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4 episodes with Hamming
4 episodes with Hamming
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3 episodes with Hamming
2 episodes with Hamming
2 episodes with Hamming
2 episodes with Hamming
5 episodes with Hamming
5 episodes with Hamming
Het toeristisch seizoen is begonnen en meteen is het stralend weer. In het slaghoedje zaten we zomers gekleed in de gepimpte podcaststudio om de week door te nemen, want er was genoeg te bespreken. De sloop van de Peperstraat is nu echt begonnen. De bewoners worden op allerlei manieren op de hoogte gehouden van wat er in hun straat gebeurt. Kenneth nam een kijkje bij een inloop-informatiebijeenkomst. Nick vertelt over de plannen van de provincie om meer treinen te laten rijden in de Zaanstreek. Daarvoor moet er nog wel veel gebeuren bij de Guisweg. Piet kreeg meldingen over veel cruiseschepen bij de aanlegplekken in Zaandam. Het was een rustige week voor de 112-redactie. Met Nick bespreken we daarom een 112-melding van vorig jaar toen een woning in Assendelft door burgemeester Hamming werd gesloten. Hoe ging dat verder voor de bewoner van het pand? Marijn praat je bij over een nieuw project in het Museum of Humanity op het Hembrugterrein. Ook blijkt hij aspiraties te hebben om een gooi te doen naar de wereldtitel kolf. Dat WK wordt volgende week in Wormer gehouden. Di-Lan sprak met Mark Aberkrom over dat evenement. Ook kreeg hij Bas Husslage van de Zaanse Uitdaging op bezoek. Donderdag 10 april is de beursvloer in de Bullenkerk weer geopend. Non-profitorganisaties kunnen met hun hulpvraag terecht bij maatschappelijk betrokken ondernemers. Dat alles in de verse Week van De Orkaan.
Back during SHOT Show 2025 on TFBTV Show Time, we took some time to speak with Mr. Hammy3DPrints. Going mostly by "Hammy" online, Hammy has turned the hobby of 3D printing into a business that's mostly centered around the firearms industry. Gun storage is not just an important factor to consider when you have guns in the home, it's also one area where a lot of people tend to have trouble finding displays that are both functional and affordable. Hammy has made a large part of his business dedicated to exactly that - organization. Today, we'll talk about some of his designs, what initially got him into 3D printing, and how he has managed to turn that from a single printer into a new army of printers producing thousands of parts for everything from killflashes for your optics to displaying your favorite guns and rare pieces of ordnance. If this sounds like something you need in your life or at least in your garage or gun room, go ahead and check out his website where he's probably got something you'd probably find useful on your guns or where you store your guns. https://hammy3dprints.com/ https://www.instagram.com/hammy3dprints/ https://www.amazon.com/stores/Hammy3DPrints/page/48764922-D976-4F8C-81C6-4AD9971218F2 https://www.facebook.com/people/hammy3dprints/100088235853951/ https://www.etsy.com/shop/Hammy3DPrints
A four-alarm fire set a historic, century-old manufacturing factory in Montgomery County ablaze, with flames burning for multiple days. How did firefighters and first responders get the incident under control? What threat does it pose to residents? KYW Newsradio's Matt Leon dives into this story and other big headlines making news in the Philadelphia region this week, like the local trickledown effect of President Trump's executive orders, DA Larry Krasner's bid for a third term, and the 2025 Roots Picnic lineup. 00:00 Intro 02:01 SPS Technology factory ravaged by massive fire 06:48 Philadelphia legal community tries to get a handle on Trump's executive orders 12:14 Protests against Trump, Musk; Krasner's bid for new term highlight city's busy week 19:40 Mayor Parker has a new housing push; will it work? 24:47 Finally, SS United States sets sail 30:35 What do Philly music fans think of 2025 Roots Picnic lineup? Listen to The Week in Philly on KYW Newsradio every Saturday at 5am and 3pm, and Sunday at 3pm. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
De toespraak van burgemeester Jan Hamming van Zaanstad tijdens Holocaust Memorial Day 2025 in de Bullekerk te Zaandam. Datum: 26 januari 2025.
This is the second episode in the trilogy of a lectures by Professor Sarah Paine of the Naval War College.In this second episode, Prof Paine dissects the ideas and economics behind Japanese imperialism before and during WWII. We get into the oil shortage which caused the war; the unique culture of honor and death; the surprisingly chaotic chain of command. This is followed by a Q&A with me.Huge thanks to Substack for hosting this event!Watch on YouTube. Listen on Apple Podcasts, Spotify, or any other podcast platform.SponsorToday's episode is brought to you by Scale AI. Scale partners with the U.S. government to fuel America's AI advantage through their data foundry. Scale recently introduced Defense Llama, Scale's latest solution available for military personnel. With Defense Llama, military personnel can harness the power of AI to plan military or intelligence operations and understand adversary vulnerabilities.If you're interested in learning more on how Scale powers frontier AI capabilities, go to scale.com/dwarkesh.Buy Sarah's Books!I highly, highly recommend both "The Wars for Asia, 1911–1949" and "The Japanese Empire: Grand Strategy from the Meiji Restoration to the Pacific War".Timestamps(0:00:00) - Lecture begins(0:06:58) - The code of the samurai(0:10:45) - Buddhism, Shinto, Confucianism(0:16:52) - Bushido as bad strategy(0:23:34) - Military theorists(0:33:42) - Strategic sins of omission(0:38:10) - Crippled logistics(0:40:58) - the Kwantung Army(0:43:31) - Inter-service communication(0:51:15) - Shattering Japanese morale(0:57:35) - Q&A begins(01:05:02) - Unusual brutality of WWII(01:11:30) - Embargo caused the war(01:16:48) - The liberation of China(01:22:02) - Could US have prevented war?(01:25:30) - Counterfactuals in history(01:27:46) - Japanese optimism(01:30:46) - Tech change and social change(01:38:22) - Hamming questions(01:44:31) - Do sanctions work?(01:50:07) - Backloaded mass death(01:54:09) - demilitarizing Japan(01:57:30) - Post-war alliances(02:03:46) - Inter-service rivalry Get full access to Dwarkesh Podcast at www.dwarkeshpatel.com/subscribe
Discover all of the podcasts in our network, search for specific episodes, get the Optimal Living Daily workbook, and learn more at: OLDPodcast.com. Episode 1534: Cal Newport examines the 10,000-hour rule's limitations through the lens of Richard Hamming's ideas, highlighting that true greatness requires a blend of disciplined practice and creative thinking. Drawing from Hamming's experiences, the article explores the often-overlooked nuances of intellectual achievement, from embracing "messy" challenges to cultivating originality. Read along with the original article(s) here: http://calnewport.com/blog/2010/08/09/beyond-the-10000-hour-rule-richard-hamming-and-the-messy-art-of-becoming-great/ Quotes to ponder: "Great work involves messy questions with no clear path forward." "Originality is often sparked by refusing to accept the way things are and imagining how they could be." "Persistence without creativity risks leading to mediocrity." Episode references: Outliers: The Story of Success: https://www.amazon.com/Outliers-Story-Success-Malcolm-Gladwell/dp/0316017930 The Art of Doing Science and Engineering: https://www.amazon.com/Art-Doing-Science-Engineering-Learning/dp/1732265178 Learn more about your ad choices. Visit megaphone.fm/adchoices
Discover all of the podcasts in our network, search for specific episodes, get the Optimal Living Daily workbook, and learn more at: OLDPodcast.com. Episode 1534: Cal Newport examines the 10,000-hour rule's limitations through the lens of Richard Hamming's ideas, highlighting that true greatness requires a blend of disciplined practice and creative thinking. Drawing from Hamming's experiences, the article explores the often-overlooked nuances of intellectual achievement, from embracing "messy" challenges to cultivating originality. Read along with the original article(s) here: http://calnewport.com/blog/2010/08/09/beyond-the-10000-hour-rule-richard-hamming-and-the-messy-art-of-becoming-great/ Quotes to ponder: "Great work involves messy questions with no clear path forward." "Originality is often sparked by refusing to accept the way things are and imagining how they could be." "Persistence without creativity risks leading to mediocrity." Episode references: Outliers: The Story of Success: https://www.amazon.com/Outliers-Story-Success-Malcolm-Gladwell/dp/0316017930 The Art of Doing Science and Engineering: https://www.amazon.com/Art-Doing-Science-Engineering-Learning/dp/1732265178 Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, Lois Houston and Nikita Abraham continue their exploration of Oracle AI Vector Search with a deep dive into vector indexes and memory considerations. Senior Principal APEX and Apps Dev Instructor Brent Dayley breaks down what vector indexes are, how they enhance the efficiency of search queries, and the different types supported by Oracle AI Vector Search. Oracle Database 23ai: Oracle AI Vector Search Fundamentals: https://mylearn.oracle.com/ou/course/oracle-database-23ai-oracle-ai-vector-search-fundamentals/140188/ Oracle University Learning Community: https://education.oracle.com/ou-community LinkedIn: https://www.linkedin.com/showcase/oracle-university/ Twitter: https://twitter.com/Oracle_Edu Special thanks to Arijit Ghosh, David Wright, Radhika Banka, and the OU Studio Team for helping us create this episode. -------------------------------------------------------- Episode Transcript: 00:00 Welcome to the Oracle University Podcast, the first stop on your cloud journey. During this series of informative podcasts, we'll bring you foundational training on the most popular Oracle technologies. Let's get started! 00:26 Nikita: Welcome back to the Oracle University Podcast! I'm Nikita Abraham, Team Lead of Editorial Services at Oracle University, and with me is Lois Houston, Director of Innovation Programs. Lois: Hi everyone! Last week was Part 1 of our discussion on Oracle AI Vector Search. We talked about what it is, its benefits, the new vector data type, vector embedding models, and the overall workflow. In Part 2, we're going to focus on vector indices and memory. 00:56 Nikita: And to help us break it all down, we've got Brent Dayley back with us. Brent is a Senior Principal APEX and Apps Dev Instructor with Oracle University. Hi Brent! Thanks for being with us today. So, let's jump right in! What are vector indexes and how are they useful? Brent: Now, vector indexes are specialized indexing data structures that can make your queries more efficient against your vectors. They use techniques such as clustering, and partitioning, and neighbor graphs. Now, they greatly reduce the search space, which means that your queries happen quicker. They're also extremely efficient. They do require that you enable the vector pool in the SGA. 01:42 Lois: Brent, walk us through the different types of vector indices that are supported by Oracle AI Vector Search. How do they integrate into the overall process? Brent: So Oracle AI Vector Search supports two types of indexes, in-memory neighbor graph vector index. HNSW is the only type of in-memory neighbor graph vector index that is supported. These are very efficient indexes for vector approximate similarity search. HNSW graphs are structured using principles from small world networks along with layered hierarchical organization. And neighbor partition vector index, inverted file flat index, is the only type of neighbor partition index supported. It is a partition-based index which balances high search quality with reasonable speed. 02:35 Nikita: Brent, you mentioned that enabling the vector pool in the SGA is a requirement when working with vector indexes. Can you explain that process for us? Brent: In order for you to be able to use vector indexes, you do need to enable the vector pool area. And in order to do that, what you need to do is set the vector memory size parameter. You can set it at the container database level. And the PDB inherits it from the CDB. Now bear in mind that the database does have to be balanced when you set the vector pool. 03:12 Lois: Ok. Are there any other considerations to keep in mind when using vector indices? Brent: Vector indexes are stored in this pool, and vector metadata is also stored here. And you do need to restart the database. So large vector indexes do need lots of RAM, and RAM constrains the vector index size. You should use IVF indexes when there is not enough RAM. IVF indexes use both the buffer cache as well as disk. 03:42 Nikita: And what about memory considerations? Brent: So to remind you, a vector is a numerical representation of text, images, audio, or video that encodes the features or semantic meaning of the data, instead of the actual contents, such as the words or pixels of an image. So the vector is a list of numerical values known as dimensions with a specified format. Now, Oracle does support the int8 format, the float32 format, and the float64 format. Depending on the format depends on the number of bytes. For instance, int8 is one byte, float32 is four bytes. Now, Oracle AI Vector Search supports vectors with up to 65,535 dimensions. 04:34 Lois: What should we know about creating a table with a vector column? Brent: Now, Oracle Database 23ai does have a new vector data type. The new data type was created in order to support vector search. The definition can include the number of dimensions and can include the format. Bear in mind that either one of those are optional when you define your column. The possible dimension formats are int, float 32, and float 64. Float 32 and float 64 are IEEE standards, and Oracle Database will automatically cast the value if needed. 05:18 Nikita: Can you give us a few declaration examples? Brent: Now, if we just do a vector type, then the vectors can have any arbitrary number of dimensions and formats. If we describe the vector type as vector * , *, then that means that vectors can have an arbitrary number of dimensions and formats. Vector and vector * , * are equivalent. Vector with the number of dimensions specified, followed by a comma, and then an asterisk, is equivalent to vector number of dimensions. Vectors must all have the specified number of dimensions, or an error will be thrown. Every vector will have its dimension stored without format modification. And if we do vector asterisk common dimension element format, what that means is that vectors can have an arbitrary number of dimensions, but their format will be up-converted or down-converted to the specified dimension element format, either INT8, float 32, or float 64. 