Fictional monster found in Godzilla movies
POPULARITY
5 episodes with Ebirah
3 episodes with Ebirah
2 episodes with Ebirah
2 episodes with Ebirah
2 episodes with Ebirah
2 episodes with Ebirah
2 episodes with Ebirah
2 episodes with Ebirah
2 episodes with Ebirah
Brandon, James, and Hanna discuss the few films that have been adapted from William S. Burroughs's prose, starting with David Cronenberg's 1991 adaptation of Naked Lunch. https://swampflix.com/ 00:00 Welcome 01:20 Friendship (2025) 03:10 Bring Her Back (2025) 09:34 Premonition (2007) 13:37 Mulan (1998) 16:53 Ghidorah, the Three-Headed Monster (1964) 20:02 Ebirah, Horror of the Deep (1966) 23:08 Naked Lunch (1991) 41:30 Burroughs - The Movie (1983) 55:41 The Junky's Christmas (1993) 59:56 Ah Pook is Here (1994) 1:03:21 Queer (2024)
Crank up the surf rock for a day at the beach and a nice lobster dinner, because we're talking the time Godzilla fought a giant crustacean! This low-key island adventure features a major changing of the guard behind-the-scenes, resulting in a fun and unique James Bond-inspired story where a ragtag group of misfits find themselves working with sleepy kaiju to stop a terrorist organization. We talk about Mothra as a honk-shoo queen and Godzilla as a tired dad, budget cuts, how the end of the studio system resulted in Jun Fukuda becoming the new Godzilla guy (whether he liked it or not), and more! Cover art by: Doug! Check out the cover art gallery on Glitterjaw. Part of The Glitterjaw Queer Podcast Collective Patreon | Discord Email: skreeonkpodcast@gmail.com Theme song: "BIO WARS - Synth Cover" by Kweer Kaiju Sources include: Mothra Birth Festival Blog A Critical History and Filmography of Toho's Godzilla Series by David Kalat Ishirō Honda: A Life in Film, from Godzilla to Kurosawa by by Steve Ryfle and Ed Godziszewski Godzilla FAQ: All That's Left to Know About the King of the Monsters by Brian Solomon Wikizilla
It's Godzilla vs. Ebirah vs. Mothra in the greatest beach movie ever made. Join Kevin and Kayla as they discuss Ebirah, Horror of the Deep (1966)Want to support our work and gain access to bonus episodes and our private Discord? Visit our Ko-Fi at https://ko-fi.com/digitalkaijustudiosGorilla Whale is a Godzilla watch-along podcast and production of Digital Kaiju Studios. Gorilla Whale has no official affiliation with Toho, Legendary, or any other companies associated with the Godzilla franchise.Follow us on social media!Bluesky: https://bsky.app/profile/digikaiju.bsky.socialFacebook: https://www.facebook.com/profile.php?id=61557977974729Instagram: https://www.instagram.com/digitalkaijustudios/Tiktok: https://www.tiktok.com/@digitalkaijustudiosTumblr: https://www.tumblr.com/digitalkaijustudiosTwitter: https://x.com/DigiKaijuArt by Ashlee HartMusic: Godzilla Beat by LazaOaza
Lords: * JohnB * Kory Topics: * I have become a vinyl record enjoyer * Teaching myself C++, or "I learned C++ when I should've learned C, AMA" * Forgetting things as a way of getting other things done * I Sat Belonely by John Lennon * https://silverbirchpress.wordpress.com/2013/05/14/i-sat-belonely-poem-by-john-lennon/ * The vestigial organs of video games Microtopics: * Kbones' Wire Tripper, on display at Wonderville. * Easter eggs for fans of Gordy and the Monster Moon. * Ebirah, Horror of the Deep. * Watching Shin Godzilla immediately after Evangelion. * Dan Ryckert's nonsense over at Giant Bomb. * Listening to a Mario Party game on the radio. * Supplementing all your collecting hobbies with a creative hobby. * Grabbing the record player before the garbage collector does. * An auto-sustaining supply of sound bars entering and leaving the trash. * The Digital Jim Gift Shop. * The Frog Fractions OST Vinyl in Bug Mars Orange. * Auditioning for college radio by DJing a show to tape that won't be aired, just rated by a panel of experts. * The vinyl soundtrack to a Net Yaroze game. * Albums that have an odd number of sides. * Holographic tie fighters that spin around when you shine a light on them. * The Funkopopization of Vinyl. * Hobbies that are better if you have friends. * Using wood glue to clean an LP, then using an inverse record player to play music off the glue's negative grooves. * The glue's glue. * Station to Station, by David Bowie. * The experience of listening to an album all the way through. * Content-producing reasons. * An excuse to listen to an album with friends under the auspices of being productive. * Seeing the music by looking how wide the groove is. * Smooth jazz appreciation. * The Madden NFL of the record shop. * How to justify going to GDC when you're not a game developer. * How to ship a Love2D game. * Drag your file onto a Love Executable. * Putting together your first Arkanoid-like in Game Boy Assembly. * To create Red Dead Redemption, first add two binary digits. * Super FML. * Objectless games. * The data flow required to change screens in a Zelda-like game. * What happened to various aspects of the Adobe Flash ecosystem. * Why console games had such sluggish menus. * A bug where if you do it right you don't have to press A. * How to do a bureaucracy thing. * Keeping an important task in mind so you can accomplish all your less important tasks. * Trying to forget all but one thing you need to do because if you remember two things you'll just sit there being anxious. * Forgetting information that you do have vs. faking information that you don't have. * Foveated vision. * Yesterday's List. * How many Frog Fractions had to die because the most dangerous task was attempted first? * A little tiny little pig. * Balonely. * A Spaniard in the Works. * Reading your own book in your fictionalized biopic. * Whimsical Elisions. * Fun whimsical vs. dark whimsical. * Coming back from India and writing a hundred one minute songs that don't mean anything. * Music that you've listened to so much that it's like listening to breathing air. * Don't Pass Me By and Octopus' Garden. * Game mechanics that still exist because nobody's thought about them in a while. * Moon phases in Shin Megami Tensei. * Demon Fusion. * What Super Mario Wonder does with a combo since it doesn't have points. * A potentially dangerous vestigial organ in video games. * How to make pinball beginner friendly.
Al and Spencer talk about the Dave the Diver Godzilla DLC Timings 00:00:00: Theme Tune 00:00:30: Intro 00:02:13: What Have We Been Up To 00:17:01: Dave The Diver 00:25:52: Godzilla DLC 00:47:48: Outro Links Dave the Diver Godzilla DLC Contact Al on Twitter: https://twitter.com/TheScotBot Al on Mastodon: https://mastodon.scot/@TheScotBot Email Us: https://harvestseason.club/contact/ Transcript (0:00:32) Al: Hello Divers, and welcome to another episode of The Harvest Season. (0:00:37) Al: Maybe I should call it the diving season again. (0:00:39) Al: My name is Al. (0:00:42) Spencer: And my name is Spencer. (0:00:43) Al: And we are here today to talk about cottage core games, kind of. (0:00:51) Al: Transcripts are available on the show notes and on the website, as always. (0:00:55) Al: Today, I have the one and only Spencer on to talk about the Dave the Diver Godzilla (0:01:02) Spencer: Thank you for having me. (0:01:02) Al: from Spencer. (0:01:04) Al: How are you doing today? (0:01:04) Spencer: Good. (0:01:05) Spencer: How are you? (0:01:08) Al: I am a little bit tired. (0:01:10) Al: We have that fun thing where Spencer and I are so far apart in time and both have (0:01:14) Al: kids that the only time we can record is 6 a.m. my time. (0:01:19) Al: And was it 10 p.m. your time? (0:01:21) Spencer: yeah it’s approaching 10 right now and like you mentioned kids and not wanting to go to sleep (0:01:28) Spencer: and it’s it’s been rough (0:01:30) Al: Yeah, yeah, well them not wanting to- (0:01:32) Al: good to sleep. You wanting to go to sleep. So yeah, we’re both tired, but for different (0:01:38) Al: reasons. Well, one of the same reasons, which is kids, and the other a different reason, (0:01:43) Al: which is because we’ve got different ends of the day. Aren’t time zones fun? (0:01:50) Al: Cool. So as this is Dave the Diver month, we will obviously have no news. So listeners, (0:01:57) Al: you can tell me after you’ve listened to all these, if this was too many episodes about one game, (0:02:02) Al: we’ll see, but it will be too late. So yeah, so no news. But before we talk about the Dave (0:02:05) Spencer: Just gotta suck it up. (0:02:11) Al: the Diver Godzilla DLC, Spencer, what have you been up to? (0:02:16) Spencer: Uh, not much. I mean, at the time of this recording, we’re currently potty training our child, so I’m sure you have older children than we do, so I’m sure you know all about the fun that comes with that. (0:02:22) Al: Oh, perfect. Yep. The end point of that is fantastic. The fact that you can just say (0:02:33) Al: to your kid, “Yeah, we’ll go to the toilet,” and then they go and do it, and then they’re (0:02:36) Al: done, and they come back, and you’re like, “Fantastic. I don’t need to be involved in (0:02:40) Al: that process anymore. I love it.” (0:02:42) Spencer: Yeah, but see the tough thing is, and this is part of what we’re dealing with right now, (0:02:46) Spencer: is now they learn in the middle of the night when all the lights are off. (0:02:50) Spencer: If they yell, “I gotta go potty,” then that’s in a yep, so. (0:02:52) Al: Yeah, well you get to a point where they finally learn that they can do everything themselves (0:03:00) Al: and they don’t even need you. So that’s what we’ve got with our youngest finally, where (0:03:06) Al: he just goes to the toilet in the middle of the night and we don’t have to care about (0:03:08) Spencer: Ah. The dream. (0:03:10) Al: it. It’s fantastic. If we’re still awake, he will talk to us. And I’m like, “Craig, (0:03:14) Al: you don’t need to talk to us. Just go to the toilet and go back to bed.” For a long time, (0:03:19) Al: He used it as an excuse to be out of his room and talking to us. (0:03:22) Al: Because he loves people, he loves talking, but I think we’ve finally got there where (0:03:29) Al: he will now come out of his room, go to the toilet and go back to his room without talking (0:03:35) Spencer: Yeah, so yeah, pretty much that and then just playing a few games (0:03:40) Spencer: Metroid Prime remaster, I know there’s the news about Metroid Prime 4 kind of got like sucked into it a little bit (0:03:47) Spencer: I’ve already played Prime back on GameCube. So this kind of just revisiting for me (0:03:52) Spencer: Super Monkey Ball been playing. This has actually been a lot of games (0:03:55) Spencer: I’ve been playing like in the two years that we’ve had our daughter now (0:04:00) Spencer: Probably the most I’ve been playing games in my free time (0:04:05) Spencer: I’ve been playing Dave the Diver and stuff. So, Stellar Blade I put way too much time into Stellar Blade lately (0:04:10) Spencer: so that game has been really fun stuff and (0:04:14) Spencer: Even a mobile game that I’ve been playing has a Dave the Diver collaboration going on right now at the time of this recording (0:04:20) Spencer: which is (0:04:20) Al: Yeah, so were you playing this game before the collab was announced? (0:04:24) Spencer: Yes, I was and the game will remain unnamed for different reasons (0:04:31) Spencer: but (0:04:32) Spencer: It does have a day the diver collab going on (0:04:35) Spencer: and it was very interesting bouncing back and forth between the actual game and the collab (0:04:41) Spencer: because they did a pretty good job, in my opinion, of translating it to mobile game. (0:04:50) Al: Yeah, it’s interesting because Kelly shared this news with me, because we were talking about the (0:04:56) Al: Dave the Diver stuff. They’ve played Dave the Diver quite a bit, and they were like, “Oh, (0:05:00) Al: there’s a new DLC,” and I’m like, “Oh, interesting.” And I was like, “No, this isn’t a DLC. This is (0:05:07) Al: inside the Nikkei game.” And watching the trailer, it does seem to just be the game (0:05:14) Al: inside Nikkei, like it’s just Dave the Diver inside Nikkei. (0:05:18) Spencer: Yeah, it is very much just day of the day. (0:05:19) Spencer: Well, it’s just the fishing part, (0:05:22) Spencer: which I know I’m sure we’ll get into when we talk more (0:05:24) Spencer: about the game itself. (0:05:25) Spencer: But it’s just the fishing part, just the serving sushi part. (0:05:32) Al: Aha (0:05:33) Spencer: I think they reduce the map size quite a bit. (0:05:37) Spencer: But it works fairly well, actually, especially (0:05:39) Spencer: because it’s like smartphone touch controls. (0:05:42) Spencer: So you kind of just drag your aimer, so to speak. (0:05:48) Spencer: When you’re shooting and stuff. (0:05:51) Spencer: So yeah, it’s actually a pretty good translation of the game, (0:05:54) Spencer: to be honest, or at least for a mobile device. (0:05:56) Al: I am not going to talk about what I’ve been playing because, as listeners know, this is (0:06:01) Al: like a month. It’s about a month. This is coming out after we record it. So I’m going (0:06:08) Al: to talk about a TV show that I have almost finished that, as of recording, only came (0:06:12) Al: out less than a week ago, and that is the Exploding Kittens Netflix show. Have you seen (0:06:18) Al: any of this, Spencer? (0:06:20) Spencer: I have not. (0:06:21) Al: Have you played Exploding Kittens, the game? (0:06:23) Spencer: I’ve seen it, but I’ve not played it myself. (0:06:28) Al: So, I mean, this is all just hooks on hooks of things, right? (0:06:33) Al: So Exploring Kittens is a card game (0:06:35) Al: that is based on a tiny little cartoon (0:06:39) Al: that the Oatmeal guy did once. (0:06:43) Al: And he made a card game based on this, which is, (0:06:46) Al: I mean, it’s a fair, I enjoy the card game. (0:06:48) Al: It’s very fun, but it’s only very tangentially related (0:06:53) Al: to anything to do with the Oatmeal. (0:06:55) Al: And it’s more just like, you know, the Oatmeal’s humor, (0:06:58) Al: a card game. (0:07:00) Al: And then, tangentially related to that, (0:07:03) Al: he also now has made a show on Netflix, (0:07:07) Al: which of course only Netflix would make (0:07:09) Al: on Exploring Kittens show, right? (0:07:11) Al: And I personally think it’s very much the Oatmeal’s humor (0:07:14) Al: just in a TV show. (0:07:17) Al: I mean, it’s very stupid, right? (0:07:19) Al: It’s not highbrow humor, it is very, very stupid, (0:07:22) Al: but I personally am enjoying it. (0:07:24) Al: The premise is that God is turned into a cat. (0:07:28) Al: He turned down to Earth and turned into a cat (0:07:30) Al: to learn to be better. (0:07:35) Al: And also the devil is sent up to Earth to be a cat as well, (0:07:39) Al: to learn to be more evil. (0:07:41) Al: And that is kind of the whole premise around it. (0:07:46) Al: And I won’t go into the details of it, obviously, (0:07:48) Al: ‘cause it’s spoilers, but personally, (0:07:50) Al: I’ve been enjoying it. (0:07:51) Al: It’s very stupid humor. (0:07:52) Al: So if you don’t like, I’m not stupid, (0:07:55) Al: that’s not the right word, (0:07:56) Al: ‘cause there’s lots of different types of, (0:07:59) Al: style and silly. (0:08:01) Al: So if you don’t like that sort of humor, (0:08:02) Al: you definitely won’t get it, won’t enjoy it. (0:08:05) Al: And that’s fine, (0:08:06) Al: but I have personally been enjoying it a lot. (0:08:10) Spencer: off to look into it. Yeah, we haven’t been watching too much stuff on TV or Netflix or anything. I’m (0:08:15) Spencer: trying to think of the last thing we watched, but yeah, I can’t think of anything that comes off (0:08:20) Spencer: to the top of my head, so. (0:08:22) Al: I can’t stop watching stuff. I also watched, I talked in the last episode I was on as listeners (0:08:31) Al: are listening about the Gotham Knights, which was that