Podcasts about collagist

Muriel Leung is a recipient of fellowships to Kundiman, VONA/Voices Workshop and the Community of Writers, and she has been nominated for the Pushcart Prize. Her writing can be found in The Baffler, Cream City Review, Gulf Coast, The Collagist, and the Fairy Tale Review, among others. Her first book of poetry, Bone Confetti, won the 2015 Noemi Press Book Award. Of it, one reviewer said, “It made the words into a bell, and the bell made me stop what I was doing.” I spoke to Muriel in 2021 about her poetry collection, Imagine Us, the Swarm, in which she explored racialized labor and the death of her father. In this episode, I talk to Muriel about her debut novel, How to Fall in Love in a Time of Unnameable Disaster, which came out this past October. It follows Mira, a 20-something queer woman living in a New York City beset by weekly acid rainstorms, as she moves in with her mother and grieves the death of her girlfriend, who refused to leave the deteriorating apartment they both shared.

In the latest Season 4 episode of the Rock is Lit Reading Series, author Thomas Calder takes us into the heart of his poignant novel, ‘The Wind Under the Door'. Set against the vibrant backdrop of contemporary Asheville and the majestic North Carolina mountains, the story follows Ford Carson as he navigates love, family, and artistic reinvention. At forty, Ford has forged a new life as a visual artist in the mountains of North Carolina. A chance meeting with Grace Burnett leads to a burgeoning love affair. But the romance is complicated by Grace's estranged husband and the unexpected arrival of Ford's own estranged son. Asheville's cultural and physical landscapes shape the narrative, with the music of Arcade Fire as an emotional and thematic thread woven throughout the story. Tune in to hear an excerpt from this beautifully nuanced story and gain insight into the creation of a book that, as Wiley Cash says, “is a love letter to our reckless hopeful moments and dangerous impulses.” Thomas Calder earned his MFA in creative writing from the University of Houston. His work has appeared in ‘Gulf Coast', ‘Miracle Monocle', ‘The Collagist', and elsewhere. He lives in Asheville, North Carolina with his wife, daughter, and dog. ‘The Wind Under the Door' is his debut novel.   MUSIC IN THE EPISODE IN ORDER OF APPEARANCE: Rock is Lit theme music [Guitar Instrumental Beat] Sad Rock [Free Use Music] Punch Deck—“I Can't Stop” Arcade Fire “Rococo” Arcade Fire “The Suburbs” Arcade Fire “Reflektor” Arcade Fire “Empty Room” [Guitar Instrumental Beat] Sad Rock [Free Use Music] Punch Deck—“I Can't Stop” Rock is Lit theme music   LINKS: Leave a rating and comment for Rock is Lit on Goodpods: https://goodpods.com/podcasts/rock-is-lit-212451 Leave a rating and comment for Rock is Lit on Apple Podcasts: https://podcasts.apple.com/us/podcast/rock-is-lit/id1642987350 Thomas Calder's website: https://www.thomas-calder.com/ Thomas Calder's playlist for ‘The Wind the Door': https://www.thomas-calder.com/new-page-3 Thomas Calder on Facebook: @ThomasCalder Thomas Calder on Instagram: @t.calder Christy Alexander Hallberg's website: www.christyalexanderhallberg.com Christy Alexander Hallberg on Twitter, Instagram & YouTube: @ChristyHallberg Rock is Lit on Instagram: @rockislitpodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 587: Today I am talking with Flanzella. She’s a collage artist from Toronto, Canada. She uses vintage & historical magazines & let me tell you, it is lush. We talk inspiration, we talk process, we talk business, we cover it all. All images used with permission. This episode is brought to you by: The post Check out my chat with Toronto based collagist, Flanzella appeared first on Let's Talk Art With Brooke.

On today's episode of The Lives of Writers, Teresa Carmody interviews Kristen E. Nelson.Kristen E. Nelson is a queer writer, performer, and community builder. In addition to In the Away Time (Autofocus Books, 2024), she is the author of the length of this gap (Damaged Goods, August 2018) and two chapbooks: sometimes I gets lost and is grateful for noises in the dark (Dancing Girl, 2017) and Write, Dad (Unthinkable Creatures, 2012). She has published creative and critical writing in Feminist Studies, Bombay Gin, Denver Quarterly, Drunken Boat, Tarpaulin Sky Journal, Trickhouse, and Everyday Genius, among others. Kristen is the founder of Casa Libre en la Solana, a non-profit writing center in Tucson, Arizona, where she worked as the Executive Director for 14 years and the co-founder of Four Queens with Selah Saterstrom. Kristen is currently a Ph.D. student and graduate student instructor at the University of California – Santa Cruz in the Literature Department's creative/critical writing concentration.Teresa Carmody's writing includes fiction, creative nonfiction, inter-arts collaborations, and hybrid forms. She is the author of three books and four chapbooks, including Maison Femme: a fiction (2015) and The Reconception of Marie (2020). Her work has appeared in The Collagist, LitHub, WHR, Two Serious Ladies, Diagram, St. Petersburg Review, Faultline, and was selected for the &NOW Awards: The Best Innovative Writing and by Entropy for its Best Online Articles and Essays list of 2019. Carmody is co-founding editor of Les Figues Press, an imprint of LARB Books in Los Angeles, and director of Stetson University's MFA of the Americas. Her forthcoming book A Healthy Interest in the Lives of Others is out early next year with Autofocus Books.____________Full conversation topics include:--  the first event for In the Away Time--  imperfect queer and trans narratives -- calling in community-- projects conceived in love--other voices in In the Away Time-- getting a PhD later in life-- hybridity and divinations-- the limits of the body-- constraint and the autobiographical-- the timescape of In the Away Time-- the roles we play in our own disasters-- autotheory and autoethnography-- knowing when the form is the form____________Podcast theme music provided by Mike Nagel, author of Duplex and Culdesac. Here's more of his project: Yeah Yeah Cool Cool.The Lives of Writers is edited and produced by Michael Wheaton, author of Home Movies.

