Podcast appearances and mentions of mark arm

Brisbane, Australia's The Saints are responsible for two of the greatest punk albums of all time, in 1977's '(I'm) Stranded' and 1978's 'Eternally Yours.' This November, look for “The Saints '73-‘78” to be touring North America, featuring original members Ed Kuepper and Ivor Hay, along with The Birthday Party's Mick Harvey, the Sunnyboys' Peter Oxley and Mudhoney's Mark Arm, in service of original lead singer Chris Bailey, lost to us in 2022. Additionally, there's a four-LP boxset version of the milestone debut album out, as well as a new solo album from Ed, done in conjunction with Jim White from the Dirty Three, called 'After the Flood.' Check out Goldmine author Martin Popoff interview The Saints guitarist/ vocalist/songwriter Ed Kuepper in a wide-ranging chat that looks at how The Saints dovetailed into the punk movement, along with a fair bit on each of the three albums covered by the upcoming tour, plus a look at the new solo album. We also touch upon the creative differences that led to Ed's split with Chris after the band's controversial third album, 'Prehistoric Sounds,' issued in October of 1978. Horns? Acoustic guitars? Surely The Saints didn't invent punk?! Learn more about your ad choices. Visit megaphone.fm/adchoices

Janice Headley dives into Eternally Yours by The Saints. (In his list, Kurt wrote the name of a single from the album, “Know Your Product.”) This is the story of how The Saints brought punk from “down under,” featuring exclusive insights from founding guitarist Ed Kuepper and Mudhoney’s Mark Arm, who has been filling in for the late Saints frontman Chris Bailey in recent shows. Hosts: Dusty Henry and Martin DouglasWritten and produced by: Janice HeadleyAudio mixing and mastering: Roddy NikpourPodcast manager: Isabel KhaliliEditorial director: Larry Mizell Jr. Support the podcast: kexp.org/cobainSee omnystudio.com/listener for privacy information.

EVERY OTHER KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Ed Kuepper and Mudhoney's Mark Arm from The Saints '73-'78 discuss the new (I'm) Stranded box set, how they'd never ever met in person (at the time we recorded this), why Mark was asked to sing in the Saints and what the band has meant to him, how the Saints got started and their early interest in Elvis, Beatles, and the Rolling Stones, why AC/DC and their success in Australia didn't much motivate the Saints, how Mark first heard the Saints and whether or not they're unheralded, why Ed and Mark's music strikes a good balance between aggression and humour, what's special about this box set, an Ed and Jim White collaboration, what's next for the Saints and Mudhoney, tour dates, other future plans, and much more.Support vish on Patreon! Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters to Santa. Follow vish online.Related episodes/links:Ep. #919: Oren AmbarchiEp. #913: QuiversEp. #910: The Hard QuartetEp. #866: Jim White and Marisa AndersonEp. #849: Jim White and Guy PicciottoEp. #764: MudhoneyEp. #642: Warren EllisEp. #323: Nick Cave and Warren EllisSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

In der aktuellen VISIONS-Ausgabe nehmen wir die Rückkehr von The Jesus Lizard zum Anlass für ein großes Noiserock-Special. In der zugehörigen Episode "Editors' Voice" spricht die Redaktion mit einem Protagonisten von damals über den deutschen Noise-Zweig. Es sind nicht nur The Jesus Lizard, die zurückkehren. Just haben mit God Bullies weitere Noise-Veteranen ihr erstes Album seit 30 Jahren angekündigt. Dazu veröffentlichen am selben Tag wie The Jesus Lizard "Rack" die Noise-erfahrenen Die Nerven ihr neues Album "Wir waren hier". Grund genug für große Storys zu The Jesus Lizard und Die Nerven, eine ausführliche Noise-History und eine Auswahl der 50 wichtigsten Noiserock-Platten von damals bis heute. Von Flipper über Shellac bis Pissed Jeans, mit Studiomeistern wie Steve Albini, Dave Sardy und Butch Vig, von den USA über Großbritannien bis Deutschland. Denn auch hierzulande erschienen ausgezeichnete, teils sogar von Sardy betreute Alben. Dazu prägte Guido Lucas mit seinem Label Blunoise den deutschen Noiserock maßgeblich. Im Heft sprechen wir darüber mit Aren Emirze von Harmful (heute Musa Dagh), Mark Arm von Mudhoney und Tom Hazelmyer vom legendären Noise-Label Amphetamine Reptile. In der neuen Folge "Editors' Voice" allerdings haben wir uns einen weiteren deutschen Noise-Protagonisten der 90er eingeladen: Carsten Sandkämper, der damals mit seiner Band Pendikel zum Blunoise-Roster gehörte und heute für VISIONS schreibt. Die Redakteure Jan Schwarzkamp und Martin Burger sprechen mit Carsten über die Zeit mit Lucas, über tatsächliche technische Erkennungsmerkmale des Noiserock und über die Entwicklung des Genres bis heute. Welche zeitgenössischen Bands stehen für ihn an der Spitze des Krachs? Call it: "Editors' Noise". Hosted on Acast. See acast.com/privacy for more information.

Con motivo de los próximos conciertos de MUDHONEY en nuestro país, charlamos con Mark Arm sobre sus recuerdos de la escena grunge antes de la explosión de Nirvana, sus primeros recuerdos de Europa, su guitarra favorita... + info - https://linktr.ee/b90podcast Espacio patrocinado por: Jorge Sánchez - Javier Alcalde - Naïa - luis palo - Dani GO - kharha - garageinc78 - Juan Carlos Acero Linares - Jaime Cruz Flórez - davicin blackmetal - DOMINGO SANTABÁRBARA - bcn_music_fan -faeminoandtired - Jose Manuel Valera - Ivan Castro - Nerdo IsMe - Javi Portas - Belén - Ana FM - tueresgeorge - boldano - Eduardo Mayordomo Muñoz - Barrax de Pump - PDR - Fernando - QUIROGEA - Jorge - J. Gutiérrez - Gabriel Vicente - Carlos Conseglieri - Miguel - Isabel Luengo - Franc Puerto - screaming - HugoBR - angelmedano - Vicente DC - victorguibor - Alvaro Gomez Marin - Achtungivoox - Alvaro Perez - Sergio Serrano - Antuan Clamarán - Mario Sosa - Isranet - Paco Gandia - ok_pablopg - Crisele - David Reig - Wasabi Segovia - Dani RM - Fernando Masero - María Garrido - RafaGP - Macu Chaleka - laura - Infestos - Öki Þeodoroson - davidgonsan - Juan Carlos Mazas - 61garage - JJM - Rosa Rivas - Bassman Mugre - SrLara - Próxima Estación Okinawa - Barullo - Megamazinger - Francisco Javier Indignado Hin - Unai Elordui - carmenlimbostar - Piri - Miguel Ángel Tinte - Jon Perez Nubla - Raul Sánchez - Nuria Sonabé - Pere Pasqual - Juanmi - JulMorGon - blinddogs - JM MORENTE - Alfonso Moya - Rubio Carbón - LaRubiaProducciones - cesmunsal - Marcos - jocio - Norberto Blanquer Solar - Tolo Sent - LIP -Carmen Ventura - Jordi y varias personas anónimas.

Mark Arm is credited with inventing grunge - although if you ask him, it originated in Australia in the early '80s. He is fronting a new iteration of The Saints, who will tour Australia in November. Go to feelpresents.com for tickets.

