michael Hingson ** 1:05:18 everybody should have a support team. I think there is no question, at least in my mind, about that. So good point. Well, if people want to maybe reach out to you, how do they do that?   Erin Edgar ** 1:05:29 Sure, so I am on the interwebs at Erin Edgar legal.com that's my website where you can learn more about my law firm and all the things that I do,   Michael Hingson ** 1:05:42 and Erin is E r i n, just Yes, say that Edgar, and   Erin Edgar ** 1:05:45 Edgar is like Edgar. Allan Poe, hopefully less scary, and you can find the contact information for me on the website. By Facebook, you can find me on Facebook occasionally as Erin Baker, Edgar, three separate words, that is my personal profile, or you can and Michael will have in the show notes the company page for my welcome as   Michael Hingson ** 1:06:11 well. Yeah. Well, thank you for being here, and I want to thank all of you for listening. This has been a fun episode. It's been great to have Erin on, love to hear your thoughts out there who have been listening to this today. Please let us know what you think. You're welcome to email me at Michael H i@accessibe.com M, I, C, H, A, E, L, H i at accessibe, A, C, C, E, S, S, i, b, e.com, or go to our podcast page, www, dot Michael hingson.com/podcast, I wherever you're listening, please give us a five star rating. We really appreciate getting good ratings from people and reading and getting to know what you think. If you know anyone who you think might be a good guest, you know some people you think ought to come on unstoppable mindset. Erin, of course, you as well. We would appreciate it if you'd give us an introduction, because we're always looking for more people to have come on and help us show everyone that we're all more unstoppable than we think we are, and that's really what it's all about, and what we want to do on the podcast. So hope that you'll all do that, and in the meanwhile, with all that, Erin, I want to thank you once more for being here and being with us today. This has been a lot of fun. Thank you so much,   Erin Edgar ** 1:07:27 Michael. I very much enjoyed it.   Michael Hingson ** 1:07:34 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite

El llibreter de La Salvatge, Roger Gr

Pour Noël, Andréa Brusque vous parle de celui qui est considéré comme l'inventeur du roman policier. Ses contes fantastiques et effrayants ont fait vibrer les lecteurs de nombreuses revues américaines. En France, c'est Baudelaire qui nous a fait découvrir ses "Histoires extraordinaires". Il s'agit bien sûr d'Edgar Allan Poe. De ses premiers poèmes à ses contes les plus célèbres, Découvrez sa True Story. Allan Poe, une légende Edgar Poe naît le 19 janvier 1809 à Boston. Il a un frère et une sœur. Son père et sa mère sont tous les deux comédiens. A peine quelques mois après sa naissance, ses parents rejoignent une nouvelle compagnie de théâtre. La petite famille déménage donc vers le sud, à Richmond, en Virginie. Mais le joli tableau s'assombrit vite : l'année suivante, son père les abandonne et sa mère succombe à une pneumonie. Le jeune garçon est séparé de ses frères et sœurs et recueilli par un riche couple. John et Frances Allan, ses parents adoptifs, le rebaptisent Edgar Allan Poe. Le nom d'une légende. Écoutez nos autres épisodes : Sidney Reilly, l'espion qui a inspiré James Bond Un podcast Bababam Originals Ecriture : Karen Etourneau Réalisation : Celia Brondreau Voix : Andréa Brusque Première diffusion : 22 décembre 2020. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nous sommes au petit matin du dimanche 7 octobre 1849, à Baltimore, au NE des Etats-Unis. Sa mort, tout comme son œuvre reste un mystère. La mort d'Edgar Allan Poe. Officiellement l'auteur de « La chute de la maison Usher » meurt d'une congestion cérébrale. En réalité, on n'en sait trop rien. Plusieurs théories ont été émises : maladie du cœur, tuberculose, épilepsie, diabète, on a même parlé de la rage. Autre hypothèse mise en avant : l'alcool. Rentrant seul, dans un état d'ivresse après une soirée bien arrosée avec d'anciens camarades, il aurait été volé et battu par des brutes. Edgar Allan Poe, quoi qu'il en soit, a exercé après sa mort une fascination sur des millions de lecteurs et des générations d'artistes, en Belgique notamment du symbolisme au surréalisme. Avec nous : Georges Mayer, professeur honoraire d'histoire de l'art à l'Académie royale des Beaux-Arts de Bruxelles. Sujets traités : Edgar Allan Poe, symbolisme, surréalisme, poète, romancier, nouvelliste, dramaturge, américain Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Pas encore sommeil ? Heureux de vous retrouver pour ce voyage sonore et pour mieux dormir sans insomnie grâce à une nouvelle histoire ou des contes. Si vous êtes ici, vous savez les bienfaits du podcast pour le sommeil, la relaxation et pour mieux dormir.Allongez-vous et écoutez l'instant relaxation avec la citation bienveillante de la nuit.Ensuite, embarquez pour le voyage sonore avec la lecture de l'histoire ou des contes pour mieux dormir sans insomnie. Voyage sonore de cette nuit : la nouvelle "Lionnerie" est une satire critique des élites par Edgar Allan PoeDormir Sans Soucis, c'est le rendez-vous pour votre santé mentale, pour en finir avec le stress, l'insomnie et l'anxiété.  Dormir sans soucis, votre podcast pour mieux dormir, vous attend dans les catégories « forme et santé » « santé mentale » et « romans et nouvelles ».Chaque épisode de Dormir Sans Soucis est conçu pour vous offrir un moment de détente unique. Que vous soyez à la recherche d'un moyen pour s'endormir facilement, d'une évasion relaxante ou d'une solution naturelle contre l'insomnie, ce podcast vous offre des histoires et contes pensés pour apaiser l'esprit.Plongez dans un voyage sonore qui allie relaxation et bien-être. En écoutant nos histoires pour dormir, vous bénéficiez de l'effet ASMR des récits apaisants, permettant de mieux dormir tout en réduisant le stress et l'anxiété.Dormir Sans Soucis n'est pas seulement un podcast, c'est une expérience de relaxation immersive qui vous accompagne pour une meilleure qualité de sommeil, nuit après nuit. Abonnez-vous pour ne rater aucun nouvel épisode, et laissez-vous emporter par une lecture apaisante, pensée pour favoriser un sommeil profond et réparateur. Bonne nuit, et profitez de chaque instant de tranquillité.Bienfait : mieux dormir avec une histoire ou des contes et oublier l'insomnie. Bon voyage sonore ! Bonne relaxation ! Bonne nuit ! ☁️Une citation ? Ecrivez-nous : dormirsanssoucis@gmail.com

