American sound engineer
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Tom Fleischman: Cinema, Scorsese & the Art of the MixIn this immersive episode, Steve Otis Gunn chats with Oscar-winning re-recording mixer Tom Fleischman to uncover the nuanced, behind-the-scenes craft of cinematic sound. With decades of experience, Tom offers a rare glimpse into the audio side of filmmaking, where emotion is built not just through visuals, but through every carefully chosen sound.From his early days splicing tape by ear to mixing iconic films like Goodfellas, School of Rock, and The Irishman, Tom shares personal stories and surprising insights from his legendary collaborations, especially with Martin Scorsese. The conversation spans the evolution of sound editing, the intuition behind great mixes, and why sometimes the hardest thing to get right is a single vowel.Highlights include:The challenges and creativity behind mixing films such as Hugo and Gangs of New YorkWhat a re-recording mixer actually does—and why it's more grit than glamourThe mystery and magic of cataloguing forgotten sound effectsBehind-the-scenes tales from awards season, including rejection and red carpet dramaThe art of “invisible” mixing and why audio is the ultimate cinematic illusionPacked with anecdotes—like Daniel Day-Lewis bringing intensity and precision even to his ADR sessions, and Jack Nicholson's Oscar-night wisdom—this episode is a must-listen for filmmakers, sound enthusiasts, or anyone curious about how the soul of a film is often found in what we hear.
Our pal Tom Fleischman is our guest on today's episode of Martins & More! We met Tom through the Unofficial Martin Guitar Forum (UMGF) and have enjoyed many Martinfests together. He's an avid guitar player with a impressive collection of Martin Guitars, and we hope you enjoy our interview. Tom Fleischman began mixing feature films under the mentorship of New York rerecording mixer Richard (Dick) Vorisek in1979. Since then Tom has mixed nearly 300 features, documentaries, commercials, and television projects and has developed long-term working relationships with many directors including Martin Scorsese, Jonathan Demme, Spike Lee, Ron Howard, Chai Vasarhelyi and Jimmy Chin, and Ken Burns. Tom has had 5 Academy Award nominations, and one win for “Hugo” in 2010. He has also won 5 Emmy's, 7 Cinema Audio Society Awards, and a Career Achievement Award from CAS.
PLAY PODCAST FXF1001- WARREN BEATTY AND JONATHAN DEMME- Craig McKay, Tom Fleischman, Chris Newman, Deborah Wallach, Ron Bochar, Phil StocktonPicture editor, Craig McKay and Re-recording mixer Tom Fleischman talk about early influences getting started in the New York film industry of the 1960's and 70's as well as their work on the film by Warren Beatty, Reds.Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we'll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we'll share the stories that define New York as an essential ongoing capital of the global film industry.Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild.Produced By Isabel Sadurni and Ben Baker.
Peter J. Devlin, recently elected as a Governor of the Academy of Motion Pictures Arts and Sciences, has worked on more than 70 films and been nominated for five Oscars including Black Panther, Transformers: Dark Side of the Moon, Transformers, Star Trek (2009) and Pearl Harbor. He received a BAFTA nomination for his work on Star Trek and a Primetime Emmy nomination for Star Trek: Picard. He has worked closely with some of the top directors in film, including Michael Bay, Ryan Coogler, Ron Howard and Patty Jenkins. Earlier in the year he wrapped his work on Black Panther: Wakanda Forever, and is thrilled to have just worked with Chris Pine, who is making his directorial debut with the upcoming film Poolman. A past CAS Board member, it was his first CAS nomination for Oliver Stone's Any Given Sunday that introduced him to the organization in 2000. Since then, he has received multiple nominations. Born and raised in Belfast, Northern Ireland, Devlin knew that he wanted to work in film after seeing Jaws as a teenager. Though his school principal told him his dreams were “pie in the sky,” he applied for a trainee audio assistant position at the BBC in Belfast in 1981. Initially thinking he might move into the camera department, he quickly realized his true interest was in production sound. To prepare for the interview, he spent his days in the local library reading as much about microphone principles, recording techniques and filmmaking as he could find. He got the job, which proved the perfect training ground, with the BBC's wide range of productions, from news, to sports, to concerts and to radio drama. “I had great mentors, and I learned about all of the different disciplines of sound there.” Devlin's focus and persistence were evident as he took the next step, writing to directors he admired, including Michael Mann. He still has the letter Mann sent him in 1987, inviting him to visit the set of Miami Vice. From there, Devlin forged connections with others in the industry, landing his first job in the United States, working in commercials. Eventually, he moved into television and film. Today, Devlin continues to adapt to the ever-changing technologies that enhance storytelling through production sound mixing. While he wishes that he had today's tech for some of the films he worked on in the past, he says, “The most important element will always be the work of the sound department as a team, boom operators and sound utilities. Their expertise allows me to concentrate on recording performance and create tracks that can elevate a scene when they are handed off to our colleagues in post production.” Devlin joins an illustrious group of past CAS Career Achievement Honorees including: Anna Behlmer, Willie Burton, Tom Fleischman, Les Fresholtz, Ed Greene, Tomlinson Holman, Doc Kane, William B. Kaplan, David MacMillan, Paul Massey, Scott Millan, Mike Minkler, Walter Murch, Andy Nelson, Chris Newman, Lee Orloff, Richard Portman, John Pritchett, Don Rogers, Gary Rydstrom, Dennis Sands, Randy Thom, Jim Webb, Jeffrey S. Wexler and Charles Wilborn.
John DeNicola is an American songwriter and producer. He is best known for co-writing the song "(I've Had) The Time of My Life", for which he won both an Academy Award and a Golden Globe Award, as well as receiving a Grammy nomination, in 1988. In 1989 he was the co-winner of ASCAP Awards' "Most Performed Songs from Motion Pictures" for "Time of My Life" as well as for "Hungry Eyes", another song from the film. Listen in as John tells Joseph about his latest release and the early days of analog recording.
