Podcasts about Rap metal

Hard Time Machine est une émission d'une heure revenant sur les sorties metal d'une année en particulier, depuis les 70's jusqu'à nos jours. Pour cette huitième saison, Matthieu Morand compte explorer l'ensemble des sous-genres du metal ; chaque semaine, l'histoire d'une esthétique (Heavy, Death, Black, Indus, Thrash, etc) toujours avec une approche chronologique et historique. Pour la septième de cette saison, retour sur le classic hard rock !

New episode! We're doing something different this week. What happens when a West Coast Hip-Hop legend decides to start a side project that just happens to be an all black metal band? You get Gangsta Rap lyrics and themes over a rock backdrop. After 4 classic rap albums, Ice-T hit us with a swerve ball and came out with the side project Body Count. Most known for the controversial song "Cop Killer", Body Count would go on to release 8 albums throughout the years. Mixing rap and rock would be popular a handful of years later, but as always Ice was ahead of the curve. This week, Top 10 Body Count songs. As always the audio version is on all major podcast platforms & the video version on YouTube.Follow us on Instagram, X & Tik Tok: @b_boypodcastFind us online: www. riplak.comFollow Raven Hunter on Instagram & X: @ravenhunteryps

Hard Time Machine est une émission d'une heure revenant sur les sorties metal d'une année en particulier, depuis les 70's jusqu'à nos jours. Pour cette huitième saison, Matthieu Morand compte explorer l'ensemble des sous-genres du metal ; chaque semaine, l'histoire d'une esthétique (Heavy, Death, Black, Indus, Thrash, etc) toujours avec une approche chronologique et historique. Pour la septième de cette saison, retour sur le rap metal !

Hard Time Machine est une émission d'une heure revenant sur les sorties metal d'une année en particulier, depuis les 70's jusqu'à nos jours. Pour cette huitième saison, Matthieu Morand compte explorer l'ensemble des sous-genres du metal ; chaque semaine, l'histoire d'une esthétique (Heavy, Death, Black, Indus, Thrash, etc) toujours avec une approche chronologique et historique. Pour la septième de cette saison, retour sur le rap metal !

The turn of the century was an interesting time to be alive. You had the doomsdayers who were convinced some bug called Y2K was going to wipe out the planet via technological genocide, and others who were convinced the world was going to come to a screeching halt at the stroke of midnight. For every theory was a counter theory, to the point where people were being driven to drink just to maintain some semblance of sanity.Into the world was born an anthemic tune that was just good enough to divert people's attention away from all of the fear and uncertainty in the world and allow us to refocus on the one thing that will never let us down.Music.So when three young upstarts from Adelaide started a sonic movement that bucked the growing tide of uncertainty, its wings spanned the entire world, with people as far away as Transylvania heard running through the streets and yelling four simple words that, when put together, became the voice of a generation. The voice your mother warned you about. The voice of change. I can still picture myself screaming above the live band in those times, shouting those same four words that have now become as much a part of music folklore as Iron Maiden and those that came before or after them. Those words?Turn That Shit Up. And the band responsible?Adelaide's Testeagles, that's who. After putting out just the one sensational metal/indie rock album laced with electronic beats and samples called Non Comprehendus, Testeagles vanished into the abyss. Job done. Order restored.Over the years, there have been many calls for Testeagles to return and finish what they had started, most of which fell on deaf ears until the band was coaxed out of retirement and onto the stage of last year's Froth & Fury Festival. The response was so overwhelmingly powerful and positive, it was only a matter of time before that one-off comeback became a fully fledged reunion, and the band did not disappoint, recently bowing to public demand by announcing a national tour in celebration of 25 years since the world collectively turned their shit up.Returning to our early days of musical indulgence, HEAVY sat down for an entertaining chat with Testeagles drummer "Ady" Matt to fill in the many blanks. We start by asking how rehearsals are going with the first show only weeks away."We played a show last year for the first time in like 20 years or something ridiculous, and that was a nightmare trying to get ready for," Ady laughed. "We had our doubts because we hadn't played properly for a really long time, but this time around we've kept it together ever since we did that one-off show. And we've been jamming. We built this really cool rehearsal space so we get to do this all day, every day, and it's got us really firing."With Testeagles having large electronic components to their music, we ask Ady how their live show has had to change in order to keep up with advances in the music industry."We weren't sure if we should just do exactly the same as what we used to, or if we should spice it up a little," he admitted. "We've ended up making a few changes - mainly due to all the different technology available - and it gives you all these ideas. We sat down and had a chat about it together, and thought about back in the day, and how it would sound now if we never stopped. We were always looking for the latest type of equipment and the latest tricks and things to do. I guess that's how we justify changing now, or thinking if we never got out of it, we would be completely different now to what we were then. So we've embraced some new technology, which is letting us do some extra things. I think it's a way better show now than we ever could have done back in the day, and it makes it probably more entertaining and interesting."In the full interview, Ady conveyed confidence in the band's preparations for the tour after a long hiatus, despite the challenges of relearning older songs and accommodating the health needs of their bass player, Dave. He reflected on the band's musical journey since their formation in 1994, noting their eclectic influences ranging from rock to electronic music.He recounted the unexpected success of their track Turn That Shit Up, which propelled Testeagles into the spotlight, while also revealing some initial doubts about their music's reception before it was released.As the tour approaches, Ady expressed a mix of excitement and anxiety about performing as the main act, emphasising the importance of nostalgia for fans by prioritising classic songs in the set list. The conversation also touched on the eclectic blending of genres at Testeagles disposal and how they get the balance right in the creative process, and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

