Podcasts about Leaving Eden

Today we are joined by Gavi, co-host of the Leaving Eden podcast which examines the destructive nature of cults and extremist religions and the lives impacted. Gavi shares with us about his love of cooking, the time he bet on a horse at the Kentucky Derby, and his childhood dream of being a rockstar. But is he the Leo with Sag Rising or the Taurus with Jupiter on the Ascendant? Sarah is backed by the Gambling Astrologer, Bill Walker. Every week our astrologers look to the stars to match our guest to one of two birth charts. One chart belongs to our guest and one is a red herring. Are their chances only a skeptical 50/50 or can the powers of Astrology point Team Astrology in the right direction at least 80% of the time?   Will they do it? Can YOU do it?   To play along, check the two birth charts and case files for this episode and every episode at ⁠http://astrodetectivespod.com⁠    Check out our post-case astro chat, DEBRIEF which is available right now on Patreon with a Free Membership! (Patreon.com/AstroDetectives) Gavi HaCohen's podcast Leaving Eden is available on YouTube and all podcast streaming platforms. He can be found on instagram at @gavrielhacohen and @leavingedenpodcast . Astrologer Bill Walker can be found at OregonAstrologer.com and on YouTube @ theGamblingAstrologer.  Download the top secret AstroDetectives Case Files on our website! Inside you'll find the charts and a copy of the guest's pre-show survey. Visit  http://astrodetectivespod.com for the case files & more! Wanna be a guest on our show? Email Scott at AstroDetectives@gmail.com. Wanna support our show? Sign up for as little as $3 at Patreon.com/AstroDetectives #astrology #astrologers #astrologypodcasts #spiritualpodcast #sagittarius #leo #libra #jupiter #taurus #plutoinaquarius #yogainspiration #crystalhealing #hellenisticastrology #astrologymemes #eclipse #eclipseseason #solareclipse #mercuryretrograde

Welcome back Foil Fanatics to another new episode of Tinfoil Tales! On this episode we are joined Gavi from Leaving Eden podcast and we talk about some of the things cults do, and some of the warning signs of cults.Leaving Eden Podcast on Apple Podcastshttps://open.spotify.com/show/6jh5cAYRXAoqBSIQ1OckG5?si=59be37e40d654535Join us in this special edition of Tinfoil Tales as Gavi, cohost of Leaving Eden Podcast, takes the spotlight. Delve into the world of cults with Gavi, who shares insights gained from discussing the experiences of his cohost, a former cult member. Learn about the signs of cults, their impact, and the captivating stories explored on Leaving Eden Podcast.Gavi also touches on an extraordinary topic—Russia's drilling expedition and the eerie sounds recorded. Could they be on the verge of uncovering the unknown, even venturing into the mysterious concept of Hell? Find out more in this eye-opening interview.Cult Insights from Leaving Eden PodcastSigns and Stories of CultsRussia's Drilling Expedition to HellUnraveling the Mystery SoundsGavi's Perspective on the Unexplained

Rev. Tin Udouj

Rafiki Morris is my guest for this episode. Rafiki is Muralist/Artist, Writer, Poet, Lecturer Politics: Revolutionary Pan-Africanist and cadre and a Central Committee Member in the All African People's Revolutionary Party. Some of the Works and/or Novels written by Rafiki are “The Call of the Drum”; “The Giant and the Fire”; “Leaving Eden”; War: The Blood in Our Eyes. The subject we discuss is one within philosophical lines, namely: Consciencism, An African World View.  Rafiki takes a deep dive into Consciencism and the principles (egalitarianism, humanism, and collections) upon which this philosophy - coined by Kwame Nkrumah -  is embedded. He posits that "African people have always had some philosophy and the ethical principles of Consciencism, (egalitarianism, humanism, and collectivism) are traceable to the philosophical principles of early communal African life.” He adds that ‘more important is the recognition that Consciencism is not a complete system of thought. Consciencism cannot be completed because its dynamic nature is permanently engaged in the process of becoming.' Other concepts delineated in this record related to consciencism are African personality, dialectical materialism, amongst others. Consciencism is a fundamental ideology for decolonization and liberation of Africa. --- Support this podcast: https://podcasters.spotify.com/pod/show/mpilo-nkambule/support

Warning: Some strong language. (Does that make us heathens? Eh, probably not...) This was a great opportunity to get to hear an actual story of belonging to a religious cult, and the ladies were just incredible guests. (Super nice, too!) It's interesting when you're a teenager and you wonder what your life will be like 30-40 years from that point. I'm sure Tracey and Sharon wouldn't have imagined doing their podcast at this point in their lives. But it's a fascinating story, and, as they told me after the interview, quite therapeutic for them , while serving as a cautionary tale for many. Ladies I appreciate your honesty, and salute your courage. And thanks for coming on the show!! Feet of Clay info: Website: ttps://www.confessionsofthecultsisters.com/ Linktree page : https://linktr.ee/cultsister Tracey and Sharon's Faves: I Was A Teenage Fundamentalist, Cheers To Leaving, Leaving Eden,Hidden Brain, Misquoting Jesus, The Witch Trials of JK Rowling, Holy Ghosting These are the podcasts featured in "Sherpa Samples" God Awful Movies Kermode and Mayo's Take The Economics of Everyday Things Pod Save The World Anatomy of Murder The Girlfriends LISK Nobody Should Believe Me Not an NBA Podcast Calm For Beginners More thanks: Publicist Extraordinaire: ⁠⁠⁠⁠⁠⁠Steven Joiner⁠⁠⁠⁠⁠⁠ Music Credits/Voiceovers: ⁠⁠⁠⁠⁠⁠Bruce Goldberg⁠⁠⁠⁠⁠⁠ ( aka Lord Mr. Bruce); other Voices: The Sherpalu Studio Players ⁠⁠⁠Music credits: ⁠⁠⁠Track: "Commander In Chief" Music provided by https://Slip.stream Free Download/Stream: https://get.slip.stream/gMcp8hPlaces: ⁠⁠⁠⁠⁠⁠sherpalution.com⁠⁠⁠⁠⁠⁠ : All episodes and side projects, Merchandise, donations,Affiliate Shop, etc.; YouTube: @jsherpalution5000 @sherpalution : social media for FB, IG, Twitter, & TikTok Link page: ⁠⁠⁠⁠⁠⁠https://bio.link/jimthepo⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠Helium Radio Network⁠⁠⁠⁠⁠⁠ Fridays at 8:30 AM EDT, on Channel 1, Life Improvement Radio. Communicate: Wisdom App (live chats Wed nights, 10 PM EDT); Swell App (leave messages); Comment on galas.fm: ⁠⁠⁠⁠⁠⁠⁠https://galas.fm/p/too_many_podcast⁠⁠⁠⁠⁠⁠ Email:jimthepodcastsherpa@gmail.com Support: Review the show on Apple Podcasts or Spotify (Enter the 100-Review Contest, and win podcast merch!) Listen on Podopolo (access code-TheSherpa) or Podimo podcast apps (both free); but we're available on ALL podcast apps for free. Podium is your tool for AI generated show notes, chapters, clips, transcripts, and more. Try it out today and get 3 free hours and 50% off your first month:⁠⁠⁠⁠ https://hello.podium.page?via=sherpa⁠⁠⁠⁠ Liquid I.V. Ready to shop better hydration, use my special link ⁠⁠⁠⁠https://zen.ai/sherpa1⁠⁠⁠⁠⁠ to save 20% off anything you order. --- Send in a voice message: https://podcasters.spotify.com/pod/show/jim-the-podcast-sherpa/message

