Podcasts about Cannes Film Festival

Bonjour! In this episode, Shelby and Laura react to 79th annual Cannes Film Festival. Laura spills all the behind the scenes tea as an employee at the American Pavilion within Cannes's international village. Laura ranks the 15 movies she saw, identifies the most highly anticipated films of the festival, and shares how it felt to walk the Cannes red carpet! She also describes the fashion and luxurious aesthetic of the French Riviera.Check out our podcast episodes reviewing the 2025 and the 2024 Cannes Film Festivals!To stay up to date on all things SWW: Follow @SistersWhoWatch on all social media channels (⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠) Subscribe to our ⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠ channel. Check out our ⁠⁠⁠⁠⁠⁠⁠website⁠⁠⁠⁠⁠⁠⁠ and fill out the contact information form. What should we watch next? Email us at ⁠⁠⁠⁠⁠⁠⁠sisterswhowatch@gmail.com⁠⁠⁠⁠⁠⁠⁠ or DM us on ⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠ with your suggestions. Thank you for listening and we appreciate your support! Please rate, subscribe, download, share, and leave us a review :)

What a treat to sit down and talk with 10-year-old Clark Shotwell, the young star of John Travolta's new film Propeller One-Way Night Coach, now streaming on Apple TV. Clark plays Jeff, a young airplane enthusiast whose cross-country journey with his mother becomes the adventure of a lifetime. Set during the golden age of aviation, the film is written, directed, narrated, and produced by John Travolta—and marks Clark's feature-film debut. We talk with Clark about landing the role, working with John Travolta and the cast, the magic of stepping onto a film set, and what it's like to see your first major movie take flight. It's a fascinating conversation about acting, Hollywood, and his unexpected journey, including post-premiere interviews and an exciting trip to the Cannes Film Festival in Paris. Meanwhile, you can see Clark and his entire family perform locally at the annual Christmas show at The Coeur d'Alene Resort, opening the day after Thanksgiving. Tickets for the Christmas show will be available at cdaresort.com/events later this fall.

Chosen by Timothy and released in 2002, Irreversible was written and directed by Gaspar Noe, the Argentine-born French filmmaker already known for pushing audiences well outside the comfort zone. The film stars Monica Bellucci, Vincent Cassel and Albert Dupontel, with Bellucci and Cassel appearing together while they were married in real life, which adds an extra layer of intensity to an already very uncomfortable viewing experience.Shot in France on a relatively modest budget, Irreversible became one of the most talked-about films of the early 2000s after its Cannes Film Festival premiere, where it reportedly caused walkouts, outrage and intense debate. Its reputation has only grown since then, becoming a notorious landmark of extreme cinema, French arthouse provocation and the kind of DVD rental choice that could absolutely ruin a quiet night in.TRAILER GUY PLOT SYNOPSISIn a city that never seems to stop moving, one night spirals into panic, rage and revenge. Two men descend into the Paris underground, searching for someone they believe must pay, while the world around them twists, turns and refuses to offer anything close to comfort.But this is no ordinary thriller. Time itself has been shattered, the pieces laid out backwards, forcing us to watch consequence before cause, fury before heartbreak, and chaos before the fragile moments that came before it.Irreversible is a cinematic endurance test from 2002, where love, violence and fate collide in a film that asks one simple question: are you sure you meant to rent this?FUN FACTSIrreversible premiered at the 2002 Cannes Film Festival and quickly became one of the most controversial films of that year.The film is structured in reverse chronological order, with scenes playing out from the end of the story back to the beginning.Gaspar Noe has said the backwards structure was partly inspired by the idea that life can only be understood after events have already happened.Monica Bellucci and Vincent Cassel were married at the time of filming, making their performances together especially striking.The film is often grouped with the New French Extremity movement, a wave of French cinema known for graphic, confrontational and boundary-pushing storytelling.Much of the film's unsettling atmosphere comes from its aggressive sound design, including low-frequency audio designed to make viewers feel physically uncomfortable.The nightclub sequence is famous for its disorientating camerawork, harsh lighting and deliberately oppressive visual style.Irreversible was banned or heavily restricted in some countries due to its explicit content and graphic violence.The film's title refers to the idea that time destroys everything, which is also one of the film's most quoted themes.In 2019, Gaspar Noe released a “Straight Cut” version of the film, presenting the story in chronological order.Support the ShowIf you enjoy the show and would like to support us, we have a Patreon ⁠⁠⁠here⁠⁠⁠.If you're listening on Apple Podcasts or Spotify, leaving us a 5-star review (and a short comment) really helps more people discover the show. It's quick, free, and makes a huge difference.Referral links also help out the show if you were going to sign up:⁠⁠⁠NordVPN⁠⁠⁠⁠⁠⁠NordPass⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

The fourth episode of our season on the awesome movie year of 1946 features one of the Cannes Film Festival Grand Prix winners, David Lean's Brief Encounter. Directed and co-written by David Lean and starring Celia Johnson, Trevor Howard, Stanley Holloway, Joyce Carey and Cyril Raymond, Brief Encounter was one of 11 films to tie for the Grand Prix at the first-ever Cannes Film Festival.The contemporary reviews quoted in this episode come from Bosley Crowther in The New York Times (https://www.nytimes.com/1946/08/26/archives/the-screen-in-review.html), Variety, and C.A. Lejeune in The Observer (https://www.theguardian.com/film/2010/oct/16/brief-encounter-romance-archive-review).Check out more info and the entire archive of past episodes at https://www.awesomemovieyear.com and visit us on Facebook at http://www.facebook.com/awesomemovieyearYou can find Jason on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Letterboxd at https://letterboxd.com/goforjason/You can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/, on Bluesky at signalbleed.bsky.social and on Letterboxd at https://letterboxd.com/signalbleed/If you're a Letterboxd user and you watch any of the movies we talk about on the show, tag your review “Awesome Movie Year” to share your thoughts.You can find our producer David Rosen and his Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod, on Bluesky at piecingpod.bsky.social and on Letterboxd at https://letterboxd.com/bydavidrosen/ Join the Popcorn & Puzzle Pieces Facebook group at https://www.facebook.com/groups/piecingpod for more movie discussion and our Awesome Movie Year audience choice polls.All of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comSubscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year and Piecing It Together, plus music by David Rosen: https://www.patreon.com/bydavidrosenPlease like, share, rate and comment on the show and this episode, and tune in for the next 1946 episode, featuring our documentary pick, John Huston's Let There Be Light.

Two great personal documentarians grace the podcast: Ross McElwee (“Sherman’s March”) and Michel Negroponte (“I’m Dangerous With Love”). Long friends and colleagues, Ross and Michel come on to primarily discuss the sensitive subject matter behind Ross’ latest film, “Remake” The film begins a theatrical engagement at Film Forum in NYC on 7/10/2026. They are currently screening a 40th anniversary 4K restored print of his seminal “Sherman’s March”. https://www.youtube.com/watch?v=U5Vph7D_TxY The death of his son causes McElwee, an autobiographical filmmaker, to look back on his life's work. He eventually turns to his archive of home movies — an afternoon trapping crayfish with his son Adrian, age 4; helping with homework, age 11; discussing career plans with his son, age 24. To what extent did his camera affect their relationship when Adrian was alive? To what extent does it define that relationship now that he is gone? Meanwhile, an effort to adapt McElwee's first feature, “Sherman's March”, into a work of fiction lurches along, giving the filmmaker another perspective from which to meditate on movie making and mortality. Ross McElwee is a documentary filmmaker from Charlotte, North Carolina currently living in Cambridge, Massachusetts. McElwee has made ten feature-length films. “Sherman's March” won Best Documentary at the Sundance Film Festival and was chosen for preservation by the U.S Library of Congress National Film Registry in 2000 as a “historically significant American motion picture.” Bright Leaves premiered at the 2003 Cannes Film Festival's Directors' Fortnight. McElwee’s In Paraguay premiered at the Venice Film Festival in 2008, and he returned to Venice in 2011 to premiere Photographic Memory. McElwee has received fellowships from the Guggenheim Foundation, the Rockefeller Foundation, and the American Film Institute. He has twice been awarded fellowships in filmmaking by the National Endowment for the Arts and production grants from the LEF foundation. McElwee received the Full Frame Documentary Film Festival's Career Award in 2007 and the Pennebaker Award for his career in 2023. In 2024, the French Ministry of Culture awarded McElwee the rank of Chevalier des Artes et des Lettres. McElwee was Professor of the Practice of Filmmaking in the Department of Art, Film and Visual Studies at Harvard beginning in 2003 until his retirement in 2024. He is now a Research Professor, Emeritus in the AFVS Department. About Michel Negroponte Michel Negroponte is an award winning filmmaker who has been making feature length documentaries for more than 30 years. He was born and raised in New York City, and studied filmmaking with Richard Leacock and Ed Pincus at the Massachusetts Institute of Technology in the 1970s. In addition to making his own films, he has freelanced on countless films for HBO, PBS, the BBC, and Channel Four. He has also worked with independent filmmakers like Ross McElwee, Doug Block, Lisa Crafts, D.A. Pennebaker, Chris Hegedus, Christine Choy, Dick Rogers, John Marshall and Al Maysles. His films include SPACE COAST (1979), RESIDENT EXILE (1981), SILVER VALLEY (1984), JUPITER’S WIFE (1994), NO ACCIDENT (1996), W.I.S.O.R. (2000), METHADONIA (2005) and I’M DANGEROUS WITH LOVE (2009). JUPITER’S WIFE, a portrait of a beguiling homeless woman named Maggie, won a Special Jury Prize at the Sundance Film Festival and the prize for Best Feature Documentary at the Vancouver and the Santa Barbara Film Festivals. The film was also awarded an Emmy for Outstanding Individual Achievement in Documentary. Originally shot on small format video, it premiered on HBO/Cinemax before getting a nationwide 35mm theatrical release. Edward Guthmann of the San Francisco Chronicle called it one of the ten best films of the year. John Koch of the Boston Globe wrote, “Negroponte has a painter’s eye and a novelist’s reach; and if there is anything more engaging and satisfying than “Jupiter’s Wife” on television or at the movies these days, by all means tell me about it.” Negroponte’s films have been broadcast in the United States on PBS, HBO, and the Sundance Channel as well as in England, France, Germany, Spain, and Japan. His work has been shown at the Sundance Film Festival, The New York Film Festival, and the Museum of Modern Art in New York City and in festivals in Berlin, Rotterdam, Vancouver, and Japan. Negroponte has also taught in the graduate and undergraduate film programs at New York University’s Tisch School of the Arts and Temple University. Recently, he helped create a new graduate program in documentary filmmaking at the School of Visual Arts in New York City, which opened in September, 2009. He is part of the faculty there as well.

