Podcasts about Yasha

Part 2 of Episode 3 Chaos reigns at camp! The OLGAs must summon their bravery as the danger heats up in their search for counselors Beau and Yasha! CAPTION STATUS: CAPTIONED BY OUR EDITORS. The closed captions featured on this episode have been curated by our CR editors. For more information on the captioning process, check out: https://critrole.com/cr-transcript-closed-captions-update BEACONWe're excited to bring you even MORE with a Beacon membership! Start your 7-day free trial today at https://beacon.tv/join and get unparalleled access to the shows you love completely ad-free! You'll receive NEW Beacon exclusive series, instant access to VODs & podcasts, live event pre-sales, merch discounts, & a private Discord. YOUTUBE MEMBERS / TWITCH SUBSCRIBERSTwitch Subscribers and YouTube Members gain instant access to VODs of our shows, moderated live chats, and custom emojis & badges:https://www.youtube.com/criticalrole/joinhttps://www.twitch.tv/criticalrole   Due to the improv nature of Critical Role and other RPG content on our channels, some themes and situations that occur in-game may be difficult for some to handle. If certain episodes or scenes become uncomfortable, we strongly suggest taking a break or skipping that particular episode.Your health and well-being is important to us and Psycom has a great list of international mental health resources, in case it's useful: http://bit.ly/PsycomResources 

Want to buy real estate WITHOUT banks or using your credit? Go Here:⁠https://creativefinanceplaybook.com/?utm_source=podcast&utm_content=cfp&utm_campaign=homep⁠Join The Creative Finance Playbook Coaching Program & Learn Directly from Jenn & Joe:https://creativefinanceplaybook.com/wait-list?utm_source=podcast&utm_content=cfp&utm_campaign=wlistIn today's episode, hosts Jenn & Joe sit down with powerhouse investor/agent Yasha Wells from St. Augustine! Yasha shares her inspiring journey from being a realtor for over 10 years to diving headfirst into real estate investing using creative finance strategies like seller financing, rent-to-own, and subject-to deals.We're covering:✅ How Yasha went from real estate agent to real estate investor✅ Using the “Blue Ad” strategy to find off-market deals without spending $$$ on marketing✅ Negotiation tips for talking to sellers (even if you're scared!)✅ Growing from first deals to new builds and short-term rentals✅ How to buy real estate without using banks, credit, or lots of capital✅ How she built a passive income portfolio using rent-to-own dealsIf you're a new real estate investor or looking to build wealth through real estate without the hurdles of traditional financing, this episode is packed with actionable tips to help you get started TODAY!Have you tried creative financing? What's your biggest challenge in real estate investing?

Part 1 of Episode 3 Chaos reigns at camp! The OLGAs must summon their bravery as the danger heats up in their search for counselors Beau and Yasha! CAPTION STATUS: CAPTIONED BY OUR EDITORS. The closed captions featured on this episode have been curated by our CR editors. For more information on the captioning process, check out: https://critrole.com/cr-transcript-closed-captions-update BEACONWe're excited to bring you even MORE with a Beacon membership! Start your 7-day free trial today at https://beacon.tv/join and get unparalleled access to the shows you love completely ad-free! You'll receive NEW Beacon exclusive series, instant access to VODs & podcasts, live event pre-sales, merch discounts, & a private Discord. YOUTUBE MEMBERS / TWITCH SUBSCRIBERSTwitch Subscribers and YouTube Members gain instant access to VODs of our shows, moderated live chats, and custom emojis & badges:https://www.youtube.com/criticalrole/joinhttps://www.twitch.tv/criticalrole   Due to the improv nature of Critical Role and other RPG content on our channels, some themes and situations that occur in-game may be difficult for some to handle. If certain episodes or scenes become uncomfortable, we strongly suggest taking a break or skipping that particular episode.Your health and well-being is important to us and Psycom has a great list of international mental health resources, in case it's useful: http://bit.ly/PsycomResources

Part 2 of Episode 2 Gub Gub the Flying Pig has kidnapped Beau and Yasha and it's up to the feckless OLGA cabin to rescue their counselors... all before curfew! BEACONWe're excited to bring you even MORE with a Beacon membership! Start your 7-day free trial today at https://beacon.tv/join and get unparalleled access to the shows you love completely ad-free! You'll receive NEW Beacon exclusive series, instant access to VODs & podcasts, live event pre-sales, merch discounts, & a private Discord. YOUTUBE MEMBERS / TWITCH SUBSCRIBERSTwitch Subscribers and YouTube Members gain instant access to VODs of our shows, moderated live chats, and custom emojis & badges:https://www.youtube.com/criticalrole/joinhttps://www.twitch.tv/criticalrole   Due to the improv nature of Critical Role and other RPG content on our channels, some themes and situations that occur in-game may be difficult for some to handle. If certain episodes or scenes become uncomfortable, we strongly suggest taking a break or skipping that particular episode.Your health and well-being is important to us and Psycom has a great list of international mental health resources, in case it's useful: http://bit.ly/PsycomResources

Part 1 of Episode 2 Gub Gub the Flying Pig has kidnapped Beau and Yasha and it's up to the feckless OLGA cabin to rescue their counselors... all before curfew! BEACONWe're excited to bring you even MORE with a Beacon membership! Start your 7-day free trial today at https://beacon.tv/join and get unparalleled access to the shows you love completely ad-free! You'll receive NEW Beacon exclusive series, instant access to VODs & podcasts, live event pre-sales, merch discounts, & a private Discord. YOUTUBE MEMBERS / TWITCH SUBSCRIBERSTwitch Subscribers and YouTube Members gain instant access to VODs of our shows, moderated live chats, and custom emojis & badges:https://www.youtube.com/criticalrole/joinhttps://www.twitch.tv/criticalrole   Due to the improv nature of Critical Role and other RPG content on our channels, some themes and situations that occur in-game may be difficult for some to handle. If certain episodes or scenes become uncomfortable, we strongly suggest taking a break or skipping that particular episode.Your health and well-being is important to us and Psycom has a great list of international mental health resources, in case it's useful: http://bit.ly/PsycomResources

Want to buy real estate WITHOUT banks or using your credit? Go Here:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://creativefinanceplaybook.com/?utm_source=podcast&utm_medium=cfp&utm_campaign=v1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join The Creative Finance Playbook Coaching Program & Learn Directly from Jenn & Joe:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://creativefinanceplaybook.com/wait-list?utm_source=podcast&utm_content=cfp&utm_campaign=wlist⁠⁠⁠Are you a mom trying to balance it all and build a business? In this powerful conversation with Yasha from Jacksonville, FL, we talk about how outsourcing—even in small ways—helped us grow our real estate investing businesses while raising kids.We also open up about:• The mindset shift from mom guilt to CEO energy• Why getting in the right rooms with other women is non-negotiable• How real estate investing gives women freedom, confidence, and choicesYasha invited me to speak on an all-women's panel to empower more women to take control of their financial future—and this episode is a sneak peek into the energy we're bringing.If you're searching for “how to start a business as a mom,” “how to invest in real estate with kids,” or “how to buy real estate without banks,” this is for YOU.Subscribe, like, and drop a comment if you're a mama on a mission!► Book a call with Joe ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://creativefinanceplaybook.com/wait-list?utm_source=podcast&utm_content=cfp&utm_campaign=wlist⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► Come to our next free 5 hour live training⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://creativefinanceplaybook.com/5live?utm_source=podcast&utm_content=cfp&utm_campaign=5hls⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► Learn How To Generate Free Off Market Leads & Talk To Sellers (Free Guide)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://creativefinanceplaybook.com/score-free-leads?utm_source=podcast&utm_content=cfp&utm_campaign=freeleads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► Join Our Free Facebook Group & Connect with Us and Our Community:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/groups/creativefinanceplaybook?utm_source=podcast&utm_content=cfp&utm_campaign=fbgrp⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► Want to buy real estate WITHOUT banks or using your credit? Go Here:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://creativefinanceplaybook.com/?utm_source=podcast&utm_content=cfp&utm_campaign=homep⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► Follow Us on Instagram for Real-Time Tips & Updates:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://creativefinanceplaybook.com/?utm_source=podcast&utm_content=cfp&utm_campaign=cfpig⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► Like Our Facebook Page to Stay Updated:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/CFPlaybook?utm_source=podcast&utm_content=cfp&utm_campaign=cfpfb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► Subscribe to Our YouTube Channel:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@creativefinanceplaybook?utm_source=podcast&utm_content=cfp&utm_campaign=cfpyt⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

After her first appearance on the show five years ago, Daryl Lang is back! Daryl is a vision-impaired runner who races with a guide and completes her training miles with her guide dog. Daryl and I  love furry friends, so this episode ended up almost an ode to her two guide dogs, Jenny and Yasha.  Daryl takes us through Jenny's retirement, what it was like to change their relationship from working to companionship, and learning the ins and outs of her new coworker, Yasha (whom she trained with at Guiding Eyes for the Blind in New York).  Daryl also became published as a contributing author to the book Run for Your Life: Lessons Learned from Going the Distance, and she shares a bit about that process as well.  Yasha and Daryl may still be fine-tuning running together, but in the meantime, Daryl has entered a new space in her running era: nothing to prove to anyone (maybe the best journey yet). She may not be worried about how much she races or what her splits are anymore, but she still has some big goals on the horizon. I have my fingers crossed that I might get to greet her at the finish line sometime soon.    Find Daryl's blog at www.blindbeader.ca Buy a copy of Run For Your Life: Lessons Learned from Going the Distance  https://bit.ly/buyrunforyourlife Donate to Guiding Eyes for the Blind: https://donate.guidingeyes.org/    -- Episode Sponsor: Canada Running Series The Beneva Spring Run Off may have already sprung, but Canada Running Series still has a ton of exciting races to help you find your next start line. Next up: The Under Armour Toronto 10K. With a medal inspired by the city itself, this year's finish line prize features the iconic Toronto skyline—CN Tower and all—hung on waves of blue, a nod to the scenic waterfront route. Register to earn yours on June 15th: visit www.canadarunningseries.com    Theme music: Joseph McDade

