POPULARITY
33 episodes with creative sector
3 episodes with creative sector
5 episodes with creative sector
4 episodes with creative sector
3 episodes with creative sector
2 episodes with creative sector
2 episodes with creative sector
How can cultural organisations better support diversity? In Achieving Creative Justice in the U.S. Creative Sector antonio c. cuyler, Professor of Music in Entrepreneurship & Leadership and Faculty Associate in Voice & Opera in the School of Music, Theatre & Dance (SMTD), and Faculty Associate in the African Studies Center at the University of Michigan, explores a series of practical interventions that can shape creative institutions implementation of access, diversity, equity, and inclusion (ADEI) policy and practices. The book is framed by the call for creative justice, against a backdrop of threats to both civil rights and cultural freedoms across the world. Rich with case studies, as well as detailed research and theory, the book is a must read text for both academics and arts practitioners. The book is available open access here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
How can cultural organisations better support diversity? In Achieving Creative Justice in the U.S. Creative Sector antonio c. cuyler, Professor of Music in Entrepreneurship & Leadership and Faculty Associate in Voice & Opera in the School of Music, Theatre & Dance (SMTD), and Faculty Associate in the African Studies Center at the University of Michigan, explores a series of practical interventions that can shape creative institutions implementation of access, diversity, equity, and inclusion (ADEI) policy and practices. The book is framed by the call for creative justice, against a backdrop of threats to both civil rights and cultural freedoms across the world. Rich with case studies, as well as detailed research and theory, the book is a must read text for both academics and arts practitioners. The book is available open access here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
How can cultural organisations better support diversity? In Achieving Creative Justice in the U.S. Creative Sector antonio c. cuyler, Professor of Music in Entrepreneurship & Leadership and Faculty Associate in Voice & Opera in the School of Music, Theatre & Dance (SMTD), and Faculty Associate in the African Studies Center at the University of Michigan, explores a series of practical interventions that can shape creative institutions implementation of access, diversity, equity, and inclusion (ADEI) policy and practices. The book is framed by the call for creative justice, against a backdrop of threats to both civil rights and cultural freedoms across the world. Rich with case studies, as well as detailed research and theory, the book is a must read text for both academics and arts practitioners. The book is available open access here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
How can cultural organisations better support diversity? In Achieving Creative Justice in the U.S. Creative Sector antonio c. cuyler, Professor of Music in Entrepreneurship & Leadership and Faculty Associate in Voice & Opera in the School of Music, Theatre & Dance (SMTD), and Faculty Associate in the African Studies Center at the University of Michigan, explores a series of practical interventions that can shape creative institutions implementation of access, diversity, equity, and inclusion (ADEI) policy and practices. The book is framed by the call for creative justice, against a backdrop of threats to both civil rights and cultural freedoms across the world. Rich with case studies, as well as detailed research and theory, the book is a must read text for both academics and arts practitioners. The book is available open access here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
How can cultural organisations better support diversity? In Achieving Creative Justice in the U.S. Creative Sector antonio c. cuyler, Professor of Music in Entrepreneurship & Leadership and Faculty Associate in Voice & Opera in the School of Music, Theatre & Dance (SMTD), and Faculty Associate in the African Studies Center at the University of Michigan, explores a series of practical interventions that can shape creative institutions implementation of access, diversity, equity, and inclusion (ADEI) policy and practices. The book is framed by the call for creative justice, against a backdrop of threats to both civil rights and cultural freedoms across the world. Rich with case studies, as well as detailed research and theory, the book is a must read text for both academics and arts practitioners. The book is available open access here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
Hey girls, gays and they's, With the rise of second jobs, freelancing an a shitty economy; we unpack what's really going on in the working word. Social media can make it seem like being a creative is easy when there are some harsh realities that aren't really being addressed. Nya and Zib talk about their own experiences navigating the working world + more! TRIGGER WARNING - We discuss eating disorders and 'incel culture' in today's episode FOLLOW US EVERYWHERE @teawithasliceofshade @nyadichi @itszibs
In this episode, you'll learn about an incredibly relevant topic: the connection between art, creativity, and climate change.Today, host Scott “Sourdough” Power highlights the staggering impact of recent climate disasters on creative communities in Los Angeles and Asheville, North Carolina. When Hurricane Helene swept through Western North Carolina last September, it displaced hundreds of artists and flattened key creative spaces across 25 counties. As Scott explores the history of climate disaster, he also tackles the common but false belief that some places, like the Appalachian Mountains, are safe from its impacts. It's a stark reminder that climate change doesn't play favorites—it affects everyone, regardless of background.Our conversation also touches on the Palisades and Eaton fires, two of the deadliest and most destructive wildfires in California history. An Angeleno himself, Scott witnessed firsthand how a trifecta of fire-friendly climate conditions turned entire neighborhoods into heaps of ash and soot this past January. While he stresses the importance of moving from passive observation to active engagement, Scott also celebrates the resilience of these communities in overcoming challenges through creativity. Ultimately, this episode emphasizes that creativity isn't just about reflecting what's happening around us; it's also a powerful way to imagine and work towards a more sustainable future.ArtsvilleUSAFirst Friday ExhibitionsNOT REAL ARTNOT REAL ART SchoolRemote: A Video Series Exploring Public ArtScott “Sourdough” PowerFor more information, please visit https://notrealart.com/creativity-and-climate-change
In this podcast short, Ashea narrates an article by Russ Hughes, where he delves into his experience with depression and anxiety. Creative people are more likely to experience mental health issues, partly due to the immense pressure we are often put under, so it´s important to take time for ourselves to reflect and be attentive to our mental and physical health. The holidays can be a good time to do this.If you are affected or know someone who is struggling with the issues mentioned in this podcast short, please know that you are not alone and there most definitely is hope.Helpful links:https://www.samaritans.org/how-we-can-help/contact-samaritan/https://www.mind.org.uk/donate/acq-christmas-2024/?gad_source=1&gclid=Cj0KCQiA1Km7BhC9ARIsAFZfEIv-nrundcUa2BAWKmRI3WnNoK41m4IrGj3aDxZrnlNvNA7bM-Zd1wYaAh3YEALw_wcB
In this podcast short, Ashea narrates an article by Russ Hughes, where he delves into his experience with depression and anxiety. Creative people are more likely to experience mental health issues, partly due to the immense pressure we are often put under, so it´s important to take time for ourselves to reflect and be attentive to our mental and physical health. The holidays can be a good time to do this. If you are affected or know someone who is struggling with the issues mentioned in this podcast short, please know that you are not alone and there most definitely is hope.Helpful links:https://www.samaritans.org/how-we-can-help/contact-samaritan/https://www.mind.org.uk/donate/acq-christmas-2024/?gad_source=1&gclid=Cj0KCQiA1Km7BhC9ARIsAFZfEIv-nrundcUa2BAWKmRI3WnNoK41m4IrGj3aDxZrnlNvNA7bM-Zd1wYaAh3YEALw_wcB
This is a three-part takeover podcast from Creative Shift at UAL.This three-part podcast contains deeper reflections on some of the Making The Creative Majority report's key findings. Each episode speaks to experts with real world experience of alternative routes into creative work, widening participation into higher education, and diversifying the creative sector.This podcast was produced by a partnership between academics and staff from UAL, KCL and University of ManchesterThis episode: Why work experience and alternative routes matter for a more diverse creative sectorCraig Pennington (Future Yard)Siraaj Mitha (Open City)Tessa Read (University of the Arts London)For more information about Creative Shift Visit:https://www.arts.ac.uk/about-ual/teaching-and-learning-exchange/academic-enhancement/creative-shift
NEWS: Govt provides aid for creative sector | October 14, 2024Subscribe to The Manila Times Channel - https://tmt.ph/YTSubscribeVisit our website at https://www.manilatimes.netFollow us:Facebook - https://tmt.ph/facebookInstagram - https://tmt.ph/instagramTwitter - https://tmt.ph/twitterDailyMotion - https://tmt.ph/dailymotionSubscribe to our Digital Edition - https://tmt.ph/digitalSign up to our newsletters: https://tmt.ph/newslettersCheck out our Podcasts:Spotify - https://tmt.ph/spotifyApple Podcasts - https://tmt.ph/applepodcastsAmazon Music - https://tmt.ph/amazonmusicDeezer: https://tmt.ph/deezerStitcher: https://tmt.ph/stitcherTune In: https://tmt.ph/tunein#TheManilaTimes#KeepUpWithTheTimes Hosted on Acast. See acast.com/privacy for more information.
