Podcasts about Shure SM57

Audio/Video:  https://www.geeksrising.com/shows/bsp426 Support: http://podcastage.com/support   Topics discussed: The Shure SM57 and Shure SM58 increasing in price and why I think this has happened, sharing my thoughts on the Aston Apex, and explaining that Sound Speeds was not criticizing me for doing tests.   Subscribe to the full audio podcast at http://www.bandrewsays.com   Gear Used This Episode (Affiliate Links): Aston Apex: https://sweetwater.sjv.io/apex Universal Audio x8:  https://sweetwater.sjv.io/uax8   As an affiliate I earn from qualifying purchases.    Ask Questions: https://www.askbandrew.com Merch: https://www.podcastage.com/store Discord: http://www.podcastage.com/discord   00:00 - Intro 00:24 - Shure Increasing Their Prices China Tariff: https://www.federalregister.gov/documents/2025/04/28/2025-07325/notice-of-implementation-of-additional-duties-on-products-of-the-peoples-republic-of-china-pursuant Mexico Tariff: https://www.whitehouse.gov/fact-sheets/2025/04/fact-sheet-president-donald-j-trump-declares-national-emergency-to-increase-our-competitive-edge-protect-our-sovereignty-and-strengthen-our-national-and-economic-security/#:~:text=For%20Canada%20and%20Mexico%2C%20the,will%20see%20a%2010%25%20tariff USMCA Goods: https://ustr.gov/trade-agreements/free-trade-agreements/united-states-mexico-canada-agreement 11:26 - WIBT: Aston Apex 15:30 - WYHTS: Correcting V-Tuber's Audio 16:52 - WYHTS: Sound Speeds Wasn't Attacking Me. 19:20 - Value for Value (Movie Podcasts & Microphone Self Noise) 27:20 - Conclusion

www.patreon.com/banjopodcast Today we have a follow-up episode to #152, which featured the engineers behind the innovative ToneDexter product, by Audio Sprockets. In this one, host Keith Billik demonstrates what ToneDexter can do, by programming wavemaps using every combination of 3 different banjo pickups (by K&K, Schatten, and EMG) and 5 different microphones (by Rode, Behringer, Shure, Audio Technica, and Mesanovic). Sponsored by Elderly Instruments, Peghead Nation, Sullivan Banjos, and Bluegrass Country Radio Episode Time Codes: Intro & explanation of WaveMap Shootout - 03:40   Microphone Base Samples (Not using ToneDexter): Rode NT5 (Small diaphragm condenser) - 12:27 Behringer ECM8000 (Omnidirectional measurement microphone) - 17:27 Shure SM57 (Dynamic cardioid) - 22:29 Audio Technica AT4047(Large diaphragm Condenser) - 27:05 Mesanovic Model 2 (Figure 8 ribbon) - 31:46   Pickup Base Samples (Not using ToneDexter): K&K Banjo Twin - 40:38 Schatten BJ-02 - 47:13 EMG ACB Barrel - 53:47   Wavemap Samples   K&K Pickup wavemaps: Rode NT5 - 42:18 Behringer ECM8000 - 43:18 Shure SM57 - 44:16 Audio Technica AT4047 - 45:14 Mesanovic Model 2 - 46:14   Schatten Pickup WaveMaps: Rode NT5 - 48:26 Behringer ECM8000 - 49:29 Shure SM57 - 50:32 Audio Technica AT4047 - 51:38 Mesanovic Model 2 - 52:42   EMG ACB Barrel Pickup WaveMaps: Rode NT5 - 55:02 Behringer ECM8000 - 56:08 Shure SM57 - 57:16 Audio Technica AT4047 - 58:22 Mesanovic Model 2 - 59:30   Conclusion + Keith's Reaction - 1:00:36   Contact the show: pickyfingersbanjopodcast@gmail.com  

An American record producer and Grammy Award winning recording engineer, Doug has worked with some of the best Pop, Indie, and Rock musicians.  His roster includes the critically acclaimed Girls, and their offspring-solo artist Christopher Owens, Tokyo Police Club and French Kicks.  Recently, he has been in the studio with Aussie favorites Birds Of Tokyo, Roadkill Ghost Choir, Twin Peaks, Elle King, and LA's Dear Boy. Recording and mixing credits include Australia's The Vines, Paul Dempsey, Powder Finger, as well as American pop phenoms Katie Perry, Fallout Boy and Miley Cyrus. Other credits include Booker T Jones, Guided By Voices, The Whigs, The Pharcyde, Guru, Dr Dog, Company of Thieves, The Honorary Title, Islands, Liz Phair, Starsailor, Ezra Furman and the Harpoons, and the Stone Foxes. IN THIS EPISODE, YOU'LL LEARN ABOUT: Quitting audio college as a fast track to working in the audio industry How to rise up the ranks in a studio Working for Jack Joseph Puig The simple trick for getting things to sound good How to analyze reference tracks Getting mixes to translate Why your monitors aren't your problem NS10s: why they're the worst Preserving the sound of a client's rough mixes Getting bug, wide guitars His simple approach to micing guitar amps A trick for getting wider drum room sounds Working with Tokyo Police Club Using Transient Designers on room mics Committing to sounds on the way in The importance of automation to make mixes sound exciting Notable gear mentioned in this episode: Shure SM57: https://sweetwater.sjv.io/vN2JYO To learn more about Doug Boehm, visit: https://www.dougboehmmusic.com/ For tips on how to improve your mixes, visit https://masteryourmix.com/ Looking for 1-on-1 feedback and training to help you create pro-quality mixes? Check out my new coaching program Amplitude and apply to join: https://masteryourmix.com/amplitude/ Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/ Get your copy of the #1 Amazon bestselling book, The Mixing Mindset – The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/ Join the FREE MasterYourMix Facebook community: https://links.masteryourmix.com/community To make sure that you don't miss an episode, make sure to subscribe to the podcast on iTunes or on Android. Have your questions answered on the show. Send them to questions@masteryourmix.com Thanks for listening! Please leave a rating and review on iTunes!

I've got something special to share with you – an honest review of the Maono PD200X Microphone that's making waves in the content creation world.Join me on this audio journey as we unbox the dynamic Maono PD200X, a versatile USB/XLR microphone with a unique glowing band that sets it apart from the rest.I'll walk you through its technical specifications, ergonomic design, and the powerful Maono Link app, which offers full audio control. And here's the exciting part – I'll compare the PD200X head-to-head with popular contenders like the Shure PGA58, Shure SM57, and Audix F50s, to see how it stacks up.From podcasting and vlogging to streaming and video conferences, I'll share my real-world experiences with the PD200X. Plus, we'll explore the Maono Link app's features, including compression, limiting, and EQ adjustments.No fluff, no hype, just honest insights into the pros and cons of the Maono PD200X. Find timestamps below to navigate through the episode with ease. By the end, you'll have all the info you need to decide if this mic is the perfect match for your content creation needs.Timestamps:00:00 - Introduction: Discover the Maono PD200X01:25 - Unboxing the Mic: Sleek design and glowing band03:15 - Ergonomics and Build Quality: A closer look04:50 - Maono Link App: Take control of your audio06:30 - Audio Quality Comparison: PD200X vs. the competition09:10 - Real-World Applications: Putting it to the test11:05 - Pros and Cons: Honest insights13:00 - Final Verdict: Is the Maono PD200X right for you?14:30 - Conclusion: Embrace the audio revolution with the PD200XReady to start sharing your story and launch your own podcast? Don't let fear, lack of knowledge, or technical barriers hold you back any longer. Enroll in "How To Start A Podcast: Get your voice out & share your story" today and take the first step towards creating a successful podcast that reaches and resonates with your audience. With my comprehensive course, you'll learn everything you need to know about starting, recording, editing, and publishing your podcast. Plus, you'll gain access to exclusive tips, tricks, and strategies that will help you stand out from the crowd and grow your audience. Enroll now and start your podcast journey today! These are the programs the Seven Million Bikes Podcasts uses. These are affiliate links so they will give us a small commission, only if you sign up , and at no extra cost to you! You'll be directly supporting Seven Million Bikes Podcasts too.NordVPN | Descript | Buzzsprout | Canva | Fiverr | Riverside | PodcastMarketing.AI

In this episode, I provide a comprehensive guide to choosing the best podcast microphone for any budget. Whether you're a beginner or an experienced podcaster, this episode covers various microphone options, explains the differences between dynamic and condenser mics, and compares USB and XLR connectivity. I also shares recommendations for budget-friendly, mid-range, and high-end microphones, highlighting their features and performance. You'll gain insights into microphone types, connectivity options, and factors to consider for optimal sound quality in their podcast recordings.Topics Discussed:1. Understanding microphone types: Condenser and dynamic microphones2. Exploring connectivity options: USB and XLR microphones3. Recommendations for budget-friendly microphones4. Mid-range microphone options and their features5. High-end microphones for superior sound quality6. Factors to consider for optimal sound quality in podcast recordings7. Importance of microphone technique, accessories, and audio editing softwareKey Takeaways and the time:- Different microphone types: Condenser and dynamic microphones [00:09:00]- Pros and cons of condenser and dynamic microphones [00:10:00]- USB microphones offer easy setup and portability, while XLR microphones provide professional quality but require additional equipment [00:11:00]- Budget-friendly microphones: Shure SM57, Audio Technica ATR2100X USB, Samsung Q2U [00:13:00]- Mid-range microphone options: Audio Technica AT2020, Rode NT1 [00:17:00]- High-end microphone recommendations: Shure SM7B, Neumann U87Ei [00:19:00]- Factors to consider for optimal sound quality: Accessories, microphone technique, audio editing software [00:22:00]Resources Mentioned:- Descript (audio editing software) [00:24:00]- SpeakPipe (platform for leaving voice messages) [00:26:00]- sevenmillionbikes.com (host's website for resources, courses, and services)Ready to start sharing your story and launch your own podcast? Don't let fear, lack of knowledge, or technical barriers hold you back any longer. Enroll in "How To Start A Podcast: Get your voice out & share your story" today and take the first step towards creating a successful podcast that reaches and resonates with your audience. With my comprehensive course, you'll learn everything you need to know about starting, recording, editing, and publishing your podcast. Plus, you'll gain access to exclusive tips, tricks, and strategies that will help you stand out from the crowd and grow your audience. Enroll now and start your podcast journey today! These are the programs the Seven Million Bikes Podcasts uses. These are affiliate links so they will give us a small commission, only if you sign up , and at no extra cost to you! You'll be directly supporting Seven Million Bikes Podcasts too.NordVPN | Descript | Buzzsprout | Canva | Fiverr | Riverside | PodcastMarketing.AI