06:25 Working towards an Oracle Certification this year? Take advantage of the Certification Prep live events in the Oracle University Learning Community. Get tips from OU experts and hear from others who have already taken their certifications. Once you're certified, you'll gain access to an exclusive forum for Oracle-certified users. What are you waiting for? Visit mylearn.oracle.com to get started. 06:52 Nikita: Welcome back! Brent, what is the vector constructor and why is it useful? Brent: Now, the vector constructor is a function that allows us to create vectors without having to store those in a column in a table. These are useful for learning purposes. You use these usually with a smaller number of dimensions. Bear in mind that most embedding models can contain thousands of different dimensions. You get to specify the vector values, and they usually represent two-dimensional like xy coordinates. The dimensions are optional, and the format is optional as well. 07:29 Lois: Right. Before we wrap up, can you tell us how to calculate vector distances? Brent: Now, vector distance uses the function VECTOR_DISTANCE as the main function. This allows you to calculate distances between two vectors and, therefore, takes two vectors as parameters. Optionally, you can specify a metric. If you do not specify a metric, then the default metric, COSINE, would be used. You can optionally use other shorthand functions, too. These include L1 distance, L2 distance, cosine distance, and inner product. All of these functions also take two vectors as input and return the distance between them. Now the VECTOR_DISTANCE function can be used to perform a similarity search. If a similarity search query does not specify a distance metric, then the default cosine metric will be used for both exact and approximate searches. If a similarity search does specify a distance metric in the VECTOR_DISTANCE function, then an exact search with that distance metric is used if it conflicts with the distance metric specified in a vector index. If the two distance metrics are the same, then this will be used for both exact as well as approximate searches. 08:58 Nikita: I was wondering Brent, what vector distance metrics do we have access to? Brent: We have Euclidean and Euclidean squared distances. We have cosine similarity, dot product similarity, Manhattan distance, and Hamming similarity. Let's take a closer look at the first of these metrics, Euclidean and Euclidean squared distances. This gives us the straight-line distance between two vectors. It does use the Pythagorean theorem. It is sensitive to both the vector size as well as the direction. With Euclidean distances, comparing squared distances is equivalent to comparing distances. So when ordering is more important than the distance values themselves, the squared Euclidean distance is very useful as it is faster to calculate than the Euclidean distance, which avoids the square root calculation. 09:58 Lois: And the cosine similarity metrics? Brent: It is one of the most widely used similarity metrics, especially in natural language processing. The smaller the angle means they are more similar. While cosine distance measures how different two vectors are, cosine similarity measures how similar two vectors are. Dot product similarity allows us to multiply the size of each vector by the cosine of their angle. The corresponding geometrical interpretation of this definition is equivalent to multiplying the size of one of the vectors by the size of the projection of the second vector onto the first one or vice versa. Larger means that they are more similar. Smaller means that they are less similar. Manhattan distance is useful for describing uniform grids. You can imagine yourself walking from point A to point B in a city such as Manhattan. Now, since there are buildings in the way, maybe we need to walk down one street and then turn and walk down the next street in order to get to our result. As you can imagine, this metric is most useful for vectors describing objects on a uniform grid such as city blocks, power grids, or perhaps a chessboard. 11:27 Nikita: And finally, we have Hamming similarity, right? Brent: This describes where vector dimensions differ. They are binary vectors, and it tells us the number of bits that require change to match. It compares the position of each bit in the sequence. Now, these are usually used in order to detect network errors. 11:53 Nikita: Brent, thanks for joining us these last two weeks and explaining what Oracle AI Vector Search is. If you want to learn more about what we discussed today, visit mylearn.oracle.com and search for the Oracle Database 23ai: Oracle AI Vector Search Fundamentals course. Lois: This concludes our season on Oracle Database 23ai New Features for administrators. In our next episode, we're going to talk about database backup and recovery, but more on that later! Until then, this is Lois Houston… Nikita: And Nikita Abraham signing off! 12:29 That's all for this episode of the Oracle University Podcast. If you enjoyed listening, please click Subscribe to get all the latest episodes. We'd also love it if you would take a moment to rate and review us on your podcast app. See you again on the next episode of the Oracle University Podcast.
An airhacks.fm conversation with Jonathan Ellis (@spyced) about: discussion of JVector, a Java-based vector search engine, Apache Kudu as an alternative to Cassandra for wide-column databases, FoundationDB - is a NoSQL database, explanation of vectors and embeddings in machine learning, different embedding models and their dimensions, the Hamming distance, binary quantization and product quantization for vector compression, DiskANN algorithm for efficient vector search on disk, optimistic concurrency control in JVector, challenges in implementing academic papers, the Neon database, JVector's performance characteristics and typical database sizes, advantages of astra DB over Cassandra, separation of compute and storage in cloud databases, Vector's use of Panama and SIMD instructions, the potential for contributions to the JVector project, Upstash uses of JVector for their vector search service, the cutting-edge nature of JVector in the Java ecosystem, the logarithmic performance of JVector for index construction and search, typical search latencies in the 30-50 millisecond range, the young and rapidly evolving field of vector search, the self-contained nature of the JVector codebase Jonathan Ellis on twitter: @spyced
As the Paul Pacelli's week of filling in on Melissa In The Morning comes to a close, Paul welcomed John Barrett, vice president of the Woodmont Amateur Radio Association, to the program. They talked about amateur radio as a whole as well as an upcoming event this weekend! Image Credit: Getty Images
Welcome to Guardian Down Cast: A Destiny Podcast...if you love to play the game Destiny 2, you've come to the right place. We're a podcast community full of like minded Guardians who love the game. Have you ever wondered who that gamertag next to you is in a raid? Where are they from? How did they find Destiny? Well, it's our mission to hear the stories of our Destiny community, wherever that may be. We report the latest updates and news within the game and community and we're a podcast that emphasizes our community, because without it, it's just not the same Destiny. That's why our show motto is "Guardian Down Cast...your stories, your community...your Destiny. This week, I have my adorable daughter and her longtime boyfriend Taka on the show to talk life, Destiny and answer questions from our community. Don't forget the outtakes at the end of the show! ...join in the conversation in our GDC Discord Follow us on our YouTube Channel... Want to leave us a voicemail for the show? Need a Destiny clan? Join us! Destiny Help Desk Podcast Want to give back to our show and community? Check out our brand new site! GDC Instagram Get a GDC T-shirt or Mug, Mousepad, etc. thru Designed by Humans Tees ToddtheGatr on Twitter Join us on Twitter... Apple Music GDC Song Playlist GDC Spotify Song Playlist
One of the more promising developments I've seen over my career watching the CDI profession bloom is the creation of the CDI educator role. CDI is often labeled by its critics as reactive, sending queries to the provider after he or she has already documented in the chart. This is an integral but limited part of CDI work. The main work is getting physicians to document correctly in the first place. It's the kind of work being done by Kalee Vincent, my guest on today's program. Kalee is the CDI Educator for WVU Medicine, West Virginia's largest health system and largest private employer comprised of 23 hospitals. Kalee joins me to discuss her path into healthcare, her important work and impact as an educator, and some proven strategies for teaching documentation lessons that stick with providers. Listen in as we discuss: Shifting from CDI chart reviewer to educator in January 2023—challenges and rewards, advice for those considering a similar move CDI as an RHIA: Addressing misconceptions about clinical knowledge as a non-nurse (Kalee dissected a cat in college—for real—as part of her studies) Keys to being a good physician educator: What works in a 1:1 setting vs. a medical staff meeting, how to get time with busy docs Lots of interesting examples where gaps exist and education is needed—CKD, sepsis 2.5, ASPEN, shock, heart failure and more (Kalee came PREPARED) New WVU malnutrition coalition: Why this initiative began, what the work includes, and her role on the coalition Hamming it up with ex-ACDIS directors, what downtime in the Vincent household looks like, and her Off the Record Spotify playlist selection (Taylor Swift has cracked the lineup—you knew it had to happen sooner or later)
Fri, 26 Apr 2024 18:30:00 GMT http://relay.fm/rd/233 http://relay.fm/rd/233 Monkeys in the Hose 233 Merlin Mann and John Siracusa Follow-Up opens with a correction from John and an admission that he's very disappointed in you, the listener. John clocks Merlin's sudden overuse of some given word. Follow-Up opens with a correction from John and an admission that he's very disappointed in you, the listener. John clocks Merlin's sudden overuse of some given word. clean 3416 Subtitle: John is disappointed in everyone.Follow-Up opens with a correction from John and an admission that he's very disappointed in you, the listener. John clocks Merlin's sudden overuse of some given word. This episode of Reconcilable Differences is sponsored by: Squarespace: Save 10% off your first purchase of a website or domain using code DIFFS. Links and Show Notes: Things kick off with an acknowledgment of the enthusiastic listener response to the Waffle House episode. Merlin compliments John on a bit, and John handles that pretty much how you'd expect. Follow-Up opens with a correction from John and an admission that he's very disappointed in you, the listener. John clocks Merlin's sudden overuse of some given word. There's a brief tangent into Shōgun and some films Merlin liked less than John. There's some discussion of subtitles and screenshotting. There's further Follow-Up on the Mark System in day-to-day use. Then some discussion of horses, words that sound like other words, plus more sneaky Britishisms. As is so often the case, this somehow leads to your hosts complaining about technology for a pretty long time. Would it kill you to provide a deep link? Merlin suddenly becomes very animated thinking about designing a new Mark system that would involve 3D-printing some jellypacks. The episode concludes on a surprisingly rabbinical note. (Recorded on Tuesday, April 16, 2024) Credits Audio Editor: Jim Metzendorf Admin Assistance: Kerry Provenzano Music: Merlin Mann The Suits: Stephen Hackett, Myke Hurley Get an ad-free version of the show, plus a monthly extended episode. Waffle House Training - Pull Drop Mark Order Calling Method - YouTubeThe video that changed so many lives. Huffman coding Hamming code The Secret of NIMH Anthony Bourdain visits Waffle House Another video of the Magic Marker system in action Metafilter comment about Waffle House Equus (1977) ORIGINAL TRAILER [HD 1080p] - YouTube Urban Dictionary: Tachy Goes To Coventry Merlin Mann: "Easy." - MastodonMerlin made a GPT for the Mark system. Merlin Mann: "Jelly pack. " - MastodonMe
Fri, 26 Apr 2024 18:30:00 GMT http://relay.fm/rd/233 http://relay.fm/rd/233 Merlin Mann and John Siracusa Follow-Up opens with a correction from John and an admission that he's very disappointed in you, the listener. John clocks Merlin's sudden overuse of some given word. Follow-Up opens with a correction from John and an admission that he's very disappointed in you, the listener. John clocks Merlin's sudden overuse of some given word. clean 3416 Subtitle: John is disappointed in everyone.Follow-Up opens with a correction from John and an admission that he's very disappointed in you, the listener. John clocks Merlin's sudden overuse of some given word. This episode of Reconcilable Differences is sponsored by: Squarespace: Save 10% off your first purchase of a website or domain using code DIFFS. Links and Show Notes: Things kick off with an acknowledgment of the enthusiastic listener response to the Waffle House episode. Merlin compliments John on a bit, and John handles that pretty much how you'd expect. Follow-Up opens with a correction from John and an admission that he's very disappointed in you, the listener. John clocks Merlin's sudden overuse of some given word. There's a brief tangent into Shōgun and some films Merlin liked less than John. There's some discussion of subtitles and screenshotting. There's further Follow-Up on the Mark System in day-to-day use. Then some discussion of horses, words that sound like other words, plus more sneaky Britishisms. As is so often the case, this somehow leads to your hosts complaining about technology for a pretty long time. Would it kill you to provide a deep link? Merlin suddenly becomes very animated thinking about designing a new Mark system that would involve 3D-printing some jellypacks. The episode concludes on a surprisingly rabbinical note. (Recorded on Tuesday, April 16, 2024) Credits Audio Editor: Jim Metzendorf Admin Assistance: Kerry Provenzano Music: Merlin Mann The Suits: Stephen Hackett, Myke Hurley Get an ad-free version of the show, plus a monthly extended episode. Waffle House Training - Pull Drop Mark Order Calling Method - YouTubeThe video that changed so many lives. Huffman coding Hamming code The Secret of NIMH Anthony Bourdain visits Waffle House Another video of the Magic Marker system in action Metafilter comment about Waffle House Equus (1977) ORIGINAL TRAILER [HD 1080p] - YouTube Urban Dictionary: Tachy Goes To Coventry Merlin Mann: "Easy." - MastodonMerlin made a GPT for the Mark system. Merlin Mann: "Jelly pack. "