How does one become a tech privacy attorney and a musician? How do you go to Mumbai to find your way? This is the story of Alan Chapell. Growing up on the multi-ethnic streets of Stamford, Connecticut, Alan Chapell was exposed to a multitude of music – playing piano and trumpet before the age of six and at age 15 recording with the legendary producer Jimmy ienner (Dirty Dancing, KiSS, etc) Along with his musical success, Alan has carved out a niche as an attorney . . . advising tech companies on privacy issues. When the producers of HBO's Silicon Valley consider creating a character to lampoon your role in the tech space, you know you've made it.
Richard Humann is a Brooklyn-based neo-conceptual artist whose work has been included in the Venice Biennale, represented the United States in the 2017 Karachi Biennale in Pakistan, and has had multiple national and international solo gallery and museum exhibitions. Richard was born and raised in the Lower Hudson Valley region of New York State. He divides his time between Brooklyn and Woodstock, NY. This podcast is not about art, it's about being an artist. Listen to Joseph and Richard talk it up.
Franke Previte: Academy Award and Grammy award winning songwriter, singer, talks with Joseph about his early childhood, selling cars in his driveway to earn money and how (I've Had) The Time of My Life and Hungry Eyes were written and how they found their way in movie Dirty Dancing.
Joseph met Diana at a SAG-AFTRA workshop and have been friends since. Diana is an actor, voice actor and producer. Known for her recurring roles on "The Young and the Restless" and "Days of Our Lives", she has also done a number of TV Commercials. She began working in Group ADR in 2010, on "Eureka", and has been heard on "Alphas", "Defiance", "Code Black", "Quantico", "Midnight Texas", "Into The Dark" and more. The daughter of an avionics mechanic from Sri Lanka and a Danish mother, Diana's unusual ethnic background has granted her a strong sense of culture. Her love of travel began at a young age and she's been to over 30 countries. www,dianalansleen.com
Bill Schnee is an internationally renowned producer, engineer, and mix master. He has received over 125 gold and platinum records and more than 50 Top 20 singles that run the gamut from Barbra Streisand to The Jacksons, Rod Stewart to Steely Dan, and Whitney Houston to Dire Straits. This is my conversation with Bill about his journey and his art. Check out Bill's new book: Chairman at the Board: Recording the soundtrack of a Generation
Today's guest is Nashville music producer, singer, songwriter Aaron Ruiz. Aaron is an artist who has had hundreds of songs placed in tv shows. Joseph and Aaron talk about the work it takes to stay present, dealing with negative self talk and accepting that we are not in control of whether a song is a success or not. www.aaronandandrew.com https://soundcloud.com/skyline-brigade
Meridith and Joseph have a podcast (Are You Waiting For Permission) dedicated to those of us who have stood on the edge, waiting for others to give us permission to pursue our dreams. Today, Joseph interviews Meridith and Joseph about their creative journeys as actors, coaches and podcasters.
Today Cathy and Joseph wrap up their conversation. We learn of Cathy's acting opportunities; how she drove 3 hours each way for her auditions and how she views her creative process.
This week, Cathy and Joseph continue their conversation. We hear how Cathy moved forward with her education and started modeling. We also learn of the one woman who positively impacted her life.
Cathy is a first generation Vietnamese American born and raised in Seattle, WA. To say that Cathy grew up under difficult circumstances is an understatement. Her story is one of hard work, perseverance and survival. Cathy graduated with a degree in psychology from the University of Washington all the while working as a genetic researcher at the Fred Hutchinson Cancer Research Center. She earned her second degree in Graphic Design & Illustration. Cathy worked her way through various design specialties for Fortune 500 companies and found her sweet spot as an e-commerce User Experience (UX) / Product Designer. Cathy has appeared in GRIMM, LEVERAGE and is a recurring guest star for a series to be announced soon as well as a recurring guest star on an animated series. www.cathyvu.com
Thomas Laub is a producer currently represented on Broadway with David Byrne's American Utopia (Special Tony Award). Past work includes Slave Play (Tony Nomination), Seven Deadly Sins, and the site-specific Myths & Hymns. Upcoming: Douglas Carter Beane's Fairycakes, Selina Fillinger's POTUS, and Plaza Suite starring Matthew Broderick and Sarah Jessica Parker. Founder of Runyonland Productions and entertainment revenue management firm Standing Room Theatrical Solutions.
Katie Leigh is a voice actress, best known for her roles as Sunni Gummi in Disney's Adventures of the Gummi Bears, Zuzu in Poppy Cat, Alex in the first two seasons of Totally Spies!, and as Connie Kendall in the Focus on the Family radio program Adventures in Odyssey since 1987. This is her story.
Today's episode you'll hear Joseph talk about his decision to change markets - from NYC to Los Angeles; how a scoring rejection caused to him to reconsider his dreams and how he received the opportunity to compose the underscore music for American Sniper.
For the first episode of Pivot Point in year two, Joseph continues with an exploration of his own journey. This Pivot Point explores his years in Nashville, his time working at Belmont Church, his unsuccessful production company and how he dealt with difficulties in his personal life. This two-part series starts where he left off in bonus episode #4. Want to know more about his earlier journey? Listen to bonus episodes 1 - 4 in year 1.
Today's guest is Janay Woodruff. Janay is a powerhouse rock singer and songwriter. She hails from St. Louis where she cultivated her love for music at age 9 through the Opera Theatre of St. Louis. Known for her laser focus and unshakeable drive, Janay was unsurprisingly tapped to open for FloRida for NOW 96.3 NOW Night Out. The into features her successful song, Diamonds. www.janaesound.com
Kevin Brewerton is a 5 time world kickboxing champion, author, director, actor and painter. His story is one of seeking the truth both in his life and in his art. Kevin's book is called - These Are African Hands-A Memoir. You can find it on Amazon.
Beau Stroupe: Opera singer, actor and coach is my guest this week. Beau and I met 25 years ago in Nashville. A graduate of Manhattan School of Music, Beau's talent provided him opportunities as a professional opera singer. Listen in on how his path changed directions and why. In the podcast intro, hear Beau sing Che gelida manina from La Boheme.