In this Virtual Coffee Break, Franklin Taggart welcomes media industry veteran Pete Pachal for an insightful conversation on the impact of AI on the media industry and creative sector. Pete, a seasoned editor and writer, shares his expertise and discusses his latest venture: The Media Copilot newsletter, podcast, and YouTube channel. Pete has been covering technology for more than two decades and has been following the field of artificial intelligence since before Gmail was trying to complete your sentences. Pete was Chief of Staff for Content at CoinDesk where he led the publication's AI Committee and wrote the company's guidelines for the use of generative AI. He's also held senior editorial positions at Red Ventures, Mashable, and NBC Universal. His work has appeared in Fast Company, Forbes, TIME, and more. In his meager spare time, Pete also hosts Pull To Open alongside journalist Chris Taylor, a weekly Doctor Who podcast that features thoughtful and entertaining commentaries on every single televised story. You can subscribe to the podcast here: https://www.youtube.com/@PullToOpen A few of the resources mentioned in this episode: • ChatGPT • Perplexity • OpusClip Important links for The Media Copilot • Media Copilot newsletter: https://mediacopilot.substack.com/ • Training classes: https://learn.mediacopilot.ai/ • YouTube: https://www.youtube.com/@themediacopilot Media Copilot on social: • LinkedIn: https://www.linkedin.com/company/the-media-copilot/ • Twitter: https://x.com/themediacopilot • Instagram: https://www.instagram.com/themediacopilot/ #podcast #media #mediaindustry #petepachal #themediacopilot
Die heutige Folge ist ein ganz besonders nerdiges Schmankerl:ich unterhalte mich mit meinem Sprecherkollegen, Filmemacher und eine der prägenden Stimmen rund um Gagenstrukturen Florian Märlender über das vom globalen Sprecherverband UVA herausgegebene Dokument "KI-Gagenkompass und Vertragsbdingungen". Wir haben die Empfehlungen mitentwickelt (Danke an dieser Stelle an alle Anderen, die mitgearbeitet haben), sprechen die Richtlinien komplett durch und versuchen diese trockenen und gleichzeitig so wichtigen Empfehlungen mit Leben zu füllen und in einen greifbaren Kontext einzuordnen.Nachrichten an: deeptalk@mic-rider.comHost und Redaktion: Patrick Messe (https://www.patrickmesse.at/)Zu Gast: Florian Märlender (https://maerlender.eu/)Ton: Lukas Wurm (https://lukaswurm.com/)Drehort: Mic Rider Studio (https://www.mic-rider.com/)
Heute unterhalte ich mich mit der Schauspielerin, Sprecherin und Journalistin Barabara Kaudelka über die Unterschiede der einzelnen Kreativbranchen, das Handwerk früher und heute und wie es ist mehrere Standbeine ordentlich unter einen Hut zu kriegen. Ach ja, ein bisschen reden wir auch über KI und menschliches Lernen. Nachrichten an: deeptalk@mic-rider.com Host und Redaktion: Patrick Messe (https://www.patrickmesse.at/) Zu Gast: Barbara Kaudelka (https://www.barbarakaudelka.com/) Bild: Charly Glawischnig (https://www.charlyglawischnig.com/) Ton: Lukas Wurm (https://lukaswurm.com/) Drehort: Video Studio Wien (https://video-studio-wien.at/) Produktion: Mic Rider (https://www.mic-rider.com/)
Heute unterhalte ich mich mit meinem Sprecherkollegen Lukas Wurm über die Höhen und Tiefen der Selbstständigkeit, übers Scheitern und Zukunftsaussichten in unserer Branche. Nachrichten an: deeptalk@mic-rider.com Host und Redaktion: Patrick Messe (https://www.patrickmesse.at/) Gast: Lukas Wurm (https://lukaswurm.com/) Ton: Lukas Wurm (https://lukaswurm.com/) Drehort: Mic Rider Studio (https://www.mic-rider.com/)
Heute unterhalte ich mich mit meinem geschätzten Sprecherkollegen Patrick Lamb über Humor, wie wir aufgewachsen sind und über das Gefühl von Zugehörigkeit. Auch über Sprache und unterschiedliche Willkommenskultur verlieren wir ein paar Worte.Patrick ist Brite, deshalb sprechen wir Englisch und Deutsch gemischt. Triggerwarnung: Diese Episode enthält 2 Männer, die über ihre Gefühle reden.Nachrichten an: deeptalk@mic-rider.comHost und Redaktion: Patrick Messe (https://www.patrickmesse.at/)Zu Gast: Patrick Lamb (https://www.patrick-lamb.com/)Ton: Lukas Wurm (https://lukaswurm.com/)Drehort: Mic Rider (https://www.mic-rider.com/)
The Mohua Show is a weekly podcast about everything from business, technology to art and lifestyle, But done and spoken ईमानदारी सेConnect with UsMohua Chinappa: https://www.linkedin.com/in/mohua-chinappa/The Mohua Show: https://www.themohuashow.com/Connect with the GuestNeha Kirpal: https://www.linkedin.com/in/nehakirpal1/Follow UsYouTube: https://www.youtube.com/@TheMohuaShowInstagram: https://www.instagram.com/themohuashow/LinkedIn: https://www.linkedin.com/company/themohuashow/For any other queries EMAILhello@themohuashow.comMohua's BookIf only It Were Spring Everyday: https://amzn.eu/d/ieUSuDYEpisode Summary: In this transformative podcast episode, we engage in a profound conversation with Neha Kirpal, a pioneering social entrepreneur whose work bridges the creative arts and mental health sectors. Neha shares her inspiring journey from founding India's first international art fair to co-founding Amaha, a mental health organization providing accessible care in over 15 languages. The episode delves into her personal motivations, driven by her family's struggle with mental illness, and the systemic challenges in India's mental health landscape. Neha discusses the crucial role of early intervention, community support, and intersectionality in mental health care. The conversation highlights the multidisciplinary approach needed to build a robust mental health ecosystem in India, emphasizing awareness, resource building, and effective advocacy. Neha also introduces future initiatives, including a book on women's mental health narratives and various impactful mental health resources and organizations in India. This episode is essential for anyone dedicated to mental health advocacy.Chapters:00:00 - Introduction02:49 - Neha Kirpal's Mission: Bridging the Mental Health Gap in India05:43 - Shift from Creative Sector to Marginalized Sector08:53 - Navigating Barriers and Providing Holistic Mental Health Care12:28 - Measuring Long-Term Outcomes in Mental Health Care16:20 - Embracing Intersectionality in Mental Health Care23:38 - Systemic Barriers and Personal Advocacy in Mental Health31:17 - Finding Purpose and Healing in Mental Health Advocacy36:18 - Future Plans for Amaha38:22 - Closing RemarksDisclaimerThe views expressed by our guests are their own. We do not endorse and are not responsible for any views expressed by our guests on our podcast and its associated platforms.#MentalHealth #ArtAndMentalHealth #NehaKirpal #Amaha #MentalWellness #MentalHealthAdvocacy #MentalHealthInIndia #CreativityAndMentalHealth #MentalHealthAwareness #FamilyAndMentalHealth #IntersectionalityInMentalHealth #MentalHealthCare #SupportSystems #MentalHealthEcosystem #HealingJourneys #MentalHealthStories #AccessibleCare #CommunitySupport #MentalHealthInitiatives #IndiaMentalHealthAlliance #EmpowermentThroughArt #MentalHealthResourcesThanks for Listening!
In der ersten Folge unterhalte ich mich mit der UVA Anwältin und stellvertretenden Leiterin des Beratungsgremiums der österreichischen Regierung in Sachen KI Jeannette Gorzala über den AI Act. Bringt er unserer Kreativwirtschaft die erhoffte Sicherheit oder ist das neue Gesetz löchrig wie ein Schweizer Käse? Wie können wir unsere Rechte geltend machen, wenn er in Kraft tritt? Und überhaupt, was für Auswirkungen hat KI auf unsere Umwelt, Demokratie und Gesellschaft?Große Fragen, die wir zum heutigen Zeitpunkt vielleicht noch nicht endgültig beantworten können, aber denen wir uns im legalen, gesellschaftsphilosophischen und demokratiepolitischen Kontext so gut es geht annähern.Nachrichten an: deeptalk@mic-rider.comHost und Redaktion: Patrick Messe (https://www.patrickmesse.at/)Zu Gast: Jeannette Gorzala (https://www.jeannette-gorzala.com/)Bild: Charly Glawischnig (https://www.charlyglawischnig.com/)Ton: Lukas Wurm (https://lukaswurm.com/)Drehort: Video Studio Wien (https://video-studio-wien.at/)Produktion: Mic Rider (https://www.mic-rider.com/)
In May's episode of The CFO Playbook, David McClelland talks to Mehjabeen Patrick, Director of Finance at Arts University Bournemouth, about the challenges and opportunities of finance leadership in the creative sector. As former Chief Finance and Investment Officer at Creative UK, Mehjabeen is all too aware of the financial challenges faced by creative businesses. From her early days working in the banking sector, Mehjabeen is a passionate advocate of finding creative approaches in all aspects of finance. From distributing government grants to providing business mentoring, she highlights the need for finance leaders to actively listen to and learn from creatives, to drive both artistic and economic growth. Drawing from over 20 years of experience in the sector, Mehjabeen shares the importance of thinking outside the box. Hear how she thinks finance leaders should embrace creative approaches while managing budgets, by bringing design thinking into their day to day work. This episode also explores the impact of technology and digital innovation to engage diverse audiences by telling finance stories in new ways. Chapters: (0:02:56) - Finance Leadership in the Creative Sector (0:16:20) - Finance and Creativity in the Arts (0:24:11) - The Impact of Technology on Creativity (0:36:14) - Thinking Outside the Box in Finance About Soldo: Soldo provides company cards connected to a powerful management platform. Employees use Soldo cards to buy what they need for work without being out of pocket or going over budget. Finance teams use Soldo to distribute money instantly, while staying in control of who spends, how much, where, and on what. Thousands of businesses, from small to large corporations including Mercedes-Benz, Sony, and Get Your Guide use Soldo to make their business spending simple and efficient. To find out more or to book a demo, visit Soldo. Learn more about your ad choices. Visit megaphone.fm/adchoices
Minister of sports, arts and culture Zizi Kodwa has announced new awards for the creative industry. Kodwa was briefing the media on Tuesday.He says the awards ceremony will be held in towards the end of March or early April next year. Meanwhile, the minister has appointed an independent board for Netball South Africa and a new board for Boxing South Africa.