I Two Timer kastar vi oss in i en spännande Topp 5-lista med en twist: Kiss är portade! Vi bryter mot alla regler och presenterar våra högst personliga favoriter inom vitt skilda genrer. Från rivig hårdrock till medryckande pop och nostalgisk schlager – vi går på djupet med vad som får musiken att vibrera i våra själar. Vi snackar inte bara låtar, vi dissekerar musikens visuella magi, utforskar lyssnarupplevelser och dyker ner i hur toner kan väcka de starkaste känslorna. Dessutom får du en exklusiv inblick i hur James Bond-musik och rap-metal har format oss, och hur våra musikaliska smaker kan skilja sig åt, trots att vi delar samma poddstudio. Häng med när vi delar med oss av anekdoter, reflekterar över musikens utveckling och dess kulturella betydelse, och funderar över hur ålder, festande och musik kan fläta samman våra liv. Vi pratar Tina Turners odödliga arv, Ghosts musikaliska resa och hur musik kan vara ett utlopp för allt från glädje till aggression. Och självklart, en djupdykning i Bondlåtarnas tidlösa charm. Är du redo att utmana dina egna topplistor och kanske upptäcka din nästa favoritlåt? Lyssna nu! Chapters 00:00 Introduktion till Topp Fem-listor 03:49 Teman och Regler för Listorna 08:05 Första Topp Fem-listan: Roger och Hans Val 12:40 Musikaliska Perspektiv och Lyssnarupplevelser 20:00 Hårdrockens Inverkan och Första Intryck 25:46 James Bond och Musikens Visuella Element 30:14 Slager och Popkultur 35:56 Blend och Musikaliska Smaker 41:19 Rap-Metal och Budskapet i Musiken 44:05 Musikaliska preferenser och genrer 46:10 Utvecklingen av musikstilar 47:22 Bond-teman och filmmusik 49:44 James Bond och skådespelare 53:59 Personliga anekdoter och minnen 01:00:44 Nya musikaliska inslag och humor 01:02:29 Reflektioner kring ålder och festande 01:06:27 Kulturella stereotyper och dialekter 01:07:17 Klassiska låtar och deras betydelse 01:09:06 Liveframträdanden och musikaliska upplevelser 01:15:45 Supergrupper och deras påverkan 01:33:43 Avslutande tankar om musik och film 01:37:22 Musikaliska Reflektioner och Känslor 01:37:47 Tina Turners Arv och Betydelse 01:40:21 Bondmusik och Filmreferenser 01:43:31 Ghosts Musikaliska Resa och Influens 01:51:37 Musikaliska Inspirationer och Sammanhang 01:57:43 Aggressiv Musik och Emotionell Utlopp 02:02:15 Bondlåtar och Deras Betydelse 02:09:26 Avslutande Tankar och Reflektioner

InObscuria Podcast proudly presents: the 5th annual Ghost-Fest Live at the Old Smyrna Firehouse, celebrating America's Independence! This is another floating room only event for all spirits, specters, wraiths, phantoms, and the hottest ghouls! Featuring performances by an All-American line-up of the living, the dead… and the living dead. What is it we do here at InObscuria? Every show, Kevin opens the crypt to exhume and dissect from his personal collection an artist, album, or collection of tunes from the broad spectrum of rock, punk, and metal. This week we put on our very own festival showcase of ‘Merican bands that kick ass live! We hope that we turn you on to something new.Songs this week include:Big Jack Pneumatic – “Dreamers” from Live @ Star Bar!!! (2003)Toby Redd – “Tonight [live at The Ritz 1986]” from In The Light (2021 Remaster) (2021)Dixie Dragster – “Time Flies (Live)” from Dixie Dragster COMES ALIVE! - EP (2025)Stuck Mojo – “Trick” from HVY1 (1999)Morphine – “Thursday (Live)” from Bootleg Detroit (Live) (2000)Fu Manchu – “Boogie Van” from Go For It… Live! (2003)Manowar – “Metal Daze” from Hell On Stage Live (1999)Grand Funk Railroad – “Paranoid” from Live Album (1970)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it: InObscuria StoreIf you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/

Interview by Kris PetersBursting onto the scene in 2005 with a rap/metal hybrid sound that had, by then, all but vanished from the scene, Hollywood Undead almost made it a personal mission to revive the sound.By the time they released their 2008 debut album Swan Songs that mission had already been conquered and Hollywood Undead have been waging - and winning - countless battles ever since. Fans flock to their shows, so-called respectable media outlets have stuck to them like bees to honey, and even the mainstream music market have embraced the Californian metal fusion outfit with their albums and singles charting through the roof.And, despite all of these obvious pre-cursors, Hollywood Undead have never come close to selling out. Not that they have ever needed to.After far too long between visits, Hollywood Undead are on their way back to Australia, forming part of a line-up that also includes Falling In Reverse and Black Veil Brides. It is a monster line-up that has already seen most of the tour sell out. But there are limited tickets left, and if you don't manage to get your hands on one, fear not, Hollywood Undead are also doing a couple of headlining sideshows in Sydney, Melbourne and Brisbane.HEAVY caught up with vocalist Johnny 3 Tears to find out what we can expect, pointing out the quality of the line-up."It's gonna be a lot of fun, man," he smiled. "We've done five or six tours with falling and we did a tour in a van with Black Veil 10, 20 years ago. I dunno, it's been a long time. We've also been on the same festivals. We all run in the same circles so you get to know each other over time. It's very incestural (laughs)."We ask Johnny to run through any changes with the band since their last visit here."It's been ten years since we've been there, and fifteen… 2011 was the last time we did a tour in Australia, so fourteen years," he recounted. "Then we did that festival there in 2015, that's how long it's been. A lot has changed…. well, nothing's changed and a lot has changed, I guess. We're still going, we're just a few more albums in deep, we're ten years older sadly. Closer to the grave, bro but still going strong. We're very much looking forward to coming back and hopefully it's not so long between this trip and the next one."In the full interview, Johnny reveals what we can expect from Hollywood Undead live, the dynamics between themselves, Falling In Reverse and Black Veil Brides, how their headline shows will differ, how they approach support slots in terms of set lists and playing to a crowd possibly not there for them, the early days of the band and where they fit in, the impact of their debut album Swan Songs and their thoughts on the album pre-release, how Hollywood Undead have changed musically from that album to now, new music and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris PetersHouse of Protection, the new venture from Stephen Harrison and Aric Improta, serves as a sanctuary for those who surrender to impulse. Abandoning any regard for tradition and form, they followed a feeling and unearthed a sound that sees them push their limits further than ever before. Bridging the not so disparate worlds of hardcore, electronica, and punk, the two forged a space for boundless creativity and a community fuelled by chaos.The band is a project created by formerly two-thirds of Fever 333 (Stephen & Aric), they're signed to Red Bull Records and backed & produced by legendary producer and ex-Bring Me The Horizon keyboardist Jordan Fish AND are featured on Architects upcoming album. House Of Protection are in Australia for the first time, supporting Bad Omens with Poppy across the nation, and HEAVY caught up with Stephen & Aric not long before their recent show at Brisbane's Riverstage."It's been awesome so far," Aric began. "Honestly, we didn't really know what to expect, especially walking up because Bad Omens audience looks very much like a Bad Omens audience (laughs). They are there for that band, but they have been really receptive. It's cool to be on such an eclectic tour because it doesn't feel competitive. It just feels like everybody's expressing themselves honestly, and that's always a cool situation to walk in to."In the full interview, we spoke about the tour and how it is going, the band's formation from the ashes of Fever 333, their musical direction, getting the mix of styles right in the creative process, their recent EP track by track, plans to come back to Australia and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Hide your daughters...and your moms Hollywood Undead is here! Charlie Scene, Johnny 3 Tears, and J-Dog join me for episode 400 of Cutter's Rockcast. They do have a fantastic new song out called Hollywood Forever and it's fitting that they join me from a house in L.A. where they are working on new music, and dealing with the L.A. wildfires. This gets weird, it gets flirty and it gets serious. Enjoy a very in-depth conversation with one of the best bands that Rap Metal has ever produced.This conversation is also part of my radio show The Cutting Edge Countdown as heard on many great rock radio stations around the U.S. For more go to the website Cuttingedgecountdown.com 