It's been said that you can spot an American from a mile away. Travelers to Europe are advised to adjust their attire to blend in with locals and avoid looking so … casual. The French think Americans are loud and rude, and Europe has a long tradition of sneering at how classless we all are, even before Trump.I spent a month in Italy, and it's a beautiful place. The slow living, the long naps when all the stores shut down for hours during the day, the tiny cars, the laundry drying on the balconies, the fresh food at the Farmer's Market. I feel lucky that when I came back from Italy, I was pregnant and having my baby is the single greatest thing that has ever happened to me. But I'm also glad she grew up in America.I used to travel to France to cover the Cannes Film Festival, and again, I admired their way of life, the food especially. But every time I stayed too long, I began to miss my home in America. There is something thrilling about living in a free country that I've never felt anywhere else.It seems to me that if you are born here, you make up your life as it goes along. It is not planned out for you, necessarily, although in some cases, I guess it probably is. In my case, it wasn't. I knew I could invent myself any way I wanted. And if I didn't like that version, I could reinvent myself. We're like our country, a work in progress. It's always there for the taking, that promise of opportunity.Donald Trump is all of America's freedoms wrapped up in one imperfect man. He broke through the thick layer of oppressive thought and speech and showed the world that here, you really can say anything you want - as long as some crazed totalitarian doesn't try to shoot you. That's the country I want to live in. It isn't that the greatest writing or art has come from a place like America. Plenty of great works have come from places that don't center freedom as their main objective. But once you've tasted it, you can't give it up.In his speech last night, Trump said:The American founding represents the best ideas and traditions in history by the best people, like you. You can be loyal to Karl Marx or you can be loyal to America. You can be a communist or you can be a patriot. You cannot be both. As for those who peddle Marxist lies about our heritage, tell our children that we live on stolen land or that our heroes were oppressors, they're doing something much worse than slandering our past. They are slandering and attacking our future. Not going to let that happen.They're trying to tear down the great American character to destroy the people who declared independence, who crossed the Delaware, who settled the West and conquered the skies. You know who those people are. But we will never let that happen.In America now, two stories are competing to claim the right to rule the future. Trump is telling the better story, the one America was founded on and the one we've all believed, at least up until recently, when a new wave of progressives decided that the better story paints America as a corrupt, rotten, white supremacist empire that has to be torn down to the studs and rebuilt.They must be terrified about the 2030 Census because they've decided to die on the hill of illegal immigration, which is fast becoming their most important issue. That, alongside Democratic Socialism, is a recipe for disaster.This was Bill Clinton's bummer message on the Fourth:I always thought Bill Clinton was a good president, but reading that just now makes me think he wasn't. All he's ever been able to do is point the finger at the other side and never offer any real solutions. He's not the man in the arena. He's the man on the sidelines.What I love about Trump and his supporters is how much they love America. They love it so much that they plant flags all over their homes. They admire the Founding Fathers. They call themselves Patriots. We didn't have that kind of pride on the Left when I was growing up.And even now, so many see the American flag and the love of country as dangerous, racist, bigoted, fascist. Whoever told those people that is what MAGA is about lied. They're protective of America's laws and its border. That is out of love for the country. The Left has taken almost everything from them. They've locked them out of culture, forbidden them from participating in any of their major events, dehumanized, demonized, and disenfranchised them. But the one thing they couldn't take was their citizenship. They hit the jackpot just by being born in America. To think it would be so easy for people all over the world to come here illegally and claim that prize or to come here and attempt to remake America into something it was never meant to be devalues the one thing they treasure most of all. I've always been a proud American. I've always preferred this country over any other, but only in the last few years have I understood what it means to be a Patriot, to be ready to fight for the country I love. And that is because of the people I've gotten to know on the Right.This country is worth fighting for. I might not agree with all of the policies on the Right, or even Trump himself, all of the time, but I'd rather have the future of this country in the hands of people who love it the way Trump does than people who hate it, the way so many on the Left do, just because their candidates are weak and their policies are toxic. I wanted to write 250 things I love about America, but it got too long, so this will have to do. Here are just some of the things I love:I love the interstates as part of the great legacy of Dwight D. Eisenhower.I love the Pacific Ocean because it stretches along the state. I love Catalina Island off the California Coast, where I spent many a summer with my best friend.I love seeing our history in the many cultures that came here, like Chinatown, Little Italy, Mexican food in LA, soul food in the South, Irish bars and pubs in the middle of nowhere. And yes, you can appreciate a nation of immigrants while still policing our borders now. I love how nice people are in some places, like California, Ohio, and Iowa, where they smile at you on the street.I love the weather extremes, from the dusty plains to the snowy mountains to hurricanes by the sea.I love the historic monuments from the Civil War and the Revolutionary War.I love the town squares that you can still see if you drive through the middle of America. Even though many are abandoned, they still look like hope to me.I love how each town square has a church, a post office, and a school.I love the many farmlands that blanket the Midwest.I love the small mom-and-pop coffee drive-throughs, and even the convenience of a Starbucks in nearly every town.I love Route 66 and how people still drive it and visit the forgotten places.I love the absurdity of Las Vegas, how it sprouts up impossibly in the middle of the desert.I love the American writers who helped shape our country's sense of itself - Mark Twain, F. Scott Fitzgerald, Flannery O'Connor, Richard Ford, Maya Angelou. I love the musical traditions that started here: Jazz and the Blues. And became Rock n' Roll. I love the Legend of Sleepy Hollow and the town that still remembers it.I love diners and dive bars.I love Gone with the Wind and how it's still the highest-grossing film of all time when adjusted for inflation. I love The Twilight Zone and find it timeless, as relevant today as it was in the 1950s.I love the footprints at the (Grauman's) Chinese Theater in Hollywood.I love the US military and its devotion to the country. I love the wildflowers that bloom in California every year.I love soft-serve ice cream at the DQ.I love Levi's.I love New York pizza.I love Solvang in California.I love driving up the Oregon coast. I love the songs of Bob Dylan.I love the tap dancing of Fred Astaire.I love how anyone can be a star on YouTube, no matter where they come from, but YouTube couldn't have been invented anywhere but America.I love how I could build a business as a single mom in a one-room guesthouse in Van Nuys, and that business would, five years later, become profitable because I worked hard and had a good idea. And then, when my career went up in flames in 2024 because I voted for Trump, I could build another career on Substack because that is what America is all about - inventing and reinventing yourself.I love the innovative spirit that built America in real life and online.I love reading about the early settlers, the Puritans, and the homesteaders, how much they sacrificed to help make America a home. And I love the history of the Native Americans, too, even if so much of it remains a tragedy now. I love high-speed internet and Wi-Fi that are available almost everywhere, and if they're not, I have a hotspot.I love the old American cars that were not just exceptional but beautiful.I love the tradition of baseball.I love that people faithfully watch football, even if I don't.I love the tradition of sourdough bread all over social media.I love that the best basketball players in the world are from here.I love that every state is different from one to the next.I love Harper's Ferry, how it's frozen in time.I love that we found a way to move on from the trauma of our past with slavery and how we fought a bloody Civil War to end it. I love that we were the good guys in World War II. We did the right thing in entering the war and helping the Allies win. I love that you can be anything here. The door is always open. It's up to you to walk through it.I love that America is a Christian nation, and you can see that if you drive across it. But it's also a country that stands for freedom of religion, too.I love the American comedians: Groucho Marx, George Carlin, Richard Pryor, Steve Martin, and Johnny Carson.I love that the best films from the 1970s were American movies, like The Godfather, The French Connection, Taxi Driver, and Network. But I also love more modern masterpieces by American filmmakers, like No Country for Old Men and Sideways.I love that people play the lottery, thinking one day they will hit the jackpot. They never will, but they can still dream.I love Thanksgiving and the way we celebrate it in America, which is to say, all together as one big dysfunctional family.I love the tradition of Halloween and how every October, the pumpkins and costumes come out. I love the way the weather changes. I love the Declaration of Independence and those who dared to build this wild, untamed, optimistic work in progress. I love that America is always looking to the future to find a better version of itself and its people. I love that so many Americans still believe in the American Dream.I love watching the movie Jaws on the 4th of July.I love that people watch fireworks, even if I never do, because they traumatize my dogs.I love that we have a holiday just to celebrate the day we became a country, a ragtag group of deplorable revolutionaries who set out to build a brand new country. Oh, the audacity of it. I love living here and would not want to live anywhere else. Happy 250th Birthday, my beloved country.Happy 4th to you, dear readers. Thanks for everything. I hope you are having a wonderful weekend. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

