Podcasts about Fleet Foxes

We're rounding out the month of November with a brand new episode digging into Fleet Foxes' self-titled breakout full-length record. We discuss their musical DNA rooted in older folk traditions, hymnals, and lush harmonies, unlike the emerging corporate-hipster, crowd-coded "stomp clap hey" movement the band was often grouped with, which was budding up in the folk pop genre around that same time. Tracklist: Sun It Rises Drops In The River White Winter Hymnal / Ragged Wood Quiet Houses Blue Ridge Mountains This show is part of the Pantheon Podcast Network Learn more about your ad choices. Visit megaphone.fm/adchoices

We're rounding out the month of November with a brand new episode digging into Fleet Foxes' self-titled breakout full-length record. We discuss their musical DNA rooted in older folk traditions, hymnals, and lush harmonies, unlike the emerging corporate-hipster, crowd-coded "stomp clap hey" movement the band was often grouped with, which was budding up in the folk pop genre around that same time. Tracklist: Sun It Rises Drops In The River White Winter Hymnal / Ragged Wood Quiet Houses Blue Ridge Mountains This show is part of the Pantheon Podcast Network Learn more about your ad choices. Visit megaphone.fm/adchoices

[REBROADCAST FROM April 24, 2025] Uwade became known to the All Of It team and many other listeners when Fleet Foxes featured her on their 2020 album Shore. Her debut album is called Florilegium. The singer-songwriter, who is also currently pursuing a PhD at Stanford, performed live in studio five.

As we round out our stint of Autumn-forward Rewinds, we're revisiting an episode from 2018 in the early days of the podcast to once again gush and fawn over Robin Pecknold's lyrics and song composition on Fleet Foxes' second album Helplessness Blues​. We also take a look at what makes Fleet Foxes stand out in the landscape of indie-folk from that era. This show is part of the Pantheon Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

As we round out our stint of Autumn-forward Rewinds, we're revisiting an episode from 2018 in the early days of the podcast to once again gush and fawn over Robin Pecknold's lyrics and song composition on Fleet Foxes' second album Helplessness Blues​. We also take a look at what makes Fleet Foxes stand out in the landscape of indie-folk from that era. This show is part of the Pantheon Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 056: "What in the Wide World of Sports is Americana?" Join Geoff, Russ, and Dave for a special episode of the Six Picks Music Club as they welcome a guest Jeff to the conversation about the most deliciously undefinable of genres. Americana is like that perfect roadside diner: you know the vibe when you walk in, even if you can't quite articulate the decor. It has the twang of classic country, the soul of folk music, and a lyrical sincerity that just feels like home, even if "home" means a broken-down Ford pickup on a backroad somewhere. The guys attempt to pin down this elusive sound by spinning a killer playlist that jumps from the legendary Texas troubadour Willis Alan Ramsey to the raw, hard-edged storytelling of Tyler Childers. They also dive into the powerhouse harmonies of The Highwomen, look at a possible evolution of the genre from Halsey, and explore the enduring grit of Steve Earle and the lush, layered folk of Fleet Foxes. But be warned: the conversation takes a hard left turn, veering off the musical highway to tackle the pressing matter of escaped cats and, well, prolapsed anuses. It's a true Americana experience—unpredictable, a little messy, and entirely heartfelt. Tune in for the music, stay for the feline emergency room stories!   Apple Podcasts Instagram Spotify Playlist Official Site Listener Listens - Teethe - Instagram

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Blinding Lights by The Weeknd (2019)Song 1: The Way We Used to Be by Journey (2022)Song 2: Amnesia by Chumbawamba (1997)Song 3: Oliver James by Fleet Foxes (2008)Song 4: Blue Monday by New Order (1983)Song 5: Tanz Auf Dem Vulkan by Nena (1983)Song 6: Oliver's Army by Elvis Costello & the Attractions (1979)Song 7: Smooth Criminal by Alien Ant Farm (2001)Song 8: Sugar and Spice by The Archies (1969)Song 9: Light and Sweet by Oliver Wood (2024)Song 10: Bizarre Love Triangle by New Order (1986)

As the big hand slips past ten it's approaching the hour for the chimes of The Harbour Bazaar with Steven Hastings & Davey Hal joined by a returning guest...the marvellous Julian Ball who will be playing live in the studio! Theme is Time of Day so synchronise watches for tracks from Fleet Foxes, Bill Callahan, I Am Kloot, Dukes Of Stratosphere, Alvvays et al plus toga chat, yer actual Latin, a glorious 60s pop moment and more! PLAYLIST Go! Go! Go! - The Del-Tino's 25 O'Clock - The Dukes Of Stratosphear Breakfast - Bill Callahan Morning Rain  - I Am Kloot Sun It Rises - Fleet Foxes Monday Morning - Pulp Pure Morning - Placebo All I Really Want - Julian Ball (Live) Out At Night - Julian Ball (Live) The Night Before - Julian Ball (Live) Five O'clock World - The Vogues Breakfast In Bed - Dusty Springfield Midnight  - Yazoo Sister Midnight - Iggy Pop The Morning Fog - Kate Bush Goo Goo Muck - The Cramps Time - David Bowie The Walk - Acoustic Version - The Cure Dreams Tonite - Alvvays After Midnight - J.J. Cale Comes a Time - Neil Young A Rainy Night in Soho - The Pogues SHIP FULL OF BOMBS THAMES DELTA INDEPENDENT RADIO If you would like to support the station and are able to do so then please pledge only what you can genuinely afford at www.patreon.com/sfob Please like and subscribe from wherever you stream your music and podcasts.