On today's episode, friend of the pod and drag performer extraordinaire Dinah House-Fire joins Sadie and Gavi to talk about Jim and Elizabeth Elliot. Elizabeth is the author of the book "Through Gates of Splendor," which chronicled her husband's death during an ill-advised missions trip to spread christian colonialism in Ecuador. Elizabeth's later writings were instrumental in the advent of purity culture throughout christian evangelicalism. Subsequent examinations of Jim's journals and Elizabeth's personal writings, however, suggest that there is a sadder story, and lead us to as the question, is purity culture just internalized homophobia and repressed sexuality? Tune in to hear our thoughts. TW: In general we talk about a lot of potentially triggering topics on this show, including but not limited to suicide and mental health, racism, misogyny, PTSD and PTSD symptoms, child abuse, mental, physical, and sexual abuse, and spiritual abuse including guilt, shame, and fear. In most episodes we'll mention at least a few of these topics, but we try very hard to avoid graphic detail unless it's relevant to the story we're telling, and we do our best to give the audience a heads-up before going into detail on any of these topics.An extended, uncensored, and ad-free version of this podcast episode is available to subscribers at Patreon.com/LeavingEdenPodcastWE HAVE NEW MERCH AVAILABLE, AND A NEW MERCH SHOP, at https://leavingedenpodcast.threadless.comStream the Leaving Eden Podcast theme song, Rolling River of Time on Spotify! https://open.spotify.com/artist/6lB7RwSQ9X5gnt1BDNugyS?si=jVhmqFfYRSiruRxekdLgKA.Join our Facebook Discussion group! https://www.facebook.com/groups/edenexodusJoin our subreddit! Reddit.com/r/EdenExodusInstagram:https://www.instagram.com/leavingedenpodcast/https://www.instagram.com/sadiecarpentermusic/https://www.instagram.com/gavrielhacohen/Twitter:https://twitter.com/LeavingEdenPodhttps://twitter.com/HellYeahSadiehttps://twitter.com/GavrielHacohenFacebook:https://www.facebook.com/LeavingEdenPodcasthttps://www.facebook.com/GavrielHaCohen Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

On this episode of The Adventures of Pipeman, Pipeman speaks to Eric from Leaving Eden! Pipeman and Eric speak about album covers and how we have lost the importance of art on records over the years but how badass Leaving Eden's album covers always are. Pipeman and Eric talk about how the band has such a wide variety of songs and sounds as they always write how they're feeling and write about what their interested in at the time so every song comes straight from the heart as opposed to writing songs that they think will be big hits. Pipeman and Eric talk about the importance of loving what you do instead of forcing yourself to do a job you hate every day for the rest of your life. Pipeman and Eric also speak about how the crowds can always tell when a band is performing because they have to compared to when a band is performing because that's what they love to do. Pipeman and Eric speak about signing record deals and signing to labels and how you can get majorly screwed over as an artist with some deals that you make. Eric shares his experience with signings and how he had a lucky escape from an awful potential deal. Make sure to follow the band on all social media platforms to stay up to date with their newest singles and live events!: www.instagram.com/leavingedenofficial/?hl=en Be sure to show your support by checking out Leaving Eden's awesome merch: https://leavingeden.bandmerchandmore.com/leaving_eden/shop/home Take some zany and serious journeys with The Pipeman aka Dean K. Piper, CST on The Adventures of Pipeman also known as Pipeman Radio syndicated globally “Where Who Knows And Anything Goes”. Listen to & Watch a show dedicated to motivation, business, empowerment, inspiration, music, comedy, celebrities, shock jock radio, various topics, and entertainment. The Adventures of Pipeman is hosted by Dean K. Piper, CST aka “The Pipeman” who has been said to be hybrid of Tony Robbins, Batman, and Howard Stern. The Adventures of Pipeman has received many awards, media features, and has been ranked for multiple categories as one of the Top 6 Live Radio Shows & Podcasts in the world. Pipeman Radio also consists of multiple podcasts showing the many sides of Pipeman. These include The Adventures of Pipeman, Pipeman in the Pit, and Positively Pipeman and more. You can find all of the Pipeman Podcasts anywhere you listen to podcasts. With thousands of episodes that focus on Intertainment which combines information and entertainment there is something for everyone including over 5000 interviews with celebrities, music artists/bands, authors, speakers, coaches, entrepreneurs, and all kinds of professionals.Then there is The Pipeman Radio Tour where Pipeman travels the country and world doing press coverage for Major Business Events, Conferences, Conventions, Music Festivals, Concerts, Award Shows, and Red Carpets. One of the top publicists in music has named Pipeman the “King of All Festivals.” So join the Pipeman as he brings “The Pipeman Radio Tour” to life right before your ears and eyes.The Adventures of Pipeman Podcasts are heard on The Adventures of Pipeman Site, Pipeman Radio, Talk 4 Media, Talk 4 Podcasting, iHeartRadio, Pandora, Amazon Music, Audible, Spotify, Apple Podcast, Google Podcasts and over 100 other podcast outlets where you listen to Podcasts. The following are the different podcasts to check out and subscribe to:• The Adventures of Pipeman• Pipeman Radio• Pipeman in the Pit• Positively PipemanFollow @pipemanradio on all social media outletsVisit Pipeman Radio on the Web at linktr.ee/pipemanradio, theadventuresofpipeman.com, pipemanradio.com, talk4media.com, w4cy.com, talk4tv.com, talk4podcasting.comDownload The Pipeman Radio APPPhone/Text Contact – 561-506-4031Email Contact – dean@talk4media.com The Adventures of Pipeman is broadcast live daily at 8AM ET.The Adventures of Pipeman TV Show is viewed on Talk 4 TV (www.talk4tv.com).The Adventures of Pipeman Radio Show is broadcast on W4CY Radio (www.w4cy.com) and K4HD Radio (www.k4hd.com) – Hollywood Talk Radio part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). The Adventures of Pipeman Podcast is also available on www.theadventuresofpipeman.com, Talk 4 Media (www.talk4media.com), Talk 4 Podcasting (www.talk4podcasting.com), iHeartRadio, Amazon Music, Pandora, Spotify, Audible, and over 100 other podcast outlets.