Ever dreamt of starting your own show but don't know what equipment to buy? Or you want to take an existing podcastto new heights? Then you've come to the right place!Join me in this episode of Smarter Podcasting as share everything you need to setup your own podcast studio, including podcasting equipment, and software.Whether you're a novice eager to embark on your podcast journey or a seasoned podcaster looking to enhance your setup, this podcast is for you.My practical tips, expert advice will hopefully ignite or reignite your passion. I share budget-friendly options, video podcasting, and essential items needed for your podcasting venture.Find out the secrets of creating an ideal podcasting environment replete with great acoustics and top-notch sound quality.Whether it's finding the perfect corner of your house to record or splurging on good quality microphones, I have it covered.Topics Discussed:1. Introduction to Smarter Podcasting2. Neil's Podcasting Journey3. Challenges in Podcasting4. Introductory Podcasting Course5. Importance of a Quiet Recording Space6. Essential Podcasting Equipment7. Video Podcasting8. Importance of Good Acoustics for Podcast Recording9. Basic Podcast Setup10. Podcasting Softwares11. Interviewing & Virtual Backgrounds12. Descript and Its Editing Features13. Beginner and Advanced Podcast Setup14. Setting up an Ideal Podcasting StudioEntities Mentioned:Podcasting equipment including Shure SM57, Blue Yeti, USB Mic, XLR MicDescriptPodcast editing software like Audacity, GarageBand, Adobe AuditionRSS feedZencasterSony WH-1000XM4 HeadphonesSure MV7 and Sure SM7B microphonesPodtrac P4 by ZoomLewis WrightAnd if you'd like to be featured on a future episode, be sure to follow the link below to leave me a message. So, if you're ready to take your podcast to the next level and give it the perfect name, be sure to tune in to Smarter Podcasting.Leave a message for me!Ready to start sharing your story and launch your own podcast? Don't let fear, lack of knowledge, or technical barriers hold you back any longer. Enroll in Ready to start sharing your story and launch your own podcast? Don't let fear, lack of knowledge, or technical barriers hold you back any longer. Enroll in "How To Start A Podcast: Get your voice out & share your story" today and take the first step towards creating a successful podcast that reaches and resonates with your audience. With my comprehensive course, you'll learn everything you need to know about starting, recording, editing, and publishing your podcast. Plus, you'll gain access to exclusive tips, tricks, and strategies that will help you stand out from the crowd and grow your audience. Enroll now and start your podcast journey today! These are the programs the Seven Million Bikes Podcasts uses. These are affiliate links so they will give us a small commission, only if you sign up , and at no extra cost to you! You'll be directly supporting Seven Million Bikes Podcasts too.NordVPN | Descript | Buzzsprout | Canva | Fiverr | Riverside | PodcastMarketing.AI

If you're reading this, you probably own a home studio and record your own music. You also want it to sound “pro,” like your favorite artists and records, but it doesn't! You've tried the latest plug-ins, outboard gear, and mixing tips from YouTube videos. You bought new monitors. You've added acoustic treatments to your room. And your recordings still don't have that professional sound. Frustrating, isn't it? While we don't have enough time in this week's episode to solve every problem you might be having, we do have enough time to solve some problems you have recording vocals and organic instruments. And most of those problems start with common microphone mistakes. If you think your biggest mistake was not buying a $3,500 Neumann U87, consider this: Bon Iver's hit album, Emma, Forever Ago, was recorded using a single, $99 Shure SM57 and a beat-up, old Sears catalog acoustic guitar that sounded like it looked. I love microphones and classic outboard gear more than the average person. I learned the craft of audio from some of the best engineers and producers in the business at the time. Some of them are considered legends, and I'm going to teach you some of the mic. techniques I learned from them. I'm going to show you how to get great sounds and how to stop making mistakes with your microphones! Join me for this episode of TAXI TV, and you'll be a few steps closer to making better-sounding recordings.

This week we hit you with the latest music news, talk about the most notable events and our favorite albums from 1998, and discuss Iggy Pop and three of his albums: the self-titled debut from the Stooges, his solo album “Lust For Life”, and his latest release: “Every Loser”. Check Out This Past Episode For More DMX. Get In The Garage #93 - DMX w/ Phillip Lombardo Follow us on Instagram! https://www.instagram.com/gitgpod _________________________________________________________ Get In The Garage uses: Shure SM57 & SM58 Microphones https://a.co/d/5Ix5oCR https://a.co/d/jjH960M Focusrite Scarlett 2i2 Audio Interface https://a.co/d/9CUtBxD Audio Technica M-Series Headphones https://a.co/d/05fcVwv Behringer Xenyx 1202 Mixer https://a.co/d/f24hsOS Neewer Microphone Arm Stands https://a.co/d/2K2S4Zf

This week we bring you the latest in music news, talk about our favorite albums from 2005, and celebrate the 40th anniversaries of Def Leppard's “Pyromania” and Hüsker Dü's “Everything Falls Apart”. Follow us on Instagram! https://www.instagram.com/gitgpod 126Get In The Garage uses: Shure SM57 & SM58 Microphones https://a.co/d/5Ix5oCR https://a.co/d/jjH960M Focusrite Scarlett 2i2 Audio Interface https://a.co/d/9CUtBxD Audio Technica M-Series Headphones https://a.co/d/05fcVwv Behringer Xenyx 1202 Mixer https://a.co/d/f24hsOS Neewer Microphone Arm Stands https://a.co/d/2K2S4Zf

his week we present the latest in Music News, discuss our favorite albums from 2003, and celebrate the 50th anniversaries of releases from Bruce Springsteen ("Greetings From Asbury Park N.J."), Aerosmith ("Aerosmith"), and The Beach Boys ("Holland"). Follow us on Instagram! https://www.instagram.com/gitgpod _________________________________________________________ Get In The Garage uses: Shure SM57 & SM58 Microphones https://a.co/d/5Ix5oCR https://a.co/d/jjH960M Focusrite Scarlett 2i2 Audio Interface https://a.co/d/9CUtBxD Audio Technica M-Series Headphones https://a.co/d/05fcVwv Behringer Xenyx 1202 Mixer https://a.co/d/f24hsOS Neewer Microphone Arm Stands https://a.co/d/2K2S4Zf

The Greatest Music Podcast ever made is back again! Music News SZA SOS Album Review Music Career Left Turns (New Year New Me) - Neil Young , Garth Brooks, Ye Follow us on Instagram! https://www.instagram.com/gitgpod Get In The Garage uses: Shure SM57 & SM58 Microphones https://a.co/d/5Ix5oCR https://a.co/d/jjH960MFocusrite Scarlett 2i2 Audio Interface https://a.co/d/9CUtBxDAudio Technica M-Series Headphones https://a.co/d/05fcVwvBehringer Xenyx 1202 Mixer https://a.co/d/f24hsOSNeewer Microphone Arm Stands https://a.co/d/2K2S4Zf

„Az alábbi professzionális minőségű (24 bit CPM, 44,100 KHz, 2067 kbps) felvétel 2022. november 7-én 11:30 és 12:29 között készült egy Király utcai lakásban, zárt ablaknál, professzionális Shure SM57-es dinamikus hangszermikrofonnal és Audient iD4 audiointerfésszel. A hangzó anyag tökéletes élvezetéhez erősen ajánlott high-end audiofil (professzionális) audio equipment (pl. Meze Empyrean izodinamikus hybrid array, esetleg Focal Utopia fejhallgató) és professzionális fejhallgató-erősítő (pl. Naim Uniti Atom, TEAC UD-701N, stb.).” A 444 heti rendszerességgel jelentkező, 1 órás podcastje az (előző) állampárti rendszer televíziójának hétfői adását aktualizálva gerjeszti a médiazajt.See omnystudio.com/listener for privacy information.

I was overhearing this guy talking on the phone directly outside my window, and I was playing these chords over and over. The two combined in my head. Sometimes we just need a little bit of hope. This is the second single for the upcoming Rose with Teeth album. LYRICS: "It's a huge trauma thing with him—I'm not a therapist." There's nothing in our blood that determines who we are. This pain is not a natural outcome of existence— to be honest, it's incredible we've gotten this far. This is our chance, listen here: all we have to do is wait, wait here and listen to me. (That's an annoying trait!) Wait, what are you doing there? GET THE FUCK DOWN FROM THAT TREE Splitting little hairs isn't fair! WHAT ARE YOU DOING TO ME? "There's a future for both of us unencumbered— unencumbered by the pain of our pasts." I know that everyone's days are numbered, but you'd be shocked by how long we could last. Personnel: • Angie Sutherland ──vocals, guitars, bass, synths, lyrics, composition, production, mixing, mastering, cover art • Spencer Rider ──saxophone, composition Notes: Instruments and equipment used: Shure SM57 and SM58 microphones, Steinberg UR22mkII and Behringer U-Phoria UM2 USB audio interfaces, a Line 6 Variax 300 electric modelling guitar, an Ibanez GSR200 bass guitar, a Guild G37 acoustic guitar, a Yamaha Advantage YAS-200AD tenor saxophone, and Ableton Live using presets, the sforzando and Dexed VSTs, and the soundfont/library Virtual Playing Orchestra. Wherever possible, care has been taken to tune all instruments to the Werckmeister III well temperament.

SHOW NOTES:In this Writing Party, we are focussed on EXPANDING THE WORLD of your TV SERIES.In episode #1, we talked about The Series Premise Logline. There are, generally, two models for that logline: a logline based on Character(s) (think Breaking Bad, with Walter White's journey) or a logline based on Place (think the original Star Trek, aboard the Enterprise.)Whichever model you followed in writing your Series Premise Logline, in podcast episode #2 I talked about filling out your world: if you know the character(s), you need to flesh out the place; if you know the place, you need to flesh out the characters.In this Writing Party, that's what I want you to do.Go to the BLOG POST ARTICLE that accompanies this Writing Party. There you will find a Venn Diagram and instructions for using it for this Writing Party.Have fun!***********Thanks for listening! If you have a question for me, leave a voice message on my website.Important Administrivia:TO GET on my Email List and Get my FREE Ebooklet: The QuickGuide To TV Writing Structure, visit-- https://writetv.info/OUR WEBSITE: https://howtowritetv.com/Sound effects obtained from https://www.zapsplat.comMusic from https://www.zapsplat.comRecorded With: Tascam Mixcast4 with Shure SM57.  What did you think of the sound? 

