Podcasts about Ismene

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Ismene

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Best podcasts about Ismene

Latest podcast episodes about Ismene

Jung und Freudlos
Alles auf null - das ICD-11 Update

Jung und Freudlos

Play Episode Listen Later Dec 23, 2024 37:51


Jung und Freudlos ist zurück! Nach langer Schaffenspause melden sich Ismene, Christa und Sebastian wieder, erklären die lange Pause und was als nächstes kommen soll. Moritz grüßt aus der Pfalz, ehe es wieder inhaltlich wird und wir uns mit den International Classification of diseases beschäftigen. Die wurde nämlich erneuert und die sogenannte ICD-11 gilt nun auch in Deutschland.

da Brand a Friend
#351 - Cercatori d'Oro

da Brand a Friend

Play Episode Listen Later Dec 22, 2024 18:22


Non c'è mai stata in passato opportunità migliore per trasformare le proprie passioni e skill in progetti di consulenza e insegnamento online economicamente sostenibili. E' che sono in pochi a crederci, distratti dal baillame di informazioni e dalle mille superficialità della vita moderna e dei pozzi social. Ma la realtà è inconfutabile. Chiunque lo desidera può diventare boss di se stesso e lavorare da dove vuole e nella maniera che preferisce, facendo ciò che lo interessa e lo appassiona, ed aiutando altri a trovare il loro sentiero.La difficoltà più grande è solo crederci e iniziare. _______________Info Utili• Sostieni questo podcast:Ottieni feedback, ricevi consigli sul tuo progetto onlinehttps://Patreon.com/Robin_Good•  Musica di questa puntata:"Ocean" by Joakim Karud disponibile su Bandcamp.•  Nella foto di copertina:Da sinistra: Me, Ismene, Denis. Outside Villa Giacomelli, Taling Ngam (TH). December 2024. • Dammi feedback:Critiche, commenti, suggerimenti, idee e domande unendoti al gruppo Telegram https://t.me/@RobinGoodPodcastFeedback• Ascolta e condividi questo podcast:https://www.spreaker.com/show/dabrandafriendArchivio completo organizzato per temi:https://start.me/p/kxENzk/da-brand-a-friend-archivio-podcast• Seguimi su Telegram:https://t.me/RobinGoodItalia• Newsletter in Inglese:https://robingood.substack.comhttps://goodtools.substack.comhttps://curationmonetized.substack.com .

Lisas Paarschitt: Der Beziehungs-Podcast mit Lisa Ortgies
Ismene Poulakos: So liebt die Generation 50+

Lisas Paarschitt: Der Beziehungs-Podcast mit Lisa Ortgies

Play Episode Listen Later Dec 12, 2024 44:42


Frei, kompromisslos und emanzipiert: Die Menschen über 50 sind heute ganz anderes als die Generationen vor ihnen, so eine aktuelle Studie. Dagegen sind die Millennials fast schon spießig, findet unser Host Lisa Ortgies. Sie spricht mit Ismene Poulakos vom Rheingold-Institut über die Ergebnisse und darüber, warum viele Frauen ihre Männer nur noch ambulant wollen - und nicht mehr stationär. Von Elena Samjeske.

Dice Drop: Evolution
C2 Fallen ☁︎Blood & Body Glitter☁︎ Episode 10

Dice Drop: Evolution

Play Episode Listen Later Aug 24, 2024 106:38


We are still traveling through Ismene's tunnels! Will out demi-gods get out with the token of our first god to get home back to the Citadel? Listen now to find out. 30:16 The Night Ensemble - @TaighArtemis1:20 Broken Village - David FesliyanIntro & Outro music is by @TaighArtemisCheck out our Linktr.ee for all our relevant links (Including our Discord!)Want to see the new merch? Click hereFollow us on Threads @dicedroppodUse code DICEDROP10 @ https://fanrolldice.com/Use code DICEDROP @ https://greenroninstore.com

Dice Drop: Evolution
C2 Fallen ☁︎Screaming, Crying, Throwing Up ☁︎ Episode 9

Dice Drop: Evolution

Play Episode Listen Later Aug 10, 2024 75:33


Into the tunnels under one of the Ismene's libraries in the city of Arona! It's time to start this journey into getting these demigods back to the Citadel! Check out the map here dicedropblog.com/post/ismene-s-library-tunnelsIntro & Outro music is by @TaighArtemisCheck out our Linktr.ee for all our relevant links (Including our Discord!)Want to see the new merch? Click hereFollow us on Threads @dicedroppodUse code DICEDROP10 @ https://fanrolldice.com/Use code DICEDROP @ https://greenroninstore.com

Let's Talk About Myths, Baby! Greek & Roman Mythology Retold
Conversations: Novelizing the *Best* Ancient City-State, Riddles of the Sphinx w/ Meagan Cleveland

Let's Talk About Myths, Baby! Greek & Roman Mythology Retold

Play Episode Listen Later Feb 2, 2024 77:22 Transcription Available


Liv is joined by debut author Meagan Cleveland to talk THEBES... And her new YA novel, Riddles of the Sphinx, about Oedipus' underrated daughter/sister, Ismene. Follow Meagan on Instagram. Help keep LTAMB going by subscribing to Liv's Patreon for bonus content! CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing. Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions.See omnystudio.com/listener for privacy information.

In 15 Minuten aus dem Mamsterrad - Der Podcast Quickie für Mamas
#248 „Hab ich AD(H)S?“ Mit Ismene Ditrich und Christa Koentges

In 15 Minuten aus dem Mamsterrad - Der Podcast Quickie für Mamas

Play Episode Listen Later Dec 17, 2023 22:27


Vor ein paar Wochen haben wir es schon angekündigt, als wir uns in Folge 243 mit der Frage „Hat mein Kind AD(H)S?“ beschäftigt haben. Nun ist es so weit und jetzt kommt Teil 2, der mir, Judith, aus ganz persönlichen Gründen besonders am Herzen liegt. In unserer heutigen Folge widmen wir uns nämlich einem Thema, das erstaunlich viele Menschen betrifft, aber speziell bei Frauen leider sehr oft übersehen wird: AD(H)S im Erwachsenenalter. Durch den Wunsch nach Anpassung und sogenanntes „Maskieren“ ist AD(H)S eine Krankheit, die gerade bei Mädchen oft übersehen wird und die dafür sorgt, dass Mädchen, Teenagerinnen und Frauen in ihrem Alltag mit Herausforderungen zu kämpfen haben, die sich ohne Hilfe schlichtweg nicht lösen lassen. Das wiederum kann auf lange Sicht zu einem sehr geringen Selbstwert („Ich bin anders“, „Ich bin nicht gut so, wie ich bin“, „Ich bin nicht richtig“) oder sogar zu Komorbiditäten, also Begleiterkrankungen, wie beispielsweise Depression oder Angststörungen, führen. Gemeinsam mit unseren AD(H)S-Expertinnen Dr. Ismene Ditrich, Fachärztin für Psychologie und Psychiatrie, und Dr. Christa Koentges, Psychologin und Psychotherapeutin, gehen wir den spezifischen Herausforderungen und Merkmalen von AD(H)S bei erwachsenen Frauen auf den Grund. Wir sprechen darüber, wie sich AD(H)S im Laufe des Lebens äußern und manifestieren und welche Auswirkungen es auf den Alltag und jedwede Beziehung haben kann. Die beiden Expertinnen teilen ihre Erkenntnisse aus der Praxis und geben wertvolle Einblicke, wie Frauen erkennen können, ob sie AD(H)S haben, und wie sie Strategien entwickeln können, um damit ein erfülltes, erfolgreiches und glücklich(er)es Leben zu führen.

In 15 Minuten aus dem Mamsterrad - Der Podcast Quickie für Mamas
#243 Hat mein Kind AD(H)S? Mit Ismene Ditrich und Christa Koentges

In 15 Minuten aus dem Mamsterrad - Der Podcast Quickie für Mamas

Play Episode Listen Later Nov 26, 2023 31:38


Ist dein Kind zappelig, kann nicht gut stillsitzen, scheint irgendwie tollpatschig? Kann es sich nur schwer konzentrieren, schweift immer wieder ab und findet nicht zur Ruhe? Verliert dein Kind immer wieder seine Jacke, den Schlüssel, die Trinkflasche? Sehen seine oder ihre Schulmaterialien schon kurz nach Schulbeginn aus, als wären sie dabei gewesen, als wildeste Abenteuer bestanden wurden? Vergisst dein Kind Termine, dir den Infozettel seiner Lehrerin oder ihres Trainers zu überreichen und schafft es selten, pünktlich zum Unterrichtsbeginn in der Schule zu sein? Kommt es vielleicht sogar immer zu spät? Klar, irgendwie ist das alles „normal“, es ist schließlich kein*e kleine*r Erwachsene*r, sondern ein Kind und muss beispielsweise das Konstrukt „Ordnung und Struktur“ erst lernen. Vielleicht hast du aber das Gefühl, dass all diese Eigenschaften bei deinem Kind stärker ausgeprägt sind, und so sehr ihr die einzelnen Punkte auch übt, es scheint keine Besserung einzutreten. Dann könnte es möglicherweise sein, dass da nicht nur das Kindsein, sondern noch etwas anderes dahintersteckt: eine Aufmerksamkeitsdefizit-(/Hyperaktivitäts-)Störung, kurz AD(H)S genannt. In dieser Folge sprechen wir mit den AD(H)S-Expertinnen Dr. Ismene Ditrich, Fachärztin für Psychologie und Psychiatrie und Dr. Christa Koentges, Psychologin bzw. Psychotherapeutin, beide an der Universitätsklinik Freiburg, und Co-Autorinnen des großartigen Buches „Die Welt der Frauen und Mädchen mit AD(H)S“*. Du erfährst, woran du erkennen kannst, dass dein Kind möglicherweise unter der Stoffwechselkrankheit leidet, wo genauer hingeschaut werden sollte und was du tun kannst, um es zu unterstützen.