Yasha 96 je indie-popový projekt v Berlíně usazeného producenta a songwritera Jáchyma Kováře, který čerpá inspiraci ze sugestivní písničkářské tvorby 90. let. Její nostalgické vibrace propojuje se současnými vlivy, tím se do jeho hudby dostává i moderní pojetí post-punku nebo klubová elektronika. Společně s dalšími dvěma nominovanými projekty se Yasha 96 představí živě 22. května na finále exportního projektu Czeching v ARCHA+.Všechny díly podcastu Czeching můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

In Xbox Kompakt werfen wir jeden Samstag einen Blick zurück auf die vergangene Woche und fassen für euch die News-Highlights rund um unsere Lieblingskonsole zusammen - eigentlich bei YouTube, doch jetzt bekommt ihr alle Infos auch hier auf die Ohren!Inhalte dieser Folge im Detail:00:00 Hey Leute00:31 Nintendo Switch 205:27 Starseeker - https://t.co/2D3Hj3Yl2t05:51 Daemon X Machina - https://t.co/97DdM2j0Yz06:14 Monument Valley - https://t.co/aM2hFkmlyB08:00 Gamer-Vorurteile - https://t.co/waduB4A3aO08:30 Call of Duty Gewinnspiel08:57 Xbox Game Pass - https://t.co/5XPVvPHirt09:46 Free Play Days - https://t.co/xTKmgKZ6DE10:00 Black Desert - https://t.co/eaqH0CHCSS10:29 MindsEye - https://t.co/Bz0b5ilShz10:51 Two Strikes - https://t.co/Z8QH2ABEt911:14 Kiborg - https://t.co/XijwvLgQhG11:35 SubwaySim 2 - https://t.co/A6hUABfLT512:12 Spiritfall - https://t.co/p0nXflbh6912:25 The Sinking City - https://t.co/NNFZVAo7i613:12 Steel Seed - https://t.co/ExZeF7QvKi13:36 Yasha - https://t.co/wf5cfA2YrA14:07 Xbox-Highlights - https://t.co/uK21iH7SgN14:25 Sociable Soccer 25 - https://t.co/J5JxctPmpa15:29 Vorschau15:54 Ciao ciao!

On this episode, Jacob, CB & Scott answer questions provided by the GO Community. Before that they discuss the week's news from the video game industry and the games they've been playing. E-WIN Best Heavy Duty Gaming Chair Yetee T-Shirts - Mega Man Collection On This Episode (12:00) News (31:16) New Games (34:46) Monster Hunter Wilds (PC) (47:23) Him, the Smile, & Bloom (Switch) (52:45) Yasha: Legends of the Demon Blade (PC) (1:01:19) “From the Outside In” Topic: Community Questions Grab the episode now on iTunes, Spotify, iHeartRadio, Google Play Music and more. If you love this episode and want other gaming content you can't get anywhere else, please support us on Patreon! Also, don't forget to check out our Discord Server and our web site, where you can read all of our written content.  

In this episode, we speak with Yasha Maccanico a researcher and journalist at StateWatch, a UK-based charity focused on civil liberties, human rights and democracy in Europe.    We talk about a proposed EU law that could make it easier for states to criminalise acts of solidarity with people on the move.   Yasha also talks to us about abuses of state power in Europe under the guise of lowering immigration, the externalisation of the EU's borders in Africa, and much more.    ---Get in touch---   Twitter: @FleetCivil   Mastodon: @civilfleet@kolektiva.social   Bluesky: @thecivilfleet.bsky.social   Instagram: thecivilfleet   info@civilfleet.com   civilfleet.com --- Show notes ---   For more on StateWatch, check out their work here: statewatch.org   Follow them on BlueSky: @statewatch.bsky.social Ben misquotes the late left-wing politician Tony Benn, who once said: “The way a government treats refugees is very instructive, because it shows you how they would treat the rest of us if they thought they could get away with it.” In fact, the phrase may have been misattributed to Tony Benn. You can watch one of Tony Benn's most famous speeches against the US-UK' illegal invasion of Iraq, here: https://www.youtube.com/watch?v=A7ciGW7h7PI&ab_channel=PoliticsJOE    Yasha mentions the an independent media company Bristol Cable. You can read their work here: thebristolcable.org   Ben and Yasha talk briefly about the toppling of the statue of slave trader Edward Colston in Bristol in 2020. You can read more about that here; https://exhibitions.bristolmuseums.org.uk/the-colston-statue   Here's where you can find out more about Migreurop: https://migreurop.org/?lang=en   Ben mentions an episode of The Civil Fleet with Jihed, a Tunisian activist with Alarm Phone and Louise Michelle. Check out episode 48 for that.    For more on Frontex, the European Border and Coastguard Agency, check out episodes 54, 52, 50, 34, 31, 23, 15, 7 and 1   Ben mentions previous The Civil Fleet Podcast episodes with people who have been arrested and given ludicrous sentences for driving boats or cars across borders. Check out episodes: 56, which focuses on Homayoun Sabetara, a father who fled Iran to be reunited with his daughters in Germany and was sentenced to 18 years behind bars in Greece after he was forced to drive across the border.  53 with Nadia, a young refugee woman from Lebanon who husband was arrested by the Greek authorities and accused of human smuggling after spending 10 days adrift in the Mediterranean.  35 with Hanad, a Somalian refugee who was senteced to 142 years behind bars for trying to stop his boat from sinking in the Aegean Sea and saving the lives of 33 others   Here are the links Yasha sent:   EU: New migrant smuggling law to ensure criminalisation of solidarity (December 2024) https://www.statewatch.org/analyses/2024/eu-new-migrant-smuggling-law-to-ensure-criminalisation-of-solidarity/   A new EU law on the criminalisation of migrant smuggling will be examined by the Justice and Home Affairs (JHA) Council. The Council is due to approve its position for negotiations with the European Parliament. The existing law has been criticised for failing to prevent the criminalisation of migration and acts of solidarity with migrants and refugees. The new text, obtained by Statewatch and published here, appears likely to worsen the situation. ----- EU: Council lowers threshold for migrant smuggling prosecutions (July 2024, with PICUM) https://www.statewatch.org/news/2024/july/eu-council-lowers-threshold-for-migrant-smuggling-prosecutions/  EU institutions are discussing proposed changes to the law criminalising the facilitation of irregular migration, which has also been used to criminalise migrants and individuals acting in solidarity with them. The Belgian Council presidency presented a revised draft to other EU member states at the end of May, which would simplify the criminalisation of irregular entry, amongst other things. The draft will serve as the basis for further discussions within the Council, with Hungary now in the presidency role until the end of this year.   -----   Viewpoint, Hindering humanitarianism: European Commission will not ensure protection for those aiding sans-papiers, Chris Jones (April 2017) https://www.statewatch.org/media/documents/analyses/no-311-facilitation-directive.pdf   -----   The shrinking space for solidarity with migrants and refugees: how the European Union and Member States target and criminalize defenders of the rights of people on the move (TNI, Yasha Maccanico, Ben Hayes, Samuel Kenny, Frank Barat, September 2018) https://www.tni.org/files/publication-downloads/web_theshrinkingspace.pdf   -----   Libya/elmasri: including full text of Shatz/Branco submission to the ICC against Italian ministers: http://www.statewatch.org/news/2025/february/italian-ministers-should-face-justice-for-freeing-fugitive-war-criminal-says-legal-complaint/   -----   Secrecy: http://www.statewatch.org/news/2024/november/italy-has-nullified-the-right-to-transparency-regarding-borders/   -----   Tunisia: http://www.statewatch.org/news/2024/november/tunisia-no-to-the-criminalisation-of-solidarity-with-migrants/   -----   Deportations (aka returns): http://www.statewatch.org/news/2025/january/deportations-new-role-for-frontex-as-eu-pushes-for-more-voluntary-returns/   -----   Egypt: http://www.statewatch.org/news/2025/january/eu-police-cooperation-with-egypt-sacrifices-people-s-rights-and-freedoms-for-security/   -----   “Outsourcing borders” externalisation bulletin project, bulletins and documents archive: https://www.statewatch.org/outsourcing-borders-monitoring-eu-externalisation-policy/     -----   To challenge border militarisation (with partners, 2023/24), Telling the story of EU border militarisation, https://www.statewatch.org/media/4000/eu-border-militarisation-narrative-guide.pdf     -----   Europe's techno-borders (2023 with EuroMed Rights) https://www.statewatch.org/publications/reports-and-books/europe-s-techno-borders/    -----   Frontex and interoperable databases: knowledge as power? (2023) https://www.statewatch.org/frontex-and-interoperable-databases-knowledge-as-power/    -----   Empowering the police, removing protections: the new Europol Regulation (2022) https://www.statewatch.org/publications/reports-and-books/empowering-the-police-removing-protections-the-new-europol-regulation/    -----   Interoperability, eu-LISA and the biometric state (2022) Building the biometric state: Police powers and discrimination https://www.statewatch.org/publications/reports-and-books/building-the-biometric-state-police-powers-and-discrimination/   -----   Background docs selection on interoperability and the EU JHA policy field http://www.statewatch.org/observatories/interoperability-eu-big-brother-database/    -----   Secrecy and externalisation of EU border control (2022) https://www.statewatch.org/media/3781/secrecy-and-externalisation-of-migration-control.pdf    -----   Renditions observatory http://www.statewatch.org/observatories/rendition-the-use-of-european-countries-by-the-cia-for-the-transport-and-illegal-detention-of-prisoners/ 

In unserem Digital Pacemaker best-of bieten wir euch besonders hörenswerte Folgen aus unserem Archiv. In Folge #11 ging es am 26. Juli 2022 um das Thema „Dekarbonisierung“ – also Wege, um Prozesse die Kohlenstoffdioxid freisetzen, durch Prozesse abzulösen, bei denen diese Freisetzungen unterbleibt oder kompensiert wird. Zu Gast war Yasha Tarani, Mehrfachgründer, Co-Founder und CEO von The Climate Choice.