Literary Journals: Do they really help you get your manuscript published? If you've wondered about this, guest Christine Ma-Kellams is here to share her experience as an author AND writer with multiple online publications. Also, take a look at how she builds dimensional characters by ensuring there's enough to root for--and against--on this episode of Am I Write?ResourcesTHE BANDWebsite: christinema-kellams.com@makellams (Twitter/Tiktok)@choppstixz (Instagram)About ChristineChristine Ma-Kellams a college professor, Harvard-trained cultural psychologist and writer whose fiction and essays have appeared in Prairie Schooner, the Kenyon Review, ZYZZYVA, the Rumpus, Catapult, Southern Humanities Review, Saturday Evening Post, the Rupture/the Collagist, the Wall Street Journal, Psychology Today and elsewhere. Two of her short stories were also nominated for the Pushcart Prize. Her empirical studies on culture and relationships have also been widely covered in GQ (Australia), Esquire (Middle East), Boston Globe, Vice News, Elle Magazine (UK), Yahoo News, MSN News, Fox News, New York Post, and Daily Mail. Her debut novel from Atria, The Band (April 2024), follows a cancelled Kpop boy bander who escapes by hiding in the McMansion of an unhappily married therapist with a Savior complex. In its indicting portrayal of mental health/public obsession/fandom/cancel culture, The Band considers how old tribal allegiances disrupt modern celebrity.

Christina Kallery is the author of Adult Night at Skate World and co-host of the Shadowlands paranormal podcast. Her poetry has appeared in The Collagist, Gargoyle, Failbetter, Rattle and Mudlark, among other publications and anthologies, including a forthcoming anthology about Detroit music. A graduate of the University of Michigan, she has served as submissions editor for Absinthe: A Journal of World Literature in Translation and poetry editor for Failbetter. She currently lives in Detroit. Find more on Christina here: https://www.christinakallery.com/ This eve of Halloween episode features a spooky open lines—dim the lights and have a creepy poem ready to share! Review the Rattlecast on iTunes! https://podcasts.apple.com/us/podcast/rattle-poetry/id1477377214 As always, we'll also include live open lines for responses to our weekly prompt or any other poems you'd like to share. A Zoom link will be provided in the chat window during the show before that segment begins. For links to all the past episodes, visit: https://www.rattle.com/rattlecast/ This Week's Prompt: Write a poem about one of your fears. Next Week's Prompt: Write a poem that features a shadow. The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.

What were you wearing in the ‘90s, Slushies? Sleeveless flannel and crochet? Paco Rabanne? We're beguiled by Emily Pulfer-Terino's poems on this episode as we discuss how she slides us back to the ‘90s. She has us sniffing magazine perfume inserts and marveling at the properly cranky voice she invokes for an epigraph, borrowed from Vogue's letters to the editor. What were we thinking wearing all those shreds? Only the girls on those glossy pages know for sure. For more context, check out Karina Longworth's excellent podcast, You Must Remember This, and her recent deep dive into the bonkers eroticism of the 1990s. Plus, Sentimental Garbage's episode on Dirty Dancing featuring Curtis Sittenfeld.  For a great collection of poems that draws its title from grunge-era jargon (kinda, sorta, wink, wink), we recommend a book we love by our pal Daniel Nester:  Harsh Realm: My 1990s.   This episode is brought to you by our sponsor Wilbur Records, who kindly introduced us to the artist is A.M.Mills whose song “Spaghetti with Loretta” now opens our show.    At the table: Jason Schneiderman, Marion Wrenn, Kathleen Volk Miller, Samantha Neugebauer, and Dagne Forrest     Emily Pulfer-Terino is a poet and writer whose work has appeared in Tupelo Quarterly, Hunger Mountain, The Collagist, The Southeast Review, Poetry Northwest, Stone Canoe, The Louisville Review, Juked, and other journals and anthologies. Her poetry chapbook, Stays the Heart, is published by Finishing Line Press. She has been a Tennessee Williams Poetry Scholar at the Sewanee Writers' Conference and has been granted a fellowship for creative nonfiction at the Vermont Studio Center. She holds an MFA in creative writing from Syracuse University, and she lives in Western Massachusetts.   Author website: http://emilypulferterino.com/ Instagram: @epulferterino Grunge & Glory “You're kidding. Tell me you're kidding. At least I'll know where to find my new wardrobe this year...in the nearest dumpster…talk about the Emperor's New Clothes. Tsk, tsk.”—(Letter to the Editor)[1]   What's more glorious than a girl in a field,  curled in the whorl of a deer bed, alfalfa    haloing her dreams of fashion magazines while she plies matted hay, untatting her world?   Bales score the landscape, parceling endlessness, parsing this solo tableau,   while her heroes wrench their music  into being in Seattle, gray, time zones away.   What's grunge if not her dense crochet of castoff couture curated from dumpsters   and worn with a frisson of pride and shame:  flowering nightgown, old ski boots, sweater    turned lace in places by moths and age? And this field like where models pose   in Vogue, each page itself a piece of land and an ethos framed inside a storyboard.     Scala Naturae   Like prying pods of milkweed                so those astral seeds effuse—   unseaming magazine ads for perfume.                Anointing my wrists with scented glue,    running each over the edge of a page,                testing scents I aspired to buy   and classifying my olfactory taxonomy.               Grass evoked the world I'd known   with hints of rain and magnolia               slight as fog above an unmown field.   DNA's rosemary, oakmoss, and mint,               ancient and clear as purpose; glass    spiraled bottle signifying sentience                and enduring iteration. Both    ethereal and hyperreal, Destiny                offered apricots, orchids, and roses--   bottle opaque as an eyelid,                veil of petals sheer as promise.   Samsara was amber, sandalwood,                ylang ylang, peach. Syllabically lulling,    its s and a extending, repeating, suggesting               endlessness. Cycle of birth and death   rebranded as serenity in ongoingness.                Angel's burst of praline and patchouli   lit the crystal facets of that star,               making heaven of my pulse and ordinary air.   [1]  Wynne Bittlinger, letter to the editor in Vogue US, February 1993  