The Saints made history with the record "(I'm) Stranded" in 1976 - nearly 50 years later founder/songwriter Ed Kuepper is revisiting the early Saints material with some old bandmates and new friends, including Mark Arm of Mudhoney. Today Ed and Mark discuss the impact and legacy of The Saints with an upcoming tour and 4LP Boxset. Topic Include: How did Ed and Mark come to work together? How did Mark originally experience The Saints? Prehistoric Sounds didn't make it to the US Did Sire get behind The Saints? Promo copies of “Eternally Yours” seem to be plentiful Choosing “(I'm) Stranded” and “No Time” for the Fatal Records single Recording session for “(I'm) Stranded” & “No Time” Was there a 2nd mix before making the Fatal records single? Master tapes and multitracks have been lost Were there test pressings of the Fatal Records single? Sending singles around the world, getting 1st reviews Getting telegrams from record labels across the world Rare contents of the upcoming Saints boxset Original mix of the “(I'm) Stranded” LP – test pressings and remix The album was recorded in the same studio as the single Potential for technology to separate the instruments of the “(I'm) Stranded” single EMI's response to the updated album mix Mark's feeling good about upcoming tour The Saints Paddington Town Hall show recording Playful rivalry with Radio Birdman Ed and Chris Bailey were on good terms and jointly planning the boxset and reissues Present day contact with Kym Bradshaw Any discussion of Saints shows beyond the Australian dates? Will Mark be singing only or possible guitar as well? Hard-Ons version of “Know Your Product” The additional photography in the Saints boxset The original name of the album was “Erotic Neurotics” with a different cover Memories of the photo of The Saints and Nick Cave from Melbourne The status of the album cover location and artwork Interview wrap-up Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Send us a Text Message.What happens when you skip the merch lines at a Pearl Jam concert to connect with friends instead? Find out as we recount our Seattle adventure, from the stress-free concert experiences to a chaotic but thrilling event day where we raised an astonishing $27,000. We share the laughs, including Trey's technical difficulties and his hilarious pre-party antics at KEXP, making for an episode full of memorable stories and surprising moments.Join us on a journey of securing auction items for our charity event, where unexpected cancellations turned into serendipitous encounters with generous drummers in Gig Harbor. We paint a vivid picture of the magical evening that unfolded, featuring notable guests and amazing auction items, culminating in a special moment with a signed symbol for my daughter. Despite the initial chaos, the event was a resounding success, raising $25,000 for Smash and creating an electric atmosphere of camaraderie and community support.Reflect on the emotional impact of Pearl Jam's performances with us, as we share personal anecdotes and discuss how live renditions of songs from their album "Dark Matter" deepen our connection to the music. From Eddie Vedder's heartfelt speeches to our humorous attempts at impressing each other with wine selections, this episode is a rollercoaster of emotions, music, and community. It's dedicated to celebrating meaningful causes and the sheer joy of live performances.www.TheTouringFanLive.commedia@TheTouringFanLive.Comwww.facebook.com/TheTouringFanLiveInstagram-@TheTouringFanLiveCopyright The Touring Fan Live 2024

Stone Gossard and Jeff Ament are two of the Seattle scene's most foundational musicians from the 80's and 90's. Stone and Jeff started playing together in 1984 as members of Green River, which eventually dissolved, leading singer Mark Arm to form Mudhoney. Later, Jeff played bass and Stone played guitar in Mother Love Bone until their lead singer Andrew Wood died of an overdose just days before their major label debut in March of 1990. Reeling from Andy's death, Jeff and Stone started recording with Soundgarden's Chris Cornell on a side project called Temple Of The Dog that featured vocals from a then unknown singer from San Diego named Eddie Vedder. Later that year, Jeff and Stone asked Eddie to join their new band with guitarist Mike McCready. As Pearl Jam, they released their debut album Ten in August of ‘91—the album went 13 times platinum and charted on Billboard for nearly five years. Since then, Pearl Jam have released 11 more albums and built a die-hard fan base thanks in part to their outstanding live shows. Last week they released their latest album, Dark Matter, which was produced by Andrew Watt, who's recently worked with Miley Cyrus, Iggy Pop, Post Malone and Ozzy Osborne. On today's episode Leah Rose talks to Stone Gossard and Jeff Ament about how Andrew Watt's encyclopedic knowledge of Pearl Jam helped inspire some of their best performances to date. Stone and Jeff also open up about the inner-workings of their professional relationship, and Stone remembers the first time he met Eddie Vedder, who marked the occasion by passing him a hand-written poem. You can hear a playlist of some of our favorite Pearl Jam songs HERE.See omnystudio.com/listener for privacy information.

Mark Arm of Mudhoney comes by the show to discuss the sewage tunnel boring machine named after his band, the record store that changed his life, surfing at Kelly Slater's ranch, being radicalized by KISS and Aerosmith, seeing Robert Goulet at the airport, hanging out backstage with David Matthews, and more! Host: Yasi Salek Guest: Mark Arm Producer: Jesse Miller-Gordon Audio Producer: Chris Sutton Additional Production Supervision: Justin Sayles Theme Song: Hether Fortune Learn more about your ad choices. Visit podcastchoices.com/adchoices