Podcasting can be a very isolating activity. As the podcaster, we often sit alone in front of our computer - doing hours of research, staying on top of social media engagement, building our website, the list goes on. We sit alone behind our mic when we record hoping we are saying things in a way that will resonate with our audience. Often this process can make us feel alone, isolated, and unsure of what we are doing. These feelings of isolation can also build up to frustration- wondering if we are doing it all wrong. Imposter syndrome can kick in- is anyone even listening? Is my message resonating? So how do we continue to do this thing we love- podcasting…without feeling isolated, frustrated, or confused? We found the best way to alleviate all of these issues is to be an active member of a community of individuals with similar goals. Being an active, engaged member of a community like this can turn an isolating activity like podcasting into a connected and exhilarating venture..Join our own Mastering the Art of Podcasting Membership group to be connected to a community of like-minded podcasters! Click this link to joinEpisodes referenced:Episode 22: Clever Conversations with Bri CampanoExperts who Taught Masterclasses in the Membership Group:Jeni Thomas- Episode 24: Don't Be Afraid of the Big Bad Tax Wolf Erin Ramsey- Episode 15: You're Such a Podcaster_____David's mic: Shure SM57 with A81WS windscreenTiphany's mic: Blueberry by Blue______Join our FREE Facebook community: Mastering the Podcaster Mindset Support GroupGet the Guide “The Biggest Mistake Podcaster Make and How to Avoid It”: DM us on IG: @podcastermindset_______Produced by: KaSa Media ProductionsEdited by: The Sexy Sound Guy (aka David Sais)

Podcasting can be a very isolating activity. As the podcaster, we often sit alone in front of our computer - doing hours of research, staying on top of social media engagement, building our website, the list goes on. We sit alone behind our mic when we record hoping we are saying things in a way that will resonate with our audience. Often this process can make us feel alone, isolated, and unsure of what we are doing. These feelings of isolation can also build up to frustration- wondering if we are doing it all wrong. Imposter syndrome can kick in- is anyone even listening? Is my message resonating? So how do we continue to do this thing we love- podcasting…without feeling isolated, frustrated, or confused? We found the best way to alleviate all of these issues is to be an active member of a community of individuals with similar goals. Being an active, engaged member of a community like this can turn an isolating activity like podcasting into a connected and exhilarating venture.. Join our own Mastering the Art of Podcasting Membership group to be connected to a community of like-minded podcasters! https://bit.ly/march_membership_discount (Click this link to join) Episodes referenced: https://player.captivate.fm/episode/94860cb2-7df1-4936-bba1-bc1722023dd9 (Episode 22: Clever Conversations with Bri Campano) Experts who Taught Masterclasses in the Membership Group: Jeni Thomas- https://player.captivate.fm/episode/e6e75df7-42cb-4f0f-a3a1-7b06cd0ee8fd (Episode 24: Don't Be Afraid of the Big Bad Tax Wolf)  Erin Ramsey- https://player.captivate.fm/episode/e1b65f14-f386-4e3d-90ce-350185656356 (Episode 15: You're Such a Podcaster) _____ David's mic: Shure SM57 with A81WS windscreen Tiphany's mic: Blueberry by Blue ______ Join our FREE Facebook community: https://www.subscribepage.com/podcastmindset_freegroup (Mastering the Podcaster Mindset Support Group) Get the Guide “https://landing.mailerlite.com/webforms/landing/m8c3s5 (The Biggest Mistake Podcaster Make and How to Avoid It)”:  DM us on IG: @https://www.instagram.com/podcastermindset/ (podcastermindset) _______ Produced by: KaSa Media Productions Edited by: The Sexy Sound Guy (aka David Sais)

Happy holidays to you from us at Spoken Word with Electronics. Primary music in track two is goth santas Alien Sex Fiend, whose Stuff the Turkey should be sung around every chimney. We also review an Electro-Voice RE20, whose flat frequency curve at 5K makes it the far better microphone for this show than any Shure product. That mic comparison (RE20 vs SM57 vs SM7B) is discussed in the introduction. Enjoy the season. Oh, Mariah! This track: Demo of RE20 on a shockmount in an untreated room. Comparison of Shure SM7B and Shure SM57 to an Electrovoice RE20.

Happy holidays to you from us at Spoken Word with Electronics. Primary music in track two is goth santas Alien Sex Fiend, whose Stuff the Turkey should be sung around every chimney. We also review an Electro-Voice RE20, whose flat frequency curve at 5K makes it the far better microphone for this show than any Shure product. That mic comparison (RE20 vs SM57 vs SM7B) is discussed in the introduction. Enjoy the season. Oh, Mariah! This track: Demo of RE20 on a shockmount in an untreated room. Comparison of Shure SM7B and Shure SM57 to an Electrovoice RE20.

Shure SM57 PreSonus Bluetube V2 by Podluck Podcast

Shure SM57 Focusrite Scarlett 2i4 by Podluck Podcast

WISCONSIN MUSIC PODCAST Friday Music Showcase #23 Orphics Alley   This week we hear 4 songs from a Wisconsin band from the 1970's that drew from the fusion music of the time.  It was recorded in a garage with analog gear and probably Shure SM57 and 58's.  It was converted to digital in the early 2000's and recently, I did some audio restoration to it.

Buenos días y feliz viernes!!! Hoy os traigo dos cuestiones. la primera es que este episodio lo estoy grabando con la Focusrite Scarlett 2i2 2ª generación, micrófono Shure SM57 y un previo de micrófono Fethead. Ya me diréis si notáis diferencias en la voz. Lo segundo es que no sé qué contenido crear a partir de ahora en el proyecto Salmorejo Geek, blog, podcast y canal de Youtube. Acepto sugerencias ;) Música: Funky Logo 12 by TaigaSoundProd Link: https://filmmusic.io/song/8045-funky-logo-12 License: https://filmmusic.io/standard-license --- Send in a voice message: https://anchor.fm/subeparriba/message

The Russian and Chinese governments have been profoundly involved in the global opioid trade, as has the United States government. Chinese and Russian actors have been known to mass-produce carfentanil, a highly potent synthetic opioid, not only as a drug and cutting agent, but as a chemical weapon. Carfentanil and other fentanyl derivatives are the most common agents in what have been termed "deaths of despair" in the poorer, neglected regions of the United States and Russia. The drug trade has always been wrapped up in political intrigue, and the role of the United States, specifically the CIA, is no exception. As Peter Dale Scott has written about, the so-called War on Drugs has mostly been an excuse for intelligence agencies and cartels, often in alliance, to enrich themselves at the expense of other people. Iran-Contra was only one small piece of the gigantic puzzle, and even then, it goes deeper than assumed. For instance, the CIA in the '50s and '60s was deeply tied with the business of psychedelics manufacturing and distribution, in part because the recreational use of such enabled them to gather a large recruitment base for experiments involving combining drugs, electronics, and various forms of torture and abuse in order to determine if the individual mind, and society at large, could be controlled. Maybe it was these experiments that fed into worldwide delusions about electronic harassment, or what is often called 電波 in Japanese... This is the first single for the upcoming second Rose with Teeth album. LYRICS: Александра Элбакян, моя любовь – милость твоя. Знание заставляет меня потерять себя в странных занятиях, что отвлекают меня от боли, и волн, что они вещают. I don't know what I am trying to do with my time, with my life. I am waiting for you to tell me what my move is, but I don't even know who you are. Tell me when it is my time to go and I'll go without a fight, but the horrific light makes me wonder if it's worth having eyes and eyesight. And I know that I'm waiting and I can't stand the wait 'cause the drugs are pumping in and I know I'll suffocate. みんな楽しもうとしている。 でも、うまくいきません。 誰もが泣きたい、でも、 涙管が壊れている。 彼らは私の涙を盗んだ。 彼らは私の楽しみを盗んだ。 涙が出ない。楽しめない。 誰に何が残るの？ Russian transliteration: Aleksandra Elbakian, moja liubov' – milost' tvoja. Znanije zastavliajet menia poteriat' sebia v strannyh zaniatijah, što otvlekajut menia ot boli, i voln, što oni veščajut. Russian translation: Alexandra Elbakyan, I am in love with you. Knowledge makes me lose myself in strange preoccupations that distract me from the pain and from the waves they broadcast. Japanese transliteration: Min'na tanoshimou to shite iru. Demo, umaku ikimasen. Daremoga nakitai, demo, namida-kan ga kowarete iru. Karera wa watashi no namida o nusunda. Karera wa watashi no tanoshimi o nusunda. Namida ga denai. Tanoshimenai. Dare ni nani ga nokoru no? English translation: Everyone is trying to enjoy themselves, but it's not working. Everyone wants to cry, but their tear ducts are broken. They stole away my right to cry. They stole away my right to enjoy. If we can't cry or enjoy, then what's left for anyone? Personnel: • Angie Sutherland ──vocals, guitars, bass, synths, lyrics, composition, production, mixing, mastering, cover art • Spencer Rider ──saxophone, composition • Liz W. ──translation assistance (Japanese) • NEKOSATTVA ──translation assistance (Russian) Notes: Instruments and equipment used: Shure SM57 and SM58 microphones, Steinberg UR22mkII and Behringer U-Phoria UM2 USB audio interfaces, a Line 6 Variax 300 electric modelling guitar, an Ibanez GSR200 bass guitar, a Guild G37 acoustic guitar, a Yamaha Advantage YAS-200AD tenor saxophone, and Ableton Live using presets, the sforzando and Dexed VSTs, and the soundfont/library Virtual Playing Orchestra. Wherever possible, care has been taken to tune all instruments to the Werckmeister III well temperament.