Fresh off a relentless touring schedule across the United States and Europe, HED PE are ready to conquer Australia once again and, for the first time since 2018, New Zealand.HED P.E. has been a cornerstone in the rock and metal scene, captivating audiences with their unique blend of rock, punk, rasta, gangsta rap, and soul. Many bands three decades into their career would be happy to tread the boards and play for the nostalgia, but not HED P.E. Their most recent and incredibly fifteenth album, Detox, was released in December 2023 and shows a band with no time to sit on their hands and muse about the past. Detox is a crushing return to the G-Punk sound that the band's fans know and adore.HEAVY sat down with frontman Jahred Gomes on the eve of the tour.Jahred described HED P.E's live performances as a journey that incorporates various musical styles, including hardcore, punk, reggae, and hip-hop, and reflected on the positive reception of the album and their recent UK tour. He emphasized the importance of creating new music and touring, despite industry challenges, and acknowledged the band's ability to connect with diverse audiences. He confirmed that a secret record is in the works, which will be announced soon, plus reminisced about the early days of HED P.E. and how they have changed as a band over the course of their career and plenty more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Episode 391, including tracks from Direct Measure, Käftsmäll, Skabrones, Immune To Them, Leftöver Crack, Wrecked, 2Minute Minor, Das Klown, Body Count, and Neocracy. The episode is loaded with a bunch of new music shared with us, an audio letter from Grammar Free in the U.K., tracks from two great albums, and wrap up the show with some Rap Metal and Crossover Alternative tracks.

Hieß das nicht früher NuMetal? Irdarian und Berry sind verwirrt und bleiben das wohl auch

In our final week of Gothtober your fiendish-yet-friendly ghouls bring you an episode all about bands playing other bands songs! These are familiar songs you hear at every HALLOWEEN party this time of year! What vile and twisted interpretations can our rock n' punk n' metal ambassadors make??? Listen if you dare…What is it we do here at InObscuria? Every show Kevin opens the crypt to exhume and dissect from his personal collection; an artist, album, or collection of tunes from the broad spectrum of rock, punk, and metal. Robert is forced to test his endurance and provide feedback, as he has no idea what he will be subjected to weekly. We hope that we turn you on to something that was lost on your ears, or something you've simply forgotten about, or that (in our opinion) should have been the next big thing.Songs this week include:Ronnie James Dio – “Welcome To My Nightmare (Alice Cooper)” from Welcome To The Nightmare – A Tribute To Alice Cooper(2006)Machine Head – “Witch Hunt (Rush)” from Unto The Locust (extra tracks)(2011) The L.I.F.E. Project – “South Of Heaven (Slayer)” from Big F.O.U.R. EP(2022)Ron Keel – “Children Of The Grave (Black Sabbath)” from Keelworld (2024)Lizzy Borden – “Pet Sematary (Ramones)” from Best Of Lizzy Borden, vol. 2 (1994)L.A. Guns – “Don't Fear The Reaper (Blue Öyster Cult)” from Covered In Guns(2009)Stuck Mojo – “Shout At The Devil (Mötley Crüe)” from Violate This (10 Years Of Rarities 1991-2001) (2007)Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

Seldom does a band come along that can genuinely lay claim to being groundbreaking in terms of musical disparity. Sure, many are labelled as such, but how many have actually pushed their music to its limits and beyond and still emerged triumphant?Not many.While not claiming to be revolutionary themselves, Melbourne noise merchants Ocean Grove definitely qualify in terms of freedom of expression and mashing of genres that have no right being mentioned in the same breath, let alone side by side on an album release.Ever since unleashing their 2017 debut album The Rhapsody Tapes, Ocean Grove have effortlessly combined nu metal, metalcore, grunge, rock, punk and rap sensibilities in such an orderly fashion that scribes saw fit to label their music in a completely new category that best sums up each influence and musical note that forms the bands sound.That term is Odd World music and has stuck sufficiently for Ocean Grove to embrace the term themselves, to the point of naming their upcoming, November 22 album Oddworld. It is both a reflection of the band's eclectic sound and an ownership of the phrase, emphatically capturing Ocean Grove in all of their experimental glory.In short, ODDWORLD is exactly as its title suggests: beautifully chaotic, sonically kaleidoscopic and wholeheartedly one-of-a-kind.HEAVY sat down recently with frontman Dale Tanner to explore Oddworld on a deeper level."I'm feeling very, very excited," he enthused when asked how he felt about the impending release of album number four. "It's probably… this is the most excited about anything I've put out into the world, alongside my brothers. I sat down last night and gave the album a listen myself to get a refresh on things, and I thought this feels big and (is) a definitive moment in Ocean Grove's career, and I just want to soak that in a little bit after not having listened to it for a bit. I heard it a million times working on it in the studio and gave it that space to now revisit it and think 'holy fuck, this has some power to it'. I really think it's our best work. It's Ocean Grove operating on all cylinders and there's something there for everyone. It's taking all that was great about everything that we've done up to this point and fusing it with this new-found, child like excitement for the future. Just putting that stamp of this is certified Ocean Grove, and you'd better be here for it."In the full interview, Dale dives deeper into Oddworld musically, how they returned to their roots somewhat for the album, maintaining a flow and consistency despite covering so many genres, the creative process for Ocean Grove, choosing singles to represent Oddworld, finding the balance between styles, how their sound has evolved over the years, their upcoming run of shows and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Interview by Kris Peters*interview contains some language that may be offensive to some readers/listeners*Since bursting onto the scene in 2015, Melbourne noise machine Dregg have been a musical force unto themselves, throwing an eclectic mix of genres against the wall and making cherry pie with the resulting residue.Their music has always been ferocious, confronting, and, most importantly, different, with a fearless blend of elements of metal, hardcore, rap, and electronic music, crafting a sound that embodies their bold, no-rules attitude.But just when you thought it was safe to go back into the moshpit, Dregg return with a new lineup, increased energy and more metal in the form of new single Dog Cunts. It is a vicious, snarling slab of music that hints at the slightly newer direction Dregg will be taking with more upcoming music.New guitarist Zak Thom sat down with HEAVY to talk more, starting with the early response to the track that came out on May 17."(It's been) Great, actually," he enthused. "I honestly had no idea how it was going to go, because it's my first time being in a band that's had this much reach. So I'm fully just gauging off everything Chris (Mackertich, vocalist) says (laughs)."We ask if he attributes much of that positive response to the use of the suddenly popular C word in the title."Yeah, definitely," he laughed. "If you look at the comments that have been popping up, people are saying 'Dog Cunts, are these guys Aussie?' I feel like it's such a draw. Even when we sent it to our managers over in America, they loved it immediately. Just the fact it says Dog Cunts which is such an Aussie term."In the full interview, Zak talked more about the release of their new single Dog Cunts and the positive response it has received. He also talked about their upcoming album, which will feature heavier and more experimental elements, and their intention to explore diverse musical genres. He discussed the visual concept and storyline of the music video for Dog Cunts and the potential release date and the working title of the next album.Additionally, Zak introduced himself as one of the new band members and discussed Dregg's unique mix of music genres and their process of pushing boundaries in their music. He also talked about the band's upcoming show and how the addition of new members and a slightly more aggressive sound will alter the live performances.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Wie der Limp Bizkit-Frontmann Fred Durst als Tätowierer den entscheidenden Kontakt zur Musikindustrie knüpfen konnte und warum der Song "Rollin'" durch einen Zufall auch eine Verbindung mit dem World Trade Center hat und vieles mehr erfahrt Ihr in der neuen Folge!