one off season CW show about Batman (0:08:44) Al: being murdered and it’s not good, right? I’m not going to say it’s good, but it is interesting. (0:08:52) Al: I think it was worth watching, but I think it’s ties to DC make it worse than if it didn’t do (0:09:00) Al: that because it feels the need to hook into things that it definitely didn’t need to do. (0:09:08) Spencer: Interesting. I mean, not good, but entertaining is kind of like my genre of TV and movies, so… (0:09:16) Al: It’s very much a DC CW show. So if you’ve watched any of them, it’s very much in the same. (0:09:22) Al: So it’s less funny, right? Like Flash and Supergirl. And I mean, I guess not Arrow. Arrow (0:09:29) Al: wasn’t ever really funny, but certainly those ones have been tried to at least be some level (0:09:33) Al: of funny. This is probably, I guess more like Arrow in terms of its seriousness. But I always (0:09:42) Al: liked in the crossovers between those shows, this juxtaposition between the seriousness of Arrow (0:09:48) Al: and the humour of the other characters. This obviously doesn’t… (0:09:52) Al: have any crossover between them, and I have no idea if it’s meant to be on the same Earth as (0:09:56) Al: any of them. They got a bit confused at the end as to how many different Earths they actually had, (0:09:58) Spencer: OK, so they don’t establish this as part of the, what did they call it, the arrow verse? (0:10:04) Al: but… No, they don’t. Technically, there were actually multiple universes within the Arrowverse (0:10:12) Al: because Supergirl was on a separate one until Crisis on Infinite Earths, and then it was on (0:10:20) Al: on the same one. (0:10:22) Al: But they also still had multiple others because like there was Stargirl, (0:10:27) Al: which was never technically in the Arrowverse, but was tangentially related. (0:10:32) Al: And After Crisis was shown to be on a different Earth still. (0:10:36) Al: And there was also the Superman and Lois (0:10:39) Al: show, which was shown to be on the same Earth as the rest of the Arrowverse was (0:10:47) Al: crisis, but then they decided that the new what the series (0:10:53) Al: different. And therefore there were a few things like Lex Luthor was just a (0:10:57) Al: different person. And so it was obviously on a different Earth, but they never (0:11:00) Al: actually explicitly said that. And they had explicitly said it was on the same (0:11:03) Al: one. So you’re like, “Oh, so is this now a different Superman and Lois we’re (0:11:07) Al: following on a different Earth that just happened to look the same?” It was all (0:11:11) Al: very weird and confusing because they also, they went from, I mean, I do love (0:11:17) Al: the silliness of these things, right? So after crisis, they went from having (0:11:22) Al: one kid to having twins. And you’re just like, “Okay, fine. Sure. I’ll let that (0:11:29) Al: happen. It’s crisis. Weird things happen in crisis.” But then there were like this (0:11:33) Al: exact version of this family also happens to be in another universe as (0:11:38) Al: well, which is almost identical, but not quite very weird. Yeah, exactly. And I (0:11:42) Spencer: Just like one little little difference to make the plot devices work now (0:11:47) Al: don’t even I guess maybe it was just that because oh who was who was the what’s the (0:11:52) Al: guy that played Lex Luthor in the in their verse can you remember did you ever watch (0:11:56) Al: any of them yeah I don’t think yeah he was yeah Lex was only in Supergirl I think John (0:11:57) Spencer: I did not I did watch arrow through quite a few and then yeah and then I was (0:12:08) Al: Cryer that’s his name you know who I mean he’s a two and a half men guy what else is (0:12:12) Spencer: Oh, okay, well, I don’t think I ever watched Two and a Half Men, so… (0:12:18) Al: the end. You probably recognize him. (0:12:22) Al: He’s pretty famous, but yeah. Apparently he was in Superman 4 as well. I missed that. (0:12:31) Al: Who was he in Superman 4? (0:12:32) Al: Lenny Luther. Who’s Lenny Luther? Is that Lex’s son? Oh my word. Oh my. That is so dated. (0:12:43) Al: That’s amazing. His hair is fantastic in that. He’s the nephew of Lex Luther. Oh, I do remember (0:12:50) Al: that scene actually, that’s hilarious. (0:12:52) Al: Anyway, yeah, so I’m presuming that John Cryer just didn’t want to be Lex Luthor anymore, (0:12:58) Al: which is fair enough, right? Like when you’re going from, you know, a medium-sized show that (0:13:07) Al: is Supergirl to a smaller show that is Superman and Lois, I see why you wouldn’t want to continue (0:13:15) Al: that rule. It’s not exactly a huge (0:13:18) Spencer: Yeah, not really a jump in pay, so to speak. (0:13:23) Al: Exactly. And you can’t even just go, “Oh well, after Crisis they had a different Lex” because (0:13:28) Al: they showed in the show that after Crisis they had the same Lex Luthor, because that was a huge (0:13:34) Al: part of the plot point with him anyway. Not important. Yeah, and I’m just about to start (0:13:42) Al: watching the second series of Star Trek Prodigy. Have you seen? (0:13:46) Spencer: I have not. I have very… I say this. I have very little background knowledge of Star Trek except for I did watch a couple seasons of the original at one point. (0:13:57) Al: All right, fair enough, fair enough. Prodigy is, I think, best for two people. One is, obviously, (0:14:05) Al: kids is very good for them, but I think it’s also very good for, you know, Star Trek nerds who (0:14:11) Al: particularly like, what’s her name? Oh, my word, why am I so bad with names? Janeway, Captain Janeway (0:14:20) Al: from Voyager, because there’s tie-ins to Voyager and it’s… (0:14:27) Al: It’s good fun. It definitely is a kids show, and I wouldn’t say it’s as good at being (0:14:33) Al: a kids and an adult show as, say, Pixar films, but I think it does a good job of being interesting (0:14:41) Al: for adults as well. It’s not… It’s like, have you ever seen the new Spidey and His Amazing Friend (0:14:48) Al: show? Like, that is a kids show, and it’s like, you’re not really going to be interested in it, (0:14:48) Spencer: Oh, that’s constantly playing in our house. (0:14:57) Al: other than just to say that you’ve watched it, right? Like, it doesn’t really do anything (0:15:02) Al: for adults. Same with the… Because you watched the Young Jedi Adventures as well, didn’t you? (0:15:03) Spencer: Yeah, we have, and yeah, again, that one’s very like, you know, teaching kids lessons (0:15:14) Al: yet. They’re cute and they’re fun, but they don’t give anything to adults. And that’s fine, (0:15:14) Spencer: of, you know. (0:15:20) Al: I don’t think everything should have to be good for adults as well. And I have watched through (0:15:24) Al: both of them because I want to have watched them. Not because I’m particularly enjoying them, (0:15:30) Al: I want to have watched them and to have said that I have watched them. Whereas Star Trek Prodigy, (0:15:35) Al: I’m actively enjoying, the story is interesting, and there’s a few references to other Star Trek (0:15:41) Al: stuff that isn’t too heavy-handed. (0:15:44) Al: But it still feels fun. (0:15:46) Al: And so I think that if you don’t have kids and you’re not like, (0:15:49) Al: “I need to watch everything,” it’s definitely worth a watch. (0:15:52) Al: Whereas, you know, the two that we’ve mentioned, if you’re not (0:15:55) Al: obsessive about watching everything, don’t bother. (0:15:58) Spencer: Yeah, I mean that definitely it yeah, if you don’t have kids, please don’t watch the start Star Wars the Jedi my goodness (0:16:05) Al: unless you are obsessive over it. I think there’s one or two vaguely interesting things. (0:16:09) Spencer: Yeah (0:16:15) Al: I find there was an episode where they find their kyber crystals, which was vaguely interesting, (0:16:26) Al: but there’s maybe one other episode that you would… Other than that, it’s the exact same (0:16:30) Al: episode just with different things. It’s like they don’t listen to one of the teachers. (0:16:35) Al: Exactly what the teacher told them not to do or don’t do what they told them to do. (0:16:39) Al: Something goes wrong. They have to solve it. And then they say sorry, but they’ve learned (0:16:43) Al: to lesson. That’s it. That’s every episode in that scene series. (0:16:46) Spencer: Yeah, it follows a pretty similar format for each. (0:16:50) Spencer: It’s definitely not meant for adults. (0:16:53) Al: All right, cool. Well, that’s what we’ve been up to. Definitely didn’t drag that out because (0:17:01) Al: we have no news. We’re now going to talk about the Dave the Diver Godzilla DLC. Before we (0:17:09) Al: get into the specifics of the DLC, I wanted to, I meant to share the episode with you (0:17:13) Al: so you could hear what me and Kevin talked about, but I’m just wondering what your thoughts (0:17:16) Al: about the game in general are before we talk about it. (0:17:19) Spencer: Oh no, that’s fine. Yeah, so… (0:17:21) Spencer: I don’t know… (0:17:23) Spencer: Hmm… (0:17:24) Spencer: Feel bad coming on your podcast and then saying this. (0:17:27) Spencer: I don’t know if I’d qualify this as a farming game. (0:17:31) Spencer: It has farming. Let’s be very clear. (0:17:31) Al: Oh, it’s not. It’s not. It’s absolutely not. I accept that. Yeah. (0:17:34) Spencer: This has farming. (0:17:36) Spencer: I don’t even know if I’d qualify this as a fishing game, though, to be honest. (0:17:39) Spencer: And hear me out. (0:17:40) Al: No, no, I agree. (0:17:41) Spencer: This game, in my opinion, is a parody (0:17:45) Spencer: of every possible game they could shove into (0:17:49) Spencer: out of whatever you want to call it. (0:17:51) Spencer: Like, if you can think of a style of game, (0:17:54) Spencer: this game probably has some kind of small section (0:17:57) Spencer: in it that parodies that, right? (0:18:00) Spencer: You start out fishing. (0:18:00) Al: Interesting I hadn’t I hadn’t thought of it as parodying them but that does make (0:18:02) Spencer: And there’s the fishing thing. (0:18:07) Al: things a bit that does make things a little bit more sense. (0:18:10) Spencer: right you have your fishing you have your your little serving minigame ask game you even you (0:18:18) Spencer: even have a stealth metal gear solid part right there’s a part where i’m like wait why am I like (0:18:24) Spencer: running around this little secret base and having to hide behind boxes and stuff you have (0:18:30) Al: That secret base was so stupid, like the rolling, you walk up to boxes then you roll over the (0:18:32) Spencer: I was (0:18:37) Al: boxes. (0:18:38) Spencer: you hide in the fridge (0:18:39) Al: Yeah, OK. (0:18:41) Spencer: And then there was a rhythm part, like that part came up, and I was like, (0:18:45) Spencer: why is there a rhythm game in the middle of this game? (0:18:49) Al: Yeah, that’s a really interesting… I don’t know why I didn’t put this together, but that (0:18:54) Al: explains why there are an infinite number of minigames in this game. Because they’re (0:19:00) Al: trying to parody everything. That makes so much sense. I had not thought about that. (0:19:05) Spencer: So yeah, that’s kind of that’s kind of my thoughts on it. I enjoyed playing the core game very much some of the some of the different (0:19:13) Spencer: mini games (0:19:14) Spencer: Were so so but you really only played them maybe like once or twice and then you kind of like move on (0:19:20) Spencer: So it’s not that big of an issue in my opinion (0:19:22) Spencer: Um, I really enjoyed the fishing the fishing parts fun. The sushi part gets a little hectic at times (0:19:30) Al: the good thing about this issue part is that it doesn’t take very long. (0:19:32) Spencer: That’s true and in all fairness to (0:19:35) Spencer: you I was like refusing to hire staff for a long time and then once I hired (0:19:38) Al: Oh really? Oh no, as soon as I had money, enough money to hire staff, I was hiring staff. (0:19:39) Spencer: yeah like I finally hired someone (0:19:45) Al: I’m like, “I don’t want to be doing all this work.” (0:19:48) Spencer: Well, I hired one person to serve with me, and I think that might be someone that you (0:19:52) Spencer: just have to hire through tutorials. (0:19:55) Spencer: Yeah, and then finally, I hired another person to work in the back kitchen. (0:20:01) Spencer: And then that greatly, I was like, “Oh, okay, wow, this actually helps a ton. (0:20:06) Spencer: I should have done this a long time ago.” (0:20:08) Al: Yeah, no wonder you didn’t have any money. I was like, I have almost all the upgrades (0:20:11) Spencer: Yeah, Alan and I were talking about that, and I’m like, “Why am I always not have any (0:20:14) Spencer: money to buy anything. (0:20:18) Al: and I’m not finished the story yet. And you’re like, I don’t understand how you have money. (0:20:22) Al: I didn’t realise you hadn’t hired staff. I hired every staff member as soon as I could. (0:20:26) Al: So I think you end up with two, is it two of each? Or can you have three? I think you (0:20:30) Spencer: I think you can have… (0:20:31) Al: can end up having three waiters and two extra chefs. So you end up with basically three (0:20:38) Al: each, and plus yourself serving as well. And you can train them up more as well to (0:20:44) Al: make them more efficient. And eventually the servers will learn to do drinks as well, which (0:20:53) Al: is the most annoying thing. (0:20:54) Spencer: Yeah, that’s kind of so I had like at the time the recording I have two servers and I have a (0:21:03) Spencer: Like help in the the kitchen part like a chef I guess (0:21:08) Spencer: And I’ve trained up at least one server to be able to do drinks (0:21:12) Spencer: Which is helpful because like once you have at least two servers (0:21:16) Spencer: Then you yourself are kind of like delegated to just doing drinks if they are (0:21:21) Spencer: needed while the other two run around doing orders. (0:21:25) Al: And also you need to do the Wasabi, um, yeah, no, that’s interesting. (0:21:32) Al: Uh, was there anything you, was there anything in particular you didn’t like? (0:21:33) Spencer: but yeah, that’s it. (0:21:37) Al: Other than maybe some of the many. (0:21:39) Spencer: I don’t know if I’d necessarily say it was like as (0:21:43) Spencer: like an actual gameplay aspect of the game as much as like a lot of the mechanics they kind of just like (0:21:49) Spencer: either throw at you really quickly and expect you to pick up (0:21:53) Spencer: or (0:21:54) Spencer: you’re like (0:21:56) Spencer: like we were talking (0:21:57) Spencer: online about this like I’m already you know you got to get to chapter five to get to the Godzilla DLC. (0:22:03) Spencer: But like in chapter five I’m still like getting game mechanics that are like pertinent to the game not just like random minigames. (0:22:09) Spencer: It’s like okay now you get like this and that and it’s like whoa hold on like (0:22:14) Spencer: This is way late in the game. Why am I still getting new game mechanics? So I that that part kind of threw me off. (0:22:18) Al: Yeah I can see why you would think it was not a good thing I think it’s both a good and a bad (0:22:25) Al: thing I think the good thing about it is you’re not I quite often feel overwhelmed by games when (0:22:30) Al: they tell you everything really early on and yes it’s a little bit weird getting game mechanics so (0:22:36) Al: late on but it also means that you don’t have you don’t end up with that overwhelmed feeling at the (0:22:42) Al: beginning and the tutorial can be really simple but yeah have you (0:22:48) Al: unlocked the chickens yet okay that’s the that is the final main farming thing there are other (0:22:49) Spencer: I have unlocked the chickens. (0:22:55) Al: a few small things but they’re all just to