Sunny Sheu was a Taiwanese immigrant to Queens, NY who was the victim of a mortgage fraud. In the process of attempting to secure justice for himself, he came across evidence allegedly documenting improprieties on the part of the judge on his case who refused to return his house to him even after the fraudsters were arrested. After compiling this evidence, he was harassed by NYPD officers and then died under mysterious circumstances. Even his cause of death is controversial, but evidence points to deliberately inflicted blunt force trauma. No investigation has been carried out. Most of the media has refused to take this story up so far; only a few independent outlets have been willing to report on it. You may read their reporting in the links below: • http://www.truth-out.org/news/item/10943-the-death-of-sunny-sheu • https://www.nakedcapitalism.com/2011/06/sunny-sheu-murdered-for-investigating-ny-foreclosure-judge-joseph-golia.html • https://www.youtube.com/watch?v=nhDrff84ZAA DISCLAIMER 1: Rose with Teeth has no affiliation with the family, friends, or associates of Sunny Sheu as of the time of writing, and as of such time this song is not officially endorsed by any of them. I became interested in this case a couple years ago while researching corruption at various levels of government and it's stuck with me, haunting me ever since. I believe that any story like this is in the public's interest to be disseminated and understood widely. Thus I wrote a song about it. DISCLAIMER 2: For legal purposes, neither this song nor any accompanying media (images, descriptions, etc.) is making any allegations against anyone. This is an artistic work based on speculation and imagination. This is likely going to be the last "non-album single" released before my next album, but that, like everything else in existence, is subject to change. • Lyrics: You said, "Get off my case, I've got evidence against you. Mr. Justice got a lot on his hands." Tried to arm yourself with paper self-defence, you found yourself in a bad circumstance. No one knows what happened to you— (No one knows what—) cracked your head right on the ground. (—we can't be sure.) There are a lot of questions here, (We don't know what happened;) but someone doesn't want answers found. (we can't be sure.) A witness said you fell, so no need for investigation, even though it's proper practice and that is the expectation, but the judge committed fraud and the cops are on his side, and if the gang wants you dead, there is nowhere you can hide. No one knows what happened to you— (No one knows what—) cracked your head right on the ground. (—we can't be sure.) There are a lot of questions here, (We don't know what happened;) but someone doesn't want answers found. (we can't be sure.) It goes all the way up to the top— no one would report it. From coroners to street-level cops— no one would report it. From the media up to the feds— no one would report it. He wanted justice, now he is dead— no one would report it. • Credits: • Angie Sutherland ──vocals, guitars, synths, lyrics, composition, production, mixing, mastering, album art, design Notes: All lyrics written by Angie Sutherland. All music composed by Angie Sutherland. Instruments and equipment used: a Shure SM57 microphone, a Steinberg UR22mkII USB audio interface, a Line 6 Variax 300 electric modelling guitar, and Ableton Live using presets and the Surge Synth VST. Wherever possible, care has been taken to tune all instruments to the Werckmeister III well temperament. The sample at the end is taken from this video, produced near the end of Sunny Sheu's life. Rest in peace, and may he find justice. • https://www.youtube.com/watch?v=3Tr3QChAy4Y

Welcome to the sixth episode of the Truth About Recording & Mixing, hosted by Crackle & Pop!'s Johnny Sangster. This week we talk to Andrew Joslyn, violinist and orchestral arranger for people like Macklemore and Michael Bolton about a range of projects from creating huge sounding arrangements from his home studio to writing orchestrations for the Seattle Symphony. 1:40 - Another Mid-Side Demo4:45 - Listener Question about recording distorted vocals11:10 - Listener question about vocal mics & 3 Dimensional sound.15:45 - Welcome to Andrew Joslyn20:00 - Curating & scoring a series of concerts with the Seattle Symphony24:00 - the one man symphony in a box and coming up in classical.28:00 - getting into improvising and playing rock music.32:00 - breaking into the Seattle scene and deciding to get a Music Business Degree from Berklee.35:00 - meeting and beginning to work with Macklemore.37:30 - about asking for songwriter credits when providing arrangements.42:00 - Andrew's solo album.50:30 - Andrew's studio and creating the one man orchestra.01:04:40 - working with the Seattle Symphony and larger orchestras.01:17:30 - Andrew's favorite arrangers & composers & the holy grails of string recording studios.01:22:30 - Remote Orchestral recording with Musiversal 1:26:50 - recording and reamping a string quartet in a gutted tugboat!   People mentioned - Macklemore, Martin Feveyear, Mark Lanegan, Jack Endino, Bronwynne Brent, Ivan & Alyosha, No Star, Danny Baker, Seattle Symphony, Barb Hunter, Michael Bolton, Duff McKagen, Shelby Earl, Eric Anderson, London Bridge Recording, David Axelrod, Jeff Saltzman, Eli Weinberger, Eric Eagle, Whitney Monge, Nelson Riddle Vince Mendoza, Melody Gardot, Dave Cambell, Rob Mathis, Paul Buckmeister, Leslie Odum Jr., Skywalker Ranch, Jesse Butterworth, Musiversal, Ben Hazlewood, Network,    Gear mentioned - AKG C422, Electrovoice 665, Spectra Sonics, Empirical Labs Distressor, Drawmer 1961 EQ, ProCo Rat Distortion Pedal, Ampeg B-12 amp, SoundToys Decapitator, SansAmp Plugin, Shure SM57, Shure Vocal Master PA, Radial Reamp Boxes, Apple Computer, Hackintosh, Celemony Melodyne, Apple Logic, Avid Protools, Vicoustic Acoustic Treatment, UAD Apollo Quad, Coles 4038, Grace M501, Neumann TLM103, Advanced Audio Mics, QL Spaces, LA Scoring Studio, UAD Ocean Way Plugin, iZotope RX, Decca Tree, Submit your questions for Johnny by sending us a voice memo or email to podcast@fretboardjournal.com. The Truth About Recording & Mixing is a bi-weekly podcast produced by the Fretboard Journal magazine, loosely based on our Truth About Vintage Amps Q&A podcast. www.johnnysangster.com www.cracklepopstudio.com www.fretboardjournal.com

soundboard is a production of Austin Audio Laboratory. Visit austinaudiolab.com to learn more! Just how did sound recording get started? The story, and the innovations that made it happen, might surprise you. On today's episode, Mark hits rewind and presents a brief chronicle of the history of recording. Then, Gabe hits the streets to record, and develop, some sounds of his own. For a transcript of today's episode, additional content, and links to our sound effects library, visit austinaudiolab.com/soundboard ----- To support the Austin Audio Lab team and gain special access to bonus content, consider becoming a Patron at patreon.com/austinaudiolab ----- Sound Design and Editing by Mark Stelter and Gabe Alvarez Audio samples from Star Wars used for educational purpose. Music featured in today's episode: “Lo What” arranged and performed by Mark Stelter “Soup Brain,” "My Skipping Shoes," "Credentials" from Endemic, "Through the Jump Relay" from Starcalled written and performed by Gabe Alvarez ----- Today's audio was recorded in studio using: Rode NT-1 and Shure SM57 microphones. Sound Effects Packs available at our Bandcamp Sources and Resources for today's episode: https://www.emiarchivetrust.org/about/history-of-recording/ https://www.loc.gov/collections/emile-berliner/articles-and-essays/emile-berliner-biography/ https://www.firstsounds.org/sounds/ https://www.nps.gov/edis/learn/historyculture/origins-of-sound-recording-charles-cros.htm WHITTINGTON, WILLIAM. Sound Design and Science Fiction. University of Texas Press, 2007. JSTOR, www.jstor.org/stable/10.7560/714304. https://nerdist.com/article/star-wars-blasters-sound-effect-origin-ben-burtt/ https://www.20k.org/episodes/pewpew https://www.popularmechanics.com/culture/movies/news/g2486/how-6-of-star-wars-iconic-sounds-were-conceived/

soundboard is a production of the Austin Audio Laboratory Ever noticed that what you sound like and what you think you sound like don't exactly match up? On today's episode, Mark explains why we experience this by looking at the physiology of sound. Then, Gabe explores the potential of building a space and a scene by repurposing sounds from last episode. For a transcript of today's episode, additional content, and links to free sound effects packs, visit austinaudiolab.com/soundboard ----- To support the Austin Audio Lab team and gain special access to bonus content, consider becoming a Patron at patreon.com/austinaudiolab ----- “Different Tone of Voice” written and produced by Mark Stelter “What You've Got, vol. 01” written and produced by Gabe Alvarez Sound Design and Editing by Mark Stelter and Gabe Alvarez “Blue Bossa” arranged and performed by Mark Stelter “Reflexive Mood” performed by Gabe Alvarez ----- Today's audio was recorded in studio using: Rode NT-1 and Shure SM57 microphones. Sound Effects Packs available at our Bandcamp Sources: https://www.scientificamerican.com/article/why-does-my-voice-sound-different/ https://www.ncbi.nlm.nih.gov/books/NBK531483/ https://www.soundguys.com/bone-conduction-headphones-20580/ https://www.mayoclinic.org/tests-procedures/cochlear-implants/about/pac-20385021#:~:text=A%20cochlear%20implant%20is%20an,helped%20by%20using%20hearing%20aids

soundboard is a production of the Austin Audio Laboratory. On today's episode, meet the team -- Mark and Gabe, the co-founders of the Austin Audio Laboratory -- and get a glimpse into our work, our mission, and what we've got planned. For a transcript of today's episode, additional content, and links to free sound effects packs, visit austinaudiolab.com/soundboard ----- To support the Austin Audio Lab team and gain special access to bonus content, consider becoming a Patron at patreon.com/austinaudiolab ----- Written by Mark Stelter and Gabe Alvarez Sound Editing by Mark Stelter and Gabe Alvarez Music composed, performed, and recorded by Mark Stelter and Gabe Alvarez ----- Today's audio was recorded in studio and in field using: Rode NT-1, Audio-Technica AT875R, and Shure SM57 microphones.

I made this over the course of about 5-6 hours, just to have some fun and make myself less mental health. This is sort of a teaser for the new directions Rose with Teeth is going in, although at the same time it's a lot sillier, more lighthearted, more guitarless, and less focused than anything that'll be on the next album. • Lyrics: What is here again? I don't remember what I'm supposed to do. It's December, so I should be enjoying the snow, but everything else is breaking the flow. Now I want to have some nice fun on my own. Nothing quite like the sun as my hair is blown out of all proportion; I don't like this game that you are playing with me. It's full of pain... Now I get the idea of what's going on. Can you translate it though? I don't speak Klingon. Welcome to a new world—I'm feeling deceptive. It might reach out to us, but we're not receptive. Everything is under my control. Everything is under my control. Everything is under my control— wait a sec, nothing is under my control. Nothing makes sense when you have a part to play that doesn't make pence. Everything is something that it shouldn't be too hard to fake, so make your problems here and now before they pile and break the bough; you can't expect to be infected in your brain now anyhow. (Holy hell, it's here to stay...) Nothing makes sense when you have a part to play that doesn't make pence. (...should've fixed this yesterday.) Everything is something that it shouldn't be too hard to fake, (Nothing makes it go around...) so make your problems here and now before they pile and break the bough; (Might just fix it anyhow.) you can't expect to be infected in your brain now anyhow. (Holy hell, it's here to stay...) So make your problems here and now (...should've fixed this yesterday.) before they pile and break the bough. (Nothing makes it go around...) You can't expect to be infected (Might just fix it anyhow.) in your brain now anyhow. • Credits: • Angie Sutherland ──vocals, synths, lyrics, composition, production, mixing, album art, design Notes: Lyrics written by Angie Sutherland. Music composed by Angie Sutherland. Instruments and equipment used: a Shure SM57 microphones, a Steinberg UR22mkII audio interface, and Ableton Live using presets and the BBC Symphony Orchestra Discover, Dexed, ComboF, and TX16Wx VSTs.