#AlaCartaIB3|No et perdis el programa 13x05 (edició 573) de Font de Misteris! Ja tens disponible un nou capítol de la tretzena temporada per escoltar-lo quan vulguis. Hem començat aquest programa 573 de Font de Misteris coneguent la misteriosa mort d'una venedora de Nova York el 1841. Qui era na Mary Rogers i quina relació té amb en Edgar Allan Poe? Al Contes i Rondalles amb na Irene Font hem conegut del llibre "Supersticiones y Leyendas de Ibiza" de Michel Ferrer Clapés la història titulada "La llegenda des Pont des trui d'en Vich" i també des llibre "Llegendes i Tradicions d'Esporles" editat per Lleonard Muntaner de Caterina Marti i Bartomeu Llinas la història anomenada "La mora de Son Tries". I ja cap a la darrera part del programa, continuarem amb algunes desaparicions misterioses. Què hi ha al darrere de totes elles? #FontdeMisterisIB3

Los Cuentos de la Casa de la Bruja es un podcast semanal de audio-relatos de misterio, ciencia ficción y terror. Cada viernes, a las 10 de la noche, traemos un nuevo programa. ¡Si te gusta nuestro contenido suscríbete! Y si te encanta considera hacerte fan desde el botón azul APOYAR y accede a todo el contenido exclusivo. Tu aporte es de mucha ayuda para el mantenimiento de este podcast. ¡Gracias por ello! Mi nombre es Juan Carlos. Dirijo este podcast y también soy locutor y narrador de audiolibros, con estudio propio. Si crees que mi voz encajaría con tu proyecto o negocio contacta conmigo y hablamos. :) Contacto profesional: info@locucioneshablandoclaro.com www.locucioneshablandoclaro.com También estoy en Twitter: @VengadorT Estudio de narración: - Micrófono: Neumann TLM-103 - Interfaz: Universal Audio Apollo Twin - Cabina: Demvox ECO100 - Plugins: Universal Audio - Música: Epidemic Sound, con licencia Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

durée : 00:58:15 - Samedi fiction - par : Blandine Masson - "Lorsque par une journée morne et sombre d'automne, le narrateur arrive à la Maison Usher, il est alors aussitôt saisi par l'atmosphère étrange qui y règne, un air de mélancolie rude, profonde et irrémédiable qui envahit tout…"

durée : 00:58:15 - Samedi fiction - par : Blandine Masson - "Lorsque par une journée morne et sombre d'automne, le narrateur arrive à la Maison Usher, il est alors aussitôt saisi par l'atmosphère étrange qui y règne, un air de mélancolie rude, profonde et irrémédiable qui envahit tout…"

durée : 00:58:15 - Samedi fiction - par : Blandine Masson - "Lorsque par une journée morne et sombre d'automne, le narrateur arrive à la Maison Usher, il est alors aussitôt saisi par l'atmosphère étrange qui y règne, un air de mélancolie rude, profonde et irrémédiable qui envahit tout…"

The SKATCAST Network presents:The Dipsh*t Files #80 with the Script KeepersToday's Dipshit-related Thing:This week Mrs. Script Keeper is going to read The Pit and the Pendulum by Edgar Allan Poe as Mr. Script Keeper tries to make sense of it all.Have a wonderfully weird Wednesday Turds!Visit us for more episodes of SKATCAST and other shows like SKATCAST presents The Dave & Angus Show plus BONUS material at https://www.skatcast.com Watch select shows and shorts on YouTube: bit.ly/34kxCneJoin the conversation on Discord! https://discord.gg/mVFf2brAaFFor all show related questions: info@skatcast.comPlease rate and subscribe on iTunes and elsewhere and follow SKATCAST on social media!! Instagram: @theescriptkeeper Facebook: https://www.facebook.com/scriptkeepersATWanna become a Patron? Click here: https://www.patreon.com/SkatcastSign up through Patreon and you'll get Exclusive Content, Behind The Scenes video, special downloads and more! Prefer to make a donation instead? You can do that through our PayPal: https://paypal.me/skatcastpodcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