On this episode of The Adventures of Pipeman, Pipeman speaks to Eric from Leaving Eden! Pipeman and Eric speak about album covers and how we have lost the importance of art on records over the years but how badass Leaving Eden's album covers always are. Pipeman and Eric talk about how the band has such a wide variety of songs and sounds as they always write how they're feeling and write about what their interested in at the time so every song comes straight from the heart as opposed to writing songs that they think will be big hits. Pipeman and Eric talk about the importance of loving what you do instead of forcing yourself to do a job you hate every day for the rest of your life. Pipeman and Eric also speak about how the crowds can always tell when a band is performing because they have to compared to when a band is performing because that's what they love to do. Pipeman and Eric speak about signing record deals and signing to labels and how you can get majorly screwed over as an artist with some deals that you make. Eric shares his experience with signings and how he had a lucky escape from an awful potential deal. Make sure to follow the band on all social media platforms to stay up to date with their newest singles and live events!: www.instagram.com/leavingedenofficial/?hl=en Be sure to show your support by checking out Leaving Eden's awesome merch: https://leavingeden.bandmerchandmore.com/leaving_eden/shop/home Pipeman's Power of Music is a music and interview segment of The Adventures of Pipeman Radio Show (#pipemanradio) and from The King of All Festivals while on The Pipeman Radio Tour. Pipeman's Power of Music features all kinds of music and interviews with bands & music artists especially in the genres of Heavy Metal, Rock, Hard Rock, Classic Rock, Punk Rock, Goth, Industrial, Alternative, Thrash Metal & Indie Music. Pipeman's Power of Music also features press coverage of events, concerts, & music festivals. Pipeman Productions is an artist management company that sponsors the show introducing new local & national talent showcasing new artists & indie artists.Then there is The Pipeman Radio Tour where Pipeman travels the country and world doing press coverage for Major Business Events, Conferences, Conventions, Music Festivals, Concerts, Award Shows, and Red Carpets. One of the top publicists in music has named Pipeman the “King of All Festivals.” So join the Pipeman as he brings “The Pipeman Radio Tour” to life right before your ears and eyes.Pipeman's Power of Music Podcasts are heard on Pipeman Radio, Talk 4 Media, Talk 4 Podcasting, iHeartRadio, Pandora, Amazon Music, Audible, Spotify, Apple Podcast, Google Podcasts and over 100 other podcast outlets where you listen to Podcasts. The following are the different podcasts to check out and subscribe to:•The Adventures of Pipeman•Pipeman Radio•Pipeman in the Pit•Positively PipemanFollow @pipemanradio on all social media outletsVisit Pipeman Radio on the Web at linktr.ee/pipemanradio, theadventuresofpipeman.com, pipemanradio.com, talk4media.com, w4cy.com, talk4tv.com, talk4podcasting.comDownload The Pipeman Radio APPPhone/Text Contact – 561-506-4031Email Contact – dean@talk4media.comThe Adventures of Pipeman is broadcast live daily at 8AM ET.The Adventures of Pipeman TV Show is viewed on Talk 4 TV (www.talk4tv.com).The Adventures of Pipeman Radio Show is broadcast on W4CY Radio (www.w4cy.com) and K4HD Radio (www.k4hd.com) – Hollywood Talk Radio part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). Pipeman's Power of Music are also available on Pipeman Radio (www.pipemanradio.com), Talk 4 Media (www.talk4media.com), Talk 4 Podcasting (www.talk4podcasting.com), iHeartRadio, Amazon Music, Pandora, Spotify, Audible, and over 100 other podcast outlets.

On this episode of The Adventures of Pipeman, Pipeman speaks to Eric from Leaving Eden! Pipeman and Eric speak about album covers and how we have lost the importance of art on records over the years but how badass Leaving Eden's album covers always are. Pipeman and Eric talk about how the band has such a wide variety of songs and sounds as they always write how they're feeling and write about what their interested in at the time so every song comes straight from the heart as opposed to writing songs that they think will be big hits. Pipeman and Eric talk about the importance of loving what you do instead of forcing yourself to do a job you hate every day for the rest of your life. Pipeman and Eric also speak about how the crowds can always tell when a band is performing because they have to compared to when a band is performing because that's what they love to do. Pipeman and Eric speak about signing record deals and signing to labels and how you can get majorly screwed over as an artist with some deals that you make. Eric shares his experience with signings and how he had a lucky escape from an awful potential deal. Make sure to follow the band on all social media platforms to stay up to date with their newest singles and live events!: www.instagram.com/leavingedenofficial/?hl=en Be sure to show your support by checking out Leaving Eden's awesome merch: https://leavingeden.bandmerchandmore.com/leaving_eden/shop/home Pipeman in the Pit is a music and interview segment of The Adventures of Pipeman Radio Show (#pipemanradio) and from The King of All Festivals while on The Pipeman Radio Tour. Pipeman in the Pit features all kinds of music and interviews with bands & music artists especially in the genres of Heavy Metal, Rock, Hard Rock, Classic Rock, Punk Rock, Goth, Industrial, Alternative, Thrash Metal & Indie Music. Pipeman in the Pit also features press coverage of events, concerts, & music festivals. Pipeman Productions is an artist management company that sponsors the show introducing new local & national talent showcasing new artists & indie artists.Then there is The Pipeman Radio Tour where Pipeman travels the country and world doing press coverage for Major Business Events, Conferences, Conventions, Music Festivals, Concerts, Award Shows, and Red Carpets. One of the top publicists in music has named Pipeman the “King of All Festivals.” So join the Pipeman as he brings “The Pipeman Radio Tour” to life right before your ears and eyes.Pipeman in the Pit Podcasts are heard on Pipeman Radio, Talk 4 Media, Talk 4 Podcasting, iHeartRadio, Pandora, Amazon Music, Audible, Spotify, Apple Podcast, Google Podcasts and over 100 other podcast outlets where you listen to Podcasts. The following are the different podcasts to check out and subscribe to:•The Adventures of Pipeman•Pipeman Radio•Pipeman in the Pit•Positively PipemanFollow @pipemanradio on all social media outletsVisit Pipeman Radio on the Web at linktr.ee/pipemanradio, theadventuresofpipeman.com, pipemanradio.com, talk4media.com, w4cy.com, talk4tv.com, talk4podcasting.comDownload The Pipeman Radio APPPhone/Text Contact – 561-506-4031Email Contact – dean@talk4media.comThe Adventures of Pipeman is broadcast live daily at 8AM ET.The Adventures of Pipeman TV Show is viewed on Talk 4 TV (www.talk4tv.com).The Adventures of Pipeman Radio Show is broadcast on W4CY Radio (www.w4cy.com) and K4HD Radio (www.k4hd.com) – Hollywood Talk Radio part of Talk 4 Radio (www.talk4radio.com) on the Talk 4 Media Network (www.talk4media.com). Pipeman in the Pit Podcasts are also available on Pipeman Radio (www.pipemanradio.com), Talk 4 Media (www.talk4media.com), Talk 4 Podcasting (www.talk4podcasting.com), iHeartRadio, Amazon Music, Pandora, Spotify, Audible, and over 100 other podcast outlets.

On October 6, 2020, the world lost arguably the greatest guitarist in rock-n-roll history, Edward Lodewijk Van Halen. His style of playing revolutionized the electric guitar and hard rock music. On the eve of the 2nd anniversary of his passing, we thought, lets pay honor by remembering the music. It's time to play....WAR. Every song is a Van Halen song this time. Our players, Claudia Comedy from Monsters of Rock on Dash Radio and Eric Senich, the host of the Booked on Rock podcast and a Van Halen News Desk contributor. Hide the Women and Children, because these two our about to battle it out. Plus, as a bonus on this episode, each band we are playing our doing a classic Van Halen cover. We have music by the following bands:Annihilator, Cherry Thirteen, Meridian, Passion, Lich King, Andre Leite, South of Eden, Leaving Eden, The Last Bandoleros, & 5150 Tribute Band feat. Danny DeaneJoin Randy and Troy, for this and every episode of Ouch, You're on my Hair and subscribe to the show on ApplePodcasts, Spotify, iHeartRadio, Amazon Music, Podomatic, Podbean, and more. You can find them on Instagram, Twitter and Facebook as well.

