Podcasts about sigma art

In this week's episode Johnnie and Nino dive into all the FUJIFILM cameras and FUJINON lenses announced this week. They also talk about the update of Nino's favorite lens, the Sigma Art 24-70mm and Google's new Veo generative video AI. The take a look at Fylm.ai's version 2.0 and finally talk about the importance of sound design in film.   Subscribe to our weekly podcast to stay up-to-date with all the latest cinema gear news and tech insights!   Show chapters:   (00:00:00) Introduction    (00:01:51) FUJIFILM X-T50 announced https://www.cined.com/fujifilm-x-t50-announced-40mp-6-2k-video-ibis-film-simulation-dial-and-more/   (00:15:46) FUJIFILM GFX100S II introduced https://www.cined.com/fujifilm-gfx100s-ii-introduced-large-format-in-a-compact-and-lightweight-body/   (00:19:53) New FUJINON GF 500mm F5.6 lens https://www.cined.com/fujinon-gf500mm-f5-6-lens-announced-large-format-super-telephoto-lens/   (00:22:02) FUJINON XF 16-50mm F2.8-4.8 announced https://www.cined.com/fujinon-xf16-50mm-f-2-8-4-8-r-lm-wr-lens-announced/   (00:27:00) OFG Customs 65 explained https://www.cined.com/ofg-customs-65-explained-custom-cinema-camera-based-on-fujifilm-gfx100-ii-sensor/   (00:28:28) Sigma Art 24-70mm F2.8 DGN update https://www.cined.com/sigma-24-70mm-f-2-8-dg-dn-ii-art-announced-a-fast-compact-zoom/   (00:38:54) Google's Veo revealed https://www.cined.com/googles-veo-revealed-can-their-new-generative-video-model-compete-with-sora/   (00:52:32) Fylm.ai Version 2.0 announced https://www.cined.com/fylm-ai-2-0-upgrade-capture-one-icc-profile-and-style-export-ai-magic-mode-and-more/   (00:58:38) Sonic Synergy - Sound Design in Film https://www.cined.com/sonic-synergy-film-examples-of-blurring-the-lines-between-music-and-sound-design/ We hope you enjoyed this episode!   You have feedback, comments or suggestions? Write us at podcast@cined.com 

El video muestra el detrás de cámaras de una sesión de fotos con la modelo Antonella, donde se utilizó un fondo gris pintado a mano con brochazos de blanco y negro y un esquema de iluminación con tres luces para realzar la belleza de la modelo. En la primera parte de la sesión, Antonella lució una lencería con alas de ángel, donde se utilizó un esquema de iluminación suave y delicada. Se trabajó en diferentes poses y planos utilizando un lente Sigma Art 50 mm. En la segunda parte, la modelo cambió sus alas por una máscara de conejita de Playboy, lo que resultó en una imagen sorprendente y sensual. En ambas partes de la sesión, se utilizaron elementos decorativos para dar un toque adicional de elegancia y sofisticación al set. En general, el video muestra cómo se prepara un estudio para una sesión de fotos y cómo se trabaja con una modelo para lograr las mejores poses e iluminación. --- Send in a voice message: https://podcasters.spotify.com/pod/show/john-vargas-foto/message

Alle Beispielbilder, Vergleichsbilder und den Objektivvergleich in Textform findet Ihr wie immer in meinem Blog. Mein Test Fazit zu den 135mm Objektiven in Kurzform: Das Canon RF 135mm 1.8 L IS ist eine Ansage, preislich und optisch. Ich habe keinen einzigen richtigen Kritikpunkt an dem Objektiv, im Gegenteil es ist absolut überzeugend, die bessere Naheinstellgrenze und der IS machen es für meine Fotografie zu einer Traumlinse. Wer die Brennweite mag und das Geld dafür übrig hat, der sollte dieses Objektiv kaufen. 

Sigma Art 20mm 1,4 und 24mm 1,4 DG DN ART für Sony E Mount und Leica L Sigma streicht 18 Objektive für DSLRs aus dem Programm Tamron 20-40mm 2.8 für Sony E-Mount Tamron 50-400mm 4,5-6,3 DI III VC VXD Tamron kündigt erstes Fremdherstellerobjektiv für Nikon Z mit AF an: Tamron 70-300mm 4,5-6,3 DI III RXD Sony FX30 Tokina 11-18mm 2.8 für E-Mount für APSC Hasselblad X2D dazu drei neue Objektive 2,5/38V, XCD 2,5/55V und XCD 2,5/90V Fujifilm GF 20-35mm 4.0 R WR OM Systems Entwickelt 90mm 3.5 Macro Panasonic 18mm 1.8 Samyang Cine Autofocus E-Mount Reihe 20mm T1.9 FE; 24mm T1.9 FE; 35mm T1.9 FE; 45mm T1.9 FE; 75mm T1.9 FE NiSi 9mm 2.8 für APSC Cosina neue Objektive für Z Mount Nokoton 40mm 1.2 Vollformat und 35mm 2.0 für APSC Nikkor Z 17-28mm 2.8 Neue Nikon Roadmap The Pentax K-3 III Jet Black Special Edition Neues Leica Summilux 35mm 1.4 Laowa 58mm 2.8 bis 2:1

Ey Dennis welches Objektiv magst du eigentlich am liebsten? Diese Frage bekomme ich komischerweise sehr oft auf Instagram gestellt. Die Antwort ist mein Immerdrauf das Sigma Art 35mm 1.4 an der Sony A7iii und das Sigma 35mm 2.0 an der Leica SL. Fragt mich nicht warum aber ich habe die Brennweite lieben gelernt und seitdem bin ich dabei geblieben, egal ob es auf einer Hochzeit oder bei den Portraits ist. Aber ich will jetzt in Zukunft auch mal gerne eine 24 oder 28mm Brennweite testen um zu schauen ob dies was für die Hochzeiten wäre? Welches ist eigentlich deine liebste Brennweite oder arbeitest du mehr mit einem Tele oder Zoomobjektiv Viel Spaß Mehr von mir: https://www.dennisbrandtfoto.de https://www.youtube.com/c/DennisBrandtFotografie https://www.instagram.com/dennisbrandtfoto.de _________ Musik von Studio Beyond

Shownotes, inkl. Negativbeispiel des teilmechanischen Verschlusses. Hörertipps für RAW Viewer: XnView MP FastRawViewer In dieser nervenaufreibenden Folge sprechen Jan und Radomir zunächst über die Birdlife Photography Converence. Von hier aus kommen wir zum Thema Bildbearbeitung und die Frage nach einem non-destruktiven oder einem destruktiven Bearbeitungsstil, um dann schließlich beim Thema JPG Qualität aus der Kamera anzukommen. Von hier hangeln wir uns rüber zum neuen automatisch Maskieren Tool des Adobe Camera RAWs und unserer Meinung hierzu, die sich tatsächlich wesentlich verbessert hat. Im Anschluss wechseln wir das Thema hin zur Pflanzenfotografie, die Radomir in letzter Zeit viel Beschäftigt hat und zu den Herausforderungen bei der Frauenschuh Fotografie. Dabei sprechen wir auch über die Probleme mit dem Teilelektronischen oder Teilmechanischen Verschluss. Hierzu gibt es eine gesonderte Episode. Dabei stellt Radomir fest, dass das neueste Apple IOS auch Pflanzenarten erkennen kann. Über die Pflanzenfotografie kommen wir zu den Sigma ART Objektiven und Radomir macht sich hier nicht besonders beliebt mit seinen Erfahrungen mit dem Sigma Art 135mm und 24mm, aber hört es selbst.