Experimental songforms, percussion, breakbeats, prepared piano, sound-art… LISTEN AGAIN to the art of sound… stream on demand at fbi.radio or podcast here. Not Drowning, Waving – Amaravot [Not Drowning, Waving Bandcamp] We’re starting with an Australian band who were really decades ahead of the ball with ambient pop, melding field recordings and live tapes with creative studio techniques, acoustic instrumentation, effects and electronics. Because of David Bridie‘s soft voice and slice-of-life lyrics, I feel Not Drowning, Waving were seen as less revolutionary than they really were – and yet when David released solo albums that emphasised songwriting over sonic creativity, the music media predictably celebrated his “maturity” and suchlike nonsense. I love David’s solo work, and the often-twee but always lovely work of the post-NDW acoustic ensemble My Friend The Chocolate Cake, but Not Drowning, Waving nevertheless hold a special significance. For many, their career higlight was the groundbreaking album Tabaran, much of which was recorded with musicians in Rabaul, Papua New Guinea including the remarkable vocalist Telek (now Sir George Telek MBE!). Their travels to PNG triggered the band’s strong sense of social justice, and they became tireless promoters of West Papuan independence. The song “Blackwater“, about the brutal suppression of independence for West Papua, is haunting and still as relevant today. Fast forward to now, and David Bridie & George Telek have been friends for more than half their lives. A concert performing Tabaran was put together early last year, celebrating 50 years of Papua New Guinean independence, and the band (including Telek) enjoyed being together so much that they created a whole album’s worth of new material. My dirty secret is that, despite the stunning highlights like “Blackwater”, I always preferred the albums before (Cold and the Crackle and Claim) and after it (Circus) in their catalogue because I wasn’t so into the Papuan stringband music. However, whether I’ve mellowed over the years (lol, lmao) or whatever it is, this new album feels wonderful from start to finish, and Telek is an integral member. What an achivement! I have no idea how it sounds to those who didn’t, to some extent, experience the band while they previously existed, but I hope they have an enduring legacy. On Diamond – It’s Me Calling [Eastmint Records/Bandcamp] Naarm/Melbourne’s On Diamond are the perfect example of indie pop done experimental. Frontwoman Lisa Salvo writes beautiful, touching songs that have slippery chord changes and deeply unusual arrangements created together by the band. Previous members, often involved in the more experimental end of Naarm’s music scene include the brilliant drummer/composer Maria Moles, drummer Joe Talia (who recorded & mixed the album), and guitarist/vocalist Hannah Cameron (who contributes backing vocals along with Aarti Jadu and others). Along with Salvo’s vocals, Jules Pascoe on bass, Myka Wallace on drums and Scott McConnachie on synths and those frequently demented guitar solos, the band itself now features the glittering harp of Genevieve Fry and the percussion of Australian legend Duré Dara, born in Malaysia to an Indian background, a celebrated restaurateur with Order of Austrlaia Medal as well as jazz musician and improvisor. That’s a loaded band, put in service of Salvo’s aforementioned songs, which take strange, sidelong looks at matters of grief, longing and the passing of time. In a better world we’d be hearing these songs on rotation all day, but you – yes you – have the power to fix that, in the palm of your hand. gushes – Game One [PTP/Switch Hit Records/Bandcamp] gushes – CUT [PTP/Switch Hit Records/Bandcamp] Trust PTP (aka Protect The Peace, fka Purple Tape Pedigree) to release one of the most bizarre & brilliant albums of the year (in conjunction with artist collective Switch Hit Records). Jennae Santos’ gushes presents an unrestrained amalgam of prog metal, psych rock, jazz & classical and electronic experimentation. But there’s more than just this: the album begins with voices talking in Tagalog, and influences from Indigenous Filipinx psychology and combat swirl around with land-sea ecologies, plant medicine and queer politics of decolonization… Delicious Collision is a fully-through-composed experimental rock opera, appropriately given Santos’ background (on top of everything else) in theatre, site-specific performance & dance. Agriculture – The Reply [The Flenser/Bandcamp] With The Flenser you know you’re going to expect dark, probably metal-adjacent music, and you know it’ll probably diverge from typical genre norms. Ecstatic black metal band Agriculture do indeed employ black metal’s tremolo guitars and blast beats to reach for altered states, but then the thunder gives way to a different kind of ecstasy at times – gorgeous harmonies and clean guitar? The last track on the album somehow combines it all together – blissful chugging blackgaze, and a fragile interlude of just voice and guitar. Channeling Zen Buddhism and social collapse alongside queer history & survival, The Spiritual Sound is easily among the albums of the year. sunn O))) – Raise the Chalice [Sub Pop/Bandcamp] So yeah, the southern lords of drone metal, sunn O))), have signed to Sub Pop, the little label that could. That’s the Sub Pop that was the centre of the Seattle sound, from Mudhoney & early Soundgarden to Nirvana – in fact Nevermind‘s profits, after their contract was bought out by Geffen, were what brought them back from early ’90s financial difficulties, and their (excellent) debut Bleach, which remained a Sub Pop release, was enough to keep the label chugging along for ages. The label pretty quickly expanded out of Seattle/grunge into all sorts of other areas, as diverse as Fleet Foxes, The Postal Service, and the greatest, Clipping. Still, the stentorian, rumbling noise of sunn O))) is an interesting step sideways, hopefully a great move for both parties. Their first EP for Sub Pop follows a 7″ (yes, two tracks under 6 minutes each!) back in 2023 for the Sub Pop Singles Club, but one side of this 12″ is the 14-minute “Eternity’s Pillars”, while the flip has 2 tracks each around 8 minutes – still pretty contained. The band for these tracks is the back-to-basics core duo of Greg “The Lord” Anderson and Stephen O’Malley, and the crushingly slow unison guitar/bass is by and large the totality of the sound, but I do love the disconcerting high-pitched flicker that rises through the last part of “Raise the Chalice”. Susannah Stark – Minor Gestures [Night School Records/Bandcamp/STROOM.tv/Bandcamp] When Utility Fog started back in 2003, folktronica was a genre of which I was very fond – but it was already pretty hazy as to what it was. Slightly glitchy hip-hop sampling acoustic instruments like Four Tet was what I thought, I guess, although when Tunng came on the scene literally later that year, it held a lot of similarity without quite being the same. And meanwhile The Books were doing studio-mediated music with acoustic instruments that somehow was something else entirely, despite arguably fitting the mould. So I love that in the years since, there have been untold different approaches to “folk” + “electronics”. On her new album Minor Gestures, Scottish musician Susannah Stark takes her Gaelic (Gàidhlig) folk music in experimental directions, which might involve drone passages on harmonium or modular synth, interpolated field recordings, or sample-based programming. The production touches only serve to heighten the sense of an arcane, otherworldly setting, as if being performed just out of sight or transmitted from a past-future. It’s quite a remarkable album. Haykal, Julmud, Acamol | هيكل، جلمود، أكامول – A'saab أعصاب [Bilna’es/Bandcamp] Cross-media artistic duo Basel Abbas and Ruanne Abou-Ramme formed the record label & publishing platform Bilna’es along with producer Muqata’a as a space for artistic expression & criticism in Palestine & beyond. Along with the amazing productions of Muqata’a, a highlight was the 2022 solo album from Julmud, Tuqoos | طُقُوس. Now Julmud teams up with label founder Abbas, the latter under the name Acamol (Arabic for Panadol/paracetamol), along with Palestinian rapper Haykal on a new album Kam Min Janneh | كم من جنّة (How Many Heavens). The beats, produced by Julmud & Acamol separately & together, present a glitched version hip-hop drawn from the music & percussion of the MENA region, while Julmud & Haykal swap verses evoking the life of dispossession under occupation, colonization & genocide. It bears mentioning that while the killing continues in Gaza despite the so-called ceasefire, settlers continue to violently disrupt the lives of Palestinians in the West Bank with impunity – destroying property, beating and killing people and blocking access to their own land. In that context, this is a powerful work of resistance and solidarity (and some injections of humour). As I’m writing this late, you can read Emad Al Hatu’s excellent article on fbi.radio, as this was made album of the week at the beginning of November. Mohammad Reza Mortazavi – Zendegi [Latency/Bandcamp] Mohammad