For years, Jordana Brewster quietly lived with a life-altering diagnosis that few people knew about. After suffering a seizure at 28, she learned she had a cavernous malformation (CVM), a rare vascular condition in her brain that made carrying a pregnancy dangerously high-risk. While continuing a successful acting career, she privately managed her condition, navigated fertility treatments, and ultimately chose gestational surrogacy to grow her family.In this candid conversation, Jordana joins Mary Alice Haney to share the emotional realities behind IVF, infertility, surrogacy, and the difficult decisions that come with protecting both your health and your dream of becoming a parent. She also opens up about undergoing awake brain surgery, overcoming the stigma of living with a neurological condition, healing from disordered eating, and how divorce, blended family life, and finding love again gave her the courage to embrace a completely new chapter.Subscribe to SHE MD Podcast for expert tips on PMOS, endometriosis, fertility, hormonal balance, mental health, and more. Share with friends and visit SHE MD website and Ovii for research-backed resources, holistic health strategies, and expert guidance on women's health and well-being.SponsorsProlon: Visit ProlonLife.com/SHEMD to claim your 15% discount and your bonus gift. Talkiatry: Head to Talkiatry.com/sheMD to complete the short assessment and get matched with an in‑network psychiatrist in just a few minutes.Alaya Naturals: Visit www.alayanaturals.com/SheMD and enter code SheMD at checkout for 20% off your order.Tuckernuck: Visit tnuck.com and use code SHEMD for 15% off your first purchase.Square: You can get up to $200 off Square hardware at square.com/go/shemdWhat You'll LearnWhat a cavernous malformation (CVM) is and how it can affect pregnancy and neurological healthHow Jordana's first seizure led to a diagnosis that changed the course of her lifeWhy doctors advised her against carrying a pregnancyThe emotional and physical realities of IVF that aren't often discussedWhat the gestational surrogacy process actually looks like, from choosing a surrogate to legal agreements and deliveryWhy infertility evaluations should always include both partnersCommon misconceptions and stigma surrounding surrogacyWhat it's like to undergo awake brain surgery while doctors monitor language and brain functionHow Jordana managed a seizure disorder while building a demanding acting careerThe long-term impact of disordered eating and learning to build a healthier relationship with food and exerciseHow becoming a mother reshaped her perspective on control, trust, and vulnerabilityNavigating divorce, blended families, co-parenting, and finding love again after major life changesWhy speaking openly about women's health experiences helps break stigma for future generationsKey Timestamps00:00 Why Surrogacy Is Only Legal In 3 Countries01:03 Meet Jordana Brewster, Actress, Mom And Survivor03:39 When Jordana Decided She Wanted To Be A Mom04:36 The Brain Diagnosis That Changed Everything06:30 Living With A Seizure Disorder In Hollywood09:03 The Breakthrough Seizures That Forced A Decision10:11 What Awake Brain Surgery Actually Feels Like12:08 Six Years Seizure Free After The Surgery12:36 Overhauling Her Entire Life In 202015:43 The Stigma Around Surrogacy And What People Get Wrong17:02 Finding The Right Surrogate And Trusting Your Gut19:36 The IVF Journey And Why It Is Never A Slam Dunk22:08 The Hardest Part Of Surrogacy Nobody Talks About24:44 The Birth Story And Being In The Delivery Room26:29 Why She Didn't Take Maternity Leave And Regrets It27:37 Stop Ignoring The Man's Role In Fertility31:43 Finding Love Again And Blending A Family Of Six34:34 How To Successfully Navigate A Blended Family46:37 Losing Paul Walker And How She Honors His Legacy48:19 What She Would Tell Her Younger SelfKey TakeawaysA cavernous malformation (CVM) is a vascular condition in the brain that can cause seizures and may make pregnancy high-risk for some patientsIVF and gestational surrogacy are complex medical processes that often require multiple specialists, legal protections, and emotional resilienceFertility evaluations should include both partners, as male-factor infertility is a significant contributor to difficulty conceivingAwake brain surgery allows surgeons to monitor critical brain functions, such as speech, while safely removing lesions located near essential areas of the brainOpen conversations about infertility, surrogacy, neurological conditions, and mental health can help reduce stigma and encourage others to seek careGuest Bio: Jordana BrewsterJordana Brewster's beauty and natural screen presence has etched her a permanent place in Hollywood in both film and television. Jordana can most recently be seen in the independent feature THE PIRATE KING, which premiered at the 2026 SXSW Film Festival. She will next be seen as ‘Kat' in the upcoming Prime Video series BISHOP. Jordana is best known for her work in the FAST & FURIOUS franchise which stands at over $7 billion worldwide, making it one of the highest-grossing film series globally. The franchise is celebrating its 25th Anniversary since this original film this year which recently screened at the 2026 Cannes Film Festival and was named a “Cannes Classic.” She can also be seen starring in the Sony feature HEART EYES with Devon Sawa and Olivia Holt, which released Feb 7, 2025. Jordana also starred in the thriller CELLAR DOOR with Scott Speedman and Laurence Fishburne, which was released by Lionsgate in November 2024. On television, Jordan played the role of ‘Denise Brown' in Ryan Murphy's Emmy award winning series “American Crime Story”. She also starred on the FOX series “Lethal Weapon,” TNT's “Dallas,” and ABC's ”Secrets and Lies” opposite Juliette Lewis and Michael Ealy.In between shooting the F&F franchise, Jordana attended and graduated from Yale University. She is fluent in Portuguese.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Katey and Chris Rosen regroup to look at the 2026 movies that are already in the Oscar race, how the buzz from this year's Cannes Film Festival will translate to the fall, and what we're already anticipating, including new trailers for fall movies like Digger and The Debut. 00:00 Intro 00:57 The Vibes Are Finally Good 03:30 Project Hail Mary Leads The Pack 07:47 The Optimism Theory 11:23 Can Obsession Go All The Way? 15:18 The Trouble With Michael 17:51 Movies We're Mourning 21:49 The Bride And Pressure's Chances 24:56 Anne Hathaway's Busy Year 28:15 Zendaya And Pattinson's Overdue Oscars 30:50 Toy Story 5 And Taylor Swift 34:48 The Cannes Contenders 40:38 Paper Tiger And Coward 43:06 The Digger Trailer 46:21 Turturro's Best Actor Case 48:25 The Debut And Giamatti's Moment 52:08 Artificial In Limbo 54:11 The Odyssey Outlook 57:20 Coming Up ⁠⁠⁠⁠Subscribe today⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to Prestige Junkie After Party bonus episodes. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to the Prestige Junkie newsletter.  Follow Katey on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow The Ankler. 

Richard takes a visit to designer Claire Garvey's studio to hear how she carved out her niche in the fashion world, designing outfits for the Oscars, the Emmys and Cannes Film Festival.