If you told me years ago that nearly every lens on the market made today would be super sharp wide open, I'd be incredibly excited. But if you also told me that a lens could be too sharp, I wouldn't believe you. I mean, how is that possible? Years ago, you'd just consider the best fstop on a lens based on sharpness. And these days, that's not necessarily the case. Photography has changed, and people want something different. So, with over 12 years of testing lenses under our belt, we're going to talk more about the best fstop and how it's changed over the years. How it Used to Be: The Story of the Best Fstop When I first started the Phoblographer over 12 years ago, lenses were much different. They were mostly developed for film cameras and then were ported over. Very few were developed with the idea of being digital first. And back then, you used to have to stop the lens down to get to the best fstop. On full-frame 35mm, it used to be around f8 to f11. It varied based on which medium format option you were using, but you'd try to get the same equivalent. This also applied to APS-C and Four Thirds sensors. Shooting a lens wide open set you up for a host of problems back then: Your lens would be very soft wide open, which is nice these days. Your lens could have a whole bunch of color fringing, which can be seen as lens character these days. Vignetting was abound, which is easily correctable these days. You'd also probably not get your subject in focus because DSLR and Film SLR autofocus wasn't so great. Then things changed. And Then The Zeiss Otus Line Happened I remember that there was a short period of time where a lot changed. A bunch of tsunamis and storms destroyed lots of factories out there. Then, oddly enough, the industry bounced back with curiously good optics. They came to Zeiss and Sigma first. The Zeiss Otus lens lineup was pretty much unbeatable. The Sigma Art lens lineup was also unbeatable for image quality. Then Sony got it, Tamron caught on, Nikon, Tokina, etc. Optics just got a ton better. This was incredibly curious because Zeiss specifically started to market that you didn't necessarily need to stop the Otus lens lineup down. They went about showing the press tons of MTF charts where the Zeiss 55mm f1.4 Otus lens would have equivalent sharpness of the nearest competing lenses. However, the Otus was doing it wide open while the competition was doing it at f5.6 or f8. It was remarkable technology; if not incredibly flawed. Zeiss did what they do with an insane price tag, no weather sealing, and a few other things. Then Sigma's 50mm f1.4 Art started to outdo the Otus. Sigma has always been strong with clinical image quality at the cost of build quality, character, and autofocus speed. It was the same back then as it is today. So by all means, back then, Zeiss started to say that the best fstop is shot wide open. That started to change the rest of the industry. Combine this with the rising megapixel count on camera sensors and improved flash technology and you've got a winner. Today, What is the Best FStop? It's hard today to find a lens that isn't sharp wide open. Lensbaby purposely does this, and that's awesome. But otherwise, all the other camera and lens manufacturers strive to get sharp wide-open performance. By all means, the best fstop and all it means has changed since then. There used to be the idea of the sweet spot: which referred to when the lens was at its sharpest. And today, arguably, it's more about a balance between pleasing bokeh and sharpness. It depends on what sensor format you're using. But generally speaking, most photographers think the best fstop is either wide open, f4, or f5.6. Lenses are super sharp wide open, and honestly, most of us on staff here rarely have good reasons to want to stop down unless the exposure calls for it. High megapixels on camera sensors mean that much more value is given to a lens. Combine that with flash and what specular highlights do, and you've got a wi...

So findest du uns:https://www.atelier-talk.com/https://www.instagram.com/ateliertalkhttps://stephanie-huellmann.com/https://www.instagram.com/stephaniehuellmannhttps://www.ninagebke.com/https://www.instagram.com/with_love_nina/So kannst du direkt Kontakt mit uns aufnehmen:art@stephaniehuellmann.comhello@ninagebke.comHier findest du Quellen und Hintergründe zu Themen, die wir in der Episode genannt haben:Nina sprach von einem Template, das sie als Basis für ihre Website gekauft hat. Dieses ist von Kate Densmore, einer super talentierten Webdesignerin mit einem großartigen customer service.Mit Branding und Marketing hat Nina sich im vergangenen Jahr im Advanced Business Method Group Mentoring beschäftigt (und tut es noch… never ending story ;) mit Ashleigh Raddatz.Creative Life - Nina hat diese Online Platform erwähnt, auf der sie die Online Programme von Kirsten Lewis vor einigen Jahren für sich entdeckt hat, und die für jede:n Kreative:n zahlreiche online Workshops anbietet.Kirsten Lewis, die US-amerikanische Fotografin, die das Genre der dokumentarischen Familienfotografie begründet hat.Da hin und wieder Fragen dazu auftauchen, und Nina die Investition in ihr Equipment erwähnt hat... Nina nutzt eine Nikon D750, ein verlässliches Arbeitstier, und nutzt für ihre fotografische Arbeit vor allem die Objektive Sigma Art 24mm 1:1.4, Sigma Art 35mm 1:1.4.Über die berühmten Beelitz Heilstätten, die Steffi für ein neues Projekt besucht hat, gibt es hier viel zu erfahren.Steffi sprach von Benjamin Thaler, einem Galeristen, der ebenfalls einen Podcast hat und ein neues Mentoring-Programm anbietet, das Steffi sich zurzeit genauer anschaut.Der Podcast von Benjamin heißt „Art Companion“ und ist überall zu finden wo es Podcasts gibt und außerdem hier.2020 war das Jahr, in dem Nina an ihrem kleinen Business und nicht so sehr in ihrem kleinen Business gearbeitet hat, und dieses Jahr somit trotz allem in ein gutes Jahr für die Fotografie verwandelt hat. Und wenn das Handwerkszeug erst einmal sitzt, dann drängt es danach, “mehr” zu erfahren, einzutauchen in die Frage, warum mache ich das eigentlich alles, wie finde ich meine visuelle Sprache…Die beiden Workshops, die Nina am Ende des Podcast erwähnt sind folgende:ReconnectEin 12-monatiges Gruppenmentoring von den Fotografinnen Barbara Puchta und Julia Rose-Greim, mit dem sich Teilnehmer:innen auf eine Reise begeben, verschiedene Lebensbereiche erkunden, sich mit sich selbst verbinden und die eigene Kreativität entfalten. Barbara ist ausserdem Naturcoach und Inner Balance Coach.Quietly LoudEin Workshop der Fotografinnen Kristine Nyborg und Felicia Chang "...to help you build impactful photographs told from your perspective. ... you will build your own understanding of who you are, which has everything to do with how you create with intention."Bei allen genannten Workshops u.a. handelt es sich nicht um bezahlte Werbung, aus purer eigener Überzeugung sind sie genannt.

Wir sprechen über linksäugige Nachtzombies und wie man am besten seine Davinci Gemälde fotograiert.

Massimo Vitali è nato a Como nel 1944. Si è trasferito a Londra dopo il liceo, dove ha studiato fotografia al London College of Printing. All'inizio degli anni Sessanta inizia a lavorare come fotoreporter, collaborando con molte riviste e agenzie in Italia e in Europa. In questo periodo conosce Simon Guttmann, fondatore dell'agenzia Report, che diventerà fondamentale per la crescita di Massimo come "Concerned Photographer". All'inizio degli anni Ottanta una crescente sfiducia nella convinzione che la fotografia avesse una capacità assoluta di riprodurre le sottigliezze della realtà ha portato a un cambiamento nel suo percorso professionale. Ha iniziato a lavorare come direttore della fotografia per la televisione e il cinema. Tuttavia, il suo rapporto con la macchina fotografica non è mai cessato e alla fine ha rivolto nuovamente la sua attenzione alla "fotografia come mezzo di ricerca artistica". La sua serie di panorami di spiagge italiane è iniziata alla luce dei drastici cambiamenti politici in Italia. Massimo iniziò ad osservare con molta attenzione i suoi connazionali. Ha rappresentato una "visione igienizzata e compiacente della normalità italiana", rivelando allo stesso tempo "le condizioni interne e i disturbi della normalità: la sua falsità cosmetica, allusioni sessuali, svago mercificato, senso di benessere illuso e conformismo rigido". [Whitney Davis, "How to Make Analogies in a Digital Age" in October Magazine, Summer 2006, n.117, p.71-98.] Negli ultimi 12 anni ha sviluppato un nuovo approccio alla rappresentazione del mondo, illuminando l'apoteosi della Mandria, esprimendo e commentando attraverso le forme più intriganti e palpabili dell'arte contemporanea: la Fotografia. Nel 1995 ha iniziato la Beach Series. Vive e lavora a Lucca, in Italia, e a Berlino, in Germania. 1995 Begins the Beaches Series 1993 Starts working on large format photography 1989 Director of Photography in Fiction and Advertising Films 1979 Free-lance Photojournalist 1964 London College of Printing, England 1961 Liceo, Milano, Italy 1944 Born in Como #vitali #fotografoitaliano #convivium