Para este capitulo decidimos hablar de la mezcla de dos estilos que nos encanta, y que nos han acompañado desde muy pequeños. Además contamos con una visita sorpresa y fugaz.

This week in the After Party, Jake talks collaborations, new genres, this week's DISGRACELAND episode on Public Enemy, and of course your emails, texts, DMS, and voicemails. Which artist has best represented the world in a "folk music" way? What are your thoughts on PE's Fear of a Black Planet? Let Jake know at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod, and come join the After Party. To hear an extended version of the After Party with a story about Public Enemy's engineer getting mugged and almost inadvertently leaking Fear of a Black Planet, and more from the DISGRACELAND community, become a Disgraceland All Access member at disgracelandpod.com/membership. Learn more about your ad choices. Visit megaphone.fm/adchoices

@kevber en live au 1er événement LOBBY. [Dirty audio] Créateur d'expériences underground où l'univers automobile et la street culture fusionnent à travers diverses formes d'art. www.lobby-event.com Vous pouvez également retrouver ce podcast sur YouTube et Apple Podcasts. APRODMEDIA www.facebook.com/aprodmedia www.instagram.com/aprodmedia @aprodmedia

Rap metal was a thing once. 265...the kid's still alive! I spilled whiskey on my balls, and it burned. (Don't..let that happen to you) Mission Impossible 2; more like Dougray NOT! Netflix can't even make a documentary about fuckin Pepsi and not manage to malign Trump. I got thrown on a last minute show on Saturday; did I prevail? FIND OUT! I saw Interstellar for the first time, and have thoughts about it. 

Original Airdate 11/12/2015It's the show Mark Radulich has been waiting all year to do. Since Limp Bizkit has failed to produce Stampede of the Disco Elephants, we will instead review one of their Greatest Hits albums! Robert Cooper will analyze just what doing it all for the Nookie means while Jesse Starcher runs around the RIB studio breaking stuff. Move in, now move out, Hands up, now hands down Back up, back up Tell me what ya gonna do now...check out the latest from the Metal Hammer of Doom!Greatest Hitz is a compilation album by American rap rock band Limp Bizkit. Released in 2005, it is a retrospective compiling material from the band's albums Three Dollar Bill, Yall$, Significant Other, Chocolate Starfish and the Hot Dog Flavored Water and Results May Vary.Greatest Hitz was announced for release as early as 2001. While recording the albums Results May Vary and The Unquestionable Truth (Part 1), the band continued to work on the compilation. A companion DVD, Greatest Videoz, was also released.Greatest Hitz contains material from the band's albums Three Dollar Bill, Yall$, Significant Other, Chocolate Starfish and the Hot Dog Flavored Water and Results May Vary, as well as previously unreleased tracks and a new song entitled "Home Sweet Home/Bittersweet Symphony", a medley of "Home Sweet Home" by Mötley Crüe and "Bitter Sweet Symphony" by The Verve.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsoFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulich

Dopo la pausa estiva, riparte il palinsesto di BassCommunity in modo esplosivo! In questo video, ci immergeremo nel mondo del Rap Metal e dei Rage Against The Machine, esplorando nel dettaglio il brano di apertura del loro iconico album di debutto. Attraverso spiegazioni chiare accompagnate da partitura e tablature, imparerai come suonare con precisione ed energia i 4 riff di basso di "BombTrack". Inoltre, approfondiremo il contesto storico dell'album e discuteremo l'influenza dei Rage Against the Machine nella scena musicale internazionale. Preparati per un'esperienza coinvolgente e informativa! Buon ascolto ⁠⁠⁠Vai al Video

Interview by Kris PetersBrisbane masters of noise New Clear Vision returned for our listening pleasure last year with a fresh line-up and renewed vigor.A mainstay on the music scene for a number of years, New Clear Vision took a break that many hoped would be fleeting, with frontman and all round nice guy Brad Bromfield promising there was more to come.And hasn't he delivered on his promise!When NCV returned to our stages last year expectation was high. This was a band whose live show borders on legendary, with a full nuclear wasteland type visual component offset by ferocious and scathing lyrics delivered with a rap/metal/nu-metal hybrid unlike anything to come out of the Australian music scene in perhaps forever.Now, with Daniel, Brodie and Zac on board, Bromfield has managed to elevate the legend that is NCV even more, delivering pulsating recent performances that has seen the band added to the whole upcoming Nu Metal Mayhem tour which features Anders Colsefni (Slipknot) and Wayland Reavis (Mushroomhead).But, before that, New Clear Vision are set to explode your senses with a crushing new single The New Rage, which will be premiered via HEAVY at midday, August 31.Bromfield sat down with HEAVY to take us further into the world of New Clear Vision.WARNING: PLACE EAR MUFFS ON CHILDREN BEFORE LISTENING"It's been nearly three years," he almost sighed when asked how long it has been since New Clear Vision have released new music. "It's very, very exciting. It's a better product - and that's no disrespect to anyone that's been there before - but we're finding the sound that I wanted 6, 7, 8 years ago."We ask Bromfield to delve deeper into the musical side of The New Rage."We were supposed to release it when we did the show at Caloundra earlier this year," he explained, "but thank fuck we didn't because we hadn't had it... there's now some samples at the start and some different shit there thast we've never done. I won't say too much about it, but it's hitting those nu-metal vibes that we're all about and always have been. Decisions were made just before we were gonna release it so we had a few things and different ideas. And, again, thank fuck we did because now it's a product of what we represent and what we always should have been."In the full interview, Brad talks more about the musicality of The New Rage, how they have changed the song from it's initial version, releasing it as audio first and why, the planned film clip and what it entails, how The New Rage kicks off a proposed trilogy of sorts, introduces us to the new members and what they bring to NCV, the upcoming run of shows as part of Nu Metal Mayhem, a new album and more.