This episode bops! Our guest on the show this week is Chel Wong, an award-winning game composer who has worked on several published and early-access titles, like Watch This Space and Kine. Her work on Kine earned the game the award for Best Audio at Reboot Develop Red 2019. From composing to mastering, we ask Chel to describe her preferred tools and workflows for creating music for games. Also, there is a tense debate—Galaxy or Sunshine?MetaReboot Developed Red ConferenceGame Audio Network Guild (GANG) Awards Mark mentioned that once upon a time in a previous episode, he also talked about using Reaper. "She also cheats a lot." Game Audio Tools and Workflows AudioGamesKine - SteamLab Rats (a satirical puzzler by Gwen Bond, formerly Gwen Frey) - SteamAudio Software ToolsReaperReasonFL Studio (stand for Fruit Loops)Helm AudioTAL NoisemakerMusescore - Software for Written MusicInstrument SynthizersKomplete - Native InstrumentsKontact - Native InstrumentsAudio HardwareFocusrite -Scarlett SeriesMicrophonesShure SM57Shure SM58Shure SM7bAudio-Technica AT2035Other MentionsGame Sound ConChel and her friend Tiffany Otto are going for 120 stars on Super Mario 64!  - ChelWongAudio, TwitchChel WongGuestChel Wong (or Mitchel) is a freelance composer specializing in video games. She's also co-organizer of Game Audio Boston and Head Curator of Audio for BostonFIG. Chel has conducted orchestras and is also a musician, collecting all sorts of instruments to record for her work. You'll regularly find her in the recording studios at Berklee College of Music. External link Chel's websiteChel on BandcampChel on TwitterChel on TwitchChel on SpotifyChel on Soundcloud

This episode bops! Our guest on the show this week is Chel Wong, an award-winning game composer who has worked on several published and early-access titles, like Watch This Space and Kine. Her work on Kine earned the game the award for Best Audio at Reboot Develop Red 2019. From composing to mastering, we ask Chel to describe her preferred tools and workflows for creating music for games. Also, there is a tense debate—Galaxy or Sunshine? Meta Reboot Developed Red Conference Game Audio Network Guild (GANG) Awards   Mark mentioned that once upon a time in a previous episode, he also talked about using Reaper. "She also cheats a lot." Game Audio Tools and Workflows Category Audio   Games Kine (out on Steam October 19!) Lab Rats (a satirical puzzler by Gwen Bond, formerly Gwen Frey) Tools Reaper Reason FL Studio Focusrite Shure SM57, SM58, SM7b, Audio Technica AT2035 Helm TAL Noisemaker MuseScore Native Instruments: Komplete Native Instruments: Kontact Other Mentions Game Sound Con Chel and her friend Tiffany Otto are going for 120 stars on Super Mario 64! Watch it on Twitch!   Guest   Chel Wong (or Mitchel) is a freelance composer specializing in video games. She's also co-organizer of Game Audio Boston and Head Curator of Audio for BostonFIG. Chel has conducted orchestras and is also a musician, collecting all sorts of instruments to record for her work. You'll regularly find her in the recording studios at Berklee College of Music.   External link Chel's website Chel on Bandcamp Chel on Twitter Chel on Twitch Chel on Spotify Chel on Soundcloud

Die Geschichte des Shure SM57, so wie wir es heute kennen, begann zwischen 1937 und 1939. Ben Bauer, Ingenieur von Shure, war es, der damals die Idee hatte das erste unidirektionale Mikrofon zu entwickeln – das Shure 55 Unidyne. Mittlerweile ist das SM57 55 Jahre alt und vor den E-Gitarren-Verstärkern der Weltgeschichte nicht mehr wegzudenken. In dieser Episode sprechen wir mit Ruben Jahrling und Jannic Waßmuth aus dem Sky.line Tonstudio in Gießen über den Sound des SM57 und die Alternativen zur Abnahme des E-Gitarren-Amps. Die beiden Engineers erzählen uns außerdem, wie sie beim E-Gitarren-Recording vorgehen, worauf sie achten, und geben euch Tipps und Empfehlungen rund um das Thema E-Gitarren-Aufnahmen. Viel Spaß beim Hören! Folge uns auf: Facebook: https://bit.ly/3fGHgR2 Spotify: https://spoti.fi/2F8weat Apple Podcasts: https://apple.co/31Jp5VV YouTube: https://bit.ly/2QUlL5K Shownotes: Sky.line: www.facebook.com/skylinegiessen www.soundandrecording.de www.studioszene.de Shure SM57 – Die Geschichte eines Mikrofon-Klassikers   https://www.soundandrecording.de/stories/shure-sm57-die-geschichte-eines-mikrofon-klassikers/   SM57 und E906 im Hörvergleich am Gitarrenamp  https://www.soundandrecording.de/tutorials/sm57-und-e906-im-hoervergleich-am-gitarrenamp/  E-Gitarren Recording mit Hans Martin Buff, Ingo Powitzer und Stephan Lembke  https://www.soundandrecording.de/tutorials/e-gitarren-recording-mit-hans-martin-buff-ingo-powitzer-und-stephan-lembke/  Unsere Top 5 Mikrofone zum E-Gitarre aufnehmen  https://www.soundandrecording.de/equipment/unsere-top-5-mikrofone-zum-e-gitarre-aufnehmen/  Mikrofonvergleich vor dem E-Gitarrenverstärker  https://www.soundandrecording.de/tutorials/mikrofonvergleich-vor-dem-e-gitarrenverstaerker/  Auto-Tune Unlimited https://www.antarestech.com/product/auto-tune-unlimited/ Empirical Labs Big FrEQ http://www.empiricallabs.com/big-freq/ Plugin Alliance NEOLD V76U73: https://www.plugin-alliance.com/en/products/neold_v76u73.html

This week Henry and Dave welcome our newest bud to the squad, diving deep into Anthony Gravino’s history as a touring musician and evolution into an on-demand recording, mix, and mastering engineer. Anthony operates out of his studio The Drake, crafting records with smart choices and bold sonics.Listen in for tips for the API 1608, why the combination of a Neumann U67, PAST Neve 1081, and Urei LA3A is a god-like vocal chain, and some outside the box uses for the venerable Shure SM57. We even have time to learn more about the Situation Chicago compilation, the positives of having a studio cat, paying attention to what the click track does to feel, and demo dilemmas.Also discussed: Elk Audio’s Aloha (a promising system for remote jamming), the free Waves Berzerk and IK Multimedia Ampeg SVX plugins, socially distant shows in the UK, Brainiac, The Sword’s Age of Winters, and all-time favorite band logos.Use your ears, ya’ hear?

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John Bolton, Trump, and the rest of their fetid administration are pushing for war with Iran. As of the writing of this, all non-emergency State Department personnel are being recalled from Iraq. So I got really angry and recorded this in approx. 20 minutes. It's wonky and the timbrel is off-beat but [insert ms paint star with "i tried" in Comic Sans here]. This administration has been nothing but a massive operation to get disgraced Reagan and Bush administration warmongers and criminals back into positions of power and influence even though they should actually be rotting in a prison in the Hague. Say no to war with Iran or any other country. No war but the class war. Permanent free download (with original files): www.archive.org/details/BullshitWar Lyrics: FUCK THE GOVERNMENT FUCK THEM ALL LINE THEM UP AT THE FUCKING WALL FUCK JOHN BOLTON AND HIS WAR WITH IRAN EVERY WAR IS A FUCKING SCAM BULLSHIT WARS BULLSHIT REASONS IT'S HUNTING TIME POLITICIAN SEASON WE DON'T WANT YOUR FUCKING WAR INSURRECTION OF THE GLOBAL POOR ALL OF THEM SHOULD BE DOING TIME IN THE HAGUE FOR THEIR STINKING CRIMES WE WILL NEVER KISS THEIR ASS LET'S MAKE WAR ON THE RULING CLASS BULLSHIT WARS BULLSHIT REASONS IT'S HUNTING TIME POLITICIAN SEASON WE DON'T WANT YOUR FUCKING WAR INSURRECTION OF THE GLOBAL POOR BULLSHIT WARS BULLSHIT REASONS IT'S HUNTING TIME POLITICIAN SEASON WE DON'T WANT YOUR FUCKING WAR INSURRECTION OF THE GLOBAL POOR Credits: Personnel: • Evangeline Sutherland (except where otherwise noted) ——vocals, guitar, timbrel, production, art, design Notes: All lyrics written by Evangeline Sutherland. All music composed by Evangeline Sutherland. Instruments and equipment used: a Shure SM57 microphone, a Steinberg UR22mkII USB audio interface, a Kona K394D acoustic guitar, a Remo timbrel, and Audacity.

Tal y como prometí hace unos capítulos hoy me he decidido a probar un micrófono condensador y no uno cualquiera, sino un Rode NT2-A que se enfrentará a mi habitual Shure SM57 actuando como árbitro mi interfaz Focusrite Scarlett 2i2. También os contaré cómo va el diseño de producción de mi podcast con Pedro Sánchez y a colación de Recuerdos de Japón, nuevo podcast de Emilcar FM, os hablaré cómo damos cobijo en la red a las iniciativas de nuestros podcasters.Patrocinado por Podrover, un servicio que recoge para ti las reseñas que va recibiendo tu podcast en todos los países en los que iTunes lo publica, enviándotelas por email o por Slack y permitiéndote así estar al corriente del feedback más importante del podcasting actual. En Emilcar FM usamos Podrover y tú puedes conocer su servicio durante treinta días sin compromiso y un descuento inicial del 10% desde http://podrover.com/promopodcastBusca los enlaces de este episodio en https://emilcar.fm/promopodcast donde también esperamos tus comentarios.