This week we have Rock and Roll music that DESERVES to be heard from Dorothy, Iconic, Blacktop Mojo, Sammy Hagar & The Circle, Leaving Eden, Night Ranger, Pulse, Blackrain, Glazergirl, Playhouse, A Rising Force, and Skills! Enjoy!#blacktopmojo #sammyhagar #nightranger #skills #pulse #iconic #playhouse #arisingforce #blackrain #leavingeden #dorothy #glazergirl #rockandrollmusicthatdeservestobeheard #radiobypass #rocknroll

Ernmardia is out so Brendan is joined by Sadie Carpenter of the Leaving Eden podcast this week. they start with breaking down the odd and traumatic talents at the group date and discuss how they both would be going after Rachel more than Gabby. They try to distinguish what went wrong on Rachel's 1-on-1 with Jordan then gush over Nate on his 1-on-1 with Gabby. Is Logan or Mario gonna cause a rift in their friendship? Will Quincey be a less aggressive Aaron? will either Bachelorette find love? we'll find out! please Rate, Review, and Subscribe! Check out the Leaving Eden podcast wherever you get podcasts and follow Sadie @ hellyeahSadie on twitter, @sadiecarpentermusic on Instagram and Sadiecarpenter1 on Tiktok Follow us @rightreasonspod on Twitter @podcastingforthereasons on Instagram @right_reasons_pod on Tiktok This podcast is powered by Pinecast.

Sadie and Gavi are ONCE AGAIN joined by Dinah House-Fire the greatest ex-fundie drag performer and exorcism recipient to ever live. The three of them read listener stories, Euphoria, and Gavi's hypothetical drag persona. This Pride month, we are fundraising for Point of Pride, an amazing organization that provides resources including HRT and other medical care to trans and nonbinary people in the United States. If you want to support them, you can donate at https://www.pointofpride.org/donate An Extended version of this episode is available at Patreon.com/LeavingEdenPodcast WE HAVE NEW MERCH AVAILABLE, AND A NEW MERCH SHOP, at https://leavingedenpodcast.threadless.com Profits from all pride-themed merch go to Point of Pride, an organization that provides resources for trans and nonbinary people across the United States, including in Texas and Florida Stream the Leaving Eden Podcast theme song, Rolling River of Time on Spotify! https://open.spotify.com/artist/6lB7RwSQ9X5gnt1BDNugyS?si=jVhmqFfYRSiruRxekdLgKA. Join our Facebook Discussion group! https://www.facebook.com/groups/edenexodus Join our subreddit! Reddit.com/r/EdenExodus Instagram: https://www.instagram.com/leavingedenpodcast/ https://www.instagram.com/sadiecarpentermusic/ https://www.instagram.com/gavrielhacohen/ Twitter: https://twitter.com/LeavingEdenPod https://twitter.com/HellYeahSadie https://twitter.com/GavrielHacohen Facebook: https://www.facebook.com/LeavingEdenPodcast https://www.facebook.com/GavrielHaCohen --- Send in a voice message: https://anchor.fm/leavingedenpodcast/message Support this podcast: https://anchor.fm/leavingedenpodcast/support

Brandon Heath is an American contemporary Christian musician, singer, and songwriter from Nashville, Tennessee. He has released six studio albums: Don't Get Comfortable (2006), What If We (2008), Leaving Eden (2011), Blue Mountain (2012), No Turning Back (2015), and Faith Hope Love Repeat (2017).[2] He is best known for the No. 1 singles: "I'm Not Who I Was" and "Give Me Your Eyes". He was nominated four times at the Dove Awards of 2008 and won in the "New Artist of the Year" category. His second album was nominated for "Gospel Album of the Year" at the 51st Grammy Awards of 2009. Heath began his career by writing songs as a teenager. His first independently released album, Early Stuff (2004), was a compilation of his earlier songwriting. Also after releasing Soldier in 2004, he signed with Reunion Records to release his first main studio album, Don't Get Comfortable, in late 2006. The album's first single, "Our God Reigns", received a Dove Award nomination in 2007. Heath's song "I'm Not Who I Was" became No. 1 single, staying on top of Billboard's Hot Christian Songs chart for several weeks. It received two Dove nominations, including "Song of the Year". Heath returned in mid-2008 with a second project: What If We. The album's first single "Give Me Your Eyes" was released in July 2008 and ended the year as the second most-played song on R&R magazine's Christian CHR chart for 2008. The song received two GMA Dove Awards in 2009: "Song of the Year" and "Pop/Contemporary Song of the Year". He recently released his fourth album titled Blue Mountain October 9, 2012 which peaked at No. 9 in album chart of Billboard Christian Albums chart. Christmas Is Here was released on October 15, 2013. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/dadcastco/support

A discussion about the ABC 20/20 special with Diane Sawyer featuring an interview with Jennifer and Jordan Turpin who along with their 11 siblings survived a “house of horror” where their parents David and Louise Turpin used the bible to explain the years of abuse their children suffered. Sadie Carpenter, host of Leaving Eden podcast, discusses the Quiverfull and the families featured on reality television that are part of the movement. Reality Life with Kate CaseyPatreon: http://www.patreon.com/katecaseyCameo: https://cameo.com/katecaseyTwitter: https://twitter.com/katecaseyInstagram: http://www.instagram.com/katecaseycaTik Tok: http://www.tiktok.com/itskatecaseyClubhouse: @katecasey Facebook Group: https://www.facebook.com/groups/113157919338245Amazon.com: www.amazon.com/shop/katecaseySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In probably the most ridiculous episode that they have ever done, Gavri'el and Sadie are joined by the one and only Ex-Fundie drag queen, Dinah House-Fire. Uncensored and extended episodes are available on our Patreon! https://www.patreon.com/LeavingEdenPodcast Send your questions via Email to LeavingEdenPod@Gmail.com Leaving Eden Podcast Merch available on Teespring! https://teespring.com/stores/leaving-eden-podcast-shop Stream the Leaving Eden Podcast theme song, Rolling River of Time on Spotify! https://open.spotify.com/artist/6lB7RwSQ9X5gnt1BDNugyS?si=jVhmqFfYRSiruRxekdLgKA. Join our Facebook Discussion group! https://www.facebook.com/groups/edenexodus Instagram: https://www.instagram.com/leavingedenpodcast/ https://www.instagram.com/sadiecarpentermusic/ https://www.instagram.com/gavrielhacohen/ Twitter: https://twitter.com/LeavingEdenPod https://twitter.com/HellYeahSadie https://twitter.com/GavrielHacohen Facebook: https://www.facebook.com/LeavingEdenPodcast https://www.facebook.com/GavrielHaCohen --- Send in a voice message: https://anchor.fm/leavingedenpodcast/message Support this podcast: https://anchor.fm/leavingedenpodcast/support

In this episode we have the pleasure of speaking with playwright, actor, choreographer and dancer, Tristan André Parks. This conversation is like eavesdropping on your two artsy cousins. We talk about what we are dreaming, how art impacts us and of course, being a Southern Black theatre maker.Tristan André. Brother. Sun. Black memory cultural worker. Lover of his community. Yes, beloveds. You are that community. Tristan, an alum of the MFA Professional Actor Training Program at UNC-Chapel Hill, is a Southern multi-hyphenate artist whose credits include PlayMakers Repertory Company's Life of Galileo, Sherwood: The Adventures of Robin Hood, Leaving Eden, Twelfth Night and The Crucible, andDC's Shakespeare Theatre Company's production of Baldwin's The Amen Corner. Tristan is represented by About Artists Agency and is a member of Actors' Equity Association. Peace and love to all. You can find Tristan's work at tristanandre.com and follow him on IG at @fishgritsandcollardgreensLearn more about MOJOAA at:www.MOJOAA.orgFacebook/Instagram: @MOJOAApac