Trinidad & Tobago's Reggae Songstress, Yasha Mani joins us for an exclusive Reggae Month featured interview event.

In Xbox Kompakt werfen wir jeden Samstag einen Blick zurück auf die vergangene Woche und fassen für euch die News-Highlights rund um unsere Lieblingskonsole zusammen - eigentlich bei YouTube, doch jetzt bekommt ihr alle Infos auch hier auf die Ohren! Inhalte dieser Folge im Detail: 00:00 Hey Leute 00:27 Xbox-Zukunft - https://t.co/ah3NMAd2d0 04:27 Microsoft Q4/2024 - https://t.co/ErW2nYb5RI 05:46 Xbox Series S - https://t.co/aymhGBhZ3P 08:59 Baldur's Gate 3 - https://t.co/IsU9zbjI08 10:12 CoD + Gewinnspiel - https://t.co/HUdejped7s 10:50 Voschau Februar 2025 - https://t.co/gH9VR1fEuc 11:10 Free Play Days - https://t.co/T6aSmA1R3b 11:33 Everspace - https://t.co/YIPNuZ2b1D 11:55 No Man's Sky - https://t.co/UNZ6b2SgUS 12:11 WWE 2K25 - https://t.co/1XgsSUVt7L 12:30 Atomic Heart - https://t.co/irioLnOsXs 12:39 RoadCraft - https://t.co/fiJilhfAQN 12:49 Throne and Liberty - https://t.co/8MFolDInNF 13:03 Yasha - https://t.co/gRQAyjjZZg 13:13 Doom - https://t.co/NIAkXgyujw 13:32 Mandragora - https://t.co/PDosd7qOMD 13:47 Xbox-Highlights - https://t.co/3r1JLI8TXO 14:05 Sniper Elite - https://t.co/3GTmOGOAdu 14:55 Eternal Strands - https://t.co/aNUVe6WUJ4 15:20 Robobeat - https://t.co/AcgANDJTww 16:22 Vorschau 16:38 Ciao ciao!

ABOUT THIS MINISTRY 

What's up, dudes? It's Christmas Eve! Yes, tonight we begin Christmastide, so I've got Thom Crowe from ‘Tis the Podcast and Art Kilmer from A Cozy Christmas with to talk about Hanna-Barbera! No, not Yogi or Fred Flintstone, it's The Greatest Adventure: Stories from the Bible “The Nativity!”Several Gospel pericopes are concatenated in this 1987 straight-to-video animated feature. While surveying the sight of some ancient ruins, two young archaeologists, Derek and Margo, and their nomad friend Moki find themselves trapped and sinking in a whirlpool full of sand. When the dust settles, they stare up in awe at a vast chamber filled with giant relics and artifacts from another civilization. And there at the far end of the cavern, a door with a strange inscription: All who enter these portals pass through time!Finding themselves in the 1st century BC Holy Land, the trio arrive in time for Caesar Augustus's decree. Accordingly, St. Joseph and the Blessed Virgin Mary make the trek to Bethlehem, their ancestral home. Simultaneously the Magi follow a star to Bethlehem in search of a new king. The trio meet a shepherd boy named Yasha who leads them to Jerusalem, where they discover Herod's plot to have the Magi followed. That night they see the Angel's proclamation of great joy, and follow some shepherds to the inn where Jesus was born.An inn with no room? Check. Magi following a star? Got it. Adoring the Holy Family? Definitely! So grab your gold, frankincense, and myrrh, hop on a camel, and head to Bethlehem with this episode! O come, let us adore him in The Greatest Adventure: Stories from the Bible “The Nativity!”'Tis the PodcastFB: @tisthepodcastTwitter: @tisthepodIG: @tisthepodcastFB Group: Tis the Podcast GroupA Cozy ChristmasFB: @cozychristmaspodcastIG: @cozychristmaspodcastTwitter: @CozyXmasPodGive us a buzz! Send a text, dudes!Check us out on Facebook, Twitter, Instagram, Totally Rad Christmas Mall & Arcade, Teepublic.com, or TotallyRadChristmas.com! Later, dudes!

In the final part of this episode, Evan Friedmann and Yasha Kahn discuss the need for a national entity to centralize cannabis data collection, moving from snapshot data to continuous updates. They emphasize the importance of accurate lab data and adverse event tracking, suggesting QR codes on packaging to report issues. Yasha suggests harsher consequences for result manipulation and suggests collaboration between state departments and federal entities to support underfunded regulators. They also discuss the potential benefits of off-the-shelf testing and the importance of stability testing. Finally, Yasha shares his top three reading recommendations for the audience.

Evan Friedmann and Yasha Kahn, co-founder of MCR Labs, discuss the discrepancies between current regulations and data on mycotoxins and pesticides in cannabis products. They highlight the need for updated regulations based on new data, emphasizing the importance of accurate testing and labeling. They also discuss the issue of result manipulation, particularly in THC content, and the need for public health officials to address this. Yasha suggests making testing data public to enhance oversight and suggests a national entity to manage this data for better consistency and public safety.

Evan Friedmann interviews Yasha Khan, co-founder of MCR Labs, about his journey into the cannabis industry and his efforts to promote transparency and integrity in laboratory practices. Yasha discusses the origins of MCR Labs, which began in Massachusetts to meet the needs of the soon-to-be legal medical cannabis market. He explains the challenges faced, including result manipulation by labs and the impact on public health. Yasha's Freedom of Information Act (FOIA) project aimed to gather testing data from 37 states, revealed significant discrepancies in potency and mold results. Despite some states' reluctance to share data, Yasha has made much of this data public, leading to collaborative research and publications on various aspects of cannabis testing.

November 8, 2024 Yasha'yah / Isaiah 63:1-5 - Yada reads his latest work in his soon to be updated book; Yada Yahowah Series, Vol 5. For now, follow along with Isaiah and Yada here: https://yadayah.com/Books/An-Introduction-to-God/Volume-1/Chapter04.html?nonav&jmp=pnum442 Join Yahowah's family as we explore the Towrah of God. We will expose religious corruption while most importantly espousing Yah's Towrah truth.  Hosted by the author of the Yada Yahowah series, An Introduction to God, Observations, Coming Home, Babel, Twistianity, God Damn Religion, and In The Company.

November 1, 2024 Yada reads from his latest translation in Yada Yahowah Vol 5 (link coming soon!) Bamidbar / In the Wilderness / Numbers 19:9 and Yasha'yah / Isaiah 63:1.  Watch Yada's song, "The Red Heifer Sings" on YouTube: https://youtu.be/OMFOTK-S1-0?si=k9R8PqlBKFQDbl5m Join Yahowah's family as we explore the Towrah of God. We will expose religious corruption while most importantly espousing Yah's Towrah truth.  Hosted by the author of the Yada Yahowah series, An Introduction to God, Observations, Coming Home, Babel, Twistianity, God Damn Religion, and In The Company.

This is the first of a series of conversations with lab owners and industry experts revolving around the topic of fraud, mismanagement, and poor regulations facing Cannabis testing labs. With issues ranging from THC potency inflation, under-reporting of contaminants, perverse incentive structures promoted by regulations, market manipulation, and more – this series dives deep into […]

October 18, 2024 Yada reads to us from his latest unpublished work (link coming soon) regarding the identity of the Red Heifer | 'Adamah Parah and the connections to this significant sacrifical event which will take place on Taruw'ah, 2033.  Yasha'yah / Salvation is from Yahowah / Isaiah 17:1, Bamidbar / In the Wilderness / Numbers 5:1, Malaky 4:1-6, Bamidbar / In the Wilderness / Numbers 19:1-3, Bare'syth / Genesis 15:9. (link to be inserted, here is a link to the Index tool for current passages: Translation Index (yadayah.com) Join Yahowah's family as we explore the Towrah of God. We will expose religious corruption while most importantly espousing Yah's Towrah truth.  Hosted by the author of the Yada Yahowah series, An Intro to God, Observations, Coming Home, Babel, Twistianity, God Damn Religion, and In The Company.

October 11, 2024 Yada reads from Yasha'yah / Yahowah's Deliverance / Isaiah 17:1-6, Bamidbar / In the Wilderness / Numbers 19:1-5 and Bare'syth / Genesis 15:9. Yada Yahowah Vol. 5 coming soon! Listen and watch Zikarown on YouTube: Zikarown #originalmusic #israelimusic #jewishmusic (youtube.com) Join Yahowah's family as we explore the Towrah of God. We will expose religious corruption while most importantly espousing Yah's Towrah truth.  Hosted by the author of the Yada Yahowah series, An Intro to God, Observations, Coming Home, Babel, Twistianity, God Damn Religion, and In The Company.