jD is back and he's joined by Daniel from Chicago to discuss his Pavement origin story and dissect track number 38. Transcript: [0:00] Hey, it's JD here, and I just wanted to throw something down, somewhat of a challenge to all you musically inclined folks out there.We are going to be doing a pod list again this year, and a pod list is simply a podcast playlist.It's a pod list. The previous four pod lists have consisted of talented members of our Pavement community submitting songs that they have covered from the Pavement oeuvre.Pavement adjacent songs are also welcome. So you could do PSOI, you could do Jicks, you could do Malcolm is Solo.Anything is fair game, truly. So get your band together or grab an acoustic guitar and just play your fucking guts out.From there, submit the song to me by email and we'll go from there.So please submit those songs, jd at meetingmalkmus.com, or even better, use wetransfer.com if it's a big WAV file. And WAV files are what I prefer.That will work out just magnificently. That's what she said.Podlist 5 coming July 8th. So get those songs in and be a part of something special. Thanks so much.Now, on with the show.Track 3:[1:24] Previously on the pavement top 50.Track 2:[1:27] What do you have to say dan from rochester about playbook oh man so um first of all when i i listened to this a lot this week and there's three versions so i did some some deepdiving into comparing the different like studio versions that are out there but the first thing that surprised me was the length is relatively short it's slightly less than three and a half minutesand to me that song always felt like very epic.Track 3:[1:58] Hey, this is Westy from the Rock and Roll Band, Pavement, and you're listening to The Countdown.Track 4:[2:05] Hey, it's J.D. here, back for another episode of our Top 50 Countdown for the seminal indie rock band, Pavement.Week over week, we're going to count down the 50 essential Pavement tracks that you selected with your very own Top 20 ballots.I then tabulated the results using an abacus and a six-pack.[2:24] Okay, there were only four left, but I was thirsty. see how will your favorite pavement song fare in the ranking you'll need to tune in to find out so there's that this week we're joinedby pavement superfan daniel daniel how are you doing motherfucker uh doing good how are you i am excellent today it's a bright and sunny day out i did a 10k walk it's uh just fantastic itis a good day it's like i'm in chicago and it's uh 50 degrees and so that's like summer so yeah right to have that in february is like just another another planet it's amazing yeah so let's getright into this let's talk about your pavement origin story daniel from chicago i am from a town in the south called montgomery alabama Okay.And I'm also 45, late Gen Xer.Discovering music in the early 90s, you really had to try to search out cool stuff, and especially in a shitty town like Montgomery, Alabama. Alabama.[3:42] There were like only one record store that was independent and you kind of had to like know a person to get there. And.[3:52] So that's a big part of my origin story is I am from a shitty place.And the more I get to know pavement, I realize that Stockton is a lot like Montgomery.It's strip malls and crime and not a lot to do, not a lot of real culture.So I see that connection now.When I was a teenager, I was into classic rock like Neil Young and Bob Dylan and Steve Miller Band, I guess, was my intro to what my dad showed me about rock and roll.But I started 10th grade and I noticed a guy had the iconic pavement sunny side up shirt. Right.And I said, this guy knows something. He kind of shined with this aura.And at the time, I didn't know much about indie rock or alternative rock.But I knew a lot about film.I was into Tarantino, and that led me to John Woo and other independent film.[5:17] I knew a lot about beat literature, like Kerouac and Ginsberg, Burroughs.So we met, and he helped me with the pavement and the Sonic Youth. We traded CDs.I traded VHS, independent film, with him.And we eventually started a shitty noise band in his garage.Oh, that is so cool. Yeah. Yeah. And we talked about Pavement and Sonic Youth, Daydream Nation.At the time, I think Crooked Rain was the big one, and Wowie was pretty big on our playlist.List um but i'm really thankful for that meeting and his taste was just um beyond anything of people from montgomery so i that's my story and i i continue to love pavement my entire lifehas been my favorite band and i felt very special uh having them as a part of my life and i i'm not sure who it was that said.[6:38] I think it might be Mark Arm from Mudhunt Honey said, when you listen to Pavement, you feel smarter.And I feel like I'm in on some kind of secret.Yeah. And I feel enlightened when I listen to Stephen Moutmiss and his poetry and his lyrics.I feel smarter. And coming from a place of like education was not valued and no culture, it meant a lot for me to like have pavement as this kind of avant-garde art band that led me todifferent bigger cities and bigger ideas.Is so so what was take take me through your experience daniel take me through that so you saw him wearing the sunny side up shirt what was the first spin like like what did you spin firstif you remember i remember and and what was going on in your head when you heard it i got crooked crooked rain crooked rain first and i remember the disc and people these days missout on the artwork of the disc right it's got that layer of like kind of red and maroon art.[8:01] And i spun it and i was like first off i've never heard uh a vocalist sound like this before right and i was like is he singing or is he like speaking um and they're in the liner notesthere's a picture of like a singer but i always thought it was that that was mouth mess or that was spiral stairs i wasn't sure but it turns out it's like just a random collage um i wasn't sure ifthe the singer was playing guitar or was just like singing.Wow. Like something from a different world completely. And unlike any music.[8:46] That i've uh ever encountered even since it's um now i can kind of associate what not miss was doing with like lou reed yes big time uh but at the time it was just like what is thisvocalist doing and then there were parts of the guitar playing it was like kind of dissonant guitar and i was like is are these guitars even in tune like it sounds like noise in some parts but somelodic and others and so melodic and others and that's their secret yeah um.[9:25] And then i started listening to the lyrics um the first song that comes to mind i wrote on my uh we used to have book covers of paper to cover the book i wrote the entire uh lyrics forstop breathing this is like the most poetic I don't know what he's talking about but I was also I went to it like an art high school and I was in creative writing and I would do my best to tryto emulate in my poetry what mountainous was doing with like his prose or his lyrics right Right, okay.So he was talking about, I think, stuff around a father-son relationship in that song, and I had struggles with my dad, and as we all probably do.Sure. And I was like, abstractly, he's talking about stuff that is really hitting home.And so there were some songs I didn't get at first, like...[10:39] But yeah we'll talk about some of that stuff later sure okay yeah um so that was your first experience with them and crooked rain what a great jumping off point and just to followup on you know like who's playing what and what are they doing it wasn't like you could tune into mtv at the time and see a great deal of pavement you know and and sort of match it uplike you could with with other bands.You know, in this case, they were so rarefied.It would be tough to get your hands on, you know, live footage or anything like that. So that leads me to my next question.When did you see them live? Did you see them live?First, my first concert by them was.[11:28] It must have been early my first semester at auburn university i went uh started uh 97, i went to birmingham alabama at a place called the nick i think that's what it is and so it musthave been september or october of 1997 and it was a like maybe uh, 100, 200 person venue. It was a very small venue.And me and my two friends from Auburn, we got there nerdy, super early and waited at the rail of the front row.[12:18] And it turns out that we were right across from Spiral Stairs guitar setup.Okay. And it was in support of Right in the Corners.So, amazing show.I think at the time, what they were doing was they were playing about 15 songs with an encore of three songs. And they played Credence.Sinister Purpose was their cover that they played.And they they had their set list on paper plates which i thought was very diy and cool and spiral at the end of the set uh he picked up his paper plate threw it like a frisbee and i caught it soi had the the set list i don't have it anymore but oh damn one time it was in my dorm it was in a collection as i moved around the country of course of course but i wish i had had thatamazing moment.Probably, I would say it's probably my third or fourth concert ever. Um, and.[13:35] I went to REM and Radiohead in support of Monster. That was my first.So it's in good company.Yeah, I bet. So how did you find like-minded people in uni?Was it easy or did you have to seek them out like you did in high school?Or how did you find your compatriots to go to that show with?This is so funny. uh the first day of english class the teacher asked what what what do we like and get to know you ice icebreaker questions and me and this guy cleave we both put thesame bands we really liked pavement number one lemon heads number two rem number three we we wrote those identically, and it's it's like this uh serendipitous kind of thing happenedwith us and we became, very close friends and at the time he was like really into pink floyd and i said hey man you got to get really back into pavements better than pink floyd so weobsess over our mutual love of malchmas and uh pavement so that that's how that connection happened but other times in my life i've never really found someone who says pavement's myfavorite band and maybe you're my probably my.[15:04] Like third person i they always seem to be like a french band no one is like so obsessed like i am or possibly you are.And that's okay with me. Like, this is something, it's very special kind of in this time where everything feels like homogenized.I'm glad that this is a special thing for a few of us.Yeah, I think so too. We can unite in that, unite in our solodom.In our solitude. dude. Um, What's your go-to record these days?[15:51] Well, it's grown. It's changed over time. Of course. As it should, probably.I think the most bang for your buck and artistic expression of what they represent is Wowie Zowie.Sure. Yeah, I can get behind that. It is their version of the White Album in that it is so many different genre attempts.And it feels loose it feels fun um it's thematically all over the place yeah and, i just it just feels like a real expression of what they were going for as a band yeah i i i'm not sure if it's likethe best album but for me i think it feels like pavement and what they wanted um and the the go-to for me i hope it makes your list is uh grave architecture okay i find that to bequintessential uh a pavement song but yeah Yeah, it's just so all over the place and wacky that I love it.What do you say we take a quick break and we come back on the other side of track number 38?Sounds good. All right, cool.Track 3:[17:18] Hey, this is Bob Mustanovich from Pavement. Thanks for listening.And now on with a countdown.Track 2:[17:26] 38.Track 4:[20:04] Alright, track 38 is Date with Ikea, the first spiral jam on the countdown.It's the fifth from Pavement's fourth record, Bright in the Corners, after Blue Hawaiian at 50, Embassy Row at 44, Old to Begin at 43, and Starlings of the Slipstream at 40.Without further ado, number 38, Date with Ikea.Daniel from Chicago.Hey. Talk to me about your experience with this song.Well, it was the first Pavement album that I was able to buy on its release date.So it has a special place.It was released, I think it's April 17th, 1997.97 and i good went to my local mall and walked in and bought this album and, it's a banger it's a really fucking good album and 100% it's it it rocks and this song is a rocker and you feellike there's some shimmering layered guitar going on yeah Yeah. Um.[21:30] I'm not sure what the song's about. It feels like... Tough to discern.At the time, I didn't know what Ikea was.Now I know. I think it's a Norwegian furniture store, wholesale furniture.[21:50] So now I think I know what the meaning of the song is.Because I've had a date with Ikea. I bought a house, and I've had to go to Ikea to celebrate needing furniture.And I remember going to Ikea going, oh, this is what the song is about.Maybe domestication.Maybe it's a union.I like domestication. Yeah. But the lyrics are about a relationship strife.The actress is always breaking things. That made me think something's going wrong in the relationship or he's annoyed with his partner.Not sure. But Spiral's songs have always had their own feel to them.And this feels like a quintessential uh spiral stairs song not what what else does it sound like in those years maybe uh like super chunk like no pocky for kitty, i don't know if you know ofany other bands that might sound like but.[23:08] No, because it's tough, because his cuts sort of stand alone on a pavement record, because they're so radically different than the stuff that SM does, right?I think that's what I'm trying to get at, yeah.[23:24] But lyrically, you can go down the same bottomless pit with both of their lyrics.I think Malk tends to be, he's got the turn of phrase, right?He's got the gift for a turn of phrase in a way that Spiral doesn't necessarily have the same horsepower at this stage in the game.If you listen to PSOI, like that first record, All This Sounds Gas, man, is he firing on all cylinders on that record.I think so. So that is prime beef.And I love it. Uh, his two outings on brighten the corners are both, you know, I think they're both a great jumping off point for what you need to get from, from spiral. That's just my take.I think you're right. Uh, the idea that it can be on the same album and feel so different.[24:25] Right. And I'm okay with that. Sort of their secret weapon in a way, right i think so i there and i'm in a lot of ways i'm not sure uh spirals influence on what mountainous does that'skind of a mystery i i believe it showed up more on probably slanted and yeah the early stuff yeah the eps off the top i think they were much more collaborative collaborative but i'm likingwhat i hear this this is a rocker this feels like it's got the.[25:04] Almost like a classic rock feel to it of maybe tom petty in there and the heartbreakers, but um got the sing-along chorus here's the a weird thing about uh the spiral Spiral stuff.When I would go to the shows, the crowd would cheer so much for Spiral.It was almost like we were rooting for this underdog.[25:40] And when spiral was playing his, uh, cuts like mountainous, what it seemed like he didn't know what he was supposed to be doing.He would not, he wouldn't have a guitar part to it. He, he would just kind of like Panama. I'm playing guitar.And, but I noticed how much the crowd would get behind, uh, like spirals chance to shine.Shine so you happen to see any dates on the most recent tour in 2022 i did i saw one of the chicago okay i found that steve was much more uh on board with the spiral stuff if if for lack ofa better term if he wasn't on board in the earlier years and i don't know that i'm i'm prescribing that on him.I shouldn't, but I sort of am.And I just feel like they were much more cohesive, like band-wise, this time out.I saw the same thing, and I think I read in interviews where Mountmess before had seemed kind of apprehensive to put his ball in the pavement court, per se.He was very much on board with being a band that was reuniting and good vibes in general yeah but at the time i think what you notice about uh.[27:07] Bright in the corners is oh he's starting to get his own voice mountainous right and it's, it has to feel um daunting to have other people in the band wanting to collaborate whenyou're you're like really finding your groove.So with Wowie, there's, I think, maybe one spiral cut, Brighton two, but then with Terror zero, you're starting to see, Mount Missus realizing that I have something to say and I want it tobe the singular vision.[27:53] That's just my take. I add a lot of meaning and interpretation that might not be there.No, that's what we do with our favorite bands, right?They add, they give us that to sort of interpret. But I feel like.[28:09] Mount miss really was hitting his groove and maybe spiral was hitting his groove as well and they just it was a sign that they needed to take some time off hey listen i don't want tomake this comparison too apt but it's interesting to me that having watched the beatles documentary george is shut out of that song and then he immediately rips off all things must passwhich which is a double record, which just shows like how he had all these songs in the bag.And it's like, how did John and how did John and Paul not include any of his stuff on Let It Be?And then, you know, 40 years later or 30 years later, you have Terror Twilight, which I think is sorely lacking a spiral song.Like, I think that there's part of that record that, that, you know, because a lot of people, it's their number five.And I think it's their number five, because it doesn't sound like a pavement record, necessarily.It sounds lush and rich, production-wise.I continue to call it a beta test for Steve's first solo record.[29:27] It's just interesting to me that it's lacking this something, and I think that something is a Spiral Gem. you might be on to something with that.And, and I'm, I'm, I'm, while I'm glad they both had a great solo careers, um, it is, it's sort of missing something.Yeah. So where do you think in terms of the ranking, this comes in at 38, what do you think, uh, is it properly rated?Is it overrated? Is it underrated? Uh.[30:02] I'm a little, I've been thinking about this. I think it might be overrated.If you would have asked me in 1997, I would have said it should be up there in the 30s.I don't think this has aged for me as well as it should have. I don't know.[30:25] Nowadays, I listen to Brighton and I go, what's the song three on there?Oh, he had to ask me that.I'm cool and underqualified is who I am. I don't have that stuff at my fingertips. No, I've got this.So if you listen to Transport is Arranged. Okay.Going right into Old to Begin. Yeah. Those...It kind of is in between transport and old to begin.And I feel like those are like way stronger songs.Like, and also those are songs where Malcolm is really starting to have his own voice.And it's like very unique rock.And I think those songs, since I heard old to begin, it's like 44 or 43.I I think it's I think those two songs Transport and Old to Begin, are better than Date with Ikea so for some reason I'm feeling like.[31:40] The lack of cohesion of this album, give it a shot, listen to it without Date With Ikea.It's a different album, and it's an interesting choice by the engineers and the producers to put Date in between those two.I think it should be ranked lower. I'm sorry, JD. No, that's okay.That's why I asked the question.[32:08] Hopefully uh transport somewhere in the top 50 i think that's such a a fucking rocker and it's so heavy at the end um but yeah i would put date and probably in my uh, a little bitlower would it crack the top 50 still i don't think so i if i'm going to be completely honest it's going to be in the lower 50 maybe 60s or 70s okay wow you heard it here here first folks stilllove it chicago still love it though it's one of his children but he just disparaged it uh daniel do you have anything that you would like to plug at all is there anything that you're known foron the internet or oh let me tell you i am a therapist here in chicago and i uh as you can see by my uh many plaques on the wall i'm trained to do uh psychotherapy Therapy in the westernsuburbs of Chicago.If you know anyone that wants therapy or wants to try it out for the first time, I specialize in anxiety, depression, addiction, and men's issues.Oh, boy. I ticked a few of those boxes.[33:26] My greatest hits right there. Yeah. Well, it's been great talking to you, and I really appreciate you taking the time to do this. So thanks for that.Thank you for having me on. It's my pleasure.Wash your goddamn hands.Track 3:[33:43] Thanks for listening to Meeting Malcomus, a pavement podcast where we count down the top 50 pavement tracks as selected by you.If you've got questions or concerns, please shoot me an email.JD at meetingmalcomus.com.Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Jason and Paul welcome in the new year with an excellent guest, Mark Arm of Mudhoney! Mark discusses songwriting, dealing with a band member moving away, fame (or lack thereof), and getting harassed by crazy people in Florida. All that and much more in this conversation with Mark Arm.Become a PatronFollow Us on InstagramFollow Us on FacebookFollow Us on TwitterJoin the PJ Pod community Hosted on Acast. See acast.com/privacy for more information.