Joseph Cardo è un fotografo di moda italiano, i cui ritratti in bianco e nero sono diventati nel tempo il suo marchio e la sua firma. Da adolescente, è sempre stato affascinato dalle copertine di Harper's Bazaar e Vogue, ha iniziato a studiare fotografia, principalmente da autodidatta e principalmente attraverso tecniche analogiche. La sua passione diventa presto una vera e propria vocazione e, nel 1994, lascia la nativa Puglia per andare a Milano. Milano è stato il luogo in cui ha iniziato ad affinare la sua tecnica, mettendosi alla prova dopo un attento studio dei più grandi maestri della fotografia, come Richard Avedon, Irving Penn, Helmut Newton per citarne alcuni. A Joseph piace chiamare il suo approccio “non-color”, un linguaggio che rispecchia il modo in cui si esprime e si racconta, cercando di mantenere la propria identità e affidabilità. Nel 2007, ha deciso che la sua nativa Puglia sarebbe stata il luogo per aprire il suo GroundStudio. Grazie alle sue capacità comunicative e manageriali non solo ha avuto successo a GroundStudio, ma ha costruito un'incredibile rete di relazioni, tra cui personaggi famosi dello spettacolo, Movie Star System insieme a celebrità dello sport e del rock come, per citarne alcuni, Sharon Stone , Vasco Rossi, Maria Grazia Cucinotta, Maldini e Buffon. Collabora anche con marchi importanti: Armani, Blumarine, Miss Sixty, Guess by Marciano, Borsalino... Nel 2013 le sue opere e il suo contenuto artistico sono stati estremamente apprezzati ed esposti in prestigiosi musei (Museo Balenciaga in Spagna). Il fotografo pugliese ha ormai raggiunto la sua maturità artistica e il suo approccio stilistico riesce a far convivere bellezza canonica ed estetica meno convenzionale. "Disclosure", un libro pubblicato nel 2017 è fondamentale, che mostra come l'industria della moda si sta evolvendo. In questo libro 27 top model, tra cui Cara Taylor, Stella Lucia Deopito, Soo Joo Park, Ez. Joseph attraverso il proprio lavoro analizza sempre come la società odierna stia ispirando design, architettura, arte, musica, letteratura e cinema. Un vero viaggio che parte dalla sua anima interiore e dalla curiosità. Vive tra Milano e la Puglia. Joseph Cardo è rappresentato da Annapia Lorenzi Artist Management a Milano dal 2018. #cardo #fotografodimoda #convivium

Ciao sono Matteo! Sono un testardo sognatore, amante della libertà, dell'amore e dei panzerotti. Per 11 anni sono stato un militare (strano eh?). Un lavoro che non sentivo appartenermi, e rappresentarmi, senza avere alcuna possibilità di esprimermi, e quindi di sentirmi libero. La voglia di cambiare, di rinascere e di poter finalmente fare qualcosa che mi rendesse felice, mi spingeva a cercare altro altrove. Così, per caso, incontro la fotografia, arte a me sconosciuta fino ad allora. Da autodidatta prima, e seguendo diversi seminari poi, inizia il mio percorso verso il cambiamento. Nel 2014, appena raggiunto l'obiettivo del "posto fisso" mollo tutto, dando le dimissioni per fare questo meraviglioso salto nel buio. Un nuovo inizio nel mondo della fotografia di matrimonio. Determinante è la voglia di fare "il caxxo che mi pare", zero compromessi, ma solo raccontare e raccontarsi al meglio in ogni momento della mia vita. Per fortuna non sono mancate le difficoltà. Tutto quello che non mi ha ucciso, mi ha fortificato e mi permette, ancora oggi, di essere perfettamente nel posto in cui vorrei essere. Negli anni sono arrivati numerosi riconoscimenti, sono sempre stato un giocatore, e poter competere, giocare, mi permette di potermi sempre superare. Tra tutti conservo con piacere quello di essere stato nominato dall'Associazione Nazionale Fotografi di matrimonio, Fotografo dell'anno, a pochi anni dall'inizio di questo percorso. #lomonte #fotografodimatrimonio #aspirantifotografi

Are you providing your couples with beautifully styled detail images from their wedding day?In episode 426 of the Bokeh Podcast, Stephanie Kase joins us to walk through her workflow for photographing details. Listen in as she also discusses how she educates her couples on what makes beautiful details shots and the role they play in the process.The Bokeh Podcast is brought to you by Photographer’s Edit: Custom Editing for the Professional Photographer and Miilu: The Simplest Way to Create and Manage Timelines and Shot Lists for the Events You're Photographing. You can also subscribe to the Bokeh podcast on the Apple podcast app, follow on Spotify, add to your playlist on Stitcher, or listen on Overcast.Brand Position: Organized, genuine experience for classic couples getting married. (3:27)Technique for Time: Consider the concept of defined work hours. (9:33)Outsourcing/Delegation: Outsourcing Editing and Hiring an Assistant (12:15)Book Recommendations: (17:45)This is Marketing with Seth GodinEssentialismbokehbookshelf.comEducation & Communication with Couples: Preparation for Photographing Details (21:11)Styling Kit & Styling Boards (25:30)Arrive Early to Eliminate Stress (27:35)Workflow for Photographing Details (30:07)Photograph the Dress FirstMove to Lay Flat ImagesGoing From Big to Small in Lay Flats (31:31)Three Main Big Shots (31:44)1. Invitation Suite2. Bride’s Details3. Groom’s DetailsSmall Shots of Every Detail (32:29)Getting Variety in the Details (33:20)Collaborating with the Florist (38:08)Camera Gear (39:52)Sigma Art 50 mmTamron 90 mm MacroPost Production Workflow with Vendors (42:14)Linksstephaniekase.cominstagram.com/stephanielynnkaseyoutube.com/channel/UCiY-h0MvIzfneJ6n72psVMQFree Download: 6 Secrets for Photographing Details See acast.com/privacy for privacy and opt-out information.