¡Hola, amiguis! En este episodio comentamos la nueva série de terror de Mike Flanagan para Netflix (llega hoy a la plataforma) The Fall of the House of Usher que, en este caso, adapta la obra de Allan Poe del mismo nombre, así como otras tantas, en uno de sus clásicos homenajes batiburrillo. Son 8 episodios y nuestra conclusión es que podían haber sido menos. Tiene sus cosas buenas pero la verdad es que no nos ha convencido casi nada. Ya nos diréis qué opináis. Ah y, como el que no quiere la cosa, Valen nos hace un pequeño comentario/recomendación de la serie de Movistar La Mesías. ¡Nos escuchamos pronto! Nos podéis escuchar (y dejar reseñas) en iVoox,  Apple Podcasts y Spotify. También estamos en Google Podcasts, Spreaker y Amazon Music y todas las aplicaciones para escuchar podcasts. Dejadnos vuestros mensajes en Twitter, Facebook e Instagram o mandadnos un Email. Podéis comprar en Amazon a través de este enlace, nos llegará una comisión por vuestro pedido de forma anónima. Si os apetece, también podéis invitarnos a un café con Ko-fi, una web para apoyar a los creadores, en la que podéis decirnos que os gusta lo que hacemos pagándonos una tacita virtual :) -Este es nuestro episodio número 413

O  mês das bruxas chegou e com ele a primeiríssima edição do Pontuando está no ar! Neste episódio de estréia temos como livro principal Histórias Extraordinárias de Edgar Allan Poe, com três contos discutidos na nossa mesa junto ao professor de Letras e coordenador de Estudos Góticos da UFSC, Daniel Serravalle. Em nosso primeiro quadro "Brasil na Estante", nossas repórteres entrevistaram o autor da Darkside, Cesar Bravo e o "Tá no Hype", boletim sobre as leituras bombando no booktok, trouxe uma indicação de suspense de tirar o fôlego! Ficou curioso? Para saber mais sobre o gênero e conhecer a diferença entre terror e horror aperta o play no episódio! Apresentação e roteiro por Ana Luiza Muniz. Mesa por Nanda Honório, Marcelo Vieira e o professor convidado Daniel Serravalle. Boletim por Anna Beatriz Vilete e Juliana Carvalho. Entrevista por Isadora Camello. Redes sociais por Isabelle Fudal. Na técnica Peter Lobo. Orientação geral por Valci Zuculoto.

Il 5️⃣2️⃣° #podcast per la nostra rubrica #shotletterari qui al #bardellapsicologia!

Savez-vous comment est née la tradition pirate de la chasse au trésor ? Nous la devons au capitaine Kidd. Au XVIIe siècle, ce terrible pirate a rassemblé un trésor légendaire. Mais à sa mort, le magot a disparu ! Il fallut attendre plus de cent ans pour qu'une mystérieuse carte mène à une île, où l'on déterra des centaines de lingots d'or. L'affaire fit grand bruit et bientôt, les romanciers s'en emparèrent pour revivre la chasse au trésor du capitaine Kidd. Dans un épisode précédent, nous avons suivi Robert Louis Stevenson sur son Île au Trésor. Mais trente ans auparavant, le grand écrivain anglais Edgar Allan Poe avait déjà suivi la piste d'un drôle de scarabée…

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Acceso anticipado para Fans - Hoy en La Gran Travesía, con motivo del aniversario del disco debut de Alan Parsons Project (Tales of Mystery and Imagination) tenemos un programa especial dedicado a dicha obra inspirada en los relatos de Edgard Allan Poe. ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además acceder a todo el archivo histórico exclusivo. Muchas gracias a todos los mecenas y patrocinadores por vuestro apoyo: Kaiman Tanaka, Raul Andrés, Jbasabe, Iñako GB, Francisco Quintana, Contell Carles, Eugeni, Pablo Pineda, Tomás Pérez, Quim Goday, Enfermerator, Joaquín, Sergio Castillo, Horns UP! Lourdes Pilar, Jose Diego, Dora, Miguel Angel Torres, Dani, Suibne, Jesús Miguel, Leticia, Sementalex, Guillermo Gutierrez, Enrique FG, Mati, Elliot SF, Redneckman, Daniel A, Luis Miguel Crespo, Vlado 74, Alvaro Pérez, Marcos París, Angel Hernandez, Edgar Cuevas, Okabe 16, Jit, Karlos Martinez, Vicente DC, Francisco González, María Arán, javifer27, juancalero62, Eulogiko, Fonune, Juan Carlos González, Víctor Bravo, Edgar Xavier Sandoval Morales, Adrián Guillot, Quijovi… y a los mecenas anónimos.Escucha este episodio completo y accede a todo el contenido exclusivo de La Gran Travesía. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/489260

Dans une semaine, le podcast Mystères et Légendes va être relancé !

Apresenta o Conto Narrado Gato Preto de Allan Poe, por José Maria. Projeto #lerateondepuder: https://linktr.ee/prof.josepascoal

The Last of Us (ep1) (01:52) The Fabelmans (05:48) O Gato das Botas - O Último Desejo (10:06) Os Olhos de Allan Poe (14:40) Resident Evil 2 e 3 Remake (17:30)

An early classic of science fiction, this one by Edgar Allan Poe

Science fiction by an early master: Poe's "A descent into the Maelstrom"

Next on Midday, a visit with our peripatetic theater critic, J. Wynn Rousuck, who joins us each week with her reviews of Maryland's regional stage. Today she's back, just in time for Halloween, to tell us about Edgar Allan Poe's 'Blood Sweat and Fears,' the first live stage production by the National Edgar Allan Poe Theatre. The non-profit company produces Poe's works for educational and mass media presentations, including a series of podcasts for WYPR called Poe Theater on the Air. The new show, directed by Jay Brock, features dramatizations of three of the master of macabre's well-known short stories: “Berenice,” “A Predicament,” and “The Tell-Tale Heart.” It's being presented on stage through FPX Events at the Flagship Cinema multiplex in Dundalk, which is located at 7938 Eastern Avenue, Baltimore, MD 21224. Click the theater or FPX links for more details. Parental advisory: The show contains some adult themes, including murder. Not recommended for children under 13. J. Wynn Rousuck joins us on Zoom.See omnystudio.com/listener for privacy information.