make it more efficient that it’s the last actual thing (0:23:00) Spencer: Okay. (0:23:02) Al: you get in the farming um but yeah yeah it was so ridiculous it’s like I don’t know if we would (0:23:08) Al: have done this had I realized how late on you needed to get to get to the DLC um because the (0:23:15) Al: drage DLC you need to have for now you (0:23:18) Al: need to have unlocked the farm and then yeah the Godzilla one you need to be in chapter (0:23:19) Spencer: Mm-hmm (0:23:24) Al: five which is it is because by the time we got to I was like oh well I may as well finish (0:23:25) Spencer: Which is basically almost the end of the game (0:23:30) Al: the game now so I have finished I finished the main story I haven’t like done a hundred (0:23:31) Spencer: Yeah (0:23:35) Al: percent of everything but I finished the main story now because you’re just like well I (0:23:40) Al: may as well now which I guess is a good thing but yeah I’m glad I gave us as much time as (0:23:46) Al: we did because we’ve had like a month. (0:23:48) Al: That’s not my fault. That’s not my fault. I gave you enough time to play the game. (0:23:48) Spencer: Yeah, something like that. Though, to be honest, I got a little sidetracked with some other games that I was playing, and then I was like, “Oh, it’ll be okay.” (0:23:56) Spencer: “It’ll be okay.” (0:23:58) Spencer: I thought it would be okay, and then when we were like, “Oh, chapter five, whoa, hold on.” (0:23:59) Al: That’s the important thing. I think I took about three weeks to get it finished. So it’s (0:24:09) Al: not a ridiculously long game. Yeah. (0:24:10) Spencer: No, yeah, once I sat down and really put some time into it, it was pretty easy to get to (0:24:18) Al: I’m at a total of about 40 hours. So I wasn’t even playing that super hard over three weeks. (0:24:23) Al: To give you a comparison, when Tears of the Kingdom came out, I spent three weeks playing (0:24:27) Al: that and I put 150 hours into it. So it’s a little bit different in terms of time there. (0:24:31) Spencer: No, I mean, yeah, no, I mean, like I said, I think that this game is, you know, poking (0:24:34) Al: All right, cool. Any other last thoughts on Dave the Diver before the DLC? Because obviously (0:24:41) Al: I just spent a whole episode talking about it. (0:24:48) Spencer: fun at a lot of games, to be honest, like, with all the different minigames, it has kind (0:24:53) Spencer: of just parodying stuff. (0:24:56) Spencer: But it’s all in good fun, so. (0:24:58) Al: Yeah, I think it’s poking fun of them, but in a way that you definitely know it’s like (0:25:03) Al: a love letter to them. It’s like the way you mock your loved ones, right? It’s not the way you mock (0:25:10) Al: someone you don’t like. OK, cool. Well, so we’re going to talk about the Godzilla DLC. Just to (0:25:17) Al: warn, there is so little in this DLC that we will be talking about absolutely everything. (0:25:22) Al: The story is not big and complicated, but we will be talking about the entire story of this thing. (0:25:27) Al: So if you don’t want to (0:25:28) Al: hear that now is when you stop. There won’t be anything else after this. We’re just going (0:25:34) Al: to talk about the DLC and basically just the story and the one mechanic that it adds. (0:25:43) Al: Well, that’s not true. I guess two. One mini game that it adds and one collectibles that it adds, (0:25:50) Al: but we’ll get to that when we get to it. So, yes. I guess to give a quick… (0:25:58) Al: Funny. So you start off and it’s like a stormy night. And then I can’t remember who’s the… (0:26:07) Al: This person isn’t in Godzilla lore, are you? (0:26:11) Spencer: as far as I remember I don’t think so there’s plenty of human characters that (0:26:15) Spencer: I just don’t remember the G for their part of yeah I believe her name is like (0:26:17) Al: Yeah. Well, that’s fair. I think yeah, meet Miki. Yeah. (0:26:21) Spencer: Miku or Miki yeah and she says she’s part of the G force which is like a (0:26:29) Spencer: thing in some movies just like a squad of like you know military people that (0:26:34) Al: Oh, she is. She does exist in other Godzilla stuff, so I just had a quick Google. She’s (0:26:34) Spencer: are tasked with like tracking and fighting Godzilla so (0:26:45) Al: from the Hacey Godzilla series. I don’t know if that’s something. I don’t know what that (0:26:49) Spencer: Okay (0:26:52) Al: is. (0:26:52) Al: Eh… (0:26:53) Spencer: So yeah, so Godzilla is separated into different (0:26:57) Spencer: Yes, would you call eras so to speak so the first era? (0:27:00) Al: So this one started with The Return of Godzilla in 1984. (0:27:03) Spencer: Yeah, so that’s that’s gonna be like the second era so to speak (0:27:07) Spencer: Kind of from yeah that the 80s through the 90s and then it’s so it’s divided up with Showa (0:27:07) Al: Okay. (0:27:13) Spencer: Which is the original Godzilla up to that one and then he’s he say I see (0:27:19) Spencer: If you speak Japanese, please correct us (0:27:23) Al: We’re sorry in advance. (0:27:24) Spencer: Yeah (0:27:26) Spencer: That’s separated (0:27:27) Spencer: like you said the the return of Godzilla in the 80s up through the 90s and then the 90s is (0:27:33) Spencer: the end of the 90s to (0:27:36) Spencer: Somewhere in the 2000s is the millennium series and then more recently we finally have (0:27:43) Spencer: after the millennium like I think it’s designated as the shin series because it starts off with (0:27:49) Spencer: Shin Godzilla, but I could be wrong either way (0:27:52) Al: So, the Godzilla Wiki is saying “Riwa” series, but anyway, doesn’t particularly matter the (0:27:53) Spencer: Bye. (0:27:54) Spencer: Mm-hmm. (0:28:00) Al: names of them. So, yeah, she is, according to the Wiki, she is employed by the Japanese (0:28:05) Al: government and then later G-Force. She uses her powers to communicate with, and in some (0:28:10) Al: instances attempt to control Godzilla. She is the most frequently recurring human character (0:28:15) Al: in the Godzilla series, having appeared in six consecutive films. So, there you go. She (0:28:22) Al: has six different films. Isn’t that interesting? But, I mean, none of that matters to this (0:28:29) Al: DLC, right? I think she does say like she consents Godzilla, so that kind of ties in, (0:28:35) Al: I guess, to her psychic abilities in the films, which is wild, but whatever. It’s a series (0:28:38) Spencer: Which to the uninitiated may seem weird, but there are quite a few things of like psychic abilities and stuff in Godzilla, so (0:28:49) Al: never ends. It never stops. (0:28:52) Al: So yeah, she appears and she’s like, “Oh, I think Godzilla’s here.” (0:28:57) Al: There was another, because one of the things in Dave is there’s like earthquakes, and that’s like, you have to figure out why there’s earthquakes. (0:29:03) Al: But this ties into Godzilla, and like, there’s another earthquake, but this is a different earthquake. You’re like, “Oh, this is different.” (0:29:09) Al: And then Miki comes along and tells you about Godzilla. So you need to go find Godzilla. (0:29:16) Al: You dive down, you find a cave, you like, blow up the entrance to the cave. (0:29:22) Al: And then you’re like, “Oh, look, Godzilla’s just there.” (0:29:24) Al: And I don’t know about you, that was a pretty terrifying moment in a terrifying game full of horrors. (0:29:30) Al: You just go into a cave and you just find Godzilla. (0:29:33) Spencer: Yeah, I mean given the previous parts of this game, I was pretty expecting Godzilla to just like, (0:29:39) Spencer: wake up and be like, “Okay, like a chase scene, like quick swim away.” (0:29:40) Al: Or time to fight! I hope you got a good gun! (0:29:45) Spencer: Yeah. (0:29:47) Spencer: So, oh, did you, now just as a side, did you try shooting Godzilla by chance? (0:29:53) Al: I did not. I was not going to start that fight before it needed to start, if it was going (0:29:54) Spencer: Oh. (0:29:57) Al: to start. (0:29:58) Spencer: Oh, I definitely may have fired off my harpoon once or twice. (0:30:03) Spencer: And Miki interjects and asks if you were firing the harpoon and warns you against it. (0:30:10) Al: I kind of want to see if you actually can initiate a fight or if Nikki will just interrupt (0:30:10) Spencer: And once I got that warning, I was like, “Maybe I don’t continue down this path.” (0:30:25) Al: each time. That would be funny if you’d like Otto died if it just like ate you. So yeah (0:30:34) Al: miki says can you set up a camera I want to keep an eye on him and then you swim away and then (0:30:40) Al: I think it’s like the next day or something. I can’t remember exactly how it happens but (0:30:47) Al: is it Ibira? Is that how? Right so basically a massive lobster kaiju is coming and this is (0:30:49) Spencer: Uh, Ibra, I believe it is. (0:31:01) Al: a problem obviously. This is not ideal. So you then get into this another new game mechanic (0:31:10) Al: which is piloting a submarine through obstacles and kind of like the chase scene that you were (0:31:17) Al: talking about that you thought you were going to get with Godzilla but not with Godzilla with (0:31:22) Al: Ibira and then you have do you I can’t remember you have a little attack scene yourself with (0:31:31) Al: Ebirah? Is that how it works before the main thing? (0:31:32) Spencer: Yeah, so you get chased by any number of spaceship or submarine-style games where you’re just (0:31:43) Spencer: dodging things. (0:31:44) Spencer: I believe it’s an auto-scroll to a certain extent. (0:31:46) Al: Yes, yes it is. (0:31:47) Spencer: You need to at least keep a certain pace. (0:31:50) Spencer: If you fall too far behind, then think you get killed? (0:31:53) Al: Yeah, you do. I died a couple times in that scene. (0:31:54) Spencer: Yeah. (0:31:57) Spencer: And then once you reach the cave… you start off… (0:32:03) Spencer: And once you reach the cave where Godzilla is resting, it turns into a boss battle. (0:32:09) Al: I’m looking at the screenshots I’m remembering now. So yeah, you’ve got a machine gun and (0:32:10) Spencer: Uh, where you’re, yeah. (0:32:15) Al: torpedoes that you use to attack Ebra. The interesting thing is it also has like, instead (0:32:22) Al: of having, so you have the same kind of oxygen mechanic as you do, but it’s like basically (0:32:29) Al: for the submarine health instead of your health, right? And you can repair or you can get Miki (0:32:36) Spencer: Oh my goodness, I was yeah so it felt like there was a little bit of like I don’t know (0:32:37) Al: to repair the sub, but I don’t know about you. (0:32:39) Al: It was very slow. It was basically pointless. (0:32:49) Spencer: if I’d say delay or like moving also felt very funky in this part like you weren’t moving (0:32:56) Spencer: as fast as you wanted to and when you did move you kind of just slid a little bit like (0:33:01) Spencer: you sometimes you go a little too far but then as soon as you start repairing you move (0:33:07) Spencer: like just you might as well just not move if you’re repairing (0:33:10) Al: which would be fine if the repairing actually did anything, but it felt like it was 1% every (0:33:14) Spencer: but that it yeah it was (0:33:17) Al: like 10 seconds or something like that. It was so slow. (0:33:17) Spencer: couple seconds yeah so when I when I was playing this part I basically resorted to like I would (0:33:25) Spencer: stay perfectly still and just constantly hold down the repair button and then if I saw an attack (0:33:30) Al: Interesting. Okay. (0:33:33) Spencer: coming then I’d let go of the repair and (0:33:36) Spencer: quickly try to dodge it and then just continue to repair. (0:33:40) Al: That’s interesting. So what I ended up doing was dying. And then I just got better at dodging, (0:33:48) Spencer: Yeah. (0:33:49) Al: so I was constantly moving all the time and aiming for the eyes, because the eyes were (0:33:54) Al: the thing that you got the most damage on. But yeah, I didn’t even… After the first (0:34:00) Al: time and I pressed it and it didn’t really work very well, and then I was like, “Well, (0:34:04) Al: this is pointless.” I was like, “Well, I’m just not gonna let it hit me then.” And I (0:34:11) Al: think I died a second time, but then the third time I basically didn’t get hit that time. (0:34:15) Al: So I found that much easier than trying to do the healing. It was basically pointless. (0:34:20) Spencer: Yeah, the healing I mean, yeah, it was it saved me a couple times (0:34:24) Spencer: But like I said, like I really had to focus on like not moving half the time and then like quickly moving when there is (0:34:31) Spencer: an attack and then just not (0:34:32) Al: So then you defeat Ebera, well defeat basically Ebera is like oh no I need to (0:34:40) Al: get away and runs away and then you go back to the surface and this is when (0:34:46) Al: Godzilla is like supercharged which I feel like is a pretty standard Godzilla (0:34:51) Al: thing right like being powered up by something in this case it’s been powered (0:34:56) Al: up by resting in the the big blue hole and I like I really like the look of (0:35:03) Al: this scene where he like glows red I mean obviously he’s quite often gluing (0:35:07) Al: different colors but from what I’ve from what I’ve seen he’s typically glown blue (0:35:13) Al: rather than red (0:35:14) Spencer: Yeah, so so this particular version is referencing (0:35:19) Spencer: Godzilla versus destroyer, which is one of the last movies in actually when we’re looking at Mickey (0:35:26) Al: I think it’s the last one that she was in, yeah. (0:35:28) Spencer: When that she’s in yeah, and basically in this movie the plot revolves around Godzilla is (0:35:36) Spencer: Is like overheating like? (0:35:38) Al: Oh, interesting. (0:35:39) Spencer: too much energy (0:35:41) Spencer: And Godzilla kind of takes on this forum. (0:35:44) Spencer: And actually Godzilla also has a like offspring in this movie. (0:35:48) Spencer: And spoilers for anyone that wants us to watch this movie. (0:35:52) Spencer: Godzilla does eventually melt down and overheat. (0:35:54) Spencer: But Godzilla’s offspring kind of absorbs that energy and becomes the new Godzilla. (0:36:00) Al: Interesting. Does it explain in the film why Godzilla is overheating? Or is that just like (0:36:06) Spencer: I I forget off the top of my head. I feel like it probably does explain. It’s been so long since I’ve watched (0:36:06) Al: a mystery? Because it would be very funny if it didn’t explain it at all, and then this (0:36:17) Al: is the explanation. This is like the canon explanation as to why that ends up happening. (0:36:24) Al: Because it feels like this if they don’t explain why, and it’s just like one day Godzilla turns (0:36:30) Al: overheating, right? That this is like then fits in perfectly just before the beginning (0:36:38) Al: of that film. And that would be very funny to me. (0:36:43) Spencer: Yeah, so I’m looking this up just because I want to double check. (0:36:48) Spencer: It’s saying that Godzilla’s heart is basically melting down. (0:36:52) Spencer: So I believe it’s coming to the end of its life, essentially. (0:36:52) Al: but why. But it doesn’t explain how that happened, like what I’m reading in this plot, (0:37:03) Al: this could absolutely fit in technically. (0:37:06) Spencer: Oh yeah definitely could like as like some weird like oh it went off to the (0:37:11) Spencer: island to the to the hole I guess in this game to like help recover for a (0:37:15) Spencer: little bit (0:37:16) Al: But then it kills it that makes this so much sadder, right (0:37:20) Spencer: yeah well you know I mean Godzilla’s not fully gone right little Godzilla takes (0:37:26) Al: Sure, but like because the whole point of this this bit in the game you feel by the end of it is oh (0:37:31) Al: I helped Godzilla recover, but actually if this is how this works actually you helped Godzilla kill itself (0:37:40) Spencer: - True. - True, yeah. (0:37:41) Al: Which just completely changes the feeling of the DLC (0:37:44) Al: See ya. (0:37:46) Spencer: But I do find it interesting that they chose– (0:37:51) Spencer: this is actually quite an iconical look for Godzilla, (0:37:54) Spencer: to be honest. (0:37:55) Spencer: This is very much referenced all the time, (0:37:57) Spencer: or very lots of figures come out with this look. (0:38:03) Spencer: I mean, in the American Destroy All Monsters, (0:38:07) Spencer: the one with Ghidorah and Rodan and Boston and everything, (0:38:12) Spencer: they’re kind of referencing this look with his meltdown. (0:38:17) Spencer: So I can kind of see why they chose it. (0:38:19) Spencer: This is a little funny that they chose this and Ivaro, (0:38:22) Spencer: who hasn’t made an appearance since, like, the ’60s. (0:38:25) Spencer: Well, meh. (0:38:26) Al: and I’m like, “Are they doing the same thing that the Apple TV Plus series did where they’re (0:38:27) Spencer: I mean, one appearance in– (0:38:37) Al: just inventing new kaiju or is this a…” and then I googled and I’m like, “Oh no, OK. (0:38:43) Al: This is actually a classic kaiju.” (0:38:43) Spencer: Oh no, no, no, Ibra is a great character. Yeah, classic, like, you know, classic scene Godzilla playing volleyball with a giant rock against Ibra. (0:38:50) Al: I mean, it’s the perfect one to use for Dave the Diver, right? Like, it makes sense why (0:38:56) Spencer: It definitely is. I think the only other one that probably would make sense in this scenario (0:38:56) Al: they would choose a giant sea creature. (0:39:04) Spencer: would be this one called “Manda” I believe is what how you pronounce it but it’s like pretty (0:39:10) Al: - Yep. (0:39:11) Spencer: much just a dragon that lives underwater but it looks like a very like typical you know like (0:39:13) Al: - Okay. (0:39:17) Spencer: like Japanese or like, you know, dragon, long serpent. (0:39:20) Al: Yeah, that would definitely work as well, but I think there’s something very satisfying (0:39:24) Al: about it being a giant lobster, you know? Like that I think is very enjoyable, because (0:39:30) Al: then, once you’ve defeated - we’ll get into the final gameplay for defeating it in a minute (0:39:36) Al: - but once you’ve defeated him, you can then use his meat for cooking, you know, which (0:39:42) Al: would be a little bit weirder if it was a dragon rather than a lobster, you know. (0:39:46) Al: Okay, let’s talk about this final battle, then. (0:39:49) Al: - Okay. (0:39:50) Al: Something which I definitely did not expect, (0:39:53) Al: you are now controlling Godzilla (0:39:57) Al: in your final battle against Ebirah, (0:40:00) Al: which I guess makes sense. (0:40:02) Al: You’re not going to be able to fully defeat the kaiju. (0:40:04) Al: You’re just a person in the submarine, (0:40:06) Al: but Godzilla definitely can. (0:40:09) Al: And it’s kind of, I referenced this as like a (0:40:12) Al: rock, paper, scissors type game. (0:40:14) Spencer: Yeah, so like when I was playing this I definitely didn’t catch on to that at first. (0:40:21) Spencer: So it was a mad dash at the end when it was like half half health left, haven’t really (0:40:26) Spencer: done much damage and they’re like, okay, this is like, I have to methodically think about (0:40:30) Spencer: each button I press each time. (0:40:32) Al: Yeah. So Ebera will show a little animation when it’s about to use a specific attack and then you (0:40:38) Al: need to defend at that point. And then you have like three different attacks you can use, a really (0:40:43) Al: fast one, a kind of medium one, and then a really slow one. The big disadvantage of using the really (0:40:49) Al: slow one is that you can be interrupted by Ebera attacking you and get damaged without having (0:40:55) Al: damaged Ebera. That’s kind of like the big thing, but it gives a lot of damage, but… (0:41:02) Al: I don’t know. It’s fun. I guess it’s yet another gameplay element that we’re talking about that (0:41:10) Al: maybe this would be less weird if we’d finished the game and we were coming back to the game to (0:41:15) Al: play this DLC. Maybe it makes it more interesting because it’s different. I don’t know. (0:41:20) Spencer: yeah it actually played out very similar to (0:41:23) Spencer: I don’t know if you’ve ever talked about ultra kaiju monster rancher (0:41:27) Al: I think only in passing, like just as someone mentioned it, it was something they were interested (0:41:33) Al: in sort of thing. (0:41:34) Al: I don’t think we’ve ever talked about it in detail. (0:41:36) Spencer: in that game I mean it kind of plays like (0:41:39) Spencer: I guess that was actually my first monster rancher game but (0:41:42) Spencer: you raise you know kaiju from (0:41:44) Spencer: the ultra man series (0:41:45) Spencer: and then you have them fight each other and they have a very similar combat (0:41:49) Spencer: system where it’s kind of more of a raw (0:41:50) Spencer: paper scissors like okay you have like (0:41:52) Spencer: your heavy attack or your medium attack (0:41:54) Spencer: your light attack and that’s going to go (0:41:56) Spencer: against whatever the other characters (0:41:58) Spencer: heavy medium or light that they choose (0:42:00) Spencer: and like in a you know kind of a (0:42:02) Spencer: triangle this beats that but that beats (0:42:04) Spencer: this and so forth but yeah the I mean (0:42:09) Spencer: it was definitely interesting it was (0:42:11) Spencer: fun to take control of Godzilla for a (0:42:12) Spencer: little bit even if it was for just like (0:42:14) Spencer: a smidgen of time (0:42:16) Al: Yeah, yeah. And then once you defeat Ebirah, that’s pretty much it. You gather up Ebirah’s (0:42:26) Al: meat, Godzilla goes away, and it all seems like a happy end to the story, even if we (0:42:32) Al: forget about the fact that Godzilla’s about to go die. And then there’s really only one (0:42:41) Al: other part of the DLC, and that’s there’s collectibles. Did you end up… So when I (0:42:46) Al: told you yesterday, or today for you, you didn’t know about these collectibles. Did you (0:42:49) Al: just like finish the DLC and then put the game down straight away? Because I’m pretty (0:42:54) Spencer: A little bit, maybe. (0:42:57) Al: sure it’s like, maybe Miki calls you the next day? I can’t remember. But basically Miki’s (0:43:04) Al: like, “Oh, there’s these little figurines. Can you find them for me?” I think. And… (0:43:09) Spencer: Mm-hmm (0:43:11) Spencer: I think where I ended was right after Bancho like comes up with the yeah (0:43:16) Al: Yes, you go to the sushi restaurant, you talk to Bancho, you check everything’s okay (0:43:25) Al: because you’re like, we just had a massive kaiju fight. Is everything okay? Which is a (0:43:28) Al: fair enough thing to question. And then Bancho was like, yeah, it’s all fine. Here’s some (0:43:33) Al: new dishes for this kaiju meat you got. (0:43:38) Spencer: So, yeah, after he comes up with those recipes, I believe that’s when I put it down. (0:43:43) Spencer: So then you messaged me, and I’m looking at these figures, and my goodness, I should have… (0:43:46) Al: They’re very cool. They’re very cool. So you’ve got, you’ve got like right at the start, like (0:43:47) Spencer: They got some good ones going here. (0:43:54) Al: you’ve got ones from like in the sixties. Um, you’ve got some from the seventies, from (0:43:59) Al: the eighties, the nineties. Um, I don’t think there are any, there are none like really (0:44:04) Al: new ones are there. (0:44:06) Spencer: The newest one I’m seeing is Anguirus who’s the 2000. Oh, no, wait. No, I take that back. There’s (0:44:12) Al: Oh, this 2016 Godzilla. (0:44:13) Spencer: Shin Godzilla (0:44:14) Spencer: Yeah, 2016 Shin Godzilla is there (0:44:17) Al: Yeah, okay, cool. (0:44:18) Spencer: And then Anguirus would probably be the next one from 2004 which would be the Final Wars Godzilla version (0:44:24) Al: right yeah so it’s quite I mean it’s a really small extra piece and it’s just another collectible (0:44:31) Al: if you like collecting things which personally I do so I will probably go and finish collecting (0:44:35) Al: these I haven’t put any effort into them I’ve just picked them up as I found them because (0:44:40) Al: like there were a few that were in like the the last areas like the glacial cave and stuff (0:44:45) Al: like that but yeah it’s a fun little thing and it’s it shows that they actually kind (0:44:53) Al: It’s not… (sighs) (0:44:54) Al: Like many things could just be like, “Oh, we have a tie-in. We don’t really care. It’s just a tie-in. Like, here’s a little thing.” (0:45:03) Al: But like, not only did it have a whole new story and a new gameplay element, and you get to control Godzilla, but they’ve also then got 20 collectibles of different Godzillas and other kaiju from throughout decades. (0:45:18) Spencer: Yeah, that’s fun that they added that in there. (0:45:21) Spencer: You know, Godzilla has been collaborating with a lot of stuff this year, to be honest. (0:45:25) Spencer: Like it is its 70th anniversary this year, so yeah. (0:45:29) Al: Oh, wow. (0:45:32) Spencer: So a lot of interesting collaborations, including this one. (0:45:37) Spencer: But you know, it’s fun to see things that are more than just Godzilla thrown in, right? (0:45:42) Spencer: Like it’s fun to see the collectibles and see the different references to the different (0:45:45) Spencer: movies and stuff. (0:45:46) Spencer: A lot of 90s references, which may… (0:45:48) Spencer: Makes sense now that Miki comes from all of those different 80s/90s movies. (0:45:56) Al: Yeah, yeah, fun. I enjoyed that. It’s not like, I’m glad this is a free DLC. I don’t feel like (0:46:04) Al: this would be really worth an extra payment on top, right? It’s pretty small in what it is. (0:46:10) Spencer: Yeah, I mean the reality is I probably would have paid like five ten dollars for this would I (0:46:15) Al: Oh, don’t get me wrong, I would have done it for the podcast, right? Don’t get me wrong, (0:46:18) Al: but I would have been like, “Was this really worth an extra payment sort of thing?” (0:46:22) Spencer: Oh, I would have done it for myself but I would have not recommended anyone else do (0:46:26) Spencer: it for themselves. (0:46:27) Spencer: I’m like, “It’s not worth five, ten dollars, it’s absolutely worth being free.” (0:46:33) Al: Yeah. (0:46:33) Spencer: But I do believe you probably, if you haven’t downloaded it already, I think you probably (0:46:37) Spencer: missed your opportunity to download it, correct? (0:46:40) Al: I was already gone. I know that was a limited amount of time, but I wasn’t sure when it was. (0:46:45) Spencer: have to double check but yeah it is a limited time release so (0:46:50) Al: Oh, no, you can get it through to November. (0:46:52) Spencer: it’s never okay yeah so if you haven’t downloaded yet go ahead get it free you know (0:46:57) Al: You have to own the game to download it. (0:46:59) Al: Sadly, I thought you could add it to your library, but no, if you click it, (0:47:02) Al: if you go to add it to your library, you don’t own the game. (0:47:06) Al: It says that you need to own the game. (0:47:08) Al: So you need to have bought the game before (0:47:10) Al: November the 23rd and then clicked on add to library on the Godzilla DLC. (0:47:15) Al: But, yeah, I mean, the game in and of itself is fun. (0:47:19) Al: I, I, like, probably. (0:47:20) Al: One of the best games I’ve played in a couple of years, it’s really good fun. (0:47:24) Al: Um, but I mean, well, it was the reason that it was, you know, in a lot of people’s game of the year. (0:47:26) Spe
The Fellowship is pleased to present our discussion of the hit TV game show Jeopardy!, wrapping up Classic TV Month. 60 years is a pretty good run, and yeah, we're trivia nerds. Plus our usual crazy talk, geek news, and tangents
Pour ce troisième épisode, on vous parle du moment où les choses commencent sérieusement à basculer dans la filmographie de Godzilla, vers un cinéma...autre !Au programme du jour :Invasion Planète X et ses extra-terrestres belliqueux (1965)Godzilla vs Ebirah, AKA Godzilla vs la crevette géante (1966)Son of Godzilla (La planète des monstres) où la mue de Godzilla en bon père de famille ! (1967)Et bien reçu, on remet le classement à jour !AVERTISSEMENT : Il y a un soucis de son sur la piste de Martin pendant une heure environ à partir de 1h20, mille excuses.Très bonne écoute !
Episode 281 It's Toho week! After last week's look at Godzilla Minus One, we realized that we've been lax in our old-Godzilla coverage. So this week, we'll continue that series with six movies from that period, in order! We'll start with the original “Mothra” from 1961, move on to “Mothra vs. Godzilla” from 1964, team up in the all-out battle against “Ghidorah, the Three-Headed Monster,” also from 1964. Then we'll travel to Planet X with “Invasion of Astro Monster,” better known in the States as “Godzilla vs. Monster Zero.” The weekly newsletter this time around has two more: “Ebirah, Horror of the Deep” from 1966 “War of the Gargantuas” from 1966 Those two can be found at http://horrorbulletin.com Check out all our books with one easy link: https://brianschell.com/collection/horrorguys Psst: for the next five days, there's a free book available at hourlongpress.com, Stop in and grab it while you can! Stay tuned for more regular and bonus reviews next week! Contact Info: Email: mailto:email@horrorguys.com Book Store: https://brianschell.com/collection/horrorguys Website: https://www.horrorguys.com Subscribe by email: http://horrorbulletin.substack.com Facebook: https://www.facebook.com/horrormovieguys Mastodon: https://mastodon.social/@BrianSchell Threads: https://threads.net/brian_schell Twitter: http://twitter.com/HorrorMovieGuys
We team up to review Godzilla x Kong: The New Empire and also talk Beautiful Creatures, Love Lies Bleeding, Destroy All Monsters, Immaculate and Winnie-the-Pooh: Blood and Honey 2. Follow the show on X: @thecinemaspeak Follow the show on Instagram: cinemaspeakpodcast Subscribe on Youtube: Cinema Speak Intro: 0:00 - 6:28 Review - Godzilla x Kong: The New Empire: 6:28 - 49:07 Movie Roulette - Beautiful Creatures: 49:07 - 1:19:29 Micro-Reviews - Invasion of the Astral Monster, Ebirah, Horror of the Deep, Son of Godzilla, Destroy All Monsters, Love Lies Bleeding, Bob Marley: One Love, Immaculate, Dune: Part Two, Ghostbusters: Frozen Empire, Winnie the Pooh: Blood and Honey 2, Club Random: 1:19:29 - 2:03:39 This week in new releases/Outro: 2:03:39 - 2:07:52 Spoiler Discussion - Godzilla x Kong: The New Empire: 2:07:52 - 2:19:02
Aaron and Darlene watch some classic sci-fi from the 1950s and '60s, good and bad. They talk about what makes these films memorable and fun, and if you should take a trip back in time and enjoy these films as well.Feedback for the show?:Email: feedback@thisweekingeek.netTwitter: https://twitter.com/thisweekingeekSubscribe to our feed: https://www.spreaker.com/show/3571037/episodes/feediTunes: https://podcasts.apple.com/us/podcast/this-week-in-geek/id215643675Spotify: https://open.spotify.com/show/3Lit2bzebJXMTIv7j7fkqqGoogle Podcasts: https://www.google.com/podcasts?feed=aHR0cHM6Ly93d3cuc3ByZWFrZXIuY29tL3Nob3cvMzU3MTAzNy9lcGlzb2Rlcy9mZWVkWebsite: https://www.thisweekingeek.net
Here is, at this moment in time, the last movie with a man in a suit is playing Godzilla. So it's the end of an era for these kind of Godzilla movies. And they're BIG for this one! But does bigger mean better? If you ask the fans, that depends on your preference of movies. You'll either love it or hate it. Let's find out which, one last time.