Cultural and Creative Sectors (CSS) are a robust part of the Chinese economy. With increasing central control in the Xi Jinping era, they are subject not only to the ebbs and flows of the ultra-competitive Chinese market, but also to the ever-changing policies of the state. What is the specificity of the Chinese cultural field? What is it's organisational and budgetary structure? How far do the various regulators influence the CSS? In what ways has the legal framework of CSS activity changed in recent years, and how does the censorship system work in practice? What is the role of state-owned enterprises, and what are the local characteristics of the Chinese market? The webinar will present the results of latest research of the CSS as part of the China Horizons project. The project “China Horizons – Dealing With a Resurgent China” (DWARC) has received funding from the European Union's Horizon Europe research and innovation programme under grant agreement number 101061700 The Culture Zone of SWPS University is a project in which, together with the invited guests, we discuss various elements of the culture that surrounds us, as well as introduce the realities, phenomena and customs present in other countries. More information about the project: www.kultura.swps.pl
We discuss the Talanta hela initiative and the latest updates in the creative sector and sports as more focus and resources are repurposed in the sector.
While some employees are worried about the latest competition, others feel machines cannot entirely replace human minds.Click here to read the article by Ye Zhanhang.Narrated by Sarah Kutulakos.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Being in the art and culture industry for more than 30 years, Izan Satrina Mohd Sallehuddin, Senior Director of Partnerships & Creative Sector of Think City Sdn Bhd shares her journey of going the extra mile to advocate and empower the art and culture community. She is also the former founding CEO of Cendana, short for Cultural Economy Development Agency. Image Credit: Think City Facebook Page
Kate gives us the low down on what ACRE has been up to and why we aught to be filling out our Chicago Arts Census. In a magic episode in which Brian is introduced to the cult of ACRE and we glimpse the utopia of artistic support, community, and friendship. Book: Understanding the Arts and Creative Sector in the United States Edited by, Joni Maya Cherbo, Margaret Jane Wyszomirski, Ruth Ann Stewart The River is a reference to a conversation between adrienne maree brown and sonya renee taylor The brilliant Census team: Adia Sykes, Stephanie Koch, and Alden Burke https://www.acreresidency.org/ https://www.acreresidency.org/chicago-arts-census
Howard Goodall, the award-winning composer, music historian, writer and broadcaster, talks to Paul Adamson about the catastrophic impact of Brexit on the creative sector.
In this Culture Bar Podcast, we talk to current and past interns of HarrisonParrott who went through the Creative Access process, a company that enables people from communities under-represented in the creative industries to access careers, progress and reach leadership. We ask our panellists for advice on how to secure an internship, how they found the whole process and what they are hoping to achieve or have achieved following the internship. In this informative conversation, we are thrilled to be joined by five wonderful panellists: Alisha Kaur is currently our Accounts Assistant but started at HarrisonParrott as an Accounts Assistant Intern. Kaya Brown originally started as an intern for touring and artist management. Now she works in the HR department as HR and Operations Coordinator. Mia Musa-Green is currently our Intern Artist Coordinator for the vocal team. Matthew Law started working at HarrisonParrott as an Artist Coordinator Intern, then stayed as a permanent staff as an Artist Coordinator. Lucy Madaras was also an Artist Coordinator Intern at HarrisonParrott. This episode is hosted by HP's Lauren O'Brien. The Culture Bar is a podcast series created by HarrisonParrott focussing on conversations in culture and the arts. Find us on Spotify, iTunes, Google Podcasts, YouTube, Podbean, Deezer, Stitcher, Pocket Casts and all good podcatcher sites. Use #theculturebar or follow us on Twitter @_TheCultureBar to keep up with our latest releases. A special thank you to Robert Cochrane as the composer of the theme tune music, and Merlyn Thomas our editor.
Dallas Synnott (on Wednesday Workshops for Creative Sector) Interview by Jamie Green on Radio One 91fm Dunedin
Dallas Synnott (on Wednesday Workshops for Creative Sector) Interview by Jamie Green on Radio One 91fm Dunedin
The first episode in our Mental Health in Fashion series, investigates the convoluted themes of mental ill health in the creative sector and the negative impacts that exist within learning and professional environments. Our candid discussions continue with analysing general perceptions of creative careers in education and beyond, highlighting the often overlooked economic contributions of the creative sector. We then conclude by asking whether these social, economic and environmental factors form the obstetrical dilemma of mental ill health within the creative sector. #mentalhealth #fashionvanguards #alphaomegalondon #stigma #mentalhealthinfashion #socialperceptions #suffering #creativesector #fashion
Mabinda Opinion Journalism BookLink: https://read.amazon.com/litb/B00QGST8I0?f=2&l=en_US&ref_=litb_m
The Creative Sector, Musicians, Writers, Could Generate Billions for Africa, Increase our soft power
Tauranga may be growing rapidly but its city council has only now established a specific role to support the region's creative sector. James Wilson is the city's first Manager of Arts and Culture. He's one of the tens of thousands of people who've flocked to Tauranga in recent years. He moved there from Auckland in 2019 to manage one of the city's main venues, the Baycourt Community and Arts Centre. Before that he was the Chief Executive of Auckland's award winning Q Theatre. Lynn Freeman first asked James Wilson why he thinks it took so long for the Tauranga City Council to act:
How to survive in a world where your parents told you to have a fallback job, in case the dream didn't work out.
Samuel Suraphel is an entrepreneur, global program manager and technology specialist. Since 2014, he has led Mansa Colabs, a company that supports the growth of early-stage companies and non-profit projects in both North America and Africa with A strong focus is also placed on entrepreneurship ecosystem building, particularly for African Diaspora businesses, and the promotion of the Creative Sector as a source for entrepreneurial and employment opportunities.--- This episode is sponsored by Anchor: The easiest way to make a podcast. https://anchor.fm/app
Samuel Suraphel is an entrepreneur, global program manager and technology specialist. Since 2014, he has led Mansa Colabs, a company that supports the growth of early-stage companies and non-profit projects in both North America and Africa with A strong focus is also placed on entrepreneurship ecosystem building, particularly for African Diaspora businesses, and the promotion of the Creative Sector as a source for entrepreneurial and employment opportunities.--- This episode is sponsored by Anchor: The easiest way to make a podcast. https://anchor.fm/app
Samuel Suraphel is an entrepreneur, global program manager and technology specialist. Since 2014, he has led Mansa Colabs, a company that supports the growth of early-stage companies and non-profit projects in both North America and Africa with A strong focus is also placed on entrepreneurship ecosystem building, particularly for African Diaspora businesses, and the promotion of the Creative Sector as a source for entrepreneurial and employment opportunities.--- This episode is sponsored by Anchor: The easiest way to make a podcast. https://anchor.fm/app
Samuel Suraphel is an entrepreneur, global program manager and technology specialist. Since 2014, he has led Mansa Colabs, a company that supports the growth of early-stage companies and non-profit projects in both North America and Africa with A strong focus is also placed on entrepreneurship ecosystem building, particularly for African Diaspora businesses, and the promotion of the Creative Sector as a source for entrepreneurial and employment opportunities.--- This episode is sponsored by Anchor: The easiest way to make a podcast. https://anchor.fm/app
Samuel Suraphel is an entrepreneur, global program manager and technology specialist. Since 2014, he has led Mansa Colabs, a company that supports the growth of early-stage companies and non-profit projects in both North America and Africa with A strong focus is also placed on entrepreneurship ecosystem building, particularly for African Diaspora businesses, and the promotion of the Creative Sector as a source for entrepreneurial and employment opportunities.--- This episode is sponsored by Anchor: The easiest way to make a podcast. https://anchor.fm/app
Samuel Suraphel is an entrepreneur, global program manager and technology specialist. Since 2014, he has led Mansa Colabs, a company that supports the growth of early-stage companies and non-profit projects in both North America and Africa with A strong focus is also placed on entrepreneurship ecosystem building, particularly for African Diaspora businesses, and the promotion of the Creative Sector as a source for entrepreneurial and employment opportunities.--- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Samuel Suraphel is an entrepreneur, global program manager and technology specialist. Since 2014, he has led Mansa Colabs, a company that supports the growth of early-stage companies and non-profit projects in both North America and Africa with A strong focus is also placed on entrepreneurship ecosystem building, particularly for African Diaspora businesses, and the promotion of the Creative Sector as a source for entrepreneurial and employment opportunities.--- This episode is sponsored by Anchor: The easiest way to make a podcast. https://anchor.fm/app
Samuel Suraphel is an entrepreneur, global program manager and technology specialist. Since 2014, he has led Mansa Colabs, a company that supports the growth of early-stage companies and non-profit projects in both North America and Africa with A strong focus is also placed on entrepreneurship ecosystem building, particularly for African Diaspora businesses, and the promotion of the Creative Sector as a source for entrepreneurial and employment opportunities.--- This episode is sponsored by Anchor: The easiest way to make a podcast. https://anchor.fm/app
Samuel Suraphel is an entrepreneur, global program manager and technology specialist. Since 2014, he has led Mansa Colabs, a company that supports the growth of early-stage companies and non-profit projects in both North America and Africa with A strong focus is also placed on entrepreneurship ecosystem building, particularly for African Diaspora businesses, and the promotion of the Creative Sector as a source for entrepreneurial and employment opportunities.--- This episode is sponsored by Anchor: The easiest way to make a podcast. https://anchor.fm/app
Samuel Suraphel is an entrepreneur, global program manager and technology specialist. Since 2014, he has led Mansa Colabs, a company that supports the growth of early-stage companies and non-profit projects in both North America and Africa with A strong focus is also placed on entrepreneurship ecosystem building, particularly for African Diaspora businesses, and the promotion of the Creative Sector as a source for entrepreneurial and employment opportunities.--- This episode is sponsored by Anchor: The easiest way to make a podcast. https://anchor.fm/app
Samuel Suraphel is an entrepreneur, global program manager and technology specialist. Since 2014, he has led Mansa Colabs, a company that supports the growth of early-stage companies and non-profit projects in both North America and Africa with A strong focus is also placed on entrepreneurship ecosystem building, particularly for African Diaspora businesses, and the promotion of the Creative Sector as a source for entrepreneurial and employment opportunities.--- This episode is sponsored by Anchor: The easiest way to make a podcast. https://anchor.fm/app