Interview by Kris PetersWhile many bands of the rock to metal nature often collaborate with rap artists on individual songs or across whole albums, it is generally a one way street in that direction.Seldom does the music world come across a rap artist who integrates rock and metal through their music as par for the course but try telling Houstin innovator Hyro The Hero that and chances are he will greet that comment much the same way as he does everything else in life.With a warm smile and infectious laughter.Hyro has faced all kinds of doubts, knockers and ignorance since releasing his debut mixtape Gangsta Rock on Christmas Eve in 2007.But even then the future seeds of amalgamation were gathering momentum, manifesting themselves to great effect on his 2011 debut album Birth, School, Work, Death which included tracks produced by Ross Robinson featuring Paul Hinojos (At the Drive-in, the Mars Volta, Sparta) on bass, Daniel Anderson (Idiot Pilot, Glowbug) on guitar, and the Blood Brothers alumni Cody Votolato also on guitar, and Mark Gajadhar on drums.Fast forward just over a decade and Hyro The Hero is about to release his latest album Bound For Glory on September 15 which outlines his long journey to achieving success and some of the many obstacles he has endured.Including guest appearances from David Draiman (Disturbed), Brandon Saller (Atreyu), Spencer Charnas and Dan Sugarman (Ice Nine Kills), Chad Gray (Hellyeah), AJ Channer (Fire From The Gods), REDDSTAR and Markus Videsäter (Solence), Bound For Glory is much more than another rap/metal crossover attempt at unification or target audiences.It is a statement of intent from a man who knows only those musical barriers he sets for himself.HEAVY sat down for an interesting chat with Hyro The Hero earlier this week."I'm excited man," he beamed. "I can't wait to put it out there to the world and have everybody take it in and put their thoughts in. I love it man. It's a great feeling making some music and having it put out to the world."We follow up by asking Hyro to explain in more detail what he was going for musically with the album."Basically it's my career, my life on the road," he quipped. "That's why I say Bound For Glory because you know, you take those steps and you know and you feel it in your heart I'm bound to get to this successful spot that I feel in my head. I'm gonna take those steps and work hard and get there. I just want the listener to come in and let them know I'm on the same path as you, let's just go up this road together to get somewhere we wanna be."In the full interview, Hyro speaks more about what drove him to make Bound For Glory, the guest artists and what they brought to the table, getting to record with some of his peers, covering Busta Rhymes and why that was so important to him, mixing rap and metal and why it works, future plans and more.

The podcast introduction to our New Band of the Week, Nottingham sister duo ALT BLK ERA. We talk a little about their exciting year so far, their upcoming EP, and play one of their most recent singles I'm Normally Like This. Read the interview: https://gigradar.co.uk/2023/07/31/newbandoftheweek-altblkeraALT BLK ERA music and socials: https://www.altblkera.com/linksGigRadar New Band of the Week: https://gigradar.co.uk/category/new-band-of-the-weekDiscover more new bands: https://gigradar.co.uk Image credit: Fabrice Gagos

Interview by Kris PetersPrequels and such talk are usually reserved for the film industry. The blockbuster before the blockbuster, if you will, but in all honesty has it ever really worked?I could drag out a myriad of examples and create all sorts of conjecture here, but at the end of the day you have to admit it is not a word commonly used in the music industry.But then again From Ashes To New are not your run of the mill common band.Since breaking through with their debut album Day One in 2016, the US rock outfit has gone on to amass four Top 10 singles, over 600 million all-time streams and more than 75 million video views to date. So when they announce their intent to make a prequel to an already successful concept album then who cares to stop and argue the semantics of contrasting industries?From Ashes To New are far from a safe band.By weaving hard rock, hip hop, electronic and alternative music into a tapestry of sonic enlightenment FATN have set themselves distinctly apart from an ever clustering swarm of by-the-numbers rock outfits that class experimentation as deciding on which degree of seperation they are feeling on any given day.And so enters the fray an album titled Blackout which acts as a conceptual prequel to Day One, encapsulating the trivialities and nuances of a pre-apocalyptic world that was glimpsed through realistic eyes during the 2020 pandemic during which the album was written.With the release date of July 28 looming, HEAVY sat down with vocalist Danny Case to venture down the rabbit hole that has consumed his thoughts during the making of Blackout."We've been comparing it a lot...," he measured, "...it's a quote, unquote prequel to our debut album Day One. When we were writing the record it was early 2021 when the lockdowns were just starting to end - for us at least - and touring still hadn't come back but we were writing. It was in your face every day. One of the first songs we worked on was Armageddon because it seemed like every day was the end of the world. That was the song that came about early on and we were like, hey, we have our very first record day One. The art on it has a kid on a planet looking back on the old planet as it is falling apart. So why don't we take this record and make it where the kid is on that old planet before he leaves for the new planet. Another thing we were trying to do was capture the same kind of heaviness that the first album had. We wanted to take a step back and look at what do we really wanna do? What do the fans really want from this band? And we found that we really enjoy writing heavy music and that was what put this band on the map. It also tied in with the music we were making in that it was kind of like an apocalyptic record almost."In the full interview Danny talks more about the musical side of the album, writing to a concept, the singles released and how they represent the album, the concept in greater detail, how FATN has changed since he joined the band, the different styles that make up their music and how they successfully integrate them together, future plans and more.

In episode #:114 of Heavy Metal Philosophy, we explore why rap metal has become a widely criticized and often ridiculed genre. From its origins in the late 90s with Nu-Metal to its current state with bands like Hollywood Undead, we analyze the elements that make most rap-metal bands unbearable to listen to. However, we also introduce you to a band that defies all the negative stereotypes and stands out as a true gem in the genre. Whether you're a fan of rap metal or not, this episode will introduce you to a band that deserves your attention.I'll detail exactly what's holding back rap metal from being great through a thorough analysis of the music, lyrics, and performances. I also acknowledge that music is subjective, and what doesn't work for me may work for others. Therefore, I invite you to share your thoughts and opinions in the comments section and engage in a respectful and constructive conversation about rap metal. Heavy Metal Philosophy Contact;YouTube: https://youtube.com/@heavymetalphilosophyhttps://www.spreaker.com/show/heavy-metal-philosophyHeavyMetalPhilosophy@gmail.comhttps://mobile.twitter.com/heaviestdoyenhttps://www.facebook.com/HeaviestDoyenhttps://www.instagram.com/heavy_metal_philosophy/Metal Digest articles link;https://metal-digest.com/author/jon-barbas/#metal #rap #rapmetal #numetal #incendiary #hardcore #musicanalysis