"Romería" is a 2025 drama film written and directed by Carla Simón. It stars Llúcia Garcia as Marina, a young woman seeking the truth about her deceased biological father. The plot consists of a fictionalized account of Simón's own experiences. The film premiered at the 78th Cannes Film Festival, where it competed for the Palme D'Or and received positive reviews from critics for its direction, lead performance from Llúcia Garcia, editing, and cinematography. Simón was kind enough to spend some time talking with us about her work and experience making the film, which you can listen to below. Please be sure to check out the film, which is now playing in New York and will open in Los Angeles on July 1st with a nationwide expansion to follow from Janus Films. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Over the last couple weeks, there has been an enormous amount written—from The New York Times to Le Monde to Haaretz, among other places—about a controversy centered on Nadav Lapid, an Israeli filmmaker living in France. Lapid has made several critically acclaimed films, including Synonyms, Ahed's Knee, and, most recently, Yes, and his work has taken home jury prizes at the Berlinale and Cannes.The recent controversy was focused on the FIDMarseille international film festival. There was a planned retrospective of Palestinian films at the festival this year. Meanwhile, Lapid was invited to head the jury. It was also decided that there would be an event honoring him, and that he would teach a master class. When a dozen filmmakers threatened to pull their films from the festival, Lapid withdrew as head of the jury. When that did not quell the protests, he decided to cancel the event and the master class, as well.The response from many in the film world has largely been to rally around Lapid, with two letters published in Le Monde, one of them garnering over 350 signatures of high-profile figures in the industry. The letters allege that Lapid is being boycotted solely because of his identity. One of them declares, “Nothing justifies the silencing of an artist . . . the cultural boycott is an intellectual dead end that we must collectively overcome.”Meanwhile, Film Workers for Palestine, allied with PACBI, which coordinates the academic and cultural boycott of Israel, published a translation of a statement by Palestine Will Save Cinema, pointing to the fact that Nadav Lapid's latest film, Yes, received support from the Israeli Film Fund, was presented at the 2025 Cannes Film Festival as an Israeli co‑production, and competed for the Ophir Awards (akin to Israel's Academy Awards). “States have always invested in cinema, literature, the arts, and festivals as instruments of influence and legitimacy. Cultural production does not circulate in a political vacuum. It contributes to the representation of nations, the construction of their international image, and the dissemination of their narratives,” they wrote. “This is precisely why cultural boycott exists. Not because artists are responsible for the crimes committed by their governments, nor because certain works should be prohibited, but because cultural institutions, funding systems, and distribution policies play a concrete role in states' strategies of legitimation.” There can be no mistaking the content of Yes, which seeks to depict the depravity of Israeli society during the genocide. But it does open with the icon of Israel's Ministry of Culture, due to the support it took from the Israeli Film Fund, which accounted for 13% of the film's funding.On this episode of On the Nose, Arielle Angel talks to Nadav Lapid about the recent controversy, and the two hash out some of their disagreements about cultural boycott.Thanks to Jesse Brenneman for editing and to Nathan Salsburg for the use of his song “VIII (All That Were Calculated Have Passed).”Media Mentioned and Further Reading“‘Guilty by Virtue of My Identity,'” Nirit Anderman, HaaretzTwo letters in support of Nadav Lapid, published in Le MondeFilm Workers for Palestine translation of Palestine Will Save Cinema statement on FID MarseillleFilm Workers for Palestine Pledge to End Complicity“What the NY Knicks Mania Reveals About Israelis and Collective Blame for Gaza,” Libby Lenkinski, Haaretz“Thank You for Boycotting Me: As an Israeli Filmmaker, Here's Why Global Pressure Amid Gaza Matters,” Avigail Sperber, Haaretz“Paul Simon's Graceland: the acclaim and the outrage,” Robin Denselow, The Guardian“Non,” Catherine Haas, lundimatin“Is the cultural boycott of Israel an effective political tool for the Palestinian cause?” on Radio France“Israeli Grotesque,” Mitchell Abidor, Jewish CurrentsTranscript forthcoming.

In this episode, Shelby and Laura review Boots Riley's newest film, I Love Boosters, starring Keke Palmer, LaKeith Stanfield, Don Cheadle, and Demi Moore. We discuss the film's social commentary about the fashion industry, the Bay Area setting, and which INSANE scenes made our jaws drop!Interested in more movie reviews? Check out our podcast episodes on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠American Fiction⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Barbie⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Cannes Film Festival 2024⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Challengers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Deadpool & Wolverine⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Furiosa: A Mad Max Saga⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Gladiator II Ft. Queens Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Inside Out 2 ft. Nikki Meadows⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Joker: Folie a Deux⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Killers of the Flower Moon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Madame Web ft. Mitch Broadwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Mean Girls (2024)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Oppenheimer⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Past Lives Ft. Toya From Harlem⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Poor Things⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Fall Guy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Oscars 2024⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠We Live In Time⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Wicked Ft. Sisters and the Stars⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.To stay up to date on all things SWW:- Follow @SistersWhoWatch on all social media channels (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)- Subscribe to our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ channel - Check out our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and fill out the contact information formWhat should we watch next? Email us at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠sisterswhowatch@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or DM us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ with your suggestions.Thank you for listening and we appreciate your support! Please rate, subscribe, download, share, and leave us a review :)

Episode #356Paul Klimson has spent more than two decades behind the scenes helping some of the biggest artists in the world sound their best. As a world-class monitor engineer and audio professional, he has worked with an extraordinary roster that includes Justin Timberlake, Drake, Madonna, John Legend, The Roots, Kelly Clarkson, Eric Clapton, and countless others. His career has taken him from international tours and major festivals to iconic television productions, including more than 900 episodes of The Tonight Show Starring Jimmy Fallon, where he helped build and manage the show's audio infrastructure and worked alongside musical guests ranging from Paul McCartney and Bruce Springsteen to Kendrick Lamar and U2.Known throughout the industry for his technical expertise, calm demeanor, and relentless work ethic, Paul has earned the trust of artists performing on the world's biggest stages. His credits span Saturday Night Live, Eurovision, the Cannes Film Festival, the Super Bowl, and multiple record-breaking world tours, including Justin Timberlake's 20/20 Experience Tour and Madonna's Celebration Tour.After what he jokingly calls his "retirement" from touring, Paul shifted his focus to building something even bigger. Alongside his wife Courtney, he founded Theory One Studios in Niles, Michigan, a state-of-the-art Dolby Atmos recording and production facility that combines vintage analog character with cutting-edge technology. The studio serves artists from around the world while also supporting the couple's broader vision for independent music creation and distribution.That vision now includes Brass Alley Live, an immersive live music venue and broadcast space currently under development, and SoulSeed.tv, a subscription-based music platform designed to put more money back into the hands of independent artists. Together, these ventures are creating a new ecosystem where musicians, crews, and creators can thrive outside traditional industry models.Paul is also the co-founder of The Roadie Clinic, a nonprofit organization dedicated to supporting the physical, mental, and emotional well-being of touring professionals and their families. Much of what he is building today is designed to create sustainable funding and long-term support for the people who make live entertainment possible.Whether discussing life on the road, mixing for some of music's biggest names, building a next-generation recording studio, launching new media platforms, or reimagining how artists and crews are supported, Paul brings a rare combination of technical mastery, entrepreneurial vision, and hard-earned perspective.His motto? "Keep going, don't suck."This episode is brought to you by ETC and Pangolin

What happens when your visibility grows faster than your identity can keep up with? In this final Cannes Film Festival recap, Alex Stewart and I unpack the biggest lessons about fame, celebrity identity, confidence, visibility, and why I might not be fully owning my own influence. fame lessons from the Cannes Film Festival celebrity energy, confidence, and visibility how Coco Rocha commands attention in a room the difference between followers, fame, and real influence why artists resist being seen and struggle to own their success balancing personal brand growth with bigger creative ambitions Find me, Whitney Uland, on Instagram and TikTok @whitneyuland Find Alex Stewart on Instagram @alexstewart Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us Fan MailThis week on Acting with Asha, Jade Asha welcomes Egyptian actress May Elghety for an inspiring conversation about her journey from child star to internationally recognised performer. May reflects on growing up in the entertainment industry, earning acclaim for her work in Egyptian film and television, and expanding her career onto the global stage through projects such as Due Dating and other international productions. The discussion explores the importance of authenticity, cultural representation, personal growth, and balancing creativity with academic achievement.  Episode HighlightsStarting an acting career at a young ageBreaking into international film and televisionWorking across different cultures and languagesThe impact of education and psychology on performanceRepresentation of Middle Eastern talent in global mediaCareer ambitions, challenges, and future projects  Support the showActing with Asha – Episode FooterEnjoyed this episode?Discover more insights on acting, entrepreneurship, and building a sustainable creative career with Jade Asha's book, Actorpreneur.

This Queer as Fiction episode is on Kenyan director Wanuri Kahiu's 2018 lesbian romance film, Rafiki. Join us for a rich exploration of Kenyan culture through the lens of the director's self-titled “Afrobubblegum” genre, the real-world ramifications of releasing a lesbian film with a happy ending in a country where homosexuality is criminalised, and a DJ named after an Australian cartoon character. Check out our website, where you can find our sources, as well as everything there is to know about Queer as Fact. If you enjoy our content, consider supporting us on Patreon, checking out our merch, and following us on Facebook, Instagram, Tumblr and Bluesky. [Image: A poster for the film Rafiki, featuring the two leads, Samantha Mugatsia and Shiela Munyiva. It specifies that the film was an Official Selection “un certain regard” at Cannes Film Festival.]