April Cleveland is a director, educator, and the creator of THE EXODUS ENSEMBLE in Santa Fe, New Mexico, which creates wild and immersive theatrical events. April directs fast-paced thrillers across genres, from classics and contemporary adaptations to dystopian new work and large-scale musicals.
Kimber Terry is today's guest. She is know by her stage name, Kimber. She is a singer/song writer from Nashville, TN. From a young age Kimber has always been singing and writing songs. She would even sing her math homework and make the questions into lyrics. Today her lyrics and music go far beyond math equations. Check out her song: Used to Being Used in the podcast intro. For more info on Kimber go to https://www.kimberofficialmusic.com
Adele Cabot is a well-known voice coach in Los Angeles. Her clients are actors who have appeared on Broadway, in regional theatres, and in starring roles in films and on TV. Adele was also an actor and director of plays for many years in New York. She is the head of LAvoiceJOY, a studio she founded where she teaches Linklater Voice for actors and executives (speaking voice). Her MFA in Acting is from Brooklyn College and she is a Designated Linklater Voice Teacher. (Designated by Kristin Linklater in 1998.) Adele has taught and coached voice, acting, and acting Shakespeare in many places around the world - including at Shakespeare's Globe in London, Shanghai Theatre School, Shanghai, China, and National Theatre of Korea in Seoul, South Korea. She was the primary Voice and Speech Consultant at Arena Stage in Washington DC. See www.adelecabot.com for more info.
Today Joseph chats with Ed Hooks. Ed is an actor for almost thirty years. He's written several books on acting and became a respected acting coach. He was trained as an actor in New York, where he appeared in many stage plays plus TV Soaps and hundreds of TV commercials for major companies like AT&T, Bounce Fabric Softener, Dawn Dishwashing Liquid, Excedrin, Traveler’s Insurance and McDonald's. In 1996, Ed was invited to teach acting to animators at PDI/DreamWorks in Palo Alto, California, when that company was working on the movie “Antz”, starring Woody Allen. After the film was released, Ed wrote the book “Acting for Animators”, and it was quickly embraced by the entire animation industry. Today, it is available in a revised 4th edition, published by Routledge in London.
Dan Navarro is Joseph's guest this week. Dan is co-author of the song We Belong with his late partner Eric Lowen. Prior to Eric's illness, they toured together for years as Lowen & Navarro. Eric's illness from Lou Gehrig's disease had Dan eventually go solo. You can find Dan on Facebook at Dan Navarro Music.
Today's guest is Kyle Fritz.
Accomplished composer for film, television and theater, Cindy O'Connor is Joseph's guest today. You'll know Cindy's music from the show "Once Upon a Time" which ran for seven seasons. She also toured for four yeas as a keyboard player and BG singer with Pat Benatar. Kristen's Poem at Menacing Hedge - Unforgiven. http://menacinghedge.com/spring2021/entry-debeasi.php
Today's guest is Doreen Ringer-Ross. Doreen is best known as a supporter of artists and for her years at BMI (Broadcast Music Inc). She is responsible for starting programs such as BMI's conducting workshop, The Sundance Composer's Lab and many others. This is Doreen's journey.
Bianca Bethune is Joseph's guest this week. She is an actor on movies like Bad Boys ll & Bad Boys for Life and the TV show: Switched At Birth. Bianca and Joseph met at while working on BB4Life. Today she tells her story of how she went from dancing to acting and transitioning from a childhood actor to an adult actor. Bianca also has a podcast called What Else w/ Bianca Bethune.
This week features guitarist, Justin Derrico. Justin is a phenomenal player and is the guitarist sideman for P!NK for over ten years. You can also see Justin play on NBC's The Voice. Joseph met and worked with Justin on P!nk's documentary, P!NK: ALL I KNOW SO FAR debuting on Amazon Prime Video in May. This is Justin's story.
Today's guest is Joanie Diener. Joanie is an Emmy-winning music editor, with extensive experience in both feature films and television. The recipient of thirteen MPSE Golden Reel Award nominations and five wins. Classically trained, she earned a B.A. in Music at UC Berkeley, with continued graduate studies in Musicology at Boston University where she conducted the BU Women’s Chorus. After spending a number of years as a singer/songwriter, an interest in film led to her present career as a film music editor. Joseph and Joanie worked together on the Michael Mann show, Luck
Arranger/Orchestrator Jeff Atmajian is Joseph's guest today. Jeff is a highly sought after arranger and orchestrator for films. His steady clientele are well-known and highly successful composers such as James Newton Howard, Marc Shaiman, Rachel Portman and Gabriel Yared. In the past two years Jeff has been pursuing a more high profile composing career. Recently he scored the 90-minute documentary about the Armenian Genocide called Screamers. Joseph and Jeff first worked together on the Rachel Portman's score for BECAUSE OF WINN-DIXIE.
Matt Moran is Joseph's guest this week. Matt began his career in entertainment at the age of eight, singing radio jingles and appearing on various children’s television programs and recorded albums. Upon earning a degree in Communications and Film, Matt headed to Nashville, where he spent the next 12 years performing and hosting entertainment events, as well as penning songs for several Grammy-nominated artists, eventually garnering a 36th position on Billboard’s top 200 with his song, “For Freedom.” He recently released his first full-length solo album entitled, “Awakening,” and his music has been featured on Larry King Live, Good Morning America, Regis and Kelly, The View, Comedy Central, and ABC News with Bob Woodruff.
Shie Rozow is Joseph's guest today. Shie is a composer, music editor. He has taken a different path than most leading him to work on over 100 feature films. As a music editor, Shie has earned 17 Golden Reel Award nominations and winning of three. Some of his credits include Avengers: Age of Ultron, Oz: The Great & Powerful and Hustle & Flow. This is Shie's story.
Today's guest is Ari Solotoff, Esq. Yes. Ari is a music lawyer. Joseph met Ari when working on Sinfonia. In need of a music attorney, Ari was referred to Joseph from Lucas Richman (episodes 17 & 18). Trained as a classical musician, Ari focuses his law practice on serving clients in entertainment and intellectual property law, as well as related areas of practice. He represents leading musicians, composers, artists, and other creative entrepreneurs. This is Ari's journey. Ari's website: www.solotofflaw.com.