There is one thing that Lina Chern and I can wholeheartedly agree on and that's the importance of having fun during the writing process. If what you are writing isn't bringing you joy then, chances are, you aren't going to want to see it through. It took Lina a long time to find the joy in writing her debut novel, but when she did things changed for the better! Meet Lina Chern Lina Chern is an author who has had her crime fiction published in Mystery Weekly, The Marlboro Review, The Bellingham Review, Rhino, The Collagist, Black Fox Literary Magazine, and The Coil. She is a Pitch Wars alum and joined me on Uncorking a Story to talk about her debut novel, Play the Fool.  Key Topics: Why writing a novel isn't always a linear process. The importance of getting some “wind in your sails” to keep your encouragement up. Why the support of a partner is critical for parents looking to write a novel. The role of fun in the writing process. Why new authors should not expect to be good right off the bat. How Lina manages writer's block. Buy Play the Fool Amazon: https://amzn.to/3jNQ7sj Bookshop.org: https://bookshop.org/a/54587/9780593500668 Connect With Lina Website: https://www.linachern.com/ Twitter: https://twitter.com/ChernLina Instagram: https://www.instagram.com/linachernwrites/ LinkedIn: https://www.linkedin.com/in/lina-chern-162a4b8/ Goodreads: https://www.goodreads.com/author/show/16168786.Lina_Chern?from_search=true&from_srp=true Connect with Mike Website: https://uncorkingastory.com/ Youtube: https://www.youtube.com/channel/UCSvS4fuG3L1JMZeOyHvfk_g Instagram: https://www.instagram.com/uncorkingastory/ TikTok: https://www.tiktok.com/@uncorkingastory Twitter: https://twitter.com/uncorkingastory Facebook: https://www.facebook.com/uncorkingastory LinkedIn: https://www.linkedin.com/company/uncorking-a-story/ If you like this episode, please share it with a friend. If you have not done so already, please rate and review Uncorking a Story on Apple Podcasts, or wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Idries Karnachi, an architect and collage art maker, shares with us his story growing up around the cities of Morocco, with Parents moving around the country and an international journey breaking out of the ''Bubble'', discovering the similarities and differences between people of earth to end up back to Morocco as an Artis. With .limited connections but a clear vision, Idries arrives to embrace Moroccan beauty through collage while also co-founding an international architect studio Noss-Noss. All the setbacks of having to choose engineering and facing different realities, unlearning all that has been anchored in us about others, ourselves, and the options we have, Idries is a living example of how change is possible and how Morocco, unlike the narrative we are told, is full of potential and can become a better place. Books: Tahar benjelloun ; Au Pays, Au plus beau pays du monde , enfants de sable Join us on: Instagram LinkedIn --- Send in a voice message: https://podcasters.spotify.com/pod/show/sara-zri/message

Jill Allyn Stafford is a a Collagist, Photographer, Curator, and a genuinely amazing human being. Find her on Instagram at @Jillallynstaffordcollage

Join Maya Marshall and special guests for a celebration of her new book All the Blood Involved in Love. All the Blood Involved in Love is an urgent and evocative collection—featuring complex and compelling poems about the choices we make surrounding home, freedom, healing, partnership, and family. In a moment of critical struggle for reproductive justice, Maya Marshall's haunting debut meditates on womanhood—with and without motherhood. Traversing familial mythography with an unflinching seriousness, Marshall moves deftly between contemporary politics, the stakes of race and interracial partnership, and the monetary, mental, and physical costs of adopting or birthing a Black child. Get All the Blood Involved in Love from Haymarket: https://www.haymarketbooks.org/books/1884-all-the-blood-involved-in-love --------------------------------------------------------------------- Speakers: Maya Marshall, a writer and editor, is cofounder of underbellymag.com, the journal on the practical magic of poetic revision. As an educator, Marshall has taught at Northwestern University and Loyola University Chicago. She holds fellowships from MacDowell, Vermont Studio Center, Callaloo, The Watering Hole, Community of Writers, and Cave Canem. She is the author of Secondhand (Dancing Girl Press, 2016). Her writing appears in Best New Poets 2019, Muzzle, RHINO, Potomac Review, Blackbird, and elsewhere. All the Blood Involved in Love is Marshall's debut poetry collection with Haymarket Books. Destiny O. Birdsong is a poet, novelist, and essayist whose work has appeared in the Paris Review Daily, African American Review, and Catapult, among other publications. Her debut poetry collection, Negotiations, was published in 2020 by Tin House and was longlisted for the 2021 PEN/Voelcker Award. Her debut novel, Nobody's Magic, was published in February 2022 from Grand Central Publishing. Tarfia Faizullah was born in Brooklyn, New York, and raised in Texas. She is the author of Registers of Illuminated Villages (Graywolf Press, 2018) and Seam (Southern Illinois University Press, 2014). She lives in Dallas, Texas. Aricka Foreman is an American poet and interdisciplinary writer from Detroit, MI. She is the author of the chapbook Dream with a Glass Chamber, and Salt Body Shimmer (YesYes Books) winner of the 2021 Lambda Literary Award for Bisexual Poetry. She has earned fellowships from Cave Canem, Callaloo, and the Millay Colony. Aricka lives in Chicago and works as a publicist at Haymarket Books. Nicole Homer is an Associate Professor of English at a community college in Central New Jersey. They are a poet, writer, and performer whose work can be found in the American Academy of Poets Poem-a-Day, Muzzle, The Offing, Rattle, The Collagist and elsewhere. A fellow of The Watering Hole, Callaloo and VONA, Nicole serves as a Contributing Editor at BlackNerdProblems writing pop culture critique through a POC lens. Their award-winning collection, Pecking Order (Write Bloody) is an unflinching look at how race and gender politics play out in the domestic sphere. Natasha Oladokun (she/her) is a poet and essayist. She holds fellowships from Cave Canem, the Virginia Center for Creative Arts, the Jackson Center for Creative Writing, Twelve Literary Arts, and the University of Wisconsin-Madison, where she was the inaugural First Wave Poetry fellow. Her work has appeared in the American Poetry Review, The Academy of American Poets, Harvard Review Online, and Kenyon Review Online. You can read her column The PettyCoat Chronicles—on pop culture and period dramas—at Catapult. She is Associate Poetry Editor at storySouth, and currently lives in Madison, WI. Watch the live event recording: https://youtu.be/qFVhGJYqI98 Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks

ABOUT THE AUTHOR Jill Stukenberg's novel News of the Air (previously titled Labor Day) was selected as the 2021 winner of the Big Moose prize from Black Lawrence Press and will be published in fall 2022. Her short stories have appeared in Midwestern Gothic, The Collagist (now The Rupture), The Florida Review, and other literary magazines. An Associate Professor of English at the University of Wisconsin-Stevens Point, she has published in the area of creative writing pedagogy and has over twenty years of experience as a writing teacher. (Photo credit: Emma Whitman) ABOUT THE BOOK - NEWS OF THE AIR Allie Krane is heavily pregnant when she and her husband flee urban life after a rash of eco-terrorism breaks out in their city. They reinvent themselves as the proprietors of a northwoods fishing resort, where they live in relative peace for nearly two decades. That is, until two strange children arrive by canoe. Like the small ecological disasters lapping yearly at their shore, have the problems of the modern world finally found Allie, her husband, and their troubled cypher of a teenage daughter? This eco-novel of a family, told from three points of view, explores how we remake our lives once we open our hearts to all the news we've chosen to ignore.