Tal y como prometí hace unos capítulos hoy me he decidido a probar un micrófono condensador y no uno cualquiera, sino un Rode NT2-A que se enfrentará a mi habitual Shure SM57 actuando como árbitro mi interfaz Focusrite Scarlett 2i2. También os contaré cómo va el diseño de producción de mi podcast con Pedro Sánchez y a colación de Recuerdos de Japón, nuevo podcast de Emilcar FM, os hablaré cómo damos cobijo en la red a las iniciativas de nuestros podcasters.Patrocinado por Podrover, un servicio que recoge para ti las reseñas que va recibiendo tu podcast en todos los países en los que iTunes lo publica, enviándotelas por email o por Slack y permitiéndote así estar al corriente del feedback más importante del podcasting actual. En Emilcar FM usamos Podrover y tú puedes conocer su servicio durante treinta días sin compromiso y un descuento inicial del 10% desde http://podrover.com/promopodcastBusca los enlaces de este episodio en https://emilcar.fm/promopodcast donde también esperamos tus comentarios. Hosted on Mumbler.io

Tal y como prometí hace unos capítulos hoy me he decidido a probar un micrófono condensador y no uno cualquiera, sino un Rode NT2-A que se enfrentará a mi habitual Shure SM57 actuando como árbitro mi interfaz Focusrite Scarlett 2i2. También os contaré cómo va el diseño de producción de mi podcast con Pedro Sánchez y a colación de Recuerdos de Japón, nuevo podcast de Emilcar FM, os hablaré cómo damos cobijo en la red a las iniciativas de nuestros podcasters.Patrocinado por Podrover, un servicio que recoge para ti las reseñas que va recibiendo tu podcast en todos los países en los que iTunes lo publica, enviándotelas por email o por Slack y permitiéndote así estar al corriente del feedback más importante del podcasting actual. En Emilcar FM usamos Podrover y tú puedes conocer su servicio durante treinta días sin compromiso y un descuento inicial del 10% desde http://podrover.com/promopodcastBusca los enlaces de este episodio en https://emilcar.fm/promopodcast donde también esperamos tus comentarios.

This week the guys meet up with Stevie Mac to drink a couple of Bud Lights and discuss important topics including the BIG porn shutdown, The Maltings, gruesome skateboard injuries, the guys receive gifts from Stevie Mac and PJ & Alanna from Night & Day Podcast, and why you should NEVER go to the zoo first thing in the morning. WE ALSO HAVE 2 BIG ANNOUNCEMENTS THIS WEEK.....TUNE IN TO FIND OUT MORE!!!!! Including Braw Or Naw, Sports & watching/Listening This Week If you wouldn’t mind subscribing to the show on iTunes, it helps the show out a lot and would be greatly appreciated.  You can do that here: https://itunes.apple.com/us/podcast/monkey-sword-fight/id1346837791?mt=2 You can also now subscribe to our PATREON for only £2 per month!!! You'll get a shoutout at the start and end of every episode each week, prizes, and access to a minimum of 15 mins exclusive additional content each week. You can sponsor us on Patreon here: https://www.patreon.com/MonkeySwordFight?fbclid=IwAR1_dom_x2ZDeU0jE_-LmDMncFkVZ_--YDZTWpCTti2DqySxkFdGqzl_gJE Follow us here on podbean: https://monkeyswordfight.podbean.com/  Don’t forget, the guys are always looking for your feedback and suggestions, so feel free to get in touch at: monkeyswordfightpodcast@gmail.com You can contact the guys on facebook at: https://www.facebook.com/MonkeySwordFightPodcast/ Or on Twitter at: https://twitter.com/MSF_podcast   SOCIAL MEDIA: www.twitter.com/Wagjuanpatrice  www.twitter.com/_MDotts www.twitter.com/macapella https://www.facebook.com/steven.mcintosh.585 https://www.facebook.com/smskateschool/   Hosts: Jordan Patrick & Mike Dotts Guest: Stevie Mac Producer: Andy Macfarlane   TIMECODE:   00:00:00 - Intro & Words With Dotts 00:10:02 Listener Feedback  00:12:05 - Chat with Stevie Mac (Incl; Skate School, Skateboarding, Worst slams, Best moments, Stevie brings some gifts, and much more) 00:38:42 - Letter and gift from PJ and Alanna from Night and Day Podcast 00:40:45 - Whats been going on this week (Incl; A fake Shure SM57 microphone, Mosh-pits in Glasgow, Kids birthdays, Planning trips, and more) 01:00:15 - BIG NEWS ( 2 new MSF developments - Listen to find out more!) 01:11:43 - Braw Or Naw (Incl; Skateboarding in the Olympics, Minnesota High School Hockey Hair, Roma, Scented toilet paper, The Maltings, and much more) 01:31:23 - Sports (Incl; The recent fan trouble in Scottish and English football matches) 01:43:15 Watching/Listening This Week (Incl; Leaving Neverland, The 68, Captain Marvel, Starship Troopers, D.I.T.C, JRE Experience, and a mid-ramble about porn)  

楽曲提供Masheen Messiah ・For the Light Unseen iTunesのレビューを書いていただけると嬉しいので、よろしくお願いします。 ちゃーりーのYoutube VLOG ちゃりドラ！ 今日の … 続きを読む 139 ちゃーりー収録機材一新！Apogee One ＋ Shure SM57で初録音

Mike Dawson is one of the coolest people I've met in the last year.  He's also a great drummer, podcast host, and Managing Editor at Modern Drummer Magazine; but my favorite Mike Dawson qualities are generosity and humility.  I believe it's these two qualities that brought him back to the podcast to help me celebrate milestone episode 25.  Would you like to know a bit more about him?  Check out episode 1 of this podcast. That's right, he was my very first guest.  For this episode, I had two primary interests for this interview. One, find out Mike's secret sauce for success on Instagram and Facebook.  And two, dig into the details of his home studio setup.  Here's what I learned. The first order of business was talking about how Mike has built his impressive following on social media.  He summed it up in a word–consistency.  He said his strategy has been simply to put some grooves on Instagram every day at about the same time of day.  When asked about his preference in terms of social channels, he went straight to Instagram, because it allows easy-to-use editing, trimming, filters, and more.  He also loves how Instagram easily and conveniently feeds right into Facebook and Twitter. The conversation then dove deep into how Mike's studio is set up for the different types of recording he does.  For Instagram his set-up includes two mics for the drum set; one on the bass drum just outside the hole in the head and a room mic three to four feet in front of the kit.  He runs the mics through a mixing board which feeds through a Shure MVi and then into his iphone.  The good news is that the mics he uses are fairly inexpensive. Mike then shares specifics on mics, software, hardware and sound treatment used for his professional recording work.  This is typically work for which he's hired and paid.  He shares a number great tips including his "secret microphone," sound treatment, overheads, and more.  Mike uses Logic recording software. He admits that their are benefits to knowing Protools even if you prefer an alternative such as Logic, but finds Logic best fit his needs. When I asked him to ballpark the cost of a starter home studio, he says it's totally doable for less than $1000, not including your instruments and computer. SHOW NOTES @MikeDawsonDrums on Facebook @MikeDawsonDrums on Instagram  Episode 1 of The Unstarving Musician's Podcast The Modern Drummer Podcast PRODUCTS DISCUSSED WaveDrum Mendala Drum Nord Drum 3P Shure MVi Digital Audio Interface Final Cut Pro Sennheiser E604 Shure Beta 91a AKG d12vr Solomon Subkick Audix D6 Shure Beta 52 Shure SM57 (the secret mic) MXL 604 Small Diaphragm Condenser Micr Shure Beta 98A Sennheiser e904 Shure SM7B BLUE Hummingbird Condenser Mic Shure ksm32 Audio Technica AT4050ST Logic Pro X recording software WeTransfer.com Focusrite 18i20 iMac RESOURCES FOR MUSICIANS  The Unstarving Musician's Guide to Getting Paid Gigs: How to Get Booked and Paid What You're Worth, Over and Over Again! ConvertKit – Awesome email marketing solution, something every musician needs Disclosure: Many of the products below are listed using Amazon Associate links, which means I get a small commission if you buy using one of these links.  This is one way that I support the podcast. If you wish to purchase something using any of these links–cool.  If you don't want to purchase using one of these links, don't give it another thought. The podcast is for you, and I appreciate your support as a listener. Just so ya know. :)

Mike Dawson is one of the coolest people I've met in the last year.  He's also a great drummer, podcast host, and Managing Editor at Modern Drummer Magazine; but my favorite Mike Dawson qualities are generosity and humility.  I believe it's these two qualities that brought him back to the podcast to help me celebrate milestone episode 25.  Would you like to know a bit more about him?  Check out episode 1 of this podcast. That's right, he was my very first guest.  For this episode, I had two primary interests for this interview. One, find out Mike's secret sauce for success on Instagram and Facebook.  And two, dig into the details of his home studio setup.  Here's what I learned. The first order of business was talking about how Mike has built his impressive following on social media.  He summed it up in a word–consistency.  He said his strategy has been simply to put some grooves on Instagram every day at about the same time of day.  When asked about his preference in terms of social channels, he went straight to Instagram, because it allows easy-to-use editing, trimming, filters, and more.  He also loves how Instagram easily and conveniently feeds right into Facebook and Twitter. The conversation then dove deep into how Mike's studio is set up for the different types of recording he does.  For Instagram his set-up includes two mics for the drum set; one on the bass drum just outside the hole in the head and a room mic three to four feet in front of the kit.  He runs the mics through a mixing board which feeds through a Shure MVi and then into his iphone.  The good news is that the mics he uses are fairly inexpensive. Mike then shares specifics on mics, software, hardware and sound treatment used for his professional recording work.  This is typically work for which he's hired and paid.  He shares a number great tips including his "secret microphone," sound treatment, overheads, and more.  Mike uses Logic recording software. He admits that their are benefits to knowing Protools even if you prefer an alternative such as Logic, but finds Logic best fit his needs. When I asked him to ballpark the cost of a starter home studio, he says it's totally doable for less than $1000, not including your instruments and computer. SHOW NOTES @MikeDawsonDrums on Facebook @MikeDawsonDrums on Instagram  Episode 1 of The Unstarving Musician's Podcast The Modern Drummer Podcast PRODUCTS DISCUSSED WaveDrum Mendala Drum Nord Drum 3P Shure MVi Digital Audio Interface Final Cut Pro Sennheiser E604 Shure Beta 91a AKG d12vr Solomon Subkick Audix D6 Shure Beta 52 Shure SM57 (the secret mic) MXL 604 Small Diaphragm Condenser Micr Shure Beta 98A Sennheiser e904 Shure SM7B BLUE Hummingbird Condenser Mic Shure ksm32 Audio Technica AT4050ST Logic Pro X recording software WeTransfer.com Focusrite 18i20 iMac RESOURCES FOR MUSICIANS  The Unstarving Musician's Guide to Getting Paid Gigs: How to Get Booked and Paid What You're Worth, Over and Over Again! ConvertKit – Awesome email marketing solution, something every musician needs Disclosure: Many of the products below are listed using Amazon Associate links, which means I get a small commission if you buy using one of these links.  This is one way that I support the podcast. If you wish to purchase something using any of these links–cool.  If you don't want to purchase using one of these links, don't give it another thought. The podcast is for you, and I appreciate your support as a listener. Just so ya know. :)

I just released my newest EP, Country Punkin. It's a collection of 4 to-the-point no-nonsense rock songs, inspired lyrically by country music and musically by punk rock. There are no intros, outros, interludes, solos, or instrumentals. Every song begins right away with only the core meat-and-potatoes parts of the song. Recorded entirely on the Teenage Engineering OP-1's four track, using a Shure SM57 plugged straight into it. Instrumentation is Drums, Guitar, Bass, Vocals.  This was the studio for "Country Punkin" In this episode, I talk about the creation of the EP. We go over it's philosophy, the goals, inspiration, process, recording, instrumentation, lyrics, and themes. I play you some isolated tracks, as well as each song. I hope it inspires you to finish your next project! Listen on iTunes or Stitcher or Google Play Support the Podcast on Patreon Show Notes: Country Punkin is available on iTunes, Spotify, Google Play and wherever else you stream your music!

