Podcast appearances and mentions of Edward W Said

►Notre commanditaire : Jean Sébastien Lebrun, Avocat / Lawyer, Associé / Partner T: 514-866-3514Dans cet épisode 164 du Trio Économique, nous recevons à nouveau Pierre Desrochers pour parler du mythe de l'appropriation culturelle. À travers un long voyage dans l'histoire, Pierre nous montre qu'aucune culture n'est étrangère à l'échange. Que ce soit la nourriture indienne, qui est en réalité largement influencée par la cuisine portugaise, les sculptures inuites, qui ont une origine britannique, ou encore le rituel du thé japonais, qui puise son inspiration dans la messe catholique, tout ce que vous croyez être spécifique à une culture est en réalité emprunté, copié ou modifié à partir d'une autre.Dans la partie BONUS PATREON, nous poursuivons le parcours en abordant des sujets plus controversés, notamment la culture autochtone et les origines multiples d'un certain symbole marquant du XXe siècle.TIMESTAMPS0:00 Commanditaire : J.S. Lebrun0:56 Introduction1:32 Une nouvelle forme d'anticapitalisme ?7:44 Arthur E. Christy et les proto-hippies américains10:30 Edward W. Said et le colonialisme13:04 Le concept au Québec...16:37 Un concept qui revient encore19:00 De l'Occident vers l'Orient ?21:03 La définition officielle et quelques exemples27:10 L'argument central de Pierre31:17 Kroeber et l'arbre de la culture37:38 Gutenberg, les livres et les chemins de fer42:47 S'inspirer de la nature49:02 Le film d'Edward Curtis51:40 Kotobuki, chimères et loups-garous58:53 La cuisine et la poterie1:06:01 Star Wars et l'appropriation culturelle1:13:14 Les Schtroumpfs noirs et le passage vers Patreon

Raised in the Judería or Jewish quarter of Tetouan, Morocco, at the turn of the 20th-century, sixteen-year-old Mazaltob finds herself betrothed to José, an uncouth man from her own community who has returned from Argentina to take a wife. Mazaltob, however, is in love with Jean, who is French, half-Jewish, and a free spirit. In this classic of North African Jewish fiction, Blanche Bendahan evokes the two compelling forces tearing Mazaltob apart in her body and soul: her loyalty to the Judería and her powerful desire to follow her own voice and find true love. Bendahan's nuanced and moving novel is a masterly exploration of the language, religion, and quotidian customs constraining North African Jewish women on the cusp of emancipation and decolonization. Yaëlle Azagury and Frances Malino provide the first English translation of this modern coming-of-age tale, awarded a prize by the Académie Française in 1930, and analyze the ways in which Mazaltob, with its disconcerting blend of ethnographic details and modernist experimentation, is the first of its genre—that of the feminist Sephardi novel. A historical introduction, a literary analysis, and annotations elucidate historical and cultural terms for readers, supplementing the author's original notes. Blanche Bendahan was born in Oran, Algeria on November 26, 1893, to a Jewish family of Moroccan-Spanish origin. Bendahan published her first collection of poetry, La voile sur l'eau, in 1926 and then her first novel, Mazaltob, in 1930. Yaëlle Azagury is a writer, literary scholar, and critic. She was Lecturer in French and Francophone Studies at Barnard College, and Lecturer in Discipline in the English and Comparative Literature Department at Columbia University. She is a native of Tangier, Morocco. Frances Malino is the Sophia Moses Robison Professor of Jewish Studies and History Emerita at Wellesley College. Her current project is titled Teaching Freedom: Jewish Sisters in Muslim Lands. In 2012 she was named Chevalier dans l'Ordre des Palmes académiques by the French Ministry of Education. Azagury and Malino were finalists of the 74th Nation­al Jew­ish Book Awards in the category of Sephardic Culture. Mentioned in the podcast: • Blanche Bendahan,“Visages de Tétouan,” Les Cahiers de L'Alliance Israélite Universelle (Paix et Droit), no. 093 (November 1955): 5. • Susan Gilson Miller, “Gender and the Poetics and Emancipation: The Alliance Israélite Universelle in Northern Morocco (1890-1912).” In Franco-Arab Encounters, edited by L. Carl Brown and Matthew Gordon (1996) • Susan Gilson Miller, “Moïse Nahon and the Invention of the Modern Maghribi Jew.” In  French Mediterraneans, edited by P. Lorcin and T. Shepard (2016) • Marcel Proust, In Search of Lost Time (À la recherche du temps perdu published in seven volumes, previously translated as Remembrance of Things Past) (1913–1927) • Edward W. Said, Orientalism, 25th anniversary edition (1994) • Female teachers of the Alliance israélite universelle • Jewish figures in the literature of The Tharaud Brothers • Archives of the Alliance israélite universelle (AIU) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Raised in the Judería or Jewish quarter of Tetouan, Morocco, at the turn of the 20th-century, sixteen-year-old Mazaltob finds herself betrothed to José, an uncouth man from her own community who has returned from Argentina to take a wife. Mazaltob, however, is in love with Jean, who is French, half-Jewish, and a free spirit. In this classic of North African Jewish fiction, Blanche Bendahan evokes the two compelling forces tearing Mazaltob apart in her body and soul: her loyalty to the Judería and her powerful desire to follow her own voice and find true love. Bendahan's nuanced and moving novel is a masterly exploration of the language, religion, and quotidian customs constraining North African Jewish women on the cusp of emancipation and decolonization. Yaëlle Azagury and Frances Malino provide the first English translation of this modern coming-of-age tale, awarded a prize by the Académie Française in 1930, and analyze the ways in which Mazaltob, with its disconcerting blend of ethnographic details and modernist experimentation, is the first of its genre—that of the feminist Sephardi novel. A historical introduction, a literary analysis, and annotations elucidate historical and cultural terms for readers, supplementing the author's original notes. Blanche Bendahan was born in Oran, Algeria on November 26, 1893, to a Jewish family of Moroccan-Spanish origin. Bendahan published her first collection of poetry, La voile sur l'eau, in 1926 and then her first novel, Mazaltob, in 1930. Yaëlle Azagury is a writer, literary scholar, and critic. She was Lecturer in French and Francophone Studies at Barnard College, and Lecturer in Discipline in the English and Comparative Literature Department at Columbia University. She is a native of Tangier, Morocco. Frances Malino is the Sophia Moses Robison Professor of Jewish Studies and History Emerita at Wellesley College. Her current project is titled Teaching Freedom: Jewish Sisters in Muslim Lands. In 2012 she was named Chevalier dans l'Ordre des Palmes académiques by the French Ministry of Education. Azagury and Malino were finalists of the 74th Nation­al Jew­ish Book Awards in the category of Sephardic Culture. Mentioned in the podcast: • Blanche Bendahan,“Visages de Tétouan,” Les Cahiers de L'Alliance Israélite Universelle (Paix et Droit), no. 093 (November 1955): 5. • Susan Gilson Miller, “Gender and the Poetics and Emancipation: The Alliance Israélite Universelle in Northern Morocco (1890-1912).” In Franco-Arab Encounters, edited by L. Carl Brown and Matthew Gordon (1996) • Susan Gilson Miller, “Moïse Nahon and the Invention of the Modern Maghribi Jew.” In  French Mediterraneans, edited by P. Lorcin and T. Shepard (2016) • Marcel Proust, In Search of Lost Time (À la recherche du temps perdu published in seven volumes, previously translated as Remembrance of Things Past) (1913–1927) • Edward W. Said, Orientalism, 25th anniversary edition (1994) • Female teachers of the Alliance israélite universelle • Jewish figures in the literature of The Tharaud Brothers • Archives of the Alliance israélite universelle (AIU) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Raised in the Judería or Jewish quarter of Tetouan, Morocco, at the turn of the 20th-century, sixteen-year-old Mazaltob finds herself betrothed to José, an uncouth man from her own community who has returned from Argentina to take a wife. Mazaltob, however, is in love with Jean, who is French, half-Jewish, and a free spirit. In this classic of North African Jewish fiction, Blanche Bendahan evokes the two compelling forces tearing Mazaltob apart in her body and soul: her loyalty to the Judería and her powerful desire to follow her own voice and find true love. Bendahan's nuanced and moving novel is a masterly exploration of the language, religion, and quotidian customs constraining North African Jewish women on the cusp of emancipation and decolonization. Yaëlle Azagury and Frances Malino provide the first English translation of this modern coming-of-age tale, awarded a prize by the Académie Française in 1930, and analyze the ways in which Mazaltob, with its disconcerting blend of ethnographic details and modernist experimentation, is the first of its genre—that of the feminist Sephardi novel. A historical introduction, a literary analysis, and annotations elucidate historical and cultural terms for readers, supplementing the author's original notes. Blanche Bendahan was born in Oran, Algeria on November 26, 1893, to a Jewish family of Moroccan-Spanish origin. Bendahan published her first collection of poetry, La voile sur l'eau, in 1926 and then her first novel, Mazaltob, in 1930. Yaëlle Azagury is a writer, literary scholar, and critic. She was Lecturer in French and Francophone Studies at Barnard College, and Lecturer in Discipline in the English and Comparative Literature Department at Columbia University. She is a native of Tangier, Morocco. Frances Malino is the Sophia Moses Robison Professor of Jewish Studies and History Emerita at Wellesley College. Her current project is titled Teaching Freedom: Jewish Sisters in Muslim Lands. In 2012 she was named Chevalier dans l'Ordre des Palmes académiques by the French Ministry of Education. Azagury and Malino were finalists of the 74th Nation­al Jew­ish Book Awards in the category of Sephardic Culture. Mentioned in the podcast: • Blanche Bendahan,“Visages de Tétouan,” Les Cahiers de L'Alliance Israélite Universelle (Paix et Droit), no. 093 (November 1955): 5. • Susan Gilson Miller, “Gender and the Poetics and Emancipation: The Alliance Israélite Universelle in Northern Morocco (1890-1912).” In Franco-Arab Encounters, edited by L. Carl Brown and Matthew Gordon (1996) • Susan Gilson Miller, “Moïse Nahon and the Invention of the Modern Maghribi Jew.” In  French Mediterraneans, edited by P. Lorcin and T. Shepard (2016) • Marcel Proust, In Search of Lost Time (À la recherche du temps perdu published in seven volumes, previously translated as Remembrance of Things Past) (1913–1927) • Edward W. Said, Orientalism, 25th anniversary edition (1994) • Female teachers of the Alliance israélite universelle • Jewish figures in the literature of The Tharaud Brothers • Archives of the Alliance israélite universelle (AIU) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Raised in the Judería or Jewish quarter of Tetouan, Morocco, at the turn of the 20th-century, sixteen-year-old Mazaltob finds herself betrothed to José, an uncouth man from her own community who has returned from Argentina to take a wife. Mazaltob, however, is in love with Jean, who is French, half-Jewish, and a free spirit. In this classic of North African Jewish fiction, Blanche Bendahan evokes the two compelling forces tearing Mazaltob apart in her body and soul: her loyalty to the Judería and her powerful desire to follow her own voice and find true love. Bendahan's nuanced and moving novel is a masterly exploration of the language, religion, and quotidian customs constraining North African Jewish women on the cusp of emancipation and decolonization. Yaëlle Azagury and Frances Malino provide the first English translation of this modern coming-of-age tale, awarded a prize by the Académie Française in 1930, and analyze the ways in which Mazaltob, with its disconcerting blend of ethnographic details and modernist experimentation, is the first of its genre—that of the feminist Sephardi novel. A historical introduction, a literary analysis, and annotations elucidate historical and cultural terms for readers, supplementing the author's original notes. Blanche Bendahan was born in Oran, Algeria on November 26, 1893, to a Jewish family of Moroccan-Spanish origin. Bendahan published her first collection of poetry, La voile sur l'eau, in 1926 and then her first novel, Mazaltob, in 1930. Yaëlle Azagury is a writer, literary scholar, and critic. She was Lecturer in French and Francophone Studies at Barnard College, and Lecturer in Discipline in the English and Comparative Literature Department at Columbia University. She is a native of Tangier, Morocco. Frances Malino is the Sophia Moses Robison Professor of Jewish Studies and History Emerita at Wellesley College. Her current project is titled Teaching Freedom: Jewish Sisters in Muslim Lands. In 2012 she was named Chevalier dans l'Ordre des Palmes académiques by the French Ministry of Education. Azagury and Malino were finalists of the 74th Nation­al Jew­ish Book Awards in the category of Sephardic Culture. Mentioned in the podcast: • Blanche Bendahan,“Visages de Tétouan,” Les Cahiers de L'Alliance Israélite Universelle (Paix et Droit), no. 093 (November 1955): 5. • Susan Gilson Miller, “Gender and the Poetics and Emancipation: The Alliance Israélite Universelle in Northern Morocco (1890-1912).” In Franco-Arab Encounters, edited by L. Carl Brown and Matthew Gordon (1996) • Susan Gilson Miller, “Moïse Nahon and the Invention of the Modern Maghribi Jew.” In  French Mediterraneans, edited by P. Lorcin and T. Shepard (2016) • Marcel Proust, In Search of Lost Time (À la recherche du temps perdu published in seven volumes, previously translated as Remembrance of Things Past) (1913–1927) • Edward W. Said, Orientalism, 25th anniversary edition (1994) • Female teachers of the Alliance israélite universelle • Jewish figures in the literature of The Tharaud Brothers • Archives of the Alliance israélite universelle (AIU) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Raised in the Judería or Jewish quarter of Tetouan, Morocco, at the turn of the 20th-century, sixteen-year-old Mazaltob finds herself betrothed to José, an uncouth man from her own community who has returned from Argentina to take a wife. Mazaltob, however, is in love with Jean, who is French, half-Jewish, and a free spirit. In this classic of North African Jewish fiction, Blanche Bendahan evokes the two compelling forces tearing Mazaltob apart in her body and soul: her loyalty to the Judería and her powerful desire to follow her own voice and find true love. Bendahan's nuanced and moving novel is a masterly exploration of the language, religion, and quotidian customs constraining North African Jewish women on the cusp of emancipation and decolonization. Yaëlle Azagury and Frances Malino provide the first English translation of this modern coming-of-age tale, awarded a prize by the Académie Française in 1930, and analyze the ways in which Mazaltob, with its disconcerting blend of ethnographic details and modernist experimentation, is the first of its genre—that of the feminist Sephardi novel. A historical introduction, a literary analysis, and annotations elucidate historical and cultural terms for readers, supplementing the author's original notes. Blanche Bendahan was born in Oran, Algeria on November 26, 1893, to a Jewish family of Moroccan-Spanish origin. Bendahan published her first collection of poetry, La voile sur l'eau, in 1926 and then her first novel, Mazaltob, in 1930. Yaëlle Azagury is a writer, literary scholar, and critic. She was Lecturer in French and Francophone Studies at Barnard College, and Lecturer in Discipline in the English and Comparative Literature Department at Columbia University. She is a native of Tangier, Morocco. Frances Malino is the Sophia Moses Robison Professor of Jewish Studies and History Emerita at Wellesley College. Her current project is titled Teaching Freedom: Jewish Sisters in Muslim Lands. In 2012 she was named Chevalier dans l'Ordre des Palmes académiques by the French Ministry of Education. Azagury and Malino were finalists of the 74th Nation­al Jew­ish Book Awards in the category of Sephardic Culture. Mentioned in the podcast: • Blanche Bendahan,“Visages de Tétouan,” Les Cahiers de L'Alliance Israélite Universelle (Paix et Droit), no. 093 (November 1955): 5. • Susan Gilson Miller, “Gender and the Poetics and Emancipation: The Alliance Israélite Universelle in Northern Morocco (1890-1912).” In Franco-Arab Encounters, edited by L. Carl Brown and Matthew Gordon (1996) • Susan Gilson Miller, “Moïse Nahon and the Invention of the Modern Maghribi Jew.” In  French Mediterraneans, edited by P. Lorcin and T. Shepard (2016) • Marcel Proust, In Search of Lost Time (À la recherche du temps perdu published in seven volumes, previously translated as Remembrance of Things Past) (1913–1927) • Edward W. Said, Orientalism, 25th anniversary edition (1994) • Female teachers of the Alliance israélite universelle • Jewish figures in the literature of The Tharaud Brothers • Archives of the Alliance israélite universelle (AIU) Learn more about your ad choices. Visit megaphone.fm/adchoices

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Acceso anticipado para Fans - ** VIDEO EN NUESTRO CANAL DE YOUTUBE **** https://youtube.com/live/KSNeDsw-FYI +++++ Hazte con nuestras camisetas en https://www.bhmshop.app ++++ #historia #España El 21 de enero de este año, el ministro de Cultura, Ernest Urtasun, anunció la apertura de un "proceso de revisión" en los museos españoles para "superar un marco colonial anclado en inercias de género o etnocéntricas". Poco después, avivó aún más la polémica al comparar el "colonialismo español" en América con el modelo de explotación impuesto por Leopoldo II de Bélgica en el Congo (1885-1908). Hace tiempo que la Izquierda anglosajona dejado de lado a la clase obrera como sujeto revolucionario para abrazar las "políticas de indentidad", en defensa de "minorías" cuyas identidades se construyen en base al género, la orientación sexual, la raza y la etnia. A partir de entonces, la intelectualidad del mundo hispano se ha limitado a asumir este marco ideológico y conceptual surgido de las universidades de la Anglosfera. Era una cuestión de tiempo que España también abrazara la crítica poscolonial desarrollada por autores como Frantz Fanon o Edward W. Said. En Hispanoamérica, el indigenismo ha sido uno de los ejes vertebradores de la Nueva Izquierda surgida en 1990, tras la caída del Muro de Berlín, a partir del Foro de São Paulo. Pensadores de referencia para este movimiento han sido Eduardo Galeano y Walter Mignolo. Cabe suponer que la "superación del marco colonial" se convertirá en un nuevo campo de batalla en la llamada "guerra cultural". Aun así, existe un gran desconocimiento sobre el origen y los fundamentos de este nuevo revisionismo histórico, de gran importancia para España, tanto en su política exterior, pues condicionará su relación con los países hispanoamericanos, con los que comparte unos profundos lazos culturales, como en la interior, a causa de la creciente presencia de inmigrantes procedentes de este ámbito. ¿Colonias o virreinatos? ¿Mestizaje o segregación? De la mano de Alberto Garín y José María Ortega ahondaremos en estas cuestiones. COMPRA EN AMAZON CON EL ENLACE DE BHM Y AYUDANOS ************** https://amzn.to/3ZXUGQl ************* Libros de Alberto Garín: "Contra la Revolución Francesa. Ni libertad, ni igualdad, ni fraternidad" "Historia irreverente del arte: De la caída del Imperio romano de occidente al final de la Edad Media." "Lutero, Calvino y Trento, la Reforma que no fue" Libros de José María Ortega: La disputa del pasado: España, México y la leyenda negra. Si queréis apoyar a Bellumartis Historia Militar e invitarnos a un café o u una cerveza virtual por nuestro trabajo, podéis visitar nuestro PATREON https://www.patreon.com/bellumartis o en PAYPALhttps://www.paypal.me/bellumartis o en BIZUM 656/778/825 Escucha este episodio completo y accede a todo el contenido exclusivo de BELLUMARTIS PODCAST. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/618669

Lo stato di Israele, che ha costituito la salvezza del popolo ebraico, è diventato la dannazione del popolo palestinese. Con Gad Lerner, giornalista e conduttore televisivo. “Gaza. Odio e amore per Israele” di Gad Lerner  Questo e gli altri podcast gratuiti del Post sono possibili grazie a chi si abbona al Post e ne sostiene il lavoro. Se vuoi fare la tua parte, abbonati al Post. I consigli di Gad Lerner – “Una storia di amore e di tenebra” di Amos Oz  – “Orientalismo” di Edward W. Said  – “Apeirogon” di Colui McCann Learn more about your ad choices. Visit megaphone.fm/adchoices

Duas nações que hoje se odeiam, mas já se amaram. Separe trinta minutos do seu dia e aprenda com o professor Vítor Soares (@profvitorsoares) sobre a origem das relações entre Israel e Irã. - Se você quiser ter acesso a episódios exclusivos e quiser ajudar o História em Meia Hora a continuar de pé, clique no link: www.apoia.se/historiaemmeiahora Compre o livro "História em Meia Hora - Grandes Civilizações"! https://www.loja.literatour.com.br/produto/pre-venda-livro-historia-em-meia-hora-grandes-civilizacoesversao-capa-dura/ Compre meu primeiro livro-jogo de história do Brasil "O Porão": https://amzn.to/4a4HCO8 Compre nossas camisas, moletons e muito mais coisas com temática História na Lolja! www.lolja.com.br/creators/historia-em-meia-hora/ PIX e contato: historiaemmeiahora@gmail.com Apresentação: Prof. Vítor Soares. Roteiro: Prof. Vítor Soares e Prof. Victor Alexandre (@profvictoralexandre) REFERÊNCIAS USADAS: - COLLARES, V.C. Faixa de Gaza e o Hamas no imaginário social: A corrida pelo voto. Revista Aurora (UNESP). 2021 - COLLARES, Valdeli Coelho. Ascensão do Hamas na Palestina: pobreza e assistência social (1987-2006). - COGGIOLA, Osvaldo. A Revolução Iraniana. São Paulo: Editora Unesp, 2008 - PAPPÉ, Ilan. A Limpeza Étnica da Palestina. Editora Sundermann, 2017.  - SAID, Edward W. A questão da palestina/ Edward W. Said; tradução Sonia Midori. São Paulo: Ed. Unesp, 2012. 

NYU professor Sonali Thakkar's brilliant first book, The Reeducation of Race: Jewishness and the Politics of Antiracism in Postcolonial Thought (Stanford UP, 2023), begins as a mystery of sorts. When and why did the word “equality” get swapped out of the 1950 UNESCO Statement on Race, to be replaced by “educability, plasticity”? She and John sit down to discuss how that switcheroo allowed for a putative anti-racism that nonetheless preserved a sotto voce concept of race. They discuss the founding years of UNESCO and how it came to be that Jews were defined as the most plastic of races, and “Blackness” came to be seen as a stubbornly un-plastic category. The discussion ranges to include entwinement and interconnectedness, and Edward Said's notion of the "contrapuntal" analysis of the mutual implication of seemingly unrelated historical developments. Sonali's "Recallable Book" shines a spotlight on Aime Cesaire's Discourse on Colonialism--revised in 1955 to reflect ongoing debates about race and plasticity. Mentioned in the episode: Ama Ata Aidoo, Our Sister Killjoy (1977) Hannah Arendt, "The Crisis in Education" (1954) in Between Past and Future: Eight Exercises in Political Thought ( "the chances that tomorrow will be like yesterday are always overwhelming" ) Franz Boas, "Commencement Address at Atlanta University," May 31, 1906 (this is where he says the bit about "the line of cleavage" Franz Boas, Changes in Bodily Form of Descendants of Immigrants, Final Report, immigration COmmission (1911) W.E.B. Du Bois, "Color and Democracy: Colonies and Peace," (1945) Frantz Fanon, Black Skin, White Masks (1952) Michel Foucault, "Nietzsche, Genealogy, History" Adom Getachew, Worldmaking After Empire: The Rise and Fall of Self-Determination IHRA definition of Antisemitism. Jerusalem Declaration on Antisemitism. Claude Lévi-Strauss, Race and History (1952) Natasha Levinson, "The Paradox of Natality: Teaching in the Midst of Belatedness," in Hannah Arendt and Education: Renewing our Common World, ed. by Mordechai Gordon (2001) Edward W. Said, Culture and Imperialism (on the contrapuntal) Joseph Slaughter, Human Rights Inc.: The World Novel, Narrative Form, and International Law UNESCO (United Nations Educational, Scientific and Cultural Organization), 1950 Statement on Race UNESCO, 1951 Statement on the Nature of Race and Race Differences Gary Wilder, Freedom Time: Negritude, Decolonization, and the Future of the World (on the methodological nationalism of postcolonial studies and new approaches that challenge it) Recallable books: Aimé Césaire, Discourse on Colonialism (1950, 1955 rev. ed.) George Eliot, Daniel Deronda (1876) Read and Listen to the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

NYU professor Sonali Thakkar's brilliant first book, The Reeducation of Race: Jewishness and the Politics of Antiracism in Postcolonial Thought (Stanford UP, 2023), begins as a mystery of sorts. When and why did the word “equality” get swapped out of the 1950 UNESCO Statement on Race, to be replaced by “educability, plasticity”? She and John sit down to discuss how that switcheroo allowed for a putative anti-racism that nonetheless preserved a sotto voce concept of race. They discuss the founding years of UNESCO and how it came to be that Jews were defined as the most plastic of races, and “Blackness” came to be seen as a stubbornly un-plastic category. The discussion ranges to include entwinement and interconnectedness, and Edward Said's notion of the "contrapuntal" analysis of the mutual implication of seemingly unrelated historical developments. Sonali's "Recallable Book" shines a spotlight on Aime Cesaire's Discourse on Colonialism--revised in 1955 to reflect ongoing debates about race and plasticity. Mentioned in the episode: Ama Ata Aidoo, Our Sister Killjoy (1977) Hannah Arendt, "The Crisis in Education" (1954) in Between Past and Future: Eight Exercises in Political Thought ( "the chances that tomorrow will be like yesterday are always overwhelming" ) Franz Boas, "Commencement Address at Atlanta University," May 31, 1906 (this is where he says the bit about "the line of cleavage" Franz Boas, Changes in Bodily Form of Descendants of Immigrants, Final Report, immigration COmmission (1911) W.E.B. Du Bois, "Color and Democracy: Colonies and Peace," (1945) Frantz Fanon, Black Skin, White Masks (1952) Michel Foucault, "Nietzsche, Genealogy, History" Adom Getachew, Worldmaking After Empire: The Rise and Fall of Self-Determination IHRA definition of Antisemitism. Jerusalem Declaration on Antisemitism. Claude Lévi-Strauss, Race and History (1952) Natasha Levinson, "The Paradox of Natality: Teaching in the Midst of Belatedness," in Hannah Arendt and Education: Renewing our Common World, ed. by Mordechai Gordon (2001) Edward W. Said, Culture and Imperialism (on the contrapuntal) Joseph Slaughter, Human Rights Inc.: The World Novel, Narrative Form, and International Law UNESCO (United Nations Educational, Scientific and Cultural Organization), 1950 Statement on Race UNESCO, 1951 Statement on the Nature of Race and Race Differences Gary Wilder, Freedom Time: Negritude, Decolonization, and the Future of the World (on the methodological nationalism of postcolonial studies and new approaches that challenge it) Recallable books: Aimé Césaire, Discourse on Colonialism (1950, 1955 rev. ed.) George Eliot, Daniel Deronda (1876) Read and Listen to the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

NYU professor Sonali Thakkar's brilliant first book, The Reeducation of Race: Jewishness and the Politics of Antiracism in Postcolonial Thought (Stanford UP, 2023), begins as a mystery of sorts. When and why did the word “equality” get swapped out of the 1950 UNESCO Statement on Race, to be replaced by “educability, plasticity”? She and John sit down to discuss how that switcheroo allowed for a putative anti-racism that nonetheless preserved a sotto voce concept of race. They discuss the founding years of UNESCO and how it came to be that Jews were defined as the most plastic of races, and “Blackness” came to be seen as a stubbornly un-plastic category. The discussion ranges to include entwinement and interconnectedness, and Edward Said's notion of the "contrapuntal" analysis of the mutual implication of seemingly unrelated historical developments. Sonali's "Recallable Book" shines a spotlight on Aime Cesaire's Discourse on Colonialism--revised in 1955 to reflect ongoing debates about race and plasticity. Mentioned in the episode: Ama Ata Aidoo, Our Sister Killjoy (1977) Hannah Arendt, "The Crisis in Education" (1954) in Between Past and Future: Eight Exercises in Political Thought ( "the chances that tomorrow will be like yesterday are always overwhelming" ) Franz Boas, "Commencement Address at Atlanta University," May 31, 1906 (this is where he says the bit about "the line of cleavage" Franz Boas, Changes in Bodily Form of Descendants of Immigrants, Final Report, immigration COmmission (1911) W.E.B. Du Bois, "Color and Democracy: Colonies and Peace," (1945) Frantz Fanon, Black Skin, White Masks (1952) Michel Foucault, "Nietzsche, Genealogy, History" Adom Getachew, Worldmaking After Empire: The Rise and Fall of Self-Determination IHRA definition of Antisemitism. Jerusalem Declaration on Antisemitism. Claude Lévi-Strauss, Race and History (1952) Natasha Levinson, "The Paradox of Natality: Teaching in the Midst of Belatedness," in Hannah Arendt and Education: Renewing our Common World, ed. by Mordechai Gordon (2001) Edward W. Said, Culture and Imperialism (on the contrapuntal) Joseph Slaughter, Human Rights Inc.: The World Novel, Narrative Form, and International Law UNESCO (United Nations Educational, Scientific and Cultural Organization), 1950 Statement on Race UNESCO, 1951 Statement on the Nature of Race and Race Differences Gary Wilder, Freedom Time: Negritude, Decolonization, and the Future of the World (on the methodological nationalism of postcolonial studies and new approaches that challenge it) Recallable books: Aimé Césaire, Discourse on Colonialism (1950, 1955 rev. ed.) George Eliot, Daniel Deronda (1876) Read and Listen to the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices

NYU professor Sonali Thakkar's brilliant first book, The Reeducation of Race: Jewishness and the Politics of Antiracism in Postcolonial Thought (Stanford UP, 2023), begins as a mystery of sorts. When and why did the word “equality” get swapped out of the 1950 UNESCO Statement on Race, to be replaced by “educability, plasticity”? She and John sit down to discuss how that switcheroo allowed for a putative anti-racism that nonetheless preserved a sotto voce concept of race. They discuss the founding years of UNESCO and how it came to be that Jews were defined as the most plastic of races, and “Blackness” came to be seen as a stubbornly un-plastic category. The discussion ranges to include entwinement and interconnectedness, and Edward Said's notion of the "contrapuntal" analysis of the mutual implication of seemingly unrelated historical developments. Sonali's "Recallable Book" shines a spotlight on Aime Cesaire's Discourse on Colonialism--revised in 1955 to reflect ongoing debates about race and plasticity. Mentioned in the episode: Ama Ata Aidoo, Our Sister Killjoy (1977) Hannah Arendt, "The Crisis in Education" (1954) in Between Past and Future: Eight Exercises in Political Thought ( "the chances that tomorrow will be like yesterday are always overwhelming" ) Franz Boas, "Commencement Address at Atlanta University," May 31, 1906 (this is where he says the bit about "the line of cleavage" Franz Boas, Changes in Bodily Form of Descendants of Immigrants, Final Report, immigration COmmission (1911) W.E.B. Du Bois, "Color and Democracy: Colonies and Peace," (1945) Frantz Fanon, Black Skin, White Masks (1952) Michel Foucault, "Nietzsche, Genealogy, History" Adom Getachew, Worldmaking After Empire: The Rise and Fall of Self-Determination IHRA definition of Antisemitism. Jerusalem Declaration on Antisemitism. Claude Lévi-Strauss, Race and History (1952) Natasha Levinson, "The Paradox of Natality: Teaching in the Midst of Belatedness," in Hannah Arendt and Education: Renewing our Common World, ed. by Mordechai Gordon (2001) Edward W. Said, Culture and Imperialism (on the contrapuntal) Joseph Slaughter, Human Rights Inc.: The World Novel, Narrative Form, and International Law UNESCO (United Nations Educational, Scientific and Cultural Organization), 1950 Statement on Race UNESCO, 1951 Statement on the Nature of Race and Race Differences Gary Wilder, Freedom Time: Negritude, Decolonization, and the Future of the World (on the methodological nationalism of postcolonial studies and new approaches that challenge it) Recallable books: Aimé Césaire, Discourse on Colonialism (1950, 1955 rev. ed.) George Eliot, Daniel Deronda (1876) Read and Listen to the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

NYU professor Sonali Thakkar's brilliant first book, The Reeducation of Race: Jewishness and the Politics of Antiracism in Postcolonial Thought (Stanford UP, 2023), begins as a mystery of sorts. When and why did the word “equality” get swapped out of the 1950 UNESCO Statement on Race, to be replaced by “educability, plasticity”? She and John sit down to discuss how that switcheroo allowed for a putative anti-racism that nonetheless preserved a sotto voce concept of race. They discuss the founding years of UNESCO and how it came to be that Jews were defined as the most plastic of races, and “Blackness” came to be seen as a stubbornly un-plastic category. The discussion ranges to include entwinement and interconnectedness, and Edward Said's notion of the "contrapuntal" analysis of the mutual implication of seemingly unrelated historical developments. Sonali's "Recallable Book" shines a spotlight on Aime Cesaire's Discourse on Colonialism--revised in 1955 to reflect ongoing debates about race and plasticity. Mentioned in the episode: Ama Ata Aidoo, Our Sister Killjoy (1977) Hannah Arendt, "The Crisis in Education" (1954) in Between Past and Future: Eight Exercises in Political Thought ( "the chances that tomorrow will be like yesterday are always overwhelming" ) Franz Boas, "Commencement Address at Atlanta University," May 31, 1906 (this is where he says the bit about "the line of cleavage" Franz Boas, Changes in Bodily Form of Descendants of Immigrants, Final Report, immigration COmmission (1911) W.E.B. Du Bois, "Color and Democracy: Colonies and Peace," (1945) Frantz Fanon, Black Skin, White Masks (1952) Michel Foucault, "Nietzsche, Genealogy, History" Adom Getachew, Worldmaking After Empire: The Rise and Fall of Self-Determination IHRA definition of Antisemitism. Jerusalem Declaration on Antisemitism. Claude Lévi-Strauss, Race and History (1952) Natasha Levinson, "The Paradox of Natality: Teaching in the Midst of Belatedness," in Hannah Arendt and Education: Renewing our Common World, ed. by Mordechai Gordon (2001) Edward W. Said, Culture and Imperialism (on the contrapuntal) Joseph Slaughter, Human Rights Inc.: The World Novel, Narrative Form, and International Law UNESCO (United Nations Educational, Scientific and Cultural Organization), 1950 Statement on Race UNESCO, 1951 Statement on the Nature of Race and Race Differences Gary Wilder, Freedom Time: Negritude, Decolonization, and the Future of the World (on the methodological nationalism of postcolonial studies and new approaches that challenge it) Recallable books: Aimé Césaire, Discourse on Colonialism (1950, 1955 rev. ed.) George Eliot, Daniel Deronda (1876) Read and Listen to the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

NYU professor Sonali Thakkar's brilliant first book, The Reeducation of Race: Jewishness and the Politics of Antiracism in Postcolonial Thought (Stanford UP, 2023), begins as a mystery of sorts. When and why did the word “equality” get swapped out of the 1950 UNESCO Statement on Race, to be replaced by “educability, plasticity”? She and John sit down to discuss how that switcheroo allowed for a putative anti-racism that nonetheless preserved a sotto voce concept of race. They discuss the founding years of UNESCO and how it came to be that Jews were defined as the most plastic of races, and “Blackness” came to be seen as a stubbornly un-plastic category. The discussion ranges to include entwinement and interconnectedness, and Edward Said's notion of the "contrapuntal" analysis of the mutual implication of seemingly unrelated historical developments. Sonali's "Recallable Book" shines a spotlight on Aime Cesaire's Discourse on Colonialism--revised in 1955 to reflect ongoing debates about race and plasticity. Mentioned in the episode: Ama Ata Aidoo, Our Sister Killjoy (1977) Hannah Arendt, "The Crisis in Education" (1954) in Between Past and Future: Eight Exercises in Political Thought ( "the chances that tomorrow will be like yesterday are always overwhelming" ) Franz Boas, "Commencement Address at Atlanta University," May 31, 1906 (this is where he says the bit about "the line of cleavage" Franz Boas, Changes in Bodily Form of Descendants of Immigrants, Final Report, immigration COmmission (1911) W.E.B. Du Bois, "Color and Democracy: Colonies and Peace," (1945) Frantz Fanon, Black Skin, White Masks (1952) Michel Foucault, "Nietzsche, Genealogy, History" Adom Getachew, Worldmaking After Empire: The Rise and Fall of Self-Determination IHRA definition of Antisemitism. Jerusalem Declaration on Antisemitism. Claude Lévi-Strauss, Race and History (1952) Natasha Levinson, "The Paradox of Natality: Teaching in the Midst of Belatedness," in Hannah Arendt and Education: Renewing our Common World, ed. by Mordechai Gordon (2001) Edward W. Said, Culture and Imperialism (on the contrapuntal) Joseph Slaughter, Human Rights Inc.: The World Novel, Narrative Form, and International Law UNESCO (United Nations Educational, Scientific and Cultural Organization), 1950 Statement on Race UNESCO, 1951 Statement on the Nature of Race and Race Differences Gary Wilder, Freedom Time: Negritude, Decolonization, and the Future of the World (on the methodological nationalism of postcolonial studies and new approaches that challenge it) Recallable books: Aimé Césaire, Discourse on Colonialism (1950, 1955 rev. ed.) George Eliot, Daniel Deronda (1876) Read and Listen to the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/genocide-studies

NYU professor Sonali Thakkar's brilliant first book, The Reeducation of Race: Jewishness and the Politics of Antiracism in Postcolonial Thought (Stanford UP, 2023), begins as a mystery of sorts. When and why did the word “equality” get swapped out of the 1950 UNESCO Statement on Race, to be replaced by “educability, plasticity”? She and John sit down to discuss how that switcheroo allowed for a putative anti-racism that nonetheless preserved a sotto voce concept of race. They discuss the founding years of UNESCO and how it came to be that Jews were defined as the most plastic of races, and “Blackness” came to be seen as a stubbornly un-plastic category. The discussion ranges to include entwinement and interconnectedness, and Edward Said's notion of the "contrapuntal" analysis of the mutual implication of seemingly unrelated historical developments. Sonali's "Recallable Book" shines a spotlight on Aime Cesaire's Discourse on Colonialism--revised in 1955 to reflect ongoing debates about race and plasticity. Mentioned in the episode: Ama Ata Aidoo, Our Sister Killjoy (1977) Hannah Arendt, "The Crisis in Education" (1954) in Between Past and Future: Eight Exercises in Political Thought ( "the chances that tomorrow will be like yesterday are always overwhelming" ) Franz Boas, "Commencement Address at Atlanta University," May 31, 1906 (this is where he says the bit about "the line of cleavage" Franz Boas, Changes in Bodily Form of Descendants of Immigrants, Final Report, immigration COmmission (1911) W.E.B. Du Bois, "Color and Democracy: Colonies and Peace," (1945) Frantz Fanon, Black Skin, White Masks (1952) Michel Foucault, "Nietzsche, Genealogy, History" Adom Getachew, Worldmaking After Empire: The Rise and Fall of Self-Determination IHRA definition of Antisemitism. Jerusalem Declaration on Antisemitism. Claude Lévi-Strauss, Race and History (1952) Natasha Levinson, "The Paradox of Natality: Teaching in the Midst of Belatedness," in Hannah Arendt and Education: Renewing our Common World, ed. by Mordechai Gordon (2001) Edward W. Said, Culture and Imperialism (on the contrapuntal) Joseph Slaughter, Human Rights Inc.: The World Novel, Narrative Form, and International Law UNESCO (United Nations Educational, Scientific and Cultural Organization), 1950 Statement on Race UNESCO, 1951 Statement on the Nature of Race and Race Differences Gary Wilder, Freedom Time: Negritude, Decolonization, and the Future of the World (on the methodological nationalism of postcolonial studies and new approaches that challenge it) Recallable books: Aimé Césaire, Discourse on Colonialism (1950, 1955 rev. ed.) George Eliot, Daniel Deronda (1876) Read and Listen to the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

NYU professor Sonali Thakkar's brilliant first book, The Reeducation of Race: Jewishness and the Politics of Antiracism in Postcolonial Thought (Stanford UP, 2023), begins as a mystery of sorts. When and why did the word “equality” get swapped out of the 1950 UNESCO Statement on Race, to be replaced by “educability, plasticity”? She and John sit down to discuss how that switcheroo allowed for a putative anti-racism that nonetheless preserved a sotto voce concept of race. They discuss the founding years of UNESCO and how it came to be that Jews were defined as the most plastic of races, and “Blackness” came to be seen as a stubbornly un-plastic category. The discussion ranges to include entwinement and interconnectedness, and Edward Said's notion of the "contrapuntal" analysis of the mutual implication of seemingly unrelated historical developments. Sonali's "Recallable Book" shines a spotlight on Aime Cesaire's Discourse on Colonialism--revised in 1955 to reflect ongoing debates about race and plasticity. Mentioned in the episode: Ama Ata Aidoo, Our Sister Killjoy (1977) Hannah Arendt, "The Crisis in Education" (1954) in Between Past and Future: Eight Exercises in Political Thought ( "the chances that tomorrow will be like yesterday are always overwhelming" ) Franz Boas, "Commencement Address at Atlanta University," May 31, 1906 (this is where he says the bit about "the line of cleavage" Franz Boas, Changes in Bodily Form of Descendants of Immigrants, Final Report, immigration COmmission (1911) W.E.B. Du Bois, "Color and Democracy: Colonies and Peace," (1945) Frantz Fanon, Black Skin, White Masks (1952) Michel Foucault, "Nietzsche, Genealogy, History" Adom Getachew, Worldmaking After Empire: The Rise and Fall of Self-Determination IHRA definition of Antisemitism. Jerusalem Declaration on Antisemitism. Claude Lévi-Strauss, Race and History (1952) Natasha Levinson, "The Paradox of Natality: Teaching in the Midst of Belatedness," in Hannah Arendt and Education: Renewing our Common World, ed. by Mordechai Gordon (2001) Edward W. Said, Culture and Imperialism (on the contrapuntal) Joseph Slaughter, Human Rights Inc.: The World Novel, Narrative Form, and International Law UNESCO (United Nations Educational, Scientific and Cultural Organization), 1950 Statement on Race UNESCO, 1951 Statement on the Nature of Race and Race Differences Gary Wilder, Freedom Time: Negritude, Decolonization, and the Future of the World (on the methodological nationalism of postcolonial studies and new approaches that challenge it) Recallable books: Aimé Césaire, Discourse on Colonialism (1950, 1955 rev. ed.) George Eliot, Daniel Deronda (1876) Read and Listen to the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices

““Humanism is the only — I would go so far as saying the final — resistance we have against the inhuman practices and injustices that disfigure human history.” – Edward W. Said was a University Professor of English and Comparative Literature at Columbia University. “My atheism, like that of Spinoza, is true piety towards the universe and denies only gods fashioned by men in their own image, to be servants of their human interests.” — George Santayana was a philosopher, essayist, poet, and novelist. “We are talking about a society in which there will be no roles other than those chosen, or earned. We are really talking about humanism.” – Gloria Steinem, feminist and author. “Faith in God necessarily implies a lack of faith in humanity.” – Barbara G. Walker is the author of Man Made God and The Woman's Encyclopedia of Myths and Secrets. “Faith in God means believing absolutely in something with no proof whatsoever. Faith in humanity means believing absolutely in something with a huge amount of proof to the contrary. We are the true believers.” – Joss Whedon is an American screenwriter, film and television director and producer, composer and actor. “I believe in God, only I spell it Nature.” – Frank Lloyd Wright was an American architect, interior designer, writer, and educator. There doesn't need to be a god for me. There's something in people that's spiritual, that's godlike.” – Angelina Jolie, actor. “What I'm asking you to entertain is that there is nothing we need to believe on insufficient evidence in order to have deeply ethical and spiritual lives.” – Sam Harris, an American author, philosopher, and neuroscientist, is the co-founder and chief executive of Project Reason. He is the author of The End of Faith and Letter to a Christian Nation. “I'm an atheist and that's it. I believe there's nothing we can know except that we should be kind to each other and do what we can for other people.” – Katharine Hepburn, actor. “It is quite possible to be an atheist and be quite deluded about other things other than religion. ‘A-theism' is an empty category. ‘Humanism' may be deluded about human potential, but at least it is a hopeful and non-exclusionary delusion!” – Joyce Carol Oates AHA Humanist of the Year and prolific author. “Atheism is more than just the knowledge that gods do not exist, and that religion is either a mistake or a fraud. Atheism is an attitude, a frame of mind that looks at the world objectively, fearlessly, always trying to understand all things as a part of nature.” – Carl Sagan was an American astronomer, cosmologist, astrophysicist, astrobiologist, author, and science popularize. In 1981 he received the AHA's Humanist of the Year award. “I have something to say (about atheists) to the religionist who feels atheists never say anything positive: You are an intelligent human being. Your life is valuable for its own sake. You are not second-class in the universe, deriving meaning and purpose from some other mind. You are not inherently evil — you are inherently human, possessing the positive rational potential to help make this world of morality, peace and joy. Trust yourself” – Dan Barker is the co-president of the Freedom From Religion Foundation. “I have known many good people who did not believe in God. But I have never known a human being who was good who did not believe in people.” – John Lovejoy Elliott was an Ethical Culture Leader at the New York Society for Ethical Culture. An Atheist and Humanist Conversation A group of current and historical atheists and humanists communicate the often intertwined nature of humanism and atheism clearly.” -American Humanist Association. --- Support this podcast: https://podcasters.spotify.com/pod/show/antonio-myers4/support

Afinal, de quem é a Palestina? Separe trinta minutos do seu dia e aprenda com o professor Vítor Soares (@profvitorsoares) sobre o que é o Sionismo. - Se você quiser ter acesso a episódios exclusivos e quiser ajudar o História em Meia Hora a continuar de pé, clique no link: www.apoia.se/historiaemmeiahora - Compre nossas camisas, moletons e muito mais coisas com temática História na Lolja! www.lolja.com.br/creators/historia-em-meia-hora/ - PIX e contato: historiaemmeiahora@gmail.com Apresentação: Prof. Vítor Soares. Roteiro: Prof. Vítor Soares e Prof. Victor Alexandre (@profvictoralexandre) REFERÊNCIAS USADAS: - HERZL, Theodore. O Estado Judeu. Rio de Janeiro: Editora Garamond, Coleção Visionautas, 1988 - HOBSBAWM, Eric. Nações e Nacionalismo desde 1780: Programa, Mito e Realidade. São Paulo: Editora Paz e Terra, 2012 - MISLEH, Soraya. Al Nakba: um estudo sobre a catástrofe da Palestina, São Paulo, Editora Sundermann, 2017. - PAPPÉ, Ilan. A Limpeza Étnica da Palestina. Editora Sundermann, 2017. - SAID, Edward W. A questão da palestina/ Edward W. Said; tradução Sonia Midori. São Paulo: Ed. Unesp, 2012. - TROY, G. (2018), The Zionist Ideas. Philadelphia: University of Nebraska Press - SANTOS, Claudio Roberto dos. Judeus contra Israel: uma análise crítica do sionismo. 2018. Trabalho de Conclusão de Curso (Graduação) – Faculdade de Filosofia, Letras e Ciências Humanas, Universidade de São Paulo, São Paulo, 2018. Disponível em: https://repositorio.usp.br/directbitstream/574a7296-fa43-40c3-a3a3-228543917353/2019_ClaudioRobertoDosSantos.TGI.pdf. Acesso em: 17 out. 2023.

I never saw it coming -the cataclysmic argument that triggered my adult son to estrange me three years ago. I might never see it end -the suffering of ambiguous loss of the relationship without closure. Coined by family therapist Pauline Boss, Ph.D., 40 years ago, ambiguous loss refers to unresolved physical or emotional loss or the loss of a relationship with no closure. Unresolved closure might involve a physical loss with a psychological presence when a loved one's absence is unknown, uncertain, or unresolved. Likewise, a loved one might be physically present but psychologically absent because of dementia, traumatic brain injury, addiction, or mental illness. Ambiguous loss refers to unresolved physical or emotional loss or the loss of a relationship with no closure. So, too, the ambiguous loss may encompass physical and emotional loss because of divorce, adoption, estrangement, incarceration, immigration, or ghosting. Such loss is especially grievous around the loss of a fulfilling long-term relationship. Such is my circumstance. Ambiguous Loss by Estrangement Three years after the meltdown with my 34-year-old son, an occasional flicker of hope for contact, connection, and reconciliation still moves me to reach out. But sadly, my text messages and phone calls go unreturned. My invitations for meet-ups go unacknowledged. And his once frequent reach outs to check in on me, his mother who raised him as a single parent, are but a distant memory. No matter the circumstance, the interminable suffering of ambiguous loss defies resolution, creates long-term uncertainty about the relationship, and freezes the grief process, according to Boss. Yet, unlike death, whereby mourners receive confirmation of the loss and support through funerals, burials, and gatherings, none exist for unresolved loss. So often, we who experience estrangement never see it coming. Only after a prolonged silence, separation, and isolation do we realize the exquisitely painful loss of the cherished relationship we once knew. Hence, like an unsuspecting moth captured in a jar, we find ourselves trapped in the suffocating reality of ambiguous loss. We see our human swarm living interconnected lives, oblivious to the invisible suffering separating our reality from theirs.  In numbness and shock, we expend untold energy attempting to escape the misery of separation. In yearning to restore the relationship, we resort to “bargaining” -with our Creator, ourselves, and the aggrieved party. In anger, we deny, deflect, defend, and dismiss our role in the conflict. Finally, in anguish, we deplete our mental, emotional, and spiritual reserves for coping and thus descend into hopelessness and despair. Alas! Like the entrapped moth, whose spirit succumbs to the oxygen-depletion, the light of our being fades in the reality of the depleted relationship – the “oxygen” that once breathed life, love, and interconnection into our hearts.  How can we move forward amidst the interminable torment of estrangement by a parent, child, or partner with whom we once shared a fulfilling relationship? I offer some insight based on my experience of ambiguous loss by estrangement. Moving forward Hold yourself in loving self-kindness Your loss is real, and your grief is bottomless. Whether you recognize what caused the shift or have no clue, berating yourself over what you could've, should, or might've done is moot.  As the reality of the estrangement sets in, you may experience recurring bouts of guilt, shame, ignorance, naivete, anguish, anger, sadness, despair, worry, yearning, and a host of other complicated feelings. The overwhelm of such feelings, especially when repressed, suppressed, dismissed, or denied over time, can derail your emotional mettle for coping. Carve out a set amount of time daily to meditate and sit with your feelings in nonjudgmental, loving self-kindness. Forgive your loved one Every human being is flawed, fragile, broken, and wounded. The person who estranged you may have issues of which you are unaware, and they may not have the emotional capacity for the relationship they once shared with you.  Likewise, they may not have the emotional intelligence or maturity to confront you about their grievance. The person may not recognize their lack of emotional capacity or maturity. Thus, they see estrangement as their only protective defense mechanism. Forgive your loved one in your heart and in your prayers. Forgive them when gazing at their picture, and forgive them when remembering the joyful moments of your relationship. Forgiveness might not heal the estranged, but it can heal us who suffer the estrangement. So, too, recognize that your loved one may suffer similar complicated feelings about ending the relationship without closure. Forgive yourself You are human. Whether it was a series of micro-hurts, a cataclysmic circumstance, or an unknown rift that shifted the relationship, forgive yourself. You had needs that, for whatever reason, you could not express, or the other person could not meet, or vice versa. It takes two persons to nourish a relationship and two to make it wither.  Indeed, you may never know what drove your loved one to choose estrangement over relationship. Forgiving yourself is the first step in arriving at some degree of acceptance and peace in processing concomitant grief of ambiguous loss. Seek community Seek community with others who live with ambiguous loss by estrangement. Like the moth trapped in the jar, we who suffer alienation sadly so often do so in isolation, amplifying the loss of our human interconnections. Move toward the light As the shock of estrangement wanes, gently and with great self-compassion, begin looking at the parts of yourself that reflect your authentic essence and those that no longer reflect who you are. Direct your focus to nurture the best parts about yourself and aim to surrender those that no longer serve you.  And so, as you live in the reality of ambiguous grief, may you once again find the light of your being through healing, community, and the “oxygen” of new human interconnections. Quotes to consider I am a stranger in this world, and there is a severe solitude and painful lonesomeness in my exile. Kahlil Gibran, The Treasured Writings of Kahlil Gibran It is an absolute human certainty that no one can know his own beauty or perceive a sense of his worth until it has been reflected back to him in the mirror of another loving, caring human being. John Joseph Powell, The Secret of Staying in Love To be soul broken is to be filled with anguish that is brought on by the loss of our love, our relationship, and ourselves, and, often it is void of validation. If you know this pain, my deepest sympathies to you, not only for your loss but for how you've been hurting. Stephanie Sarazin, Soulbroken: A Guidebook for Your Journey Through Ambiguous Grief Exile is strangely compelling to think about but terrible to experience. It is the unhealable rift forced between a human being and a native place, between the self and its true home: its essential sadness can never be surmounted. And while it is true that literature and history contain heroic, romantic, glorious, even triumphant episodes in an exile's life, these are no more than efforts meant to overcome the crippling sorrow of estrangement. Edward W. Said, Reflections on Exile and Other Essays I'm afraid your memories of me are unfair. A.A. Patawaran, Manila Was A Long Time Ago – Official I intentionally hold the opposing ideas of absence and presence because I have learned that most relationships are indeed both. Pauline Boss, Ph.D. The Myth of Closure: Ambiguous Loss in a Time of Pandemic and Change Questions to answer Ambiguous loss can encompass other types of loss beyond relationships. Have you experienced ambiguous loss around unrealized hopes, dreams, goals, or disappointments, such as the unexpected loss of a job, health, career, home, lifestyle, stage of life, or group of friends? Did you feel isolated in that no one seemed to notice or understand the depth of your grief? Have you ended a relationship without offering the other person an opportunity for closure? Over time, have you considered how the other person has processed the unresolved closure and how you have processed (or not processed) the loss of the relationship? Have you considered reconciling with the estranged person directly or indirectly (i.e., through a letter or third party)? What might be your hesitancy or fear?   Guest Blogger Bio: Peggy M. Phillips is an author writing in the Christian Fiction-Metaphysical genre. Peggy debuted her first work of fiction in November 2022 with the poignant and powerful epistolary novella, “Letters to the Little Flower The Gift of Spiritual Companionship with St. Therese of Lisieux.” Born in Wichita, KS, United States, Peggy grew up in a large Catholic family in a small Kansas town. A Registered Nurse who works in mental health services, Peggy enjoys hiking the beautiful nature trails of Kansas and spending time with her family.    Resources: https://www.ambiguousloss.com/resources/   https://whatsyourgrief.com/   Photo by Milo Bauman on Unsplash Further reading Read this further here FOLLOW ME! Email me: barry@turningthepage.co.nz Website: https://turningthepage.co.nz/ Facebook: https://www.facebook.com/turningthepage1atatime Twitter: https://twitter.com/barrypearman Instagram: https://www.instagram.com/barry_pearman/ Podcast https://turningthepage.co.nz/podcast-listen-mental-health/ Support Turning the Page with a Donation https://turningthepage.co.nz/give/