This week we hear how Don pivots from Hollywood, CA and find himself landing back at Berklee College of Music and developing one of the best Film Scoring music departments in the country. Also - please visit www.chla.org and support Shie Rozow's walk that is happening this Saturday, February 13, 2021 to raise money for Children's Hospital Los Angeles. I give you more details about it at the beginning of this weeks show. Thank you. direct link to Shie's support page: http://connect.chla.org/site/TR/DIY/DIY_Fundraising?px=2566762&pg=personal&fr_id=1090
This week on Pivot Point is Don Wilkins. Don and Joseph go way back. In fact, Don was Joseph's teacher and mentor at Berklee College of Music. Don and Joseph have worked professionally on two projects: Hometown, a CBS tv series and The First Killing Frost, an independent feature film. Though Don has taught and mentored hundreds of film scoring students over his 30 year career, Don's initial career path was to be a Hollywood composer. This two part conversation takes you on his journey of Pivot Points.
Today's guest is Michael Stearns. Michael and Joseph met each other while working together on Alpha, directed by Albert Hughes. Michael is a composer and soundtrack designer/producer. His credits include music and soundtrack production for television, feature films, planetariums, theme parks, twenty two IMAX films and seventeen solo albums. His music has been used for James Cameron’s “The Abyss”, “Titanic” and “Avatar”, as well as music for Disney Films, HBO, ABC, PBS, BBC, Discovery Channel, and Ron Fricke’s non-verbal 70MM films “Chronos”, “Sacred Site”, “Baraka” and “Samsara”. It has also been used by NASA, Laserium, and choreographed by the Berkshire Ballet. Michael has produced the soundtracks to Universal Studio’s themed attractions “Earthquake” and “Back To The Future, The Ride”. He produced the soundtrack to Paramount Picture’s ride film “Star Trek, The Experience” and produced music for World’s Fair/Expos in Korea, Japan and Spain. Michael works in his music and post production studio “The Guest House”, in Santa Fe, New Mexico.
Today Joseph speaks with picture editor Jett Sally. Joseph and Jett met when working together on NINJA ASSASSIN. Joseph “Jett” Sally is currently cutting Lana Wachowski’s highly anticipated THE MATRIX 4 starring Keanu Reeves. His most recent work can be seen on WORK IN PROGRESS, the unique Showtime comedy series executive produced by Lilly Wachwoski. Jett has also collaborated with the Wachowksis on the popular Netflix series SENSE 8. Jett is known for editing both James McTeigue’s Netflix series, MESSIAH, and his feature film, BREAKING IN.
Sally Boldt is an experienced music editor whose credits include films from a wide array of genres, ranging from Groundhog Day, Hairspray, and L.A. Confidential to American Hustle, Tron: Legacy, and most recently Soul and Watchman. Equally adept at creating a temp score in a period drama as managing the complex logistics of a musical, Sally has skill and expertise that make her a go-to music editor for films of all stripes. Today Sally and Joseph talk about how her career unfolded from unexpected opportunities.
Today's guest is David Seltzer, the writer of The Omen, Willy Wonka & the Chocolate Factory (screenplay) and writer/director of Lucas and Shining Through. Joseph met David when working together in NYC on Shining Through. This is David's story.
Last week we left off with Frank having to make a major choice for his career. This week we hear how Frank made that choice and how that influenced his career. This is part two of Frank Montaño's journey.
9 time Oscar nominated re-recording mixer, Frank Montaño is Joseph's guest this week. Joseph and Frank have worked together on The Book of Eli, Alpha, The Revenant and Queen and Slim. Today Frank talks about his early days from being in sports as a boxer to thinking he would be a software engineer as his career choice. Sometimes life feels like it has it's own choices for us. Listen as Frank talks about his pivot points and those people who were there to help him along the way.
Albert Hughes, part 2. Last week Albert left us with how he got his first directing job. Today Albert and Joseph continue their conversation. We'll hear who he met at his first job and how that was a pivot point for him. They also go deep into a discussion about the creative mindset. You'll hear about one of Albert's deep dives as he was preparing for The Book of Eli.
Albert Hughes - director of Alpha, Book of Eli, From Hell, American Pimp, Dead Presidents and Touching Evil. In this part 1 of a 2 part podcast, Albert talks about his life growing up in Detroit, how he became interested in film and how his first directing job happened.
This week's guest is Anthony Parnther. A multi-talented conductor and bassoonist. Anthony's credits as a bassoonist and conductor are unparalleled. He has played on most of the great film scores of the past 8 years in Hollywood and is musical director and conductor of 2 symphony orchestras, The San Bernardino Symphony in San Bernardino, CA and the Southeast Symphony in Los Angels. Over the last decade, Anthony has been in demand as a conductor for film, television, albums, jingles, and video game scores in the Hollywood Studio scoring stages. He has conducted hundreds of sessions for a long list of media composers including Jeff Russo, Edouard Brenneisen, Germaine Franco, Maclaine Diemer, Rob Simonsen, Nathan Barr, and Ludwig Göransson. Anthony has accepted invitations with orchestras internationally to conduct live film concerts, particularly the scores of John Williams, Bernard Herrmann, Michael Giacchino, and Jerry Goldsmith.
Today's guest is Chic Ciccolini III. Chic and Joseph go back a long time. They talk about Chic's beginnings and then the conversation slides into stories some of which are of how Chic tried to create sounds for snow on his first job to how he got his job with director Ron Howard. His movies include: Captain America:The First Avenger, Eat Pray Love, Angels & Demons, Rocky Balboa, The Da Vinci Code, Cinderella Man. He's worked with directors Ron Howard, Alan Pakula, David Mamet, Sylvester Stallone, Jim Jarmusch.