Ever wondered what a DS-1 would sound like if it oscillated? Here ya go. The Jared loaned us this Keeley-modded Boss pedal, and... well, we did our best to figure it out. They can't all be gems, we suppose.  Gear used: Fender Strat Plus Gibson SG '61 Reissue Fender Precision Bass Fender Blues Jr. Shure SM57

Our lust for ProCo distortion products has brought us to this fateful moment: a shootout between two pedals with identical guts to celebrate making it to our 10th episode (a truly miraculous feat). The absolute best portion of this episode has to be sleepy Chance waking up in the morning to finish the bass demo in the new recording space after we got distracted the night of the recording by a neighbor's guitar battle challenge. But more on that later...   Gear used: 1995 Fender Stratocaster 2013 Gibson SG '61 Reissue 1998 Fender Vibrolux Reverb   Shure SM57 2010s Fender Jazz Bass Noble Bass DI

I wouldn’t kick this dirt box out of bed for eating crackers. In fact, my biggest frustration with it is that I went so long without one. This late 80s ProCo Rat II has that LM308N chip in it that everyone loves so much, and that love is completely warranted. You can thank me later for cutting out most of the weirdly existential stuff about musical safety blankets. Trust me.  Gear used: 2009 Gibson Les Paul Traditional 1992 American Telecaster Marshall Bluesbreaker  Shure SM57

Hey! Aaron from the future (2019) here. You can check out my updated gear guide at https://kit.com/thepodcastdude. There are a few things you’ll need to buy if you want your podcast to sound great. In this episode, I talk about why a great microphone is an essential investment for your show, and how much you’ll need to invest if you want your show to sound great and stand out from other podcasts. My goal was to create a comprehensive podcasting equipment guide for a beginner podcaster. I won't talk about every microphone, interface or pre-amp available, but I'll cover the essential pieces of gear you’ll need to get your show started. Podcasting Equipment Guide There are a lot of things you'll need to buy if you want to start a podcast. In this episode, I talk about why a great microphone is an essential investment for your show, and how much you'll need to invest if you want a great setup that will set you apart from other podcasters. My goal was to create a comprehensive podcasting equipment guide. I don't talk about every microphone, interface or pre-amp available, but I cover the essential pieces of gear you'll need to get started, and share what some of the best podcasters in the world are using to record shows. After listening, you'll know what the best options are for your budget. Key Takeaways: A great microphone is the most important piece of gear you'll buy. To stand out from other podcasts in a crowded market, you have to provide great content and high quality sound. Great sound quality makes your show easier and more enjoyable to listen to. You only get one chance to make a first impression. Make it a good one. If you have a tight budget, consider buying used gear online. When deciding which interface to buy, consider how many mic inputs you'll need. Always, always, always use a pop filter. Wear headphones to avoid causing echo from guests in your recording. If you're serious about making a great podcast and growing your audience, don't settle for the cheapest option. How to Stand Out in a Sea of Podcasts There are thousands of other podcasts vying for your listener's attention. To stand out, you have to provide great content, but you also need to have good sound. Great sound quality makes your show easier and more enjoyable to listen to. Attention to sound quality shows your listeners that you take podcasting seriously, which means they will take you seriously and be more likely to invest time listening to you. You only get one chance to make a first impression. Make it a good one. A Great Microphone Needs Less Post-Production Good mics require less post-production. Most recordings can be improved with post-production (noise removal, EQ, Compression, etc), but a great mic will require less post-production. If you're going to be podcasting, you can either hire someone to edit, mix, and master your show, or spend a little time to learn how to do it yourself. Cheaper mics just don't sound as good. They often have harsher high end, they sound brittle and don't have a good low-end (bass frequencies). A lot of people ask me, “What's the minimum I can spend to get started?” I don't want you to just meet the minimum. If you're going to do it, do it right. Get a great microphone as soon as possible. If you can't afford a decent mic, practice with what you have, but save money to get the mic you want. If You Have a Small Budget, Consider Buying Used Gear I understand that not everyone can spend $800 on a podcasting setup. When I started podcasting, I was using a Shure PG42 USB mic, but I wish I had invested in a better mic right away. If you have a small budget, I recommend checking out Guitar Center's used gear online, or checking your local music store for used gear. Make sure to save the receipts in case anything doesn't work, and make sure you buy from reputable sellers who offer returns if you're shopping on Ebay. If you have a tight budget, consider buying used gear online. Should I Buy a USB Mic, or a XLR Mic? One of the questions I often get asked about microphones is, “Should I get a USB mic, or an XLR mic?” If you're just starting out, and you want to spend the bare minimum, you can get a USB like the Audio Technica ATR-2100 ($60), or the Samson Q2U (also about $60). However, keep in mind that these are budget microphones, and will not give you great sound. Additionally, it's a pain in the butt to record multiple USB mics at the same, so if you plan on recording anyone else in the same place as you, go with XLR mics and an audio interface instead. If you want a good USB mic and are willing to spend a little more, check out the Rode NT USB mic. It's $170 but sounds noticably better than the cheaper USB mics. You'll also need to get a mic stand and a pop filter for each mic too: More on that a bit later. What about Dynamic vs Condenser? A dynamic mic will give you more mid-range warmth and has better off-mic noise rejection, so it won't pick up as much of the room sound or background noise. A condenser mic will give you more detailed recordings, but are often more sensitive than dynamic mics, so they may pick up more room echo and background noise. Dynamic microphones are usually a better choice for podcasting (there are a few exceptions, such as the Shure Beta 87A which is a condenser mic). If you're interested in learning more about dynamic vs condenser mics, check out 10 Statements on Condenser Microphones vs. Dynamic Microphones. The pickup pattern of the mic also affects how much background noise it'll record. Click here to learn more about microphone pickup patterns. XLR Microphones I love and recommend XLR microphones for podcasting. The microphone I use is the Shure Beta 87A. It's $250 new but you can find them used for less, and they sound great and pick up much less background noise then the other mics I've tested in that price range. If you're looking for an affordable XLR mic, you can't go wrong with a Shure SM57 or SM58. They sell new for $100, but you can find them used online for half that price. Pair a SM57 or SM58 with a simple USB interface (like the Focusrite Scarlett 2i2), and you've got a great sounding, affordable recording setup. Recording On the Go If you need to record with multiple microphones on the go, the Zoom H4N ($199) is a great option. This is a small, handheld device that has 2 microphone inputs plus a built-in condenser mic on top. If you need more than two mic inputs, get the Zoom H6 ($399) instead. The H6 has 4 mic inputs in addition to a built-in condenser mic on top. Lavaliere Mics I don't have much experience with using lav mics, but they're commonly used on stages, and they can work pretty well if you're out and about recording interviews. If you're looking for a lav mic you can use with your smartphone, check out the Rode Smartlav ($80), which is an affordable option for recording to an phone. I took a listen to the audio, and it wasn't as high quality as more expensive lav mics, but it's more affordable and convenient for mobile recordings. USB Audio Interfaces If you decide to get a XLR microphone, you will need an interface to convert the analog signal from the mic into a digital signal that your computer can record. Most interfaces connect to your computer via USB, and the smaller ones use USB for power as well. When deciding which interface to buy, consider how many mic inputs you'll need. Things to consider: How many mics will you be using at the same time? If you're just going to be recording yourself, an interface with one or two mic inputs will work fine. If you're going to be recording multiple people in the same room, you'll need an interface with four or maybe eight mic inputs. How many headphone monitoring channels will you need? Most interfaces offer one or two headphone monitoring ports (so you can listen to yourself while recording, or run your computers audio out through your interface). If you need more than one or two headphone jacks, you may want to invest in a headphone amp that you can plug additional headphone lines into. The audio interface that I'm using to record this episode is the Scarlett 2i2 ($149). It's USB powered, has two microphone inputs, and a single headphone jack. Quick note: most interfaces will give you phantom power (or 48v), which is used to power XLR condenser microphones. If you're using a dynamic microphone, you won't need to use phantom power (in fact, make sure it's turned off before you record). If you need more mic inputs (or headphone jacks), you'll want to go with the Scarlett 18i8 ($299). This has 4 mic inputs and 2 headphone jacks. If you need an interface with 8 mic inputs, get the Scarlett 18i20 ($350). Even though this interface has a higher price than the others I've listed so far, I wanted to mention the Apollo Twin Solo ($599). It's not cheap, and this model only has two mic inputs, but if you want to invest a little more money and get a fantastic interface, check it out. Cables, Stands, Pop Filters, and Other Accessories If you go with an XLR microphone, you'll need an XLR cable to connect your microphone to your interface. I use the Monoprice 15ft XLR Cable ($10). It's affordable and works great. You'll also need a mic stand. I use a normal microphone boom stand like the Samson Mic Stand ($20), which works fine for most mics. I would recommend the standard boom stand for most people, but if you want to invest a little more money and get something nice, you could go with the Heil Sound PL-2T Overhead Broadcast Boom ($120. This is a swiveling boom arm that attaches to your desk, and is very convenient for moving the mic around to any position you want. I recommend avoiding any stand that sits directly on your desk. They may cause your mic to pick up any vibrations (caused by typing or bumping the desk), which will cause thumps in your recordings. A shock mount for your mic might alleviate that, but I recommend using a standard boom stand or a boom arm instead. Always use a pop filter. A pop filter diffuses and prevents plosives and sibilants, and lets you get closer to the mic which will make your voice sound more rich and warm and gives a sense of intimacy to your recordings. The Nady Pop Filter is $10 on Amazon and is a no-brainer (pretty much any pop filter will get the job done). Power Conditioner A power conditioner cleans and filters noise and hums that might come through your computer or interface's power supply. You might not need one of these, but if you hear a hum or buzz in your recording that you can't eliminate, try a power conditioner to see if it helps. I plug my computer and pre-processor into a Furman Power Conditioner ($55). Audio Pre-Processors You may have heard about the DBX 286 ($200) before. The DBX 286 is pre-amp, compressor, de-esser, and noise gate. It's a pre-processor used by many professional podcasters to improve the sound quality of raw recordings. If you are brand new to audio, you'll need to invest some time in learning how to use the various controls of this unit, but if you want to get even better sound out of your XLR microphone, it's a solid investment. If you decide to buy a DBX 286 or any other pre-processor or pre-amp, you'll need to buy an additional XLR cable to connect it to your interface. Headphones Headphones are essential for both recording and editing. If you are talking to someone over Skype and you aren't wearing headphones, the sound will come out of your speakers and get recorded in your track which will cause a really annoying echo (and ruin your recording). Wear headphones to avoid getting echo from computer speakers in your recording. The headphones I use and love are the Sony MDR-7506 ($85). If you want to spend a little less, there are a lot of other options, including the Sennheiser HD-280 ($69) and the Panasonic RPHJE120K Earbuds ($12) (fine for listening and even mixing). Recording Software After you buy your recording gear, you'll need to use some kind of software to record audio. If you have a Mac, Quicktime is an easy way to record an audio track. It should already be installed, so you can open it up, select your mic or interface and be good to go. You might also have Garageband included in your Mac, and that works fine for recording audio as well. Audacity is a free program that works on both Mac and Windows. Here's a short tutorial on how to record an audio track in Quicktime or Audacity. If you'd like to spend a little bit of money on a real DAW (digital audio workstation), Reaper is a good affordable option (both Mac and Windows, $60). I use and love Logic Pro X, and there's also Pro Tools or Adobe Audition These programs are more for the audio professional, someone who is going to be doing a lot of editing, mixing and mastering. If you plan on learning and doing the post production yourself, you should invest in one of these programs. Recording Skype Conversations If you're going to be interviewing someone or talking to a co-host over Skype, there are a few options for recording Skype calls including Ecamm Call Recorder (for Mac), and MP3 Skype Recorder (for Windows). I recommend that each person on the call record a track on their computer and then send those to the person responsible for editing (this is called a "double-ender"). You should also record the audio from the Skype conversation to have as a backup. You might also check out Squadcast.fm, it's a web app that makes it easy to record multiple people at the same time. It costs $20/month but does come with a free 14 day trial. My Recommended Setups If you're looking for the most affordable option, I recommend the Samson Q2U with a pop filter and mic stand. This will cost about $100. The setup that I'm currently using is the Shure Beta 87a and an Scarlett 18i8 interface, with a few Shure SM58 mics to have as backups. I invested around $500 for this setup (buying everything used), but it sounds great and I can record up to 4 people at the same time if I need to. If you're serious about making a great podcast and growing your audience, don't settle for the cheapest option. Consider waiting to start recording your podcast until you've saved up enough money to be able to buy the gear you want, so you can make a show that sounds good from the start. You'll thank yourself later, and your listeners will too. Cool Stuff to Check Out: Recommended Gear: https://kit.com/thepodcastdude Podcast: https://thepodcastdude.simplecast.com Twitter: https://twitter.com/thepodcastdude Youtube: https://www.youtube.com/c/thepodcastdude Successful Podcasting: http://successfulpodcasting.com Simplecast Blog: http://blog.simplecast.com/