Did you get out to shoot NEOWISE? The comet that took the astro photography community by storm last month? I hope so. It was a great excuse to escape the humdrum of life for a bit and to really push the boundaries of what we’re comfortable with. In this episode we’re talking about our experiences and the fun times had in making these images. Links Mentioned in today’s show: TOM’s Website and other links: https://tomwagnerphotography.com and @tomwagnerphotography on IG KIRK’s Website and other links: https://Milkywayphotographers.com @milkywayphotographers on IG Sign up for LPS notifications. Be the first to know when it’s available! https://mailchi.mp/eeb40a226ba2/kk5w15cdqv We’ve started doing some live review sessions. Get on the reminder list for those live sessions. I’m only using this list for live session reminders only. Nothing else. SO if you’ve signed up before and you want to get these, you’ll need to sign up again. If this is ALL you want, then sign up and know that I won’t hit you with anything else unless you sign up again on a different form. https://mailchi.mp/e3beabe0a33d/podcast-live-session-updates Shop at lensrentals.com with my affiliate link and I’ll get a small commission of the sale. Use the code "latitude15" at checkout and you'll get 15% off your order. I also have an affiliate link with ThinkTank Photo  Thank you for your support! Main Topic Kirk and Tom, Welcome to the show! Today’s show is all about our experiences in shooting the comet NEOWISE. And really my hope is that we’ll be able to inspire the listeners to get out there and shoot the heavens regardless if there’s a comet or not, but also, when the next comet comes around hopefully they’ll be prepared.  Back in the catalog, May 10 and 13 episodes, we did a two-part series on beginning astrophotography. Those skills are valuable for sure as well, but in this episode, it’s about the fun, the techniques and the results. So let’s get to it. I should mention that the images will be in the show notes and on the podcast listener fb group. I’ll also share them to the Master Photography Podcast facebook group so you can see them there as well if you’d like.  Whitman Mission (Brent) ISO 1600  -  24mm  -  f/4  -  13 seconds  -  Multi Frame Composite. Canon 5D4 This is a blend of two images. With one image processed twice. So in Photoshop it was actually three images. I photographed the wagon while lighting it with my cell phone light. Then I blended those two together to make a seamless image of the wagon nicely lit. Then I processed one of those frames for the sky, making it a bit brighter, and then used a luminosity mask to select the different portions and blend them together. I then did a custom control lighting adjustment layer to tone down the areas in the foreground that got too bright. Random Oklahoma 1 (Tom) This is a composite of two images, one for the foreground and one for the sky. The foreground was shot at 24mm, f/8.0, ⅙ sec, and ISO 100. The sky was a combination of 10 images, stacked to reduce noise. They were shot at 105mm, f/4.0, 5 sec, and ISO 3200 (5 images) and ISO 6400 (5 images). Random Oklahoma 2 (Tom) This is another composite, with the sky composed the same as the previous photo mentioned. The windmill was shot at 105mm, f/8.0, ⅕ sec, and ISO 100. I chose a composite here so I could get some detail on the windmill. Windmill (Brent) ISO 800  -  78mm  -  f/4  -  20 seconds. Mounted on a star tracker. This causes the foreground element to blur a bit but it’s only noticeable when really zoomed in. I still have yet to finish processing this one. I got the foreground much lighter (with a flash light) and I plan to blend it in, we’ll see how that transition goes! Given the movement likely to have some problems. I also made a time lapse on this one and posted a video on making the timelapse to YouTube. Over the wheat field (Brent) ISO 6400 (1600)  -  18mm  -  f/3.5  -  10 seconds This is a composite that was loads of fun to make. I’m an “ISO SNOB” usually, meaning I want to use the lowest ISO possible. For this one I took two exposures. One at 6400 ISO for the sky, and another at 1600 for the wheat. I used a flash light to bump up the light in the 1600 ISO shot and simply did an overlay in PS. It became it’s own luminosity bump of sorts. The end result was higher technical quality in the wheat but also still capturing the comet real nice in the sky. I talked about a similar shot on the Master Photography Podcast that published Aug 6.  Mt Hood and NEOWISE (Kirk) 7/11/20 Sony a7iii Sigma Art 105mm f/1.4 3200 ISO f/2.5 3.2 sec Stack of 15 photos Sky processed separately from foreground.  I wanted to get a photo of the comet where it was a prominent feature of the image. That meant I would need to use a longer than a standard 50mm lens. After seeing online photos taken with everything from ultra wides to 300mm, I decided I wanted to use a lens around 135mm.  With that goal in mind, I started to think about what kind of foreground I could use. I knew the comet would be at a compass direction between N and NE. The first foreground that came to mind was Mt Hood. I searched Google Maps, Google Earth, Stellarium, and PlanIt Pro for Photographers for several hours. I found an excellent location that was 30 miles from the top of Hood. A rented Sigma Art 105 mm f/1.4 lens was used for all the frames. I stopped the lens down to f/2.5 to sharpen the corners of the shots. I used PhotoPills to determine the longest shutter speed I could use and still get the stars to be points. And then, I set my camera’s built-in intervalometer to take 15 images. I took the photos at around 3:20 am as the comet passed over the top.  For processing, my friend Marybeth Kiczenski, shelbydiamondstar on IG and FB, offered to process it for me. Since I love the look of her astro landscape photos, I jumped at her offer. She used Sequator to stack the frames for the sky. She then stacked the same images in Photoshop for the foreground. She then loaded both as layers into Photoshop and applied a mask to blend the two. Next was color grading it using Photoshop’s “Selective Color” function. She flattened the image and then used several functions in Nik Collection. Usually, she uses Topaz Denoise, but she felt this photo didn’t need it. I’m super happy with Marybeth’s results. I think it speaks for itself! Shooting the Perseid Meteors by Kirk Keyes The Perseid meteor shower runs from mid-July to near the end of August. The peak of this year’s shower occurs around August 11, 12, and 13th. There is a quarter Moon up for the latter half of the nights, so that means you’ll want to shoot from when astronomical twilight ends until a bit before the Moonrise. So start around 10 pm until about midnight or 1 am on those nights. You can still shoot after the Moon rises - it’s just that the dimmer meteors will not stand out as much. But the bright ones will still look spectacular!  Photographing meteors is actually not too difficult. You’ll want a camera with manual settings, a wide and fast lens, a tripod, and an intervalometer to trigger the camera.  The Perseid shower is one of the brightest and has one of the greatest number of meteors during the year. They radiate from the NE part of the sky, and can be seen mostly all night from the northern hemisphere. Look for them to stream away from the constellation Perseus. You don’t know where that is, that’s OK. I don’t really either!  So look for the big “W” near the Little Dipper - that’s the constellation Cassiopeia. It’s close to Perseus. You don’t need to aim your camera there, that’s just where the meteors will generally appear to originate. But they will appear all across the sky.  Find as dark of a location as you can as you’ll see more meteors with darker skies. If you can find a foreground subject, that will add interest to your photo, but you will probably catch more meteors if you simply aim the camera overhead! Then put your camera on the tripod and put on a fast and wide lens. Something like a 24mm or wider on full-frame (16mm for APS-C). Then set it to its widest aperture. Adjust your ISO to 1600, and focus on the stars.  Then take some test shots at 10, 15, 20, and 30 seconds. Look at the histogram for each one, and use the exposure time that places the hump on the histogram about 1/3rd from the left side. Don’t use one that’s too far to the middle, as you’ll blow out the sky in your images.  Then, here’s the hard part - set your intervalometer to shoot shot after shot, and let it go! Bring a lawn chair, a blanket or sleeping bag, and something warm to drink. And lay back and watch the show as your camera shoots away! Later, look through your photos. Hopefully you caught some good ones. If it’s a good shower this year with numerous meteors captured, you can blend them onto one image. It makes a cool photo, and you will probably see that the meteors actually do radiate from one location in the sky.

Folge 36 Zu Gast ist Mario Pastel der heute am 15.07 Geburtstag hat. Ein weiterer Gast der sein Hobby die Fotografie ebenfalls zum Ausgleich nutzt zu seinen Job. Sein Portfolio bewegt sich ausschließlich in die Richtung Porträts und wirklich durchweg hübschen Modellen, die ebenfalls gerne vor der Kamera stehen. Sein liebe Frau ist von seiner Arbeit begeistert und unterstützt ihn auf einer bisher nicht dagewesene Art und Weise. Zum Fotografieren nutzt er bisher eine Nikon die er sich mal 2012 zugelegt hatte, bis heute ist er der Marke treu geblieben mit einer Vollformat Kamera D 750 und einem Sigma ART 1.4. Seit knapp zweieinhalb Jahren, ist er nun so richtig dabei sein Portfolio aufzubauen. Dazu hat er einige Workshops besucht wie zB. beim Ingo Dumreicher, dort war er sogar 4 mal und lernt immer dazu, alleine von den anderen Workshop Teilnehmer. Letztes Jahr hatte er die 70 Shootings erreicht und einige davon wurden sogar von seiner lieben Frau organisiert, TIPP TOP. Ein Highlight war sein erste eigenes Buch von SAAL DIGIAL und 72 Hochglanz Bildern. Ich freue mich das er Gast bei meinem Podcast war, weil er ein sehr lieber Mensch ist und freue mich mit ihm in Kontakt zustehen. Dir lieber Mario alles gute zum Geburtstag und ich hoffe ich konnte Dir mit der Folge ein schönes Geschenk machen.   https://www.instagram.com/mario_pastel/   https://www.mariopastel.de    

Ya está el primer "Ola K Ase" de 2020 para empezar el año con alegría y buen humor. Un año, por cierto, que ha empezado muy fuerte con varios anuncios importantes y sorpresas varias. Y un año en el que todo parece indicar que seguiremos trabajando y generando contenido por encima de nuestras limitadas posibilidades. Pero en nuestra ajetreada vida siempre habrá un hueco para resolver -o al menos intentarlo- todas las dudas existenciales de nuestros queridísimos photolarianos, que son los verdaderos protagonistas de este proyecto. En serio, os queremos más que en 2019 y menos que en 2021. En este programa trataremos todos estos temas de enorme trascendencia y vital importancia: Sugerencia (2:31) Rumores sobre Nikon (6:39) ¿Porqué no habláis de carretes? (7:55) ¿Hay mucha diferencia entre el Samyang 35 mm f2.8 y el Zeiss? (10:20) Otra sugerencia (12:48) ¿Vale la pena la Canon EOS 5D Mark IV hoy? (14:18) Recomendación de cámara para vlogging (17:26) ¿Se puede cambiar la bayoneta de un Sigma Art para Nikon a montura L? (21:30) Busco una mirrorless no Sony por menos de 1500 euros (27:00) Fabricada en China, Malasia o Japón, ¿es importante? (28:13) ¿Que sabéis de una futura Nikon Z5? (31:51) ¿Nikon D750 o D610? (34:28) Busco un ordenador para Lightroom y vídeo (36:10) ¿Sony A6600 o Fujifilm X-T3? (41:05) Adaptadores para objetivos Pentax, ¿Existen? (44:35) ¿Réflex o mirrorless? ¿APS-C o full frame? (47:47) ¿Funciona el Eye AF de Sony con los peces? (51:16) Recordad que podéis hacer las preguntas a través de Patreon si sois embajadores o enviarlas a hola@photolari.com poniendo “Ola K Ase” en el asunto. ¡Preguntad malditos! ▶ También puedes ayudarnos haciendo tus compras de Amazon desde este link (enlace afiliado) https://amzn.to/2EEceMf ▶ Nuestro equipo (enlaces afiliados)Panasonic Lumix GH5: https://amzn.to/2wuFVs0 · Panasonic Lumix G80: https://amzn.to/2T7oJDN Lumix G 12-35 f2.8: https://amzn.to/2wtPlDX Lumix G 14-60 mm f2.8-4: https://amzn.to/2PdN9rQ Sony A7 III: https://amzn.to/2ofGqCi Micrófonos Saramonic VMICLINK5: https://amzn.to/2T4Trxt Mochila Vanguard Veo Discover 42: https://amzn.to/2NvozT1 Trípode Vanguard Veo 2 265CB: https://amzn.to/31nnKSV Trípode Manfrotto Pixi: https://amzn.to/2yBKsdx Apple MacBook Air: https://amzn.to/2M6BBcP  Dell XPS 15: https://amzn.to/2LXXsmo Web: https://www.photolari.com Facebook: https://www.facebook.com/PhotolariMag Instagram: https://www.instagram.com/photolari/ Twitter: https://twitter.com/Photolari