This week the Ham Boys dive into the #Cavs and talk with Zach Weiss of the Across the Cavs show and see what going on looking forward to the #Cavs #NBA post season run. Then we are going to chat about the #Browns Free Agency signings, #FattboyThursday and St. Patty's Day, and follow it up with our #Top3 Favorite food and drinks for St. Patty's day. Don't forget we will also have #Trivia brought to youby City Dogs Cleveland. Find us on all of our socials @HamIllegal and on @Network_216 And our show is always brought to you by: Harold Kheel and the Lake Erie APA hkeehl@poolleagues.com lakeerie.apaleagues.com City Dogs Cleveland citydogs@clevelandohio.gov tinyurl.com/meetacitydog 216-664-3476 Be sure to Like, Follow and Subscribe.... Twitter: @HamIllegal YouTube: / @hamillegal Facebook: Illegal Ham to the Face Catch our audio on all podcast platforms: https://anchor.fm/illegalhamtotheface https://open.spotify.com/show/2b4tp5v... --- Send in a voice message: https://podcasters.spotify.com/pod/show/illegalhamtotheface/message
Kathleen Parlow was one of the most outstanding violinists at the beginning of the 20th century. In 1912, she was signed by the Columbia Record Company in New York, and her first records for the U.S. label were brought out alongside those of the legendary Eugene Ysaÿe. Listen to her fascinating story and how she took the world by storm. From her devastating looks to the intrigue her priceless instrument created. You will hear rare recordings of this prodigious player as we retell her life and try to understand why such an incredible talent has been so forgotten today. Brought to you by Biddulph recordings TRANSCRIPT Kathleen Parlow Part 1 Welcome to this very first episode of the Historical Strings Recording Podcast. A show that gives you a chance to hear rare and early recordings of great masters and their stories. Hello, my name is Linda Lespets. I'm a violin maker and restorer in Sydney, Australia, and I'm also the host of another podcast called ‘The Violin Chronicles', a show about the lives of historically important violin makers and their instruments. But today we have a different podcast and telling this incredible story with me is my co-host Eric Wen. Hello, my name is Eric Wen, and I'm the producer at Biddulph Recordings, which is a label that focuses upon reissuing historic recordings, particularly those by famous string players of the past. I also teach at the Curtis Institute of Music in Philadelphia, where I've been for the past 24 years. In this first episode, we will be looking at an incredibly talented violinist called Kathleen Parlow, who, in her time, took Europe and the world by storm, giving even Fritz Kreisler a run for his money in the popularity department. She was described in the media as being ‘One of the phenomena of the musical world' on par with Mischa Elman, or the ‘greatest lady violinist in the world', and ‘the girl with the golden bow'. She was treated with superstar status wherever she went, which begs the question as to why she is so little known today? Well, join us to discover her incredible story, the events of her career and her violin. A violin which would eventually financially ruin one man and divide his family. We will take a closer look at high hat kicking breakdancers, militant fascists, scandalous theatre directors, impossible love, a score ripping composer, and all this revolving around one of the world's most expensive violins and the incredible means one man went to get it into his hot little hands and then give it away. This is the story of Kathleen Parlow. And all of the pieces you will be hearing in this podcast are of Kathleen Parlow playing her violin. Kathleen Parlow was born into a modest family in Calgary on the Canadian prairies in 1890. Her mother, Minnie, was a violinist. So, at a young age at four, she gave her daughter a violin and started teaching her. When she was six years old, the family, Kathleen, Minnie, and her father, Charlie, they moved to San Francisco where her talent was immediately recognized. And well, this is probably because of the, the mom. And she was having lessons with her cousin called Conrad Coward in San Francisco. Very soon, still aged six, she gave her first recital in San Francisco. So is six, is six a reasonable age for a child to give a recital? What do you think? It's extremely young. In fact, that is truly prodigious. I mean, people don't even begin the violin till six and that's an early beginning of an instrument. Most people start around seven or eight, but to begin much earlier and to even be playing a concert at the age of six. That's really quite phenomenal. So with her burgeoning talent, she now started having lessons with Henry Holmes, who was a pupil of Louis Spohr, the well-known German composer and violinist. And he's a conductor and who he's the man who apparently invented the chin rest. So where would we be without the chin rest, really? He's attributed with inventing it. Well, Spohr was a fine violinist, German violinist. He was also a quite prominent composer. He was quite a conservative composer. So, I believe he wasn't that fond of the music of Beethoven. In other words, there were people like Spohr, Von Weber, and they represented a much more conservative branch of the sort of German composition. of the German composers. And basically, they looked upon Beethoven as such a wild revolutionary in his music, so daring that I think they were almost a little offended by it. So Spohr, if you could say, is primarily a kind of conservative, very well-schooled, excellent composer. He wrote many, many violin concertos, the most famous of which is No. 8 in A minor, which is written in the form of an operatic scene. Full of violin solo recitatives and arias for the violin. Oh, wow. Yeah, that's interesting. So they were, there was like very shocked by Beethoven. They were, apparently. Was he a contemporary of Beethoven? Because I, because sometimes you go back pretty quickly, don't you? Like the teacher of the teacher of and all of a sudden you're in like the Well, Spohr was born 14, he's 14 years younger than Beethoven. Oh, okay. So, he was born in 1784, but he lived a lot longer. He lived over 20 years longer than Beethoven. Oh, wow. And that's fascinating. So, Henry Holmes, Kathleen Parlow's teacher, was taught by this guy who would have known Beethoven? Yes, absolutely. And objected to Beethoven. Was shocked by his music. Well, I mean, I think sort of the, you might say the more mature Beethoven or the more daring Beethoven. But I think, you know, I'm sure maybe some of Beethoven's early works were much more acceptable. They were more normative, so to speak. Oh, okay. So Kathleen's in San Francisco and her parents' marriage is breaking down. Her father, Charlie, moves back to Calgary where he dies of tuberculosis the year after. But Kathleen, she rockets on and is becoming more and more well known. Her new teacher sees real talent in the girl, and this teacher, Henry Holmes, he has contacts to make things happen. And he helps arrange a tour for her and playing engagements in England. So for this to happen, Kathleen's mum, she's, she's I'm getting stage mum vibes. Yes. Because she's still very, still very young. Oh, yeah. I mean, I can't believe she wasn't playing with dolls. And this would have been a conversation between Minnie, Kathleen's mum, and the teacher. It probably wouldn't have been a conversation with her as a child. No, probably not. You don't really choose much when you're six, seven. No, that's true. So the problem they have is that they have no money. So, so what do you do, Eric? You have no money, you have a prodigy. You exploit the prodigy by having them play and make an income for you, which is something that happens unfortunately to many, many talented musicians coming from, you might say, less well-off families. They end up becoming the breadwinner. All their focus gets put upon these, these kids. And so not only do they have the added burden of playing and making sure they keep up They're playing well, but they also have the burden of making sure that they play well enough to make an income so that their families can survive. I mean, that's a very familiar story, and it's a story that has more failures than winners, I'm afraid, because you do hear about the winners. You do hear about the Misha Elmans or the Yasha. Well, Heifetz is a little different because he had a more middle-class family, but you do hear of Oskar Shumsky, for example, who I know I knew personally, he says, don't believe that these violence that you hear about having normal childhood behind every great violence, there's always a mama or a papa. And I think he himself endured that kind of pressure, the pressure to somehow become. The breadwinner, or let's say the some, the pressure to become a great violinist, primarily because he would serve as the breadwinner for the family. Well, if you think about it, you could say that. Violin playing in the early 20th century was very dominated by Russians, particularly Russian Jews. And one of the reasons for that was that in Russia, all the Jews were confined to an area known as the Pale of Settlement. In other words, a designated area that they could live in, but they could not leave that particular area. And basically, some very gifted young students could get into university or could go into a conservatory, and one of the big examples was Misha Elman, and Misha Elman, you might say left the Pale of Settlement to go study with Leopold Auer in St Petersburg. And they had to get all sorts of permission to do that. Well, the success of Misha Elman, the global success, the international success, I think resonated so well. with the people in the ghetto that they sort of saw, wow, this is one of our boys and look what he's done. He's now playing for the crowned heads of Europe. So I think for them, they felt this was a way out. And if you think about it, the film, Fiddler on the Roof, which is a famous musical and it was adapted as a famous film. And basically, that film, just the very title, talks about the Fiddler on the Roof. And the setting is in the Pale of Settlement, the Jewish ghetto in Russia. They're often subjected to random attacks by the Cossacks and all sorts of difficulties. But here, despite all that, you know they manage to survive. And of course the image of the Fiddler on the Roof. The violinist is exemplified, you might say, by Misha Elman, who literally grew up in the Russian ghetto. Yeah, and Misha Elman, he'll, he'll become, he He'll become important in our story, yeah. The money. This is not a problem. There is a wealthy admirer called Harriet Pullman, Carolan, in San Francisco. And she pays for Kathleen and her mother to take the trip to England. And in 1904, at the age of 14, Kathleen plays for King Edward VII at Buckingham Palace. And then in the next year in 1905, she and her mother, they come back to England. This tour marks the beginning of a life that she would lead for years to come of performing and playing. And so by the time she was 15, she was touring and playing with the London Symphony. And it was in a concert at the Wigmore Hall in London that she really shoots to fame. So is the Wigmore Hall, is that, is that still today an important place to play? Oh, extremely so. It's funny because the Wigmore Hall was originally called the Bechstein Hall, and obviously during the wars, it became a much more the name was more neutralized to become less dramatic, and it became named after the street it's on, which is Wigmore Street. It was always a very important venue, but around the sort of 60s In the 70s it had declined a bit in its status because the South Bank had been built and so the Wigmore Hall was a little bit relegated to a sort of a little second class status. But in the past 20 years or so the Wigmore Hall has catapulted to fame again and it's today one of the most distinguished halls. In London. All right. Okay. And this is, this is pre war. So it's, it would have been called? Bechstein. Okay. So it would have been called the Bechstein Hall when she played? Probably. Oh yeah, definitely. So the Bechstein Hall was, I think first opened in 1901 and it was built by the piano manufacturers, the German manufacturers Bechstein, hence the name. And after the First World War, I believe it was changed to a more neutral sounding, less Germanic name, and it adopted the name of the street that it's currently on, which is Wigmore Street. Incidentally, the first concert at Wigmore Hall was actually performed, was a violin and piano recital, performed by Eugene Ysaye and Federico Busoni. And then one night in London, Kathleen and her mother went to another concert of another child prodigy called Mischa Elman. And he was, so he's the fiddler on the roof guy, and he was almost exactly the same age as Kathleen. He was just a few months there's just a few months difference between them. And she, she hears him playing this concert and she's, she's just blown away. Blown away, and after the concert, she and her mother decide that Kathleen, she just has to go and have lessons from the same teacher as this, as this, as Mischa. So the only thing, only little thing about Mischa Elman's teacher is that he is in Russia. And as far as anyone knows, no foreigners study in the St. Petersburg Conservatorium, but that is about to change. Definitely no ladies. So, Kathleen and her mother had arrived in England with 300 raised by their church in San Francisco and this was, it just wasn't enough to get them to Russia and to the conservatorium where the famed Leopold Auer was a professor, but get there they would because Kathleen's mum, Minnie, still had a few tricks up her sleeve. She went and petitioned the Canadian High Commissioner. So she must have been, I feel like Minnie, she must have been very persuasive. Like there was nothing was getting in between, you know, her daughter and this career. Forceful, a task to be reckoned with, certainly. Yeah. She's like we'll get to England, we have no money. Not a problem. We're gonna, we're gonna get this teacher. He's in Russia. Not a problem. No foreigners. It, you know, it doesn't, it doesn't seem to be a problem for her, no girls. Not a problem. No foreigner has ever studied in this St. Petersburg conservatorium. Not daunted. They're