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durée : 00:31:59 - Les Nuits de France Culture - L'émission "Bonnes nouvelles, grands comédiens" avait demandé en 1982 à Pierre Michael de lire la nouvelle d'Edgar Allan Poe "L'Ange du bizarre" (1844) dans la traduction de Charles Baudelaire. C'était une froide après-midi de novembre. Je venais justement  d'expédier un dîner plus solide qu'à l'ordinaire, dont la truffe  dyspeptique ne faisait pas l'article le moins important, et j'étais  seul, assis dans la salle à manger, les pieds sur le garde-feu et mon  coude sur une petite table que j'avais roulée devant le feu, avec  quelques bouteilles de vins de diverses sortes et de liqueurs  spiritueuses. * C'est ainsi que commence la nouvelle d'Edgar Allan Poe, L'Ange du bizarre, parue en 1844. En 1982, l'émission "Bonnes nouvelles, grands comédiens" avait demandé à Pierre Michael de la lire dans la traduction de Charles Baudelaire.  Par Patrice Galbeau - Lecture Pierre Michael Bonnes nouvelles, grands comédiens - L'Ange du bizarre, d'Edgar Allan Poe  Date d'enregistrement  : 07/10/1982 Indexation web : Documentation sonore de Radio France Archive Ina-Radio France

dgar Allan Poe kennen we in de eerste plaats van zijn fantastische verhalen en van zijn poëzie ('The Raven'), maar hij wordt ook 'de vader van het detectiveverhaal' genoemd. Die eretitel dankt hij aan de creatie van het personage C. Auguste Dupin, een voorloper van Sherlock Holmes, die 'The Murders of the Rue Morgue' oplost, louter door een beroep te doen op zijn grijze hersencellen.Een tweede verhaal met Dupin in de hoofdrol, 'The Mystery of Marie Rogêt', is wellicht het eerste misdaadverhaal, gebaseerd op een 'true crime'. Het wordt algemeen beschouwd als een mindere Poe, omdat het meer weg heeft van een criminologisch essay dan van een verhaal. Bovendien heeft het een hoogst onbevredigend slot... alsof Edgar Allan Poe op het laatste moment terugdeinsde om de waarheid te vertellen.Geheel in de stijl van Poe, die ook al eens een fictie voor feiten durfde laten doorgaan en niet vies was van een literaire mystificatie of een 'hoax', doet Patrick Bernauw in 'Edgar Allan Poe, een moordzaak' een sensationele ontdekking. Uit een vergeten Londens archief diept hij het manuscript op van de eerste, niet gepubliceerde versie van 'The Mystery of Marie Rogêt', waarin E.A. Poe nauwelijks verhuld zichzelf aanwijst als de dader van de moord op Mary Cecilia Rogers, in 1841, in New York...Dit literair-historische 'true crime' verhaal werd oorspronkelijk gepubliceerd in het literair tijdschrift De Brakke Hond (1991), onder de titel 'Mary & Marie'. Een breder uitgewerkt essay verscheen in de 'true crime' bundeling 'Landru bestaat niet' (Manteau, 1992). In die vroege jaren '90 schreef Bernauw rond deze geschiedenis ook een heuse korte roman, 'Edgar Allan Poe, een moordzaak'... die echter nooit verscheen. In 2015 publiceerde hij deze roman wel als ebook, voor de liefhebbers. Patrick Bernauw vertelt zijn verhaal en maakte in de montage gebruik van de Maanlicht Sonate van Beethoven, gebracht door Jason MC Han. Beethoven noemde het werk eigenlijk een 'Sonata quasi una Fantasia'... of: 'Een sonate die aandoet als een fantasie'.Wilt u deze aflevering reclamevrij beluisteren en tegelijk onze podcast een onmisbaar financieel steuntje in de rug geven? Stream de aflevering dan via uw storytel.com/be abonnement of koop het luisterboek aan bij luisterrijk.nl. Nog beter: koop het rechtstreeks aan bij ons! Stuur een mailtje naar luisterboek@inter-actief.be voor alle informatie. Deze aflevering maakt deel uit van de compilatie Het Beste uit Ware Misdaad, 2022: Edgar Allan Poe, een moordzaak + De man die uit de lucht viel + De Moord op Alice Renaud + Zwarte Weduwe, het verhaal van Henri Landru + De Führer en zijn Profeet. De compilatie is momenteel alleen beschikbaar bij ons, aan 9,99€. Become a supporter of this podcast: https://www.spreaker.com/podcast/ware-misdaad--5433901/support.

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Apresenta o Conto Ligeia, de Allan Poe, contado por José Maria. Projeto #lerateondepuder: https://linktr.ee/prof.josepascoal.