Settimana ricchissima di novità ragazzi! In questa puntata parliamo di Canon EOS Ra, Leica SL2 e di ben 3 nuovi obiettivi: un Sigma ART 24-70 2.8 per mirrorless, un Panasonic 70-200 f/2.8 OIS e un Panasonic 16-35 f/4.

Nella mia vita non sempre mi sono sentito bene con me stesso. Anzi, spesso mi sentivo inferiore, sentivo come se le mie qualità non fossero abbastanza per ottenere ciò che volevo. E invece non era così... ma ho dovuto scoprirlo.Ecco come ho fatto a far crescere la mia autostima in quegli anni!Iscriviti al mio canale Telegram:https://t.me/aspirantifotografibackstageI miei social:Aspiranti Fotografi: https://www.instagram.com/aspirantifotografiMichael Bertolasi: https://www.instagram.com/michaelbertolasiLa mia attrezzatura attuale:X100F Fuji: https://amzn.to/2JaiSKsDJI Osmo Pocket:https://amzn.to/2CeFPboSony A7II: https://amzn.to/2C8q99QSony A7III: https://amzn.to/2XKo90P50 mm Sigma Art: https://amzn.to/2TmdBpZ35 mm Sigma Art: https://amzn.to/2Tl1edU85 mm Sony: https://amzn.to/2EScCVA28 Sony F2: https://amzn.to/2VFVPdRBatteria Alternativa Sony: https://amzn.to/2VFWCLRZaino nuovo: https://amzn.to/2CbTqQVMigliore flash qualità prezzo: https://amzn.to/2CarBZ8Trigger: https://amzn.to/2H56hZmDiffusore da discoteca: https://amzn.to/2C6DOOsSe ci tieni a sfamare un Aspirante Fotografo allora puoi aggiungere questo link nei preferiti: https://amzn.to/2C9q1H1I miei social:Aspiranti Fotografi: https://www.instagram.com/aspirantifotografiMichael Bertolasi: https://www.instagram.com/michaelbertolasi

We used to dream of all the things we could and should 3D print and today we’re actually making them! Kris Steward joins Roger Cicala to discuss how a 3D printer he bought from Kickstarter lead to a room full of printers here at Lensrentals. He tells us the items he’s making, from beefing up battery doors to figuring out workarounds and bringing new items for Lensrentals into existence. It started with making our own gaskets and we’re currently printing 67 unique items. They range from things for products we couldn’t source for repair purposes, we’d make to ensure the product you rented was as close to how it would be if you bought it. Gear mentioned in this episode: Printers: Prusa Mk 3S Prusa Mk 3S MMU 2.0 Materials: PETG, (polyethylene terephthalate) Which has a high melt point so it’s high enough we can ship it and it won’t deform. Software: Kris recommends using a parametric based CAD software TinkerCad is free and what Kris started with Fusion360 is where Kris has settled and what he uses currently To get started yourself on a less immersive level: Check your cities local maker spaces if you’re looking to get something 3D printed for the first time. 3Dhubs is based out of Chicago and professionally prints for you Shapeways 3D prints professionally and ships out of Europe Spotlight on the Panasonic S1 Joey loves that the tech previously available in only M4/3 is now available to use in a full-frame camera. It’s a big beefy camera which feels great in hand Buttons are all laid out smartly EVF is nice and clear and bright Inbody stabilization is everything you’ve come to expect from Panasonic and works incredibly well. Joey can handhold shots down to 1/4 a second. AF and tracking work really well and better than the SL1 Important to tweak it to your style of shooting before heading out into the field, which is easy to do With the advent of the L-mount, there will be more lenses, such a the Sigma Art and Leica L mount and M-mount too! The Lensrentals Podcast is hosted by Roger Cicala. Our sound engineers are Ryan Hill and Julian Harper. Other contributors include: Sarah McAlexander, Joey Miller, Drew Cicala, John Tucker, and SJ Smith. Let’s keep this conversation going! Leave a comment on our voicemail at 901-609-LENS or shoot us a question at: podcast@lensrentals.com www.Lensrentals.com Read our blog Find us on Instagram Follow us on Facebook Send us pictures of your cat on Twitter

Zu viel los im September, deswegen musste der Podcast ein paar Mal ausfallen. Heute sind wir mit verschiedenen Themen wieder zurück und sprechen z. B. über das neue Sigma Art 35 1.2, Came-TV Bolzen (LED Licht), Condorfüge, Brillen für sehschwache Hochzeitsfotografen, FX Presets und Hochzeitsverträge.

Today Sigma should be making an announcement to the world and hopefully, it will be what the reports are saying. We also teach Darren about how to and why he should be shooting with back button focus. Our VSP is back this week with the Sigma Art 105mm making an appearance.

On this podcast, Kia and Matt interview Shannon Atchley, who is known for her lighting skills. She teaches lighting at the Modern Senior Imagine Conference and is teaching at SYNC next year. Shannon is a photographer in a very small town and says word of mouth is so important. You have to set, and then exceed, expectations. Shannon is fired up about how good people are in our industry and how willing everyone is to help. Shannon didn’t go to conferences until a couple of years ago, but she did participate in online forums (I Love Photography). Shannon would either save the 1k for a Sigma Art 105mm, or spend it on sales education. Or a Denny’s background. You’ll have to listen in to get that inside joke. Don’t miss the best advice Shannon ever “received” and the advice she has to share. Resources from Shannon: Pictocolor (plug in) YouTube Books: Lindsay Adler posing book Follow Shannon: Instagram/FB: atchleyphotography (http://www.atchleyphotography.com/)   (#) [00:01] They said, Shannon, actually from actually photography and you’re listening to from nothing to profit. [00:06] Welcome to from nothing to profit a photographer’s podcast with Matt and Kayak where each week they talk to photographers about what is working in their business now so you can swipe those ideas and grow your business faster. [00:22] Hey everybody, welcome to the podcast. So I’m really excited. I have my friend Shannon Ashley on from northern Alabama and we have a really cool story where we met, I mean it was I guess over a year ago now. We met at after dark, um, and we’ve been fast friends ever since. And so we hung out at sink this year and next year we’re speaking together at sync. And in some aspects I think like you’re like my soulmate of a friend because you’re hilarious and you always make my day brighter and make me laugh pretty hard. So thanks so much for being on the podcast. [00:57] Well thank you for asking me. [00:59] Yeah. So Shannon, we are, I’m excited to have you too. [01:03] Oh, you guys are both great. I’m excited to be here. [01:06] Yeah. So here’s, let me tell you a little bit more. So it’s kind of, this is how, this is how I met Shannon. So I was, I went to after dark and I was doing like this walk about with Marcy, Marcy and Christy and Shannon was there and I hadn’t met her at all, but she wasn’t, she was there and um, I was talking to Marcy and Marcy is like, yeah, you know, like we’re okay, but have you seen Shannon’s work? And I was like, no, I don’t know who Shannon is. So like as we’re walking around downtown in the middle of Wisconsin, I’m like looking at her Instagram and like dialed lighting, you know, like I would say you’re probably one of the better photographers, Shannon. I’ve ever seen it off. Um, off camera lighting for sure. [01:41] No. Well thank you. Yeah, I didn’t even realize that. Didn’t realize you were looking at me at after dark except, but they are now. Yeah. But I did not realize that. So that’s, that’s really awesome because you’re so good. You’re in Cape Cod is it’s caught. Yes. [01:58] Hi. Yes it is fine. [02:00] Okay. You guys are both great. So that is a huge compliment coming from you. Yeah. [02:06] Well thanks. Um, okay, so let’s just kind of jump into the questions and kind of go from there. [02:10] Yeah, yeah, for sure. Huh. So Shannon, we’re going to start at the beginning here. And so, um, can you share a little bit of, uh, like your expertise or what you feel like you’re known for? [02:22] I feel like I’m acting, I am known for lighting. Um, you mean in the photography world or with the Bobbitt yes, yes. In the photography world. Yeah. I would say it’s sliding. I actually teach lighting at the modern senior.... Support this podcast