First off, I want to apologize for the background noise in this episode. That being said, in this installment of our podcast we sail off to an island in the South Seas where Godzilla, Mothra, a giant shrimp/lobster thing called Ebirah, a terrorist organization building nuclear bombs, and a giant condor all collide for an epic showdown. But was it epic enough for our hosts' tastes? Listen and find out! You can contact us at stompthisway1954@gmail.com The end track is the Main Title by Masaru Sato (also unintentional background music courtesy of Downton Abbey)
Up from the depths, 80 episodes down, Elijah and Rex set sail across the seven seas to uncover Ebirah, Horror of the Deep as he battles the King of the Monsters in Godzilla vs. The Sea Monster.Kaiju Conversation is a podcast series diving into the world of tokusatsu featuring genres like science fiction, J-Horror, action, and comedy! From Godzilla, Gamera, and Ultraman to the deepest darkest places like Zeiram, Zebraman, and Tetsuo: The Iron Man.The podcast is hosted by Elijah Thomas and Jackson Gibbens. Email: kaijuconversation@gmail.comTwitter/Facebook: @kaiju_convers Instagram: kaiju_conversLinktree:https://linktr.ee/Kaiju_Convers YouTube:https://www.youtube.com/channel/UCuni8GjDt1abcYq39cOxzDw Discord Server:https://discord.gg/gEwRexe Merchandise:https://teespring.com/stores/kaiju-conversation • Host: Elijah Thomashttps://linktr.ee/ET13_PRODUCTIONS• Co-host/Editor: Jackson Gibbenshttps://linktr.ee/RexXenoOur special guests have been: Samson West, Daikaiju Legends, D Man1954, ProjectGodzilla, Deadzilla, Steven's Toy Reviews, Scrye Productions, Bianca Wallace, Benjamin Chaffins, Henry the Host, Travis Alexander, Connor Baxter, Nathan Marchand, Michael Hamilton, Matthew Blair, Frankie B. Washington, Mark Bailey, and Jack Hudgens.Don't forget to leave us a 5-star review!
Recorded on 7/18/23 We review Ebirah, Horror of the Deep along with Ultraman Blazar Episode 1 & 2 and Godzilla THe Series Episode 7. We also highlight some news and rumors including Matt Frank's State of the Monsters, and the Monster Matador. Follow Us: linktr.ee/masersquad Links: Monster Matador - https://www.monstermatador.com/ Matt Frank- https://www.mattfrankart.net/ Bandai Godzilla Toys - https://www.amazon.com/s?k=%E3%83%90%E3%83%B3%E3%83%80%E3%82%A4%28BANDAI%29&ref=bl_dp_s_web_0 Time Stamps 00:00 Intro 00:55 Godzilla Minus One 07:08 Bandai Godzilla Toys 09:49 Rumor: Hasbro Ending the Lightning Collection 15:51 MillCreek Finished With Ultraman? 21:19 State of the Monsters 23:30 Monster Matador 24:48 Ultraman Blazar Episode 1 & 2 Review 49:05 Godzilla The Series Episode 7 Leviathan Review 01:01:11 Ebirah, Horror of the Deep Review
Roy L Hales/ Cortes Currents - The Cortes Island Museum is offering a full slate of special events this month They start at 1 PM this Saturday, Aug 5, with Jewellery Identification. People are being invited to bring their own pieces. “I've got a small collection and I'm going to at least bring some things that I have that I think are interesting. We can go over the different types of materials, a little bit of the process of manufacturing and also go over the gems that are commonly found within pieces. We even talk about The time periods the pieces have come from as their stylistic choices in manufacturing basically,” explained Events Coordinator, Alex Woywitka. At 7:30 on Thursday August 10. Kim Marks will be holding a Tattoo Art Show in the Museum Heritage Garden. AW: “Kim Marks is the premier tattoo artist on Cortes. She really does amazing work and is a really great drawer. A lot of my friends have really gotten a lot of work done from her. Sun Rob is going to play some music for us and Kim is also going to have a table of pottery and other art that she's made.” Lovesfest returns to Cortes Island on August 12, and the museum is hosting its own special event from 1 to 4 PM. AW: “If you're at Lovefest, stop in at Wild Cortes and take a look at Trivia Jenga. It's a nice space that they have there, and cool because it's in the basement of the Agricultural Learning Center there at Linnea.” There will be a Literary Reading Evening at the museum on Thursday Aug 17th. AW: “We are inviting authors. I've got a list so far of five authors from Cortes who are going to come and read from their books. It's something that we do at the museum, maybe once a year.” CC: Can you release the names of the ones you've already signed? AW: “I'd rather not at this point. We don't have the poster made up quite yet for that one, but we've got some good people showing up.” The History of Modern Toys comes to the Museum from 1-4 PM, on Saturday Aug 19th 1-4 AW: “The vintage toy show is going to be something that I do personally. I've been buying and selling on the internet with that type of stuff since 2010. So I've really got quite a nice collection that it's pretty unheard of and a lot of people on the island probably have never seen a lot of this stuff before.” “I'm going to bring in a lot of old stuff, maybe as late as the sixties and maybe as new as the nineties, but most of it is going to be from the seventies and then from the early eighties as well.” “I'm going to bring in my 1966 Godzilla by Toho. It's not an original, but it's a replica of the one that they had used from the 1966 movie when they made it, versus Ebirah, which was another Godzilla monster. I'm going to bring in some of my 1970s Shogun Warrior Robots: Great Mazinger and Raiden, for example.” “I will bring in my Diaclone Great Robot Base and Fortress X Robots, which are probably two of the most amazing elite engineered toys that have ever come out. Some of these things that I am bringing are worth several thousand dollars each.” There will be a Wetlands Conservation Presentation in the Cortes Island Library, at Linnaea, from 6-7 PM on August 23 AW: “Later on in August and then in early September, we're going to be doing a few more music events.”
Flesh Wound Horror is back with a Kaiju commentary on the 1966 film, GODZILLA VS THE SEA MONSTER, aka EBIRAH, HORROR OF THE DEEP.
On this week's Monster Mondays, it's time to return to the 60s for some classic Godzilla as the big guy battles Ebirah, Horror of the Deep. Find new episodes of the Film Seizure Podcast every Wednesday and a new Monster Mondays each Monday at www.filmseizure.com Like what we do? Buy us a coffee! www.ko-fi.com/filmseizure Follow us on Facebook: www.facebook.com/filmseizure/ Follow us on Mastodon: https://universeodon.com/@filmseizure Follow us on Twitter: twitter.com/FilmSeizure Follow us on Instagram: www.instagram.com/filmseizure/ You can now find us on YouTube as well! The Film Seizure Channel can be found here: https://www.youtube.com/c/FilmSeizure
we talk the whale, evan almighty, we break the tradition of rock news by talking about recent releases by new artists, then we loosely game out 3 biopics about some of everyone's favorite internet celebrities
Hello, Kaiju Lovers! The final “Godzilla Redux” episode of season three features three guests! Longtime staples Joe and Joy Metter and first-timer Brendan Morley join Nate to discuss Ebirah, Horror of the Deep (aka Godzilla vs. the Sea Monster). It's Brendan's favorite Godzilla film, so it was only natural he'd be here. Nate enticed Joe and Joy to return by having them watch the “banned” Mystery Science Theater 3000 episode that riffed the film. That means the entire gamut is run because Nate watched it subtitled while Brendan watched the international dub. The Metters, as the resident kaiju newbies, notice and appreciate some things hardcore fans take for granted—including what might be an Easter egg no one else has ever seen! It's an MIFV exclusive, people! Listen to learn what it is! Before the broadcast, Nate meets a new girl who brings him a press release that says Jimmy is in jail, requiring Jet Jaguar to fill in for him on the show. Then Jessica shows up to berate Nate about taking her job. Afterward, Jessica hears from Mimo that Mothra DNA is being stolen by a Bug Lady, so she intercedes as Crystal Lady. But this new foe proves too strong—until she's helped by Whambat! Check out Brendan's YouTube channel: youtube.com/@AutisticLizardProductions. The prologue and epilogue, “Severing Family Ties! Jessica Fights Nate and Daggermoth,” was written by Nathan Marchand. This episode was edited by Kim Lacanilao of Nuclear Lizard Media (https://www.nuclearlizardmedia.com/) and Nathan Marchand. Guest Cast: Sarah Marchand as Jessica/Crystal Lady Kyndra Chastain as Saskia Messer/Daggermoth Becky “Bex” Smith as Herself/Narrator Damon Noyes as Gary Steward/Whambat, Mimo, and the Nachfalter Additional music: “Dramatic Tense Cinematic Music” by Argsound Background Music “The X-Files Theme (Cover)” by Neon Frontier “Chant My Name!” by Masaaki Endo “Call My Name (And I'll be There)” by Jennifer Cihi “Sailor Moon Theme Song” by Nicole & Brynne Price “Shredder (Teenage Mutant Ninja Turtles IV) - The Shredder” by Sixto Sounds “She's Got the Power” by Stan Bush “A weird thing” by Chiro Sound effects sourced from Freesound.org, including those by InspectorJ and AmeAngelofSin. Check out Nathan's spinoff podcasts, The Henshin Men and The Power Trip. We'd like to give a shout-out to our MIFV MAX patrons Travis Alexander; Danny DiManna (author/creator of the Godzilla Novelization Project); Eli Harris (elizilla13); Chris Cooke (host of One Cross Radio); Bex from Redeemed Otaku; Damon Noyes, The Cel Cast, TofuFury, Eric Anderson of Nerd Chapel, Ted Williams, Wynja the Ninja, Brad “Batman” Eddleman, Christopher Riner, and The Indiscrite One! Thanks for your support! You, too, can join MIFV MAX on Patreon to get this and other perks starting at only $3 a month! (https://www.patreon.com/monsterislandfilmvault) Buy official MIFV merch on TeePublic! (https://www.teepublic.com/user/the-monster-island-gift-shop) This episode is approved by Cameron Winter and the Monster Island Board of Directors. Timestamps: Prologue: 0:00-7:01 Intro: 7:01-16:59 Main Discussion: 16:59-1:45:45 Housekeeping & Outro: 1:45:45-1:56:58 Epilogue: 1:56:58-end Podcast Social Media: Twitter (https://twitter.com/TheMonsterIsla1) Facebook (https://www.facebook.com/MonsterIslandFilmVault/) Instagram (https://www.instagram.com/monsterislandfilmvault/) Follow Jimmy on Twitter: @NasaJimmy (https://twitter.com/nasajimmy?lang=en) Follow the Monster Island Board of Directors on Twitter: @MonsterIslaBOD (https://twitter.com/MonsterIslaBOD) Follow the Raymund Martin and the MIFV Legal Team on Twitter: @MIFV_LegalTeam Follow Crystal Lady Jessica on Twitter: @CystalLadyJes1 (https://twitter.com/CrystalLadyJes1) Follow Dr. Dourif on Twitter: @DrDorif (https://twitter.com/DrDoriff) www.MonsterIslandFilmVault.com #JimmyFromNASALives #MonsterIslandFilmVault #Godzilla #GodzillaRedux © 2022 Moonlighting Ninjas Media Bibliography/Further Reading: Bogue, Mike. Apocalypse Then: American and Japanese Atomic Cinema, 1951-1967. McFarland & Company. 2017. Galbraith, Stuart IV. Japanese Science Fiction, Fantasy and Horror Films: A Critical Analysis and Filmography of 103 Features Released in the United States 1950-1992. Kaijuvision Radio, Episode 12: Ebirah - Horror of the Deep! (1966) (The Changing Kaiju Film Audience) (https://youtu.be/EiZOIOL2UYI). Kalat, David. A Critical History and Filmography of Toho's Godzilla Series, 2nd LeMay, John. The Big Book of Japanese Giant Monster Movies Volume 1: 1954-1982. LeMay, John. The Big Book of Japanese Giant Monster Movies: The Lost Films (Mutated Edition). LeMay, John. Writing Giant Monsters.
Comic Reviews: DC Batman: The Adventures Continue Season Three 1 by Paul Dini, Alan Burnett, Jordan Gibson, Monica Kubina Lazarus Planet Alpha by Mark Waid, Riccardo Federici, Gene Luen Yang, Billy Tan, Brad Anderson, Sebastian Cheng Flash 790 by Jeremy Adams, Roger Cruz, Matt Banning, Wellington Diaz, Luis Guerrero Marvel Avengers: War Across Time 1 by Paul Levitz, Alan Davis, Rachelle Rosenberg Infinity Comics Spider-Verse Unlimited 32 by Jason Holtham, Nathan Stockman, Pete Pantazis Marvel's Voices 33/34 by Dylan Park-Pettiford, Jodi Nishijima, Irma Kniivila It's Jeff by Kelly Thompson, GuriHiru Image Black Cloak 1 by Kelly Thompson, Meredith McClaren, Becca Carey Nemesis: Reloaded 1 by Mark Millar, Jorge Jimenez, Giovanna Niro Spawn: Unwanted Violence 1 by Todd McFarlane, Mike del Mundo Bone Orchard Mythos: Ten Thousand Black Feathers 5 by Jeff Lemire, Andrea Sorrentino, Dave Stewart Dark Horse Spy Superb 1 by Matt Kindt, Sharlene Kindt IDW Godzilla Rivals: Rodan vs. Ebirah 1 by James Wright, Phillip Johnson Ray's OGN Corner of the Week: Zita the Space Girl Additional Reviews: Revival Vol 1, Star Trek: Prodigy, Pressure Cooker, Eyes of the Dragon, Better Call Saul, Immortal Hulk, first two episodes of Velma News: Omninews, Marvel variant cover fiasco, Groot solo series by Dan Abnett, Vader - Black, White, and Red, Green Arrow series is a six-issue mini, Dead End Park cancelled, return of Phineas and Ferb, Moon Girl and Devil Dinosaur premiere details, Ann Nocenti writing retro Storm title Trailers: Quantumania, Beau is Afraid, Owl House 3.2 Comics Countdown: Bone Orchard Mythos: Ten Thousand Black Feathers 5 by Jeff Lemire, Andrea Sorrentino, Dave Stewart Something is Killing the Children 28 by James Tynion IV, Werther Dell'Edera, Miquel Muerto Danger Street 2 by Tom King, Jorge Fornes, Dave Stewart Flash 790 by Jeremy Adams, Roger Cruz, Matt Banning, Wellington Diaz, Luis Guerrero Book of Evil 2 by Scott Snyder, Jock, Emma Price Grim 7 by Stephanie Phillips, Flaviano, Rico Renzi Daredevil 7 by Chip Zdarsky, Rafael de Latorre, Elisabetta D'Amico, Matt Wilson Spy Superb 1 by Matt Kindt, Sharlene Kindt Dark Ride 4 by Joshua Williamson, Andrei Bressan, Adriano Lucas Human Target 10 by Tom King, Greg Smallwood
After taking on aliens and loud ear-piercing noises, Godzilla decides he needs a vacation and takes a nap on an island. Unfortunately, this resort package comes with terrorists building atomic bombs and a giant lobster, so it's time to do some house cleaning in 1966's Ebirah, Horror of the Deep!