Samuel Suraphel is an entrepreneur, global program manager and technology specialist. Since 2014, he has led Mansa Colabs, a company that supports the growth of early-stage companies and non-profit projects in both North America and Africa with A strong focus is also placed on entrepreneurship ecosystem building, particularly for African Diaspora businesses, and the promotion of the Creative Sector as a source for entrepreneurial and employment opportunities.--- This episode is sponsored by Anchor: The easiest way to make a podcast. https://anchor.fm/app
Samuel Suraphel is an entrepreneur, global program manager and technology specialist. Since 2014, he has led Mansa Colabs, a company that supports the growth of early-stage companies and non-profit projects in both North America and Africa with A strong focus is also placed on entrepreneurship ecosystem building, particularly for African Diaspora businesses, and the promotion of the Creative Sector as a source for entrepreneurial and employment opportunities.--- This episode is sponsored by Anchor: The easiest way to make a podcast. https://anchor.fm/app
Samuel Suraphel is an entrepreneur, global program manager and technology specialist. Since 2014, he has led Mansa Colabs, a company that supports the growth of early-stage companies and non-profit projects in both North America and Africa with A strong focus is also placed on entrepreneurship ecosystem building, particularly for African Diaspora businesses, and the promotion of the Creative Sector as a source for entrepreneurial and employment opportunities.--- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Samuel Suraphel is an entrepreneur, global program manager and technology specialist. Since 2014, he has led Mansa Colabs, a company that supports the growth of early-stage companies and non-profit projects in both North America and Africa with A strong focus is also placed on entrepreneurship ecosystem building, particularly for African Diaspora businesses, and the promotion of the Creative Sector as a source for entrepreneurial and employment opportunities.--- This episode is sponsored by Anchor: The easiest way to make a podcast. https://anchor.fm/app
Samuel Suraphel is an entrepreneur, global program manager and technology specialist. Since 2014, he has led Mansa Colabs, a company that supports the growth of early-stage companies and non-profit projects in both North America and Africa with A strong focus is also placed on entrepreneurship ecosystem building, particularly for African Diaspora businesses, and the promotion of the Creative Sector as a source for entrepreneurial and employment opportunities.--- This episode is sponsored by Anchor: The easiest way to make a podcast. https://anchor.fm/app
Samuel Suraphel is an entrepreneur, global program manager and technology specialist. Since 2014, he has led Mansa Colabs, a company that supports the growth of early-stage companies and non-profit projects in both North America and Africa with A strong focus is also placed on entrepreneurship ecosystem building, particularly for African Diaspora businesses, and the promotion of the Creative Sector as a source for entrepreneurial and employment opportunities.--- This episode is sponsored by Anchor: The easiest way to make a podcast. https://anchor.fm/app
Samuel Suraphel is an entrepreneur, global program manager and technology specialist. Since 2014, he has led Mansa Colabs, a company that supports the growth of early-stage companies and non-profit projects in both North America and Africa with A strong focus is also placed on entrepreneurship ecosystem building, particularly for African Diaspora businesses, and the promotion of the Creative Sector as a source for entrepreneurial and employment opportunities. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Samuel Suraphel is an entrepreneur, global program manager and technology specialist. Since 2014, he has led Mansa Colabs, a company that supports the growth of early-stage companies and non-profit projects in both North America and Africa with A strong focus is also placed on entrepreneurship ecosystem building, particularly for African Diaspora businesses, and the promotion of the Creative Sector as a source for entrepreneurial and employment opportunities.--- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
As part of a series of cultural events to celebrate arts and culture in the City of London, hosted by the Lord Mayor of the City of London Alderman William Russell and the Genesis Foundation and chaired by James Jolly, Sir Simon Rattle and the Lord Mayor came together for a cultural conversation. They discussed the impact of Covid-19 on the classical music industry, the resilience and proactivity of the London Symphony Orchestra and Berlin Philharmonic, and how the LSO's East London Academy is nurturing a new generation of artistic talent that looks more like London.
Sandra Wall is Trade and Industry Developer for the Creative Sector in Norrköping Kommun. "I was always the odd one out. A culture lover in a family of sports. In the end it was music that was the connection for me. It always came back to music." The post 90. Sandra Wall – Norrköping City of Music appeared first on MTF Labs.
Mabinty's career took her from public affairs to international development engagements at the World Bank and GIIN looking at how best to leverage private sector financing to address societal challenges. These experiences led her to Nairobi, motivated by a need to shift gears to create development approaches and solutions that use finance more effectively. Wakiuru worked in the NGO sector but yearned for work with a core emphasis on sustainability and impact. After developing expertise in finance during a stint at the Nest Collective - Wakiurus expertise in finance prompted analysis work on the creative sector which led to her joining HEVA - the continents first investment fund focused on creative enterprises in 2014. Wakiuru and Mabinty, fueled by the same passion to invest in young women in the continent, started LIVE Africa in 2019 to address the gap and opportunity they saw in the sector. Legacy Impact Venture Enterprise Africa (LIVE Africa) is an impact investing company providing Impact Measurement and Management (IMM) services and working to drive capital to African, women-led businesses and gender-balanced teams. The company through expertise in health, education, the arts/creative economy, agribusiness, and technology shapes our practice and investment strategy and offers a combination of skills, including data analysis, research, training on IMM, and impact assessments. In the episode, Wakuiru talked about investor reticence around a financial commitment to creative sectors and talked about the critical need for a less traditional investment ethos around investment and more emphasis on technical assistance and capacity building, highlighting the snowball effect of these inventions in growing and scaling the creative art sector. Wakiuru also highlighted the correlation of womens participation at all business levels with company development and growth.Part 2 of this interview will be released on June 24 so come back to hear the rest of what Mabinty and Wakiuru have to say. Don't forget to listen, subscribe, rate, and review. Contact us at whereisthefunding@gmail.com and let us know what you think of the show, propose questions or suggestions for topics to cover on future episodes.--- This episode is sponsored by Anchor: The easiest way to make a podcast. https://anchor.fm/app
Mabinty's career took her from public affairs to international development engagements at the World Bank and GIIN looking at how best to leverage private sector financing to address societal challenges. These experiences led her to Nairobi, motivated by a need to shift gears to create development approaches and solutions that use finance more effectively. Wakiuru worked in the NGO sector but yearned for work with a core emphasis on sustainability and impact. After developing expertise in finance during a stint at the Nest Collective - Wakiurus expertise in finance prompted analysis work on the creative sector which led to her joining HEVA - the continents first investment fund focused on creative enterprises in 2014. Wakiuru and Mabinty, fueled by the same passion to invest in young women in the continent, started LIVE Africa in 2019 to address the gap and opportunity they saw in the sector. Legacy Impact Venture Enterprise Africa (LIVE Africa) is an impact investing company providing Impact Measurement and Management (IMM) services and working to drive capital to African, women-led businesses and gender-balanced teams. The company through expertise in health, education, the arts/creative economy, agribusiness, and technology shapes our practice and investment strategy and offers a combination of skills, including data analysis, research, training on IMM, and impact assessments. In the episode, Wakuiru talked about investor reticence around a financial commitment to creative sectors and talked about the critical need for a less traditional investment ethos around investment and more emphasis on technical assistance and capacity building, highlighting the snowball effect of these inventions in growing and scaling the creative art sector. Wakiuru also highlighted the correlation of womens participation at all business levels with company development and growth.Part 2 of this interview will be released on June 24 so come back to hear the rest of what Mabinty and Wakiuru have to say. Don't forget to listen, subscribe, rate, and review. Contact us at whereisthefunding@gmail.com and let us know what you think of the show, propose questions or suggestions for topics to cover on future episodes.--- This episode is sponsored by Anchor: The easiest way to make a podcast. https://anchor.fm/app
Mabinty's career took her from public affairs to international development engagements at the World Bank and GIIN looking at how best to leverage private sector financing to address societal challenges. These experiences led her to Nairobi, motivated by a need to shift gears to create development approaches and solutions that use finance more effectively. Wakiuru worked in the NGO sector but yearned for work with a core emphasis on sustainability and impact. After developing expertise in finance during a stint at the Nest Collective - Wakiurus expertise in finance prompted analysis work on the creative sector which led to her joining HEVA - the continents first investment fund focused on creative enterprises in 2014. Wakiuru and Mabinty, fueled by the same passion to invest in young women in the continent, started LIVE Africa in 2019 to address the gap and opportunity they saw in the sector. Legacy Impact Venture Enterprise Africa (LIVE Africa) is an impact investing company providing Impact Measurement and Management (IMM) services and working to drive capital to African, women-led businesses and gender-balanced teams. The company through expertise in health, education, the arts/creative economy, agribusiness, and technology shapes our practice and investment strategy and offers a combination of skills, including data analysis, research, training on IMM, and impact assessments. In the episode, Wakuiru talked about investor reticence around a financial commitment to creative sectors and talked about the critical need for a less traditional investment ethos around investment and more emphasis on technical assistance and capacity building, highlighting the snowball effect of these inventions in growing and scaling the creative art sector. Wakiuru also highlighted the correlation of womens participation at all business levels with company development and growth.Part 2 of this interview will be released on June 24 so come back to hear the rest of what Mabinty and Wakiuru have to say. Don't forget to listen, subscribe, rate, and review. Contact us at whereisthefunding@gmail.com and let us know what you think of the show, propose questions or suggestions for topics to cover on future episodes.--- This episode is sponsored by Anchor: The easiest way to make a podcast. https://anchor.fm/app