Reza Mortazavi – Silent [Latency/Bandcamp] French label Latency have no interest in following any kind of expectations – they’ll flip from chamber jazz to minimal techno to post-classical to percussive bass. In 2019 they released the album Ritme Jaavdanegi by Berlin-based, Iran-born percussionist Mohammad Reza Mortazavi, and now Mortazavi is back on Latency with his new album Nexus. The previous album showcased Mortazavi’s incredibly detailed and complex rhythms on traditional Persian instruments – the tombak and daf. On Nexus, Mortazavi’s playing is just as accomplished, but he extends the percussion with electronic effects and his own voice. The music is full of an otherworldly sensation, of suspension in time and place. There’s an incredible 25-minute remix by Ricardo Villalobos of the track “Swamp” from this album, coming out on December 5th – don’t miss it! IKI – Regenerate [IKI Bandcamp] IKI – Dance [IKI Bandcamp] It’s a sure bet that anything involving Danish singer Randi Pontoppidan is going to be something unique, challenging and beautiful. While she hasn’t been a member of Scandinavian vocal ensemble IKI since the beginning, she’s a perfect fit for IKI’s improvisational, electronically-mediated style. Pontoppidan joined Danish, Norwegian & Finnish singers Anna Mose, Guro Tveitnes, Johanna Sulkunen and Kamilla Kovacs four or five years ago, and BODY is their most intimate album. It can sound extremely electronic at times, but even at their most sharply edited & granulated, every sound comes from the voices of the five women. The recorded works reflect the group’s interest in how life extends past the body, and explores how the women become one organism when performing together. george-i & Older Brother – To Be A Man [GRACE/Bandcamp] Portugal-based MC Darius Rodrigues aka Older Brother has been working with London producer George Harris aka george-i for ages. Now the duo have finally come out with the Warm Skin EP on Berlin-based DJ Katiusha‘s label GRACE. And these four tracks of trip-hop-inflected bass music do walk with grace, holding Older Brother’s lyrics about the state of the world, and – on this closing track – seeking a new, post-patriarchy definition of maleness. Sun People – Herbie’s Delay [All Things Records] Austrian producer Sun People has released some creative and hard-hitting jungle & drum’n’bass that hybridizes with footwork and techno. His All Things Records provides an avenue for music of all kinds, so his new LP Look Within isn’t tied to any tempo – faster or slower than 160bpm, with a few beautifully-produced beatless tracks too. But as with “Herbie’s Delay”, there’s still some creative, syncopated jungle/d’n’b to be found too. Hyperfocus – Sentinel [Machinist Music/Bandcamp] For his fifth release (in two years!) on Canadian drum’n’bass master John Rolodex‘s Machinist Music label, Hyperfocus brings beats precision-tooled in the Machinist Music labs with evocative atmospheres and restless basslines. This is where the jungle revival bleeds back into the d’n’b mainstream, and I’m here for it. San – In Plain Sight [Rua Sound/Bandcamp] Appearing for a third time on Dublin jungle/bass label Rua Sound is Bristol’s San, a slightly mysterious individual who is apparently a techno producer working under a separate alias. This is dark stuff for haunting rave dancefloors and lying on your back with headphones on. Constantly changing cut-up breakbeats, deadly deep subs and spooky atmos, taking the cyberpunk ethos of mid-’90s drum’n’bass and applying it to contemporary jungle. POL100 – TRIBE [early reflex/Bandcamp] Turin’s early reflex label brings as usual cutting-edge experimental bass & club music as part of their Eyes series of two-track EPs. Here’s Italian producer POL100 mutating jungle and techno into strange new shapes – it’s half drumfunk and half electro maybe? Well worth your time. Hello Psychaleppo – Al Wa6an | الوطن [Fake Lines/Bandcamp] Joy Moughanni – I Can’t Seem to Find it At Home | مش عم لاقيه بالبيت [Fake Lines/Bandcamp] The first release from non-profit label Fake Lines has launched itself with a mega compilation – 36 tracks over 3 vinyl LPs – called Fake Lines: Sono Levant. It’s packed to the brim with excellent music, gregarious with genre – it may lean towards electronic music but there’s folk, hip-hop and rock of a sort. There’s an emphasis on Levant artists, but the tracklist also reaches further afield to other MENA countries and more. Montreal-based Syrian DJ Hello Psychaleppo contributes some stuttering samples and bass heft, while Lebanese producer Joy Moughanni combines jagged almost-rhythms and sound design to impressive effect. Lone – Ascension.png [Greco-Roman/Bandcamp] I’ve had an on-and-off relationship with Lone‘s music, but new single “Ascension.png” combines chromed cyberpunk and fuzzy vaporwave with jungle and rave bliss, and that makes a winner. Kelly Moran – Chrysalis [Warp/Bandcamp] A year and a half after releasing her last album, Moves in the Field, Kelly Moran returns to her more familiar territory of chiming prepared piano and electronics, with an album that’s complementary to last year’s. For Moves in the Field, Moran took her piano compositions and programmed them into a Disklavier, a physical piano that can be played via digital programming. So Moran was able to perform alongside her digital copy, with dazzling patterns climbing up and down the keyboard. On Don’t Trust Mirrors, the sound is more uncanny – synths and prepared piano melting into each other – but the performances are more clearly human. And those familiar with the previous album will hear echoes of those pieces throughout. Quartz Sand – Chemical Sedimentary (excerpt 2) [Flaming Pines/Bandcamp] I was lucky to get to see Kate Carr & Cath Roberts playing together at a gallery in Hoxton, London back in May. Carr is an Australian sound-artist who runs the impeccable Flaming Pines label and is one of our finest proponents of field recording, as well as music made from non-musical objects; Roberts is an improviser and composer who has been working with the Lyra-8 synthesizer, an “organismic” synthesizer, whose 8 voices interact in non-linear ways along with some effects. The duo’s name, “Quartz Sand”, suggests minerals and inorganic matter (quartz is silicon dioxide, perhaps the most basic inorganic molecule), and the idea of the album’s title, Stratigraphy, is to imply a vertical structure – rather than a typical horizontal time-based structure – as primary. But don’t be fooled: these two near-half-hour pieces aren’t static at all. It’s just that the action happens often between the crinkly, whistly high frequencies and the gurgling, grinding bottom end. It’s like listening to a cross-section of the earth’s crust – in a good way. Lea Bertucci – Two Way Mirror [Cibachrome Editions] It should be well-known and universally acknowledged now that Lea Bertucci is one of the best sound-artist/composers of the last decade and a half. Whether site-specific works exploring & exploiting – for instance – the resonance of a hollow bridge in Köln (2020’s Acoustic Shadows), myriad works live-processing her own saxophone and other instruments, or her work with reel-to-reel tape machines, she’s a master of her craft. Recent times have seen a number of incredible collaborations from Bertucci: in 2022, she operated tapes & electronics around Robbie Lee‘s baroque & medieval instruments on Winds Bells Falls, while on Murmurations, her tapes were as prominent, but she also brought various wind instruments and her voice to the table, next to Ben Vida‘s synths & voice; and on her tectonic collaboration in 2023 with Brisbane’s own Lawrence English, cello, viola and lap steel guitar emerge as well. Earlier this year Lawrence’s ROOM40 released an astounding work of Bertucci together with another masterful sound-artist, Olivia Block. So needless to say her new album The Oracle is a tour de force, engaging her many instruments, field recordings and, importantly, her own voice, all filtered through tape manipulation and digital processing. Only on the last track are percussionists from the Wesleyan University Taiko Ensemble enlisted for a booming – yet obscured – finale. Of course, it’s not just technially interesting or impressive (although it is those things) – it’s also music that will draw you in and move you, despite the vocals being twisted into non-textual shapes. It’ll easily be high on my albums of the year list for 2025. Alexandra Spence – Magenta (with Delphine Dora) [Students of Decay/Bandcamp] Back to Sydney to finish, Alexandra Spence is another brilliant sound-artist who works with field recordings and found objects to tell a story about place and memory. Her last two albums (from 2022) arose from a fascination with oceans and waterways; the scope is wider here, from mountains to backyards, but the ecological and geological also interact here with the personal. As well as recordings of places and non-musical objects, Spence (a clarinettist) here uses sounds from Serge Modular synths and a custom-built lyre, and on tonight’s track, Spence also brings in the voice and instrumentation of French composer & musician Delphine Dora. Listen again — ~222MB