Universe: “Super Fuzz or Big Muff?”Mudhoney: “Both!”What else would you expect from a band that titled their mischievously visceral '88 debut EP after both pedals (Superfuzz Bigmuff)?Formed in the late '80s by guitarists Mark Arm and Steve Turner after the dissolution of their band Green River (which included future Mother Love Bone and Pearl Jam cofounders Jeff Ament and Stone Gossard), Mudhoney long ago solidified themselves as the Seattle scene's big brothers and tightest pack. Through their 11 LPs, five EPs, and six live albums, Mudhoney has routinely diversified and further defined their eccentric brand of raucous, aggressive, unfiltered rock 'n' roll. Possibly more impressive than the band's wide influence and devoted authenticity is the foursome's bond. Drummer Dan Peters and bassist Matt Lukin (also a founding member of the Melvins) were the rhythmic bedrock for Arm and Turner's exploding-M-80 tones since the beginning. (Arm and Turner have been friends since high school and have been playing off each other since then.) But Lukin left the band in 2001 because tour life became too much, and Guy Maddison has been thundering ever since. To see a group's career that's pushing past 35 years and only have one member swap is as inspirational as it is baffling. How?!“We like each other a lot. We get along. We love what we're doing,” remarks Arm. “Why stop, even if no one gives a shit?”Friendship matters to Arm and Turner, but gear isn't a concern unless it points them in one direction—east. More specifically, toward Detroit, Michigan. And even more specifically, to the Stooges. Both namecheck the livewire band and their raw power several times in our Rig Rundown. However, in a 2018 interview with Premier Guitar, they acknowledged regenerating sounds that echo influences from Neil Young and the Byrds to Devo and the Dead Kennedys. But after chasing “I-Wanna-Be-Your-Dog” sizzle, what else leads them to the gear they use? Has that mentality changed since the late '80s?“If you think about the aesthetics of where we come from—garage punk, and punk rock in general—a lot of it was made with cheap gear, and a lot of it was reclaiming gear that guitarists had kind of dismissed as garbage. Like the Mustang. That was my ultimate guitar back when I was a kid, but it was poo-pooed when I finally got one. I could get them for $150. The Danelectro and Silvertone amps were kind of high-rated garbage when we were getting into them. We based a lot of our sound on cheap gear, so it makes sense to me that I still buy the cheap gear,” concluded Turner.They're still pragmatic about their setups, preferring equipment that's familiar and reliable. Where they chase the dragon is in stompboxes. Turner trusts the Big Muff (his favorite iteration is from the mid-'80s), while Arm's torrid tone burns with a Super Fuzz clone. However, both have additional hot-sauce stompboxes and other effects on their pedalboards that are being auditioned trial by fire.Hours before Mudhoney's headlining set at Nashville's Basement East, Arm and Turner brought PG's Chris Kies onstage to catalog their setups. Turner started the party by talking about a pair of guitars—his battle-tested late-'60s Guild Starfire IV and a recently-acquired Fender Gold...