View our full collection of podcasts at our website: https://www.solgood.org/ or YouTube channel: www.solgood.org/subscribe

View our full collection of podcasts at our website: https://www.solgood.org/ or YouTube channel: www.solgood.org/subscribe

View our full collection of podcasts at our website: https://www.solgood.org/ or YouTube channel: www.solgood.org/subscribe

3 Poemas de Allan Poe, 6 Tumbas en Múnich. --- Send in a voice message: https://anchor.fm/radiochairo/message

Poema do Conto Ligeia, de Allan Poe, declamado por José Maria. Projeto #lerateondepuder: https://linktr.ee/prof.josepascoal

Après les Haunting Of et Midnight Mass, et Midnight Club qui est toujours en développement, le prochain projet horrifique de Mike Flanagan sera une adaptation de la nouvelle The Fall Of The House Of Usher (ou La chute de la maison Usher en français) du maître du fantastique Edgar Allan Poe. Attendez-vous à du bizarre, de la folie, et du malaise globalement. Pour le moment, une mini-série de huit épisodes est annoncée mais on n'est jamais à l'abri d'une extension. On espère que cette prochaine série saura jouer avec les codes de l'horreur comme le font si bien ses séries précédentes.

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El enigma en los últimos días de Allan Poe, Asis y Asisa #CuentosDelMundo, #MasSiniestroQue "La leyenda del Nahual",# ReseñaLiteraria " La luz Difícil ", #Poema " Voy a Dormir" --- Send in a voice message: https://anchor.fm/radiochairo/message

Capítulo ciento cinco de Audiolibros y Relatos, un podcast literalmente literario. Nuevo relato de “Cuentos fantásticos”, la sección que publico en el podcast Días Extraños de Santi Camacho. Hoy te presento un relato de misterio de corte clásico, con cierto regusto a Allan Poe y a Lovecraft. ¿Qué puede fallar? Narrado por Xavi Villanueva !Nuevo episodio! Ya puedes disfrutar de La sociedad secreta. JESÚS RELINQUE en ABISMOfm.

Il est considéré comme l'inventeur du roman policier. Ses contes fantastiques et effrayants ont fait vibrer les lecteurs de nombreuses revues américaines. En France, c'est Baudelaire qui nous a fait découvrir ses "Histoires extraordinaires". Il s'agit bien sûr d'Edgar Allan Poe. De ses premiers poèmes à ses contes les plus célèbres, Découvrez sa True Story. Allan Poe, une légende Edgar Poe naît le 19 janvier 1809 à Boston. Il a un frère et une sœur. Son père et sa mère sont tous les deux comédiens. A peine quelques mois après sa naissance, ses parents rejoignent une nouvelle compagnie de théâtre. La petite famille déménage donc vers le sud, à Richmond, en Virginie. Mais le joli tableau s'assombrit vite : l'année suivante, son père les abandonne et sa mère succombe à une pneumonie. Le jeune garçon est séparé de ses frères et sœurs et recueilli par un riche couple. John et Frances Allan, ses parents adoptifs, le rebaptisent Edgar Allan Poe. Le nom d'une légende. Son histoire incroyable est à écouter dans ce podcast. Pour découvrir d'autres récits passionnants, cliquez ci-dessous : Émile Tizané, le gendarme chasseur de fantômes Florence Nightingale, une pionnière des soins infirmiers modernes Steven Jay Russell, le roi de l'évasion Ecriture : Karen Etourneau Réalisation : Celia Brondreau Voix : Andréa Brusque Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out. Learn more about your ad choices. Visit megaphone.fm/adchoices

¡¡Ya es viernes de PAMMHG!! Nuevo programa de reseñas de algunas de las últimas novedades del mercado, con propuestas de todo tipo e incluso un intento de terapia colectiva para que uno de nuestros miembros deje de hacerse daño con Mark Millar. En este programa haremos un repaso a las siguientes obras: MARVEL COMICS - Universo Spiderman: Spider-cero DC COMICS - Black Hammer/Liga de la Justicia. CÓMIC INDIE Y UNDERGROUND - Crononautas 2 EUROPEO (ARGENTINO, EN REALIDAD ;-)) El corazón delator y otros relatos de E. A. Poe, de Alberto Breccia. MANGA - Neun - La casa de los insectos - Boy meets Maria - Levius Ya sabéis que podéis hacernos llegar todas vuestras críticas y opiniones por cualquier canal: en los comentarios de ivoox, en twitter en @PAMMHG1 o a través de correo electrónico a pammhgpodcast@gmail.com ¡¡PUN PUN!!

*Recorded Sep 10th, 2020 On our podcast with Boston Legend and industry vet, DJ Chubby Chub, Vanni Allan Poe was an artist who he mentioned as someone to check for from a 2019 spin-off of the famous "Bonnie & Clyde" record by the late great Tupac. Vanni is an artist who's been doing his thing for quite some time in the Boston scene and can rap with the lyricists but can also make heartfelt records for the ladies. Charlie MaSheen got a chance to ask him a few things about his journey in music and what he has coming up next. Sylus Gambino is one of those names that sort-of emerged at the perfect time on the Boston rap scene with his street anthem collab with 8 Zipp, Cam Geez, and his label-mate Vanni, titled "Kill Or Be Killed". That record was a perfect blend of real life accounts in street life and tied together by a catchy and melodic hook. The success of the song spawned a #KillOrBeKilledChallenge which even inspired our host, Chizz, to give his social media followers a quick 12 bars. Sylus followed up with another hit single "Down For Me" anchored by Vanni Allan Poe on the hook again, but teams up with the Atlanta native TK Kravitz and another label-mate Cash Rari. This record has amassed almost 70k plays on youtube in just a short month! With a DJ Khaled-style of putting records together, Sylus Gambino credits his ear as his musical talent and plans to be an integral part of stringing together more collaborations in Boston. Join in on the conversation as Charlie MaSheen asks his guests some tough questions and share a few laughs with us! BE SURE TO CHECK OUT SYLUS GAMBINO AND VANNI ALLAN POE ON ALL DSPs! --- Support this podcast: https://anchor.fm/cwtfbradio/support