The photographer Bootsy Holler is releasing a book next month called “Making It: an intimate documentary on the Seattle indie rock and punk scene, 1992 to 2008.” Those were the years when Bootsy was living in the city. She captures behind-the-scenes moments with artists who have defined Seattle’s reputation, from Nirvana to Fleet Foxes. In addition to revealing moments with lesser-known artists, Bootsy also shares pieces of own life as a photographer trying to “make it” in this creative business. “Part of what I love about Seattle is that everyone is making their own art,” Bootsy says in the interview. “There’s nobody telling you what to do. Once I realized that, I started to look at myself even differently — like, ‘yeah, you have lived on your own terms.’” Support the show: kexp.org/deeperSupport the show: https://www.kexp.org/sound/See omnystudio.com/listener for privacy information.

Robin Pecknold's vision of indie folk perfection came to life in 2008 when Fleet Foxes released their self-titled debut album. What started as a basement recording project between high school friends evolved into a critically-acclaimed masterpiece that perfectly blends Beach Boys-inspired harmonies with pastoral themes and Renaissance aesthetics.Sitting down to explore this influential album track by track reveals the genius behind what many critics consider one of the greatest debut albums ever recorded. The band's Norwegian-inspired folk creates an immersive experience through Pecknold's evocative lyrics about nature, mortality, and family connections. We're struck by how the production, despite being created on a shoestring budget with band members recording parts between regular jobs, achieves such a rich, atmospheric quality.Beyond the recognized hits "White Winter Hymnal" and "Blue Ridge Mountains," the album offers numerous standout tracks that showcase the band's range. "Ragged Wood" captivates with its compelling bridge and perfect coda, while "Tiger Mountain Peasant Song" demonstrates their ability to create tension through minimal arrangements. Throughout the album, Casey Westcott's subtle keyboard work and Nicholas Peterson's drumming provide the perfect foundation for the intricate vocal arrangements that define the Fleet Foxes sound.What makes this album special is its authenticity and restraint—songs deliver emotional impact through simplicity rather than complexity, avoiding unnecessary solos or filler. The band creates complete musical statements that transport listeners to wooded landscapes and natural settings. Whether you're new to Fleet Foxes or revisiting this classic, join us as we rank our favorite non-hits and celebrate a timeless record that continues to reveal new layers with each listen.Send us a textSupport the show

Robin Pecknold's vision of indie folk perfection came to life in 2008 when Fleet Foxes released their self-titled debut album. What started as a basement recording project between high school friends evolved into a critically-acclaimed masterpiece that perfectly blends Beach Boys-inspired harmonies with pastoral themes and Renaissance aesthetics.Sitting down to explore this influential album track by track reveals the genius behind what many critics consider one of the greatest debut albums ever recorded. The band's Norwegian-inspired folk creates an immersive experience through Pecknold's evocative lyrics about nature, mortality, and family connections. We're struck by how the production, despite being created on a shoestring budget with band members recording parts between regular jobs, achieves such a rich, atmospheric quality.Beyond the recognized hits "White Winter Hymnal" and "Blue Ridge Mountains," the album offers numerous standout tracks that showcase the band's range. "Ragged Wood" captivates with its compelling bridge and perfect coda, while "Tiger Mountain Peasant Song" demonstrates their ability to create tension through minimal arrangements. Throughout the album, Casey Westcott's subtle keyboard work and Nicholas Peterson's drumming provide the perfect foundation for the intricate vocal arrangements that define the Fleet Foxes sound.What makes this album special is its authenticity and restraint—songs deliver emotional impact through simplicity rather than complexity, avoiding unnecessary solos or filler. The band creates complete musical statements that transport listeners to wooded landscapes and natural settings. Whether you're new to Fleet Foxes or revisiting this classic, join us as we rank our favorite non-hits and celebrate a timeless record that continues to reveal new layers with each listen.Send us a textSupport the show

Hello everybody! Today, it's time to make the filled donuts! We are diving into Phish's Baker's Dozen run. Listen in as we dig into the powder-covered fun that was night five, 7/26/2017. With originals and covers by Fleet Foxes, Clifton Chenier, Ween, Prince, Led Zeppelin, and Neil Young buckle up or go ahead and surrender to the flow. Also this podcast is on Youtube, go check it out!Enjoy!Thanks to ⁠⁠⁠⁠phish.net⁠⁠⁠⁠ for notes on these tracks.The music used in this episode is from ⁠⁠⁠⁠phish.in⁠⁠⁠⁠.-----Intro Music is from Sigma Oasis, 07/12/23.Outro Music is from Cities, 10/07/23.Follow us on our listening journey. Rate, review, subscribe, and share! Find out more details on our new members-only perks here - ⁠⁠⁠⁠https://www.patreon.com/PhishPhryPod⁠⁠⁠⁠.----------- Be our friends on social! We are @phishphrypod everywhere.

[REBROADCAST FROM April 24, 2025] Uwade became known to the All Of It team and many other listeners when Fleet Foxes featured her on their 2020 album Shore. Her debut album is called Florilegium. The singer-songwriter, who is also currently pursuing a PhD at Stanford, performed live in studio five.

Sean O'Hagan of The High Llamas joins us to celebrate the life and work of Brian Wilson. Plus we spin tracks from Yo La Tengo, Fleet Foxes and a bundle of other bands influenced by the man himself.

For episode 122 of the LSQ podcast, I had the pleasure of connecting with the up-and-coming singer-songwriter Uwade, whose beautiful debut studio album, Florilegium, arrived this spring following, truly, YEARS of anticipation from those of us who were first captivated by her voice when we heard her sing on Fleet Foxes' 2020 album Shore. As you'll hear, Uwade's musical influences since childhood span an array of genres including R&B, gospel, choir music, pop, hip-hop, indie rock and more, so it's no wonder that her own songs are so refreshingly genre agnostic. Uwade is also currently studying for her PhD in Classics, and I was fascinated to hear her talk about how her academic and musical pursuits feed each other. 

This week The Lonely Island and (sort of) Seth Meyers talk about the digital short, A Couple of Homies! The guys also talk about the video of Jorm dancing to Fleet Foxes, a scene from NYPD Blue, and they get a voice note from a double Quaid! A Couple Of Homies - not on YouTube sorry! Maybe Google it?Andy on Everybody's Live with John Mulaney - https://youtu.be/Il9v4x37ux4?si=i5VJDnZ-hZc9dcyMJorm Dances To Fleet Foxes - https://youtu.be/F7rXo1nLgp4?si=claNP2HpE7lVdBtmNYPD Blue - Franz Butt - https://www.youtube.com/watch?v=PM29Pxwakws Support our sponsors: Vuori Get 20% off your FIRST purchase. Get yourself some of the most comfortable and versatile clothing on the planet at vuori.com/ISLAND Cremo Head to Target or Target.com to find Cremo's new line of antiperspirants and deodorants in the Italian Bergamont and Palo Santo scents Betterment Make your money hustle with Betterment Get started at Betterment.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we get to meet Uwade. Uwade a Cailfornia-by-way-of-North Carolina singer-songwriter, who has just released her new debut album, Florilegium. You may have - like I did - first encountered her, though, as the first voice on the opening track of the last Fleet Foxes record Shore, called "Wading in the Waist-High Water". In this chat, she and I discuss the writing and process of creating this first solo LP, what it means for her to be going out on her own, the musical touchstones of her childhood that found their ways into these songs, and more. We do also touch on her work with Robin Pecknold & co. and the subsequent tours she shared with Fleet Foxes, and what she learned from that. Finally, we touch on her academic life, as she is currently working toward a PhD. Thank you for listening.