For the 35th anniversary of Mudhoney's first 12-inch record, SUPERFUZZ BIGMUFF, we take a detailed look at how it was made. After Mark Arm met Steve Turner at a show in Seattle, they became fast friends and began playing in multiple bands together. They started Green River with Jeff Ament and Alex Shumway and eventually added Stone Gossard on second guitar. Tensions over the musical direction of the band eventually caused Green River to dissolve with Ament and Gossard going on to form Mother Love Bone and Arm and Turner deciding to form Mudhoney. With Mudhoney, they had a vision for fuzz drenched guitars and blending 60s garage with punk rock. They eventually added Dan Peters on drums and Matt Lukin on bass and had their first practice on New Year's Day in 1988. Bruce Pavitt of Sub Pop offered to pay for some studio time with Jack Endino so he could hear the material they were working on. From those sessions, they released the "Touch Me I'm Sick" single in the summer of 1988. At that point, they went back into the studio with Jack Endino to work on the songs that would become SUPERFUZZ BIGMUFF. In this episode, Mark Arm describes his approach of “vocalizing” rather than singing, and how playing guitar with this band changed how he thought about song arrangements. Steve Turner talks about his discovery of vintage fuzz boxes and how they informed the Mudhoney sound at a time when fuzz pedals were out of fashion. From the early days of Sub Pop to rocking baby blue 60s guitars to Dan Peters' unique drum patterns to Matt Lukin's relief of playing simple songs to Sonic Youth knighting them as the next big thing to a pivotal moment in Seattle music, we'll hear the stories of how the record came together.

It's Groundhog Day... again! For the fifth time in seven episodes (and it'll be sixth in eight next week before getting to some 2023 shows) we're celebrating the 30th anniversary of the Vs. tour. The tour certainly had it's ups and downs, and while the last two episodes could be considered some of the down moments, this second night in Vegas is the follow up to a show that's pound for pound one of the best on this tour. The first night in Vegas featured a reunion of Green River, and the moment where Jeff and Stone joined Mark Arm and Steve Turner for the first time since 1987 seemed to re-energize the band. As they only had two more dates before ending the tour on a triple header back home in Seattle, you're able to tell that a little bit of the weight was lifted off their backs. It had been a year of growing pains, but on most nights they were able to put aside their struggle with fame to spend 90 minutes giving the crowd a show to remember. All of the positive energy was radiant on stage at this show with Jeff doing his signature zips and leaps across the stage and Ed's voice having that trademark ferocity for the era. We'll dig deep into songs like Go, Glorified G, Daughter, Garden, Blood, Porch and others that were the highlights from this night. We'll also react to the news announced by Matt Cameron that the new album is mixed and ready, and the Gear Guru segments this week will dig into an intro for Daughter that had a very 80s, Tears For Fears or Police sound to it, and will get into Mike's experimental, Sonic Youth inspired sound on the Porch solo. Visit the Concertpedia - http://liveon4legs.com Contact the Show - liveon4legspodcast@gmail.com Donate to the Show - http://patreon.com/liveon4legs

David Hudson joins Bakko as they break down the 2 EP's from Alice In Chains, Sap & Jar Of Flies. Sap is the second studio EP by the American rock band Alice in Chains, released on February 4, 1992, through Columbia Records. Sap is mostly acoustic and marks the first time that guitarist Jerry Cantrell sings lead vocals in an Alice in Chains release, with the song "Brother". The EP was produced by Alice in Chains and Rick Parashar and features guest vocals by Ann Wilson of the band Heart, Chris Cornell of Soundgarden and Mark Arm of Mudhoney. The track "Got Me Wrong" became a hit two years later after being featured on the soundtrack to the 1994 film Clerks. On January 14, 1994, Sap was certified gold by the RIAA for the sale of more than 500,000 copies. Jar of Flies is the third studio EP by the American rock band Alice in Chains, released on January 25, 1994, through Columbia Records. This is Alice in Chains' second acoustic EP, preceded by 1992's Sap, and it is the first EP in music history to debut at No. 1 on the Billboard 200 chart, with the first week sales exceeding 141,000 copies in the United States. The self-produced EP was written and recorded over the course of just one week at the London Bridge Studio in Seattle. The tracks "No Excuses", "I Stay Away" and "Don't Follow" were released as singles to promote the album. Jar of Flies was nominated for two Grammy Awards in 1995: Best Recording Package and Best Hard Rock Performance for "I Stay Away". David Hudson is the co-host of the State of Amorica Podcast. (1) State of Amorica Podcast | Facebook Learn more about your ad choices. Visit megaphone.fm/adchoices