S02E07 - De Ricoh GR-III, Sigma Art-serie objectieven voor de L-Mount, een lesje fotografie voor groep 4-5 van de basisschool, mijn nieuwe kantoor en podcast studio en Photo Stories op de Professional Imaging beurs in Nijkerk. De website van deze podcast kan je vinden op: https://photostories.info Het nieuwe Instagram voor de podcast is: https://www.instagram.com/fotografiepodcast/ Het nieuwe Twitter account voor de podcast is: https://twitter.com/photostoriesnl Je kan mij, Gijs de Koning, hier volgen: https://www.instagram.com/gijsdekoning https://twitter.com/gijsdekoning https://www.facebook.com/gijsdekoning

Are your family portraits missing connection between your subjects?In episode 219 of the Bokeh Podcast, Brooke Schultz shares three simple ways you can adjust your approach to family portraits to capture love-soaked and soulful images.The Bokeh Podcast is brought to you by Photographer’s Edit: Custom Editing for the Wedding and Portrait Photographer. You can also subscribe to the Bokeh podcast on the Apple podcast app, follow on Spotify, add to your playlist on Stitcher, or listen on Overcast.Technique for Time:Automation is the magic sauce for solopreneurship.Batch work can help save you time.Book Recommendations: The Big Leap by Gay Hendrix - bit.ly/bp-bigleapThe Gear Bag:Pentax 645 N2 w/ 75mm 1.2Nikon F100 w/ Sigma Art 1.4Brand Position: Soulful Family PhotographerThe Lesson: You’re going to fail and you’re going to look stupid, but be willing to show up for that.What story do you want to tell about what a family is?How to Get Love-Soaked Family Portraits:1. Create connection through touching heads.2. Expect things to go wrong so you can prepare to handle anything that could come up.3. Invent games out of simple poses, so it will make the session fun.Links:instagram.com/brookebschultzBrookeschultzphotography.comhttp://brookeschultzphotography.com/bokehKartra.comMadMimi.commeetedgar.comPalousemindfulness.comThe Untethered Soul - Michael Singer - bit.ly/bp-untethered See acast.com/privacy for privacy and opt-out information.

We’ve all heard the term “niching down,” but have you considered how you could apply the concept to your business?In episode 215 of the Bokeh Podcast, Kaycee Lunde shares how she combined her passion for farming and photography to find her niche in country weddings. Listen in as Kaycee shares about life on the farm, branding her business to attract her ideal clients, and how you can discover a niche that combines your passions.The Bokeh Podcast is brought to you by Photographer’s Edit: Custom Editing for the Wedding and Portrait Photographer. You can also subscribe to the Bokeh podcast on the Apple podcast app, follow on Spotify, add to your playlist on Stitcher, or listen on Overcast.Technique for Time: Create systems in your business so you can spend more time out of your business.How to Focus on Being Centered:Long-range planning and saying no to overbooking yourself.Take a Sabbatical.Book a mobile massage therapist to come to you.The Lesson: Give yourself grace.The Gear Bag: Canon 5D Mark IV & Canon 6D w/ 70-200mm f2.8 and Sigma Art 35mm, 50mm, & 85mmMentioned in this Episode:Brands that Book with Davey JonesGoal Digger Podcast with Jenna KutcherTy’s Tech LineLinks:kayceeann.cominstagram.com/kayceeannfarm17hats.comNATHAN’S MASSAGERPlanolyTonicsiteshop.com See acast.com/privacy for privacy and opt-out information.

Does the idea of moving to in-person sales intimidate you, when the industry has moved online? You're not alone!In episode 201 of the Bokeh Podcast, Keala Jarvis shares how she moved to IPS, and the impact it has had on her business as an international portrait photographer. Listen in as she describes the three main fears most photographers have about transitioning to an IPS business model, and how you can overcome those fears!The Bokeh Podcast is brought to you by Photographer’s Edit: Custom Editing for the Wedding and Portrait Photographer. You can also subscribe to the Bokeh podcast on the Apple podcast app, follow on Spotify, add to your playlist on Stitcher, or listen on Overcast.Time Technique: Scheduling out all emails and social media.Brand Position: International portrait photographer that creates unique artistic expressions of the individual or family’s soul.The Gear Bag: Canon 5d Mark III & Sigma Art 50mm & ReflectorFear Photographers Face with IPS:1. Rejection2. It takes a lot of extra time.3. Expensive to start out.Links:Kealajarvis.cominstagram.com/kealajphotofb.com/kealajphotoboomeranggmail.comBuffer.comWorkflow Wednesday: Social Media: bit.ly/bp-161joerogan.comBig Magic by Elizabeth Gilbert: bit.ly/bp-bigmagicKnightingale by Kristen Hannah: bit.ly/bp-knightingaleKindle Paperwhite: bit.ly/bp-kindleThe *Poop* Sandwich: bit.ly/bp-poopsandwichThe Suttle Art of Not Giving an F: bit.ly/bp-notgivinganfJess Onesto: bit.ly/bp-186Bobbi Brinkman: bit.ly/bp-146 See acast.com/privacy for privacy and opt-out information.

Die Gopro Hero 7 ist seit kurzem auf dem Markt und ist eine interessante Kamera nicht nur zum Filmen von Sport und Actionvideos. Da gibt es noch weitere Anwendungsfälle die ich mal beleuchten werde. Zudem berichte ich über die Sigma Art Objektive mit 30mm f2.8 und 60mm f2.8. Was taugen die Optiken für MFT? Welche Stärken und Schwächen gibt es?

Do your busy seasons leave you feeling overwhelmed, leading to burnout? Trust us, you're not alone!In episode 165 of the Bokeh Podcast, Debbie Neff provides tips on how to avoid burnout with just a few simple changes to your behaviors in business. Listen as she shares how to reduce stress, stay positive, & move forward when busy season comes around.The Bokeh Podcast is brought to you by Photographer’s Edit: Custom Editing for the Wedding and Portrait Photographer. You can also subscribe to the Bokeh podcast on the Apple podcast app, follow on Spotify, add to your playlist on Stitcher, or listen on Overcast.Time Technique: Outsource, Set Realistic Goals, and Take Commercial BreaksBrand Position: Natural, Dreamy, & Romantic Wedding PhotographerThe Lesson: Let go of things you can’t control.The Gear Bag: Canon 5d mk iii + 85mm 1.4 + Sigma Art 35mm 1.4Three Behaviors that Lead to Burnout:1. Not saying no when you should.2. Not giving yourself enough down time.3. Being pessimistic about your business and work.How to Avoid Burnout:1. Hit the pause button.2. Find a different creative outlet.3. Remember your why.4. Figure out if your workflow can be more efficient.Mentioned in this episode:alleiarestaurant.comtwotenjack.comgaryvaynerchuk.com See acast.com/privacy for privacy and opt-out information.