September 13th, 2024 Yada presents Yasha'yah / Yahowah Saves / Isaiah 53:1-6, the inspiration for his poem and song, "Yahowah Sings to Yisra'el... Come Home." Watch the music video here: Yahowah Sings to Yisra'el - Yada Yahowah Music Group #music #israel #podcast (youtube.com) Link to Twistianity Vol. 5 coming soon! Read Yasha'yah 53:1-5 by Yada, here: Twistianity - Devil's Advocate - Harpayesomeoa (yadayah.com) (Twistianity, Vol. 3, Ch. 12, pg 519). Join Yahowah's family as we explore the Towrah of God. We will expose religious corruption while most importantly espousing Yah's Towrah truth.  Hosted by the author of the Yada Yahowah series, An Introduction to God, Observations, Coming Home, Babel, Twistianity, God Damn Religion, and In The Company.

Հարցազրոյց ռեժիսոր, սցենարիստ, Էտկար Պաղտասարեանի հետ: Աւստրալիոյ Հայկական Ֆիլմերու Փառատօնի ժամանակ ցոյց պիտի տրուին Պարոն Պաղտասարեանի երկու ֆիլմերը «Յաշան և Լեոնիդ Բրեժնևը» և « Արարատից Սիոն»: «Yasha and Leonid Brezhnev»: “Unfortunately, it's still forbidden in Russia”. Interview with Director, Screenwriter, and Producer Edgar Baghdasaryan. Two of his movies “Yasha and Leonid Brezhnev” and “From Ararat to Zion” will be screened during the Armenian Film Festival Australia.

Artist: Yasha F (Russia) Name: DH22, Live*2 Genre: Electronic Release Date: 05.07.2024 Exclusive: Deep House Moscow Yasha F: www.facebook.com/yashaf.music Soundcloud: @yasha_f Instagram: www.instagram.com/yasha_f CONTACT (DHM): Email — deephousemoscow@hotmail.com Follow us: www.facebook.com/deephousemsk/ www.instagram.com/deephousemoscow/ vk.com/deephousemsk/

We have a very special guest joining us today, Yasha Chapman. In this episode, we will discuss creating engaging learning experiences for students. This topic is very close to the hearts of educators and new teachers alike. Whether you are an experienced teacher or just starting, get ready to gain some insightful tips and practical advice from our discussion.