Jung und Freudlos
Psychopathie

Jung und Freudlos

Play Episode Listen Later Oct 15, 2023 54:53


Sun, 15 Oct 2023 17:30:00 +0000 https://juf.podigee.io/86-new-episode 86ef6860761275113e3ac5e36c202b05 In unserer aktuellen Folge, die wir schon vor einiger Zeit aufgenommen haben, haben wir wieder Prof. Dr. Ludger Tebartz van Elst, Leitender Oberarzt bei uns an der Klinik für Psychiatrie und Psychotherapie in Freiburg, zu Gast. Er hat sich in letzter Zeit in das Gebiet der Psychopathie eingearbeitet und erklärt uns unter anderem wie Psychopathie diagnostiziert werden kann, wie Psychopathie und Angst zusammenhängen und warum ein Mensch mit einer psychopathischen Struktur nicht zwangsläufig unmoralisch handeln muss. Hier die Links zu den in der Episode erwähnten Büchern, Fragebögen und Filmen: Psychopathie-Checkliste: https://en.wikipedia.org/wiki/Psychopathy_Checklist Psychopathie in Berunfsgruppen: https://en.wikipedia.org/wiki/Psychopathyinthe_workplace Jeffrey Dahmer: https://de.wikipedia.org/wiki/Jeffrey_Dahmer https://www.netflix.com/de/title/81287562 Hannibal Lecter aus den Film das Schweigen der Lämmer: https://de.wikipedia.org/wiki/Das_Schweigen_der_L%C3%A4mmer_(Film) Asterix bei den Normannen: https://asterix.com/de/die-buecher/die-klassischen-abenteuer/asterix-und-die-normannen/ Kassandra von Christa Wolf: https://www.suhrkamp.de/buch/christa-wolf-kassandra-t-9783518460528 Kurt Schneider: https://de.wikipedia.org/wiki/Kurt_Schneider 86 full no Ismene, Sebastian und Moritz

Artes
Avignon: "Antígona na Amazónia é o não à violência”

Artes

Play Episode Listen Later Jul 16, 2023 15:30


“Antígona na Amazónia”, do encenador suíço Milo Rau, inscreve-se na procura contínua de um teatro da resistência. A peça faz um paralelo entre a tragédia grega e a tragédia universal da destruição da Amazónia, a partir do massacre de 17 de Abril de 1996 de activistas do MST. Esta Antígona é “o não contra o sistema” e contra a violência, explica o músico Pablo Casella que esteve à conversa com a RFI, juntamente com o actor Frederico Araújo. A peça está no Festival de Avignon de 16 a 24 de Julho. “Antígona na Amazónia” volta a mostrar a convicção de Milo Rau de que “não basta representar o mundo, é preciso mudá-lo”. A obra cruza a tragédia grega e a mítica Thebes com a província do Pará, no Brasil, onde a selva da Amazónia vai sendo destruída pelos grandes grupos industriais. Milo Rau junta actrizes e actores brasileiros e belgas, activistas indígenas e membros do Movimento dos Trabalhadores Rurais Sem Terra (MST). A tragédia acontece em cima do palco, mas também é-nos trazida pelos planos filmados e projectados num “ecrã-tríptico” que transporta o público para a reconstituição de um massacre no local onde ele aconteceu em 1996, a partir da outra reconstituição que acontece em palco. A dada altura, no mesmo palco, ouve-se a frase: “Não há mitologia e realidade. É tudo a mesma coisa.”Esta “Antígona na Amazónia” representa “o não contra o sistema”, contra o que foi o Brasil de Jair Bolsonaro, contra a destruição da Amazónia por multinacionais e contra a violência policial, resume o músico Pablo Casella que abre a peça a cantar “nada é mais monstruoso que o ser humano”. A peça inventa um novo final para a tragédia grega e lemos a frase « Isto não é o fim » porque o MST rejeita « o suicídio final, colectivo » já que “a luta continua”. Para o actor Frederico Araújo, “Isto não é o fim” é um sinal de esperança porque as pessoas podem mudar para que outras não morram “por serem pretas, trans ou defensoras do meio ambiente”.RFI: Vocês fazem uma reconstituição filmada no Pará no dia de aniversário do massacre de 17 de Abril de 1996, fazem também uma nova reconstituição no teatro da reconstituição feita ‘in situ' e multiplicam as reconstituições a cada dia de espectáculo. Como é que se vive psicologicamente isto de estar sempre a “viver” a mesma violência?Frederico Araújo, Actor: O mais difícil para mim foi a primeira vez que a gente reproduziu essa violência no Brasil, nas cenas que você viu no vídeo, o que eu vivenciei lá em Marabá. Porque além do contacto com as pessoas, com os sobreviventes, com as pessoas que fazem parte do movimento e pessoas que são amigas de alguns dos assassinados, ainda tem a questão do local, de a gente ter filmado e feito a coisa no lugar onde as pessoas foram assassinadas. Esse momento foi para mim um pouco mais difícil, até pela questão da chegada da polícia. Eu nunca falei isso nem para o Pablo, mas eu morri de medo...Que [o massacre] voltasse a acontecer?Frederico Araújo: Eu tinha medo de uma bala perdida, de alguém que não queria que a coisa acontecesse, que se misturasse ali no meio... E eu estava na frente. Eu não falei isso para ninguém, nem para o Milo [Rau], mas ali falei: “Meu Deus, tomara que não aconteça nada”. Ali foi o mais difícil para mim...Aí, a realidade, a ficção, o teatro, tudo se mistura, a realidade é que vem à superfície e você fica em risco.Frederico Araújo: Sim. Não houve uma interpretação de um medo. O medo era real e nem foi uma indicação de ninguém a dizer “Tem que ficar amedrontado”. Eu estava! E fazer aqui todos os dias, eu estaria mentindo se eu disser que é difícil como foi lá no Brasil. Lá, foi realmente difícil, eu não gostaria de fazer isso todos os dias. Aqui, como a gente tem que repetir, faz parte do nosso trabalho enquanto actor, de reprodução, reprodução, reprodução. A gente tem que entender internamente como é que a gente passa por essas emoções, como é que a gente conta essas histórias. Agora, o que é sempre complicado, mesmo aqui, repetindo nas apresentações, é lidar com esse tema, com esse conteúdo, com essas energias, com essas almas, com essas pessoas que não estão aqui, com essa história, é honrar os mortos. Então, isso eu tento fazer todos os dias, mas o trabalho mais complicado para mim foi a reencenação real no Brasil porque tinha essas camadas dos sobreviventes e do local.Vamos contextualizar para quem não viu a peça e não puder ver a peça. O que é que ela conta (porque tem várias camadas, mais uma vez).Pablo Casella, Músico: A peça basicamente tem três pilares. Ela tem a história da Antígona que a gente conta de facto, a história de Sófocles, a tragédia grega. Depois, tem a história do MST, principalmente focado no massacre, mas também em toda a existência do MST - tudo o que ele representa, a filosofia deles, o jeito que eles trabalham e o que o movimento representa. Tem um pouco da história do MST que também entra na peça. E tem o terceiro pilar que seria a questão da Amazónia e a questão indígena. Então, tem principalmente a questão indígena, mas também a questão da destruição da Amazónia num todo.A Antígona - representada por uma activista no vídeo e pelo Frederico em palco - ela simboliza “o não radical”: o não contra Creonte e o não contra o próprio Estado brasileiro...Pablo Casella: Sem dúvida. Eu acho que na nossa representação, a Antígona é o não contra o sistema e quando se fala em sistema, porque é uma coisa muito ampla, estamos focando na situação brasileira, no governo Bolsonaro, muito também, mas também no sistema da exploração da Amazónia, das companhias europeias destruindo a Amazónia, com a exploração do minério, da madeira, do agro-negócio e a violência policial. É também um não contra a violência policial que é o que o MST basicamente faz todos os anos no dia 17 de Abril, que é dizer que aqui houve um massacre da polícia, da violência da polícia contra trabalhadores desarmados numa marcha pacífica. Então, todos os anos, a gente [o MST] vai ocupar para dizer não a essa violência. O Movimento dos Sem Terra aceitou participar na peça, a partir do momento em que a peça fosse um “teatro de resistência”. Foi assim?Pablo Casella: Eu acho que o convite partiu do MST. O Milo [Rau] estava apresentando uma peça em São Paulo e o Milo já tem essa história de sempre ir para lugares de conflito e trabalhar os seus espectáculos ali. Tinha pessoas da direcção do MST que foram contactar o Milo e perguntaram porque a gente não faz uma coisa juntos. E depois, claro, com várias conversas, vários anos passaram até que se chegou à ideia de Antígona e a ideia do Pará para focar mais no massacre. Mas a ideia era fazer uma parceria do MST com o Milo.No livro “Para um realismo global”, de Milo Rau, ele diz que “não há nada mais novo do que o antigo”. Você aqui representa Antígona e também o irmão de Antígona, Polinice. Concorda que esta peça não poderia ser mais actual e que faz sentido ela transpor-se para Amazónia, que há a necessidade de um não radical na Amazónia?Frederico Araújo: Sim, eu acho que Sófocles e esses autores clássicos, Eurípedes, essa galera é meio vidente... Shakespeare, Tchekhov, Brecht, essa galera não estava só lá naqueles tempos, está no tempo de agora e está ainda no futuro. Acho que faz muito sentido sim. Agora, o que eu acho que é mais genial no trabalho é de actualizar a questão, actualizar a história para o que aconteceu no Brasil. Obviamente que também seria possível fazer um link com outras tragédias contemporâneas. Que bom que ele escolheu o Brasil – não no sentido que bom que houve o massacre, mas que bom que ele fez essa escolha pelo Brasil. É graças a isso que a gente está aqui contando a nossa história como brasileiros - não a nossa história porque eu não vivi isso - mas eu acho que sim, que revisitar o passado é uma óptima forma de a gente entender o presente.A maneira de trabalhar do encenador Milo Rau é incorporar-se no meio e fazer uma imersão total. Tanto é que houve um manifesto que ele escreveu em que ele proibia a adaptação literal dos clássicos e o texto original só deveria constituir 20% de representação. Como é que foi a criação desta peça, a criação da sua própria personagem, a criação dos diálogos? Vocês fizeram diálogos em conjunto? Frederico Araújo: O processo está no espectáculo final. O processo faz parte do produto final. A partir do dia 1 de ensaios, a gente tinha o texto de Sófocles, o original, digamos, mas eu tenho a sensação que tinha brechas e espaços para coisas novas entrarem e essas coisas novas entrando, eu acho que a gente não tinha uma busca de criar material dramatúrgico. É na própria vivência dos seres humanos, ao longo de dois meses, que coisas acontecem, que histórias são contadas e escritas e encenadas. A própria ausência da actriz que fazia Antígona, incorporada agora no produto final, era uma coisa que a gente nunca pensou.A Kay Sara [prevista inicialmente nas representações em palco]...Frederico Araújo: É um teatro muito vivo. É vivo no sentido de a gente lidar com os problemas e fazer uso do teatro para transformar esses problemas. A criação dos textos teve criação. O Pablo escreveu bastante texto. Eu, sendo muito sincero, não escrevi textos, eu dei pitacos [palpites], eu falei: “Ah, isso combina mais aqui, isso combina mais aqui”, eu troquei algumas palavras, eu troquei algumas frases. Mas a minha história biográfica, quando eu a conto, também foi um trabalho de genialidade do Milo. Foi ele que escreveu, a partir das entrevistas, a partir das trocas.Porque você diz na peça: “No Brasil, quando se é preto pode-se morrer a qualquer momento, por isso é que eu estou feliz por morrer em palco”...Frederico Araújo: Sim. Essa frase foi uma proposição minha. Mas o texto todo, ele chegou com uma página e a gente fez modificações ao longo. Mas o Pablo tem um trabalho autoral maior, de escrita de texto, maior do que o meu. Pablo Casella: Sim, mas foi uma parceria também com o Milo [Rau] e com a Marta [Kiss Perrone] e com o Giacomo [Bisordi]. A gente foi trabalhando os textos assim. O Milo dava muita liberdade para a gente trabalhar os textos. Às vezes, alguns textos nasceram de improvisação, outros de entrevistas. Então, você recebe o texto, tem a primeira ideia e você trabalha-o até onde ele está representativo do que você quer.Há uma das primeiras frases que você diz, que vem de Antígona, e que é marcante, que é: “Há coisas monstruosas, mas nada é mais monstruoso que o ser humano” e é uma das frases que o coro que você dirige na reconstituição no Brasil também canta. Porquê insistir tanto nesta frase?Pablo Casella: A grande ideia era mostrar como o absurdo do poder de Creonte é um traço humano. Ele vai contra a lei dos deuses e é a mesma coisa quando o [Ailton] Krenak fala que a gente está indo contra a lei da Natureza. O céu vai cair. Quer dizer, a nossa monstruosidade humana vai além da harmonia que existe na natureza e no universo. A peça passa toda por esse lado. O Creonte insiste numa autoridade que é monstruosa, assim como a polícia insistiu numa autoridade ao abrir fogo contra pessoas desarmadas numa estrada.E depois há o contraponto, que é quando vocês estão a fazer a reconstituição e chega a polícia, como o Frederico contou. Há uma activista que começa a falar com a polícia para explicar que vão só fazer a reconstituição e a polícia acaba por aceitar. Aí, ouvimos a frase: “Esta é a magia do teatro que resiste à violência ». No final do espectáculo, vemos também a frase “Isto não é o fim”. Ou seja, estas duas frases são autênticos manifestos políticos. O que é que elas querem dizer? Que o teatro pode ir àquele sítio onde a política não chega? Pablo Casella: Eu acho que não é o teatro que vai ao lugar. Eu acho que é o teatro como ferramenta de uma acção política. O MST é acção política. Tudo o que o MST vive é acção política. Não é só ocupação de terra, não é só uma marcha, é toda a filosofia do MST, é uma nova proposta de sociedade. Isso é uma acção política. O teatro é uma ferramenta super forte para isso e o MST acredita no teatro. O MST trabalha muito com o teatro. Quando a gente fala na magia do MST e na magia do teatro que resiste é porque muitos grupos de teatro podiam ter ido embora naquele momento, mas o MST fala que não, que a gente vai fazer isso aqui. Então, ela foi falar com a polícia, sabendo da responsabilidade e também do perigo - como o Frederico falou - de a polícia fazer alguma coisa. Então, tem aquele limite, mas, no final das contas, o MST sempre resiste e o teatro do MST também sempre resiste.E depois a questão do “Isto não é o fim”... Também tem a ver com o facto de que a peça não se encerra na própria peça porque vocês fazem acções para além da peça. Fizeram, por exemplo, uma campanha “Castiguem o Nutella”...Pablo Casella: Sim, mas eu acho que essa frase não é só isso. A campanha também é importante porque a campanha é mais representativa no sentido de a gente, quando vai num lugar, por exemplo, vai para o Brasil e tenta fazer um espectáculo, a gente quer que o espectáculo não seja o fim, que tenha continuidade e que a gente possa fazer alguma coisa mais contínua. Mas eu acho que essa frase, basicamente, o que ela representa, e que essa foi, inclusive, uma perspectiva do MST que disse: “Vamos fazer Antígona, vamos fazer uma tragédia grega, mas a gente do MST não acaba com o suicídio final, colectivo. A gente não acaba com todo mundo morto, porque a gente continua lutando. Então, a tragédia acaba, mas a gente continua”. Por isso é que quando você vê o espectáculo, o coro vai embora, o coro afasta-se da tragédia. O coro indígena também. Essa ideia do coro sempre indo embora da câmara é porque é essa ideia: o coro tem a luta para continuar a fazer. Então, a tragédia que acaba com a morte, para eles não existe, eles continuam.E vocês reinventam um novo final, um sexto acto. Pablo Casella: Exactamente, assim como a Ismene fala, a nossa luta só pode continuar se nos mantivermos vivos porque eles são contra a ideia de que a gente se suicida e que acabou. Eles nunca desistem. Então, “Isto não é o fim” é a mensagem que a gente está dando, não é a tragédia, é uma representação, é um simbolismo dessa luta de poder, mas o MST, os indígenas, a luta social no Brasil, ela continua, não acaba com um suicídio.Frederico Araújo: Eu vejo como uma esperança no futuro. Posso ser um pouco ingénuo, mas “Isso não é o fim”, para mim, é que o futuro cabe-nos a nós, agindo, mudarmos, e que outras pessoas não morram por serem pretas, trans ou defensoras do meio ambiente. Para mim, « isto não é o fim » é mais olhar para o futuro com um pensamento mais esperançoso.