Glückauf! Wir sind unterwegs zur Bildband-Präsentation von Stefan Anker und nutzen die Zeit dorthin zu einer neuen Podcast-Folge. Stefan hat die deutsche Rockband “Subway To Sally” über 1 Jahr lang bei allen Aktivitäten auf und neben der Bühne begleitet. Obendrein quatschen wir über das neue Sigma 14-24, Lightroom und tauschen uns (mal wieder) über amtliche […]

Glückauf! Nach 1 Woche Pause sind wir zurück und haben viel zu erzählen! Und wer bis zum Ende durchhält, den belohnen wir mit einer Verlosung von 2 Tickets für die Photo+Adventure in Duisburg! Wenn Ihr Bock auf die Tickets habt, dann schaut bitte bei uns auf FACEBOOK vorbei, denn dort findet Ihr alle Details dazu. Viel […]

Glückauf! Wir hatten eigentlich nix geplant, aber am Ende waren wir dann zum ersten Mal “on the road”, haben spontan die Folge aufgezeichnet und es wurde ein Objektiv gekauft. Viel Spaß beim Hören!   SHOWNOTES: Das Sigma Art 35mm 1.4: https://amzn.to/2KPVSOV * Das AmazonBasics Lightning-Ladekabel: https://amzn.to/2IIsD3O *   Unser Podcast bei iTunes: >> HIER KLICKEN

Hola y bienvenidos, un día más, a Aprender Fotografía - el podcast. Soy Fran Valverde y me acompaña Pere Larrègula. Hoy seguimos resolviendo preguntas varias de nuestros oyentes. Nos centramos principalmente en explicar si son necesarios o no los estabilizadores de imagen. Como sabéis, estamos montando una plataforma de cursos online para fotógrafos, con conceptos muy básicos hasta más avanzados. Actualmente tenemos disponibles nueve cursos, pero en breve ampliaremos ya que vamos subiendo entre uno y dos cursos al mes. La suscripción a los cursos es de 10 euros al mes, da acceso a todo el contenido y se pueden ver tantas veces como se desee. Los cursos que están actualmente en la web son: Curso de iniciación a la fotografía digital Curso de gestión de modelos Curso de iluminación en estudio básico Curso de Adobe Lightroom básico Curso básico de marketing para fotógrafos Curso de cómo montar tu propio estudio fotográfico Curso de flash de zapata Curso práctico de iniciación a la fotografía digital IS o estabilizadores de imagen, ¿son necesarios en un objetivo? Rubén Minsa Hola, gracias por esas 93,5 horas, propongo un tema para un capitulo del podcast (si da para uno claro), el reductor de vibraciones de los objetivos, cuándo hay que activar, qué significa que reduce ciertos pasos, qué objetivos es aconsejable que lo posean (he visto angulares que lo llevan, supongo que será para vídeo, pero no lo sé cierto...), etc. Estoy pensando en comprar un objetivo y me surgen muchas dudas aunque el que me gusta, el 70-300, sé que sí o sí lo ha de llevar. Un saludo y a seguir así. Hola, muy buen podcast, este año quiero invertir en un objetivo para mi aps-c, pero al oír que recomendáis al oyente los Sigma Art y decís que además son compatibles con full frame, he pensado en que mi inversión sea en uno que sirva para mi cámara como para las full frame. ¿Sirven todos para ambas o he de tener algo en cuenta? Muchas gracias por enseñarnos y aconsejarnos. Los estabilizadores de imagen son necesarios si se trabaja con focales my largas para que facilite que podamos enfocar con facilidad, que no se note el movimiento. Consiste en estabilizar la imagen para enfocar más rápido. El movimiento está asociado al motivo. Nos evita trepitar, es decir, mover la cámara al disparar. Permite mantener mejor el pulso. Si el objetivo se mueve a 125 y se dispara a 130, la foto siempre saldrá movida. Si el motivo es estático y se baja a 130 se podrá hacer la foto. El IS es el encargado de estabilizar antes del disparo, momento en el que se enfoca y se sigue el motivo. Que esto tenga tres o cuatro pasos sí que es importante. Que el motivo quede o no congelado no depende de la obturación. El monopié no es sencillo de utilizar. Se se hace pasarela, hay que tener fijo el lateral y suave el subir y bajar. En deportes es al contrario. Lo ideal es utilizar un gimbal, si se tiene una buena postura no se tiene sensación de peso. En la página de Canon USA podéis encontrar un documento (EF lenses) que explica qué es el IS, hay un apartado entero sobre ello. Es necesario aprender una buena postura. Si se va a utilizar un trípode o monopié hay que desactivar el IS porque genera cierto retraso.   Objetivos, ¿sirven todos para full frame? Todos los objetivos EF son para ambas, los objetivo EF-S solo para PSC. En Nikon pasa lo mismo. Todos los full frame sirven en una PSC. Y por otro lado, no sirve ninguno de APSC para full frame. Al revés no, no se puede coger un objetivo APSC y montarlo en una full frame. Muy aconsejables los Sigma Art. Muchas gracias Rubén.     Curso de composición Anónimo Manukant y Reinaldo, lo mismo indiqué yo en los comentarios al Podcast pero en la Web de StudioLigthroom, es que estos del lado oscuro de la fuerza... de ahí debe salir la vena friki de Pere y Fran (es coña chicos). Simplemente una observación más, de los 17 podcast que tengo incluidos en mi aplicación, es el único que a las 7,

On this week’s episode of the B&H Photography Podcast, we’re talking gear—specifically, the latest gear announced at the two most recent trade shows, the Consumer Electronics Show (CES), and Wedding and Portrait Photographers International (WPPI). In addition to a summary of some of the items announced at CES, like the Panasonic Lumix GH5S, we speak with B&H writers Shawn Steiner and Liz Groeschen, who are currently in attendance at WPPI.  Steiner gives us the lowdown on some of the big-ticket items and mentions many of the new lenses announced at this important conference, and Groeschen offers her opinion on the latest cameras, discusses items of specific interest to wedding photographers, and gives us a sense of the activity around the B&H booths. Some of the cameras we discuss are the new Sony a7 III Mirrorless Digital Camera, the Fujifilm X-H1, the Panasonic Lumix DC-GX9, the Canon EOS M50 Mirrorless Camera, the Pentax K-1 Mark II DSLR and the Polaroid Originals OneStep2 Instant Film Camera. In terms of lenses, we mention the new set of Sigma Art lenses for Sony E mount cameras, the Tokina FiRIN 20mm f/2 FE AF lens, the Rokinon SP 50mm f/1.2 lens for Canon EF, the Zeiss Loxia 25mm f/2.4,and others.  Two new flashes made our critic’s picks: the new Canon Speedlite 470EX-AI with auto intelligent bounce head, and the Sony HVL-F60RM Wireless Radio Flash, as did a handful of paper and presentation material. Join us for this informative episode. Guests: Shawn Steiner and Liz Groeschen

Hola y bienvenidos, un día más, a Aprender Fotografía - el podcast. Soy Fran Valverde y me acompaña Pere Larrègula. Hoy seguimos resolviendo preguntas varias de nuestros oyentes, consejos sobre trípodes y exposiciones fotográficas son algunos de los temas que nos ocupan.  Lunes especial de preguntas de nuestros oyentes y de los cursos online. Tal y como os comentamos en el anterior capítulo, no nos dio tiempo a contestar todas las preguntas, así que estamos grabando un total de tres programas por semana. No sabemos si seguiremos así pero es probable que si seguimos a este ritmo, lo hagamos. Nos obligáis a trabajar más pero nosotros encantados. Antes de entrar en materia recordaros que estamos montando una plataforma de  cursos online para fotógrafos, con conceptos muy básicos hasta más avanzados. Actualmente tenemos disponibles ocho cursos, pero en breve ampliaremos ya que vamos subiendo entre uno y dos cursos al mes. Calculamos que para final de año tendremos alrededor de unos 25 o 27 cursos en la plataforma. Con un mínimo de 2 a 4 horas cada curso, da para mucho material. Además hay que tener en cuenta que muchos de los cursos os obligan a practicar cosas concretas. Uno de los cursos que estáis a punto de ver es el de composición en fotografía en el que estoy incluyendo ejercicios que debéis hacer para meter la composición. Se trata de cómo interpretar las escenas para componerlas bien. No es lo típico. Evidentemente explico la regla de los 2/3 pero no hablamos solo de reglas de composición sino que hablamos de conceptos necesarios para entender la composición y aprender a componer bien. Es un curso que os va a gustar, es bastante denso así que habrá que tomárselo con muchísima calma. Lo importante realmente es que después de cada tema se busque hacer el ejercicio. Nos metemos ya con las preguntas de los oyentes. Títulos oficiales de fotografía y escuelas GuardarGuardar GuardarGuardar GuardarGuardar GuardarGuardarGuardarGuardarGuardarGuardarGuardarGuardar Nuncio ¡Hola! llevo varios años y no dejo de aprender, sois geniales y me tenéis entregado. Al grano, soy de Madrid y tengo mi edad, ¿cómo y dónde me puedo sacar algún título oficial de fotografía?? Muchas gracia y no cambiéis. Nuncio Existen varias opciones, una de ellas es estudiar una carrera en la universidad. Hay varias carreras que están asociadas al mundo de la fotografía. Y por otro lado en Madrid está una de las escuelas más conocidas de fotografía, Efti. Aquí en Barcelona está Grisart. Efti es una escuela con prestigio, al igual que Grisart. Otra opción es ir a la facultad o apuntarte a nuestros cursos online. Te dirigimos a Efti en Madrid si lo que quieres es algo con contenido y de calidad. No se trata de algo oficial sino oficioso. Y con muchos años de experiencia.   Valoración objetivo 24-105 F4 de Sigma Tomás Ruiz Flores Hola de nuevo Pere. Me ha encantado el curso de flash de Zapata. Tendré que verlo unas cuantas veces más para poder sacarle todo el partido. He visto que has usado un 24-105 para hacer el curso. Estoy pensando hacerme con un objetivo todoterreno (actualmente tengo una 6d y un Sigma Art 50mm). ¿Qué opinión te merece el 24-105 F4 de Sigma? Mi intención es hacerme con una óptica para eventos sociales y retrato fundamentalmente. Gracias de nuevo Un saludo Sobre el tema de volver a ver el curso de flash de zapata, hemos comentado más de una vez que hay lecciones de unos 10 o 15 minutos pero que hay que repetirlos varias veces ya que son densos. Aunque yo soy de repetir mucho los conceptos, hay temas que sí que es necesario repetir un par de veces, coger la cámara, salir a la calle, y hacer la foto. Una vez que haces la foto, si no ha quedado como debería de haber quedado, puede que haya que oírla una tercera vez. Ya lo comprobaréis por vosotros mismos, es denso pero sencillo. A Tomás ya le hemos contestado anteriormente. Fue una respuesta bastante extensa. Partir de un Sigma Art 50 está muy bien,