The Act Of Smiling, Highly Miserable People, Breaking Animal News, God Is For Me, Universe Expansion, Domino’s: Just Make The Thing, Rom Com Lies, Having Aspergers, Disordered Love, Anxiety, Exceeding Expectation, Social Coach, Backwards’ Law, Focus, Texting; Quotes: “Nobody wants me to exceed expectations.” “I understand they’re choosing bacteria.” “Don’t let other people’s tantrums dictate your behavior and attitude.” “I live in response to who God is.” “The lie I have internalized the most is that God isn’t for me.”

Poema Annabel Lee, de autoria de Allan Poe e declamado por José Maria. Projeto #lerateondepuder: https://linktr.ee/prof.josepascoal.

Dirige y presenta : Paqui García. Redacción: Verónica Cano. Edición : Gabriel Hernández. Esta noche, Paqui García nos sorprende con una entrevista de lo más interesante. Era muy joven cuando se apasionó por la lectura de autores como Julio Verne, Charles Dickens, Stifen King, Allan Poe, etc. Muy pronto, a esta pasión se unió su interés por el mundo del misterio, especialmente, por los enigmas históricos, uniendo así sus dos grandes pasiones: historia y misterio. Él es Jorge Barroso, y esta noche nos presenta "El Sueño Oriental de Napoleón", su último libro. Puedes adquirir su libro en este enlace: https://www.editorialguanteblanco.com/publicaciones/el-sueno-oriental-de-napoleon/. Las opiniones reflejadas en este foro,son responsabilidad exclusivamente de quien las escribe y hace públicas.En ningún caso,son responsabilidad de la dirección del programa

Leitura do Conto Morella, de Edgar Allan Poe.

"Sombra" -una parábola- del Maestro Edgar Allan Poe fue publicado por primera vez, anonimamente, en Septiembre de 1835 en la revista literaria Southern literary Messenger. De la escena planteada por el escritor, se sustraen los arcanos pensamientos de angustia y desazón ante la perenne profecía de la muerte que acecha a todo hombre, no sólo como símbolo de la propia muerte, sino también como refleja el título de este relato, la sombra es a cada objeto el recuerdo casi simultáneo de lo que fue y una parte delo que es al mismo tiempo. Así, Poe acompañaría este y otros relatos con la imagen insalvable de la mortaja, una presencia aparentemente inanimada, a la que finalmente sucumben todas las luces de su orgiástica compañía... Y hemos creído conveniente acompañar este relato con otro de los enigmáticos textos del maestro de Boston "Silencio" (una fábula), publicado en el Baltimore Book de 1938, con el titulo original de "Siope" -una fábula- ha despertado infinidad de interpretaciones entre los admiradores de E.Allan Poe. Sin duda es uno de los relatos más desoladores del maestro, en él, muchos han querido ver la carga simbólica como un reflejo de la impotencia del hombre, que creyéndose cercano a la divinidad, nada puede hacer frente al poder de los elementos que envuelven finalmente al lector en una escena de destrucción... Ya lo narran las historias del cazador, que obsesionado con su presa, se adentró en lo profundo de las tierras salvajes y vióse obligado a pernoctar...Allí uno puede verse sólo y desvalido ante la solemnidad de la noche, y mantener la cordura gracias al silencioso canto del grillo, el callado susurro del viento y el imperceptible murmullo de las aguas... Pero no hay nada tan perturbador como descubrirse a merced del más hondo de los silencios...Pues el silencio absoluto, es augurio de terribles demonios. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Molly discusses books with author Owen Fitzstephen. Owen Fitzstephen is a pen name for Edgar Award nominated Gordon McAlpine, author of the literary mystery novels Holmes Entangled, Woman with a Blue Pencil, and Hammet Unwritten, as well as other acclaimed novels and non-fiction. He is also the author of an award-winning trilogy of novels for middle-grade readers, “The Misadventures of Edgar and Allan Poe”. He has published short fiction in journals and anthologies both in the U.S.A. and abroad. A graduate of the M.F.A. program in creative writing at U.C. Irvine, he taught for many years at Chapman University in Orange, California. McAlpine is a member of the Author’s Guild, PEN USA, The Mystery Writers of America, the International Association of Crime Writers and The Society of Children’s Book Writers and Illustrators. He lives in Southern California with his wife Julie and their always-glad-to-see-you dogs, Finnegan and Diego.   Links to buy The Big Man's Daughter Amazon   https://amzn.to/2zcf4WZ Barnes & Noble Google Play Books Apple Books Kobo   Please be sure to rate us and review this episode wherever you listen to podcasts.  It really helps other people find us.    Follow the show on Instagram at readbetweenthelinespodcast Follow our parent network on Twitter at @SMGPods Make sure to follow SMG on Facebook too at @SouthgateMediaGroup Learn more, subscribe, or contact Southgate Media Group at www.southgatemediagroup.com.   Check out our webpage at southgatemediagroup.com/readbwetweenthelines

Une petite biographie et une exploration des différentes théories concernant la vie et la mort étrange d'Edgar Allan Poe.