Mabinty's career took her from public affairs to international development engagements at the World Bank and GIIN looking at how best to leverage private sector financing to address societal challenges. These experiences led her to Nairobi, motivated by a need to shift gears to create development approaches and solutions that use finance more effectively. Wakiuru worked in the NGO sector but yearned for work with a core emphasis on sustainability and impact. After developing expertise in finance during a stint at the Nest Collective - Wakiurus expertise in finance prompted analysis work on the creative sector which led to her joining HEVA - the continents first investment fund focused on creative enterprises in 2014. Wakiuru and Mabinty, fueled by the same passion to invest in young women in the continent, started LIVE Africa in 2019 to address the gap and opportunity they saw in the sector. Legacy Impact Venture Enterprise Africa (LIVE Africa) is an impact investing company providing Impact Measurement and Management (IMM) services and working to drive capital to African, women-led businesses and gender-balanced teams. The company through expertise in health, education, the arts/creative economy, agribusiness, and technology shapes our practice and investment strategy and offers a combination of skills, including data analysis, research, training on IMM, and impact assessments. In the episode, Wakuiru talked about investor reticence around a financial commitment to creative sectors and talked about the critical need for a less traditional investment ethos around investment and more emphasis on technical assistance and capacity building, highlighting the snowball effect of these inventions in growing and scaling the creative art sector. Wakiuru also highlighted the correlation of womens participation at all business levels with company development and growth.Part 2 of this interview will be released on June 24 so come back to hear the rest of what Mabinty and Wakiuru have to say. Don't forget to listen, subscribe, rate, and review. Contact us at whereisthefunding@gmail.com and let us know what you think of the show, propose questions or suggestions for topics to cover on future episodes.--- This episode is sponsored by Anchor: The easiest way to make a podcast. https://anchor.fm/app
Mabinty's career took her from public affairs to international development engagements at the World Bank and GIIN looking at how best to leverage private sector financing to address societal challenges. These experiences led her to Nairobi, motivated by a need to shift gears to create development approaches and solutions that use finance more effectively. Wakiuru worked in the NGO sector but yearned for work with a core emphasis on sustainability and impact. After developing expertise in finance during a stint at the Nest Collective - Wakiurus expertise in finance prompted analysis work on the creative sector which led to her joining HEVA - the continents first investment fund focused on creative enterprises in 2014. Wakiuru and Mabinty, fueled by the same passion to invest in young women in the continent, started LIVE Africa in 2019 to address the gap and opportunity they saw in the sector. Legacy Impact Venture Enterprise Africa (LIVE Africa) is an impact investing company providing Impact Measurement and Management (IMM) services and working to drive capital to African, women-led businesses and gender-balanced teams. The company through expertise in health, education, the arts/creative economy, agribusiness, and technology shapes our practice and investment strategy and offers a combination of skills, including data analysis, research, training on IMM, and impact assessments. In the episode, Wakuiru talked about investor reticence around a financial commitment to creative sectors and talked about the critical need for a less traditional investment ethos around investment and more emphasis on technical assistance and capacity building, highlighting the snowball effect of these inventions in growing and scaling the creative art sector. Wakiuru also highlighted the correlation of womens participation at all business levels with company development and growth.Part 2 of this interview will be released on June 24 so come back to hear the rest of what Mabinty and Wakiuru have to say. Don't forget to listen, subscribe, rate, and review. Contact us at whereisthefunding@gmail.com and let us know what you think of the show, propose questions or suggestions for topics to cover on future episodes.--- This episode is sponsored by Anchor: The easiest way to make a podcast. https://anchor.fm/app
Mabinty's career took her from public affairs to international development engagements at the World Bank and GIIN looking at how best to leverage private sector financing to address societal challenges. These experiences led her to Nairobi, motivated by a need to shift gears to create development approaches and solutions that use finance more effectively. Wakiuru worked in the NGO sector but yearned for work with a core emphasis on sustainability and impact. After developing expertise in finance during a stint at the Nest Collective - Wakiurus expertise in finance prompted analysis work on the creative sector which led to her joining HEVA - the continents first investment fund focused on creative enterprises in 2014. Wakiuru and Mabinty, fueled by the same passion to invest in young women in the continent, started LIVE Africa in 2019 to address the gap and opportunity they saw in the sector. Legacy Impact Venture Enterprise Africa (LIVE Africa) is an impact investing company providing Impact Measurement and Management (IMM) services and working to drive capital to African, women-led businesses and gender-balanced teams. The company through expertise in health, education, the arts/creative economy, agribusiness, and technology shapes our practice and investment strategy and offers a combination of skills, including data analysis, research, training on IMM, and impact assessments. In the episode, Wakuiru talked about investor reticence around a financial commitment to creative sectors and talked about the critical need for a less traditional investment ethos around investment and more emphasis on technical assistance and capacity building, highlighting the snowball effect of these inventions in growing and scaling the creative art sector. Wakiuru also highlighted the correlation of womens participation at all business levels with company development and growth.Part 2 of this interview will be released on June 24 so come back to hear the rest of what Mabinty and Wakiuru have to say. Don't forget to listen, subscribe, rate, and review. Contact us at whereisthefunding@gmail.com and let us know what you think of the show, propose questions or suggestions for topics to cover on future episodes.--- This episode is sponsored by Anchor: The easiest way to make a podcast. https://anchor.fm/app
Mabinty's career took her from public affairs to international development engagements at the World Bank and GIIN looking at how best to leverage private sector financing to address societal challenges. These experiences led her to Nairobi, motivated by a need to shift gears to create development approaches and solutions that use finance more effectively. Wakiuru worked in the NGO sector but yearned for work with a core emphasis on sustainability and impact. After developing expertise in finance during a stint at the Nest Collective - Wakiuru's expertise in finance prompted analysis work on the creative sector which led to her joining HEVA - the continent's first investment fund focused on creative enterprises in 2014. Wakiuru and Mabinty, fueled by the same passion to invest in young women in the continent, started LIVE Africa in 2019 to address the gap and opportunity they saw in the sector. Legacy Impact Venture Enterprise Africa (LIVE Africa) is an impact investing company providing Impact Measurement and Management (IMM) services and working to drive capital to African, women-led businesses and gender-balanced teams. The company through expertise in health, education, the arts/creative economy, agribusiness, and technology shapes our practice and investment strategy and offers a combination of skills, including data analysis, research, training on IMM, and impact assessments. In the episode, Wakuiru talked about investor reticence around a financial commitment to creative sectors and talked about the critical need for a less traditional investment ethos around investment and more emphasis on technical assistance and capacity building, highlighting the snowball effect of these inventions in growing and scaling the creative art sector. Wakiuru also highlighted the correlation of women's participation at all business levels with company development and growth.Part 2 of this interview will be released on June 24 so come back to hear the rest of what Mabinty and Wakiuru have to say. Don't forget to listen, subscribe, rate, and review. Contact us at whereisthefunding@gmail.com and let us know what you think of the show, propose questions or suggestions for topics to cover on future episodes.--- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Mabinty's career took her from public affairs to international development engagements at the World Bank and GIIN looking at how best to leverage private sector financing to address societal challenges. These experiences led her to Nairobi, motivated by a need to shift gears to create development approaches and solutions that use finance more effectively. Wakiuru worked in the NGO sector but yearned for work with a core emphasis on sustainability and impact. After developing expertise in finance during a stint at the Nest Collective - Wakiurus expertise in finance prompted analysis work on the creative sector which led to her joining HEVA - the continents first investment fund focused on creative enterprises in 2014. Wakiuru and Mabinty, fueled by the same passion to invest in young women in the continent, started LIVE Africa in 2019 to address the gap and opportunity they saw in the sector. Legacy Impact Venture Enterprise Africa (LIVE Africa) is an impact investing company providing Impact Measurement and Management (IMM) services and working to drive capital to African, women-led businesses and gender-balanced teams. The company through expertise in health, education, the arts/creative economy, agribusiness, and technology shapes our practice and investment strategy and offers a combination of skills, including data analysis, research, training on IMM, and impact assessments. In the episode, Wakuiru talked about investor reticence around a financial commitment to creative sectors and talked about the critical need for a less traditional investment ethos around investment and more emphasis on technical assistance and capacity building, highlighting the snowball effect of these inventions in growing and scaling the creative art sector. Wakiuru also highlighted the correlation of womens participation at all business levels with company development and growth.Part 2 of this interview will be released on June 24 so come back to hear the rest of what Mabinty and Wakiuru have to say. Don't forget to listen, subscribe, rate, and review. Contact us at whereisthefunding@gmail.com and let us know what you think of the show, propose questions or suggestions for topics to cover on future episodes.--- This episode is sponsored by Anchor: The easiest way to make a podcast. https://anchor.fm/app