Our Annual Monster Double Feature is back!! First, Godzilla gets a craving for lobster in Ebirah Horror of the Deep, while our favorite monkey fights his robot double in King Kong Escapes! OK who's got the butter? #godzilla #ebirah #mothra #kingkongescapes #kingkong #kong #gojira #toho #kaiju #gorosaurus #mechanikong
Wir haben #GodzillaMonth und es geht munter in die Südsee bei Jun Fukudas erstem Eintrag in der Reihe namens "Frankenstein und die Ungeheuer aus dem Meer" aka "Ebirah, Horror of the Deep" aka "Godzilla vs the Seamonster". Wie kommt das fröhlich-freche Abenteuer rund um die zusammengefürfelte Heldentruppe und die böse Terrororganisation Red Bamboo bei Chris und Philip an? Weiß Ebirah, der Riesenschrimp als Gegener zu überzeugen? Schaltet ein und erfahrt außerdem für wen hier Godzilla die Urlaubsvertretung machte und welches Thema ihr per Abstimmung für Dezember bestimmt habt. Macht uns eine Freude und bewertet unsere Show positiv auf der Podcastplattform eurer Wahl und schaut auf Twitter bei uns vorbei unter https://twitter.com/DDD_Cast
On this Thursday edition of Drive-In Double Feature Podcast, Nathan and Ryan talk about the 1966 Kaiju classic Godzilla film Ebirah, Horror of the Deep. https://twitter.com/didfpod https://www.patreon.com/driveindoublefeaturepodcast and email us at: driveindoublefeaturpodcast@gmail.com
UNLOCK THE FULL EPISODE HERE: https://www.patreon.com/posts/72144145 MERCH: www.teepublic.com/stores/sleazoids?ref_id=17667 WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl/ Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller/
Hosts Josh and Jamie and special guests Kurt Schiller & Chris Woodward (of the Podside Picnic podcast) discuss provocative, lo-fi cyberpunk with a double feature of Abel Ferrara's transactional, alienating approach in NEW ROSE HOTEL (1998) and Muscha's more apocalyptic, atmospheric DECODER (1984). Next week's bonus episode is a patron-exclusive bonus episode on EBIRAH, HORROR OF THE DEEP (1966) and GODZILLA VS. HEDORAH (1971), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-10:55 NEW ROSE HOTEL // 10:55-1:24:30 DECODER // 1:24:30-2:31:38 Outro // 2:31:38-2:37:50 MERCH: www.teepublic.com/stores/sleazoids?ref_id=17667 WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl/ Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller/
The Boys are back in town! Cameron and Rob, that is. Join us for a rip roaring adventure down south of the border in MEX-EE-COH as we cover the classic 50's B movie: The Black Scorpion! But keep a look out for volcanos, high voltage wires, and scorpions OH MY! SHOWNOTESNews (1:59)1. Monarch show new director Julian Holms of THE BOYS fame is going to be the… “second” director for the Monarch show? Hm. Ok neat! I haven't watched the Boys, but I hear good things! And! An important note for Kyle, this guy also directed some episodes of Daredevil. So… that's cool!2. Godzilla Rivals: Rodan Vs Ebirah The Godzilla Rivals comic is BACK and this time that CLASSIC Showa Duo is teaming up to strike down the King of the Monsters! That's right, Rodan and Ebirah! Wait… really? The plot is all about how Rodan and Ebirah were launched into outer space on a space elevator… but then it goes crashing back down to earth. Oh no! THe tagline is “Terminal Velocity meets Terminal Ferocity3. Disney Plus Kong show King Kong is BACK. The mouse is putting the KING back in the name, since it's legally distinct from Kong in the Legendary universe for some legal reasons that I still don't fully understand. But yes, this will be a TV show based off of the original book.4. All Eyes trailer Whoa! In a small backwoods community SOMETHING watches over a little farm. And A local podcaster is ON THE CASE to discover what is UP. Seems like a neat spooky creature feature.5. Kaichu release date It's Time to D-d-d-d- duel! Oh wait, I meant, it's time to LOCK LIPS! Kaichu, the Kaiju Dating game, is officially coming out September the 7th! Date the only way a monster can, by destroying things!6. Monsterverse continuation - Press release and new plot synopsis for the Godzilla Vs Kong 2: The Origin! This all new adventure pits Kong and Godzilla against a colossal undiscovered threat hidden within our world! (Seatopia!?! We can only hope) That threatens our very existence. We will dive DEEP into the ANCIENT histories of the RIVAL titans, discover their Origins, unlock the mysteries of the sunken Skull Island, and uncover the mythic battle that forged Kong and Godzilla, and made them think Humans are pretty alright!7. New GODZILLA Merch Yes the “Godzilla World” that Toho promised us is still a-rollin! We have a bunch of new shirts and Pants from Rucking Fotten!Then we have some new products from Jade City, the company that brought us jet jaguar hot coco and godzilla tabasco sauce!Get those tortilla chips ready, because we are getting a set of 3 Salsas: Godlike Salsa - a Verde Salsa, King of the Salsas - a Red Salsa, And The Salsa that Kills Monsters - a habenero salsaOn top of that! And 4 new Hot Sauces: All Shin Themed this timeThe Black Scorpion discussion (33:27)Call in the military! These silly sons are about to spend an hour talking about a classic monster flick! So hold onto your butts!CreditsOur music comes from the extremely talented Eclectic Method. We thank him for the permission to use the song "Monsters" throughout the show.If you'd like advertise with us or sponsor us, please e-mail tokyolivescast@gmail.com. Also check out our Patreon here!
We round out maybe the most Kaiju-packed year in the history of cinema with a Godzilla classic. This time we have a new director, composer and colorful setting for a film not even originally written for the Big-G. This week we are island hopping though 1966's "Ebirah, Horror of the Deep" Twitter: @kaijuvshistory Email: kaijuvshistory@kaijuvshistory Letterboxd: https://letterboxd.com/KaijuVsHistory/
A.K.A. Godzilla Vs. The Sea Monster. (ゴジラ・エビラ・モスラ 南海の大決闘, Gojira, Ebira, Mosura Nankai no Daikettō, lit. Godzilla, Ebirah, Mothra: Big Duel in the South Seas) 6/16 is our birthday. One year of podcasting about #kaiju movies. To celebrate we are doing a #giveaway. When we hit 616 followers someone will #win 8 movies on Region 1 DVD. Like, follow, retweet, and comment to enter. #monsterverse pic.twitter.com/3muZOF1iyk— MonsterMovieFuntimeGo (@funtime_go) July 2, 2022 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/mmftg/message Support this podcast: https://anchor.fm/mmftg/support
Byrd, Matt and Kevin talk about Toho's web puppet show, Godziban! Godziban is a YouTube puppet show created by Toho and puppetry troupe Studio Koganemushi (after they were winners in Toho's Gemstone talent scouting contest). The show follows three young Godzilla brothers, Godzilla-kun, Minilla, and Little as they practice to be great monsters and have adventures running into the likes of King Ghidorah, Baragon, Rodan, Angilas, Ebirah, Mothra and other Toho monsters. We review the first two seasons of the show as well as cover Studio Koganemushi's history in the kaiju genre. We also talk about Toho's Gigan suit crowdfunding campaign failing and the plans for Legendary to open a theme park in France with Godzilla and Kong attractions. Listen and enjoy!
In this episode, we're discussing Ebirah, Horror of the Deep - which is usually referred to as one of the lowest points of the Godzilla franchise. Does this colourful addition to the series completely fall flat, or is there still some fun under the sun to be had on Devil's Island? Let's find out! Join the Friday the 13th journey over on Autopsy of a Horror Movie. Follow us on Instagram & Twitter, and join our Discord. Check out our artists, Cassie Selin & dogora9898!
We are closing in on finishing all the Godzilla that exists. So this week, we are hitting one of the last Showa era G films, Ebirah Horror of the Deep. A crazy island adventure, and the start of Godzilla truly becoming a hero. Does this face turn work? Join us with Phill Dishon and Kevin Shanks to find out!
In this episode Zack and Collin discuss Godzilla Vs. The Sea Monster (1966). Listen in as they talk about the directorial debut of Jun Fukuda, and how a movie originally planned to star King Kong turned into Godzilla Vs. The Sea Monster.
Wait, what? YHS on Monster Island is celebrating one year of giving us kaiju fans everything we ever wanted - from the "spine gap" to "kaiju on the side", from damning Godzilla vs. Megaguirus to the 7th lair of bad movie Hades to defending the misunderstood cinematic achievements that are Ebirah, Horror of the Deep and Yamato Takeru. Yes, we made it one whole friggin' year! And how do the "Tattooed Titan of Tokusatsu" Jacob Walsh and "Mayor of Toku Toy Town" Jay Key celebrate? They watch Godzilla Raids Again...uhhh...yep. But it's not just our intrepid duo taking about bad dino science, Minoru Chiaki love, and dancing - oh no, we also get a host of pick-ups, including a Top 10 Wishlist get, and some recent toy news! It will make you laugh, cry, and buy vinyl toys covered in glitter...it's YHS on Monster Island! Follow up on Twitter - @YHSMonsterPod Join YHS Group Therapy on Facebook Visit TokuToyTown.com for all of your kaiju collectibles needs! Please like, subscribe, and leave us a review!
Robbing banks, stealing yachts, picking locks and dance dance dancing! Lay back and let the surf rock take you--if you dare... It's Ebirah!
This week, two exciting entrants in the monster canon join the fray. First, it's everyone's favorite crustacean Kaiju, the indomitable and very crabby Ebirah, the horror of the deep! It's a surf-rock camp fantasy in the 1966 monster movie, wherein Godzilla, Mothra, and Ebirah square off, and a lot of peculiar Kaiju hijinks ensue. The fun does not end here, as Godzilla's paternal instincts are given the spotlight with the inclusion of Minya, a debatably cute rapscallion who has won our hearts. Is Ebirah's sea-bound mettle enough to menace his way up the rankings? Is Minya's odd cuteness enough to secure a place among the Gods of Kaiju? Our team of experts have all the answers.
Your intrepid hosts of YHS on Monster Island take you on a trip from Wonderfest to Lobsterfest as they review the recent toy reveals from Wonderfest 2022 in Japan and have a fun discussion around why everyone shouldn't hate on Ebirah, Horror of the Deep (aka Godzilla vs. The Sea Monsters) so much! “The Tattooed Titan of Tokusatsu” Jacob Walsh and the “Mayor of Toku Toy Town” Jay Key are pretty passionate in their appreciation of Ebirah – and throw out some hot takes that are sure to start some arguments among kaiju fans! Oh, and Mothra, the Flying Dracula Monster is a real thing – just ask any daikaiju-digging Dutchman! As always, our hosts share their weekly kaiju collectible pick-ups and this is one for the ages! There's glitter, there's exclusives, there's sofubi and statues, and there's an eBay steal of a lifetime! Welcome to YHS on Monster Island…where you get your #kaijuontheside!
The Voice without Body has a special guest on the first of a two part spooktacular summary of the seances they perused for their spooky season festivities. Topics touched on include Korean folk horror, kaiju movies, hammer horrors, Chinese hopping vampires, Scooby Doo, and BoB.
In this episode's essay, Robert looks at the new blood behind the scenes of 1966's Godzilla offering. John LeMay tells us why this is his favorite Godzilla movie, and joins Robert for this edition of the Record All Monsters Game Show, The Changing of the Guardians of the Galaxy. "Ebirah, Horror of the Deep and the Changing of the Guard" By Robert L. Kelly Our Linktree: https://linktr.ee/recordallmonsters John LeMay's Amazon Author Page: Click HERE! Record All Monsters is a production of Noble Walrus Media --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
This Shrimpy boy was meant to face off with King Kong, but Godzilla made the hot tag to replace Kong at the last minute. Learn why in this episode.
Ben and Hank finally watched the two Showa era Godzilla films that Hank left off of the Godzilla bracket. They're... not great, but they are still Godzilla movies. The two movies we're talking about this week are Ebirah, Horror of the Deep (1966) aka Godzilla versus the Sea Monster aka Godzilla, Ebirah, Mothra: Big Duel in the South Seas and All Monsters Attack (1969) aka Godzilla's Revenge aka Godzilla, Minilla, and Gabara: All Monsters Attack. Email: SaltCirclePodcast@gmail.com Twitter: @SaltCirclePod Hank's Twitter: @ComicPanels The Burning Barrel Discord: discord.gg/jBDGW5j Logo Artist: bellamy.world/
Today we look at 1966's Ebirah,Horror of the Deep! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Nick, Andrew, and Brendan discuss 2004's Godzilla: Final Wars! Plus the connections between Final Wars and Star Wars, Xillien contractual obligations, a lot of discussion of kaiju body weights, James' secret Final Wars cameo, the kaiju-consensus game, and much more!Introductions - (0:32)Synopsis - (1:02)Opening Thoughts - (6:04)Human Characters - (8:34)Monsters & Special Effects - (59:12)Score - (1:58:26)Stray Thoughts - (2:05:48)MVP - (2:16:02)Final Thoughts - (2:17:41)Listener Feedback & Where to Find Us - (2:21:28)Sign Off - (2:25:19)https://twitter.com/gforcekaijupodhttps://www.instagram.com/gforcekaijupodhttps://www.facebook.com/gforcekaijupod
If you remember that we filmed the great Ebirah episode after this one kicked the crap out of us, both actually become more impressive.
We were watching films/ Watching them with Jackson Campbell./ Creature from the sea/ What could it be?/ Cuz it wasn't a rock./ It was a rock LOBSTER.
It's everyone's favorite lizard/dinosaur, plus villain/hero. Grab your popcorn and get ready for 15 days of Godzilla: Part 1. We'll be reviewing the Showa era's classic depiction of a lovable yet misunderstood monster, with a heart of gold and an uncanny affection for mankind, who in return uses every vice possible to try to destroy him.
(Art in thumbnail is by Noger Chen.)There's a new Godzilla movie, which means there are new Godzilla fans! If you saw and enjoyed Godzilla vs. Kong and you want to explore the original Japanese films as well, this episode is for you! In this episode, Nick, Andrew, James, & Evan offer you their Godzilla recommendations, a brief history of the franchise, and tell you where you can watch each film on the list!Introductions - (0:32)A Brief History of Godzilla - (2:02)Godzilla 2000 (1999) - (09:11)Godzilla/Gojira (1954) - (16:20)Shin Godzilla (2016) - (25:38)Godzilla vs. MechaGodzilla (1974) - (30:45)Mothra (1961) - (35:12)The Return of Godzilla (1984) - (40:40)Godzilla, Mothra, King Ghidorah: Giant Monsters All Out Attack (2001) - (45:39)King Kong vs. Godzilla (1962) - (51:25)Ebirah, Horror of the Deep (1966) - (57:45)Mothra vs. Godzilla (1964) - (1:04:29)Invasion of Astro-Monster/Godzilla vs. Monster Zero (1965) - (1:12:16)Son of Godzilla (1966) - (1:17:48)Conclusion - (1:21:26)The Return of Zone Fighter! - (1:22:01)Listener Feedback - (1:24:01)Where to Find Us - (1:30:35)Sign Off - (1:31:09)
A une semaine de la sortie de Godzilla vs Kong, apogée du monsterverse que Legendary et Warner ont lancé avec Godzilla de Gareth Edwards en 2014, Quentin prend aujourd'hui le contrôle du Coin Pop pour nous replonger dans l'épopée du monstre japonais depuis sa première apparition en 1954. L'occasion de revenir sur pléthore de films de la Toho et les monstres qui les habitent, en reparcourant les différentes ères et les changements d'esprit qui ont marqué cette saga et la pop culture à jamais.