Kathleen Parlow was one of the most outstanding violinists at the beginning of the 20th century. In 1912, she was signed by the Columbia Record Company in New York, and her first records for the U.S. label were brought out alongside those of the legendary Eugene Ysaÿe. Listen to her fascinating story and how she took the world by storm. From her devastating looks to the intrigue her priceless instrument created. You will hear rare recordings of this prodigious player as we retell her life and try to understand why such an incredible talent has been so forgotten today. Brought to you by Biddulph recordings   TRANSCRIPT   Kathleen Parlow Part 1  Welcome to this very first episode of the Historical Strings Recording Podcast.  A show that gives you a chance to hear rare and early recordings of great masters and their stories.  Hello, my name is Linda Lespets. I'm a violin maker and restorer in Sydney, Australia, and I'm also the host of another podcast called ‘The Violin Chronicles',  a show about the lives of historically important violin makers and their instruments. But today we have a different podcast and telling this incredible story with me is my co-host Eric Wen. Hello, my name is Eric Wen, and I'm the producer at Biddulph Recordings, which is a label that focuses upon reissuing historic recordings, particularly those by famous string players of the past.  I also teach at the Curtis Institute of Music in Philadelphia, where I've been for the past 24 years. In this first episode, we will be looking at an incredibly talented violinist called Kathleen Parlow, who, in her time, took Europe and the world by storm, giving even Fritz Kreisler a run for his money in the popularity department. She was described in the media as being ‘One of the phenomena of the musical world' on par with Mischa Elman, or the ‘greatest lady violinist in the world', and ‘the girl with the golden bow'.  She was treated with superstar status wherever she went, which begs the question as to why she is so little known today? Well, join us to discover her incredible story, the events of her career and her violin. A violin which would eventually financially ruin one man and divide his family. We will take a closer look at high hat kicking breakdancers, militant fascists, scandalous theatre directors, impossible love, a score ripping composer, and all this revolving around one of the world's most expensive violins and the incredible means one man went to get it into his hot little hands and then give it away. This is the story of Kathleen Parlow.  And all of the pieces you will be hearing in this podcast are of Kathleen Parlow playing her violin. Kathleen Parlow was born into a modest family in Calgary on the Canadian prairies in 1890.  Her mother, Minnie, was a violinist. So, at a young age at four, she gave her daughter a violin and started teaching her. When she was six years old, the family, Kathleen, Minnie, and her father, Charlie, they moved to San Francisco where her talent was immediately recognized. And well, this is probably because of the, the mom. And she was having lessons with her cousin called Conrad Coward in San Francisco.  Very soon, still aged six, she gave her first recital in San Francisco.  So is six, is six a reasonable age for a child to give a recital? What do you think? It's extremely young. In fact, that is truly prodigious. I mean, people don't even begin the violin till six and that's an early beginning of an instrument. Most people start around seven or eight, but to begin much earlier and to even be playing a concert at the age of six. That's really quite phenomenal. So with her burgeoning talent, she now started having lessons with Henry Holmes, who was a pupil of Louis Spohr, the well-known German composer and violinist. And he's a conductor and who he's the man who apparently invented the chin rest.  So where would we be without the chin rest, really? He's attributed with inventing it.  Well, Spohr was a fine violinist, German violinist. He was also a quite prominent composer. He was quite a conservative composer. So, I believe he wasn't that fond of the music of Beethoven. In other words, there were people like Spohr, Von Weber, and they represented a much more conservative branch of the sort of German composition.  of the German composers. And basically, they looked upon Beethoven as such a wild revolutionary in his music, so daring that I think they were almost a little offended by it. So Spohr, if you could say, is primarily a kind of conservative, very well-schooled, excellent composer. He wrote many, many violin concertos, the most famous of which is No. 8 in A minor, which is written in the form of an operatic scene. Full of violin solo recitatives and arias for the violin. Oh, wow. Yeah, that's interesting. So they were, there was like very shocked by Beethoven. They were, apparently. Was he a contemporary of Beethoven? Because I, because sometimes you go back pretty quickly, don't you? Like the teacher of the teacher of and all of a sudden you're in like the Well, Spohr was born 14, he's 14 years younger than Beethoven. Oh, okay. So, he was born in 1784, but he lived a lot longer. He lived over 20 years longer than Beethoven. Oh, wow. And that's fascinating. So, Henry Holmes, Kathleen Parlow's teacher, was taught by this guy who would have known Beethoven? Yes, absolutely. And objected to Beethoven.  Was shocked by his music. Well, I mean, I think sort of the, you might say the more mature Beethoven or the more daring Beethoven. But I think, you know, I'm sure maybe some of Beethoven's early works were much more acceptable. They were more normative, so to speak. Oh, okay.  So Kathleen's in San Francisco and her parents' marriage is breaking down. Her father, Charlie, moves back to Calgary where he dies of tuberculosis the year after. But Kathleen, she rockets on and is becoming more and more well known. Her new teacher sees real talent in the girl, and this teacher, Henry Holmes, he has contacts to make things happen. And he helps arrange a tour for her and playing engagements in England. So for this to happen, Kathleen's mum, she's, she's I'm getting stage mum vibes. Yes.  Because she's still very, still very young. Oh, yeah. I mean, I can't believe she wasn't playing with dolls.  And this would have been a conversation between Minnie, Kathleen's mum, and the teacher. It probably wouldn't have been a conversation with her as a child. No, probably not.  You don't really choose much when you're six, seven. No, that's true. So the problem they have is that they have no money. So, so what do you do, Eric? You have no money, you have a prodigy. You exploit the prodigy by having them play and make an income for you, which is something that happens unfortunately to many, many talented musicians coming from, you might say, less well-off families. They end up becoming the breadwinner. All their focus gets put upon these, these kids. And so not only do they have the added burden of playing and making sure they keep up They're playing well, but they also have the burden of making sure that they play well enough to make an income so that their families can survive. I mean, that's a very familiar story, and it's a story that has more failures than winners, I'm afraid, because you do hear about the winners. You do hear about the Misha Elmans or the Yasha. Well, Heifetz is a little different because he had a more middle-class family, but you do hear of Oskar Shumsky, for example, who I know I knew personally, he says, don't believe that these violence that you hear about having normal childhood behind every great violence, there's always a mama or a papa. And I think he himself endured that kind of pressure, the pressure to somehow become. The breadwinner, or let's say the some, the pressure to become a great violinist, primarily because he would serve as the breadwinner for the family. Well, if you think about it, you could say that.  Violin playing in the early 20th century was very dominated by Russians, particularly Russian Jews. And one of the reasons for that was that in Russia, all the Jews were confined to an area known as the Pale of Settlement.  In other words, a designated area that they could live in, but they could not leave that particular area. And basically, some very gifted young students could get into university or could go into a conservatory, and one of the big examples was Misha Elman, and Misha Elman, you might say left the Pale of Settlement to go study with Leopold Auer in St Petersburg. And they had to get all sorts of permission to do that. Well, the success of Misha Elman, the global success, the international success, I think resonated so well. with the people in the ghetto that they sort of saw, wow, this is one of our boys and look what he's done. He's now playing for the crowned heads of Europe. So I think for them, they felt this was a way out. And if you think about it, the film, Fiddler on the Roof,  which is a famous musical and it was adapted as a famous film. And basically, that film, just the very title, talks about the Fiddler on the Roof. And the setting is in the Pale of Settlement, the Jewish ghetto in Russia. They're often subjected to random attacks by the Cossacks and all sorts of difficulties. But here, despite all that, you know they manage to survive. And of course the image of the Fiddler on the Roof. The violinist is exemplified, you might say, by Misha Elman, who literally grew up in the Russian ghetto. Yeah, and Misha Elman, he'll, he'll become, he He'll become important in our story, yeah. The money. This is not a problem. There is a wealthy admirer called Harriet Pullman, Carolan, in San Francisco. And she pays for Kathleen and her mother to take the trip to England. And in 1904, at the age of 14, Kathleen plays for King Edward VII at Buckingham Palace. And then in the next year in 1905, she and her mother, they come back to England. This tour marks the beginning of a life that she would lead for years to come of performing and playing. And so by the time she was 15, she was touring and playing with the London Symphony. And it was in a concert at the Wigmore Hall in London that she really shoots to fame.  So is the Wigmore Hall, is that, is that still today an important place to play? Oh, extremely so. It's funny because the Wigmore Hall was originally called the Bechstein Hall, and obviously during the wars, it became a much more the name was more neutralized to become less dramatic, and it became named after the street it's on, which is Wigmore Street. It was always a very important venue, but around the sort of 60s In the 70s it had declined a bit in its status because the South Bank had been built and so the Wigmore Hall was a little bit relegated to a sort of a little second class status. But in the past 20 years or so the Wigmore Hall has catapulted to  fame again and it's today one of the most distinguished halls. In London. All right. Okay. And this is, this is pre war. So it's, it would have been called? Bechstein. Okay. So it would have been called the Bechstein Hall when she played? Probably. Oh yeah, definitely. So the Bechstein Hall was, I think first opened in 1901 and it was built by the piano manufacturers, the German manufacturers Bechstein, hence the name. And after the First World War, I believe it was changed to a more neutral sounding, less Germanic name, and it adopted the name of the street that it's currently on, which is Wigmore Street. Incidentally, the first concert at Wigmore Hall was actually performed, was a violin and piano recital, performed by Eugene Ysaye and Federico Busoni.  And then one night in London, Kathleen and her mother went to another concert of another child prodigy called Mischa Elman. And he was, so he's the fiddler on the roof guy, and he was almost exactly the same age as Kathleen. He was just a few months there's just a few months difference between them. And she, she hears him playing this concert and she's, she's just blown away. Blown away, and after the concert, she and her mother decide that Kathleen, she just has to go and have lessons from the same teacher as this, as this, as Mischa. So the only thing, only little thing about Mischa Elman's teacher is that he is in Russia. And as far as anyone knows, no foreigners study in the St. Petersburg Conservatorium, but that is about to change. Definitely no ladies. So, Kathleen and her mother had arrived in England with 300 raised by their church in San Francisco and this was, it just wasn't enough to get them to Russia and to the conservatorium where the famed Leopold Auer was a professor, but get there they would because Kathleen's mum, Minnie, still had a few tricks up her sleeve. She went and petitioned the Canadian High Commissioner.  So she must have been, I feel like Minnie, she must have been very persuasive. Like there was nothing was getting in between, you know, her daughter and this career. Forceful, a task to be reckoned with, certainly. Yeah. She's like we'll get to England, we have no money. Not a problem. We're gonna, we're gonna get this teacher. He's in Russia. Not a problem. No foreigners. It, you know, it doesn't, it doesn't seem to be a problem for her, no girls. Not a problem. No foreigner has ever studied in this St. Petersburg conservatorium. Not daunted. They're off. They go. So to pay the cost travel, Minnie managed to get a loan from Lord Strathconia, the Canadian high commissioner.  And from there, mother and daughter travelled to Russia. And in October of 1906, Kathleen becomes the first foreigner to attend the St. Petersburg Conservatorium. And in her class are 45 Students and she's the only girl. And we have to remember this is pre-revolutionary Russia. So there's still the Tsar Nicholas the second at this point. Yeah. She's mixing in, in that set. So it's an interesting place to be as a musician. Cause you're frequenting the sort of the upper classes but you can come from, from nothing and arrive there. Her professor was the famed teacher, Leopold Auer, who had a knack of discovering talent. Leopold Auer was actually a Hungarian violinist, and he was trained in Vienna, and he also studied with Joachim.  And what happened was Russia has always had a sort of love for the violin, and they employed many people to teach at the conservatory, because they really embraced Western culture. They had A number of important French violinists come, but their big, you might say, catch was to get Vieuxtemps, Henri Vieuxtemps,  to teach for a number of years at, in St. Petersburg. And after Henry Vieuxtemps, they actually got Henry Wieniawski to teach at the conservatory. And when Wieniawski decided to go back to Europe, they employed Leopold Auer to take his place at St Petersburg. Right. So he's up there with the big names. Well, they were a little bit let down. I mean, that's what they were, I think, a little bit disappointed to replace Wieniawski with Leopold Auer because Wieniawski was such a major violinist. So he had initially a little rough time, but he was adored by Tchaikovsky and Tchaikovsky loved Auer's playing, dedicated a number of works for him, including the famous serenade melancholic, and wrote a lot number of ballet scores, which Leopold Auer played the solos for. But of course, they had a big rift when Tchaikovsky wrote his violin concerto for Auer, because Auer said it was unplayable.  And that really hurt Tchaikovsky's feelings. And it laid dormant for several years before another Russian violinist. Brodsky took it up, learned it, and. Premiered it in Europe first, and only after its success in Europe did he bring it back to Russia, where it became a big success, and Auer felt very bad about that, and in fact, just before Tchaikovsky died, a few months before Tchaikovsky died, story has it that Auer went to Tchaikovsky and apologized to Tchaikovsky for his initial mistrust of the concerto. In fact, by that time, Auer himself had actually performed the concerto, championed it, and taught it to many of his students.  Yeah, and we'll see in this story how sensitive composers are, and how easy it is to hurt their feelings and really create. Like a lot of emotional turmoil. That's coming up. So Auer, like he might not have been their first choice for replacing, but he did have a knack of finding star pupils. That is something that we see, that I see in the conservatorium. Every now and then you have a teacher who's very talented at finding talent. Absolutely. And I know in Australia you have one very distinguished teacher who I think now has been poached by the Menuhin School in, in England. Yes. And we're not going to talk about that. Yes, we won't.  Because it's Must be a sore point.  But we do see, we do see him every now and then when he comes back. So along with Elman and Efren Zimbalist, Parlow becomes one of Auer's star pupils and Auer was so taken with her playing that he often called her Elman in a skirt, which I think is supposed to be a compliment. And in Auer's biography, he writes, he says, “It was during this year that my first London pupil came to me, Kathleen Parlow, who has since become one of the first, if not the first, of women violinists”.  And that, he says that in his biography, My Long Life in Music.  So, Every year, Auer had a summer school in Kristiana, which is Oslo today. And Parlow spent her summers there and became a great favourite in Norway, which leads us to the next and perhaps one of the most marking events in her career and life. At 17, having spent a year at the conservatory in Russia, Kathleen begins to put on public performances she gives solo performances in both St. Petersburg and Helsinki. So these are two places she knows quite well by now. And these concerts were, they were very important as Kathleen's mother really had no money to support them. And so, with but you know, Minnie doesn't bother her, she just ploughs on. And so with the money from these concerts this would have to tide her over.  From letters that I've read, they were living in like this small apartment and then another friend writes, you know this other person, they've been saying you live in a tiny little place, but I'm not going to spread that rumor. And, and so it was a, it was a thing on the radar that they didn't have much money and they were scraping by and they were like frequenting people of much more wealthier than they were, so they were sort of on the fringes of society, but with her talent that was sort of pushing, people wanted to know her. So she makes her professional debut in Berlin and then began, she begins a tour of Germany and the Netherlands and Norway. And in Norway, she performs for the King Hakon and Queen Maud. Of whom she'll become a favorite. And, and her touring schedule was phenomenal. It was just like nonstop. So, yeah. For a 17-year-old that's, you know, she's going all over the world. And you were saying that Auer knew . Do Tchaikovsky do you think Auer, was he was giving her these pieces that did, that influenced him? Yes.  I mean, Tchaikovsky  wrote a number of violin, solo violin works before the concerto, the most famous of which is, of course, the Waltz Scherzo and the Serenade  Melancholique. One is a fast, virtuoso piece, the other is a slow, soulful piece. And I know that Auer was the dedicatee of certainly the Serenade Melancholique, which she did play. So, so Auer's giving her stuff from, you know, his friend Tchaikovsky to play. Now she's 17 and she's touring to support herself and her mother and she has an amazing teacher who probably understands her circumstances all too well because Auer growing up also found himself in her position, supporting his father in his youth with his playing. So she's studying in St. Petersburg, which is an incredible feat in itself. So she must have had quite a strong character and her mother, Minnie, also appears to be very ambitious for her daughter. We're talking about her mother being ambitious, but for Kathleen to, you know, she's her daughter, she, she must've had quite a strong wheel as well. Yes. Well, she certainly did.  I wish we knew more about her because maybe she was very subservient, you know, we have no idea. Maybe she didn't have, I mean, it's a speculation, of course. Yeah. We do have like hundreds of letters from Kathleen and there's a lot between her and Auer, and there's a real sort of paternal, he really sort of  cared for her like a daughter almost and she looked up to him like a father and he was always very correct about it, you know, he would always write the letter to her. To Minnie, her mother the correspondents, it was, and it was always very, everything was very above board, but a very, they were very close. Kathleen later says that after expenses, her Berlin debut netted her exactly 10 pounds.  