Mabinty's career took her from public affairs to international development engagements at the World Bank and GIIN looking at how best to leverage private sector financing to address societal challenges. These experiences led her to Nairobi, motivated by a need to shift gears to create development approaches and solutions that use finance more effectively. Wakiuru worked in the NGO sector but yearned for work with a core emphasis on sustainability and impact. After developing expertise in finance during a stint at the Nest Collective - Wakiurus expertise in finance prompted analysis work on the creative sector which led to her joining HEVA - the continents first investment fund focused on creative enterprises in 2014. Wakiuru and Mabinty, fueled by the same passion to invest in young women in the continent, started LIVE Africa in 2019 to address the gap and opportunity they saw in the sector. Legacy Impact Venture Enterprise Africa (LIVE Africa) is an impact investing company providing Impact Measurement and Management (IMM) services and working to drive capital to African, women-led businesses and gender-balanced teams. The company through expertise in health, education, the arts/creative economy, agribusiness, and technology shapes our practice and investment strategy and offers a combination of skills, including data analysis, research, training on IMM, and impact assessments. In the episode, Wakuiru talked about investor reticence around a financial commitment to creative sectors and talked about the critical need for a less traditional investment ethos around investment and more emphasis on technical assistance and capacity building, highlighting the snowball effect of these inventions in growing and scaling the creative art sector. Wakiuru also highlighted the correlation of womens participation at all business levels with company development and growth.Part 2 of this interview will be released on June 24 so come back to hear the rest of what Mabinty and Wakiuru have to say. Don't forget to listen, subscribe, rate, and review. Contact us at whereisthefunding@gmail.com and let us know what you think of the show, propose questions or suggestions for topics to cover on future episodes.--- This episode is sponsored by Anchor: The easiest way to make a podcast. https://anchor.fm/app
Mabinty's career took her from public affairs to international development engagements at the World Bank and GIIN looking at how best to leverage private sector financing to address societal challenges. These experiences led her to Nairobi, motivated by a need to shift gears to create development approaches and solutions that use finance more effectively. Wakiuru worked in the NGO sector but yearned for work with a core emphasis on sustainability and impact. After developing expertise in finance during a stint at the Nest Collective - Wakiurus expertise in finance prompted analysis work on the creative sector which led to her joining HEVA - the continents first investment fund focused on creative enterprises in 2014. Wakiuru and Mabinty, fueled by the same passion to invest in young women in the continent, started LIVE Africa in 2019 to address the gap and opportunity they saw in the sector. Legacy Impact Venture Enterprise Africa (LIVE Africa) is an impact investing company providing Impact Measurement and Management (IMM) services and working to drive capital to African, women-led businesses and gender-balanced teams. The company through expertise in health, education, the arts/creative economy, agribusiness, and technology shapes our practice and investment strategy and offers a combination of skills, including data analysis, research, training on IMM, and impact assessments. In the episode, Wakuiru talked about investor reticence around a financial commitment to creative sectors and talked about the critical need for a less traditional investment ethos around investment and more emphasis on technical assistance and capacity building, highlighting the snowball effect of these inventions in growing and scaling the creative art sector. Wakiuru also highlighted the correlation of womens participation at all business levels with company development and growth.Part 2 of this interview will be released on June 24 so come back to hear the rest of what Mabinty and Wakiuru have to say. Don't forget to listen, subscribe, rate, and review. Contact us at whereisthefunding@gmail.com and let us know what you think of the show, propose questions or suggestions for topics to cover on future episodes.--- This episode is sponsored by Anchor: The easiest way to make a podcast. https://anchor.fm/app
Mabinty's career took her from public affairs to international development engagements at the World Bank and GIIN looking at how best to leverage private sector financing to address societal challenges. These experiences led her to Nairobi, motivated by a need to shift gears to create development approaches and solutions that use finance more effectively. Wakiuru worked in the NGO sector but yearned for work with a core emphasis on sustainability and impact. After developing expertise in finance during a stint at the Nest Collective - Wakiurus expertise in finance prompted analysis work on the creative sector which led to her joining HEVA - the continents first investment fund focused on creative enterprises in 2014. Wakiuru and Mabinty, fueled by the same passion to invest in young women in the continent, started LIVE Africa in 2019 to address the gap and opportunity they saw in the sector. Legacy Impact Venture Enterprise Africa (LIVE Africa) is an impact investing company providing Impact Measurement and Management (IMM) services and working to drive capital to African, women-led businesses and gender-balanced teams. The company through expertise in health, education, the arts/creative economy, agribusiness, and technology shapes our practice and investment strategy and offers a combination of skills, including data analysis, research, training on IMM, and impact assessments. In the episode, Wakuiru talked about investor reticence around a financial commitment to creative sectors and talked about the critical need for a less traditional investment ethos around investment and more emphasis on technical assistance and capacity building, highlighting the snowball effect of these inventions in growing and scaling the creative art sector. Wakiuru also highlighted the correlation of womens participation at all business levels with company development and growth.Part 2 of this interview will be released on June 24 so come back to hear the rest of what Mabinty and Wakiuru have to say. Don't forget to listen, subscribe, rate, and review. Contact us at whereisthefunding@gmail.com and let us know what you think of the show, propose questions or suggestions for topics to cover on future episodes.--- This episode is sponsored by Anchor: The easiest way to make a podcast. https://anchor.fm/app
Mabinty's career took her from public affairs to international development engagements at the World Bank and GIIN looking at how best to leverage private sector financing to address societal challenges. These experiences led her to Nairobi, motivated by a need to shift gears to create development approaches and solutions that use finance more effectively. Wakiuru worked in the NGO sector but yearned for work with a core emphasis on sustainability and impact. After developing expertise in finance during a stint at the Nest Collective - Wakiurus expertise in finance prompted analysis work on the creative sector which led to her joining HEVA - the continents first investment fund focused on creative enterprises in 2014. Wakiuru and Mabinty, fueled by the same passion to invest in young women in the continent, started LIVE Africa in 2019 to address the gap and opportunity they saw in the sector. Legacy Impact Venture Enterprise Africa (LIVE Africa) is an impact investing company providing Impact Measurement and Management (IMM) services and working to drive capital to African, women-led businesses and gender-balanced teams. The company through expertise in health, education, the arts/creative economy, agribusiness, and technology shapes our practice and investment strategy and offers a combination of skills, including data analysis, research, training on IMM, and impact assessments. In the episode, Wakuiru talked about investor reticence around a financial commitment to creative sectors and talked about the critical need for a less traditional investment ethos around investment and more emphasis on technical assistance and capacity building, highlighting the snowball effect of these inventions in growing and scaling the creative art sector. Wakiuru also highlighted the correlation of womens participation at all business levels with company development and growth.Part 2 of this interview will be released on June 24 so come back to hear the rest of what Mabinty and Wakiuru have to say. Don't forget to listen, subscribe, rate, and review. Contact us at whereisthefunding@gmail.com and let us know what you think of the show, propose questions or suggestions for topics to cover on future episodes.--- This episode is sponsored by Anchor: The easiest way to make a podcast. https://anchor.fm/app
Mabinty's career took her from public affairs to international development engagements at the World Bank and GIIN looking at how best to leverage private sector financing to address societal challenges. These experiences led her to Nairobi, motivated by a need to shift gears to create development approaches and solutions that use finance more effectively. Wakiuru worked in the NGO sector but yearned for work with a core emphasis on sustainability and impact. After developing expertise in finance during a stint at the Nest Collective - Wakiurus expertise in finance prompted analysis work on the creative sector which led to her joining HEVA - the continents first investment fund focused on creative enterprises in 2014. Wakiuru and Mabinty, fueled by the same passion to invest in young women in the continent, started LIVE Africa in 2019 to address the gap and opportunity they saw in the sector. Legacy Impact Venture Enterprise Africa (LIVE Africa) is an impact investing company providing Impact Measurement and Management (IMM) services and working to drive capital to African, women-led businesses and gender-balanced teams. The company through expertise in health, education, the arts/creative economy, agribusiness, and technology shapes our practice and investment strategy and offers a combination of skills, including data analysis, research, training on IMM, and impact assessments. In the episode, Wakuiru talked about investor reticence around a financial commitment to creative sectors and talked about the critical need for a less traditional investment ethos around investment and more emphasis on technical assistance and capacity building, highlighting the snowball effect of these inventions in growing and scaling the creative art sector. Wakiuru also highlighted the correlation of womens participation at all business levels with company development and growth.Part 2 of this interview will be released on June 24 so come back to hear the rest of what Mabinty and Wakiuru have to say. Don't forget to listen, subscribe, rate, and review. Contact us at whereisthefunding@gmail.com and let us know what you think of the show, propose questions or suggestions for topics to cover on future episodes.--- This episode is sponsored by Anchor: The easiest way to make a podcast. https://anchor.fm/app