Ebirah (EBRH) price prediction and technical analysis. Sign up for Token Metrics at https://tokenmetrics.com Token Metrics Media LLC is a regular publication of information, analysis and commentary focused especially on blockchain technology and business, cryptocurrency, blockchain-based tokens, market trends, and trading strategies. Like the podcast to let us know you like the content!
Ebirah (EBRH) price prediction and technical analysis. Sign up for Token Metrics at https://tokenmetrics.com Token Metrics Media LLC is a regular publication of information, analysis and commentary focused especially on blockchain technology and business, cryptocurrency, blockchain-based tokens, market trends, and trading strategies. Like the podcast to let us know you like the content!
This week we're talking about Jun Fukuda's monster-laden take on the old Summer Date Movie with EBIRAH, HORROR OF THE DEEP. We've got dancing, we've got thievery, we've got secret bases, giant lobsters, lightning rods and our old friend Godzilla! Mothra is there too. Grab your floaties and come hang out by the pool while we give our takes on the oft-hated showa classic. Follow us on twitter! @EWD_Podcast @Anti_Laser @Wazpranger
On this episode of the Comics & Kaijus podcast we review 1966’s Ebriah, Horror of the Deep and we take a look at GI Joe: A Real American Hero Vol. 1.www.projectlouder.net
After a string of films introducing legendary monsters into the Gdzilla mythos, it's time to mix things up and introduce two monsters that make (nearly) no appearance ever again! The Squad reawakens from it's slumber to witness a CRAB BATTLE of epic proprtions as Ebirah, horror of the deep, challenges the King of the Monsters to a contest worthy of his title: a volleyball match. All that, plus the world's most badass eyepatch in this exciting episode of SQUADZILLA! ______ Squadzilla is a podcast where two life long Godzilla fans, JaxBlade and Tom Oliver, indoctrinate a newcomer to the franchise, Saberspark, by forcing him to watch every single Godzilla film yet released in sequential order, until he's as obsessed as they are. Witness the birth of a fanboy in real time, perhaps become one yourself, and have some laughs along the way as no stone is left unturned, and no maser tank is left undemolished in this lighthearted exploration of the Godzilla franchise.
On this episode the gang are joined by the duo from Monsters vs Men to discuss the first Jun Fukuda Godzilla film, Ebirah Horror of The Deep! They discuss Jun Fukuda's later disdain for the series, the introduction of a wackier tone, and plenty of MvM in-jokes. NOTE: This episode unfortunately has audio issues so the audio quality will be a bit lacking. We apologize for this and pledge that future episodes will avoid this. Thank you.
It'll hook you in the first few minutes! This week, Nicky and Wyatt take a look at the unassuming but outstanding Frankenstein Conquers The World, a clear highlight in the Toho monster catalogue for its incredible effects work and enthralling sci-fi story. Despite being adapted for the kaiju genre, "Conquers The World" still retains that essential Frankenstein core and it makes for one of the best films we've discussed to date. Hear more in-depth thoughts in this very episode! And tune in next time for some fun in the sun... EBIRAH, HORROR OF THE DEEP. Follow us on twitter! @EWD_Podcast @Anti_Laser @Wazpranger
I'm double dos'n on Godzilla again. I can stop whenever I want. Just not yet. Hopefully my thoughts are comprehensible enough to understand. Please listen, share if you like and join the rant!
A new kaiju appears! Ebirah, the shrimp or lobster monster, is here and we’re ready to talk about him in Episode 11: Ebirah, Horror of the Deep (1966). Lee is obsessed with Chekov’s pigeon while Sarah talks about heavy water and how 9 brave Norwegian resistance fighters helped end WWII. Plus, cannibal swords, sleeveless lab coats, ominous surfer music, and a recounting of all our favorite Japanese bathrooms.Sarah’s Science Hour sources:Nova: Hitler’s Sunken Secret (https://www.pbs.org/wgbh/nova/hydro/water.html)Atomic Heritage Foundation: Operation Gunnerside (https://www.atomicheritage.org/history/operation-gunnerside)Coffee: Holiday Blend, Skyaana Coffee Co, Klawock, AK (https://skyannacoffee.weebly.com/)
It's Godzilla Vs The Sea Monster! Who is the sea monster? Well that's Ebirah! Who is Ebirah? He is the horror of the deep! He some how got top billing in this movie that was clearly supposed to be about King Kong.
Mike and Aaron discuss Ebirah, Horror of the Deep and Son of Godzilla in this great episode of Subplot. Mike's Things~ Twitch: https://www.twitch.tv/mikebundy316 Twitter: https://twitter.com/IAmMikeBundy YouTube: https://www.youtube.com/channel/UCDg6pmcStntQQZQPFV-JlOg Aaron's Things~ Facebook: https://www.facebook.com/kaijugroupie84/ Instagram: https://www.instagram.com/aarondewyerart/?hl=en Store: https://artofaarondewyer.storenvy.com/?fbclid=IwAR075J9wATM-AWzyAQ-UUhHHqEELt3CzREgiNpKOGB0NBknF_m0HAuMd0no Shawn's Things~ Facebook: https://www.facebook.com/Rabidminibear-100733664635729/?view_public_for=100733664635729 YouTube: https://www.youtube.com/channel/UCBJts3JaNFvSu0xll3VVNyg
Podzilla #7 - Ebirah, Horror of the Deep & Son of GodzillaEpisode 205foobarshow.comGive us a 5-star positive review on Apple Podcasts and we'll send you a free t-shirt!SUPPORT OUR SPONSORALF Live Events for all of your live audio/visual needs at alflei.comThe Foos welcome back Alejandro “G Baby” Luna who is sponsoring the shows live video which can currently be seen through Facebook Live.-They discuss the Dodgers winning The 2020 World Series-They get into Ebirah, Horror of the Deep-The Foo then speeds through Son of Godzilla-Joe C dives into the types of events that ALF Live Events does in the Covid era.Spicy Challenge:-Da Bomb Beyond Insanity Hot Sauce-Mad Dog 357
Nick, Andrew, Evan, James, and Parker discuss 1963’s Matango in this Halloween Special! Plus abstract vs. literal interpretations, the significance of 7 to microcosm casts, the what-ifs of Infant Island, the Three-Part Turtle of Destiny, how bad editing can create a ghost, the giant omelet connection, and all sorts of reflections on the horror genre!
Nick, Andrew, Evan, and Parker discuss the sometimes-maligned, sometimes-beloved showa classic Son of Godzilla! Plus the perils of international communication, kaiju as both characters and natural disasters, the most Minilla-relevant grocery chain, The Three Godzillas (move over, DC comics!), and a surprising number of comparisons to the original Mothra, and vs. SpaceGodzilla!
After defeating an intergalactic alien monster, it's time for a bit of a snooze fest with Godzilla on a tropical island of all things. Ben and Tyler board a stolen yacht and found out what happens when you stick Godzilla into a role intended for King Kong. They also learn that Dr. Serizawa isn't dead after all! Grab your boiling pots, giant lobster is on the menus!
After defeating an intergalactic alien monster, it's time for a bit of a snooze fest with Godzilla on a tropical island of all things. Ben and Tyler board a stolen yacht and found out what happens when you stick Godzilla into a role intended for King Kong. They also learn that Dr. Serizawa isn't dead after all! Grab your boiling pots, giant lobster is on the menus!
Episode 45 – The One with a Giant Lobster Well hello there, welcome to our podcast. This is episode 45 of Kaiju Curry House – The One with a Giant Lobster. Please download from your favourite podcast service and enjoy our content. Also, go on over to heroespodcasts.com to see other episodes and series. Today...
Grab the garlic and butter, and let the good times roll! In this week's episode, Travis and Michael wrap up Sea Monster month with one of the most iconic films of the Godzilla franchise, Godzilla vs. The Sea Monster (aka Ebirah, Horror of the Deep). Also, Travis and Michael go one-on-one in another installment of Kaiju Clash!Follow Kaiju Weekly on TwitterFollow Kaiju Weekly on InstagramSubscribe to the Kaiju Weekly YouTube ChannelBecome a Patreon Join The Kaiju Groupie Facebook GroupFollow Michael (The Kaiju Groupie) on TwitterFollow Michael (The Kaiju Groupie) on InstagramHelp control the giant shrimp population, have your giant crustaceans spayed or neutered.
Nick, Andrew, Evan, James, and Ike leap into a discussion of their favorite human characters in the kaiju film genre- which only gets as far as the showa era, because there are so many to talk about! (Also, a few Venusians and Xilliens may have snuck into this 'humans' list). Plus a deep-dive on Interpol, Toho spinoff series, Japanese-language puns, beneficial qualities in an all-knowing seer... and we re-write the book on the weirdest civilization to ever threaten the Toho-verse! Join us for a weird and rad ride!
Ahoy, mateys! Come onboard with Chris and David as they set sail to the Devil's Island to discuss the 1966 Godzilla film, Ebirah, Horror of the Deep. Does Jun Fukuda's shift in tone work for the duo, or do they walk away from this one crabbier than ever? Grab your swimsuit and towels, because this episode is a beach!
In this weeks exciting episode our heroes talk about everything from Gojira to Ebirah and why that Mothra song is so good
in episode three of Big'uns we tackle the giant shrimp himself and all his sleepy friends! Join us for Ebirah Horror of the Deep!
Brandon and Cullen take to sea as they continue their path of destruction through the Showa Era Godzilla films. A young […]
Brandon and Cullen take to sea as they continue their path of destruction through the Showa Era Godzilla films. A young […]
Can a lobster beat Godzilla? Can a Godzilla film flourish without Ishiro Honda directing? Eric and Alex discuss this, and if Godzilla's turn towards an even lower budget works for the series.
Giant Monster Messages: Ebirah, Horror of the Deep (1966) Taylor is asking for a lot of listener corrections in our episode for the 1966 film Ebirah, Horror of the Deep. Also, Joshua proves that the Condor isn't the worst kaiju. Time 01:34 History 12:14 Plot 17:25 Talking Points 26:49 Messages 30:52 Final Thoughts 32:24 Listener Feedback Contact us at: https://giantmonstermessages.com/GiantMonsterMessages@gmail.com Twitter Facebook Main Theme and Stingers Written by Matthias Fluor https://mfluor.ch/ Art by Amanda Blanchard Special Thanks to: Teachers everywhere Authors of the First Amendment
ISSUE #45 - Justifying My Movie Collection. Week 9 of watching every Godzilla & King Kong movie! This week Matt watches EBIRAH, HORROR OF THE DEEP! It's Godzilla, Mothra and a giant lobster! What could be better??
First off, I want to apologize for the background noise in this episode. That being said, in this installment of our podcast we sail off to an island in the South Seas were Godzilla, Mothra, a giant shrimp/lobster thing called Ebirah, a terrorist organization building nuclear bombs, and a giant condor all collide for an epic showdown. But was it epic enough for our hosts' tastes? Listen and find out!You can contact us at stompthisway1954@gmail.comYou can see our full schedule of films at www.stompthisway.podbean.comThe end track is the Main Title by Masaru Sato (also unintentional background music courtesy of Downton Abbey)Join us next week for Gorgo!
The Big "G" Tokyo Town StompDown - May 7 2019 Everyone seemed to love our "Avengers:Endgame" countdown, so we're doing it again! It's 31 Days of nothing but GODZILLA MOVIES!! Kim Brown and TC Kirkham will bring you 31 of the best in chronological order as we countdown to the release of Legendary's new "Godzilla, King Of The Monsters" on May 31! Today, it's "Ebirah, Horror Of The Deep" aka "Godzilla Vs The Sea Monster" (1966)! This show is brought to you by Subject:CINEMA and our Patron Exclusive show Kaiju Korner! See below to hook up and subscribe so you won't miss Kim's indepth look at kaiju from all over the world! COMMUNICATE WITH US! We want to hear from YOU! Email - subjectcinema@pnrnetworks.com
Our hosts return from a long absence for an episode jam-packed with three movies! Or, well, two and a half. Listen, sometimes you have to know when to tap out, okay? From a giant lobster impaling a pair of humans with its giant claws to the far more terrifying visage of Godzilla's misshapen progeny, ending with the catharsis of a big ol' Avengers-style throwdown at the foot of Mt. Fuji, this episode is a genuine emotional roller coaster! Truly, the Godzilla series of films touches upon every genre of film—including "bad."Movies discussed:EBIRAH, HORROR OF THE DEEP (1966)Directed by Jun FukudaProduced by Tomoyuki TanakaScreenplay by Shinichi Sekizawa?Music by Masaru SatoCinematography Kazuo YamadaStarring Akira Takarada, Kumi Mizuno, Chotaro Togin, and Hideo SunazukaSON OF GODZILLA (1967)Directed by Jun FukudaProduced by Tomoyuki TanakaScreenplay by Shinichi Sekizawa and Kazue ShibaMusic by Masaru SatoCinematography Kazuo YamadaStarring Akira Kubo, Tadao Takashima, Bibari Maeda, and Akihiko HirataDESTROY ALL MONSTERS! (1968)Directed by Ishiro HondaProduced by Tomoyuki TanakaScreenplay by Takeshi Kimura and Ishiro HondaMusic by Akira IfukubeCinematography by Taiichi KankuraStarring Akira Kubo, Jun Tazaki, and Yoshio Tsuchiya
Chris, Tyler and David Wayne Young chat about three more films in the Showa period of Godzilla films. Including: Godzilla vs. The Sea Monster, Son of Godzilla and Destroy All Monsters.