It's not easy being a songwriter. It's also not easy being a PhD student. I don't know how Uwade is able to do both simultaneously. Uwade is in the first year of her PhD program in Classics at Stanford University, and in this episode we explore how these two lives intersect. We also go deep into her songwriting process, which must involve a .38mm Muji black ink pen. It has to be black ink because "blue is too whimsical. Black ink is me telling myself, You have get real. No more fun and games. Black ink is a declaration, whereas blue ink is for play," Uwade told me.If you're a Fleet Foxes fan, you've heard Uwade's voice on their album Shore and may have seen her open for the band. Her new and insanely good album Florilegium is out now on Thirty Tigers. 

Uwade gained a widespread notoriety when Fleet Foxes featured her on their 2020 album Shore. Now she's set to release her debut album Florilegium. The singer-songwriter, who is also currently pursuing a PhD at Stanford, joins us to perform live in studio five.

On Tuesday August 21, 2012, at 3:30 pm ET, I spoke with Josh Tillman, who'd left a popular band called Fleet Foxes to venture out on his own. He called himself Father John Misty and earlier that spring, Sub Pop had released his acclaimed debut album, Fear Fun. Josh and I had a talk about its meta- and philosophical themes, why he name dropped people like Neil Young and Jean-Paul Sartre, the novel he'd written, why he left Fleet Foxes, his interest in comedy, what his favourite Bob Dylan song was and under appreciated and over discussed aspects of Dylan's work, future plans, and more. To hear this entire conversation, subscribe to Kreative Kontrol on Patreon at the $6 tier or higher (a reminder that an annual subscription includes a discount compared to a monthly one).Related episodes/links:Ep. #937: Mouth CongressEp. #898: Jon Benjamin – Jazz DaredevilEp. #828: ‘Bob Dylan: Mixing Up the Medicine' with Mark Davidson & Parker FishelEp. #744: Don PyleEp. #691: The Kids in the HallEp. #512: Kevin McDonaldEp. #439: Bruce McCulloch and Paul MyersPatti Smith (2007) – TeaserSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Singles?! What podcast is this? Don't be fooled – it's still your favorite album nerds, but this week we're taking a break from albums to talk about influential singles. Join us as we dive deep into some of our favorite singles. The Penguins – Hey Senorita / Earth Angel (1954) The Beatles – Strawberry Fields Forever / Penny Lane (1967) Pearl Jam – Jeremy (1992)Other Diggins Pigs Pigs Pigs Pigs Pigs Pigs Pigs – Glib Tongued (2025) Deerhoof – Immigrant Songs (2025) Marianne Faithful – Burning Moonlight (2025) Noah Cyrus – Don't Put It All On Me (feat. Fleet Foxes) (2025) Mac Leaphart – Ode to the Thirsty Beaver (2025) The Jins – You're Going Far (2025)What do you think of these records? What's your favorite single? Let us know on our website, albumnerds.com or email us, podcast@albumnerds.com.Listen to more episodes and suggest topics for upcoming episodes on albumnerds.com. Follow us on Instagram, Facebook and Bluesky.Thanks for listening!!!

Red Hot

Der Titel seines Debütalbums ist Programm: «Can't Rush Greatness» kommt nach bereits mehreren Jahren an der Spitze der UK-Grime-Szene. Central Cee gilt als der erste, der es auch in den USA «so richtig» geschafft hat. Sounds! Hip Hop-Redaktor Pablo Vögtli sagt, warum dies keine Überraschung ist. +++ PLAYLIST+++ · 22:56 - FAINT OUTLINES von HOLM · 22:53 - AL SUR von THE NOTWIST FEAT. JUANA MOLINA · 22:49 - WATERTREES von SUPERNOVA EASY · 22:44 - AGITA2 von DNGDNGDNG/DENGUE DENGUE DENGUE · 22:38 - DTMF von BAD BUNNY · 22:35 - 2BLAUI von STEREO LUCHS · 22:31 - HEADBANGING PLANTS von ALMOND BUTYL · 22:28 - CRISIS von CISTERN · 22:20 - WONDER von EN ATTENDANT ANA · 22:17 - COLLECT von TORRES · 22:14 - SYLIVA von JULIEN BAKER/TORRES · 22:10 - LATELY I'VE BEEN THINKING OF YOUR MOTHER von KING HÜSKY · 21:56 - WANT YOU (FEVER) von MOMMA · 21:52 - PAPER TIGERS von L.S. DUNES · 21:47 - UNDERSTANDING IN A CAR CRASH von THURSDAY · 21:44 - I'M NOT OKAY (I PROMISE) von MY CHEMICAL ROMANCE · 21:40 - I'M IN THE BAND von THE HELLACOPTERS · 21:36 - TURNED TO DUST von BONNIE PRINCE BILLY · 21:32 - THE BALLAD OF LUCY JORDAN von MARIANNE FAITHFULL · 21:28 - ALIEN COWBOY von GORDI · 21:25 - IT'S A MIRROR von PERFUME GENIUS · 21:20 - FIST von MIYA FOLICK · 21:16 - GET OUT OF MY HOUSE von MIYA FOLICK · 21:12 - IN LOVE WITH A MEMORY von SASAMI FEAT. CLAIRO · 21:08 - BESTIES von BLACK COUNTRY, NEW ROAD · 21:03 - CHAOS SPACE MARINE von BLACK COUNTRY, NEW ROAD · 20:56 - RODEO von SOPHIA KENNEDY · 20:52 - PERFECT STRANGER von FKA TWIGS · 20:48 - STICKY von FKA TWIGS · 20:44 - STONED von MAC MILLER · 20:42 - YOU'RE THE ONLY ONE WATCHING von MIKE · 20:36 - NOW WE'RE STRANGERS von CENTRAL CEE · 20:31 - NO INTRODUCTION von CENTRAL CEE · 20:29 - TEN von CENTRAL CEE/SKEPTA · 20:22 - SPRINTER von DAVE/CENTRAL CEE · 20:20 - BAND4BAND von CENTRAL CEE/LIL BABY · 20:15 - DENIAL IS A RIVER von DOECHII · 20:12 - LET IT HURT von SIRENS OF LESBOS · 20:08 - CALL IT A DRAW von UWADE · 20:06 - WADING IN WAIST-HIGH WATER von FLEET FOXES

El projecte liderat per Conor Oberst publica el disc n

Heyeth, best friends in Christ! The Lord hath sent us His Most Fabulous Messenger—Catherine Cohen of the village of Houston—to discuss His “Second Testament,” aka The New Testament, aka Season 2 of the Holy Bible. From weeping for thine Jewish friends who will burn in the fires of Hell to why Jesus resembleth a member of Fleet Foxes, the divine sex workers of Nazareth, Jesus having only child syndrome, TEDxBethlehem, and addressing if the Virgin Mary was a liar (yes). This is the Book of All Books, The Lastest of all Suppers. Come break unleavened bread and Slay In The Name of All That Is Holy. Amen.Support the show: https://www.patreon.com/cbcthepodSee omnystudio.com/listener for privacy information.