Learning how to effectively use natural light in your photography can be challenging enough, but adding other external sources of light to your photographic process can be just plain overwhelming! Enter Francisco Joel Hernandez, photographer, educator, and Sony Alpha ambassador. On today's Bokeh podcast episode, Francisco shares simple tips and inexpensive tools to help you get started in the world of off-camera lighting, enabling you to become a more skilled photographer and set your work apart! The Bokeh podcast is brought to you by Photographer's Edit: Custom Post-Production for the Wedding and Portrait Photographer. Show Notes: Website: http://www.fjhphoto.com Instagram: https://www.instagram.com/fjhphoto/ Youtube: Youtube.com/fjhphoto Adorama XPLOR 600 Light: https://www.adorama.com/us%20%20%20%20868364.html?gclid=CjwKCAjw8IXMBRB8EiwAg9fgMJ8QalLle8slOGW9UhhO7ZggDqM7TQS7-bu7uh33dofQ7zmy_ztseBoCtTUQAvD_BwE Fotodiox EZ-Pro Octagon Softbox: https://www.amazon.com/Fotodiox-Octagon-Softbox-Speedring-Profoto/dp/B003EWOCUK/ref=sr_1_fkmr0_1?ie=UTF8&qid=1501698679&sr=8-1-fkmr0&keywords=photodiox+easy+pro+octobox Sony a7R II: https://www.bhphotovideo.com/c/product/1159878-REG/sony_a7r_mark_ii_digital.html Sigma Art 85: https://www.bhphotovideo.com/c/product/1282161-REG/sigma_321954_85mm_f_1_4_dg_hsm.html Flashpoint Zoom R2 Manual: https://www.adorama.com/fplfsmzm.html?gclid=CjwKCAjw8IXMBRB8EiwAg9fgMG1gsdsTZ1YFF-LmSTCBChtGWkBvUeT35YCuQkOHQ4KcKhzY819DEBoCB00QAvD_BwE See acast.com/privacy for privacy and opt-out information.

Should you adapt lenses on your Sony Mirrorless Cameras? I share with you my experience on adapting the new Sigma Art 24-70mm on my Sony a7R II.

Vyzkoušeli jsme většinu objektivů Sigma Art. Jedná se o špičkové objektivy určené zejména pro nejnáročnější fotografy. Co nabízí, jaké mají výhody a jaké nevýhody? Pro koho jsou vhodné? Vše v našem videocastu.

‘Objectif Numérique - Épisode #59 - Première photo Photoshoppée // iPhone photography awards 2014 // Le fameux objectif Sigma ART 50mm f1.4 arrive pour Sony! // Fuji 18-135mm f/3.5-5.6 // Test du compact Canon PowerShot SX600 HS // 6 choses que les gens imaginent des photographes // 10 trucs pour de la meilleure photo avec votre smartphone // Une vidéo pour mieux prendre soin de votre appareil // Gadget "360 cam" // Attendre une heure pour votre photo, il y a une app pour ça!’  

Welcome to episode 20!  Consider subscribing if you haven’t already. In this episode: A Florida-based company ignites a racial firestorm with imagery used to promote an upcoming product.We talk about the controversy and question if sometimes art can go too far. UPDATE [February 20, 2014 10:45 pm PST]It appears that amid the controversy, Seasalt and Co. has removed their presence on social media and have included this message on their website. Is Nikon getting ready to announce the D7200 and a Nikon 1 J5 with 4K video in it? Less than a week after unretouched photos of Cindy Crawford were leaked, over 200 unretouched photos of Beyoncé are leaked.Are we going to see more celebrity leaks and is the same individual behind this? Do they have a social agenda? See them here.   The “Father 0f the Internet” thinks a “Digital Dark Age” is coming.Do you need to take steps to make sure a record of you and your loved ones lives long after you do? Read the article here. Are a few new Sigma “Art” series lenses on the horizon? A Kickstarter campaign solves the frustration known as hanging frames.Click here to see their Kickstarter campaign. Photoshop turns 25!What’s changed in the past quarter century and where is Adobe taking it? Hawaiian photographer Aaron Eveland rents a Canon 800mm f/5.6 lens and creates some stunning imageryUtilizing a Sony A7s, a Metabones adapter and that beastly Canon 800mm f/5.6, he created images and a video you must see. See them here. North Carolina-based photographer Faith Massey gets her stolen memory card back…but not her photo gear after a public pleaThe stolen card contained images Massey shot of a baby who was going to die and these were among the only images the family would have of their child. Russian photographer Vadim Trunov leaves his Canon DSLR out in the snow mounted low on a tripod and comes away with really fun images.This might just inspire you to try a new and fun photo project. See the photos here. IFTTT releases the Do Camera app and streamlines your photo sharing.Do you think people will accidentally send the “wrong” photos to everyone in their contacts? GuruShots goes strong with a unique photo contest site. Canadian photographer Martin Szabo shakes things up with a unique photo booth idea.See the photos here. Supposed leaked details of Lightroom 6 surface on a French site. Polarr releases version 2.0 of it’s online photo editor. An Indiegogo campaign launches for a rear-mounted filter adapter.Click here to see their Indiegogo campaign Announcement:Free eBook!  –  The Lens Shark Quickstart Guide to Perfect Exposure. Announcement:Free camera giveaway coming up!The winner’s choice of a Nikon D750, Canon 7D Mark II or Sony A7s! Listener questions needed:Click the link for the podcast and leave us an audio question to have a good chance to get on the show. Alternatively, you can post your questions on our site or via social media. ###  Please consider subscribing if you haven’t done so already, leave me a review and check me out on social media at the links below.  ### Facebook:  http://www.facebook.com/LensShark/ Twitter:  http://www.twitter.com/LensShark/ Pinterest:  http://www.pinterest.com/LensShark/ Instagram:  http://www.instagram.com/LensShark/   The post Episode 20: How NOT to Promote a Product [LSP #0020] appeared first on Lens Shark Photography Podcast.

www.adorama.comAdorama TV presents the Sigma Art Lenses. Join Diane Wallace as she explores the features of the Sigma 24-105mm F4 Art Lens and the Sigma 50mm F1.4 Art Lens.  Related Products:Sigma 50mm f/1.4 DG HSM ART Lens for Sony Alpha & Maxxum DSLR Cameras - USA Warrantyhttp://www.adorama.com/SG5014RSO.htmlSigma 24-105mm f/4.0 DG OS HSM ART Lens for Sigma DSLR Cameras - USA Warrantyhttp://www.adorama.com/SG24105HSG.htmlCanon EOS-5D Mark III Digital SLR Camera Body, 22.3 Megapixel - USA Warrantyhttp://www.adorama.com/ICA5DM3.htmlThank you to the Oyster Bay Lions Club fundraiser for the Guide Dog Foundation based in Smithtown, Long Island.Oyster Bay Lions Club:http://oysterbayny.lionwap.org/Guide Dog Foundationhttp://www.guidedog.org/Check out Adorama's latest contest here for great prizes!:http://www.adorama.com/alc/category/A...If you have questions, share them with us at: adotv@adorama.com