The Leaving Eden Podcast is happy to release its FIRST EVER Christmas special! Complete with stories, music performed by Sadie and Gavri'el, AND a Christmas Cantata radio drama! This episode is FAMILY FRIENDLY and DOES NOT contain discussions of violence or abuse. We really hope you like this episode. We had a lot of fun making it. Merry Christmas, and a Happy New Year. Video of Gavri'el's High School Choir Christmas Concert: https://www.youtube.com/watch?v=ULpaM0kPxdQ. Extended episodes are available on our Patreon! https://www.patreon.com/LeavingEdenPodcastJoin our Facebook Discussion group! https://www.facebook.com/groups/edenexodusInstagram: https://www.instagram.com/leavingedenpodcast/ https://www.instagram.com/sadiecarpentermusic/ https://www.instagram.com/gavrielhacohen/ Twitter: https://twitter.com/LeavingEdenPod https://twitter.com/HellYeahSadie https://twitter.com/GavrielHacohen Facebook: https://www.facebook.com/LeavingEdenPodcast https://www.facebook.com/GavrielHaCohen

Crossover episode!  Today on the Permanent Waves Podcast Rey and Ben are joined by fellow podcasters Sadie Carpenter and Gavri'el HaCohen from the Leaving Eden podcast. Leaving Eden is a show about Sadie's experiences growing up in a cult!  Today we talk about cults (but fun), fast cars, freewill, fossils, and - of course - the greatest band in the history of the world: RUSH.  Follow Sadie and Gavri'el: Find The Leaving Eden podcast wherever you're listening to this. Instagram - @LeavingEdenPodcast Twitter - @LeavingEdenPod LeavingEdenPod@gmail.com Follow the boys online: @ReyGuevara @TollScott Follow the podcast:  Facebook and Instagram - @PermanentWavesPodcast Twitter - @Pwavespod PermanentWavesPodcast@gmail.com PermanentWavesPodcast.com 

I recently had the great pleasure of interviewing Vivienne Benesch, who is the Producing Artistic Director of PlayMakers Repertory Company in Chapel Hill, North Carolina. At PlayMakers, she has helmed productions of LIFE OF GALILEO, LEAVING EDEN, THE MAY QUEEN, THREE SISTERS, LOVE ALONE, RED, and IN THE NEXT ROOM (OR THE VIBRATOR PLAY). For 12 seasons, she served as Artistic Director of the renowned Chautauqua Theater Company and Conservatory, presiding over the company’s transformation into one of the best summer theatres and most competitive summer training programs in the country. She directed over fifteen productions at CTC including an acclaimed re-imagining of ROMEO AND JULIET featuring the Chautauqua Symphony Orchestra, Theatre, Opera and Dance companies. She brought CTC’s production of AMADEUS, performed with the Chautauqua Symphony Orchestra and Buffalo Philharmonic, to the Virginia Arts Festival featuring PlayMakers company member Ray Dooley. Vivienne has also directed for the Folger Shakespeare Theatre, The Shakespeare Theatre of New Jersey, Trinity Repertory Company, and Red Bull Theatre, among others. In 2018, she directed the world premiere of Noah Haidle’s BIRTHDAY CANDLES for Detroit Public Theatre and will be directing it again on Broadway, starring Debra Messing in the fall of 2021. As an actress, Vivienne has worked on and off-Broadway, in film and television, at many of the country’s most celebrated theatres, and received an OBIE Award for her performance in Lee Blessing’s GOING TO ST. IVES. Vivienne is a graduate of Brown University and NYU’s Graduate Acting Program. As an educator, she has directed for and served on the faculty of some of the nation’s foremost actor training programs, including The Juilliard School, UNC-Chapel Hill’s Professional Actor Training Program, Brown/Trinity Rep MFA Program and at her alma mater, NYU’s Graduate Acting Program. She is the 2017 recipient of the Zelda Fichandler Award given by the Stage Directors and Choreographers Foundation. For more information, please visit: www.playmakersrep.org If you love this show, please leave us a review. Go to RateThisPodcast.com/karereviewspodcast and follow the simple instructions. Follow Kare Reviews at www.karereviews.net and on Twitter: @KareReviews Also please visit the newly launched Patreon page: https://www.patreon.com/jeffreykare?fan_landing=true Follow Jeffrey Kare on Twitter: @JeffreyKare If you like what you've heard here, please subscribe to any one of the following places where the Kare Reviews Podcast is available. Anchor: https://anchor.fm/jeffrey-kare Apple: itunes.apple.com/us/podcast/kare-reviews-podcast/id1453846013 Google: www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy85NWFhZDFjL3BvZGNhc3QvcnNz Spotify: open.spotify.com/show/6GL69s4zoDQmBcZf3NALTG Breaker: www.breaker.audio/kare-reviews-podcast Overcast: overcast.fm/itunes1453846013/kare-reviews-podcast Pocket Casts: pca.st/47Vw RadioPublic: radiopublic.com/kare-reviews-podcast-6rMdXk --- Support this podcast: https://anchor.fm/jeffrey-kare/support

One of Matt’s formative college records versus a 2020 release? Only on MinnTrax! Special guest Paul Charchian (Guillotine Leagues, Video Games Weekly, and more) almost didn’t bring Other Lives’s “For Their Love” to the table, but we’re glad he did – it’s a densely-arranged indie pop classic at only six months old (and maybe also a subliminal message about the band being a group of vampires). Yo La Tengo’s “I Can Hear the Heart Beating as One,” on the other hand, was a shoo-in for Matt, who used to wander the UMN campus to its understated rock vibes. After the discussion, we field a few questions from the MinnMax community, touching on albums we think would make good game concepts, our favorite concert films, and music that defined the cultures we grew up in. Thanks for the great questions and song suggestions, everyone! To jump to a particular discussion, check out the timestamps below… 7:15 - “We Wait” 11:30 - “Sound of Violence” 16:20 - “Lost Day” 22:25 - “All Eyes - For Their Love” 32:40 - “Dead Language” 36:13 - “Nites Out” 40:25 - “Hey Hey I” 53:45 - “Moby Octopad” 58:30 - “Little Honda” 1:01:50 - “Sugarcube” 1:06:10 - “Autumn Sweater” 1:11:55 - “Green Arrow” 1:13:43 - “One PM Again” 1:14:34 - “The Lie and How We Told It” 1:18:35 - “Center of Gravity” 1:20:50 - “Return to Hot Chicken” 1:22:50 - “Stockholm Syndrome” 1:30:25 - “Spec Bebop” 1:33:49 - Community questions 1:39:09 - Anna von Hausswolff - “Ugly and Vengeful” 1:47:40 - Community song (“Leaving Eden” by Carolina Chocolate Drops, suggested by MinnMax supporter Tim Lorow) Follow Paul Charchain on Twitter at @PaulCharchian and GuillotineLeagues.com Support MinnMax on Patreon: https://www.patreon.com/minnmax/ MinnTrax Episode Playlist: https://spoti.fi/2vgqfvK MinnTrax Community Playlist: https://spoti.fi/3aRRgox

Promo episode of the Leaving Eden PodcastSocial Media:INSTAGRAM:https://www.instagram.com/leavingedenpodcast/https://www.instagram.com/gavrielhacohen/https://www.instagram.com/sadiecarpentermusic/TWITTER:https://twitter.com/LeavingEdenPodhttps://twitter.com/GavrielHacohenhttps://twitter.com/HellYeahSadieFACEBOOK:https://www.facebook.com/Leaving-Eden-Podcast-102724154814204https://www.facebook.com/GavrielHaCohen

Relaxing music meditation presented by Abide. Meditate on Genesis 3:22 - And the LORD God said, “The man has now become like one of us, knowing good and evil. He must not be allowed to reach out his hand and take also from the tree of life and eat, and live forever.”Unlock the high-quality, full length, and ad-free Christian meditation experience in the Abide app: https://abide.co/awesome