As broadcast April 21, 2023 with all the curmudgeonly feels in tow.  Tonight we welcomed Arturo Andrade to the show for a two hour special so that he could both curse on the air and share some of his favorite recent rock joints.  Arturo is the bad cop half of The Curmudgeon Rock Report, which he hosts with Chris O'Connor who's based in Houston.  Great playlist and even better conversation here, do not miss and check the links below on your favorite pod player to subscribe or snag the RSS in the hyperlink above.SpotifyApple MusicYouTubePodbayIHeart#feelthegravityTracklist (st:rt)Part I (00:00)The Beaches - Everything Is BoringBuffalo Nichols - Another ManAngel Olsen - Big TimeWhitney K - Trans-Canada Oil Boom BluesThe Brian Jonestown Massacre - The Light Is about To ChangeKing Gizzard & The Lizard Wizard - LavaPart II (37:52)Black Lips - Apocalypse LoveAldous Harding - Passion BabeSt. Vincent - DownMdou Moctar - Afrique VictimePart III (64:46)The Chats - Struck By LightningIDLES - The New SensationSleaford Mods feat Perry Farrell - So TrendyParquet Courts - Plant LifeSquid feat Martha Skye Murphy - NarratorPart IV (101:14)Courtney Barnett - If I Don't Hear From You TonightLaurel Canyon - Madame Hit the WireWet Leg - Wet DreamBob Vylan - GDPDeath Valley Girls - What Are The Oddsshame - Six-Pack

Interview by Kris PetersMelbourne based outfit Liar are an amalgamation of many styles of music, drawing from hardcore, emo rap, hip hop and metal but to categorise their music in any form at all would be an injustice to the band.After showcasing the many sides of their musical personality starting with their debut single Decline and working through Hysteria, Poison and Double Cup, Liar have intensified things even more with their latest single Mania.Created with the intention of expressing the pain of living with a depressed, suicidal internal monologue and how it affects one's relationships with those around them, Mania expands their musical surroundings to a staggering level, punctuated by the arrival of new vocalist Dylan.HEAVY sat down with bass player Con Davis, guitarist Mitch Rice and drummer Adam Spackman to find out more."The song Mania instrumentally is kind of a song where we tried to push the limits on a guitar and all sorts of crazy sounds and stuff that you'll hear," Davis explained. "Vocally, it's a song that I helped write based on past experiences and hoping to touch a few people that have had similar experiences."As mentioned, Mania musically draws from many different realms of the musical spectrum, which the band admits is a feature of their sound."The sound is predominantly a fusion of trap metal stuff," Rice offered, "but we have a lot of weird synth and electronic elements in there.""A lot of stuff has already been done," Spackman added, "so it's a matter of trying to do something new to stand out. I guess the other way to do that is to try combining different ideas."In the full interview, Liar go further into the lyrical component of Mania, the music video and what story it tells, showcasing their sound over multiple singles, new vocalist Dylan and what he brings to the bands sound, refining their sound as they grow as a band, upcoming shows and more.

Vol. 4 - Ep11 With Season 4 coming to an end, ALBUM gathers at Winfield's house for Fruit Cake(flavored Mountain Dew) and a “Traditional Grandma Dray Style Spaghetti Dinner”. The guys talk about Austin Powers impersonators, their go-to plate at a dinner (or Chinese) buffet, and the amount of podcasts there are nowadays, which gives Jason a sneaky idea… They even listen to a new podcast made by one of their sponsors. Josh talks about his recent dive into the history of Rap Metal, all the while Winfield is on the kitchen microphone, cooking dinner. So, grab yourself a plate and ride the midnight dragon with the hottest pod in the world, ALBUM the Podcast! Groovy baby, yeah! --- Support this podcast: https://podcasters.spotify.com/pod/show/albumtheband/support

Rage Against The Machine haben vor 30 Jahren den Durchbruch geschafft. Mit ihrem Crossover aus Rock, Metal, Punk, Funk und Raptexten haben sie vor allem junge Menschen begeistert. Bemerkenswert ist bei Rage Against The Machine vor allem, dass sie mit ihrer Mischung aus Rap, Rock, Metal und Funk eine musikalische Mischung kreieren, die es so vorher noch nie gegeben hat. Ab Mitte der 80er-Jahre gab es immer mal wieder kurze Kollaborationen von Rap und Rockgruppen für einzelne Songs, wie zum Beispiel die Rapper von Run DMC zusammen mit den Rockern von Aerosmith im Song "Walk This Way" oder auch die Rapper von Public Enemy, die zusammen mit der Metalband Anthrax den Song "Bring The Noise" aufgenommen haben. Dabei waren Rap und Rock gefühlt dennoch stets voneinander getrennt. Bei Rage Against The Machine Rage Against The Machine sind alle diese Elemente verschmolzen in einer Band bzw. in einer Musikrichtung: Crossover oder auch des Öfteren Rap-Metal genannt. Dabei stehen bei Rage Against The Machine auch die Texte stark im Vordergrund, die geprägt sind durch starke und radikale politische Botschaften. De la Rochas Texte bedienen sich auch stark an dem sprachlichen Duktus Aufständischer, immer wieder wird beispielsweise die erhobene Faust thematisiert, wie zum Beispiel auch im Song "Bombtrack", dem Opener des Albums. Das Rage Against The Machine überhaupt so politisch sind, liegt auch an der Sozialisierung von Sänger Zack de la Rocha und Gitarrist Tom Morello, die beide aus sehr politisch engagierten Familien kommen. Neben den politischen Texten und der Stimme von Zack de la Rocha macht auch das Gitarrenspiel den besonderen Sound von Rage Against The Machine aus. Tom Morello spielt nicht nur einfach die Saiten seiner Gitarre, sondern er kreiert Sound mit allem, was an seinem Instrument ist. Er ersetzt durch seine Effekte klassischer 80er-Jahre Synthie-Sounds und hat unter anderem auch eine Technik entwickelt, mit der er wie ein DJ auf seiner Gitarre "Scratchen" kann, ein Soundelement, dass wir vorher nur aus dem Hip Hop oder Rap kannten. Mit ihren Texten haben Rage Against The Machine in den 90ern geschafft, große Teile der Jugend wieder zu politisieren und durch ihren Sound, die Verschmelzung verschiedener Genre und ihre Spieltechniken haben sie unter anderem auch den Anstoß gegeben für ein vollkommen neues Musikgenre, dass Ende der 90er seinen Siegeszug feierte und Bands wie zum Beispiel Linkin Park und Limp Bizkit hervorbrachten: Nu Metal. Der spezielle Sound von Rage Against The Machine jedoch, ist bis heute einzigartig geblieben. __________ Über diese Songs vom Album “Rage Against The Machine” wird im Podcast gesprochen 09:49 Mins – “Bombtrack ” 26:25 Mins – “Killing In The Name” 43:35 Mins – “Bullet In The Head” 49:52 Mins – “Know Your Enemy” __________ Über diese Songs wird außerdem im Podcast gesprochen 21:24 Mins – “Bulls On Parade” von Rage Against The Machine 57:07 Mins – “Walk This Way” von Run DMC und Aerosmith 57:59 Mins – “Bring The Noise” von Public Enemy und Anthrax __________ Shownotes: Kurzdokumentation über Rage Against The Machine: https://www.youtube.com/watch?v=7FnUUwtsu3M Interview mit Tom Morello: https://www.youtube.com/watch?v=cLZ0OTtPimI Tom Morello erklärt sein Equipment: https://www.youtube.com/watch?v=WpY4IIy6b98 SWR1-Meilensteine zu “Nevermind” von Nirvana: https://www.swr.de/swr1/rp/meilensteine/nirvana-nevermind-104.html SWR1-Meilensteine zu “OK Computer” von Radiohead: https://www.swr.de/swr1/rp/meilensteine/swr1-meilensteine-radiohead-ok-computer-100.html __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die SWR1 Meilensteine! Fragen, Kritik, Anregungen? Schreibt uns an: meilensteine@swr.de

Welcome to the 5th installment of Come and Cast It, Live interviews at Come and Take It Live in Austin, Tx.  This is a follow up with the other half of Notions, Brandon Castaneda (guitar) and Michael Biggerstaff (drums) also of Doubting Thieves.  In this episode, I get the details on how they came to join Notions after one of their shows in June 2022.  They also broke their silence on the possible return of their other band Doubting Thieves. Found out that Notions was almost dead and how they brought it back to life.  All in all, an info packed interview. Side note, I need to work on my name to face recognition.  My apologies to "Brian"Featured song:  "The Flame of Frenzy" by NotionsNotions TwitterNotions IGCome and Take It LiveCome and Take It ProductionsATXMP YouTube

In this episode we invite former Creem editor and Newsday critic Wayne Robins to reminisce about his journalistic journey from the Berkeley Barb to NYU's graduate school of journalism — and to hold forth on his (and our) beloved Steely Dan.Wayne recalls the suburban East Coast childhood he had in common with the Dan's Donald Fagen— and the music that set them both free from it. Jumping forward to 1969, he describes the Rolling Stones show he saw in Oakland a month before Altamont. He also paints a vivid and amusing picture of Bard College, the upstate New York institution he attended at the same time as Fagen and Dan co-founder Walter Becker. Clips from RBP audio interviews with the duo and original Dan member Denny Dias accompany an in-depth discussion of every rock egghead's favourite group, not to mention Fagen's 40-year-old solo album The Nightfly.The episode concludes with a swift survey of recent additions to the RBP library, including  pieces about Juliette Gréco (1961), James Booker (1976), Mark E. Smith (1990), Limp Bizkit(2000), Soul Train's Don Cornelius (2012), Rolling Stone's Jann Wenner (2017)… and the "atomic" Count Basie (2020).Many thanks to special guest Wayne Robins. Sign up for his newsletter Critical Conditions at waynerobins49.substack.com.Pieces discussed: Rolling Stones, Steely Dan, Steely Dan II, Donald Fagen audio, Denny Dias audio, Donald Fagen, Steely Dan III, Juliette Gréco, The Beach Boys, David Bowie, Culture Club, James Booker, Tom Petty, The Sixties, The Fall, Jann Wenner, Among the Mooks, Don Cornelius and Count Basie. 

On this episode of TREMORS, Matt & Chris start the show off by talking about the divisive nature of Touch Tunes and the reason why businesses tend to ignore regulating the style and genre of music that is allowed to be played in social settings. Matt talks about his experience seeing Alice In Chains on their current tour and then exorbitant amount of money it costs rock and metal fans to see their favorite bands. The guys continue their recent discussions on the ramifications of nepotism in metal and how touring as the opening act on a well received package tour doesn't have the same positive effect on bands as it once did. The guys over this months METAL MEDIA MOCKERY as well as present New Jersey's early 90's metal influenced Buzzskill Band Of The Month INCOGNITO THEORY and the video for the single 'Sunset Moonshine'. Matt & Chris round things off with an in deoth discussion on the recent resurgence and nostalgia of 90's influenced hard rock and metal and how the dawn of the 80's nostalgic era. ------------------------------------------------------------------------------------------------------------ Please take a moment to subscribe, share and leave us a 5 Star Review for this episode! It helps us grow and do better episodes for YOU!! Get all the metal music, videos, shows, commentary, interviews, radio and tv at http://www.thecmsnetwork.com THE CMS PODCAST NETWORK: https://www.cmspn.com **NOTE: Everything said here, and on every episode of all of our shows are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to see if their opinions are true or not.**

Just because Darwin is miles away from the major entertainment hubs of Australia it doesn't mean the locals have to miss out. Not when you have bands like We Burn Bridges obliterating stages and flying the flag for metal at the top end of the country.We Burn Bridges are on the cusp of unleashing their latest single Death Curse which is out on September 1 but will be premiered exclusively in HEAVY at 10 am on Wednesday, August 31.The track sees We Burn Bridges explore fresh territory, combining the expansive sounds of nu metal with guest vocals from ex band member and rap artist BxK.Two of the band in Manolis and Jake sat down with HEAVY earlier this week to discuss the new single."We originally set out to write a rap ish, nu metal ish kind of track with our good friend and ex band member BxK,” Jake started, “so we thought we would get him on board and get a bit of that rap attitude involved with the song. It's something very new for the band. We've never done anything like that in particular. Obviously, we've got lots of heavy elements in the song but that's pretty standard for us."In the full interview, the boys talk more about the new direction for the band, combing metal and rap and the challenges involved, the lyrical content of Death Curse and what it deals with, supporting In Hearts Wake and what they took out of it, promoting music in Darwin and more.Intro track THE VIOLENT INZIDENT 'Nu Metal'

In this episode we invite former Creem editor and Newsday critic Wayne Robins to reminisce about his journalistic journey from the Berkeley Barb to NYU's graduate school of journalism — and to hold forth on his (and our) beloved Steely Dan.Wayne recalls the suburban East Coast childhood he had in common with the Dan's Donald Fagen — and the music that set them both free from it. Jumping forward to 1969, he describes the Rolling Stones show he saw in Oakland a month before Altamont. He also paints a vivid and amusing picture of Bard College, the upstate New York institution he attended at the same time as Fagen and Dan co-founder Walter Becker. Clips from RBP audio interviews with the duo and original Dan member Denny Dias accompany an in-depth discussion of every rock egghead's favourite group, not to mention Fagen's 40-year-old solo album The Nightfly.The episode concludes with a swift survey of recent additions to the RBP library, including  pieces about Juliette Gréco (1961), James Booker (1976), Mark E. Smith (1990), Limp Bizkit (2000), Soul Train's Don Cornelius (2012), Rolling Stone's Jann Wenner (2017)… and the "atomic" Count Basie (2020).Many thanks to special guest Wayne Robins. Sign up for his newsletter Critical Conditions at waynerobins49.substack.com.Pieces discussed: Rolling Stones, Steely Dan, Steely Dan II, Donald Fagen audio, Denny Dias audio, Donald Fagen, Steely Dan III, Juliette Gréco, The Beach Boys, David Bowie, Culture Club, James Booker, Tom Petty, The Sixties, The Fall, Jann Wenner, Among the Mooks, Don Cornelius and Count Basie. 