Happy Pride! Drusilla and Josh watch Stranger by the Lake by Alain Guiraudie. From wiki: “Stranger by the Lake (French: L'Inconnu du lac) is a 2013 French erotic thriller drama film written and directed by Alain Guiraudie. The film premiered in the Un Certain Regard section at the 2013 Cannes Film Festival[4] where Guiraudie won the award for Best Director.[5] The film also won the Queer Palm award,[6] and was mentioned on multiple top-ten lists of the best films of 2014.[7]”Also discussed: Incompreso aka Misunderstood, By Design, Amanda Kramer, Paul Feig's Ghostbusters, The Place Beyond the Pines, Blue Valentine, Derek Cianfrance, Ryan Gosling's career, and more. NEXT WEEK: Interview with the Vampire (1994) Bloodhaus: https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/https://letterboxd.com/bloodhaus/Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/https://www.instagram.com/sister__hyde/Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/  

Film critics Tim Robey and Leila Latif join Robert Bound to review the hits and misses of this year’s Cannes Film Festival, including Cristian Mungiu’s Palme d’Or winning drama, ‘Fjord’.See omnystudio.com/listener for privacy information.

I just got back from the Cannes Film Festival, and today I'm pulling back the curtain on what actually happens behind the scenes of the Cannes red carpet. From the surprising difference between the film industry and the celebrity/fashion side of Cannes to the controversy around influencers, models, and who "belongs" on the red carpet, we're diving into the realities of one of the most famous events in the world. In this episode, we cover: • What the Cannes Film Festival red carpet is really like behind the scenes• The difference between the film industry side of Cannes and the fashion/celebrity side• Why influencers at Cannes spark so much controversy• How visibility, status, and celebrity culture actually work• The surprising logistics of getting on the Cannes red carpet• Why celebrity is often more about attention than talent• What I learned from attending Cannes as both a filmmaker and a creator Find me, Whitney Uland, on Instagram and TikTok @whitneyulandFind Alex aka Mr. Beefcake on Instagram @mmentality_ Learn more about your ad choices. Visit megaphone.fm/adchoices

En esta entrevista Jaime Maussan nos cuenta de sus inicios en el periodismo, las horas que esperó para conseguir una oportunidad con Jacobo Zabludovsky, cómo uno de sus reportajes llegó hasta el Cannes Film Festival y el costo personal que su trabajo tuvo para su familia. Además, aborda algunos de los temas más controversiales de su carrera: el misterio de científicos desaparecidos, los casos de presuntas naves extraterrestres recuperadas y por qué considera que todavía existen preguntas que la ciencia no ha logrado responder.    Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This episode, we bring you Marjane Satrapi. She gave this talk on April 7, 2008, just about one year after the film adaptation of her comic Persepolis had been featured at the Cannes Film Festival and was nominated for an Academy Award for best animated feature. Sastrapi's death was announced on June 4, 2026. President Emmanual Macron of France said in the announcement, “Her passing marks the loss of a leading figure in French culture and a freedom-loving artist whose work carried a universal message and earned her immense international acclaim.” Satrapi was an Iranian born French author and film director and is considered one of the greatest contemporary graphic novelists.  Her work includes critically acclaimed and canonical books Persepolis and Persepolis 2, graphic narratives which both feature a protagonist, Marji, whose life parallels Satrapi's. The books follow Marji from a childhood in Iran to spanning some of the most intense years of contemporary Iranian history during the Iranian revolution and the Iran-Iraq War, with Marji leaving the country as a teenager to study in Europe, returning to Tehran for a period before eventually setting in Paris. Satrapi was an Iranian women, working in France, and became one the bestselling writers & artists in the United States. The specifics of her story are of course, unique to her, but like great storytellers she connected with millions of readers because of the universal nature of her work. In addition to Persepolis and Persepolis 2, she wrote several children’s books and other graphic novels, and she directed several feature films, including 2019's “Radioactive,” about the life of Marie Curie, adapted from the graphic novel by Lauren Redniss and starring Rosamund Pike. Though she continued living in Paris, she remained an activist against Iran's Islamic regime, in particular protesting the restrictions on women. She said, “We artists must be humble but doing nothing is worse, being indifferent is worse. In this talk, Satrapi is wry, ironic and occasionally sarcastic.  She references the influence of Persian miniatures and Art Speigelman's Pulitzer Prize winning graphic narrative Maus – the first comic ever to win the Pulitzer Prize.  I use the work “comic” here instead of graphic novel intentionally since Satrapi rejects the term “graphic novel” as pretentious.  To the end, she is grounded and funny, whether she is talking about American culture in Tehran in the 1970s or the personal challenges she faced as an artist working for the first time on film and being forced to collaborate with a huge group of people – a process she at first disliked, then came to appreciate. “Any intellectual and any artistic work, by definition, is an anti-fanatic work. Fanaticism presses on the button of emotion…When you make an intellectual and artistic work— when you don't pretend that you have the answers, but you only have questions to ask—when you make this work, for the person who listens to or reads you, not only do you ask them to be smart, but to work—to try to find the answers themselves.” Marjane Satrapi is an Iranian-born French graphic novelist, illustrator, film director, and children's book author. She was born in Iran in 1969 and grew up in Tehran in a middle-class Iranian family, attending the Lycee Francais until she left for Vienna and, later, Strasbourg to study Decorative Arts. She eventually moved to France, where she now lives with her husband, Mattias Ripa. Satrapi has worked on many graphic novels and animated films, but she attracted worldwide attention for her autobiographical comic series Persepolis. The work chronicles her childhood in Iran and her adolescence in Europe. In 2007, Persepolis was adapted into a critically acclaimed animated film of the same name that received over 25 major international award nominations and over 15 major international awards.

On this episode, Shadan is joined by Ben Miller to discuss the current state of the Oscars in a post-Cannes world! Now that we've seen the prestigious Cannes Film Festival play out, we can speculate with more insight on how things may shake out when it's all said and done. Obviously, there is a ton to see yet, but we wanted to talk further about where we stand now after the festival.  Visit https://insessionfilm.com/store for merch and more! Thanks for listening and be sure to subscribe! Become an ISF VIP today to get exclusive bonus content! Follow us on X/Twitter! @InSessionFilm | @ShadanLarki

Bon jour, and welcome to the show. It's another annual tradition on Time Sensitive where we take you to the French coast of the Mediterranean Sea and recap the world's most prominent and lavish film festival. In fact, this is our eighth Cannes recap on Time Sensitive.The 79th edition of the Cannes Film Festival, which ran from May 12 - 23, 2026, just closed with a controversial Palme d'Or winner, divided critical reception, and an industry increasingly grappling with AI's future.Check us out on...Twitter @TSMoviePodFacebook: Time SensitiveInstagram: @timesensitivepodcastGrab some Merch at TeePublicBig Heads Media  

Content de te revoir or Welcome back to an extended discussion of the 79th Cannes Film Festival! Nick and Sophia continue chatting about their experiences abroad including awarding many fun listener-submitted superlatives to films they both liked and loathed. They still mention In Competition films like they did on last week's recap, but they also shout out other unique selections from Un Certain Regard, Critics' Week, Directors' Fortnight, and Out of Competition Midnight films. Enjoy as they bid adieu to Cannes…for now! Follow us on Twitter, Instagram, Bluesky, and TikTok @oscarwildpodFollow Nick @sauerkraut27Follow Sophia @sophia_cimBecome a patron and listen to more content at patreon.com/OscarWild Find merch @ oscarwild.squarespace.comMusic: “The Greatest Adventure” by Jonathan Adamich

What is the Cannes Film Festival actually like? After my third trip to Cannes—and Alex Stewart's first—we're breaking down what surprised us, what nobody tells you before you go, and why Cannes is so different from what most people imagine. In this episode, we discuss: • What the Cannes Film Festival is really like for first-time attendees• Why Cannes isn't what most people expect• The unspoken rules and culture of navigating film festivals• Building relationships and opportunities in the entertainment industry• Visibility, celebrity, and what Cannes reveals about how fame actually works