Relaxing music meditation presented by Abide. Meditate on Genesis 3:22 - And the LORD God said, “The man has now become like one of us, knowing good and evil. He must not be allowed to reach out his hand and take also from the tree of life and eat, and live forever.”Unlock the high-quality, full length, and ad-free Christian meditation experience in the Abide app: https://abide.co/awesome

Suponemos que en estas semanas de aislamiento, a todos nos ha dado tiempo de comprar papel higiénico como si no hubiera un mañana, llamar a la familia y a los amigos, encontrar esas fotos que parecían perdidas, limpiar los altillos, vaciar la nevera, y, por supuesto, ordenar los libros y los discos. Cuando te pones a esto último, lo de los discos, de pronto, aparecen algunas obras de arte que, con más o menos tiempo, te reencuentras hasta contigo mismo... Pues hoy hemos decidido recopilar algunas de ellas. Si alguna vez quieres retroceder en el tiempo y revisar la historia cultural de lo que se llama Americana, no está de más remitirse a Dom Flemons, un historiador de la música. Es un folclorista de Phoenix, Arizona. Cantante y compositor, se ha convertido, además, en todo un experto en instrumentos tradicionales. Fue socio fundador de Carolina Chocolate Drops y dejó el grupo en 2014 para seguir en solitario. El cuarto de sus discos, Black Cowboys, formó parte de una de las múltiples series de las que edita Smithsonian. Está inspirado en sus raíces familiares y narra una buena parte de la rica y profunda historia de la música del oeste de Estados Unidos, a menudo ignorada. Las canciones incluyen estándares tan queridos como "Home On the Range" pero también hay espacio para temas originales del estilo de "He’s A Lone Ranger", un homenaje a la figura de Bass Reeves, crecido en la región de Texarcana y convertido en diputado. Mirando a esos discos que de pronto aparecen, nos hemos encontrado con Stoney Edwards, un cantante de country con una presencia significativa entre los artistas más enraizados dentro de la música country. Nativo de Seminole, en Oklahoma, ha pasado a la historia por una canción como "She's My Rock", convertida en todo un éxito del año 1972 y más aún cuando Brenda Lee y George Jones la versionaron un par de años más tarde. Y buscando y buscando… le ha tocado el turno a Charley Pride, que creció escuchando a algunos de los maestros como Ernest Tubb, Eddy Arnold, Hank Williams y George Jones. Desarrolló un estilo propio partiendo de ellos, pero incluyó a otros de sus favoritos, como Sam Cooke, B.B. King o Brook Benton. Y es que volvemos a remitirnos a esa frase de Nick Lowe en la que nos recordaba que si eres capaz de unir el country y el soul conseguirás la mejor de las canciones. Charley Pride siempre entendió que la música americana se construye desde el country, el gospel y el blues. Es muy posible que su canción más recordada sea "Is Anybody Goin' To San Antone?", que alcanzó la cima de las listas de country en Abril de 1970. A costa de un malentendido entre la editorial y los compositores -Glenn Martin y Dave Kirby-, el tema había sido grabado y publicado por Bake Turner, jugador del equipo de fútbol americano de los Jets de New York. Pride intento encontrar otros singles para sustituirlo, pero la grabación había quedado tan perfecta como acabamos de escuchar y decidieron editarla. La versión de Turner no tuvo la más mínima repercusión. Ray Charles es un nombre antes el que hay que quitarse cualquier sombrero y cuando te reencuentras con alguno de sus Lps antológicos solo puedes estar agradecido. En 1952 se había mudado al sello ABC/Paramount para poder tener un mayor control sobre su música. Fue por entonces cuando decidió ensanchar el horizonte estilístico y adentrarse en caminos que hasta entonces no había experimentado. Eddy Arnold y Cindy Walker compusieron “You Don’t Know Me” y el primero de ellos grabó la versión original en la primavera de 1956. Pero seis años después, el músico invidente la llevó al segundo puesto de las listas generales de singles tras sorprender a la industria con un álbum convertido en fundamental para la historia de la música popular Modern Sounds In Country And Western Music. En ocasiones, uno agradece tener cierto tiempo para permitir la reaparición de músicos y canciones que tenías durante demasiado tiempo en el olvido. Y estas fechas nos han traído al presente al tejano de Simonton Dobie Gray, cuya carrera abarcó el soul… y también el country. A mitad de los 60 dejó para el recuerdo "The 'In' Crowd", pero en 1973, el mismo año en que nació TOMA UNO publicó "Drift Away". Aquella canción que había compuesto Mentor Williams tres años antes y que había grabado en origen John Henry Kurtz fue la que marcó la carrera del artista de Texas. Ted Hawkins siempre fue un personaje enigmático. Tocaba en la calle o en pequeños locales y era poco comunicativo. Muchos se arrogaron haberle descubierto a lo largo de los años, pero este artista de Biloxi, en Mississippi, era difícil de llevar a otros terrenos que no fueran el de su libertad personal. Sus grabaciones se repartieron de forma indiscriminada y algunas de ellas fueron ordenadas por Rounder en 1982, con una excelente aceptación por parte de la crítica, aunque con mínimas ventas. Ted Hawkins mezclaba gospel, folk y country con acento sureño y un acompañamiento casi minimalista, propio de los pioneros. Cuando te encuentras con un disco como The Next Hundred Years de 1994, editado poco menos de un año antes de su muerte, es su grabación emblemática. El cierre de aquel último disco en vida fue esta versión a “Long As I Can See The Light”, que también fue el último corte de Cosmos Factory para la Creedence Clearwater Revival, que en un mes cumplirá medio siglo de edición. Darius Rucker tenía muy claro que en su álbum True Believers, iba a incluir una versión de “Wagon Wheel”, que sacaron a la luz Old Crow Medicine Show y que se convirtió en uno de los temas favoritos de su hija. La melodía y los coros de esta canción pertenecen a Bob Dylan, que la maquetó en 1973 durante las sesiones de grabación de Pat Garrett and Billy the Kid y aunque nunca se editó oficialmente, se pudo encontrar en algunos discos piratas de Dylan con el nombre de "Rock Me Mama". A pesar de que estaba inacabada, Ketch Secor escribió una letra adicional y convirtió "Rock Me Mama" en "Wagon Wheel", siendo incluida en el álbum O.C.M.S. de 2004. Cuando en estos tiempos escuchas una canción que describe un viaje en autostop desde Nueva Inglaterra hasta Carolina del Norte, pasando por Virginia para llegar a Cumberland Gap y Johnson City, en Tennessee, para encontrarte con tu amor, supone todo una brisa alegre. Darius Rucker, el que fuera miembro de Hootie & the Blowfish, contó por entonces en las armonías vocales con los miembros de Lady Antebellum, que el pasado jueves anunció el cambio de su nombre por el de Lady A, mostrándose arrepentidos y avergonzados por no haber considerado la asociación del término "Antebellum" con la esclavitud, previo a la Guerra Civil de Estados Unidos. A veces, mirando en los armarios, te encuentras con algunos discos que hacía tiempo que no escuchábamos. Esta vez nos hemos ido a 1974 y a un álbum como That's A Plenty. Fue una época en que las distribuidoras españolas de discográficas internacionales se preocupaban, y mucho, por editar una buena parte de las novedades de Gran Bretaña y Estados Unidos. Aquel disco de las Pointer Sisters fue toda una sorpresa, sobre todo cuando esta canción, se llevó el premio Grammy a la mejor canción de country. Trataba, como suele ocurrir en buena parte de los temas del género, sobre una ruptura, en este caso basada en la experiencia personal de Bonnie Pointer y tras escuchar a James Taylor. Mavis Staples es una de las grandes veteranas a las que hay que rendir pleitesía de vez en cuando, porque suponen mantener viva la llama de la reivindicación de las raíces más profundas de la música norteamericana y la fusión de los géneros y de las formas. Mavis grabó hace 10 años un álbum como You’re Not Alone con la producción de Jeff Tweddy, consiguiendo un Grammy como mejor álbum de Americana. Aquel disco nos permitió recordar un Lp como Green River, el tercero de la CCR, cuyo nombre fue tomado del escrito de la etiqueta de una botella de jarabe, además de ser un lugar que John Fogerty solía visitar en Putah Creek, un río del norte de California. Cerrando la cara A de aquel vinilo encontramos “Wrote a Song For Everyone”, una canción que Fogerty elegiría en 2013 como título de su álbum de su noveno álbum en solitario en el que contó con un buen número de invitados pero que antes había versionado de esta forma la veterana vocalista. Yola es una vocalista y compositora británica de Bristol descubierta por Dan Auerbach, miembro de los Black Keys, que la descubrió a través de un vídeo actuando en Nashville que le envió un amigo. Él mismo fue el productor de su álbum de debut, Walk Through Fire, publicado a finales de febrero de 2019 y convertido en uno de los favoritos de TOMA UNO. Desde entonces, se ha convertido en una de las voces más recurrentes del panorama de la Americana, participando en la última edición de Festival de Newport junto a las Highwomen, Sheryl Crow y Dolly Parton, por ejemplo. Su anticipo de su único álbum hasta el momento fue “Ride Out In The Country”, un tapiz sonoro lleno de sonidos tradicionales que unificaban fiddle, Steel guitar, cuerdas y una capacidad interpretativa poco común. Carolina Chocolate Drops enamoró a los aficionados con su propuesta de poner al día la música del siglo XIX y la tradición de muchas décadas de la música de Estados Unidos. Esa formación acústica procedente de Carolina del Norte encontró en su álbum Leaving Eden a otro de los productores perfectos para mantener esa fórmula de contactar el pasado y el presente. Era Buddy Miller, que logró que aquel disco se percibiera como una fiesta de sábado por la noche. Dentro de aquel ramillete de canciones con ecos de siglos pasados, era inevitable destacar un tema propio como “Country Girl”. En aquel trío destacó la personalidad de Rhiannon Giddens, a quien hemos venido siguiendo desde hace tiempo y que nos ha dejado multitud de aventuras sonoras e incluso sus aportaciones como actriz a series televisivas como Nashville. Mickey Guyton es una joven artista de Arlington, en Texas, que se ha convertido en una de las voces más populares de la escena del country en los últimos tiempos. Su más reciente novedad es un tema como “Black Like Me”, que vio la luz coincidiendo con el reciente Blackout Tuesday y que narra su experiencia personal en la vida cotidiana de Estados Unidos y en la industria del country, poniendo el énfasis en determinadas desigualdades muy evidentes. Sus diferencias con su sello discográfico son bien conocidas. Esa nueva canción tiene entre sus versos uno que dice, explícitamente, “Si piensas que vivimos en la tierra de los libres, deberías intentar ser negra como yo”. Hoy queremos concluir con un artista que marcó un momento crucial en la historia de este género. Es DeFord Bailey. Él fue toda una estrella del country desde los años 20 hasta la llegada de la década de los 40. Tocaba varios instrumentos, pero era especialmente conocido como armonicista. El 10 de diciembre de 1927, tras un espacio de música clásica de la NBC llamado Music Appreciation Hour, la emisora de Nashville WSM comenzó su Barn Dance con un comentario de su gerente y locutor, George D. Hay, que ha pasado a la historia: "Durante la última hora, hemos estado escuchando música en gran parte de Grand Opera, pero a partir de ahora, presentaremos" The Grand Ole Opry ". La primera canción que sonó fue "Pan American Blues", que es la que hoy cierra el tiempo de TOMA UNO y nos cita para mañana en la sintonía habitual de cada fin de semana en Radio 3. Hoy hemos reunido algunas de las canciones que hemos venido escuchando también en estas fechas de cuarentena. Hemos recorrido con ellas distintas etapas de la country music. Y, al final, resulta que entre todos los artistas que nos han acompañado había una coincidencia. Todos son negros… Black Lives Matter. Escuchar audio