David Hudson joins Bakko as they break down the 2 EPs from Alice In Chains, Sap & Jar Of Flies. Sap is the second studio EP by the American rock band Alice in Chains, released on February 4, 1992, through Columbia Records. Sap is mostly acoustic and marks the first time that guitarist Jerry Cantrell sings lead vocals in an Alice in Chains release, with the song "Brother". The EP was produced by Alice in Chains and Rick Parashar and features guest vocals by Ann Wilson of the band Heart, Chris Cornell of Soundgarden and Mark Arm of Mudhoney. The track "Got Me Wrong" became a hit two years later after being featured on the soundtrack to the 1994 film Clerks. On January 14, 1994, Sap was certified gold by the RIAA for the sale of more than 500,000 copies. Jar of Flies is the third studio EP by the American rock band Alice in Chains, released on January 25, 1994, through Columbia Records. This is Alice in Chains' second acoustic EP, preceded by 1992's Sap, and it is the first EP in music history to debut at No. 1 on the Billboard 200 chart, with the first week sales exceeding 141,000 copies in the United States. The self-produced EP was written and recorded over the course of just one week at the London Bridge Studio in Seattle. The tracks "No Excuses", "I Stay Away" and "Don't Follow" were released as singles to promote the album. Jar of Flies was nominated for two Grammy Awards in 1995: Best Recording Package and Best Hard Rock Performance for "I Stay Away". David Hudson is the co-host of the State of Amorica Podcast. (1) State of Amorica Podcast | Facebook Learn more about your ad choices. Visit megaphone.fm/adchoices

Hardcore Humanism Dr Mike talks with grunge legend Mark Arm about Mudhoney's new album Plastic Eternity and how Mark addresses existential issues in his life and music. On the Hardcore Humanism Podcast, we talk with artists such as Mark to hear their stories of their authentic life so that we can learn from their experience as we embark on our own purpose-driven journey. Hardcore Humanism Newsletter: https://lp.constantcontactpages.com/su/GBmf0iU/HardcoreHumanismSignUp Instagram: https://www.instagram.com/hardcorehumanism/ Facebook: https://www.facebook.com/HardcoreHumanism/ Twitter: https://twitter.com/hardcorhumanism Produced by Ars Longa Media Learn more at arslonga.media. Produced by: Erin McCue. Executive Producer: Patrick C. Beeman, MD Legal Stuff The information presented in this podcast is intended for educational and entertainment purposes only and is not professional advice.

​Last week, Mudhoney released their 11th studio album Plastic Eternity. Fans of the legendary Seattle rock band get what they've come to expect: messy and melodic guitars, booming drums, and Mark Arm's passionate vocals. As the title suggests, the album is a warning about the climate crisis and the impact of ignoring it. It's been a few years since their last release, and the band sounds fresh. Although not as well known as other Seattle groups like Soundgarden and Nirvana, Mudhoney's place in rock history is cemented. Kurt Cobain cited them as an influence, and their snarling punk/grunge sound has echoed through generations of alternative bands. Jordan and Demi talk to Arm about the band's influence, his interactions with Nirvana and Sonic Youth, and the recording of Plastic Eternity.

Mark Arm discusses the excellent new Mudhoney album, Plastic Eternity, Sub Pop life and people collecting vinyl records and cassette tapes, cults, social media, and the things that people want to believe, Pere Ubu's Tom Herman and Pink Floyd's David Gilmour, little dogs, Mudhoney's remote working conditions, new and unreleased songs, touring, other future plans, and much more. Supported by you on Patreon, Blackbyrd Myoozik, Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online.Support this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

The 7-inch record isn't just a format—it's an art form. On each episode of The Spindle podcast, music writer Marc Masters and music historian (and music maker) John Howard dive into a great 7-inch, dissecting its background, impact, and the reasons why it stands out as a small plastic piece of music history.  This week, the duo digs into the 1988 single by Mudhoney, "Touch Me I'm Sick" b/w "Touch Me I'm Sick." Emerging from the ashes of Green River and led by Mark Arm, Mudhoney would go on to be a huge part of Sub Pop Records history, and this gnarly anthem has more than stood the test of time. This week on The Spindle, Mark and John dig in. They're diseased, but we don't mind.Announcement: Rough Trade is teaming up with Hello Merch to bring exclusive clothing and accessories to Rough Trade's New York location at 30 Rockefeller Plaza on June 30th in Brooklyn. This collaboration kicks off with a slate of limited edition t-shirts from Hello Merch artists including Japanese Breakfast, Parquet Courts, Amyl & The Sniffers, Black Pumas, A Place to Bury Strangers, King Gizzard & The Lizard Wizard, Mac DeMarco, Deafheaven, Angel Olsen, and Indigo De Souza. Come hang out at this free all eagles event at Rough Trade New York Thursday, June 30th at 6 PM with special DJ set by A Place to Bury Strangers, limited stickers, shirts, and toes featuring art by Sonni, and a special beer from Other Half Brewery.  Click here for more info. 

Mudhoney was formed in 1988, with Mark Arm and Steve Turner continuing what they started with Green River. One of the first, or maybe only “true” grunge band.

Let's kill two birds with one stone here as May's Vault series continues and we start to get prepping for the upcoming Vegas show! We're going back to 1993 on the Vs. tour to talk about one of the most recognizable shows that year from the Aladdin Theater on 11/30. This show is know for being the reunion for Stone and Jeff's former pioneering Seattle grunge band, Green River. Along with former Green River members Mark Arm and Steve Turner from Mudhoney, the reunion is much more than getting a band back together and moreso a group of friends being reunited after six years. We'll also get a crooning Eddie with a very special Vegas-related guest. We'll hear some stories from two different parties in this show. First, Patrick and Brian from Hallucinogenic Recipe stop by to go over the history of why this was such a highly circulated boot before becoming a Vault show. Then we'll play a byte from Given To Live's Tom Pugh who sat with young Reece Jones to chat about his experience at the Oakland show, a story you do not want to miss! That and plenty of Vs. tracks including a phenomenal version of Go, and most importantly, the live debut of Tremor Christ. Visit the Concertpedia - http://liveon4legs.com Donate to the show - http://patreon.com/liveon4legs

This week we strap on our old Doc Martins trudge through the muck and grime of the springtime in the US Pacific Northwest. Yep, time for our annual spring GRUNGE episode! We discuss the bands just outside the usual suspects of Nirvana, Soundgarden, Alice In Chains, and Pearl Jam. Your hosts remember this time fondly, as we were young adults when the Seattle scene invaded all rock n' roll avenues in the US. In retrospect, this sounds like less of a movement and more of a melting pot of many of the genres that had been established in silos during the 70s and 80s. What do you think?This episode features songs from bands outside the big 4 of grunge, but we don't think you'll be totally surprised. A perfect amalgam of punk, classic rock, and metal is right in Kevin's wheelhouse, and we find out the impact this had on Robert's musical path. We discuss the origins of the movement and have a lot of fun reminiscing about this unique time in rock history. Come jump on the hike with us to grab a Starbucks and some flannel.Songs this week include:Kerbdog – “Cleaver” from Kerbdog (1994)Hammerbox – “Hole” from Numb (1993)Pond – “Tree” from Pond (1993) Brad – “Raise Love” from Shame (1993)The Gits – “Another Shot Of Whiskey” from Frenching The Bully (1992)Mudhoney – “Living Wreck” from Piece Of Cake (1992)7 Year Bitch – “M.I.A.” from Viva Zapata! (1994) Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