She didn't know it at the time, but this was an indication of what her future would be like, and she would be sort of financially in a precarious state most of her life, and she would so her routine was she studies with Auer every summer in order to prepare, like they were preparing her repertoire for the next season of touring. So now she has a tour  in 1908, so she's still 17, almost 18. It's in Norway, and to understand just a little bit of the political climate in the country, We can see that Norway, only three years earlier, had become independent of Sweden and had basically become its own country. So there's this this great sense of nationalism and pride in being Norwegian. And they have a newly minted king, King Hakon, who she's played for, and his queen, who was, He was in fact a Danish prince. And then when Norway, the Norwegian parliament asked him if he would like to become the king of Norway when they had their independence. And he said, why not? As part of this great sense of nationalism Norwegian musicians, composers, writers, and poets, they were celebrated and became superstars. And, oh gosh, yes, We can sort of understand. Poets have sort of dropped off the list, but back then poets, they were a big deal.  So you add to this a young, fresh faced, talented Canadian girl who knows and understands their country. She arrives in Oslo to play in the National Theatre, where Norway's very own Johan Halvorsen who's conductor and composer and violinist, he's conducting the country's largest professional orchestra. And that night for Kathleen's concert, she plays Brahms and some of  Halvorsen's compositions and the two, Kathleen Parloe and Halvorsen, they would go on to become quite good friends and Halvorsen regarded her very highly in saying, he said that her playing was superior almost to all the other famous soloists who made guest appearances in the city. So, I mean, a lot of people went through Oslo, so that was, you know, high praise.  And Kathleen quickly Becomes a admirer of his and she would become a driving factor in him finishing his violin concerto that he'd been dithering over for a very long time.  And this is Kathleen playing one of Halvorsen's compositions. It's not his concerto, it's Mosaic No. 4. So back to the theatre. And it was a magical night with the romantic music of Brahms to make you fall in love. And everyone did, just some more than others. And to finish off, there's music from their very own Johan Halvorsen to celebrate you know, a Norwegian talent. So Kathleen plays her heart out and when the concert ended, the crowd goes wild and the 17 year old soaks up the thunderous applause. She's holding on tight to her violin as she bows to adoring fans. Tonight she is the darling of Oslo.  In the uproarious crowd stands a man unable to take his eyes off this young woman. Her playing has moved him and her talent is unbelievable.  This man makes a decision that will change both their lives forever. So, Einar Bjornsson had fallen head over heels for the 17 year old Canadian there and then. She would turn 18 in a few months. And in that moment, he decided to give her the most beautiful gift she would ever receive.  So, who is Einar Bjornsson?  So what we were saying, poets, poets are less of a, you know, a hot shot today, but Einar was the son of a very, very famous poet. A Norwegian businessman and son of one of the most prominent public figures of the day, Bjørnstan Bjørnsson. He was a poet, a dramatist, a novelist, a journalist, an editor, a public speaker, and a theatre director. Five years earlier, in 1903, he was awarded the Nobel Prize for Literature, and one of his poems, called ‘Yes, We Love This Land', was put to music and is the Norwegian national anthem up to this day. So, you could say he was kind of famous in these parts, and his personality alone would have easily filled. A concert hall, that one in Oslo.  Einar's father here, we're talking about Einar's father, he's the poet. Einar himself doesn't appear to have written any poetry. And this, so this situation could have been just fine the whole infatuation, love at first sight thing, except for a few things that put a spanner in the works. To begin with, Einar Björnsson is somewhat older than the youthful Kathleen he's 26 years older.  Then her, in fact, and for a 17 year old, that is a big age gap. So he's 45, but that aside, there is a problem that he's also married and has two children. His daughter is actually almost the same age as Kathleen she's 16, but he doesn't really seem to  see that. All he can see is this violinist and her talent. And he's been just, he's besotted and he's going to make a grand gesture. So obviously, one way to support the arts is to, what patrons do is they will buy, a lovely instrument and lend it to someone. So that's your normal affair. Obviously, one way to show his devotion to her is to find her a better violin. Hers is absolutely not good enough for someone of her talent. And he has to find her something amazing because she is amazing. He's determined to give her the most wonderful gift she has ever received.  So he goes out and he's a businessman. And so he goes to his businessman contacts. And Kathleen would have spoken to her entourage. I imagine, and I now finally finds a violin worthy of Kathleen's virtuosity, and it happens to be one of the most expensive violins on the market in 1908, and it's a 1735 Giuseppe Guarneri Del Gesu violin. It had previously belonged to great violinists  such as Giovanni Battista Viotti and Pierre Baillot. So just to clarify in the violin making world Antonio Stradivari and Guarneri del Gesù are the two top makers. If you're comparing two instruments, if one was owned by no one not anyone that you know. And then another one was owned by Viotti and Pierre Baillot . The one that's owned by Viotti and Pierre Baillot is probably going to be worth more. Yeah. So Viotti, he was just huge. He had a lot of instruments. I think he did a little bit of teaching and dealing on the side, Viotti. Like with the number of instruments named after him, or he just went through a lot of instruments. So she buys this violin, and it's not all smooth sailing to get the violin. Because she, there's this, there's a big correspondence between her and Auer, and we see that actually there's this letter where it says from Auer saying, I saw Hamming very cross.  He says that the violin is compromised if he takes it back. So at one point, I think she may have changed her mind about this violin, but Hamming the dealer was not okay with this. All the I'm just trying to read his writing, it's not that easy. All the papers brought the news That Kathleen bought it so the newspapers have already, so the, you've got Hamming, that's annoyed, the papers have already said they've bought this violin and he could not, it says he could not sell it soon and repeat the sale, waiting till he finds something equal to the Guarneri. He showed me a Strad, indeed wonderful, asking 60, 000 livres, which must be pounds, right?  A nice fellow, isn't he?  And now, goodbye, write to me.  Love, Auer.  They do end up getting the violin. They, they don't get the 60, 000 Strad that Hamming Gets all upset about and offers, which I think he might have been exaggerating the price just to make him calm down about and to keep the del Gesu. Then Einar gives this to Kathleen. So this is a very kind of strange situation because normally you don't, you don't actually give, the patrons don't actually give their instrument to the No, absolutely. That's a remarkable gift. Just in terms of, I mean, the gesture is very magnanimous, but in terms of financial, there's just a financial cost or value of the gift is quite enormous. And  so really after only knowing her for a month, Einar transfers this money into her account and she travels, Kathleen travels to Germany to the Hamming workshop and purchases her del Gesu violin for two thousand pounds  and in today's money  according to an inflation calculator, that is three hundred thousand pounds. Almost four hundred thousand US dollars. More than half a million Australian dollars, which at the time was a lot for a violin as well. So we're not I mean, I, today you'd be kind of happy to buy a Del Gesu for half a million, but then it was, it'd be a bargain. So, it's interesting this, like, he buys this, this young violinist this very expensive present and it's a, and it's a grey area and it's fraught with debate ethically, really. And I feel like today musicians find themselves sometimes in this position where they're sort of indebted to the, to a benefactor. It's almost feudal. I I feel cause at the same time you're very happy that they're lending it to you, but got to keep an eye on if it's a healthy relationship to. To get the money he had to get, you know, half a million pounds pretty quickly. If you remember, Ina's father was a very famous poet who'd won a Nobel Prize in literature and part of the prize is that you win a large sum of money. And so, what does Einar do? He goes and asks Dad. So he asks, he borrows, he borrows most of the money actually. Goodness knows how he convinced him, but you know, he's a businessman. And also for the remaining, he's married, remember, and he's married to, actually, to an heiress, and he takes a bunch of her, her dowry money and transfers this to essentially a teenager he met a month ago. The purchase of this incredibly expensive violin attracted, it attracted the attention of the press internationally, but journalists It's never really questioned the fact that this, this gift was given to a young woman by a, by an established family man. So everyone was just like, Oh, isn't it amazing? Because normally in this circumstance, people don't often give the instrument. You buy it as an investment and you'll lend it to someone. I think I've heard of like very few, very few cases of things being gifted, but actually normally your standard practice is to, to lend it to people. And most people playing on strads, that's, that's what it is, someone's lent it to them. How would you feel about someone giving a 300, 000 instrument to your daughter, who's a teenager? Well, I'd be, I mean, I'd just hate the sort of obligation that would involve, because On one hand, it is a very wonderful gift if it is a gift, but you almost expect that  there is some expectation in return, don't you? Yeah. It's like he's bought her almost.  Kind of.  So, Einar, as, as I mentioned, he's, he's from a well known Norwegian family. They're very patriotic. His father's writings really established a sense of pride and meaning to what it was to be Norwegian. And he was. Like his father was this beloved figure in the country and he was quite frankly a hard act to follow. But his children gave it a good shot.  You have Einar was one of five children. His father Bjornstein Bjornsson was the poet and public figure. He worked in a theatre. His mother was an actress when he'd met her. Which is a little bit risque also for the time. So they're a bit more of sort of an acting bohemian theatre family. His older brother Bjorn Bjornsson, just to be complicated here, his brother's called Bjorn Bjornsson.  And not to be confused with Bjornstein Bjornsson, his father. So he was a stage actor and a theatre director.  Like his dad. He was a playwright and he was the first theatre director of the National Theatre. And that was the big theatre in Oslo where Kathleen played. He was also quite busy in his personal life, because his first wife was Jenny Bjornsson. I mean, another Bjornsson. Boarding house owner. So he married her for four years. So this is Einars older brother. He married her for four years, then he divorced her, then he married an opera singer. Called Gina Oselio for 16 years, but then he, they, they got divorced, and then he married in 1909 Aileen Bendix, who was actually Jewish, and that's an important point, that she was Jewish, because at this time, things are kind of soon things will start heating up in Europe. And then he was, then there was Einar's younger brother called Erling Bjørnson, and he was a farmer and a politician for the Norwegian Far Right Party. So he was extreme right. Bit of a fascist. The other brother. So he was elected to the parliament of Norway and he was very active during World War II. So his two brothers have very, like, polarized opinions. Einar himself, he was a passive member of the far right party, but during the war years at that time that was the only party that people were allowed to be part of, so you can't, it's hard to tell his political leanings from that. Then he has a younger sister.  Bergliot Bjornson, and she was a singer and a mezzo soprano, and she was married to a left wing politician Sigurd Ibsen, who was, he was the son of a playwright, and he becomes the Norwegian Prime Minister, so he plays a central role in Norway getting its independence. He met Einar's sister because he's a big patriot. Einar's father is a big patriot and that's how they were kind of family friends. It's not bad, you know, having your husband as the prime minister. Then he has another little sister called Dagny Bjornson and she was 19 when she marries a German publisher called Albert Langdon and so they're sort of like leftish as well. So Einar, he marries the sister of Albert Langdon. So they have this joint brother sister wedding. On the same day, the Bjornson brothers sisters marry the Langdon brothers sisters. But, the important thing to know is that the Langdons are very, very wealthy. They're orphans and they, they've inherited a lot of money. And so, but then Dagny, she ends up leaving her husband. Goes to Paris and works at another newspaper. And this is all in the, you know, the early 1900s.  So she had this amazing life and then and then she marries another man, a French literate called Georges Sartreau well he comes also from a very wealthy family. Then you have Einar, who's a businessman, and he marries Elizabeth and they have two children, and his life is like not that remarkable. I think the most exciting thing he does is fall in love with Kathleen, I suppose, and sort of runs after her and her violin. From Kathleen's diaries, we can see the day after this concert in Oslo on the 10th of January, it's written 10th January, Mr Bjornson, 11;30am She meets with him the day after skiing and tobogganing with the Bjornsons. She has a concert the next day, but the day after that it's dinner with the Bjornsons, then another concert. And then she plays for the King. Then she goes to dinner with the Bjornsons. So this is just an excerpt from her diary for those weeks. And the next day, it's just Mr. Bjornson. That's just her meeting him not with the family. And maybe this is where he says, you know, I'll get you a violin. Maybe that was that meeting. And then on the 28th of February, she's in Germany and, and he's there. Einar is there. He goes to see her. Then on the 6th of March, she's in Amsterdam and in her diaries, you know, Mr Bjornson, he's there. He's kind of like, I don't know if this is creepy. He's following her around and then, and it's around about this time that he buys the violin for her. So she finishes her tour and she goes back to England and a month later in her diary, who rocks up?  I know, he's there.  In England, and she's still only 17 there. It's like he's kind of shadowing her a bit. Yes, it's that next level patronage.  And then there's the, the aesthetic at the time, the, the pre-Raphaelite willowy type woman, which she fits perfectly into. And Kathleen, if you, if you see Kathleen, it's kind of like. John William Waterhouse, his paintings. There's women in these long flowy robes with flowers in their hair and long willowy postures and, they're often like, you know, they're flopping about on something like a chair or there's this one holding this pot of basil. And there's that famous painting, The Lady of Shalott, where you've got this woman float, is she, is she dead? She's floating in the water with her hair and, and all this fabric and flowers and.  In a promotional article, there was this quote from a review in the Evening Sun. “Kathleen Parlow, tall, straight, slim, and swaying as the white birch sapling of her native Canada, but a spring vision, but a spring vision all in pink from her French heels to her fiddle chin rest and crowned with parted chestnut hair of a deeper auburn than any Stradivarius violin made an astonishing impression of masterful ease”. I don't know if men were described like this, but they loved her. She's like a white birch.  Well she's very slender, she had beautiful long hair she was very thin, very fragile, and I think she sort of exemplified this pre Raphaelite beauty basically and that was so enchanting to have someone who  was almost from another world playing the violin divinely. I think she must have cut an incredibly attractive image  for the day. Absolutely. Yeah. And then she would have been like playing these like incredible romantic pieces. It would be juxtaposed with her playing. Yeah. And yeah. Yes. So she was this real William Waterhouse figure with her violin.  So she's lithe and willowy, and she has her touring schedule, which was phenomenal. She, so she tours England, Finland, Belgium, Germany, Poland, Denmark, Sweden, Norway. Just to name a few. It just kind of stopped after that. It was just never ending. And you have to remember it's the beginning of the 20th century,  and traveling, it's not like it is today. It was much more. Uncomfortable. I mean, it's incredible. You see one day she's in one country, the next day in another country. So this must have been quite fatiguing. And she's just playing night after night. Her mother, Minnie, she's her, she's, they're quite close. She's, and often like with these, with prodigies, often their parents. They're best friends, like they're the only constant in their life. So in the summers, she returns to Oslo every year for the summer school hour that's helping her for the next concerts. She spends quite a lot of time with Halverson, going to lunches and teas and rehearsals with him. You can see this in her diaries.  But is this, is this kind of the life of a musician as well? Like you have to, you have to go to a lot of teas and lunches with people to please patrons and so on. Yes, I think you do because musicians don't normally have much money and so to ingratiate themselves to patrons and sponsors they really had to coax them into help Yeah, because she's living this life sort of beyond her means, going to the theater, going to concerts and things, and sort of a balancing act. Back in Norway, and a week after she turns 18, there's an entry in her diary, play for Mr. Bjornson, and the next month her entries, they change slightly, and she'll now just call him E. B. For Einar Bjornson and the entries will say things like E. B. arriving and then often like a week later It's E. B. leaving and in her diaries, it's intermittently always though he'll be there for a week wherever she is often in England or and every few months He'll just pop up, you know in London in Germany in the Netherlands And he just always happens to be happens to be there and what's interesting is she has these hundreds of letters archived Of her writing to friends, to family, to her pianist. And it's really interesting that there's zero letters to Einar. There's no correspondence between them, which I think is maybe on purpose, they may be, they have to have been removed because she just writes letters to everyone, but we don't have these, any letters from them, so it just leaves things up to speculation. This brings us to the end of part one in the story of Kathleen Parlow. I would encourage you to keep listening to the music of Kathleen. To do this, Biddulph Recordings have released two CDs that you can listen to on Apple Music, Spotify, or any other major streaming service. You can also buy the double CD of her recordings if you prefer the uncompressed version. I hope you have enjoyed her story so far, but stick around for part two to find out what will happen with her career, the violin, the man who gave it to her, and the mystery behind a missing concerto that Kathleen would, in part, help solve after her death.  Goodbye for now.   ​ 