The first sermon in a Lent series on journeys in the bible, this sermon explores the story of Eve in Genesis 3.

Recording artist and actor http://www.yolandarabun.com/ (Yolanda Rabun) considers Nina Simone, a mentor of sorts. Last summer she had the opportunity to sing at the icon’s childhood home in Tryon, North Carolina as the https://savingplaces.org/places/ninasimone?gclid=CjwKCAjw7uPqBRBlEiwAYDsr1wRDy_G0E4zFyAcC08ocxKujbONbWYmU0a-NKq9dL1Aci4z79Od63RoC9SUQAvD_BwE#.XVn4BehKjD5 (National Trust for Historic Preservation) designated it a National Treasure. Before that, she played the role of Nina Simone in a short play Howard L. Craft was commissioned to write by the https://stonecenter.unc.edu/ (Sonja Haynes Stone Center at UNC-Chapel Hill) to accompany an art exhibition. Now Yolanda is reprising her role as Nina Simone in Howard’s one-woman play NO FEAR AND BLUES LONG GONE. This production is being directed by Kathryn Hunter-Williams. Hear what Hunter-Williams, Rabun, and Craft all have to say about the show, the music, and the legacy of the High Priestess of Soul. About the Guests Yolanda Rabun exploded onto the jazz scene first on Stanley Baird’s 2007 Traffic Jam hit single, “I Want 2 Love You,” and, in 2011, released her debut CD project, “So Real,” on which she co-wrote several songs, including the title song. In 2012, Rabun infused Soul, R&B, Gospel, Folk, Smooth and Traditional Jazz on her sophomore solo album, “Christmastime,” and followed in 2013 with the Adult Contemporary single, “Hold on To Your Dreams.” This rich-voice chanteuse has opened for and sung with such iconic artists as Jennifer Holiday, Howard Hewitt, Ron Isley and the Isley Brothers, R&B singer KEM and the world-renowned iconic drummer, Sheila E. Yolanda has also performed with the NC Opera, the Durham Symphony, and the Raleigh Symphony Free Spirits; she appeared on a number of TV and radio programs. A proud equity-actor, Yolanda has performed on a number of regional theatre stages, including PlayMakers Repertory Company (VIOLET), Theatre Raleigh (BEEHIVE: THE MUSICAL), and North Carolina Theatre (NEWSIES). Howard L. Craft is the author of two books of poems: Across The Blue Chasm (Big Drum Press 2000) and Raising the Sky (Jacar Press 2016). His poetry also appears in Home is Where: An Anthology of African-American Poets from the Carolinas, edited by Kwame Dawes. His essays have appeared in The Paris Review and have been included in The Routledge Companion to African American Theatre (Routledge Press 2019). He is the author of several plays including, FREIGHT: THE FIVE INCARNATIONS OF ABLE GREEN, a New York Times Critic Pick for March 2015; CALYPSO AND THE MIDNIGHT MARAUDERS, ORANGE LIGHT, and THE JADE CITY CHRONICLES VOLUME I: THE SUPER SPECTACULAR BADASS HERALD M. F. JONES. He is the creator of the first African-American superhero radio serial: The Jade City Pharaoh.  Kathryn Hunter-Williams PlayMakers’ company member. Recent and highlights include LIFE OF GALILEO, SKELETON CREW, LEAVING EDEN, TARTUFFE and many more. She has also worked with Living Stage, The Negro Ensemble Company, Manhattan Class Company and New Dramatist. Kathryn is currently on the faculty of UNC Dept. of Dramatic Art. Connect with RDU on Stage •Facebook – @rduonstage •Twitter – @rduonstage •Instagram – @rduonstage •Web www.rduonstage.com Support this podcast