Columbia Unibertsitateko Butler liburutegi erraldoian badaude bazter ezkutuak. Hogeita lau orduz dago zabalik, eta esaten dute erraza dela hango geletan zehar galtzea, irakurtzen, besaulkietan eserita, solasean ala maitasun enkontru debekatuetan. Badago bazter berezi bat seigarren solairuan. Nire gogokoena da. Hantxe dago literatura konbaratua maite dutenen atala. Eta gela txiki batean, Edward W. Said pentsalari palestinarraren liburuekin osatutako gela. Ganbara hartan, Saiden liburutegiko aleak daude jarrita apalategietan. Norberak jakin lezake ze liburu gorde zituen, zein zituen maiteen. Jakina, liburuak ordenatuta daude, baina ez dago jakiterik hori Butler liburutegiko langileek egin duten ala horrelaxe zuen atondua berak ere.

Fue un investigador y catedrático de literatura inglesa. La vida lo llevó por el camino del análisis político, de la polémica, de la vida palestina sin tierra y sin Estado. Se dedicó a pensar el conflicto árabe-israelí con gran inteligencia y tolerancia

Em mais um boteco, Fernando e Anderson conversam sobre a polêmica envolvendo o jogo Fursan al-Aqsa: The Knights of the Al-Aqsa Mosque, do Palestino-brasileiro Nidal Nijm, onde o personagem principal precisa lutar para libertar a Palestina da ocupação e apartheid de Israel e como isso deixou políticos e a imprensa israelenses revoltados. Também comentamos a estreia do xCloud, serviço de streaming de jogos da Microsoft. Já falando sobre o que jogamos, conversamos sobre o jogo brasileiro Unsighted e a aguardada continuação de Psychonauts 2. Ouça nossa entrevista sobre Unsighted: Regras do Jogo #15 – Entrevista com o Studio Pixel Punk e nosso episódio anterior Regras do Jogo #120 – Jogos Esquerdistas Vol. 2. Siga o Holodeck no Twitter, Facebook, Instagram, YouTube e entre em nosso grupo de Discord do Regras do Jogo. Nossos episódios são gravados ao vivo em nosso canal na Twitch, faça parte também da conversa. Participantes Fernando Henrique Gamer Antifascista Indicações do Episódio Livro Edward W. Said - Orientalismo: O Oriente como invenção do Ocidente Músicas: Persona 5 – Beneath The Mask lofi chill remix Psychonauts 2 – Cosmic/Smell the Universe

Episode 10: Thinking and Rethinking Orientalism In this episode, called “Thinking and Rethinking Orientalism,” we examine Orientalism as a particular version of the Western gaze that influenced many 19th century European painters. The Western or European gaze treats non-Western subjects as different and inferior, but also as exotic, mysterious, or enticing. After examining the orientalist visual tropes in paintings by Gérôme and Delacroix, we turn towards contemporary artists. Moroccan photographer Lalla Essaydi creates meaningful portraits of Muslim women that challenge perceptions of Arab female identity. Monir Shahroudy Farmanfarmaian was an Iranian artist whose works combine Eastern and Western influences into a unique sculptural style. We take a look at her series Fourth Family.   Sources + further reading: Edward W. Said. Orientalism. New York: Vintage Books, 1979. Nancy Demerdash. “Orientalism.” Smarthistory. https://smarthistory.org/orientalism Eugène Delacroix. The Death of Sardanapalus, 1827. Oil on canvas, 12 ft 10 in x 16 ft 3 in. (3.92 x 4.96 m), Musée du Louvre, Paris. https://collections.louvre.fr/ark:/53355/cl010065757 Kathryn Calley Galitz. “Romanticism.” Heilbrunn Timeline of Art History. https://www.metmuseum.org/toah/hd/roma/hd_roma.htm British Museum Blog. “How Did the Islamic World Influence Western Art?” British Museum Blog.  https://blog.britishmuseum.org/how-did-the-islamic-world-influence-western-art/ British Museum Blog. “An Introduction to Orientalist Painting.” British Museum Blog. https://blog.britishmuseum.org/an-introduction-to-orientalist-painting/. Jean Léon-Gérôme. The Slave Market, 1871. Oil on canvas, 59.7 x 74.9cm. Cincinnati Art Museum, Ohio. https://www.cincinnatiartmuseum.org/art/explore-the-collection?id=11295788 “Lalla Essaydi,” http://lallaessaydi.com/1.html “Monir Shahroudy Farmanfarmaian: Infinite Possibility. Mirror Works and Drawings, 1974–2014. Guggenheim Museum. https://www.guggenheim.org/exhibition/monir  Hussein Bicar. http://hbicar.com/biography.html   Abdul Qader Al Rais. http://admaf.org/artists/abdul-qader-al-rais Charles Hossein Zenderoudi. http://www.zenderoudi.com/english/artwork.html   Music Credits Amitchell125.  Beethoven. Opening of String Quartet No. 1. 1801. CC BY-SA 4.0 Rimsky-Korsakov. Scheherazade, Symphonic Suite, Op. 35. The San Francisco Symphony Orchestra conducted by Pierre Monteux. Violin solo by Naoum Blinder. CC0 1.0 JuliusH. Bandari - Persian Arabic Music - Khaliji Drum and Nay Flute. Pixabay license. Andrewfai. Enti w Ana arabic song OUD Cover. Pixabay license. Bagher Moazen. Struggle. We played a 10 second sample of this work. https://creativecommons.org/licenses/by-sa/3.0/legalcode   Credits Season 2 of Unboxing the Canon is produced by Professor Linda Steer for her course “Introduction to the History of Western Art” in the Department of Visual Arts at Brock University. Our sound designer, co-host and contributing researcher is Madeline Collins.  Brock University is located on the traditional lands of the Haudenosaunee and Anishinaabe peoples, many of whom continue to live and work here today. This territory is covered by the Upper Canada Treaties and is within the land protected by the Dish with One Spoon Wampum Agreement. Today this gathering place is home to many First Nations, Métis and Inuit peoples and acknowledging reminds us that our great standard of living is directly related to the resources and friendship of Indigenous people. Our logo was created by Cherie Michels. The theme song has been adapted from “Night in Venice” Kevin MacLeod and is licensed under Creative Commons Attribution International 4.0. Grants from the Humanities Research Institute and from Match of Minds at Brock University support the production of this podcast, which is produced as an open educational resource. Unboxing the Canon is archived in the Brock Digital Repository. Find it at https://dr.library.brocku.ca/handle/10464/14929   You can also find Unboxing the Canon on any of the main podcast apps. Please subscribe and rate our podcast. You can also find us on Twitter @CanonUnboxing and Instagram @unboxingthecanon or you can write to unboxingthecanon@gmail.com     

W czerwcowym odcinku podcastu „Dziś w książce” przyglądam się niebezpieczeństwom, jakie wynikają ze stereotypizowania i orientalizowania innych kultur, oraz zjawisku postturystyki – idei świadomego, etycznego i odpowiedzialnego podróżowania – przez pryzmat jednej z najważniejszych książek o stosunku zachodnich kultur do tak zwanego Orientu, czyli książki „Orientalizm” Edwarda W. Saida. Opowiadam o tym, co stoi za naszymi wyobrażeniami o obcych miejscach, jak rozbrajać pozornie neutralne narracje i dlaczego to tak istotne, aby krytycznie przyglądać się swoim własnym przekonaniom na temat innych kultur. Temat ten rozwijam w rozmowie z Pawłem Cywińskim, w której pochylamy się nad źródłami naszej współczesnej wyobraźni podróżniczej, konsekwencjami braku odpowiedniej edukacji w zakresie kontaktu z innością oraz największymi zagrożeniami, wynikającymi z orientalizowania obcych kultur w dzisiejszym świecie. Zapraszam! Zuzanna Kowalczyk Podcast realizowany jest we współpracy z Wrocławskim Domem Literatury i Wrocławiem Miastem Literatury UNESCO.

Richard Falk's keynote at the Edward W. Said Memorial Lecture in October 2014, hosted by Columbia University.  The lecture begins around min 15.   Source: https://www.youtube.com/watch?v=YZAVjIfTBVo&ab_channel=SOFHeyman    

A term coined by Edward Said in his magisterial work Orientalism. “Orientalism” is a way of seeing that imagines, emphasizes, exaggerates and distorts differences of Arab peoples and cultures as compared to that of Europe and the U.S. It often involves Orientalism in seeing Arab culture as exotic, backward, uncivilized, and at times dangerous.  Edward W. Said, in his groundbreaking book, Orientalism, defined it as the acceptance in the West of “the basic distinction between East and West as the starting point for elaborate theories, epics, novels, social descriptions, and political accounts concerning the Orient, its people, customs, ‘mind,' destiny and so on.” According to Said, Orientalism dates from the period of European Enlightenment and colonization of the Arab World. Orientalism provided a rationalization for European colonialism based on a self-serving history in which “the West” constructed “the East” as extremely different and inferior, and therefore in need of Western intervention or “rescue”.  Examples of early Orientalism can be seen in European paintings and photographs and also in images from the World's Fair in the U.S. in the 19th and early 20th centuries.  (Source: http://arabstereotypes.org/why-stereotypes/what-orientalism) Edward Said. Orientalism: https://amzn.to/2YcYkXQ --- Send in a voice message: https://anchor.fm/masood-raja/message

İki parçadan oluşan bu serinin ilk bölümünde Ortadoğu'daki çatışma dinamiklerini anlamayı hedefliyoruz. Ortadoğu'daki çatışmalara kaynaklık eden ve bölgenin sorunlu tarihsel inşasından ileri gelen yapıları ve fay hatlarını anlamak, onların Türkiye'deki barış mücadelesine olası etkilerini öngörmek açısından hayati öneme sahip olduğundan, temelde şu sorulara yanıt arıyoruz: Ortadoğu'daki çatışmalara kaynaklık eden toplumsal ve siyasi yapılar neler? Bölgedeki çatışmalı konular ve alanlar birbirini nasıl etkiliyor? İktidar ilişkilerinin şekillenişi ve devletlerin tarihsel karakterleri nasıl mekanizmalar üzerine kurulu? Görüşlerinizi bizimle sosyal medya hesaplarımız üzerinden #DEMOStanSesler etiketiyle paylaşmayı unutmayın! #KürtSorunu #OrtadoğudaÇatışmaDinamikleri #Çatışma #Barış #Ortadoğu Atiye Eren & Yasin Sunca, Kürt Sorunu, Türkiye'de Barış Süreçleri ve Sivil Toplum, DEMOS'tan Sesler, 2020, https://open.spotify.com/episode/48XVpvHykwUcsdDJCuyoS0?si=PdgSFqV5Qa-bP3-_yyIKPw Yasin Sunca, Kamran Matin ile Röportaj: “Daiş bir boşluktan doğmadı”, DEMOS, 2019, https://demos.org.tr/dais-bir-bosluktan-dogmadi/ Edward W. Said, Oryantalizm, İrfan Yayınevi, 1998 Andre Gunder Frank, Yeniden Doğu: Asya Çağında Küresel Ekonomi, İmge Kitabevi Yayınları, 2010 Hamit Bozarslan, Ortadoğu'nun Siyasal Sosyolojisi, İletişim Yayınları, 2019 Fred Halliday, The Middle East in International Relations, Cambridge University Press, 2005 Pınar Bilgin, Regional Security in the Middle East: A Critical Perspective, Routledge, 2005 Waleed Hazbun, “Is there a Middle East?”, The Middle East Through The Lens of Critical Geopolitics: Globalization, Terrorism and the Iraq War, Stanford University Press, 2011 Barış Ünlü, Türklük Sözleşmesi: Oluşumu, İşleyişi ve Krizi, Dipnot Yayınları, 2018 Müzik: Front Runner - Blue Dot Sessions Bu podcast Friedrich-Ebert-Stiftung Derneği Türkiye Temsilciliği (festr.org) desteğiyle hazırlanmaktadır.

Said è uno dei più importanti studiosi dell'Oriente. Con la sua opera più importante, "Orientalismo" (1978), rivelò come la storia che da sempre ci è stata raccontata del Medio Oriente altro non era che la visione europea di un territorio "lontano". Quindi, una intera storia raccontata da altri e da innumerevoli discipline differenti, intrecciate in un modo così preciso e coerente da risultare credibile. La forza dell'Occidente contro la realtà dell'Oriente. Preparatevi, Said vuole combattere!