On the upcoming episode of Normalize This Sh!t, Dr. Moffitt is joined by his good friend Dr. Duncan B Barlow to talk about creativity, mental illness, and Dr. Moffitt's favorite topic: writing. About Duncan: he is the author of A Dog Between Us (Stalking Horse 2019), The City, Awake (Stalking Horse 2017), Of Flesh and Fur (The Cupboard 2016), and Super Cell Anemia (2008). His work has appeared in The Denver Quarterly, The Collagist, Banango Street, The Fanzine, Sleeping Fish, Word Riot, The Apeiron Review, Meat for Tea, Matter Press, and Masque and Spectacle. He teaches creative writing and publishing at the University of South Dakota, where he is publisher at Astrophil Press and the managing editor at South Dakota Review. He has also edited for Tarpaulin Sky and The Bombay Gin, among others. Before writing, duncan b. barlow was a touring musician who played with Endpoint, By The Grace of God, Guilt, the aasee lake, The Lull Account, Good Riddance, and many more. His interviews about music and subculture have been published in academic texts, books, and magazines such as: Straight Edge: Clean-Living Youth, Hardcore Punk, and Social Change on Rutgers University Press, We Owe You Nothing: Punk Planet Collected Interviews on Akashic, and Burning Fight on Revelation Records. Check out his website here: https://www.duncanbbarlow.com --- Support this podcast: https://anchor.fm/normalizethisshit/support

Episode 209: Today I chat with uber-collage artist, John Miles. [who I also chatted with on episode 206]. We talk about the intricacies and science of collage, why they call him Trey, and why he doesn’t want to be Romare Bearden. All images used with permission. #art, #artistchat, #artpodcast, #johnmilesart, #collageart, #inspiration, #fineart, #originalart, #wallart […] The post My chat with Charlotte collagist John [Trey] Miles appeared first on Let's Talk Art With Brooke.

Mike Meginnis is the author of the novel Drowning Practice (Ecco Books). It is the official March pick of The Nervous Breakdown Book Club. Meginnis is also the author of the novel Fat Man and Little Boy. His fiction has appeared in The Best American Short Stories 2012, Unstuck, The Collagist, PANK, Hayden's Ferry Review, and many other outlets. He lives and works in Iowa City. *** Otherppl with Brad Listi is a weekly literary podcast featuring in-depth interviews with today's leading writers. Launched in 2011. Books. Literature. Writing. Publishing. Authors. Screenwriters. Etc. Available where podcasts are available: Apple Podcasts, Spotify, Stitcher, iHeart Radio, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch @otherppl Instagram  YouTube Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

Michael Bazzett is a poet and teacher. His work has appeared in The Sun, Ploughshares, Linebreak, West Branch, The Collagist, Sixth Finch and 32 Poems, among others. He has written collections of poetry, some of which include Our Lands Are Not So Different, The Interrogation, The Temple, and The Echo Chamber. He also published a translation of The Popol Vuh. Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 97 Notes and Links to Kyle Beachy's Work        On Episode 97 of The Chills at Will Podcast, Pete welcomes Kyle Beachy, and the two talk about impactful childhood and adolescent experiences, both recreationally and involving reading, his formational days at the university school paper, his meeting with David Foster Wallace and his relationship to the latter's work, his first novel, Slide, the myriad intricacies of skateboarding culture and its evolution, and existential questions that govern the critically-acclaimed The Most Fun Thing.         Kyle Beachy‘s first novel, The Slide (Dial Press, 2009), won The Chicago Reader's Best Book by a Chicago Author reader's choice award for the year. His short fiction has appeared in journals including Fanzine, Pank, Hobart, Juked, The Collagist, 5 Chapters, and others. His writing on skateboarding has appeared in The Point, The American Reader, The Chicagoan, Free Skateboard Magazine (UK & Europe), The Skateboard Mag (US), Jenkem, Deadspin, and The Classical. He teaches at Roosevelt University in Chicago and is a co-host on the skateboarding podcast Vent City with pro skater Ryan Lay and others. His newest book was released in 2021 to rave reviews-the book is The Most Fun Thing: Dispatches from a Skating Life.   Buy Kyle Beachy's Books   Chicago Reader Review of Kyle's The Most Fun Thing   “A Interview with Kyle Beachy”-regarding Slide -from 2009-Hobart Pulp   The Most Fun Thing Featured with NPR's “12 books NPR staffers loved in 2021 that might surprise you”-by Mia Estrada At about 2:20, Pete and Kyle jump right into the important topics: Was the remix better than the original for “Flava in Ya Ear”    At about 4:00, Kyle responds to Pete's questions about his early relationship with reading and language   At about 7:00, Pete asks Kyle about the balance between the philosophical and the realistic as he got into adolescence, and Kyle responds with how these ideas impacted him and his reading/skating   At about 10:00, Kyle discusses his attitude toward realism and how it plays out (or doesn't) in his writing process    At about 12:30, Pete wonders about any “ ‘Eureka' moments” in Kyle becoming a writer, and he references his incredible Pomona College student newspaper editor, David Roth, as well as Kyle's embrace of 90s hip hop styles   At about 16:00, Pete wonders about chill-inducing writers for Kyle, who shouts his “ravenous” reading after college, including John Barth, Murakami, Denis Johnson, David Foster Wallace, and Don DeLillo; later reading brought out Joan Didion, Marilyn Robinson, Annie Dillard   At about 19:00, Kyle details his career as a professor/teacher, and Pete and Kyle wax nostalgic about being “young, cool teachers”   At about 21:00, Kyle talks about how he does (or does not) use skateboarding and his personal experience in the classroom   At about 24:45, Pete wonders how Kyle would identify himself-as a “novelist?”   At about 26:50, Kyle summarizes and discusses seeds for his first book, Slide, including how Jonathan Franzen's The Corrections informed the work   At about 30:00, Pete and Kyle begin talking about Kyle's recent critically-acclaimed The Most Fun, and Kyle shouts out texts that informed his, like Iain Borden's Skateboarding and the City   At about 33:45, Kyle explains his understanding of why skateboarding hasn't necessarily been “put under the microscope” too often before   At about 35:30, Kyle discusses exciting and fast-moving changes in the last decade in skateboarding scholarship   At about 36:20, Pete compliments the book as “unclassifiable” and masterful in so many ways, and Kyle responds by talking about the particular challenges of writing about skateboarding    At about 40:15, Pete shouts out Kyle's thoughtful comments as shared on the excellent writer's podcast, “I'm a Writer But…”   At about 41:55, Kyle muses about what skateboarding is and what it isn't, as described through the book   At about 45:00, Pete shouts out one of many skillful lines from Kyle's book, and Pete details his first (and only) skateboarding incident; this    At about 49:30, Pete asks Kyle about the word at the center of his book title, as well as parallels between David Foster Wallace's work, Infinite Jest, and Kyle's recent work   At about 50:50, Kyle details the time he met David Foster Wallace   At about 53:25, Pete and Kyle nerd out over one of DFW's pieces, “The View from Mrs. Thompson's,” as well as the stunningly-good “A Supposedly Fun Thing…”   At about 56:20, Pete shares a chill-inducing final line from Wallace's work   At about 57:00, Kyle discusses the troublesome fandom of “Wallaceheads” and how he endeavors to “foreground” the info when discussing Wallace's work in his classes   At about 58:50, Pete recounts a profound quote from Kyle's book involving his meeting DFW, and Kyle explains his usage of “equipped” and the “real costs” that can come with the writing life   At about 1:00:15, Kyle shouts out great storytellers like Danny Khalastchi   At about 1:02:00, Pete and Kyle recount examples of writers (like Kyle) who actually have fun writing, and Pete asks Kyle if he can detect writers (he notes Anne Carson and Christian TeBordo) who have a good time   At about 1:05:00, Kyle discusses the ever-evolving balance needed to figure out competitiveness in his writing life    At about 1:06:15 Pete asks Kyle about nostalgia in skateboarding and the balance between celebrating history while being open to new developments   At about 1:12:00, Pete and Kyle discuss the evolving demographics of skateboarding, the furor over Jason Jessee's racist comments, and Kyle's written response   At about 1:13:30, Kyle discusses the evolving and more inclusive skateboarding culture of the last ten years or so, including Chandler Burton and Matt King's important work   At about 1:17:20, Kyle responds to Pete's musings about hip hop culture and possible appropriation by skateboarding   At about 1:18:15, Pete asks Kyle about his skating “end date” and its implications   At about 1:21:15, Pete reads some masterful and profound lines from the book       You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.       This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.      The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.       Pete is excited to share Episode 98 on January 4, with guest Greg Bishop. Greg is a senior writer for Sports Illustrated whose feature subjects have ranged from Ricky Williams to Adrian Peterson to Aaron Rodgers. He spent time as the Jets beat writer for the New York Times and the Seahawks beat writer for the Seattle Times.

Episode 96 Notes and Links to Frank Guridy's Work           On Episode 96 of The Chills at Will Podcast, Pete welcomes Dr. Frank A. Guridy, and the two discuss, among other topics, his childhood in New York City and his early love of history, fostered by his parents and directly and indirectly based on his family's immigration stories, his early and lasting introductions to influential writers and professors, as well as his book on African diasporas and connections to Cuba. The two spend the bulk of the interview discussing Frank's latest book on Texas and its “sports revolution.”       Frank A. Guridy specializes in sport history, urban history, and the history of American social movements. His recent book, The Sports Revolution: How Texas Changed the Culture of American Athletics (University of Texas Press, 2021) explores how Texas-based sports entrepreneurs and athletes from marginalized backgrounds transformed American sporting culture during the 1960s and 1970s, the highpoint of the Black Freedom and Second-Wave feminist movements. His first book, Forging Diaspora: Afro-Cubans and African Americans in a World of Empire and Jim Crow (University of North Carolina Press, 2010), won the Elsa Goveia Book Prize from the Association of Caribbean Historians and the Wesley-Logan Book Prize, conferred by the American Historical Association. He is also the co-editor of Beyond el Barrio: Everyday Life in Latino/a America (NYU Press, 2010), with Gina Pérez and Adrian Burgos, Jr. His articles have appeared in Kalfou, Radical History Review, Caribbean Studies, Social Text, and Cuban Studies. His fellowships and awards include the Scholar in Residence Fellowship at the Schomburg Center for Research in Black Culture and the Ray A. Billington Professorship in American History at Occidental College and the Huntington Library. He is also an award-winning teacher, receiving the Regents' Outstanding Teaching Award from the University of Texas at Austin, and, more recently, the Mark Van Doren Award for Teaching at Columbia. His current book project, Between Conflict and Community: The Stadium in American Life, tells the story of the American stadium as a community institution that has been a battleground for social justice since its inception. Buy Frank Guridy's Books   Frank Guridy's Columbia University Home Page   Review of Forging Diaspora: Afro-Cubans and African Americans in a World of Empire and Jim Crow   Kirkus' Reviews Review for THE SPORTS REVOLUTION: HOW TEXAS CHANGED THE CULTURE OF AMERICAN ATHLETICS At about 2:50, Frank talks about his early relationship with languages, his parents as immigrants and/or bilingual and symbolism-as seen through reading and listening to The Bible   At about 8:10, Frank talks about the “Trujillo legacy as profound” in his family, as well as how his family's history impacted his decision to become a historian   At about 10:00, Pete and Frank talk about historical traumas and troubles in reconstructing some histories, and the two discuss infamous incidents in Trujillo's dictatorship, including the pivotal word “perejil”   At about 13:05, Frank responds to Pete's question about his early reading habits; Frank describes an early penchant for nonfiction/history, including sports biographies-Giant Steps by Kareem Abdul-Jabbar was one that “really spoke to [him]”   At about 16:35, Frank describes the unique and impressive reading culture of New York City, as well as how the subway served as a microcosm of NYC life-Frank calls it a “great place of learning”   At about 18:30, Pete wonders about any moments of discovery for Frank as he became someone who would read and write and study history for a living   At about 20:20, Frank recounts Horace Campbell's intriguing and creative teaching that involved Rastafarianism and pulled Frank in as a future historian; he also cites other inspiring works from Angela Davis, Walter Rodney, C.L.R. James, and many others   At about 23:15, Frank explains his understanding of Bob Marley and Rastafarianism and the religious symbolism and history of the music and the cultures   At about 25:00, Pete asks about Frank's ideas of representation in what he read from childhood into college   At about 27:55, Pete asks about Frank's take on “publish or perish” in 2021   At about 31:00, Pete asks about the “seeds” for his first book, Forging Diaspora: Afro-Cubans and African Americans in a World of Empire and Jim Crow At about 35:00, Frank gives background on the term “diaspora” and its connection to his work   At about 37:30, Frank talks about how sports advanced the end of the color line in baseball and other sports, with a particular focus on Cuba and the Caribbean; he also shouts out Adrian Burgos' Cuban Star   At about 41:10, Pete wonders about the genesis of his latest book, The Sports Revolution: How Texas Changed the Culture of American Athletics   At about 46:00, Pete notes how the book's form, in eight chapters, is reminiscent of Sam Quinones' True Tales from Another México in its scope and cohesiveness    At about 46:40, Pete uses the book's opening as a springboard    At about 47:30, Frank discusses some ideas of the book's thesis including the book's first chapter, which deals with early integration   At about 49:30, Frank responds to Pete's question about motives for integration among Houston and Texas' sports teams, drawing on history and contemporary connections    At about 52:50, Pete and Frank discuss the unfair and outsized expectations, burdens, and consequences for the “first” to integrate-Jackie Robinson, for one, and Jerry LeVias of SMU, “who lost the ability to feel” (watch the moving video interview here)   At about 56:20, Pete notes the intriguing stories told in the book about the Baseline Bums of the 1970s San Antonio Spurs and the incredibly-underpaid Cowboys' Cheerleaders   At about 57:40, Frank discusses Bobby Riggs and the famous (infamous?) “Battle of the Sexes” tennis match, including the cigarette industry's involvement, and innovators and visionaries like Gladys Heldman   At about 1:02:10, Pete and Frank discuss the importance of Houston and Phi Slamma Jamma's impact and the book's Epilogue, as the revolution was “undone,” particularly by business interests   At about 1:04:40, Frank explains a mission of his in writing the book: giving a more well-rounded and nuanced view of Texas    At about 1:05:35, Pete outlines an powerful essay, written by Dan Treadway, and that Pete has taught in his English classroom, that juxtaposes The University of Texas' Asian Studies Program and its football program   At about 1:07:35, Frank discusses his upcoming book on the importance of stadiums in society, to be published by Basic Books   At about 1:09:00, Frank gives out his contact info     You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.     This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com. Please tune in for the next episode, a conversation with Kyle Beachy. Kyle Beachy‘s first novel, The Slide (Dial Press, 2009), won The Chicago Reader's Best Book by a Chicago Author reader's choice award for the year. His short fiction has appeared in journals including Fanzine, Pank, Hobart, Juked, The Collagist, 5 Chapters, and others. His writing on skateboarding has appeared in The Point, The American Reader, The Chicagoan, Free Skateboard Magazine (UK & Europe), The Skateboard Mag (US), Jenkem, Deadspin, and The Classical. He teaches at Roosevelt University in Chicago and is a co-host on the skateboarding podcast Vent City with pro skater Ryan Lay and others. His newest book was released in 2021 to rave reviews-the book is The Most Fun Thing: Dispatches from a Skating Life. The episode with Kyle Beachy will air on December 28.

Lindsay Merbaum (she/her) is a queer feminist author and high priestess of home mixology. After graduating from Sarah Lawrence College, she earned her MFA in Fiction from Brooklyn College, where she was a recipient of the Himan Brown Award. Her award-nominated short fiction has appeared in PANK, Anomalous Press, The Collagist, Epiphany, Gargoyle, Day One, Harpur Palate, and Hobart, among others. Her essays and interviews can also be found in Electric Literature, Bustle, Bitch Media, The Rumpus, and more. Lindsay lives in Michigan with her partner and cats. THE GOLD PERSIMMON is her first novel. Follow Lindsay on Instagram: @pickyourpotions - be. (bewomn.com) is a newsletter & community here to empower women and non-binary people to step into their collective experience and share what makes theirs different and the same. Subscribe to our newsletter here: https://campsite.bio/bewomn Follow us on Instagram: @be.womn Follow us on Twitter: @bewomn

In this episode, writers Mike Meginnis and David Burr Gerrard join host Catherine Nichols to discuss Patricia Highsmith's 1950 novel Strangers on a Train. In the novel, two characters, Guy and Bruno, meet on a train; each have someone they would like to see murdered. Bruno offers to kill Guy's estranged wife, Miriam, in exchange for Guy killing Bruno's father. Guy doesn't agree, but Bruno kills Miriam anyway, and then expects to be paid back in murder. The conversation touches on the homoeroticism in the novel, how it deals with blurred identity, and how it expresses Highsmith's identification with monsters. Mike Meginnis is the author of the forthcoming Drowning Practice (2022, Ecco) and Fat Man and Little Boy (2014, Black Balloon). His short fiction and essays have appeared in Hobart, PANK, The Lifted Brow, Recommended Reading, Booth, The Pinch, The Collagist, The Sycamore Review, Fanzine, American Book Review, and Writer's Digest. His story "Navigators" appeared in Best American Short Stories 2012. He lives and works in Iowa City. David Burr Gerrard is the author of THE EPIPHANY MACHINE (G.P. Putnam's Sons, 2017) and SHORT CENTURY (Rare Bird, 2014). He teaches creative writing at the 92nd Street Y, The New School, The Yale Writers' Workshop, Catapult, and the Sackett Street Writers' Workshop. Learn more about your ad choices. Visit megaphone.fm/adchoices

https://thetalkingbook.org/mira-corpora JEFF JACKSON is a novelist, playwright, visual artist, and songwriter. His second novel Destroy All Monsters was published by Farrar, Straus & Giroux in Fall 2018. It received advanced praise from Don DeLillo, Janet Fitch, Dana Spiotta, Ben Marcus, and Dennis Cooper. His novella Novi Sad was published as a limited edition art book and selected for “Best of 2016” lists in Vice, Lit Reactor, and Entropy. His first novel Mira Corpora, published in 2013, was a Finalist for the Los Angeles Times Book Prize and featured on numerous "Best of the Year" lists, including Slate, Salon, The New Statesman, and Flavorwire. His short fiction has appeared in Guernica, Vice, New York Tyrant, and The Collagist and been performed in New York and Los Angeles by New River Dramatists.

Muriel Leung is a recipient of fellowships to Kundiman, VONA/Voices Workshop and the Community of Writers, and she has been nominated for the Pushcart Prize. Her writing can be found in The Baffler, Cream City Review, Gulf Coast, The Collagist, and the Fairy Tale Review, among others. Her first book of poetry, Bone Confetti, won the 2015 Noemi Press Book Award. Of it, one reviewer said, “It made the words into a bell, and the bell made me stop what I was doing.” In this episode, I talk to Muriel about her newest collection, Imagine Us, The Swarm, which comes out on May 25th. Our conversation spans the death of her father, racialized labor, and what these things mean in the context of capitalism.

This week, Wes and Todd talk with Artist, Joey Kerlin. Joey talks about the catalyst that set him on his path in art, getting his BFA in Ceramics and a second degree in Philosophy, being a full-time Artist, teaching in De Beque and Parachute, Colorado, becoming homeless, art as therapy, pie, Shepard Fairey, the Toaster Crew, art as connection, philosophy and art, collage at the forefront of contemporary art, art appropriation, Olivia Gude, process, Sol Lewitt, the Toaster Crew, pricing, and leaves us with a quote from Oscar Wilde.Join us for a philosophical conversation about art and collage with Joey Kerlin.Follow Joey Kerlin on Social Media:Instagram - www.instagram.com/radiusstudios/@radiusstudiosYou can inquire about Joey’s work, directly through him on Instagram or through the BRDG Project in the Historic Zang Building at 1553 Platte Street, Unit 100, Denver, CO 80202

Episode 166: Today I talk art with Charlotte artist, Adrianna Button about her fabulous collages. We talk about Inspiration, transplanting from the North, waking up early, routines, Kara Walker, Romare Bearden and much more. All images used with permission. Featured image is Ama-no-Uzume 12”x12” Cut paper collage This episode is brought to you by: The post Charlotte Collagist, Adrianna Button appeared first on Let's Talk Art With Brooke.

JEFF JACKSON is a novelist, playwright, visual artist, and songwriter. His second novel Destroy All Monsters was published by Farrar, Straus & Giroux in Fall 2018. It received advanced praise from Don DeLillo, Janet Fitch, Dana Spiotta, Ben Marcus, and Dennis Cooper. His novella Novi Sad was published as a limited edition art book and selected for “Best of 2016” lists in Vice, Lit Reactor, and Entropy. His first novel Mira Corpora, published in 2013, was a Finalist for the Los Angeles Times Book Prize and featured on numerous "Best of the Year" lists, including Slate, Salon, The New Statesman, and Flavorwire. His short fiction has appeared in Guernica, Vice, New York Tyrant, and The Collagist and been performed in New York and Los Angeles by New River Dramatists.As a playwright, six of his plays have been produced by the Obie Award-winning Collapsable Giraffe company in New York City. Vine of the Dead: 11 Ritual Gestures debuted in 2016 at the Westbeth Arts Center. Dream of the Red Chamber: Performance for a Sleeping Audience, an adaptation of the epic Chinese novel, debuted in Times Square in 2014 to rave reviews. Botanica was selected by the New York Times as "one of 2012's most galvanizing theater moments."He holds an M.F.A. from NYU and is the recipient of fellowships from the MacDowell Colony, Baryshnikov Arts Center, Virginia Center for the Creative Arts, and Hambidge Center.Film Professor, UNC Charlotte Taught American Independent Films: Cinema Outside the Mainstream , a survey class that includes Maya Deren, Sam Fuller, Stan Brakhage, John Cassavetes, Jack Smith, David Lynch, Charles Burnett, Todd Haynes, and Harmony Korine. Film and Music Curator- Co-curator of New Frequencies, cutting-edge film, music, and literature series for the McColl Center for Art + Innovation. Featured artists included Ben Marcus, Sandra Beasley, Guy Maddin, Janie Geiser, Jem Cohen, Rob Mazurek, Stephanie Barber, Battle Trance, and Lewis Klahr. The series was awarded “Best Arts Programming” by Charlotte Magazine in 2015 and Best Arts Event of 2016.- Founded, programmed, and organized NODA Film Festival whose eight festivals attracted over 12,000 attendees. Each festival focused on different theme, including Great Black Cinema, Asian Cinema, Animation, French New Wave. The series awarded Creative Loafing's “Best Film Festival.”- Programmed bi-monthly Loft/Lab concert jazz concert series in Manhattan that was positively reviewed in the New York Times and Time Out New York. Songwriter and singer in the band Julian Calendar, which has released the full length album Parallel Collage and performs live shows.Jeff's band, Julian Calendar's music can be found on our Bandcamp page: https://juliancalendar.bandcamp.comIf you liked this podcast, shoot me an e-mail at filmmakingconversations@mail.comAlso, you can check out my documentary The People of Brixton, on Kwelitv here: www.kweli.tv/programs/the-peopl…xton?autoplay=trueDamien Swaby Social Media Links:Instagram www.instagram.com/damien_swaby_video_producer/Twittertwitter.com/DamienSwaby?ref_src…erp%7Ctwgr%5EauthornewyorkbrooklynindiefilmfilmmakerscreenplayFilmmoviedanabrookedanabrookecinema dialoguemakemoviesLifePodcast