Starr Parodi first came on the scene playing keyboards as part of the house band on the hit late-night Arsenio Hall Show and has performed or recorded with artists from Carole King, Al Green, Mavis Staples, Ray Charles to Mariah Carey. Since then, she has become a vibrant part of the Los Angeles composing community, scoring hundreds of episodes of TV & film as well as being a passionate and innovative solo artist, pianist and producer whose work has been featured on NPR, The BBC, KCRW and iHEART Radio. Starr has created scores for films, episodic television, (The Starter Wife, Transformers: Rescue Bots, The Division, G.I. Joe: Renegades…) and hundreds of iconic movie trailers (James Bond, Harry Potter, Dreamgirls…). Her darkly innovative production/arrangement of the JAMES BOND Theme (RIAA Gold Record) was credited by Forbes magazine as "reinventing the modern action movie trailer.” A trailblazer onstage and in the studio, Starr is the President of the Alliance for Women Film Composers and is widely recognized as a leader in expanding the reach of women in the arts as a composer, producer, performer and cultural visionary.
Tom is a re-recording engineer with 5 Oscar nominations: Reds, Silence of the Lambs, Gangs of New York, The Aviator and Hugo. He won for Hugo. Tom talks about his working relationship with Martin Scorsese and how that began. He also talks about his early days at NYU, working at Trans Audio, his mom: Dede Allen and the story behind the sale of Sound One. Tom and Joseph last worked together on Youssou Ndour: I Bring What I Love.
CAS In Conversation Ep. 3 Stephen A. Tibbo CAS with Tom Fleischman CAS by Cinema Audio Society
Thelma Schoonmaker is the legendary, now eight-time Oscar-nominated, three-time Oscar-winning editor of pretty much all of director Martin Scorsese’s portfolio. She’s as integral to the success of his films as the maestro himself. Their latest work together is “The Irishman,” the Netflix original film that recently racked up 10 Oscar nominations, Schoonmaker’s work among them. At three-and-a-half hours, the film is a contemporary American epic, and yet it moves like lightning. Each sequence propels the vast narrative forward. On this episode of “The Call Sheet,” Schoonmaker details the work that went into assembling the film, discusses Robert De Niro’s brilliant performance (after having observed his trajectory from the editing suite for decades) and much more. Also, in a bonus interview, sound mixer Tom Fleischman and sound editor Eugene Gearty explain how the power of the film lies in its subtlety and quiet moments.
Thelma Schoonmaker is the legendary, now eight-time Oscar-nominated, three-time Oscar-winning editor of pretty much all of director Martin Scorsese’s portfolio. She’s as integral to the success of his films as the maestro himself. Their latest work together is “The Irishman,” the Netflix original film that recently racked up 10 Oscar nominations, Schoonmaker’s work among them.At three-and-a-half hours, the film is a contemporary American epic, and yet it moves like lightning. Each sequence propels the vast narrative forward. On this episode of “The Call Sheet,” Schoonmaker details the work that went into assembling the film, discusses Robert De Niro’s brilliant performance (after having observed his trajectory from the editing suite for decades) and much more. Also, in a bonus interview, sound mixer Tom Fleischman and sound editor Eugene Gearty explain how the power of the film lies in its subtlety and quiet moments.
A soft-spoken, young writer from Texas, Robert Benton broke onto the feature film scene with his debut screenplay, Bonnie and Clyde for which he was nominated for an Academy Award. Developing into a writer/director, he won Oscars for Kramer vs Kramer and Places in the Heart. Here, we gather with collaborators, re-recording mixer, Tom Fleischman, picture editor, Bob Reitano and ADR Supervisor, Michael Jacobi, describe the New York scene that gave birth to Robert Benton's best collaborations and their part in creating films like Places In The Heart and Billy Bathgate.We welcome your comments and suggestions -- write us atframebyframe@postnewyork.org or share your comments via iTunes
Best known for the films Butch Cassidy and the Sundance Kid, The Sting and Slaughterhouse Five, theater, television and film director, George Roy Hill was one of the most successful filmmakers of his generation. The collaborators of George Roy Hill including picture editors Craig McKay and Steve Rotter, ADR Supervisor Mel Zelnicker and Michael Jacobi, re-recording mixers Tom Fleishman and, Lee Dichter and ADR Voice Casting Director and actor, Bruce Winant came together to talk about their work together on The Sting, Slaughterhouse Five, The World According to Garp and Funny Farm.
Picture editor Barry Alexander Brown, sound editor, Phil Stockton. researcher Judy Aley and re-recording Mixer Tom Fleischman have worked with filmmaker Spike Lee on such films as She’s Gotta Have It, School Daze, 25h Hour, Inside Man, Malcolm X and most recently BlacKKKlansman. In this episode, we talk about how they first began working with Spike Lee, their collaborative process and the cinematic breakthroughs they’ve made together in making films together for over 30 years.We welcome your comments and suggestions -- write us at framebyframe@postnewyork.org or share your comments via iTunes
Picture editor, Craig McKay, Re-recording Mixer Tom Fleischman, Production Sound Recordist, Chris Newman, Sound Editors, Ron Bochar and Phil Stockton and ADR Supervisor, Deborah Wallach talk about early influences getting started in the New York film industry of the 1960’s and 70’s as well as their work with Warren Beatty, on Reds and Jonathan Demme's Silence of the Lambs and Philadelphia.We welcome your comments and suggestions -- write us atframebyframe@postnewyork.org or share your comments via iTunes.
In the late 1970's, Mike Hill was coming up as a Picture Editor in Los Angeles, while in New York, Chic Ciccolini, Tom Fleischman and Bob Chafalas were working steadily as a Sound Editor and Re-recording Mixers respectively in New York. They all came together working on the films of Ron Howard. Listen to stories about their collaborations on Night Shift, Gung Ho, Far and Away, Apollo13, A Beautiful Mind and Cinderella Man.We welcome your comments and suggestions -- write us at framebyframe@postnewyork.org or share your comments via iTunes
Director and producer, Chai Vasarhelyi, Picture Editor Bob Eisenhardt, Sound Supervisor Deborah Wallach and Re-recording Mixers Tom Fleischman and Ric Schnupp Free Solo describe the unforeseeable obstacles in making Free Solo and offers insight in how they crafted this Oscar and BAFTA-winning film to become the longest-running documentary of 2018.