off. They go. So to pay the cost travel, Minnie managed to get a loan from Lord Strathconia, the Canadian high commissioner. And from there, mother and daughter travelled to Russia. And in October of 1906, Kathleen becomes the first foreigner to attend the St. Petersburg Conservatorium. And in her class are 45 Students and she's the only girl. And we have to remember this is pre-revolutionary Russia. So there's still the Tsar Nicholas the second at this point. Yeah. She's mixing in, in that set. So it's an interesting place to be as a musician. Cause you're frequenting the sort of the upper classes but you can come from, from nothing and arrive there. Her professor was the famed teacher, Leopold Auer, who had a knack of discovering talent. Leopold Auer was actually a Hungarian violinist, and he was trained in Vienna, and he also studied with Joachim. And what happened was Russia has always had a sort of love for the violin, and they employed many people to teach at the conservatory, because they really embraced Western culture. They had A number of important French violinists come, but their big, you might say, catch was to get Vieuxtemps, Henri Vieuxtemps, to teach for a number of years at, in St. Petersburg. And after Henry Vieuxtemps, they actually got Henry Wieniawski to teach at the conservatory. And when Wieniawski decided to go back to Europe, they employed Leopold Auer to take his place at St Petersburg. Right. So he's up there with the big names. Well, they were a little bit let down. I mean, that's what they were, I think, a little bit disappointed to replace Wieniawski with Leopold Auer because Wieniawski was such a major violinist. So he had initially a little rough time, but he was adored by Tchaikovsky and Tchaikovsky loved Auer's playing, dedicated a number of works for him, including the famous serenade melancholic, and wrote a lot number of ballet scores, which Leopold Auer played the solos for. But of course, they had a big rift when Tchaikovsky wrote his violin concerto for Auer, because Auer said it was unplayable. And that really hurt Tchaikovsky's feelings. And it laid dormant for several years before another Russian violinist. Brodsky took it up, learned it, and. Premiered it in Europe first, and only after its success in Europe did he bring it back to Russia, where it became a big success, and Auer felt very bad about that, and in fact, just before Tchaikovsky died, a few months before Tchaikovsky died, story has it that Auer went to Tchaikovsky and apologized to Tchaikovsky for his initial mistrust of the concerto. In fact, by that time, Auer himself had actually performed the concerto, championed it, and taught it to many of his students. Yeah, and we'll see in this story how sensitive composers are, and how easy it is to hurt their feelings and really create. Like a lot of emotional turmoil. That's coming up. So Auer, like he might not have been their first choice for replacing, but he did have a knack of finding star pupils. That is something that we see, that I see in the conservatorium. Every now and then you have a teacher who's very talented at finding talent. Absolutely. And I know in Australia you have one very distinguished teacher who I think now has been poached by the Menuhin School in, in England. Yes. And we're not going to talk about that. Yes, we won't. Because it's Must be a sore point. But we do see, we do see him every now and then when he comes back. So along with Elman and Efren Zimbalist, Parlow becomes one of Auer's star pupils and Auer was so taken with her playing that he often called her Elman in a skirt, which I think is supposed to be a compliment. And in Auer's biography, he writes, he says, “It was during this year that my first London pupil came to me, Kathleen Parlow, who has since become one of the first, if not the first, of women violinists”. And that, he says that in his biography, My Long Life in Music. So, Every year, Auer had a summer school in Kristiana, which is Oslo today. And Parlow spent her summers there and became a great favourite in Norway, which leads us to the next and perhaps one of the most marking events in her career and life. At 17, having spent a year at the conservatory in Russia, Kathleen begins to put on public performances she gives solo performances in both St. Petersburg and Helsinki. So these are two places she knows quite well by now. And these concerts were, they were very important as Kathleen's mother really had no money to support them. And so, with but you know, Minnie doesn't bother her, she just ploughs on. And so with the money from these concerts this would have to tide her over. From letters that I've read, they were living in like this small apartment and then another friend writes, you know this other person, they've been saying you live in a tiny little place, but I'm not going to spread that rumor. And, and so it was a, it was a thing on the radar that they didn't have much money and they were scraping by and they were like frequenting people of much more wealthier than they were, so they were sort of on the fringes of society, but with her talent that was sort of pushing, people wanted to know her. So she makes her professional debut in Berlin and then began, she begins a tour of Germany and the Netherlands and Norway. And in Norway, she performs for the King Hakon and Queen Maud. Of whom she'll become a favorite. And, and her touring schedule was phenomenal. It was just like nonstop. So, yeah. For a 17-year-old that's, you know, she's going all over the world. And you were saying that Auer knew . Do Tchaikovsky do you think Auer, was he was giving her these pieces that did, that influenced him? Yes. I mean, Tchaikovsky wrote a number of violin, solo violin works before the concerto, the most famous of which is, of course, the Waltz Scherzo and the Serenade Melancholique. One is a fast, virtuoso piece, the other is a slow, soulful piece. And I know that Auer was the dedicatee of certainly the Serenade Melancholique, which she did play. So, so Auer's giving her stuff from, you know, his friend Tchaikovsky to play. Now she's 17 and she's touring to support herself and her mother and she has an amazing teacher who probably understands her circumstances all too well because Auer growing up also found himself in her position, supporting his father in his youth with his playing. So she's studying in St. Petersburg, which is an incredible feat in itself. So she must have had quite a strong character and her mother, Minnie, also appears to be very ambitious for her daughter. We're talking about her mother being ambitious, but for Kathleen to, you know, she's her daughter, she, she must've had quite a strong wheel as well. Yes. Well, she certainly did. I wish we knew more about her because maybe she was very subservient, you know, we have no idea. Maybe she didn't have, I mean, it's a speculation, of course. Yeah. We do have like hundreds of letters from Kathleen and there's a lot between her and Auer, and there's a real sort of paternal, he really sort of cared for her like a daughter almost and she looked up to him like a father and he was always very correct about it, you know, he would always write the letter to her. To Minnie, her mother the correspondents, it was, and it was always very, everything was very above board, but a very, they were very close. Kathleen later says that after expenses, her Berlin debut netted her exactly 10 pounds. She didn't know it at the time, but this was an indication of what her future would be like, and she would be sort of financially in a precarious state most of her life, and she would so her routine was she studies with Auer every summer in order to prepare, like they were preparing her repertoire for the next season of touring. So now she has a tour in 1908, so she's still 17, almost 18. It's in Norway, and to understand just a little bit of the political climate in the country, We can see that Norway, only three years earlier, had become independent of Sweden and had basically become its own country. So there's this this great sense of nationalism and pride in being Norwegian. And they have a newly minted king, King Hakon, who she's played for, and his queen, who was, He was in fact a Danish prince. And then when Norway, the Norwegian parliament asked him if he would like to become the king of Norway when they had their independence. And he said, why not? As part of this great sense of nationalism Norwegian musicians, composers, writers, and poets, they were celebrated and became superstars. And, oh gosh, yes, We can sort of understand. Poets have sort of dropped off the list, but back then poets, they were a big deal. So you add to this a young, fresh faced, talented Canadian girl who knows and understands their country. She arrives in Oslo to play in the National Theatre, where Norway's very own Johan Halvorsen who's conductor and composer and violinist, he's conducting the country's largest professional orchestra. And that night for Kathleen's concert, she plays Brahms and some of Halvorsen's compositions and the two, Kathleen Parloe and Halvorsen, they would go on to become quite good friends and Halvorsen regarded her very highly in saying, he said that her playing was superior almost to all the other famous soloists who made guest appearances in the city. So, I mean, a lot of people went through Oslo, so that was, you know, high praise. And Kathleen quickly Becomes a admirer of his and she would become a driving factor in him finishing his violin concerto that he'd been dithering over for a very long time. And this is Kathleen playing one of Halvorsen's compositions. It's not his concerto, it's Mosaic No. 4. So back to the theatre. And it was a magical night with the romantic music of Brahms to make you fall in love. And everyone did, just some more than others. And to finish off, there's music from their very own Johan Halvorsen to celebrate you know, a Norwegian talent. So Kathleen plays her heart out and when the concert ended, the crowd goes wild and the 17 year old soaks up the thunderous applause. She's holding on tight to her violin as she bows to adoring fans. Tonight she is the darling of Oslo. In the uproarious crowd stands a man unable to take his eyes off this young woman. Her playing has moved him and her talent is unbelievable. This man makes a decision that will change both their lives forever. So, Einar Bjornsson had fallen head over heels for the 17 year old Canadian there and then. She would turn 18 in a few months. And in that moment, he decided to give her the most beautiful gift she would ever receive. So, who is Einar Bjornsson? So what we were saying, poets, poets are less of a, you know, a hot shot today, but Einar was the son of a very, very famous poet. A Norwegian businessman and son of one of the most prominent public figures of the day, Bjørnstan Bjørnsson. He was a poet, a dramatist, a novelist, a journalist, an editor, a public speaker, and a theatre director. Five years earlier, in 1903, he was awarded the Nobel Prize for Literature, and one of his poems, called ‘Yes, We Love This Land', was put to music and is the Norwegian national anthem up to this day. So, you could say he was kind of famous in these parts, and his personality alone would have easily filled. A concert hall, that one in Oslo. Einar's father here, we're talking about Einar's father, he's the poet. Einar himself doesn't appear to have written any poetry. And this, so this situation could have been just fine the whole infatuation, love at first sight thing, except for a few things that put a spanner in the works. To begin with, Einar Björnsson is somewhat older than the youthful Kathleen he's 26 years older. Then her, in fact, and for a 17 year old, that is a big age gap. So he's 45, but that aside, there is a problem that he's also married and has two children. His daughter is actually almost the same age as Kathleen she's 16, but he doesn't really seem to see that. All he can see is this violinist and her talent. And he's been just, he's besotted and he's going to make a grand gesture. So obviously, one way to support the arts is to, what patrons do is they will buy, a lovely instrument and lend it to someone. So that's your normal affair. Obviously, one way to show his devotion to her is to find her a better violin. Hers is absolutely not good enough for someone of her talent. And he has to find her something amazing because she is amazing. He's determined to give her the most wonderful gift she has ever received. So he goes out and he's a businessman. And so he goes to his businessman contacts. And Kathleen would have spoken to her entourage. I imagine, and I now finally finds a violin worthy of Kathleen's virtuosity, and it happens to be one of the most expensive violins on the market in 1908, and it's a 1735 Giuseppe Guarneri Del Gesu violin. It had previously belonged to great violinists such as Giovanni Battista Viotti and Pierre Baillot. So just to clarify in the violin making world Antonio Stradivari and Guarneri del Gesù are the two top makers. If you're comparing two instruments, if one was owned by no one not anyone that you know. And then another one was owned by Viotti and Pierre Baillot . The one that's owned by Viotti and Pierre Baillot is probably going to be worth more. Yeah. So Viotti, he was just huge. He had a lot of instruments. I think he did a little bit of teaching and dealing on the side, Viotti. Like with the number of instruments named after him, or he just went through a lot of instruments. So she buys this violin, and it's not all smooth sailing to get the violin. Because she, there's this, there's a big correspondence between her and Auer, and we see that actually there's this letter where it says from Auer saying, I saw Hamming very cross. He says that the violin is compromised if he takes it back. So at one point, I think she may have changed her mind about this violin, but Hamming the dealer was not okay with this. All the I'm just trying to read his writing, it's not that easy. All the papers brought the news That Kathleen bought it so the newspapers have already, so the, you've got Hamming, that's annoyed, the papers have already said they've bought this violin and he could not, it says he could not sell it soon and repeat the sale, waiting till he finds something equal to the Guarneri. He showed me a Strad, indeed wonderful, asking 60, 000 livres, which must be pounds, right? A nice fellow, isn't he? And now, goodbye, write to me. Love, Auer. They do end up getting the violin. They, they don't get the 60, 000 Strad that Hamming Gets all upset about and offers, which I think he might have been exaggerating the price