Cameron Crowe's Singles (1992) is a smart twist on the rom-com formula set in grunge-era Seattle. It's ground zero for so much of what followed in the 90s, setting the stage for everything from grunge to Friends.While the idea of the “slacker” has its roots in Generation X, very few of these 20 somethings - pursuing their dreams, working to make their community a better place - fit the mold.Singles is a 1992 American romantic comedy film written, co-produced, and directed by Cameron Crowe, and starring Bridget Fonda, Campbell Scott, Kyra Sedgwick, and Matt Dillon. It features appearances from Eddie Vedder, Chris Cornell, Mark Arm, and many more musicians prominent in the early 1990s grunge movement in Seattle.… (via Wikipedia.)***If you can, please support the show on Patreon! (https://www.patreon.com/join/progressivepop)You can find a list of books that informed this show at(https://bookshop.org/shop/progressivepopepop)

Mark Arm, frontman of of the legendary Mudhoney joins Dwyer to talk about his youthful days of stealing bikes, the magnificence of the MC5, sneaking into his parents car so he could listen to the radio, and dedicating "Touch Me I'm Sick," to his Mom at a live show. Opening Song, "Ounce Of Deception," - by Mudhoney from the 30th Anniversary of Every Good Boy Deserves Fudge.Every Good Boy Deserves Fudge is out July 23rd 2021 on Sub Pop. Preorder/buy the album HEREMudhoney Website HERE Mudhoney Instagram HEREAll Things Dwyer at themattdwyer.comConversations With Dwyer is Produced Recorded, Edited, and Hosted by Matt DwyerConsulting Producer - Dusting Marshall See acast.com/privacy for privacy and opt-out information.

Vertical Slit - Smudge (from Live at Browns on Siltbreeze) V-3 - Photograph Burns (from Heavy Action 2LP on Ever/Never) Thomas Jefferson Slave Apartments - My Mysterious Death (from Bait and Switch LP on Onion Records. sadly guitarist Bob Petric passed recently) Harry Pussy - Robert Ranks Reed (Alphabetically) (from Superstar 7") Killdozer - Her Mother's Sorrow (from 7" on AmRep 1990) Cherubs - Dreamin' (Blondie cover from 7" on Unclean Reords 1993) Bloodloss - Hair of the Future (from 7" on Belltown Records - Austrailian band but includes Mark Arm of Mudhoney) Cosmic Psychos - Garbage Rock (from split 7" with Vertigo on Hippy Knight Records 1993) Lake of Dracula - Blues Fantastique (from Live At The Fireside Bowl - fake bootleg) Armpit - untitled (from Leisure and The Elderly on Planam - NZ group, this release is Clayton Noone, Jon Arcus) The Dead C - Gateplasticmoon (from The Dead C vs Sebadoh on Siltbreeze 1993) The Dead C - two songs (from All Goodbyes 7" on Language Recordings 2020) Ground Monkeys - Succulent Crabs For Sale (from 4way split 7" with Ground Monkeys / Dosdedos / Tan As Fuck on Heat Retention) Sven-Ake Johansson and Alexander von Schlippenbach - Feingefiedertest Federvieh (from Schraubenlider LP on Trost) CJA - Torch (from Otakou cassette on C/Site Recordings) Michael Morley - By Cold Winds (from QuaranTunes Series no.012 on FeedingTube) Greymouth - No One Surfing Today / Lush In The Lea (from Aerials in Summer cassette on C/Site Recordings) Greymouth - Up to the Cape / Home On The Shore / Country Council (from s/t LP on Quemada Records) Blod - Roda Bonor (from Tusen Bitar on Förlag För Fri Musik )

Coming in at number 5 on Rolling Stones Greatest Grunge Albums is Mudhoney's "Superfuzz Bigmuff". Joining the program this week is host of the Rock And/Or Roll Podcast BJ Kramp. BJ and Bakko go track by track on this early grunge classic. Superfuzz Bigmuff is the debut EP by the Seattle grunge band Mudhoney. It was released on October 20, 1988 through record label Sub Pop. The album was later re-released in 1990 in the form of Superfuzz Bigmuff Plus Early Singles. The album was named after two of the band's favorite guitar effects pedals: the Univox Super-Fuzz and the Electro-Harmonix Big Muff, which helped to provide the band's signature "dirty" sound. The cover artwork is a photograph of frontman Mark Arm (left) and guitarist Steve Turner (right) performing live by photographer Charles Peterson. Other artwork on the album includes more photos of the band performing and them posing topless.

This episode is so hot it shines! Again, one of the greatest front people of all time, MARK ARM stops by the show to talk punk! Listen in as Mark & Damian talk going from thinking Devo is a joke to Green River playing with Samhain to his lack of recollection of the Jerry A./Mick Harvey Beef & everything in between. Also Touched On: Pictures on my walls See the freaky people on TV on a Saturday night The Damned: “Like a faster, better KISS” non-radio rock Getting sucked into Rush the Sweet record is a rager! A joke Devo record gift stops being  funny and starts being amazing The Forming of Mr. Epp And The Calculations A west coast Deep Wound Bob 1 smacking you on the head for touching his guitar Gang or 4  999 Fartz, Husker Du and the Dead Kennedys Blaine goes to Motorhead and makes it back in time for thew set That Fastbacks, The Living and the Silly Killers jamming to Van Halen and punk First hearing about Iggy Pop and being grossed out The Telepaths   The Tupperwares & SO MUCH MORE!!!!! BROUGHT TO YOU BY VANS

El líder de Mudhoney es una de las voces autorizadas para hablar de cómo, cuándo y por qué se creó el sonido "grunge".En el programa de hoy hace un repaso a los discos que influyeron para crear el sonido Seattle. Suenan: 01. Mudhoney - Sweet Young Thing Ain't Sweet No More (Superfuzz Bigmuff 1989) 02. The Sonics - He's Waitin'   (Boom 1966)  03. The Stooges - Dirt (Fun House 1970)  04. Randy Holden - Fruit & Icebergs(Population II 1970)   05. Hawkwind - Space Is Deep(Doremi Fasol Latido 1972)  06. Discharge - Visions of War (Why 1981)  07. Bobby Soxx - Scavenger of Death / (Learn to) Hate in the 80’s (1981)  08. Hellhammer -Triumph of Death (Apocalyptic Raids 1984)  09. Tales of Terror - Deathryder (Tales of Terror 1984)  10. Cosmic Psychos - Custom Credit (Down on the Farm 1985)  11. Fuzz - HazeMaze (Fuzz 2013)  12. Mudhoney - Suck You Dry(Piece Of Cake 1992)

El líder de Mudhoney es una de las voces autorizadas para hablar de cómo, cuándo y por qué se creó el sonido "grunge".En el programa de hoy hace un repaso a los discos que influyeron para crear el sonido Seattle. Suenan: 01. Mudhoney - Sweet Young Thing Ain't Sweet No More (Superfuzz Bigmuff 1989) 02. The Sonics - He's Waitin'   (Boom 1966)  03. The Stooges - Dirt (Fun House 1970)  04. Randy Holden - Fruit & Icebergs(Population II 1970)   05. Hawkwind - Space Is Deep(Doremi Fasol Latido 1972)  06. Discharge - Visions of War (Why 1981)  07. Bobby Soxx - Scavenger of Death / (Learn to) Hate in the 80’s (1981)  08. Hellhammer -Triumph of Death (Apocalyptic Raids 1984)  09. Tales of Terror - Deathryder (Tales of Terror 1984)  10. Cosmic Psychos - Custom Credit (Down on the Farm 1985)  11. Fuzz - HazeMaze (Fuzz 2013)  12. Mudhoney - Suck You Dry(Piece Of Cake 1992)

We explore the stories of three musicians who work day jobs to supplement their work as artists. First is Lesli Wood, who fronts the band Skates! As a lawyer by day, she used to have to hide her tattoos and neon hair in court in order to be taken seriously. Then, we meet Mark Arm of the iconic Seattle grunge band, Mudhoney. His day job is stuffing records and managing the warehouse for the record label his band is on, Sub Pop. Lastly, we talk to Geo. He’s best known for his Seattle hip-hop group, Blue Scholars, but his main job now is running two acclaimed café/bars in Seattle called “Hood Famous." Support the show.