Hoy de nuevo solo ante el micrófono de Promopodcast para contaros cual es mi equipo actual de podcasting, presentando un concepto que va a revolucionar el podcasting tal y como lo habéis conocido: la mochilita de podcasting. Aquí van también los enlaces prometidos:- Shure SM57 http://j.mp/1BN0QAy- FetHead http://tritonaudio.com- iRig Pre http://j.mp/1CJH8JQ- Behringer Xenyx 302USB http://j.mp/15OH25O- Behringer Xenyx 1202USB http://j.mp/1CJFKa7- Behringer XM1800S http://j.mp/1HhVlO0- Behringer XM8500 http://j.mp/1zf4xlq

Hoy de nuevo solo ante el micrófono de Promopodcast para contaros cual es mi equipo actual de podcasting, presentando un concepto que va a revolucionar el podcasting tal y como lo habéis conocido: la mochilita de podcasting. Aquí van también los enlaces prometidos:- Shure SM57 http://j.mp/1BN0QAy- FetHead http://tritonaudio.com- iRig Pre http://j.mp/1CJH8JQ- Behringer Xenyx 302USB http://j.mp/15OH25O- Behringer Xenyx 1202USB http://j.mp/1CJFKa7- Behringer XM1800S http://j.mp/1HhVlO0- Behringer XM8500 http://j.mp/1zf4xlq Hosted on Mumbler.io

Hoy de nuevo solo ante el micrófono de Promopodcast para contaros cual es mi equipo actual de podcasting, presentando un concepto que va a revolucionar el podcasting tal y como lo habéis conocido: la mochilita de podcasting. Aquí van también los enlaces prometidos:- Shure SM57 http://j.mp/1BN0QAy- FetHead http://tritonaudio.com- iRig Pre http://j.mp/1CJH8JQ- Behringer Xenyx 302USB http://j.mp/15OH25O- Behringer Xenyx 1202USB http://j.mp/1CJFKa7- Behringer XM1800S http://j.mp/1HhVlO0- Behringer XM8500 http://j.mp/1zf4xlq

De nuevo solo ante los micrófonos de Promopodcast para hablar de podcasting en general, y con varios temas de interés. Para empezar los encuentros, las futuras Japod15 en Málaga y las pasadas Galipod15 en Marín (Pontevedra), así como la segunda edición del Interpodcast organizado por varios elementos subversivos del podcasting desde La Podcastfera. Hablo también de la más reciente actualización de Overcast, la 1.1.4, y lo que nos promete Marco Arment para la 1.2, aprovechando para dar un repaso al tema de los identificadores de los clientes de podcasts respecto de las suscripciones por RSS.El plato fuerte del programa es la comparación entre tres micrófonos; como prometo en el transcurso del programa, en emilcar.fm tenéis los enlaces a las pruebas en bruto sin procesar y también para comprar los micros: Behringer XM8500, Shure SM57 y Røde NT1-A.Y para terminar, mi respeto y admiración a dos grandes gurús americanos del podcasting, que nos ofrecen verdaderas lecciones sobre cómo monetizar esto: Tim Smith y Daniel J. Lewis.

De nuevo solo ante los micrófonos de Promopodcast para hablar de podcasting en general, y con varios temas de interés. Para empezar los encuentros, las futuras Japod15 en Málaga y las pasadas Galipod15 en Marín (Pontevedra), así como la segunda edición del Interpodcast organizado por varios elementos subversivos del podcasting desde La Podcastfera. Hablo también de la más reciente actualización de Overcast, la 1.1.4, y lo que nos promete Marco Arment para la 1.2, aprovechando para dar un repaso al tema de los identificadores de los clientes de podcasts respecto de las suscripciones por RSS.El plato fuerte del programa es la comparación entre tres micrófonos; como prometo en el transcurso del programa, en emilcar.fm tenéis los enlaces a las pruebas en bruto sin procesar y también para comprar los micros: Behringer XM8500, Shure SM57 y Røde NT1-A.Y para terminar, mi respeto y admiración a dos grandes gurús americanos del podcasting, que nos ofrecen verdaderas lecciones sobre cómo monetizar esto: Tim Smith y Daniel J. Lewis. Hosted on Mumbler.io

De nuevo solo ante los micrófonos de Promopodcast para hablar de podcasting en general, y con varios temas de interés. Para empezar los encuentros, las futuras Japod15 en Málaga y las pasadas Galipod15 en Marín (Pontevedra), así como la segunda edición del Interpodcast organizado por varios elementos subversivos del podcasting desde La Podcastfera. Hablo también de la más reciente actualización de Overcast, la 1.1.4, y lo que nos promete Marco Arment para la 1.2, aprovechando para dar un repaso al tema de los identificadores de los clientes de podcasts respecto de las suscripciones por RSS.El plato fuerte del programa es la comparación entre tres micrófonos; como prometo en el transcurso del programa, en emilcar.fm tenéis los enlaces a las pruebas en bruto sin procesar y también para comprar los micros: Behringer XM8500, Shure SM57 y Røde NT1-A.Y para terminar, mi respeto y admiración a dos grandes gurús americanos del podcasting, que nos ofrecen verdaderas lecciones sobre cómo monetizar esto: Tim Smith y Daniel J. Lewis.

TTfA 16: Podcasting Tipps Diesmal richtet sich bei Tontechnik für Anfänger alles um die “Anfänge des Podcastings”. Sehr ominös, oder? Dabei aber eigentlich ganz einfach. Ich gebe euch ein paar Tipps und Tricks zum Kauf eines Mikrofons, damit ihr auch bald einen eigenen Podcast starten könnt. Was gibt es für Unterschiede bei den Mikrofonen? Was ist eine Richtcharakteristik beziehungsweise ein Polar Pattern? Was gibt es grundsätzlich bei der Aufnahme zu beachten? Welche Mikrofone gibt es? (Microphone Data und Microphone Database) Die vorgestellten Mikrofone sind das Shure SM57 und das AKG C414.

In this episode of the podcast, Jeff and I discuss recording the electric guitar.  Topics include DI vs. mic'ed cabinets, wet or dry, favorite microphones and placement, the merits of double tracking and more. In no particular order, we mention the following gear: AKG 414, Shure SM57, BLUE The Ball, AT 4033, Shinybox 46, Electro-Voice PL80, Apogee Duet and Ensemble, MOTU 2408, M-Audio Fastrack Pro, Euphonix MC Mix and Avalon 2022.

In this Record Drums HOW TO, we cover a tip for getting more sizzle out of the snare drum. To view the full tutorial, check out HOW TO: Record Drums - PREMIUM Bundle 1 at TutorialDEPOT.com.