PLAY PODCAST FXF1001- WARREN BEATTY AND JONATHAN DEMME- Craig McKay, Tom Fleischman, Chris Newman, Deborah Wallach, Ron Bochar, Phil StocktonPicture editor, Craig McKay and Re-recording mixer Tom Fleischman talk about early influences getting started in the New York film industry of the 1960's and 70's as well as their work on the film by Warren Beatty, Reds. Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we'll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we'll share the stories that define New York as an essential ongoing capital of the global film industry. Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild. Produced By Isabel Sadurni and Ben Baker.
PLAY PODCAST Director and producer, Chai Vasarhelyi, Picture Editor Bob Eisenhardt, Sound Supervisor Deborah Wallach and Re-recording Mixers Tom Fleischman and Ric Schnupp FREE SOLO describe the unforeseeable obstacles in making FREE SOLO and offers insight in how they crafted this Oscar and BAFTA winning film to become the longest running documentary of 2018. We welcome your comments and suggestions -- write us at framebyframe@postnewyork.org or share your comments via iTunes Frame By Frame is a podcast series hosted, produced and edited by Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we'll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we'll share the stories that define New York as an essential ongoing capital of the global film industry. Frame By Frame is proudly presented by Post New York Alliance and supported by the Academy of Motion Picture Arts and Sciences Oral History Project.
PLAY PODCAST Director and producer, Chai Vasarhelyi, Picture Editor Bob Eisenhardt, Sound Supervisor Deborah Wallach and Re-recording Mixers Tom Fleischman and Ric Schnupp FREE SOLO describe the unforeseeable obstacles in making FREE SOLO and offers insight in how they crafted this Oscar and BAFTA winning film to become the longest running documentary of 2018. We welcome your comments and suggestions -- write us at framebyframe@postnewyork.org or share your comments via iTunes Frame By Frame is a podcast series hosted, produced and edited by Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry. Frame By Frame is proudly presented by Post New York Alliance and supported by the Academy of Motion Picture Arts and Sciences Oral History Project.
Ric Schnupp is a supervising sound editor and re-recording mixer at Soundtrack New York. Ric does audio engineering, recording, and mixing for film and television. He has worked on a boat load of movies but one of his bigger, more recent credits was the Academy Award winning documentary feature Free Solo. Ric talks about mixing Free Solo alongside audio guru Tom Fleischman, and every job he's had in sound from intern, ADR, Foley, editing, mixing, to supervisor and what comes along with each position. Soundtrack Group Website Ric's Impressive IMDB Follow the podcast on Instagram and Facebook Follow Jeremiah on Instagram and Twitter
FXF_S04EP04 : SPIKE LEE: BARRY ALEXANDER BROWN, TOM FLEISCHMAN, PHIL STOCKTON, JUDY ALEYPLAY PODCAST Picture editor Barry Alexander Brown, sound editor, Phil Stockton. researcher Judy Aley and re-recording Mixer Tom Fleischman have worked with filmmaker Spike Lee on such films as She's Gotta Have It, School Daze, 25h Hour, Inside Man, Malcolm X and most recently BlacKKKlansman. In this episode we talked with them about how they first began working with Spike Lee, their collaborative process and the cinematic breakthroughs they've made together in making films together for over 30 years. You can share this conversation through our website bit.do/framebyframe—or viaTwitter at @postny. You can also find us on iTunes- search Frame By Frame and click on the orange icon. We welcome your comments and suggestions -- write us at framebyframe@postnewyork.org. This session was recorded at Soundtrack in New York City. The sound engineer was Kristin Coutogna. Frame By Frame is expanding to include short interviews spotlighting bold new voices in New York filmmaking the New York in snapshot conversations called Generation Next. Listen for upcoming mini-episodes. Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we'll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we'll share the stories that define New York as an essential ongoing capital of the global film industry. Frame By Frame is proudly presented by Post New York Alliance. Stay tuned for upcoming episodes of Frame By Frame with the collaborators of Bob Fosse.
FXF_S04EP04 : SPIKE LEE: BARRY ALEXANDER BROWN, TOM FLEISCHMAN, PHIL STOCKTON, JUDY ALEYPLAY PODCAST Picture editor Barry Alexander Brown, sound editor, Phil Stockton. researcher Judy Aley and re-recording Mixer Tom Fleischman have worked with filmmaker Spike Lee on such films as She's Gotta Have It, School Daze, 25h Hour, Inside Man, Malcolm X and most recently BlacKKKlansman. In this episode we talked with them about how they first began working with Spike Lee, their collaborative process and the cinematic breakthroughs they've made together in making films together for over 30 years. You can share this conversation through our website bit.do/framebyframe—or viaTwitter at @postny. You can also find us on iTunes- search Frame By Frame and click on the orange icon. We welcome your comments and suggestions -- write us at framebyframe@postnewyork.org. This session was recorded at Soundtrack in New York City. The sound engineer was Kristin Coutogna. Frame By Frame is expanding to include short interviews spotlighting bold new voices in New York filmmaking the New York in snapshot conversations called Generation Next. Listen for upcoming mini-episodes. Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we'll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we'll share the stories that define New York as an essential ongoing capital of the global film industry. Frame By Frame is proudly presented by Post New York Alliance. Stay tuned for upcoming episodes of Frame By Frame with the collaborators of Bob Fosse.