John speaks with Yasha in Oregon about bullies and hate. He also talks with Andy in Delaware about getting out the vote to stop Trump. Then he welcomes his Hollywood Panel: legal analyst/consultant Dr. Tracy Pearson, actor, writer, and comedian Natalia Reagan, and award - winning comedy writer Rob Kutner. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Artist: Yasha F (Russia) Name: Dh22 Live *1 Genre: Electronic Release Date: 09.02.2024 Exclusive: Deep House Moscow Yasha F: www.facebook.com/yashaf.music Soundcloud: @yasha_f Instagram: www.instagram.com/yasha_f CONTACT (DHM): Email — deephousemoscow@hotmail.com Follow us: www.facebook.com/deephousemsk/ www.instagram.com/deephousemoscow/ vk.com/deephousemsk deephousemsk.tumblr.com/

The podcast today is about the Republican MAGA cult members. He discusses the Oklahoma Republican Party approving a resolution: condemning and censuring their Senator - James Langford, for the crime of speaking to Dems in the ongoing bipartisan border negotiations after Trump ordered congress to halt the border bill. He plays clips of Langford groveling and Trump ordering all border negotiations to stop cold to make Biden look bad. Then, he welcomes back David Rothkopf who is CEO of The Rothkopf Group. He is also the author of many books including "Running the World: The Inside Story of the National Security Council and the Architects of American Power", and "Traitor: A History of Betraying America from Benedict Arnold to Donald Trump". They discuss Trump and his latest book "American Resistance: The Inside Story of How the Deep State Saved the Nation". Next, he takes a call from Sarah in Brooklyn about Biden's stance on Israel, Riley in Montana sings a political song "Red is Dead - Blue is True", and John welcomes back Rhonda Hansome to chat about adoring Tell Me Everything listeners. Also, Mitch from Kent State calls in to compliment Rhonda's play. Then finally, they discuss a New York jury award of $83 Million to E. Jean Carroll after they determined Trump defamed her again. Pit Doc calls in on the Oscar nominations, Yasha in Oregon calls in on people trashing Biden over his stance on Israel, and Beachside Bill calls in on how to sabotage the razor wire in the Rio Grande.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome to "Ask the Tech Coach," a podcast for Instructional Coaches and Technology Integration Specialists. In this episode of “Ask the Tech Coach,” Jeff welcomes Christina Cockrell and Yasha Chapman on the program to discuss the importance of building relationships with both teachers AND administrators, especially as the second half of the year kicks off. If you would like to be a part of future podcasts and share your thoughts, please contact the podcast.  We would love to have you join the show. Question of the Week Our favorite part of recording a live podcast each week is participating in the great conversations that happen on our live chat, on social media, and in our comments section. This week's question is: Why should Coaches reconnect with their administrators in-between the December holiday break and the February mid-winter break? Weekly Topic How can a coach assist teachers in reestablishing norms in the classroom after a long holiday break? How can coaches establish their spring time relationship with their administrators? Creating a safe coaching space when you are in a position of leadership. About our Guests Christina Cockrell Christina is a school counselor and owner of Persist Education Services. She provides professional development to educators to strengthen systems of support for students through MTSS. She also works directly with families by providing parenting classes to increase family engagement and improve student outcomes. Links of Interest www.persisteducationservices.com www.mtssforeducators.com www.linkedin.com/in/christinacockrell https://www.instagram.com/_persisted_/ Yasha Chapman Yasha Chapman, CEO/Lead Coach of Elementary Education Evolved, is an accomplished educator with a rich background in various educational roles. Holding degrees in Early Childhood Education and Curriculum Instruction, she's dedicated to both student success and supporting fellow educators. Yasha's influence is evidenced by her impactful professional development sessions and the impressive academic growth of students, with over 80% meeting or exceeding Math and Reading standards. Her targeted literacy-focused approach notably increased reading proficiency from 6% to 72% and enhanced teacher competency by 55%. Yasha's lifelong dedication showcases her unwavering belief in equitable education and empowering educators to ensure every child's success. Links of Interest http://www.elemedevolved.com/ Contact the Podcast! TeacherCast.net/VoiceMail Twitter: @AskTheTechCoach Email: feedback@teachercast.net Subscribe to “Ask the Tech Coach” Apple Podcasts Spotify

Yasha, The Rock - EP  Courtesy of 1twenty2 studios and Yesha B.!