Happy holidays from The Night Club! Join us, and Bostuna, for a Midnight Ritual of A Serbian Film(2010). Merry Christmas, ya filthy animals. Joe Blow Horror Show: https://joeblowhorrorshow.podbean.com/ The Night Club: https://linktr.ee/thenightclub RIPPIN RIFFS Travis - Helplessness Blues by Fleet Foxes - https://www.youtube.com/watch?v=NwfQDYKd4gE Trevor - Bruno Mars - https://www.youtube.com/@brunomars Bostuna - Load by Metallica - https://www.youtube.com/watch?v=WE0ReQJ-Kfk&list=PLQ9VwE1T4Ufubbb2gqdZV8j8Jm8YkS6 Cody - Undeniable by HellYeah - https://www.youtube.com/watch?v=tcTTdVPO-KI&list=OLAK5uyl6UsPIxdde7vCn9zG1O3Y2r830WnHMD8 Ricky - None So Vile - https://www.youtube.com/watch?v=QBhLTYNKUbo Meat Spin - Warning: NSFW - https://www.meatspin.com/ I'm The Shadow Man - https://www.youtube.com/watch?v=TCdOuSGplkU Special Guest: Bostuna.

durée : 00:54:53 - Very Good Trip - par : Michka Assayas - Ce soir, dernière émission inédite de l'année avant les fêtes, l'occasion d'écouter quelques ultimes nouveautés, des chansons pour rendre supportables, et apporter un peu de lumière à des journées qui en manquent cruellement. - réalisé par : Stéphane Ronxin

We hear from L’Rain, Hand Habits, Perfume Genius and Ahya Simone on their contributions to the compilation album called TRANSA that celebrates trans and LGBTQ lives. The compilation also features songs from Sade, Sam Smith, Adrianne Lenker, Jeff Tweedy, Julien Baker, Sharon Van Etten, Fleet Foxes and more.Support the show: https://www.kexp.org/sound/See omnystudio.com/listener for privacy information.

When Facebook suggested Lisa Alpert as a person I might know, I peeped her profile, and thought, this lady seems pretty cool. And oftentimes, that hunch is accurate. Not always, but often. This one was no exception.Lisa Alpert is cool, rad, awesome, and good vibes, and that's precisely the sort of thing I'm seeking when looking for guests. Lisa's a daughter, a sister, a wife, a mom, a business owner, and a muthaf***in' hustle. Ya' betta' ax somebody. For those reasons and more, she's my guests for Episode #147, and I couldn't be happier that we made this conversation happen.Please check out Lisa's business, Manifest Collaborative. It's a non-profit that specializes in marketing, fundraising, brand development, public relations, and a bunch more. Learning about some of Lisa's professional endeavors and personal experiences was so much fun. We talked about family, pursuing dreams, and -- of course -- a couple of her favorite albums. Those were these:self-titled, Tracy Chapman (1988)Give Up (2003), Postal ServiceSufjan Stevens' Come On, Feel the Illinoise (2005)Plans (2005), Death Cab for CutieJustin Timberlake's 20/20 Experience (2013)Sound & Color (2015), Alabama ShakesChance the Rapper's Coloring Book (2016)Harmony of Difference (2017), Kamasi WashingtonFuture Islands' People Who Aren't There Anymore (2024)And we gave a tiny bit of honorable-mention action to Taylor Swift, Saves the Day, The Quintet, Beyonce, Qveen Herby, Fleet Foxes, TLC, and Lil' Wayne.A thousand thanks to Lisa for both the time and the awesomeness. I can't wait to book her again for the Becoming a Swifty series.Cheers, y'all.copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are clips from a Heiko Voss tune called, "I Think About You," off of the 2003 EP of the same name (c/o Kompact Pop).

In this episode of The Truth in This Art, I sit down with Jenna Balderson, better known as Eyas, a Filipina musician and producer based in Baltimore, MD. Known for her genre-blending sound that merges indie-pop, jazz, RnB, and folk, Jenna discusses the journey behind her debut EP, Quiet Loud, set for release on November 22nd.We explore how her music transforms personal emotions into art, creating what she describes as the "sonic equivalent of a collage." Jenna also shares stories about her inspirations—from Fleet Foxes and Björk to recent influences like Saya Gray—and opens up about collaborating with fellow Baltimore artists like JPEGMAFIA and Micah E. Wood. Plus, she gives us a behind-the-scenes look at Quiet Loud, a deeply personal EP featuring introspective lyrics, dynamic soundscapes, and a mix of high energy and reflective moments.Join us as we unpack the emotions, influences, and community connections that shape Jenna's music.

In our second installment of blood-slowing songs we take a deep breath and let it out with the music of Max Richter, Hania Rani, Fleet Foxes, Yasmin Williams and more.Featured artists and songs:1. Joan Shelley: "Easy Now," from Over and Even2. Fleet Foxes: "Helplessness Blues," from Helplessness Blues3. Theo Alexander: "re; Waiting," from Animadversions4. Hania Rani & Dobrawa Czocher: "There Will Be Hope," from Inner Symphonies5. Nicholas Britell: "Eden (Harlem)," from If Beale Street Could Talk6. Max Richter: "Dream 3 (in the midst of my life)," from From Sleep7. Stars of the Lid: "Even If You're Never Awake," from And Their Refinement of the Decline8. Iron & Wine: "Passing Afternoon," from Our Endless Numbered Days9. Yasmin Williams: "Juvenescence," from Urban Driftwood10. Gidon Kremer & Keith Jarrett: "Fratres (for violin and piano)," from Arvo Párt: Tabula Rasa Enjoy the show? Tell a friend and leave us a review wherever you listen to podcasts. Question, comments, suggestions and feedback of any kind always welcome: allsongs@npr.org.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

 Interview with Eric Earley of Blitzen Trapper 2024   Launched roughly two decades ago in Portland, OR, Blitzen Trapper garnered early attention with a series of self-released albums before breaking out internationally with a pair of critically acclaimed LPs (2007's Wild Mountain Nation and 2008's Furr) that would cement their status at the forefront of the modern indie folk revival. Rolling Stone hailed the band's “hazy, psychedelic Americana,” while NPR praised their “explosive live performances and infectious roots-rock swagger,” and The New York Times compared their songs to Tom Petty, Bruce Springsteen, and Neil Young. Dates with Fleet Foxes, Wilco, and Dawes followed, as did festival appearances at Bonnaroo, Lollapalooza, Newport Folk, and Coachella, among others. In the years to come, the band would go on to release six more similarly lauded studio albums, culminating with 2020's Holy Smokes Future Jokes, which Mojo proclaimed “sound[s] like the Beatles at Big Pink.” There are numbers so vast they exceed the scope of human reckoning, concepts so immeasurable they surpass our capacity to understand. On their radiant new album, 100's of 1000's, Millions of Billions, Blitzen Trapper make peace with the unknowable, surrendering themselves to forces beyond their control as they explore the infinite with a broad mind and an open heart. Inspired by singer/songwriter Eric Earley's fascination with Buddhist texts and meditation (the title comes from a phrase that appears over and over in the Mahayana sutras), the album offers a captivating take on rebirth and transcendence, and the circularity of existence, navigating its way through the space beyond dreams and reality, beyond gods and mortals, beyond life and death. The songs here are as sincere as they are surreal, rooted in rich character studies and deep reflection, and unfolding like a riddle-filled journey that asks many questions and offers no answers. The production is intoxicating to match, blending lo-fi intimacy and trippy psychedelia into a mesmerizing swirl of analog and electronic sounds. Add it all together and the result is a gorgeous, sprawling collection wrapped in lush layers of synthesizers and washed out electric guitars–a poignant, expansive exploration of perception and purpose that manages to look both forwards and backwards all at once. Grog Shop Show Info  NOV-4-24 https://grogshop.gs/tm-event/blitzen-trapper/ Blitzen Trapper Info  https://www.blitzentrapper.net/

Devotchka was created in an indie filmmaker's  lab for movies like this.SUPPORT THE SHOW: PATREONFOLLOW THE SHOW: INSTAGRAM // TWITTER // TIKTOK // YOUTUBEEMAIL THE SHOW: abreathoffreshmovie@gmail.com  SHOP THE SHOW: TEE PUBLIC 

Musician Simon Raymonde is perhaps best known as part of the Scottish band the Cocteau Twins, but he has found further success as the co-founder of Bella Union Records. Bella Union produce music by Father John Misty, the Fleet Foxes, and Beach House, amongst others. His memoir In One Ear: Cocteau Twins, Ivor Raymonde and Me is released on the 12 September 2024. On this episode of Table Talk, Simon tells Olivia Potts and Lara Prendergast about the influence of Jewish food as he was growing up, life on tour, how he spends his time in his new home of Brighton, and his love of the restaurant chain Dishoom.  Produced by Patrick Gibbons.