FXF_S04EP03 : RON HOWARD: MIKE HILL, CHIC CICCOLINI, TOM FLEISCHMAN, BOB CHEFALAS PLAY PODCAST In the late 1970's, when Mike Hill was coming up as a picture editor through the ranks for Paramount studio projects in Los Angeles in New York, Chic Ciccolini, Tom Fleischman and Bob Chafalas were working steadily as sound editor and re-recording mixers respectively in New York studios. They all came together working on the films of Ron Howard. Originally from Oklahoma and popularly recognized for his earlier work as an actor in the television series, The Andy Griffith Show and Happy Days, Ron Howard worked his way into becoming a successful filmmaker beginning in the late 1970's. His films such as Splash, Apollo13, A Beautiful Mind. Cinderella Man and more recently Solo: A Star Wars Story have been some of the industries most popular films. In this episode of Frame By Frame, you'll meet the collaborators of Ron Howard including picture editor Mike Hill, Supervising Sound editor, Chic Ciccolini and re-recording mixers, Bob Chefalas and Tom Fleischman. talking about their work on films such as Night Shift, Gung Ho, Far and Away, Apollo13, A Beautiful Mind and Cinderella Man. This session was recorded at Soundtrack in New York City. The sound engineer was Kristin Coutogna.
FXF_S04EP03 : RON HOWARD: MIKE HILL, CHIC CICCOLINI, TOM FLEISCHMAN, BOB CHEFALASPLAY PODCAST In the late 1970's, when Mike Hill was coming up as a picture editor through the ranks for Paramount studio projects in Los Angeles in New York, Chic Ciccolini, Tom Fleischman and Bob Chafalas were working steadily as sound editor and re-recording mixers respectively in New York studios. They all came together working on the films of Ron Howard. Originally from Oklahoma and popularly recognized for his earlier work as an actor in the television series, The Andy Griffith Show and Happy Days, Ron Howard worked his way into becoming a successful filmmaker beginning in the late 1970's. His films such as Splash, Apollo13, A Beautiful Mind. Cinderella Man and more recently Solo: A Star Wars Story have been some of the industries most popular films. In this episode of Frame By Frame, you'll meet the collaborators of Ron Howard including picture editor Mike Hill, Supervising Sound editor, Chic Ciccolini and re-recording mixers, Bob Chefalas and Tom Fleischman. talking about their work on films such as Night Shift, Gung Ho, Far and Away, Apollo13, A Beautiful Mind and Cinderella Man. This session was recorded at Soundtrack in New York City. The sound engineer was Kristin Coutogna.
PLAY PODCAST FXF4001 GEORGE ROY HILL: Steve Rotter, Craig McKay, Lee Dichter, Tom Fleischman, Bruce Winant, Michael Jacobi Best known for the films Butch Cassidy and the Sundance Kid, The Sting and Slaughterhouse Five, theater, television and film director, George Roy Hill was one of the most successful filmmakers of his generation. The collaborators of George Roy Hill including picture editors Craig McKay and Steve Rotter, ADR Supervisor Mel Zelnicker and Michael Jacobi, re-recording mixers Tom Fleishman and, Lee Dichter and ADR Voice Casting Director and actor, Bruce Winant came together to talk about their work together on The Sting, Slaughterhouse Five, The World According to Garp and Funny Farm.Hill came to filmmaking at age 40 having enjoyed an early life studying theater and music at Yale and Trinity college, flying as a wartime pilot in WWII and Korea and working an actor then director in theater and television.In the theater, Hill, worked mainly as director for Broadway dramas. It was his exceptional talent there that got him invited to join a handful of director working on the hugely popular television show, Playhouse 90.In 1969 Hill's film Butch Cassidy And The Sundance Kid was to become one of the five biggest money-earners of its decade. Slaughterhouse Five in 1972 taken from Kurt Vonnegut's won the Jury Prize at the Cannes Film Festival and The Sting in 1973 won the best director and best picture Oscars.Today's podcast recording was engineered at Soundtrack - New York by Tyler Newhouse.Frame By Frame is produced by Isabel Sadurni. The music credits for this episode include selections from Glenn Goulds performance of Bach's The Goldberg Variations from the soundtrack to Slaughterhouse Five and Burt Bacharach's Raindrops Keep Fallin' On My Head from the Soundtrack to Butch Cassidy and The Sundance KidStay tuned for upcoming episodes of Frame By Frame with the collaborators of Mira Nair and Spike Lee.You can share this conversation through our website bit.do /framebyframe—or via Twitter at @postny. You can write us at framebyframe@postnewyork.org.This session was recorded at Soundtrack in New York City.Today's podcast recording was engineered by Tyler Newhouse.Frame By Frame is expanding to include short interviews spotlighting up and coming new york post professionals talking about their collaborations with bold new filmmakers in snapshot conversations called Generation Next. Listen for upcoming mini-episodes inserted within the larger podcasts soon. We welcome your suggestions - write to us at framebyframe@postnewyorkalliance.orgFrame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we'll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we'll share the stories that define New York as an essential ongoing capital of the global film industry.Proudly presented by the Post New York Alliance.
PLAY PODCAST FXF4001 GEORGE ROY HILL: Steve Rotter, Craig McKay, Lee Dichter, Tom Fleischman, Bruce Winant, Michael Jacobi Best known for the films Butch Cassidy and the Sundance Kid, The Sting and Slaughterhouse Five, theater, television and film director, George Roy Hill was one of the most successful filmmakers of his generation. The collaborators of George Roy Hill including picture editors Craig McKay and Steve Rotter, ADR Supervisor Mel Zelnicker and Michael Jacobi, re-recording mixers Tom Fleishman and, Lee Dichter and ADR Voice Casting Director and actor, Bruce Winant came together to talk about their work together on The Sting, Slaughterhouse Five, The World According to Garp and Funny Farm. Hill came to filmmaking at age 40 having enjoyed an early life studying theater and music at Yale and Trinity college, flying as a wartime pilot in WWII and Korea and working an actor then director in theater and television. In the theater, Hill, worked mainly as director for Broadway dramas. It was his exceptional talent there that got him invited to join a handful of director working on the hugely popular television show, Playhouse 90. In 1969 Hill’s film Butch Cassidy And The Sundance Kid was to become one of the five biggest money-earners of its decade. Slaughterhouse Five in 1972 taken from Kurt Vonnegut's won the Jury Prize at the Cannes Film Festival and The Sting in 1973 won the best director and best picture Oscars. Today’s podcast recording was engineered at Soundtrack - New York by Tyler Newhouse. Frame By Frame is produced by Isabel Sadurni. The music credits for this episode include selections from Glenn Goulds performance of Bach’s The Goldberg Variations from the soundtrack to Slaughterhouse Five and Burt Bacharach’s Raindrops Keep Fallin’ On My Head from the Soundtrack to Butch Cassidy and The Sundance Kid Stay tuned for upcoming episodes of Frame By Frame with the collaborators of Mira Nair and Spike Lee. You can share this conversation through our website bit.do /framebyframe—or via Twitter at @postny. You can write us at framebyframe@postnewyork.org. This session was recorded at Soundtrack in New York City. Today’s podcast recording was engineered by Tyler Newhouse. Frame By Frame is expanding to include short interviews spotlighting up and coming new york post professionals talking about their collaborations with bold new filmmakers in snapshot conversations called Generation Next. Listen for upcoming mini-episodes inserted within the larger podcasts soon. We welcome your suggestions - write to us at framebyframe@postnewyorkalliance.org Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we’ll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we’ll share the stories that define New York as an essential ongoing capital of the global film industry. Proudly presented by the Post New York Alliance.