Why were Laetitia Casta and Aishwarya Rai criticized for their appearance at the 2026 Cannes Film Festival?What starts as celebrity gossip quickly becomes a much bigger conversation about beauty standards, aging, body image, and social media. Because the more I looked at the comments coming out of Cannes, the more one question kept nagging at me:Did the tabloids disappear—or did we become them?Are. You. Ready?****************Sources & References:Andrejevic, Mark. iSpy: Surveillance and Power in the Interactive Era. University Press of Kansas, 2007.Andrejevic, Mark. Reality TV: The Work of Being Watched. Rowman & Littlefield, 2004.Berger, John. Ways of Seeing. Penguin Books, 1972.Bordo, Susan. Unbearable Weight: Feminism, Western Culture, and the Body. University of California Press, 1993.Dyer, Richard. Stars. British Film Institute, 1979.Festinger, Leon. “A Theory of Social Comparison Processes.” Human Relations, vol. 7, no. 2, 1954, pp. 117–140.Foucault, Michel. Discipline and Punish: The Birth of the Prison. Translated by Alan Sheridan. Vintage Books, 1977.Gamson, Joshua. Claims to Fame: Celebrity in Contemporary America. University of California Press, 1994.Marwick, Alice E. Status Update: Celebrity, Publicity, and Branding in the Social Media Age. Yale University Press, 2013.Mulvey, Laura. “Visual Pleasure and Narrative Cinema.” Screen, vol. 16, no. 3, 1975, pp. 6–18.Senft, Theresa M. Camgirls: Celebrity and Community in the Age of Social Networks. Peter Lang, 2008.Wolf, Naomi. The Beauty Myth: How Images of Beauty Are Used Against Women. William Morrow, 1991.Articles & Reporting:Arieux, Chloe B. “Laetitia Casta : insultes, grossophobie… ce qui s'est passé à Cannes choque.” Public, 29 May 2026.Reporting and commentary covering public reactions to Laetitia Casta and Aishwarya Rai Bachchan during the 2026 Cannes Film Festival, including discussions of ageism, body shaming, beauty standards, and social media scrutiny.****************Leave Us a 5* Rating, it helps the show!Apple Podcast:https://podcasts.apple.com/us/podcast/beauty-unlocked-the-podcast/id1522636282Spotify Podcast:https://open.spotify.com/show/37MLxC8eRob1D0ZcgcCorA****************Follow Us on TikTok & Subscribe to our YouTube Channel!YouTube:@beautyunlockedspodcasthourTikTok:tiktok.com/@beautyunlockedthepod****************Intro/Outro Music:“Fame Inc” by Savvier — https://icons8.com/music

Jessica and Jenn are diving into a full industry check-in before opening up the floor to listener questions.We kick things off with the latest SAG-AFTRA and AMPTP deal, breaking down some of the key gains for performers.Then we head to Cannes to talk about what the festival revealed about the current state of the film business, from the global marketplace to the types of projects making noise this year. The 2026 Cannes Film Festival ran May 12–23. We also get into the overnight success of Off Campus, Prime Video's buzzy new series based on Elle Kennedy's beloved book series, which reportedly pulled in 36 million viewers in its first 12 days and has already been renewed for Season 2. Plus, we announce our LA Summer Meet-Up!And then we jump headfirst into this month's Instagram-submitted Q&A, answering your questions about the casting process, actor materials, industry etiquette, and the stuff everyone wants to ask but doesn't always know how to say out loud. In this episode, we talk about:The latest SAG-AFTRA / AMPTP deal and what actors should knowKey union gains around AI, residuals, pensions, and castingCannes Film Festival takeawaysWhy Off Campus became such a fast breakoutOur upcoming LA Summer Meet-UpYour Instagram-submitted casting questionsActor strategy, etiquette, materials, and industry expectationsResources: THR The Indies Are Dying. Long Live the IndiesThe Hollywood-ification of BroadwayHollywood Shunned Cannes in 2026: What Will It Take for Studio Blockbusters and Netflix to Return?SAG-AFTRA Deal Stirs Concerns on Artificial Intelligence and PensionsNew AI Protections and a Merged Pension Plan: Inside SAG-AFTRA's Four-Year Deal With StudiosTribeca Festival Sets First Premiere of Fully AI-Generated Film, ‘Dreams of Violets'────────────────────────────⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stay Tuned with Tipsy Casting on IG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tipsy Casting YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jessica ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jenn ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Learn More About ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠& ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jenn's⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Casting

For Episode 494, I am joined by Sara Clements, Larry Fried, Will Mavity, and Tom O'Brien, as we deliver our preview for the 2026 Tribeca Festival. We also touch on the recent box-office successes of "Backrooms" and "Obsession," and what they mean for Hollywood moving forward. For this week's poll question, for the 2026 Tribeca Film Festival, we're asking everyone: “Which Films From The 2026 Tribeca Festival Are You Most Looking Forward To?” and reveal the winner of last week's poll question tied to the 2026 Cannes Film Festival, "Which Of The 2026 Cannes Film Festival Award Winners Are You Most Looking Forward To Seeing?" We also share our reactions to the trailers for "In The Hand Of Dante," "I Am Frankelda," answer your fan-submitted questions, and more! Thank you all for listening, subscribing, and supporting us. Enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to The Reel Schmooze with ToI film reviewer Jordan Hoffman and host Amanda Borschel-Dan, where we bring you all the entertainment news and film reviews a Jew can use. This week, we learn that famed actress and chanteuse Barbra Streisand received an honorary Palme D’Or at the Cannes Film Festival. Borschel-Dan, who is reading the artist's massive memoir, calls on all podcast fans to send in the names of their favorite Streisand films for a future episode. We then turn to the monumentally Jewish movie, "A Serious Man," written, produced, edited and directed by Joel and Ethan Coen in 2009. Set in 1967 Minnesota, the film focuses on the Gopnik family: father Larry, mother Judith, kids Danny and Sarah, and uncle Arthur. On the surface, the middle-class family appears to be merrily rolling along, anticipating Danny's approaching bar mitzvah. And then everything falls apart and it becomes a very funny retelling of the Book of Job. However, before the movie takes off, the audience is treated to a quote from the great rabbinic sage Rashi and is shown a Yiddish-only shtetl ghost story short -- just... because. Stay tuned for our duo's thoughts on the much-recommended Coen brothers' film, "A Serious Man." The Reel Schmooze is produced by Ari Schlacht and can be found wherever you get your podcasts.See omnystudio.com/listener for privacy information.

The great jazz saxophonist Sonny Rollins died Monday at the age of 95. He was known for his improvisation and technique, his full bodied sound that could erupt into grunts and brays, and his love of songs. Rollins said of improvising: “When I'm actually on the stage and performing, the optimum condition is not to think. I just want the music to play itself. I didn't want to have to think about it.” We listen back to Terry Gross's 1994 interview with Rollins. Also, jazz historian Kevin Whitehead pays tribute. Finally, critic Justin Chang tells us about the highlights from the Cannes Film Festival. See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

On this episode, Shadan is joined by Brandon Lewis to recap the 2026 Cannes Film Festival, the crazy discourse in its aftemath and what films will make an impact on this year's awards season! Visit https://insessionfilm.com/store for merch and more! Thanks for listening and be sure to subscribe! Become an ISF VIP today to get exclusive bonus content! Follow us on X/Twitter! @InSessionFilm | @ShadanLarki

A long time ago in a galaxy far, far away … we used to have good ‘Star Wars' movies. Before diving into ‘The Mandalorian and Grogu', Sean and Amanda give a final recap of their trip to the Cannes Film Festival, and cover a handful of movie news headlines they missed while they were overseas (2:28). Then, they are joined by ‘Star Wars' superfan Van Lathan to discuss who the movie was actually made for, why it doesn't feel special for one of cinema's biggest movie franchises, and how this film marks an end of an era for ‘Star Wars' at large (32:02). Finally, Sean is joined by Daniel Roher to discuss why he felt his new film ‘Tuner' was an exercise to prove to himself that he could broaden his horizons outside of the documentary genre (1:28:33). Hosts: Sean Fennessey and Amanda Dobbins Guests: Daniel Roher and Van Lathan Producer: Jack Sanders Production Support: Lucas Cavanagh Learn more about your ad choices. Visit podcastchoices.com/adchoices

Mark Christopher Lee is a UFOlogist, filmmaker, and author known for his deep investigations into extraterrestrial phenomena, hidden history, and government secrecy surrounding UFOs. His documentary work has earned international attention, including his film God Vs Aliens, which premiered at the prestigious Cannes Film Festival and explored the intersection of religion, ancient beliefs, and the possibility of extraterrestrial influence on humanity. Mark's latest documentary, The King Of UFOs, now streaming on Tubi, examines the long-rumoured Royal Family interest in UFOs and unexplained phenomena, uncovering fascinating connections and little-known historical accounts.Beyond filmmaking, Mark is also an accomplished author whose books dive even deeper into the UFO mystery, often drawing from unreleased documents, insider testimony, and years of dedicated research. Known for challenging mainstream narratives, his work blends investigative journalism with cinematic storytelling, making him a unique voice in the modern UFO community. Through his films, books, and media appearances, Mark continues to push for greater transparency and public discussion about the reality of UFO encounters and the unanswered questions surrounding humanity's place in the universe.Spaced Out Radio is your nightly source for alternative information, starting at 9pm Pacific, 12am Eastern.  We broadcast LIVE every night. #UFO #UAP #AlienDisclosure #UFOSightings #UFOCoverUp #Aliens #SpacedOutRadio #Paranormal #UFOCommunity #disclosure -------------------------------------------------------You can now join the Space Traveler's Club;Join us at  https://www.patreon.com/sor_space_travelers_club  --------------------------------------------------------Grab Our Latest Spaced Out Radio Gear At:http://spacedoutradio.com/shop  It's a great way to support our show!--------------------------------------------------------OUR LINKS:TWITTER: https://www.twitter.com/spacedoutradio   FACEBOOK:https://www.facebook.com/spacedoutradioshow  SPACED OUT RADIO - INSTAGRAM:https://www.instagram.com/spacedoutradioshow  DAVE SCOTT - INSTAGRAM:https://www.instagram.com/davescottsor   TWITCH: https://www.twitch.com/spacedoutradioshow  WEBSITE: http://www.spacedoutradio.comGUEST IDEAS OR QUESTIONS FOR SOR?Contact Klaus at bookings@spacedoutradio.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/spaced-out-radio--1657874/support.