Mabinty's career took her from public affairs to international development engagements at the World Bank and GIIN looking at how best to leverage private sector financing to address societal challenges. These experiences led her to Nairobi, motivated by a need to shift gears to create development approaches and solutions that use finance more effectively. Wakiuru worked in the NGO sector but yearned for work with a core emphasis on sustainability and impact. After developing expertise in finance during a stint at the Nest Collective - Wakiurus expertise in finance prompted analysis work on the creative sector which led to her joining HEVA - the continents first investment fund focused on creative enterprises in 2014. Wakiuru and Mabinty, fueled by the same passion to invest in young women in the continent, started LIVE Africa in 2019 to address the gap and opportunity they saw in the sector. Legacy Impact Venture Enterprise Africa (LIVE Africa) is an impact investing company providing Impact Measurement and Management (IMM) services and working to drive capital to African, women-led businesses and gender-balanced teams. The company through expertise in health, education, the arts/creative economy, agribusiness, and technology shapes our practice and investment strategy and offers a combination of skills, including data analysis, research, training on IMM, and impact assessments. In the episode, Wakuiru talked about investor reticence around a financial commitment to creative sectors and talked about the critical need for a less traditional investment ethos around investment and more emphasis on technical assistance and capacity building, highlighting the snowball effect of these inventions in growing and scaling the creative art sector. Wakiuru also highlighted the correlation of womens participation at all business levels with company development and growth.Part 2 of this interview will be released on June 24 so come back to hear the rest of what Mabinty and Wakiuru have to say. Don't forget to listen, subscribe, rate, and review. Contact us at whereisthefunding@gmail.com and let us know what you think of the show, propose questions or suggestions for topics to cover on future episodes.--- This episode is sponsored by Anchor: The easiest way to make a podcast. https://anchor.fm/app
Mabinty's career took her from public affairs to international development engagements at the World Bank and GIIN looking at how best to leverage private sector financing to address societal challenges. These experiences led her to Nairobi, motivated by a need to shift gears to create development approaches and solutions that use finance more effectively. Wakiuru worked in the NGO sector but yearned for work with a core emphasis on sustainability and impact. After developing expertise in finance during a stint at the Nest Collective - Wakiurus expertise in finance prompted analysis work on the creative sector which led to her joining HEVA - the continents first investment fund focused on creative enterprises in 2014. Wakiuru and Mabinty, fueled by the same passion to invest in young women in the continent, started LIVE Africa in 2019 to address the gap and opportunity they saw in the sector. Legacy Impact Venture Enterprise Africa (LIVE Africa) is an impact investing company providing Impact Measurement and Management (IMM) services and working to drive capital to African, women-led businesses and gender-balanced teams. The company through expertise in health, education, the arts/creative economy, agribusiness, and technology shapes our practice and investment strategy and offers a combination of skills, including data analysis, research, training on IMM, and impact assessments. In the episode, Wakuiru talked about investor reticence around a financial commitment to creative sectors and talked about the critical need for a less traditional investment ethos around investment and more emphasis on technical assistance and capacity building, highlighting the snowball effect of these inventions in growing and scaling the creative art sector. Wakiuru also highlighted the correlation of womens participation at all business levels with company development and growth.Part 2 of this interview will be released on June 24 so come back to hear the rest of what Mabinty and Wakiuru have to say. Don't forget to listen, subscribe, rate, and review. Contact us at whereisthefunding@gmail.com and let us know what you think of the show, propose questions or suggestions for topics to cover on future episodes.--- This episode is sponsored by Anchor: The easiest way to make a podcast. https://anchor.fm/app
Mabinty's career took her from public affairs to international development engagements at the World Bank and GIIN looking at how best to leverage private sector financing to address societal challenges. These experiences led her to Nairobi, motivated by a need to shift gears to create development approaches and solutions that use finance more effectively. Wakiuru worked in the NGO sector but yearned for work with a core emphasis on sustainability and impact. After developing expertise in finance during a stint at the Nest Collective - Wakiuru's expertise in finance prompted analysis work on the creative sector which led to her joining HEVA - the continent's first investment fund focused on creative enterprises in 2014. Wakiuru and Mabinty, fueled by the same passion to invest in young women in the continent, started LIVE Africa in 2019 to address the gap and opportunity they saw in the sector. Legacy Impact Venture Enterprise Africa (LIVE Africa) is an impact investing company providing Impact Measurement and Management (IMM) services and working to drive capital to African, women-led businesses and gender-balanced teams. The company through expertise in health, education, the arts/creative economy, agribusiness, and technology shapes our practice and investment strategy and offers a combination of skills, including data analysis, research, training on IMM, and impact assessments. In the episode, Wakuiru talked about investor reticence around a financial commitment to creative sectors and talked about the critical need for a less traditional investment ethos around investment and more emphasis on technical assistance and capacity building, highlighting the snowball effect of these inventions in growing and scaling the creative art sector. Wakiuru also highlighted the correlation of women's participation at all business levels with company development and growth.Part 2 of this interview will be released on June 24 so come back to hear the rest of what Mabinty and Wakiuru have to say. Don't forget to listen, subscribe, rate, and review. Contact us at whereisthefunding@gmail.com and let us know what you think of the show, propose questions or suggestions for topics to cover on future episodes.--- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Mabinty's career took her from public affairs to international development engagements at the World Bank and GIIN looking at how best to leverage private sector financing to address societal challenges. These experiences led her to Nairobi, motivated by a need to shift gears to create development approaches and solutions that use finance more effectively. Wakiuru worked in the NGO sector but yearned for work with a core emphasis on sustainability and impact. After developing expertise in finance during a stint at the Nest Collective - Wakiurus expertise in finance prompted analysis work on the creative sector which led to her joining HEVA - the continents first investment fund focused on creative enterprises in 2014. Wakiuru and Mabinty, fueled by the same passion to invest in young women in the continent, started LIVE Africa in 2019 to address the gap and opportunity they saw in the sector. Legacy Impact Venture Enterprise Africa (LIVE Africa) is an impact investing company providing Impact Measurement and Management (IMM) services and working to drive capital to African, women-led businesses and gender-balanced teams. The company through expertise in health, education, the arts/creative economy, agribusiness, and technology shapes our practice and investment strategy and offers a combination of skills, including data analysis, research, training on IMM, and impact assessments. In the episode, Wakuiru talked about investor reticence around a financial commitment to creative sectors and talked about the critical need for a less traditional investment ethos around investment and more emphasis on technical assistance and capacity building, highlighting the snowball effect of these inventions in growing and scaling the creative art sector. Wakiuru also highlighted the correlation of womens participation at all business levels with company development and growth.Part 2 of this interview will be released on June 24 so come back to hear the rest of what Mabinty and Wakiuru have to say. Don't forget to listen, subscribe, rate, and review. Contact us at whereisthefunding@gmail.com and let us know what you think of the show, propose questions or suggestions for topics to cover on future episodes.--- This episode is sponsored by Anchor: The easiest way to make a podcast. https://anchor.fm/app
This week I'm bringing you part two of the discussion with Leon Gurevitch that I released a few weeks ago. That discussion focused on innovation, advanced technologies and the creative sectors. This week's episode furthers that theme and builds on last week's episode with Kristy Grant of the Miramar Creative Centre on New Zealand's creative exports. Leon co-authored a report with Kristy Grant looking at the creative export sector. We pick up the discussion in this episode with that report, how creativity is not exclusive to the creative sector, automation and the critically important role that creativity will play in this shift, how inequality and insecurity slows innovation, and much more. Guest biography Leon Gurevitch: https://www.wgtn.ac.nz/design-innovation/about/staff/leon-gurevitchCreative Sector Export Reporthttps://www.exportnz.org.nz/__data/assets/pdf_file/0003/181164/CreativeExportersReport_FA3.pdfFor comments and feedbackEmail: thefridaydownload@nzuscouncil.orgFacebook: facebook.com/nzuscouncilTwitter: twitter.com/nzuscouncilWebsite: nzuscouncil.orgCredits – opening and closing musicHappy Boy Theme Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/About the NZUS CouncilEstablished in 2001, we are a non-partisan, non-government organisation focused on advancing New Zealand's interests in a strong bilateral relationship with the US.
This week I bring you a discussion on the creative export sector with Kristy Grant of the Miramar Creative Centre. It is a pre-COVID discussion recorded late last year but Kristy's message for the future of the screen sector and broader creative sector is still on point - continue to up-skill the creative industry, giving our creative talent a broader set of skills to succeed, and continue to advance our technological edge in the sector. Our discussion focuses mainly on the screen sector which has been hard hit by COVID but there are green shoots appearing, with segments of Hollywood looking to move to New Zealand's near-Covid-free shores. It is reported that 47 local productions with a spend of around $200 million were stalled or unable to start when lockdown hit. That was on top of seven or eight international projects in production or about to start, employing about 3300 people and spending just under $400m.Kristy with Jamie Selkirk and Victoria University of Wellington set up Miramar Creative Centre to offer students the opportunity to hone their crafts in the heart of Wellington's creative industries. Connected to and drawing on industry. They're focused on empowering the next generation of industry talent - who are not only technically talented but also equipping them with transferable skills that prepare them for the increasingly competitive and ever changing world in which we live.Recorded late last year this discussion with Kristy follows the release of a report on New Zealand's creative export sector - co-authored by Kristy. You can find a link to that report in the episode notes. We look at the origins of Wellington's screen sector and the influence of Weta, how the screen sector and broader creative sector through advanced technologies create broader commercial opportunities, some of the challenges our creative exporters are facing, and how she sees the future of the sector.Guest bios: Kristy Grant: https://www.miramarcreative.nz/what-we-do Creative Sector Export Report: https://www.exportnz.org.nz/__data/assets/pdf_file/0003/181164/CreativeExportersReport_FA3.pdf For comments and feedback: Email: thefridaydownload@nzuscouncil.org Facebook: facebook.com/nzuscouncil Twitter: twitter.com/nzuscouncil Website: nzuscouncil.org Credits – opening and closing music: Happy Boy Theme Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ About the NZUS CouncilEstablished in 2001, we are a non-partisan, non-government organisation focused on advancing New Zealand's interests in a strong bilateral relationship with the US.
The COVID-19 pandemic has had a devastating economic impact on the nonprofit arts sector. After shelter in place orders took effect in March 2020, it was estimated that the field would have $3.2 billion in financial losses. Thousands of cultural events, art classes and community programs were canceled across the country. Because arts organizations have closed their doors for months to come and many have also reduced their workforce, we can anticipate greater revenue losses for local arts and culture nonprofits. This episode features a conversation with SVCF’s Director of Strategic Initiatives and Partnerships Mauricio Palma, Musician and Trustee of the Castellano Family Foundation and Executive Director of Quinteto Latino Armando Castellano, Chief Executive Officer if SVCreates Connie Martinez, and Director of San Mateo County Arts Commission Robin Rodricks. These leaders examine the effects of the COVID-19 pandemic on the arts, the tensions between arts and cultural organizations and other organizations providing emergency-related services the correlation between race equity and arts access and education, how these organizations are building awareness around these disparities and advocating for funding the arts, and more. In SVCF’s Philanthropy Now podcast series, we explore trends in the world of philanthropy, social impact initiatives in Silicon Valley and beyond, and we look at how SVCF promotes innovative philanthropic solutions to challenging problems. Access the full show notes at siliconvalleycf.org
After years of talking about diversity in the arts sector it's starting to feel like a monologue that only reaches an audience of our own communities, say Dr Paula Abood and Aseel Taya a Palestinian creative director and installation artist. Aseel says when applying for arts funding, the process is not tolerant of people from migrant backgrounds and even less accommodating for those pitching art that is deemed not “relevant” for Australian audiences. Dr Paula Abood is a writer, creative producer and educator, and a leading figure in the space for 30 years. She's calling for the entire funding regime to be restructured because currently the major organisations take the bulk of the money while the small-to-medium sector, where diversity flourishes, is left with the crumbs.
Has representation become a buzzword? Another requirement for organisations and institutions to comply with? For many organisations, the representation box is often ticked when “People of Colour”, “First Nations” people and “People With Disability” are ‘invited into' the conversation for a particular moment.But how can we create real systemic change and work towards a sector where artists and creatives who are not from the mainstream are both represented and self-determined?
Coming soon Season 2 of The Colour Cycle - a special Fair Play season recorded live at Diversity Arts' two-day symposium at the Wheeler Centre in Melbourne. We want to make sure that the conversations that we have inside closed rooms are shared far and wide. It's a season packed with important ideas, strategies and insights from leading thinkers in the arts. People like First Nations trail blaizers Genevieve Grieves and Tony Briggs, international guests like Deborah Williams from the UK's Creative Diversity Network, Disability leader and artist Caroline Bowditch, and Aseel Tayah, Paula Abood and many more. If you're committed to equity in the creative sectors, then you don't want to miss this.
The film industry is booming across the African continent. In Nigeria, Nollywood generates an annual $600 million for the national economy and indirectly employs more than 1 million people. With African filmmakers expanding from DVDs to theaters and streaming services, there is an opportunity for African governments and the international community to support and invest in the continent’s growing creative sector. Join the CSIS Africa Program for a screening of “Lionheart”, the first Netflix original film produced in Nigeria, followed by a panel discussion and reception. As the inaugural event in the CSIS Africa Program’s “Creatives Series”, the evening will explore Nigeria’s burgeoning creative industries, its investment potential, and how the United States and international community can harness Nollywood’s soft power. This event is made possible by the support of Chevron.
This piece was produced by Nour Ibrahim for Pioneers Post as part of the DICE Young Storymakers Programme. Special thanks to Hisham Algazzar, founder of Yadawee. Read the full story here: https://www.pioneerspost.com/podcasts/20200130/family-business-the-women-starting-afresh-cairos-creative-sector Music from https://filmmusic.io "Imagefilm 018" by Sascha Ende (https://www.sascha-ende.de) License: CC BY (http://creativecommons.org/licenses/by/4.0/)
Episode Eleven–Jessica Sweiden (Synchronicity Earth) In this episode we sit down and talk with the inspiring Jessica Sweiden, who is the founding director with her husband Adam Sweiden of the environmental charity organisation Synchronicity Earth. Synchronicity Earths mission statement is to – “act to address overlooked and underfunded conservation challenges for globally threatened species and ecosystems.” One of the key factors that makes Synchronicity Earth such a unique charity is that they frequently work along side the creative industry – Jessica explains how that came into effect and what the benefits are behind that for a charity. We touch on protest and activism via thoughts on the extinction rebellion and also gain a wider understanding of the palm oil industry. We talk about what biodiversity and monoculture is. And it also becomes apparent that Peter Gabriel is in fact a G. Episode eleven tracklist: Jessica’s track: Come Talk To Me – Peter GabrielAdam’s track: Ghetto Skank Dub (Dubplate) – Sleepy Time GhostLouis’s track: Black Voices – Tony AllenThe remix track: Come Talk To Me – Bon Iver Find out more about Jessica’s projects here… https://www.synchronicityearth.orghttps://vimeo.com/129900424https://vimeo.com/309486675https://vimeo.com/244819721 A useful article about sustainable palm oil products: http://www.bunnyarmy.org/articles/list-palm-oil-sustainable-companies.html
Australia is tremendously multicultural, but the cultural and arts sector is overwhelmingly white, and significantly under-represents cultural and linguistically diverse Australians.
Here we take a deep dive into Social Innovation in the Creative Sector with Candice Lela Rolingson. Candice is an accomplished innovator and business developer who’s always been passionate about tourism, creative industries, and technology. She has successfully launched ventures in film, fashion, beauty, wellness & lifestyle, in addition to facilitating business model development and branding strategies to various business products and individuals. An international award-winning Executive Producer with a talent for research methods, Candice has developed exceptional skills in project managing the production of documentaries, feature films and commercially-branded entertainment for web & television advertisements, events, media and motion pictures. Moreover, she specializes in Caribbean Film Locations and Tourist Destination Management for international productions. In this episode, we discuss: The concept of Social Innovation; Why Social?; The vision, creation and production process, and impact of the film "Positive and Pregnant"; Rollywood; Location Management; "Our Ethiopia" short film series; Building awareness of local creative projects; and The Caribbean's role in Global Diversity. Links: Candice's Production Reel - on YouTube. Trailers for "Our Ethiopia" Series Candice's thesis on Behavior Change Candice on LinkedIn Candice on Twitter Candice on Instagram Related Episodes: Listen to Episode 020: Social Entrepreneurship with Sian Cuffy-Young Listen to Episode 013: Rankin Morgan - Dazzle Magazine Subscribe To This Podcast: iTunes Stitcher Castbox RSS Feed
Charlotte Webster is an artist, a curator and most importantly a friend of the planet. By day she currently is the Communications Manager for international climate change charity CDP www.cdp.net. In this podcast we talk about deforestation, how she set up human nature and the importance of artists in the sustainable business sector. Episode One tracklist: Charlotte’s track: Timber – ColdcutLouis’s track: We The People – A Tribe Called QuestAdam’s track: Anansi – Hylu & Jago feat. Nãnci CorreiaThe remix track: Timber – Quant’s Shaggy Dog Story Remix Find out more about Charlotte here… http://humannatureshow.com/about-us/ www.charlottewebsterdesign.co.uk http://goodshoutstudio.com/ Follow Charlotte on social media… Twitter: @humannatureartFacebook: @humannatureshow
Listen again to our live chat on the outcomes of the COP21 climate negotiations and what the Paris Agreement means for the creative sector. Join the conversation on Twitter using #COP21response. Featuring live chat guests: - Alison Tickell (JB_Alison), CEO Julie's Bicycle, - Diana Liverman (@DianaLiv), Regents Professor of Geography and Development and co-Director of the Institute of the Environment at the University of Arizona, USA, - Mark Meyrick (@GoodEnergy), Trading and Origination Director of Good Energy who has been an accredited observer at a number of COPs.
Kate Oakley, visiting professor at City University, charts the history of the cultural industries in the UK and examines the implicit assumption that working in this sector is inherently positive.
Dr Anne-Marie Quigg is Director of Jackson Quigg Associates and received her PhD from City University. She discusses her research into bullying in the arts and describes the work she is doing to combat bullying and harrassment in the creative sector.
Jan Scott Nelson is a coach and web designer based in Northern England. Here she discusses her work with perpetrators of bullying.
Ian Matthews is head of Employee Engagement at Arts Council England. In this panel presentation he talks about the model and approach used at the Council to ensure management is supportive of staff.
© 2020-2025 Ivy Podcast Discovery LLC