This a new series we have put together of on-site interviews from Come and Take It Live from Austin, TX, our sponsoring venue.In this episode, I talk to Kalan and Koda, not Jada, of Notions, a Rap/Metal 4 piece based out of Austin, TX.  Notions has been on quite a ride as a band but the current line up and sound seems to be the way forward for these hustlers.  Enjoy this short interview where we talk past and current events with Notions.Todays featured songs are off Notions' latest self-titled album "Notions" that you can find on all platforms.  https://www.comeandtakeitlive.com/https://www.facebook.com/notions512/

Just under two years ago the Australian music scene was saddened to hear that Sunshine Coast metal/rap/noise hybrid New Clear Vision were calling it a day.For five years the band was a breath of fresh air on a Brisbane music scene that too often got caught in its own self-importance rather than enjoying music for the pure body of work it is meant to be.Their stage outfits are still the stuff of legends and the sonic and physical mess they left in their wake after each performance was as soothing as it was savage. Such was the impending sense of loss of New Clear Vision were about to leave in the national music scene aa multitude of Aussie icons ranging from King Parrot's Matt Young to Joel from Kaosis all the way over in New Zealand reached out with heartfelt tributes and words of encouragement to frontman and one of the most loved people in the business, Brad Bromfield.With an uncertain musical future Brad retreated from the limelight, his thoughts never far from securing another group of like minded musicians to rekindle the band.HEAVY is pleased to say that a couple of months ago Brad called us to deliver the good news that a rebirth of New Clear Vision was in the foreseeable future, with the first gig back being at HEAVY's 10th Birthday Bash at the Mansfield Tavern on August 20.Check out our interview below which brings you up to date on what's happening with the band and introduces us to the new members.

On this episode of TREMORS we chat with ex-Stuck Mojo and current Plastic Catastrophe vocalist Lord Nelson about his podcast, LIVE AND LOUD WITH THE LORD which is also the CMS Network's most recent addition. Nelson talks about how he secured the lead vocalist gig with the legendary Atlanta rap-metal band, the challenges he faced replacing his friend and beloved longtime frontman Bonz, his solo album with the French band LIES that he released a decade ago, his latest project PLASTIC CATASTROPHE and much more. ________________________________________ Website: https://www.aftershockstv.com Podcast Link: https://anchor.fm/cmspn Apple Podcasts: https://podcasts.apple.com/us/podcast/the-classic-metal-show/id1465756058?uo=4 Spotify: https://open.spotify.com/show/1An7v0PYI2xPBjtvwEBvYm

Rap Metal·糖蒜爱音乐之丫丫摇VOL.60

On this episode of AFTERSHOCKS TV, we sit down with BILLY BIO/POWERFLO/BIOHAZARD guitarist/vocalist Billy Graziadei to talk about his sophomore solo release 'Leaders And Liars'. Graziadei chats about his musical and lyrical approach to the new record, differences in the writing approach for his solo material compared to Biohazard's music, talk of a potential Biohazard reunion in the future and much more. For all episodes of Aftershocks TV go to www.aftershockstv.com

On continue d'explorer le métal et ses multiples ramifications ! Après avoir parlé du métal des années 60-70-80 dans le Vol.1, on s'attaque au métal des années 90-2000-actuel.  Black Metal, Nu metal, Powermetal, Metal Symphonique, fusions en tous genres... une playlist riche qui vous fera surement découvrir quelques pépites. 

Thanks for tuning in! Please feel free to like, comment & share. Remember to Subscribe & hit the notification bell. Thanks! (Sorry for the camera format ~ I am getting used to how the programs work & how the alter when you save files. I will get better at all the technical stuff as the show progresses) Visit our websites & connect with us on social media THE UNFORGIVEN LINKTREE https://linktr.ee/TheUnforgiven RANDUM45 FACEBOOK https://www.facebook.com/Randum45/ XROADZ YOUTUBE https://www.youtube.com/channel/UCwpVnqJbUj2Sm_6qWS7ltxQ INSTAGRAM SOULFIRE @soulfireunlimited XROADZ @xroadz.music FACEBOOK SOULFIRE https://www.facebook.com/soulfireunlimited XROADZ https://www.facebook.com/xroadzmusic SOULFIRE WEBSITE www.soulfireunlimited.com

This week we dive into the 80s with a discussion of the numerous crossovers that made the 80s a very special time in music. We talk about Punk influence in hard rock and metal with Danzig, Paul Dianno and Suicidal Tendencies. We then dive into the rise of Rap Metal and talk about Anthrax, Aerosmith & Run DMC, and Ice-T. Let us know if you want a Batman Thong Band T-Shirt - if you want 'em, we'll make 'em. Thanks for listening! ---- We wish we could play the music on the show to give the full experience, but since we can't, we've created a playlist specifically for this season, which we'll update as we progress through each episode. https://music.apple.com/us/playlist/sounds-on-vinyl-1960-1969/pl.u-8aAVZglHvqPyBdM (Apple Music) https://open.spotify.com/playlist/2RbyLOb93U5mMYsDHuEWtY?si=cf482ec4870547a2&nd=1 (Spotify) https://www.youtube.com/playlist?list=PLlpz2ElfFplBjMpXCHP3-FHE5jRVXcr5D (YouTube )(this will have unreleased songs that aren't available on the music platforms). CreditsSounds On Vinyl is hosted by Mike Svensson and Phil Bowyer. Intro & Outro Voiceover: Kate Bowyer. Intro & Outro music: Grand Rezerva, courtesy BoozeHound Music Produced by BoozeHound Entertainment in association with BoozeHound Music. Copyright BoozeHound Music & BoozeHound Entertainment. All Rights Reserved.

I talk with Zu of the Rap Metal band Bazerk about their music and how they are navigating a world of pandemic-related challenges. https://shop.spreadshirt.co.uk/bazerk-has-the-dopest-gear/?fbclid=IwAR3kNPyzVmQNXQZts_aKRgS2yfrf6SzIoO4eUaiAphWCTwn6H1oYUQWJaUg https://shop.spreadshirt.com/tha-bazerk-Gear/ : https://www.yobazerk.com/ https://instagram.com/bazerk_bandofficial/ https://twitter.com/bazerk https://www.facebook.com/yobazerk https://soundcloud.com/yobazerk https://open.spotify.com/search/bazerk --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/wheremusictakesyou/message Support this podcast: https://anchor.fm/wheremusictakesyou/support

Yo, we're talking about our favorite Rap & Metal Collaborations this week with our good friend, Esty Sanchez of A Hero Within. Jason is a Rap fan and even rapped in a NuMetal band? Esty grew up in the hood? Does DLo need to talk more? What's a Hooverville? Is there a stealth marriage between Rap and Metal? Was Ludacris considered to be part of the "Crunk" movement of Atlanta? Did Mariah Carey have more Number Ones than The Beatles? Theme song: Godhammered

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