Nos reunimos en nuestro cuartel general mientras el erudito Octavio agoniza para despiezar y servir dos películas clásicas de Godzilla: -Películas: Los Monstruos del Mar y La Isla de los Monstruos forman nuestro programa más refrescante del año. Por fin escuchamos las súplicas de nuestro oyente Guybrush. -Ficha del monstruo: Este mes desvelamos los secretos de Ebirah y nos metemos con el abusica de Gabara. -Kaijus, ¡fuera del cine! Servobot y Josan nos hablan de Camelot Trigger, el juego de rol de NSR ediciones que traslada el mito artúrico al espacio... ¡con mechas! -Guía de supervivencia Monsteriana: El Comandante Josan nos da valiosa información para sobrevivir a langostas gigantes con afición por el tenis. -Entrevista con el monstruo: Este mes, Zipi y Zap….digo, Servobot y Marco cogen el AVE para viajar a Galicia, ¿quién les espera allí? -Correo de los monsterianos: Contestamos vuestras preguntas, comentarios y sugerencias, ¡este mes tenemos comentarios de gente nueva! -Formas de contacto y próximo programa: Te facilitamos la interacción con nosotros y anunciamos el título y el tema del siguiente programa. Todo acompañado del buen humor y la diversión que nos caracteriza. Cosas de Monstruos lo protagonizan: Marco Osera como: “El ayudante de proyeccionista del último cine del pueblo”. Octavio López como: “El erudito”, que aporta el toque de cordura (aunque en este programa estaba en sus horas más bajas). Josan como: “El Comandante”, enciclopedia viviente de datos Kaiju y un maestro del Kung Fu Espacial. Y Frank Guerra como: “Servobot”, cíborg avanzado muy cansino y con unas cuantas averías. Puedes encontrarnos en www.facebook.com/cosasdmonstruos y en @monsterianos. Hay más, pero me da pereza ponerlos todos. Más programas en www.canalosera.com
Original Duology (1954-1955) Godzilla (1954) Godzilla Raids Again (1955) Revival (1962-1968) King Kong vs. Godzilla (1962) Mothra vs. Godzilla (1964) Ghidorah, the Three-Headed Monster (1964) Invasion of Astro-Monster (1965) Ebirah, Horror of the Deep (1966) Son of Godzilla (1967) Destroy All Monsters (1968) Champion Series (1969-1975) All Monsters Attack (1969) Godzilla vs. Hedorah (1971) Godzilla vs. Gigan (1972) Godzilla vs. Megalon (1973) Godzilla vs. Mechagodzilla (1974) Terror of Mechagodzilla (1975) Other Toho Kaiju Films Rodan (1956) The Mysterians (1957) Varan (1958) The Three Treasures (1959) Mothra (1961) Gorath (1962) Atragon (1963) Dogora (1964) Frankenstein vs. Baragon (1965) The War of the Gargantuas (1966) King Kong Escapes (1967) Latitude Zero (1969) Space Amoeba (1970) Princess from the Moon (1987)
Look who drove all the way to Utah to talk Godzilla? Ladies and gentlement, put your hands together for Jason Poor! Here's his theory, for your enjoyment: This is a long and ludicrous theory. It takes a lot of liberties, but I love the idea of all of his characters being the same man, so I decided to put something together. I did some research in Godzilla wikis and rewatched some of the movies to get a storyline together. I also thought about this way too much. Enjoy! I'd be curious to hear anyone else's thoughts. It should be noted that I did not include non-Godzilla movies, as I haven't seen most of them and can't make a definite determination of where they would fit in. A brilliant young oceanographer with an interest in paleontology, Dr. Sarizawa was in his early twenties when he discovered the existence of a marine dinosaur. He had recently returned from World War 2 with a devastating eye injury, and found himself bitter at humanity for the devastation man could cause. He hoped that the discovery of Titanosaurus would catapult him back into academic circles and bring him some clarity, but when he suggested he could control the creature the other scientists only laughed and ridiculed him. Feeling betrayed, Dr. Sarizawa moved to Tokyo, where he met and befriended fellow paleontologist Dr. Yamane. He even became engaged to Yamane's daughter, Emiko. But his true passion remained learning the secrets to controlling Titanosaurus. When he was approached by the terrorist group Red Bamboo to assist with the building of their base on Lechti Island, he knew he would be able to continue his studies in earnest. In the meantime, his experiments led him to the accidental creation of a superweapon, the Oxygen Destroyer. At first the device scared him, but after Godzilla appeared and attacked Tokyo he knew he had his chance. He phoned Red Bamboo and told them to be ready. Under the guise of a noble underwater sacrifice, Sarizawa set off the Oxygen Destroyer and in the ensuing chaos boarded a Red Bamboo submarine and made his escape. Red Bamboo gave him the name Ryuui and brought him to Lechti Island. There he found room to work on both his pet projects and solve problems for his new employers. Immediately upon arriving on the island he set to work a plan to keep Ebirah at bay from incoming Red Bamboo ships. With the organization able to move freely again in the pacific, he was sent many times on intelligence gathering missions to mainland Japan, usually as the scientist Kashiwagi. This put him in position to weigh in when Rodan, Mothra, King Kong, Varan appeared. When the identity became too high-profile, he retired it to take the role of a Police Chief in order to report to Red Bamboo on Japan's security. This post put him right in the path of Ghidorah's destructive debut. In order to play these roles, Sarizawa received plastic surgery at the hands of Red Bamboo scientists and was fitted with a glass eye. The years of Kaiju attacks took its toll on Sarizawa. Eventually he returned to Lechti Island. Being “home” allowed him to remove the troublesome glass eye, but Red Bamboo had a different vision for the tortured scientist. They pressed him into their security service as a Guard Captain. Here's where things get weird. Well, weirder. If all of Hirata's characters are the same person then he has to have a daughter during this time. Due to the influx of Infant Islanders on Lechti Island, I submit that Sarizawa met one of these and began a forbidden romance. She became pregnant, whereupon he secured her release, or smuggled her to Japan. There she gave birth to a daughter and named her Katsura. I also think that it's highly convenient that Godzilla appears asleep on Lechti Island waiting for reanimation. This is my second theory: because Godzilla had provided a way out for Sarizawa in the past, he thought he could use the monster as an escape plan from the Red Bamboo. Because the compound of the yellow berries was similar to the red ones from Pharo Island, and because he was familiar with that case, Sarizawa concocted a serum that he somehow managed to administer to Godzilla and render him unconscious. From there, he would be able to use a radio-controlled Titanosaurus to deliver the sleeping Godzilla to a cave on Lechti Island, where Sarizawa could awaken him at will. Unfortunately for him, when the Yahlen sank of the coast of the island, the survivors awakened Godzilla ahead of schedule, leading to the destruction of the Red Bamboo base. Sarizawa made to escape with the leaders of his organization, but the Ebirah-repellant had been replaced with a non-functioning serum and the giant lobster destroyed their ship. A Red Bamboo submarine operating in the area picked them up and delivered the survivors to the mainland. Though a few survived, the organization had been destroyed and the remnants disbanded. By now Sarizawa was well-practiced in assuming identities and took the name Fujisaki, a scientist. He settled into his new life and, after his wife passed, began to raise his daughter on his own. However, when the UN created a team of oceanographers and meteorologists to study pacific weather patterns, he jumped at the chance to be close to Titanosaurus again. The group set up their experiment on Sollgel Island. Sarizawa volunteers to operate the radios, secretly searching for any sign of his dinosaur. In a story now as old as, I imagine, this theory, Godzilla soon intervened in the experiment and the ensuing chaos destroyed the research station. The survivors found themselves on a raft in the ocean with a submarine bearing down on them. Sarizawa recognized the conn tower as his compatriots in Red Bamboo, but when he got on board he found instead a cadre of Black Hole Planet 3 Aliens. The Aliens killed the others, but recognizing Sarizawa as the most brilliant and with the most experience with Godzilla, they spared him and provided him with a new life in Japan. As Dr. Miyajima. Sarizawa was supposed to be in their employ, but he found the methods of his new masters distasteful and purposely sabotaged their operations. Soon Godzilla destroyed Mechagodzilla, the Black Hole Planet 3 aliens were defeated, and Sarizawa sought to disappear into anonymity. He took his final identity, Dr. Shinzo Mafune. His full life had made him tired and distrusting. He stopped going into public and his resentment of the scientific community grew. He blamed them for the tumultuous events of his past. Unbeknownst to him, the Black Hole Planet 3 Aliens had returned and were monitoring him. When a tragic accident during one of his Titanosaurus experiments claimed the life of his daughter Katsura, the aliens saw their chance and swept in to save her life with advanced cybernetics. Indebted to them, Sarizawa now saw no alternative but to go along with their plans. Soon he began to warm to the idea of taking revenge on the scientific community. His plans however soon attracted the eye of INTERPOL agents. Saraizawa was fatally wounded in a firefight between the agents and the aliens, and died alongside his beloved daughter.
Surf beautiful Lechti Island! Or... maybe not! Break out your sunscreen and coverup, because we are taking a romp through the South Seas this time on Earth Destruction Directive! It's the first of the Godzilla "Island" films when our beloved monster hero battles a condor, a crustacean, and Communists in Godzilla vs The Sea Monster! Then we head west where Big G runs afoul of a bunch of cowboys who should probably know better in Marvel's Godzilla #15! Plus news and more than a few MST3K references, all for your listening pleasure on Earth Destruction Directive! Feedback for this show can be sent to: earthdestructiondirective@yahoo.comEarth Destruction Directive can be found on Facebook at https://www.facebook.com/#!/earthdestruction.directive Please rate and review the show on iTunes! You can follow Luke on Twitter at http://twitter.com/ljacone and "add" him on Google+! Two True Freaks! is a proud member of BOTH the Comics Podcast Network (http://www.comicspodcasts.com/) and the League of Comic Book Podcasts (http://www.comicbooknoise.com/league/)!! THANK YOU for listening to Earth Destruction Directive, part of the Two True Freaks Podcast Network... and KEEP 'EM STOMPING!!
Surf beautiful Lechti Island! Or... maybe not! Break out your sunscreen and coverup, because we are taking a romp through the South Seas this time on Earth Destruction Directive! It's the first of the Godzilla "Island" films when our beloved monster hero battles a condor, a crustacean, and Communists in Godzilla vs The Sea Monster! Then we head west where Big G runs afoul of a bunch of cowboys who should probably know better in Marvel's Godzilla #15! Plus news and more than a few MST3K references, all for your listening pleasure on Earth Destruction Directive! Feedback for this show can be sent to: earthdestructiondirective@yahoo.comEarth Destruction Directive can be found on Facebook at https://www.facebook.com/#!/earthdestruction.directive Please rate and review the show on iTunes! You can follow Luke on Twitter at http://twitter.com/ljacone and "add" him on Google+! Two True Freaks! is a proud member of BOTH the Comics Podcast Network (http://www.comicspodcasts.com/) and the League of Comic Book Podcasts (http://www.comicbooknoise.com/league/)!! THANK YOU for listening to Earth Destruction Directive, part of the Two True Freaks Podcast Network... and KEEP 'EM STOMPING!!
This episode is about the seventh Japanese film in the Godzilla franchise 'Ebirah, Horror of the Deep' AKA 'Godzilla vs the Sea Monster,' AKA 'Ebirah, Terror of the Deep,' which also guest stars Mothra. It's directed by Jun Fukuda and stars Akira Takarada, Kumi Mizuno, Chôtarô Tôgin and Hideo Sunazuka.
Get out the butter, because Godzilla is about to face off with a giant rock. But it isn't a rock, its "Ebirah, Horror of the Deep"!
Directed by: Jun Fukuda Produced by: Tomoyuki Tanaka Screenplay by: Shinichi Sekizawa Starring: Akira Takarada, Kumi Mizuno, Chotaro Togin, Hideo Sunazuka, Toru Watanabe, Toru Ibuki, Akihiko Hirata, Jun Tazaki, Ikio Sawamura, Pair Bambi, Eisei Amamoto Music by: Masaru Sato Cinematography: Kazuo Yamada Edited by: Ryohei Fuji Release date: December 17, 1966 Running time: 87 minutes Language: Japanese Budget: $1,200,000 Music Provided by Mecha G: http://mechag.bandcamp.com/
Godzilla, Ebirah, and Mothra join special guest Andy Campbell () this week on Monster Kid Radio. Andy and Derek take a look at the Godzilla film with one of the most fun soundtracks - 1966's Godzilla vs. the Sea Monster (dir. Jun Fukuda). Also, Derek reads listener emails, and talks a bit more about the (and suggests two people he'd like to see inducted into the Monster Kid Hall of Fame). Voicemail: 503-479-5MKR (503-479-5657)Email: (.mp3s of every episode of Monster Kid Radio is available for download at our barebones behind-the-scenes website at ) Kaiju 101 - Bloke's Terrible Tomb of Terror - The opening and closing song "Power" (Speed Power Turbo Racer) appears by permission of Amphibian Man - All original content of Monster Kid Radio by is licensed under a . Monster Kid Radio is a registered service mark of Monster Kid Radio LLC. Next week on Monster Kid Radio:A breezy conversation about Dracula (dir. Tod Browning) and other vampire topics with author
Ross is back on the podcast as he and Steven navigate their way to Solgell Island, following the signal of a mysterious brainwave. What awaits them? Extreme weather, giant invertebrates, and the heir to the King of the Monsters - it can only be Son of Godzilla on the Kaijusaurus Podcast. Show Notes - Thanks to @nuclear-warrior, @bretlowski, @mekagojira3k, and @bluskreem for submitting their thoughts and opinions on the film. - …and apologies to @blackeye15, whose comments I forgot to read pout on the episode. Their submission follows: Son of Godzilla is on the lower end of Godzilla movies for me. Like Ebirah I appreciate a few things it does better as an adult but I think it’s still a weaker film. I have never been a big fan of Minya, I think we should keep him out, I do love Godzilla Jr. to be clear. I will admit I love the fire-breathing lesson scene and the final shot of Godzilla holding Minya. Other than that can’t really stand the little creature. I always figured Godzilla was adopting the little radioactive toad so I wondered why everyone was arguing about it over the internet when I was a kid. Apparently Nakajima considers Godzilla female which I’m totally okay with to be honest A creature named Godzilla is most certainly one of the few beefs I have with 1998’s Godzilla. Here’s the bits I’ve always loved as a kid: Kamacuras. It was super fun giving Godzilla a bunch of mook monsters he can easily tear apart rather than one equally strong monster. I keep hoping some day Toho has Godzilla fighting a swarm of them. I now appreciate the complicated marionette systems used for Kamacuras and Kumonga. None the less I think the end fight just drags on far too long at a poor pace. Kumonga shoots web! Godzilla shoots fire! Not very effective. Now Kumonga is on Godzilla! Now…nothing is happening until Minya shows up, though combo-attack was cool. It’s not really a bad Godzilla movie, it really isn’t ,it’s just kind of middle of the road and I’m very Minya biased. My favorite shot is when the Kamacuras are marching past the tower and two people are hiding, fantastic shot! I think Ebirah was more my ideal Godzilla on a jungle island adventure. - Due to the increasing length of the episodes, we will be curbing the length of listener submissions from here on out. More information on this will follow soon.
In the first episode of 2016, Steven and Ross find themselves shipwrecked on a remote tropical island, protected by a giant crustacean, populated by oversized condors, and under siege by a cut-throat terrorist organisation. Can Godzilla save the day? Find out in the latest Kaijusaurus Podcast! Show notes are here: http://kaijusaurus.tumblr.com/post/137640970964/the-kaijusaurus-podcast-8-ebirah-horror-of-the 00:02:00 - Cast & Crew Info and Plot Synopsis 00:14:45 - Beginning of Film Discussion 00:26:30 - History of the Film 00:34:10 - Giant Condor Talk 00:37:30 - Influence of James Bond 00:40:15 - Dub vs. Dub 00:51:00 - User Submissions (feat. further Giant Condor chat) 01:10:30 - Wrapping Up
William Bibbiani and Witney Seibold are reviewing every GODZILLA movie ever made, and they're doing it on Fridays!This week, psychics, dance competitions and bank robberies all conspire to send a a ragtag band of misfits to an island run by nuclear powered terrorists who kidnapped people from Mothra's island to make yellow fluid that repels sea monsters! Godzilla is about to have a really bad day in... EBIRAH, HORROR OF THE DEEP!If you want to follow along with us, the list of films we're planning to cover is here at Bibbs's Letterboxd page!Subscribe on Patreon at www.patreon.com/criticallyacclaimednetwork for exclusive content and exciting rewards, like bonus episodes, commentary tracks and much, much more!Join the new SALTCATSOAP OF THE MONTH CLUB at Patreon.com/SaltCatSoap today! You can also buy soaps at our Ko-fi store!Email us at letters@criticallyacclaimed.net, so we can read your correspondence and answer YOUR questions in future episodes!Our Sponsors:* Check out Factor 75 and use my code criticallyacclaimed50 for a great deal: https://www.factor75.com/Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
© 2020-2025 Ivy Podcast Discovery LLC