Welcome to the podcast, lead singer of the Boston based band MASS, the one and only LOUIS ST. AUGUST. Randy and Troy talk with Louis about the origins of the band, their latest CD (When 2 Worlds Collide), his time working with some very well known producers to include Tom Allom and Jon Mathias and his connections with Tom Scholz (Boston) and Michael Sweet (Stryper). Louis is a great guy and you will love getting to know more about him during this interview. For this episode's music showcase, the boys are keeping with the Boston theme. LEAVING EDEN is an original hard rock band out of Boston MA, that combines strong vocals, hard hitting lyrics and unique harmonies, breaking musical boundaries and bridging genre gaps. Both songs showcased have been used on two different movie soundtracks and the band has opened for a whose who in the Heavy Metal and Rock-n-Roll world. You will love this band, we guarantee it. For this and every episode of Ouch You're on my Hair, please subscribe on iTunes, Spotify, iHeartRadio, Podomatic, Google Play, Stitcher, or Player FM. Also follow on Twitter @OuchYOMH and Facebook at www.facebook.com/OuchYOMH

I snatched it out of my mouth, staring at it as if it had bitten me.

Ozark Highlands Radio is a weekly radio program that features live music and interviews recorded at Ozark Folk Center State Park’s beautiful 1,000-seat auditorium in Mountain View, Arkansas. In addition to the music, our “Feature Host” segments take listeners through the Ozark hills with historians, authors, and personalities who explore the people, stories, and history of the Ozark region. This week, Grammy award winning Oldtime singer, songwriter, and multi-instrumentalist Dom Flemons, accompanied by the versatile Brian Farrow, recorded live at the Ozark Folk Center State Park. Also, interviews with this Grammy award winning artist. Mark Jones offers an archival recording of country music royalty Jeanette Carter performing the classic song “Foggy Mountain Top.” Raised in Phoenix, Arizona, Dom Flemons’ involvement with music began by playing percussion in his high school band. After picking up the guitar and harmonica as a teenager, he began to play in local coffee houses and became a regular performer on the Arizona folk music scene. Dom wrote his own songs and produced 25 albums of singer-songwriters and slam poets in the Phoenix area, including six albums of his own during this time. He took a brief break from playing music in order to pursue slam poetry (he majored in English at Northern Arizona University) and performed in two national poetry slams in 2002 and 2003. Aside from exploring slam poetry, he spent his early adulthood listening to records and discovering a love of folk music, blues, jazz, jug band music, country music and ‘50s rock ‘n’ roll. Dom became interested in folk musicians such as Phil Ochs, Dave Van Ronk, and Mike Seeger, as well as musicians such as Mississippi John Hurt, Howlin’ Wolf, Hank Williams, Chuck Berry and Carl Perkins. After stepping away from the slam poetry scene, he rekindled his interest in music, this time focusing on the old-time blues music of the pre-WWII era. A multi-instrumentalist, Dom Flemons plays banjo, guitar, harmonica, fife, bones, bass drum, snare drum, and quills, in addition to singing. He says that he incorporates his background in percussion to his banjo playing. Dom’s banjo repertoire includes not only clawhammer but also tenor and three-finger styles of playing. He first picked up the instrument when he borrowed a five-string banjo from a friend who had removed the instrument’s fifth string. As a founding member of the Carolina Chocolate Drops, an African-American string band, Dom was able to explore his interest in bringing traditional music to new audiences. The band won a GRAMMY for its 2011 album Genuine Negro Jig and was nominated for its most recent album, Leaving Eden, in 2012. Dom says he would like to use the traditional forms of music he has heard and immersed himself in over the years to create new soundscapes that generate interest in old-time folk music. Focusing very much on creating music that is rooted in history but taking a contemporary approach, Dom hopes to reexamine what traditional music can become. In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of country music royalty Jeanette Carter performing the classic song “Foggy Mountain Top,” from the Ozark Folk Center State Park archives.

Leyla McCalla was playing music on a street corner in New Orleans when the manager of the Carolina Chocolate Drops approached her about joining their band. "Within a few months I’m in Nashville at Buddy Miller’s studio recording on Leaving Eden, which was their second Grammy-nominated album," she recalls, still in disbelief, on this episode of Soul Sisters recorded at NYC's Chord Club. See acast.com/privacy for privacy and opt-out information.

Tim O'Byrne :: Creekside Church :: Sunday, May 17, 2015 God gave us the will to choose, and our choice brought trouble. Following a brief announcement by Bob Short about this summer's Wednesday Waypoint, Tim O'Byrne continues our series on Genesis, covering sin's entrance into the world through Adam and Eve through the lies of Satan. The Father of Lies is still at work today in a world of trouble, but Jesus has overcome. Even in banishing Adam and Eve from the garden where they fell, God was protecting their eternity from living forever in sin. The same God will protect us if we submit to Him, and Tim challenges us to recognize both Satan's lies and God's truth.

DOM FLEMONS is the "American Songster," pulling from traditions of old-time folk music to create new sounds. Having performed music professionally since 2005, he has played live for over one million people just within the past three years. As part of the Carolina Chocolate Drops, which he co-founded with Rhiannon Giddens and Justin Robinson, he won a GRAMMY for its 2011 album 'Genuine Negro Jig' and was nominated for its most recent album, 'Leaving Eden', in 2012. A multi-instrumentalist, Dom plays banjo, guitar, harmonica, fife, bones, bass drum, snare drum and quills, in addition to singing. Dom has just released his third solo release titled 'Prospect Hill'. BRYAN SUTTON is one of the most sought after acoustic guitarists on the planet. Born in Asheville, North Carolina, Sutton entered the bluegrass world in 1995 as a member of Ricky Skaggs' Kentucky Thunder band, playing on two Grammy award winning records. After his tenure with Skaggs, Bryan went on to build a career as a top studio guitarists in Nashville. His playing can be heard along side such names as Keith Urban, Dolly Parton, Taylor Swift, and Harry Connick Jr. His fourth solo release 'Into My Own' was just released by Sugar Hill Records. Casey Campbell, Sam Grisman and Mike Barnett will accompany Bryan on his WoodSongs appearance.

I’d never head of the band Leaving Eden before, but when I was turned onto them I fell in love. These guys are right up my alley. They have elements of classic rock, metal, pop, this band has it all yet they don’t sound like anybody you’ve heard. They have a new album out called […]

I’d never head of the band Leaving Eden before, but when I was turned onto them I fell in love. These guys are right up my alley. They have elements of classic rock, metal, pop, this band has it all yet they don’t sound like anybody you’ve heard. They have a new album out called […]

This week we're joined by our guest, manic mandolinist Painless Parker, who invites us to explore the rich history of American Folk music. After starting us off with a treat performance, he introduces this week's album review: Leaving Eden by Carolina Chocolate Drops. Then, after another performance, we get to talk about Painless as an artist, his background, and how he grew to attain a cult following within the Steampunk community and abroad. Oh, and for the subway enthusiast, be sure to remain all the way to the bumper block. Continue reading