On this week's Vogue & Amber: Vogue went to the Cannes Film Festival, discovered iced coffee, walked a red carpet, got humbled at a GQ afterparty and came home to a great club sandwich, whilst Amber spends an hour and a half researching rollerblades on a Saturday morning. Plus, the man who stole Beyoncé's music from her car has finally been found, Shakira is getting €55 million back and Katie Price's husband situation is getting more unhinged by the day, and the big news -Vogue and Amber are going to Center Parcs!Vogue & Amber is a Global production, available every Tuesday and Thursday on Global Player, YouTube or wherever you get your shows. Make sure you subscribe so you never miss an episode.Watch us on Youtube! CLICK HERE! or search Vogue & AmberRemember, if you want to get involved you can:Email us at vogueandamberpod@global.com OR find us on socials @voguewilliams, @ambrerosolero @vogueandamberpod

On this episode, inspired by the release of BACKROOMS this weekend, we discussed our Top 5 A24 movies! We also talk a little STAR WARS box office, FJORD winning this year's Palme d'Or at the Cannes Film Festival and JD gives us his thoughts on MICHAEL.  - Open / The Mandalorian Box Office (1:57) - Cannes Film Festival (20:23) - Michael 46:40) - Top 5 A24 Movies (1:00:39) Visit insessionfilm.dashery.com to support the show with InSession Film merch! Episode Sponsor: Plants vs Zombies: replanted - Follow us on social media for your chance to win a FREE code! Episode sponsor: koffeekult.com - Get 15% OFF with the code: ISF26 Thanks for listening and be sure to subscribe! Become an ISF VIP today to get exclusive bonus content! Follow us on Twitter! @InSessionFilm | @RealJDDuran | @BrendanJCassidy

President Trump says an agreement with Iran to end the war has been "largely negotiated", writing on social media that the deal will include the reopening of the Strait of Hormuz. Contradicting his statement, Iranian media reports say the vital waterway will remain under Tehran's control. Our North America correspondent assesses the latest claims. Also: US secret service agents kill a shooter who opened fire near a White House security checkpoint; the Pentagon releases a further batch of previously classified files on alleged UFO sightings; the latest on the Democratic Republic of Congo where more than 200 people have died in the current Ebola outbreak; a new law in Japan finally allows divorced couples to share custody of their children; and we hear about the Norwegian based film, Fjord - winner of this year's Palme d'Or at the Cannes Film Festival.

Bonjour NBP Film Community! For Episode 493, I am joined by Cody Dericks, Nadia Dalimonte, Dan Bayer, and Aaron Isenstein, as we are back home from the 79th Cannes Film Festival, ready to deliver Part 2 of our experience, including this year's award winners. We're going to touch on films from the festival including "Fjord," "La Bola Negra," "Hope," "Minotaur," "The Man I Love," "Coward," "Moulin," "The Unknown," "Her Private Hell," "Bitter Christmas," "Iron Boy," "The Dreamed Adventure," "I See Buildings Fall Like Lightning," "A Man Of His Time," "Everytime," "The Samurai And The Prisoner," "The End Of It," "Ben'imana" "Another Day," "Victorian Psycho," "Diamond," and more! For this week's poll question, to tie into the festival's award winners, we're asking everyone: “Which Of The 2026 Cannes Film Festival Award Winners Are You Most Looking Forward To Seeing?” and reveal the winner of last week's poll question, "Which Films From The 2026 Cannes Film Festival Are You Most Looking Forward To?" We also share our reactions to the trailers for "Victorian Psycho," “The Rivals Of Amziah King,” "Wildwood," "Couture," answer your fan-submitted questions, and more! Thank you all for listening, subscribing, and supporting us. Enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

US President Donald Trump has indicated that his country and Iran is getting ‘closer' to achieving a peace deal. He told CBS News that despite seeing a ceasefire draft with Iran, however, he would only sign off on a deal where the US gets ‘everything' it wants. The BBC's State Department correspondent breaks these developments down with us. Also in the programme: As the Ebola crisis in the DRC worsens, we hear the experience of one Sierra Leonean woman who contracted the virus back in 2014; and who's won the Palme d'Or award at this year's Cannes Film Festival?(Photo: US President Donald Trump. Credit: EPA/Shutterstock)

A number of Republicans have come out against Trump’s DOJ “anti-weaponization” fund. Mary Clare Jalonick of the Associated Press explains the backlash. A 3-year-old boy was killed after ICE detained his mother. The Washington Post’s  Maria Sacchetti explores the absence of standards to protect the children of detainees. Millions of Americans are driving out of town for the Memorial Day weekend. USA Today’s Keith Laing joins to discuss how the high gas prices are changing some travelers’ plans. Plus, a flight from Paris to the U.S. was diverted to Canada over Ebola concerns, a newly released report dissects how Democrats lost the 2024 election, and the Cannes Film Festival debuted a fully AI film. Today’s episode was hosted by Gideon Resnick.

Bonjour! Sean and Amanda recap their first trip to the legendary Cannes Film Festival, which has become an incredible bellwether for the Best Picture race over the last five to 10 years. First, they talk through what the actual experience at the festival is like, including how it logistically works, what the vibes are like, and how to survive (0:39). Then, they dive into the slate of films they've seen and categorize them into the good, the bad, and the WTF (24:29). Finally, they share their final predictions for all of the main prizes at the festival and briefly cover some potential Oscar implications (1:40:54). Hosts: Sean Fennessey and Amanda Dobbins Producer: Jack Sanders Production Support: Lucas Cavanagh and Sarah Reddy Learn more about your ad choices. Visit podcastchoices.com/adchoices

In front of an audience at Meta House during the Cannes Film Festival, the celebrated comedy actress reflects on how a bruising experience at 'SNL' inadvertently led to 'Seinfeld,' why 'Veep' was such a different and exciting acting challenge, and what led her to a new animated film in which she provides the voice of a wife and mother who is diagnosed with Alzheimer's disease. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Patches and Da7e convene in the War Room because Patches has A.I. concerns now that Google is giving into the bubble. Da7e saw Mandalorian and Grogu, and they talk about how little cultural impact it seems to be having. Da7e does not spoil any plot points or twists, so don’t worry! Then, David […]

Ukraine is winning, and a botox-bloated Putin looks like a dead-man walking. While the spineless MAGA right still tries to block aid, Ukrainian innovation has turned Russia's imperialist delusion into an embarrassing nightmare, as predicted on Gaslit Nation at the start of the full-scale invasion. Award-winning war reporter James Verini, author of The Theater: Courage and Survival in the Defining Atrocity of the Ukraine War, joins Gaslit Nation to discuss the desperation rattling Moscow. Putin wanted a grand Cold War rematch, but instead, he's trapped in a catastrophic, modern-day Afghanistan with a staggering one million Russian casualties. The reality the MAGA death cult and isolationists ignore? Ukraine is the true vanguard of global democracy. They are out-innovating Goliath with world-leading drone technology and defending the open society while MAGA lackeys play craven partisan games. Putin's radical, Dugin-fueled imperial ego has officially broken Russia, much like Trump's is breaking the U.S. To beat Big Tech censorship, subscribe to Gaslit Nation's Patreon at the Truth-Teller level or higher today. Thank you to everyone who supports the show and joins our lively Monday salons–recordngs are available, only on Patreon. EVENTS AT GASLIT NATION: Gaslit Nation Salons take place Mondays 4pm ET over Zoom and are recorded and shared on Patreon.com/Gaslit for our community New! There's now a California Signal Group for Gaslit Nation listeners to find each other and connect in that state. Join on Patreon.  The Gaslit Nation Outreach Committee discusses how to talk to the MAGA cult. Join on Patreon.  Minnesota Signal group for Gaslit Nation listeners in the state to find each other. Join on Patreon.  Vermont Signal group for Gaslit Nation listeners in the state to find each other. Join on Patreon.  Arizona-based listeners launched a Signal group for others in the state to connect. Join on Patreon.  Indiana-based listeners launched a Signal group for others in the state to join. Join in Patreon.  Florida-based listeners are going strong meeting in person. Be sure to join their Signal group, join on Patreon.  As always, keep it kind in our chat groups, extend grace and assume good faith. A culture of care is how we build a better world. Join our community of listeners and get bonus shows, ad free listening, group chats with other listeners, ways to shape the show, invites to exclusive events like our Monday political salons at 4pm ET over Zoom, and more! Discounted annual memberships are available. Become a Democracy Defender at Patreon.com/Gaslit Show Notes: Opening clip: Spanish actor Javier Bardem at the Cannes Film Festival, saying what needs to be said: https://bsky.app/profile/hannibal.bsky.social/post/3mm4eomatbk2t The Theater Courage and Survival in the Defining Atrocity of the Ukraine War By James Verini https://www.simonandschuster.com/books/The-Theater/James-Verini/9781668062203 Russia in No Mood for Celebration on Kremlin's Biggest Day of the Year: As the country heads into Victory Day, the economy is stalling, internet restrictions are growing and the Kremlin is fearing Ukrainian attacks. https://www.nytimes.com/2026/05/08/world/europe/russia-mood-victory-day.html?unlocked_article_code=1.jlA.mQvz.bsjmfvh1AxHe&smid=url-share Ukraine is forging the future of war: https://www.nytimes.com/2026/05/17/world/killer-robots-ukraine-ebola-qatar.html?unlocked_article_code=1.jlA.Tkdm.TaPFOgd0QcG8&smid=url-share Kyivan Rus, then and now: How has Russia distorted the history of Kyivan Rus? https://kyivindependent.com/kyivan-rus-then-and-now/ The men who could succeed Vladimir Putin https://theweek.com/feature/briefing/1024619/putins-potential-successors Democrats bypass Mike Johnson on Ukraine aid with GOP help https://www.axios.com/2026/05/13/ukraine-aid-discharge-petition-mike-johnson-kiley Putin health fears as Russian president appears at victory parade with 'swollen' face https://www.msn.com/en-us/health/other/putin-health-fears-as-russian-president-appears-at-victory-parade-with-swollen-face/ar-AA22ZIE7