Musician Simon Raymonde is perhaps best known as part of the Scottish band the Cocteau Twins, but he has found further success as the co-founder of Bella Union Records. Bella Union produce music by Father John Misty, the Fleet Foxes, and Beach House, amongst others. His memoir In One Ear: Cocteau Twins, Ivor Raymonde and Me is released on the 12 September 2024. On the podcast, Simon tells Liv and Lara about the influence of Jewish food as he was growing up, life on tour, how he spends his time in his new home of Brighton, and his love of the restaurant chain Dishoom.  Produced by Patrick Gibbons.

TV and Radio presenter, and former record company executive, Nicki Chapman goes head to head in a war of the words with producer, musician and label owner, Simon Raymonde.On this episode of Book Off we delve into two music memoirs, covering two very sides of the music industry and history, but that both have a lot in common. Simon was one third of the band Cocteau Twins between 1983 and 1997, and owns and runs the Bella Union label. As well as having his own successful music career as a musician and a producer, he has signed and worked with artists such as Fleet Foxes, Dirty Three, Midlake, Mercury Rev, John Grant, BC Camplight, Laura Viers and Flaming Lips. In this very honest and open conversation, he talks about the tumour on his brain which has effected his hearing, the influence of his father (Ivor Raymonde) on his career without knowing it, the break up of Cocteau Twins and how his label is still going strong more than 25 years later. Nicki worked at MCA and RCA records in the 90s in the promotions department, before going out on her own. Over her career, she has worked with many artists including Phil Collins, David Bowie, Kylie, M People, Annie Lennonx, Prince, Take That, Amy Winehouse, Billie Piper, Spice Girls and Liza Minelli. Nicki's book is swimming in 90s nostalgia (music, fashion, tabloids). She too shares her own personal account of having a brain tumour, which inspired her to want to write the book, as well as lots of stories from her time in the music industry. They also give us some brilliant book recommendations! The Book Off 'Sculpting In Time' by Andrei Tarkovsky VS 'Shardlake' by C.J. SamsonWe hope you enjoy this episode - and the latest series! Hosted on Acast. See acast.com/privacy for more information.

Jana Mila pulls from a lot of different sources to write her songs, a poised and nuanced songwriter; it's the sound of Laurel Canyon folk or Nashville twang. A cross between Fleet Foxes and Kurt Vile, the Amsterdam-based singer steps into her own on her debut album Chameleon. 

Bryan shares and discusses some of his favorite songs. This episode includes music from Wyatt Flores, Charley Crockett, Adeem the Artist, Fleet Foxes, Sleater-Kinney, Pavement, The Red Clay Strays, Brittany Howard, Lucius, and Bob Dylan.

Hunger Strike https://files.fireside.fm/file/fireside-uploads/images/c/c7e7a43b-5714-4470-a244-6aa82c1dceff/FSgzrBbI.jpg YEEEEEEEEAH What we're listening to: Matthew: THEM, Girls Mind (https://songwhip.com/them3/girls-mind) The Raveonettes, The Raveonettes Sing... (https://songwhip.com/the-raveonettes/the-raveonettes-sing) The Mountain Goats and John Vanderslice, Moon Colony Bloodbath (https://songwhip.com/the-mountain-goats/moon-colony-bloodbath) Jake: The Dip, Love Direction (https://songwhip.com/the-dip/lovedirection) Parlor Greens, In Green We Dream (https://songwhip.com/parlorgreens/ingreenwedream) Fleet Foxes, Live on Boston Harbor (https://songwhip.com/fleet-foxes/live-on-boston-harbor)

This episode covers100,000 Voices by Jacob CollierDrops in the River (Live on Boston Harbor) by Fleet FoxesWebsite: https://redcircle.com/shows/two-tunes-podcastInstagram: https://instagram.com/twotunespodcast?igshid=13gpurxc3bf2qDiscord: https://discord.gg/eYMwBuJ6GeRSS Feed: https://feeds.redcircle.com/baeeceec-9527-475d-85b5-d9da2eea19d3E-mail: twotunespodcast@gmail.comSupport this podcast at — https://redcircle.com/two-tunes-podcast/exclusive-content

...You have nothing to lose but the pockets that bind you.In an IWOL exclusive we are joined by drummers and all around beautiful people, Noah Bond (Cut Worms) and Christopher Icasiano (Fleet Foxes), representing and defending all drummers worldwide for their crimes against soundchecks. 

Send us a Text Message.Del struggles to open a pickle jar.  This is a guy who could open beer bottles with his now-damaged teeth. Dave found this advice on opening a water bottle.Listeners provide useful gender-specific feedback on the proper air conditioning set point.Bucks tell their rat stories that got edited out last week. Do you have a rat story? Tell us.Dave attempts to order coffee in a timely manner. Doesn't happen. Don't even ask him about foreign currency exchange.Bucks discuss Table for Two by Amor Towles. More on this when they actually read the book.The Tour de France is half over and a thrilling Tour it is. Here's five minute recap of a five hour race. Dave loves it but, yes, it often makes baseball look action-filled.Posh En glish accent, too.Next week we interview two women we spoke to a year ago in St. Omer, France.Your bonus track options this week include the melodic Fleet Foxes and The New Radicals, an old Dave fave.What's on your mind? We're here to help.Give us your thoughts: BUCKSTWOOLD@GMAIL.COM Find us on FacebookLeave a Voice message - click HEREWHAT ARE YOU GOING TO DO WITH THE REST OF YOUR LIFE?