Nesse episódio, os professores Guilherme Madeira falam sobre Imunidade Parlamentar, Manifestações pelo AI-5, Shakespeare, Allan Poe e com a participação especial do Dr. Ricardo Macau, para falar sobre o “comunavírus” e as relações internacionais

Nesse episódio, os professores Guilherme Madeira falam sobre Imunidade Parlamentar, Manifestações pelo AI-5, Shakespeare, Allan Poe e com a participação especial do Dr. Ricardo Macau, para falar sobre o “comunavírus” e as relações internacionais

Profitez du confinement pour (re)lire les classiques de la littérature de vos bibliothèques. Pour ce dimanche, partez à l'aventure au côté d'Edgar Allan Poe.

En lo profundo de esa oscuridad mirando detenidamente, siempre estuve allí, preguntándome, temiendo, dudando, soñando sueños que ningún mortal jamás se atrevió a soñar antes. Allan Poe (1809 – 1849) fue un escritor, poeta, crítico y periodista romántico estadounidense, conocido por sus breves historias y poemas evocadores que capturaron la imaginación y el interés de los lectores de todo el mundo. Es recordado especialmente por sus cuentos de terror, y su narrativa imaginativa e historias de misterio fueron las semillas de las historias de detectives modernas. Muchas de las obras de Poe, entre ellas «El corazón del cuento«, «La caída de la casa de Usher» y “El cuervo” se convirtieron en clásicos de la literatura. Algunos aspectos de la vida de Poe, como su literatura, están envueltos en el misterio, y las líneas entre la realidad y la ficción parecen todavía más borrosas desde su extraña muerte. -- Estamos en Twitter https://twitter.com/HLeidas -- Visita la pestaña de comunidad de Ivoox Historias para ser leídas y no te pierdas nada Hasta el próximo audio queridos oyentes, espero y deseo que todos estén bien, abrazos en la distancia.

A poetic tribute to the Titans victory in Baltimore

Sejam todos bem-vindos a mais um episódio da Estação 42!, e no programa de hoje, Matheus e João se juntaram para falar sobre a vida do escritor Edgar Allan Poe e seus contos macabros, além de um bate papo sobre tudo o que vimos nas conferências da E3 desse ano, com o giro de notícias ....  Read More

Allan joins me today to discuss his career path as well as his many interests inside of the industry. 

El primer Podcast dedicado a la relación entre la música y la literatura. Músicos que abordan la literatura y Escritores que abordan la música. Pequeñas cápsulas de algunos minutos para introducirte en la obra de artistas hiperactivos . Letra Y Música - Lou Reed - La libertad bien entendida desde la reconstrucción constante. El camaleón alternativo de la oscura, alternativa y efervescente New York de los años 70, iluminada por la belleza de Allan Poe, la heroína y Allen Ginsberg.

En este séptimo podcast entrevistamos a Daniel González, Director de Flas Marketing, Director en Gametopia, Profesor en Games UPMTe contamos todo sobre la Formación, el Emprendimiento y el Futuro del Desarrollo Independiente en España, con atención a la nueva cúpula de DEV. Además, hablamos en profundidad de la GameJamTopia. Deseamos que os sea de utilidad y paséis un buen rato.MENCIONES Y CONTENIDOS ADICIONALES--------------------------------------------------------------------------------------------------------------------------- https://www.gametopia.es/gamejam (GameJamTopial)- @daniel_tweet Sigue a Daniel en redes- https://www.gametopia.es/learning/curso-promocion-videojuegos: Curso de Marketing Gametopia- DESCARGA GRATIS la guía para subir tu juego a itch.io de la que hablamos en https://marketingparavideojuegos.com/marketing_para_videojuegos/pagina-itchio-efecto-WOW.pdf- Para escuchar el programa sobre leyenda negra en Histocast: https://www.ivoox.com/histocast-132-imperiofobia-leyenda-negra-audios-mp3_rf_16578960_1.html- NUESTRO BLOG https://marketingparavideojuegos.com/- Síguenos en Twitter: https://twitter.com/LootMKT- JUEGOS MENCIONADOS: Age of Empires, Isdin Sun Game, Allan Poe´s Nightmare, The Journey of Elisa, Batman: the Telltale Series, The Walking Dead, Jules Verne: The Shape of Fantasy- PARTICIPANTES: Daniel González, Pablo Fraga y Loles Marston. - MÚSICA: Samivel: "Hit the Ground"

Para o nosso primeiro projeto de áudio drama/book escolhemos, o Coração Delator, um clássico conto do magnífico autor de terror e suspense, Edgar Allan Poe. Esperamos que a experiência ao ouvir seja tão gratificante quanto foi a nossa de realizar este projeto. Até a próxima e... usem fones de ouvido!!! Edição: Paulo Guerra Narração: Cayo César

Allan Poe’s Nightmare is a 2D sidescrolling game for Android and iOS where you play as Edgar Allan Poe as he attempts to escape the Red Death while traversing worlds inspired by his works. For more information about the game, check out the links below.