FXF_S03EP04: ROBERT-BENTON: TOM FLEISCHMAN, BOB REITANO and MICHAEL JACOBIPLAY PODCAST A soft-spoken, young writer from Texas, Robert Benton broke onto the feature film scene with his debut screenplay, Bonnie and Clyde for which he was nominated for an Academy Award. Developing into a writer/director, he won Oscars for Kramer vs Kramer and Places in the Heart. Here, we gather with collaborators, re-recording mixer, Tom Fleischman, picture editor, Bob Reitano and ADR Supervisor, Michael Jacobi, describe the New York scene that gave birth to Robert Benton's best collaborations and their part in creating films like Places In The Heart and Billy Bathgate. Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we'll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we'll share the stories that define New York as an essential ongoing capital of the global film industry. Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild. Produced by Isabel Sadurni and Ben Baker.
FXF_S03EP04: ROBERT-BENTON: TOM FLEISCHMAN, BOB REITANO and MICHAEL JACOBIPLAY PODCASTA soft-spoken, young writer from Texas, Robert Benton broke onto the feature film scene with his debut screenplay, Bonnie and Clyde for which he was nominated for an Academy Award. Developing into a writer/director, he won Oscars for Kramer vs Kramer and Places in the Heart. Here, we gather with collaborators, re-recording mixer, Tom Fleischman, picture editor, Bob Reitano and ADR Supervisor, Michael Jacobi, describe the New York scene that gave birth to Robert Benton's best collaborations and their part in creating films like Places In The Heart and Billy Bathgate. Frame By Frame is a podcast series hosted by editor Isabel Sadurni, that introduces you to the most influential, respected and accomplished cinema post-production professionals working in New York today. Through intimate, informal discussions between collaborators about post-production craft, aesthetics, process and technique, we'll recognize and celebrate the iconic films and people that have made New York film history as well as those contemporaries who continue to make important contributions to the art of filmmaking. In conversations anchored by the film editor, we'll share the stories that define New York as an essential ongoing capital of the global film industry. Proudly presented by the Post New York Alliance and the New York Motion Picture Editors Guild. Produced by Isabel Sadurni and Ben Baker.
In this episode we sit down with legendary New York based re-recording mixer Tom Fleischman on his mixing stage at Soundtrack F/T in Manhattan. Teresa Morrow sits in as host and talks to Tom about his 40 year career mixing some of the greatest american films ever made including Serpico, Silence of The Lambs, Goodfellas, Hugo (for which he won an Oscar), Reds and any more. Tom is an engaging storyteller whose love for making movies inspires everyone he comes into contact with.
In this episode we sit down with legendary New York based re-recording mixer Tom Fleischman on his mixing stage at Soundtrack F/T in Manhattan. Teresa Morrow sits in as host and talks to Tom about his 40 year career mixing some of the greatest american films ever made including Serpico, Silence of The Lambs, Goodfellas, Hugo (for which he won an Oscar), Reds and any more. Tom is an engaging storyteller whose love for making movies inspires everyone he comes into contact with.
In November of 2016 Tonebenders went on an sound nerds tour of New York City. We visited some of the city's top post audio studios and interviewed many of the talented sound professionals working in NYC. In this episode host Timothy and guest co-host Teresa Morrow (a busy re-recording engineer based in Toronto) tell us about the trip and play clips of many of the interviews they did while in the Big Apple. Featured in the Episode are Skip Lievsay, Tom Fleischman, Nicholas Renbeck, Bob Hein and many more.
In November of 2016 Tonebenders went on an sound nerds tour of New York City. We visited some of the city's top post audio studios and interviewed many of the talented sound professionals working in NYC. In this episode host Timothy and guest co-host Teresa Morrow (a busy re-recording engineer based in Toronto) tell us about the trip and play clips of many of the interviews they did while in the Big Apple. Featured in the Episode are Skip Lievsay, Tom Fleischman, Nicholas Renbeck, Bob Hein and many more.
Phil Stockton is a long time Sound-Supervisor based in New York City. In this episode we talk to him about the work he did on Martin Scorsese's new film "Silence". Lots of effort went into creating the soundscape of this story that takes place 400 years ago. As a bonus we start off with a quick hit of Tom Fleischman's experience as the re-recording mixer of the film.
Phil Stockton is a long time Sound-Supervisor based in New York City. In this episode we talk to him about the work he did on Martin Scorsese's new film "Silence". Lots of effort went into creating the soundscape of this story that takes place 400 years ago. As a bonus we start off with a quick hit of Tom Fleischman's experience as the re-recording mixer of the film.
This week we spoke with re-recording mixer Tom Fleischman who worked on Director Alex Gibney's music bio doc Mr. Dynamite: The Rise of James Brown. Pioneering the journey from rhythm and blues to funk, James Brown forever changed the face of American music. Mr. Dynamite follows the journey of Brown as he escaped his impoverished Southern roots to become the biggest name in soul music, and one of the most important music talents of the 20th Century.
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