Mary South is a graduate of Northwestern University and the MFA program in fiction at Columbia University. For many years, she has worked with Diane Williams as an editor at the literary journal NOON. Her writing has appeared in American Short Fiction, The Baffler, The Believer, BOMB, The Collagist, Conjunctions, Electric Literature, Guernica, LARB Quarterly, The New Yorker, NOON, The Offing, The White Review, and Words Without Borders. We discussed her short story collection You Will Never Be Forgotten. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sometimes the truth depends on a walk around a lake. - Wallace Stevens More information can be found at www.socialchangeleaders.net How often do you do creative writing in your life? Have you ever tried to write as a way to relax and take care of yourself? Today, our guest is Jory Mickelson, a writer, educator, and retreat facilitator living in Bellingham, Washington. Jory helps us understand how writing and being in nature are important self-care practices. Jory is a writer, educator, and retreat facilitator living in Bellingham, Washington. Even if you don't consider yourself a writer, you can still benefit from the practice of writing. In our conversation: Jory shares his background especially how nature was an important part of his childhood and has inspired his writing Jory offers a variety of suggestions for those wanting to do more writing including the importance of scheduling time for a writing practice Jory gives listeners a specific exercise they can try at home to kickstart a short and simple writing exercise We listen to a poem written and read by Jory Jory also talks about his own self care practices and writing routines Mentioned in today's conversation: Book, Wilderness Kingdom by Jory Mickelson, Floating Bridge Press Poet Ted Kooser, Poet Laureate Joy Harjo, Poet Laureate Billy Collins, Poet Poet, Jane Kenyon The Artists Way , Author Julia Cameron How you can connect with Jory: Jory Mickelson website Email: interlucent@gmail.com More about Jory: Jory's work has appeared in Sixth Finch, The Puritan, Jubilat, Mid-American Review, Diode Poetry Journal, The Rumpus, Ninth Letter, Vinyl Poetry, The Collagist, and other journals in the United States, Canada, and the United Kingdom. Jory is the recipient of an Academy of American Poet's Prize and they have received fellowships from the Lambda Literary Foundation and The Helene Wurlitzer Foundation of New Mexico. They're first full-length collection WILDERNESS//KINGDOM was published in 2019. Jory is a graduate of the University of Idaho's MFA Program and the former Poetry Editor of 5×5 Lit Mag and the creator of the blog Literary Magpie. They have taught workshops and retreats on a wide variety of topics including writing and wilderness, mindfulness, zines, creative writing, and poetry as a spiritual practice. They live in Bellingham, WA.

I loved the hell out of Jarret's novel Darkansas, so I asked him to come on my podcast. In response, he sent me a list of things we could talk about. Here is that list: "In addition to talking about the book, we could hit on myths, surrealism, philosophy, Deleuze, hallucinogens, Jung's red book, cold showers, the benefits of stoicism." And damn if we don't hit on all of those. We also talk our messages from the dreamworld, active imagination, and the concept of Twin Peaks as a hypersigil. Bio: JARRET MIDDLETON is the author of DARKANSAS and the novella, AN DANTOMINE EERLY. He was the founding editor of Dark Coast Press and the classics library Pharos Editions, an imprint of Counterpoint/Soft Skull Press. His fiction, essays, and reviews have appeared in Shelf Awareness, The Quarterly Conversation, The Weeklings, Vol. 1 Brooklyn, The Collagist, SmokeLong Quarterly, and HTMLGIANT, as well as appearing in the print anthologies The Breadline Anthology; Hotel Angeline: A Novel in 36 Voices; and In Heaven, Everything is Fine: Fiction Inspired by David Lynch. He lives in Seattle, WA.

Welcome to Season 2, Episode 6 of The Poetry Gods! We realized many of the poetry podcasts we listened to were wildly dull. Hyper self-serious, self-agrandizing, and totally exclusive to high academic circles. That's not the way the three of us know or love poetry. It's also not the way any of our homies and idols dig into this craft. Poets are fucking hilarious. Joyful and absurd, with stories for days. We hear them at the bar, during their banter at the reading. We wanted to hear it in a podcast. So we made one. On this episode of The Poetry Gods, we talk to Desiree C. Bailey about writing in different genres & so much more. Check out the episode and let us know what you think. As always you can reach us at emailthepoetrygods@gmail.com. DESIREE C. BAILEY BIO: Desiree C. Bailey is a poet, writer and educator. She has a BA from Georgetown University and MFA from Brown University. She has received fellowships from the Poets House, Kimbilio Fiction, The Conversation, the Norman Mailer Center, Callaloo Creative Writing Workshop and Princeton in Africa. She is also a recipient of the 2013 Poets and Writer's Amy Award. Her work is published in Best American Poetry, Callaloo, Transition, The Collagist and Muzzle, among other publications. She is currently the fiction editor at Kinfolks Quarterly. Desiree was born in Trinidad and Tobago and at a young age, moved with her family to a pre-dominantly Caribbean community in Queens, NY. She has lived in Cape Town, South Africa, working at an education reform organization by day and co-hosting an open mic/performance series at a jazz bar at night. She has also lived in Washington, DC and Providence, RI. She currently teaches English at CUNY's Borough of Manhattan Community College. Of her poem "A Retrograde" she writes: "This poem rose up out of the histories, experiences, and ideas to which I constantly return: the maroon communities of the Caribbean and Brazil that challenged the dominance of the plantation slavery system, the psychic trauma of a severed lineage, the historical violence that often resides in beautiful landscapes, the passing down of folklore, rites, and ways seeing, the ocean as a mother, the ocean as a city of ancestors or as a balm. I pose questions in this poem: Is the liberation of the body tied to the liberation of the land? What happens to the mind when the land is warped? And vice versa? What are the consequences of cultural amnesia? How do we close the distance between the past and the present? How can we open multiple ways of seeing?" These currents of thought run through much of Desiree's poetry and fiction, and guides her steps through the everyday. Follow Desiree C. Bailey on Twitter : @desireecbailey on Instagram: @desireecarla Follow The Poetry Gods on all social media: @_joseolivarez, @azizabarnes/ @azizabarneswriter (IG), @iamjonsands, @thepoetrygods & CHECK OUR WEBSITE: thepoetrygods.com/ (much thanks to José Ortiz for designing the website! shouts to Jess X Snow for making our logo)