Restaurant Growth Podcast
Jason Hammel, Chef and Owner of Lula Cafe

Restaurant Growth Podcast

Play Episode Listen Later Jun 30, 2023 18:57 Transcription Available


The Pre-Shift Podcast presented by 7shifts breaks down everything you've ever wanted to know about running a restaurant better. Conversations with some of the biggest names, newest players, and industry innovators bring key insights into how they grew their businesses.  Host DJ Costantino asks probing questions to get to know restauranteurs, chefs, and executives better and find out where they came from, how they got to where they are, and what lessons they learned along the way. On this episode, we're joined by Jason Hammel, Chef and Owner of Lula CafeGuest BioChef and owner Jason Hammel grew up in New Haven, CT and is the product of a tight Italian family. He studied writing at Brown University and then traveled in Italy where an accidental stay in an apartment above a produce market left a lasting impact and presaged his career as a chef. Upon returning to the U.S., he received his M.A. in English and moved to Chicago where he met his wife, musician and Lula co-founder, Amalea Tshilds. They live in Logan Square with their two children, Ismene and Cass.   Hammel's writing has appeared in Bon Appetit and Lucky Peach/MAD feed. He is currently working on a cookbook to be released by Phaidon.  Additional ResourcesLula CafeMarisolPilot LightLula Cafe CookbookListen, rate, and subscribe!SpotifyApple PodcastsGoogle PodcastsYouTubeTikTok7shifts BlogCreditsHost & Executive Producer: D.J. CostantinoEditor: Fina CharlestonProducer: Samantha FungDesigner: Jake Sinclair

Restaurant Growth Podcast
Jason Hammel, Chef and Owner of Lula Cafe

Restaurant Growth Podcast

Play Episode Listen Later Jun 30, 2023 18:57 Transcription Available


The Pre-Shift Podcast presented by 7shifts breaks down everything you've ever wanted to know about running a restaurant better. Conversations with some of the biggest names, newest players, and industry innovators bring key insights into how they grew their businesses.  Host DJ Costantino asks probing questions to get to know restauranteurs, chefs, and executives better and find out where they came from, how they got to where they are, and what lessons they learned along the way. On this episode, we're joined by Jason Hammel, Chef and Owner of Lula CafeGuest BioChef and owner Jason Hammel grew up in New Haven, CT and is the product of a tight Italian family. He studied writing at Brown University and then traveled in Italy where an accidental stay in an apartment above a produce market left a lasting impact and presaged his career as a chef. Upon returning to the U.S., he received his M.A. in English and moved to Chicago where he met his wife, musician and Lula co-founder, Amalea Tshilds. They live in Logan Square with their two children, Ismene and Cass.   Hammel's writing has appeared in Bon Appetit and Lucky Peach/MAD feed. He is currently working on a cookbook to be released by Phaidon.  Additional ResourcesLula CafeMarisolPilot LightLula Cafe CookbookListen, rate, and subscribe!SpotifyApple PodcastsGoogle PodcastsYouTubeTikTok7shifts BlogCreditsHost & Executive Producer: D.J. CostantinoEditor: Fina CharlestonProducer: Samantha FungDesigner: Jake Sinclair

Jung und Freudlos
ADHS bei Frauen mit Julia Knörnschild

Jung und Freudlos

Play Episode Listen Later Jun 5, 2023 67:44


Mon, 05 Jun 2023 05:00:00 +0000 https://juf.podigee.io/83-new-episode 3ad849a1a73ccc33a5ee9095ef51f2e4 Ein Gespräch mit Julia vom Mama Lauda Podcast In dieser Folge haben wir Julia Knörnschild vom Podcast Mama Lauda zu Gast. Julia spricht mit uns über Ihr Leben mit ADHS und wir nehmen uns die Zeit, ihre Fragen und die ihrer treuen Community zu beantworten. Julias Instagram-Profil und dem in der Folge erwähnten Instagram Highlight über ADHS. Hier noch der Link zum erwähnten Buch von Ismene und Christa 83 full Ein Gespräch mit Julia vom Mama Lauda Podcast no Ismene, Sebastian und Moritz

Griechische Mythologie - Das Chaos und seine Kinder

"Sieben Gegen Theben": Die Söhne des Ödipus streiten sich um die thebanische Herrschaft. Eteokles verjagt Polyneikes. Polyneikes trommelt mit Hilfe von Adrastos in Argos ein großes, bzw. ganze sieben Heer(e) zusammen. "Antigone": die Schwester der beiden, versucht den Streit zu schlichten und wird versuchen beiden einen gleichsam würdigen Übergang in den Hades zu ermöglichen. Ich will nicht Spoilern, aber... es ist eine Tragödie. Viele sterben. Sehen wir es als eine Folge gegen Krieg. Instagram: @chaos.kinder Spende über PAYPAL: https://www.paypal.com/donate/?hosted_button_id=VB2QKC88H9NYJ# Mit: Antigone, Ödipus, Polyneikes, Eteokles, Sphinx, Jokaste, Kreon, Theben, Argos, Adrastos, Orakel, Tydeus, Kalydon, Hippomedon, Perhenopaios, Kapaneus, Amphiaraos, Eriphyle, Hephaistos, Aphrodite, Harmonia, Ares, Kadmos, Hypsipyle, Nemea, Lemnos, Ismene, Tiresias, Sophokles.

Griechische Mythologie - Das Chaos und seine Kinder

Ödipus - eine griechische Tragödie. Die Geschichte von einem, der versucht alles richtig zu machen. Es wird orakelt, gesehert und gesphinxt. Untermalt wie immer mit der mythologischen Prise Sex und Gewalt. Instagram: @chaos.kinder Spende über PAYPAL: https://www.paypal.com/donate/?hosted_button_id=VB2QKC88H9NYJ# Mit: Ödipus, Kadmos, Laios, Jokaste, Sophokles, Polybos, Merope, Sphinx, Pythia, Orakel von Delphi, Kythera, Theben, Korinth, Polyneikes, Eteokles, Antigone, Ismene, Teiresias, Tiresias, Pelops, Chrysippos.

il posto delle parole
Chiara Ingrao "Il resto è silenzio"

il posto delle parole

Play Episode Listen Later Feb 24, 2023 25:57


Chiara Ingrao"Il resto è silenzio"Baldini+Castoldihttps://baldinicastoldi.itMa perché te la sei presa in casa? Nei giorni della guerra in Libano, Sara, interprete solitaria e introversa, sente per caso queste parole su un autobus e viene aggredita dai ricordi: di quando, nei mesi difficili dopo l'abbandono del marito, viveva con lei Musnida, una collega fuggita da Sarajevo. Ma perché te la sei presa in casa? le ripeteva continuamente sua sorella, allora.Anche Musnida, aveva una sorella. Come quella di Sara, era una sorella affascinante, molto più bella e più forte di lei. Un'eroina, uccisa mentre tentava di recuperare il corpo di uno dei fratelli, morti combattendo su fronti opposti. L'Antigone di Sarajevo, avevano scritto di lei i giornali, gonfi di retorica. Musnida, invece, era un soggetto imbarazzante: una sorella opaca, come la Ismene di Sofocle.Eppure anche Ismene ha una sua verità. Una voce antica, che si intrufola a tratti nei goffi tentativi di Sara di decifrare i misteri di Musnida, della sua famiglia, della sua terra; mentre la convivenza si prolunga, fra vicinanza e insofferenza, fra mute nausee e rumorosi congressi, fra l'imbarazzante invadenza della sorella di Sara e l'irritante ticchettio di un computer, dietro una porta chiusa.Nel faticoso dipanarsi di vita quotidiana e grovigli esistenziali irrisolti, fra le tre coppie di sorelle (quella di quaggiù, quella di laggiù, quella del Mito) rimbalzano come in un gioco di specchi gli interrogativi dell'oggi: le guerre infinite, le barriere che frantumano le identità e la vita, la paura dell'Altro che fa da scudo alla paura di ascoltare noi stessi.Chiara Ingrao, scrittrice e animatrice culturale nelle scuole, ha lavorato come sindacalista, interprete, parlamentare, programmista radio, consulente su diritti delle donne e diritti umani. È impegnata da anni nel femminismo, nel pacifismo, nel movimento anti-razzista. Ha scritto due romanzi (Il resto è silenzio e Dita di dama), due libri per bambini/e (Habiba la Magica e Mal di paura), articoli e saggi (alcuni raccolti in Oltre il ponte – Pensieri di una femminista di frontiera). In Soltanto una vita ha raccontato le esperienze e pubblicato gli scritti di sua madre, Laura Lombardo Radice; in Salaam Shalom il suo percorso pacifista in Medio Oriente e altrove. È sposata con Paolo Franco e ha due figlie, due figliocci e tre nipoti.https://chiaraingrao.itIL POSTO DELLE PAROLEAscoltare fa Pensarehttps://ilpostodelleparole.itQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement

Let's Talk About Myths, Baby! Greek & Roman Mythology Retold
Sometimes Laws Are Meant to Be Broken, Sophocles' Antigone (Part 2)

Let's Talk About Myths, Baby! Greek & Roman Mythology Retold

Play Episode Listen Later Nov 22, 2022 39:37


Continuing with Sophocles' Antigone... Antigone is caught burying Polyneices, and both she and Ismene are going to be blamed by Kreon. Help keep LTAMB going by subscribing to Liv's Patreon for bonus content!CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing.Sources: Sophocles' Antigone: quotes from the translation by Diane Rayor; translations by Frank Nisetich from The Greek Plays, new translations edited by Mary Lefkowitz and James Romm, Elizabeth Wyckoff and Robert Fagles may have also been referred to; Early Greek Myths by Timothy Gantz; Theoi.com.Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions. Hosted on Acast. See acast.com/privacy for more information.

Ramsay - Campion Great Books Podcast
Ramsay – Campion Great Books Podcast: Sophocles' Antigone

Ramsay - Campion Great Books Podcast

Play Episode Listen Later Oct 24, 2022 47:20


Welcome to the 2022 Ramsay-Campion Great Books Podcast Series.In this podcast we turn our attention to the fifth century and to Sophocles' tragedy Antigone, one of the Theban plays, which picks up the story of the family of Oedipus, the late King of Thebes, just after the civil war between his sons, Eteocles and Polynices, and opens with the two surviving members of Oedipus's family, Antigone and Ismene. The play explores the conflict between these sisters, which centres on the larger conflict between individual conscience and the State, and a cluster of other animating tensions: between the old and the new, custom and innovation, and the differences between men and women – all of which are explored as part of the larger search for the meaning of human existence and the nature of human flourishing. In this fourth podcast Dr Stephen McInerney, Director of the Centre for the Study of the Western Tradition at Campion College is joined by Professor Simon Haines, CEO of The Ramsay Centre for Western Civilisation and Dr Laurel Moffatt, Senior Fellow with Anglican Deaconess Ministries.

Jung und Freudlos
Die Welt der Frauen und Mädchen mit AD(H)S

Jung und Freudlos

Play Episode Listen Later Oct 7, 2022 82:22


ADHS wird bei Mädchen und Frauen immer noch zu wenig diagnostiziert, da offensichtliche ADHS-Symptome wie z. B. Hyperaktivität bei ihnen oft weniger stark ausgeprägt sind. In dieser Folge stellen Ismene, Swantje, Christine und Christa ihr neues Buch "Die Welt der Frauen und Mädchen mit AD(H)S" vor. Im Interview mit Sebastian sprechen sie darüber, wie man ADHS auch bei Mädchen und Frauen erkennen kann, welche besonderen Herausforderungen die ADHS bei Mädchen und Frauen mit sich bringt und dass man aus der ADHS auch Kraft und Stärke schöpfen kann.

Spoken Word
Spoken Word - Claire Gaskin

Spoken Word

Play Episode Listen Later Aug 17, 2022


In this week's show, Waffle IronGirl chats with poet and educator, Claire Gaskin, about her recent books, Eurydice Speaks and Ismene's Survivable Resistance.

Y2K Audio Drama
S1 Patreon Bonus Episode 4 - Tammi's Takeover: Get those jaws unclenched

Y2K Audio Drama

Play Episode Listen Later Jul 29, 2022 15:43


This was originally a Patreon-exclusive bonus episode, and fits in after season 1 episode 52, and before season 2 starts.    Tammi and Olivia continue their conversation from episode 52, and talk a little about what will happen next. They also play a new recording of Jess and Kat at a drama school rehearsal.    Please check out Y2K Productions new sci-fi audio drama Chaika https://y2kpod.com/chaika/ - you can subscribe now in your favourite podcatcher by searching for 'Chaika'.   Want to support Y2K, Chaika and Y2K Productions? We adore you amazing human! You can support us on Patreon from only 1 USD and get early episode releases, plus lots of other goodies such as exclusive episodes and behind-the-scenes content, please go to patreon.com/y2kpod to check it out.    Transcript below. Don't miss the bloopers after the end credits!    Cast:  OLIVIA - Kirsty Woolven (she/her) https://twitter.com/kirstywoolven TAMMI - Anna Jartin (she/her) y2kpod@gmail.com  DRAMA SCHOOL DIRECTOR - Sarah Golding (she/her) https://quirkyvoices.weebly.com/  KAT - Janis Westin (she/her) y2kpod@gmail.com  JESS - Karin Heimdahl (she/her) https://twitter.com/karinheim  INTRO NARRATOR - Emma Laslett (she/they) https://twitter.com/Waruce   Written, produced and directed by Karin Heimdahl (she/her).    Intro and outro music is created and recorded by Jake Haws, check out his podcast Making Music with Jake Haws to hear more.    For more information please visit y2kpod.com. You can also find us on twitter, instagram and facebook @Y2Kpod,or e-mail us at Y2Kpod@gmail.com   Looking for merch? We have it! Check out Y2Kpod.com/merch   Blue fireworks image by Gerd Altmann from Pixabay (https://pixabay.com/users/geralt-9301).     ℗ 2019 Karin Heimdahl    ___________________________ TRANSCRIPT     Bonus episode 4: Tammi's Takeover   (INTRO MUSIC)   Scene B4:1   TAMMI Hello and welcome to Tammi's Takeover – our exclusive show for you wonderful Patreon supporters of Y2K! My name is Tammi, and here with me is Olivia...   OLIVIA (sounds as if she's on phone all through episode) Hello! (smiles) Though in reality, we are just finishing our conversation from the final episode.   TAMMI That's right. Only, now I'm in charge! (evil laughter)   OLIVIA (laughs) All right. So what are we doing?   TAMMI Well, this is our very last episode. And you've talked a little about this, but... Has it been like you expected? This podcasting business?   OLIVIA Yeah, no. Not at all. Think I've said before that I didn't expect very much. I didn't really do this to communicate with the listeners, and yet that has been the most brilliant part of it.   TAMMI In what way?   OLIVIA Just... Getting people's reactions to things. Listeners getting invested in my life, and in what I say... Also thanks to the podcast, I feel like I understand my parents better. It's hard to stay really angry when you sympathize, you know? And I've got in touch with Mike, that would have never happened without the podcast, and without the help of listeners.   TAMMI Yeah, that is pretty cool. I wanted to ask you about that actually – what kind of contact do you see yourself having with Mike in the future?   OLIVIA We've sent some e-mails back and forth since we were there. I like him. And I like Scott too. But, you know, time will tell. I guess I wanted Mike to be the answer to all my problems (slight laugh) and he can't be that. Of course he can't. Also now everything's out in the open with my parents and I don't really feel that need anymore. Maybe we can visit Mike and Scott again when we fly back from Auckland in July?   TAMMI Yeah! And maybe stay a few days and see some more of Melbourne?   OLIVIA That would be great. So, yeah. I don't know what we'll be to each other. He's definitely not my dad!   TAMMI Nope, that's pretty clear.   OLIVIA Right. I have a final recording to play, you want to do that now?   TAMMI Yes! Tell us about it.   OLIVIA So I believe this is their final production. They were doing Sophocles' Antigone. Do you know the story?   TAMMI Only very vaguely.   OLIVIA The drama school director explains it pretty well in the recording, but it's a Greek tragedy about Antigone (an-TIG-uh-nee), played by Kat, who wants to rebel against the king, and in this scene she is telling her sister Ismene (is-MAY-nee), played by Jess, about what she wants to do.   TAMMI OK. Sounds complicated.   OLIVIA We should just listen, it makes pretty good sense.   TAMMI All right, here we go.   Scene B4:2   (dramatic music)   DIRECTOR You sit there, Jess, and Kat, you're coming in from stage left... (Rustle of scripts) Good. Whenever you're ready.   KAT (as ANTIGONE) (stiff, trying to do RP) Now you know, and you'll quickly demonstrate whether you are nobly born, or else a girl unworthy of her splendid ancestors.    JESS (as ISMENE) (stiff, trying to do RP) O my poor sister, if that's what's happening, what can I say that would be any help to ease the situation or resolve it?    DIRECTOR Right, stop there, please. You're both getting stuck on the accent and forgetting the story. Let's just work out... What is going on in this scene?   KAT Um, Antigone (an-TIG-uh-nee) wants to bury her brother.   JESS And she wants Ismene (is-MAY-nee) to help.   DIRECTOR And what are they to each other?   KAT Sisters.   DIRECTOR Yes – and, at this point, well, they only have each other. Their parents are dead, their brothers have just killed each other, they are shocked and scared and in a very tenuous position. Their uncle is now king, and, well, they don't know what will happen to them. And right here, right now, Antigone suggests something that is completely unthinkable to Ismene. You see, this...   This is that scene. So, y'know, stop worrying about the accents and get the emotions right.   JESS Still want me to do a British accent?   DIRECTOR Yes – but don't worry about it too much. Y'know, an accent, you can tell when it's shite, right? (laughs)   JESS All right.   DIRECTOR Right. (claps hands) From the top. Whenever you're ready. Impress me. (under breath) Emotion – emotion – emotion...   (Rustle of scripts)   KAT (as ANTIGONE) Now you know, and you'll quickly demonstrate whether you are nobly born, or else a girl unworthy of her splendid ancestors.    JESS (as ISMENE) O my poor sister, if that's what's happening, what can I say that would be any help to ease the situation or resolve it?   KAT (as ANTIGONE) Think whether you will work with me in this and act together.   JESS (as ISMENE) In what kind of work? What do you mean?   KAT (as ANTIGONE) Will you help these hands take up (struggles to pronounce the name) Polyneices'...   DIRECTOR Polyneices – Polyneices, poly-whatever-his-name-is... Right, OK, good. Now. We can stop there. Better. Kat, before next rehearsal I want you to work a bit on the accent – doesn't have to be perfect, but get rid of as much of your own accent as you possibly can.   KAT OK.   DIRECTOR Great. Don't worry about it now, though. (thinks) You're both a bit stuck, aren't you... We need to do something to get those jaws unclenched... Got it! Kat, go stand in that corner. Go go go go!   KAT O-K. (footsteps)   DIRECTOR And Jess, you go in that corner. Quick quick quick, choppy-choppy, hoppy-hoppy, good, right...   JESS Right. (footsteps, distant, calls) Hi Kat!   KAT (distant, calls) Hello Jess!   DIRECTOR Now, don't worry about the accents, don't worry about the emotions, just make sure the other can hear you clearly, right?   JESS So... you mean we should yell?   DIRECTOR No, more like, project your voice all the way across the room so your message will be heard.   JESS Yeah.   DIRECTOR Right. Now I only want you to use those first lines - “Now you know...” Kat and “O my poor sister..” Jess, and y'know, just, really throw them across the room, over and over.   KAT Both at the same time?   DIRECTOR Yes. All right. Ready?   KAT and JESS Yes!   DIRECTOR Go!   KAT (as ANTIGONE) (same time as JESS, calling over and over) Now you know, and you'll quickly demonstrate whether you are nobly born, or else a girl unworthy of her splendid ancestors.    JESS (as ISMENE)  (same time as KAT, calling over and over) O my poor sister, if that's what's happening, what can I say that would be any help to ease the situation or resolve it?   (Lines repeated 4 times, some minor giggling from KAT and JESS)   DIRECTOR Thank you, thank you, that's good. Feeling less stiff now are we? Yes, it's what I say to all the boys... Right, Kat, sit down next to Jess over here on “Think whether...” and then take both her hands in yours on “Will you help these hands...”   KAT (scribbles in her script) OK.   DIRECTOR And start from “Think whether...” and just put all the emotions in there, just cram them in, and... Start when you're ready.   (KAT and JESS get into position, rustle of scripts.)   KAT (as ANTIGONE) Think whether you will work with me in this and act together.   JESS (as ISMENE) In what kind of work? What do you mean?   KAT (as ANTIGONE) Will you help these hands take up Polyneices' corpse and bury it?    JESS (as ISMENE) What? You're going to bury Polyneices, when that's been made a crime for all in Thebes?   KAT (as ANTIGONE) Yes. I'll do my duty to my brother— and yours as well, if you're not prepared to. I won't be caught betraying him.   JESS (as ISMENE) You're too rash. Has Creon not expressly banned that act?                                 KAT (as ANTIGONE) Yes. But he's no right to keep me from what's mine.   DIRECTOR Right, thank you. Yes, that's more like it. Haha! Well done! Now, I suggest very strongly we go to the pub for a debrief, and...   (dramatic music )   Scene B4:3   TAMMI So, this is it – our final Tammi's Takeover, and the last episode ever of Y2K podcast.   OLIVIA Yeah. (beat) Maybe...   TAMMI (laughs) Maybe? I thought you said you were all done?   OLIVIA I did say that.   TAMMI So?   OLIVIA Maybe there is more.   TAMMI More of what?   OLIVIA (laughs) More to say. More of a story to tell.   TAMMI You enjoy being cryptic, don't you?   OLIVIA (laughs) No! But... I don't know yet. I just think there might be another story to tell. Or a few. (pause)   TAMMI And that's all you'll say?   OLIVIA That's all.   TAMMI Will you at least tell me afterwards?   OLIVIA I will.   TAMMI All right. So, listeners, wonderful Patreon supporters, I suppose you will just have to stay tuned to our social media and our feed for some sort of announcement. Right?   OLIVIA Yes.   TAMMI So all that's left now is to say thank you so much for listening, thank you so much for your support, and – stay tuned?   OLIVIA Yes. Thank you so much. You cannot know how much your support means to us. So... Bye for now!   TAMMI Bye!   (Outro credits)   (Bloopers)   (OUTRO MUSIC)

Arts & Ideas
Sisters

Arts & Ideas

Play Episode Listen Later Mar 6, 2022 44:42


The Unthank sisters, writers Lucy Holland and Oyinkan Braithwaite and historian and feminist activist Sally Alexander join Shahidha Bari for a conversation about what it means to be a sister on International Women's Day 2022. You could make a family from recent novels depicting sisterhood from Oyinkan Braithwaite's My Sister the Serial Killer, to Daisy Johnson's Sisters and Brit Bennett's The Vanishing Half but literary sisterhood goes back via Jane Austen and the Brontës to Chekhov, King Lear's daughters, Cinderella and Greek myths about the seven sisters who formed the Pleiades, or Antigone and Ismene. And if you're looking at feminist history the idea of the sisterhood has been a cornerstone of political action. Is it right that sisters will have a particular bond and sound if they perform music together? All of this and more in tonight's Free Thinking conversation. The Unthank sisters will be on tour with their latest album Sorrows Away visiting a range of venues from Norwich, Poole, Northampton, Middlesborough, Belfast, Edinburgh, Dublin and a range of places in between starting on March 13th in Lincoln Lucy Holland has written Sistersong set in Anglo-Saxon Britannia. She also presents Breaking the Glass Slipper, a podcast celebrating women in genre. You can hear a reading of Oyinkan's novel My Sister the Serial Killer by Weruche Opia on BBC Sounds https://www.bbc.co.uk/sounds/series/p08q6q19 Sally Alexander, Professor Emerita at Goldsmiths, is founding editor of the History Workshop Journal and is working on a history of psycho-analysis. Producer: Kevin Core You might also be interested in the most recent episode of Radio 3's Words and Music on Sisters, with its curated playlist of readings and music of all kinds ranging from Wordsworth, Jane Austen, Brit Bennet and Arifa Akbar to Fanny Mendelssohn, Errollyn Wallen, Hildegard of Bingen and the Labeque Sisters performing Ravel. And tomorrow's programme explores new research into women's history. And there's a playlist on the Free Thinking programme website called Women in the World https://www.bbc.co.uk/programmes/p084ttwp

Fangirls Anonymous
U.S.S. Destiel

Fangirls Anonymous

Play Episode Listen Later Feb 5, 2022 52:42


Hey Fangirls! In their February Ship series, M and Bea discuss Destiel with fic writer and podcast fan, Ismene. Along with Destiel being the largest ship on Ao3, the three of them get into a lot of fandom culture, what it was like to be online on that fateful day of November 5th, 2020, and the longest rec corner in podcast history!   fic!Club: “War, Children” by Nonymous  https://archiveofourown.org/works/5373050/chapters/12409394  Rec Corner!   M: “Twist and Shout” by gabriel and standbyme https://archiveofourown.org/works/537876/chapters/955188   M: “Castle on a Cloud” by Whelvenwings  https://archiveofourown.org/works/5191520/chapters/11962607    Bea: “we could be heroes” by missyjack http://spn-summergen.livejournal.com/29949.html    Bea: “Arctic Radar” by musesfool https://musesfool.livejournal.com/1492997.html?format=light    Ismene: “Named” by RC_McLachlan https://archiveofourown.org/works/145053/chapters/207363   Ismene: “Hideaway ‘Verse” by thepinupchemist https://archiveofourown.org/series/85756    Ismene: “Grey” by Valinde (Valyria)  https://archiveofourown.org/works/978693?view_full_work=true   Ismene: “Ridiculous Untitled Cuddling Fluff” series by cadignan https://archiveofourown.org/series/57529   Ismene: “Shut Up (Put Your Money Where Your Mouth Is)” by kototyph https://archiveofourown.org/works/1021029/chapters/2030956   Ismene: “The Fourth Wall” by entanglednowhttps://archiveofourown.org/series/6088    Ismene: “Finally” by Ismene_Janehttps://archiveofourown.org/works/24007450    Research: https://shipping.fandom.com/wiki/Destiel#S14   Support M and Bea on Patreon! https://www.patreon.com/fangirlsanonymous?fan_landing=true    Visit the podcast's website at https://fangirlsanonymous.com/     Have Questions? Comments? Jokes? Email M and Bea at mandbpresents@gmail.com.   Hosted by M and Bea Music by Gabe Jensen Produced by Miranda Sherrell Edited by Miranda Sherrell Consulted by Erica Bravo   FAIR USE:   Copyright Disclaimer: under section 107 of the Copyright Act of 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research.    Fair use is a use permitted by copyright statute that might otherwise be infringing.

Unclassical
Antigone part one - R U god tho?

Unclassical

Play Episode Listen Later Jun 4, 2021 55:34


Why is Antigone sorting out everyone else's shit? Antigone might have had things she wanted to do with her life, but no, she's busy sorting all the men out, making sure they all feel listened to and respected and Ismene, shit, has anyone seen Ismene?!?!

Kappeløs
Høyesterett og dens 4 "ismer"

Kappeløs

Play Episode Listen Later May 26, 2021 23:12


Vi er vel alle i mer eller mindre grad påvirket av diverse former av "ismer" når det gjelder våre avgjørelser. Idéen om en rettsstat hviler imidlertid på at landets dommere ikke skal påvirkes av slike tanketilbøyligheter. Er det idealet oppnåelig eller er også landets dommmere påvirket av slike "overbevisninger". Lytt med og gjør opp din egen mening. For de av dere som vil lære litt om riktig anvendelse av rettskildene, kan dere lese min bok: "Dommer i rettskildelær" 3 av "Ismene" er dokumentert Isme 3: https://www.nrk.no/tromsogfinnmark/tidligere-hoyesterettsdommer__-enkelte-hoyesterettsdommere-hadde-en-ren-samefiendtlig-holdning-1.14641590 Isme 4: https://rett24.no/articles/toril-oie-etterlyser-mer-forretningsjuss-i-hoyesterett

SWR2 Kulturgespräch
Jim Rakete und sein Corona-Projekt ,,Schwester von" - Lockdown wird zum Theaterprinzip

SWR2 Kulturgespräch

Play Episode Listen Later Mar 29, 2021 4:01


Als der erste Lockdown kam, verfiel der Starfotograf Jim Rakete in eine anhaltende Krise - keine Arbeit, aber auch keine Ideen. Dann besann er sich auf einen Monolog, den er 2014 am Deutschen Theater Berlin gesehen hatte: ,,Ismene, Schwester von" der niederländischen Dramatikerin Lot Vekemanns, inszeniert von Stefan Kimmig. Er beschloss, einen Film aus daraus zu machen. Ismene sitzt bei Jim Rakete in einem Verhörzimmer und erzählt die Geschichte ihrer Familie. Die Figur der Ismene sei in der Vorlage aber leider nicht mehr als dauererniedrigte und beleidigte Frau, die sich nicht mehr vom Leben wünscht, als einen Wasch- einen Putz- und einen Fischtag pro Woche, so unsere Kritikerin Ina Beyer. Dass man aber 50 Minuten gebannt am Bildschirm ausharrt, sei Susanne Wolff zu verdanken. Jeder Buchstabe verwandele sich auf ihrer Zunge zu einer eigenen Wahrheit, jede Geste gerate unter ihren langen, beredten Händen zu purer Wahrhaftigkeit, so unsere Rezensentin. Das sei schon 2014 im Deutschen Theater so gewesen, als Susanne Wolff unter der Regie von Stefan Kimmig diesen Monolog auf einem langen Steg sprach, der über einer kargen schwarze Bühne schwebte und hier, im neuen Filmsetting eines Gefängnisses sei es wieder so. Warum und von wem Ismene bei Jim Rakete allerdings verhört wird, warum sie inhaftiert ist, erschlöse sich inhaltlich nicht. Es könne, solle und müsse wohl eher als Metapher für den Lockdown stehen, unter dessen Bedingungen dieser Streifen entstand. Und dem auch zu verdanken wäre, dass man der großartigen Susanne Wolf auf sprichwörtlicher Augenhöhe wiederbegegnen dürfe.

SWR2 Kultur Info
Jim Rakete und sein Corona-Projekt ,,Schwester von" - Lockdown wird zum Theaterprinzip

SWR2 Kultur Info

Play Episode Listen Later Mar 29, 2021 4:01


Als der erste Lockdown kam, verfiel der Starfotograf Jim Rakete in eine anhaltende Krise - keine Arbeit, aber auch keine Ideen. Dann besann er sich auf einen Monolog, den er 2014 am Deutschen Theater Berlin gesehen hatte: ,,Ismene, Schwester von" der niederländischen Dramatikerin Lot Vekemanns, inszeniert von Stefan Kimmig. Er beschloss, einen Film aus daraus zu machen. Ismene sitzt bei Jim Rakete in einem Verhörzimmer und erzählt die Geschichte ihrer Familie. Die Figur der Ismene sei in der Vorlage aber leider nicht mehr als dauererniedrigte und beleidigte Frau, die sich nicht mehr vom Leben wünscht, als einen Wasch- einen Putz- und einen Fischtag pro Woche, so unsere Kritikerin Ina Beyer. Dass man aber 50 Minuten gebannt am Bildschirm ausharrt, sei Susanne Wolff zu verdanken. Jeder Buchstabe verwandele sich auf ihrer Zunge zu einer eigenen Wahrheit, jede Geste gerate unter ihren langen, beredten Händen zu purer Wahrhaftigkeit, so unsere Rezensentin. Das sei schon 2014 im Deutschen Theater so gewesen, als Susanne Wolff unter der Regie von Stefan Kimmig diesen Monolog auf einem langen Steg sprach, der über einer kargen schwarze Bühne schwebte und hier, im neuen Filmsetting eines Gefängnisses sei es wieder so. Warum und von wem Ismene bei Jim Rakete allerdings verhört wird, warum sie inhaftiert ist, erschlöse sich inhaltlich nicht. Es könne, solle und müsse wohl eher als Metapher für den Lockdown stehen, unter dessen Bedingungen dieser Streifen entstand. Und dem auch zu verdanken wäre, dass man der großartigen Susanne Wolf auf sprichwörtlicher Augenhöhe wiederbegegnen dürfe.

Zwölf Uhr mittags | radioeins
Schwester.von, Bertrand Tavernier, Superhelden und Dokumentarfilme

Zwölf Uhr mittags | radioeins

Play Episode Listen Later Mar 26, 2021 50:28


Ismene ist die Schwester von Antigone, eine Überlebende, eine still Leidende. Nach der Inszenierung des Deutschen Theaters entstand der Film "Schwester.von", der ausschließlich von der großartigen, erschütternden Darstellung Susanne Wolffs lebt. radioeins streamt heute diesen eindrucksvollen Film kostenfrei für Sie und in "12 Uhr mittags" sprechen wir mit Susanne Wolff und Jim Rakete, der das ungewöhnliche Projekt produzierte und die Kamera führte. Zudem stellen wir - wie nun schon gewohnt - neue Serien vor: "The Falcon and the Winter Soldier" und aus der Schweiz "Frieden". Mit dem Berliner Filmemacher Uli M Schueppel reden wir über eine Plattform, auf der er unabhängig von den großen Anbietern seine eigenen Arbeiten zeigt.

Start the Week
Family struggles - from Greek tragedy to The Troubles

Start the Week

Play Episode Listen Later Feb 22, 2021 42:05


Kerri ní Dochartaigh was born in Derry-Londonderry at the height of the Troubles, to a Catholic mother and Protestant father. In Thin Places she traces a life affected by poverty, loss and violence, and the invisible border that runs through it. But she tells Kirsty Wark how the natural world has helped heal the traumas of childhood. For the writer Sally Bayley it was Shakespeare that brought her solace and ignited her imagination. Growing up in a working class household with no father figures Bayley roamed through his plays looking for companions and escape from her oppressive home. In No Boys Play Here: A Story of Shakespeare & My Family’s Missing Men she explores the crisis of male homelessness and mental illness. The award-winning actress Lisa Dwan has a deep affiliation with the works of Samuel Beckett. But in her latest performance she reaches back to the ancient Greek tragedians reimagined by another acclaimed Irish writer Colm Tóibín. In Pale Sister she recounts Sophocles’ tragedy of Antigone from the viewpoint of her sister, Ismene. Producer: Katy Hickman

Jung und Freudlos
Dann ist das wohl psychosomatisch?!

Jung und Freudlos

Play Episode Listen Later Nov 6, 2020 56:01


In diesem Interview hat sich Ismene statt ihren zwei Jungs einen sehr spannenden Gast ausgesucht: Dr. Alexander Kugelstadt, Facharzt für Psychosomatische Medizin und Psychotherapie, Freund vom PsychCast und Multimedienmensch, spricht über sein neues Buch "Dann ist das wohl psychosomatisch" und die psychosomatische Medizin im Allgemeinen. Wann sind denn Krankheiten nun psychosomatisch? Wie ist Psychosomatik definiert? WIe kam er neben seiner Arbeit als Arzt zum Buchschreiben? Ein Gespräch voller EInblicke. Hört gerne rein!

Jung und Freudlos
Interview mit einem netten Narzissten

Jung und Freudlos

Play Episode Listen Later Oct 23, 2020 43:43


In dieser Folge sprechen Ismene und Moritz mit Dr. Pablo Hagemeyer, selber Facharzt für Psychiatrie und Psychotherapie und nach eigenen Angaben ein netter Narzisst. Er spricht mit uns über seine Arbeit als Therapeut mit Menschen mit Narzissmus und über den Alltagsnarzissmus bzw. wie sich Narzissmus auf den Alltag und Beziehungen auswirken kann. Ein Interview mit spannenden Einblicken in die subjektive Perspektive eines Betroffenen, der selber vom Fach ist. Hört rein und schreibt uns Eure Meinung zum Thema!

SBS Greek - SBS Ελληνικά
Ismene Thiveos: "I have the will to help our community" - Ισμήνη Θηβαίου: «Αγαπώ και έχω την θέληση και ανάγκη να βοηθήσω την κοινότητά μας»

SBS Greek - SBS Ελληνικά

Play Episode Listen Later Oct 15, 2020 3:48


Another Greek-Australian who is running as a candidate in the municipal elections of Victoria, is Ismene Thivaiou, who expresses her desire to help her community. - Μια ακόμη ομογενής που κατέρχεται ως υποψήφια στις δημοτικές εκλογές της Βικτώριας, είναι και η Ισμήνη Θηβαίου, η οποία εκφράζει την θέληση να βοηθήσει την κοινότητά της.

Jung und Freudlos

Zu #krisenkraft im Aktionsmonat der seelischen Gesundheit 2020 schicken wir Euch eine Sonderfolge zum Thema MHFA. Was das ist? Müsst ihr Euch schon anhören;-) Ismene und Moritz interviewen Simona und Michael vom Zentralinstitut für Seelische Gesundheit Mannheim zu ihrem Projekt. Was also hinter dieser Abkürzung steckt und warum Euch MHFA etwas angeht, hört ihr in dieser neuen Folge!

Jung und Freudlos
Ex-In-Genesungsbegleitung

Jung und Freudlos

Play Episode Listen Later Oct 2, 2020 48:12


In unserer ersten Folge nach der Sommerpause haben Ismene und Moritz (leider ist Sebastian immer noch unterwegs) eine super Interview-Gästin: Kaja Meiser berichtet von ihrer Ausbildung und Arbeit als Ex-In-Genesungsbegleiterin. Was genau macht man als Genesungsbegleiter_in? Steht Ex-In für Ex-Insassen? Was hilft das Ganze den Betroffenen? Eine tolle und wichitge Initiative, über die unserer Meinung nach noch viel zu wenig bekannt ist. Hört also wieder rein!

Keeping Up with the Classics
Keeping Up with the Classics - Jocasta

Keeping Up with the Classics

Play Episode Listen Later Aug 30, 2020 22:25


Ever wondered what the Oedipus Complex was based on? In this episode, we delve into the complicated, incestual relationship between Jocasta and Oedipus, as well as exploring the different kinds of feminists their daughters — Antigone and Ismene — prove to be. With an eye on modern parallels in the form of Arya and Sansa Stark from Game Of Thrones, to the powerful statement that the suicide of Hamlet's Ophelia made, we examine the long-lasting cultural impact that one of Sophocles's most enduring plays has had on the world today.  TW: mentions of suicide and incest. --- Send in a voice message: https://anchor.fm/keepingupwiththeclassics/message

Artimañas en Literalia Vallarta
Ismene en Vallarta

Artimañas en Literalia Vallarta

Play Episode Listen Later Jun 22, 2020 12:47


Primero hablamos de las proyecciones literarias, encontramos una forma peculiar de charlar con Sófocles. Maia lee el cuento Ismene en Vallarta, de Adriana Legorreta. Terminamos con un juego para hacer amena la cuarentena.

Parole di Storie - Mitologia
La storia di Edipo e di una stirpe maledetta dagli dei. Mitologia

Parole di Storie - Mitologia

Play Episode Listen Later Jan 3, 2020 30:03


"Cittadini di Tebe, guardate. Questo è Edipo, colui che fu nostro re. Egli sciolse l’enigma crudele della temibile Fenice, liberando la città dalla carestia e dal terrore. Tutti sappiamo quale fu il suo valore tra gli uomini, e anche per questo molti lo invidiarono. Ora guardate, o Tebani, a quale disperata vita lo ha condotto il destino, funesto, crudele e beffardo. Che nessuno giudichi mai felice un uomo, chiunque esso sia, prima che egli non abbia compiuto fino all’ultimo respiro il suo camino di vita e sofferto nel dolore." Continue reading

Bolsa de Gatos
Cap 2 - Antígona te canta las 40

Bolsa de Gatos

Play Episode Listen Later Dec 10, 2019 3:51


Antígona te canta las 40 es una versión LGBTTIQ+ del clásico griego. En el segundo capítulo, la protagonista desafía las leyes del rey y se enfrenta a éste junto a su hermana Ismene. Antígona: Paula Mesonero Ismene: Carolina Allende Creonte: Ignacio Veloso Narración, grabación y edición: Gonzalo Gómez Garcier Guión y dirección: Luciana Martínez Bayón Producción: Radio La Otra

Bolsa de Gatos
Cap 3 - Antígona te canta las 40

Bolsa de Gatos

Play Episode Listen Later Dec 10, 2019 2:54


Antígona te canta las 40 es una versión LGBTTIQ+ del clásico griego. En el tercer capítulo, luego de haber condenado a muerta a Antígona e Ismene, el rey Creonte se enfrenta a su hijo Hemón que intenta hacerlo cambiar de opinión. Creonte: Ignacio Veloso Hemón: Julián Ekar Rugnone Narración, grabación y edición: Gonzalo Gómez Garcier Guión y dirección: Luciana Martínez Bayón Producción: Radio La Otra

Mitologia: le meravigliose storie del mondo antico

Dopo i fatti descritti nella puntata precedente, Edipo si “autoesilia” da Tebe. Chi governerà la città? I due figli maschi dello sfortunato re, Eteocle e Polinice, sono due teste calde e non vanno proprio d’accordo... Non ti anticipo nulla, ma la tragedia è dietro l’angolo.Nella seconda parte della puntata entra in scena una delle figure più importanti della mitologia greca: Antigone.Come ricorderai, è una delle due figlie di Edipo (l’altra è la timorosa Ismene): la sua scomoda scelta la rende una eroina di prima grandezza! Nume tutelare di chi sceglie di seguire il giusto, anche a discapito del proprio interesse, Antigone ha ispirato molti artisti: tra gli altri ci sono due che amo molto: Jean Cocteau e Bertolt Brecht.Per il questo podcast, i riferimenti sono le due tragedie “I sette  contro Tebe” di Eschilo e “Antigone” di Sofocle.

Sophocles Antigone in 2019
Episode 11, Ismene's Return: Antigone 531-558

Sophocles Antigone in 2019

Play Episode Listen Later Nov 7, 2019 12:20


In this episode, Katherine analyzes the development of the characters Ismene and Antigone in their second exchange during the play as well as the role of "family" in their conflict.

Ireland Unfiltered with Dion Fanning
Lisa Dwan: What Top Boy tells us about Britain & living with her fear

Ireland Unfiltered with Dion Fanning

Play Episode Listen Later Oct 29, 2019 68:40


Ahead of her role as Ismene in Colm Tóibín's new theatre piece 'Pale Sister', Dion is joined by Irish actress, Lisa Dwan. Dwan discusses life growing up as an outsider and the long and lonely road she took to medicating her anxiety. Dwan also discusses her experiences of Boris and the Johnson family and the stark differences between her two working worlds.

Maribor Is The Future
ABONMA BORŠTNIK 2019 - REKA, REKA/ Syntapiens::IZ (Zavod Delak)

Maribor Is The Future

Play Episode Listen Later Oct 25, 2019 53:27


V vsaki od enajstih epizod serije Abonma Borštnik v realnem času predstave opisujemo in komentiramo po eno od tekmovalnih predstav 45. Festivala Borštnikovo srečanje. Reka, reka spremljajo: Barbara Jamšek, igralka in animatorka, Eva Jagodic, varstvoslovka in dramaturginja, Mišo Mičić, gledališki ustvarjalec in prevajalec in Katja Černe, dramaturginja in pedagoginja. Montaža in oblikovanje zvoka: Aleš Zorec Tehnična podpora: Boštjan Eržen, Youreup radio Sočasno predvajanje: Radio MARŠ Medijska podpora: Radio Maribor Po motivih drame Daneta Zajca Otroka reke / molitveni vzorec Dragan Živadinov: Syntapiens::IZ/ Reka, Reka Zavod Delak Režiser: Dragan Živadinov Lektorica: Špela Kopitar Kostumografka in scenografka: Dunja Zupančič Avtor digitalne konstrukcije: Miha Turšič Avtor glasbe in oblikovalec zvoka: Dario Seraval Oblikovalec svetlobe: Janez Kocjan 3D tiskar: Luka Frelih Tehnični vodja: Anže Rogelja Igralci: Miranda Trnjanin, Borut Veselko, Marko Mlačnik, Davor Janjič Gledališka predstava “REKA, REKA/ Syntapiens::IZ” je predstava o igralki Ivi Zupančič. Kmalu po drugi svetovni vojni je Iva Zupančič odigrala na "Odru 57" prelomne vloge: od Ismene v “Antigoni” Dominika Smoleta do predstave "Otroka reke" dramatika Daneta Zajca, ki je doživela svojo praizvedbo leta 1962. V njej je Iva Zupančič maestralno odigrala vlogo Reke. Ta pomemben gledališko-igralski trenutek se je nepričakovano ponovil v še bolj nepričakovanem dogodku na koncu XX. stoletja. Obe gledališki situaciji sta jo kanonizirali med največje gledališke igralke stoletja. Iva Zupančič je bila dobitnica Borštnikovega prstana za leto 1997.

Spoken Word
Spoken Word - Claire Gaskin

Spoken Word

Play Episode Listen Later Jul 31, 2019


Claire Gaskin is our guest on Spoken Word this week. Fresh from featuring at the Melbourne Spoken Word & Poetry Festival Closing Night, Claire talks about her first forays into live poetry in 1980s Melbourne, and how much the "scene" has changed. She reads some new and old works, and shares some insights into teaching (and marking!) poetry students, her writing process, and favourite poetic devices. We get a preview of her new work-in-progress, drawing on Ancient Greek mythology to examine patriarchy and different forms of women's resistance.Claire Gaskin’s first book was a chapbook entitled, A snail in the Ear of the Buddha, published by Soup Publications. Her collection, a bud, completed in the receipt of a Literature Board grant, was published by John Leonard Press in 2006 and shortlisted in the SA Literature Awards. Her collection, Paperweight, was published by John Hunter Publishers in 2013. Eurydice Speaks is forthcoming with John Hunter Publishers in 2019. She is working on her fourth collection with the working title of Ismene’s Survivable Resistance.

Jung und Freudlos
Burnout

Jung und Freudlos

Play Episode Listen Later Jun 14, 2019 47:56


In dieser Folge sprechen Ismene, Sebastian und Moritz über das Burnout-Syndrom - ein Zustand körperlicher, emotionaler und geistiger Erschöpfung, der oft mit dem Gefühl des "Ausgebranntseins" beschrieben. Wir gehen den Fragen nach wie ein Burnout entstehen kann, ob Burnout = Depression ist, wie man diesen Zustand vermeiden und therapieren kann. Eine spannenden Folge zu einem wichtigen Thema für unsere psychische Gesundheit - hört rein!

Jung und Freudlos
Angst(störungen) - eine Einführung

Jung und Freudlos

Play Episode Listen Later May 3, 2019 36:41


In dieser kleinen Einführungsfolge geben Ismene, Sebastian und Moritz einen ersten Überblick über das Thema Angst und Angsterkrankungen. Warum hat man eigentlich Angst? Und ab wann wird Angst zu einer Erkrankung bzw. Störung? Welche Erfahrungen haben Ismene und Sebastian in der Klinik bereits mit Angsterkrankungen gemacht? Diese Episode ist die Hinleitung zum Expertinneninterview rund um das Thema Angst(erkrankungen) mit Chefärztin Prof. Dr. Dr. Katharina Domschke, das als nächstes folgt und voraussichtlich ab 17. Mai zu hören sein wird:) Hört schon mal rein! P.S. Falls ihr Fragen zum Thema habt, schreibt sie uns gerne!

Alexander Schmid Podcast
Sophocles' Antigone Pt. 1

Alexander Schmid Podcast

Play Episode Listen Later Apr 8, 2019 19:36


In this lecture we consider (1) Antigone and Ismene's differing value-systems (family vs. state; honors vs. fear); Creon's initial edicts and his own valuation of power vs. family, and (c) we finish by making connections between Oedipus and Creon. --- Send in a voice message: https://anchor.fm/alexander-schmid9/message Support this podcast: https://anchor.fm/alexander-schmid9/support

Interviews by Brainard Carey
Laurel Jenkins

Interviews by Brainard Carey

Play Episode Listen Later Mar 12, 2019 24:28


photo by Alan Kimara Dixon Laurel Jenkins’ choreography emerges from rigorous experimentation and interdisciplinary dialogues in the realms of contemporary dance, opera, music and theater. She engages with the choreographic process as a radical space for reimagining our collective human experience. Her work has been presented by Lincoln Center, Disney Hall, REDCAT, Automata, the Getty Center, Show Box LA, Danspace, Berlin’s Performing Presence Festival, and Tokyo’s Sezane Gallery. She recently choreographed Bernstein’s MASS with the LA Phil and the Mostly Mozart Festival Orchestra. In addition, she has choreographed for LA Contemporary Dance Company, The Wooden Floor, California State University, Long Beach, and the University of Nebraska-Lincoln. Jenkins was a member of the Trisha Brown Dance Company from 2007-2012, and developed original roles in Brown’s final works. Jenkins also danced in New York with Vicky Shick and Sara Rudner. She performed the role of Ismene in Peter Sellars’ staging of Oedipus Rex conducted by Esa-Pekka Salonen. This spring she will perform solos by Merce Cunningham in Los Angeles as a part of the Night of 100 Solos: A Centennial Event. Jenkins is the recipient of a Vermont Arts Council Grant, an Asian Cultural Council Grant, holds a BA from Sarah Lawrence, and an MFA from UCLA. She is currently an Assistant Professor of Dance at Middlebury College in Vermont. The book mentioned in the interview is RIE Manual: Resources for Infant Educarers edited by Magda Gerber, Mothering from your Center: Tapping into your Body's Natural Energy for Pregnancy, Birth, and Parenting by Tami Lynn Kent Nmon Ford, the Celebrant, and dancers in Lincoln Center’s production of Leonard Bernstein’s MASS at the 2018 Mostly Mozart Festival. © Richard Termine. Mostly Mozart Festival Orchestra Music Director Louis Langrée and the orchestra and cast of Lincoln Center’s production of Leonard Bernstein’s MASS. © Richard Termine.

Jung und Freudlos
Kleine Sonderfolge: Ismene und Sebastian auf einem Kongress

Jung und Freudlos

Play Episode Listen Later Dec 7, 2018 29:00


Unsere kleine Sonderfolge: Ismene und Sebastian waren auf einem großen Psychiatrie-Kongress in Berlin und plaudern ein wenig aus dem Nähkästchen: Was ist die DGPPN? Wer geht zu so einem Kongress und um was ging es? Welche Eindrücke sind bei den beiden entstanden? Ein kleiner Plausch über das, was gerade so abgeht. Mal was anderes - wir freuen uns, wenn ihr wieder zuhört!

Jung und Freudlos
Depression

Jung und Freudlos

Play Episode Listen Later Nov 30, 2018 89:04


Depression ist eine der häufigsten psychischen Erkrankungen und kann Menschen jeden Alters treffen. Im Laufe des Lebens kommt fast jede(r) als nahestehende Person oder Betroffene(r) mit dem Thema Depression in Berührung. Wie sich Depressionen äußern können und wie man sie behandelt, besprechen Ismene, Sebastian und Moritz in dieser Folge von Jung und Freudlos - Euerem Podcast aus der Psychiatrie. Anlaufstellen bei einem Verdacht auf eine Depression findet Ihr in den Shownotes.

Jung und Freudlos
Über die Grenze hinaus

Jung und Freudlos

Play Episode Listen Later Nov 16, 2018 45:15


PD. Dr. Swantje Matthies, Oberärztin der Klinik für Psychiatrie und Psychotherapie der Uniklinik Freiburg spricht mit Ismene und Sebastian vom Jung und Freudlos - Team noch einmal über die Borderline-Persönlichkeitsstörung. Was macht eine Bordlerine-Persönlichkeit aus? Wie sagt man überhaupt offiziell zu einer betroffenen Person? Was sind die Herausforderungen in der Zusammenarbeit mit Menschen mit Borderline-Persönlichkeit? Ein spannendes Interview mit vielen persönlichen Einblicken - wir freuen uns, wenn ihr euch gemeinsam mit uns dem Thema noch einmal widmet!

Monument Techno Podcast
MNMT Premiere: Atis – Ismene

Monument Techno Podcast

Play Episode Listen Later Nov 11, 2018 9:26


The fresh Brussels-based producer @AtisMusic is the next artist to release with fellow-Belgian @FormAndFunctionRecords. The vinyl version of Movement I EP consists of four tracks, one of them a driving remix by @Cassegrain duo, the digital version comes with one more bonus track. Monument premieres atmospheric track Ismene from the EP, that is out on November 23rd.

Antígona
Antígona_Capítulo IX

Antígona

Play Episode Listen Later Sep 12, 2018 10:53


Audiolibro “Antígona” de Sófocles, relata la historia de Antígona, hija de Edipo y Yocasta; hermana de Ismene, Eteocles y Polinices. Tras un enfrentamiento entre Etocles y Polinices, desobedece al rey Creonte y es condenada a muerte. Realizado por Wilberth Andrés Cámara Canto de UNID, Francisco de Montejo para Editorial Digital UNID. (En idioma español)

Antígona
Antígona_Capítulo I

Antígona

Play Episode Listen Later Sep 12, 2018 9:13


Audiolibro “Antígona” de Sófocles, relata la historia de Antígona, hija de Edipo y Yocasta; hermana de Ismene, Eteocles y Polinices. Tras un enfrentamiento entre Etocles y Polinices, desobedece al rey Creonte y es condenada a muerte. Realizado por Wilberth Andrés Cámara Canto de UNID, Francisco de Montejo para Editorial Digital UNID. (En idioma español)

Antígona
Antígona_Capítulo IV

Antígona

Play Episode Listen Later Sep 12, 2018 9:59


Audiolibro “Antígona” de Sófocles, relata la historia de Antígona, hija de Edipo y Yocasta; hermana de Ismene, Eteocles y Polinices. Tras un enfrentamiento entre Etocles y Polinices, desobedece al rey Creonte y es condenada a muerte. Realizado por Wilberth Andrés Cámara Canto de UNID, Francisco de Montejo para Editorial Digital UNID. (En idioma español)

Antígona
Antígona_Capítulo II

Antígona

Play Episode Listen Later Sep 12, 2018 11:59


Audiolibro “Antígona” de Sófocles, relata la historia de Antígona, hija de Edipo y Yocasta; hermana de Ismene, Eteocles y Polinices. Tras un enfrentamiento entre Etocles y Polinices, desobedece al rey Creonte y es condenada a muerte. Realizado por Wilberth Andrés Cámara Canto de UNID, Francisco de Montejo para Editorial Digital UNID. (En idioma español)

Antígona
Antígona_Capítulo III

Antígona

Play Episode Listen Later Sep 12, 2018 11:00


Audiolibro “Antígona” de Sófocles, relata la historia de Antígona, hija de Edipo y Yocasta; hermana de Ismene, Eteocles y Polinices. Tras un enfrentamiento entre Etocles y Polinices, desobedece al rey Creonte y es condenada a muerte. Realizado por Wilberth Andrés Cámara Canto de UNID, Francisco de Montejo para Editorial Digital UNID. (En idioma español)

Antígona
Antígona_Capítulo V

Antígona

Play Episode Listen Later Sep 12, 2018 10:42


Audiolibro “Antígona” de Sófocles, relata la historia de Antígona, hija de Edipo y Yocasta; hermana de Ismene, Eteocles y Polinices. Tras un enfrentamiento entre Etocles y Polinices, desobedece al rey Creonte y es condenada a muerte. Realizado por Wilberth Andrés Cámara Canto de UNID, Francisco de Montejo para Editorial Digital UNID. (En idioma español)

Antígona
Antígona_Capítulo VI

Antígona

Play Episode Listen Later Sep 12, 2018 10:20


Audiolibro “Antígona” de Sófocles, relata la historia de Antígona, hija de Edipo y Yocasta; hermana de Ismene, Eteocles y Polinices. Tras un enfrentamiento entre Etocles y Polinices, desobedece al rey Creonte y es condenada a muerte. Realizado por Wilberth Andrés Cámara Canto de UNID, Francisco de Montejo para Editorial Digital UNID. (En idioma español)

Antígona
Antígona_Capítulo VII

Antígona

Play Episode Listen Later Sep 12, 2018 10:37


Audiolibro “Antígona” de Sófocles, relata la historia de Antígona, hija de Edipo y Yocasta; hermana de Ismene, Eteocles y Polinices. Tras un enfrentamiento entre Etocles y Polinices, desobedece al rey Creonte y es condenada a muerte. Realizado por Wilberth Andrés Cámara Canto de UNID, Francisco de Montejo para Editorial Digital UNID. (En idioma español)

Antígona
Antígona_Capítulo VIII

Antígona

Play Episode Listen Later Sep 12, 2018 9:50


Audiolibro “Antígona” de Sófocles, relata la historia de Antígona, hija de Edipo y Yocasta; hermana de Ismene, Eteocles y Polinices. Tras un enfrentamiento entre Etocles y Polinices, desobedece al rey Creonte y es condenada a muerte. Realizado por Wilberth Andrés Cámara Canto de UNID, Francisco de Montejo para Editorial Digital UNID. (En idioma español)

El fantasma de la ópera
El fantasma de la ópera - MOZART: "Mitridate, re di Ponto" - 18/08/18

El fantasma de la ópera

Play Episode Listen Later Aug 18, 2018 235:01


La Ópera del Verano: El primer Mozart. MOZART: "Mitridate, re di Ponto". Werner Hollweg (tenor) (Mitridate), Arleen Augér (soprano) (Aspasia), Edita Gruberova (soprano) (Sifare), Agnes Baltsa (mezzosoprano) (Farnace), Ileana Cotrubas (soprano) (Ismene), David Kuebler (tenor) (Marzio), Christine Weidinger (soprano) (Arbate). Orquesta del Mozarteum de Salzburgo. Director: Leopold Hage Escuchar audio

Ponto G
Ponto G 77 – Ismene Mendes

Ponto G

Play Episode Listen Later Jun 26, 2018 43:34


Intenso, perturbador e totalmente importante. A história de Ismene Mendes, advogada e vereadora na cidade do Patrocínio (MG), reflete a violência causada pela ditadura militar no Brasil. Escutem com carinho e muita calma, pois ele pode impressionar um pouco (paramos diversas vezes na gravação), mas ainda sim de extrema importância. O conteúdo Ponto G 77 – Ismene Mendes aparece primeiro em Preciosa Madalena.

deepredradio
Die Barbaren (German)

deepredradio

Play Episode Listen Later Mar 23, 2018 15:59


Story: Verschleppt, versklavt und in Rache vereint: Jahre, nachdem sie vom tyrannischen Kadar entführt worden sind, gelingt den muskelbepackten Barbarenzwillingen Kutchek und Gore die Flucht. Gemeinsam mit der schönen Ismene machen sie sich auf den Weg, den magischen Rubin wiederzufinden, der ihrem Volk Friede und Glück bringen soll. Doch der Weg dorthin führt nur über den Sieg gegen das Böse, das in Kadar seinen fähigsten Handlanger hat... Mediabook: 22.03.2018 (Koch Media GmbH) The Barbariens Genre: Fantasy, Komödie, Trash, Action, Barbaren Land: USA 1987 Laufzeit: ca. 87 Min. FSK: 16 Regie: Ruggero Deodato Drehbuch: Alberto Piferi, James R. Silke Kamera: Gianlorenzo Battaglia Musik: Pino Donaggio Produzenten: John Thompson, Yoram Globus, Menahem Golan Mit: Peter Paul, David Paul, Richard Lynch, Michael Berryman, George Eastman, Eva LaRue, Virginia Bryant, ... https://youtu.be/IoNBGjiQ0SA

deepredradio
Die Barbaren (German)

deepredradio

Play Episode Listen Later Mar 23, 2018 15:59


Story: Verschleppt, versklavt und in Rache vereint: Jahre, nachdem sie vom tyrannischen Kadar entführt worden sind, gelingt den muskelbepackten Barbarenzwillingen Kutchek und Gore die Flucht. Gemeinsam mit der schönen Ismene machen sie sich auf den Weg, den magischen Rubin wiederzufinden, der ihrem Volk Friede und Glück bringen soll. Doch der Weg dorthin führt nur über den Sieg gegen das Böse, das in Kadar seinen fähigsten Handlanger hat... Mediabook: 22.03.2018 (Koch Media GmbH) The Barbariens Genre: Fantasy, Komödie, Trash, Action, Barbaren Land: USA 1987 Laufzeit: ca. 87 Min. FSK: 16 Regie: Ruggero Deodato Drehbuch: Alberto Piferi, James R. Silke Kamera: Gianlorenzo Battaglia Musik: Pino Donaggio Produzenten: John Thompson, Yoram Globus, Menahem Golan Mit: Peter Paul, David Paul, Richard Lynch, Michael Berryman, George Eastman, Eva LaRue, Virginia Bryant, ... https://youtu.be/IoNBGjiQ0SA

Teatros Del Aire
Antígona

Teatros Del Aire

Play Episode Listen Later Jul 20, 2017 49:44


Antígona es, probablemente, uno de las tragedias más importantes de la historia del teatro clásico. En la mitología griega, Antígona es hija de Edipo y Yocasta, y hermana de Ismene, Eteocles, y Polinices. Antígona desobedece a su padre y es sepultada a ser sepultada viva.Esta obra de los ‘Teatros del Aire’ pertenece al ciclo de teatro francés contemporáneo que se realizó en Radio Madrid en el año 1968 y es una adaptación del mito de Antígona por parte del dramaturgo Jean Anouilh. En este episodio, el actor y dramaturgo Albert Boadella, nos explica en qué consiste la modernidad de este mito griego.

PsychCast
PC033 Glück auf dem Lehrplan: Lernen - analog, digital, phänomenal?

PsychCast

Play Episode Listen Later Nov 27, 2016 88:01


In unserer 33. Sendung vom 26. November 2016 plaudern wir über das Lernen. Wir erfahren dabei viel über die Gegenwart und Zukunft von Schule durch unserem Gast Egbert, der seit 15 Jahren Grundschullehrer in Niedersachen ist. Die Sendung wurde live ins Netz gestreamt - unter großer Beteiligung von Euch. Gerne könnte Ihr bei Twitter unter #youliveyoulearn weiter mitdiskutieren. Danke an Xenim für's Streamen! Audioquellen unserer Diskussion: Prof. Dr. med. Manfred Spitzer im SWR1-Leute-Podcast vom 7.8.2012 Christian Bischoff in "Die Kunst, Dein Ding zu machen" (Podcast) vom 23.11.2016 Prof. Dr. Christian Pfeiffer, Kriminologe im Inside-Brains-Podcast vom 11.11.2016 Links: Manfred Spitzer: Digitale Demenz: Wir wir unsere Kinder um den Verstand bringen bei Amazon Why I read a book a day (and why you should too): Tai Lopez | TED-Talk DGPPN-Kongress für Psychiatrie in Berlin Ken Jebsen mit seiner Medien-Plattform KenFM Musikalischer Gast: Zim Zum Crash mit dem Song Space Jokey (mit Dank an Ismene und Ihre Band). Das erste Album Oneironaut erscheint im Dezember 2016 und wird hier erhältlich sein: www.zimzumcrash.com

Focus on Flowers

Sometimes Ismene is called the Peruvian daffodil because of its shape.

The Jazzy Vegetarian
Jazzy Vegetarian Vegan Travel Tips!

The Jazzy Vegetarian

Play Episode Listen Later Aug 15, 2012 29:00


Today Laura Theodore, the Jazzy Vegetarian welcomes Lisette Oropesa to hear great music and chat about eating vegan “on the road.” Laura will share her Jazzy Tips for snacks and meals that travel well! Soprano Lisette Oropesa has been hailed by The New York Times as an artist with a “magnetic” stage presence, and an “attractively silky, and flexible timbre.” The 2011-12 season sees her debut with the San Francisco Opera as Romilda in Xerxes, followed by Miranda in the new Baroque pastiche The Enchanted Island with the Metropolitan Opera (conducted by William Christie), Konstanze in Die Entführung aus dem Serail with Pittsburgh Opera and Ismene in a revival of Mitridate, rè di Ponto with the Bayerische Staatsoper, Munich. In concert, Ms . Oropesa appeared in Messiah (Part I) with the New Choral Society, made a notable debut with the Chicago Symphony Orchestra in Carmina Burana conducted by Riccardo Muti, and presented a duo recital with baritone Brian Mulligan for the George London Foundation at the Morgan Library. In the summer she will perform Schubert’s Der Hirt auf dem Felsen with the Mostly Mozart Festival at Lincoln Center. Be sure to catch Jazzy Vegetarian on Television too!! 

handelmania's Podcast
Medea in Corinto

handelmania's Podcast

Play Episode Listen Later Apr 7, 2012 71:33


Giovanni Simone Mayr's rarely heard "Medea in Corinto" under Newell Jenkins. The Medea is Marisa Galvany (play the high E natural 10 times),Joan Patenaude-Yarnell as Creusa, Allen Cathcart as Jason, Robert White as Aegeus, Thomas Palmer as Creonte, and Molly Stark as Ismene.  (72 min.) (Our photo from the live perf. Galvany is the one with the makeup.)