just to make him calm down about and to keep the del Gesu. Then Einar gives this to Kathleen. So this is a very kind of strange situation because normally you don't, you don't actually give, the patrons don't actually give their instrument to the No, absolutely. That's a remarkable gift. Just in terms of, I mean, the gesture is very magnanimous, but in terms of financial, there's just a financial cost or value of the gift is quite enormous. And so really after only knowing her for a month, Einar transfers this money into her account and she travels, Kathleen travels to Germany to the Hamming workshop and purchases her del Gesu violin for two thousand pounds and in today's money according to an inflation calculator, that is three hundred thousand pounds. Almost four hundred thousand US dollars. More than half a million Australian dollars, which at the time was a lot for a violin as well. So we're not I mean, I, today you'd be kind of happy to buy a Del Gesu for half a million, but then it was, it'd be a bargain. So, it's interesting this, like, he buys this, this young violinist this very expensive present and it's a, and it's a grey area and it's fraught with debate ethically, really. And I feel like today musicians find themselves sometimes in this position where they're sort of indebted to the, to a benefactor. It's almost feudal. I I feel cause at the same time you're very happy that they're lending it to you, but got to keep an eye on if it's a healthy relationship to. To get the money he had to get, you know, half a million pounds pretty quickly. If you remember, Ina's father was a very famous poet who'd won a Nobel Prize in literature and part of the prize is that you win a large sum of money. And so, what does Einar do? He goes and asks Dad. So he asks, he borrows, he borrows most of the money actually. Goodness knows how he convinced him, but you know, he's a businessman. And also for the remaining, he's married, remember, and he's married to, actually, to an heiress, and he takes a bunch of her, her dowry money and transfers this to essentially a teenager he met a month ago. The purchase of this incredibly expensive violin attracted, it attracted the attention of the press internationally, but journalists It's never really questioned the fact that this, this gift was given to a young woman by a, by an established family man. So everyone was just like, Oh, isn't it amazing? Because normally in this circumstance, people don't often give the instrument. You buy it as an investment and you'll lend it to someone. I think I've heard of like very few, very few cases of things being gifted, but actually normally your standard practice is to, to lend it to people. And most people playing on strads, that's, that's what it is, someone's lent it to them. How would you feel about someone giving a 300, 000 instrument to your daughter, who's a teenager? Well, I'd be, I mean, I'd just hate the sort of obligation that would involve, because On one hand, it is a very wonderful gift if it is a gift, but you almost expect that there is some expectation in return, don't you? Yeah. It's like he's bought her almost. Kind of. So, Einar, as, as I mentioned, he's, he's from a well known Norwegian family. They're very patriotic. His father's writings really established a sense of pride and meaning to what it was to be Norwegian. And he was. Like his father was this beloved figure in the country and he was quite frankly a hard act to follow. But his children gave it a good shot. You have Einar was one of five children. His father Bjornstein Bjornsson was the poet and public figure. He worked in a theatre. His mother was an actress when he'd met her. Which is a little bit risque also for the time. So they're a bit more of sort of an acting bohemian theatre family. His older brother Bjorn Bjornsson, just to be complicated here, his brother's called Bjorn Bjornsson. And not to be confused with Bjornstein Bjornsson, his father. So he was a stage actor and a theatre director. Like his dad. He was a playwright and he was the first theatre director of the National Theatre. And that was the big theatre in Oslo where Kathleen played. He was also quite busy in his personal life, because his first wife was Jenny Bjornsson. I mean, another Bjornsson. Boarding house owner. So he married her for four years. So this is Einars older brother. He married her for four years, then he divorced her, then he married an opera singer. Called Gina Oselio for 16 years, but then he, they, they got divorced, and then he married in 1909 Aileen Bendix, who was actually Jewish, and that's an important point, that she was Jewish, because at this time, things are kind of soon things will start heating up in Europe. And then he was, then there was Einar's younger brother called Erling Bjørnson, and he was a farmer and a politician for the Norwegian Far Right Party. So he was extreme right. Bit of a fascist. The other brother. So he was elected to the parliament of Norway and he was very active during World War II. So his two brothers have very, like, polarized opinions. Einar himself, he was a passive member of the far right party, but during the war years at that time that was the only party that people were allowed to be part of, so you can't, it's hard to tell his political leanings from that. Then he has a younger sister. Bergliot Bjornson, and she was a singer and a mezzo soprano, and she was married to a left wing politician Sigurd Ibsen, who was, he was the son of a playwright, and he becomes the Norwegian Prime Minister, so he plays a central role in Norway getting its independence. He met Einar's sister because he's a big patriot. Einar's father is a big patriot and that's how they were kind of family friends. It's not bad, you know, having your husband as the prime minister. Then he has another little sister called Dagny Bjornson and she was 19 when she marries a German publisher called Albert Langdon and so they're sort of like leftish as well. So Einar, he marries the sister of Albert Langdon. So they have this joint brother sister wedding. On the same day, the Bjornson brothers sisters marry the Langdon brothers sisters. But, the important thing to know is that the Langdons are very, very wealthy. They're orphans and they, they've inherited a lot of money. And so, but then Dagny, she ends up leaving her husband. Goes to Paris and works at another newspaper. And this is all in the, you know, the early 1900s. So she had this amazing life and then and then she marries another man, a French literate called Georges Sartreau well he comes also from a very wealthy family. Then you have Einar, who's a businessman, and he marries Elizabeth and they have two children, and his life is like not that remarkable. I think the most exciting thing he does is fall in love with Kathleen, I suppose, and sort of runs after her and her violin. From Kathleen's diaries, we can see the day after this concert in Oslo on the 10th of January, it's written 10th January, Mr Bjornson, 11;30am She meets with him the day after skiing and tobogganing with the Bjornsons. She has a concert the next day, but the day after that it's dinner with the Bjornsons, then another concert. And then she plays for the King. Then she goes to dinner with the Bjornsons. So this is just an excerpt from her diary for those weeks. And the next day, it's just Mr. Bjornson. That's just her meeting him not with the family. And maybe this is where he says, you know, I'll get you a violin. Maybe that was that meeting. And then on the 28th of February, she's in Germany and, and he's there. Einar is there. He goes to see her. Then on the 6th of March, she's in Amsterdam and in her diaries, you know, Mr Bjornson, he's there. He's kind of like, I don't know if this is creepy. He's following her around and then, and it's around about this time that he buys the violin for her. So she finishes her tour and she goes back to England and a month later in her diary, who rocks up? I know, he's there. In England, and she's still only 17 there. It's like he's kind of shadowing her a bit. Yes, it's that next level patronage. And then there's the, the aesthetic at the time, the, the pre-Raphaelite willowy type woman, which she fits perfectly into. And Kathleen, if you, if you see Kathleen, it's kind of like. John William Waterhouse, his paintings. There's women in these long flowy robes with flowers in their hair and long willowy postures and, they're often like, you know, they're flopping about on something like a chair or there's this one holding this pot of basil. And there's that famous painting, The Lady of Shalott, where you've got this woman float, is she, is she dead? She's floating in the water with her hair and, and all this fabric and flowers and. In a promotional article, there was this quote from a review in the Evening Sun. “Kathleen Parlow, tall, straight, slim, and swaying as the white birch sapling of her native Canada, but a spring vision, but a spring vision all in pink from her French heels to her fiddle chin rest and crowned with parted chestnut hair of a deeper auburn than any Stradivarius violin made an astonishing impression of masterful ease”. I don't know if men were described like this, but they loved her. She's like a white birch. Well she's very slender, she had beautiful long hair she was very thin, very fragile, and I think she sort of exemplified this pre Raphaelite beauty basically and that was so enchanting to have someone who was almost from another world playing the violin divinely. I think she must have cut an incredibly attractive image for the day. Absolutely. Yeah. And then she would have been like playing these like incredible romantic pieces. It would be juxtaposed with her playing. Yeah. And yeah. Yes. So she was this real William Waterhouse figure with her violin. So she's lithe and willowy, and she has her touring schedule, which was phenomenal. She, so she tours England, Finland, Belgium, Germany, Poland, Denmark, Sweden, Norway. Just to name a few. It just kind of stopped after that. It was just never ending. And you have to remember it's the beginning of the 20th century, and traveling, it's not like it is today. It was much more. Uncomfortable. I mean, it's incredible. You see one day she's in one country, the next day in another country. So this must have been quite fatiguing. And she's just playing night after night. Her mother, Minnie, she's her, she's, they're quite close. She's, and often like with these, with prodigies, often their parents. They're best friends, like they're the only constant in their life. So in the summers, she returns to Oslo every year for the summer school hour that's helping her for the next concerts. She spends quite a lot of time with Halverson, going to lunches and teas and rehearsals with him. You can see this in her diaries. But is this, is this kind of the life of a musician as well? Like you have to, you have to go to a lot of teas and lunches with people to please patrons and so on. Yes, I think you do because musicians don't normally have much money and so to ingratiate themselves to patrons and sponsors they really had to coax them into help Yeah, because she's living this life sort of beyond her means, going to the theater, going to concerts and things, and sort of a balancing act. Back in Norway, and a week after she turns 18, there's an entry in her diary, play for Mr. Bjornson, and the next month her entries, they change slightly, and she'll now just call him E. B. For Einar Bjornson and the entries will say things like E. B. arriving and then often like a week later It's E. B. leaving and in her diaries, it's intermittently always though he'll be there for a week wherever she is often in England or and every few months He'll just pop up, you know in London in Germany in the Netherlands And he just always happens to be happens to be there and what's interesting is she has these hundreds of letters archived Of her writing to friends, to family, to her pianist. And it's really interesting that there's zero letters to Einar. There's no correspondence between them, which I think is maybe on purpose, they may be, they have to have been removed because she just writes letters to everyone, but we don't have these, any letters from them, so it just leaves things up to speculation. This brings us to the end of part one in the story of Kathleen Parlow. I would encourage you to keep listening to the music of Kathleen. To do this, Biddulph Recordings have released two CDs that you can listen to on Apple Music, Spotify, or any other major streaming service. You can also buy the double CD of her recordings if you prefer the uncompressed version. I hope you have enjoyed her story so far, but stick around for part two to find out what will happen with her career, the violin, the man who gave it to her, and the mystery behind a missing concerto that Kathleen would, in part, help solve after her death. Goodbye for now.
Acteur en zanger Lucas Hamming debuteerde met zijn ep Green Eyed Man en werd in 2014 uitgeroepen tot 3FM serious talent. Op zijn naam staan nu meerdere albums: Ham, Postponed en Luck is for suckers. Hij verwierf bekendheid door in 2019 televisieprogramma Maestro te winnen en speelde in hetzelfde jaar de rol van Judas Iskariot in The Passion. Nu is hij te zien in voorstelling Jesus Christ Superstar, waarin hij dezelfde rol weer vertolkt. Femke van der Laan gaat met Lucas Hamming in gesprek. *In deze podcast wordt over zelfmoord in de voorstelling gesproken. Praten over suïcide kan 24 uur per dag, en anoniem, bij 113 Zelfmoord-preventie. Chat via 113.nl of bel gratis 0800-0113. Praten helpt.
Doing Good stond dit keer in het teken van woorden en communicatie. Marc van Hal ging in gesprek met twee opmerkelijke mannen, die met hun woorden mensen naar totaal andere sferen kunnen brengen. Myron Hamming is spoken word artiest en Milan Somers is ontwikkelaar van quantum communicatie. Twee mannen die op geheel eigen wijze de kracht van woorden hebben ontdekt. Van poëtische verhalen tot quantum communicatie, deze mannen delen hun reizen en wijsheden om anderen te inspireren tot positieve verandering. Hoe krijg je inzicht in de transformerende kracht van communicatie en hoe het kan bijdragen aan het welzijn van individuen en de samenleving als geheel? Marc van Hal presenteert elke laatste maandag van de maand het programma 'Doing Good'. Goed voor jezelf, goed voor een ander. Over klein en groot geluk. Hoe haal je het beste uit jezelf en wat kun je voor een ander betekenen? Met dit programma word je uitgedaagd met inspirerende gasten en voorbeelden. 'Doing Good' hoor je elke laatste maandag van de maand tussen 18:00 en 19:00 uur.
Digital signatures are the foundation of our digital trust. With this, Bob has a key pair: a private key and a public key. In order to provide his identity, he signs a hash of a message with his private key, and then Alice proves this with his public key. Currently, we mainly use RSA, ECDSA and EdDSA for our signature methods, and where DSA signatures (which use discrete logs) have been dropped for their creation. For example, ECDSA is used with Bitcoin and Ethereum, and RSA is often used to identify Web sites. EdDSA is now on the rise, and is part of the FIPS-186–5 standard. Unforunately, we will need to replace these methods — as quantum computers can crack them. The other area that needs to be replaced is key exchange and public key encryption. These days we typically use ECDH (Elliptic Curve Diffie Hellman) for key exchange, and RSA for public key encryption. These will have to be replaced with quantum-robust methods — Post Quantum Cryptography (PQC). Goodbye RSA and ECC, and Hello to PQC And, so, using Shor's algorithm, quantum computers will be able to crack RSA, discrete logs and ECC (Elliptic Curve Cryptography), and so we need to remove RSA, ECDSA and EdDSA and replace them with methods that are quantum robust. For this, NIST has been running a competition for the last few years, and where CRYSTALS-Dilithium and SPHINCS+ were selected as the winners for PQC digital signatures. There are no other candidates that are being assessed from the previous round. Overall, Dilithium is a lattice-based method, while SPHINCS+ uses a hash-based signature method. But what if these methods are cracked? Well, it happened to two of the finalists for the NIST competition: Rainbow and SIKE, and where the methods were cracked in the final round of the competition. For KEM (Key Exchange Mechanisms) to replace ECDH (Elliptic Curve Diffie Hellman) and Public Key Encryption (PKE) to replace RSA, NIST has standardized CRYSTALS-Kyber, and is still assessing BIKE, Classic McEliece, HQC, and SIKE. Additional Signatures: Round 1 And, so, NIST is on the look-out for alternatives for Dilithium and has set up a new competition [here]: In the first round, we have: Code-based Signatures: CROSS (Codes and Restricted Objects Signature Scheme); Enhanced pqsigRM; FuLeeca; LESS (Linear Equivalence Signature Scheme) and MEDS (Matrix Equivalence Digital Signature Wave). Isogenies: SQIsign. Lattice based: EagleSign; EHTv3 and EHTv4; HAETAE; HAWK; HuFu (Hash-and-Sign Signatures From Powerful Gadgets); Raccoon; and SQUIRRELS (Square Unstructured Integer Euclidean Lattice Signature). MPC in the head: MIRA; MiRitH (MinRank in the Head); MQOM (MQ on my Mind); PERK; RYDE; and SDitH (Syndrome Decoding in the Head). Multivariate Signatures (Oil and Vinegar): 3WISE; Biscuit; DME-Sign; HPPC (Hidden Product of Polynomial Composition); MAYO; PROV (PRovable unbalanced Oil and Vinegar); QR-UOV; SNOVA; TUOV (Triangular Unbalanced Oil and Vinegar); UOV (Unbalanced Oil and Vinegar); and VOX. Symmetric-based Signatures: AIMer; Ascon-Sign; FAEST; and SPHINCS-alpha. Doing a quick count, we have: Multivariate: 11; Lattice: 7; Code-based: 5; MPC-in-the-head: 5; Symmetric-based: 4; and Isogenies: 1. So, multivariate seems to be leading the way, with lattice methods being popular too. But poor old isogenies only has one contender. This may be due to the crack on an isogeny-based method (Supersingular Isogeny Key Encapsulation SIKE), or that isogenies are better suited to key exchange techniques. And so, let's look at the basic methods and some previous examples. Multivariate — Unbalanced Oil and Vinegar (UOV) With multivariate cryptography, we have n variables within polynomial equations. For example, if we have four variables (w,x,y,z) and an order of two, we could have [here]: w²+4wx+3x²+2wy−4wz+2wx+6xz=387 Generally, this is a hard problem to solve, so we want to make it easy if we know a secret. In this case, I know that the solution is w=7,x=4,y=5, and z=6. Oil and Vinegar Makes A Hard Problem Easy Fixing The Hole In The Internet in a Post Quantum World medium.com Lattice To understand lattice cryptography, you need to understand polynomials, as our bit values are converted into polynomials. Our operations are then conducted with polynomial multiplies and addition, and taken with a (mod p) operation (and where p will be the maximum value we generate for the polynomial values). The Magic of Lattice and The Eye of a Falcon To understand lattice cryptography, you need to understand polynomials, as our bit values are converted into… medium.com Code-based This method was created in 1978 with the McEliece cryptosystem but has barely been used in real applications. The McEliece method uses linear codes that are used in error-correcting codes and involves matrix-vector multiplication. An example of a linear code is Hamming code [here]. McEliece and Rust: Edging Slowly To A NIST Standard for PQC We live in a world that is dominated by large (and faceless) corporations, but it is individuals who have often built… medium.com MPC-in-the-head These methods use non-interactive zero-knowledge proofs of knowledge and MPC (Multiparty Computation). With MPC we can split a problem into a number of computing elements, and these can be worked on in order to produce the result, and where none of the elements can see the working out at intermediate stages. The great advantage of this method is that we only use symmetric key methods (block ciphers and hashing functions). Let's Go For A Post-Quantum Picnic And then there were three: CRYSTALS Dilithium, Falcon and Rainbow. These are the finalists for the NIST standard for… medium.com Symmetric These methods uses standard cryptographic methods such as symmetric key encryption and hashes. Typically they use AES and SHA3 — and which are quantum robust. Isogenies If we have two elliptic curves (E1 and E2), we can create a function that maps a point (P) on E1 to a point Q on E2. This function is known as an isogeny. If we can map this function, every point on E1 can be mapped to E2. Our secret key is then the isogeny and the public key is the elliptic curve. For key exchange, Bob and Alice mix their isogeny and the other side's curve to generate a secret curve. Isogenies? The End Game for Public Key Encryption? Well, we are now at the final stage of NIST's post-quantum cryptography standardization, and which started in 2016: medium.com Conclusions Exciting times are ahead as the methods go up and against each. In the last competition, some of the methods fell because of a problem with their parameters (Rainbow — UOV) or because of a core weakness (isogenies). But, this time, they are all likely to come back strong and (hopefully) compete well against the lattice methods.
Today we discuss the local amateur radio community with two of Moab's “ham” radio operators, KJ7LVZ and KJ7PMR. They welcome us into the Sinbad Desert Amateur Radio Club's weekly on-air chit-chat. We nerd out about the weather, "old guy stuff," and radio physics. //Show Notes: //Photo: Joshua Griffin operates his radio setup during the Sinbad Desert Amateur Radio Club's weekly meeting. Photo by Emily Arntsen //Sinbad Desert Amateur Radio Club https://sdarc.us/
What's your favorite? Seriously, when you hit a BBQ, ribs, chicken,brisket? How about sauces Kansas City, Memphis….I got to stop. I am making myself hungry. Steeples and Peoples podcast talks with owner Mike Tauraso and Josh Eyler, Managing Partner of one of Frederick's favorite BBQ restaurants, Black Hog. The guys talk about inspiration of the name, their backgrounds, and the growth they have made over the years opening 5 locations. They share details about their menu, both food and beverage. The events they hold, the catering options and family meals they provide round out this fun and informative podcast and it's sure to leave you craving some Black Hog BBQ. Website: https://blackhogbbq.com/ Black Hog BBQ has Five Locations along with the specific restaurant hours The locations are in: Downtown Frederick, Urbana Village Center, Market Square Frederick, Middletown and Ashburn, VA You can find each location's street address and phone number on the website. To contact them by email: contact@blackhogbbq.com Facebook: https://www.facebook.com/BlackHogBBQ/?ref=ts&v=wall Instagram: https://www.instagram.com/blackhogbbq/ Twitter: https://twitter.com/blackhogbbq Pinterest: www.pinterest.com/black-hog-bbq ____________________________________________________________ Follow and Connect with Us ____________________________________________________________ Check out our websites, apps and much more www.steeplesandpeoples.com Like our Facebook page: https://www.facebook.com/Steeples&Peoples Join the conversation on Twitter https://twitter.com/SteeplesPeoples Follow us on Instagram pics https://www.instagram.com/steeplesandpeoples Reach out to us on Snapchat at: steeplespeoples Watch our Tik Tok at: steeplesandpeoples =========================== Feel free to let us know if you have any comments or questions By emailing us at: SteeplesandPeoples@gmail.com Steve Medley: voice intro and outro Don't forget to like, subscribe, and join us weekly to find out what's going on with "All Things Frederick County, Maryland" on the Steeples and Peoples podcast!!!
Dean K2JB loves to stretch himself by going on multi-day backpacking excursions and carrying his QRP ham radio along with him. Hi as a very active Summits on the Air activator and tackles difficult to reach summits like Mt Whitney, numerous summits along a milti-day route, and other challenging yet adventurous goals. Join us as we talk about how YOU can get involved in portable radio in this episode of the All Portable Discussion Zone “AP/DZ”. Every aspect of Portable Ops is explored in this biweekly live stream as we discuss news, gear, achievements, the workbench, contests, awards and more - find all Portable Ops related topics here. Join this channel and become a Premium Member for early access, behind-the scenes-content, and exclusive chats https://www.youtube.com/channel/UCHriEQX4EK2b0QS7EgSvjmg/join Twitter: Charlie NJ7V @NJ7V_ Dan KC7MSU @KC7MSU Brian W7JET @BBW7JET Help support this channel - buy us a Coke: https://www.buymeacoffee.com/RedSummitRF Red Summit RF Amazon Storefront: https://www.amazon.com/shop/redsummitrf #APDZ #SOTA #HamRadio #PortableOps #POTA --- Support this podcast: https://podcasters.spotify.com/pod/show/nj7v/support
Hour 2: Gabe Neitzel and Michael Rothstein in for Canty and Carlin are joined by Former NBA Player Ryan Hollins to go around the horn of the NBA Playoffs. They discuss the impact of Darvin HAm on the Lakers. Plus should the media have a say in players being eligible for signing supermax contracts? Learn more about your ad choices. Visit megaphone.fm/adchoices
Hour 2: Gabe Neitzel and Michael Rothstein in for Canty and Carlin are joined by Former NBA Player Ryan Hollins to go around the horn of the NBA Playoffs. They discuss the impact of Darvin HAm on the Lakers. Plus should the media have a say in players being eligible for signing supermax contracts? Learn more about your ad choices. Visit megaphone.fm/adchoices
Fermyon offers serverless cloud computing. Spin is their developer tool for building WebAssembly microservices and web applications; check it out on GitHub.Like past podcast guest David Hsu of Retool (and yours truly), Matt earned a degree in the humanities before deciding to prioritize his “side gig” in tech.Follow Fermyon on GitHub. Matt is on LinkedIn.Shoutout to Lifeboat badge winner keineahnung2345 for saving Hamming distance between two strings in Python from the dustbin of time.
We kick off The CS Primer Show with a conversation prompted by our mutual love of "You and Your Research" by Richard Hamming. This is an essay that Oz frequently recommends to software engineers who would like to increase their impact. Be sure to watch the talk or read the transcript of Hamming's talk!- You and Your Research (transcript) - You and Your Research (video) - Unix: A History and a Memoir- CS Primer - Bloom's 2 sigma problem- Hoel on aristocratic tutoring- Auren on insiders vs outsiders- Charlie's project to write 52 short stories in a year- Escaping Web: Oz and Charlie's previous engineering interview podcast - American Prometheus (Oppenheimer biography)
Burgemeester Hamming hoeft van de raad van Zaanstad niet te stoppen met TikTok. Een motie van Hanneke Veurink (ChristenUnie) en Marianne de Boer (DZ) waarin de burgemeester gevraagd werd te stoppen met TikTok haalde het niet. Behalve de indienende partijen waren allen GroenLinks, PvdD en D66 voor. https://www.deorkaan.nl/hamming-blijft-op-tiktok/
Annemieke Bosman in gesprek met dichter Myron Hamming. Spokenwordartiest Myron Hamming schrijft inzijn debuutbundel 'Je droomt het niet zomaar' over dromen en doelen, over het beste uit jezelf halen. Met het gesproken woord in zijn hoofd en hart trekt de dichter door het land. Spoken word dat je beroert. Het leven zit vol verhalen, vol dromen, liefde en verlangens. Dat besef kan tijdelijk weg zijn, en weer teruggevonden worden, en misschien zelfs herontdekt. Myron Hamming bevraagt met zijn debuutbundel het leven, dat zowel actueel als tijdloos kan zijn. Je droomt het niet zomaar inspireert, verwondert en prikkelt. Als het leven zelf. Myron Hamming (Groningen, 1994) wilde na een topsportcarrière iets compleet anders doen. Hij zocht, vond de poëzie en viel voor het vertellen van verhalen die mensen niet zullen vergeten. Hamming ging fulltime schrijven en performen, werd stadsdichter van Groningen en werd derde bij de Martin Luther King Spoken Word wedstrijd. In 2021 was hij Ambassadeur van de Vrijheid in Groningen.
Value: After Hours is a podcast about value investing, Fintwit, and all things finance and investment by investors Tobias Carlisle, Bill Brewster and Jake Taylor. See our latest episodes at https://acquirersmultiple.com/ About Jake: Journalytic Jake is a partner at Farnam Street: http://farnam-street.com/vah Jake's podcast: https://twitter.com/5_GQs Jake's Twitter: https://twitter.com/farnamjake1 Jake's book: The Rebel Allocator https://amzn.to/2sgip3l About Bill: Bill runs Sullimar Capital Group, a family investment firm. Bill's website: https://sullimarcapital.group/ Bill's Twitter: @BillBrewsterSCG ABOUT THE PODCAST Hi, I'm Tobias Carlisle. I launched The Acquirers Podcast to discuss the process of finding undervalued stocks, deep value investing, hedge funds, activism, buyouts, and special situations. We uncover the tactics and strategies for finding good investments, managing risk, dealing with bad luck, and maximizing success. SEE LATEST EPISODES https://acquirersmultiple.com/podcast/ SEE OUR FREE DEEP VALUE STOCK SCREENER https://acquirersmultiple.com/screener/ FOLLOW TOBIAS Website: https://acquirersmultiple.com/ Firm: https://acquirersfunds.com/ Twitter: https://twitter.com/Greenbackd LinkedIn: https://www.linkedin.com/in/tobycarlisle Facebook: https://www.facebook.com/tobiascarlisle Instagram: https://www.instagram.com/tobias_carlisle ABOUT TOBIAS CARLISLE Tobias Carlisle is the founder of The Acquirer's Multiple®, and Acquirers Funds®. He is best known as the author of the #1 new release in Amazon's Business and Finance The Acquirer's Multiple: How the Billionaire Contrarians of Deep Value Beat the Market, the Amazon best-sellers Deep Value: Why Activists Investors and Other Contrarians Battle for Control of Losing Corporations (2014) (https://amzn.to/2VwvAGF), Quantitative Value: A Practitioner's Guide to Automating Intelligent Investment and Eliminating Behavioral Errors (2012) (https://amzn.to/2SDDxrN), and Concentrated Investing: Strategies of the World's Greatest Concentrated Value Investors (2016) (https://amzn.to/2SEEjVn). He has extensive experience in investment management, business valuation, public company corporate governance, and corporate law. Prior to founding the forerunner to Acquirers Funds in 2010, Tobias was an analyst at an activist hedge fund, general counsel of a company listed on the Australian Stock Exchange, and a corporate advisory lawyer. As a lawyer specializing in mergers and acquisitions he has advised on transactions across a variety of industries in the United States, the United Kingdom, China, Australia, Singapore, Bermuda, Papua New Guinea, New Zealand, and Guam.
Hamming It Up Avoid “hamming it up”: seasonal ham companies offer a cautionary example on price integrity and to coaches and other professional services providers. The Price and Value Journey is presented by John Ray and produced by the North Fulton studio of Business RadioX®. TRANSCRIPT John Ray: [00:00:00] Hello, I’m John Ray on The Price and Value Journey. It’s estimated […]
On today's episode Laurin interveiws Josie Hamming on how she got started with Crossfit and her journey competing at the professional level. Have specific questions for us you'd like answered on the podcast? (Your questions are completely confidential!) Submit them here: https://docs.google.com/forms/d/e/1FA... Join our Facebook group! https://www.facebook.com/groups/10546... Subscribe to our newsletter where we share weekly, exclusive content https://www.teamlocofit.com/subscribe/ Follow us on Instagram: @laurinconlin @ryanconleypsa @karinanoboa @sammyfitsleeves @danni_aguilar @teamlocofit #TeamLoCoFit #RedefineHealthy #Onlinefitnesscoach DISCLAIMER: Links included in this description might be affiliate links. If you purchase a product or service with the links that we provide we may receive a small commission. Thank you for supporting our channel so we can continue to provide you with free content each week!
Today, the guys share a special interview recorded at the recent NRB Conference! The episode features not only theological and practical discussion, but a healthy dose of ribbing between an Australian and out resident New Zealander. Who is the Australian, you ask? He is none other than Ken Ham, CEO and founder of Answers in Genesis and a key figure in the development of the Ark Encounter and the Creation Museum! Oscar and his producer friend Eddie Roman caught up with Ken at the conference, and first asked him what the problem is in being a Christian and believing in evolution. The problem, Ken explains, boils down to the need to take God at His Word and uphold the authority of the Bible. If we work man's view into our worldview and rework God's Word to fit it in the area of creation and evolution, what is to keep us from doing the same elsewhere? Even now, we're seeing the generational impact of compromising worldview formulation, and the undercutting of Genesis 1-11 - the foundation of everything else to come - is leaving people open to question the rest of the Bible, too. Moving forward, Ken, Oscar, and Eddie consider whether or not Christians are anti-science. This question, Ken argues, requires careful definitions of terms. There is a distinction between observational and historical science, and both Christians and non-Christians generally agree on the observational side of things. Along the historical vein, there is frequent disagreement, but both the Christian perspective and the non-Christian “scientific” view require forms of faith. Evolutionists, after all, believe in things that they cannot see or scientifically prove. Ken roots the willingness to accept the wild notions of naturalism rather than affirming that God spoke and created in human nature and sin before wrapping up the interview with a connection to CRT, updates on the Ark Encounter and the Creation Museum, and an introduction to his new book, Divided Nation. Thanks for listening! If you've been helped by this podcast, we'd be grateful if you'd consider subscribing, sharing, and leaving us a comment and 5-star rating! Links:Visit the Living Waters website to learn more and to access helpful resources!Check Ken's books, Divided Nation and Creation to Babel.Learn more about Answers in Genesis, the Ark Encounter, and the Creation Museum.Learn more about NRB and its recent conference!You can connect with us at podcast@livingwaters.com. We're thankful for your input!Learn more about the hosts of this podcast.Ray ComfortEmeal (“E.Z.”) ZwayneMark SpenceOscar Navarro
The plaintiff says he sold the defendant a ham radio antenna, but now the guy won't pay for it. The defendant also dropped the antenna off on the plaintiff's property and ruined it, so the plaintiff is suing him. The defendant alleges the antenna was rebuilt, not new, so it's no good to him. He's countersuing for the amount he's paid. Then, the plaintiff says the defendant is her younger sister, who she says needs to take responsibility for damaging the plaintiff's truck. She's suing her for the cost of scratched tires and a broken CD player. The defendant denies damaging anything and can't understand why her sister turned on her. Don't forget to rate and subscribe so you never miss an episode. See omnystudio.com/listener for privacy information.
搞乜咁科學 GMG Science #5 - 多餘 Extra ➕歡迎嚟到 搞乜咁科學 GMG Science ！今集嘅主題係多餘 Extra ➕! Keith會講電腦之間溝通都會講多餘嘅嘢？
Hamming it up again with Pete Ham and Badfinger, with the albums 'No Dice' and 'Straight Up'. Will they stop ripping off The Beatles this week, tune in to find out!
This week we discuss the Lakers hiring Darvin Ham as head coach, the first NBA conference championship MVP awards, a preview of the NBA Finals, and more. (Instagram: @MatterOfStatsPodcast @ATmosPod1 @BillyR81 Twitter: @MatterOfStatsP @MoSMamba714 @BillyR824) Intro & Outro Music Produced by Double A for B.K.E.
With reports that the Lakers have identified Bucks Assistant Coach Darvin Ham as a candidate to replace Frank Vogel, rumors continue to swirl around other moves the Lakers will make this offseason. Lakers beat writers Bill Oram from the Athletic and Dan Woike from the Los Angeles Times join Allie Clifton to discuss the coaching search, as well as debate the best course of action with Russell Westbrook this summer. Plus, how important is it for the team to extend LeBron James before next season begins?
Original Air Date: July 2nd, 2021 | EP 179 https://youtu.be/XZtt0K49vDM?list=PLz-3Al1WFD9-ZVYsWL0k8B2MceAqCesRX *I feel like this should be obvious, but since this is an older podcast, the current events discussed are not the current events anymore. Wild. So keep that in mind for why we might be discussing a certain topic before you make a dumb comment. Just helping ya out. --- Best Shorts to Chat In: https://www.thehviii.com/collections/goat-training-shorts Video of Podcast: https://www.youtube.com/playlist?list=PLz-3Al1WFD9-ZVYsWL0k8B2MceAqCesRX UMSO TOP 10 We are rebranding the podcast! I've loved this chapter of the podcast and building it into something I am very proud of. But, I want the podcast to have a bit more of a direction which is why we are renaming the podcast Not Dead Yet. I want to talk to people that had a moment where they realized they are going to die at some point and enacted major changes in their life to do and find more. I wanna hear those stories. So while things are getting ready, we are going to play back to you our Top 10 episodes from the past years! I can't thank you guys enough for all the love and support of the show. I am excited about this new direction and hope you all will be too! (OP) Episode 179 Summer Smash 2021 was a couple of weekends ago which brought some old and new friends into town and gave us a chance to chat. Charity has been a long-time friend and mega badass who you need to get to know if you don't. Josie is a new friend that is also incredibly rad and was very fun getting to learn more about her. Then of course my lovely girlfriend, Bonnie Schroeder, joining the chat as well. Topics ranging from feet too would you rather to psychedelics, made our time together in the studio very entertaining as well as insightful. Strap in, or on if that's your thing, and let's blast off! Sponsors: HVIII - Code UMSO 10% off Habit - Code UMSO 10% off Caveman Coffee Onnit - Onnit.com/mattvincent 10% off Oregon Originals - Code UMSO 10% off Stay Classy Meats - Code UMSO 10% off Nutrition Solutions - Code UMSO $20 off Cold Plunge - Code UMSO to save Ice Barrel - Code UMSO to save Daily Destroyer - team training and programming https://marketplace.trainheroic.com/brand/Matt%20Vincent?attrib=445833-pod Core Medical Group - http://coremedicalgrp.com/matt Sunlighten Saunas - https://www.sunlighten.com/?leadsource=Matt-Vincent&utm_source=Matt-Vincent&utm_medium=partner&utm_campaign=Matt-Vincent
OCR Champion Faye Stenning and Olympian Jess O'Connell, have brought their coaching platform to the Obstacle Racing Media family of podcasts. Have you ever spent much of a Spartan race cursing the course designer and wondering how someone could create a race so……insane? Us too! This week, we are joined by the man responsible for many of the wild routes of Spartan races. Steve dives into lots of the behind-the-scenes of Spartan, how races come together, and his hot takes on the state of the sport. Faye Jess Coaching Website
Welcome to The Nonlinear Library, where we use Text-to-Speech software to convert the best writing from the Rationalist and EA communities into audio. This is: Questions That Lead to Impactful Conversations, published by Akash on March 24, 2022 on The Effective Altruism Forum. Context We often know the answers to questions that can help us dramatically improve our impact/productivity/happiness/health/etc. This became particularly salient to us after we learned techniques and saw how helpful they were. Examples include: Resolve Cycles (think of a problem in your life, set a five minute timer, and solve your problem, or set a five minute timer to think of a plan to solve your problem, and then set another five minute timer and pick a harder problem) Murphyjitsu (ask yourself “How surprised would I be if my current plan were unsuccessful after the deadline passed?”, and “How can I make myself more surprised?”, and then repeatedly iterating). Hamming Questions (asking "what are the most important problems in your field? Why aren't you working on them?") We (Akash and Kuhan) also often ask questions to try to improve others' impact/productivity/happiness/health, form close relationships, and produce valuable conversations. Questions can help us understand new concepts and paradigms, generate novel ideas and connections, notice our confusion and holes in our understanding, and make friends. We wanted to compile a list of the best questions to ask in different scenarios - one-off questions, questions that should be asked regularly, both to ourselves and others, questions to make meetings better, and more. We'd be excited for readers to also suggest questions they've gotten mileage out of/have enjoyed asking and answering in the comments. The NYT published a list of questions that lead to love. Here's a list of questions that (often) lead to impactful conversations. List of Questions Life Optimization Call Questions credit to Neel Nanda for bringing many of these questions to our attention What do you think are the most important problems? Why aren't you working on them? (Hamming questions) What is most holding you back? What are your biggest bottlenecks? Suppose that this meeting increases your lifetime productivity/impact/happiness/motivation by 2x. What happened? What are the projects you've spent >=10 hours on in the last month? Rate each out of 10 for impact, and write a brief theory of impact. Do you endorse this? What is your personal theory of impact? How do your actions concretely reduce existential risk? Do you consistently feel motivated about what you work on? What goes wrong? Give a concrete example? How frequently do you use obligations to motivate yourself? Do you feel guilty and anxious all of the time? What probability would you put that you have any of insomnia, ADHD, depression, anxiety, bipolar? How are your physical health, sleep, exercise, diet, hydration? What niggling health issues are you ignoring? Are there other important health issues I'm missing? Have you spent at least a full-time week solving this? Why not? Please fill out this depression questionnaire and anxiety questionnaire and consider next steps depending on the results. What is the biggest mistake you've made in the last 6 months? Have you successfully changed the default path of the world such that such a mistake is very unlikely to happen again? Suppose you leave this conversation feeling super inspired and confident your life has changed, and in practice nothing changes. How surprised are you? Bonus: Has this happened before? What went wrong? Suppose you leave this conversation with some concrete action points that are obviously good ideas that will majorly improve your life. What are they? Make them concrete and give deadlines. What are the biggest and sharpest trade-offs in your life right now? What are the costs and benefits of each option? Set a 5 minute timer and brainstorm third alternatives, that capture some of the benefits of each a...
Welcome to The Nonlinear Library, where we use Text-to-Speech software to convert the best writing from the Rationalist and EA communities into audio. This is: Research Hamming Questions, published by johnswentworth on March 22, 2022 on LessWrong. We'll start with Richard Hamming's original question: what are the most important problems in your field? (At this point, you should grab pencil and paper, or open a text file, or whatever. Set a timer for at least two minutes - or five to ten if you want to do a longer version of this exercise - and write down the most important problems in your field. The rest of the questions will be variations on this first one, all intended to come at it from different directions; I recommend setting the timer for each of them.) Perfection Imagine that your field achieved perfection - the ultimate theory, perfect understanding, building The Thing. What has been achieved in the idealized version of the field, which has not yet been achieved today? What are the main barriers between here and there? Measurement Often, in hindsight, a field turns out to have been bottlenecked on the development of some new measurement method, ranging from physical devices like the thermometer to abstract ideas like Shannon's entropy and information channel capacity. In what places does it look like your field is bottlenecked on the ability to usefully measure something? What are the main barriers to usefully measuring those things? Framing The difficult thing, in most pre-paradigmatic and confused problems at the beginning of some Science, is not coming up with the right complicated long sentence in a language you already know. It's breaking out of the language in which every hypothesis you can write is false. [...] The warning sign that you need to 'jump-out-of-the-system' is the feeling [of] frustration, flailing around in the dark, trying desperate wild ideas and getting unhelpful results one after another. When you feel like that, you're probably thinking in the wrong language, or missing something fundamental, or trying to do something that is in fact impossible. Or impossible using the tools you have. - Mad Investor Chaos What are the places where your field is flailing around in the dark, trying desperate ideas and getting unhelpful results one after another? What are the places where it feels like the problem is formulated in the wrong language, and a shift to another frame might be required to ask the right question or state the right hypothesis? Unification Sometimes, we have a few different models, each of which works really well in different places. Maybe it feels like there should be some model which unifies them all, which could neatly account for all these phenomena at once - like the unification of electricity, magnetism and optics in the 19th century. Are there different models in your field which feel like they point to a not-yet-known unified model? Incompatible Assumptions One of the main ways we notice (usually implicit) false assumptions in our models is when they come into conflict with some other results, patterns or constraints. This may look like multiple models which cannot all be true simultaneously, or it may look like one model which looks like it cannot be true at all yet nonetheless keeps matching reality quite well. This is a hint to reexamine the assumptions under which the models are supposedly incompatible/impossible, and especially look for any hidden assumptions in that impossibility argument. Are there places in your field where a few models look incompatible, or one model looks impossible, yet nonetheless the models match reality quite well? Giant Search Space The space of possible physical laws or theorems or principles is exponentially vast. Sometimes, the hard part is to figure out what the relevant factors are at all. For instance, to figure out how to reproducibly culture a certain type of cell, a biologist might need to provide a few specific signal molecules, a physi...
On 'current history', or what might be going on out there. Subscribe at: paid.retraice.com Details: what's GOOT; current history; hypotheses [and some predictions]; What's next? Complete notes and video at: https://www.retraice.com/segments/re17 Air date: Monday, 7th Mar. 2022, 4 : 20 PM Eastern/US. 0:00:00 what's GOOT; 0:01:35 current history; 0:04:30 hypotheses [and some predictions]; 0:13:38 What's next? References: Allison, G. (2018). Destined for War: Can America and China Escape Thucydides's Trap? Mariner Books. ISBN: 978-1328915382. Searches: https://www.amazon.com/s?k=9781328915382 https://www.google.com/search?q=isbn+9781328915382 https://lccn.loc.gov/2017005351 Andrew, C. (2018). The Secret World: A History of Intelligence. Yale University Press. ISBN in paperback edition printed as "978-0-300-23844-0 (hardcover : alk. paper)". 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Searches: https://www.amazon.com/s?k=9781451651683 https://www.google.com/search?q=isbn+9781451651683 https://lccn.loc.gov/60006729 Shorrocks, A., Davies, J., Lluberas, R., & Rohner, U. (2019). Global wealth report 2019. Credit Suisse Research Institute. Oct. 2019. https://www.credit-suisse.com/about-us/en/reports-research/global-wealth-report.html Retrieved 4 July, 2020. Simler, K., & Hanson, R. (2018). The Elephant in the Brain: Hidden Motives in Everyday Life. Oxford University Press. ISBN: 9780190495992. Searches: https://www.amazon.com/s?k=9780190495992 https://www.google.com/search?q=isbn+9780190495992 https://lccn.loc.gov/2017004296 Spalding, R. (2019). Stealth War: How China Took Over While America's Elite Slept. Portfolio. ISBN: 978-0593084342. Searches: https://www.amazon.com/s?k=9780593084342 https://www.google.com/search?q=isbn+9780593084342 https://catalog.loc.gov/vwebv/search?searchArg=9780593084342 Stephens-Davidowitz, S. (2018). Everybody Lies: Big Data, New Data, and What the Internet Can Tell Us About Who We Really Are. Dey Street Books. ISBN: 978-0062390868. Searches: https://www.amazon.com/s?k=9780062390868 https://www.google.com/search?q=isbn+9780062390868 https://lccn.loc.gov/2017297094 Sternberg, R. J. (Ed.) (2020). The Cambridge Handbook of Intelligence (Cambridge Handbooks in Psychology) (2 vols.). Cambridge University Press, 2nd ed. ISBN: 978-1108719193. Searches: https://www.amazon.com/s?k=9781108719193 https://www.google.com/search?q=isbn+9781108719193 https://lccn.loc.gov/2019019464 Vallee, J. (1979). Messengers of Deception: UFO Contacts and Cults. And/Or Press. ISBN: 0915904381. Different edition and searches: https://archive.org/details/MessengersOfDeceptionUFOContactsAndCultsJacquesValle1979/mode/2up https://www.amazon.com/s?k=0915904381 https://www.google.com/search?q=isbn+0915904381 https://catalog.loc.gov/vwebv/search?searchArg=0915904381 Walter, B. F. (2022). How Civil Wars Start. Crown. ISBN: 978-0593137789. Searches: https://www.amazon.com/s?k=978-0593137789 https://www.google.com/search?q=isbn+978-0593137789 https://lccn.loc.gov/2021040090 Walter, C. (2020). Immortality, Inc.: Renegade Science, Silicon Valley Billions, and the Quest to Live Forever. National Geographic. ISBN: 978-1426219801. Searches: https://www.amazon.com/s?k=9781426219801 https://www.google.com/search?q=isbn+9781426219801 https://catalog.loc.gov/vwebv/search?searchArg=9781426219801 Zubrin, R. (1996). The Case for Mars: The Plan to Settle the Red Planet and Why We Must. Free Press. First published in 1996. This 25th anniv. edition 2021. ISBN: 978-0684827575. Searches: https://www.amazon.com/s?k=978-0684827575 https://www.google.com/search?q=isbn+978-0684827575 https://lccn.loc.gov/2011005417 Zubrin, R. (2019). The Case for Space: How the Revolution in Spaceflight Opens Up a Future of Limitless Possibility. Prometheus Books. ISBN: 978-1633885349. 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Welcome to Botched: A D&D Podcast! First things first, you'll notice that Phil (aka Boof) isn't around this episode. He unfortunately experienced a pet death, so he took the night off. In the meantime, the group has to deal with what just happened at the end of the previous episode. Boof is fighting for his life, the new guy jumped into another building, Charlie blew up their compatriot, and there's a horde of fundead running right for them! That's a lot to unpack and deal with! The crew are going to have to deal with this the only way they know how. Running away and hiding mostly. What? You thought they were going to try to fist fight a thousand fungal zombies? What happened to boof? What is in the building across the street? Are there any other strange fundead running around? What's the best way to get to the other building? Will they all escape the parking garage? Why are they covering themselves in raw pork? Tune in and find out! We now have a PO Box! Wanna send us something? PO BOX 3178 Gettysburg, PA 17325 All of our previous seasons can be found on our new channel! Botched Archives! A special shout out and thank you to all of our supporters over on Patreon. You help us continue to churn out “quality” episodes. With your continued support we can take our show on the road! Check out our store over at Botched Podcast where you can find tshirts, stickers, pint glasses and more! Give us a 5 star review over on Itunes. Doing so will help the show grow, but we will also read out whatever you write at the end of one of our episodes! Feel free to email us any questions, comments or suggestions at BotchedPodcast@gmail.com Follow us on Twitter, Instagram, subscribe on Youtube, like us on Facebook. You can watch the show live on Twitch! Check out each of the hosts' Twitch streams! Dennis, Phil, Tristan Hosts: Dennis, Phil, Tristan, Jenna, Steve Editor: Dennis Producer: Phil and Dennis Executive Producers: James Thatcher, He Who Is Steve, Zach Anderson, Chronic Ejac, Jim Beverly, Seth Skinner, Shannon Tucker, Big Jon, Bmel, Disgruntled Furniture, TheGamersGalaxy, Bread2287, Sonata Publisher: Phil and Dennis Art by Emily Swan Music by Gozer --- Support this podcast: https://anchor.fm/botchedpodcast/support
In this episode, we get to know John Ruser, President and CEO at Workers' Compensation Research Institute (WCRI). According to the WCRI website, WCRI was founded in 1983 and they are an independent not-for-profit research organization which strives to help those interested in making improvements to the workers' compensation system by providing highly-regarded, objective data and analysis. You are in for a special treat! Yvonne and Rafael kick off this episode speaking Spanish, because they discovered John was hanging out in San Juan, Puerto Rico when they recorded the episode. ¡Que rico!Tune in and join us as we find out more about John, how he came to be in the workers' compensation industry and how the WCRI goes about identifying the issues and trends they explore through their research. A peak inside this episode: John shares how WCRI has studied the impact of Covid on workers' compensation claims including the disruption Covid caused, the Great Resignation and long-haul Covid claims. WCRI's 38th Annual Issues & Research Conference will take place in Boston March 16-17. Visit their website for more information https://www.wcrinet.org/¡Muchas Gracias! Thank you for listening. We would appreciate you sharing our podcast with your friends on social media. Find Yvonne and Rafael on Linked In or follow us on Twitter @deconstructcomp
When was the last time you opened a file and noticed a computer glitch? “Never” is the usual answer. Yet the underlying hardware makes continual errors: disks make errors, the internet loses packets of data, wifi signals get corrupted and so on. This lecture is about the secrets of the mysterious invulnerability that is Error Control Coding: a way of storing or transmitting information such that it knows it has been corrupted and can correct itself.A lecture by Richard HarveyThe transcript and downloadable versions of the lecture are available from the Gresham College website:https://www.gresham.ac.uk/lectures-and-events/error-controlGresham College has been giving free public lectures since 1597. This tradition continues today with all of our five or so public lectures a week being made available for free download from our website. There are currently over 2,000 lectures free to access or download from the website.Website: http://www.gresham.ac.ukTwitter: http://twitter.com/GreshamCollegeFacebook: https://www.facebook.com/greshamcollegeInstagram: http://www.instagram.com/greshamcollege
It's National Girls and Women in Sports Day and we're joined by soccer star Mia Hamm. Shane and Rex talk to Hamm about influential moments in women's sports history and discuss her golf game ahead of the AT&T Pebble Beach Pro-Am. 2021 Augusta National Women's Amateur runner-up, Emilia Migliaccio, also joins the show to talk about what it's like to play at Augusta as well as her new career as a golf writer. With his game trending in the right direction at last week's Farmers Insurance Open, Jason Day is ready for a comeback. The guys dive into Day's past success and break down his chances at Pebble. Emilia Migliaccio: 13:40 Mia Hamm: 31:08 Sam Bennett: 47:55
This week, the Dudes talk the State of Baseball. Also, they spend time Hamming it up. Join Us! --- Send in a voice message: https://podcasters.spotify.com/pod/show/didjahearthis/message
The Champ, Danny Nelson kicks off 2020, the Year of Perfect Vision talking his historic run in 2019 and how he approaches Sponsorships. Josh Hamming from Weld Wheels, talks SFI Certs Rex kicks off the New Decade and demands Prop Bets
Tonight we talk a little with Jon Capizzi of Capizzi automotive about his recent resetting of the SBE LS record in the 1/8th mile. Then we speak with Josh Hamming of Weld Racing - the wheel manufacturer! He goes over a lot of the details that go into wheel manufacturing, testing, and use.
What happens when our three adventurers hit broadway? Find out on this episode of musical hilarity. You can find us on: Facebook: https://www.facebook.com/thenat1scast/ Twitter: https://twitter.com/thenat1scast Itunes: https://t.co/tdX8DkIjkI Spotify: https://t.co/y84M5nwCJh
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