Nesse programa prepare seu coração para terror e horror extremos. Com a participação dos AlgumaCoisaCasters: Marco Febrini, Kelleni Vaikuntha, Raul Heroes, Malcom, e nosso Cthulhu pernambucano, Wild Mendonça. Nesse programa prepare seu coração para terror e horror extremos. Com a participação dos AlgumaCoisaCasters: Marco Febrini, Kelleni Vaikuntha, Raul Heroes, Malcom, e nosso Cthulhu pernambucano, Wild Mendonça. SEJA NOSSO PADRINHO CLICANDO AQUI REDES SOCIAIS GRUPO DO TELEGRAM DO ACC Acessem e curtam: Facebook do AlgumaCoisaCast Acessem e sigam: Twitter do AlgumaCoisaCast Acessem e participem: Grupo Ouvintes do ACC Itunes do ACC YouTube do AlgumaCoisaCast Barbas Fodas? Acessem e consultem os preços e os modelos: KellStore. PODCASTS DO NOSSO CORAÇÃOZINHO: Acessem: TPMCast Acessem: Meia-lua Cast Acessem: Costelas & Hidromel Acessem: UltraComboPodcast Arte da Vitrine por: WILD Críticas, sugestões e tentáculos para: contatoalgumacoisacast@gmail.com

Rage the youth’s Tony saint amour, and Note to Self’s Allan Poe sit down for an intense conversation about nothing

Tan o más misteriosa que sus curiosidades, fue su muerte; hoy seguiremos hablando de Allan Poe.Página Web: http://undisquepodcast.pe.hu/iTunes: https://goo.gl/2D5WJKSpreaker: https://goo.gl/2kzpSKTuneIn: https://goo.gl/ANLuaxStitcher: https://goo.gl/dgSboLIvoox: https://goo.gl/H6KJGaAgradecimientos:Fondo Musical: Dofhei Project - Kind Of LightHost: Arturo Valderrama

Tan o más misteriosa que sus curiosidades, fue su muerte; hoy seguiremos hablando de Allan Poe.Página Web: http://undisquepodcast.pe.hu/iTunes: https://goo.gl/2D5WJKSpreaker: https://goo.gl/2kzpSKTuneIn: https://goo.gl/ANLuaxStitcher: https://goo.gl/dgSboLIvoox: https://goo.gl/H6KJGaAgradecimientos:Fondo Musical: Dofhei Project - Kind Of LightHost: Arturo Valderrama

Lúgubre y misterioso eran sus insignias, repasemos acerca de la vida y curiosidades de Allan Poe en el primer episodio de esta segunda temporada del podcast.¡Es genial estar de vuelta!Página Web: http://undisquepodcast.pe.hu/iTunes: https://goo.gl/2D5WJKSpreaker: https://goo.gl/2kzpSKTuneIn: https://goo.gl/ANLuaxStitcher: https://goo.gl/dgSboLIvoox: https://goo.gl/H6KJGaAgradecimientos:Fondo Musical: Dofhei Project - Kind Of LightHost: Arturo Valderrama

Lúgubre y misterioso eran sus insignias, repasemos acerca de la vida y curiosidades de Allan Poe en el primer episodio de esta segunda temporada del podcast.¡Es genial estar de vuelta!Página Web: http://undisquepodcast.pe.hu/iTunes: https://goo.gl/2D5WJKSpreaker: https://goo.gl/2kzpSKTuneIn: https://goo.gl/ANLuaxStitcher: https://goo.gl/dgSboLIvoox: https://goo.gl/H6KJGaAgradecimientos:Fondo Musical: Dofhei Project - Kind Of LightHost: Arturo Valderrama

Se dice que al cabo del año hay un 25% de crímenes que quedan sin resolver, solo en España. Y si un asesinato queda sin resolver provoca cierta inquietud... Para hablarnos de estos asuntillos macabros, nos visitará el gran especialista Juan Rada para relatarnos casos tan famosos y enigmáticos como el crimen de las estanqueras, el de las tres copas, el de Aurora Mancebo, el de Lilo Norman o el de Helena Jubany… algunos muy relacionados con ouijas, fantasmas o ángeles. O lo que le sucedió realmente al niño desaparecido de Somosierra. También tendremos a la criminóloga Janire Rámila que nos desentrañará el caso del asesinato de Mary Rogers y que sirvió de base para uno de los más célebres cuentos de Allan Poe. Marcos Carrasco hablará de la posible implicación del pintor Walter Sickert en los asesinatos de Jack el Destripador y Maese Cuesta se referirá a las extrañas muertes del Niño Pedrín y del cineasta Passolini. Por último, Javier Sierra nos resumirá el Encuentro Internacional de Ocultura que se celebrará en León. Id, por tanto, afilando bien los dientes y los cuchillos...

Junto a Santiago Negro os hablamos de lla presencia de Poe en el mundo del cine. Griffith, Epstein, Corman, muchos han sido los directores que a lo largo de la historia han dedicidio adaptar u homenajear al inmortal autor estadounidense. Un programa completo sobre misterio, terror e imaginación

Junto a Santiago Negro os hablamos de lla presencia de Poe en el mundo del cine. Griffith, Epstein, Corman, muchos han sido los directores que a lo largo de la historia han dedicidio adaptar u homenajear al inmortal autor estadounidense. Un programa completo sobre misterio, terror e imaginación

Bir Dolap Kitap: 5 Temmuz 2015 Bu bölümde ele aldığımız kitaplar: * Edgar ve Allan Poe'nun Gizemli Serüvenleri - Hikâye Başlıyor * Edgar ve Allan Poe'nun Gizemli Serüvenleri - Tüyler Ürperten Bir Gece Yarışı * Fil Kadar Küçük

Bir Dolap Kitap: 5 Temmuz 2015 Bu bölümde ele aldığımız kitaplar: * Edgar ve Allan Poe'nun Gizemli Serüvenleri - Hikâye Başlıyor * Edgar ve Allan Poe'nun Gizemli Serüvenleri - Tüyler Ürperten Bir Gece Yarışı * Fil Kadar Küçük