Yasha, The Rock - EP Courtesy of 1twenty2 studios and Yesha B.!

Yasha, The Rock - EP  Courtesy of 1twenty2 studios and Yesha B.!

In this special episode of World to Win we discuss the brutal and murderous onslaught on Gaza and the war-crisis in Israel-Palestine. Darragh interviewed Bayan, Tuvaal and Yasha of Socialist Struggle Movement (ISA in Israel-Palestine) on monday 6 november. For over a month the world has looked on in horror at the barbaric actions of the Israeli state and the prospect of a regional war inflaming the middle east. Already millions have taken to the street across the globe in solidarity with the Palestinian masses calling for an end to the bloodshed. What will happen next? What way out of this hell? What can you do? The panelists try to answer all of these questions. Contact us via internationalsocialist.net for more info or if you want to get involved.

The A Better HR Business podcast looks at how consultants and tech firms in the broad Human Resources field grow their businesses; and how they help employers get the best out of their people. Embracing AI-powered products can lead to significant improvements in productivity, employee engagement, and overall business success. In this episode, I had the pleasure of speaking with Yasha Spong and Kevin Dull from MgrWorkbench. They presented their suite of AI-powered products designed to optimize HR operations and improve employee engagement. MgrWorkbench's flagship product focuses on enhancing the performance appraisal process. By using AI technology, this tool assists managers in writing impactful performance reviews that motivate employees to excel in their roles. Moreover, it provides templates, guiding principles, and analysis of sentiments to ensure the reviews are tailored to individual performance levels. The customization options are also worth mentioning. You can populate the platform with your own company values, outcomes, titles, and rubrics, creating an environment that aligns with your organization's unique needs. MgrWorkbench is continuously evolving its offerings. They are experimenting with different approaches to provide HR professionals with cutting-edge solutions that meet the changing needs of the industry. In a wide-ranging discussion, Yasha, Kevin and I talked about: ☑️ MgrWorkbench's suite of products focuses on improving the quality and engagement of performance reviews. ☑️ How can AI-driven tools save HR professionals time in generating performance reviews? ☑️ HR Copilot - your virtual HR generalist. ☑️ How can HR consultants leverage AI tools to differentiate themselves and stay ahead in the industry? ☑️ Growing the business - insights from Kevin and Yasha. ☑️ And much more! Thanks, Kevin and Yasha! Visit MgrWorkbench website: www.mgrworkbench.ai Visit HR Copilot website: www.hrcopilot.online LinkedIn profiles: Kevin Dull - www.linkedin.com/in/dull01 Yasha Spong - www.linkedin.com/in/yashaspong For show notes and to see details of our previous guests, check out the podcast page here: www.GetMoreHRClients.com/Podcast WANT MORE CUSTOMERS OR CLIENTS? Want more clients for your HR-related consultancy or HR Tech business? Check out the HR Business Accelerator: www.GetMoreHRClients.com/Services. WANT TO START AN HR BUSINESS? Want to launch your own consulting business in the broad Human Resources sector? Check out: www.GetMoreHRClients.com/Start for resources.

October 13th, 2023 Yada's response to the October 7th attacks on Israel and the near future history of Israel in prophecy.  yadayah.com/Files/Resources/At_War_with_Religion.pdf (Tsephanyah / Yahowah's Treasures are Stored Up for Another Time / Zephaniah 2:4-7, Yasha'yah / Salvation is from Yahowah / Isaiah 18:3, Dabarym ha Yowmym / Words of the Days / 2nd Chronicles 6:33) Join Yahowah's family as we explore the Towrah of God. We will expose religious corruption while most importantly espousing Yah's Towrah truth.  Hosted by the author of the Yada Yahowah series, An Introduction to God, Observations, Coming Home, Babel, Questioning Paul, Prophet of Doom, and Tea with Terrorists. 

September 29th, 2023 Qara' / Called Out / Leviticus 23:24-37, Bare'syth / In the Beginning / Genesis 33:17-18, Shemowth / Names / Exodus 12:33-41 & 47-49,  Shemowth / Names / Exodus 13:8-11 & 14, ‘Amows / Bearing A Burden / Amos 9:9-12, Yasha'yah | Isaiah 4:2-6.... (Yada Yahowah - Mow'ed - Sukah) Join Yahowah's family as we explore the Towrah of God. We will expose religious corruption while most importantly espousing Yah's Towrah truth.  Hosted by the author of the Yada Yahowah series, An Introduction to God, Observations, Coming Home, Babel, Questioning Paul, Prophet of Doom, and Tea with Terrorists. 

September 15th, 2023 Qara' / Called Out / Leviticus 23:23 (Yada Yahowah - Qatsyr - Taruw'ah) Yasha'yah / Yahowah Delivers / Isaiah 17:4-6 and 57:1, 11 & 14 (Yada Yahowah - Qatsyr - Taruw'ah)   Join Yahowah's family as we explore the Towrah of God. We will expose religious corruption while most importantly espousing Yah's Towrah truth.  Hosted by the author of the Yada Yahowah series, An Introduction to God, Observations, Coming Home, Babel, Questioning Paul, Prophet of Doom, and Tea with Terrorists. 

Please visit answersincme.com/XVY860 to participate, download slides and supporting materials, complete the post test, and obtain credit. In this activity, experts in ophthalmology discuss intravitreal anti–vascular endothelial growth factor (VEGF) injections for neovascular age-related macular degeneration (nAMD). Upon completion of this activity, participants should be better able to: Describe the latest evidence for anti-vascular endothelial growth factor (anti-VEGF) therapies used in the treatment of nAMD; and Outline practical strategies to optimize the use of anti-VEGF therapies in the management of nAMD.

Matt & David are joined by Yasha Levine (@yashalevine) to talk about Prigozhin's mutiny, Russia, and Putin. You can read more of Yasha's work here: https://yasha.substack.com/ Subscribe to his and Evgenia's podcast The Russians: https://pca.st/lkz89lvn

FOR ZION'S SAKE - YASHA - FridaySupport the show: https://shellyandjunevolk.com/product/partner-with-us-psalm-127-fund/See omnystudio.com/listener for privacy information.

FOR ZION'S SAKE - YASHA - ThursdaySupport the show: https://shellyandjunevolk.com/product/partner-with-us-psalm-127-fund/See omnystudio.com/listener for privacy information.

This episode we interview Yasha Firooz from Sydney UFO Hunters. They are a small intimate group of friends that utilise night vision to image and record UFO sightings. Just like the late Douglas Trumbull (2001, Brainstorm) they realised that our ability to look into the infrared spectrum can be increased with technical assistance. Yasha generously supplies us with some footage and stills to show what they have recorded and some of the concepts behind their research. Sydney Ufo Hunters have a presence on Facebook and YouTube.

The Lawyer Stories Podcast Episode 132 features Yasha Osby, Managing Attorney at Optimum Legal Services, PLLC, in South Florida focusing on family law, landlord/tenant and real estate. Yasha shares her lawyer story and tells us what it was like to graduate during a global pandemic.  Yasha hit the ground running with her firm and hasn't looked back!

Today's message is entitled Azar and Yasha Help, preached by Dag Heward-Mills. Dag Heward-Mills is a healing evangelist, a best selling author and a mega church pastor. He's the founder of the United denominations originating from the lighthouse group of churches, overseeing over 3000 churches across EVERY continent of the world. He pastors the First Love Church, a vibrant church in the city of Accra, transforming the lives of thousands of young people for the Lord. Now listen to Dag Heward Mills.

Help us at Critical Role Foundation and our friends at Red Nose Day to provide much needed assistance to children living below the poverty line. Donate and learn more: http://critrole.com/rednoseday Game Master Matthew Mercer guides an adventure shaped by your donations to CRF's Red Nose Day fundraiser! Players Ashley Johnson, Marisha Ray, and Sam Riegel reprise Level 5 versions of their Mighty Nein characters (Yasha, Beau, and Nott respectively), alongside the one and only Stephen Colbert! MEET THE CASTSpecial Guest Stephen Colbert: https://twitter.com/StephenAtHomeGame Master Matthew Mercer: https://twitter.com/matthewmercerAshley Johnson: https://twitter.com/TheVulcanSaluteMarisha Ray: https://twitter.com/Marisha_RaySam Riegel: https://twitter.com/samriegel Character art by Kasia Brzezinska: https://twitter.com/avatarkasia Due to the improv nature of Critical Role and other RPG content on our channels, some themes and situations that occur in-game may be difficult for some to handle. If certain episodes or scenes become uncomfortable, we strongly suggest taking a break or skipping that particular episode.Your health and well-being is important to us and Psycom has a great list of international mental health resources, in case it's useful: http://bit.ly/PsycomResources Twitch subscribers gain instant access to VODs of our shows like Critical Role, Exandria Unlimited, and 4-Sided Dive. But don't worry: Twitch broadcasts will be uploaded to YouTube about 36 hours after airing live, with audio-only podcast versions of select shows on Spotify, iTunes & Google Play following a week after the initial air date. Twitch subscribers also gain access to our official custom emote set and subscriber badges and the ability to post links in Twitch chat!