In front of an audience in the Campari Lounge at the Cannes Film Festival, the Oscar-nominated German actress, who is in the midst of one of the great years in film history, reflects on her breakthrough roles in 'Toni Erdmann,' 'Anatomy of a Fall' and 'The Zone of Interest'; how she approaches art house projects, like those she accompanied to Berlin and Cannes this year, versus studio films, like her recent collab with Ryan Gosling; and why she is so excited for people to see Alejandro González Iñárritu's 'Digger,' in which she stars opposite Tom Cruise. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on Jam Session, Amanda joins Juliet live from Cannes as she gives us a deep dive into the 2026 Cannes Film Festival, including the inside scoop on which celebrities are in attendance and who has already made headlines (00:00). Next, the two talk about books and share some recent readings, including Belle Burden's 'Strangers: A Memoir of Marriage' (20:54). Finally, they dive into some celebrity news featuring Taylor Swift out and about (33:27), Jacob Elordi and Kendall Jenner spotted on vacation in Hawaii (38:51), and Millie Bobby Brown and husband Jake Bongiovi spotted with their daughter in a vintage bassinet stroller that must be discussed (42:34).Shop Pandora today, in-store or online at Pandora.net.Watch Only on PrimeHosts: Amanda Dobbins and Juliet LitmanProducers: Jade Whaley and Olivia Crerie Learn more about your ad choices. Visit podcastchoices.com/adchoices

Eddie Murphy won't let his kids work in showbiz until age 18. Cannes Film Festival is going on, and Sarah thinks Vinnie will love the animated surf movie that Netflix just bought. It's the famous kids graduation season! Angelina Jolie's daughter, Zahara Marley Jolie, graduated from college. Brad Pitt was nowhere to be found. Nick Cannon has double standards for his children. The 37% rule says this is how you should pick your partner. Bottom line, we should look up Vinnie's high school girlfriend.

Hour 1: Sarah is bringing back a long lost bit to annoy Vinnie. Detective Mark Fuhrman, infamous from the OJ Simpson trial, has passed away. America's 250th birthday is coming up, and Wheel of Fortune is celebrating! Let's eat some headlines: Amy Schumer's botched colonoscopy, Pete Davidson might be a deadbeat, Anderson Cooper is saying good-bye to 60 Minutes. Vinnie opens up about suffering from girl-orrhea. Imagine you had a magic watch that could stop time, what would you do? TSA says you can't bring liquids, but you can bring as many rotisserie chickens as you want! Where are we getting our pizza in bulk these days? Hour 2: What's the perfect amount of fame? Kylie Jenner arranged the double date of pop culture dreams. HBO already has to recast one of the Harry Potter kids. Sarah finds an excuse to say Milly Bobby Brown Jovi. Ebola, you don't want it. Scott Budman is on the show! Whether he knows it or not. Don't meet your heroes, unless it's Scott Budman. The verdict is in over Elon Musk V.s OpenAI, and it's really just about missing a deadline. Microsoft AI chief says in 18 months all white-collar work will be automated by AI. No wonder all the college graduates continue to boo. Hour 3: Eddie Murphy won't let his kids work in showbiz until age 18. Cannes Film Festival is going on, and Sarah thinks Vinnie will love the animated surf movie that Netflix just bought. It's the famous kids graduation season! Angelina Jolie's daughter, Zahara Marley Jolie, graduated from college. Brad Pitt was nowhere to be found. Nick Cannon has double standards for his children. The 37% rule says this is how you should pick your partner. Bottom line, we should look up Vinnie's high school girlfriend. Hour 4: BTS is playing in SF tonight - have fun! Spain said Shakira owes them $70 Million. Now they owe her. Ella Langley continues to make history on the Billboard charts. Tyler White from ‘Love on the Spectrum' released his first country music single. There's a new way to watch some of this year's biggest festivals from your couch. Bob won't give up on finding Vinnie's favorite ex-girlfriend. Matty has never been to Disney World! No wife, no problem. Plus, a story about a naked man and How Old Is That Guy?

15 years after its release, Adam and Josh return to the 1950s Waco of Terrence Malick’s The Tree of Life. They discuss Malick’s bold attempt to voice the divine, mapping the books of Job and Genesis onto his narrative, and his attempt to reconcile the beauty of creation with the reality of suffering. Plus, details about Filmspotting Fest II: 68 Weeks Later, and a new poll that attempts to gauge listeners' enthusiasm for the upcoming Mandalorian and Grogu. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes/chapters may not be precise with ads.) Intro (00:00:00-00:03:32) The Tree of Life at 15 (00:03:33-00:55:50) Filmspotting Family (00:55:51-01:00:07) Next Week / Cannes Film Festival (01:00:08-01:04:44) Polls (01:38:17-01:13:15) Credits / New Releases (01:13:16-01:17:20) Correction: -Adam actually saw The Thin Red Line upon its release in 1998, making it his first Malick. The New World, then, was the first Malick he got. Links: -Filmspotting Fest II: June 26-27, 2026 https://www.filmspotting.net/filmspotting-fest -Jake Cole on The Tree of Life https://letterboxd.com/jakepcole/film/the-tree-of-life-2011/ -Cannes Film Festival https://www.festival-cannes.com/en/ Feedback: -Email us at feedback@filmspotting.net⁠⁠. -⁠⁠⁠⁠Ask Us Anything⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access.https://filmspottingfamily.com -Filmspotting Shop for T-shirts and more.https://www.filmspotting.net/shop⁠⁠⁠ Follow: -Watch Filmspotting on YouTube: https://youtube.com/filmspotting -Adam/Filmspotting: Letterboxd | Instagram | Facebook | Bluesky -Josh/LarsenOnFilm: Letterboxd | Instagram | Facebook | BlueskySee omnystudio.com/listener for privacy information.

More than 70 MPs from Britain's governing Labour party have publicly called on the prime minister Keir Starmer to stand down, following disastrous local elections results. Several senior ministers have urged him to set a timetable for his departure. Earlier Keir Starmer insisted he would not quit, and would fight any leadership challenge. Also: Iran says it is ready to respond to any aggression, after President Trump dismissed its latest peace proposals and said the ceasefire was on "life support". Researchers are warning that increased ship traffic off South Africa, due to the closure of the Strait of Hormuz, is causing dangers for whales. Our correspondent returns home to Khartoum, which was battered during Sudan's civil war. The last remaining passengers are evacuated from the hantavirus-hit cruise ship, as the crew sets course for the Netherlands where it will dock for disinfection. We look at how AI centres are causing a shortage of memory chips, pushing up prices of tech products. The hugely popular online puzzle Wordle is being turned into a TV game show. And we're at the Cannes Film Festival with the inside track on movies to look out for this year.The Global News Podcast brings you the breaking news you need to hear, as it happens. Listen for the latest headlines and current affairs from around the world. Politics, economics, climate, business, technology, health – we cover it all with expert analysis and insight. Get the news that matters, delivered twice a day on weekdays and daily at weekends, plus special bonus episodes reacting to urgent breaking stories. Follow or subscribe now and never miss a moment. Get in touch: globalpodcast@bbc.co.uk

Louis Virtel is joined by Rheeqrheeq Chainey and Kyle Buchanan to break down the biggest moments from Monday night's Met Gala, dive into The Devil Wears Prada 2, unpack the 2026 Tony nominations, and preview what's ahead at this year's Cannes Film Festival.