Is there a link between the colonization of Palestinian lands and the enclosing of Palestinian minds? The Palestinian Idea: Film, Media, and the Radical Imagination (Temple University Press, 2019) argues that it is precisely through film and media that hope can occasionally emerge amidst hopelessness, emancipation amidst oppression, freedom amidst apartheid. Greg Burris employs the work of Edward W. Said, Jacques Rancière, and Cedric J. Robinson in order to locate Palestinian utopia in the heart of the Zionist present. He analyzes the films of prominent directors Annemarie Jacir (Salt of This Sea, When I Saw You) and Hany Abu-Assad (Paradise Now) to investigate the emergence and formation of Palestinian identity. Looking at Mais Darwazah's documentary My Love Awaits Me By the Sea, Burris considers the counterhistories that make up the Palestinian experience— stories and memories that have otherwise been obscured or denied. He also examines Palestinian (in)visibility in the global media landscape, and how issues of Black-Palestinian transnational solidarity are illustrated through social media, staged news spectacles, and hip hop music. Greg Burris is an Assistant Professor of Media Studies in the Department of Sociology, Anthropology, and Media Studies at the American University of Beirut in Lebanon. Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought & Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the iTunes Store or any of your favorite podcast providers. You can also subscribe to his YouTube channel. If you are an academic who wants to get heard nationally, please check out his free training at becomeapublicintellectual.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Is there a link between the colonization of Palestinian lands and the enclosing of Palestinian minds? The Palestinian Idea: Film, Media, and the Radical Imagination (Temple University Press, 2019) argues that it is precisely through film and media that hope can occasionally emerge amidst hopelessness, emancipation amidst oppression, freedom amidst apartheid. Greg Burris employs the work of Edward W. Said, Jacques Rancière, and Cedric J. Robinson in order to locate Palestinian utopia in the heart of the Zionist present. He analyzes the films of prominent directors Annemarie Jacir (Salt of This Sea, When I Saw You) and Hany Abu-Assad (Paradise Now) to investigate the emergence and formation of Palestinian identity. Looking at Mais Darwazah’s documentary My Love Awaits Me By the Sea, Burris considers the counterhistories that make up the Palestinian experience— stories and memories that have otherwise been obscured or denied. He also examines Palestinian (in)visibility in the global media landscape, and how issues of Black-Palestinian transnational solidarity are illustrated through social media, staged news spectacles, and hip hop music. Greg Burris is an Assistant Professor of Media Studies in the Department of Sociology, Anthropology, and Media Studies at the American University of Beirut in Lebanon. Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought & Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the iTunes Store or any of your favorite podcast providers. You can also subscribe to his YouTube channel. If you are an academic who wants to get heard nationally, please check out his free training at becomeapublicintellectual.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Is there a link between the colonization of Palestinian lands and the enclosing of Palestinian minds? The Palestinian Idea: Film, Media, and the Radical Imagination (Temple University Press, 2019) argues that it is precisely through film and media that hope can occasionally emerge amidst hopelessness, emancipation amidst oppression, freedom amidst apartheid. Greg Burris employs the work of Edward W. Said, Jacques Rancière, and Cedric J. Robinson in order to locate Palestinian utopia in the heart of the Zionist present. He analyzes the films of prominent directors Annemarie Jacir (Salt of This Sea, When I Saw You) and Hany Abu-Assad (Paradise Now) to investigate the emergence and formation of Palestinian identity. Looking at Mais Darwazah’s documentary My Love Awaits Me By the Sea, Burris considers the counterhistories that make up the Palestinian experience— stories and memories that have otherwise been obscured or denied. He also examines Palestinian (in)visibility in the global media landscape, and how issues of Black-Palestinian transnational solidarity are illustrated through social media, staged news spectacles, and hip hop music. Greg Burris is an Assistant Professor of Media Studies in the Department of Sociology, Anthropology, and Media Studies at the American University of Beirut in Lebanon. Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought & Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the iTunes Store or any of your favorite podcast providers. You can also subscribe to his YouTube channel. If you are an academic who wants to get heard nationally, please check out his free training at becomeapublicintellectual.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Is there a link between the colonization of Palestinian lands and the enclosing of Palestinian minds? The Palestinian Idea: Film, Media, and the Radical Imagination (Temple University Press, 2019) argues that it is precisely through film and media that hope can occasionally emerge amidst hopelessness, emancipation amidst oppression, freedom amidst apartheid. Greg Burris employs the work of Edward W. Said, Jacques Rancière, and Cedric J. Robinson in order to locate Palestinian utopia in the heart of the Zionist present. He analyzes the films of prominent directors Annemarie Jacir (Salt of This Sea, When I Saw You) and Hany Abu-Assad (Paradise Now) to investigate the emergence and formation of Palestinian identity. Looking at Mais Darwazah’s documentary My Love Awaits Me By the Sea, Burris considers the counterhistories that make up the Palestinian experience— stories and memories that have otherwise been obscured or denied. He also examines Palestinian (in)visibility in the global media landscape, and how issues of Black-Palestinian transnational solidarity are illustrated through social media, staged news spectacles, and hip hop music. Greg Burris is an Assistant Professor of Media Studies in the Department of Sociology, Anthropology, and Media Studies at the American University of Beirut in Lebanon. Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought & Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the iTunes Store or any of your favorite podcast providers. You can also subscribe to his YouTube channel. If you are an academic who wants to get heard nationally, please check out his free training at becomeapublicintellectual.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Is there a link between the colonization of Palestinian lands and the enclosing of Palestinian minds? The Palestinian Idea: Film, Media, and the Radical Imagination (Temple University Press, 2019) argues that it is precisely through film and media that hope can occasionally emerge amidst hopelessness, emancipation amidst oppression, freedom amidst apartheid. Greg Burris employs the work of Edward W. Said, Jacques Rancière, and Cedric J. Robinson in order to locate Palestinian utopia in the heart of the Zionist present. He analyzes the films of prominent directors Annemarie Jacir (Salt of This Sea, When I Saw You) and Hany Abu-Assad (Paradise Now) to investigate the emergence and formation of Palestinian identity. Looking at Mais Darwazah’s documentary My Love Awaits Me By the Sea, Burris considers the counterhistories that make up the Palestinian experience— stories and memories that have otherwise been obscured or denied. He also examines Palestinian (in)visibility in the global media landscape, and how issues of Black-Palestinian transnational solidarity are illustrated through social media, staged news spectacles, and hip hop music. Greg Burris is an Assistant Professor of Media Studies in the Department of Sociology, Anthropology, and Media Studies at the American University of Beirut in Lebanon. Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought & Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the iTunes Store or any of your favorite podcast providers. You can also subscribe to his YouTube channel. If you are an academic who wants to get heard nationally, please check out his free training at becomeapublicintellectual.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Is there a link between the colonization of Palestinian lands and the enclosing of Palestinian minds? The Palestinian Idea: Film, Media, and the Radical Imagination (Temple University Press, 2019) argues that it is precisely through film and media that hope can occasionally emerge amidst hopelessness, emancipation amidst oppression, freedom amidst apartheid. Greg Burris employs the work of Edward W. Said, Jacques Rancière, and Cedric J. Robinson in order to locate Palestinian utopia in the heart of the Zionist present. He analyzes the films of prominent directors Annemarie Jacir (Salt of This Sea, When I Saw You) and Hany Abu-Assad (Paradise Now) to investigate the emergence and formation of Palestinian identity. Looking at Mais Darwazah’s documentary My Love Awaits Me By the Sea, Burris considers the counterhistories that make up the Palestinian experience— stories and memories that have otherwise been obscured or denied. He also examines Palestinian (in)visibility in the global media landscape, and how issues of Black-Palestinian transnational solidarity are illustrated through social media, staged news spectacles, and hip hop music. Greg Burris is an Assistant Professor of Media Studies in the Department of Sociology, Anthropology, and Media Studies at the American University of Beirut in Lebanon. Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought & Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the iTunes Store or any of your favorite podcast providers. You can also subscribe to his YouTube channel. If you are an academic who wants to get heard nationally, please check out his free training at becomeapublicintellectual.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Is there a link between the colonization of Palestinian lands and the enclosing of Palestinian minds? The Palestinian Idea: Film, Media, and the Radical Imagination (Temple University Press, 2019) argues that it is precisely through film and media that hope can occasionally emerge amidst hopelessness, emancipation amidst oppression, freedom amidst apartheid. Greg Burris employs the work of Edward W. Said, Jacques Rancière, and Cedric J. Robinson in order to locate Palestinian utopia in the heart of the Zionist present. He analyzes the films of prominent directors Annemarie Jacir (Salt of This Sea, When I Saw You) and Hany Abu-Assad (Paradise Now) to investigate the emergence and formation of Palestinian identity. Looking at Mais Darwazah’s documentary My Love Awaits Me By the Sea, Burris considers the counterhistories that make up the Palestinian experience— stories and memories that have otherwise been obscured or denied. He also examines Palestinian (in)visibility in the global media landscape, and how issues of Black-Palestinian transnational solidarity are illustrated through social media, staged news spectacles, and hip hop music. Greg Burris is an Assistant Professor of Media Studies in the Department of Sociology, Anthropology, and Media Studies at the American University of Beirut in Lebanon. Kirk Meighoo is a TV and podcast host, former university lecturer, author and former Senator in Trinidad and Tobago. He hosts his own podcast, Independent Thought & Freedom, where he interviews some of the most interesting people from around the world who are shaking up politics, economics, society and ideas. You can find it in the iTunes Store or any of your favorite podcast providers. You can also subscribe to his YouTube channel. If you are an academic who wants to get heard nationally, please check out his free training at becomeapublicintellectual.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Abstract: This eleventh episode stands in the light of the forthcoming book of Elizabeth Amisu, editor of The Journal of Michael Jackson Academic Studies. Karin has Elizabeth as her guest to interview her on The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife. They talk about how an idea became a book, the model it is based on, and Elizabeth gives a brief overview of some of the chapters in the book. REFERENCE AS: Merx, Karin, and Elizabeth Amisu. "Episode 11 – Author & Text: 'The Dangerous Philosophies of Michael Jackson' Pt. 1." Podcast, Michael Jackson's Dream Lives On: An Academic Conversation 2, no. 4 (2016). Published electronically 07/07/16. http://sya.rqu.mybluehost.me/website_94cbf058/episode-11-the-dangerous-philosophies-of-michael-jackson-part-1/. The Journal of Michael Jackson Academic Studies asks that you acknowledge The Journal of Michael Jackson Academic Studies as the source of our Content; if you use material from The Journal of Michael Jackson Academic Studies online, we request that you link directly to the stable URL provided. If you use our content offline, we ask that you credit the source as follows: “Courtesy of The Journal of Michael Jackson Academic Studies.” Episode 11 – Author & Text: 'The Dangerous Philosophies of Michael Jackson' Pt. 1 By Karin Merx & Elizabeth Amisu 'I connect Michael specifically with Shakespeare in the respect that I treat him as a great artist worthy of great respect' - Elizabeth Amisu, author of The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife https://www.youtube.com/watch?v=Lqxh6DtPnL4 Official trailer of The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife, © 2016 Karin Merx & Elizabeth Amisu Episode Questions: 1.What exactly made you write a book on Michael Jackson, what was your inspiration? 2. You based the research on an early modern model and you connect it with Shakespeare? 3. Can you tell us something about commonplace books? 4. Can you explain a bit more about copyright in the seventeenth century? Karin Merx BMus, MA, is editor of The Journal of Michael Jackson Academic Studies, and author of  ‘A festive parade of highlights. La Grande Parade as evaluation of the museum policy of Edy De Wilde at the Stedelijk Museum Amsterdam'. Find out more about Karin here. Elizabeth Amisu, PGCE, MA, is editor of The Journal of Michael Jackson Academic Studies and author of The Dangerous Philosophies of Michael Jackson: His Music, His Persona, and His Artistic Afterlife. Find out more about Elizabeth here. All Our References and Where to Easily Find Them 1. Joseph Vogel, Man in the Music: The Creative Life and Work of Michael Jackson (Sterling 2011). 2. Elizabeth Amisu, 'Throwing Stones To Hide Your Hands: The Mortal Persona Of Michael Jackson', The Journal of Michael Jackson Academic Studies. Vol. 1: Issue 1 (2014). 3. Elizabeth Amisu, 'On Michael Jackson's "Dancing The Dream"', The Journal of Michael Jackson Academic studies, issue 2, volume 1 (2014). 4. Susan Fast, Dangerous (Bloomsbury 2014). 5. The Michael Jackson Podcast by The MJCast. 6. Information about 'commonplace books'. 7. Edward W. Said, On Late Style: Music and Literature Against the Grain (Bloomsbury 2006). 8. Gordon McMullan, Shakespeare and the Idea of Late Writing: Authorship in the Proximity of Death (Cambridge 2007). 9. Information about Shakespeare. 10. Information about Ben Jonson. 11. Information about the Tudors. 12. Information about the Elizabethan era. 13. Michael Bush, The King of Style: Dressing Michael Jackson (Insight Editions, Div of Palace Publishing Group, LP 2012). 14. Jason King. 'Don't Stop 'til You Get Enough: Presence, Spectacle, and Good Feeling Michael Jackson's This Is It', Thomas F. DeFrantz and Anita Gonzalez (ed.), Black Performance Theory: An Anthology of Crit...

Fiona is a poet, translator from Chinese, and a musician. “an extraordinary musician who brings into her zheng music a strong cross-cultural understanding” - Edward W. Said (1935-2003). www.fionasze.com www.mptmagazine.com

In his 2013 Edward W. Said lecture Noam Chomsky reflects on 65 years of violence in the Middle East. See acast.com/privacy for privacy and opt-out information.

Recorded February 1, 2013 at the Miller Theatre, Columbia University Daniel Barenboim and Members of the West-Eastern Divan Orchestra perform: P. Boulez: Mémoriale P. Boulez: Messagesquisse K. Azmeh: “Prayer, a tribute to Edward Said“ F. Schubert: Piano Quintet in A major D.667, "The Trout" This event is the first in a series of activities at Columbia University in 2013 remembering Edward W. Said on the 10th anniversary of his passing. Co-sponsored by the Department of English and Comparative Literature at Columbia University.

Recorded February 1, 2013 at Columbia University. A panel discussion on Edward W. Said's Music, featuring: Kinan Azmeh(a former member of the West-Eastern Divan Orchestra), Stathis Gourgouris (Columbia University), Ara Guzelimian(The Julliard School), Ilham Khuri-Makdisi(Northeastern University), and Michael Steinberg(Brown University.) Part of a series of events remembering Edward W. Said in the tenth anniversary of his passing.

Recorded February 1, 2013 at the Miller Theatre, Columbia University A conversation between Maestro Daniel Barenboim and Ara Guzelimian(Provost and Dean of The Julliard School)about Edward W. Said and the West-Eastern Divan Orchestra. This event was the first in a series of activities at Columbia University in 2013 remembering Edward W. Said on the 10th anniversary of his passing. A 7pm conversation between Daniel Barenboim and Ara Guzelimian (Dean and Provost, The Juilliard School) will be followed by an 8pm performance by Daniel Barenboim and members of the West-Eastern Divan Orchestra. Co-sponsored by the Department of English and Comparative Literature at Columbia University.

Power, Politics, and Culture: Interviews with Edward W. Said (Pantheon); The Said Reader (Vintage) A passionate conversation about exile, literature and critical theory. Palestinian-born Edward Said discusses his work: from his early philosophical criticism, through critique of imperialism, to his recent memoir.