On EPISODE 17 of the Joey Show comedian Joey Avery returns from Spain with a serious disease... the travel bug, and decides to plan out a trip to North Korea reading reviews and tracking down the finest dining and accommodations a man can find in the hermit kingdom. Plus, travel tales, the New York Times RODENT MEN piece, Hunter Biden gets a lappy to Fleet Foxes and Joey Chestnut gets sent into wiener exile. See Joey live: https://www.joeyavery.com/live Join the mailing list: https://www.joeyavery.com/tell-me-where-to-perform  

The Joey's celebrate 50 episodes. You an alley kinda guy? Holy Wave's got some shows coming up. Joey's got a tour coming up. Y'all ever see Robert Deniro's shoes in The Irishmen? Joey knows some shit about helium. There's something about eating a chocolate rabbits ears. Joey loves popcorn. Have you ever been too embarrassed to call for help? The Joey's answer two questions from their fans. Joey hates Fleet Foxes. WWJDD? Email your “what to do?” scenario to joeydivisionpodcast@gmail.com

On this week's Talkhouse Podcast we've got a favorite repeat guest alongside a newer name you perhaps haven't heard yet: Amelia Meath and Fabi Reyna. Meath is half of the duo Sylvan Esso, which has been crafting gorgeous electro-pop for the past decade. It's been amazing to watch Meath and her partner Nick Sanborn grow over the years, building a catalog and fanbase with songs that are equally enjoyable on headphones and in front of massive crowds. Speaking of massive crowds, Sylvan Esso has been trying to figure out for years how to play to all the people that want to see them in their adopted hometown of Durham, North Carolina, and this weekend marks their inaugural Good Moon Festival at a minor-league stadium. They'll be joined by other great bands including co-headliner Fleet Foxes, plus a lineup of hand-picked bands including today's other guest, Fabi Reyna. Reyna is the driving force behind Reyna Tropical, whose debut album Malegria was recently released on the Psychic Hotline label, which is run by none other than… Sylvan Esso. Reyna has long been an advocate for women in music; she's not only a musician herself but also founder and editor of She Shreds Media. It's a fantastic, bouncing album that plucks influences from all over the world: Reyna is Mexican-American, and she pulls sounds from all over the Southern Hemisphere as well as West Africa and sultry pop. Check out “Cartagena” from Malegria right here. In this great chat, Meath and Reyna talk about the upcoming Good Moon festival, about how playing in front of unfriendly audiences can sometimes be helpful, about the loss of Reyna's musical partner Nectali Diaz, aka Sumohair, the just-released tenth anniversary reissue of Sylvan Esso's great debut album and much more. Enjoy. 0:00 - Intro 2:14 - Start of the chat 3:42 - Anxiety, a constant companion. 5:58 - What to do when the audience isn't there for you. 12:26 - On naming the Good Moon festival. 15:20 - On Amelia's favorite part of a festival. 25:48 - On overcoming imposter syndrome. Thanks for listening to the Talkhouse Podcast, and thanks to Amelia Meath and Fabi Reyna for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform and check out all the great stuff at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time!

Tyler Ramsey sat down with me for this week's episode of Roadcase, and I couldn't be more stoked to chat with the former Band of Horses guitarist. Tyler is a kind and gentle soul, who truly values the power of music as a means of connection with his audience. His latest album, New Lost Ages, sees him team up with producer Phil Ek (Band of Horses, Fleet Foxes), and takes us on a deep ride, both musically and emotionally.I talked to Tyler about the power of music to connect, and how he relishes the possibility that his deeply personal songs might have a positive impact on his audience and fans. We also delve into the challenge of being more vulnerable as a means to becoming a better person and much to my delight, touch upon some fun Lord of the Rings talk too!!  For more information on Roadcase: https://linktr.ee/roadcasepod and https://www.roadcasepod.comOr contact Roadcase by email:  info@roadcasepod.comRoadcase theme music:  "Eugene (Instrumental)" by Waltzer

On this week's Talkhouse Podcast we've got a whopping four guys representing three bands, more or less: Ryan Hahn and Nik Ewing from Local Natives and Sean Cimino and Isom Innis from Foster the People but, perhaps more importantly for purposes of this chat, their side project Peel. Local Natives have been around since around 2005, but it wasn't until their debut album Gorilla Manor hit shelves in 2009 that the California band had its first real moment. They rode a similar wave to bands like Fleet Foxes and Grizzly Bear, with bits of folk and punk and psychedelia all wrapped up in songs that are frequently undeniable earworms. They've built a really impressive catalog since, and the sessions for 2023's Time Will Wait For No One were so fruitful that they actually yielded a companion record that's just coming out now, called But I'll Wait For You. It's another gorgeously layered set of songs that feels even a little weirder than what came right before it. Check out the song “April” right here. The other half of this conversation is Sean Cimino and Isom Innis, who are best known as part of Foster the People, which had a huge hit straight out of the gate in 2010 with “Pumped Up Kicks,” and which has been chipping away at incredible pop-inflected songs since. But Cimino and Innis recently released their debut album under the name Peel, which takes a much more psychedelic approach to songs, creating dancey dream-pop that sometimes looks back at the ‘90s through some gauzy glasses. Check out one of the dancier tracks from Peel's album Acid Star right here. This is called “Y2J.” In this chat, these old friends immediately head into a conversation about the relative merits of U2 and other bands that you should or should not be ashamed to love. They also chat about their history together, which goes way back, and of course about their latest records. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Sean Cimino, Isom Innis, Nik Ewing and Ryan Hahn for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the great stuff at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time!

On this episode, we take you to the red carpet of the 44th Annual Muse Awards presented by New York Women in Film and Television. Featuring interviews with Tantoo Cardinal (Killers of the Flower Moon), Raney Aronson-Rath (Editor-in-Chief FRONTLINE), Alex Borstein (Marvelous Mrs. Mazel, Family Guy), Filmmaker/Actor Kyra Sedgwick, Linda Powell (EVP SAG-AFTRA), and Filmmaker/Actor Jennifer Esposito. We'll also bring you our featured interview with directors Andy Brown and Brian Lindstrom who discuss their latest documentary, Lost Angel: The Genius of Judee Sill which features interviews with David Geffen, Linda Ronstadt, Jackson Browne, Graham Nash, JD Souther,  Shawn Colvin, W eyes Blood, Big Thief, Fleet Foxes and more.  Sponsored by: Blackmagic Design Western Digital JMR Rentals Music by Christopher Gillard Hosted by Jason Godbey Produced by Btrayed Oliver & Jason Godbey Created & Directed by Jason Godbey --- Support this podcast: https://podcasters.spotify.com/pod/show/no-rest-for-the-weekend/support

Phil Ek is an American record producer, engineer and mixer. Ek began his career in Seattle, Washington in the early 1990s recording live sound in clubs. He then moved into studio recording, recording small projects and demos for local bands. Around this time, Ek was frequently working with influential producer Jack Endino. Producing Built to Spill's second album, There's Nothing Wrong with Love, proved to be Ek's mainstream breakthrough (the album has since ranked in the Top Ten of Spin Magazine's top indie records of all time). Phil Ek has worked with such indie rock bands as Band of Horses, Fleet Foxes, Modest Mouse, The Shins, Built to Spill, Duster, 764-HERO, Big Business and Mudhoney. IN THIS EPISODE, YOU'LL LEARN ABOUT: Working in Seattle during the 90's Prioritizing instruments when recording The legacy of Build To Spill's “There's Nothing Wrong With Love” Overdubbing vs. recording live off the floor Getting the right scratch tracks in order to capture the true energy of a song Editing for feel vs perfection Should you track with or without reverb? Setting up room mics for options How to make reverb sound big but without being muddy Creating a 3D sound To learn more about Phil Ek, visit: https://philek.com/ For tips on how to improve your mixes, visit https://masteryourmix.com/ Get your copy of The Recording Mindset: A Step-By-Step Guide To Creating Pro Recordings From Your Home Studio by visiting: https://therecordingmindset.com Looking for 1-on-1 feedback and training to help you create pro-quality mixes? Check out my new coaching program Amplitude and apply to join: https://masteryourmix.com/amplitude/ Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/ Get your copy of the #1 Amazon bestselling book, The Mixing Mindset – The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/ Join the FREE MasterYourMix Facebook community: https://links.masteryourmix.com/community To make sure that you don't miss an episode, make sure to subscribe to the podcast on iTunes or on Android. Have your questions answered on the show. Send them to questions@masteryourmix.com Thanks for listening! Please leave a rating and review on iTunes!