Mark Arm was there at the beginning of a Seattle music scene that became a national phenomenon. But all Mark ever thought he and his bandmates were doing was entertaining themselves. Mark talks about how he grew up in Suburban Washington with pressure from his mom to be in the arts and how his outsider status led him to starting bands like Green River and Mudhoney, playing alongside contemporaries like Soundgarden and Mother Love Bone. Also on this episode, Marc's old pal Dan Pashman from The Sporkful stops by because he was in the neighborhood. This episode is sponsored by Squarespace and the National Highway Traffic Safety Administration. See acast.com/privacy for privacy and opt-out information. Sign up here for WTF+ to get the full show archives and weekly bonus material! https://plus.acast.com/s/wtf-with-marc-maron-podcast.

Stone Gossard, Jeff Ament and Mark Arm go deep on the story of Seattle's Green River with Kory Grow

Mudhoney's Mark Arm talks about the band's furious, super-charged new Sub Pop album, Digital Garbage, protest music, news media, social media, anxiety, conspiracy theories, religious indoctrination, mass extinction, and more! Supported by Pizza Trokadero, the Bookshelf, Planet Bean Coffee, Planet of Sound, and Grandad's Donuts.

Jeff Ament is known for being the bassist for Pearl Jam but his story goes much deeper than that.  He doesn’t do many interviews, and none go this deep.  From working on a farm in small town Montana, to turning down football scholarships as an all-state quarterback, to music, to charity, the dude has done a lot in his life and he’s remained as humble as they get.   Hear it all on the podcast.   Jeff Ament Show Notes 1:35:  What has Jeff been up to lately? 3:25:  Born and raised in small town Montana in a family of 5 and developing a strong work ethic by working on the farm and how that could have rubbed people the wrong way at times 9:25:  Big Sandy High School, skateboarding, team sports and turning down football scholarships. 14:17:  Evo (Use the code TPM10 for 10% off at checkout) and  RESQWATER (enter the code resqwatertpm for a 20% discount on a 12 pack)  15:45:  What did he see growing up near Indian Reservations that impacts him today,   his dad wanting him to become a priest and understanding the poor kid 22:30:  Art, getting into guitar, music in the 70’s and then Jeff going on a tangent that includes Seattle, Mark Arm, and opening for big bands for the first time.   29:18:  Punk rock music during college in Missoula, putting school on the backburner and what his parents thought of moving to Seattle with Sergio. 32:45:  10Barrel Brewery and Sierra At Tahoe 34:46:  What are the shitty jobs that he had when he moved to Seattle?  Washing dishes and working his way up in the restaurant game  37:30:  Playing a distorted bass, jumping really high and what he looked like at the time. 40:46:  Green River, being an unofficial investor of Sub Pop, and being a part of the Seattle “scene” 43:04:  The end of Green River, how long is he out of a band and the start of being in bands that weren’t his best friends….Mother Love Bone and getting a demo deal in a month. 47:52:  Is he still poor when Mother Love Bone is signed? 50:00:  Andrew Wood  dies and Jeff needs a backup plan now that he thinks his shot could be over. 53:00:  Music becoming fun again and playing with Stone Gossard again 54:00:  Pearl Jam comes together quickly with the best musicians and Dave Kruzen 56:40:  Singles movie 60:00:  He has everything and nothing.  Dealing with being famous 63:00:  Money and things he’s splurged on 67:00:  Fan clubs  and building an audience 70:00:  Ames Bros 73:00:  When things go wrong at shows you do not cancel 1:14:  Vitalogy foundation,  Montana Pool Service and kids/schools 80:00:  Getting into skiing and snowboarding with Doug Coombs

Lots to smile about in DJ Kevin Cole's latest edition of Music that Matters! Stag strut their stuff, Mark Arm infuses The Black Clouds with an ominous howl, Killer Mike and El-P from Run the Jewels Talk To Us, plus loads more!  1. The Holy - Ramses, The Evil Brother2. Ride - Charm Assault3. Dutch Uncles - Big Balloon4. Meilyr Jones - How To Recognize A Work of Art5. Real Estate - Darling6. Journalism - It Just Hits You7. Beach Fossils - St. Ivy8. Tuomo & Markus - Over the Rooftops9. Sera Cahoone - Only One10. White Reaper - The Stack11. Stag - The Bedazzler12. The Black Clouds - Vice (feat. Mark Arm and Jack Endino) 13. Run The Jewels - Talk To Me14. Chaz Bundick Meets The Mattson 2 - Disco KidSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Mudhoney bears! Mark and Steve (for a bit) of Mudhoney join Antonio for a really fun time. They talk about starting up, going to parties with young kids, the grunge scene or whatever, fuzz boxes, the Judgment Night soundtrack, and also come up with some new and riveting rock mythology. YouTube // Facebook // Download… Continue reading 33 Mudhoney: Mark Arm, Steve Turner

The Spud Goodman Radio Show Episode #21 features impressionist/comedian Craig Gass, actor/comedian David Koechner, Mark Arm of Mudhoney and musical guest Blanco Bronco. This episode rocks! Check it out. In the second hour The Post Show Report features host Ivy Quinn who leads an autopsy of the show with fellow panel members. Musical guest Blanco Bronco stays and performs another song. Fun Times. Visit Spud's website at: spudgoodman.com

Mark Arm is a singer and guitarist based in Seattle, Washington. 25 years ago he co-founded Mudhoney, one of America’s best and most influential underground rock bands. They were profiled in a great documentary called I’m Now: The Story of Mudhoney, which was released at the end of 2012, and now they’re the main subject […]

En route to Toronto on a red-eye flight, Uncle Weed shares flashbacks from the Big Smoke from Summer of 87 and recounts gaps in memory from SXSW including poolside broken legs, bar-b-q trips, bike shops and grand hotels and recaps a trip to SubPop Records HQ in Seattle including meeting Mark Arm of Mudhoney and fore-shadowing adventures … Continue reading Taxi Cab Annotations to Toronto – Choogle On! #86 →

Nine years in the making, the other 2/3s of one of Canada's greatest power trios have come to TOAP! Listen in as Damian sits down with METZ's Alex Edkins and Hayden Menzies, to talk punk and Ottawa's DIY hardcore utopia. From the influence of Shawn Scallen, to DCHC North, to not getting to America, to the righteous power of Mark Arm, to Three Penny Opera and so much more: don't miss this one!Also, don't miss METZ's fantastic new: "Up On Gravity Hill" lp, out now on Sub Pop!Also, don't miss METZ on tour!Also, don't miss the other third of Metz: Chis Slorach on TOAPSupport this podcast at — https://redcircle.com/turned-out-a-punk/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy