Podcasts about shoreline amphitheater

Send us a textHi everybody and welcome to today's episode of Attendance Bias. I am your host, Brian Weinstein. Today's guest is Ian from Montana, who is here to tell about his experience seeing Phish on July 24, 2015 at the Shoreline Amphitheater in Mountain View, CA where he went from being a casual 3.0 Phish fan to a Phish family man. The show marked a turning point for him and what a Phish concert experience could be like.2015 was a transformative year for Phish. Not only did Trey kick off the year with the legendary Fare Thee Well Grateful Dead celebration, but the summer tour began with nearly a full album's worth of new material, but each member of the band came ready to play with an array of new effects and sounds that seemed to gel right from the get-go at the tour opener in Oregon. Today's show was the next stop on the tour, and the band capitalized on their auspicious opening just a few days before.While the show was a mixed bag in terms of jamming, Ian was there with his whole family–his wife and his two young children. As we discuss, taking kids to a Phish show can be a contentious topic in our small community, but he pulled it off with aplomb, and this was the show they were all meant to see. So let's join Ian to talk about west coast crowds, Round Room, and Bill Graham as we discuss July 24, 2015 at Shoreline Amphitheater in California.

"A Day on the Green: Celebrating 35 Years Since the Legendary Concert"Larry Mishkin  highlights a significant Grateful Dead concert from May 27, 1989, at Oakland Alameda County Stadium, part of an AIDS benefit organized by Bill Graham. The event featured artists like Tracy Chapman, John Fogerty, Los Lobos, Joe Satriani, and the Grateful Dead. Larry delves into Fogerty's set, backed by Jerry Garcia and Bob Weir, sharing insights and historical context. He also touches on the canceled Neil Young concert due to illness, expressing disappointment and hope for rescheduling. The episode mixes personal anecdotes, music history, and current events in the music world. Grateful DeadMay 27, 1989Oakland Alameda County StadiumOakland, CAGrateful Dead Live at Oakland-Alameda County Stadium on 1989-05-27 : Free Borrow & Streaming : Internet ArchiveA Day On The Green: Aids Benefit Concert:Tracy Chapman                an American singer-songwriter, widely known for her hit singles "Fast Car" from her debut album “Tracy Chapman” (1988) and "Give Me One Reason" from her fourth album which on that day was still a few years awat, “New Beginning” (1995).  Fast Car has enjoyed a resurgence thanks to Country star, Luke Combs, who's cover version went platinum in 2023 and by September that year was a No 1 country hit making Chapman the first black woman with a sole songwriting credit at No. 1 on the Country charts.John Fogerty                Of Credence Clearwater Revival fameLos LobosJoe Satriani              an American rock guitarist, composer, and songwriter. Early in his career he worked as a guitar instructor, with many of his former students achieving fame, including Steve Vai, Larry LaLonde, Rick Hunolt, Kirk Hammett, Andy Timmons, Charlie Hunter, Kevin Cadogan, and Alex Skolnick. Satriani went on to have a successful solo music career, starting in the mid-1980s. He is a 15-time Grammy Award nominee and has sold over ten million albums, making him the bestselling instrumental rock guitarist of all time.[3]In 1988, Satriani was recruited by Mick Jagger as lead guitarist for his first solo tour.[4] Satriani briefly toured with Deep Purple, joining shortly after another departure of Ritchie Blackmore from the band in November 1993.[5] He has worked with a range of guitarists during the G3 tour, which he founded in 1995.Tower of Power, and, last but not least Dead INTRO:                                 Althea                                                Track #3                                                4:51 – 6:21                From the Go To Heaven album (April, 1980), Garcia and Hunter masterpiece.  Always a Jerry favorite and loved by Deadheads everywhere, this was the third song of the show following the Touch of Grey opener (of course) and Greatest Story.  Great guitar work, lovely vocals, this song really launches the show and gets everyone in the groove. Played 273 timesFirst:  August 4, 1979 at Oakland Civic Auditorium, Oakland, CA, USALast:  July 8, 1995 at Soldier Field, Chicago          The weather for the Day On The Green concert was perfect. Bill Graham, apparently, had an exclusive arrangement with some greater power, so that it never, ever rained when he was having a major outdoor show, and his deal remained in place for the May '89 AIDS Benefit. Another oddity about the AIDS Benefit was that there were no less than five opening acts for the Grateful Dead, which I think was some kind of record for a Bay Area Grateful Dead show. To see that whole event would mean at least 12 hours in the sun, just to wipe yourself out for what we all really wanted to see at the very end.            It seems shocking today that a Benefit concert for a terrible disease would be seen as a progressive political act, but such was the Reagan 80s. At least in San Francisco, efforts to prevent AIDS and provide care for those suffering from it had finally expanded beyond the gay community into the general culture. Nonetheless it was still significant when major rock bands headlined a large benefit concert in the Bay Area's biggest venue. Concern for AIDS had finally reached parity with Amnesty International and the Rain Forest, which was a welcome thing. The Coliseum benefit was the largest of several events around the Bay Area, all organized by Bill Graham Presents, and meant to raise awareness as well as money.            Originally the Oakland show was supposed to have joint headliners, with both the Grateful Dead and Huey Lewis and The News. A few weeks before the show, however, Huey Lewis had to drop out of the show. Rather sheepishly, his management publicly conceded that the stadium show was cutting into ticket sales for Lewis around Northern California, and they couldn't afford to work for what was effectively nothing.             The Dead, of course, had no such concerns. At a press conference, Jerry Garcia graciously said that Huey had to listen to his management, it was part of the business.  Huey Lewis And The News were the biggest act in the Bay Area at the time with respect to record sales, and yet the Dead outdrew them by several multiples. The Dead were no longer an aging hippie band who hadn't broken up--they were the biggest draw in town.           By 1989, the Dead were huger than ever, thanks to "Touch Of Grey" – which the Dead opened with - and the Coliseum show was an opportunity for a lot of people who had always wanted to see the Dead but hadn't been been able to get tickets. Frost and Shoreline shows sold out pretty rapidly, so regular rock fans who wanted to see the Dead were out of luck. Thus the crowd was very Dead-positive, with plenty of Deadheads, but far less like the insular club of Deadhead veterans that were characteristic of Bay Area shows at the time.            There were many fascinating aspects to this event, but in retrospect the most fascinating was that former Creedence Clearwater Revival frontman John Fogerty was second on the bill, and it was known before the show that Jerry Garcia and Bob Weir would be part of his backing group.            Creedence had been hugely, titanically popular, but Fogerty had been in a bitter dispute with his record company since the mid-70s, and as a result had refused to play any of his great Creedence songs in concert. By 1989, however, although Fogerty's ire towards Fantasy Records had not subsided, for various reasons he had come to terms with his old songs, so it was widely known that not only would Garcia and Weir be backing Fogerty, but that they would be playing Creedence classics as well. Everything pointed towards an event of historic proportions.            There is a You Tube video of the entire Fogerty set that I encourage you to view.                   Fogerty had a unique status in the Bay Area at the time, and everyone was reminded of that when word was unofficially "leaked", I believe through Joel Selvin's Chronicle column, that not only would Garcia and Weir back Fogerty, but that Fogerty would be playing old Creedence songs.            John Fogerty hit the stage in the late afternoon, last up before the Grateful Dead. His band, previously announced, wasJohn Fogerty-lead guitar, vocalsJerry Garcia-guitarBob Weir-guitarRandy Jackson-bassSteve Jordan-drumsJackson and Jordan were well-known and well regarded as session players. Randy Jackson was a working member of Santana's band at the time, among many other gigs. Today, of course, Jackson is best known as a judge for the TV show American Idol, but that was far in his future. Jordan had played the Bay Area recently, on the 1988 tour with Keith Richards, whose album he had co-produced. Fogerty played 11 songs in about 45 minutes. Born On The BayouGreen RiverDown On The CornerRock And Roll GirlCenterfieldProud MaryMidnight SpecialBad Moon RisingFortunate Sonencores with Clarence Clemons-tenor saxophoneSuzie QLong Tall Sally             The question many would most like to have answered about this show is "who rehearsed?" From watching the video, it is clear that John Fogerty had run through the songs with Randy Jackson and Steve Jordan. Now, Creedence songs are delightfully basic, as well as famous worldwide, so pros like Jackson and Jordan hardly needed many takes. On every song, however, Jackson and Jordan both provide a funky bottom and plenty of accent. They knew the tunes, and they knew how to make them swing, so I think they had worked on them with Fogerty.            Jerry Garcia, however, was notorious for never wanting to rehearse. Weir is far less notorious for avoiding rehearsals, though it is also known that he is famously not on time, so it may amount to something similar. Since John Fogerty wasn't particularly close to any members of the Dead, it's clear that Bill Graham was the one who got Garcia and Weir to accompany Fogerty, and in so doing make it "an event," in classic Graham style. Could Graham have persuaded Garcia to rehearse? The alternative is strange, namely playing a show in front of 40,000 people with at least two band members completely flying blind.            On the day of the show the story is that Garcia and Weir had a dressing room run-through with Fogerty and the rhythm section, agreeing on the tempos and the intros. Sandy Rothman has described how the Jerry Garcia Acoustic Band did not really practice songs, they just agreed on an intro and tempo and sang a chorus together. Granted, Rothman, Garcia and David Nelson had played all those songs before, but it was usually twenty years earlier. Still, one chorus run through was sufficient. So I think Fogerty talked Garcia and Weir through the planned songs, but they had never really played together until they got on stage.            Creedence songs have a nice groove, but they aren't jamming platforms, so of course Garcia just plunks away through the entire show, maybe not his most memorable performance.  On one hand, Jerry Garcia's health in 1989 was as good as it had been in at least a decade, nor it would ever be that good again. Yet the stunning success of "Touch Of Grey," gratifying as it must have been, insured that the bubble of Garcia's life meant that he was more insulated than ever. Garcia wasn't just a legend to Deadheads, he was in the pantheon now, the biggest rock star in the Bay Area, in a beautiful cage with no escape.When Fogerty kicks off the familiar, booming riff of "Born On The Bayou," Garcia is tucked back on stage left, next to Steve Jordan's drums. Randy Jackson is on the other side of Jordan, and Weir is right next to Jackson. Although Garcia plays a very simple figure behind Fogerty for "Bayou," his eyes are on Jordan, and Jerry has a big, happy grin on his face. I'm not imagining this--Garcia has a big grin on his face throughout the entire set, and he mugs happily with Jordan as the drummer plays fills and accents through the set. Weir seems to be having the same kind of fun with Randy Jackson over on stage right. Fogerty is the star, front and center, but the band is getting their own groove on behind him. SHOW No. 1:                    Down On The Corner (and Band introductions)                                                John Fogerty (w. Jerry and Bobby)                                                JERRY GARCIA JOHN FOGERTY CLARENCE CLEMMONS AND BOB WEIR 5-27-1989 AIDS BENEFIT OAKLAND CA (youtube.com)                                                10:49 – 12:42                 "Down on the Corner" is a song by the American band Creedence Clearwater Revival. It appeared on their fourth studio album, Willy and the Poor Boys (1969). The song peaked at No. 3 on the Billboard Hot 100 on 20 December 1969. The flip side, "Fortunate Son", reached No. 14 on the United States charts on 22 November 1969, the week before Billboard changed its methodology on double-sided hits.           The Fogerty set isn't a big deal to Deadheads, but it's hard to get around the fact that Garcia is having a great time. Whether Fogerty was "bigger" than Garcia is beside the point. Fogerty is a genuine star, with genuine hits, so he is the center of attention while he is on stage. For any singer less important than Fogerty--as in, just about all of them--Garcia could not hang back, but he can do so here. For 45 minutes, it's like Garcia is at the Keystone Berkeley or something, hanging out with his peers, playing the guitar parts that are dictated by the music, simple though they may be. When they got to "Down On The Corner," Jerry is practically jumping up and down. In a small but fascinating moment, he steps up to the mic to sing the backing vocals. Now granted, the whole English speaking world knows that it goes "Down on the corner/Out in the street/Willie and The Poor Boys are playing/Bring a nickel, tap your feet," but Jerry actually steps up to sing. Over the years, Deadheads have seen and heard Garcia make lots of guest appearances with various artists. Yet how often did he sing the chorus of other people's hit songs? After "Down On The Corner," Fogerty introduces the band, and Garcia's back is turned when it is his turn, as he's tuning up. Fogerty says "wake him up!' and Garcia turns around. "On guitar, Jerry Garcia!" Garcia grins and goes back to tuning, and Fogerty says "Genius at work." This is just musicians goofing around, albeit goofing around on stage in front of 40,000 people, but Garcia gets to be just another dude on stage, perhaps for one of the last times. A few months later (August 2, 1989), he would share the stage with Carlos Santana and Ruben Blades but that was for a TV special where he was a featured guest. At the Oakland Coliseum, he's just a hired gun playing a bunch of top 40 songs.             As Deadheads, we always wanted certain things from Jerry. When Garcia didn't give us what we want, we grumbled, and thanks to the magic of tape and digital recording, we can collectively complain about it for decades. Good times! But we have to keep in mind that what we wanted wasn't always what Jerry wanted. For a Memorial Day Saturday, Garcia wanted to be in a band, playing songs the way they were written, singing his parts when they came around, grooving with the drummer and letting the front man do the heavy lifting. Did it ever come around again that Jerry got to play simple, popular songs with a front man with enough gravitational pull so that it wasn't All About Jerry? In that sense, Garcia's role as John Fogerty's backing musician is a last look backwards for Garcia, a time when he could just be in the band, if only for 45 minutes.             Or, as I like to think of it, the Fogerty set was a big pre-show jam session for Bobby and Jerry who soon came back out with the Dead for their standard 3+ hour performance.  However you look it at it, the Fogerty set was a fun throwback for Deadheads and a chance to see Jerry and Bobby play with another legend.  MUSIC NEWS: Neil Young show in Chicago canceled 90 minutes before show time  May 23, 2024 at Northerly Island in Chicago.Going to see Dead & Co. this Saturday, June 1, at the Sphere with a bunch of good friends including good buddy Marc from St. Louis.  I hope to be able to have a report on the show for next week's episode but with travel the next day, it may be hard to get the story ready in time.  If so, there will be a big report in two weeks.  Very excited to see the boys, the Sphere and all my good buddies.The Music Plays the Band – new Dead cover album  SHOW No. 2:                    Iko Iko w/Clarence Clemmons                                                Track #5                                                5:09 – 6:11                 The classic Dead cover of the Dixie Cups tune joined by the Big Man wailing on the sax.  Clarence had played a few tunes during Fogerty's set and joined the boys for this tune and a few others during the show.  In '89 the Boss was as big as ever and Clarence was a big part of that success.  But he enjoyed playing in the improv style embraced by the Dead.                 Clarence first played with the Dead at their New Year's run on December 27 and December 31, 1988 in Oakland and soon after this how, on June 21, 1989 at Shoreline Amphitheater.  He also played a number of times with JGB.  And it turns out that one of Clarence's final live performance was playing a show with Phil and Friends a few years back.               When the E Street Band went on hiatus at the end of the Eighties, Clemons, who by then had moved to the Bay Area, went in search of work and new musical experiences. In 1989, he toured with the first version of Ringo Starr's All Starr Band, cut an album with producer Narada Michael Walden, and — not surprisingly, given his new home base — befriended members of the Dead.Starting in early 1989, Clemons sat in with both the Dead and the Jerry Garcia Band (JGB) at several shows. With the Dead, he joined in on songs like “Estimated Prophet” and “Eyes of the World” and partook of the overall Dead vibe. “Clarence was an old pal, a soulful bro,” Bob Weir told RS in 2011, right after Clemons' death from complications of a stroke. “He was a good hang. Back in the late Eighties and early Nineties, he was living out here in Marin County. He was in moving-on mode, and he, Jerry, and I mixed it up a bit. We were dropping by clubs like Sweetwater and sitting in with various bands.”The association wasn't just musical. “Jerry and I were both single at that time, and Clarence suggested the three of us move in together and have a bachelor pad,” Weir recalled bemusedly. “Jerry and I almost went for it. It would've been a lot of fun, but I don't think anyone would have survived. Jerry was in good shape, but we were doing a little drinking.”  SHOW No. 3:                    Stuck Inside of Mobile w.the Memphis Blues Again w/Clarence                                                Track #6                                                2:26 – 3:51 "Stuck Inside of Mobile with the Memphis Blues Again" (also listed as "Memphis Blues Again") is a song by American singer-songwriter Bob Dylan from his seventh studio album, Blonde on Blonde (1966). The song was written by Dylan and produced by Bob Johnston. It has nine verses, each featuring a distinct set of characters and circumstances. All 20 takes of "Stuck Inside of Mobile with the Memphis Blues Again" were recorded in the early hours of February 17, 1966, at Columbia Records's A Studio in Nashville, Tennessee, with the last take selected for the album. This version also appears on Dylan's second compilation album, Bob Dylan's Greatest Hits Vol. II (1971). Dylan played the song live in concert 748 times from 1976 to 2010. A live version recorded in May 1976 was included on the live album from that tour, Hard Rain (1976), and was also released as a single with "Rita May" as the B-side. The first live performance was at the University of West Florida, Pensacola, on April 28, 1976,[32] during the Rolling Thunder Revue tour. Played 70 times by the Dead.  Part of Bobby's first set rotation of Dylan tunes with Queen Jane Approximately, Desolation Row, Masterpiece and Ballad of a Thin Man.First:  March 17, 1988 at Henry J. Kaiser Convention Center, Oakland, CA, USALast:  April 2, 1995 at The Pyramid Arena, Memphis, TN, USA  MJ NEWS                 SHOW No. 4:                    Blow Away                                                Track #11                                                7:37 – 9:10                 A Brent tune, lyrics by John Barlow (? – seems like a lot of Brent rapping during the song)                When you listen to (and read, thanks to the transcription efforts of careful listeners like Alex Allan of The Grateful Dead Lyric and Song Finder site) to Brent's closing rap / rant from the version of “Blow Away” captured on Dozin' at the Knick, you have to acknowledge that, whether the words were improvised or not, they come from the heart, and have a strong sense of immediacy and urgency. Played 23 timesFirst:    June 20, 1988 at Alpine Valley Music Theatre, East Troy, WI, USALast:    July 16, 1990, Rich Stadium, Orchard Park (Buffalo), NY – it died with Brent   OUTRO:                               Wharf Rat                                                Track #17                                                3:59 – 5:26                 Not the closer this night, or most nights, but it could have been a perfect closer.  Hunter/Garcia masterpiece. Wharf Rats are a group of concert-goers who have chosen to live drug and alcohol-free. They arose out of the environment around the rock group the Grateful Dead and their followers the Deadheads, both of which were rooted in the drugs-embracing counterculture of the 1960s.[1]Their primary purpose is to support other concert goers who choose to live drug-free, like themselves. They announce their presence with yellow balloons, signs, and the Wharf Rats information table. At a set break during Grateful Dead (and related) concerts they hold self help style meetings but are not affiliated specifically with any 12-Step organization and have no requirement for attendance at one of their meetings besides providing some helpful drug free fellowship.[2] Like Deadheads, members of Wharf Rats come from all walks of life.[3] By 1990, the Wharf Rats mailing list had some 3,000 names.[1]The Wharf Rats began during the early 1980s[2] as a group of Deadheads under the name "The Wharf Rat Group of Alcoholics Anonymous". The Wharf Rats originally came from a small group of Narcotics Anonymous members who went to a Grateful Dead concert in Philadelphia and located each other by their Yellow balloons with the NA symbol drawn on in Magic Marker.[4] However due to operational differences they soon split off from Narcotics Anonymous, and are not affiliated with them, AA, or any other twelve-step program (though many of members of the Wharf Rats are members of AA, NA or other 12-step programs). The Wharf Rats see themselves as "a group of friends sharing a common bond, providing support, information and some traction in an otherwise slippery environment." The relationship between the Wharf Rats and more traditional such groups has been studied in the academic journal Deviant Behavior.[1]While the Wharf Rats originated at Grateful Dead concerts, they now have a presence at other concerts as well. Similar groups include The Phellowship for Phish, The Gateway for Widespread Panic, The Jellyfish for The String Cheese Incident, Much Obliged for Umphrey's McGee, Happy Hour Heroes for moe., the Digital Buddhas for The Disco Biscuits, Better Than Before for The Werks, the Hummingbirds for Bassnectar, and the Sunny Bunny Recovery for Ween, Dustie Baggies for Billy Strings and The Hot Tea Party for Goose—all based on the Wharf Rats, which remain the best-known.[2]The name of this group comes from the 1971 Dead song "Wharf Rat" (written by Jerry Garcia and Robert Hunter and appearing on Skull & Roses), which contains the self-told story of August West, a down-and-out dockside wino Played: 399 timesFirst:      February 18, 1971 at Capitol Theatre, Port Chester, NY, USALast:      June 25, 1995 at RFK Stadium in D.C. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Google held its annual I/O developer event this week. The company gathered software developers, business partners, and folks from the technology press at Shoreline Amphitheater in Mountain View, California, just down the road from Google corporate headquarters for a two-hour presentation. There were Android announcements, there were chatbot announcements. Somebody even blasted rainbow-colored robes into the crowd using a T-shirt cannon. But most of the talk at I/O centered around artificial intelligence. Nearly everything Google showed off at the event was enhanced in some way by the company's Gemini AI model. And some of the most shocking announcements came in the realm of AI-powered search, an area where Google is poised to upend everyone's expectations about how to find things on the internet—for better or for worse.This week, WIRED senior writer Paresh Dave joins us to unpack everything Google announced at I/O, and to help us understand how search engines will evolve for the AI era. Show Notes:Read our roundup of everything Google announced at I/O 2024. Lauren wrote about the end of search as we know it. Will Knight got a demo of Project Astra, Google's visual chatbot.Recommendations:Paresh recommends The Pitch podcast. Lauren recommends Kristin Lueke's newsletter “The Animal Eats.” Mike recommends the Pedro Almodóvar film, Julieta, which is based on short stories by Alice Munro, who died this week.Paresh Dave can be found on social media @peard33. Lauren Goode is @LaurenGoode. Michael Calore is @snackfight. Bling the main hotline at @GadgetLab. The show is produced by Boone Ashworth (@booneashworth). Our theme music is by Solar Keys.

Last week we talked about a trial of a nurse and social worker outpatient palliative care intervention published in JAMA.  This week, we talk about the other major palliative care trial of default palliative care consults for hospitalized older adults with COPD, kidney disease, or dementia, published in the same issue of JAMA. (See also our accompanying editorial, first author Ashwin Kotwal who joins today as a co-host, and a podcast I recorded with JAMA editor Preeti Malani). For context, listen to the prior podcast with Scott on “nudges” and prior podcast with Kate on who should get palliative care. Three things I love about this podcast, and why you should listen.  First, in our editorial, we expressed concern about the length of stay metric not being patient centric, though important for health systems focused on cost savings.  It was refreshing to hear Scott and Kate express similar sentiments.  Second, we wanted to know how the palliative care clinicians felt about the increased workload - and we had some glimpses into those experiences (and hope for a future publication that fleshes it out further).  Finally, we heard about next steps and lessons learned, as though this was the largest pragmatic trial of palliative care to date, it isn't their last.  Much more to come.  And next time maybe we really will play the game where every time the word pragmatic is mentioned you have to drink

Summer recalls the first time she saw Alanis Morrissette; it was September 1, 1996 and Taylor Hawkins was on the drums. She would see Taylor Hawkins one last time with the Foo Fighters at Chicago's Wrigley Field, but this time as a Concert Mom. She also describes a close encounter with Tyler Joseph and the unusual way in which Till Lindeman and Rammstein got attention on stage.BANDS MENTIONED: 21 Pilots, Alanis Morrissette, Alice in Chains, David Grohl, Foo Fighters, Gwen Stefani, Local H, Metallica, Nirvana, No Doubt, Pantheon, Rammstein, Stone Temple Pilots, Taylor Hawkins.VENUES MENTIONED: Aragon Ballroom (Chicago), Shoreline Amphitheater (Mountain View, CA), New World Music Theater (Tinley Park, IL), Wrigley Field (Chicago). PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

We continue this week with the second set form the band's performance at the Shoreline Amphitheater in Mountain View CA. on August 25, 1993.  This is a fine setlist - highlighted by some outstanding work by Garcia especially during the transitions between songs. A Scarlet>Fire opens things up and Jerry gives us some remarkable work during the transition and in the opening solo of Fire.  'Estimated Prophet' begins a nice long stretch of music highlighted by a 'Terrapin Station' and a sweet jam out of Terrapin into Drums and Space.  'All Along the Watchtower' grows out of Space and the post-drums highlight for me is 'Attics of My Life', although there is a bit of static here and there..  A fun 'Lucy in the Sky with Diamonds', is the encore this night sending folks home with a smile.   Grateful Dead Shoreline Amphitheatre Mountain View, CA 8/25/1993 - Wednesday Two     Scarlet Begonias > Fire On The Mountain Estimated Prophet > Terrapin Station > Drums > Space > All Along The Watchtower > Attics Of My Life > Sugar Magnolia Encore     Lucy In The Sky With Diamonds   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod090123.mp3  Have a safe and fun Labor Day weekend! 

This is day 20 of the Dog Days of Podcasting. Casey calls in with a marathon show review of Rod Stewart at Shoreline Amphitheater and it turns into a geek out session. Music by: Rod Stewart Donate to the show – Rock and Roll Geek Friends And Family Membership DONATE ON PATREON! GET THE ROCK […]

This is day 20 of the Dog Days of Podcasting. Casey calls in with a marathon show review of Rod Stewart at Shoreline Amphitheater and it turns into a geek out session. Music by: Rod Stewart Donate to the show – Rock and Roll Geek Friends And Family Membership DONATE ON PATREON! GET THE ROCK […]

Stai ascoltando un estratto gratuito di Ninja PRO, la selezione quotidiana di notizie per i professionisti del digital business. Con Ninja PRO puoi avere ogni giorno marketing insight, social media update, tech news, business events e una selezione di articoli di approfondimento dagli esperti della Redazione Ninja. Vai su www.ninja.it/ninjapro per abbonarti al servizio.DuckDuckGo si cimenta con la ricerca AI. Il motore di ricerca incentrato sulla privacy, ha seguito Microsoft e Google immergendosi nella tendenza dell'intelligenza artificiale generativa. Annunciato ieri il lancio in versione beta di una funzione di riassunto alimentata dall'AI, denominata DuckAssist. Sarà in grado di rispondere direttamente alle query di ricerca semplici degli utenti. TikTok presenta il suo “Project Clover” per l'Europa. Duplice mossa del social per i video brevi per rispondere alle preoccupazioni dell'Ue. Due nuovi datacenter, in Irlanda e in Norvegia che si aggiungono a quello di Dublino, per attuare il progetto Clover "che creerà un'enclave europea autonoma" per i dati degli utenti di Regno Unito ed Europa, e la nomina di una terza parte europea specializzata in materia di sicurezza dei dati. Google I/O torna a Mountain View il 10 maggio. L'azienda ha appena rivelato che la sua conferenza annuale per gli sviluppatori tornerà allo Shoreline Amphitheater di Mountain View, in California. Come l'anno scorso, l'evento in persona sarà piuttosto intimo, anche se i keynote saranno trasmessi gratuitamente in streaming. Visto il clamore suscitato da servizi come ChatGPT e Bard, è molto probabile che l'azienda si concentri ancora di più sull'AI durante l'appuntamento di quest'anno.

Today we go back to the last shows of Phish 1.0, 10/6/00 and 10/7/00 from Shoreline Amphitheater in Mountain View, CA.And here's the video of Trey talking about Farm Aid '98 (starts around 3:30).Please subscribe to Osiris Media on Apple to hear BONUS HFPod Episodes as well as all of Osiris Media ad-free!Visit Sunset Lake CBD and enter the promo code HFPOD for 20% off your order.Please visit Passion House Coffee to purchase the Ocean of Osiris - our first coffee! Use code OSIRIS for free shipping on every order.HFPod on Tour is hosted and produced by Jonathan Hart, Brian Brinkman and RJ Bee and Megan Glionna. Brought to you by Osiris Media. Hosted on Acast. See acast.com/privacy for more information.

This Labor Day weekend the Deadpod brings you the 2nd set from the band's performance at the Shoreline Amphitheater on August 18, 1991. There's alot of joy in this set, I think, as the band seems to be enjoying themselves throughout. A fine 'Deal' opens things up - Hornsby is evident here and throughout. The band delivers a topnotch version of 'Samson and Delilah' to follow. A somewhat sloppy 'Mississippi Half-Step' leads into a rather funky 'Feel Like a Stranger'. Out of the Rhythm Devils we get a favorite of mine, 'China Doll', then the band closes with a rocking trifecta of 'Goin' Down the Road', 'Throwin' Stones' and 'Not Fade Away'.  One of the highlights is the perfectly executed 'Brokedown Palace' encore.    Grateful Dead Shoreline Amphitheater Mountain View, CA 8/18/1991 - Sunday Two     Deal [8:41] Samson And Delilah [8:40] Mississippi Half-Step Uptown Toodeloo [8:15] Feel Like A Stranger [8:20] > Drums > Space > China Doll > Goin' Down The Road Feeling Bad > Throwing Stones > Not Fade Away Encore     Brokedown Palace   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod090222.mp3 Have a safe and happy Labor Day!! thank you for listening and of course for you kind support. 

   Here's a fun and happy Sunday show on this week's Deadpod - from the Shoreline Amphitheater on August 18, 1991. This first set features a very fine 'Jack-A-Roe' and some great piano work by Bruce Hornsby on 'CC Rider'. Jerry also brings out the Dylan cover 'It Takes A Lot To Laugh, It Takes a Train to Cry' which made its appearance this summer. One of the highlights of the set is Bobby seemingly forgetting the words to 'Beat It On Down the Line'...later in that song, Hornsby creates a 'false stop' and you hear the band talking about it before a short reprise :) A great 'Johnny B. Goode' ends the set..    Grateful Dead Shoreline Amphitheater Mountain View, CA 8/18/1991 - Sunday One      Hell In A Bucket   Jack-A-Roe [5:00]   C C Rider [5:26] > It Takes A Lot To Laugh It Takes A Train To Cry [4:25]   Beat It On Down The Line   West L.A. Fadeaway   When I Paint My Masterpiece   Stagger Lee   Johnny B. Goode  You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod082622.mp3 Hope you enjoy the show, thanks for your kind support.   

In this month we're going to be touching up on some of Pearl Jam's past festival dates, starting with the first touring festival that helped make the band at Lollapalooza in 1992. Two shows at the Shoreline Amphitheater kicked off this tour, and we're gonna cover the second night because it's the only one that has a bootleg attached. We'll share a clip from our Horizon Profile episode with Amy Wynn, who was at the first night of the two-day kick-off. We'll also get to talk about an entertaining interview that exists on the internet featuring Stone and Jeff on MTV's 120 Minutes. They discuss how they met, how they felt about touring at the time, and a word that you can say on TV that absolutely caught the attention of Stone. That's probably the big moment to tune in for! Visit the Concertpedia - http://liveon4legs.com Donate - http://patreon.com/liveon4legs

This week we are very happy to have radio personality and host Megan Holiday with us. Although Megan is on the other side of the aisle from us musicians, she is part of the crucial balance I speak of where musicians and non-musicians need each other to maintain the balance of the industry as we know it while it quickly and continuously changes. People like Megan are true advocates for music and musicians so her way of approaching her role in this whole structure is a valuable asset to us creatives. We get into how Megan got her start in radio so naturally we also get into her story of recovery and sobriety after the inevitable rock bottom, and emotions run high. This is delicate vulnerable stuff after all, but it also facilitates gratitude and appreciation of life and sobriety through Megan's story. We also get talk about her 1st times live on air, manifesting people into her life, getting a glow necklace from Aaron Paul at Coachella, tripping hard at Shoreline Amphitheater and lots more! Thanks for listening and being part of the guild. Learn more about your ad choices. Visit megaphone.fm/adchoices

If you were to take a guess as to what venue Pearl Jam has frequented the most over the last 30 years, would you think Shoreline Amphitheater is the correct answer? If not, then you're wrong. 17 of the performances in the San Francisco area amphitheater came from the Bridge School benefits, but this episode will happen to cover a show played there in 2003. As of most nights from this era, there are some politically motivated moments seeped into this evening. From a pro-activism speech during Porch to a few references to some of the bay area war protests that happened that February, it's not difficult to see what's on the band's mind. However, it being the second leg of this US run following the Nassau Coliseum incident, things are a lot more composed. As long as people didn't fuck with The (Dixie) Chicks, Ed was in good spirits. Tune into this episode to check out great versions of Long Road, You Are, Daughter, Thumbing My Way, Present Tense, Love Boat Captain and an out of this world Crazy Mary. Potentially the best of all-time? One host's opinion may reflect that. Thanks to our Patron Ryan Morden for joining us and selecting this show for us to cover! Visit the Concertpedia: http://liveon4legs.com Donate to the show: http://patreon.com/liveon4legs

Bennett Roth-Newell is one of the Bay's Areas most talented jazz/R&B pianists. On top of that, he is an MC who can rap and freestyle while playing piano simultaneously. -You may have seen him electrifying the stages at the San Jose Jazz Festival, Yoshi’s, Shoreline Amphitheater, or performing with Grey Smith, The Illiance, and Amy Dabalos. Bennett is a multifaceted artist, arranger, and composer. -As Creative Arts Director at The Riekes Center for Human Enhancement in Menlo Park, CA, Bennett teaches piano, drums, bass, composition, band classes, Hip-Hop songwriting, and electronic music production.In this episode we learn:

As the trombonist who got run over by Cal’s Kevin Moen at the end of The Play--the epic, five-lateral kickoff return that decided the 1982 Big Game--Gary Tyrrell has spent decades recalling his place in football history. He does that here, expansively and hilariously, and so much more. From Stanford band transgressions to over-the-top pranks to killer Grateful Dead shows to an unmatched case of the Sunday Scaries, Gary hits all the right notes.

Follow @johnbryars John Bryars passion for music started at an early age with piano and soon after started playing drums. He continued to develop his musical abilities and began playing in a band drawing inspiration from artists including Sonic Youth, Fugazi and Blonde Redhead. He bought his first pair of turn tables and began spinning and collecting records during his senior year of high school. After moving to San Francisco to attend art school, John formed the two piece band The Tenderlions in 2007. They were well received for their unique mix of live electronic and acoustic elements. The Tenderlions released several EP’s as well as singles and remixes through various labels such as Om Records. The live electronic duo had the pleasure of sharing the stage with the likes of The Prodigy James Murphey, and Simian Mobile Disco as well as playing reputable venues like The Warfield, Mezzanine, and Shoreline Amphitheater as well as various festivals. John is currently based in Los Angeles and is recognized for his broad tastes and eclectic style. He has played Legendary Los Angeles parties such as A Club Called Rhonda, Lights Down Low, Midnight Lovers and Future Primitive. He has DJed alongside Solar, Lina willikens, Marie Davidson, Octa Octa, Interstellar Funk, Honey Soundsystem, Gerd Janson, Honey Dijon, Maya Jane Coles and many others. He has done radio shows for NTS, Dublab and KXLU. He has played various festivals such as Sunset Campout and is working on an EP set to release early next year.

This month the podcast takes us to the Late Summer 1991 Run that had the band playing 6 shows in 7 nights... and they only repeated one song!   Amazing.   This is the 4th show of that run, and they are obviously trying hard not to repeat anything and came up with some interesting twists.   For half-time, "Bob" brought us in some Bob & Rob from 1991.   Good stuff.   Hope you guys are enjoyin the ride! GRATEFUL DEAD   August 16, 1991   Shoreline Amphitheater  Mountain View, CA   SET 1:  Jack Straw > Bertha, All Over Now, Ramble On Rose, Desolation Row, Dark Star > Promised Land   HALF-TIME:   Weir/Wasserman  (12/21/91  San Rafael, CA)   SET 2:   Scarlet Begonias > Victim Or The Crime > Fire On The Mountain, Truckin > Drums > Space > Playin' in the Band (Reprise) > Standing on the Moon > Good Lovin   ENCORE:   US Blues SOURCE:   Soundboard / Analog Master

THE DOLLYROTS ANNOUNCE JULY/AUGUST TOUR DATES - NEW ALBUM DAYDREAM EXPLOSION OUT ON JULY 12 ON WICKED COOL RECORDS/THE ORCHARDLOS ANGELES ALBUM RELEASE SHOW JULY 13 AT THE HI HATPLAYING VANS WARPED TOUR 25th ANNIVERSARY CELEBRATION IN MOUNTAIN VIEW, CALIFORNIAThe Dollyrots continue to bring their trademark melodic pop-punk to the masses with a new album and tour run this summer. The duo’s upcoming new album Daydream Explosion will be out on July 12 on Wicked Cool/The Orchard. Hear the brand-new track “In Your Face,” released today on all streaming platforms, or preorder the full album now and get both “Everything” and “In Your Face” as instant downloads.Pre-order Daydream Explosion here: https://orcd.co/daydreamexplosiondollyrotsDaydream Explosion is the band’s sixth with longtime producer John Fields (Jimmy Eat World, All Time Low.) The new album bursts out of the gate with the one-two punch of “Animal” and lead single “Everything.” Follow-up single “In Your Face” is a midtempo rocker with a wallop of a chorus, while stylistic variations are all over this collection of 14 brand-new songs. “Watching The Storm Go By" is a '60s girl-group homage so spot-on it includes a spoken interlude worthy of The Shangri-Las, while the lounge vibes on the verses of "Flippy In My Red Dress" are balanced sweetly by the revved-up chorus. Album closer "Daisy's Song" is an affectionate ode to Kelly and Luis' now two-and-a-half-year-old daughter. “Their songwriting has reached a consistent level of greatness.” – says Wicked Cool founder Stevie Van ZandtThe Dollyrots’ songs have long been a staple in rotation on Little Steven’s Underground Garage, but the band’s recent work really perked up the ears of Underground Garage/Wicked Cool founder Stevie Van Zandt. The alliance with Wicked Cool, which began with the singles “Get Radical” in 2018 and “Everything” this spring and is a return to a label after several DIY, fan-funded releases since 2012.The band recently wrapped up a west coast tour run and will be on the road again this summer. Look for them back in California for their album release party presented by Little Steven's Underground Garage at the Hi Hat on July 13 and The Vans Warped Tour 25th Anniversary Celebration at Shoreline Amphitheater on July 20. They will embark on an east coast tour kicking off on July 30, full list of dates below.The Dollyrots’ 2017 album Whiplash Splash debuted on both Billboard’s Heatseekers chart at #13 and Billboard’s Independent Albums chart at #31. The band’s 2016 live album/DVD Family Vacation: Live in Los Angeles debuted at #15 on Billboard's Heatseekers album chart, and Barefoot and Pregnant garnered their first chart appearance, peaking at #7 on Billboard's Heatseekers. Highly successful crowdsourcing campaigns preceded both chart appearance, this followed the group's 2012's self-titled LP, two albums on Joan Jett's Blackheart Records, and a 2004 debut through the venerable Lookout!/Panic Button Records.-Tour Dates- 6/14 - Midwest Punkfest XI - Bloomington, IL 7/13 - The Hi Hat • Los Angeles, CA – Record Release Party 7/20 - Warped Tour Anniversary Celebration - Mountain View, CA The Pink Spiders will be opening on the following dates: 7/30 - Milestone - Charlotte, NC 7/31 - The Local 506 - Chapel Hill, NC 8/1 - Lizard Lounge - Lancaster, PA 8/2 - Milk Boy - Philadelphia, PA 8/3 - Coney Island Baby - New York, NY 8/4 - Cafe Nine - New Haven, CT 8/5 - The Ottobar - Baltimore, MD 8/6 - Gallery 5 - Richmond, VA 8/7 - Radio Room - Greenville, SC 8/8 - 529 - Atlanta, GA 8/9 - Jack Rabbits - Jacksonville, FL 8/10 - The Attic - Tampa, FLwww.thedollyrots.comhttp://www.facebook.com/thedollyrotshttp://www.twitter.com/thedollyrotshttp://instagram.com/thedollyrotshttp://567Podcast.com

THE DOLLYROTS ANNOUNCE JULY/AUGUST TOUR DATES - NEW ALBUM DAYDREAM EXPLOSION OUT ON JULY 12 ON WICKED COOL RECORDS/THE ORCHARDLOS ANGELES ALBUM RELEASE SHOW JULY 13 AT THE HI HATPLAYING VANS WARPED TOUR 25th ANNIVERSARY CELEBRATION IN MOUNTAIN VIEW, CALIFORNIAThe Dollyrots continue to bring their trademark melodic pop-punk to the masses with a new album and tour run this summer. The duo’s upcoming new album Daydream Explosion will be out on July 12 on Wicked Cool/The Orchard. Hear the brand-new track “In Your Face,” released today on all streaming platforms, or preorder the full album now and get both “Everything” and “In Your Face” as instant downloads.Pre-order Daydream Explosion here: https://orcd.co/daydreamexplosiondollyrotsDaydream Explosion is the band’s sixth with longtime producer John Fields (Jimmy Eat World, All Time Low.) The new album bursts out of the gate with the one-two punch of “Animal” and lead single “Everything.” Follow-up single “In Your Face” is a midtempo rocker with a wallop of a chorus, while stylistic variations are all over this collection of 14 brand-new songs. “Watching The Storm Go By" is a '60s girl-group homage so spot-on it includes a spoken interlude worthy of The Shangri-Las, while the lounge vibes on the verses of "Flippy In My Red Dress" are balanced sweetly by the revved-up chorus. Album closer "Daisy's Song" is an affectionate ode to Kelly and Luis' now two-and-a-half-year-old daughter. “Their songwriting has reached a consistent level of greatness.” – says Wicked Cool founder Stevie Van ZandtThe Dollyrots’ songs have long been a staple in rotation on Little Steven’s Underground Garage, but the band’s recent work really perked up the ears of Underground Garage/Wicked Cool founder Stevie Van Zandt. The alliance with Wicked Cool, which began with the singles “Get Radical” in 2018 and “Everything” this spring and is a return to a label after several DIY, fan-funded releases since 2012.The band recently wrapped up a west coast tour run and will be on the road again this summer. Look for them back in California for their album release party presented by Little Steven's Underground Garage at the Hi Hat on July 13 and The Vans Warped Tour 25th Anniversary Celebration at Shoreline Amphitheater on July 20. They will embark on an east coast tour kicking off on July 30, full list of dates below.The Dollyrots’ 2017 album Whiplash Splash debuted on both Billboard’s Heatseekers chart at #13 and Billboard’s Independent Albums chart at #31. The band’s 2016 live album/DVD Family Vacation: Live in Los Angeles debuted at #15 on Billboard's Heatseekers album chart, and Barefoot and Pregnant garnered their first chart appearance, peaking at #7 on Billboard's Heatseekers. Highly successful crowdsourcing campaigns preceded both chart appearance, this followed the group's 2012's self-titled LP, two albums on Joan Jett's Blackheart Records, and a 2004 debut through the venerable Lookout!/Panic Button Records.-Tour Dates- 6/14 - Midwest Punkfest XI - Bloomington, IL 7/13 - The Hi Hat • Los Angeles, CA – Record Release Party 7/20 - Warped Tour Anniversary Celebration - Mountain View, CA The Pink Spiders will be opening on the following dates: 7/30 - Milestone - Charlotte, NC 7/31 - The Local 506 - Chapel Hill, NC 8/1 - Lizard Lounge - Lancaster, PA 8/2 - Milk Boy - Philadelphia, PA 8/3 - Coney Island Baby - New York, NY 8/4 - Cafe Nine - New Haven, CT 8/5 - The Ottobar - Baltimore, MD 8/6 - Gallery 5 - Richmond, VA 8/7 - Radio Room - Greenville, SC 8/8 - 529 - Atlanta, GA 8/9 - Jack Rabbits - Jacksonville, FL 8/10 - The Attic - Tampa, FLwww.thedollyrots.comhttp://www.facebook.com/thedollyrotshttp://www.twitter.com/thedollyrotshttp://instagram.com/thedollyrotshttp://567Podcast.com

This week's Memorial Day weekend Deadpod features the second set from the band's performance at Shoreline Amphitheater on May 12th, 1991. I'm a sucker for a Help>Slip>Frank opening and I quite enjoy this one. There are plenty of Phil bombs here and Bruce Hornsby's presence is heard here as well. Jerry is quite present throughout this set and is in relatively great voice.  For a post-Brent show I think this one is quite good, and the Weight encore was a favorite of mine in this era.  I hope you enjoy..    Grateful Dead Shoreline Amphitheater Mountain View, CA 5/12/91 - Sunday   Two Help On The Way > Slipknot! > Franklin's Tower ; Looks Like Rain ; Terrapin Station > Drums > Space > Goin' Down The Road Feeling Bad > Throwing Stones ; Turn On Your Love Light Encore The Weight   you can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod052419.mp3   Be sure to join us on our Facebook group.. and you can listen to the Deadpod on Spotify as well.    Have a safe and Fun Memorial Day weekend!    Summertime will come and go before you know! 

Today's guest is Chip Conley, the founder of Modern Elder Academy. Rebel hospitality entrepreneur and New York Times bestselling author, Chip Conley disrupted his favorite industry... twice. At age 26 he founded Joie de Vivre Hospitality (JdV), transforming an inner-city motel into the second largest boutique hotel brand in America. He sold JdV after running it as CEO for 24 years, and soon the young founders of Airbnb asked him to help transform their promising start-up into the world’s leading hospitality brand. Chip served as Airbnb’s Head of Global Hospitality and Strategy for four years and today acts as the company’s Strategic Advisor for Hospitality and Leadership. His five books have made him a leading authority at the intersection of psychology and business. Chip was awarded “Most Innovative CEO” by the San Francisco Business Times, is the recipient of hospitality’s highest honor, the Pioneer Award, and holds a BA and MBA from Stanford University. In today's episode, Brian & Chip Discuss: - What it's like to have your birthday fall on Halloween - Choosing to go to a high school where Chip knew he would be in the minority - Having a very engaged, passionate father who wanted nothing more than for Chip to become a better version of his dad - Starting a hotel brand in one of the worst neighborhoods in San Francisco - How Maslow's Hierarchy has influenced Chip's Leadership & Business Philosophy - Meeting AirBNB Founders & joining the company as both a mentor & an intern - Why today's workforce must embrace the wisdom of our Modern Elders Connect with Chip: Website | LinkedIn Check out Modern Elder Academy: Website Connect with Brian Mohr: Website | LinkedIn We Help Leaders Hire on Purpose: YScouts.com   Chip Conley Podcast Interview   Brian Mohr: [00:07:43] Well ladies and gentlemen welcome to another edition of the Built on Purpose podcast.   Brian Mohr: [00:07:49] I am incredibly excited to have with me today hotelier, author, social alchemist, disruptor, student, sage, and modern Elder the one and only Chip Conley... Chip:   Chip Conley: [00:08:08] What is up man.   Chip Conley: [00:08:10] I am wearing way too many name tags... All different.   Chip Conley: [00:08:17] You know I dig it.   Brian Mohr: [00:08:19] It's a good thing. I guess you've been constantly reinventing yourself or should I say continuing to learn more about who you are and what you're capable of.   Chip Conley: [00:08:29] Thank you. Thank you very much.   Brian Mohr: [00:08:31] Absolutely great to have you. So I want to start off.   Brian Mohr: [00:08:34] You were born on Halloween and I am just so curious. As a guy born on Halloween as a youngster was having your birthday on the same day as Halloween. An exciting thing? Or did it just piss you off that Halloween was robbing you of your special day?   Chip Conley: [00:08:52] I think it meant it meant that my special day meant that I was just a weird kid, you know, everybody and you got dressed up really strangely on this, like "what was all that about" No, I - you know - I have lots and lots of photos of birthdays with people dressed funny and I still have those because every five years I do have a birthday somewhere in the world starting at age 30.   Chip Conley: [00:09:17] And now I'm 58 so I've got the sixtieth coming up soon. But it's been everywhere from Bali to Marrakech and I promise you we do have a master party one night.   Brian Mohr: [00:09:27] I love it. I love it.   Brian Mohr: [00:09:28] So as you as you think back on all of these Halloweens is there any one particular costume of yours that just really brings back me or the most vivid memories as the costume itself.   Chip Conley: [00:09:44] Interesting question.   Chip Conley: [00:09:48] No not quite. I mean I you know. I did show up at one point in what looked like a birthday suit. Like....   Chip Conley: [00:09:55] Nothing. But it wasn't I actually; it was a body double... Gave me a suit, like showed me how to actually create in essence what looks like...   Chip Conley: [00:10:06] A naked body, but it's not my naked body. And I did show up at a birthday party like that once. And the shock factor was enormous. You realize:   Chip Conley: [00:10:16] Oh! Chips wearing something!   Brian Mohr: [00:10:19] I'm sure the looks on people's faces were were pretty priceless.   Chip Conley: [00:10:24] The good times good times.   Brian Mohr: [00:10:25] Thanks for indulging me on that. I'm always curious there's you know you always meet folks who have their birthdays coincide with that with a big holiday and you were the first person I met who was born on Halloween social super curious about that.   Chip Conley: [00:10:41] You know I will say one thing that's interesting Brian is that you know, I live in Mexico for more than half the time. And I was in San Miguel de Ndadaye which is not too far from Mexico City a couple of years ago. And going to the day of the dead which is actually after Halloween. It's in early November and doing the day of the dead experience in Mexico that is how they do their Halloween. Or their post Halloween, right? I mean it's really quite an experience. And I think probably of all the places in the world, there's no place that does that - That period around Halloween day. The dead are better than men in Mexico.   Brian Mohr: [00:11:24] That's awesome. That's awesome. Well that sounds like a whole 'nother conversation we could probably hear.   Brian Mohr: [00:11:30] And I'm really curious, and I want to kind of rewind the clock here, and this may be super interesting or maybe absolutely not an interesting topic but I'm curious when you attended Long Beach Polytechnic... You're enrolled in the PACE program which stands for the program of additional curricular experiences. And having not attended Long Beach Polytechnic or having not been a part of any kind of a program like that: Is there any impact? I'm curious as you think back on the impact that program had on who you are and the experiences that you pursued after you left Long Beach Polytechnic.   Chip Conley: [00:12:12] Oh my gosh wow! Well I appreciate you doing the homework. I've rarely been asked that question or anything close to that. So Long Beach Poly is a famous high school. It's actually where Snoop Dogg went to high school. And Cameron Diaz. And it's pretty famous because it's the number one school in the country for being a feeder school for the NBA and the NFL. So it's a big inner city high school public school. But it's also the number one feeder school for the UC. System in the state of California for the public state universities system. So it's an academically relatively strong place. PACE, my program, was the first graduating class. PACE Was meant to be a way an alternative to bussing. So I'm 58 - this is back in the 1970s. There was a strong desire in us to integrate high schools. And one alternative was to create a bussing program and there are just all kinds of protests around bussing from school. So what long beach did was different. It actually took all of the best programs academically in the school district where there were five high schools and they put them all in the inner city high school. And they said if you want to do college prep programs, you can do it. And we've got great programs but they're all in inner city school. And what that was meant to do was, to sort of - Instead of forcing people to be bussed it was giving choice to say I want to go to school in a neighborhood that is generally not integrated.   Chip Conley: [00:14:00] So I was known as curious white boy is my older nickname.   Chip Conley: [00:14:06] And I would say that's the combination. To answer your question.   Chip Conley: [00:14:08] The two elements to it. Number one is going to high school in an inner city school where I was a minority as a white guy was a great experience because I think all of us in our life need to live in a place for some extended period of time...   Chip Conley: [00:14:23] Where we are the "other." And when I say the other I put that in quotes. The "other" being the person who is not in the majority because it helps students understand and have empathy for what that means. To be in the minority whether it's a woman in a boardroom or a person of color. In most companies or me at AirBNB as an old guy. So I was the "other" by being a white person in a predominately non-white school. And then the PACE program was a really intense college prep program that prepared me well for going to Stanford. And so, you know, you wouldn't expect an inner city high school to have had five or 10 grads be accepted into Stanford but that's exactly what happened because the program was strong enough that this. The Inner city public school system allowed that. So I think it really helped me also get really connected to purpose. My own sense of like... How do I give back? Because I was able to see in an inner city community how so much of society wasn't really giving back to that community. And so for me, one of my chief things I did with my foundation is to have it give money as well as project support to inner city youth programs because of my experience growing up there.   Brian Mohr: [00:15:51] That's awesome. I appreciate you sharing that.   Brian Mohr: [00:15:54] As you finished Stanford, and if my research is accurate, you spent a couple and a half years in the real estate business and from what I gathered it sounds like you realized pretty quickly that that was not where you were going to spend your career and after a couple and a half years you got out of it. Was there anything in particular about the industry or any incidents that you encountered where, you know, that sense of purpose you talk about where you just knew that that wasn't where you were going to dedicate your life's work?   Chip Conley: [00:16:42] You know, I went directly to Stanford undergrad business school so the years you're talking about are after getting an MBA and I felt that business can be very money driven. It's somewhat of a mercenary business on the brokerage side on the development side, etc. and there are some visionary developers and I really admire them and the developer I was working for was moderately visionary. But at the same time it felt like I didn't have enough creativity. What was really fueling my decision that I wanted to take my real estate background and apply it in a more purposeful but also more creative way - was the need to sort of feel I was going to. And to do something that was pioneering that haven't been done before and that's when I decided to start a boutique hotel company in the mid 1980s at a time when boutique hotels were just getting off the ground in the US. And I love the fact that the purpose of the company or the mission of the company is to "bring joy of life." That was also the name of the company in French. I also like the fact that I can use my real estate background, but apply it in a more creative way and also in a way where if I did my job well and our team did their jobs well, we would make people happy and that's really what the hotel business is about. So yeah - that's how I got started. Age 26: got my first boutique hotel and in a bad neighborhood.   Brian Mohr: [00:18:12] Yeah right. Right. Yep. Yep exactly.   Chip Conley: [00:18:16] Yeah.   Brian Mohr: [00:18:26] So at some point I would assume during the early part of you hotel career, you had - please correct me on how the interaction occurred - but you had a chance meeting or a chance connection with a legendary concert promoter Bill Graham and then I think there's somewhat of the story as Bill had impressed upon you that as musicians are coming in and out of San Francisco that there's really isn't a property that psychographs and there was a real opportunity there. I'd love to talk just a little bit about your experience with Bill: What you picked up from him and what kind of a figure he was in your life.   Chip Conley: [00:19:03] So when I was working for the real estate developer for two and half years out of business school, one of the projects that I was assigned to was a potentially joint venture with Bill Graham and his organization to build the Shoreline Amphitheater which is right down your Google headquarters.   Brian Mohr: [00:19:20] Now down near STANFORD UNIVERSITY, Yes.   Chip Conley: [00:19:23] And so the truth is that there was a joint venture that didn't really need us. And so the question was: How are we supposed to be partners with them? And over time I got to know Bill a little bit, and that's when he said listen: "You know what you guys really should do instead of trying to be our partners on this project, is you should try to create a hotel that accommodates musicians on the road." And then he told me why. And that's what led me to saying: "OK you know I'm going to get a broken down motel in the tenderloin of San Francisco which is a tough neighborhood and turn it into a rock n roll hotel called the Phoenix. And that was more than 32 years ago and it became a surprising success against all odds. And led me to creating 52 boutique hotels over the next 24 years. As my role as the founder and CEO of what became the second largest boutique hotel company in the U.S. and yes it certainly was doldrum.   Brian Mohr: [00:20:24] Yeah that's super cool and as I understand it the original name of the Phoenix was Magnolia Court, if I'm not mistaken.   Chip Conley: [00:20:34] You've done your research. Funny, I saw my mom & dad yesterday at the Phoenix. We had an annual owners meeting at the Phoenix yesterday and they're investors and I laughed at my dad and I said that you wanted to call this place Magnolia Court. And I said: "We want to make sure we're in play and that our primary customers - families from the Midwest that were coming didn't say: 'Dad, this is a motel surrounded by hookers & pimps in the neighborhood...this is not where we're going to go' "   Chip Conley: [00:21:08] And so the Phoenix is what we became because it was rising from its own ashes like the mythical bird. The Magnolia Court - My God - it sounds like a place where you go to retire for sure, at least a very nice assisted living facility or something like that.   Brian Mohr: [00:21:34] Yeah, for sure. You know, I don't want to spend too much time on it, but was it hard to have your dad one of the lead investors in the Phoenix? Did that present challenges or was it pretty easy?   Chip Conley: [00:21:46] I mean at first it was very hard because I was young and let's start with that - I was way too young to be doing what I was doing. So having my dad help.. He was a small investor but he was somebody I would bounce ideas off of. But what became clear was there are certain things like traditional business stuff -Yes he was helpful. Anything that related to theoncept of a hotel, what kinds of services were offering, the design of the hotel, the branding of the hotel. All of that... He was so much a fish out of water. And what was problematic was that he didn't really get my vision. And it was almost up to me, the way I thought it was. He didn't have confidence in me or my vision or what I was going to be doing, and it was it was a tough time.   Chip Conley: [00:22:31] You know, we had almost a wrestling match & the hotel staff was watching like "What is going on here?!"   Chip Conley: [00:22:43] But over time it was hard. And my dad you know let's also recognize, I was always in his shadow. Or he was always there right next to me and that was supportive. And yet it was also a little oppressive. And I'm even his Junior, which is another "Chip off the old block" which is part of the reason I have the name Chip.   Chip Conley: [00:23:06] And I went to the same high school as my dad and swam and played water polo there just like he did and went to the same college as my dad - Stanford - and joined the fraternity just like he did. I'm a mathematics major just like he was. I went to business school just like he did. And he was my Boy Scout leader and Eagle Scout and I became an Eagle Scout. And he was my baseball coach and I was a star pitcher. So, bottom line is my dad was ever present in my life. And I would say if he had diluted that by 20 percent it would have been perfect. Because it was a little too much. And yet from those whose fathers were not in their life at all, you know, I would rather have my dad in my life the way he was not in my life at all. But I would say it would have been probably healthier for my dad if he had been about 20 percent less active in my life, because I felt like I was very much on my dad's path.. He wanted me to be a better version of himself. And he even admitted that yesterday we were talking he says: No, I want it. I want you to be a better version of myself."   Chip Conley: [00:24:08] And it's like: "Well if you if you'd said you wanted me to be a different version of yourself that would have been helpful because I was a different version. I was just trying to be a better version of you."   Chip Conley: [00:24:20] Because that would actually have limited my path in so many ways. And as it turns out, I am a better and different version of my dad - I'm both. It didn't have to be an either-or; it could be both.   Brian Mohr: [00:24:32] Yeah, sure. Absolutely. I appreciate you sharing a little of that insight. That's really good stuff.   Brian Mohr: [00:24:40] I want to shift a little bit here and I want to make a reference so Jerry Seinfeld.   Brian Mohr: [00:25:02] I think he's an absolutely brilliant comic and I think so much of his brilliance comes from his keen awareness of paying attention to simple acts of daily life. And, you know, finding the humor in the daily things and I want to draw an analogy because I think in many ways your leadership follows a similar path - at least what I've seen and read and experiences I've had - Where you have looked to your frameworks like Maslow's hierarchy and instead of recreating the wheel you're finding what is a Truth. You adopt them and then figure out: "All right. How can I leverage this framework as the way to run a business?" And you talk about joie de vivre the joy of life and to bring a sense of joy to the people that you're serving. To me, using Maslow's hierarchy makes so much sense, but I'm curious. What might seem like common sense to some is very uncommon to many. So my question is: When did you know or how did you know to simply look for these common sense frameworks and use them as the basis from which to grow everything that you've been involved in?   Chip Conley: [00:26:20] First of all, thank you Brian - I appreciate that. For me, I am a voracious learner and reader. So I like to constantly learn new things feed and feed my head. So I'll just give a couple examples using Maslow and Viktor Frankl. So with Maslow - I took one psychology class in college. I liked it but I didn't do anything beyond that. I do rememberin one classs that the guy who had the halo around his head as a psychologist was Maslow because most that most psychologists were focusing on neuroses and deficits as I was focusing on best practices and human behavior and what we learn. From them created this hierarchy of needs theory. So when I was struggling in the dot com bust we were the largest hotelier in the SF Bay Area. At that point we had 18 hotels in San Francisco alone. That's just in the city. And the city and everything was just falling apart. That's 16-18 years ago. I went to the local bookstore looking for a book or business book saying: "OK, I went out into business school so I learned something, like You know I need a clue right now" and I only after about 10 minutes in the business section I ended up in self-help and psychology and that's when I realized my problems are more serious than just business. And that's where I ended up running into one of massive books and I sat on the floor for two hours reading Maslov. I had to learn this stuff in college and this is really interesting, and I was really applying myself here to have actualisation on the level at the top. To myself, saying like "How can I feel self actualized in a time when I feel completely deflated right now?" And so I bought the book and then reading at night I just said "Well what if if companies are full of humans in masses - here is basically a human hierarchy of needs. How could you apply the same hierarchal image for an individual and apply it to a collective like an organization?" And that's again with my desire to read and learn it's sometimes a matter of reading, learning, and then reapplying it in a new way. And we took Maslow's pyramid, five old tiers, and turned it into a three level transformation pyramid to apply that hierarchy of needs principle and sort of paradigm to employees customers and investors who are our three most important stakeholders in our company. And ultimately we tripled in size in the dot com bust which was a big surprise to everybody because everybody said we were a goner we were the biggest foothold in Bay Area. Kimpton and Schrager who are two biggest boutique competitors were losing hotels to the banks & turning some hotels going into bankruptcy. And instead we know we did really well and it was partly because of this theory which ultimately led me to reading a book called: "Peak: How Great Companies get their Mojo from Maslow." And then a few years later, you know the great recession once again it was a Jewish psychologist who actually came out of it out of the woodwork...   Chip Conley: [00:29:38] And you know on the library shelf it was like "OK I'm going to read that "Man's Search for Meaning" by Viktor Frankl, a guy who had been in a concentration camp in World War II and apply it to myself. And that's how I sort of got reacquainted with the idea of:   Chip Conley: [00:29:53] "How do you find meaning in the darkest of times?" And for anybody who's who's having a difficult time and lamenting, you know reading Frankl's "Man's Search for Meaning" about what it was like to be in a concentration camp and you'll realize that you are you are just in your pity pot because your life is probably not bad compared to what he was going through and the people he was in the camp with. But his books are very very powerful books and it lead to me reading a book called "Emotional Equations." And led to me just sort of start looking at how do we apply emotional intelligence in a more fundamental way in leadership in organizations. And that's what I did in my company and that's ultimately what I used when I went to AirBNB.   Brian Mohr: [00:30:38] Yeah let's talk about that. It's a perfect segue.   Brian Mohr: [00:30:42] You know I'd love to hear how did you originally connect with AirBNB as a gender neutral team there and you know clearly this sense of value from all of your experience and your your building of emotional intelligence and as you talk about that exchange of Iike EQ for DQ and I'll let you explain it. You know, how did you meet the team? How did you guys decide that this was a good idea? And how did you find your way through with the maze?   [00:31:21] Yeah I mean, it was funny - when I read "Man's Search for Meaning" I read it at a time when I was struggling and it made me really realize I needed to sell my company which is a hard thing. You know when you start a company at age 26 you can run it for 50 or 60 years and 24 years into it, it's like"You know what I'm over this. I need to move on." It was a hard thing to do but I did and a couple of years later as I was in a new era, there's a great great quote from Robert De Niro in a movie where he says "Musicians don't retire, they quit when there's no more music left inside of them." And I think that really was appropriate for me I was 52 I knew there was a lot of music inside of me but. And that was when six years ago Brian Chesky Co-Founder of AirBNB and CEO approached me and said I'd love to have you be my intern and in-house mentor and help us become a hospitality company because we're a small tech company that's growing fast but we have no hospitality or travel industry people in the company. So I delved quite deeply into helping run the company with those three and a senior leadership team that helped. To work with them ws a full time job and what it taught me quickly when I was as much as I was the mentor - I was older than everybody else, twice the age the average person in the company - but I was the intern as much as I was the mentor. Yes I had a lot of wisdom around hospitality and leadership and strategy. I had a strategy for the company as well. But I didn't know a damn thing about technology. Didn't know a lot about millennial travel habits, didn't know much about the Silicon Valley tech world of investors, and so often I was learning as much as I was teaching. And so it led ultimately that coined the term in the company people started calling me "The Modern Elder" and the modern elder is different than a traditional elder in the sense that the modern elder is as much a curious learner as they are a wise teacher. And it's that combination of curiosity and wisdom that makes them relevant and elder. The past is all about you give reverence to your elders. But no one does that anymore in Western society. So it's about having relevance and relevance allows you to use your wisdom but apply it to modern day problems. And so that's what I did. And EQ for DQ that you mention is I traded my emotional intelligence for their digital intelligence. And the truth is that power is moving 10 years younger in most companies and we're all going to live ten years older and so all of a sudden create a 20 year irrelevancy gap. If powers were younger and were going to live older and that's what I've tried to do in terms of those speeches I have been giving and the book I wrote which is called "Wisdom at Work: The Making of a Modern Elder."   Chip Conley: [00:34:23] And then the Modern Elder Academy which we created in Mexico.   Brian Mohr: [00:34:27] So I want to hang on this for a minute and specifically talk about - I'm not sure if there's a better word for it so feel free to jump in here - ageism and what is happening within the workforce right now. I think we are in the most fiercely competitive labor market certainly in the last 20 years if not longer. And you know with great technology and platforms out there like LinkedIn that have certainly proliferated the resume and you can find people and learn about what they're up to at the same time. You know you've got photos on there and people are making judgment calls based upon college graduation dates or what their photo looks like or the number of years of experience and you know whether we want to believe it or not people are discriminating. I'm curious: what have you learned or what did you learn from the AirBNB experience and what are you learning from the Modern Elder Academy as you are working with individuals that have had and gained such amazing wisdom and continue to share it but maybe are running up against these invisible brick walls?   Chip Conley: [00:35:43] Yeah. Yeah great question. And yes ageism is the last form of socially acceptable bias in our society. Now the others still exist but they're less socially acceptable and we laugh about, we joke about, eccentric such a senior moments etc. And the truth is let's be honest that there are certain things as we age that don't get better with time. And other things do get better. What we've tended to do as a society is have a societal narrative that gets very fixated on what doesn't get better without focusing on what does. Let me use a specific example so it doesn't sound too abstract. As we get older our recall memory and our quickness with our mind isn't as good as it was say 25 years earlier. Fine. But what a lot of people don't know is there are a series of studies as shown in the last five to seven years. As you get older you're more adept at doing what I call the left-brain right-brain tango which means you actually have all wheel drive. You're better at being able to move from logical to artistic and back and forth and do that. Left brain right brain which what why is that valuable. It allows you to be more holistic in synthetic meaning - being able to synthesize things in your thinking. It allows you to get the gist of something faster. It allows you to actually tap into your intuition and use it in a more fundamental way. So what does that mean for a company? Well if you have somebody who's older who's got a great ability to get the gist of something, there's someone who actually doesn't get caught in the weeds. And that is exactly my role. I mean all this I've learned since joining AirBNB six years ago but it's exactly true of what happened to me. I joined and was like "Oh my gosh 30 strategic initiatives why don't we just have like four - let's get clear about what the four are what essential what's important what's good." So that's the kind of thing.   Chip Conley: [00:37:58] So the point is that we have a narrative in society that much says as people get older, the best times are behind them and in some ways that's true if you're talking about the playing field of your body that may be true. If you're talking about the playing field of how much money you make a year salary wise you top out at age 45 in the tech industry and age 50 in the general population so when it's 55 or later you're late probably making less salary.   Chip Conley: [00:38:31] But your emotional intelligence gets better with time: your ability to synthesize and have wisdom can get better with time etc. So what's my answer to the ageism society? Number one is is to go out and give lots of speeches write books like this one and try to help people see the value in intergenerational collaboration. I'm not suggesting we go back to the era where we revere our elders. That's not coming back but I'm also saying that diversity of all kinds is valuable in the workplace and we are very familiar with diversity of gender and race and sexual orientation but there's a lot less familiarity with gender of age and cognitive diversity which sometimes has nothing to do with age. Can be about neuro-diversity but often age is an element of cognitive diversity in the sense that you get somebody at the table who's going to look at things a little differently and that means you have less likelihood for group think. Finally I'll say one last thing on this subject which is I was talking with a well-known executive recruiter not long ago. And she said to me something really interesting s- she said "You're right if you just get caught up in the robots, the artificial intelligence looking at your resume you're in trouble because people perceive you as older and that could be a problem." So you have to use soft contacts -sometimes people who know people to get in the door. Or actually go to a networking event or things like that. But she says the key thing to know is this: when you do have that face to face time which will happen occasionally, the key thing to know is that when you are curious and passionately engaged your wrinkles start to evaporate and what people notice is not your face and it's wrinkles what they notice is your energy, and if you've got that kind of passionate energy that people want to sort of feel a part of it becomes a bit magnetic. You can overcome people sort of looking at you and judging you based on your age. And that's probably true of any bias we out there but the truth is I think it's more frankly for someone with age in terms of those two qualities: curiosity and passionate engagement.   Brian Mohr: [00:40:49] So as you think about the team you built at the Modern Elder Academy and having folks on board like a resident Shaman and a yoga and meditation teacher and massage therapy are the folks who are enrolling in the academy embracing with open immeditely? Is there some resistance given that some of things like - I'm going to go out on a limb and guess that some of the folks coming to the academy may know what a Shaman is in principle or in theory but having one is probably a new experience for some of these folks.   Chip Conley: [00:41:32] That's optional. No one has to work on that. That's an optional added benefit.   Brian Mohr: [00:41:42] Got it. Got it got it. So really meeting people where they're at and allowing them to pursue what they believe is going to create the most impact for them.   Chip Conley: [00:41:50] Yep yep yep. So I think that first of all, the key thing that people need to know is that they are not alone. And first of all one of the biggest surprises of the academy has been the following. That people are showing up at a much younger age than I thought. So almost 20 percent of the people who apply are are people under 45, when it was originally said there was a 45 to 65 year age range. But what we found is we've had people as young as 30 and people as old as 74 in the program. But we've had between five and 10 percent of our actual grads at this point have been in their 30s. So people are feeling a little irrelevant in their 30s or have a desire to sort of somehow start to cultivate their wisdom. The average age is about 52. So these are not people who are elderly. There are people who are at a stage where they may be an elder in a more relative term in the sense than it typically means. You are older than the people that surround you, so if you're a 35 year old surrounded by 20 year olds which is how it is many tech companies, you could be an elder. The key that we do at the academy is we help people frame their mindset, but on a personal level in terms of the actual world nd then also from the perspective of the societal narrative on Aging. The thing that's really interesting, Brian, is that there's a ton of evidence and a lot of them made this about the curve of happiness. There's even a book that we came out last year called "The Happiness Curve" that's quite good. And the happiness curve shows the following across all societies except Russia. Russia is the only one that's a little bit of an aberration. But across all societies on the planet, there is a huge curve of happiness where people start seeing a decline in their happiness that goes from about age 28 to about age 45 to 50 and then it bottoms out around 45 to 50. And then it starts getting better and people in their 50s are happier in their 40s. People in their 60s are happier than the 50s and people in their 70s are happier than in their mid-60s. There's a bunch of reasons for this but it's not actually woven into our societal narrative on aging. So that final narrative on aging is you hit midlife you have a crisis. You don't love your life as it is then you actually go out and, you know, have an affair and buy a sports car or whatever you do and then you get through the crisis. But on the other side of midlife is aging which is awful. It's for decrepitude and disease. And that's what people know and when we actually start introducing some action, some research - scientific information that helps people to understand that a new narrative that they could add a new mindset that they could actually adopt it it helps them to see I have some wisdom that I've learned along the way that it can be applicable. In a whole new industry that might be a better habitat for for me because. I am in you know I'm a I'm a computer engineer and I spent 20 years doing it but now I'm in my 40s and I feel. You know over the hill. But I've learned team collaboration skills and I've got to tell you those companies are full of really smart technology people but they're full of teams too. So maybe I start shifting my skill set to being a team leader. More than that the individual contributor is a rock star as an engineer.   Brian Mohr: [00:45:55] So as a tech entrepreneur, since so much of this modern elder philosophy came from the experiences you had with AirBNB, Is there any advice that you would want to deliver to tech entrepreneurs who are brilliant in the products or services that are creating the technology that they're building but have yet to have that realization that there's this massive massive well or reservoir of elder talent - modern older talent that they can tap into to help them with building teams, collaboration, focusing on whittling down 30 key strategic initiatives... How do you help them realize that they need this when they are so smart smart and maybe you just haven't had those laps around the track - help them realize?   Chip Conley: [00:46:43] The thing I'll say to them is the same to anybody is: do not hire people who are just like you. I mean your natural tendency is to do that because you like them, you're socially adept with them, and they agree with you a lot of the time. But actually go beyond that. Because I understand the age side of things: maybe somebody who has some experience. The thing I would also say is don't hire somebody who's just stuck in the past. If you're hiring somebody because they actually just tell you the way they always would have done it or they don't have a curiosity and an appetite for learning - that's not a modern elder, that's just sort of an older person who's trying to sort of live on the fumes of their past. So I think what's really important is to look at people, especially - let's say your technology is disrupting an industry like health care, and you know health care deserves to be disrupted because nobody likes the industry and all that's true. But that means maybe you should go out and hire a really serious modern elder. From the industry. He's got a big Rolodex and I know you don't know what that means.   Both: [00:47:57] --Laughter--   Chip Conley: [00:48:00] But they also know how the industry works - that person while they are wedded to that if they're wedded to the past and they don't really believe in their technology, then don't hire them. I believed in Bryan and in AirBNB as a disruptor in the lodging industry. Not to actually take over the hotels. The good news is I'm still here. I still own hotels. I just don't manage the company but I still own the real estate of hotels. So I didn't think that AirBNB was going to come in and just ruin the hotel industry. So you know, it was easy for me to be part of a disruptor that I knew was going to still keep me in the industry, and intact in general.   Chip Conley: [00:48:37] But the new way of doing things would actually help maybe improve innovation in an industry. So that's what you want to look for. How do you find those people? Maybe ask your parents, they may be an alma mater in common and you might need to actually go out and literally look for that person.   Chip Conley: [00:48:57] If you've got a venture capitalist or an investor involved you might sort of say to them: "You know what? I want to hire somebody as our head of strategy that I actually want them to frankly be 10 to 15 years older than me." Let's look for that and not only exclusively deals for anybody exclusively based on a demographic. That's a very dangerous path to be going on but you can say that you want some of the following experiences as well. And so. Long story short is that this is part of what a lot of younger people don't think about as a possibility. Partly because they feel like they don't want to hire their parent. Or their preacher. And a lot of times that older person is a parent or a preacher and are lecturing most of the time.   Brian Mohr: [00:49:39] You know, that's fantastic advice. So, I saved what I hope would be the best question for last. Are you ready?   Chip Conley: [00:49:51] Yeah.   Brian Mohr: [00:49:51] --Spanish words that this transcriptionist doesn't understand--   Chip Conley: [00:50:05] So actually give it to me in English.   Brian Mohr: [00:50:10] I'll give it to you in English. And this is about the extent of my Spanish.   Chip Conley: [00:50:16] It sounds like it was about listening potentially, or something.   Brian Mohr: [00:50:19] You're super close. The question is I understand you are learning Spanish - How's it going?   Chip Conley: [00:50:31] Yes - Oh, yes yes. I just answered. Still I'm learning Spanish and surfing in my late sixties and I'm enjoying it. But I mean I've only had six lessons for Spanish & my Spanish is better than my surfing.. Clearly it didn't work.   Both: [00:50:42] Laughter   Brian Mohr: [00:51:01] There ya go. It's my pleasure. What an amazing, amazing conversion - my curious white boy friend Chip. Thank you so much for joining us. And I could chat with you for hours. I really appreciate it. Take good care and good luck to you.   Chip Conley: [00:51:10] All right. Thanks. Bye bye.  

Episodio original: http://cuonda.com/binarios/58-google-io Más episodios: http://cuonda.com/binarios Desde el Shoreline Amphitheater en Mountain View analizamos las novedades de Google I/O y BUILD junto a Jon Oleaga (@oleaga https://twitter.com/oleaga?lang=en), colaborador del diario ABC, fundador de visualbox.net y profesor del Instituto de Empresa.

Lucky 7's today :) and I hope you'll feel lucky after listening to this week's fine second set from the Shoreline Amphitheater in Mt. View CA on June 21st, 1989. This is a fine set for the period, Jerry is in excellent voice, and Phil is energetic and out front throughout. Jerry breaks out the Fender -Midi outfit during space, which is quite interesting and the addition of the late, longtime E Street Band saxophonist Clarence Clemons adds a nice fill to several spaces in the music, I think. The highlights for me are a fine Estimated Prophet, the wonderful transition from Truckin' to the Other One, and of course a fabulous Morning Dew. A fine show from one of best periods of the latter day Dead.     Shoreline Amphitheater (6/21/89)   Comments: Summer Solstice Show Pay-Per-View   Two Scarlet Begonias [7:46] -> Hell In A Bucket [5:44] (1) ; Ship Of Fools [7:44] (1) ; Estimated Prophet [10:14] (1) -> Eyes Of The World [12:40] (1) -> Drums [#9:52] -> Space [15:02] -> Truckin' [6:51] (1) -> The Other One [5:16] (1)(2) -> Morning Dew [11:#42] (1,3) ~ Turn On Your Love Light [8:12] (1) Encore Brokedown Palace [5:23#] Comments (1) with Clarence Clemons   You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod070717.mp3   Thank you for your support of the Deadpod..   Let's all try to be kind :)  

Brandon Paski, Marketing Director for San Francisco, CA alternative radio station KITS Live 105.3 FM and formally the bassist for pop punk bands Boy Kicks Girl and My New Life, sits down with us to tell us about playing a talent show and getting in trouble when sneaking in an extra song, playing the first Boy Kicks Girl show at 1am to no one, and his first Live 105.3 FM BFD at Shoreline Amphitheater with 18,000 people! How sometimes you have to make it all up as you go along, and never getting to see any band that plays your shows. How punk rock makes you ready for anything. The joy of opening for Blink 182, and what it felt like to sell out 25,000 people for BFD 2014 in advance at Shoreline Amphitheater for the first time (and still holding the record of the biggest show there of all time)! The best worst show in Buffalo, NY and having your drummer decide to leave a six week tour after two weeks with little to no warning.  ------------------------------------------------ Official website: www.3gigspodcast.com Official host site: www.dominicdavi.com ------------------------------------------------ ** This episode was brought to you by Fresh Clean Tees! It's like a shaving club, but they bring you awesome, affordable, clean t-shirts! Check out Fresh Clean Tees at http://www.freshcleantees.com/ and get 20% off your first order with the code "GIG" **

We talk to Adam Duritz of Counting Crows to talk about his upcoming stop to the Shoreline Amphitheater with Rob Thomas.

Rob Thomas phones in to #MorningsOnKFOG to talk about his current tour with Counting Crows, and their upcoming Bay Area stop at the Shoreline Amphitheater.

Since 2010 San Francisco's David Carvalho and Chris Harnett, a.k.a. WhiteNoize, have been churning out just the kind of dance music we love: good old fashioned, four-on-the floor, Brad Robinson-style, fun-and-funky house, which makes them a perfect fit for The RIPEcast. Press play and enjoy 60 minutes of original house music from WhiteNoize! We'll see you at Ghost Ship, Everyone! WhiteNoize consists of DJ and Production duo Chris Harnett and David Carvalho. The long time friends and veteran DJ’s of San Francisco have created a popular following in west coast clubs with their unique sets fusing multiple genres of house music. 2010 saw WhiteNoize burst into the scene with 2 critically acclaimed EP’s released on DJ Dan’s Instereo Recordings and a remix on Fatboy Slim’s Skint Records. In just two years time, they have released 30+ tracks on over 10 record labels and have seen success on Beatport, Trackitdown, Traxsource and more with several of their tracks ending up in the Top 100. One of their latest releases ‘Insecure’ on Instereo Recordings saw tremendous success hitting the #1 spot on Beatport House and #4 on the Overall Chart. It has been on the charts for about 100 days so far. Their EP ‘Fashionably Early’ released in May 2012 on Guesthouse Music also saw tremendous success. A collaboration with the talented Viceroy ‘Only Takes’ landed them at #1 on We Are Hunted, #4 on Hypem Popular and #4 on Soundcloud Hot while their own track ‘Pimp On’ hit #1 on the Traxsource House Chart. Well known for their versatile and energetic sets, WhiteNoize has performed all over the States. They play regularly at places like Ruby Skye in San Francisco and have played at festivals like Ultra Music Festival, Outsidelands, and 3 times at Coachella including 2011 in the famed Sahara Tent. Just recently they were named to the coveted lineup for Live Nation’s first Electronic Music Festival, “I Love This City”, in Mountain View at Shoreline Amphitheater. So far their music has been supported by A-Trak, DJ Dan, DJ Mes, Treasure Fingers, Umek, PHNTM, TJR, Eddie Halliwell, StoneBridge, and Donald Glaude among many others. With numerous releases on the horizon and an exciting lineup of shows coming up this summer there seems to be no stopping this duo…look for them to be in a city near you soon! For more information on WhiteNoize visit: www.WhiteNoize.com www.facebook.com/whtnoize http://twitter.com/whtnoize www.beatport.com/artist/whitenoize/133639 Artwork by www.jempanufnik.com